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-Some of the nation's favourite celebrities... -That's the pig for you. | 0:00:02 | 0:00:07 | |
-..one antiques expert each... -Celebrities(!) | 0:00:07 | 0:00:10 | |
We're here to make money. | 0:00:10 | 0:00:12 | |
..and one big challenge - who can seek out and buy the best antiques at the very best prices? | 0:00:12 | 0:00:19 | |
I've got a lovely eye. Just the one. | 0:00:19 | 0:00:22 | |
And auction for a big profit further down the road? | 0:00:22 | 0:00:27 | |
-Who will spot the good investments? Who will listen to good advice? -It goes with your eyes. -Does it? | 0:00:27 | 0:00:33 | |
And who will be the first to say, "Don't you know who I am?!"? | 0:00:33 | 0:00:38 | |
Time to put your pedal to the metal. | 0:00:38 | 0:00:42 | |
This is Celebrity Antiques Road Trip! | 0:00:42 | 0:00:45 | |
Yeah! | 0:00:46 | 0:00:48 | |
Heroic Herefordshire opens its antiques shops for this round of the Road Trip. | 0:00:50 | 0:00:56 | |
Squeezed into this rather suave 1972 Alfa Romeo Spider | 0:00:56 | 0:01:01 | |
we have a pair of TV favourites. | 0:01:01 | 0:01:04 | |
-You need a comedy moustache. What a shame. I've got a big bag, but no comedy moustache. -OK. | 0:01:04 | 0:01:10 | |
Each with £400 to spend on antiques for auction. | 0:01:10 | 0:01:15 | |
Do you know anything about antiques? | 0:01:15 | 0:01:18 | |
Em...not a great deal. | 0:01:18 | 0:01:22 | |
How about your good self? | 0:01:22 | 0:01:25 | |
I once had a much older boyfriend. | 0:01:25 | 0:01:28 | |
-Do you collect anything? -I collect wine. -That's not an antique. -I collect art. | 0:01:28 | 0:01:35 | |
-You should collect Toby jugs. -How do you know I don't? | 0:01:35 | 0:01:39 | |
How do you know that I'm not an antiques expert? | 0:01:40 | 0:01:45 | |
He's not. He's the former comedy actor who took the sitcom to new depths - | 0:01:45 | 0:01:50 | |
I mean heights - with the hilarious Game On. | 0:01:50 | 0:01:54 | |
Thursday, half seven. Coming to my room to watch the netball team go past? | 0:01:54 | 0:02:00 | |
Then he got all serious on us with glossy drama and he hasn't looked back. | 0:02:00 | 0:02:06 | |
I've seen it all now. I am off to lunch. | 0:02:06 | 0:02:10 | |
He's the smooth, handsome dealmaker from Silk. He's Neil Stuke. | 0:02:10 | 0:02:16 | |
This land of ours... | 0:02:16 | 0:02:18 | |
Shakespeare was here, you know. | 0:02:18 | 0:02:21 | |
-This is England. -Are you drunk? | 0:02:21 | 0:02:23 | |
And we have this charming spring flower, this lady from Rutland, | 0:02:23 | 0:02:28 | |
the face of GMTV for 17 years. | 0:02:28 | 0:02:32 | |
She kept us entertained throughout the day. | 0:02:32 | 0:02:35 | |
She read us the news. | 0:02:35 | 0:02:37 | |
They'll have police in inner city schools with high crime and truancy. | 0:02:37 | 0:02:42 | |
-She made us laugh. -Teaching! | 0:02:42 | 0:02:46 | |
She even sang us to sleep. | 0:02:46 | 0:02:48 | |
-# -When I fall in love | 0:02:48 | 0:02:52 | |
-# -It will be forever... -# | 0:02:54 | 0:02:58 | |
And she's promised to sing no more! She's Penny Smith. | 0:02:58 | 0:03:03 | |
-It doesn't matter if you hit all the notes, does it? -No, not here. | 0:03:03 | 0:03:07 | |
-I think the key here, obviously, is... -To listen to the people who are our antiques experts! -No. | 0:03:07 | 0:03:15 | |
It is our job to make money. | 0:03:15 | 0:03:18 | |
So it's not about what we like, it's about making money. | 0:03:18 | 0:03:24 | |
And it's about what I like. | 0:03:24 | 0:03:26 | |
And it's about trust, so we've pulled out all the stops to get the very best experts. | 0:03:26 | 0:03:32 | |
-When they weren't available, we got the best we could fit in this tiny Fiat Gamine. -Put on a few pounds? | 0:03:32 | 0:03:39 | |
How very dare you! It's this car. | 0:03:39 | 0:03:44 | |
-Does it make my bum look big? -It makes it look huge! | 0:03:45 | 0:03:50 | |
He's the cavalier Caledonian, the maestro of militaria. | 0:03:50 | 0:03:54 | |
-'and over your money, sir! -He's the Napoleon of negotiation. | 0:03:54 | 0:03:58 | |
This is where the nice young man turns into a hideous monster. | 0:03:58 | 0:04:03 | |
He's a serious professional. He's Paul Laidlaw. | 0:04:03 | 0:04:08 | |
Oh, dear! She's not sounding that good, is she? | 0:04:08 | 0:04:12 | |
Either that or the SAS are machine-gunning at us! | 0:04:12 | 0:04:17 | |
And I know what you're thinking - that cool cat's got some swagger. What's his name? | 0:04:17 | 0:04:23 | |
I just want to smash them! Oh, God...! | 0:04:23 | 0:04:26 | |
He's the strong, manly auctioneer who knows a lot about jewellery. | 0:04:26 | 0:04:31 | |
I need to buy more! | 0:04:31 | 0:04:34 | |
He's vivacious, he's bodacious, he's keen to impress us. He's Thomas Plant. | 0:04:34 | 0:04:41 | |
-Any preference as to which...? -Not really. I don't really mind. As long as I don't get the Noddy car! | 0:04:41 | 0:04:48 | |
-I've got a shopping list. Lava lamp. -Yeah. -Some sort of 1970s Japanese television. | 0:04:48 | 0:04:54 | |
-Action Men figures. -Action Men figures! | 0:04:54 | 0:04:58 | |
Will you get a Barbie and make them make babies? | 0:04:58 | 0:05:02 | |
I think you can do better than that with £400, frankly. | 0:05:02 | 0:05:05 | |
However, silly experts are not our celebrities' biggest problem. | 0:05:05 | 0:05:10 | |
-She's a fantastic back seat driver. -Front seat driver. | 0:05:10 | 0:05:15 | |
-Penelope needs a pit stop. -We're actually not that far away. -Shanks's pony? -Let's do it. | 0:05:15 | 0:05:22 | |
Apologies for the wounded motor. Just a blip in a soon-to-be-perfect day, we hope! | 0:05:22 | 0:05:28 | |
Da-da! | 0:05:28 | 0:05:29 | |
Ah, here we go. | 0:05:29 | 0:05:31 | |
-How are you doing? -Good! | 0:05:31 | 0:05:34 | |
-We don't have a car. -We had car trouble. | 0:05:34 | 0:05:37 | |
-What do you guys want to do? -What do you like talking about? | 0:05:37 | 0:05:41 | |
-You bored me a bit about military history. -Military history. | 0:05:41 | 0:05:45 | |
-That's a match made in heaven. They will be spooning. -Really? | 0:05:45 | 0:05:50 | |
It's going to be unpleasant, is it? It'll be nasty? | 0:05:50 | 0:05:54 | |
That I didn't know about. | 0:05:54 | 0:05:56 | |
-Read the small print! -I need to just call my agent. | 0:05:58 | 0:06:02 | |
Too late, Neil. We gotcha! | 0:06:02 | 0:06:04 | |
Now let's see where we'll send ya. | 0:06:04 | 0:06:07 | |
Hereford is the first port of call before our new teams cross into Shropshire | 0:06:07 | 0:06:13 | |
and head for a decisive auction in Newport. But we're getting ahead and there's still that transport issue. | 0:06:13 | 0:06:20 | |
-There go two losers. -Yeah, that's great that they're losers, | 0:06:24 | 0:06:29 | |
but they've got a car and we haven't. | 0:06:29 | 0:06:32 | |
I'm hoping to just get antiques that I like. | 0:06:32 | 0:06:37 | |
-Is that the name of the game? -Well, yes and no. | 0:06:37 | 0:06:41 | |
They do have to kind of make a profit. | 0:06:41 | 0:06:43 | |
-Let's find the heart of Hereford. -Follow our noses, yeah? | 0:06:43 | 0:06:48 | |
-Mind the bump! -I know! I saw it too late! Far too late. | 0:06:48 | 0:06:52 | |
Penny and Thomas have made it to the towering Hereford Antiques Centre. | 0:06:52 | 0:06:57 | |
Standing by to defend the cash register is marvellous Matthew. | 0:06:57 | 0:07:02 | |
Hi, Matthew. | 0:07:02 | 0:07:03 | |
-Let me just have a quick look round. I'm a quick shopper. -Are you? -Very fast. | 0:07:03 | 0:07:08 | |
If it doesn't take my eye, it's not getting bought. | 0:07:08 | 0:07:13 | |
PINGS | 0:07:20 | 0:07:21 | |
Nice! | 0:07:23 | 0:07:25 | |
OK, well, I like this one and the fact there's another one. | 0:07:29 | 0:07:34 | |
-You like it because it's neat and restrained and tidy. -I do. | 0:07:34 | 0:07:38 | |
-It's clean, lovely colours. You can't go wrong with blue and white. -No, you can't. | 0:07:38 | 0:07:43 | |
-I quite like that. -It's a story, isn't it? | 0:07:43 | 0:07:47 | |
Cupid. | 0:07:47 | 0:07:49 | |
-His flames. Actually...hang on. -Hang on? What? Have you noticed something? | 0:07:49 | 0:07:55 | |
-A star hairline crack. -Oh, no...! | 0:07:55 | 0:07:59 | |
-Just there, look. -Any point in just getting one? -Not really, no. You want the two. It's better in pairs. | 0:07:59 | 0:08:06 | |
-What did you see? -Actually... The big brass vase is quite me. | 0:08:06 | 0:08:11 | |
-That looks like a milk churn. -OK, this is probably German. | 0:08:11 | 0:08:16 | |
It's Art Nouveau style. Can we just turn it over? | 0:08:16 | 0:08:21 | |
-Isn't it a bit woofed or whatever your word is? -Whacked. | 0:08:22 | 0:08:26 | |
-Metal can be whacked. It's fine. -Metal is allowed to be whacked? | 0:08:26 | 0:08:31 | |
You can have silver or metal. | 0:08:31 | 0:08:34 | |
-Have a look at this. -What is it? | 0:08:34 | 0:08:38 | |
It was plated. Big Art Nouveau bowl. | 0:08:38 | 0:08:41 | |
Oh, right. | 0:08:41 | 0:08:43 | |
But it's...1890s. It's brass. It was silver-plated. | 0:08:43 | 0:08:48 | |
-And the silver plate's all come off. -Polished off. -Does it matter? | 0:08:48 | 0:08:52 | |
Not really. You can get it re-plated. | 0:08:52 | 0:08:55 | |
I almost want it upside down. I almost want you to wear it. | 0:08:55 | 0:08:59 | |
-Like a... -Like a Viking helmet? | 0:08:59 | 0:09:02 | |
-Oh, now you see that... -Now it comes alive. -It does. | 0:09:02 | 0:09:06 | |
-And it goes with your eyes. -Does it? -It's a much more attractive piece! | 0:09:06 | 0:09:12 | |
Are you... Oh, that was a bit close. I think I might be having your child! | 0:09:12 | 0:09:17 | |
-Is that OK? -Blimey! This working relationship is going very well! | 0:09:17 | 0:09:22 | |
-I love the colour. -Uranium has been put in that to make it that colour. | 0:09:22 | 0:09:27 | |
-What is uranium? -Well, it's the thing that powers nuclear power stations. | 0:09:27 | 0:09:33 | |
-So are they radioactive? -If you put a Geiger counter to them, they'd go a little bit higher. | 0:09:33 | 0:09:39 | |
-Really? That's quite exciting. -It's quite nice being a pair. | 0:09:39 | 0:09:44 | |
Uranium is famous as a source of fuel in the creation of nuclear power, | 0:09:44 | 0:09:50 | |
but has been used since Roma times as a yellow colorant for glass and ceramics. | 0:09:50 | 0:09:56 | |
These vases should not be too radioactive. However, they do say that two heads are better than one. | 0:09:56 | 0:10:03 | |
-Victorian moulded uranium vases, glasses. -Glasses, vases. -£38. | 0:10:03 | 0:10:09 | |
-I will get them for a lot less than that. -All right. -Is it worth having? | 0:10:09 | 0:10:13 | |
-Not really, but... -I quite like them. Are they buffed? Chaffed? | 0:10:13 | 0:10:18 | |
-Whacked! -Whacked. Does it matter that this one is woofed? | 0:10:18 | 0:10:22 | |
-Whacked. -Splicked. -Woofed. It's got a chip. | 0:10:22 | 0:10:27 | |
I know. Chips for lunch. I'm hungry. | 0:10:27 | 0:10:30 | |
It'll have to be a working lunch, Penelope. | 0:10:30 | 0:10:34 | |
Suave, business-savvy Matthew is waiting for a deal! | 0:10:34 | 0:10:37 | |
Best, best price. | 0:10:37 | 0:10:40 | |
Sixty. | 0:10:40 | 0:10:41 | |
-Oh! -Sixty... | 0:10:41 | 0:10:43 | |
-No, so that's not going to happen. -What are you thinking is best price? | 0:10:43 | 0:10:48 | |
-Less than that. -The very best would be fifty. | 0:10:48 | 0:10:52 | |
Fifty. | 0:10:53 | 0:10:55 | |
It's got the look. | 0:10:55 | 0:10:58 | |
It's got something, all right. So can Matthew stoically hold to £38 on the uranium glass vases? | 0:10:58 | 0:11:05 | |
-What's the best price? -25. -Even though they're whacked? -Whacked? -One's got a chip. | 0:11:05 | 0:11:11 | |
-Has it? -One's got a chip with no mayonnaise. | 0:11:11 | 0:11:15 | |
I can hear your tummy rumble. | 0:11:15 | 0:11:19 | |
-Twenty. -This one here. | 0:11:19 | 0:11:21 | |
-Twenty. -Twenty's your best price? | 0:11:21 | 0:11:24 | |
-That's 70 quid. -I'd like to do a deal at 50 for the two. | 0:11:24 | 0:11:29 | |
-65... -No. -Plus you're going to sign my book. | 0:11:29 | 0:11:33 | |
-Halfway. 55. -Oh, I like that. | 0:11:33 | 0:11:36 | |
Oh, God. | 0:11:36 | 0:11:38 | |
-65... -Look at him. He's screwing that chair to the floor. | 0:11:38 | 0:11:43 | |
My mother, when she sees this, will be just... | 0:11:43 | 0:11:47 | |
Well, if it's not one thing, it's your mother. That's life. | 0:11:47 | 0:11:51 | |
-It's hard enough in this world. -You should tread the boards. | 0:11:51 | 0:11:55 | |
-Why don't we go 57? -No, 55... -OK, we're willing to go for 57. Don't roll your eyes at me. 57. | 0:11:55 | 0:12:03 | |
-OK? -60. | 0:12:03 | 0:12:05 | |
No, look. He wanted 55. I'm going to 57. | 0:12:05 | 0:12:08 | |
Otherwise he'll be really annoyed and I've got three days with him! It's going to be awful. | 0:12:08 | 0:12:14 | |
57, a signature and you're done. | 0:12:14 | 0:12:16 | |
-Cheers. -Well done, Penny. Two great purchases under your belt. | 0:12:16 | 0:12:20 | |
So, car or no car, our chaps need to make some antique investments this morning. | 0:12:22 | 0:12:28 | |
OK, let's go do some work. | 0:12:28 | 0:12:30 | |
Matthew's on a double shift and bracing himself for a second celebrity onslaught. | 0:12:30 | 0:12:36 | |
-Let's hope he can make mother proud. -I'm slightly daunted. | 0:12:36 | 0:12:42 | |
-I've already noticed quite a few pairs of these dogs. -I'd call those wally dugs. | 0:12:47 | 0:12:54 | |
They are, can I say, the working man's hearth ornaments. | 0:12:54 | 0:12:59 | |
-They are ubiquitous. -If Neil wants to make serious money, he'll need to look harder | 0:12:59 | 0:13:05 | |
-for shrewd investments. -Right. | 0:13:05 | 0:13:07 | |
So this place is... It's very big. There's another pair of those dogs up there. | 0:13:10 | 0:13:16 | |
Then there's some more there, look. | 0:13:17 | 0:13:20 | |
I think they're screaming, "Don't buy me! Don't buy me! We're so common." | 0:13:20 | 0:13:25 | |
Well, focus on something you DO like the look of, common or not. | 0:13:25 | 0:13:30 | |
I just can't help but think | 0:13:30 | 0:13:34 | |
that in these cases | 0:13:34 | 0:13:36 | |
there is something of value. | 0:13:36 | 0:13:39 | |
-There's a pair there. -Wemyss. A pair of waisted - that describes the form - vases. | 0:13:39 | 0:13:46 | |
That's a big cabbage rose you've got there. I do like that they're a pair | 0:13:46 | 0:13:50 | |
and they've got a brand that's immediately recognisable. | 0:13:50 | 0:13:54 | |
-Wemyss were highly collectable. Let me see if I can get one for you... -Yeah. | 0:13:54 | 0:14:00 | |
One for me. We're looking at the condition. | 0:14:00 | 0:14:04 | |
Wemyss ware hails from the Kingdom of Fife in Scotland. | 0:14:04 | 0:14:08 | |
This highly collectable cabbage rose pattern, designed by gifted bohemian painter Karel Nikola. | 0:14:08 | 0:14:15 | |
-The pair are priced at £165. -I think I spotted in here, while we've got the door open, | 0:14:15 | 0:14:21 | |
-a cocktail shaker. -Yeah. -These are decadent things. | 0:14:21 | 0:14:25 | |
-My eye always goes on cocktail shakers. I used to be a cocktail barman. -Really? -Yeah. | 0:14:25 | 0:14:31 | |
So you found something you like that could possibly make some money. | 0:14:31 | 0:14:36 | |
And I still love to make cocktails all the time. | 0:14:36 | 0:14:40 | |
-I trained under the great Dick Bradsell. -THE great Dick Bradsell? | 0:14:40 | 0:14:46 | |
-THE great Dick Bradsell. -Who was he? -Exactly. | 0:14:46 | 0:14:49 | |
-One of the world's most famous mixologists. -Get in! | 0:14:49 | 0:14:54 | |
-Mixology. That's what Tom Cruise is into. -That's Scientology. | 0:14:54 | 0:14:58 | |
-You prat! I don't think we should be talking about that. -Indeed. | 0:14:58 | 0:15:02 | |
Although Tom Cruise once made a film all about cocktails. I forget the name - must have been drunk. | 0:15:02 | 0:15:08 | |
This suave Asprey's cocktail shaker is currently priced at £95, so it's time for Matthew to call the dealer. | 0:15:08 | 0:15:15 | |
Go for it, Matt. | 0:15:15 | 0:15:17 | |
-What do you want to pay? -£80-£100. | 0:15:17 | 0:15:20 | |
Sorry. Who am I talking to? | 0:15:20 | 0:15:23 | |
-Richard. -Hi. How are you? | 0:15:23 | 0:15:25 | |
I'm Paul and I'm on a mission to spend some money today. | 0:15:26 | 0:15:31 | |
But I'm as miserable as sin. | 0:15:31 | 0:15:34 | |
Not miserable! Just tight. | 0:15:34 | 0:15:37 | |
Hang on a minute. ..Could we buy the two? How would you feel about the two? | 0:15:37 | 0:15:43 | |
If we bought the two, what could they be? I'm wanting to pay 120. | 0:15:43 | 0:15:47 | |
What are you saying? | 0:15:47 | 0:15:50 | |
Awww! | 0:15:51 | 0:15:53 | |
You've gone down to 135. | 0:15:53 | 0:15:55 | |
Look, don't say that's it. Give me it on a round number. 130. | 0:15:55 | 0:16:00 | |
And we nail it. | 0:16:00 | 0:16:02 | |
You've got a deal, my man. | 0:16:02 | 0:16:05 | |
I do apologise, Richard. | 0:16:07 | 0:16:10 | |
So at 120 for cash, yeah? | 0:16:11 | 0:16:14 | |
Paul's influence is rubbing off! | 0:16:16 | 0:16:18 | |
I could murder a cocktail at this juncture. | 0:16:18 | 0:16:22 | |
-Ahh. Come on. Let's do it. -A bit early, isn't it? -Thank you. | 0:16:22 | 0:16:26 | |
Bye! | 0:16:26 | 0:16:28 | |
Meanwhile, Penny and Thomas are hard at it and pressing on. | 0:16:30 | 0:16:34 | |
-What was your first job? -Plucking turkeys for Christmas. | 0:16:34 | 0:16:39 | |
-Is this in Rutland? -In Rutland, yes. | 0:16:39 | 0:16:42 | |
And then a man phoned me and said, "Would you like to come to a new thing we're doing called Sky News?" | 0:16:42 | 0:16:49 | |
So I went to Sky News and I became the first face on Sky News. | 0:16:49 | 0:16:56 | |
Penny Smith is certainly a girl on the move. | 0:16:56 | 0:16:59 | |
And this Road Trip is moving at last, making its way safely and soberly | 0:16:59 | 0:17:05 | |
14 miles due north to a place they call Leominster. | 0:17:05 | 0:17:09 | |
My dad's an engineer and my mum was the worst hairdresser in the world. | 0:17:09 | 0:17:13 | |
She used to cut our hair so badly that we looked like a collection of steak and kidney puddings. | 0:17:13 | 0:17:19 | |
Mothers, honestly! | 0:17:21 | 0:17:23 | |
In 1887, John Bartholomew's Gazetteer of the British Isles | 0:17:23 | 0:17:29 | |
described Leominster as "situated in a fertile valley, its commerce is chiefly hops and cider". | 0:17:29 | 0:17:35 | |
Fortunately, both Penny and Thomas are responsible designated drivers, come rain or shine. | 0:17:35 | 0:17:42 | |
-Are we dying? -We're dying! -Oh, no! | 0:17:42 | 0:17:46 | |
We're dying! Oh, no! ENGINE SPLUTTERS | 0:17:46 | 0:17:49 | |
Oh! | 0:17:49 | 0:17:50 | |
Aaaargh! | 0:17:51 | 0:17:53 | |
-Oh, no! -I'm getting out. | 0:17:53 | 0:17:56 | |
Oh, dear. Our vintage cars are not faring well today, | 0:17:56 | 0:18:00 | |
but at least the mechanics of Hereford will be kept busy. | 0:18:00 | 0:18:04 | |
Poor car. | 0:18:06 | 0:18:08 | |
I do feel very sorry for it. | 0:18:08 | 0:18:11 | |
-Are we going down Cordwainers Lane? -There's some wee. -Oh, no! | 0:18:11 | 0:18:15 | |
That's you boys and your inability to stop weeing in places. | 0:18:15 | 0:18:20 | |
Honestly, you boys! | 0:18:20 | 0:18:22 | |
Still, at last we reach the Leominster Antiques Market, | 0:18:22 | 0:18:26 | |
an enticing, up and downy cavern of potential treasures. | 0:18:26 | 0:18:31 | |
We're going to have a good look. | 0:18:31 | 0:18:34 | |
Yeah, you and your whips. | 0:18:34 | 0:18:37 | |
A-ha-ha! So nice. I'll repay the favour. | 0:18:37 | 0:18:41 | |
-Give me some... -Action! | 0:18:41 | 0:18:43 | |
It is a massage. I'm not quite ready for it yet. | 0:18:43 | 0:18:47 | |
Ah! | 0:18:47 | 0:18:48 | |
It's OK. Nothing to see here. | 0:18:49 | 0:18:52 | |
Did you see these lovely brass things here? | 0:18:55 | 0:18:58 | |
That's what we used to spend Sundays doing, wet Sundays. | 0:18:58 | 0:19:02 | |
-Mum got all the brass out. -And get you to polish it? -Yes. | 0:19:02 | 0:19:07 | |
Last to finish got a Mrs Smith haircut, no doubt. | 0:19:07 | 0:19:10 | |
-What have they got here? I love agricultural things. -What is it? | 0:19:10 | 0:19:15 | |
-I don't know. -Didn't you put things on and pull it behind a cow? | 0:19:15 | 0:19:20 | |
-What a lovely bit of wood. -Beautiful. | 0:19:20 | 0:19:23 | |
It is a delightful shaped piece of sycamore. | 0:19:23 | 0:19:27 | |
A four-pronged oxen yoke, possibly 19th-century | 0:19:27 | 0:19:31 | |
and definitely with an asking price of £85. | 0:19:31 | 0:19:35 | |
-You could mount that on a wall. -Or mount it the other way and have it for coats. | 0:19:35 | 0:19:41 | |
Good idea! Just occasionally, negotiations occur behind closed doors, but Penny and Thomas got | 0:19:41 | 0:19:49 | |
a fairly reasonable deal at £50. | 0:19:49 | 0:19:51 | |
Gosh, they're working hard today. | 0:19:51 | 0:19:54 | |
Back in Hereford, dedicated Neil is leading Paul to... | 0:19:57 | 0:20:01 | |
Look out! | 0:20:01 | 0:20:04 | |
-Good morning. Welcome to the Cider Museum. I'm Margaret Thompson. -Good morning. Neil. | 0:20:04 | 0:20:09 | |
Well, we're here now. | 0:20:09 | 0:20:12 | |
Hereford's fascinating Cider Museum is a living, breathing, drinking recreation | 0:20:12 | 0:20:18 | |
of a cottage industry grown into mass production. | 0:20:18 | 0:20:22 | |
Britain has been a highly-organised cider producer since the Middle Ages. | 0:20:22 | 0:20:26 | |
Apple pressing and fermenting is an art and, with the right equipment, can be achieved in vast quantities. | 0:20:26 | 0:20:33 | |
The museum has steadfastly acquired some amazing artefacts, | 0:20:33 | 0:20:38 | |
like this huge, 300-year-old apple press from Normandy. | 0:20:38 | 0:20:42 | |
-That's a trunk of a tree! -It's astonishing. | 0:20:42 | 0:20:46 | |
I've never seen anything like this. | 0:20:46 | 0:20:48 | |
In France, they would make the cheese using straw, whereas in Herefordshire, | 0:20:48 | 0:20:54 | |
-we would make a cheese using hairs. -That's quite interesting. | 0:20:54 | 0:20:59 | |
You're using the word "cheese" in relation to cider?! | 0:20:59 | 0:21:03 | |
-Absolutely. -Can you explain that? -When making cider in Hereford, | 0:21:03 | 0:21:08 | |
we would take a cloth and the crushed apple would be put into the middle of the cloth. | 0:21:08 | 0:21:14 | |
They would be stacked on the press, eight to fourteen high. | 0:21:14 | 0:21:19 | |
-When it's on the press and built, it's called a cheese. -Oh, OK. | 0:21:19 | 0:21:24 | |
-Of course. -But then cheese and cider goes extremely well, anyway. -Certainly does! | 0:21:24 | 0:21:30 | |
This incredible machine is the beginning of industrial production, | 0:21:30 | 0:21:34 | |
but cider making has had its peaks and troughs. | 0:21:34 | 0:21:37 | |
Medieval orchards declined during the Black Death and War of the Roses | 0:21:37 | 0:21:42 | |
until Henry VIII ordered new apple trees to be imported from Europe. | 0:21:42 | 0:21:46 | |
The cider cottage industry boomed well into the Industrial Revolution. | 0:21:46 | 0:21:52 | |
This type of equipment, the portable scratter, was introduced about 1850. | 0:21:52 | 0:21:58 | |
We probably don't appreciate the efforts the travelling cider maker went to. It's so heavy. | 0:21:58 | 0:22:04 | |
-Yeah. -There's no power steering. -We in this country are fascinated by that, | 0:22:04 | 0:22:10 | |
but that still happens in villages in Italy and Spain and France, | 0:22:10 | 0:22:14 | |
where they bring their grapes from their grapevines | 0:22:14 | 0:22:18 | |
and they have a village wine that's produced in one place. | 0:22:18 | 0:22:23 | |
Neil certainly knows his stuff, especially when it's about booze. | 0:22:23 | 0:22:28 | |
Fortunately, small artisan production never died out. | 0:22:28 | 0:22:31 | |
In fact, we've seen a cider-making resurgence throughout Britain fuelled by nostalgia | 0:22:31 | 0:22:37 | |
and a seemingly-unquenchable thirst. | 0:22:37 | 0:22:40 | |
So today the process is much bigger, but... | 0:22:40 | 0:22:44 | |
-it's gone back to its green and more organic roots -Many of the craft cider makers grow | 0:22:44 | 0:22:51 | |
and use the local fruit. Some commercial cider makers | 0:22:51 | 0:22:56 | |
probably have to import some apple concentrate. It still makes good drink, though. | 0:22:56 | 0:23:02 | |
Speaking of which... | 0:23:02 | 0:23:05 | |
That leads me on nicely... I don't know about you. | 0:23:05 | 0:23:09 | |
The back of my throat is so dry. | 0:23:09 | 0:23:12 | |
Sorry, Margaret. I'm sure our cheeky chaps are just practising their negotiation skills. | 0:23:12 | 0:23:18 | |
It is such a shame you're driving. It really is. | 0:23:18 | 0:23:22 | |
-Cheers! -Cheers! | 0:23:23 | 0:23:25 | |
I'm going to get my jacket. | 0:23:26 | 0:23:29 | |
Sorry about this. Really not good Road Trip behaviour, frankly. | 0:23:30 | 0:23:34 | |
-DRUNKENLY: Paul... -Tut tut! | 0:23:34 | 0:23:37 | |
No sympathy! You brought it on yourself. | 0:23:37 | 0:23:41 | |
Aye. Though not without incident, it's been a great first day. | 0:23:41 | 0:23:45 | |
The shops close, the sun sets across the county | 0:23:45 | 0:23:49 | |
and only shoe leather can deliver our lads and lass to their lodgings, | 0:23:49 | 0:23:54 | |
but whilst most road trippers are in bed, Neil is road testing his new favourite antique. | 0:23:54 | 0:24:00 | |
And this time Paul is not the designated driver. | 0:24:00 | 0:24:05 | |
-Oh, look at that! -Bottoms up, old chap. | 0:24:05 | 0:24:08 | |
Now drink responsibly, lads. Night night. | 0:24:09 | 0:24:13 | |
Morning! With clear heads - well, more or less - | 0:24:18 | 0:24:23 | |
-our celebrities face the first issue of the day. -Right. What's the car situation? | 0:24:23 | 0:24:29 | |
-We blew ours up. -We're now two cars down. We're without a car. | 0:24:29 | 0:24:34 | |
-I know, but apparently something else is coming. -OK. | 0:24:34 | 0:24:38 | |
Something's coming, all right. It's blue, it's from 1960 | 0:24:38 | 0:24:42 | |
and...it works! | 0:24:42 | 0:24:44 | |
Is it me or has this car got bigger and changed colour? | 0:24:44 | 0:24:48 | |
The Noddy car, I'm afraid I have to say, is dead. | 0:24:48 | 0:24:52 | |
-That cute, lovable, adorable... -Don't rub it in! | 0:24:52 | 0:24:56 | |
-You killed the car. -So far, Penny and Thomas have launched into proceedings | 0:24:56 | 0:25:01 | |
spending a sober £107 on three items. | 0:25:01 | 0:25:06 | |
The Art Nouveau brass fruit bowl, | 0:25:06 | 0:25:09 | |
the uranium glass vases | 0:25:09 | 0:25:11 | |
and the sycamore yoke. They face another day with £293 left to spend. | 0:25:11 | 0:25:17 | |
-Sorry. I'm on my knees now. -Are you all right on your knees? | 0:25:17 | 0:25:22 | |
Oh, dear. Neil and Paul, meanwhile, kind of eased into the day, | 0:25:22 | 0:25:28 | |
eventually spending a well-lubricated £130 on two items. | 0:25:28 | 0:25:32 | |
The cabbage rose Wemyss vases | 0:25:32 | 0:25:35 | |
and the Asprey cocktail shaker. | 0:25:35 | 0:25:38 | |
The wayward barflies have £270 to help them beat Penny and Tom. | 0:25:38 | 0:25:44 | |
There's another pair of the dogs. | 0:25:44 | 0:25:47 | |
Now let's resolve the burning issue. | 0:25:47 | 0:25:49 | |
-We've got a car. Have we? -Do we not have a car? | 0:25:49 | 0:25:53 | |
- We do not have a car. - You had it yesterday. - You've got the Morris. | 0:25:53 | 0:25:58 | |
-Bye! -Bye-bye! | 0:25:59 | 0:26:02 | |
-Have a good one. -Before today's Road Trip can move on, our teams have unfinished business in Leominster. | 0:26:02 | 0:26:08 | |
So let's hope Neil and Paul can stay off the sauce, eh? | 0:26:08 | 0:26:11 | |
Looks like we have rolled into town, dude. | 0:26:11 | 0:26:16 | |
Rolled being the operative word. | 0:26:16 | 0:26:19 | |
Leominster House Antiques Centre has five floors of wonders. The lights are on and Nigel's home. Hi, Nige. | 0:26:19 | 0:26:26 | |
-So it's down... -But can Neil find the investment he's seeking? | 0:26:26 | 0:26:31 | |
Come on, Paul. Only 16 more floors. | 0:26:31 | 0:26:34 | |
Not junk. | 0:26:34 | 0:26:37 | |
-Neil... -Yeah? | 0:26:37 | 0:26:39 | |
I've found something. ..That's a period spinning wheel. | 0:26:40 | 0:26:44 | |
-Right. -By period, I mean 19th century. | 0:26:44 | 0:26:47 | |
For me, I think it's quite interesting because it's mechanical | 0:26:47 | 0:26:52 | |
and made of wood. There's clearly some craftsmanship gone into this. | 0:26:52 | 0:26:57 | |
I don't like it, but I need to know if it's going to make money. | 0:26:57 | 0:27:01 | |
Truth of the matter is, while once you got a couple of hundred pounds for good ones at auction, | 0:27:01 | 0:27:07 | |
now £50-£80 tends to be the mark. | 0:27:07 | 0:27:11 | |
But look at the price tag. | 0:27:11 | 0:27:13 | |
We're in the right region. | 0:27:14 | 0:27:16 | |
£55 is the right ballpark and this delightful 19th-century machine works, | 0:27:16 | 0:27:22 | |
spinning fine yarn from the rawest of wool. | 0:27:22 | 0:27:25 | |
I'd like to buy that for £30-£35 to be able to sleep easy. We're going to make a little. | 0:27:25 | 0:27:31 | |
-What do you think? -I don't know what to think. | 0:27:31 | 0:27:36 | |
-Have we got time to think? -That's not going to be sold. | 0:27:36 | 0:27:40 | |
Good question. As the shopping moments evaporate, I'd say it's time to find Nigel and have a good grab. | 0:27:40 | 0:27:47 | |
-We have something we want to talk to you about. -Right. -A spinning wheel. | 0:27:47 | 0:27:52 | |
The spinning wheel is up there because it's never going to sell. | 0:27:52 | 0:27:56 | |
-It's sitting at £55. I see its merit, but I see its detractors. -Yeah. | 0:27:56 | 0:28:02 | |
Nigel needs to check his books and Neil needs to decide if he really wants to take the plunge. | 0:28:02 | 0:28:09 | |
That happens to be mine. The best I could do on that is 45. | 0:28:09 | 0:28:12 | |
-40, cash, and we'll take it. -No, 45 cash. I'm sticking there. | 0:28:12 | 0:28:17 | |
Poor Neil. It's not an easy decision, especially with a sore head. He needs shades. | 0:28:17 | 0:28:24 | |
I say we move on. I've got to be honest with you. | 0:28:24 | 0:28:28 | |
I don't like it, but I understand its beauty. ..I feel terrible. | 0:28:28 | 0:28:33 | |
I feel terrible. Look... | 0:28:33 | 0:28:35 | |
How big a risk...? We're going to walk away from that. How big a risk is £45 on that? | 0:28:36 | 0:28:42 | |
We're back. We are back. | 0:28:45 | 0:28:48 | |
-We're going to do it. We'll take you up on the wheel. -OK. | 0:28:48 | 0:28:52 | |
You're a hard man. | 0:28:52 | 0:28:54 | |
-You're a hard man. -Thank you. Thanks for your custom. | 0:28:55 | 0:28:59 | |
-Wish us luck! -Absolutely. -£5 change, please. -It's coming now! | 0:28:59 | 0:29:04 | |
Keep your hair on, Neil. You've got a wonderful new purchase to feel great about. | 0:29:04 | 0:29:09 | |
-Well? -I've bought a spinning wheel. | 0:29:09 | 0:29:11 | |
An old granny's spinning wheel! | 0:29:12 | 0:29:15 | |
Oh, dear. And as Minster House Antique Centre sighs with relief, | 0:29:16 | 0:29:21 | |
Penny and Thomas arrive on foot ready for their rummage, | 0:29:21 | 0:29:25 | |
now under the watchful eye of "Jeremie" in his beret. | 0:29:25 | 0:29:29 | |
He looks a bit French to me. | 0:29:29 | 0:29:31 | |
-You want Sooty's Xylophone! That's the only thing you want. -What's this? | 0:29:33 | 0:29:38 | |
-Naked Sooty. -Yeah. | 0:29:38 | 0:29:40 | |
Ah, well, the old ones are the best ones, so let's find some good, old objects! | 0:29:40 | 0:29:46 | |
What an unusual thing! | 0:29:46 | 0:29:47 | |
What would you use...? | 0:29:49 | 0:29:51 | |
For the garden? | 0:29:51 | 0:29:53 | |
-Lead? -Yeah, you could do. | 0:29:53 | 0:29:55 | |
-It would kill the plants. -Look at this. This is a mortar, a 17th century mortar. | 0:29:55 | 0:30:01 | |
Now, that is exciting. How much is it? | 0:30:01 | 0:30:04 | |
65. That is amazing. | 0:30:04 | 0:30:06 | |
Do you want the lead or the pestle...? If I hold the two up, I'm just doing my exercise here. | 0:30:06 | 0:30:12 | |
-Um... -No rush. | 0:30:12 | 0:30:15 | |
-Bit higher. -No rush. | 0:30:15 | 0:30:17 | |
-Could you hold them higher? -Aaagh! | 0:30:17 | 0:30:21 | |
-I don't know. I think I prefer the lead one. -Really? | 0:30:21 | 0:30:25 | |
To be honest with you, Penny, it's fun, but the medieval one's got more going for it. | 0:30:25 | 0:30:30 | |
OK. Can we just take it, otherwise we'll never get fed? | 0:30:30 | 0:30:34 | |
Still thinking about chips, eh, Penny? Hmm, chips! | 0:30:34 | 0:30:37 | |
Deco bowl. | 0:30:37 | 0:30:39 | |
-Do you like a Deco bowl? -I do like a Deco bowl. | 0:30:39 | 0:30:43 | |
"Art Deco, pressed glass vase, £36." | 0:30:43 | 0:30:46 | |
And it's got the thing in the middle. | 0:30:46 | 0:30:49 | |
It's got the little stand. It's sweet. It's lovely, very decorative. | 0:30:49 | 0:30:53 | |
I also like the touring game. | 0:30:53 | 0:30:56 | |
-"Rare 1930s touring game, £26." -It's like our little Noddy car, isn't it? | 0:30:56 | 0:31:00 | |
Oh, it is! You almost want to get it just because it's like our little Noddy car that you've blown up. | 0:31:00 | 0:31:06 | |
No, no, it just... | 0:31:06 | 0:31:08 | |
And look, it's "exciting, interesting" and "educative". | 0:31:08 | 0:31:13 | |
I'm liking this cupboard. | 0:31:19 | 0:31:21 | |
-It's got nice taste. What's on the base? -22. | 0:31:21 | 0:31:25 | |
-Beautiful shape. -Lovely. -Bit of nice-looking pewter. -OK, are we done? | 0:31:25 | 0:31:30 | |
-Let's take that down. -Good choice. -That is gorgeous. | 0:31:32 | 0:31:35 | |
-I'm good, aren't I? -You've got a really nice eye. -I'm good on pots. | 0:31:35 | 0:31:40 | |
And so modest(!) Penny and Thomas have gathered a host of potential, all before lunchtime. Oh, chips! | 0:31:40 | 0:31:47 | |
But they've got the Art Nouveau pewter vase for £22, the Art Deco vase for £36, | 0:31:47 | 0:31:53 | |
the medieval mortar for £65 | 0:31:53 | 0:31:57 | |
and the road trip game for £26. Lovely! | 0:31:57 | 0:32:00 | |
I can do this for 20. That gives you a really good sporting chance. | 0:32:00 | 0:32:04 | |
What can you do that one for? | 0:32:04 | 0:32:07 | |
The very best for 30. | 0:32:07 | 0:32:09 | |
Unless I get a kiss and you might get it for 28. | 0:32:09 | 0:32:12 | |
I don't care. I've sold my kisses... | 0:32:12 | 0:32:15 | |
-I was talking to Thomas! -LAUGHTER | 0:32:15 | 0:32:18 | |
I sold mine once for chips and curry sauce. | 0:32:18 | 0:32:21 | |
Enough with the chips already. What's it going to be? | 0:32:21 | 0:32:25 | |
Jeremy's offers come to £120 plus a kiss. | 0:32:26 | 0:32:30 | |
-Shall we make that 121? -121. -121. -Or 120 to make it nice and round. | 0:32:30 | 0:32:34 | |
-That really is... -Do I get the kiss? | 0:32:34 | 0:32:37 | |
Yes, you do. Tom, give him a kiss. | 0:32:37 | 0:32:39 | |
-120... -Thank you, Jeremy. | 0:32:40 | 0:32:42 | |
-I feel like I'm in France. -Yeah. | 0:32:43 | 0:32:46 | |
France, beret, French fries... | 0:32:46 | 0:32:48 | |
Ooh, French fries! | 0:32:48 | 0:32:51 | |
That's a bumper bag of potential profit-makers for Penny. | 0:32:51 | 0:32:55 | |
So it's lucky that Neil is taking his shopping so seriously. | 0:32:55 | 0:32:59 | |
I just wanted to mention the budget to you. | 0:32:59 | 0:33:02 | |
You know you gave me the money yesterday... | 0:33:02 | 0:33:05 | |
PAUL LAUGHS LOUDLY | 0:33:05 | 0:33:07 | |
Well, you know, because when you lot went to bed last night... | 0:33:07 | 0:33:12 | |
I don't know. | 0:33:12 | 0:33:14 | |
I'm sure we can get to a cash point and stuff. | 0:33:14 | 0:33:17 | |
He's joking, of course. | 0:33:17 | 0:33:19 | |
Isn't he? | 0:33:19 | 0:33:21 | |
Petrol money or not, the road trip moves on. | 0:33:21 | 0:33:24 | |
Leominster becomes the past | 0:33:24 | 0:33:27 | |
as we head 30 miles north into the future, into Shropshire | 0:33:27 | 0:33:30 | |
and on to Bridgnorth, but Paul wants to journey into Neil's past, especially his favourite TV sitcom. | 0:33:30 | 0:33:36 | |
Game On. | 0:33:36 | 0:33:38 | |
That was a big deal for me, man! | 0:33:38 | 0:33:41 | |
It's so lovely that people hold... that people cherish that. | 0:33:41 | 0:33:45 | |
People have got such fond memories of it, something I did 16 years ago. | 0:33:45 | 0:33:50 | |
Obviously, now people are talking about Silk, | 0:33:50 | 0:33:53 | |
but there was quite a bit of work in between. | 0:33:53 | 0:33:56 | |
But no-one ever talks about that! | 0:33:56 | 0:33:59 | |
Bridgnorth prospered greatly from many a King Henry. | 0:34:00 | 0:34:04 | |
Henry I granted privileges to the town's burgesses. | 0:34:04 | 0:34:09 | |
Henry II extended these privileges. | 0:34:09 | 0:34:11 | |
Henry III granted liberties to the guild merchants. | 0:34:11 | 0:34:15 | |
And Henry VI gave regulations for local trade in bread and ale. | 0:34:15 | 0:34:19 | |
He came after the Agincourt Henry and before the fat one with all those wives. | 0:34:19 | 0:34:24 | |
I bow to your experience and your knowledge and frankly feel utterly inadequate next to it, | 0:34:24 | 0:34:31 | |
but thank God you're here! | 0:34:31 | 0:34:33 | |
Aw! | 0:34:33 | 0:34:34 | |
Now, Micawber Antiques presents a world of opportunity | 0:34:36 | 0:34:40 | |
with Nick standing by. Hi, Nick. | 0:34:40 | 0:34:43 | |
But what kind of object could possibly catch Neil's eye? | 0:34:45 | 0:34:48 | |
These are amazing, aren't they? | 0:34:48 | 0:34:51 | |
Cor! | 0:34:52 | 0:34:53 | |
They're so heavy. It's unbelievable! | 0:34:53 | 0:34:56 | |
-Are you drawn to those? -Absolutely beautiful. Yeah, totally and utterly. | 0:34:56 | 0:35:01 | |
With your interest in wine... | 0:35:01 | 0:35:03 | |
We should be a double act here. We're wasting our time talking about these if there's much damage at all | 0:35:03 | 0:35:10 | |
and I've got fretting on that edge of that stopper already. | 0:35:10 | 0:35:14 | |
If they are to adorn a table, they really do need to be fine. Are you interested, warts and all? | 0:35:14 | 0:35:20 | |
We've just walked in the door, so we know they're there. That's a great beginning. | 0:35:20 | 0:35:25 | |
-OK. -But obviously... I've spotted something. | 0:35:25 | 0:35:29 | |
-There they are! -Do you feel like you're being followed then, Neil? Paranoia? They might be fans. | 0:35:29 | 0:35:35 | |
MAKES HOOTING SOUND | 0:35:35 | 0:35:37 | |
I have to say the two decanters so far are... | 0:35:45 | 0:35:48 | |
-Are they still doing it for you? -Yeah. But we're not going to make much money on them. | 0:35:48 | 0:35:54 | |
Even if he does a good deal. | 0:35:54 | 0:35:56 | |
We need to do something that's going to make us loads of money! | 0:35:56 | 0:36:00 | |
Don't stress, Neil! Just try your best. | 0:36:00 | 0:36:04 | |
Or let Paul knock them down from £45. | 0:36:04 | 0:36:07 | |
-Can I be really brutal? -Yes. -Because I'm an auctioneer. | 0:36:07 | 0:36:11 | |
But as a trade buyer... | 0:36:11 | 0:36:13 | |
20 quid? Can you help? Have you got much invested in them? | 0:36:13 | 0:36:18 | |
I can just about get out on 25. | 0:36:18 | 0:36:20 | |
Thank you. I really respect that. | 0:36:20 | 0:36:24 | |
So we know where we're at. | 0:36:24 | 0:36:26 | |
What do you make of the pewter there? | 0:36:26 | 0:36:29 | |
OK, this is... | 0:36:30 | 0:36:32 | |
I'm guessing Deco, is it? | 0:36:32 | 0:36:34 | |
It's a Wurttembergische... MUMBLES | 0:36:34 | 0:36:37 | |
-Metallwarenfabrik. -Yeah, exactly. That's what I said. | 0:36:37 | 0:36:41 | |
Neil is trying to say Wurttembergische Metallwarenfabrik. | 0:36:41 | 0:36:46 | |
But we can just say WMF, luckily. | 0:36:47 | 0:36:49 | |
German Art Nouveau from the early 20th century with a £90 ticket. | 0:36:49 | 0:36:54 | |
Auf Wiedersehen, pet! | 0:36:54 | 0:36:56 | |
What is the death on the WMF, so I know where we're...? | 0:36:56 | 0:37:00 | |
It would have to be 35 on the basket, yes. | 0:37:00 | 0:37:04 | |
Which do you prefer? | 0:37:04 | 0:37:06 | |
I think we should ask what you'd do for both of them. | 0:37:06 | 0:37:11 | |
-The decanters are 25. -25. | 0:37:12 | 0:37:14 | |
And the Vorsprung durch Technik... | 0:37:15 | 0:37:19 | |
LAUGHTER | 0:37:19 | 0:37:21 | |
-..is... -That's 35 at the moment? -35? -35. -35. | 0:37:21 | 0:37:25 | |
-Can we get rid of those 5s? -We might get rid of one of them. | 0:37:25 | 0:37:29 | |
-Please. -Can we dig our heels... For a fiver? | 0:37:29 | 0:37:32 | |
-Go on then. -Oh! | 0:37:32 | 0:37:34 | |
-Thank you very much. -Thanks, Nick. -You're welcome. | 0:37:36 | 0:37:39 | |
Well done, boys, especially Neil. He's really quite good when he brightens up, isn't he? | 0:37:39 | 0:37:45 | |
Both celebrities have made a great fist of this shopping adventure | 0:37:45 | 0:37:49 | |
and quietly impressed their attentive experts. | 0:37:49 | 0:37:53 | |
So Penny is dragging poor Thomas to a tea-time treat that is right up her street. | 0:37:53 | 0:37:59 | |
-Smell! -Roses. -It's so sort of otherworldly, isn't it? | 0:37:59 | 0:38:04 | |
I had no sense of smell for five years. | 0:38:04 | 0:38:06 | |
That explains everything, Thomas! | 0:38:06 | 0:38:09 | |
In this part of the world, in a secret location, there's an amazing collection of fellow entertainers - | 0:38:09 | 0:38:16 | |
some stringed and some hand-operated. | 0:38:16 | 0:38:18 | |
This is the archive of the British Puppet and Model Theatre Guild, | 0:38:18 | 0:38:24 | |
lovingly curated by honorary archivist Michael Dixon. | 0:38:24 | 0:38:27 | |
He's real, by the way. No strings attached. Watch! | 0:38:27 | 0:38:30 | |
Michael, how did you get to be involved in all of this? | 0:38:30 | 0:38:34 | |
I met Jim Henson when I was seven years old. I was very interested in the Muppets. | 0:38:34 | 0:38:39 | |
I met him and interviewed him and Kermit on TV. | 0:38:39 | 0:38:42 | |
Though Michael's only seven, he's a total Muppet maniac, whose dream has been to meet the great Muppet maker. | 0:38:42 | 0:38:48 | |
Why did you call the Muppets Muppets? | 0:38:48 | 0:38:51 | |
Well, you know, in reality, it was just a word that we made up. | 0:38:51 | 0:38:56 | |
I used to tell people it was a combination of "puppets" and "marionettes", | 0:38:56 | 0:39:01 | |
but that was just an answer, so I would have something to tell people when they asked the question. | 0:39:01 | 0:39:07 | |
The Muppets are probably the world's most famous puppets, | 0:39:07 | 0:39:11 | |
created by hippie genius Jim Henson. | 0:39:11 | 0:39:13 | |
But many characters date back centuries to the dawn of entertainment. | 0:39:13 | 0:39:19 | |
2012 is the 350th anniversary of Punch and Judy, | 0:39:19 | 0:39:22 | |
probably the oldest known puppets in Britain. | 0:39:22 | 0:39:25 | |
This collection has built up over ten years to around 3,000 puppets, | 0:39:25 | 0:39:29 | |
half of which are Michael's own. | 0:39:29 | 0:39:31 | |
These are the ancestors of today's entertainers. | 0:39:32 | 0:39:36 | |
Early TV cameras were large and cumbersome, so puppet shows were ideal for test recordings. | 0:39:38 | 0:39:44 | |
And cheaper. | 0:39:44 | 0:39:46 | |
When John Logie Baird was doing his experimental television at the end of the 1920s, early '30s, | 0:39:46 | 0:39:52 | |
he asked the Guild to come and perform. | 0:39:52 | 0:39:54 | |
Harry Whanslaw, one of the Presidents of the Guild, | 0:39:54 | 0:39:57 | |
made this puppet which was the first ever made for television. | 0:39:57 | 0:40:01 | |
He was painted in these colours, so he'd show up. | 0:40:01 | 0:40:04 | |
Isn't he lovely? He's slightly evil. | 0:40:04 | 0:40:07 | |
-Was he supposed to be slightly evil? -Some people think all puppets are evil. | 0:40:07 | 0:40:11 | |
Some people? Naturally, puppets also became some of television's early stars. | 0:40:11 | 0:40:16 | |
Children of the 1950s enjoyed the simple exploits of Andy Pandy and Bill and Ben, | 0:40:16 | 0:40:22 | |
but they were not the first to steal the nation's heart. | 0:40:22 | 0:40:26 | |
Hello, everyone. | 0:40:26 | 0:40:28 | |
And now we're going to give you just a little bit of our... | 0:40:28 | 0:40:32 | |
LOUD BANGING Muffin, stop it! | 0:40:32 | 0:40:36 | |
-Celebrity... -I know that one. | 0:40:36 | 0:40:38 | |
The Hogarth Puppets actually created Muffin the Mule. | 0:40:38 | 0:40:42 | |
They were approached by the BBC to have a puppet created | 0:40:42 | 0:40:45 | |
to go on a show with Annette Mills while she was on the piano, | 0:40:45 | 0:40:48 | |
but as he got more famous, lots of people wanted to see him, but the puppet was quite small. | 0:40:48 | 0:40:54 | |
Fred Tickner created and carved the puppet, | 0:40:54 | 0:40:57 | |
so Fred Ticker made a reproduction of Muffin but in a much larger scale which is this one. | 0:40:57 | 0:41:02 | |
-He's got a friendly face. -I like Muffin. He's sweet. -Look at him with his little pink lips. -He is sweet. | 0:41:02 | 0:41:08 | |
Technological advancements changed the way puppets entertained us and also changed the audience, | 0:41:08 | 0:41:15 | |
so by the 1980s, it was big kids watching grown-up puppets. | 0:41:15 | 0:41:19 | |
-What puppets did you have? -I had some Muppet-style puppets. | 0:41:19 | 0:41:23 | |
Are Muppets... They're marionettes, aren't they? | 0:41:23 | 0:41:27 | |
No, they're hand in the mouth, so they operate with a glove or a rod and a hand like that. | 0:41:27 | 0:41:33 | |
-I know you don't like working in the shadow of somebody else, but he's a very intelligent man. -It's OK. | 0:41:33 | 0:41:38 | |
It's not part of my reality. | 0:41:38 | 0:41:40 | |
The Muppet Show was filmed in Britain, but a lot of UK puppeteers went on to work on Spitting Image, | 0:41:40 | 0:41:47 | |
one of our most famous puppet shows. | 0:41:47 | 0:41:49 | |
Spitting Image was certainly not for children - hilarious, foul-mouthed, heavy satire, | 0:41:49 | 0:41:55 | |
created by little-known sculptors Peter Fluck and Roger Law in the 1980s. | 0:41:55 | 0:42:02 | |
Its unwitting targets were usually the so-called great and good, especially Margaret Thatcher. | 0:42:02 | 0:42:08 | |
When they were in a restaurant, she said, "I'll have the meat raw." | 0:42:08 | 0:42:13 | |
"What about the vegetables?" "They'll have the same." | 0:42:13 | 0:42:17 | |
-That's right, the Cabinet... -The Cabinet were around there, yes. | 0:42:17 | 0:42:20 | |
The Queen puppet there is quite an early version. | 0:42:20 | 0:42:23 | |
-Speaking like, "My husband and I would like to thank you all for coming." -You've got all the voices. | 0:42:23 | 0:42:30 | |
-Princess Anne just went, "Naff off." -LAUGHTER | 0:42:30 | 0:42:33 | |
I remember that! | 0:42:33 | 0:42:35 | |
In the evolution of entertainment, Spitting Image was probably the last great TV puppet show | 0:42:35 | 0:42:41 | |
before computer animation won the day. Penny remembers the voices, but has she got the moves? | 0:42:41 | 0:42:46 | |
-You're doing very well. Look at that. -There we go. -Yeah. | 0:42:46 | 0:42:50 | |
# High on a hill with a lonely goatherd | 0:42:53 | 0:42:56 | |
# Lay ee odl lay ee odl lay hee ho... # | 0:42:56 | 0:42:58 | |
I'm imagining I'm Captain von Trapp myself, as grumpy, but really kind-hearted. | 0:42:58 | 0:43:04 | |
-He's playing that. -Very good. Look at that. -Yes... | 0:43:04 | 0:43:07 | |
There we are, bowing. | 0:43:08 | 0:43:11 | |
-Time for us to go. Bye! -Bye-bye, Mr Puppet. | 0:43:13 | 0:43:17 | |
-Bye-bye, Michael. -Bye-bye, Muffin. | 0:43:17 | 0:43:20 | |
Bye-bye, everybody. | 0:43:20 | 0:43:22 | |
Now the shopping's done, it's time to put on make-up, | 0:43:22 | 0:43:25 | |
it's time to light the lights and review what they've bought. | 0:43:25 | 0:43:29 | |
-Brace yourselves! -Do we go over here? -We can go over. | 0:43:29 | 0:43:31 | |
-Something of interest. -Asprey. Asprey. | 0:43:31 | 0:43:35 | |
- So what did you buy it with? - We got the pair of Wemyss and that for 130. | 0:43:35 | 0:43:42 | |
-130 for the two. It's got a hairline crack in there though, hasn't it? -How very dare you! | 0:43:42 | 0:43:47 | |
May I introduce you to our star... | 0:43:47 | 0:43:52 | |
star? | 0:43:52 | 0:43:54 | |
-Your spinning... -Your "star" star? | 0:43:54 | 0:43:56 | |
- Look at the craftsmanship. - It is lovely. Look at those lovely little turns. | 0:43:56 | 0:44:01 | |
We paid what for it? | 0:44:01 | 0:44:03 | |
-40 quid. -125. | 0:44:03 | 0:44:05 | |
45. | 0:44:06 | 0:44:07 | |
Nice work, chaps. | 0:44:07 | 0:44:09 | |
Now, what do Penny and Thomas have underneath their black shroud? | 0:44:09 | 0:44:15 | |
Thomas, is that a Kenrick mortar? Or earlier? You think that's early? | 0:44:15 | 0:44:19 | |
I think that's early, yeah. | 0:44:19 | 0:44:22 | |
-You think that's 17th century? -Oh, look at him, he's going, "No, it's not!" | 0:44:22 | 0:44:27 | |
- I like the ribbing to it. - It looks like it's been in the sea for 200 years! | 0:44:27 | 0:44:32 | |
A bit of pressed glass and some urin...uranium? | 0:44:32 | 0:44:35 | |
-Yeah, uranium. -Behave yourself! | 0:44:35 | 0:44:37 | |
Oh, behave! | 0:44:37 | 0:44:40 | |
If you put a Geiger counter near them, they'll go tick-tock | 0:44:40 | 0:44:44 | |
because they're made out of uranium, obviously. | 0:44:44 | 0:44:47 | |
-Tom, this is your bag. What's going on here? -This is very us. | 0:44:47 | 0:44:51 | |
-I love that. -Little Noddy car touring England. | 0:44:51 | 0:44:54 | |
I'll have to do this to show you. There it is. | 0:44:54 | 0:44:57 | |
-I love that, Tom. -It's great, isn't it? -It's cool. | 0:44:57 | 0:45:00 | |
And what's inside that? | 0:45:00 | 0:45:03 | |
Is it a Fiat? Is there a Fiat in there? A little red Fiat? | 0:45:03 | 0:45:07 | |
-That is a riot! -It's fun, isn't it? -I love it. | 0:45:07 | 0:45:10 | |
More fun when the cars don't break down all the time! So what do you really think? Fancy a drink? | 0:45:10 | 0:45:16 | |
I feel pretty good. I feel pretty confident, actually. | 0:45:16 | 0:45:20 | |
-We're in the hands of the auctioneer now, all right? -And the market. | 0:45:20 | 0:45:24 | |
And we're in the hands of the market. The punch bowl is beautiful, beautiful. | 0:45:24 | 0:45:29 | |
For me, it's the yoke and the board game. | 0:45:29 | 0:45:32 | |
-The credibility... -Yeah. -Love them. Hats off. | 0:45:32 | 0:45:36 | |
So who do you think is going to win? | 0:45:36 | 0:45:38 | |
-I don't know. -It's tough, isn't it? -I really don't know. | 0:45:40 | 0:45:44 | |
If you could swap any items, what would you have? | 0:45:44 | 0:45:47 | |
I still think that cocktail shaker is a good one. | 0:45:47 | 0:45:50 | |
Is there anything they've got you'd swap for anything we've got? | 0:45:50 | 0:45:54 | |
None whatsoever. | 0:45:54 | 0:45:56 | |
I'm going to be really, really vicious. | 0:45:56 | 0:46:00 | |
-Our six foot... -Yeah. -Antiques fair. | 0:46:00 | 0:46:03 | |
Their six foot... Car boot sale. | 0:46:05 | 0:46:07 | |
-Wow! -Harsh. | 0:46:07 | 0:46:09 | |
Ooh! Come on, girls, let's get on the road to auction. | 0:46:09 | 0:46:13 | |
Our lucky celebrities now have their own, fully functioning MG Midget. | 0:46:13 | 0:46:17 | |
Even the windscreen wipers work... for the moment. | 0:46:17 | 0:46:20 | |
Another car, another day. | 0:46:20 | 0:46:23 | |
-Some more weather. -We have been extraordinarily lucky with the weather! | 0:46:23 | 0:46:29 | |
So this two-car road trip makes its merry way to the final destination... | 0:46:30 | 0:46:35 | |
..heading 21 miles due north from Bridgnorth to Shropshire's very own Newport. | 0:46:36 | 0:46:42 | |
I still think that your mortar is thousands of years old. | 0:46:42 | 0:46:46 | |
-Thousands of years old. -Thousands. -It's from Atlantis. | 0:46:46 | 0:46:50 | |
-When mammoths were... -A collector is going to turn up and pay £30,000 for it. | 0:46:50 | 0:46:55 | |
Indubitably. | 0:46:55 | 0:46:57 | |
Medieval Newport built its fortune on trade in leather, wool and fish, | 0:46:57 | 0:47:02 | |
but not a drop of cider, you'll be pleased to hear. | 0:47:02 | 0:47:06 | |
-Are you feeling lucky? -Am I feeling lucky, punk? | 0:47:06 | 0:47:09 | |
Uh... | 0:47:09 | 0:47:11 | |
-It's so close, Laidlaw. -It's not. | 0:47:11 | 0:47:13 | |
-It's so close. -How very dare you! How very dare you! | 0:47:13 | 0:47:17 | |
Awaiting our rain-swept travellers is Brettells Auctioneers. | 0:47:17 | 0:47:22 | |
Both celebrity swag bags have arrived safely and auctioneer David Brettell has peeked within | 0:47:22 | 0:47:27 | |
-to give his honest opinion. -I like the spinning wheel. It's clean and tidy. | 0:47:27 | 0:47:32 | |
I like the WMF, good quality, and the Asprey cocktail shaker. | 0:47:32 | 0:47:36 | |
Interesting thing, the oxen yoke. It has got those little pieces that drop down. | 0:47:36 | 0:47:41 | |
I'm not sure whether those aren't perhaps a later addition on display. | 0:47:41 | 0:47:46 | |
It will be finding the right customer for that one. | 0:47:46 | 0:47:50 | |
Heavy mortar pot, interesting thing, and it's hugely old, | 0:47:50 | 0:47:54 | |
but it's got huge character. | 0:47:54 | 0:47:56 | |
Neil and Paul, in my opinion, will walk it. | 0:47:56 | 0:48:00 | |
That's lucky. They've been walking for the last two days! | 0:48:00 | 0:48:03 | |
Our celebrity teams began with £400 apiece. | 0:48:03 | 0:48:07 | |
Neil and Paul spent a thoroughly healthy £225 on five auction lots, | 0:48:07 | 0:48:13 | |
whilst Penny and Thomas went a modicum crazier, | 0:48:13 | 0:48:17 | |
spending £227 also on five lots. | 0:48:17 | 0:48:20 | |
-That's all. -Is it really? -Yeah. We need another... -Brettells Auctioneers are ready to sell. | 0:48:20 | 0:48:25 | |
But we seem to be missing... something. | 0:48:25 | 0:48:28 | |
Where are they? | 0:48:28 | 0:48:30 | |
That's actually a good point. For a ten o'clock auction at... | 0:48:30 | 0:48:35 | |
-And I go... Ready? -Ten o'clock... -Now! | 0:48:35 | 0:48:39 | |
Disaster has struck again. | 0:48:39 | 0:48:41 | |
These are the moments that I shall cherish. | 0:48:41 | 0:48:44 | |
Neil and Penny are having... How can I put this? | 0:48:44 | 0:48:48 | |
Car trouble! | 0:48:48 | 0:48:49 | |
-Do you reckon they've deserted, had second thoughts after that reveal? -They've done a runner. | 0:48:49 | 0:48:55 | |
It's awful, but the auction waits for no man...or woman! | 0:48:55 | 0:48:59 | |
-Seriously, he's going to start. He's starting. Do you think it was something I said? -Yeah. | 0:48:59 | 0:49:04 | |
First up, lonesome Paul is pinning Neil's hopes on the Wemyss vases. | 0:49:04 | 0:49:09 | |
They're Scottish. | 0:49:09 | 0:49:11 | |
-Good luck. This is it. -Nice Wemyss vases. | 0:49:11 | 0:49:14 | |
£50, the Wemyss? 30 bid. | 0:49:14 | 0:49:16 | |
At £30 I have. At £30. 40. 50. | 0:49:16 | 0:49:19 | |
60 sat down left. £60 here on my left. At £60. | 0:49:19 | 0:49:23 | |
Keep going. Way too cheap. | 0:49:23 | 0:49:25 | |
-At £60. Going to be sold then at £60... -More, more, more! | 0:49:25 | 0:49:29 | |
-70. 80. -Yeah. -90. -Yeah. | 0:49:29 | 0:49:32 | |
- 100. £100 bid. - Well done. Well done. | 0:49:32 | 0:49:35 | |
You're in profit. | 0:49:35 | 0:49:37 | |
£100, I'm selling then. Quickly round at 100... | 0:49:37 | 0:49:42 | |
Neil missed it, but that's an excellent start | 0:49:42 | 0:49:45 | |
to what could be a fine sale. | 0:49:45 | 0:49:47 | |
-That's good. -But he missed it! | 0:49:49 | 0:49:51 | |
Soldier on, lads. Thomas can keep the home fires burning | 0:49:51 | 0:49:55 | |
with Penny's brass fruit bowl, selling with the pewter vase. | 0:49:55 | 0:49:59 | |
-£20 bid. At 20. -That's a good start. | 0:49:59 | 0:50:02 | |
£20. Anybody going for 5? At £20 bid. | 0:50:02 | 0:50:05 | |
25. 30. 5. | 0:50:05 | 0:50:07 | |
-40. -It's still going, still going. | 0:50:07 | 0:50:09 | |
At £40. Anybody else? Quickly round. All done, sold away at 40... | 0:50:09 | 0:50:14 | |
Oh, dear, not so great for Team Smith. | 0:50:14 | 0:50:16 | |
Still, onwards and, um... Well, honestly now, where are they? | 0:50:16 | 0:50:21 | |
I don't think you did badly there, to be honest with you. | 0:50:21 | 0:50:24 | |
Hopefully, Neil's cocktail shaker can shake things up in his absence. | 0:50:24 | 0:50:29 | |
Mine's a Harvey Wallbanger! | 0:50:29 | 0:50:31 | |
£20 and off we go. 20. 5. 30. Sat down. | 0:50:31 | 0:50:34 | |
£30 bid. Now at £30. £30. 5. | 0:50:34 | 0:50:37 | |
40. £40 bid. Don't stop now. | 0:50:37 | 0:50:41 | |
We need a bit more than that. | 0:50:41 | 0:50:43 | |
At £40 sat down, all done? Going to be sold on my left. | 0:50:43 | 0:50:47 | |
-Ouch! -Quickly round, the Asprey, £40, sold away at 40... | 0:50:47 | 0:50:50 | |
Oh, another loss! Maybe it's best that Neil and Penny aren't here. | 0:50:50 | 0:50:55 | |
-40. -We're going backwards. I'm in reverse. -Same with me. | 0:50:55 | 0:51:00 | |
Now a chance to improve Penny's fortunes - | 0:51:00 | 0:51:03 | |
the Art Deco vase selling with the uranium vases. Cross your fingers! | 0:51:03 | 0:51:07 | |
Where are we going to be? 20? | 0:51:07 | 0:51:10 | |
- Tumbleweed! - 5. Big help, but it's a start. £5. | 0:51:11 | 0:51:15 | |
£5 on my left. At £5. 8. At £8. Don't stop now. | 0:51:15 | 0:51:20 | |
- Don't stop! - Don't you dare stop now! 10. 12. | 0:51:20 | 0:51:23 | |
- £12 now... - No way! | 0:51:23 | 0:51:25 | |
£12. 15. 18...? 15. | 0:51:25 | 0:51:28 | |
At £15 in front of me now. Anybody else? At £15. It will be sold. | 0:51:28 | 0:51:33 | |
- David, you are out. - No! | 0:51:33 | 0:51:35 | |
At 15. Sold away at 15... | 0:51:35 | 0:51:37 | |
Is that 15? | 0:51:37 | 0:51:39 | |
15. Done. | 0:51:39 | 0:51:42 | |
-Call ourselves experts? -Best not to answer that one, Paul. | 0:51:42 | 0:51:45 | |
Chin upwards and onwards with Neil's beloved spinning wheel of fortune. | 0:51:45 | 0:51:50 | |
I can't believe he'll miss this. | 0:51:50 | 0:51:52 | |
-Spinning wheel, good size. -This is nice. | 0:51:52 | 0:51:55 | |
Put me in for that. Where are we going to be? £50? | 0:51:55 | 0:51:59 | |
-Got to be 50 for a start. -And it works. -Yeah. -It does work. 50? | 0:51:59 | 0:52:03 | |
40? | 0:52:03 | 0:52:04 | |
£30 bid. £30. £30. | 0:52:04 | 0:52:06 | |
At £30. £30 for a spinning wheel. 5. 40. | 0:52:06 | 0:52:10 | |
5. 50. 5. | 0:52:10 | 0:52:13 | |
-55 down there through the gap. -OK, it's washing its face. | 0:52:13 | 0:52:17 | |
It's washing its face. | 0:52:17 | 0:52:19 | |
-- £55. - 55. It's washed its face. -OK. | 0:52:19 | 0:52:23 | |
Oh, dear! A profit, but not a great big one for Neil's star buy. | 0:52:23 | 0:52:28 | |
Oh, hello, look out! Nice of you to join us. | 0:52:28 | 0:52:31 | |
Here they come. I can see the green car. Shall I go and get them? | 0:52:31 | 0:52:35 | |
-Ah! -I'm getting them in. -Lovely. | 0:52:35 | 0:52:38 | |
No rush then, Neil. You just stroll, mate. | 0:52:41 | 0:52:44 | |
-Oh, man, man, man! -It's not been good news. | 0:52:46 | 0:52:49 | |
-Two of our lots? -Our lots, three of theirs. | 0:52:51 | 0:52:55 | |
Let's not dwell on it. At least Penny can witness her yoke selling, | 0:52:55 | 0:53:00 | |
possibly making a profit. | 0:53:00 | 0:53:02 | |
- Who'll start me there? £50? - What did the Wemyss get? | 0:53:02 | 0:53:06 | |
-40? -..100. | 0:53:06 | 0:53:08 | |
- It's all very quiet. - It's like tumbleweed. | 0:53:08 | 0:53:11 | |
Any interest? £30, kick me off? | 0:53:11 | 0:53:14 | |
You're buying history. | 0:53:14 | 0:53:17 | |
To hang coats on! | 0:53:17 | 0:53:20 | |
20 to start me? Thank you, Georgina. | 0:53:20 | 0:53:22 | |
£20 bid. £20, Georgina, at the very back. £20 bid. £20. | 0:53:22 | 0:53:26 | |
We'd better go 5. 30. | 0:53:26 | 0:53:28 | |
5. 40. £40 bid, Georgina at the very back. | 0:53:28 | 0:53:33 | |
At £40 bid. At £40 I'm selling... | 0:53:33 | 0:53:36 | |
-- Is this your yoke? -Yeah. -- Nobody else? | 0:53:36 | 0:53:38 | |
The losses keep coming for Penny and Thomas. | 0:53:39 | 0:53:42 | |
Another loss. | 0:53:42 | 0:53:44 | |
The yoke is on you! | 0:53:44 | 0:53:46 | |
That'll lift our spirits(!) | 0:53:48 | 0:53:50 | |
Can Neil's Victorian decanters keep us buoyant? | 0:53:50 | 0:53:53 | |
£20, off we go. £20 for the pair. 20 bid. £20 bid. £20 sat down. | 0:53:53 | 0:53:57 | |
At £20 bid. 25. 30. | 0:53:57 | 0:54:00 | |
5. 35 bid. | 0:54:00 | 0:54:02 | |
35 bid. Nice pair of Victorian decanters. 35 in front of me now. | 0:54:02 | 0:54:06 | |
-40. -Yeah! | 0:54:06 | 0:54:08 | |
-Very good. -£40, top right. £40. | 0:54:08 | 0:54:11 | |
£40. Nobody else? Left of me at £40. | 0:54:11 | 0:54:15 | |
£40 right down at the bottom of the saleroom. Sold away at 40... | 0:54:15 | 0:54:19 | |
Rather nice to see a small profit, ain't it? | 0:54:20 | 0:54:23 | |
-Doubled your money, man. -Well done. -That's all right. I'll take that. | 0:54:25 | 0:54:29 | |
Now Penny and Thomas really need to up their game. | 0:54:29 | 0:54:32 | |
Clean and tidy. Good condition. There we are, put me in for that. | 0:54:32 | 0:54:37 | |
- Who'll start me there at 25 or 30? - Go on! | 0:54:37 | 0:54:40 | |
£10 bid. At £10. Simon's bid. | 0:54:40 | 0:54:43 | |
15. 20. £20. | 0:54:43 | 0:54:46 | |
More! | 0:54:46 | 0:54:47 | |
-A fiver anywhere? At £20... -Is that the first one we haven't lost on? | 0:54:47 | 0:54:52 | |
Even the road trip game can't save today's road trip auction! | 0:54:52 | 0:54:57 | |
That'll be a loss after costs. | 0:54:57 | 0:54:59 | |
Paul's looking so smug. He's saying, "Yeah, yeah, well done." | 0:54:59 | 0:55:03 | |
-He's got no reason to look smug. -Yeah, there's no shame in that. | 0:55:03 | 0:55:08 | |
So with no profits to Penny and Thomas's name, this auction is Neil and Paul's for the taking | 0:55:08 | 0:55:13 | |
as their pewter basket awaits the bidders. | 0:55:13 | 0:55:16 | |
£20, start me now. Thank you, £20, we're off. | 0:55:16 | 0:55:19 | |
- 25. Here we go. 30. - Here we go. | 0:55:19 | 0:55:22 | |
35. 40. 50. | 0:55:22 | 0:55:24 | |
-- £50 bid. £50 bid. - Come on, come on. -He's working. | 0:55:24 | 0:55:27 | |
Anybody else at £50? Quickly round? Anybody else in the room at 50...? | 0:55:27 | 0:55:32 | |
Neil and Paul's small profits have kept this sale alive | 0:55:33 | 0:55:36 | |
and keep them on top. | 0:55:36 | 0:55:39 | |
Penny's intriguing mortar may be 17th century. | 0:55:43 | 0:55:46 | |
The last lot today and their last hope! | 0:55:46 | 0:55:49 | |
£30? Who's in? 20? | 0:55:49 | 0:55:52 | |
- £20? 20, thank you, sat down. - Do they just know...? | 0:55:52 | 0:55:55 | |
£20. Sat down at £20. Have a look what I'm doing... | 0:55:55 | 0:55:58 | |
- There's no point. - A fiver anywhere? | 0:55:58 | 0:56:01 | |
- At £20... - Go on! | 0:56:01 | 0:56:03 | |
At £20 bid. At £20. I've got a maiden bid of £20. | 0:56:03 | 0:56:07 | |
-That's all. -That's it. | 0:56:07 | 0:56:09 | |
- In the room, last chance... - There we are. | 0:56:09 | 0:56:11 | |
Last chance for you all. Anybody else at 20? | 0:56:11 | 0:56:15 | |
An appalling loss and a devastating end | 0:56:15 | 0:56:18 | |
to Penny and Thomas's fortunes. | 0:56:18 | 0:56:21 | |
Wonderful. That's exactly what I wanted to see(!) | 0:56:21 | 0:56:24 | |
-That's a hefty loss. -That is a hefty loss. | 0:56:24 | 0:56:27 | |
Don't make it any worse than it is. | 0:56:27 | 0:56:30 | |
Reluctantly, we turn our eyes to the full horror. | 0:56:30 | 0:56:33 | |
So, both teams began with £400. | 0:56:33 | 0:56:37 | |
Penny and Thomas took a pretty big hit | 0:56:38 | 0:56:40 | |
and after auction costs, actually made a loss of £116.30. | 0:56:40 | 0:56:45 | |
Doesn't sound much if you say it quickly! | 0:56:45 | 0:56:47 | |
Ending their road trip with a mildly tragic £283.70. | 0:56:47 | 0:56:52 | |
Neil and Paul did a bit better, but not much. | 0:56:53 | 0:56:56 | |
They end their road trip in the lead with £408.70. | 0:56:56 | 0:57:01 | |
By the rules of the road trip, all profits go to Children In Need, | 0:57:02 | 0:57:06 | |
however small those profits may be, and today, they're titchy! | 0:57:06 | 0:57:12 | |
-Come on. Well done, you two. -Yes, well done. | 0:57:12 | 0:57:15 | |
- Thank you very much. - Well done. | 0:57:15 | 0:57:17 | |
-Enjoyed the journey. -Well, I didn't. | 0:57:17 | 0:57:21 | |
I enjoyed the journey buying. We had great fun. | 0:57:21 | 0:57:24 | |
-We had a lovely time. -I didn't enjoy the auction so much. | 0:57:24 | 0:57:28 | |
No. I'm sort of rather glad that we missed half of it! | 0:57:28 | 0:57:31 | |
LAUGHTER | 0:57:31 | 0:57:33 | |
I'm going to miss you guys now. | 0:57:33 | 0:57:35 | |
Oh, shucks! We'll miss you too, Neil. And you, Penny. | 0:57:35 | 0:57:40 | |
# The sun ain't gonna shine any more... # | 0:57:46 | 0:57:49 | |
Charles II's lover Nell Gwyn is from Herefordshire. | 0:57:52 | 0:57:56 | |
-Is that actually true? -Yes. -Do you know something? | 0:57:56 | 0:57:59 | |
The thing is, what we have gained in our brains, you can't just give to somebody immediately. | 0:57:59 | 0:58:05 | |
Give me five minutes. I could write it down. | 0:58:05 | 0:58:09 | |
Subtitles by Red Bee Media Ltd | 0:58:35 | 0:58:38 |