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Some of the nation's favourite celebrities. | 0:00:02 | 0:00:03 | |
What if we were to say 150 for the two, then you've got yourself a deal? | 0:00:03 | 0:00:07 | |
One antiques expert each. | 0:00:07 | 0:00:08 | |
Da-da! | 0:00:08 | 0:00:10 | |
# Da da da da-da da-da da! # | 0:00:10 | 0:00:13 | |
And one big challenge. | 0:00:13 | 0:00:14 | |
Who can seek out and buy the best antiques at the very best prices... | 0:00:14 | 0:00:19 | |
LAUGHTER | 0:00:20 | 0:00:22 | |
..and auction for a big profit further down the road? | 0:00:22 | 0:00:26 | |
-Potential for disaster. -Who will spot the good investments? | 0:00:26 | 0:00:29 | |
Who will listen to advice? | 0:00:29 | 0:00:31 | |
What you've just come out with, I cannot believe that! | 0:00:31 | 0:00:33 | |
And who will be the first to say, "Don't you know who I am?"? | 0:00:33 | 0:00:38 | |
Time to put your pedal to the metal. | 0:00:38 | 0:00:42 | |
This is Celebrity Antiques Road Trip. | 0:00:42 | 0:00:45 | |
Yeah! | 0:00:47 | 0:00:48 | |
Tonight, we welcome aboard two old hands of stage and screen. | 0:00:48 | 0:00:53 | |
I'll give you a clue. | 0:00:53 | 0:00:55 | |
Firing up the road in this 1975 Jensen Interceptor | 0:00:55 | 0:00:58 | |
is veteran TV presenter Michael Aspel. | 0:00:58 | 0:01:01 | |
And, everybody's favourite Aunt Sally, Una Stubbs. | 0:01:03 | 0:01:08 | |
It's a lovely noise, isn't it, that gurgle? That's the engine. | 0:01:08 | 0:01:11 | |
-LAUGHTER -I'm having trouble finding somewhere to put my left foot. | 0:01:11 | 0:01:15 | |
I'll probably put it in your lap in a moment! | 0:01:15 | 0:01:18 | |
LAUGHTER | 0:01:18 | 0:01:19 | |
-Do you know this part of the world? -Not at all. | 0:01:19 | 0:01:21 | |
I've never been here at all. | 0:01:21 | 0:01:23 | |
Look, it's so flat. You can see so far into the distance. | 0:01:23 | 0:01:27 | |
Michael has been on our screens for over 50 years. | 0:01:27 | 0:01:30 | |
From his early work on Come Dancing to his years hosting Miss World, | 0:01:30 | 0:01:34 | |
the newsreader-turned-presenter's career has seen him rub shoulders | 0:01:34 | 0:01:37 | |
with a long list of high-profile names. | 0:01:37 | 0:01:39 | |
Sue Johnston, tonight, this is your life. | 0:01:39 | 0:01:42 | |
Including those unsuspecting celebrities | 0:01:42 | 0:01:46 | |
surprised by his big red book. | 0:01:46 | 0:01:48 | |
That's interesting. | 0:01:48 | 0:01:50 | |
Dishwasher-proof, I'm afraid. | 0:01:50 | 0:01:52 | |
And he should know a thing or two about antiques. | 0:01:52 | 0:01:55 | |
I like pictures a lot. I quite like to fill a room with portraits. | 0:01:55 | 0:02:00 | |
-Dogs are popular. -Ducks? | 0:02:00 | 0:02:02 | |
-Dogs. -Dogs. -And ducks, I suppose. | 0:02:02 | 0:02:05 | |
UNA GIGGLES | 0:02:05 | 0:02:06 | |
And Michael's competition on the road trip is his old mate Una Stubbs, | 0:02:06 | 0:02:11 | |
the current landlady to world-famous detective Sherlock Holmes. | 0:02:11 | 0:02:16 | |
Sherlock! The mess you've made. | 0:02:16 | 0:02:18 | |
A former dancer and chorus girl, Una shot to fame in Sir Cliff Richard's Summer Holiday, | 0:02:18 | 0:02:25 | |
but is maybe best known to most of us | 0:02:25 | 0:02:27 | |
as the apple of a certain scarecrow's eye. | 0:02:27 | 0:02:31 | |
These old chums may be taking each other on, | 0:02:31 | 0:02:33 | |
but they won't doing it alone. Guiding them through this challenge | 0:02:33 | 0:02:37 | |
are two absolute experts in all things antiquey. | 0:02:37 | 0:02:40 | |
James Lewis and Thomas Plant, currently getting to grips | 0:02:40 | 0:02:45 | |
with the trusty 1982 Citroen 2CV, which is back for another trip. | 0:02:45 | 0:02:50 | |
Er, overloaded? | 0:02:50 | 0:02:52 | |
-It's a bit tight, isn't it? -Tight? | 0:02:52 | 0:02:55 | |
I'm going to be hugging you for the entire journey. | 0:02:55 | 0:02:57 | |
-This is where you have to be careful. -I know. -Whoa! That's reverse. | 0:02:57 | 0:03:01 | |
-I know! GEARS GRIND -Oh! | 0:03:01 | 0:03:04 | |
-That's first! -James? -Thomas. -I can't drive this. | 0:03:04 | 0:03:08 | |
Oh, dear. Thomas Plant started in the antiques business as a porter, | 0:03:09 | 0:03:12 | |
before quickly working his way up the ranks to auctioneer. | 0:03:12 | 0:03:16 | |
He believes that to make money in antiques, | 0:03:16 | 0:03:18 | |
one must have some knowledge. Handy. | 0:03:18 | 0:03:21 | |
But, also, a lot of luck. | 0:03:21 | 0:03:23 | |
Let's hope, for the sake of our celebrities, that he's brought Lady Luck along for the ride. | 0:03:23 | 0:03:28 | |
-Look, look, it's stuck again. Hello! -Want a push? | 0:03:30 | 0:03:32 | |
Please, would you give us a hand? | 0:03:32 | 0:03:35 | |
-Gosh, they were fit! -LAUGHTER | 0:03:36 | 0:03:39 | |
-Wa-ha-ha! -Jolly giant! | 0:03:39 | 0:03:41 | |
James Lewis has a passion for all things quirky | 0:03:41 | 0:03:44 | |
and a reputation for buying the things that no-one else understands. | 0:03:44 | 0:03:48 | |
James's two great loves in his life are animals and antiques. | 0:03:48 | 0:03:52 | |
And he claims that he made his first auction bid | 0:03:52 | 0:03:55 | |
at the tender age of six. | 0:03:55 | 0:03:57 | |
Eugh! | 0:03:57 | 0:03:58 | |
Una Stubbs is just a goddess, isn't she? | 0:03:58 | 0:04:01 | |
I will be a little, sort of, "Oh, it's Una Stubbs!" | 0:04:01 | 0:04:05 | |
I'm glad we're being helped by experts, aren't you? | 0:04:05 | 0:04:08 | |
Well, it's a saving grace, isn't it? | 0:04:08 | 0:04:10 | |
I can't tell you how much I'm looking forward to meeting them. | 0:04:10 | 0:04:14 | |
-Michael seems very sophisticated to me. -Absolutely. | 0:04:14 | 0:04:17 | |
-You could imagine him... -In driving gloves. -Yes, driving gloves! | 0:04:17 | 0:04:21 | |
THEY LAUGH | 0:04:21 | 0:04:23 | |
So as our celebrities make their way to meet our esteemed experts, | 0:04:24 | 0:04:28 | |
any pre-match nerves? | 0:04:28 | 0:04:30 | |
I'm really quite nervous about haggling. | 0:04:30 | 0:04:33 | |
Haggling, that is the thing that is worrying me most. | 0:04:33 | 0:04:36 | |
-I usually agree. -Yes. | 0:04:36 | 0:04:38 | |
Michael and Una have £400 each, two days of shopping and haggling, | 0:04:38 | 0:04:43 | |
and one auction to prove they can buy low | 0:04:43 | 0:04:45 | |
and sell high with the best of them. | 0:04:45 | 0:04:48 | |
Before we throw them in at the deep end, | 0:04:50 | 0:04:53 | |
let's look at the journey ahead. | 0:04:53 | 0:04:55 | |
This celebrity road trip will take place in the delightfully flat county of Norfolk. | 0:04:55 | 0:05:00 | |
Very, very flat Norfolk. | 0:05:00 | 0:05:01 | |
Starting in Holt, | 0:05:01 | 0:05:03 | |
we'll weave our way towards our auction showdown in King's Lynn. | 0:05:03 | 0:05:07 | |
The town of Holt was almost wiped off the map in 1709 by a fire | 0:05:10 | 0:05:15 | |
that spread so fast through its streets, it was virtually destroyed in just three hours. | 0:05:15 | 0:05:20 | |
-There we are. -Well done, Thomas. That was not easy. | 0:05:20 | 0:05:25 | |
Time to match our celebrities with our experts. | 0:05:25 | 0:05:29 | |
Here we are. | 0:05:29 | 0:05:31 | |
-Hello. -Michael. -James, nice to see you. | 0:05:31 | 0:05:33 | |
-Una. -Una. | 0:05:33 | 0:05:35 | |
-Tell us, are you looking forward to this? Excited? -Yes. | 0:05:35 | 0:05:38 | |
-We're hoping you are, because you're the stars of the show. -Oh, hardly. | 0:05:38 | 0:05:42 | |
Michael, don't you know a tremendous amount about antiques? | 0:05:42 | 0:05:46 | |
This is the terrible mistake that people make. | 0:05:46 | 0:05:48 | |
I just was the mouthpiece of the show | 0:05:48 | 0:05:51 | |
-and then watched like everybody else. -LAUGHTER | 0:05:51 | 0:05:53 | |
I've learned very little. | 0:05:53 | 0:05:55 | |
I don't know anything about anything, so I'll be glad for your help. | 0:05:55 | 0:05:58 | |
You're with me. | 0:05:58 | 0:06:00 | |
-We. -And, Michael, you're with me in the 2CV. -LAUGHTER | 0:06:00 | 0:06:03 | |
Don't look disappointed. It's fine. | 0:06:03 | 0:06:05 | |
See you guys later. Have fun. | 0:06:05 | 0:06:08 | |
Michael, are you confident? | 0:06:11 | 0:06:13 | |
I'm never confident, | 0:06:13 | 0:06:15 | |
but, sometimes, it goes down to something like fear and loathing | 0:06:15 | 0:06:19 | |
and terror and all that stuff. I'm very uneasy indeed. | 0:06:19 | 0:06:22 | |
Fear and loathing in Norfolk? | 0:06:22 | 0:06:24 | |
Now that's a very different road trip to the one I had in mind. | 0:06:24 | 0:06:28 | |
-Don't feel like that, because I will look after you. -Thank you. | 0:06:28 | 0:06:31 | |
And I will protect you from all the shopkeepers. Don't worry. | 0:06:31 | 0:06:34 | |
Yes, don't worry, Michael. Thomas will look after you. He knows best. | 0:06:34 | 0:06:37 | |
Personally, I'd like to buy some shoes. | 0:06:37 | 0:06:40 | |
If we can keep him out of the shoe shops. He's so sharp. | 0:06:40 | 0:06:42 | |
I've got a bit of a shoe fetish. But for men's shoes, to wear my own. | 0:06:42 | 0:06:45 | |
Yes, it's quite a healthy interest! | 0:06:45 | 0:06:47 | |
No, I don't go trying on my wife's. That's...that's... | 0:06:47 | 0:06:51 | |
-Not her shoes, anyway! -This is it. -This is it. | 0:06:51 | 0:06:55 | |
Michael and Thomas's first shop of the day is not a shoe shop, | 0:06:55 | 0:06:59 | |
it's Shirehall Plain Antiques, and they're looked after by Mandy. | 0:06:59 | 0:07:02 | |
-With shoes on. -Hello. | 0:07:03 | 0:07:05 | |
-Hello, I'm Michael. -Hello, I'm Mandy. -Hiya. | 0:07:05 | 0:07:07 | |
Michael, how do you want to do it? | 0:07:07 | 0:07:09 | |
Do you want to have a look yourself or shall we do it together? | 0:07:09 | 0:07:12 | |
-I think that's good idea. -I think doing it together would be rather nice. -Yes. | 0:07:12 | 0:07:16 | |
Then any ignorant remarks can be swallowed up by something you would say. | 0:07:16 | 0:07:19 | |
-So that's good. -I don't know about that. Let's have a look. | 0:07:19 | 0:07:22 | |
Michael have you got a particular style you like? | 0:07:25 | 0:07:27 | |
You're a very stylish man. Obviously, we can see your very dapper, so you obviously like | 0:07:27 | 0:07:32 | |
-the finer things in life. -I'm an Art-Deco bloke, really. | 0:07:32 | 0:07:35 | |
There's also an emotional connection with when I was born. | 0:07:35 | 0:07:38 | |
That was the time, you know, when it all happened. | 0:07:38 | 0:07:41 | |
-It's my time, as it were. -I'm pleased to know you're an Art-Deco guy. | 0:07:41 | 0:07:45 | |
-Not exclusively. -No, because I love the Deco. | 0:07:45 | 0:07:48 | |
First the shoes and now the Art Deco. | 0:07:48 | 0:07:51 | |
Could this be the beginning of a beautiful friendship? | 0:07:51 | 0:07:54 | |
The cinemas I used to go to were all Art Deco. | 0:07:54 | 0:07:58 | |
How old did you have to be? | 0:07:58 | 0:07:59 | |
You had to be 16, so I borrowed my father's identity card. | 0:07:59 | 0:08:03 | |
They said, "According to this, you've just done six years in the Army, hop it!" | 0:08:03 | 0:08:06 | |
I was only 14. | 0:08:06 | 0:08:08 | |
While Team Aspel are getting to know each other... | 0:08:08 | 0:08:12 | |
Una and James pose for a quick photo with the local paparazzi. | 0:08:14 | 0:08:18 | |
-OK? Pleasure. -I make you look like a giant. | 0:08:19 | 0:08:21 | |
HE LAUGHS Everybody makes me look like a giant! | 0:08:21 | 0:08:25 | |
So do I buzz off on my own? | 0:08:25 | 0:08:27 | |
-You can if you like. -No, no, no. No, no. No, I'd rather be with you. | 0:08:27 | 0:08:31 | |
In that case, let's look together and see what we like, | 0:08:31 | 0:08:34 | |
-throw a few ideas around... -Good. -..and see what we can find. -Lovely. | 0:08:34 | 0:08:38 | |
-This is it, this is our first one. -Oh, oh! | 0:08:38 | 0:08:41 | |
-Da-dum! -After you. | 0:08:41 | 0:08:43 | |
Una and James's first shop of the day | 0:08:45 | 0:08:48 | |
is Richard Scott Antiques | 0:08:48 | 0:08:50 | |
and Una is straight in there. | 0:08:50 | 0:08:53 | |
-Gorgeous. -Straight-sided coffee cans. -Yeah? | 0:08:53 | 0:08:55 | |
So, early 19th century. | 0:08:55 | 0:08:57 | |
-Coffee...? -Coffee can. | 0:08:57 | 0:08:59 | |
If it's got a straight side, it's a coffee can. | 0:08:59 | 0:09:02 | |
-Why "can"? -I presume it's like can of baked beans. -Oh, I see. | 0:09:02 | 0:09:07 | |
-Whereas that one, with the curved side, is a coffee cup. -That's lovely. | 0:09:07 | 0:09:11 | |
Very pretty. | 0:09:11 | 0:09:12 | |
James is keen to give his celebrity apprentice a lesson | 0:09:12 | 0:09:15 | |
in buying antiques. | 0:09:15 | 0:09:17 | |
When you're looking to sell at auction, | 0:09:17 | 0:09:19 | |
-you have to not think what you like. -Oh! | 0:09:19 | 0:09:22 | |
-Because you're never going to own it and you'll never see it again. -Yeah. | 0:09:22 | 0:09:26 | |
-It'll be sold at the auction. -Oh. | 0:09:26 | 0:09:28 | |
-You've got to take, in a way, all of the emotion out of it. -Yes. | 0:09:28 | 0:09:32 | |
Oh. Ooh. | 0:09:34 | 0:09:36 | |
Oh! | 0:09:36 | 0:09:38 | |
-Glass is popular now, isn't it? -It can be, yeah. -In the light. | 0:09:40 | 0:09:44 | |
-Very pretty. -Isn't it? -Yeah. 1920s, probably. 1930s. | 0:09:44 | 0:09:49 | |
At auction it would make £8. | 0:09:49 | 0:09:51 | |
-Yes. 28. -Very unfashionable. SHE LAUGHS | 0:09:53 | 0:09:56 | |
Aw. | 0:09:56 | 0:09:58 | |
Mmmm. | 0:09:58 | 0:10:00 | |
(I'm going to make such a fool of myself. But I'd quite like to dare. | 0:10:00 | 0:10:04 | |
(Just to see if he's right and I'm not.) | 0:10:04 | 0:10:06 | |
Hm. Go on, Una, we dare you. | 0:10:08 | 0:10:12 | |
Back with the boys and something's caught Thomas's eye. | 0:10:12 | 0:10:15 | |
This is a beast. The Record Enlarger, it's called. | 0:10:17 | 0:10:19 | |
British made, so you can date that between the wars. | 0:10:19 | 0:10:25 | |
Or maybe slightly earlier. | 0:10:25 | 0:10:28 | |
Hm. | 0:10:28 | 0:10:29 | |
This is where the slide went in. | 0:10:29 | 0:10:31 | |
And they just projected it in large form. That's all it's saying. | 0:10:31 | 0:10:34 | |
They hid under that black shroud. | 0:10:34 | 0:10:36 | |
It's got the actual hood still on it, which is amazing. | 0:10:36 | 0:10:40 | |
-Yes. -To have that still there. | 0:10:40 | 0:10:42 | |
Cor, they want a lot of money for it. £195. | 0:10:42 | 0:10:44 | |
What would they take for that, do you reckon? | 0:10:44 | 0:10:46 | |
-150? -(A bit more than that.) | 0:10:46 | 0:10:48 | |
Well... | 0:10:48 | 0:10:50 | |
(Yeah, you want £100.) | 0:10:50 | 0:10:52 | |
-Mandy? Hello. -Yes? | 0:10:52 | 0:10:54 | |
We like this, but we don't like the top price on it. | 0:10:54 | 0:10:59 | |
OK. I will have a chat with him and get the very best price for you. | 0:10:59 | 0:11:02 | |
-Thank you very much. -I'll do it now. | 0:11:02 | 0:11:04 | |
Your own home cinema. | 0:11:04 | 0:11:06 | |
It's a big lens there, isn't there? | 0:11:07 | 0:11:09 | |
It's a whopper. Let's see you in those. | 0:11:09 | 0:11:12 | |
Oh, no, you don't want to see it - all those pores! | 0:11:12 | 0:11:14 | |
Right, I've had a chat with him. He said the very best on that | 0:11:15 | 0:11:18 | |
-would be 150. -150. -Yes. | 0:11:18 | 0:11:20 | |
HE INHALES SHARPLY | 0:11:20 | 0:11:22 | |
He wouldn't go bit more, he wouldn't go 120? | 0:11:22 | 0:11:25 | |
I could do another tenner, that would be it. | 0:11:25 | 0:11:28 | |
-So 140 we're talking about? -140 is the best. -Really? | 0:11:28 | 0:11:31 | |
Really, seriously best. That's what he says. | 0:11:31 | 0:11:35 | |
-It is exciting, though, isn't it? It's a fun thing. -It's different. | 0:11:35 | 0:11:38 | |
-Shall we do it? -Yes. | 0:11:38 | 0:11:40 | |
-Do you want to do it? -I do. | 0:11:40 | 0:11:42 | |
-You've got a sale. -Thank you very much. Very kind. | 0:11:43 | 0:11:46 | |
-Excellent. -Good. Thank you very much. -Thank you. | 0:11:46 | 0:11:49 | |
-Our first item. -Yes. -Exciting. -We're off and running. | 0:11:49 | 0:11:53 | |
And we're off and running | 0:11:54 | 0:11:56 | |
to see if Una has moved away from that green decanter. | 0:11:56 | 0:11:59 | |
I must listen to you. | 0:11:59 | 0:12:00 | |
No, no. Keep looking, keep looking. | 0:12:00 | 0:12:02 | |
Ooh. (That is lovely.) | 0:12:02 | 0:12:05 | |
-OK, what have you found? -An old Chinese pot. | 0:12:05 | 0:12:09 | |
Inside, there's all extraordinary markings, | 0:12:09 | 0:12:11 | |
-like writing. -Oh. I don't know if it's writing or just dirt. | 0:12:11 | 0:12:15 | |
-Dirt?! -There's something in there, though. -It's a ginger jar? | 0:12:15 | 0:12:20 | |
Probably a ginger jar, lost its cover. | 0:12:20 | 0:12:22 | |
-Yes. -An interesting thing. Very interesting. | 0:12:22 | 0:12:26 | |
-That's the sort of thing that is really speculative. -Yes, I know. | 0:12:26 | 0:12:29 | |
And at that level, I think you might have found something. | 0:12:29 | 0:12:32 | |
-Da-dum! -HE LAUGHS | 0:12:32 | 0:12:36 | |
That's lovely, too. | 0:12:36 | 0:12:38 | |
-A bowl, badly chipped. -Yes. | 0:12:38 | 0:12:40 | |
It's had a very nasty... How about the one at the back? | 0:12:40 | 0:12:44 | |
-Quite bossy, aren't you? -THEY LAUGH | 0:12:44 | 0:12:47 | |
-More crackage. -More crackage. | 0:12:47 | 0:12:50 | |
Is it not worth getting if it's cracked? If I got it for tuppence? | 0:12:50 | 0:12:53 | |
If you got it would tuppence, it would. HE WHEEZES WITH LAUGHTER | 0:12:53 | 0:12:56 | |
-It's an interesting little area, this. -It is. | 0:12:56 | 0:13:00 | |
What's that? The thing that looks as if it's made out of sand? | 0:13:00 | 0:13:03 | |
Now that is interesting. | 0:13:03 | 0:13:05 | |
Chinese. | 0:13:05 | 0:13:07 | |
They've been digging up these mass graves in China for years. | 0:13:07 | 0:13:11 | |
The most famous one is the Terracotta Army, so it's Tang Dynasty, | 0:13:11 | 0:13:16 | |
it's ninth century. | 0:13:16 | 0:13:18 | |
And would be used for incense, or...? | 0:13:18 | 0:13:21 | |
-Could be used incense, or could have just been buried with spices. -Oh, right. | 0:13:21 | 0:13:24 | |
-With the body. -Purification. -Yeah. | 0:13:24 | 0:13:27 | |
Sometimes, they were brightly decorated and very vivid in colours. | 0:13:27 | 0:13:31 | |
But what happened was, because they were buried low in the ground, | 0:13:31 | 0:13:35 | |
the water level would rise | 0:13:35 | 0:13:36 | |
and when the water level dropped, it would take all the colours away. | 0:13:36 | 0:13:40 | |
This, like your pot there, is very, very interesting. | 0:13:40 | 0:13:45 | |
-And £85. -Right. | 0:13:45 | 0:13:47 | |
It will give that one a bit of meat, to put the two together. | 0:13:47 | 0:13:51 | |
-It doesn't need meat, James! -LAUGHTER | 0:13:51 | 0:13:54 | |
The current price tag on this little Oriental lot would set Una | 0:13:54 | 0:13:58 | |
and James back a grand total of £133. | 0:13:58 | 0:14:02 | |
My thought was | 0:14:02 | 0:14:03 | |
that it will be a very interesting group together. | 0:14:03 | 0:14:07 | |
-Right. -SHE LAUGHS | 0:14:07 | 0:14:10 | |
What are you thinking? | 0:14:10 | 0:14:12 | |
Nothing, I have an absolutely blank Buddhist mind. | 0:14:12 | 0:14:15 | |
THEY LAUGH | 0:14:15 | 0:14:17 | |
OK. | 0:14:17 | 0:14:19 | |
Well, that's 24. | 0:14:19 | 0:14:21 | |
It would be nice to end up with it being at 15, something like that. | 0:14:21 | 0:14:26 | |
-Would that...? -Done. | 0:14:27 | 0:14:29 | |
-Would that be all right? -Done. -OK. OK, there's that one. | 0:14:29 | 0:14:32 | |
50p. | 0:14:32 | 0:14:33 | |
-I'll leave you... -50p, OK. | 0:14:33 | 0:14:36 | |
I'm doing well! Thank you. | 0:14:36 | 0:14:37 | |
We're going to have to make it up on this one. | 0:14:37 | 0:14:40 | |
Well, now... | 0:14:40 | 0:14:42 | |
-Gee, tell you what... -It's the charm. | 0:14:42 | 0:14:44 | |
I'm going to go and I'll leave you... HE LAUGHS | 0:14:44 | 0:14:47 | |
-OK, the third one. -Please don't say 50p again. | 0:14:47 | 0:14:51 | |
Una, would you be happy if we paid £30 that? | 0:14:51 | 0:14:55 | |
-Yes. -My hand is here. | 0:14:55 | 0:14:58 | |
-Who is going to shake? -Is it all right? -Yes. | 0:14:58 | 0:15:00 | |
-Done. -Thank you. -Super. | 0:15:00 | 0:15:02 | |
-I think that's a really interesting first lot for us. -I hope so. | 0:15:02 | 0:15:06 | |
Una and James have dipped into their budget and spent £45.50. | 0:15:06 | 0:15:12 | |
OK. Where next? | 0:15:12 | 0:15:16 | |
-Here we are, antiques. -Ah, that would do. | 0:15:16 | 0:15:19 | |
At the other end of Holt, Aspel and Plant are off | 0:15:19 | 0:15:22 | |
for a poke about Mews Antique Emporium. | 0:15:22 | 0:15:25 | |
-Ooh, another den. -And this big den is run by the lovely Jo. | 0:15:25 | 0:15:29 | |
Are you looking for anything in particular? | 0:15:29 | 0:15:33 | |
Whatever catches our eye, I think. | 0:15:33 | 0:15:34 | |
-That's where we're going to play it. -Well, play on, then, boys. | 0:15:34 | 0:15:39 | |
What do you kind of get when you come in somewhere like this? | 0:15:44 | 0:15:47 | |
Well, confusion is the main emotion, | 0:15:47 | 0:15:50 | |
because it is such a mixture of stuff. | 0:15:50 | 0:15:53 | |
-You have to watch every corner. -I view it as almost an assault | 0:15:53 | 0:15:58 | |
-on your senses. -Yes. | 0:15:58 | 0:16:00 | |
Because A, your eyes just take in everything. | 0:16:00 | 0:16:04 | |
-You never know what you might find. -Yes. | 0:16:04 | 0:16:06 | |
-You were in the military? -Yes, | 0:16:11 | 0:16:14 | |
I did my two years' National Service in the infantry. | 0:16:14 | 0:16:16 | |
-The King's Royal Rifle Corps. Rifleman Aspel. -Rifleman Aspel. | 0:16:16 | 0:16:20 | |
And I lined, not entirely alone, | 0:16:20 | 0:16:23 | |
the King's funeral parade in London as a National Serviceman. | 0:16:23 | 0:16:28 | |
-In 1952? -Yes. | 0:16:28 | 0:16:30 | |
-Gosh. Quite emotional, really. -It was extraordinary. | 0:16:30 | 0:16:33 | |
The procession was glorious. | 0:16:33 | 0:16:35 | |
-OK, Rifleman Aspel, back to today's mission. -I've spotted something. | 0:16:35 | 0:16:41 | |
Look, it's like a little cricket pitch in there. Isn't that wonderful? | 0:16:41 | 0:16:44 | |
-It's very 1960s, '70s. -Yes. | 0:16:44 | 0:16:46 | |
It's got its box, that's the important thing, isn't it? | 0:16:46 | 0:16:49 | |
It's got its box and I don't think it has ever been played with. | 0:16:49 | 0:16:52 | |
It's Lord's there. The old Pavilion. | 0:16:52 | 0:16:55 | |
Godfrey Evans Games. The great wicket-keeper. | 0:16:55 | 0:16:59 | |
You said you were in what cricket team? | 0:16:59 | 0:17:01 | |
We had our own little team called the TV Travellers, | 0:17:01 | 0:17:05 | |
-because we had no ground of our own, we just get moving. -Did you play? | 0:17:05 | 0:17:08 | |
-Godfrey Evans. I played a game with him in our charity matches. -Did you? | 0:17:08 | 0:17:12 | |
-He and Denis Compton, old pals together. -So how good were you? | 0:17:12 | 0:17:15 | |
-I was demon bowler. -Were you?! Fast? | 0:17:15 | 0:17:19 | |
Oh, yes, fast and extremely inaccurate. | 0:17:19 | 0:17:22 | |
Very dangerous, actually. Hurt a lot of bystanders! | 0:17:22 | 0:17:25 | |
Rifleman, demon bowler, friend of the stars, | 0:17:26 | 0:17:29 | |
this is beginning to feel like an episode of This Is Your Life. | 0:17:29 | 0:17:32 | |
Where's that red book, then? | 0:17:32 | 0:17:34 | |
-Can I help you with anything? -I'm after a deal. | 0:17:34 | 0:17:38 | |
I know it's only seven, but a single note with be fine. | 0:17:38 | 0:17:42 | |
-Five. -Five? | 0:17:42 | 0:17:43 | |
-Would you do for that for us? What do you think Michael? -Perfect for us. | 0:17:43 | 0:17:47 | |
Absolutely perfect. At that price? Ideal. | 0:17:47 | 0:17:49 | |
So the price is right on the cricket game and it's time to see | 0:17:49 | 0:17:53 | |
if anything will bowl over the competition as they head for Shirehall Plain Antiques. | 0:17:53 | 0:17:59 | |
Watch out for the ladder. | 0:17:59 | 0:18:01 | |
-Hello. -Hello. -If we go under there, that's bad luck. | 0:18:01 | 0:18:05 | |
We need all the luck we can get here! Thank you. | 0:18:06 | 0:18:09 | |
Now, we're running out of time. Shall we wander through the rest? | 0:18:09 | 0:18:12 | |
Let's just have a quiet wander. | 0:18:12 | 0:18:13 | |
But while she wanders, | 0:18:13 | 0:18:16 | |
Una's mind is still on something that caught her eye earlier. | 0:18:16 | 0:18:20 | |
I think that little glass vase would have done well. I think. | 0:18:20 | 0:18:24 | |
-I'd loved to have proved him wrong on that. But... -Hello. | 0:18:24 | 0:18:28 | |
-Oh! -LAUGHTER | 0:18:28 | 0:18:29 | |
Which little glass vase? | 0:18:29 | 0:18:32 | |
-The little decanter. -The green one? -Yes. | 0:18:32 | 0:18:36 | |
I'd love to... Oh, I'd have been so thrilled, if I was proved right. | 0:18:36 | 0:18:40 | |
Ah, well, never mind, Una. There's plenty more pebbles on the antique beach. | 0:18:40 | 0:18:45 | |
What do you think to that? | 0:18:45 | 0:18:47 | |
-If you look at the base, the base is incredible. -Beautiful. | 0:18:47 | 0:18:50 | |
Try and lift. | 0:18:50 | 0:18:51 | |
Oh, my...! | 0:18:53 | 0:18:54 | |
Oh! | 0:18:54 | 0:18:56 | |
That is so heavy. | 0:18:56 | 0:18:57 | |
-It's solid bronze. -Gosh. -It's a Regency period bronze lamp. | 0:18:57 | 0:19:03 | |
The originals would have been found in one of the excavations, | 0:19:03 | 0:19:07 | |
maybe at Herculaneum or Pompeii. | 0:19:07 | 0:19:09 | |
And this is a direct copy of an antique stick, | 0:19:09 | 0:19:13 | |
something probably made 2,000 years ago. | 0:19:13 | 0:19:16 | |
Excuse me, this can great big bronze lamp, is there much movement in this? | 0:19:16 | 0:19:21 | |
-I shall give him a ring. -A lot of movement? | 0:19:21 | 0:19:23 | |
James and Una are quite taken by the bronze lamp, | 0:19:23 | 0:19:27 | |
but with price tag a whopping £295, | 0:19:27 | 0:19:30 | |
there's some haggling to be done. | 0:19:30 | 0:19:33 | |
He can do that for you for 195. | 0:19:33 | 0:19:35 | |
-195. -And it's not yours? -No, that's right. -You had to get on the line. | 0:19:35 | 0:19:41 | |
But if you want me phone him back, you can speak to him yourself if you'd like to. | 0:19:41 | 0:19:45 | |
-0oh! -Do you want to? | 0:19:45 | 0:19:47 | |
SHE LAUGHS | 0:19:47 | 0:19:48 | |
That's frightened her, hasn't it?! | 0:19:48 | 0:19:50 | |
-I could... I could have a go. -Hello John, it's Mandy. | 0:19:50 | 0:19:54 | |
Would you have a quick word with Una Stubbs? | 0:19:54 | 0:19:56 | |
Hello, John. I'm admiring this beautiful lamp. | 0:19:56 | 0:20:00 | |
But it's still too high for us. | 0:20:00 | 0:20:02 | |
Is there a possibility it can go below 150, please? | 0:20:02 | 0:20:07 | |
I... I... | 0:20:10 | 0:20:11 | |
OK, just a second. 160. | 0:20:11 | 0:20:14 | |
-Ask for 155, go on. -155? | 0:20:14 | 0:20:18 | |
Thank you. OK, bye. | 0:20:18 | 0:20:21 | |
-Bye. Oh. -155? -Yes. | 0:20:21 | 0:20:24 | |
Well done. Well done. | 0:20:24 | 0:20:26 | |
-I was such a creep! -THEY LAUGH | 0:20:26 | 0:20:28 | |
-Well done. -I think you'll find it there. -Thank you very much. | 0:20:28 | 0:20:31 | |
Whoa, whoa, whoa, left. Not under that ladder. | 0:20:31 | 0:20:35 | |
So while superstitious Una and James celebrate their second purchase, | 0:20:35 | 0:20:39 | |
the lads of Team Aspel are leaving no stone unturned. | 0:20:39 | 0:20:43 | |
That's quite nice. | 0:20:43 | 0:20:44 | |
-Most of the tortoiseshell panels are here. -Yes. | 0:20:46 | 0:20:50 | |
And these are bone. | 0:20:50 | 0:20:51 | |
Oh, look at that. It is tortoiseshell inside. It's had a hard life. | 0:20:53 | 0:20:57 | |
-It's missing two corners. -A base. | 0:20:57 | 0:21:00 | |
-But this could be restored and it would be beautiful. -Mm. | 0:21:00 | 0:21:04 | |
What do you think? Have a look. | 0:21:04 | 0:21:06 | |
I just wonder if it is too badly mauled by time. | 0:21:06 | 0:21:08 | |
Well, it has been mauled by time. You're quite right. | 0:21:08 | 0:21:11 | |
But with the tortoiseshell, | 0:21:11 | 0:21:13 | |
I mean, it's got to be 70-90, I would have thought. | 0:21:13 | 0:21:16 | |
Now, tortoiseshell and bone may not be to everyone's taste. | 0:21:16 | 0:21:19 | |
But as this piece was produced in the late 1700s at earliest, | 0:21:19 | 0:21:25 | |
it's perfectly legal now to buy. | 0:21:25 | 0:21:27 | |
I'm looking for... | 0:21:27 | 0:21:30 | |
-a wonderful price. -We'll try and get him on the phone. | 0:21:30 | 0:21:34 | |
-You think he would like to speak to Michael? -We'll try, shall we? | 0:21:34 | 0:21:38 | |
Right. What are we saying to him? | 0:21:38 | 0:21:41 | |
How comfortable are you with this? | 0:21:41 | 0:21:44 | |
-Well, I haven't really done it. I don't... -Ever? -No. | 0:21:44 | 0:21:47 | |
If I buy a car, they say what it is and I just buy it. | 0:21:47 | 0:21:51 | |
I've never haggled about anything. | 0:21:51 | 0:21:53 | |
But I can state a case, I suppose. | 0:21:53 | 0:21:56 | |
This is quite good. This could be, you know, a revelation. | 0:21:56 | 0:22:00 | |
-Mm. -It's got 55 on it. Start at 30, 35. | 0:22:00 | 0:22:04 | |
-I think it's worth a go. -Yes. | 0:22:04 | 0:22:06 | |
-And again, it's not a big-risk item. -Yeah. | 0:22:06 | 0:22:10 | |
Time for Michael Aspel's introduction | 0:22:10 | 0:22:12 | |
into the world of haggling. Come on, Michael. Go for it. | 0:22:12 | 0:22:15 | |
Oh, hello. My name is Michael Aspel. | 0:22:15 | 0:22:18 | |
We've found it this thing, a trinket box. | 0:22:18 | 0:22:21 | |
55 is what she's got. It is in an awful state, of course. | 0:22:21 | 0:22:26 | |
Although it's very, basically very pretty. | 0:22:26 | 0:22:29 | |
And it would need a lot of restoration work. | 0:22:29 | 0:22:32 | |
So, we thought we might offer £25 for it. | 0:22:32 | 0:22:36 | |
40? Oh. | 0:22:38 | 0:22:40 | |
Is that your best price? | 0:22:40 | 0:22:43 | |
35. | 0:22:43 | 0:22:45 | |
-OK, 35. -That's very good. | 0:22:45 | 0:22:47 | |
Right. Thanks a lot. Bye. | 0:22:47 | 0:22:50 | |
Well, Michael, for someone who doesn't deal, | 0:22:50 | 0:22:53 | |
who just gets the price and asks... | 0:22:53 | 0:22:55 | |
-There was nobody there, of course! -No. | 0:22:55 | 0:22:57 | |
THEY LAUGH | 0:22:57 | 0:22:59 | |
You went in with the crushing blow of £25! | 0:22:59 | 0:23:04 | |
-I didn't actually mean to say 25. -It just came out. -Yes. | 0:23:04 | 0:23:07 | |
Is the killer Michael Aspel? Was it a bit like when you were bowling? | 0:23:07 | 0:23:11 | |
Yes, it was. A kind of madness seized me | 0:23:11 | 0:23:13 | |
and I just didn't care who got in the way. | 0:23:13 | 0:23:17 | |
-So if you want to go for it, we will. -35 quid. We should do it. | 0:23:17 | 0:23:20 | |
-Yeah? -Let's go. | 0:23:20 | 0:23:22 | |
While the boys celebrate their third lot for the auction, | 0:23:22 | 0:23:25 | |
thanks to the negotiations of killer Michael Aspel, | 0:23:25 | 0:23:29 | |
Una and James are back on the road. | 0:23:29 | 0:23:31 | |
Tell me, how do you feel after your morning's antique shop buying? | 0:23:31 | 0:23:35 | |
-Any regrets? -Of course. | 0:23:35 | 0:23:38 | |
The little green decanter. | 0:23:39 | 0:23:41 | |
Oh! Stop it. | 0:23:44 | 0:23:46 | |
-Oh... -I knew you loved it. You've got a choice now. | 0:23:46 | 0:23:50 | |
You can either put it in the auction | 0:23:50 | 0:23:52 | |
and see if it makes a profit, or you can just keep it. | 0:23:52 | 0:23:56 | |
-I'm going to keep it, James. -Oh, good. | 0:23:56 | 0:23:59 | |
Aw. James, you big softy. How sweet of you to buy that for Una. | 0:23:59 | 0:24:05 | |
-And out of your own pocket money, too. -Thank you. -It's a pleasure. | 0:24:05 | 0:24:08 | |
-It's dear. -It wasn't that expensive! | 0:24:08 | 0:24:11 | |
Una and James and her green decanter are heading to the village of Colby, | 0:24:11 | 0:24:16 | |
home to the Straw Works And Crafts Museum, | 0:24:16 | 0:24:19 | |
the largest collection of straw-crafted pieces in the UK. | 0:24:19 | 0:24:23 | |
-Wow. -OK. | 0:24:23 | 0:24:26 | |
The museum is home to several hundred fascinating pieces | 0:24:28 | 0:24:32 | |
crafted from straw from all over the world. | 0:24:32 | 0:24:36 | |
The items on display include sculptures from Africa and Japan, | 0:24:36 | 0:24:39 | |
straw hats from Switzerland | 0:24:39 | 0:24:42 | |
and delicate items of clothing woven from strands of straw. | 0:24:42 | 0:24:46 | |
This photograph from 1951 shows a young Princess Margaret, | 0:24:47 | 0:24:51 | |
looking gorgeous, wearing a dress embroidered with straw, | 0:24:51 | 0:24:55 | |
designed by Christian Dior for her 21st birthday. | 0:24:55 | 0:24:59 | |
Lucky gal. | 0:24:59 | 0:25:00 | |
Heavy doors! | 0:25:00 | 0:25:02 | |
You're such a gent. | 0:25:02 | 0:25:04 | |
-This could be love. -Ah, hello. | 0:25:04 | 0:25:06 | |
And the lady responsible for putting this collection together | 0:25:06 | 0:25:10 | |
is Ella Carstairs. | 0:25:10 | 0:25:11 | |
-Lovely to see you. -I'm James. Nice to see you. Hi. -My favourite man. | 0:25:11 | 0:25:15 | |
THEY LAUGH | 0:25:15 | 0:25:17 | |
-And I'm Una. -And Una. -Nice to meet you. -Thank you, Una. | 0:25:17 | 0:25:21 | |
-All the girls love you, James. -Here we go! | 0:25:21 | 0:25:25 | |
83-year-old Ella has been running the museum | 0:25:25 | 0:25:27 | |
single-handedly for over 20 years. | 0:25:27 | 0:25:30 | |
Her collection is housed in five large sheds | 0:25:30 | 0:25:34 | |
in the grounds of her cottage. | 0:25:34 | 0:25:35 | |
In here. | 0:25:35 | 0:25:37 | |
-Wow. -Oh, my goodness. Look at this. -Gosh! | 0:25:37 | 0:25:41 | |
It surprises everybody. | 0:25:41 | 0:25:43 | |
You've got an absolute cross-section from paintings to... | 0:25:44 | 0:25:48 | |
-They're not paintings. That's all done with straw. -No! | 0:25:48 | 0:25:51 | |
-I've done all of these. -You've done them? -Yes. | 0:25:51 | 0:25:54 | |
They're all done with dyed straw. All you do is lay your straws | 0:25:54 | 0:25:57 | |
in a trough. When they've absorbed the dye, you take them out | 0:25:57 | 0:26:01 | |
and instead of laying them out on the ground, I stood them up. | 0:26:01 | 0:26:05 | |
Which meant that the colour ran down. | 0:26:05 | 0:26:08 | |
So can you see how natural? | 0:26:08 | 0:26:10 | |
-Yes. -It looks great, doesn't it? | 0:26:10 | 0:26:13 | |
That's straw for you. | 0:26:13 | 0:26:15 | |
As well as Ella's own creations, | 0:26:15 | 0:26:17 | |
the museum is home to some very unique pieces, | 0:26:17 | 0:26:21 | |
including these boxes, produced by Napoleonic prisoners of war. | 0:26:21 | 0:26:25 | |
-200 years old. -English? -French prisoners of war. | 0:26:25 | 0:26:28 | |
So they have been captured over in France on the battlefield | 0:26:28 | 0:26:32 | |
of Waterloo. | 0:26:32 | 0:26:33 | |
They've been brought back to England and they've been put in an open camp. | 0:26:33 | 0:26:38 | |
And they were treated as part of the village | 0:26:38 | 0:26:41 | |
and they did this straw work to give themselves pocket money. | 0:26:41 | 0:26:45 | |
-It's as fine as hair. -Yeah. | 0:26:45 | 0:26:47 | |
You'd think it would be so brittle to work with. | 0:26:47 | 0:26:50 | |
These are the things that you would expect a lady with great skill | 0:26:50 | 0:26:54 | |
and delicate hands to be doing, not somebody who spends his career | 0:26:54 | 0:26:59 | |
firing cannon. | 0:26:59 | 0:27:00 | |
As well as overseeing the museum, | 0:27:00 | 0:27:03 | |
Ella also runs classes in straw-crafting. | 0:27:03 | 0:27:06 | |
That's beautiful. | 0:27:07 | 0:27:08 | |
# Hello, Dolly Well, hello... # | 0:27:08 | 0:27:12 | |
Let's see how today's pupils get on. | 0:27:12 | 0:27:16 | |
Now, to make a corn dolly, you have five pieces of straw. | 0:27:16 | 0:27:19 | |
Place each bit nice and neatly side-by-side. | 0:27:19 | 0:27:22 | |
-You want me to help you with it? -Have you tied... Oh, James. | 0:27:22 | 0:27:26 | |
-That should do it. -Yes. | 0:27:26 | 0:27:29 | |
Lay your corn dolly out into five positions. | 0:27:29 | 0:27:33 | |
But they're standing up, they're not laying out, are they? | 0:27:33 | 0:27:36 | |
You haven't got your hand underneath it, lovey. | 0:27:36 | 0:27:38 | |
You've got it either side of it. You've got it perfect. | 0:27:38 | 0:27:41 | |
Hold it firmly and then swing it round. | 0:27:41 | 0:27:44 | |
And then the one behind the one you've taken over, | 0:27:44 | 0:27:48 | |
you take that over the next two. | 0:27:48 | 0:27:50 | |
-Are you with me, love? -I'm with you. -Are you? -Oh, dear. | 0:27:50 | 0:27:55 | |
-How are you, James? -Good lad, that's it. That's coming. It's coming. | 0:27:55 | 0:27:59 | |
Excellent. You're getting the hang of it, James. | 0:27:59 | 0:28:02 | |
I haven't had any good remarks, James. Have you noticed? | 0:28:02 | 0:28:05 | |
-I'm going to get a smack, I think! -THEY LAUGH | 0:28:05 | 0:28:08 | |
-OK, points out of ten? -I should say six, wouldn't you? -That's generous! | 0:28:10 | 0:28:14 | |
With their corn dollies finished, it's class dismissed. | 0:28:14 | 0:28:17 | |
And as the sun sets on day one of our road trip, | 0:28:18 | 0:28:21 | |
I'd say Una and James have got off to a dolly good start. | 0:28:21 | 0:28:26 | |
-HE CHUCKLES -Who writes this stuff?! | 0:28:26 | 0:28:29 | |
And with Norfolk's antique shops closed for the day, it's time | 0:28:29 | 0:28:33 | |
also for Team Aspel to turn in and recharge their haggling batteries. | 0:28:33 | 0:28:37 | |
Night-night. | 0:28:37 | 0:28:39 | |
As a new day dawns in the county of Norfolk, | 0:28:39 | 0:28:43 | |
the pressure is on for our celebrities to find | 0:28:43 | 0:28:46 | |
that special something that will bring in the bids at auction. | 0:28:46 | 0:28:50 | |
-Michael, how's your antique hunt going? -There's so much stuff. | 0:28:50 | 0:28:54 | |
And in the end, your eyes start to water, your throat dries up | 0:28:54 | 0:28:58 | |
-and you think, "I've got to find something!" -I know! -You had James. | 0:28:58 | 0:29:01 | |
-How did you get on with him? -You know, you feel, | 0:29:01 | 0:29:03 | |
"Oh, gosh, I'm really learning a lot about stuff I had no..." | 0:29:03 | 0:29:06 | |
But he knows about everything. | 0:29:06 | 0:29:08 | |
Una is amazing fun. | 0:29:08 | 0:29:11 | |
She knows exactly what she likes and what she doesn't. | 0:29:11 | 0:29:14 | |
I'm not going to get away with buying anything that she doesn't like. | 0:29:14 | 0:29:19 | |
How did you get on with Thomas? | 0:29:19 | 0:29:21 | |
Very well, thanks. | 0:29:21 | 0:29:22 | |
He gave me the impression that I knew what I was thinking | 0:29:22 | 0:29:26 | |
-and talking about. -How generous. -Which is of course not the case! | 0:29:26 | 0:29:30 | |
I have to say, I am with the most modest man ever in the world. | 0:29:30 | 0:29:34 | |
If I could be as modest as he is, I would feel... | 0:29:34 | 0:29:38 | |
Yeah, Thomas, you and modest(!) THEY LAUGH | 0:29:38 | 0:29:42 | |
And I didn't think he'd be a very good dealer and he was amazing. | 0:29:43 | 0:29:46 | |
-Was he, really? -He was amazing! | 0:29:46 | 0:29:48 | |
The amazing... Ha! ..Michael Aspel | 0:29:48 | 0:29:51 | |
and his new number one fan Thomas Plant have spent | 0:29:51 | 0:29:54 | |
an amazing £180 on three lots for auction. | 0:29:54 | 0:29:57 | |
The projector, | 0:29:58 | 0:30:01 | |
the boxed cricket game, | 0:30:01 | 0:30:02 | |
and not forgetting the result of Michael's first-ever haggle, | 0:30:02 | 0:30:06 | |
the tortoiseshell trinket box... | 0:30:06 | 0:30:08 | |
We thought that we might offer £25 for it. | 0:30:08 | 0:30:11 | |
..leaving the pair with £220 to spend from their original £400 budget. | 0:30:12 | 0:30:18 | |
Mm. | 0:30:18 | 0:30:20 | |
Someone else enjoying the thrill of the deal is Una Stubbs. | 0:30:20 | 0:30:24 | |
James and Una have spent £200.50 on two auction lots. | 0:30:25 | 0:30:29 | |
Their Oriental pot collection, including Una's 50p bowl... | 0:30:29 | 0:30:33 | |
Please don't say 50p again. | 0:30:33 | 0:30:36 | |
..and the bronze floor-standing lamp that set them back £155, | 0:30:36 | 0:30:42 | |
leaving Team Stubbs with £199.50 left to spend. | 0:30:42 | 0:30:47 | |
Back on the road, | 0:30:48 | 0:30:51 | |
Michael and Thomas are heading for the lovely town of Aylsham. | 0:30:51 | 0:30:55 | |
We've bought very well and you never know what we might find now. | 0:30:55 | 0:30:58 | |
Yes. Well, I'm ready for it, I have to tell you that. | 0:30:58 | 0:31:01 | |
Well, that's really good news, because I think it's your turn. | 0:31:01 | 0:31:05 | |
-Well, I won't pick it unless I like it. -That's the thing. | 0:31:05 | 0:31:08 | |
Let's hope Red Lion Antiques has a plethora of goodies. | 0:31:08 | 0:31:12 | |
-Morning. -I'm Will Cotton. I like your Easter Island tissue box. | 0:31:12 | 0:31:18 | |
-Fun, isn't it? -Do you mind if we have a good look? -Please do. | 0:31:18 | 0:31:21 | |
Here's something unusual, isn't it? The old tortoise. | 0:31:24 | 0:31:29 | |
That's quite cute, isn't it? | 0:31:29 | 0:31:31 | |
It's just...dreadful. HE LAUGHS | 0:31:31 | 0:31:33 | |
But it's wonderful, though, isn't it? | 0:31:33 | 0:31:36 | |
A Chinese dim sum steamer. | 0:31:36 | 0:31:38 | |
-That's fairly modern. -Fairly modern, but fairly fun, though. | 0:31:38 | 0:31:42 | |
I'm sure it would have been used almost sort of like a centrepiece. | 0:31:42 | 0:31:47 | |
I've not had it before. | 0:31:47 | 0:31:48 | |
Made from hardwood and cane, | 0:31:50 | 0:31:52 | |
this little fellow would be used to steam a variety of different | 0:31:52 | 0:31:55 | |
flavoured bite-sized delicacies, more commonly known as dumplings. | 0:31:55 | 0:31:59 | |
I can see a couple of dumplings from here! | 0:31:59 | 0:32:02 | |
It's eye-catching, isn't it? | 0:32:02 | 0:32:04 | |
You see, I never would have picked that up, Michael. | 0:32:04 | 0:32:06 | |
I never would've picked that up. | 0:32:06 | 0:32:08 | |
I think we'll take that down and talk to Will about that. Shall we? | 0:32:08 | 0:32:11 | |
-I think so. I think it's charming. -I think maybe if we find a few other | 0:32:11 | 0:32:15 | |
little bits and bobs for him to be friends with... | 0:32:15 | 0:32:17 | |
-Yes, perhaps. -Well, they do say the tortoise always wins. | 0:32:17 | 0:32:22 | |
James and Una are on their way to the delightful town of Fakenham. | 0:32:23 | 0:32:28 | |
Fakenham's weekly market still takes place in the area | 0:32:28 | 0:32:31 | |
of the original market of the year 1250. | 0:32:31 | 0:32:35 | |
Here we go. | 0:32:35 | 0:32:38 | |
-Shopping head-on? -Definitely. | 0:32:38 | 0:32:41 | |
Having blown just over half their £400 budget | 0:32:41 | 0:32:44 | |
on just two lots for the auction, let's hope Fakenham Antiques Centre | 0:32:44 | 0:32:48 | |
has some hidden gems for Una and James. | 0:32:48 | 0:32:51 | |
-Hello. -Hello. | 0:32:51 | 0:32:54 | |
-Hello. -The centre is run by Jake the dog. Oh, yes, and Brenda. | 0:32:54 | 0:33:00 | |
Hello, Brenda. | 0:33:00 | 0:33:01 | |
-This is Jake. -Jake. Hello, Jake. Hello! -Aw! -Hello. | 0:33:01 | 0:33:04 | |
What did you say? Lots of bargains? Hey? | 0:33:04 | 0:33:08 | |
So, that's how you haggle in doggy language. | 0:33:08 | 0:33:11 | |
Hm. | 0:33:11 | 0:33:13 | |
While Una focuses her attention on finding some treasures | 0:33:13 | 0:33:16 | |
for the auction, James is... | 0:33:16 | 0:33:17 | |
JAMES MIMICS DOG'S WHIMPER | 0:33:17 | 0:33:19 | |
James is... well, communicating with the dog. | 0:33:19 | 0:33:23 | |
I'm lost without him. | 0:33:23 | 0:33:26 | |
I don't know what I'm supposed to be looking... James? | 0:33:26 | 0:33:29 | |
James, we're supposed to be working today. | 0:33:29 | 0:33:31 | |
Oh, plenty of time for that. See you later. | 0:33:31 | 0:33:34 | |
Going to look... | 0:33:34 | 0:33:36 | |
How about those? A pair of boots. | 0:33:39 | 0:33:41 | |
They're a lovely tan leather. | 0:33:41 | 0:33:44 | |
-They've got the stirrups. -Oh, my goodness. -40. Can somebody... | 0:33:44 | 0:33:48 | |
-Is that a double zero? -I would have said 140. | 0:33:48 | 0:33:51 | |
In fact, I thought they were £14, | 0:33:51 | 0:33:53 | |
you might've got away with £14 if you hadn't... | 0:33:53 | 0:33:55 | |
-Oh, James! -I'll ring the dealer. | 0:33:55 | 0:33:58 | |
Could these boots be walking straight to the auction house? | 0:33:58 | 0:34:01 | |
Well, I guess that depends on the price tag. | 0:34:01 | 0:34:04 | |
I've just spoken to the dealer and he says £80 on the boots. | 0:34:05 | 0:34:08 | |
Mm... No, it's far too much. OK. | 0:34:08 | 0:34:11 | |
Now then, what have we got through here? | 0:34:11 | 0:34:14 | |
Pretty, isn't it? The Clipper. It's £58. | 0:34:19 | 0:34:21 | |
But... | 0:34:23 | 0:34:24 | |
it's quite a decent example. The condition's not bad. | 0:34:24 | 0:34:29 | |
It's probably prewar. | 0:34:29 | 0:34:31 | |
The sails are made from linen sacks, | 0:34:31 | 0:34:34 | |
-but it's got a look to it. -Mm. | 0:34:34 | 0:34:37 | |
This 20th-century model is a replica of a 19th-century tea clipper. | 0:34:38 | 0:34:43 | |
These were the greyhounds of the oceans. | 0:34:43 | 0:34:46 | |
Built in American and British shipyards, | 0:34:46 | 0:34:49 | |
they were designed to take the trade routes between Europe | 0:34:49 | 0:34:52 | |
and the East Indies, carrying tea, of course. | 0:34:52 | 0:34:55 | |
The most famous of the vessels is our very own Cutty Sark. | 0:34:55 | 0:34:59 | |
Oh, all this talk of tea is making me parched! | 0:34:59 | 0:35:02 | |
Cup of tea and a slice of cake, anyone? | 0:35:02 | 0:35:05 | |
We need to get it for less than £30, if we're going to stand a chance. | 0:35:05 | 0:35:08 | |
-58, so it's about half. -That's a big jump down. -It is. | 0:35:08 | 0:35:11 | |
-But we're by the coast, King's Lynn. -That's true. | 0:35:11 | 0:35:14 | |
How much could the boat be, please? | 0:35:14 | 0:35:17 | |
Um, he said 40. | 0:35:17 | 0:35:19 | |
Would 30 be a possibility for this? | 0:35:19 | 0:35:22 | |
Yeah. | 0:35:22 | 0:35:23 | |
-30. Brilliant. -Well, that was fairly straightforward. | 0:35:23 | 0:35:26 | |
For £30, it looks like Una and James have their fourth lot | 0:35:26 | 0:35:30 | |
for the auction. Well done. | 0:35:30 | 0:35:32 | |
Back in Aylsham, the likely lads are still carrying on their quest | 0:35:33 | 0:35:37 | |
to find some friends for their tortoise dim sum steamer, | 0:35:37 | 0:35:41 | |
as you do(!) | 0:35:41 | 0:35:42 | |
What have you got there, another bit of Oriental? | 0:35:42 | 0:35:45 | |
This spoon is made from cow horn, and it's about 100 years old. | 0:35:45 | 0:35:50 | |
£15, this is quite a lot of money. | 0:35:50 | 0:35:52 | |
This looks like we've got a bit of a foodie lot on our hands here. | 0:35:52 | 0:35:55 | |
I do like Chinese food. | 0:35:55 | 0:35:57 | |
Not so fond of Indian food, but I do like Chinese. | 0:35:57 | 0:36:00 | |
-Is the Indian a bit too spicy for you? -Yes. | 0:36:00 | 0:36:03 | |
Moving on, and Michael's on a roll. | 0:36:03 | 0:36:06 | |
Spring roll. | 0:36:06 | 0:36:09 | |
-That's quite a nice blue jar there. -Oh, let's have a look. | 0:36:09 | 0:36:13 | |
-It is quite fun, isn't it? It's lovely. -Cookie jar. | 0:36:13 | 0:36:16 | |
-Very popular colour, isn't it, too? -It is a popular colour. | 0:36:16 | 0:36:19 | |
And it's a sherry thing as well. You can see the age on that. | 0:36:19 | 0:36:23 | |
I had a look under there. | 0:36:23 | 0:36:24 | |
So I think we need to beef up that foodie lot | 0:36:24 | 0:36:26 | |
with something a bit more substantial to it. | 0:36:26 | 0:36:29 | |
-I think that spoon is quite special. -You like that spoon? Well, go for it. | 0:36:29 | 0:36:34 | |
Cos that will be showy thing. | 0:36:34 | 0:36:36 | |
-You can imagine the porter holding that up. -That's right. -The light... | 0:36:36 | 0:36:40 | |
"Oh, that's nice, isn't it? Oh, go on, bid for that!" | 0:36:40 | 0:36:43 | |
And we get a few more bids. It's good, cos it's a showy thing. | 0:36:43 | 0:36:46 | |
I think we've narrowed down what we want to look at, haven't we, Michael? | 0:36:49 | 0:36:52 | |
-Yes, we have. -That was marked at 12.50. It's an attractive thing. | 0:36:52 | 0:36:56 | |
This is 18. And that was 15. | 0:36:56 | 0:36:59 | |
-45, 50. -Erm... | 0:37:01 | 0:37:03 | |
-£40. -I'd like to give you £30 on the dot. | 0:37:03 | 0:37:07 | |
-How about we split the difference? 35. -I'd be really pleased at 30. | 0:37:07 | 0:37:11 | |
I expect you would, yes! | 0:37:12 | 0:37:14 | |
The thing is, I'm looking to try and make a profit. | 0:37:14 | 0:37:16 | |
Yes, of course. So am I. | 0:37:16 | 0:37:19 | |
Well, I know you are. | 0:37:19 | 0:37:20 | |
I'll tell you what, make it 32. | 0:37:20 | 0:37:22 | |
£30, go on! | 0:37:22 | 0:37:25 | |
-Please. -OK, then. -Yeah? Are you going to do it? -Yes, I will do. | 0:37:26 | 0:37:30 | |
-That's very kind. -Nice work. -I think you got yourself a bargain. | 0:37:30 | 0:37:33 | |
So, with a little lot for £30, the boys have spent | 0:37:33 | 0:37:36 | |
just over half of their £400 budget on five lots for tomorrow's auction. | 0:37:36 | 0:37:41 | |
Back on the other side... Anybody there? | 0:37:44 | 0:37:47 | |
..Una is getting another lesson in antiques from Mr Lewis. | 0:37:47 | 0:37:51 | |
I collect snuff boxes, you know. They're great. It's a double one. | 0:37:51 | 0:37:54 | |
This is quite fun, because look. | 0:37:54 | 0:37:56 | |
If you are a great friend of the person, | 0:37:56 | 0:37:59 | |
you would open that and there's a nice, big snuff section there. | 0:37:59 | 0:38:02 | |
Your fingers go all the way in and you take a great wodge. | 0:38:02 | 0:38:05 | |
But if you didn't like them too much, you would open this. | 0:38:05 | 0:38:09 | |
And it was a little shallow and they call it a mean pinch. | 0:38:09 | 0:38:11 | |
-That they would think of that! -And the brass ones were often | 0:38:11 | 0:38:16 | |
miner's ones, because they didn't spark. | 0:38:16 | 0:38:18 | |
So if you had a steel snuff box and you struck it with a bit of tool | 0:38:19 | 0:38:24 | |
or a bit of rock, it would cause a spark and all the gases | 0:38:24 | 0:38:28 | |
-down in the mines would cause an explosion. -He knows everything! | 0:38:28 | 0:38:32 | |
That is such an interesting story. | 0:38:32 | 0:38:34 | |
It's fantastic. | 0:38:34 | 0:38:36 | |
I was just a very sad child that grew into a very sad adult! | 0:38:36 | 0:38:39 | |
HE LAUGHS | 0:38:39 | 0:38:41 | |
-Do you know how much his asking price was? -Let me give him another ring. | 0:38:41 | 0:38:45 | |
-I don't think it would have been that much. -No. | 0:38:45 | 0:38:47 | |
-25. -Ah, 25. OK. | 0:38:50 | 0:38:53 | |
-OK, shall we say yes? -Yes. -That's 55 for the two. | 0:38:54 | 0:38:59 | |
-Yes. -HE LAUGHS | 0:38:59 | 0:39:01 | |
-Sure? -Not that sure, but... -OK. | 0:39:01 | 0:39:04 | |
And the dealer said if you're really interested in the boots, | 0:39:04 | 0:39:07 | |
you could have them for 40. | 0:39:07 | 0:39:10 | |
-Oh... -That's fair. | 0:39:10 | 0:39:13 | |
That's really kind. Thank you so much. | 0:39:13 | 0:39:15 | |
Una and James have picked up three more lots for auction. | 0:39:17 | 0:39:20 | |
The unusual George III snuff box, the model tea clipper | 0:39:20 | 0:39:23 | |
and the bargain boots, all for the tidy sum of £95. | 0:39:23 | 0:39:27 | |
So, with five lots in total, | 0:39:30 | 0:39:31 | |
they are calling it a day on their antique buying. | 0:39:31 | 0:39:34 | |
But Michael and Thomas have one more stop. | 0:39:34 | 0:39:37 | |
-A lot of sky around here, isn't there? -There's a lot of sky! | 0:39:37 | 0:39:41 | |
They're heading to the town of North Walsham to visit Ian Clarke, | 0:39:42 | 0:39:48 | |
a private collector of World War Two militaria. | 0:39:48 | 0:39:51 | |
Do you think people enjoyed being called up for National Service? | 0:39:51 | 0:39:55 | |
Well, you were quite pleased to pass the medical | 0:39:55 | 0:39:57 | |
and be regarded as fit enough to fight for your king. | 0:39:57 | 0:40:00 | |
But as the day got nearer, we weren't quite so excited about it. | 0:40:00 | 0:40:05 | |
-People would say, "It'll make a man of you." -Did it? | 0:40:05 | 0:40:09 | |
Well, I would have been a man anyway! | 0:40:09 | 0:40:11 | |
TIM CHUCKLES | 0:40:11 | 0:40:13 | |
Ian's collection, which he keeps at his family home, | 0:40:13 | 0:40:16 | |
includes a limited-edition replica | 0:40:16 | 0:40:18 | |
of a recently discovered World War II diary. | 0:40:18 | 0:40:21 | |
-Hello. -Pleased to meet you. -Please come in. -OK. | 0:40:24 | 0:40:27 | |
This was hidden for years and years and years | 0:40:27 | 0:40:31 | |
and it only came to light when the member of the regiment passed away | 0:40:31 | 0:40:35 | |
-and it was given to the regiment. -Wow. | 0:40:35 | 0:40:38 | |
The diary is one of the most astonishing manuscripts to come out | 0:40:38 | 0:40:42 | |
of the Second World War. It catalogues the story of the SAS | 0:40:42 | 0:40:46 | |
during the conflict | 0:40:46 | 0:40:47 | |
and includes previously unpublished details of top-secret information | 0:40:47 | 0:40:53 | |
and operational orders. | 0:40:53 | 0:40:54 | |
SAS War Diary. 1941-1945. | 0:40:54 | 0:40:58 | |
You don't know who actually wrote it? | 0:40:58 | 0:41:00 | |
Well, the regiment knows, but nobody's allowed to say who he is. | 0:41:00 | 0:41:05 | |
-Why are you involved? -My teacher at school was Arthur Wood. | 0:41:05 | 0:41:09 | |
And he was called Chippy. | 0:41:09 | 0:41:10 | |
And many years later I bumped into him at a meeting of veterans | 0:41:10 | 0:41:13 | |
and I asked him what he did. He says, | 0:41:13 | 0:41:15 | |
"I was in the Special Air Service. And I dropped into France, | 0:41:15 | 0:41:18 | |
-"June 10th." -1944? -Indeed. | 0:41:18 | 0:41:21 | |
"And I was there for two months." | 0:41:21 | 0:41:24 | |
Arthur Wood or "Chippy" served in the SAS during World War Two | 0:41:24 | 0:41:27 | |
as a member of the secret signals operation Phantom. | 0:41:27 | 0:41:31 | |
Chippy was known for being one of the best operators in Morse code | 0:41:31 | 0:41:35 | |
and signals. | 0:41:35 | 0:41:36 | |
And they were seconded to the SAS for D-Day. | 0:41:37 | 0:41:40 | |
And this operation was called Houndsworth. | 0:41:40 | 0:41:43 | |
And this is the actual shot of them getting on the plane | 0:41:43 | 0:41:46 | |
just before take off. And there's Chippy just there. | 0:41:46 | 0:41:50 | |
-And how did Houndsworth go? -Houndsworth was very successful. | 0:41:50 | 0:41:54 | |
It was to cut the German lines | 0:41:54 | 0:41:56 | |
and to stop reinforcements getting through to Normandy. | 0:41:56 | 0:41:59 | |
They'd gather all the intelligence, | 0:41:59 | 0:42:01 | |
which regiments were going here and there, relay it back to London. | 0:42:01 | 0:42:05 | |
And they did lots of attacks. What these guys did was incredible. | 0:42:05 | 0:42:09 | |
Every serving soldier was admired for what he'd done, | 0:42:09 | 0:42:12 | |
-but these chaps went one step beyond. -They went the extra mile. | 0:42:12 | 0:42:16 | |
They were in a dangerous position, because in '42, | 0:42:16 | 0:42:18 | |
Hitler issued an order that any captured | 0:42:18 | 0:42:21 | |
Special Air Service parachuters or commando would be shot. | 0:42:21 | 0:42:25 | |
So these guys knew that they were really up against it. | 0:42:25 | 0:42:29 | |
-Do you remember any of your teachers? -Yes, I do. | 0:42:29 | 0:42:32 | |
I remember quite a few. Mostly Miss Guppy, Audrey Guppy. | 0:42:32 | 0:42:35 | |
When I was seven years old I was evacuated during the war | 0:42:35 | 0:42:39 | |
and she was our favourite teacher. She also had very nice legs, | 0:42:39 | 0:42:42 | |
I was just the right height to appreciate them. | 0:42:42 | 0:42:45 | |
And then lo and behold, she travelled the world after the war | 0:42:45 | 0:42:48 | |
and she now lives five minutes from where I live in Surrey, | 0:42:48 | 0:42:51 | |
and she's 99, very nearly 100 years old. | 0:42:51 | 0:42:54 | |
Still taller than I am, straight as an arrow. | 0:42:54 | 0:42:57 | |
And wonderfully funny and good company. And I see her regularly. | 0:42:57 | 0:43:01 | |
-Do you? -Certain people do stick in the mind. | 0:43:01 | 0:43:03 | |
Ian and his former maths teacher went on to become good friends. | 0:43:03 | 0:43:08 | |
When Chippy passed away, he left his collection of personal artefacts | 0:43:08 | 0:43:12 | |
from his time in the SAS to Ian. | 0:43:12 | 0:43:14 | |
And did all these men, heroes, | 0:43:15 | 0:43:17 | |
get the special reward at the end of all this? | 0:43:17 | 0:43:19 | |
The majority of them got the French Croix de Guerre. | 0:43:19 | 0:43:23 | |
Chippy also got mentioned on Dispatches. | 0:43:23 | 0:43:25 | |
-Your teacher, Chippy, you remembered him from a boy to an adult. -Correct. | 0:43:25 | 0:43:30 | |
But he must have been quite special to you. | 0:43:30 | 0:43:32 | |
Yeah. He was. | 0:43:32 | 0:43:34 | |
Because we've lost him now and, yeah, it was quite sad. | 0:43:34 | 0:43:38 | |
Yeah. Very sad. | 0:43:38 | 0:43:40 | |
With the records of these amazing exploits now made public, | 0:43:40 | 0:43:44 | |
the legacy of Chippy and his comrades lives on. | 0:43:44 | 0:43:48 | |
Ian, thank you very much. | 0:43:48 | 0:43:49 | |
-Thank you. -That was really interesting. -Nice to have met you. | 0:43:49 | 0:43:53 | |
The teams are motoring on towards the auction at our final stop | 0:43:53 | 0:43:57 | |
of the road trip, King's Lynn. | 0:43:57 | 0:43:59 | |
-When does Sherlock Holmes start again? -In the New Year. | 0:44:00 | 0:44:04 | |
Working with all those guys, | 0:44:04 | 0:44:06 | |
all those young guys together, must be absolute madness. | 0:44:06 | 0:44:10 | |
-Do you have fun with them? -Serious fun. | 0:44:10 | 0:44:12 | |
-Do you? -I'm really the cat that got the cream. | 0:44:12 | 0:44:16 | |
-Hopefully they haven't bought well. -Hopefully they haven't. | 0:44:17 | 0:44:20 | |
But I've a terrible feeling they might've bought very well. | 0:44:20 | 0:44:23 | |
And as our contestants reunite, | 0:44:25 | 0:44:27 | |
it's time for them to reveal their antiques to the competition. | 0:44:27 | 0:44:31 | |
Shall I reveal? | 0:44:31 | 0:44:32 | |
Oh! You've bought lots of things. | 0:44:32 | 0:44:35 | |
-Oh, my goodness. -Oh... | 0:44:35 | 0:44:37 | |
So, this is our main purchase. | 0:44:37 | 0:44:40 | |
JAMES: How much was that? THOMAS: It was £140. | 0:44:40 | 0:44:42 | |
Ah! | 0:44:42 | 0:44:44 | |
There's a lot of people out there who... | 0:44:44 | 0:44:46 | |
-know about these things and love them. -Absolutely. | 0:44:46 | 0:44:49 | |
I wonder who they are! | 0:44:49 | 0:44:50 | |
This is a cricket game bearing the name of Godfrey Evans, | 0:44:52 | 0:44:54 | |
-the great wicket keeper of England fame. -Isn't that lovely? | 0:44:54 | 0:44:58 | |
-It's quite fun, isn't it? -It's a lot of fun. | 0:44:58 | 0:45:00 | |
You only paid £30 for it? | 0:45:00 | 0:45:01 | |
- Five. - Oh! | 0:45:01 | 0:45:04 | |
Now, I've got to... That! | 0:45:04 | 0:45:08 | |
-OK, James. No need to snatch. -Oh, my word! | 0:45:08 | 0:45:11 | |
Yes, it's in a state, but it is eye-catching, isn't it? | 0:45:11 | 0:45:14 | |
-That's fantastic. -What is it for? A trinket box? | 0:45:14 | 0:45:16 | |
-It's a beautiful... -Box? | 0:45:16 | 0:45:18 | |
..late 17th-century, early 18th-century, tortoiseshell, | 0:45:18 | 0:45:23 | |
bone... | 0:45:23 | 0:45:24 | |
How much did you pay for that? | 0:45:24 | 0:45:26 | |
-30? -Five. | 0:45:26 | 0:45:29 | |
35?! | 0:45:29 | 0:45:31 | |
This is the one Michael offered £25 for! | 0:45:31 | 0:45:33 | |
-No! -Wow! | 0:45:33 | 0:45:34 | |
That's the best thing I've ever known you to buy on Road Trip, ever. | 0:45:34 | 0:45:38 | |
-I'm stunned. That is... -You must be proud. | 0:45:38 | 0:45:40 | |
So, there we are. Come on, let's go over and see what they've bought. Oh! | 0:45:40 | 0:45:44 | |
-Oh, oh, oh! -Have you got the Cutty Sark there? | 0:45:44 | 0:45:47 | |
What is the ship? | 0:45:47 | 0:45:49 | |
Is it something, after you've smoked a number of Rothman's cigarettes | 0:45:49 | 0:45:52 | |
you get tickets to go and buy the kit and make it up? | 0:45:52 | 0:45:55 | |
I think it could well be. | 0:45:55 | 0:45:56 | |
- They are quite difficult to sell. - Are they? | 0:45:56 | 0:45:59 | |
-Oh! -But I love these, though. These little, naughty fellows. | 0:45:59 | 0:46:02 | |
And down there, they're down there, as well. | 0:46:02 | 0:46:05 | |
Yeah, those little devils. 295?! Now what did you pay for that? | 0:46:05 | 0:46:08 | |
-It was £155. -Mm. | 0:46:08 | 0:46:11 | |
So, OK, 155. And what do we have here? | 0:46:11 | 0:46:13 | |
-We've got the boots! What size are these? -I think about eight. | 0:46:13 | 0:46:17 | |
-That's your size, isn't it? -No, it is not! | 0:46:17 | 0:46:20 | |
I had a pair, and they were really smashing. | 0:46:20 | 0:46:24 | |
You know how I like my... Oh, they're a bit small for me. That's a shame. | 0:46:24 | 0:46:27 | |
Una and James's little lot of china has caught Thomas's eye. | 0:46:27 | 0:46:31 | |
Really early! That's like Ming, isn't it? | 0:46:31 | 0:46:34 | |
Just after Ming, I think. | 0:46:34 | 0:46:35 | |
I mean, it's been through the wars, obviously. | 0:46:35 | 0:46:38 | |
Was that nothing, cos it's so broken? | 0:46:38 | 0:46:40 | |
Did you pay...? | 0:46:40 | 0:46:42 | |
I thought you were going to be surprised when I said, "50p"! | 0:46:42 | 0:46:45 | |
-50 pence?! Well, that's amazing! 50p?! -Thank you! | 0:46:45 | 0:46:49 | |
Now that they've showed their wares, | 0:46:49 | 0:46:52 | |
it's time to find out what the teams really think of each other's booty. | 0:46:52 | 0:46:57 | |
-That box... -If I'd seen that in a shop, I would have paid £350 for it. | 0:46:57 | 0:47:01 | |
-No?! -Yeah. | 0:47:01 | 0:47:04 | |
-Golly! -The boat looks like it's been sort of in a dirty house. | 0:47:04 | 0:47:07 | |
Maybe I'm being a bit pathetic, but there you are. | 0:47:07 | 0:47:09 | |
-The film thing, I would be surprised if it made a profit. -Yes. | 0:47:09 | 0:47:14 | |
But I don't think it'll make as big a loss as our lamp. | 0:47:14 | 0:47:17 | |
-No... -HE LAUGHS | 0:47:17 | 0:47:20 | |
Well done, you. I think you deserve a huge pat on the back, | 0:47:20 | 0:47:23 | |
-and I'll buy you a very big drink now. -Oh! | 0:47:23 | 0:47:24 | |
-You know... -It's the fun of it. | 0:47:24 | 0:47:26 | |
-It's the fun of it, and I think we will both do fine. -Yeah. | 0:47:26 | 0:47:29 | |
So it's here, at Tawn Landles auction house, | 0:47:31 | 0:47:35 | |
that Michael Aspel, Thomas Plant, Una Stubbs and James Lewis gather, | 0:47:35 | 0:47:39 | |
each team hoping to make the most profit and, of course, | 0:47:39 | 0:47:42 | |
be declared the winner of tonight's Celebrity Antiques Road Trip. | 0:47:42 | 0:47:46 | |
-Have you missed the 2CV? -This is an emotional moment. Mm-wah! | 0:47:46 | 0:47:50 | |
You'll get to drive her after. | 0:47:50 | 0:47:53 | |
Looks like an execution chamber. | 0:47:53 | 0:47:55 | |
It's not an execution chamber, it's fine. | 0:47:55 | 0:47:57 | |
£27, new bidder at the back, there. | 0:47:57 | 0:48:00 | |
Auctioneer Tim Landles | 0:48:00 | 0:48:02 | |
has had a chance to look over our teams' purchases. | 0:48:02 | 0:48:05 | |
The tea clipper is an interesting item. A little bit dusty. | 0:48:05 | 0:48:08 | |
They are sometimes considered by other halves | 0:48:08 | 0:48:10 | |
as a bit of a dust trap. | 0:48:10 | 0:48:11 | |
The dim sum steamer, we're not too sure about that item. | 0:48:11 | 0:48:15 | |
I'm not totally sure of how old that might be. | 0:48:15 | 0:48:18 | |
The bronze Ionic candlestand, | 0:48:18 | 0:48:19 | |
we think that is quite a nice-looking item. | 0:48:19 | 0:48:21 | |
It's got some good detail on it. | 0:48:21 | 0:48:23 | |
The top may have had a little bit of repair. | 0:48:23 | 0:48:26 | |
Today's auction is a furniture auction. | 0:48:26 | 0:48:29 | |
The items, whilst we're delighted to have them in, | 0:48:29 | 0:48:32 | |
are more the smaller items that would have perhaps been | 0:48:32 | 0:48:34 | |
in our sale tomorrow, | 0:48:34 | 0:48:36 | |
but we're still hoping for a good turnout today, | 0:48:36 | 0:48:38 | |
and we'll do the best we can. | 0:48:38 | 0:48:40 | |
And a good turnout, it is. Well done, Tim. | 0:48:40 | 0:48:43 | |
With you about, I think I've got the good card here. | 0:48:43 | 0:48:46 | |
All these ladies, you see. | 0:48:46 | 0:48:47 | |
You'll just have to hold up the items as the porter. | 0:48:47 | 0:48:50 | |
No! | 0:48:50 | 0:48:51 | |
And walk around with them up above your head. You'll be fine. | 0:48:51 | 0:48:54 | |
-Take my shirt off. -Take your shirt off. Yes, absolutely. | 0:48:54 | 0:48:57 | |
Both teams began this journey with £400 in their pocket, | 0:48:59 | 0:49:03 | |
and two days later, | 0:49:03 | 0:49:04 | |
Michael and Thomas have spent £210 on five auction lots. | 0:49:04 | 0:49:08 | |
-It's the killer, Michael Aspel. -A kind of madness seized me. | 0:49:08 | 0:49:11 | |
Oh! | 0:49:11 | 0:49:13 | |
Una and James, meanwhile, have parted with an impressive £295.50, | 0:49:13 | 0:49:17 | |
also for five auction lots. | 0:49:17 | 0:49:20 | |
HE CLAPS Well done. Well done. | 0:49:20 | 0:49:22 | |
-Oh, I was such a creep! -HE LAUGHS | 0:49:22 | 0:49:24 | |
Quiet, please! It's time for the auction. | 0:49:26 | 0:49:28 | |
First up, it's Una and James' 19th-century pocket snuff box. | 0:49:28 | 0:49:33 | |
There it is, £10. Start me off at ten? | 0:49:33 | 0:49:36 | |
-HE GASPS -What am I bid? | 0:49:36 | 0:49:39 | |
-At £5, then. Start me off at a fiver. -What?! | 0:49:39 | 0:49:41 | |
A fiver I'm bid, sir, over there, at £5. Seven, is there? | 0:49:41 | 0:49:44 | |
At 13. 15. | 0:49:44 | 0:49:46 | |
HE LAUGHS | 0:49:46 | 0:49:47 | |
Take 18. 18, new bid. | 0:49:47 | 0:49:49 | |
20, I'll take it. | 0:49:49 | 0:49:50 | |
20. 23. 25. 30. | 0:49:50 | 0:49:54 | |
35, sir? | 0:49:54 | 0:49:56 | |
It seems no one shares James's enthusiasm for snuff boxes. | 0:49:56 | 0:49:59 | |
Ah-ah-atchoo! | 0:49:59 | 0:50:01 | |
Last time of asking, at £30. 38. | 0:50:01 | 0:50:04 | |
The double-compartment snuff box may have made Una and James | 0:50:04 | 0:50:08 | |
a small profit, but they still have commission to pay on the piece. | 0:50:08 | 0:50:13 | |
I wish I'd just put it in my pocket and bought it myself. | 0:50:13 | 0:50:17 | |
Next, it's Team Aspel's Godfrey Evans cricket game, | 0:50:17 | 0:50:22 | |
still in its original box. | 0:50:22 | 0:50:23 | |
If that makes more than my snuff box, I'm going to eat this. | 0:50:23 | 0:50:27 | |
THEY LAUGH | 0:50:27 | 0:50:29 | |
-Start me off at £10. Seven, I'm bid. At £7. -Ooh, seven - profit already. | 0:50:29 | 0:50:34 | |
One more sir, at ten? ten? Can I say 12? At 12. | 0:50:34 | 0:50:37 | |
-Wow. -Take 13. 15? | 0:50:37 | 0:50:40 | |
At 15. | 0:50:40 | 0:50:41 | |
Down here in the middle at £18. Can I say 20? | 0:50:41 | 0:50:43 | |
-They know quality! -What it's worth! | 0:50:43 | 0:50:45 | |
Last time of asking. | 0:50:45 | 0:50:47 | |
£20, sir. | 0:50:47 | 0:50:48 | |
No, it's 18, was it? 18? | 0:50:48 | 0:50:50 | |
-Oh, no, it's all right, he'll pay 20(!) -Sorry. | 0:50:50 | 0:50:52 | |
Go on! | 0:50:52 | 0:50:54 | |
THEY LAUGH | 0:50:54 | 0:50:55 | |
The cricket game has made the lads a £13 profit, minus commission. | 0:50:55 | 0:50:59 | |
Moving on to the dust collector... | 0:51:01 | 0:51:03 | |
Sorry, I mean the model tea clipper. | 0:51:03 | 0:51:06 | |
£30, then? Take 30? | 0:51:06 | 0:51:08 | |
Ten, then. At ten. I'll take 12. | 0:51:08 | 0:51:11 | |
-Ooh! -13? 15. At 18. | 0:51:11 | 0:51:13 | |
20, can I say? | 0:51:13 | 0:51:16 | |
New bidder at 20. 23. 25. | 0:51:16 | 0:51:20 | |
27. One more is 30. | 0:51:20 | 0:51:22 | |
Oh, go on, it's worth that! | 0:51:22 | 0:51:25 | |
More tea, clipper? Vicar? | 0:51:25 | 0:51:28 | |
There it is, then, £27. | 0:51:28 | 0:51:31 | |
It could be dusted, I have to say. | 0:51:31 | 0:51:33 | |
Selling the tea clipper at £27 means a loss for Una and James. | 0:51:33 | 0:51:38 | |
Moving on to Michael and Thomas' second lot, | 0:51:38 | 0:51:40 | |
and it's the Art-Deco cookie jar. | 0:51:40 | 0:51:43 | |
-Start me off at a fiver? £5, am I bid? -A fiver?! -Can I say seven? | 0:51:43 | 0:51:47 | |
-Oh no, come on. -A bidder there at £7. | 0:51:47 | 0:51:49 | |
Ten, sir? | 0:51:49 | 0:51:50 | |
Go on, a bit more. | 0:51:50 | 0:51:52 | |
13? At 13. | 0:51:52 | 0:51:54 | |
Is there 15? Last time of asking. | 0:51:54 | 0:51:57 | |
Well, so far, so good! | 0:51:58 | 0:52:00 | |
Yes, so far so good, indeed, Michael. | 0:52:02 | 0:52:04 | |
So on we go, with Una and James's Oriental lot - | 0:52:08 | 0:52:11 | |
the Tang Dynasty terracotta piece, the Chinese ginger jar | 0:52:11 | 0:52:15 | |
and Una's 50p blue-and-white bowl. | 0:52:15 | 0:52:17 | |
And James is giving the crowd a lesson in pottery. | 0:52:17 | 0:52:20 | |
These are terracotta pieces from another underground burial tomb, | 0:52:20 | 0:52:24 | |
like the Terracotta Army. | 0:52:24 | 0:52:26 | |
Chinese, Tang Dynasty. | 0:52:26 | 0:52:29 | |
700 AD. | 0:52:29 | 0:52:31 | |
1,300 years old. | 0:52:31 | 0:52:34 | |
She doesn't look very impressed. | 0:52:34 | 0:52:36 | |
Opening bid there of £30. | 0:52:36 | 0:52:38 | |
-Come on, come on. -30, 30, 30. 35, is there? | 0:52:38 | 0:52:40 | |
40, sir? At £40. | 0:52:40 | 0:52:42 | |
45. 50. | 0:52:42 | 0:52:45 | |
55. | 0:52:45 | 0:52:47 | |
60. | 0:52:47 | 0:52:48 | |
All done, then. Last time of asking. | 0:52:48 | 0:52:51 | |
Hold on. | 0:52:51 | 0:52:53 | |
So, £60... | 0:52:53 | 0:52:55 | |
Aw! Boo! | 0:52:58 | 0:53:01 | |
New glasses, auctioneer! | 0:53:01 | 0:53:03 | |
HE LAUGHS | 0:53:03 | 0:53:04 | |
-Aw. -Ah, well. | 0:53:04 | 0:53:06 | |
Even with the missed bid, | 0:53:06 | 0:53:08 | |
they've made a profit of £14.50, minus commission. | 0:53:08 | 0:53:10 | |
And on, to Michael and Thomas's taste of the Orient - | 0:53:10 | 0:53:15 | |
the tortoise steamer and the exotic bird-handled serving spoon. | 0:53:15 | 0:53:18 | |
-Start me off at £10? -Go on! -£5 for them, then? | 0:53:21 | 0:53:24 | |
Can I say seven? Ten. 13. | 0:53:24 | 0:53:27 | |
-£15, with you madam at the back at the moment. -Oh, bit more! | 0:53:27 | 0:53:30 | |
Last time of asking. | 0:53:30 | 0:53:32 | |
Small loss, Michael. Don't worry about it. | 0:53:32 | 0:53:34 | |
-Did we lose?! -We lost a small fiver. | 0:53:34 | 0:53:37 | |
Ah well, seems the tortoise doesn't always win. | 0:53:37 | 0:53:41 | |
Mm. | 0:53:41 | 0:53:42 | |
Next up, the early 20th-century cavalry officer's riding boots, | 0:53:42 | 0:53:47 | |
picked up by Una and James for £40. | 0:53:47 | 0:53:50 | |
-£30, then, I'll take. -Oh, no. -30, I'm bid, at £30. | 0:53:50 | 0:53:53 | |
40, can I say? At 40. | 0:53:53 | 0:53:56 | |
-Come on, guys! -At £40. -Oh! -It should have a one in front of it! | 0:53:57 | 0:54:01 | |
Last time of asking, new bidder. £45, to you, sir. | 0:54:01 | 0:54:05 | |
Got a bit of wear in them yet, I would say. | 0:54:05 | 0:54:07 | |
-£50. Well, somebody has one heck of a bargain. -I agree. | 0:54:07 | 0:54:12 | |
Well, I remember someone getting "one heck of a bargain" on the boots | 0:54:12 | 0:54:16 | |
in the first place, James. | 0:54:16 | 0:54:18 | |
Let's see how Michael and Thomas's home cinema gets on. | 0:54:19 | 0:54:23 | |
-Start me off at £50. £30 then. 30, I'm bid, at £30. -Oh dear. | 0:54:23 | 0:54:27 | |
40. 45. | 0:54:27 | 0:54:29 | |
50. 55. | 0:54:29 | 0:54:31 | |
60. 65. | 0:54:31 | 0:54:33 | |
70. 75. | 0:54:33 | 0:54:36 | |
-£95. -Go on, make 100. -95. Go on! -Go on! | 0:54:36 | 0:54:41 | |
At £95. All done, are we? | 0:54:41 | 0:54:44 | |
Bit more. SHE SIGHS | 0:54:44 | 0:54:46 | |
-No, it'll be fine. -He finally cracked. | 0:54:46 | 0:54:50 | |
They've got a tough crowd in today, | 0:54:50 | 0:54:52 | |
with an upsetting loss of £45 on the projector. | 0:54:52 | 0:54:56 | |
I think both of our expensive lots are going to bomb, | 0:54:56 | 0:54:59 | |
but it's all about their box. | 0:54:59 | 0:55:04 | |
-Yes. -If the right people are here for it. | 0:55:04 | 0:55:05 | |
-I think that could do really well. -Yes. | 0:55:05 | 0:55:07 | |
And the next item is Una and James's big spend - | 0:55:09 | 0:55:12 | |
the bronze floor-standing lamp. | 0:55:12 | 0:55:14 | |
£100 for it? At 110, at 110. At 120. | 0:55:14 | 0:55:19 | |
130. 140. | 0:55:19 | 0:55:21 | |
150. 160. | 0:55:21 | 0:55:24 | |
170. The bidding here at 170. | 0:55:24 | 0:55:27 | |
-Go on, go for another one! Go on! -At £170. | 0:55:27 | 0:55:30 | |
175. | 0:55:30 | 0:55:32 | |
-Whoa! -Last time of asking, at 175... | 0:55:32 | 0:55:35 | |
I'm pleased that we got out of that. | 0:55:37 | 0:55:39 | |
Yes, me too, James. | 0:55:39 | 0:55:41 | |
The final piece is the result of Michael's impressive | 0:55:42 | 0:55:46 | |
haggling technique - the tortoiseshell-veneer trinket box. | 0:55:46 | 0:55:49 | |
Could this be Michael and Thomas's trump card? | 0:55:49 | 0:55:52 | |
£50, start me off at 50? | 0:55:52 | 0:55:54 | |
-Guys! -50, can I say? Tortoiseshell casket. -Aw. -It's worth 500! | 0:55:54 | 0:55:57 | |
£20, start me at 20. | 0:55:57 | 0:55:59 | |
Let's hope the bidders are as excited as James, | 0:55:59 | 0:56:01 | |
and he doesn't own it! | 0:56:01 | 0:56:02 | |
25, can I say? At £25, I'm bid. | 0:56:02 | 0:56:05 | |
30, at £30. | 0:56:05 | 0:56:08 | |
At 35. 40. 45. | 0:56:08 | 0:56:12 | |
-No! -It's at 45. With you at 45. | 0:56:12 | 0:56:14 | |
Can I say 50? 55. | 0:56:14 | 0:56:18 | |
-65. 75. -Getting better. | 0:56:18 | 0:56:21 | |
85. 95. | 0:56:21 | 0:56:24 | |
-Go on, go on! -New bidder. 100. 110. | 0:56:24 | 0:56:27 | |
120. 125, right at the back there. | 0:56:27 | 0:56:31 | |
-Keep going, it's worth it! -Finish at 125. | 0:56:31 | 0:56:34 | |
I promise you, it's worth it! | 0:56:34 | 0:56:35 | |
-Back in here at 130. £130. -It's his, it's not even mine! | 0:56:35 | 0:56:40 | |
Back in at 150. | 0:56:40 | 0:56:41 | |
155. | 0:56:41 | 0:56:43 | |
165. | 0:56:43 | 0:56:44 | |
Down here at £165. | 0:56:44 | 0:56:47 | |
-Last time... 38. -Yeah! | 0:56:47 | 0:56:50 | |
Thomas, well done. Give us your hand. | 0:56:50 | 0:56:52 | |
-Well done. Well done, Michael. -Thank you. -Brilliant. | 0:56:52 | 0:56:56 | |
-Well negotiated. -Fantastic. -Oh, brilliant! -Good. | 0:56:56 | 0:56:59 | |
So with the trinket box making a profit of £130, | 0:57:01 | 0:57:04 | |
it's a victory for Michael and Thomas. | 0:57:04 | 0:57:07 | |
Well done, Michael. How do you feel? Excited? | 0:57:07 | 0:57:11 | |
Yes, I feel somehow my living's not been in vain. | 0:57:11 | 0:57:14 | |
Oh, stop it, Michael! | 0:57:14 | 0:57:16 | |
So, both teams started their road trip with a £400 budget. | 0:57:18 | 0:57:22 | |
After paying auction costs, Una and James have lost £15.06, | 0:57:22 | 0:57:27 | |
giving them £384.94 at the finishing line. | 0:57:27 | 0:57:34 | |
Michael and Thomas, though, made a small but tidy profit of £40.92 | 0:57:34 | 0:57:39 | |
after auction costs, | 0:57:39 | 0:57:41 | |
giving them a grand, and winning, total of £440.92. | 0:57:41 | 0:57:46 | |
Well, I never did. Well done. | 0:57:46 | 0:57:50 | |
All the money our celebrities | 0:57:50 | 0:57:51 | |
and experts make will go to Children In Need. | 0:57:51 | 0:57:55 | |
-I enjoyed that. -Did you enjoy that, Una? -In a nervous sort of way, yeah. | 0:57:55 | 0:58:01 | |
-Guys, I have to say, congratulations. -Absolutely. | 0:58:01 | 0:58:04 | |
Absolutely fantastic result. Great find, great bargaining. | 0:58:04 | 0:58:08 | |
So close! So close! | 0:58:08 | 0:58:09 | |
Come on! | 0:58:09 | 0:58:11 | |
So, thank you, everyone. Especially today's winners, | 0:58:11 | 0:58:14 | |
Michael Aspel and Thomas Plant. | 0:58:14 | 0:58:17 | |
-Were you pleased with your results? -Oh, yes. It is fun. | 0:58:19 | 0:58:22 | |
It was enjoyable, it really was. And seeing you again, that's nice. | 0:58:22 | 0:58:26 | |
Ah, yes. That's what it's all about, really. | 0:58:26 | 0:58:28 | |
Farewell! | 0:58:29 | 0:58:31 | |
Subtitles by Red Bee Media Ltd | 0:58:58 | 0:59:01 |