Browse content similar to Episode 6. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
-Some of the nation's favourite celebrities. -Can we just have 1.50 for the two, | 0:00:03 | 0:00:05 | |
-then you've got yourself a deal? -One antiques expert each. | 0:00:05 | 0:00:08 | |
See what I've got in store for you. | 0:00:08 | 0:00:11 | |
Da, da, da, da, da! | 0:00:11 | 0:00:13 | |
And one big challenge, | 0:00:13 | 0:00:14 | |
who can seek out and buy | 0:00:14 | 0:00:15 | |
the best antiques at the best prices... | 0:00:15 | 0:00:18 | |
To see you... Nice. | 0:00:19 | 0:00:20 | |
LAUGHTER | 0:00:20 | 0:00:22 | |
..and auction for a big profit further down the road? | 0:00:22 | 0:00:25 | |
GAVEL BANGS | 0:00:25 | 0:00:27 | |
Who will spot the good investment? | 0:00:28 | 0:00:29 | |
Who will listen to advice? | 0:00:29 | 0:00:31 | |
What you just come out with, I cannot believe that. | 0:00:31 | 0:00:33 | |
And who will be the first to say, "Don't you know who I am?" | 0:00:33 | 0:00:38 | |
Time to put your pedal to the metal. | 0:00:38 | 0:00:42 | |
This is Celebrity Antiques Road Trip. | 0:00:42 | 0:00:45 | |
Yeah! | 0:00:47 | 0:00:48 | |
Welcome to Edinburgh. | 0:00:52 | 0:00:53 | |
Setting for a road trip to remember, | 0:00:53 | 0:00:55 | |
and not just for the witty banter, | 0:00:55 | 0:00:59 | |
sparkling repartee and eye-catching antiques. | 0:00:59 | 0:01:01 | |
It might be wet. | 0:01:06 | 0:01:07 | |
It might be windy, | 0:01:07 | 0:01:08 | |
but it's still going to be a fight to the finish, | 0:01:08 | 0:01:12 | |
to see which of our celebrity teams | 0:01:12 | 0:01:14 | |
can make the most of their £400 spending money. | 0:01:14 | 0:01:16 | |
Can you recognise who it is? | 0:01:18 | 0:01:20 | |
Haven't a clue? | 0:01:20 | 0:01:21 | |
Let's get in the car. | 0:01:21 | 0:01:22 | |
It's Jon Culshaw and Debra Stephenson. | 0:01:22 | 0:01:26 | |
-Impressionist extraordinaire... -LAUGHTER | 0:01:26 | 0:01:29 | |
..Jon possesses an uncanny ability to become other people | 0:01:29 | 0:01:33 | |
and has poked gentle fun at virtually every personality on the planet. | 0:01:33 | 0:01:37 | |
You're useless, the lot of you, and for that reason, you're all fired. | 0:01:37 | 0:01:42 | |
But when he relaxes, | 0:01:42 | 0:01:44 | |
he still enjoys nothing more than | 0:01:44 | 0:01:45 | |
gazing at the stars. | 0:01:45 | 0:01:48 | |
I've got my new telescope and ridiculously big binoculars. | 0:01:48 | 0:01:50 | |
They're a beefy pair of binoculars. | 0:01:50 | 0:01:52 | |
And sitting pretty next to Jon is actress and comedienne | 0:01:52 | 0:01:56 | |
Debra Stephenson. | 0:01:56 | 0:01:58 | |
Definitely game for a challenge. | 0:01:58 | 0:02:00 | |
If I could win this heat, that would mean a lot to me, | 0:02:00 | 0:02:04 | |
that would really make my day. | 0:02:04 | 0:02:06 | |
And well known for her roles on TV's Bad Girls and Coronation Street, | 0:02:06 | 0:02:10 | |
she is no slouch in the mimicry department either. | 0:02:10 | 0:02:14 | |
Co-starring with Jon on the Impression Show. | 0:02:14 | 0:02:17 | |
Hey, Dannii, come in here and check out my bum. | 0:02:17 | 0:02:20 | |
I reckon it's got even smaller. | 0:02:20 | 0:02:22 | |
No way, Kyles. That thing's already as tight as a kookaburra's mimsy. | 0:02:22 | 0:02:26 | |
SHE GASPS | 0:02:26 | 0:02:28 | |
I don't know anything about antiques. | 0:02:28 | 0:02:30 | |
My mother-in-law does, | 0:02:30 | 0:02:32 | |
she's a whiz, and she lives in Scotland. | 0:02:32 | 0:02:34 | |
I don't think I'll be allowed | 0:02:34 | 0:02:35 | |
to go in and ask for her help, | 0:02:35 | 0:02:37 | |
I don't suppose I'll need to really. | 0:02:37 | 0:02:39 | |
Because we've got our own experts, | 0:02:39 | 0:02:41 | |
-haven't we? -We do have experts. | 0:02:41 | 0:02:42 | |
Er... That's debatable. | 0:02:42 | 0:02:45 | |
Smile, Thomas. Smile for the camera. | 0:02:45 | 0:02:47 | |
What are you doing? | 0:02:47 | 0:02:48 | |
I'm trying to get the windscreen wiper working. | 0:02:48 | 0:02:51 | |
They don't work. | 0:02:51 | 0:02:52 | |
You've done it, you've done it! | 0:02:52 | 0:02:54 | |
They just needed my touch. | 0:02:54 | 0:02:55 | |
Behaving like excitable schoolboys at the prospect of meeting | 0:02:55 | 0:02:59 | |
their celebrities... | 0:02:59 | 0:03:01 | |
LAUGHTER | 0:03:01 | 0:03:02 | |
I know that laugh, it's Mark Stacey, | 0:03:02 | 0:03:05 | |
who, despite a hefty 25 years in the antiques trade, | 0:03:05 | 0:03:07 | |
specialising in porcelain, silver and retro, has never | 0:03:07 | 0:03:10 | |
lost his boundless, boyish enthusiasm when it comes to collecting. | 0:03:10 | 0:03:15 | |
LAUGHTER | 0:03:15 | 0:03:17 | |
Good teeth too. | 0:03:19 | 0:03:20 | |
And at the wheel of the dinky 1960s Morris Minor, | 0:03:20 | 0:03:23 | |
and often mistaken for a jolly literary character... | 0:03:23 | 0:03:26 | |
You're like Billy Bunter. | 0:03:26 | 0:03:28 | |
..it's Thomas Plant, who started out as a lowly porter | 0:03:28 | 0:03:31 | |
and rose through the ranks to become chief in-house valuer, | 0:03:31 | 0:03:36 | |
with an impressive knowledge of silver, jewellery | 0:03:36 | 0:03:40 | |
and collectable toys. Gosh! | 0:03:40 | 0:03:42 | |
-I'm quite excited. -I'm very excited. | 0:03:42 | 0:03:45 | |
Do you think they're going to do impressions of us? | 0:03:45 | 0:03:48 | |
I doubt they'll do one of you, Thomas. | 0:03:48 | 0:03:50 | |
I think they can do me because of my distinctive voice. | 0:03:50 | 0:03:52 | |
You have got a unique voice. | 0:03:52 | 0:03:54 | |
You're sort of just... | 0:03:54 | 0:03:56 | |
-What am I, just...boring? -Yeah. | 0:03:56 | 0:04:00 | |
Oh, that's just so unkind. | 0:04:00 | 0:04:02 | |
Our teams will kick off in Scotland's capital city, then head | 0:04:07 | 0:04:11 | |
southwards, finally ending up at | 0:04:11 | 0:04:12 | |
an auction showdown | 0:04:12 | 0:04:13 | |
in Loughton, Essex. | 0:04:13 | 0:04:15 | |
As Jonathan struggles to make his escape from the tartan, | 0:04:18 | 0:04:22 | |
red, late-1960s Triumph Spitfire... | 0:04:22 | 0:04:24 | |
It's like the car's giving birth to you. | 0:04:24 | 0:04:26 | |
..everyone rallies round to help deliver him from its clutches. | 0:04:26 | 0:04:30 | |
It's a boy! | 0:04:30 | 0:04:32 | |
Nice to meet you. | 0:04:32 | 0:04:33 | |
Hello, I'm Thomas. | 0:04:33 | 0:04:34 | |
Let me just get me bearings! | 0:04:34 | 0:04:37 | |
It didn't want to let you go. | 0:04:37 | 0:04:39 | |
Clearly, that's the car for you. | 0:04:39 | 0:04:43 | |
Aye, aye, I think Debra has a car strategy here. | 0:04:43 | 0:04:45 | |
When I was a teenager, and 17 and learning to drive, | 0:04:45 | 0:04:50 | |
this would have been my absolute ideal car. | 0:04:50 | 0:04:54 | |
I wanted a Morris Minor convertible. | 0:04:54 | 0:04:56 | |
Debra is after the Morris Minor | 0:04:56 | 0:04:59 | |
and Mark seems to have a problem with the Triumph. | 0:04:59 | 0:05:02 | |
I find getting in and out of those low cars difficult. | 0:05:02 | 0:05:05 | |
Is it your age? | 0:05:05 | 0:05:06 | |
So, the teams are decided. | 0:05:07 | 0:05:09 | |
I'll be DCI Gene Hunt, and you can be Sam Tyler. | 0:05:09 | 0:05:12 | |
Off they head in convoy to their first shop. | 0:05:12 | 0:05:16 | |
Debra is with Mark and Jon is with Thomas in the Spitfire. | 0:05:16 | 0:05:19 | |
And they sound worried already. | 0:05:19 | 0:05:20 | |
I am concerned about this other duo behind us. | 0:05:20 | 0:05:23 | |
What should we be watching out for? | 0:05:23 | 0:05:26 | |
I don't know, I think there's going to be stiff competition. | 0:05:26 | 0:05:31 | |
Well, we're about to find out, aren't we? | 0:05:31 | 0:05:35 | |
-We've landed. Well done. -Good old Bessie. | 0:05:37 | 0:05:40 | |
We're getting there first. | 0:05:41 | 0:05:43 | |
First up is Courtyard Antiques, run by Lewis Rosa. | 0:05:43 | 0:05:46 | |
My name is Maximus Decimus Meridius. | 0:05:46 | 0:05:50 | |
I think we'll get in, shall we? Yeah. | 0:05:50 | 0:05:52 | |
Can't have them grabbing the bargains. | 0:05:52 | 0:05:54 | |
Can you hear me? | 0:05:54 | 0:05:56 | |
I can hear you. | 0:05:56 | 0:05:57 | |
I'm speaking from many centuries ago. | 0:05:57 | 0:06:00 | |
-Should we leave the boys downstairs? -Yes. | 0:06:00 | 0:06:03 | |
Let's go up and see what's up here. | 0:06:04 | 0:06:06 | |
We can have a good rummage before they get a chance. | 0:06:06 | 0:06:09 | |
Sounds like a plan. | 0:06:09 | 0:06:10 | |
And with both teams itching to spend their £400, there's no time to lose. | 0:06:10 | 0:06:13 | |
Nothing's leaping out. | 0:06:13 | 0:06:16 | |
It's not flashy, is it? | 0:06:16 | 0:06:17 | |
No. | 0:06:17 | 0:06:18 | |
I wonder, are the boys having better luck downstairs? | 0:06:18 | 0:06:21 | |
A couple of things I've spotted. | 0:06:21 | 0:06:24 | |
One of them could be this little banker's lamp. | 0:06:24 | 0:06:29 | |
Somebody might think, that might look nice in my house | 0:06:29 | 0:06:32 | |
and they might sort of buy it. | 0:06:32 | 0:06:35 | |
Art Deco began in Paris in the 1920s | 0:06:35 | 0:06:39 | |
and the lamp is a fine example of the style. | 0:06:39 | 0:06:43 | |
You can't go wrong with a lamp. | 0:06:43 | 0:06:44 | |
You can't go wrong with it, and I like the original glass shade. | 0:06:44 | 0:06:49 | |
That's really good. | 0:06:49 | 0:06:51 | |
A fine lamp indeed, but also a blinding price. | 0:06:51 | 0:06:54 | |
-It's 180 quid. -It's all right, we can work at that. | 0:06:54 | 0:06:57 | |
-We'll work at that, OK. -We will. | 0:06:57 | 0:06:59 | |
Has the spotlight shone on anything for Debra? | 0:06:59 | 0:07:03 | |
-Actually, this is quite nice. -It's a set for 12. | 0:07:03 | 0:07:07 | |
-That's a really good tea set. -They look quite old, don't they? | 0:07:07 | 0:07:10 | |
-Yeah, what do you think though? -But I don't think they are. | 0:07:10 | 0:07:12 | |
The pattern is called Gainsborough. Yeah. | 0:07:12 | 0:07:15 | |
Then it's...Queen Anne China. | 0:07:15 | 0:07:17 | |
-Do you think 1950s? -Do you know, you're absolutely right. | 0:07:17 | 0:07:20 | |
So, although styled to look older, it's actually mid-20th-century, | 0:07:20 | 0:07:25 | |
making it more vintage than antique. | 0:07:25 | 0:07:26 | |
-Do you like it? -I do. | 0:07:28 | 0:07:30 | |
A lot of the ladies I know, a lot of my friends, | 0:07:30 | 0:07:32 | |
are really into having coffee mornings. | 0:07:32 | 0:07:34 | |
I think it's something that even if it's not old and valuable, | 0:07:34 | 0:07:40 | |
it's definitely something that people would like and enjoy using. | 0:07:40 | 0:07:46 | |
It's not a useless item. | 0:07:46 | 0:07:48 | |
I don't think it's Mark's cup of tea. | 0:07:48 | 0:07:51 | |
-Moving on. -Moving on, shall we? -Yeah. | 0:07:51 | 0:07:53 | |
-Do you think they've bought lots of stuff downstairs? -I doubt it! | 0:07:53 | 0:07:58 | |
-I doubt it. -I know Thomas too well. | 0:07:58 | 0:08:00 | |
Thomas, you might know, but you've not reckoned with the impetuous nature of Jon Culshaw. | 0:08:00 | 0:08:05 | |
The other thing I spotted was this. | 0:08:05 | 0:08:09 | |
Oh, yeah, the Voigtlander. | 0:08:09 | 0:08:12 | |
The Voigtlander camera, with the viewfinder in there. On its tripod. | 0:08:12 | 0:08:18 | |
That's quite decorative. | 0:08:18 | 0:08:21 | |
That would have a certain charm to it. | 0:08:21 | 0:08:23 | |
Voigtlander is one of the oldest names in photographic equipment, | 0:08:23 | 0:08:28 | |
originally established in Vienna in the 18th century. | 0:08:28 | 0:08:32 | |
This model, the Brillant, dates from the 1930s. | 0:08:32 | 0:08:36 | |
-Another thing I've spotted. -Oh, yeah, here we go. -On a roll here. | 0:08:36 | 0:08:40 | |
Jon is definitely getting the hang of this antiques buying lark, | 0:08:40 | 0:08:43 | |
whilst upstairs, Mark is forced to look to the heavens for inspiration. | 0:08:43 | 0:08:48 | |
You know, sometimes, it's almost worth looking above your head | 0:08:48 | 0:08:52 | |
-in places like this as well. -Oh, yeah. | 0:08:52 | 0:08:55 | |
-Oh, look at that chair. -Oh, it's got a little face. | 0:08:55 | 0:08:59 | |
-It's got loads of face people on it, hasn't it? -Oh, yeah. | 0:08:59 | 0:09:01 | |
I think that's rather funky, don't you? | 0:09:01 | 0:09:05 | |
-I don't like it. -It's not about that. | 0:09:05 | 0:09:07 | |
It's about what might appeal to somebody else, you see, as well. | 0:09:07 | 0:09:10 | |
I mean, it's kind of ugly because the faces of these gargoyley things | 0:09:10 | 0:09:16 | |
are so ugly, and then they've got breasts and protruding stomachs | 0:09:16 | 0:09:20 | |
and taily things. | 0:09:20 | 0:09:22 | |
Urgh! It's freaking me out, actually. | 0:09:22 | 0:09:26 | |
I think we need to take you into a darkened room, dear. | 0:09:26 | 0:09:29 | |
-You're getting all excited. -It's horrible! | 0:09:29 | 0:09:32 | |
I think it's got something about it. | 0:09:32 | 0:09:35 | |
Seriously... | 0:09:35 | 0:09:37 | |
Doo, doo, doo doo! Doo, doo, doo doo! | 0:09:37 | 0:09:40 | |
-No, I think it has, you know. -OK, I'll trust you on that. | 0:09:40 | 0:09:43 | |
Oh, no, I hate those words! | 0:09:43 | 0:09:45 | |
-Be it on your head. -Oh, no! | 0:09:45 | 0:09:47 | |
Then it all goes wrong, it all goes wrong when you say that. | 0:09:47 | 0:09:50 | |
Oh, Mark, surely not? | 0:09:50 | 0:09:52 | |
-The other thing I've spotted... -You're on a bit of a roll. | 0:09:53 | 0:09:56 | |
Yeah, you've just got to let things filter to you, haven't you? | 0:09:56 | 0:09:59 | |
I like copper. | 0:09:59 | 0:10:02 | |
Polished up, it always looks very impressive. | 0:10:02 | 0:10:05 | |
This copper mirror here, I could just imagine somebody buying that. | 0:10:05 | 0:10:10 | |
I could just imagine people going for it. | 0:10:10 | 0:10:12 | |
Jon, you definitely have an eye for this, but an expensive one. | 0:10:12 | 0:10:16 | |
That mirror is a hefty £160. | 0:10:16 | 0:10:20 | |
We've spotted a couple of things. Jon has... | 0:10:20 | 0:10:23 | |
The Voigtlander camera on the tripod and then the lamp. | 0:10:23 | 0:10:28 | |
What were you thinking? I'm scared to ask what you were thinking. | 0:10:28 | 0:10:31 | |
This is where the Dominic Littlewood personality comes in. | 0:10:31 | 0:10:35 | |
OK, beautiful lamp, £180. We'd like to do a little bit better than that. | 0:10:35 | 0:10:39 | |
What if we were to say... What if we were to take the one off? | 0:10:39 | 0:10:41 | |
What if we were to say 80, and you've got a deal right there and now? | 0:10:41 | 0:10:47 | |
I think it would be easier if I just said the very best price. | 0:10:47 | 0:10:51 | |
Which would be 120. | 0:10:52 | 0:10:54 | |
And the Voigtlander? | 0:10:54 | 0:10:57 | |
£40. | 0:10:58 | 0:11:00 | |
Watch out, Lewis, here comes Dominic Littlewood again. | 0:11:00 | 0:11:03 | |
That would make a total of 160. | 0:11:03 | 0:11:06 | |
OK, you're a nice man, running a wonderful shop here. | 0:11:06 | 0:11:08 | |
What if we were to say 150 for the two, then you've got yourself a deal? | 0:11:08 | 0:11:12 | |
-Hang on a minute. Calm down. -Right. | 0:11:12 | 0:11:16 | |
I think you're doing very well. | 0:11:16 | 0:11:18 | |
This is why I need to be advised. | 0:11:18 | 0:11:21 | |
I am a young Jedi in this craft. | 0:11:21 | 0:11:24 | |
You have forgotten the figure I set. It is gone from your mind. | 0:11:24 | 0:11:28 | |
I don't blame you, Lewis, I've forgotten it too! | 0:11:28 | 0:11:32 | |
I'd like to give you 120 for both. | 0:11:32 | 0:11:34 | |
Oh, boys! | 0:11:36 | 0:11:37 | |
No. | 0:11:37 | 0:11:39 | |
You'll need more than a Jedi mind trick to win Lewis over, | 0:11:39 | 0:11:43 | |
who appears to have a trick of his own involving a copper mirror. | 0:11:43 | 0:11:46 | |
If we could come to a price on this mirror that you're happy with, | 0:11:46 | 0:11:50 | |
and then I could reflect on what you said about those things. | 0:11:50 | 0:11:54 | |
Three items, £200, the lot. | 0:11:54 | 0:11:58 | |
Wow! £200, that's half your budget! | 0:11:58 | 0:12:01 | |
No. | 0:12:01 | 0:12:03 | |
Could we not talk about 80 for this? That's another tenner. | 0:12:03 | 0:12:06 | |
Oh, Lordy! | 0:12:07 | 0:12:08 | |
I'm going to walk over there for a moment and then come back. | 0:12:08 | 0:12:11 | |
Are you, do you want to do that on your own? | 0:12:11 | 0:12:13 | |
-I've got a curve ball coming in. -Off you go. | 0:12:13 | 0:12:16 | |
Jon has spotted a different but more ornate Art-Deco lamp | 0:12:16 | 0:12:20 | |
and it's given him an idea. | 0:12:20 | 0:12:22 | |
Stand by. | 0:12:22 | 0:12:24 | |
Is just a bit more silvery and onyxy. | 0:12:24 | 0:12:27 | |
It might make it more distinctive, a bit more collectable. | 0:12:27 | 0:12:29 | |
This may help us because this is obviously a more decorative base, | 0:12:29 | 0:12:34 | |
which would make it more expensive. | 0:12:34 | 0:12:37 | |
But if we were to go for the same price as we were doing the package with the not-so-elaborate lamp, | 0:12:37 | 0:12:43 | |
then that might make you happier? | 0:12:43 | 0:12:45 | |
-And you were saying 230? -Yes. | 0:12:45 | 0:12:48 | |
There's no way you'll do 220 for me? | 0:12:48 | 0:12:51 | |
There's no shifting Lewis, who drives a hard bargain. | 0:12:51 | 0:12:54 | |
If they want a vintage camera, copper mirror | 0:12:54 | 0:12:57 | |
and more decorative Art-Deco lamp, it's £230. | 0:12:57 | 0:13:00 | |
Shall we do it? Do you want to go for it? | 0:13:00 | 0:13:04 | |
I think we should, yeah. | 0:13:04 | 0:13:07 | |
-DAVID ATTENBOROUGH VOICE: -Here we see two rutting dealers | 0:13:10 | 0:13:14 | |
at their most illustrious. | 0:13:14 | 0:13:15 | |
A bit impulsive, I think. | 0:13:19 | 0:13:22 | |
It might have been a lot worse, had it not been for your guidance and expertise. | 0:13:22 | 0:13:26 | |
It could have been a lot worse! You could have been paired up with "Maverick" Mark. | 0:13:26 | 0:13:31 | |
Poor Debra, she really doesn't like that chair, | 0:13:33 | 0:13:36 | |
but our rogue expert won't listen. | 0:13:36 | 0:13:39 | |
We've got a real split opinion here. | 0:13:39 | 0:13:41 | |
Debra hates it and I think it's quite fun, | 0:13:41 | 0:13:45 | |
if the price is right, of course. | 0:13:45 | 0:13:47 | |
I could do that for 130 for you. | 0:13:47 | 0:13:50 | |
For that kind of money, you need a closer inspection. | 0:13:50 | 0:13:53 | |
It would appear to be a Renaissance-style hall chair. | 0:13:54 | 0:13:57 | |
It's sort of growing on me. I think I'm being gently persuaded. | 0:14:00 | 0:14:06 | |
-I'd be able to persuade you a lot if we got it at a better price, wouldn't I? -I think so. | 0:14:06 | 0:14:10 | |
As you say, it is on my head. | 0:14:10 | 0:14:14 | |
I can't decide whether it's really ugly or really attractive. | 0:14:14 | 0:14:17 | |
I think they would put £60 to £80 on it. | 0:14:17 | 0:14:20 | |
What do you think? It's in your court now. | 0:14:20 | 0:14:24 | |
-I liked £80. -£80 is better. | 0:14:24 | 0:14:28 | |
Would you consider 70? | 0:14:28 | 0:14:31 | |
Was there something else you wanted to buy? | 0:14:31 | 0:14:33 | |
Funny you should ask, Lewis. | 0:14:33 | 0:14:35 | |
Debra has her heart set on the tea service, but will Mark be persuaded? | 0:14:35 | 0:14:40 | |
Debra, I don't know why, likes the tea set, | 0:14:40 | 0:14:43 | |
but there's no price on that, | 0:14:43 | 0:14:45 | |
so we don't know how much that is. | 0:14:45 | 0:14:47 | |
If you were to take the chair and the tea set together, | 0:14:47 | 0:14:50 | |
we could call it...70 and 50 | 0:14:50 | 0:14:54 | |
-is 120. -120. | 0:14:54 | 0:14:57 | |
Would you let us have that for 40? | 0:14:57 | 0:15:00 | |
OK, that would be fine. | 0:15:00 | 0:15:02 | |
I was going to try and get the both of them for 100. It's only... | 0:15:02 | 0:15:06 | |
You really can't do them for 100 for the two? | 0:15:06 | 0:15:08 | |
Why don't we split the difference and call it 105? | 0:15:08 | 0:15:11 | |
-Shall we do that? -I think we should. -Are you happy with that? -Yeah. | 0:15:11 | 0:15:14 | |
-Why don't we shake his hand? -Thank you very much. | 0:15:14 | 0:15:17 | |
Thank you very much, Lewis, that's really nice of you. | 0:15:17 | 0:15:19 | |
Well done, Debra, you've got the tea service, | 0:15:19 | 0:15:21 | |
but you're stuck with that chair at £70. | 0:15:21 | 0:15:24 | |
Sorry! | 0:15:24 | 0:15:26 | |
Oh, my gosh, the rain has come again, Debra. | 0:15:26 | 0:15:29 | |
-Let's get in the warm. -At least we've got two items in the bag. | 0:15:29 | 0:15:33 | |
-I'm quite happy, are you? -I'm very happy, well done. | 0:15:33 | 0:15:36 | |
With three purchases under their belts, | 0:15:40 | 0:15:43 | |
it's time for our boys to ponder on their place in the universe | 0:15:43 | 0:15:47 | |
at Edinburgh's prestigious Royal Observatory. Don't you know? | 0:15:47 | 0:15:51 | |
Luckily, Jon and Thomas haven't come to peer through telescopes, | 0:15:51 | 0:15:55 | |
as it's clearly not the day for it. | 0:15:55 | 0:15:57 | |
Instead, they're in for a celestial treat, right up Jon's street. | 0:15:57 | 0:16:01 | |
One of the finest collections of ancient astrological | 0:16:01 | 0:16:06 | |
and astronomy manuscripts in the world. | 0:16:06 | 0:16:09 | |
On a scale of one to ten, Jon, this is excitement level...? | 0:16:09 | 0:16:13 | |
Oh, it's... | 0:16:13 | 0:16:15 | |
11, 12, more. | 0:16:15 | 0:16:16 | |
Hi, there... | 0:16:16 | 0:16:18 | |
The boys are met by senior astronomer John Davies. | 0:16:18 | 0:16:22 | |
-Welcome to the Royal Observatory. -Thanks for having us. | 0:16:22 | 0:16:25 | |
The Royal Observatory was founded back in 1888, at the behest | 0:16:25 | 0:16:29 | |
of the 26th Earl Of Crawford, | 0:16:29 | 0:16:31 | |
who was a keen amateur astronomer. | 0:16:31 | 0:16:34 | |
He offered his library of rare ancient scientific books | 0:16:34 | 0:16:38 | |
and instruments to the City Of Edinburgh | 0:16:38 | 0:16:40 | |
on the proviso that they built an observatory to house them. | 0:16:40 | 0:16:44 | |
This is Karen, our librarian. | 0:16:44 | 0:16:47 | |
Karen, nice to see you. | 0:16:47 | 0:16:49 | |
Karen Moran is on hand to point out the highlights of the collection. | 0:16:49 | 0:16:53 | |
It must be so special to have these! | 0:16:53 | 0:16:55 | |
It's a privilege to look after this collection. | 0:16:55 | 0:16:58 | |
It's one of five like it in the world, | 0:16:58 | 0:17:00 | |
but ours has been deemed the best in the world. | 0:17:00 | 0:17:03 | |
-This is the best in the world? -Of this type of collection. | 0:17:03 | 0:17:06 | |
And what a collection it is, including first editions | 0:17:07 | 0:17:11 | |
by iconic names such as Copernicus, Galileo and Sir Isaac Newton, | 0:17:11 | 0:17:16 | |
and together, they tell the incredible story | 0:17:16 | 0:17:19 | |
of human understanding of our place in the universe over two centuries. | 0:17:19 | 0:17:23 | |
One of the earliest manuscripts is by the Greek astronomer Ptolemy | 0:17:25 | 0:17:29 | |
who, in AD140, set down Plato's theory | 0:17:29 | 0:17:33 | |
that the Earth was placed | 0:17:33 | 0:17:35 | |
at the centre of the universe, with everything else revolving around it. | 0:17:35 | 0:17:39 | |
These decorative images I see front of me don't look like they have | 0:17:39 | 0:17:44 | |
-much to do with astronomy. -You're correct and incorrect, | 0:17:44 | 0:17:48 | |
-because they are to do with astrology rather than astronomy. -Sorry. | 0:17:48 | 0:17:51 | |
But in mediaeval times, they were both seen as one and the same thing. | 0:17:51 | 0:17:54 | |
In those days, astronomy was used by doctors to cure illnesses | 0:17:54 | 0:17:58 | |
and they would carry medical bibles with them | 0:17:58 | 0:18:01 | |
to help with diagnosis and treatment. | 0:18:01 | 0:18:03 | |
And you can have a quick glance at this one. You can see, it's the zodiac man. | 0:18:03 | 0:18:06 | |
Each house of the zodiac relates to a different part of the human body. | 0:18:06 | 0:18:12 | |
-He's got an interesting expression on his face, hasn't he? -Exactly. | 0:18:12 | 0:18:15 | |
A bit like Gene Wilder. | 0:18:15 | 0:18:16 | |
What are these? These look fascinating. | 0:18:16 | 0:18:18 | |
Yes, they are portable versions, if you like, of the bigger text. | 0:18:18 | 0:18:23 | |
Physicians would carry these around on their belts. | 0:18:23 | 0:18:28 | |
They look wonderfully fragile and delicate, don't they? | 0:18:28 | 0:18:31 | |
They are. | 0:18:31 | 0:18:33 | |
It took another one-and-a-half centuries for this accepted wisdom to change, | 0:18:33 | 0:18:37 | |
following the groundbreaking observations of Copernicus and Galileo, | 0:18:37 | 0:18:42 | |
finally acknowledging the Sun's rightful place at the centre of the solar system. | 0:18:42 | 0:18:46 | |
Tell us about this one in the corner here. | 0:18:46 | 0:18:49 | |
Is this showing the moment when the Earth was no longer | 0:18:49 | 0:18:53 | |
-the centre of the solar system, but that passed over to the Sun? -The sun, exactly. | 0:18:53 | 0:18:57 | |
This is our first-edition Copernicus from 1543. | 0:18:57 | 0:19:00 | |
Yes, you are exactly right, Jon, he's put the Sun in the centre | 0:19:00 | 0:19:03 | |
and the planets moving in these beautiful circular orbits around the Sun. | 0:19:03 | 0:19:09 | |
In the 17th century, Englishman Sir Isaac Newton | 0:19:09 | 0:19:12 | |
was to solidify these ideas through mathematical theory. | 0:19:12 | 0:19:16 | |
Laws that continued to form the basis of all scientific thought | 0:19:16 | 0:19:20 | |
until the early 20th century. | 0:19:20 | 0:19:22 | |
Look at this, the mask of Isaac Newton himself. | 0:19:22 | 0:19:26 | |
Yes, it's a death mask of Isaac Newton. | 0:19:26 | 0:19:30 | |
Ours was once owned by Professor Wallace, | 0:19:30 | 0:19:33 | |
who was a professor of mathematics and astronomy | 0:19:33 | 0:19:35 | |
at Edinburgh University. It's numbered 44 of about 500 | 0:19:35 | 0:19:38 | |
of these masks that were produced. | 0:19:38 | 0:19:40 | |
-He looks rather at peace, doesn't he? -He does. | 0:19:40 | 0:19:42 | |
His principles are still being observed, even now. | 0:19:42 | 0:19:45 | |
Isn't that right, Mr Newton? | 0:19:45 | 0:19:48 | |
Newton's great friend, astronomer Edmond Halley, | 0:19:48 | 0:19:51 | |
further reinforced these theories of the universe when, in 1707, | 0:19:51 | 0:19:55 | |
he successfully predicted the return of the famous comet named after him. | 0:19:55 | 0:20:00 | |
It's a wonderful, wonderful collection | 0:20:00 | 0:20:02 | |
and it's a privilege to see it and I'm only sorry we can't stay for longer | 0:20:02 | 0:20:05 | |
and take it in quite a lot more. | 0:20:05 | 0:20:09 | |
I agree. Wonderful! | 0:20:09 | 0:20:11 | |
-DAVID DICKINSON VOICE: -So let's see what it goes for at the auction. | 0:20:11 | 0:20:14 | |
-JON: -Sorry, I blaspheme. | 0:20:14 | 0:20:16 | |
You did blaspheme. | 0:20:16 | 0:20:17 | |
Yes, and what an auction that would be. Come along, Thomas, | 0:20:17 | 0:20:21 | |
drag him back to Earth, there's shopping to be done. | 0:20:21 | 0:20:24 | |
No time for the telescope. Sorry. | 0:20:24 | 0:20:27 | |
-Jon, we'd better buy some antiques. -We had, I suppose so, we mustn't be distracted. | 0:20:27 | 0:20:31 | |
-You are very distracted. -I'm clearly distracted. | 0:20:31 | 0:20:34 | |
Back on planet Earth, Debra and Mark are leaving Edinburgh | 0:20:34 | 0:20:38 | |
and heading south to West Linton. | 0:20:38 | 0:20:42 | |
Nestling in the Borders, | 0:20:42 | 0:20:43 | |
this ancient village dates back to Iron Age times. | 0:20:43 | 0:20:47 | |
Its name comes from the Celtic for lake or pool, rather apt today. | 0:20:47 | 0:20:53 | |
Debra, I'm dying to know, how did you get into all this impressionism? | 0:20:53 | 0:20:58 | |
Oh, well, erm... | 0:20:58 | 0:21:00 | |
Ever since I can remember, my dad used to do impressions to make me laugh. | 0:21:01 | 0:21:05 | |
-Oh, did he? -When I was really little, and I used to copy him. | 0:21:05 | 0:21:08 | |
He used to basically teach me to do them. | 0:21:08 | 0:21:11 | |
The first one I ever remember doing was Margaret Thatcher saying, | 0:21:11 | 0:21:15 | |
"When I become Prime Minister..." | 0:21:15 | 0:21:19 | |
Ha-ha! | 0:21:19 | 0:21:20 | |
West Linton is home to Mr MacDonald's Saleroom Emporium, | 0:21:20 | 0:21:25 | |
whose proprietor is Ryan, the Mr of the aforementioned edifice. | 0:21:25 | 0:21:29 | |
-Oh, gosh. -Look at that! | 0:21:29 | 0:21:32 | |
Oh, my God! | 0:21:32 | 0:21:34 | |
I've been waiting for this all day, Debra. | 0:21:34 | 0:21:36 | |
This place is brilliant. | 0:21:36 | 0:21:38 | |
This is going to be an Aladdin's cave, I can see it now. | 0:21:38 | 0:21:41 | |
-That's 1950s, isn't it? -It's got to be. | 0:21:45 | 0:21:49 | |
It's rather fun. | 0:21:49 | 0:21:52 | |
HE MUTTERS | 0:21:52 | 0:21:54 | |
What's this? | 0:21:54 | 0:21:57 | |
Well it's a pulpit, I think, isn't it? | 0:21:57 | 0:22:00 | |
Do you like it? | 0:22:00 | 0:22:01 | |
Yeah, I can't think what use it would be. | 0:22:01 | 0:22:04 | |
I mean, why would you have this? | 0:22:04 | 0:22:06 | |
I don't know, so many people these days are looking for interesting | 0:22:06 | 0:22:10 | |
interior design features. | 0:22:10 | 0:22:14 | |
Do you know, I don't think Debra likes it. Sorry, Mark. | 0:22:14 | 0:22:18 | |
-Shall we carry on? -Yeah, I think so. | 0:22:18 | 0:22:21 | |
Those are quite pretty, Debra, aren't they? | 0:22:21 | 0:22:23 | |
-They're really pretty, and do they have silver tops? -They do have silver tops. | 0:22:23 | 0:22:27 | |
If you look inside this one, it's Mappin & Webb, 1899, apparently. | 0:22:27 | 0:22:32 | |
Quite right! | 0:22:32 | 0:22:34 | |
Mappin & Webb were renowned as the quality suppliers | 0:22:34 | 0:22:37 | |
of luxury goods at the end of the Victorian period. | 0:22:37 | 0:22:41 | |
89 for the pair. | 0:22:41 | 0:22:43 | |
I'm really disturbed by the fact that | 0:22:44 | 0:22:47 | |
one's slightly bigger than the other. | 0:22:47 | 0:22:48 | |
Shall we take these over as a consideration? | 0:22:48 | 0:22:51 | |
Despite Debra's concerns, Mark takes the lead, | 0:22:51 | 0:22:55 | |
but before bargaining can start, he's distracted by more silverware. | 0:22:55 | 0:22:58 | |
Don't you think those would look elegant on your table? | 0:22:58 | 0:23:01 | |
Really nice, absolutely. I like things that you can still use. | 0:23:01 | 0:23:05 | |
-That are quite practical? -Yeah. | 0:23:05 | 0:23:07 | |
There's a case set here as well. | 0:23:07 | 0:23:09 | |
-A little silver... -It needs a wee polish. | 0:23:10 | 0:23:13 | |
-..salt and pepper. -A wee polish. -A wee polish. | 0:23:13 | 0:23:16 | |
Rub-a-dub, eh? You'd better polish off the deal quickly | 0:23:16 | 0:23:19 | |
because Jon and Thomas have caught up with you and are just outside. | 0:23:19 | 0:23:23 | |
Great name, I used to do voiceovers for places like that, | 0:23:23 | 0:23:26 | |
it'd be, "Go to Mr MacDonald's Saleroom Emporium now! | 0:23:26 | 0:23:30 | |
"Antiques, collectables and curios, bought and sold. Call now!" | 0:23:30 | 0:23:34 | |
Would that have been for local radio? How exciting. | 0:23:34 | 0:23:37 | |
This time, I won't be so reckless as I was before. | 0:23:37 | 0:23:40 | |
I can hear their dulcet tones. | 0:23:40 | 0:23:43 | |
Mysterious sort of place. | 0:23:43 | 0:23:46 | |
I think we should explore further. Who knows what we might find here! | 0:23:46 | 0:23:51 | |
You'll find the opposition! | 0:23:51 | 0:23:54 | |
-Ah! -What do you want? Oh, go away. | 0:23:54 | 0:23:57 | |
-It's the Child Catcher. -What are you doing here? | 0:23:57 | 0:24:00 | |
We came for our last and final shop. | 0:24:00 | 0:24:02 | |
We've only just got here, it's not fair that you've arrived so quickly. | 0:24:02 | 0:24:06 | |
-Have you been having fun? -Yes. | 0:24:06 | 0:24:09 | |
Careful, Debra, nattering to Jon will leave Mark free | 0:24:10 | 0:24:13 | |
to dream of making more and more and more maverick purchases. | 0:24:13 | 0:24:16 | |
I love that pulpit. | 0:24:18 | 0:24:20 | |
I think she's right, I don't know what we'd do with it, but... | 0:24:20 | 0:24:24 | |
-I think it's great fun. -Over £220, it better had be. | 0:24:24 | 0:24:28 | |
-BRUCE FORSYTH VOICE: -See you after the break. | 0:24:28 | 0:24:31 | |
Finally, back to business. | 0:24:31 | 0:24:34 | |
Namely, a pair of silver salts with blue glass liners | 0:24:34 | 0:24:37 | |
and a cased silver cruet set. | 0:24:37 | 0:24:40 | |
Ticket price £120. | 0:24:40 | 0:24:42 | |
We were rather hoping, to give us a fighting chance... | 0:24:42 | 0:24:45 | |
..we might be able to offer you and get those | 0:24:47 | 0:24:50 | |
for about 60 quid, for the two. | 0:24:50 | 0:24:53 | |
As the first weekly instalment, yeah. | 0:24:53 | 0:24:55 | |
While the serious negotiations are going on over there, | 0:24:58 | 0:25:01 | |
we're reading the Sooty annual over here... | 0:25:01 | 0:25:04 | |
Nick Robinson, BBC News, | 0:25:04 | 0:25:06 | |
near the big box of books. | 0:25:06 | 0:25:08 | |
-LEWIS: -Give me 70, and then I can feed my daughter. -Oh. -Oh. | 0:25:10 | 0:25:16 | |
We've heard this before. | 0:25:16 | 0:25:17 | |
What's the decision on these, or do you want us to tell you | 0:25:17 | 0:25:20 | |
what we would like to get those for? | 0:25:20 | 0:25:22 | |
Yeah, hit me with this one, yeah. | 0:25:22 | 0:25:25 | |
Because we're worried about size differential, | 0:25:25 | 0:25:28 | |
we were rather hoping we'd get those for 40. | 0:25:28 | 0:25:31 | |
Let's make it 55. | 0:25:31 | 0:25:32 | |
So adding the mismatched silver vases to the other items selected | 0:25:32 | 0:25:37 | |
gives a total price of £125. | 0:25:37 | 0:25:40 | |
It would be lovely to have got those for a round figure, wouldn't it? | 0:25:42 | 0:25:46 | |
You know I like round figures. | 0:25:46 | 0:25:48 | |
What are you offering, 110? | 0:25:48 | 0:25:50 | |
No, 100, for the lot! | 0:25:50 | 0:25:52 | |
What do you think, Debra? | 0:25:53 | 0:25:55 | |
105? | 0:25:56 | 0:25:58 | |
-Deal. -Thank you very much. | 0:25:58 | 0:26:01 | |
I'm so impressed. | 0:26:01 | 0:26:03 | |
Once again, Debra decisively clinches the deal. | 0:26:03 | 0:26:06 | |
Meanwhile, Jon's fascination with vintage continues, | 0:26:06 | 0:26:09 | |
as he's drawn to a 1950s radio. | 0:26:09 | 0:26:12 | |
That'd be a great thing if it works. | 0:26:12 | 0:26:13 | |
You like the sort of Britishness, don't you? | 0:26:15 | 0:26:20 | |
This wonderful British, sort of 1950s... | 0:26:20 | 0:26:23 | |
It's just the design of it, it's really cool. | 0:26:25 | 0:26:28 | |
I'm not sure Thomas agrees with you there, Jon. | 0:26:28 | 0:26:31 | |
On the other side of the room, | 0:26:31 | 0:26:33 | |
Mark is obviously up to something with young Mr MacDonald. | 0:26:33 | 0:26:36 | |
Right, Debra's off browsing somewhere else... I love this. | 0:26:36 | 0:26:40 | |
I don't know why, I just love it. | 0:26:40 | 0:26:42 | |
Debra doesn't see what I see in it | 0:26:42 | 0:26:45 | |
and I know she's going to kill me, but I really want to buy it. | 0:26:45 | 0:26:48 | |
I don't want her to let me go without having it. | 0:26:48 | 0:26:50 | |
In a perfect world, I'd love to try and get it as near £100 as possible | 0:26:50 | 0:26:55 | |
to give me a chance. Can you come anywhere near that? | 0:26:55 | 0:26:58 | |
-120. -Right, I'm having it. I'm having it, are you sure? | 0:27:00 | 0:27:05 | |
-I'm happy with that. -Really? Then I'm having it. I'm having it. | 0:27:05 | 0:27:09 | |
Debra's going to kill me, but I'm having it. | 0:27:09 | 0:27:11 | |
-As long as she doesn't kill you till you've paid. -I'll pay you now. | 0:27:11 | 0:27:14 | |
Shame the confessional wasn't for sale. | 0:27:14 | 0:27:17 | |
Time to own up, Mark. | 0:27:17 | 0:27:18 | |
I've bought the pulpit. | 0:27:20 | 0:27:22 | |
ANNE ROBINSON VOICE: So, think you're clever, do you? | 0:27:22 | 0:27:26 | |
-Buying a pulpit. See what I've got in store for you! -Oh, no! | 0:27:26 | 0:27:30 | |
I don't think she's taken it too badly. | 0:27:30 | 0:27:33 | |
I just hope now there's a profit in it. | 0:27:33 | 0:27:36 | |
So do I, Mark! | 0:27:36 | 0:27:38 | |
The boys are still tuned into that radio. | 0:27:38 | 0:27:41 | |
-It works, you get Radio Scotland, that's it. Well, up here. -Yes. | 0:27:41 | 0:27:47 | |
Can I lift it down and have a look? | 0:27:47 | 0:27:50 | |
That's in really good shape. | 0:27:50 | 0:27:52 | |
-What's that got to be? -Make me an offer. | 0:27:52 | 0:27:56 | |
I don't like this bit. I get scared. I don't like it! | 0:27:56 | 0:28:01 | |
I would like to offer you £15. | 0:28:01 | 0:28:04 | |
-Make it 18. -18 and it's a deal. | 0:28:09 | 0:28:11 | |
-Deal. -Yeah? -Done. -Wonderful. | 0:28:11 | 0:28:15 | |
AMERICAN ACCENT: How about that? I'm glad it worked out so easy. | 0:28:15 | 0:28:18 | |
You're a gentleman, sir. | 0:28:19 | 0:28:20 | |
The headlines, the radio has just been purchased at the Emporium. | 0:28:20 | 0:28:24 | |
A report coming next... | 0:28:24 | 0:28:26 | |
Jon is so excited over the sale | 0:28:26 | 0:28:29 | |
that he gives young Mr MacDonald's daughter the £2 in change, | 0:28:29 | 0:28:33 | |
thus Road Trip rules mean that the price of the radio is £20. | 0:28:33 | 0:28:37 | |
Debra's team have bagged a pair of silver-topped vases, | 0:28:37 | 0:28:41 | |
two silver salts, a boxed cruet set and a pulpit. | 0:28:41 | 0:28:44 | |
Total spend - £225. What a mixture! | 0:28:44 | 0:28:49 | |
End of day one, and a very satisfied Jon and Debra compare notes. | 0:28:49 | 0:28:54 | |
That was a very enjoyable day. | 0:28:54 | 0:28:58 | |
One of those days where you feel like you've learned quite a lot, | 0:28:58 | 0:29:01 | |
gone into a new field and learned all about it. | 0:29:01 | 0:29:04 | |
Yeah, I know, I love exploring new territory. | 0:29:04 | 0:29:07 | |
-THOMAS: -Jon is wonderful to work with. | 0:29:07 | 0:29:11 | |
He's very funny, and all these wonderful voices. | 0:29:11 | 0:29:14 | |
-MARK: -I know, I'm the same with Debra, she is so sweet. | 0:29:14 | 0:29:18 | |
We've just got on like a house on fire, | 0:29:18 | 0:29:21 | |
but more than that, she realises she's got the better expert. | 0:29:21 | 0:29:24 | |
Naturally, obviously, you can only big yourself up that much, Mark. | 0:29:24 | 0:29:29 | |
Yes, I quite agree, Thomas, but right now, chaps, | 0:29:29 | 0:29:32 | |
it's time for some well-earned shuteye. | 0:29:32 | 0:29:35 | |
Night-night! | 0:29:35 | 0:29:36 | |
-JON: -I reckon, you've just got the knack for this. | 0:29:41 | 0:29:44 | |
DEBRA LAUGHS | 0:29:44 | 0:29:45 | |
-I worry I was a bit too impulsive yesterday. -Oh, really? -I think so. | 0:29:45 | 0:29:51 | |
You know what, I think you've got to trust your instincts, Jon. | 0:29:51 | 0:29:56 | |
So we've got a really relaxed day today. | 0:29:56 | 0:29:59 | |
Debra and Mark had a great first day... | 0:29:59 | 0:30:01 | |
-Debra... -Thank you very much. -..I'm so impressed | 0:30:01 | 0:30:04 | |
..spending £330 on a 1950s Queen Anne china set, | 0:30:04 | 0:30:07 | |
a Renaissance-style hall chair... | 0:30:07 | 0:30:09 | |
Oh, look at that chair! | 0:30:09 | 0:30:12 | |
It's horrible! | 0:30:12 | 0:30:15 | |
..a pair of silver-topped vases, | 0:30:15 | 0:30:17 | |
two silver salts, a silver cruet set and a pulpit - | 0:30:17 | 0:30:20 | |
apparently used as a theatrical prop | 0:30:20 | 0:30:23 | |
at the Edinburgh Lyceum. | 0:30:23 | 0:30:25 | |
-I think it's strange... -Well, I'm strange! | 0:30:25 | 0:30:28 | |
Haven't you realised that yet? | 0:30:28 | 0:30:31 | |
That leaves them with just £70 to spend today. | 0:30:31 | 0:30:35 | |
-Jon and Thomas did equally well... -You're on a bit of a roll. -Yeah, | 0:30:35 | 0:30:39 | |
you've got to let things filter to you, haven't you? | 0:30:39 | 0:30:41 | |
..buying an Art-Deco lamp, | 0:30:41 | 0:30:44 | |
an Arts and Crafts copper-framed mirror, | 0:30:44 | 0:30:46 | |
a Voigtlander Brillant camera, | 0:30:46 | 0:30:49 | |
and a walnut-veneer Pye radio, as you do. | 0:30:49 | 0:30:52 | |
-AS JIM BOWEN: -Super, great. We'll count it in the break. Can't beat a bit of Bully! | 0:30:52 | 0:30:56 | |
Total spent £250, | 0:30:56 | 0:30:58 | |
leaving them with £150 for today's hunt. | 0:30:58 | 0:31:02 | |
-AS NOEL EDMONDS: -The Banker says he respects you | 0:31:02 | 0:31:04 | |
and he would like to offer you... £4,000. | 0:31:04 | 0:31:07 | |
One couple who are not off | 0:31:07 | 0:31:09 | |
antiques-hunting this morning | 0:31:09 | 0:31:11 | |
are Debra and Mark. They're travelling | 0:31:11 | 0:31:13 | |
from West Linton to Blantyre | 0:31:13 | 0:31:15 | |
to visit the birthplace | 0:31:15 | 0:31:16 | |
of Dr David Livingstone. | 0:31:16 | 0:31:18 | |
The celebrated explorer and medical missionary, | 0:31:18 | 0:31:21 | |
known for his work in central and southern Africa. | 0:31:21 | 0:31:25 | |
The David Livingstone Centre, | 0:31:25 | 0:31:26 | |
established to commemorate his life | 0:31:26 | 0:31:28 | |
and work, is set in the tenement where he was born | 0:31:28 | 0:31:32 | |
and adjoins the site of the cotton mill where he started work. | 0:31:32 | 0:31:36 | |
The building houses many of Livingstone's possessions, | 0:31:36 | 0:31:38 | |
from his time spent in Africa, unsuccessfully searching | 0:31:38 | 0:31:42 | |
for the source of the Nile. | 0:31:42 | 0:31:44 | |
Debra and Mark will discover more | 0:31:44 | 0:31:46 | |
about one of our national heroes from the late-19th century | 0:31:46 | 0:31:49 | |
with tour guide Karen Carruthers. | 0:31:49 | 0:31:53 | |
Welcome to David Livingstone's little house. | 0:31:53 | 0:31:55 | |
David Livingstone was born in this room | 0:31:55 | 0:31:58 | |
on 19th March 1813 | 0:31:58 | 0:32:00 | |
and lived here with his parents and four siblings. | 0:32:00 | 0:32:03 | |
It is quite difficult to understand | 0:32:03 | 0:32:06 | |
how seven people could live in this one room. God! | 0:32:06 | 0:32:09 | |
So, he had a very humble background. How did he get from this start | 0:32:09 | 0:32:13 | |
to being Dr David Livingstone? | 0:32:13 | 0:32:15 | |
It's an incredible story, really. | 0:32:15 | 0:32:17 | |
He started working as a piecer in the mill. | 0:32:17 | 0:32:19 | |
He seems to have decided early on that he was not going to stay there, | 0:32:19 | 0:32:22 | |
he had a real desperate thirst for education. | 0:32:22 | 0:32:26 | |
That thirst for knowledge was quite incredible, | 0:32:26 | 0:32:29 | |
even though working a 14-hour day in the mill | 0:32:29 | 0:32:31 | |
from the age of ten, he would study every night before going to bed. | 0:32:31 | 0:32:35 | |
That thirst to learn, | 0:32:35 | 0:32:37 | |
combined with Livingstone's very strong Christian faith, | 0:32:37 | 0:32:40 | |
just pushed him forward. | 0:32:40 | 0:32:41 | |
By 1836, aged 33, | 0:32:41 | 0:32:44 | |
he was studying Medicine and Theology | 0:32:44 | 0:32:46 | |
in Glasgow, having determined to become a medical missionary. | 0:32:46 | 0:32:50 | |
And what else have you got that's directly related to that time | 0:32:50 | 0:32:55 | |
that he spent in Africa? | 0:32:55 | 0:32:57 | |
We've got an amazing collection, directly related. | 0:32:57 | 0:32:59 | |
-Can we have a look at some of those pieces? -Absolutely. | 0:32:59 | 0:33:02 | |
Some are the objects from our collection, | 0:33:02 | 0:33:04 | |
some journals, some navigation equipment, | 0:33:04 | 0:33:07 | |
-some rather gory medical equipment. -Oh! -Oh! | 0:33:07 | 0:33:09 | |
-Oh, that's medical equipment?! -Yes! | 0:33:09 | 0:33:11 | |
-It looks like more like a joiner's toolbox, doesn't it? -And what about this? | 0:33:11 | 0:33:15 | |
That's his medical bag. We've all seen bags like that, | 0:33:15 | 0:33:18 | |
-it's amazing to think that was with Livingstone... -In Africa. | 0:33:18 | 0:33:22 | |
Livingstone won the trust of local tribes with his skills | 0:33:22 | 0:33:26 | |
as a medicine man, and even invented a treatment | 0:33:26 | 0:33:29 | |
for malaria called Livingstone's Rousers. | 0:33:29 | 0:33:32 | |
A mixture of quinine and rhubarb | 0:33:32 | 0:33:34 | |
that was used until the 1920s. | 0:33:34 | 0:33:36 | |
I love the way they've called it tabloid, | 0:33:36 | 0:33:39 | |
rather than tablet. | 0:33:39 | 0:33:40 | |
But his work in Africa took him far beyond medicine. | 0:33:40 | 0:33:45 | |
Livingstone was a committed anti-slavery advocate | 0:33:45 | 0:33:48 | |
who hoped that his explorations would help put an end | 0:33:48 | 0:33:51 | |
to the dreadful trafficking of the indigenous population, | 0:33:51 | 0:33:55 | |
a goal he worked tirelessly towards for many years. | 0:33:55 | 0:33:59 | |
During his final expedition, | 0:33:59 | 0:34:00 | |
and with nothing having been heard from him for months, | 0:34:00 | 0:34:04 | |
the explorer and journalist Henry Morton Stanley | 0:34:04 | 0:34:07 | |
was sent to find him, resulting in the famous phrase, | 0:34:07 | 0:34:10 | |
"Dr Livingstone, I presume!" | 0:34:10 | 0:34:12 | |
when they finally met, near Lake Tanganyika in 1871. | 0:34:12 | 0:34:16 | |
The two men spent four or five months together | 0:34:16 | 0:34:18 | |
and when Stanley was leaving Livingstone, | 0:34:18 | 0:34:21 | |
Livingstone gave Stanley vast numbers of letters and journals | 0:34:21 | 0:34:24 | |
-and so on to take home, and this is the little bag that... -God! | 0:34:24 | 0:34:28 | |
Did he actually write that - "Positively not to be opened"? | 0:34:28 | 0:34:31 | |
-I think it's actually been stitched. -Oh, it's been stitched on, has it? | 0:34:31 | 0:34:35 | |
Yeah. We believe that "positively" | 0:34:35 | 0:34:37 | |
was stitched by Stanley, | 0:34:37 | 0:34:39 | |
-but this was by Livingstone. -Gosh! | 0:34:39 | 0:34:43 | |
-You can hardly see that that's embroidery. -No! | 0:34:43 | 0:34:46 | |
One of the things that he'd written about | 0:34:46 | 0:34:48 | |
was a terrible massacre of over 400 people | 0:34:48 | 0:34:51 | |
by Arab slave traders at a little place. | 0:34:51 | 0:34:55 | |
The British public was shocked, | 0:34:55 | 0:34:57 | |
putting pressure onto the government to act. | 0:34:57 | 0:35:00 | |
A naval blockade was threatened | 0:35:00 | 0:35:02 | |
and finally, the ruling Sultan acquiesced | 0:35:02 | 0:35:05 | |
and closed the slave market in Zanzibar. | 0:35:05 | 0:35:08 | |
He genuinely had a respect for them, I think, by the sounds of it, | 0:35:08 | 0:35:12 | |
because he didn't go there... we know he went as a missionary | 0:35:12 | 0:35:15 | |
to preach the Word of God, but he tried to understand them. | 0:35:15 | 0:35:17 | |
He was on their side, really, wasn't he? | 0:35:17 | 0:35:19 | |
Yeah, he was a great humanitarian. | 0:35:19 | 0:35:21 | |
I think he was very different to many folk who went afterwards. | 0:35:21 | 0:35:24 | |
Livingstone had suffered from bad health for many years | 0:35:24 | 0:35:27 | |
and he died in May 1873. | 0:35:27 | 0:35:30 | |
His companions buried his heart in his beloved Africa, | 0:35:30 | 0:35:34 | |
but returned his mummified body back to Britain, | 0:35:34 | 0:35:36 | |
along with many of his belongings, now on display at the centre. | 0:35:36 | 0:35:41 | |
His burial at Westminster Abbey | 0:35:41 | 0:35:43 | |
is a testament to the Victorian public's esteem. | 0:35:43 | 0:35:47 | |
-Thank you. -Thank you for having us. -It's a fascinating story. Thank you for coming. | 0:35:47 | 0:35:51 | |
And it's time to track down | 0:35:51 | 0:35:54 | |
our other pair of intrepid explorers, who are 30 miles away, | 0:35:54 | 0:35:57 | |
heading into the village of Wiston, near beautiful Tinto Hill. | 0:35:57 | 0:36:00 | |
Jon and Thomas have an appointment | 0:36:00 | 0:36:03 | |
to shop at Sunnyside Antiques. | 0:36:03 | 0:36:05 | |
What a charming spot! | 0:36:05 | 0:36:08 | |
Owned by Mark Attwood, | 0:36:08 | 0:36:10 | |
perhaps he can help them select some profitable purch-ases! | 0:36:10 | 0:36:15 | |
Sorry, I couldn't resist that. | 0:36:15 | 0:36:17 | |
Impulsive Jon has his eye on something already. | 0:36:18 | 0:36:21 | |
What's that copper tank up there? | 0:36:21 | 0:36:23 | |
I believe it's a big water urn | 0:36:23 | 0:36:26 | |
and, as you rightly point out, it's copper, big brass tap, | 0:36:26 | 0:36:29 | |
tin lined. Date-wise, probably late-19th century. | 0:36:29 | 0:36:34 | |
I can certainly get it down, if you want to have a look. | 0:36:34 | 0:36:37 | |
Luckily, Mark's son Ben is on hand | 0:36:37 | 0:36:39 | |
and delivers the tank to a doubting Thomas. | 0:36:39 | 0:36:42 | |
What's it going to be? | 0:36:42 | 0:36:44 | |
-£160. -Really? -Mm-hmm. | 0:36:44 | 0:36:46 | |
I think that's got some room in it. | 0:36:48 | 0:36:51 | |
-So you wouldn't take 100? -Not at the moment, no. -Not at the moment? | 0:36:51 | 0:36:54 | |
I suggest we just have a quick... We carry on looking as well. | 0:36:54 | 0:36:58 | |
I quite like things like this, but that's me. | 0:37:03 | 0:37:06 | |
A bushel. | 0:37:06 | 0:37:07 | |
Well, let's move on. | 0:37:08 | 0:37:11 | |
-UPPER-CLASS VOICE: -So we're not even into the main part of the shop yet | 0:37:11 | 0:37:14 | |
-and we're seeing contending things. -That's good. -This bodes very well. | 0:37:14 | 0:37:18 | |
This is what you sort of tend to think of antiques as being, | 0:37:18 | 0:37:21 | |
sort of like dogs like that. | 0:37:21 | 0:37:24 | |
That's antiques, innit, there? | 0:37:24 | 0:37:26 | |
Look at them, like little porcelain Jedwards perched there. | 0:37:26 | 0:37:29 | |
He's quite jolly, isn't he? | 0:37:29 | 0:37:30 | |
May I have a look? | 0:37:30 | 0:37:32 | |
-AS BRUCE FORSYTH: -"It's nice to see you, to see you, nice! | 0:37:34 | 0:37:39 | |
"Haven't they carved me out well?" | 0:37:39 | 0:37:42 | |
Very good. | 0:37:42 | 0:37:43 | |
I feel like Paul Bettany and Russell Crowe. | 0:37:47 | 0:37:50 | |
-As Captain Jack Aubrey! -Jack Aubrey, yeah. | 0:37:50 | 0:37:53 | |
Not taken with porcelain dogs, masks or telescopes, | 0:37:53 | 0:37:56 | |
Thomas seems to have unearthed something else. | 0:37:56 | 0:38:01 | |
This Scalextric is completely out of context here. | 0:38:01 | 0:38:05 | |
What's very nice about it is that it's all in mint condition and boxed | 0:38:05 | 0:38:09 | |
so it makes it more desirable. | 0:38:09 | 0:38:12 | |
There's a full Scalextric set, | 0:38:14 | 0:38:16 | |
as well as separate boxes of accessories. | 0:38:16 | 0:38:18 | |
It's toy heaven for Thomas. | 0:38:18 | 0:38:21 | |
And, oh, dear! I think it's catching. | 0:38:21 | 0:38:24 | |
It's got a sort of Richard Wilson quality, as if to say, | 0:38:24 | 0:38:27 | |
"He's never going to get round there at that speed!" | 0:38:27 | 0:38:34 | |
Produced by Triang in the 1960s, | 0:38:37 | 0:38:39 | |
this CM33 set is the motor racing competition series, | 0:38:39 | 0:38:44 | |
featuring models of Porsche and a D-type Jag. | 0:38:44 | 0:38:47 | |
The price for everything is 350. | 0:38:49 | 0:38:51 | |
Right, come on, we can't afford this and I'd want the whole lot. | 0:38:51 | 0:38:56 | |
-Had I not been so reckless yesterday... -Don't say that, | 0:38:56 | 0:38:59 | |
don't regret, never regret, that's the thing, never regret. | 0:38:59 | 0:39:02 | |
Will Jon and Thomas stay on track? It's decision time. | 0:39:02 | 0:39:06 | |
Well, the bushel's great. | 0:39:07 | 0:39:10 | |
-The bushel is great. -The copper tank. -The tank is fun. | 0:39:10 | 0:39:14 | |
(I would have loved that Scalextric. I would have loved it!) | 0:39:14 | 0:39:18 | |
We could still just buy the set, but... | 0:39:19 | 0:39:22 | |
Thomas just can't quite lose his enthusiasm for boys' toys, | 0:39:22 | 0:39:26 | |
so the Scalextric has to be, | 0:39:26 | 0:39:29 | |
but will he be able to persuade Mark to split the bundle? | 0:39:29 | 0:39:33 | |
Where are we? | 0:39:33 | 0:39:34 | |
We're back at Scalextric, back at Scalextric, | 0:39:34 | 0:39:39 | |
and would you mind splitting it up? | 0:39:39 | 0:39:42 | |
Um, what part... | 0:39:43 | 0:39:45 | |
What components were you after? | 0:39:45 | 0:39:49 | |
-I was just after the box set. -Just the box set on its own? | 0:39:49 | 0:39:52 | |
Just the box set on its own. | 0:39:52 | 0:39:54 | |
I don't think I can afford the whole lot, | 0:39:54 | 0:39:57 | |
to be honest with you, unless you want to lose money. | 0:39:57 | 0:40:00 | |
I'd like to give you £60 for it. | 0:40:00 | 0:40:03 | |
Right. Honestly, I couldn't. | 0:40:03 | 0:40:06 | |
-I could quite easily get £100 for it. -Yeah, absolutely. | 0:40:06 | 0:40:11 | |
But we could meet somewhere... | 0:40:11 | 0:40:15 | |
-90. -80. | 0:40:15 | 0:40:17 | |
-No, sorry. -Go on! -No! | 0:40:17 | 0:40:20 | |
85. | 0:40:20 | 0:40:21 | |
-All right, then. 85, it is. -Thank you. | 0:40:21 | 0:40:23 | |
I've got no hands to shake. | 0:40:26 | 0:40:28 | |
And with the Scalextric safely in their possession, | 0:40:28 | 0:40:31 | |
the boys decide to call a halt on their shopping, | 0:40:31 | 0:40:34 | |
leaving the field clear for arrivals Debra and Mark. | 0:40:34 | 0:40:38 | |
We could pull up there. | 0:40:38 | 0:40:40 | |
-Yeah, I think if we pull up here... -Yeah. | 0:40:40 | 0:40:42 | |
-Oh. -Ooh! This is nice! | 0:40:46 | 0:40:48 | |
-So we've got £70 left. -Yeah. | 0:40:49 | 0:40:53 | |
We've bought five items, so we don't really need to get another one, | 0:40:54 | 0:40:57 | |
but it would be nice to spend all the money, wouldn't it? | 0:40:57 | 0:41:00 | |
-That's unusual, isn't it? -Yes, it's a carved shell. | 0:41:00 | 0:41:03 | |
It's probably a light of some sort, but... | 0:41:03 | 0:41:06 | |
It's very decorative. | 0:41:07 | 0:41:09 | |
That looks quite pretty, doesn't it? | 0:41:10 | 0:41:13 | |
There's a pair of them, actually. | 0:41:13 | 0:41:15 | |
Aren't those patterns lovely? | 0:41:15 | 0:41:16 | |
-Those little roundels. -Absolutely beautiful! | 0:41:16 | 0:41:22 | |
You can see, these are my colours. | 0:41:22 | 0:41:23 | |
-Oh, yes! -If you look at my scarf, and you look at that vase... | 0:41:23 | 0:41:27 | |
Well, that's why I picked them up. | 0:41:27 | 0:41:29 | |
Oh, you silver-tongued charmer! | 0:41:29 | 0:41:32 | |
Cloisonne is a French term for an oriental technique | 0:41:32 | 0:41:36 | |
for decorating metal objects using vitreous enamel. | 0:41:36 | 0:41:39 | |
The decoration is formed by attaching metal wires or strips | 0:41:39 | 0:41:43 | |
to make compartments or "clois" on the surface of the vessel, | 0:41:43 | 0:41:47 | |
which remain visible on the finished piece, | 0:41:47 | 0:41:49 | |
separating the different-coloured enamels. | 0:41:49 | 0:41:52 | |
They may complement Debra's colours, | 0:41:52 | 0:41:54 | |
but will the price match their budget? | 0:41:54 | 0:41:56 | |
-Are they expensive? -They're 120, the pair. | 0:41:56 | 0:41:59 | |
Ooh. That's over our budget, I'm afraid, isn't it? | 0:41:59 | 0:42:02 | |
They're a nice pair as well. | 0:42:02 | 0:42:04 | |
Luckily, there is a smaller pair. | 0:42:04 | 0:42:06 | |
But this is a completely different material. | 0:42:06 | 0:42:10 | |
No, no. It's absolutely the same technique. | 0:42:10 | 0:42:13 | |
I like those because they're faceted. | 0:42:13 | 0:42:15 | |
They've got that octagonal look, | 0:42:15 | 0:42:17 | |
but this is much smoother, so it's all gone over. | 0:42:17 | 0:42:20 | |
-The colours are still working for me. -They're still working for you. | 0:42:20 | 0:42:23 | |
They still fit in with your overall colour scheme. | 0:42:23 | 0:42:26 | |
Still thumbs-up to the colours, but will it be thumbs-down to the price? | 0:42:26 | 0:42:30 | |
The best on those would be 50 for the pair. | 0:42:30 | 0:42:33 | |
Are we happy to go for these for £50? | 0:42:33 | 0:42:37 | |
Yes, I think so. | 0:42:37 | 0:42:39 | |
-But it leaves us £20... -I know. | 0:42:39 | 0:42:42 | |
-..which is a funny little amount to... -It's a funny little amount. | 0:42:42 | 0:42:45 | |
A funny amount, hardly worth holding onto. | 0:42:45 | 0:42:48 | |
Let's take a peek in the silver cabinet. | 0:42:48 | 0:42:51 | |
I like that spoon, but I know that's going to be more, isn't it? | 0:42:51 | 0:42:54 | |
An early-20th century hallmarked copy | 0:42:54 | 0:42:57 | |
of a royal anointing spoon. | 0:42:57 | 0:43:00 | |
-I can do that for 20. -Really? | 0:43:00 | 0:43:02 | |
-Really? -Could we have a look? -We could put it in with the silver. | 0:43:02 | 0:43:05 | |
We could do, I suppose. | 0:43:05 | 0:43:06 | |
That's a copy, definitely, of the silver anointer, | 0:43:06 | 0:43:09 | |
-but it's beautifully made. -It's beautiful. | 0:43:09 | 0:43:12 | |
-Should we do that? -Yeah. -Let's shake hands, all right? | 0:43:12 | 0:43:14 | |
The vases and this for 70 quid. | 0:43:14 | 0:43:16 | |
-That's great. -Thank you very much. -Thank you very much indeed. | 0:43:16 | 0:43:18 | |
-You're welcome. -Perfect. | 0:43:18 | 0:43:20 | |
You're driving. | 0:43:20 | 0:43:21 | |
Deal done, money spent, time to reunite with Jon and Thomas. | 0:43:21 | 0:43:25 | |
Just delicately take it off. | 0:43:25 | 0:43:27 | |
Only polite to... Ladies first, really. | 0:43:27 | 0:43:29 | |
-And one more. -Oh! | 0:43:30 | 0:43:33 | |
Oh, Mark! We need to go over and have a look. | 0:43:33 | 0:43:36 | |
We need to examine... That's a delightful hall chair. | 0:43:36 | 0:43:41 | |
Well, there's a surprise - Thomas likes the chair. | 0:43:41 | 0:43:44 | |
The one Debra hated. | 0:43:44 | 0:43:46 | |
-But it's her pride and joy, the tea service, up next. -Yes, I must say, | 0:43:46 | 0:43:50 | |
it was a bit of a personal choice | 0:43:50 | 0:43:52 | |
and it was my choice, wasn't it? | 0:43:52 | 0:43:55 | |
-You humoured me. -How much was it? | 0:43:55 | 0:43:56 | |
-35. -Yes. -35 for a six-place setting? | 0:43:56 | 0:44:00 | |
-12. -12? -There are 12 cups and saucers. -That's a bargain! | 0:44:00 | 0:44:03 | |
Is it dishwasher proof? | 0:44:03 | 0:44:04 | |
Very much doubt it, Jon! | 0:44:06 | 0:44:08 | |
What do you make of the silver-topped vases, then? | 0:44:08 | 0:44:11 | |
-Very good quality. -Good quality. -They were actually £35 for the two. | 0:44:11 | 0:44:15 | |
-Oh, my God, that's such a good price. -That's a result. | 0:44:15 | 0:44:18 | |
No-one's commented on the size difference. | 0:44:18 | 0:44:20 | |
-And the cloisonne? -The cloisonne, | 0:44:20 | 0:44:23 | |
these were one of our final purchases. | 0:44:23 | 0:44:26 | |
-They're lovely. -They're lovely. -Sort of early-20th century. -£80? | 0:44:26 | 0:44:29 | |
-No, we paid, actually, £50 for them. -Oh! Bargain. | 0:44:29 | 0:44:31 | |
This one was 20. It's a little silver anointing spoon. | 0:44:31 | 0:44:34 | |
Some items are just too big to pop in the back of a car, | 0:44:34 | 0:44:38 | |
so Mark has to improvise, using the medium of mime. | 0:44:38 | 0:44:40 | |
-We've got a very big pulpit, haven't we? -Oh, yes, huge. | 0:44:40 | 0:44:46 | |
-Yeah, we spent every penny of our money. -Let's look at your lots. | 0:44:46 | 0:44:49 | |
Next up, Jon and Thomas reveal their haul to Debra and Mark. | 0:44:49 | 0:44:52 | |
Let's do a magician's reveal with the thing. | 0:44:52 | 0:44:55 | |
Oh, Jon! This is so you! | 0:44:56 | 0:44:59 | |
Gosh. Mark - actually lost for words for once! | 0:44:59 | 0:45:04 | |
Look at the Scalextric! | 0:45:04 | 0:45:06 | |
But moving on, | 0:45:06 | 0:45:07 | |
I have to tell you what my favourite item is, if I may... | 0:45:07 | 0:45:10 | |
-Of course. -..be so bold. It's the mirror. | 0:45:10 | 0:45:14 | |
Was that expensive, Jon? | 0:45:14 | 0:45:17 | |
No, it wasn't too bad, was it? | 0:45:17 | 0:45:18 | |
No, it wasn't. We bought three items as a group. | 0:45:18 | 0:45:21 | |
-Oh, yes? -Was this in our first shop? | 0:45:21 | 0:45:24 | |
-It was. We were a bit impulsive. -So the Art-Deco desk lamp... | 0:45:24 | 0:45:27 | |
-That's beautiful as well. -..the camera and the mirror | 0:45:27 | 0:45:31 | |
was all one bundle at £230. | 0:45:31 | 0:45:36 | |
So it comes in at 80, 30, 120. | 0:45:36 | 0:45:39 | |
And what about the BBC radio? | 0:45:39 | 0:45:42 | |
It's in such good condition, | 0:45:42 | 0:45:44 | |
walnut-veneered, but really... | 0:45:44 | 0:45:47 | |
-It works as well. -I think it's lovely. -Expensive? | 0:45:47 | 0:45:50 | |
-£20. -It was nothing for £20, was it? | 0:45:50 | 0:45:52 | |
-Oh, you've got a really good lot. -You've got a good selection. -Yeah. | 0:45:52 | 0:45:56 | |
And you know what I like most? | 0:45:56 | 0:45:57 | |
-They're completely different to ours. -Yeah, it's really funny how | 0:45:57 | 0:46:02 | |
-it's really brought out the character in us... -Completely different. | 0:46:02 | 0:46:07 | |
And you two have helped to do that. | 0:46:07 | 0:46:10 | |
OK, what do our team really think? | 0:46:10 | 0:46:13 | |
I think they'll be very popular on the day. | 0:46:13 | 0:46:16 | |
People will, I think, want to own the delicate crockery | 0:46:17 | 0:46:21 | |
and the salt and pepper set. | 0:46:21 | 0:46:23 | |
They reflect, you know, Debra's personality very much. | 0:46:25 | 0:46:28 | |
I love what they have, but I don't feel envious of what they have, | 0:46:28 | 0:46:32 | |
you know, I'm really in admiration of what they've chosen. | 0:46:32 | 0:46:36 | |
I think the really shiny china is really delightful. | 0:46:36 | 0:46:41 | |
and going to do jolly well - for a setting of 12, £35 is nothing. | 0:46:41 | 0:46:46 | |
-Dealers, yeah. -I mean, I love their Art-Deco lamp, | 0:46:46 | 0:46:48 | |
but they did pay £100-odd for it, which is quite a lot. | 0:46:48 | 0:46:52 | |
Right, gentle admiration for each other's items. | 0:46:52 | 0:46:55 | |
However, the auction will decide the outcome of this contest. | 0:46:55 | 0:46:58 | |
Time to get the show on the road and set off south to Essex. Innit?! | 0:46:58 | 0:47:02 | |
-Is this it? -This is it! | 0:47:05 | 0:47:07 | |
The experts are first to arrive | 0:47:07 | 0:47:09 | |
at Boningtons auction house in Loughton. | 0:47:09 | 0:47:13 | |
Both teams started with £400 each. | 0:47:13 | 0:47:15 | |
Debra and Mark spent every last penny | 0:47:15 | 0:47:19 | |
and ended up with seven items organised into six auction lots. | 0:47:19 | 0:47:22 | |
But Jon and Thomas only spent £335... | 0:47:24 | 0:47:28 | |
Hang on a minute! | 0:47:28 | 0:47:30 | |
..giving them five scorching auction lots. | 0:47:30 | 0:47:32 | |
However, Shaban, who will be assisting at today's sale, | 0:47:32 | 0:47:37 | |
has some unwelcome news regarding one of Debra and Mark's lots. | 0:47:37 | 0:47:41 | |
The tea set, if someone brought that into us on the front desk, | 0:47:41 | 0:47:45 | |
I'd value that at £80-£120... | 0:47:45 | 0:47:47 | |
Well, I'd be thrilled with that. | 0:47:47 | 0:47:49 | |
But unfortunately, your tea set | 0:47:49 | 0:47:51 | |
apparently has been damaged in transit. | 0:47:51 | 0:47:53 | |
-So we're slightly concerned... -Oh, well, that is very concerning. | 0:47:53 | 0:47:57 | |
That is a blow. | 0:47:58 | 0:48:00 | |
Without the damage, it was valued at between £80 and £120. | 0:48:00 | 0:48:03 | |
Unlikely to realise that now. | 0:48:03 | 0:48:06 | |
How will Debra take the news?! | 0:48:06 | 0:48:10 | |
Speaking of Debra, what's delayed her and Jon? | 0:48:10 | 0:48:14 | |
Thomas, I don't know about you, I'm getting a bit nervous. | 0:48:14 | 0:48:17 | |
Why, because of your lots? | 0:48:17 | 0:48:18 | |
No, because there's two empty seats here. | 0:48:18 | 0:48:21 | |
-We're missing somebody. -We are missing our friends. -Debra. -And Jon. | 0:48:21 | 0:48:25 | |
I agree. With the auction already under way, | 0:48:25 | 0:48:28 | |
they're cutting it a bit fine. | 0:48:28 | 0:48:30 | |
Perhaps they're panicking about what they bought! | 0:48:30 | 0:48:33 | |
But staying away won't postpone the pain. | 0:48:33 | 0:48:35 | |
-You need to tell her about your tea set. -Yeah, but I'm going to... | 0:48:35 | 0:48:39 | |
-No, don't mention it. -I won't mention it. | 0:48:39 | 0:48:41 | |
Because I'm going to mention it just before the lot comes up, | 0:48:41 | 0:48:45 | |
so she doesn't worry about it. | 0:48:45 | 0:48:46 | |
Ah! Here they are at last. Quick! | 0:48:46 | 0:48:50 | |
-Sit down, the auction is about to begin. -Just in time! | 0:48:50 | 0:48:53 | |
First up, the silver salts, cased silver cruet set | 0:48:53 | 0:48:57 | |
and silver anointing spoon as a job lot. | 0:48:57 | 0:49:00 | |
Look at her face. | 0:49:00 | 0:49:02 | |
£100. 100, I'm bid. | 0:49:02 | 0:49:04 | |
-Oh, we've got 100. -110, 120. | 0:49:04 | 0:49:08 | |
I shall sell it at £110. | 0:49:08 | 0:49:10 | |
-Are you all out at 110, then? -Come on, a bit more. | 0:49:10 | 0:49:13 | |
Not the start they were hoping for, | 0:49:13 | 0:49:16 | |
but at least a profit after commission. | 0:49:16 | 0:49:18 | |
Oh, the meanies! | 0:49:18 | 0:49:20 | |
The meanies! Will Jon's copper mirror excite the buyers instead? | 0:49:20 | 0:49:24 | |
Start with £60 for it. | 0:49:24 | 0:49:26 | |
60, surely?! | 0:49:26 | 0:49:28 | |
40, if you like. | 0:49:28 | 0:49:31 | |
30, I'm bid. Looking for two. 30's the bid, 32, | 0:49:31 | 0:49:34 | |
34, 36, 38, 40 - 5. | 0:49:34 | 0:49:38 | |
50 - 5. 50's the bid | 0:49:38 | 0:49:40 | |
and I'm selling at £50. Are you all out now at 50? | 0:49:40 | 0:49:44 | |
I'm selling at 50...5, good man, good man. 55. | 0:49:44 | 0:49:48 | |
-Oh, rock and roll. -Yeah. | 0:49:48 | 0:49:50 | |
60 - 5. 70. | 0:49:50 | 0:49:52 | |
Are you sure, sir? One more. 65 there. 70? | 0:49:52 | 0:49:57 | |
70 - 5. One more? | 0:49:57 | 0:50:00 | |
70's the bid at the back, | 0:50:00 | 0:50:01 | |
and I'm selling at £70. Are you all done at 70, then? | 0:50:01 | 0:50:07 | |
Stalled at 70 - a loss. | 0:50:07 | 0:50:10 | |
-That'll do. -Got themselves a very nice mirror. -Yes. | 0:50:10 | 0:50:13 | |
Indeed, they did. Now, Deb and Mark's oddly mismatched vases. | 0:50:13 | 0:50:18 | |
Let's hope the size difference doesn't affect the price. | 0:50:18 | 0:50:21 | |
Start me at £30. I'm trying to build it up there, bro. | 0:50:21 | 0:50:23 | |
£30, £30! | 0:50:23 | 0:50:26 | |
£30? 20, if you like. | 0:50:26 | 0:50:29 | |
20, 22, 24, | 0:50:29 | 0:50:31 | |
26, 28. 30. - 32. Go on, one more... | 0:50:31 | 0:50:35 | |
Come on! | 0:50:35 | 0:50:36 | |
32. 34! 34. 36? | 0:50:36 | 0:50:40 | |
34's the bid. 36, anywhere else? | 0:50:40 | 0:50:44 | |
36. 38? 36 is there. Looking for 38. | 0:50:44 | 0:50:49 | |
I'm selling at £36. Are you all done? | 0:50:49 | 0:50:52 | |
Oh, that's disappointing. | 0:50:52 | 0:50:54 | |
This is beginning to look bleak for both teams. | 0:50:54 | 0:50:57 | |
Somebody's got a bargain. | 0:50:57 | 0:50:59 | |
Jon and Thomas's Art-Deco lamp. They've got high hopes for this. | 0:50:59 | 0:51:04 | |
-That looks lovely on the screen. -It does look lovely. | 0:51:04 | 0:51:06 | |
Start me £100 for that one. | 0:51:06 | 0:51:09 | |
-Silence. -80, if you like. | 0:51:09 | 0:51:12 | |
Is there £60 anywhere? | 0:51:14 | 0:51:16 | |
Oh, come on! | 0:51:16 | 0:51:18 | |
-Put it in at 40, then. £40, I'm looking for. -I'll start at 30. | 0:51:18 | 0:51:22 | |
30, I'm bid. Looking for two. | 0:51:22 | 0:51:24 | |
32, 34, 36, 38, 40. 40? | 0:51:24 | 0:51:29 | |
38's there. 40? | 0:51:29 | 0:51:31 | |
38 and selling. 40 - new bidder. 42. | 0:51:31 | 0:51:35 | |
44, 46, 48, 50. 48's the bid there. 50? | 0:51:35 | 0:51:40 | |
I'm selling it at £48. Are you all out now at 48? | 0:51:40 | 0:51:44 | |
Ouch! That hurt. | 0:51:45 | 0:51:47 | |
That's for nothing, Jon. I'm so sorry. | 0:51:47 | 0:51:50 | |
That really should have made a lot... | 0:51:50 | 0:51:52 | |
Will Debra and Mark's cloisonne vases go the distance? | 0:51:54 | 0:51:57 | |
20, if you like, for the vases. | 0:51:57 | 0:51:59 | |
- 20, I'm bid. - Come on! | 0:51:59 | 0:52:02 | |
20, I'm bid, looking for two. 22, 24, | 0:52:02 | 0:52:05 | |
26? 24's there. Looking for 26. | 0:52:05 | 0:52:09 | |
26, 28? | 0:52:09 | 0:52:11 | |
- 26 is your bid. - No! | 0:52:11 | 0:52:14 | |
I'm going to buy them myself. No way! You've got to be kidding me. | 0:52:14 | 0:52:17 | |
Another loss. Time for another Jedi mind trick. | 0:52:18 | 0:52:22 | |
-Maybe I should incorporate that Jedi trick. -Ha-ha. | 0:52:22 | 0:52:25 | |
Can we picture a profit with Jon and Thomas's camera? | 0:52:27 | 0:52:31 | |
I am bid 25 on commission. I'm looking for 30 in the room. | 0:52:31 | 0:52:34 | |
30 - 2's with me. 34, 36. | 0:52:34 | 0:52:38 | |
-It's getting rolling. -38, 40. | 0:52:38 | 0:52:42 | |
42, 44? | 0:52:42 | 0:52:43 | |
44, I've got, and I'm selling at £44. | 0:52:44 | 0:52:48 | |
Are you all out on the camera at 44, then? | 0:52:48 | 0:52:51 | |
-At last! Will this rally continue? -That's high, you've done well! | 0:52:51 | 0:52:56 | |
We can go with our 'eads 'eld 'igh, no matter what 'appens now! | 0:52:56 | 0:53:00 | |
"On your head be it," I believe were the words, Mark. | 0:53:01 | 0:53:05 | |
-This is rather nice. -It's lovely. -Start me at £50 for it. | 0:53:05 | 0:53:08 | |
-Come on. -It's not very nice. | 0:53:08 | 0:53:10 | |
40, if you like. | 0:53:10 | 0:53:12 | |
Is there £30 anywhere? | 0:53:12 | 0:53:14 | |
30, I'm bid. Looking for two. | 0:53:14 | 0:53:16 | |
32, 34, 36, 38, | 0:53:16 | 0:53:19 | |
40 - 5. 50? 45's the bid. | 0:53:19 | 0:53:22 | |
50, sir? 45 and selling. | 0:53:22 | 0:53:25 | |
50. New bidder. Five? 50's the bid. | 0:53:25 | 0:53:29 | |
Are you all done now at £50, then? | 0:53:29 | 0:53:31 | |
Oh! How's your head, then, Mark? | 0:53:33 | 0:53:36 | |
£50. £20 loss. | 0:53:36 | 0:53:37 | |
Time to break the news about the tea service. | 0:53:39 | 0:53:43 | |
-There's been a bit of an accident. -What do you mean? | 0:53:43 | 0:53:46 | |
Has someone dropped a teacup? | 0:53:46 | 0:53:48 | |
Well, two of the cups have been damaged in transit. | 0:53:48 | 0:53:50 | |
You've got to be kidding me?! Oh, what? | 0:53:50 | 0:53:53 | |
-But don't worry, Debra. -Aw! | 0:53:53 | 0:53:55 | |
The whole point was that it was 12 pieces of everything. | 0:53:55 | 0:53:59 | |
We're OK, because the rules state | 0:53:59 | 0:54:02 | |
that what they said it was worth perfect, which is £80-120, | 0:54:02 | 0:54:07 | |
we'll be paid the mid-estimate, | 0:54:07 | 0:54:10 | |
so whatever happens, we're going to get £100 for it. | 0:54:10 | 0:54:13 | |
Start me at £30 for that. | 0:54:13 | 0:54:15 | |
-Oh, dear. -20, if you like. | 0:54:15 | 0:54:18 | |
No-one at 20. Is there 15 anywhere? | 0:54:21 | 0:54:23 | |
15, I'm bid. Looking for 18. | 0:54:23 | 0:54:26 | |
18, I'm bid, looking for 18. | 0:54:26 | 0:54:28 | |
I've 18, 20. 22. | 0:54:28 | 0:54:32 | |
24. 22's the bid | 0:54:32 | 0:54:35 | |
and I'm selling at 22. Are you all done? | 0:54:35 | 0:54:38 | |
Technically a loss, but in original condition, valued by the auctioneer | 0:54:40 | 0:54:44 | |
at between £80-120, luckily, thanks to the Road Trip rules, | 0:54:44 | 0:54:50 | |
this means they'll receive the low valuation of £80 | 0:54:50 | 0:54:53 | |
because of the damage. | 0:54:53 | 0:54:55 | |
Every cloud has a silver lining! | 0:54:57 | 0:54:59 | |
Will the Scalextric get the boys back on track to win? | 0:54:59 | 0:55:02 | |
Bids on the books start with me at £60. | 0:55:04 | 0:55:07 | |
I'm looking for five in the room. | 0:55:07 | 0:55:08 | |
I am bid £60 - 5. | 0:55:08 | 0:55:10 | |
It's with you, sir. Is there 70 anywhere? | 0:55:10 | 0:55:12 | |
65's there, looking for 70. | 0:55:12 | 0:55:15 | |
I shall sell it at 65. | 0:55:15 | 0:55:18 | |
-Are you all out now at 65, then? -Does he realise he's got a bargain? | 0:55:18 | 0:55:22 | |
Spun off at the chicane and another £20 down. | 0:55:22 | 0:55:25 | |
-I don't know anything about it. -I thought it was really likeable. | 0:55:25 | 0:55:29 | |
I would have thought it would be very desirable to a lot of people. | 0:55:29 | 0:55:33 | |
Next up, it's the retro item that Jon couldn't leave behind, | 0:55:35 | 0:55:39 | |
but will the vintage radio prove a turn-on for the bidders? | 0:55:39 | 0:55:42 | |
Interest in this one means I've got to come straight in at 35. | 0:55:42 | 0:55:46 | |
-Ooh. -45, 55, 65, 75. | 0:55:46 | 0:55:50 | |
It's with me on commission at £80. I'm looking for five in the room. | 0:55:50 | 0:55:54 | |
-It's with me on commission at £80. -You just don't know, do you? | 0:55:54 | 0:55:58 | |
I shall sell it on commission at 80. | 0:55:58 | 0:56:00 | |
Are you all done on this one at £80, then? | 0:56:00 | 0:56:04 | |
Finally! A tiny profit. | 0:56:04 | 0:56:06 | |
Your instinct paid off handsomely. Well done, Jon. | 0:56:06 | 0:56:10 | |
-Marvellous. -Maybe it's because we gave the change away, | 0:56:10 | 0:56:13 | |
-we got good karma. -That was it, wasn't it? | 0:56:13 | 0:56:15 | |
-You know what this means, of course, don't you? -Yes. | 0:56:15 | 0:56:18 | |
It's all down to the pulpit. | 0:56:18 | 0:56:20 | |
Far too late to apologise now, Mark. | 0:56:20 | 0:56:23 | |
But have the courage of your convictions, man. | 0:56:23 | 0:56:26 | |
This pulpit could be the making of you! | 0:56:26 | 0:56:28 | |
I am bid £100 on commission. I am looking for 110 in the room. | 0:56:28 | 0:56:33 | |
110. I've got 120. | 0:56:33 | 0:56:36 | |
130. 120's here with me. | 0:56:36 | 0:56:41 | |
I'm going to buy it back! | 0:56:41 | 0:56:43 | |
It could be yours. I'm selling it at 120. | 0:56:43 | 0:56:45 | |
Are you all done at 120, then? | 0:56:45 | 0:56:47 | |
You're ahead of your time on that one. | 0:56:48 | 0:56:51 | |
That happens to us so much, Jon. | 0:56:51 | 0:56:53 | |
As the dust settles, time to lick their wounds | 0:56:53 | 0:56:57 | |
and reflect on what might have been. | 0:56:57 | 0:56:59 | |
Our celebrities began with £400 each. | 0:57:01 | 0:57:03 | |
After auction costs, Jon and Thomas have made a loss of £83.26, | 0:57:05 | 0:57:10 | |
so end their Road Trip with a total of £316.74. | 0:57:10 | 0:57:15 | |
Shocking. | 0:57:16 | 0:57:19 | |
After auction costs, Debra and Mark have made a loss of £53.96 | 0:57:19 | 0:57:24 | |
and end their Road Trip with a total of £346.04, | 0:57:24 | 0:57:29 | |
giving them the Pyrrhic victory. | 0:57:29 | 0:57:32 | |
You can get cream for it, if you like a bit of Pyrrhic. | 0:57:32 | 0:57:35 | |
-Well done, Tom. -Had our teams generated any profits, | 0:57:35 | 0:57:38 | |
-they would have gone to Children in Need. -Well done, Debra. | 0:57:38 | 0:57:41 | |
Well... That was a bit of a... | 0:57:41 | 0:57:45 | |
-Rollercoaster! -Yeah! | 0:57:45 | 0:57:47 | |
Ups and downs, mainly downs. | 0:57:47 | 0:57:49 | |
Isn't it funny that | 0:57:49 | 0:57:51 | |
-the luckiest thing that happened to us was the tea set breaking? -I know. | 0:57:51 | 0:57:55 | |
-It's been lovely meeting you. -It has been wonderful. | 0:57:55 | 0:57:57 | |
We've had such fun, wonderful fun. | 0:57:57 | 0:57:59 | |
-Thank you so much for being such a good spirit. -Thank you. | 0:57:59 | 0:58:03 | |
Time to say goodbye, but Jon and Debra have certainly | 0:58:05 | 0:58:09 | |
left a lasting "impression" on Thomas and Mark. | 0:58:09 | 0:58:13 | |
But then, you'd expect that after all, wouldn't you? | 0:58:13 | 0:58:17 | |
Subtitles by Red Bee Media Ltd | 0:58:41 | 0:58:44 |