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-Some of the nation's favourite celebrities... -What if we were to say 150 for the two? | 0:00:02 | 0:00:06 | |
You've got a deal. | 0:00:06 | 0:00:07 | |
..one antiques expert each... | 0:00:07 | 0:00:08 | |
I'll just turn my back! | 0:00:08 | 0:00:10 | |
Da, da, da, da, da, da, da! | 0:00:10 | 0:00:13 | |
..and one big challenge - who can seek out | 0:00:13 | 0:00:15 | |
and buy the best antiques at the very best prices... | 0:00:15 | 0:00:19 | |
Wait for me, wait for me, wait for me! | 0:00:19 | 0:00:20 | |
..and auction for a big profit further down the road? | 0:00:22 | 0:00:26 | |
Keep going. | 0:00:26 | 0:00:28 | |
Who will spot the good investments? Who will listen to advice? | 0:00:28 | 0:00:31 | |
What you've just come out with there, I cannot believe that! | 0:00:31 | 0:00:33 | |
And who will be the first to say "Don't you know who I am?!" | 0:00:33 | 0:00:38 | |
Time to put your pedal to the metal - | 0:00:38 | 0:00:42 | |
this is Celebrity Antiques Road Trip! | 0:00:42 | 0:00:44 | |
Yeah! | 0:00:47 | 0:00:48 | |
Buckled up and raring to go on this Road Trip, | 0:00:48 | 0:00:50 | |
we have two characters sure to make a drama out of a crisis. | 0:00:50 | 0:00:55 | |
It's the King and Queen of Soapland - | 0:00:55 | 0:00:56 | |
Pam St Clement and Rudolph Walker. | 0:00:56 | 0:01:00 | |
Today's antiques hunters are best known for residing | 0:01:00 | 0:01:04 | |
in one of the liveliest addresses in the country. | 0:01:04 | 0:01:07 | |
Having been through more husbands... | 0:01:07 | 0:01:09 | |
"You are now man and wife together." | 0:01:09 | 0:01:11 | |
..earth-shattering news... | 0:01:11 | 0:01:13 | |
It's all gone wrong, love. | 0:01:13 | 0:01:15 | |
..and explosions than most, | 0:01:15 | 0:01:17 | |
and as one of the longest-serving cast members | 0:01:17 | 0:01:20 | |
on Britain's favourite soap, | 0:01:20 | 0:01:23 | |
Pam St Clement has secured a place in the nation's heart | 0:01:23 | 0:01:25 | |
as the formidable Pat Butcher from EastEnders. | 0:01:25 | 0:01:29 | |
Oh! Temper, temper! | 0:01:29 | 0:01:31 | |
I'm very apprehensive about this, Rudi. | 0:01:31 | 0:01:33 | |
I don't know anything about antiques. | 0:01:33 | 0:01:36 | |
Don't tell anybody. Well, I know what I like. | 0:01:36 | 0:01:39 | |
-Do you enjoy shopping? -I do. | 0:01:39 | 0:01:41 | |
Unfortunately, when I'm feeling miserable and depressed, | 0:01:41 | 0:01:45 | |
-that's when I spend the most money. -That's very feminine! | 0:01:45 | 0:01:48 | |
RUDI LAUGHS | 0:01:48 | 0:01:49 | |
MUSIC: "Smooth Operator" by Sade | 0:01:49 | 0:01:51 | |
From classics like Othello to controversial sitcoms | 0:01:51 | 0:01:54 | |
like Love Thy Neighbour, Rudi's career spans over 45 years, | 0:01:54 | 0:01:57 | |
and this smooth operator is showing no signs of slowing down. | 0:01:57 | 0:02:01 | |
You've got a lot to learn, boy! | 0:02:01 | 0:02:03 | |
The fellow EastEnders veteran who is still walking the walk | 0:02:03 | 0:02:06 | |
as loveable gent Patrick Trueman famously had a fling with our Pat. | 0:02:06 | 0:02:11 | |
Why don't you get back to your wife, eh? | 0:02:11 | 0:02:13 | |
Ouch! | 0:02:15 | 0:02:16 | |
He's even been decorated by Her Majesty the Queen, | 0:02:16 | 0:02:18 | |
so you can call him Rudolph Walker OBE, no less. | 0:02:18 | 0:02:22 | |
But the great British summer has got them off to a rather damp start. | 0:02:23 | 0:02:28 | |
Oh, Rudi, look at this, for goodness' sakes. | 0:02:28 | 0:02:31 | |
Gosh, Pam's quite posh, isn't she? | 0:02:32 | 0:02:35 | |
Seaside on a summer's day... | 0:02:35 | 0:02:37 | |
And they're sailing towards their challenge | 0:02:37 | 0:02:40 | |
in a rather splendid 1973 Rolls Royce Corniche - cor, I say. | 0:02:40 | 0:02:44 | |
-Beautiful movement, isn't it? -It is... | 0:02:44 | 0:02:46 | |
Oh, we're talking about the car now, aren't we(?) | 0:02:46 | 0:02:48 | |
RUDI LAUGHS | 0:02:48 | 0:02:50 | |
Never likely to let something as trivial as a spot of rain | 0:02:52 | 0:02:55 | |
dampen their spirits, and ensuring that everyone sticks to the script, | 0:02:55 | 0:02:58 | |
we have two more cast members. | 0:02:58 | 0:02:59 | |
If I was to quickly waft... | 0:02:59 | 0:03:02 | |
In a supporting role, we have someone who, | 0:03:02 | 0:03:04 | |
if you mention the Queen Vic to, he might blush. | 0:03:04 | 0:03:07 | |
Yes, it's the man who famously auctioned off | 0:03:07 | 0:03:10 | |
a pair of Queen Victoria's knickers - | 0:03:10 | 0:03:12 | |
it's the ever-dapper, ever-dashing Charles Hanson. | 0:03:12 | 0:03:15 | |
Charles, there's no time, you can't look at waistcoats. | 0:03:15 | 0:03:18 | |
You're antiqueing, for God's sake, man, come on. | 0:03:18 | 0:03:20 | |
I am six foot - ooh! | 0:03:20 | 0:03:23 | |
And completing this dazzling line-up, we have the elder statesman | 0:03:23 | 0:03:26 | |
with more auction experience than you can shake a gavel at - | 0:03:26 | 0:03:29 | |
over 20 years, you know - it's the local legend James Braxton. | 0:03:29 | 0:03:33 | |
I think you've got an advantage, | 0:03:33 | 0:03:35 | |
because you know this area quite well, don't you? | 0:03:35 | 0:03:37 | |
-I'm on home ground. -This is your home patch. | 0:03:37 | 0:03:40 | |
I'm the away team taking on the might of Braxton and his companion. | 0:03:40 | 0:03:44 | |
And whilst our luvvies cruise in their Rolls, | 0:03:44 | 0:03:46 | |
our experts are careering towards their curtain call | 0:03:46 | 0:03:49 | |
in this quintessentially English 1960 Morris Minor. | 0:03:49 | 0:03:55 | |
-And so we are going east. -No, west. | 0:03:55 | 0:03:57 | |
-Oh, yeah, west. -We're going west. | 0:03:57 | 0:03:59 | |
That way. Watch out, Charles. | 0:03:59 | 0:04:02 | |
You're making me nervous, Charles. | 0:04:02 | 0:04:04 | |
Oh, boy, we could be in for a bumpy ride here. | 0:04:04 | 0:04:07 | |
I've got to be careful, because I'm going to keep saying, | 0:04:07 | 0:04:09 | |
AS FRANK BUTCHER: "Pat, look at this!" | 0:04:09 | 0:04:12 | |
I imagine she's quite a tough lady, | 0:04:12 | 0:04:14 | |
-do you think she'll be tough in her bargaining? -I think she will be. | 0:04:14 | 0:04:17 | |
-RUDI: -At the end of the day, they know their stuff. | 0:04:17 | 0:04:19 | |
Well, hopefully! | 0:04:19 | 0:04:21 | |
RUDI LAUGHS | 0:04:21 | 0:04:23 | |
Let the antique-hunting masterclass begin. | 0:04:23 | 0:04:26 | |
Learning to navigate negotiations with £400 each, | 0:04:26 | 0:04:30 | |
Pam and Rudolph have two days of intense shopping, | 0:04:30 | 0:04:32 | |
one crucial auction and no time to spare. | 0:04:32 | 0:04:36 | |
The ever-alluring East Sussex coast endeavours to dazzle | 0:04:36 | 0:04:40 | |
at the starting point for this three-county road trip, | 0:04:40 | 0:04:43 | |
taking in Kent and winding up at auction | 0:04:43 | 0:04:46 | |
in the market town of Rayleigh in Essex. | 0:04:46 | 0:04:49 | |
The rather posh, bracing Bexhill-on-Sea | 0:04:49 | 0:04:52 | |
poses as the backdrop for our cast's first encounter. | 0:04:52 | 0:04:56 | |
Here we are! Come on, ram it up now! | 0:04:56 | 0:04:58 | |
What an amazing building. | 0:04:58 | 0:04:59 | |
It's the old train station, and a fabulous antiques shop. | 0:04:59 | 0:05:03 | |
Oh, here they are, James. | 0:05:03 | 0:05:05 | |
-Best behaviour, look smart, ready for action. -Hello. | 0:05:05 | 0:05:07 | |
-James. -James. | 0:05:07 | 0:05:09 | |
Great to see you. | 0:05:09 | 0:05:10 | |
-Do you collect antiques? -No, I don't. | 0:05:10 | 0:05:12 | |
Well, I will guide you through the vast variety of antiques there are. | 0:05:12 | 0:05:16 | |
Have you any great flair for a certain aspect of antiques? | 0:05:16 | 0:05:21 | |
No, I have no flair at all. I mean, forget that. | 0:05:21 | 0:05:23 | |
No, get out of here! But you're full of colour, you're vibrant... | 0:05:23 | 0:05:26 | |
Having established their novice status, it's an even match, | 0:05:26 | 0:05:30 | |
though there is one imbalance which needs to be addressed - | 0:05:30 | 0:05:33 | |
who gets the Rolls? | 0:05:33 | 0:05:34 | |
Rudolph, we'd better make sure we hang onto this car, | 0:05:34 | 0:05:37 | |
and Charles and Pat can get in the Morris. | 0:05:37 | 0:05:40 | |
I think this is more us, isn't it? | 0:05:40 | 0:05:41 | |
-I mean, it's more me. -It is more you. | 0:05:41 | 0:05:43 | |
-You're in the Morris, by the way. -Sorry? | 0:05:43 | 0:05:45 | |
You'd better go in the Minor. | 0:05:45 | 0:05:46 | |
Charles is the most appalling driver, Pam, | 0:05:46 | 0:05:49 | |
-but you're in safe hands in that car. -What are you saying? | 0:05:49 | 0:05:52 | |
Rudi has relinquished this lovely car to me. | 0:05:52 | 0:05:54 | |
-Well, I am having second thoughts. -It's him! He's the troublemaker! | 0:05:54 | 0:05:58 | |
Come on, let's get in there. First mover advantage, I think. | 0:05:58 | 0:06:01 | |
Has he got those car keys anywhere hidden on that dashboard? | 0:06:01 | 0:06:05 | |
Nip round there and see if they're in the ignition. | 0:06:05 | 0:06:09 | |
-No, they've gone. -Oh, darn. | 0:06:09 | 0:06:11 | |
Oh, no, they're here! I've got the keys! | 0:06:11 | 0:06:14 | |
Let's go inside. | 0:06:14 | 0:06:15 | |
The first dastardly deed of the day done - let's hope that doesn't end up costing them. | 0:06:15 | 0:06:20 | |
Let's find all these goodies. | 0:06:20 | 0:06:22 | |
This fabulous old train station houses | 0:06:23 | 0:06:27 | |
a vast collection of quirky and classic items. | 0:06:27 | 0:06:29 | |
James, what about... No? | 0:06:29 | 0:06:31 | |
Pair of glasses. But do you see the difference in height? | 0:06:31 | 0:06:34 | |
There's chunks been taken out of that and they've ground it down. | 0:06:34 | 0:06:37 | |
-OK. -So that's why it's a different height. -Wow. | 0:06:37 | 0:06:40 | |
-So... Lesson number one. -Lesson number one. | 0:06:40 | 0:06:44 | |
A lot to take in. | 0:06:44 | 0:06:45 | |
Luckily, owner Andrew Towle is on hand to help. | 0:06:45 | 0:06:48 | |
Don't worry, that's not him. | 0:06:48 | 0:06:50 | |
Don't do all the work yourself. This is the owner. | 0:06:50 | 0:06:53 | |
Yeah, but he's also selling. | 0:06:53 | 0:06:55 | |
I know, I know. We'll trust him. | 0:06:55 | 0:06:57 | |
-All right. -He has a kindly look about him, doesn't he, Rudi? | 0:06:57 | 0:07:01 | |
Yes. | 0:07:01 | 0:07:02 | |
With underhand tactics already at play with these two, | 0:07:04 | 0:07:09 | |
I can do nothing but wish them good luck - or should I say break a leg? | 0:07:09 | 0:07:12 | |
Did you ever have any antiques on EastEnders at all? | 0:07:12 | 0:07:14 | |
-Nope. -Nothing at all? | 0:07:14 | 0:07:16 | |
No, no. Only the actors. | 0:07:16 | 0:07:18 | |
Come on, Pam, that's no way to speak about Barbara Windsor. | 0:07:18 | 0:07:21 | |
What's your taste? Is it furniture, is it silver, is it jewellery? | 0:07:21 | 0:07:25 | |
-I like glassware. -Yes, yeah. | 0:07:25 | 0:07:27 | |
-I like china, I like jewels. -Yes. | 0:07:27 | 0:07:30 | |
I always like anything that glitters. | 0:07:30 | 0:07:32 | |
-The market is good for things like small silver. -Right. | 0:07:32 | 0:07:36 | |
-For things like small bits of porcelain, for collectibles. -Yes. | 0:07:36 | 0:07:40 | |
Where the market is suffering, for no apparent reason, | 0:07:40 | 0:07:44 | |
is this sort of market furniture. | 0:07:44 | 0:07:46 | |
This chest is 1810. You're talking Waterloo, you're talking George III. | 0:07:46 | 0:07:52 | |
It's real history, but at the moment, at auction, | 0:07:52 | 0:07:55 | |
they're barely making £150. | 0:07:55 | 0:07:58 | |
Top tips there, then, Charles. | 0:07:58 | 0:08:00 | |
And don't forget, we're going from this grand antiques centre | 0:08:00 | 0:08:03 | |
to try and make money, so we've got to really dig deep. | 0:08:03 | 0:08:07 | |
-Got a task, haven't we? -We have got a task, exactly. | 0:08:09 | 0:08:12 | |
No pressure, then(!) | 0:08:12 | 0:08:15 | |
But taking it in their stride, | 0:08:15 | 0:08:16 | |
James and Rudolph are finding all sorts of weird and wonderful things. | 0:08:16 | 0:08:20 | |
That's a pretty little rosewood box. | 0:08:20 | 0:08:22 | |
Yeah, very unusual. Good quality, the rosewood. | 0:08:22 | 0:08:25 | |
-Goodness. -Inlaid with mother of pearl. Feel the weight of it. | 0:08:25 | 0:08:28 | |
Jeez! | 0:08:28 | 0:08:29 | |
-I think it was off a ship, to stop the movement. -Wow. | 0:08:29 | 0:08:32 | |
But I mean, how many of these would be around, do you think? | 0:08:32 | 0:08:35 | |
Have you come across something like this? | 0:08:35 | 0:08:37 | |
-Never. It's a novelty. Anything unusual sells. -Right. | 0:08:37 | 0:08:42 | |
So that would be off one of these fabulous Victorian yachts, | 0:08:42 | 0:08:45 | |
-wouldn't it? -Absolutely. | 0:08:45 | 0:08:46 | |
Probably an engineer or something, | 0:08:46 | 0:08:48 | |
his wife said, "Right, darling, we're going on board ship." | 0:08:48 | 0:08:51 | |
It's so heavy, this. | 0:08:51 | 0:08:53 | |
What some clever person has done is, they've lined beneath the base here. | 0:08:53 | 0:08:59 | |
It's a big piece of lead, but it's fabulous, isn't it? | 0:08:59 | 0:09:02 | |
What could that be, Andy? | 0:09:02 | 0:09:03 | |
I could do it for 45 for you, James, just to give you a chance. | 0:09:03 | 0:09:07 | |
Rudi, if you weren't here, I would be ripping that man's hand off. | 0:09:07 | 0:09:11 | |
Well, rip it off - I'll just turn my back. | 0:09:11 | 0:09:14 | |
Thank you. First one done. That is fabulous, Rudi. | 0:09:14 | 0:09:18 | |
You did say you could go ahead then, didn't you? | 0:09:18 | 0:09:20 | |
Yeah, yeah! | 0:09:20 | 0:09:21 | |
-Give the man a shake. -Wow. I'm quite happy. | 0:09:23 | 0:09:25 | |
Rudi, I hate to sound boastful, | 0:09:25 | 0:09:27 | |
-but I think we've just slipped into the lead here. -Yep. | 0:09:27 | 0:09:29 | |
Boast away, James. At £45, the box is a bargain. | 0:09:29 | 0:09:35 | |
I quite like the chairs. Do you like them? | 0:09:35 | 0:09:38 | |
No. Don't do anything for me at all. | 0:09:38 | 0:09:39 | |
-I love these chairs, aren't they great? -Oh, my lord. | 0:09:39 | 0:09:42 | |
I love those chairs. They're heavy, they're rich, they're carved. | 0:09:42 | 0:09:46 | |
But in today's market, has anybody got a home | 0:09:47 | 0:09:50 | |
that would accommodate four of those enormously space-taking-up chairs? | 0:09:50 | 0:09:54 | |
I love them. | 0:09:56 | 0:09:57 | |
At least Pam was paying attention to what Charles was saying earlier, | 0:09:57 | 0:10:02 | |
even if he wasn't. | 0:10:02 | 0:10:03 | |
These chairs, again, early 18th century. | 0:10:03 | 0:10:05 | |
They're good chairs, aren't they? | 0:10:05 | 0:10:08 | |
They are, but I don't see them going. I really... | 0:10:08 | 0:10:11 | |
Meanwhile, Rudolph has been captivated by something | 0:10:16 | 0:10:19 | |
altogether more delicate. | 0:10:19 | 0:10:21 | |
-That's interesting. -Hey, hello. | 0:10:21 | 0:10:23 | |
-Oh, they're nice, aren't they? -That's not what caught my eye(!) | 0:10:23 | 0:10:26 | |
We're all men of the world. | 0:10:27 | 0:10:30 | |
Oh, of course! It's more these that caught my eye. | 0:10:30 | 0:10:35 | |
Who is Yvonne Macfie? | 0:10:35 | 0:10:38 | |
So Roaring Thirties, wasn't it? | 0:10:38 | 0:10:40 | |
So we'd all recovered a bit after the Great War | 0:10:41 | 0:10:43 | |
and then the Wall Street Crash of '29. | 0:10:43 | 0:10:46 | |
There's a look, isn't there? | 0:10:46 | 0:10:48 | |
And quite austere, look at that. | 0:10:48 | 0:10:50 | |
-Look at that with the fur. -Yeah. | 0:10:50 | 0:10:53 | |
Rudi, I can see you're itching | 0:10:54 | 0:10:56 | |
to take on Andy in a bit of haggling there. | 0:10:56 | 0:10:58 | |
Personally, if I was buying something like that, | 0:10:58 | 0:11:00 | |
-I really wouldn't go above £20. -Really? | 0:11:00 | 0:11:04 | |
Well, I think that would be a great buy if we got them for 20. | 0:11:04 | 0:11:08 | |
OK, let's see! | 0:11:08 | 0:11:10 | |
Here we go - Rudolph's first haggling test. | 0:11:11 | 0:11:14 | |
Can you throw these in with the thing we're buying? | 0:11:14 | 0:11:16 | |
No. I can do a deal on these, though. 20 quid, I can do these for. | 0:11:16 | 0:11:19 | |
No, I'd give you that for 10. | 0:11:19 | 0:11:21 | |
What can we... I mean, it's not someone that's well-known. | 0:11:21 | 0:11:23 | |
Oh, it is. Well-known to me. | 0:11:23 | 0:11:26 | |
Well-known to you, yeah! | 0:11:28 | 0:11:30 | |
£20 is a giveaway, really. If you don't do well on that... | 0:11:30 | 0:11:34 | |
In fact - go on, come clean, Rudi. | 0:11:34 | 0:11:36 | |
You said, "If he says about..." | 0:11:36 | 0:11:39 | |
Yeah, I mean, if you... | 0:11:39 | 0:11:41 | |
"If he says about 20, I'll buy them." | 0:11:41 | 0:11:43 | |
Wait a minute, James, whose side are you on? | 0:11:43 | 0:11:47 | |
You're on the same wavelength, you two! | 0:11:47 | 0:11:49 | |
He's our man, he's our man! He's reading you. | 0:11:49 | 0:11:51 | |
I'm trying to do me best. | 0:11:51 | 0:11:53 | |
He drives a hard bargain, our Rudi. | 0:11:56 | 0:11:58 | |
Shaking on £20 for the bevy of beauties, | 0:11:58 | 0:12:00 | |
and they paid £45 for the rosewood box - not a bad start, chaps. | 0:12:00 | 0:12:05 | |
Andy, have they bought anything yet, the other team? | 0:12:07 | 0:12:09 | |
They have bought two items, Charles. | 0:12:09 | 0:12:12 | |
Have they bought well? | 0:12:12 | 0:12:13 | |
I think they've bought well, I think you've got to start working, Charles. | 0:12:13 | 0:12:17 | |
Do I detect a whiff of desperation in the air? | 0:12:17 | 0:12:19 | |
Right, let's have a look and see what else you've got. | 0:12:19 | 0:12:22 | |
Is there anything you haven't put out yet? | 0:12:22 | 0:12:24 | |
Nice try, though. | 0:12:26 | 0:12:28 | |
How much is the canteen, out of interest? | 0:12:28 | 0:12:29 | |
I can do that for 65. | 0:12:29 | 0:12:31 | |
What is it? | 0:12:31 | 0:12:32 | |
-Fish forks, aren't they? -They're fish forks, yes. | 0:12:32 | 0:12:35 | |
Did you ever serve with fish forks and knives | 0:12:35 | 0:12:37 | |
in the old pub on EastEnders? | 0:12:37 | 0:12:39 | |
No, don't be foolish. Don't do that in pubs. | 0:12:39 | 0:12:43 | |
And that's him told! | 0:12:44 | 0:12:46 | |
-Mental note. Thank you, Andy, we'll think on it. -Yeah, sure. | 0:12:46 | 0:12:48 | |
Nothing is doing it for me here. | 0:12:51 | 0:12:53 | |
And you know, I want to give you a wow factor. | 0:12:53 | 0:12:55 | |
I want to give you a real, "Look at this, Pam, this is really great." | 0:12:55 | 0:12:59 | |
No, no, I'm... | 0:12:59 | 0:13:00 | |
I'm walking round a bit aimlessly and I want to impress you, Pam. | 0:13:00 | 0:13:03 | |
I think whilst they're negotiating and they bought two items, | 0:13:03 | 0:13:07 | |
why don't we hop in their car and hop off? | 0:13:07 | 0:13:10 | |
What a good idea. OK. | 0:13:10 | 0:13:12 | |
So far, grabbing the Rolls first is the only thing | 0:13:13 | 0:13:16 | |
this mischievous pair have agreed on. | 0:13:16 | 0:13:19 | |
-They're coming out very shortly, OK? -Quickly, quickly! | 0:13:22 | 0:13:24 | |
Ha-ha! | 0:13:24 | 0:13:25 | |
ENGINE FAILS TO START | 0:13:27 | 0:13:29 | |
Oh, no, start! | 0:13:29 | 0:13:31 | |
Oh, dear. | 0:13:31 | 0:13:33 | |
-Oh, it's as dead as a doornail. -It's dead. | 0:13:34 | 0:13:36 | |
Right. Put it in neutral. | 0:13:36 | 0:13:40 | |
Yeah, I'm in neutral. | 0:13:40 | 0:13:41 | |
Mind you, looks like Pam's done this before. | 0:13:41 | 0:13:43 | |
Have you got the brake on? Yes? | 0:13:43 | 0:13:45 | |
-Hold on, the brake's off now. OK. -OK? | 0:13:45 | 0:13:48 | |
Yeah, OK, try now. Keep going! | 0:13:48 | 0:13:52 | |
-That's it, that's it. -Keep going! | 0:13:52 | 0:13:54 | |
Such a gent, Charles - allowing the lady to push. | 0:13:54 | 0:13:56 | |
Wait for me, wait for me! | 0:13:56 | 0:13:58 | |
-Hop in, quick! -And there you have it - | 0:13:58 | 0:14:01 | |
Pam St Clement and Charles Hanson in Grand Theft Auto. | 0:14:01 | 0:14:05 | |
Oh! The rotters. | 0:14:09 | 0:14:11 | |
DRAMATIC DRUMBEAT FROM EASTENDERS | 0:14:11 | 0:14:14 | |
The scrabble for their first antique is taking our rogues | 0:14:14 | 0:14:18 | |
five miles east along the coast to historic Hastings. | 0:14:18 | 0:14:23 | |
Hastings has an incredible history of maritime adventures, | 0:14:23 | 0:14:26 | |
smugglers and, of course, the first castle | 0:14:26 | 0:14:29 | |
to be built in England by William the Conqueror. | 0:14:29 | 0:14:31 | |
Today, it has a cosmopolitan vibe, and luckily for us, | 0:14:31 | 0:14:36 | |
some fabulous antique shops. | 0:14:36 | 0:14:38 | |
Pam, are you a Pamela or just Pam? | 0:14:38 | 0:14:40 | |
I quite like Pamela. Pamela rolls off the tongue quite nicely. | 0:14:40 | 0:14:44 | |
-Might I call you Pamela? -Please do. | 0:14:44 | 0:14:45 | |
-Do you like my waistcoat? I love your waistcoat. -Really? | 0:14:45 | 0:14:48 | |
Men should be cavaliers, they should be dressy and peacocks. | 0:14:48 | 0:14:52 | |
I'm a bit puny really, Pamela, I'm... | 0:14:52 | 0:14:54 | |
Some people look better in clothes, | 0:14:54 | 0:14:56 | |
some people look better out of clothes. | 0:14:56 | 0:14:58 | |
Yeah, it's a good point, thanks. | 0:14:58 | 0:15:01 | |
With nothing bought, these two players need a plan. | 0:15:01 | 0:15:03 | |
I'm determined to spend all our money, | 0:15:03 | 0:15:05 | |
because look what we're driving, hey? | 0:15:05 | 0:15:07 | |
Let's reflect our motor. | 0:15:07 | 0:15:09 | |
Eat your heart out, Rudi! | 0:15:09 | 0:15:12 | |
Their second stop of the day, Nelson House Antiques. | 0:15:13 | 0:15:16 | |
How's that? Oops! How's that? | 0:15:16 | 0:15:19 | |
"Worn relics part exchanged". | 0:15:20 | 0:15:23 | |
Don't get any ideas, cos you're not part-exing me, thank you! | 0:15:23 | 0:15:27 | |
Proprietor Sue Bower's standing by. | 0:15:27 | 0:15:30 | |
-Hello, there! -Hi, hello, hello. Nice to see you. | 0:15:31 | 0:15:35 | |
-Look at this. -That is... | 0:15:35 | 0:15:38 | |
-Look at this for the mother of all chandeliers, here. -Splendid. | 0:15:38 | 0:15:42 | |
Not dissimilar to one of Pat's famous earrings! | 0:15:42 | 0:15:46 | |
You're a lady who likes a good glint. What's it worth? | 0:15:46 | 0:15:48 | |
-850. -850? | 0:15:48 | 0:15:50 | |
It could be yours for £3,200. | 0:15:50 | 0:15:54 | |
Go home! | 0:15:54 | 0:15:56 | |
Exactly, Charles. | 0:15:56 | 0:15:57 | |
I mean, unless there's a pair, there's no way Pam's going to be interested! | 0:15:57 | 0:16:00 | |
That's a good old screen, isn't it? | 0:16:00 | 0:16:02 | |
Look at that. | 0:16:02 | 0:16:04 | |
"In a dream, I saw them stand | 0:16:04 | 0:16:06 | |
"Hope and memory, hand in hand | 0:16:06 | 0:16:08 | |
"Hope's sweet face was bid from view, | 0:16:08 | 0:16:11 | |
"But I knew it, pure and true." | 0:16:11 | 0:16:14 | |
Could you stand by this screen for the next month | 0:16:14 | 0:16:16 | |
and sell it for me, Pam? | 0:16:16 | 0:16:17 | |
You'd be wonderful! | 0:16:17 | 0:16:19 | |
Come on, you two - the day is wearing on and you're still antique-less! | 0:16:19 | 0:16:23 | |
-We need to get buying. -I know we do. | 0:16:23 | 0:16:26 | |
We are a lady and gent on the run. | 0:16:26 | 0:16:28 | |
We're in the Rolls, but we need now some objects to go in the boot, | 0:16:28 | 0:16:32 | |
-don't we? -We do. | 0:16:32 | 0:16:33 | |
-We do, don't we? -We do, indeed. | 0:16:33 | 0:16:35 | |
I'm sorry about this, Pam. I'm not a bad expert. | 0:16:36 | 0:16:39 | |
It's just...it's not...you know, I'm not seeing it yet. | 0:16:39 | 0:16:41 | |
It's never over until that big lady sings. | 0:16:41 | 0:16:45 | |
I know, I know. | 0:16:45 | 0:16:47 | |
How frustrating! You two aren't having any luck at all. | 0:16:47 | 0:16:50 | |
Or could this be what I believe is referred to as "bad karma"? | 0:16:50 | 0:16:53 | |
Excuse me, sir. | 0:16:54 | 0:16:56 | |
There's no other antique centre around here, is there? | 0:16:56 | 0:16:58 | |
Big antique centre? | 0:16:58 | 0:16:59 | |
Well, the only other antique shop is down in George Street. | 0:16:59 | 0:17:03 | |
Oh, yes! Oh, Pam, look at this. | 0:17:06 | 0:17:08 | |
Great. I'm feeling more antique inspired now. | 0:17:08 | 0:17:11 | |
Glad to hear it, Charles. | 0:17:11 | 0:17:13 | |
Shop manager David Hunt wants to show our day-trippers | 0:17:13 | 0:17:17 | |
something which might just fit the bill. | 0:17:17 | 0:17:19 | |
This only came in on Friday. | 0:17:19 | 0:17:20 | |
Pam, you know what I said - we like market fresh. | 0:17:20 | 0:17:22 | |
We like new things in, untouched. | 0:17:22 | 0:17:26 | |
Pam, would you take a glass of white wine out of that? | 0:17:26 | 0:17:31 | |
If I was feeling strong enough... Feel that. | 0:17:31 | 0:17:32 | |
A really heavy... Oh, yeah, that's great, isn't it? | 0:17:32 | 0:17:35 | |
Bohemian. 1880 or thereabouts. | 0:17:35 | 0:17:37 | |
-Exactly. -So the way this was made, Pam, | 0:17:37 | 0:17:39 | |
you would have had this almost cameo of glass, a sandwich of glass, | 0:17:39 | 0:17:43 | |
and the engraver would have engraved through the yellows, | 0:17:43 | 0:17:47 | |
rub it all out, to reveal the sandwich of clear glass underneath. | 0:17:47 | 0:17:51 | |
And look at the deer in the landscape. | 0:17:51 | 0:17:53 | |
That's quite nice. Look at that detail. | 0:17:53 | 0:17:56 | |
You don't have to sell it to me, Charles! | 0:17:56 | 0:17:58 | |
It's whether, you know, it would sit happily in our auction. | 0:17:58 | 0:18:01 | |
It says £95. The absolute best on that would be...? | 0:18:05 | 0:18:08 | |
80, it would be - that's it. | 0:18:08 | 0:18:10 | |
Hm. I would offer you £70, for cash. | 0:18:10 | 0:18:13 | |
And I would have to say no. | 0:18:13 | 0:18:15 | |
Can't just come down a little bit? 75? | 0:18:15 | 0:18:18 | |
I've come down £5 more than I should anyway... | 0:18:18 | 0:18:20 | |
Sure. Sure. | 0:18:20 | 0:18:21 | |
So I...you know... | 0:18:21 | 0:18:23 | |
Oh, dear! Three shops down and nothing bought. | 0:18:23 | 0:18:26 | |
This is turning into a tragedy. | 0:18:26 | 0:18:28 | |
-I can't believe we're still empty-handed. -I know. | 0:18:28 | 0:18:30 | |
-Are you really concerned? -Yes. | 0:18:30 | 0:18:33 | |
-Really? Live in hope, OK? -OK. | 0:18:33 | 0:18:35 | |
I'm sorry! | 0:18:35 | 0:18:36 | |
Yes, live in hope - things can't get any worse. | 0:18:37 | 0:18:41 | |
-We're going in the wrong direction, aren't we? -We are. | 0:18:41 | 0:18:43 | |
I lied. | 0:18:43 | 0:18:44 | |
Never mind. | 0:18:44 | 0:18:45 | |
Meanwhile, James and Rudolph are clearly enjoying the Morris' charm. | 0:18:46 | 0:18:51 | |
Rudi, do you like cars substantial? | 0:18:51 | 0:18:53 | |
I like the solid, substantial cars - | 0:18:53 | 0:18:56 | |
the ones that really sit on the road and they're heavy. | 0:18:56 | 0:18:59 | |
Yeah. How did we end up in this, then? | 0:18:59 | 0:19:01 | |
How did we...? | 0:19:02 | 0:19:03 | |
OK, maybe not! | 0:19:03 | 0:19:05 | |
With the wind in their hair - well, you know what I mean - | 0:19:05 | 0:19:09 | |
James and Rudolph are making their way 20 miles north-east | 0:19:09 | 0:19:13 | |
to idyllic Rolvenden, to a rather special motor museum. | 0:19:13 | 0:19:18 | |
With some of the earliest examples of everything | 0:19:18 | 0:19:21 | |
from goods vehicles, family cars, | 0:19:21 | 0:19:23 | |
caravans and an array of motoring memorabilia, | 0:19:23 | 0:19:25 | |
this museum is one of the best private collections of its kind in the country. | 0:19:25 | 0:19:29 | |
Hey, look at this! | 0:19:29 | 0:19:31 | |
-Isn't this superb?! -Wow! | 0:19:31 | 0:19:33 | |
-Hey-hey-hey! Look at these! -Isn't it lovely? | 0:19:34 | 0:19:38 | |
Passionate petrolhead Chris Booth's 52-year love affair | 0:19:38 | 0:19:42 | |
with everything automotive started when he was a child, | 0:19:42 | 0:19:45 | |
initially collecting toy cars and pin badges. | 0:19:45 | 0:19:48 | |
This is one here which I have, which happens to be a Morgan, | 0:19:48 | 0:19:52 | |
which I had when I was four years old. | 0:19:52 | 0:19:54 | |
So did this spark your interest in the...? | 0:19:54 | 0:19:56 | |
I suppose it did. It was the three-wheelers, for something different. | 0:19:56 | 0:20:00 | |
In 1960, Chris bought his first Morgan three-wheeler - | 0:20:00 | 0:20:03 | |
the vehicle which brought motoring to the masses. | 0:20:03 | 0:20:06 | |
This Morgan was the one I had in 1960. | 0:20:06 | 0:20:10 | |
What a great car. Is this made in 1960 or is it older? | 0:20:10 | 0:20:14 | |
It's 1934. | 0:20:14 | 0:20:15 | |
The main reason I started with a three-wheeler | 0:20:15 | 0:20:18 | |
was because you could drive it on a bike licence when you were 16. | 0:20:18 | 0:20:21 | |
The stars of this collection have to be | 0:20:22 | 0:20:25 | |
the 20 pristine Morgan three-wheelers, | 0:20:25 | 0:20:29 | |
commonly known as the cycle car. | 0:20:29 | 0:20:30 | |
And the man behind this motoring revolution was Henry Morgan. | 0:20:30 | 0:20:35 | |
In 1910, he launched his motoring marvel, | 0:20:35 | 0:20:37 | |
which quickly gained huge respect. | 0:20:37 | 0:20:41 | |
Soundly built and incredibly fast, it won hundreds of awards | 0:20:41 | 0:20:43 | |
and smashed speed records in every class of motorsport. | 0:20:43 | 0:20:49 | |
Although the last Morgan three-wheeler left the factory | 0:20:49 | 0:20:51 | |
in 1953, thanks to people like Chris, its legacy lives on. | 0:20:51 | 0:20:55 | |
When I came to England in 1960, when I saw a three-wheeler, | 0:20:55 | 0:20:58 | |
I thought, "What's happening to England? | 0:20:58 | 0:21:01 | |
"We're used to four-wheelers in Trinidad. | 0:21:01 | 0:21:03 | |
"Suddenly, I'm faced with a three-wheeler! | 0:21:03 | 0:21:05 | |
"Have they gone backward over here?" | 0:21:05 | 0:21:07 | |
-Is there a little fellow we could sit in? -Yes, you can, yes. | 0:21:07 | 0:21:10 | |
James, I thought you'd never ask! | 0:21:10 | 0:21:12 | |
-Look at this fella! -Hey-hey! | 0:21:14 | 0:21:16 | |
This model of classic 1920s Morgan was another champ. | 0:21:16 | 0:21:19 | |
Able to reach speeds of 70mph, it won more medals and trophies | 0:21:21 | 0:21:24 | |
than any other comparable machine. | 0:21:24 | 0:21:27 | |
Turn the petrol on. Flood the carburettor, | 0:21:27 | 0:21:30 | |
we turn on the battery, | 0:21:30 | 0:21:31 | |
turn on the ignition switch, turn on the oil... | 0:21:31 | 0:21:34 | |
OK, someone's going to have to write all this lot down! | 0:21:34 | 0:21:36 | |
It's like a jet fighter, this! | 0:21:36 | 0:21:38 | |
Ignition... A little bit of throttle, and press the starter. | 0:21:38 | 0:21:42 | |
Well, I tell you what, I'm not going to steer it, | 0:21:47 | 0:21:50 | |
because I wouldn't want to come back! | 0:21:50 | 0:21:52 | |
I'm going to get into this and take it all the way to Trinidad! | 0:21:54 | 0:21:58 | |
It's all right, I'll give you the privilege. You sit... | 0:21:58 | 0:22:02 | |
Bit of a squeeze, eh, James? Must have been that big breakfast. | 0:22:02 | 0:22:05 | |
-Oh... Oh! Oh! -And he's off. | 0:22:05 | 0:22:10 | |
No, you don't - just tap the brake there. OK, that's as far as you go. | 0:22:10 | 0:22:13 | |
All right, all right, all right, all right, all right! | 0:22:13 | 0:22:16 | |
Or he would be, given half a chance! | 0:22:16 | 0:22:19 | |
That is fabulous. Thank you, Chris. | 0:22:19 | 0:22:22 | |
-Shall we get back to the Morris? -Can you walk properly? -No, you lead on, you lead on. | 0:22:22 | 0:22:26 | |
Charles and Pam are scampering to their last shop of the day, | 0:22:28 | 0:22:32 | |
20 miles north to the charming town of Tenterden. | 0:22:32 | 0:22:35 | |
When you, uh, first appeared in EastEnders, | 0:22:38 | 0:22:42 | |
did you ever foresee the longevity of your quarter of a century? | 0:22:42 | 0:22:47 | |
I was an actor who always refused long runs. | 0:22:47 | 0:22:50 | |
I said "Oh, I don't want to tie myself down for a year!" | 0:22:50 | 0:22:52 | |
But to develop a character and to play the breadth of scripts | 0:22:52 | 0:22:57 | |
that I've been allowed to over that 25 and a half years, | 0:22:57 | 0:23:01 | |
is something that you probably wouldn't get in an entire career. | 0:23:01 | 0:23:05 | |
So far, Pam and Charles have bought precisely nothing. | 0:23:07 | 0:23:09 | |
Let's hope they find something here. | 0:23:09 | 0:23:11 | |
-Lovely! -OK, Pamela. -Let's go and see what they've got. | 0:23:11 | 0:23:16 | |
That magical thing might be there to be unearthed. | 0:23:16 | 0:23:19 | |
For both your sakes, I do hope so! | 0:23:19 | 0:23:21 | |
-Hi, Terry. I'm Pam. -Hello. | 0:23:21 | 0:23:24 | |
-Nice to meet you. -And you. | 0:23:24 | 0:23:25 | |
Let's hope you're going to do great things for us. | 0:23:25 | 0:23:27 | |
Shop owner Terry Smith is primed and ready to assist. | 0:23:27 | 0:23:32 | |
I think we probably want to go for the novelty, for the more peculiar. | 0:23:32 | 0:23:36 | |
Yes, I agree. Absolutely. | 0:23:36 | 0:23:37 | |
I've seen something very amusing. | 0:23:37 | 0:23:39 | |
That's quite neat. Is it a little pillbox? | 0:23:39 | 0:23:42 | |
Is that a regent...? Oh, no. Viagra. | 0:23:42 | 0:23:44 | |
-I think that's the person who made it! -Yeah. | 0:23:44 | 0:23:48 | |
I mean, do you see many Viagra boxes? | 0:23:48 | 0:23:50 | |
-I wouldn't know. -No. | 0:23:50 | 0:23:52 | |
That's quite a nice box, isn't it? Probably made in France, in Limoges. | 0:23:52 | 0:23:56 | |
Sometimes novelty sells, and, you know, maybe...you know, | 0:23:56 | 0:23:58 | |
maybe the market's growing for Viagra pillboxes. | 0:23:58 | 0:24:01 | |
-Who knows? -You know? | 0:24:01 | 0:24:02 | |
-I think it's delightful. -I like it. | 0:24:02 | 0:24:05 | |
-It would warm the auction room. -Yeah. Yeah. OK. | 0:24:05 | 0:24:08 | |
It's a lovely shop, isn't it? | 0:24:08 | 0:24:11 | |
An unexpected find, but, hey, they said they wanted novelty. | 0:24:11 | 0:24:14 | |
However, they need more, and time is not on their side. | 0:24:14 | 0:24:17 | |
Time is ticking. Look at this. | 0:24:19 | 0:24:20 | |
You know, Pamela... | 0:24:22 | 0:24:23 | |
You know, you could have a picture of you and me, hey? | 0:24:23 | 0:24:27 | |
A match made in heaven. | 0:24:27 | 0:24:30 | |
Actually, no, I tell you, that is a fabulous wedding present. | 0:24:30 | 0:24:33 | |
Because you can have a picture of the bride and groom. | 0:24:33 | 0:24:37 | |
Yeah. Look, could have your initials there, my initials there. | 0:24:37 | 0:24:40 | |
-I don't think your wife would be very happy about it. -No, no. | 0:24:40 | 0:24:42 | |
But that is substantial, it's got a good gauge of silver | 0:24:42 | 0:24:47 | |
and, OK, it's not antique, but it's of an intrinsic value | 0:24:47 | 0:24:51 | |
because it's silver. | 0:24:51 | 0:24:52 | |
And you know, I just think it's been a tough day today, | 0:24:52 | 0:24:55 | |
and, you know, this could be our match. | 0:24:55 | 0:24:57 | |
Potentially the second item they're all agreed on. I'm thrilled! | 0:24:57 | 0:25:01 | |
It's modern but if it was new, I don't think you could buy that for £300. | 0:25:01 | 0:25:05 | |
This photo frame, I would guide at auction between 100 and 150, | 0:25:05 | 0:25:09 | |
so we'd really want it for about 120. | 0:25:09 | 0:25:12 | |
Best we could do, 135. That's somewhere between your estimate. | 0:25:12 | 0:25:16 | |
And I would probably want to buy it for about £110. | 0:25:16 | 0:25:19 | |
115 and we have a deal - we'll shake on it. | 0:25:19 | 0:25:23 | |
Well, do you want to chuck in the little Viagra pot as well? | 0:25:23 | 0:25:27 | |
For fun, yes. We'll put the Viagra pot in as well. | 0:25:27 | 0:25:29 | |
-Cometh the hour... -Cometh the man! | 0:25:29 | 0:25:32 | |
In the 90th minute, for £115, | 0:25:32 | 0:25:35 | |
I think we've bought our first two items! | 0:25:35 | 0:25:38 | |
-It's been... -Relieved, relieved! -..a day, hasn't it? A day and a half. | 0:25:38 | 0:25:41 | |
Terry, thanks ever so much. | 0:25:41 | 0:25:43 | |
Oh, no, no, no! No, wait! | 0:25:43 | 0:25:45 | |
That's lovely. | 0:25:45 | 0:25:46 | |
A Victorian... Look at the lovely acorn leaf handle. | 0:25:46 | 0:25:49 | |
Silver-plated meat dish. | 0:25:49 | 0:25:50 | |
And the nice thing is also, look, there's a crest on there. | 0:25:50 | 0:25:53 | |
I think you'll find it's called a cloche, actually! | 0:25:53 | 0:25:56 | |
It must be, what? 1860? 1870? | 0:25:56 | 0:25:59 | |
Something like that. It's certainly Victorian. | 0:25:59 | 0:26:01 | |
What we could almost do is buy this | 0:26:01 | 0:26:03 | |
and put it with the Viagra pot and say "Wife, look, look at this. | 0:26:03 | 0:26:07 | |
"Voila!" Hey? What do you think? | 0:26:07 | 0:26:10 | |
-I love your foreplay! -Oh, Pam, you are awful! | 0:26:10 | 0:26:12 | |
-What's the best price on this? -It should be £50. | 0:26:12 | 0:26:15 | |
But seeing as you've bought the silver frame already, | 0:26:15 | 0:26:18 | |
I'll do it for £40 for you. | 0:26:18 | 0:26:19 | |
-Shall we do it? -Yes. | 0:26:19 | 0:26:21 | |
Terry, you're a good man. | 0:26:21 | 0:26:22 | |
There we go again, another handshake. | 0:26:22 | 0:26:24 | |
-That's great. -Cheers. | 0:26:24 | 0:26:25 | |
Maybe good things do come in threes. | 0:26:25 | 0:26:27 | |
This surprise last-minute find, a stunning Victorian silver-plated | 0:26:29 | 0:26:32 | |
meat cover, brings their total spend for the day to £155. | 0:26:32 | 0:26:35 | |
So get some rest, m'darlings, | 0:26:39 | 0:26:41 | |
because tomorrow, you've all got some serious shopping to do! | 0:26:41 | 0:26:44 | |
Night-night! | 0:26:44 | 0:26:45 | |
Cue sunshine, cue Rolls Royce, cue our ever-eager roadtrippers, | 0:26:48 | 0:26:52 | |
ready for another day of antique-shopping heaven. | 0:26:52 | 0:26:56 | |
Good morning, young man. | 0:26:56 | 0:26:57 | |
Oh, that is a compliment, "young man". | 0:26:57 | 0:26:59 | |
Oh, I like the sound of that! | 0:26:59 | 0:27:00 | |
-Pamela, you know, she's ever so keen to get it right. -Yeah. | 0:27:00 | 0:27:04 | |
She's high on energy, and, James, I have to deliver. | 0:27:04 | 0:27:08 | |
Charles has been saying to me you have to buy with your heart | 0:27:08 | 0:27:14 | |
but you also have to, on top of it, | 0:27:14 | 0:27:16 | |
make a judgement about whether it's of the moment. | 0:27:16 | 0:27:18 | |
You know, what are people looking for? | 0:27:18 | 0:27:21 | |
Rudi was funny with the haggling. I could see he wanted to do it, | 0:27:21 | 0:27:24 | |
and he totally changed, like an actor. | 0:27:24 | 0:27:27 | |
He put on a very stern persona. | 0:27:27 | 0:27:29 | |
Let's have a smooth ride, please. | 0:27:32 | 0:27:33 | |
Sorry. THUDDING | 0:27:33 | 0:27:35 | |
James... | 0:27:35 | 0:27:36 | |
Yesterday very nearly ended in disaster for Pam and Charles | 0:27:43 | 0:27:46 | |
as they couldn't find or agree on anything to buy. | 0:27:46 | 0:27:50 | |
I'm sorry about this, Pam, I'm not seeing it yet. | 0:27:50 | 0:27:52 | |
Until, of course, they struck gold! | 0:27:52 | 0:27:54 | |
Well - silver, actually. | 0:27:54 | 0:27:56 | |
They spent £155 on a twin silver frame, | 0:27:56 | 0:28:00 | |
a silver-plated meat cover and a cheeky Viagra pot, | 0:28:00 | 0:28:03 | |
leaving them £245 to pick up some more priceless props. | 0:28:03 | 0:28:09 | |
We're all men of the world. | 0:28:09 | 0:28:11 | |
Meanwhile, the ever-ready Rudi and James | 0:28:12 | 0:28:15 | |
strode their way through several scenes, | 0:28:15 | 0:28:18 | |
picking up a weighty, lead-lined rosewood box | 0:28:18 | 0:28:20 | |
and some sultry sketches for a modest £65. | 0:28:20 | 0:28:25 | |
With a whopping £335 still to spend, | 0:28:25 | 0:28:28 | |
Messrs Walker and Braxton have some serious business to do today. | 0:28:28 | 0:28:32 | |
If you weren't here, I'd be ripping that man's hand off. | 0:28:32 | 0:28:35 | |
Well, rip it off. | 0:28:35 | 0:28:37 | |
-Morning, team. -You look perfect in there. | 0:28:38 | 0:28:40 | |
I feel absolutely right, it's my home. | 0:28:40 | 0:28:42 | |
OK, bye. See you later. | 0:28:42 | 0:28:44 | |
-Have a lovely day. -Bye. | 0:28:44 | 0:28:46 | |
-It's completely dead, isn't it? -Yes. | 0:28:50 | 0:28:53 | |
It's completely Popeyed. | 0:28:53 | 0:28:54 | |
-I think we'll have to leave the car here, actually. -Yes. | 0:28:54 | 0:28:56 | |
-And we'll walk up. -Have you got Securicor on hand? | 0:28:56 | 0:29:00 | |
Bye-bye, sweetheart, behave. | 0:29:01 | 0:29:03 | |
The indignity! Imagine - having to walk! | 0:29:04 | 0:29:07 | |
This morning, James and Rudi are headed to the last shop | 0:29:07 | 0:29:11 | |
Pam and James went to yesterday - well, you never know, | 0:29:11 | 0:29:14 | |
they might have missed something! | 0:29:14 | 0:29:16 | |
-Rudi, this is my manor, so I know... -So you know it, all right. OK. | 0:29:16 | 0:29:20 | |
-Home territory. -Home territory. | 0:29:20 | 0:29:22 | |
-Morning, morning. This looks very promising. -This looks very nice. | 0:29:22 | 0:29:26 | |
Yeah, Pam and Charles dealt with Terry yesterday. | 0:29:26 | 0:29:29 | |
Today, his wife Pam is helping the boys. | 0:29:29 | 0:29:31 | |
I bet Charles said this to you yesterday - | 0:29:31 | 0:29:34 | |
have you got anything market fresh? Did he? | 0:29:34 | 0:29:37 | |
-I don't know, my husband dealt with them yesterday. -All right. | 0:29:37 | 0:29:40 | |
-Shall we spend five, ten minutes looking round the shop? -Yeah. | 0:29:40 | 0:29:44 | |
-You shout out if anything grabs you. -All right. | 0:29:44 | 0:29:47 | |
This is difficult. | 0:29:50 | 0:29:51 | |
I just wouldn't know where to start as far as | 0:29:51 | 0:29:54 | |
what the people going to auction, what they want to buy. | 0:29:55 | 0:29:59 | |
Come on, Rudi, haven't you learned anything? | 0:29:59 | 0:30:02 | |
What's this? Walnut case. | 0:30:02 | 0:30:05 | |
It's a metronome, so it keeps your time. | 0:30:05 | 0:30:07 | |
OK. | 0:30:07 | 0:30:09 | |
# Old man river | 0:30:09 | 0:30:12 | |
# That old man river... | 0:30:12 | 0:30:16 | |
All right. | 0:30:16 | 0:30:17 | |
Then you slide it up to go fast. | 0:30:17 | 0:30:19 | |
# Pack up all my cares... | 0:30:19 | 0:30:21 | |
Too slow! | 0:30:21 | 0:30:23 | |
And here's good old Terry, | 0:30:25 | 0:30:28 | |
who's produced something rather interesting for the boys. | 0:30:28 | 0:30:30 | |
Oh, look at that. | 0:30:30 | 0:30:32 | |
Bought yesterday. | 0:30:32 | 0:30:33 | |
Bought yesterday. That is market fresh. What a lovely barometer. | 0:30:33 | 0:30:37 | |
I think that's rather interesting. | 0:30:37 | 0:30:39 | |
That's 1850 to 1870. | 0:30:39 | 0:30:42 | |
Yeah, so a trusty Victorian one. | 0:30:42 | 0:30:44 | |
Beneath that is a reservoir of mercury | 0:30:44 | 0:30:47 | |
and these are ivory - | 0:30:47 | 0:30:49 | |
-Vernier scales, they call these. -Ah, right, OK. | 0:30:49 | 0:30:52 | |
And these are so accurate, aren't they? | 0:30:52 | 0:30:54 | |
Indeed they are, but it's worth bearing in mind | 0:30:54 | 0:30:57 | |
that only ivory products which pre-date 1947 can be legally bought. | 0:30:57 | 0:31:02 | |
Thankfully, this one dates from a much earlier period. | 0:31:05 | 0:31:07 | |
I think that's rather unusual. It's a nice bit of mahogany. | 0:31:07 | 0:31:11 | |
How much? | 0:31:11 | 0:31:12 | |
150 quid. | 0:31:12 | 0:31:14 | |
-Rudi, I think we should buy that. -I think so too. | 0:31:14 | 0:31:16 | |
150. | 0:31:16 | 0:31:18 | |
Er, can I have a word with your... | 0:31:18 | 0:31:20 | |
-PAM: -That's the first I've seen! | 0:31:22 | 0:31:23 | |
I know, I know... | 0:31:23 | 0:31:25 | |
Can you go back inside, please? Let me have a chat with... | 0:31:25 | 0:31:27 | |
I tell you, I tell you - watch this man. | 0:31:27 | 0:31:30 | |
Ladies tend to swoon, don't they? | 0:31:30 | 0:31:32 | |
Not, not, not Pam, I don't think! | 0:31:32 | 0:31:34 | |
I think it's a lovely item and I think we should buy it. | 0:31:37 | 0:31:39 | |
OK, you're the expert and I have to agree with you. | 0:31:39 | 0:31:41 | |
I love this, really love this. Thank you. | 0:31:41 | 0:31:43 | |
-TERRY: -Saves me doing it up! | 0:31:43 | 0:31:45 | |
Once again, James and Rudi are not leaving empty-handed | 0:31:46 | 0:31:49 | |
and clearly not saving anything for a rainy day. | 0:31:49 | 0:31:52 | |
They've paid the asking price of £150 for this stick barometer. | 0:31:52 | 0:31:57 | |
Let's hope it stays fair! | 0:31:58 | 0:32:00 | |
Charles is yet to shine on this antiques drama | 0:32:03 | 0:32:05 | |
and so he's brought the Queen of Soaps to the house once owned | 0:32:05 | 0:32:09 | |
by the woman hailed as the Queen of the Stage, Dame Ellen Terry. | 0:32:09 | 0:32:13 | |
Maybe here he'll find his motivation! | 0:32:13 | 0:32:17 | |
Look at that! Roses painted to order. | 0:32:17 | 0:32:21 | |
Is that 16th century? | 0:32:21 | 0:32:23 | |
You're quite right. Henry VIII, early 1500s. | 0:32:23 | 0:32:26 | |
You know, I'm impressed. | 0:32:26 | 0:32:28 | |
I defy any building that's built modern to last this long. | 0:32:28 | 0:32:32 | |
Smallhythe Place is a Tudor gem nestled in the Kent countryside | 0:32:33 | 0:32:38 | |
and was bought by Dame Ellen in 1899 for the princely sum of £900, | 0:32:38 | 0:32:44 | |
and was her home for the last 30 years of her life. | 0:32:44 | 0:32:48 | |
It is now run by the National Trust. | 0:32:48 | 0:32:49 | |
-Good morning. May we come in? -You can indeed. | 0:32:49 | 0:32:52 | |
-Paul, meet Pamela. -Hello, Paul. How do you do? | 0:32:52 | 0:32:56 | |
Welcome to Ellen Terry's residence. | 0:32:56 | 0:32:58 | |
-Lovely. -Fantastic. | 0:32:58 | 0:33:00 | |
Tour guide Paul Meredith will help illuminate this captivating lady | 0:33:00 | 0:33:04 | |
who really was the Liz Taylor of her day. | 0:33:04 | 0:33:06 | |
Hailing from a dynasty of actors, | 0:33:06 | 0:33:08 | |
Ellen Terry began acting as a child in Shakespeare's plays, | 0:33:08 | 0:33:12 | |
before going on to be regarded as the leading Shakespearean | 0:33:12 | 0:33:15 | |
and comic actor in Britain, with a career spanning seven decades. | 0:33:15 | 0:33:19 | |
Though having had three husbands and two illegitimate children, | 0:33:19 | 0:33:23 | |
her life was anything but conventional. | 0:33:23 | 0:33:25 | |
Was she a real beauty, Paul? | 0:33:25 | 0:33:27 | |
Very, very beautiful and admired by men sort of throughout the country. | 0:33:27 | 0:33:31 | |
Yeah. | 0:33:31 | 0:33:32 | |
And, apparently, a lot of young men proposed to their brides by saying, | 0:33:32 | 0:33:36 | |
"As Ellen Terry won't have me, will you marry me?" | 0:33:36 | 0:33:40 | |
Really? Is it a lady you look up to, Pam? | 0:33:40 | 0:33:43 | |
Oh, very much. | 0:33:43 | 0:33:45 | |
How did she become such a name? | 0:33:45 | 0:33:47 | |
Well, strangely enough, she was one of the first to actually | 0:33:47 | 0:33:50 | |
use the media quite a lot. | 0:33:50 | 0:33:52 | |
We have a letter that she wrote to her third husband | 0:33:52 | 0:33:55 | |
which says how she was chased down the platform of a railway station | 0:33:55 | 0:33:58 | |
by the equivalent of the paparazzi of the day. | 0:33:58 | 0:34:01 | |
Rushed into the carriage and pulled the blind down | 0:34:01 | 0:34:04 | |
to stop them pestering her at the time. | 0:34:04 | 0:34:06 | |
Isn't it interesting that that was the press of the day as well? | 0:34:06 | 0:34:09 | |
'Twas ever thus. | 0:34:09 | 0:34:11 | |
Perhaps you would like to go upstairs now | 0:34:11 | 0:34:13 | |
and have a look at one of Dame Ellen Terry's most famous costumes. | 0:34:13 | 0:34:16 | |
-The original? -Indeed. | 0:34:16 | 0:34:18 | |
-Ah. Heavens. -Can't wait. Can't wait. | 0:34:18 | 0:34:20 | |
Wonderful. | 0:34:20 | 0:34:21 | |
The pinnacle of her career, of course, was playing Lady Macbeth. | 0:34:22 | 0:34:26 | |
The famous beetle-wing dress for Dame Ellen's performance | 0:34:26 | 0:34:30 | |
as Lady Macbeth at the Lyceum theatre in London was made in 1888. | 0:34:30 | 0:34:35 | |
This magnificent costume adorned with real beetle wings | 0:34:37 | 0:34:40 | |
is now over 120 years old - | 0:34:40 | 0:34:42 | |
and has recently undergone a painstaking reconstruction | 0:34:42 | 0:34:45 | |
and restoration which took a whopping 1,300 hours to complete. | 0:34:45 | 0:34:49 | |
Yes. The beetle dress. | 0:34:51 | 0:34:53 | |
And what's it made of, Paul? | 0:34:53 | 0:34:55 | |
Well, there's a silk underskirt that's sort of dyed | 0:34:55 | 0:34:58 | |
to the right colour and then there's a crocheted over-dress, | 0:34:58 | 0:35:03 | |
and then on each corner of all the crocheted bits | 0:35:03 | 0:35:07 | |
was sewn a beetle wing. | 0:35:07 | 0:35:08 | |
That must be quite heavy. | 0:35:08 | 0:35:11 | |
It's a heavy costume. | 0:35:11 | 0:35:12 | |
It went with a cloak as well which was also quite heavy. | 0:35:12 | 0:35:15 | |
That's a nightmare on stage, I have to say, to be... | 0:35:15 | 0:35:18 | |
You know, to have a heavy costume. | 0:35:18 | 0:35:21 | |
It's an added stress, if you like. | 0:35:21 | 0:35:24 | |
This is the actual book that she used, | 0:35:24 | 0:35:26 | |
the prompt copy of Macbeth which is fully annotated | 0:35:26 | 0:35:30 | |
with all sorts of little scribbles on how she's going to play the part. | 0:35:30 | 0:35:35 | |
Look at this - "Slight break in voice." | 0:35:35 | 0:35:37 | |
'Lady M, consider it not so deeply.' | 0:35:37 | 0:35:42 | |
After Dame Ellen's death in 1928, | 0:35:44 | 0:35:47 | |
everything passed to her daughter Edith, | 0:35:47 | 0:35:49 | |
who turned one of the outbuildings into a theatre | 0:35:49 | 0:35:53 | |
which, to this day, regularly hosts plays. | 0:35:53 | 0:35:56 | |
And clearly, Pam just can't resist. | 0:35:56 | 0:35:58 | |
But Charles, really, perhaps you should sit this one out. | 0:35:58 | 0:36:02 | |
-So am I acting as though you're my lover? -I'm your wife. | 0:36:02 | 0:36:05 | |
Sorry, wife. That's it. | 0:36:05 | 0:36:06 | |
So wife. OK, Mrs. | 0:36:06 | 0:36:09 | |
Hardly a packed house, but I'm sure Paul will give them | 0:36:09 | 0:36:12 | |
his undivided attention. | 0:36:12 | 0:36:13 | |
-All right? -Got it, got it. | 0:36:13 | 0:36:15 | |
How now? What news? | 0:36:15 | 0:36:17 | |
He has almost supp'd. Why have you left the chamber? | 0:36:17 | 0:36:20 | |
Hath he ask'd for me? | 0:36:20 | 0:36:21 | |
Know you not he has? | 0:36:21 | 0:36:23 | |
I have given suck, and know how tender 'tis | 0:36:23 | 0:36:25 | |
to love the babe that milks me, and would, | 0:36:25 | 0:36:29 | |
while it was smiling in my face, | 0:36:29 | 0:36:32 | |
have pluck'd my nipple from his boneless gums, | 0:36:32 | 0:36:35 | |
and dash'd the brains out, had I so sworn as you have done to this. | 0:36:35 | 0:36:41 | |
Gosh. The raw emotion. | 0:36:41 | 0:36:45 | |
It is so difficult to read that with all her notes. | 0:36:45 | 0:36:47 | |
There's scribbles all over it. It's wonderful, look. | 0:36:47 | 0:36:50 | |
-If we should fail? -We fail? | 0:36:50 | 0:36:52 | |
But screw your courage to the sticking place, and we'll not fail. | 0:36:54 | 0:37:01 | |
PAUL CLAPS | 0:37:04 | 0:37:06 | |
Thank you. Thank you very much. | 0:37:06 | 0:37:08 | |
Well, that was quite a performance! | 0:37:09 | 0:37:11 | |
I think as productions go on the stage at Smallhythe, | 0:37:11 | 0:37:14 | |
that's got to be one of the most unique I've ever seen. | 0:37:14 | 0:37:17 | |
-Follow me. -Yes, please. | 0:37:17 | 0:37:19 | |
Never leave me, Lady Macbeth, and I promise you, the future is ours. | 0:37:19 | 0:37:23 | |
He really has the gift of the gab. | 0:37:23 | 0:37:26 | |
I say - Charles had gone all method! | 0:37:27 | 0:37:30 | |
Let's get this show back on the road! | 0:37:30 | 0:37:33 | |
Our antiques tale is taking us 25 miles cross-country | 0:37:33 | 0:37:37 | |
to the stunning spa town of Royal Tunbridge Wells. | 0:37:37 | 0:37:41 | |
In its Georgian heyday, this was a booming tourist resort. | 0:37:41 | 0:37:45 | |
Visitors flocked here to take the waters - | 0:37:45 | 0:37:47 | |
thought to have healing properties. | 0:37:47 | 0:37:49 | |
Much of the stunning architecture from that period remains, | 0:37:49 | 0:37:53 | |
and within lie some fabulous antique shops. | 0:37:53 | 0:37:57 | |
-Where are we going now? -Tunbridge Wells. | 0:37:57 | 0:37:59 | |
Royal Tunbridge Wells, please! | 0:37:59 | 0:38:01 | |
-Well, we are both royalists, aren't we? -We are. | 0:38:01 | 0:38:03 | |
Pam, cometh the man, cometh the hour, hey? | 0:38:03 | 0:38:06 | |
You got the right man, I promise you. | 0:38:06 | 0:38:08 | |
Let's do it for Queen and country. | 0:38:10 | 0:38:12 | |
Let's go and find that missing, | 0:38:12 | 0:38:15 | |
missing object that is waiting for you and I. | 0:38:15 | 0:38:18 | |
On, on! You noblest English. | 0:38:18 | 0:38:21 | |
-Thank you, Henry V. -Yes. | 0:38:23 | 0:38:25 | |
I say, that was rather rousing! | 0:38:25 | 0:38:27 | |
Your famous role in Love Thy Neighbour... | 0:38:30 | 0:38:33 | |
Wow, that's going back a bit. | 0:38:33 | 0:38:35 | |
That started in 1970. | 0:38:35 | 0:38:38 | |
After the first few episodes, | 0:38:38 | 0:38:40 | |
we had a kind of inkling that this was something special. | 0:38:40 | 0:38:43 | |
It was ground-breaking, it was a tremendous success. | 0:38:43 | 0:38:48 | |
This is our dynamic duo's last chance | 0:38:48 | 0:38:51 | |
to bag a bargain for the auction. | 0:38:51 | 0:38:52 | |
And where better than at Ian Relf Antiques? | 0:38:52 | 0:38:56 | |
Let's go! | 0:38:58 | 0:39:00 | |
Oh, and there's the man himself! | 0:39:00 | 0:39:02 | |
-Hi, how are you doing? -Not too bad. Rudolph Walker. | 0:39:02 | 0:39:04 | |
I'm pleased to meet you. | 0:39:04 | 0:39:06 | |
I recognise you straight away and I remember listening | 0:39:06 | 0:39:09 | |
to your play on Radio 4 when you played Basil D'Oliveira, that was... | 0:39:09 | 0:39:12 | |
Whoa. You're joking. | 0:39:12 | 0:39:15 | |
Most people, when they meet you, say "Oh, Love Thy Neighbour" or "EastEnders". | 0:39:15 | 0:39:19 | |
You made my day. | 0:39:19 | 0:39:20 | |
I hope you make my day now by spending some money! | 0:39:20 | 0:39:23 | |
Ah, flattery, works every time. Now get shopping. | 0:39:26 | 0:39:30 | |
What about your trombone there? | 0:39:30 | 0:39:32 | |
I mean, will this appeal to someone | 0:39:32 | 0:39:35 | |
who is collecting this sort of thing or is it for... | 0:39:35 | 0:39:37 | |
Musical instruments are always sought after | 0:39:37 | 0:39:40 | |
and especially of a certain manufacture. | 0:39:40 | 0:39:43 | |
Who's it made by? | 0:39:43 | 0:39:45 | |
-Boosey &... -Boosey & Hawkes? | 0:39:45 | 0:39:46 | |
Oh, fabulous, great maker. | 0:39:46 | 0:39:49 | |
You can see I'm obviously a jazz musician | 0:39:49 | 0:39:52 | |
by the way I'm approaching this! | 0:39:52 | 0:39:54 | |
Oh, hello! Another one. | 0:39:56 | 0:39:57 | |
That's another fiver knocked off. | 0:39:57 | 0:40:00 | |
Isn't it something like... | 0:40:01 | 0:40:03 | |
HE PLAYS RASPILY | 0:40:04 | 0:40:07 | |
Oh, no, James, please don't. Stick to the day job! | 0:40:07 | 0:40:09 | |
Sweet music, sweet music. | 0:40:09 | 0:40:11 | |
I mean, is that natural or is that... | 0:40:11 | 0:40:14 | |
-We call those honourable scars. -Honourable scars. | 0:40:14 | 0:40:18 | |
OK, OK, I have a few of those, yes. | 0:40:18 | 0:40:20 | |
Somebody threw a glass at the man in Ronnie Scott's! | 0:40:20 | 0:40:26 | |
-What could that be to us? -Let's see... Erm... | 0:40:26 | 0:40:30 | |
how about 65? | 0:40:30 | 0:40:33 | |
-65. God, that seems good. -James, what's happened to haggling, then? | 0:40:33 | 0:40:39 | |
It's a speculative thing, and it might play in our favour. | 0:40:39 | 0:40:42 | |
-So about 60 would be all right for this. -Yeah, go on, we'll go to 60. | 0:40:42 | 0:40:46 | |
-60. Well, I think we should do that. -OK. -Good work, Rudi. | 0:40:46 | 0:40:51 | |
Sneaky little haggle there - managed to knock a fiver off. So £60 it is! | 0:40:51 | 0:40:56 | |
-What are we looking at? -The cricket ball. | 0:40:56 | 0:40:58 | |
And, you know, you do the off break and the leg break | 0:40:58 | 0:41:02 | |
-and if they allow me to demonstrate it in front of the crowd... -Exactly. | 0:41:02 | 0:41:06 | |
..it might make a few more pounds. You never know. | 0:41:06 | 0:41:09 | |
Handled by Rudolph Walker, who also touched Gary Sobers' hand, | 0:41:09 | 0:41:13 | |
who also touched Viv Richards! | 0:41:13 | 0:41:15 | |
-That's a few extra quid, isn't it? -Yeah! | 0:41:15 | 0:41:17 | |
I'll put that in with the trombone. | 0:41:17 | 0:41:21 | |
You never know, even if it made one or two pounds, it's profit. | 0:41:21 | 0:41:23 | |
-True. -That's really kind. | 0:41:23 | 0:41:25 | |
Well, clearly bowled over by Mr Walker's charm, | 0:41:25 | 0:41:29 | |
Ian has kindly thrown in the cricket ball for free. | 0:41:29 | 0:41:32 | |
-What a good sport! -Let's hit the road. | 0:41:32 | 0:41:34 | |
-OK. Bless you. Thanks a lot. -Thank you, Ian. | 0:41:34 | 0:41:37 | |
Here we are. | 0:41:37 | 0:41:39 | |
Ah, Aaron Antiques. Fingers crossed they have more luck in here. | 0:41:39 | 0:41:43 | |
Oh, I've knocked something over already. | 0:41:43 | 0:41:45 | |
-That's a cockerel. He's still crowing. -Not thanks to you two! | 0:41:45 | 0:41:50 | |
Pam, I'm feeling really pumped up now. I'm feeling really pumped up. | 0:41:50 | 0:41:53 | |
Really, Charles?! | 0:41:53 | 0:41:55 | |
Probably just too much orange squash, old boy. It'll pass. | 0:41:55 | 0:41:59 | |
Fortunately, it looks as if this little treasure trove may well have | 0:41:59 | 0:42:03 | |
some unusual fruits to bear. | 0:42:03 | 0:42:04 | |
-He's quite neat, isn't he? Quite like him? -No. -Look at him. | 0:42:04 | 0:42:08 | |
Eh? He's smiling at us, isn't he? | 0:42:08 | 0:42:11 | |
And, you know, he's a bit flaky, but over the years we all get flaky. | 0:42:11 | 0:42:15 | |
-Put him down, I want to have a look round. -Do you like him? -No. -No, OK. | 0:42:15 | 0:42:19 | |
Unless you two can agree. I can't see this ending well. | 0:42:19 | 0:42:23 | |
Or, Pamela, do we go for a big statement piece, or, dare I say it, | 0:42:23 | 0:42:27 | |
even a statesman, because up there is that great man, Disraeli. | 0:42:27 | 0:42:32 | |
I think personally we stand more chance with your gnome | 0:42:32 | 0:42:36 | |
than we do with Disraeli. | 0:42:36 | 0:42:37 | |
I just don't think that the auction house we're going to | 0:42:37 | 0:42:40 | |
-is going to actually have a Disraeli fan there. -No. | 0:42:40 | 0:42:44 | |
That's an interesting observation. | 0:42:44 | 0:42:46 | |
There's something else there I like the look of. | 0:42:46 | 0:42:49 | |
It's a little watering can. | 0:42:49 | 0:42:51 | |
That, I suspect, is Staffordshire 1890-ish | 0:42:51 | 0:42:56 | |
and it's quite novel because it's in pot. | 0:42:56 | 0:42:59 | |
It's a lead-glazed earthenware. | 0:42:59 | 0:43:01 | |
It's hand tinted with this... Ah, look - bees and honey. | 0:43:01 | 0:43:05 | |
-It means money, maybe. -He knows what that means! -Bees and money. | 0:43:05 | 0:43:08 | |
-I'm learning EastEnder rhymes, OK. -Bear that in mind. -Yeah, definitely. | 0:43:08 | 0:43:13 | |
Well, would you Adam and Eve it? After a little butcher's hook, | 0:43:13 | 0:43:17 | |
they've finally found "summing" they both like. | 0:43:17 | 0:43:20 | |
Just nip up them apples and pears | 0:43:20 | 0:43:23 | |
and see what else you can bump and grind - find. | 0:43:23 | 0:43:26 | |
-There's something else there I like the look of. -Oh, that's nice. | 0:43:26 | 0:43:30 | |
That's a really, really nice clock, Pam. | 0:43:30 | 0:43:32 | |
Shop owner Ronald Goodman is able and ready to assist. | 0:43:32 | 0:43:36 | |
-Just come in, that one. -Just come in, has it? -Oh, right. | 0:43:36 | 0:43:39 | |
Hong Kong retail. Is that right, do you think? | 0:43:39 | 0:43:42 | |
Yeah, I think it's probably a French movement. | 0:43:42 | 0:43:45 | |
-It's probably 1880s, I should think. -Made to order for... | 0:43:45 | 0:43:47 | |
It could have been for a big maritime company, in Hong Kong. | 0:43:47 | 0:43:51 | |
But you've got the anchor and the ship's wheel | 0:43:51 | 0:43:53 | |
and you've got the cannons. | 0:43:53 | 0:43:55 | |
Anyone who's interesting in maritime history would want to buy that. | 0:43:55 | 0:43:59 | |
-How much? -I'm asking 220. It's a lovely thing. | 0:43:59 | 0:44:02 | |
If you really want it, you can have it for 180. | 0:44:02 | 0:44:05 | |
-We saw down below, sir, a nice watering can, didn't we? -Mm-hm. | 0:44:07 | 0:44:11 | |
-Try... Try and sweet talk him. -What are you asking? | 0:44:11 | 0:44:16 | |
Well, it's a rare object, I've never seen one quite like that before. | 0:44:16 | 0:44:20 | |
It can be as little as £160. | 0:44:20 | 0:44:23 | |
-I think that's way above us. -Yes. -We do do the brass model for £20. | 0:44:23 | 0:44:29 | |
-Ah, well! -Yes. | 0:44:29 | 0:44:32 | |
These two items together would take them to £340. | 0:44:32 | 0:44:36 | |
But they've only got £245 left from their £400 budget. | 0:44:36 | 0:44:40 | |
Some serious negotiations required here, or a radical re-think. | 0:44:40 | 0:44:44 | |
What would be the best on the clock and the watering can? | 0:44:44 | 0:44:47 | |
245 quid the two, and you've got a deal. | 0:44:47 | 0:44:50 | |
That's got to be the deal of a lifetime. | 0:44:50 | 0:44:53 | |
But is there one more thing we could put in our armoury | 0:44:53 | 0:44:56 | |
to take on the might of James Braxton and Rudi? | 0:44:56 | 0:45:00 | |
-What other item? -A little piece. -How about a magnifying glass? | 0:45:00 | 0:45:04 | |
The magnifying glass is a 25-quid magnifying glass all day long. | 0:45:04 | 0:45:07 | |
To give us a fighting chance, with your blessing, dealer, that at 15, | 0:45:07 | 0:45:11 | |
the clock at 170, | 0:45:11 | 0:45:13 | |
which takes us up to 185, and then the money left over, | 0:45:13 | 0:45:18 | |
60 on the kettle, which comes to 245... | 0:45:18 | 0:45:23 | |
I think, Pam, we have a deal. | 0:45:23 | 0:45:26 | |
£245 in cash. | 0:45:26 | 0:45:29 | |
-And that's it, our entire budget gone. -That's it. | 0:45:29 | 0:45:33 | |
This is the way I like to see people leave the shop - | 0:45:33 | 0:45:36 | |
with no money in their pocket. | 0:45:36 | 0:45:38 | |
Well, it was a close call | 0:45:38 | 0:45:40 | |
but Pam and Charles managed to pull it out of the bag and spend all their money! | 0:45:40 | 0:45:44 | |
That flurry of haggling concludes the shopping expedition. | 0:45:44 | 0:45:47 | |
Well played, everyone. | 0:45:47 | 0:45:48 | |
But now, here in the rather splendid town of Tunbridge Wells, | 0:45:48 | 0:45:53 | |
it's time to compare notes and reveal what they bought. | 0:45:53 | 0:45:57 | |
-Ohhh! -That's interesting! -Interesting! | 0:45:58 | 0:46:01 | |
Pick up the jewellery box, have a look at that. | 0:46:01 | 0:46:04 | |
-OK. Is it heavy? -Oh, Lord above! What's in there? | 0:46:04 | 0:46:06 | |
-That's heavy, isn't it? -That is incredibly heavy. | 0:46:06 | 0:46:09 | |
Is it lead lined? < It's lead. How much did it cost you? | 0:46:09 | 0:46:12 | |
< £40. Yeah, bargain. | 0:46:12 | 0:46:14 | |
I would guide it between £70 and £100. | 0:46:14 | 0:46:17 | |
Maritime interest, we're not far from the coast, I like it. The ball. | 0:46:17 | 0:46:20 | |
Tell me, has it any pedigree? What's its provenance? | 0:46:20 | 0:46:23 | |
Rudolph Walker's holding it. | 0:46:23 | 0:46:25 | |
-We probably wouldn't get anything for this, but I'm sure we will. -Why? | 0:46:26 | 0:46:31 | |
-I just saw these and I thought...it's unusual. -Yeah. | 0:46:31 | 0:46:35 | |
Very Wallace Simpson, '30s. | 0:46:35 | 0:46:38 | |
Oh, they're good. Framed, they would be worth individually a fair sum. | 0:46:38 | 0:46:42 | |
-What are they worth as a collection? -I would say probably about 60. | 0:46:42 | 0:46:47 | |
How much? | 0:46:47 | 0:46:49 | |
-Go on, Rudi. -20. -No! | 0:46:49 | 0:46:51 | |
See, it's who you know, and this man knows all these people. | 0:46:51 | 0:46:55 | |
He's on the ropes! | 0:46:55 | 0:46:57 | |
-Well, we spent every last... -Every last penny, we went to the wire. | 0:46:57 | 0:47:00 | |
Rudi, give me your initial impression. | 0:47:00 | 0:47:03 | |
Look at that for an array of items! < What's this? | 0:47:03 | 0:47:06 | |
Well, James, this was actually spotted by Pamela, she unearthed it. | 0:47:06 | 0:47:12 | |
< Very good. It's our star buy | 0:47:12 | 0:47:14 | |
because it was the most expensive but it has that maritime flavour. | 0:47:14 | 0:47:17 | |
-Marble base. -I like the Hong Kong... Wow! | 0:47:17 | 0:47:21 | |
It wasn't cheap, though. < 200? | 0:47:21 | 0:47:24 | |
-Yeah, he's spot on, isn't he? But it cost us. -170. -170. | 0:47:24 | 0:47:27 | |
Then, James, we felt we were a match made in heaven, | 0:47:27 | 0:47:29 | |
so we bought a twin photo frame. | 0:47:29 | 0:47:32 | |
Lovely. | 0:47:32 | 0:47:33 | |
-Rudi, it's solid silver. -What?! -Absolutely solid. -SOLID silver. | 0:47:33 | 0:47:37 | |
Rudi, we bought something just for you. You're a man. | 0:47:37 | 0:47:42 | |
Very rare. | 0:47:42 | 0:47:43 | |
Yeah, it's cheeky. > | 0:47:46 | 0:47:48 | |
The sweetest little Limoges pill box. | 0:47:48 | 0:47:51 | |
Rudi, we know you're young at heart, OK. | 0:47:51 | 0:47:54 | |
I haven't blushed like this all day! | 0:47:57 | 0:47:59 | |
I'm speechless. | 0:47:59 | 0:48:01 | |
Here we come tomorrow, here we come tomorrow. Mwah! | 0:48:02 | 0:48:06 | |
Now it's time to find out what they really thought | 0:48:06 | 0:48:09 | |
about what each other bought. | 0:48:09 | 0:48:11 | |
When the cloth came off their objects, I thought "Not a patch on ours." | 0:48:11 | 0:48:15 | |
I have to tell you, I thought ours were classier. | 0:48:15 | 0:48:17 | |
-We have got them on the ropes here! -Yep, yep, yep, yep, yep. | 0:48:17 | 0:48:21 | |
James seemed to find that box very interesting | 0:48:21 | 0:48:24 | |
but I can't see who'll purchase it, to be honest with you. | 0:48:24 | 0:48:27 | |
-Yeah, yeah. -They'll just think, "Why have they got a heavy box?" | 0:48:27 | 0:48:30 | |
-To introduce the Viagra, that was kind of... -That was a low blow. | 0:48:30 | 0:48:34 | |
It was, it was. Below the belt! Literally. | 0:48:34 | 0:48:37 | |
I am quite nervous. | 0:48:37 | 0:48:40 | |
They've bought an explosive lot | 0:48:40 | 0:48:42 | |
which could be that folio of watercolours. | 0:48:42 | 0:48:44 | |
To me, that was a real bargain. | 0:48:44 | 0:48:46 | |
Between us, I think it's been a good two days. | 0:48:46 | 0:48:49 | |
I think it's been a great two days. Thank you very much indeed. | 0:48:49 | 0:48:51 | |
-Good luck. -It's been a pleasure. -Yeah. | 0:48:51 | 0:48:54 | |
Time for the grand finale. The all-important auction lies | 0:48:55 | 0:48:58 | |
an hour north in the market town of Rayleigh. | 0:48:58 | 0:49:03 | |
It'll be daunting, it'll be epic, | 0:49:03 | 0:49:05 | |
it'll be like a rollercoaster, James. | 0:49:05 | 0:49:07 | |
I just hope that we don't make a vast loss | 0:49:07 | 0:49:11 | |
-because that would be so embarrassing, it really would. -Yes. | 0:49:11 | 0:49:14 | |
Their final scene is set in an auction house of suitable vintage! | 0:49:14 | 0:49:19 | |
Stacey Auctions, purveyors of fine antiques and collectables | 0:49:19 | 0:49:22 | |
since 1947. | 0:49:22 | 0:49:24 | |
-Pull in here, boss. -In there? -Yeah, perfect. | 0:49:24 | 0:49:27 | |
330, new bidder. 340. | 0:49:27 | 0:49:30 | |
Auctioneer extraordinaire Paul Stacey | 0:49:30 | 0:49:33 | |
has the inside scoop on what he thinks will perform well here. | 0:49:33 | 0:49:37 | |
Without any question, the best lot is going to be the desk clock. | 0:49:37 | 0:49:41 | |
Charles and Pam spotted a sleeper, and I think it'll make £200 or £300. | 0:49:41 | 0:49:44 | |
Rudolph and James bought the trombone. I hope they haven't paid too much for it. | 0:49:44 | 0:49:49 | |
-The Victorian meat dish... -Nice and shiny, isn't it? | 0:49:49 | 0:49:51 | |
Generally, these go into auction and don't make much. I don't know why they bought it, quite frankly. | 0:49:51 | 0:49:56 | |
The Viagra pot, what do you say about that?! | 0:49:56 | 0:50:00 | |
It might make £10, it might make 100. | 0:50:00 | 0:50:02 | |
This is going to be something that's quite different. | 0:50:02 | 0:50:05 | |
Both teams started with £400 each. | 0:50:05 | 0:50:08 | |
Pam and Charles spent the lot | 0:50:08 | 0:50:10 | |
and ended up with six shiny, pretty objects, | 0:50:10 | 0:50:13 | |
now organised into six auction lots. | 0:50:13 | 0:50:16 | |
-It's never over until that big lady sings, OK? -I know, I know. | 0:50:16 | 0:50:20 | |
However, Rudi and James only spent £275, | 0:50:22 | 0:50:25 | |
a real mixed bag across their five auction lots. | 0:50:25 | 0:50:28 | |
I'm getting nervous, actually. | 0:50:28 | 0:50:30 | |
Well, may the best man win. | 0:50:30 | 0:50:32 | |
This is when we separate the men from the boys. | 0:50:32 | 0:50:35 | |
-Well, I don't know... -HE CHUCKLES | 0:50:35 | 0:50:38 | |
Ladies and gentlemen, | 0:50:38 | 0:50:39 | |
take your seats! The auction is about to begin. | 0:50:39 | 0:50:43 | |
Do well, but not too, OK? | 0:50:43 | 0:50:46 | |
First up, it's Pam and Charles' silver twin picture frame. | 0:50:46 | 0:50:50 | |
Must start the bidding at £70. | 0:50:50 | 0:50:52 | |
-The bid's here with me at £70. -Come on! | 0:50:52 | 0:50:54 | |
70, 75, now 80 against you, 85. | 0:50:54 | 0:50:58 | |
90, 95. 100 back with me on the commission. | 0:50:58 | 0:51:01 | |
Last chances, please. | 0:51:01 | 0:51:02 | |
At 100. | 0:51:02 | 0:51:04 | |
Oh, no. | 0:51:05 | 0:51:07 | |
Let's hope that loss doesn't put them out of the picture. | 0:51:07 | 0:51:11 | |
I'm sorry, Pamela, I'm sorry. It's warming us up, warming us up. | 0:51:11 | 0:51:13 | |
Rudi and James' lead-lined rosewood box, | 0:51:14 | 0:51:18 | |
thought to be from a Victorian ship, is next to appear. | 0:51:18 | 0:51:21 | |
Nervous? | 0:51:21 | 0:51:24 | |
Let's start the bidding at £20 to start. | 0:51:24 | 0:51:26 | |
-£20 straight in. -Hey, we've got a bid. | 0:51:26 | 0:51:28 | |
£20 is bid, thank you, sir. | 0:51:28 | 0:51:30 | |
Well, now. 20. | 0:51:30 | 0:51:31 | |
22, 25, 28, | 0:51:31 | 0:51:34 | |
30, 32, 35, 38, | 0:51:34 | 0:51:36 | |
40, 42. | 0:51:36 | 0:51:39 | |
Go on, sir. | 0:51:39 | 0:51:40 | |
45, 45 I have on the internet, against you in the room. | 0:51:40 | 0:51:43 | |
It's on the internet at £45. Are you all done? | 0:51:43 | 0:51:46 | |
Selling to the internet for £45. | 0:51:46 | 0:51:49 | |
That's taken the wind out of their sails! | 0:51:52 | 0:51:54 | |
We come now, ladies and gentlemen, to the erotic interest. | 0:51:55 | 0:51:59 | |
We have the Viagra pill box. | 0:51:59 | 0:52:02 | |
Come on! | 0:52:02 | 0:52:04 | |
-£20 to start, £20 straight in. Are you bidding, sir? -Come on! | 0:52:04 | 0:52:08 | |
No, no, sorry! No, no, I'm sorry. | 0:52:08 | 0:52:11 | |
JAMES: He's a young man! | 0:52:11 | 0:52:12 | |
22 now, 25, 28 on the internet. | 0:52:12 | 0:52:16 | |
-Bit of stiff competition now! -LAUGHTER | 0:52:16 | 0:52:19 | |
He just had to go there, didn't he? | 0:52:19 | 0:52:21 | |
A bid of £38 now, £38. Are you all done? | 0:52:21 | 0:52:24 | |
-This hammer is going down. -Yes! | 0:52:24 | 0:52:26 | |
JAMES: Well done. CHARLES: Thank you very much. | 0:52:26 | 0:52:28 | |
That's proved a valuable little lot, | 0:52:28 | 0:52:31 | |
after their loss on the picture frame - every penny counts. | 0:52:31 | 0:52:34 | |
Rudi's lovely ladies pose an interesting proposition next. | 0:52:35 | 0:52:40 | |
30 is bid, 32, 35, 38. | 0:52:40 | 0:52:43 | |
40 now, 42, | 0:52:43 | 0:52:44 | |
45, 48 against you, 50 bid. | 0:52:44 | 0:52:47 | |
Five, 60, five. | 0:52:47 | 0:52:48 | |
At £65, I shall sell. | 0:52:48 | 0:52:51 | |
Well done. That's awesome. | 0:52:52 | 0:52:55 | |
Stunning work there, Rudi. | 0:52:55 | 0:52:57 | |
I rarely make a profit, I can tell you, Rudi. | 0:52:57 | 0:52:59 | |
Oh, now he tells us! | 0:52:59 | 0:53:01 | |
Reassuring, isn't it?! | 0:53:01 | 0:53:04 | |
Serving up Pam and Charles' third lot of the day, | 0:53:04 | 0:53:06 | |
it's the silver plated meat dish cover. | 0:53:06 | 0:53:09 | |
Must start the bidding at £20, 20 is bid. | 0:53:09 | 0:53:12 | |
Get bidding - 22, 25, 28. | 0:53:12 | 0:53:14 | |
30, 32, 35, 38 against you. | 0:53:14 | 0:53:17 | |
Internet bid's at 42. | 0:53:17 | 0:53:18 | |
-Keep going. -42 on the internet against you. | 0:53:18 | 0:53:20 | |
Going to sell to the internet then for £42. | 0:53:20 | 0:53:24 | |
Ow. | 0:53:24 | 0:53:26 | |
The auctioneer was right about the cover not fetching much. | 0:53:26 | 0:53:29 | |
Well, people just don't entertain the same way these days! | 0:53:29 | 0:53:33 | |
Now, Rudi and James are looking for top brass here | 0:53:33 | 0:53:36 | |
for their trombone. | 0:53:36 | 0:53:37 | |
50 I've got, at £50, £50 now in the back of the room. | 0:53:37 | 0:53:39 | |
JAMES: Well done. CHARLES: Well done. | 0:53:39 | 0:53:41 | |
55 on the internet. | 0:53:41 | 0:53:43 | |
£60 against you, at 60 now. It's in the room at 60. | 0:53:43 | 0:53:46 | |
-Go on. -65 on the internet. | 0:53:46 | 0:53:48 | |
70, I've got in the room now. | 0:53:48 | 0:53:49 | |
At 75 now, at 75. | 0:53:49 | 0:53:51 | |
-85 now, jump in bid. -Yes! Go on, go on. | 0:53:51 | 0:53:54 | |
£85, any advances now? Are we all done at £85? | 0:53:54 | 0:53:58 | |
Steady one, steady one. | 0:53:58 | 0:54:00 | |
CHARLES: Well done, brilliant. | 0:54:00 | 0:54:02 | |
It's all about the bees and honey - | 0:54:02 | 0:54:04 | |
money - with Pam and Charles' Staffordshire watering can. | 0:54:04 | 0:54:08 | |
Shall we say about £50 to start? | 0:54:08 | 0:54:10 | |
Come on, please. Please! | 0:54:10 | 0:54:11 | |
50 anywhere? Nice thing for £50. 40 if you like. | 0:54:11 | 0:54:14 | |
Thank you, sir. Straight in at £40. | 0:54:14 | 0:54:16 | |
JAMES: Well, that's good. CHARLES: Keep going. | 0:54:16 | 0:54:18 | |
-At 45 now. Any advances at 45? -Keep going. | 0:54:18 | 0:54:21 | |
Seems cheap to me at £45. | 0:54:21 | 0:54:23 | |
48, fresh bidder, thank you. | 0:54:23 | 0:54:25 | |
£50, 50 bid, at 50 now. Are we all done, then? | 0:54:25 | 0:54:27 | |
-Last opportunity, then. -One more. -At £50. | 0:54:27 | 0:54:31 | |
-PAM: -I always thought it was too expensive, but never mind. | 0:54:31 | 0:54:34 | |
Next up is Rudi's cricket ball... | 0:54:34 | 0:54:37 | |
..which he got with pure charm for free. | 0:54:39 | 0:54:42 | |
Please note, ladies and gentlemen, | 0:54:42 | 0:54:44 | |
this has been specially signed by Rudolph Walker as well, | 0:54:44 | 0:54:47 | |
so there we are. Where shall we be for this? | 0:54:47 | 0:54:49 | |
Straight in at, shall we say, £20 to start? | 0:54:49 | 0:54:52 | |
22 on the internet, at £22. | 0:54:52 | 0:54:55 | |
25, I have. Thank you, sir. | 0:54:55 | 0:54:57 | |
-In the room at 25. -Well done, sir. | 0:54:57 | 0:54:58 | |
At 25 in the room now. | 0:54:58 | 0:55:00 | |
-28 against you, sir. £30. -CHARLES: It's all pure profit. | 0:55:00 | 0:55:03 | |
At 30 with you, sir. 32 back on the internet at 32. | 0:55:03 | 0:55:07 | |
The signed ball we sell. The hammer's up at £32. | 0:55:07 | 0:55:11 | |
-Wow! -Well done. -Well done. | 0:55:11 | 0:55:13 | |
-CHARLES: Well done, Rudi. -Oh, wow! | 0:55:13 | 0:55:15 | |
Fantastic. | 0:55:15 | 0:55:17 | |
Very smooth, Rudi, very smooth! | 0:55:17 | 0:55:20 | |
Charles and Pam's magnifying glass needs to make something here. | 0:55:20 | 0:55:24 | |
Shall we say about £20 a start? | 0:55:24 | 0:55:26 | |
20 I have, 22 straight in. | 0:55:26 | 0:55:28 | |
22 online, 25. | 0:55:28 | 0:55:30 | |
It's all on the internet at the moment, at £25 bid. | 0:55:30 | 0:55:33 | |
At £25, last opportunity, ladies and gentlemen. | 0:55:33 | 0:55:36 | |
The hammer's up at £25. | 0:55:36 | 0:55:38 | |
-Well done. -Thank you very much. | 0:55:40 | 0:55:41 | |
That's helped us a little bit. | 0:55:41 | 0:55:43 | |
It's James and Rudi's last lot of the day - | 0:55:43 | 0:55:46 | |
their rather pricey stick barometer. | 0:55:46 | 0:55:49 | |
Good luck, Rudi. This is your big moment, OK. | 0:55:49 | 0:55:51 | |
Shall we say about 120 to start? | 0:55:51 | 0:55:53 | |
120 I'm bid, 130 on the internet straight in. | 0:55:53 | 0:55:57 | |
140 coming in at the back there, 140. | 0:55:57 | 0:55:59 | |
-Well done. -Goes to online 150. | 0:55:59 | 0:56:01 | |
160. | 0:56:01 | 0:56:02 | |
170 on the internet. | 0:56:02 | 0:56:04 | |
Any advances at 170? | 0:56:04 | 0:56:06 | |
-180, 180 I've got. -Yes! Yes! | 0:56:06 | 0:56:08 | |
190, back on the internet at 190. | 0:56:08 | 0:56:11 | |
£190, are we all done now? | 0:56:11 | 0:56:14 | |
Last opportunity then, and I'm selling at £190. | 0:56:14 | 0:56:17 | |
-Well done, well done. -It's a profit. It's a profit. | 0:56:17 | 0:56:22 | |
Oh, it's turned out nice! | 0:56:22 | 0:56:25 | |
James' hunch on the barometer was spot on! | 0:56:25 | 0:56:28 | |
-Well done. Well done. -Well done, Rudi. | 0:56:28 | 0:56:31 | |
The clock was Charles and Pam's biggest buy. | 0:56:32 | 0:56:35 | |
The auctioneer loves it | 0:56:35 | 0:56:36 | |
and if the room does too, they could still come out on top. | 0:56:36 | 0:56:39 | |
Just believe in it. | 0:56:39 | 0:56:42 | |
Shall we say about 150 to start? | 0:56:42 | 0:56:44 | |
150 I've got, 160 straight in. | 0:56:44 | 0:56:46 | |
160, 170 back of the room. | 0:56:46 | 0:56:48 | |
-At 170, 180 now, at £180. -Keep going. Keep going. | 0:56:48 | 0:56:53 | |
Last opportunity at... 190, just coming in against you online. | 0:56:53 | 0:56:56 | |
At 190 now. 200 back online. | 0:56:56 | 0:56:58 | |
At £200, the bid's online at 200. | 0:56:58 | 0:57:01 | |
I shall sell now then. Last opportunity at £200. | 0:57:01 | 0:57:05 | |
-Internet bid at £200. -Oh, you've done it. | 0:57:05 | 0:57:08 | |
Unlucky! Despite a valiant effort there from Pam and Charles, | 0:57:08 | 0:57:12 | |
today's winners are Rudi and James. | 0:57:12 | 0:57:14 | |
Well done. Well done. | 0:57:14 | 0:57:16 | |
After paying auction costs, | 0:57:18 | 0:57:20 | |
selective shoppers Pam and Charles made a loss of £26.90, | 0:57:20 | 0:57:23 | |
so end their road trip with a total of £373.10. | 0:57:23 | 0:57:28 | |
Rudi and James, meanwhile, did rather better. | 0:57:28 | 0:57:32 | |
After auction costs, they made a profit of £66.94. | 0:57:32 | 0:57:36 | |
Yes, the silver-tongued Rudi, together with the local lad James, | 0:57:36 | 0:57:40 | |
finish their road trip with 466.94. | 0:57:40 | 0:57:44 | |
What a team, eh! | 0:57:44 | 0:57:46 | |
All the money generated by our teams will go to Children in Need. | 0:57:46 | 0:57:50 | |
Well done. We congratulate you. | 0:57:50 | 0:57:53 | |
What am I going to get for this? | 0:57:53 | 0:57:55 | |
I'm the loser, I'll just go away and sulk! | 0:57:56 | 0:57:59 | |
-Give me some love. -You deserve it, you really do. | 0:57:59 | 0:58:02 | |
Well done, sir, you did very, very well. All the best. | 0:58:02 | 0:58:06 | |
Well, it's been emotional, | 0:58:06 | 0:58:08 | |
but all good things must come to an end. | 0:58:08 | 0:58:10 | |
-Go through here, James. -Wait, just a moment... | 0:58:10 | 0:58:12 | |
Thank you, sir. Bye bye. | 0:58:12 | 0:58:14 | |
Bye! | 0:58:14 | 0:58:15 | |
Steady, ladies, steady, ladies. | 0:58:17 | 0:58:19 | |
-RUDI: -When you're doing the driving, | 0:58:19 | 0:58:21 | |
do I have to hold on to anything at all? | 0:58:21 | 0:58:23 | |
-PAM: -Just be a navigator, please. | 0:58:23 | 0:58:25 | |
-I can lead you astray, then. -Twas ever thus. | 0:58:25 | 0:58:28 | |
Subtitles by Red Bee Media Ltd | 0:58:54 | 0:58:58 |