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The nation's favourite celebrities... | 0:00:02 | 0:00:03 | |
We are special, then, are we? | 0:00:03 | 0:00:05 | |
Oh, that's excellent. | 0:00:05 | 0:00:06 | |
..paired up with an expert... | 0:00:06 | 0:00:08 | |
We're a very good team, you and me. | 0:00:08 | 0:00:10 | |
..and classic car. Their mission? | 0:00:10 | 0:00:13 | |
To scour Britain for antiques. | 0:00:13 | 0:00:14 | |
I really want to get ahead. | 0:00:14 | 0:00:16 | |
Oh, I love it. | 0:00:16 | 0:00:17 | |
The aim? To make the biggest profit at auction. | 0:00:17 | 0:00:20 | |
Yes! | 0:00:20 | 0:00:21 | |
But it's no easy ride. | 0:00:21 | 0:00:23 | |
There's no accounting for taste. | 0:00:23 | 0:00:25 | |
Who will find a hidden gem? Who will take the biggest risks? | 0:00:25 | 0:00:30 | |
Will anybody follow expert advice? | 0:00:30 | 0:00:33 | |
-Do you like them? -No. | 0:00:33 | 0:00:35 | |
There will be worthy winners and valiant losers. | 0:00:35 | 0:00:37 | |
-Are you happy? -Yes. -Promise? -Ecstatic. | 0:00:37 | 0:00:40 | |
Time to put your pedal to the metal, | 0:00:40 | 0:00:42 | |
this is Celebrity Antiques Road Trip. | 0:00:42 | 0:00:44 | |
Yeah! | 0:00:47 | 0:00:49 | |
We're in the beautiful West Country for a celebrity road trip | 0:00:49 | 0:00:52 | |
with stage and screen stars John Nettles and Barbara Flynn. | 0:00:52 | 0:00:56 | |
Do you know the last time we were in a car together...on film? | 0:00:57 | 0:01:00 | |
It's many, many years ago in an Austin A7. | 0:01:00 | 0:01:02 | |
Austin A7! | 0:01:02 | 0:01:04 | |
And we were about to get married in a series of A Family At War | 0:01:04 | 0:01:07 | |
-and you didn't drive. -No, no, that's true, that's true. | 0:01:07 | 0:01:09 | |
I had to put my leg over and do the gear and the clutch at the same time | 0:01:09 | 0:01:13 | |
-as you... -That's it. I do remember that. -It was hysterical. | 0:01:13 | 0:01:17 | |
We'll have none of that on this programme, thank you. | 0:01:17 | 0:01:20 | |
John Nettles received unorthodox driving lessons | 0:01:20 | 0:01:23 | |
as Barbara Flynn's love interest in A Family At War. | 0:01:23 | 0:01:27 | |
And was a memorable Tom Barnaby in Midsomer Murders for many years. | 0:01:27 | 0:01:32 | |
But he'll perhaps always be best known | 0:01:32 | 0:01:35 | |
for playing Jim Bergerac, the handsome Jersey detective | 0:01:35 | 0:01:38 | |
who drove a 1949 Triumph Roadster. | 0:01:38 | 0:01:41 | |
Our celebs are in a 1965 Mark 2 Jaguar. | 0:01:41 | 0:01:45 | |
This is a lovely thing. | 0:01:45 | 0:01:47 | |
Isn't it just? Though it looks more Morse than Bergerac. | 0:01:47 | 0:01:50 | |
Since falling for John Nettles in A Family At War, | 0:01:50 | 0:01:53 | |
Barbara Flynn has carved out a distinguished career | 0:01:53 | 0:01:56 | |
on stage and screen, including The Beiderbecke Trilogy, | 0:01:56 | 0:02:00 | |
A Very Peculiar Practice, Cracker, Cranford and the film, Miss Potter. | 0:02:00 | 0:02:06 | |
Barbara and John each have £400 to spend | 0:02:09 | 0:02:12 | |
in the battle for antique glory. | 0:02:12 | 0:02:14 | |
It is one of my favourite things, looking for things. | 0:02:16 | 0:02:20 | |
-Are you good at haggling? -No. Do you like..? | 0:02:20 | 0:02:23 | |
I am a complete coward. I'm very English. | 0:02:23 | 0:02:25 | |
"Oh, I'll pay the price." "Everybody be nice to each other." | 0:02:25 | 0:02:27 | |
"Not going to argue about it." | 0:02:27 | 0:02:29 | |
I'm not sure our experts will stand for that. | 0:02:29 | 0:02:32 | |
But they're jolly excited about their 1949 Triumph Roadster. | 0:02:32 | 0:02:37 | |
Now, this car, I believe was the car that Bergerac had in Bergerac. | 0:02:37 | 0:02:44 | |
So it's going to be a great surprise. | 0:02:44 | 0:02:46 | |
Well, I hope so. Yeah. I mean, what a treat. | 0:02:46 | 0:02:48 | |
Great idea. | 0:02:48 | 0:02:50 | |
Auctioneer James Braxton loves anything old, | 0:02:50 | 0:02:53 | |
if it's got great quality and design. | 0:02:53 | 0:02:56 | |
While Christina Trevanion specialises in antique jewellery, | 0:02:56 | 0:03:00 | |
but claims no expertise on John Nettles. | 0:03:00 | 0:03:03 | |
I hear your mother is a fan. | 0:03:03 | 0:03:05 | |
I'm afraid I rather blame John Nettles | 0:03:05 | 0:03:07 | |
for one of the worst family holidays, when we went to Jersey, | 0:03:07 | 0:03:10 | |
hoping to get a glimpse, | 0:03:10 | 0:03:12 | |
and I was a fairly stroppy teenager at the time | 0:03:12 | 0:03:14 | |
and poor old mum had to go solo in search of John. | 0:03:14 | 0:03:17 | |
Today, our celebrities and experts start their road trip | 0:03:20 | 0:03:24 | |
in Chudleigh and meander the highways and byways | 0:03:24 | 0:03:26 | |
of South Devon, before nipping into Dorset, | 0:03:26 | 0:03:29 | |
finishing at an auction in the cathedral city of Wells in Somerset. | 0:03:29 | 0:03:33 | |
The small market town of Chudleigh will be a delightful starting point | 0:03:37 | 0:03:40 | |
for a happy reunion between John and that lovely Triumph Roadster. | 0:03:40 | 0:03:44 | |
The worst car I ever drove on screen was the Triumph Roadster, | 0:03:44 | 0:03:49 | |
the Bergerac series. | 0:03:49 | 0:03:51 | |
And it's the worst machine in the world to drive. | 0:03:51 | 0:03:54 | |
Uh-oh! | 0:03:54 | 0:03:55 | |
There we are. | 0:03:55 | 0:03:57 | |
Oh, no! | 0:04:00 | 0:04:01 | |
Look! He looks absolutely ecstatic. | 0:04:01 | 0:04:03 | |
-This is his car. -No, no, no! | 0:04:03 | 0:04:06 | |
I better not sit on it. | 0:04:06 | 0:04:07 | |
-I take back all I said. -How do you feel? This Is Your Life. | 0:04:07 | 0:04:10 | |
I take back all I've said about it, it's a wonderful car. | 0:04:10 | 0:04:13 | |
-Good morning. How are you? -I'm all the better for seeing you. | 0:04:15 | 0:04:19 | |
-Do you recognise that at all? -I do recognise that, yes. | 0:04:19 | 0:04:22 | |
A lot of my DNA is on that, I would think. | 0:04:22 | 0:04:25 | |
It's very nice, I love it to pieces. | 0:04:25 | 0:04:27 | |
Have we thought about who's going with who and what we want to..? | 0:04:27 | 0:04:30 | |
-I'm going with you. There's no question about that. -Oh, OK! | 0:04:30 | 0:04:33 | |
Tradition means there's no question about who drives the Roadster. | 0:04:36 | 0:04:40 | |
The car predates seat-belt laws, which is why John and Christina | 0:04:40 | 0:04:44 | |
aren't wearing any as they head straight down memory lane. | 0:04:44 | 0:04:47 | |
-Did you have to do a lot of driving? -Endless driving. | 0:04:47 | 0:04:50 | |
Didn't have much of a script. 10 series of Bergerac, three scripts. | 0:04:50 | 0:04:53 | |
-10 series? Gosh. -So we had a lot of car shots. | 0:04:53 | 0:04:57 | |
You'd never catch us doing that, John. Much... | 0:04:57 | 0:05:01 | |
But it was unbelievably popular. | 0:05:01 | 0:05:04 | |
-It was a fantastic series, wasn't it? -It was. | 0:05:04 | 0:05:07 | |
John lives in Devon these days, so he knows this patch, | 0:05:07 | 0:05:10 | |
but what about the world of antiques? | 0:05:10 | 0:05:12 | |
Not a... A tiny little bit. | 0:05:12 | 0:05:15 | |
-I like silver work and so on. -Good, OK. -Glassware. | 0:05:15 | 0:05:19 | |
I know what I like, | 0:05:19 | 0:05:20 | |
but that's quite different from what is valuable in the auction room. | 0:05:20 | 0:05:23 | |
So, John has definite tastes and admits he's rubbish at haggling. | 0:05:23 | 0:05:28 | |
Let's go. | 0:05:28 | 0:05:29 | |
I wonder how that'll work out? | 0:05:29 | 0:05:30 | |
So, what have we got here? | 0:05:30 | 0:05:32 | |
Devon Metal Detector. This is our first shop. This looks good. | 0:05:32 | 0:05:35 | |
The name's a tad misleading. | 0:05:37 | 0:05:39 | |
It's also a second-hand shop | 0:05:39 | 0:05:41 | |
with all sorts of interesting bits and bobs. | 0:05:41 | 0:05:43 | |
-Hello. -I say... Oh, hello! Lurking behind the cabinets, Phil. | 0:05:45 | 0:05:49 | |
-How are you? Are you well? -Very well, thanks. | 0:05:49 | 0:05:52 | |
-You're looking terribly tanned. Where have you been? -Just come back from Mevagissey. Brilliant. -Oh, lovely. | 0:05:52 | 0:05:56 | |
Oh, John's from Cornwall. | 0:05:56 | 0:05:57 | |
-Indeed I am. The unfashionable part - St Austell man, myself. -Are you? | 0:05:57 | 0:06:01 | |
-Well, great. -Down in Mevagissey, eh? | 0:06:01 | 0:06:03 | |
-Pentewan, as well. -Pentewan? Beautiful. | 0:06:03 | 0:06:05 | |
Now, I thought when you're in Cornwall, it was called Snozzle. | 0:06:05 | 0:06:08 | |
It is called Snozzle. Down Snozzle, yeah. | 0:06:08 | 0:06:11 | |
Crikey, I'm not even going to ask. | 0:06:11 | 0:06:13 | |
On with the shopping. | 0:06:13 | 0:06:15 | |
You take that end, I'll take this end. Let's go, get rummaging. | 0:06:15 | 0:06:18 | |
OK, but no Snozzling, please. | 0:06:18 | 0:06:21 | |
John is keen on military history and even wrote a book | 0:06:21 | 0:06:23 | |
about the Channel Islands during World War II. | 0:06:23 | 0:06:26 | |
He is quick to find a military item. | 0:06:26 | 0:06:29 | |
-What have you found? -These are from the Great War, | 0:06:29 | 0:06:32 | |
which declares itself to be "The Great War For Civilisation. | 0:06:32 | 0:06:35 | |
"1914-1919." What do you think? Have a look. | 0:06:35 | 0:06:39 | |
Well, the key for medals is that they have to be in good condition. | 0:06:39 | 0:06:42 | |
And these look like they're in absolutely mint condition. | 0:06:42 | 0:06:45 | |
Look, these ribbons have barely been touched, | 0:06:45 | 0:06:47 | |
they're still incredibly fresh, aren't they? | 0:06:47 | 0:06:49 | |
You have the miniatures over there, as well. | 0:06:49 | 0:06:52 | |
So these would be your dress ones which you would wear | 0:06:52 | 0:06:55 | |
-instead of the large ones. -I see, yes. -If we look around... | 0:06:55 | 0:06:59 | |
Can I give you those for a second? | 0:06:59 | 0:07:01 | |
If we look, what should happen... | 0:07:01 | 0:07:03 | |
They are actually named, as well. | 0:07:03 | 0:07:06 | |
"PTE," which is Private, "WHJ Blake, Devon R." | 0:07:06 | 0:07:11 | |
-A Devon boy, was he? -He was a Devon... | 0:07:11 | 0:07:14 | |
Certainly a Devon regiment. | 0:07:14 | 0:07:16 | |
And they suffered enormous casualties in the First World War. | 0:07:16 | 0:07:18 | |
-Did they? -Yes, particularly at the beginning of the war, | 0:07:18 | 0:07:21 | |
the demands on... The suffering was great. | 0:07:21 | 0:07:24 | |
So that's...particularly poignant, that. | 0:07:24 | 0:07:27 | |
I wonder whether he survived. That would be certainly interesting | 0:07:27 | 0:07:31 | |
and I think that's the key for medal collectors. | 0:07:31 | 0:07:34 | |
That there is something for them to research, | 0:07:34 | 0:07:36 | |
they've got that historical aspect as well as having something tangible. | 0:07:36 | 0:07:39 | |
They've got something to research, as well, | 0:07:39 | 0:07:41 | |
so I think that's why the market is really quite popular. | 0:07:41 | 0:07:44 | |
Yes, it's got a huge emotional resonance. | 0:07:44 | 0:07:46 | |
The document that comes with the medals | 0:07:46 | 0:07:48 | |
has few clues about Private Blake. | 0:07:48 | 0:07:51 | |
-I think they're interesting. Shall we go and ask how much? -I think we should. -OK. | 0:07:51 | 0:07:54 | |
So, Phil, we were interested in... We've got some medals here. | 0:07:54 | 0:07:58 | |
-Do you know where they came from? -Nothing whatsoever. | 0:07:58 | 0:08:01 | |
No, only what's on there. | 0:08:01 | 0:08:03 | |
-I do have something else here which might interest you. -Right. | 0:08:03 | 0:08:06 | |
It's to do with the First World War. | 0:08:06 | 0:08:09 | |
It's a picture of the Royal Engineers Riding Squad. | 0:08:09 | 0:08:12 | |
"1st Riding Squad, Royal Engineers, Aldershot, 1918." | 0:08:14 | 0:08:17 | |
-Last year of the war. -Yes, right at the end of the war. | 0:08:17 | 0:08:19 | |
And they still have some horses left. | 0:08:19 | 0:08:21 | |
I don't think they're related, whatsoever, | 0:08:21 | 0:08:24 | |
but it could be an interesting... | 0:08:24 | 0:08:26 | |
Combination, a composite set. | 0:08:26 | 0:08:29 | |
Yes, exactly. So, Phil, what are we talking about for the group? | 0:08:29 | 0:08:34 | |
Obviously, we've got the medals | 0:08:34 | 0:08:36 | |
and now we've just introduced a picture. | 0:08:36 | 0:08:39 | |
85 and 35, 120. | 0:08:39 | 0:08:42 | |
-So, 85 for the medals... -Yeah. | 0:08:42 | 0:08:45 | |
-..and then 35 for the picture. -But we could do a really good deal. | 0:08:45 | 0:08:49 | |
-£75... -75? -..for the lot. -OK. -That's an absolute steal. | 0:08:49 | 0:08:53 | |
I wonder what John "Let's Not Haggle" Nettles thinks. | 0:08:53 | 0:08:57 | |
I think it's a reasonable price. I'd quickly steal it. | 0:08:57 | 0:09:00 | |
Can I squeeze you any more? | 0:09:00 | 0:09:03 | |
Oh, watch and learn, John. | 0:09:03 | 0:09:05 | |
-We said 70... Well, we said 50! -No, you did not! | 0:09:05 | 0:09:10 | |
-I'll do you 70. -£70. Super. -Excellent. | 0:09:10 | 0:09:14 | |
So the first lot's agreed at £70 with Christina's help. | 0:09:14 | 0:09:18 | |
I think that's terrific. | 0:09:18 | 0:09:20 | |
Meanwhile, Barbara's comparing notes with James. | 0:09:22 | 0:09:25 | |
I like well-crafted things, no matter what they are. | 0:09:25 | 0:09:28 | |
-The shape and form... -Quality of materials? -Definitely. | 0:09:28 | 0:09:32 | |
So, classy things for a classy girl. | 0:09:32 | 0:09:35 | |
I think these two will get along fine. | 0:09:35 | 0:09:37 | |
Cos you're sitting next to a Leo, I don't lose easily. | 0:09:37 | 0:09:40 | |
-You're sitting next to a fellow Leo. -You are? -First of August. -No! | 0:09:40 | 0:09:44 | |
I'm the fifth. Well, that's all right then, we're on the same page. | 0:09:44 | 0:09:48 | |
Barbara and James have left Chudleigh | 0:09:50 | 0:09:52 | |
and they're heading 10 miles down the road to Ashburton. | 0:09:52 | 0:09:55 | |
Ashburton's a place full of traditions, | 0:09:55 | 0:09:57 | |
most notably its ale-tasting ceremony, | 0:09:57 | 0:10:00 | |
which goes back over 700 years. | 0:10:00 | 0:10:02 | |
Apparently lots of beer has to be drunk, | 0:10:02 | 0:10:05 | |
in order to test its quality. Of course. | 0:10:05 | 0:10:07 | |
Barbara and James aren't distracted by such things, though, | 0:10:07 | 0:10:10 | |
although you'd be forgiven for wondering... | 0:10:10 | 0:10:13 | |
-It's nice, where are we? -I don't know... Ashburton. -Ashburton. | 0:10:13 | 0:10:17 | |
Top marks, team. | 0:10:17 | 0:10:19 | |
They're straight into Etcetera Etcetera, | 0:10:19 | 0:10:21 | |
which has five rooms full of wares dating from the Georgian era | 0:10:21 | 0:10:25 | |
to the 1980s. | 0:10:25 | 0:10:27 | |
Looks like these two have spotted something already. | 0:10:27 | 0:10:30 | |
-Is that Newlyn..? -That's very nice. Arts And Crafts. | 0:10:30 | 0:10:35 | |
It's not detailed enough for Newlyn, is it? | 0:10:35 | 0:10:38 | |
Impressive knowledge. | 0:10:38 | 0:10:39 | |
-Onwards and upwards. -Moving on. | 0:10:41 | 0:10:42 | |
That's quite an oriental-looking handle on it. | 0:10:42 | 0:10:45 | |
That looks pretty lightweight to me. | 0:10:45 | 0:10:47 | |
This lady knows her stuff. | 0:10:47 | 0:10:49 | |
What will her eagle eye pick out next? | 0:10:49 | 0:10:51 | |
-That's very nice, isn't it? -It is. | 0:10:51 | 0:10:54 | |
I got rid of one a long time ago and I think I really regretted it, | 0:10:54 | 0:10:57 | |
because it's that little book | 0:10:57 | 0:10:59 | |
-that you don't want to lose in a big bookcase. -Exactly. | 0:10:59 | 0:11:02 | |
And you've got them handy on a desk. | 0:11:02 | 0:11:03 | |
It's a bit of a bargain, isn't it, 28? | 0:11:03 | 0:11:05 | |
Talk of books makes James wonder how Barbara learns her lines. | 0:11:05 | 0:11:10 | |
-Do you learn it visually or not? -Yes, I sometimes write it out. | 0:11:10 | 0:11:14 | |
But if it's well-written, it's easier to perform. | 0:11:14 | 0:11:17 | |
But it's all different. That's really why I love it, | 0:11:17 | 0:11:20 | |
-because it's never the same. -Never the same. | 0:11:20 | 0:11:23 | |
I love variety and I love to stretch and do different things. | 0:11:23 | 0:11:27 | |
I've been so fortunate, I've done a lot of comedy and tragedy. | 0:11:27 | 0:11:30 | |
They're very close. As we know. As we know in life. | 0:11:30 | 0:11:35 | |
But it's... Oh, I've got a great job. | 0:11:35 | 0:11:38 | |
So far, Barbara's playing the role of antiques hunter | 0:11:38 | 0:11:41 | |
with the greatest of ease! | 0:11:41 | 0:11:43 | |
It's quite honest. | 0:11:43 | 0:11:44 | |
-It's quite stable, it's not at all rickety. -Put some books in. | 0:11:44 | 0:11:49 | |
-Just perfect, isn't it? I like that. -That's a possibility. | 0:11:50 | 0:11:56 | |
Sounds positive for the book trough. | 0:11:56 | 0:11:58 | |
Back in Chudleigh, Christina has found some silver, | 0:12:01 | 0:12:04 | |
surprise, surprise! | 0:12:04 | 0:12:05 | |
-Whilst you were hunting over there... -You were hunting over here. | 0:12:05 | 0:12:08 | |
..I was hunting over here and this is probably a little bit girlie for you. | 0:12:08 | 0:12:12 | |
Oh, no. What are they? Are they buttons? | 0:12:12 | 0:12:16 | |
They are buttons, yes, exactly right. | 0:12:16 | 0:12:18 | |
They are little buttons. | 0:12:18 | 0:12:20 | |
Originally, there would have been six. | 0:12:20 | 0:12:22 | |
Unfortunately, we only have five. | 0:12:22 | 0:12:24 | |
But these are some of the nicest buttons I've ever seen. | 0:12:24 | 0:12:27 | |
They are solid silver. | 0:12:27 | 0:12:29 | |
They've got a maker's mark down here, and also a nice hallmark | 0:12:29 | 0:12:32 | |
which tells us they are Birmingham and they date to 1901, so Edwardian. | 0:12:32 | 0:12:39 | |
-Brilliant. They're very pretty, aren't they? -They are pretty. | 0:12:39 | 0:12:42 | |
-Silver, is it? -Solid silver and there are button collectors | 0:12:42 | 0:12:45 | |
and I just think these are really rather dinky. | 0:12:45 | 0:12:47 | |
Then I also found these, | 0:12:47 | 0:12:49 | |
which I think are basically the poor man's version, | 0:12:49 | 0:12:52 | |
which is in silver plate, but still very sweet. Have a look at those. | 0:12:52 | 0:12:55 | |
It's all gone a bit floral, hasn't it? | 0:12:55 | 0:12:58 | |
-We've gone from warfare to flowers. -That's all right. | 0:12:58 | 0:13:00 | |
This is very sort of Yin and Yang, isn't it? | 0:13:00 | 0:13:03 | |
Teamwork will get you far in this game. | 0:13:03 | 0:13:06 | |
If we put those buttons with those buttons, | 0:13:06 | 0:13:09 | |
how much could you do those for? | 0:13:09 | 0:13:11 | |
£20 and I'll give you those. | 0:13:11 | 0:13:14 | |
-Oh, Phil! -How about that? -You are a star. | 0:13:15 | 0:13:18 | |
-I've also got this that might be of interest to you. -What's that? | 0:13:18 | 0:13:22 | |
-I thought maybe a sponge went in there for... -Oh, very possibly. | 0:13:22 | 0:13:25 | |
-Could have been. -Yes, very possibly. For... | 0:13:25 | 0:13:28 | |
-In the bathroom? -A damp sponge for stamps. -Oh, for stamps! | 0:13:28 | 0:13:32 | |
To have it on your desk. For the bathroom! | 0:13:32 | 0:13:34 | |
I can imagine this sitting on the side of the bath. | 0:13:34 | 0:13:37 | |
Do carry on. | 0:13:37 | 0:13:38 | |
It's only easy when you know. | 0:13:38 | 0:13:40 | |
This chunky little piece was made by Sanders and Mackenzie of Birmingham | 0:13:40 | 0:13:45 | |
in 1930 and the interior is silver-gilt. | 0:13:45 | 0:13:48 | |
-So what's on that, Phil? -That's marked at 20. | 0:13:48 | 0:13:51 | |
Look, how about if I did you 20 and 10? | 0:13:51 | 0:13:53 | |
£30 for the three. | 0:13:53 | 0:13:55 | |
-Couldn't ask for better than that, could we? -What do we think? | 0:13:55 | 0:13:59 | |
No, he's never going to make a haggler. | 0:13:59 | 0:14:01 | |
I think that's brilliant. | 0:14:01 | 0:14:02 | |
With the two sets of buttons and the silver pot at £30, | 0:14:02 | 0:14:06 | |
and the medals and the army photo at £70, | 0:14:06 | 0:14:08 | |
John and Christina have their first two lots in the bag. | 0:14:08 | 0:14:11 | |
-That's a round hundred. -Pleasure doing business with you. | 0:14:11 | 0:14:15 | |
Back in Ashburton, Barbara and James are still at Etcetera Etcetera. | 0:14:15 | 0:14:20 | |
The book trough's already a hot favourite | 0:14:20 | 0:14:22 | |
and James has his attention on something else. | 0:14:22 | 0:14:25 | |
-Talking about something well made, feel the weight of that. -Beautiful. | 0:14:25 | 0:14:31 | |
-Absolutely beautiful. -Feel the weight of that lid. | 0:14:31 | 0:14:33 | |
-It's heaven. -Isn't it lovely? | 0:14:33 | 0:14:36 | |
-It's just a really lovely item. -It has a key. | 0:14:36 | 0:14:38 | |
It's got a lovely weighted lid. Look, this is gorgeous for a start. | 0:14:40 | 0:14:44 | |
That's a lovely detail, the wood is in lovely condition. | 0:14:44 | 0:14:48 | |
James has found a George III mahogany tea caddy | 0:14:49 | 0:14:52 | |
dating from around 1780. | 0:14:52 | 0:14:54 | |
It's had a little restoration and a replacement key. | 0:14:54 | 0:14:57 | |
The lock and key were vital in the days | 0:14:57 | 0:15:00 | |
when tea was a precious commodity. Ticket price is £95. | 0:15:00 | 0:15:04 | |
An object of beauty, isn't it? | 0:15:06 | 0:15:08 | |
But it should be about 50 or 60 quid. | 0:15:08 | 0:15:11 | |
Ouch! That's going to take some haggling. | 0:15:12 | 0:15:15 | |
Will dealer Robert prove to be a soft touch? | 0:15:15 | 0:15:19 | |
And I had to buy it off a little old lady who needed the money | 0:15:19 | 0:15:22 | |
to feed her children. | 0:15:22 | 0:15:23 | |
Not a soft touch. | 0:15:23 | 0:15:24 | |
With that little old lady in mind... | 0:15:24 | 0:15:26 | |
JAMES LAUGHS | 0:15:26 | 0:15:28 | |
-..can we..? -So we've got 95, | 0:15:28 | 0:15:30 | |
so...I think it's going to have to be £75. | 0:15:30 | 0:15:34 | |
There's not a lot of leeway in that. | 0:15:34 | 0:15:36 | |
-And then the trough? -It's very, very cheap, isn't it? | 0:15:36 | 0:15:39 | |
-28. -Always could be cheaper. | 0:15:39 | 0:15:43 | |
Oh, yes, I think so. | 0:15:43 | 0:15:44 | |
-You know, one would have to have a very brown furniture... -No. | 0:15:44 | 0:15:49 | |
-So it's a bit of a gamble, really. -If you fill it with coloured books, | 0:15:49 | 0:15:52 | |
it'd look fantastic in any house. | 0:15:52 | 0:15:54 | |
-Yes, but... -Don't worry about the brown malarkey. | 0:15:54 | 0:15:56 | |
But not everyone knows that, you see, not everyone knows that, | 0:15:56 | 0:15:59 | |
that's the trouble. | 0:15:59 | 0:16:00 | |
-Seems Barbara's no soft touch either. -£20. | 0:16:00 | 0:16:04 | |
20? | 0:16:04 | 0:16:05 | |
So far, the book trough's down from £28 to £20 | 0:16:05 | 0:16:09 | |
and the caddy's reduced from £95 to £75, making a total of £95. | 0:16:09 | 0:16:14 | |
John would have shaken hands long ago, but not Barbara. | 0:16:14 | 0:16:17 | |
I don't know whether maybe 80 would be in any way discussable? | 0:16:19 | 0:16:25 | |
-I don't mind a discussion... -Good. | 0:16:25 | 0:16:28 | |
I'm not sure about the outcome. | 0:16:28 | 0:16:30 | |
Nor am I! | 0:16:30 | 0:16:32 | |
Shall we call it £85 for the two? How does that sound? | 0:16:32 | 0:16:35 | |
-It's better, isn't it? -Well, yeah, not for me, but... | 0:16:35 | 0:16:39 | |
Gosh, she's good. | 0:16:39 | 0:16:40 | |
In an auction situation, | 0:16:40 | 0:16:42 | |
-would be rather lovely to see it... -Go on, Robert, can we do 80? | 0:16:42 | 0:16:46 | |
Be rather lovely. Go on. | 0:16:46 | 0:16:48 | |
It would be a lovely round number, if you could possibly see your way. | 0:16:48 | 0:16:51 | |
-OK, we'll do it for £80 for the two. -Splendid. | 0:16:51 | 0:16:55 | |
So, in a haggling tour de force, | 0:16:55 | 0:16:58 | |
Barbara's secured her first two items - | 0:16:58 | 0:17:01 | |
-the book trough for £15 and the caddy for £65. -Thank you. | 0:17:01 | 0:17:04 | |
-Bye-bye, thanks a lot. -Good luck. | 0:17:04 | 0:17:07 | |
That was fun. | 0:17:07 | 0:17:08 | |
Was, wasn't it? | 0:17:08 | 0:17:09 | |
John and Christina are back in the car, though, | 0:17:09 | 0:17:12 | |
heading 30 miles south to Slapton Sands. | 0:17:12 | 0:17:15 | |
John's knowledge of military history should stand them in good stead | 0:17:17 | 0:17:20 | |
in this area. | 0:17:20 | 0:17:22 | |
In 1944, it played a pivotal, but little-known role | 0:17:22 | 0:17:25 | |
in top-secret American training for the D-Day landings at Utah Beach. | 0:17:25 | 0:17:31 | |
But dreadful Allied errors resulted in more casualties | 0:17:31 | 0:17:35 | |
than on Utah Beach itself. | 0:17:35 | 0:17:37 | |
Local man Dean Small is John and Christina's guide. | 0:17:41 | 0:17:45 | |
Dean, what exactly happened here? | 0:17:45 | 0:17:48 | |
This beach was used as part of the practice landings for D-Day | 0:17:48 | 0:17:53 | |
in a big operation called Operation Tiger. | 0:17:53 | 0:17:56 | |
This being the beach chosen to simulate Utah Beach in France. | 0:17:56 | 0:18:00 | |
It had been planned for many months. | 0:18:00 | 0:18:03 | |
Thousands, 30,000, I believe, acres of local land were evacuated, | 0:18:03 | 0:18:07 | |
farmland, homes, etc. | 0:18:07 | 0:18:09 | |
On the 27th of April, 1944, British forces bombarded the coast | 0:18:11 | 0:18:16 | |
with live fire in order to simulate real battle conditions. | 0:18:16 | 0:18:21 | |
The plan was to stop firing just before the American troops | 0:18:21 | 0:18:24 | |
practised their landings at Slapton Sands. | 0:18:24 | 0:18:28 | |
-The bombardment was to soften up the coastal defences. -Absolutely. | 0:18:28 | 0:18:32 | |
-And after that, the troops should come ashore. -Yes. | 0:18:32 | 0:18:35 | |
So the landing craft came round that point, up to the beach, | 0:18:35 | 0:18:38 | |
and what happened then? | 0:18:38 | 0:18:40 | |
At a certain time, | 0:18:40 | 0:18:41 | |
they would have arranged for the bombardment of the shoreline | 0:18:41 | 0:18:45 | |
and the hills in the distance, | 0:18:45 | 0:18:47 | |
but, at the last moment, they changed that time. | 0:18:47 | 0:18:50 | |
That didn't filter down through to the men | 0:18:50 | 0:18:53 | |
that were landing on the beach, | 0:18:53 | 0:18:54 | |
so unfortunately the first wave of men that landed on the beach | 0:18:54 | 0:18:58 | |
were landing on a beach that was under fire. Yeah. | 0:18:58 | 0:19:01 | |
Oh, my goodness me. | 0:19:01 | 0:19:04 | |
The exact number of casualties isn't known, | 0:19:04 | 0:19:07 | |
but in another phase of Exercise Tiger, | 0:19:07 | 0:19:10 | |
tank-carrying vessels assembled along the coast | 0:19:10 | 0:19:13 | |
in Lyme Bay and disaster struck again. | 0:19:13 | 0:19:16 | |
The early hours of the morning, about 2am, | 0:19:18 | 0:19:20 | |
radio frequencies were confused and the Germans picked up on it | 0:19:20 | 0:19:25 | |
and a flotilla of E-boats were attacked | 0:19:25 | 0:19:27 | |
in the early hours of the morning. | 0:19:27 | 0:19:29 | |
The vessels were poorly protected | 0:19:29 | 0:19:31 | |
and three were hit by the German enemy boats. | 0:19:31 | 0:19:34 | |
Many of the troops on board were drowned. | 0:19:34 | 0:19:37 | |
Estimates of total casualties during Exercise Tiger vary, | 0:19:37 | 0:19:40 | |
but are generally thought to be well over 700. | 0:19:40 | 0:19:44 | |
-Was there any kind of enquiry into this? -It was kept completely secret. | 0:19:44 | 0:19:48 | |
There was no doubt about it, they had to keep it secret. | 0:19:48 | 0:19:51 | |
They didn't want the Germans to know | 0:19:51 | 0:19:54 | |
obviously about the imminent D-Day landings | 0:19:54 | 0:19:56 | |
and so they were trying to protect that. | 0:19:56 | 0:19:59 | |
-And there were no leaks? -No. Yeah, I mean, amazingly so. | 0:19:59 | 0:20:03 | |
Some lessons were learned and when D-Day came, | 0:20:06 | 0:20:09 | |
fewer Americans died at Utah Beach than had died during Exercise Tiger, | 0:20:09 | 0:20:15 | |
though of course casualties elsewhere were high. | 0:20:15 | 0:20:18 | |
Long after D-Day, | 0:20:21 | 0:20:22 | |
the tragic events of Exercise Tiger remained virtually unknown. | 0:20:22 | 0:20:27 | |
It was Dean's father, Ken, | 0:20:27 | 0:20:29 | |
who brought the story to the wider world. | 0:20:29 | 0:20:32 | |
He used to beachcomb on this beach regularly in the early '70s | 0:20:32 | 0:20:36 | |
and, during that time, | 0:20:36 | 0:20:38 | |
he came across bits of shrapnel, bullet heads, tunic buttons. | 0:20:38 | 0:20:42 | |
-All military things. -All military things. | 0:20:43 | 0:20:45 | |
And he couldn't understand why, it didn't make any sense. | 0:20:45 | 0:20:49 | |
The finds prompted Ken to start asking questions. | 0:20:50 | 0:20:54 | |
Gradually, he pieced together the terrible reality | 0:20:54 | 0:20:57 | |
of what had happened. | 0:20:57 | 0:20:59 | |
He also made another find that was quite remarkable. | 0:20:59 | 0:21:02 | |
-Good Lord. So your father found this? -Yes. | 0:21:04 | 0:21:08 | |
This is the ultimate metal-detecting find, isn't it? | 0:21:08 | 0:21:11 | |
It is quite amazing, isn't it? Amazing. | 0:21:11 | 0:21:14 | |
This is a Sherman tank, Duplex Drive, | 0:21:14 | 0:21:17 | |
so it was an amphibian tank designed to float in the water | 0:21:17 | 0:21:22 | |
and could be launched off a large ship either out at sea | 0:21:22 | 0:21:26 | |
or across rivers, lakes, etc. | 0:21:26 | 0:21:28 | |
The discovery of the tank resulted from Ken Small | 0:21:28 | 0:21:32 | |
chatting with a local fisherman. | 0:21:32 | 0:21:34 | |
He told him that there was this object on the sea bed | 0:21:34 | 0:21:37 | |
that they would often snag their nets on. | 0:21:37 | 0:21:40 | |
And he was... Dad was so curious, | 0:21:40 | 0:21:42 | |
eventually he persuaded this fisherman to go and have a look | 0:21:42 | 0:21:44 | |
and that's when they realised that it was a Sherman tank. | 0:21:44 | 0:21:48 | |
The 32-tonne truck was three-quarters of a mile out at sea | 0:21:49 | 0:21:53 | |
and 60 feet below the surface. | 0:21:53 | 0:21:56 | |
But, having uncovered the tragedy of Exercise Tiger, | 0:21:56 | 0:22:00 | |
Ken was determined it should become a memorial to the lives lost. | 0:22:00 | 0:22:04 | |
In 1984, it was salvaged. | 0:22:04 | 0:22:06 | |
There were no dead bodies in there, were there? Was there anything else? | 0:22:08 | 0:22:12 | |
Yeah, it was fully operational inside | 0:22:12 | 0:22:15 | |
-and this is the rangefinder from the tank. -It's in good nick, isn't it? | 0:22:15 | 0:22:21 | |
It is in amazing condition, yeah. There were two of these, | 0:22:21 | 0:22:24 | |
the other one was given to the driver of the tank, who my dad met. | 0:22:24 | 0:22:27 | |
-Really? -His name was Horace Johnson and now his son has it. | 0:22:27 | 0:22:31 | |
Sadly, Ken died in 2004, | 0:22:33 | 0:22:36 | |
but thanks to his total dedication, lives lost in Exercise Tiger | 0:22:36 | 0:22:41 | |
are regularly commemorated and have a permanent memorial. | 0:22:41 | 0:22:46 | |
Barbara and James are hitting the road once more. | 0:22:49 | 0:22:52 | |
Barbara, any of your roles prepared you for this antique hunting? | 0:22:52 | 0:22:56 | |
Cranford, I suppose you could consider that we were... | 0:22:56 | 0:22:59 | |
Well, I suppose, | 0:22:59 | 0:23:00 | |
a lot of us could be considered to be rather antiquey, ourselves. | 0:23:00 | 0:23:03 | |
My parents loved antiques and so I've got a great fondness for it. | 0:23:03 | 0:23:07 | |
And a great respect for true craft. | 0:23:07 | 0:23:09 | |
They're heading for the sea, the resort of Paignton to be precise. | 0:23:09 | 0:23:15 | |
Paignton's residents are sometimes referred to as Pudden-eaters, | 0:23:15 | 0:23:19 | |
thanks to a centuries-old tradition of creating giant puddings | 0:23:19 | 0:23:23 | |
to mark the granting of the town's charter. | 0:23:23 | 0:23:26 | |
Once again, Barbara and James are not succumbing to local habits, | 0:23:26 | 0:23:29 | |
focusing instead on the stock at Pimlico Antiques. | 0:23:29 | 0:23:33 | |
Collectables, snappy dressers, you name it and Paul's the man. | 0:23:33 | 0:23:37 | |
-Hello. -Welcome to Pimlico. -Thank you very much, Paul. | 0:23:37 | 0:23:40 | |
-Hello, James. -Hello. -Welcome to Pimlico. -Thank you. | 0:23:40 | 0:23:43 | |
There's a lot to consider. | 0:23:43 | 0:23:45 | |
Quite useful, isn't it? | 0:23:45 | 0:23:47 | |
Like a travelling toilet mirror. | 0:23:47 | 0:23:49 | |
Doesn't go with our flash purchases so far. | 0:23:49 | 0:23:53 | |
Barbara's keeping standards high. | 0:23:53 | 0:23:56 | |
Eminently practical, these, aren't they? | 0:23:56 | 0:23:58 | |
They are. Gosh, I remember those, but I'm not sure, | 0:23:58 | 0:24:01 | |
-got some holes in it. -I know. | 0:24:01 | 0:24:03 | |
It's done a life already, hasn't it? | 0:24:03 | 0:24:05 | |
Try again, James. | 0:24:05 | 0:24:06 | |
-Barbara, did you play the violin? -My sister did. | 0:24:06 | 0:24:09 | |
-It was deeply... -Painful? -..painful, yes. | 0:24:09 | 0:24:12 | |
If at first, you don't succeed... | 0:24:12 | 0:24:14 | |
I like the glaze on that, I love the glaze of this one. | 0:24:14 | 0:24:16 | |
This is more that lovely eggshell. Sort of matte, isn't it? | 0:24:16 | 0:24:20 | |
The pottery charger features enamelled orange lilies | 0:24:22 | 0:24:25 | |
and there's a Japanese-inspired one, too. | 0:24:25 | 0:24:28 | |
They're priced at £25 each. | 0:24:28 | 0:24:30 | |
-£25? -£25. That's a good price, James. | 0:24:30 | 0:24:34 | |
Try telling Barbara. | 0:24:34 | 0:24:36 | |
Too much for us. | 0:24:36 | 0:24:37 | |
For the two, Paul, what? Tenner? 15? | 0:24:37 | 0:24:40 | |
Did they cost you a king's ransom | 0:24:40 | 0:24:42 | |
or were they part of a mighty house clearance? | 0:24:42 | 0:24:45 | |
No, James, they're not a king's ransom, | 0:24:45 | 0:24:47 | |
but for the two, I would let you have them for £20. | 0:24:47 | 0:24:53 | |
£30 off sounds good to me. But I am no Barbara Flynn. | 0:24:53 | 0:24:57 | |
-18? -I think... -18? | 0:24:57 | 0:24:59 | |
-See, Barbara's been to Egypt. -Oh, stop. -She's a top haggler. | 0:24:59 | 0:25:04 | |
This is not my... Could be... | 0:25:04 | 0:25:08 | |
-15. -15. | 0:25:08 | 0:25:10 | |
-15? -No, I like the better price, | 0:25:10 | 0:25:12 | |
the 18 that you suggested the first time. | 0:25:12 | 0:25:15 | |
I wasn't really concentrating then. | 0:25:15 | 0:25:18 | |
Oops! That could cost you. | 0:25:18 | 0:25:20 | |
The 18 would give me my money back. | 0:25:20 | 0:25:22 | |
-Would it? Really? -Yes. -For the two? | 0:25:22 | 0:25:25 | |
As I like you, £18. There you go. | 0:25:25 | 0:25:28 | |
-Thank you. -You're welcome. -No need to kiss me. -OK! | 0:25:28 | 0:25:32 | |
So with another strong haggle, | 0:25:32 | 0:25:35 | |
the pair of chargers are reduced from £50 to £18. | 0:25:35 | 0:25:38 | |
Crikey! And Barbara and James have their first day's shopping | 0:25:38 | 0:25:42 | |
all wrapped up. Best to get some shuteye now, | 0:25:42 | 0:25:44 | |
because tomorrow is another day of shopping and haggling and fun. | 0:25:44 | 0:25:47 | |
Nighty-night. | 0:25:47 | 0:25:49 | |
It's a new day and John's acting confident. | 0:25:54 | 0:25:57 | |
-They can't be any competition. -Oh, really? -No, no, no! | 0:25:57 | 0:26:00 | |
You wait till you see what we've got. | 0:26:00 | 0:26:02 | |
-We'll give you a good run for your money. -It'll have to be good, | 0:26:02 | 0:26:05 | |
I tell you, to beat us. | 0:26:05 | 0:26:07 | |
Well, let's assess the prospects. | 0:26:07 | 0:26:09 | |
Yesterday, Barbara and James set their sights on great craftsmanship. | 0:26:09 | 0:26:13 | |
-Feel the weight of that. -Beautiful. | 0:26:13 | 0:26:15 | |
Acquiring a tea caddy, a book trough | 0:26:15 | 0:26:17 | |
and a pair of chargers for a total of £98. | 0:26:17 | 0:26:20 | |
-Barbara's been to Egypt... -Oh, stop. -She is a top haggler. | 0:26:20 | 0:26:24 | |
It leaves them with £302 still to spend. | 0:26:24 | 0:26:28 | |
That was fun. | 0:26:28 | 0:26:29 | |
John and Christina did some yin-and-yang shopping | 0:26:29 | 0:26:32 | |
buying medals and a military photo, plus a group of pretty silver. | 0:26:32 | 0:26:37 | |
John was a less-than-tough negotiator. | 0:26:37 | 0:26:40 | |
Couldn't ask for better than that. | 0:26:40 | 0:26:42 | |
But, thanks for Christina, they secured their two lots for £100, | 0:26:42 | 0:26:46 | |
leaving the duo with £300 for today. | 0:26:46 | 0:26:49 | |
A pleasure doing business with you. | 0:26:49 | 0:26:52 | |
Whatever John's failings as a haggler, | 0:26:53 | 0:26:55 | |
Christina's rather smitten. | 0:26:55 | 0:26:57 | |
He is the most unassuming, most lovely, | 0:26:57 | 0:27:00 | |
-most modest person I have ever met in my life. -Really? | 0:27:00 | 0:27:03 | |
-He is just a delight. -Really? | 0:27:03 | 0:27:05 | |
And so knowledgeable. And how is Barbara to shop with? | 0:27:05 | 0:27:08 | |
-She's interested. Her mother was a great auction goer. -Oh, good. | 0:27:08 | 0:27:12 | |
Down in Hastings, so she was always coming back | 0:27:12 | 0:27:15 | |
with treasures and bargains, as you do. | 0:27:15 | 0:27:17 | |
Treasures and bargains, eh? Follow that, James. | 0:27:17 | 0:27:20 | |
-Now that we're winning... -Winning? Oh, you think? You wait! | 0:27:20 | 0:27:24 | |
John hasn't been winding you up about any purchases, has he? | 0:27:24 | 0:27:27 | |
A little bit. | 0:27:27 | 0:27:28 | |
-Just a little. -But I'm staying cool. | 0:27:28 | 0:27:31 | |
As they cruise towards their first shop of the day, | 0:27:33 | 0:27:35 | |
James is curious to know what Barbara gets fired up by. | 0:27:35 | 0:27:40 | |
It's always the writing that I love. | 0:27:40 | 0:27:42 | |
I was very fortunate to work for Andrew Davies | 0:27:42 | 0:27:44 | |
in A Very Peculiar Practice playing a man-eater and a woman-eater doctor | 0:27:44 | 0:27:47 | |
in a very, very tight little white... | 0:27:47 | 0:27:49 | |
-I still get letters about that. -Do you? -Yeah, I do. | 0:27:49 | 0:27:52 | |
Yeah, and I'm still waiting for a reply. | 0:27:52 | 0:27:55 | |
-Oh, gorgeous! -This is a beautiful Devon village. | 0:27:56 | 0:28:00 | |
It is picture-skew, isn't it? | 0:28:00 | 0:28:03 | |
Well, they're in picture-skew territory, | 0:28:03 | 0:28:06 | |
making their way north-east through Devon towards Honiton. | 0:28:06 | 0:28:10 | |
Unlike Ashburton, with its ale drinkers, | 0:28:11 | 0:28:14 | |
and Paignton with its Pudden-eaters, Honiton's ancient tradition | 0:28:14 | 0:28:18 | |
involves the gentry throwing hot pennies to the poor. | 0:28:18 | 0:28:22 | |
Well done, let's go in here. | 0:28:22 | 0:28:24 | |
Honiton's also home to Upstairs Downstairs and Lombard's, | 0:28:24 | 0:28:28 | |
adjoining shops with one owner selling just about everything, | 0:28:28 | 0:28:32 | |
from the 17th to the 20th centuries. | 0:28:32 | 0:28:35 | |
We're feeling the pressure now, | 0:28:35 | 0:28:37 | |
because we really, really want to get ahead. | 0:28:37 | 0:28:40 | |
Barbara dives straight in | 0:28:40 | 0:28:41 | |
with a dog's head carving on a walking stick. | 0:28:41 | 0:28:44 | |
That's a very fine dog's head, isn't it? Quite humorous. It's nice. | 0:28:44 | 0:28:47 | |
But owner Barry is keener to sell the stick stand. | 0:28:47 | 0:28:50 | |
The most interesting thing here would probably be the Coalbrookdale. | 0:28:50 | 0:28:54 | |
Oh, the stand we're talking about, is it? | 0:28:54 | 0:28:57 | |
The cast-iron stick stand comes complete with a drip tray, | 0:28:57 | 0:29:00 | |
and it's stamped Coalbrookdale, | 0:29:00 | 0:29:02 | |
dated 1843 and has a ticket price of £295. Cor! | 0:29:02 | 0:29:08 | |
For somebody who collects walking sticks | 0:29:08 | 0:29:10 | |
to have a signed and dated stick stand would be rather nice for them. | 0:29:10 | 0:29:14 | |
-It does add to it all. -Yeah. | 0:29:14 | 0:29:16 | |
How much are you selling that for, then? | 0:29:16 | 0:29:19 | |
I could let you have that for £200. | 0:29:19 | 0:29:21 | |
£95 is a decent discount, but not to Barbara. | 0:29:23 | 0:29:27 | |
Would you throw us out if we offered you 175? | 0:29:27 | 0:29:30 | |
-No, I wouldn't. -You wouldn't throw us out? | 0:29:30 | 0:29:33 | |
No, I wouldn't, because you're very nice people. | 0:29:33 | 0:29:35 | |
So 175 you might consider? | 0:29:35 | 0:29:38 | |
I couldn't consider that. | 0:29:38 | 0:29:39 | |
-If you can squeeze another tenner... -Another tenner? | 0:29:39 | 0:29:42 | |
-I'm not sure. -..we can do it. | 0:29:42 | 0:29:43 | |
-I'm not sure. I think we should walk out of the shop. -I think 185... | 0:29:43 | 0:29:46 | |
-Isn't that the Egyptian way? -We'd better go. | 0:29:46 | 0:29:48 | |
Time's against us, isn't it? | 0:29:48 | 0:29:50 | |
-Time is against us. -Time is against us. -Oh, what a shame. | 0:29:50 | 0:29:54 | |
No deal. Time to find something else. | 0:29:54 | 0:29:57 | |
John and Christina have also made their way to Honiton. | 0:29:57 | 0:30:00 | |
-They're headed for Bel-Ami... -Oh, how pretty! | 0:30:00 | 0:30:04 | |
..which has seven rooms packed with antiques and collectables. | 0:30:04 | 0:30:08 | |
They have £300 to spend, | 0:30:08 | 0:30:10 | |
so it might be Christmas has come early for owner Sue. | 0:30:10 | 0:30:13 | |
John, this is what I need for driving around in our car. Look! | 0:30:13 | 0:30:17 | |
-Oh, blimey! -That's good, isn't it? -Do you think? -Oh, really good. | 0:30:17 | 0:30:21 | |
-Is it for sale? -No. -Oh! THEY CHUCKLE | 0:30:21 | 0:30:24 | |
John's staying focused on serious shopping. | 0:30:24 | 0:30:27 | |
-Oh, Christina, that's very pretty. -What have you spotted, my love? | 0:30:27 | 0:30:31 | |
-Flowers. -Oh, that's pretty! -Very pretty, that, isn't it? | 0:30:31 | 0:30:35 | |
Are you an art lover, John? | 0:30:35 | 0:30:37 | |
-I know what I like. -Ah! -And I like that very much. -OK. | 0:30:37 | 0:30:40 | |
Very much indeed. That's beautiful. | 0:30:40 | 0:30:42 | |
John's found an oil on board painting of flowers. | 0:30:42 | 0:30:46 | |
It's signed by the artist, but the name's not familiar. | 0:30:46 | 0:30:50 | |
And there are no clues as to its origins. It's priced at £45. | 0:30:50 | 0:30:54 | |
Are you drawn to sort of modern art or more traditional? | 0:30:54 | 0:30:59 | |
-I'm a figurative man, myself. -A figurative man. -I like this stuff. | 0:30:59 | 0:31:02 | |
To me, it looks very sort of Japanese, | 0:31:02 | 0:31:05 | |
or Aesthetic in style, that sort of very minimalist look. | 0:31:05 | 0:31:08 | |
Yeah, it's very spare. It's not got that Victorian sentimentality. | 0:31:08 | 0:31:12 | |
-No, it hasn't. -It's a nice composition. -Mm. | 0:31:12 | 0:31:14 | |
-Altogether, very pleasing, aesthetically. -Like it? -I do. I do. | 0:31:14 | 0:31:18 | |
-I do. -So, the painting's a definite, maybe. | 0:31:18 | 0:31:22 | |
And there's more browsing to do before decisions can be made. | 0:31:22 | 0:31:26 | |
A stone's throw away, art is also on the agenda for Barbara | 0:31:26 | 0:31:29 | |
-and James. -They've just come in. -This is a good find, is it? | 0:31:29 | 0:31:34 | |
Well, I should think they would be an investment for the future. | 0:31:34 | 0:31:39 | |
-They are... -We're talking about tomorrow, Barry! | 0:31:39 | 0:31:42 | |
They're a seaside resort. They look sort of... | 0:31:42 | 0:31:45 | |
-Would you say West Country? -Yeah, definitely Cornish, aren't they? | 0:31:45 | 0:31:49 | |
Look, look. All that sort of fishingy, don't they? | 0:31:49 | 0:31:52 | |
They are St Ives. | 0:31:52 | 0:31:54 | |
But they've got a lot of history on the backs, | 0:31:54 | 0:31:57 | |
-done a lot of exhibitions in different places. -Have they? | 0:31:57 | 0:32:01 | |
-The artist, yeah. -Rod Pearce. | 0:32:01 | 0:32:04 | |
Those oils, both on board, signed by Rod Pearce, | 0:32:04 | 0:32:07 | |
feature two scenes from St Ives, and the pair are priced at £285. | 0:32:07 | 0:32:12 | |
Rod graduated from Chelsea Art School in 1964 | 0:32:12 | 0:32:16 | |
and his works hang in a number of private | 0:32:16 | 0:32:19 | |
and corporate collections, so these could make a good buy. | 0:32:19 | 0:32:22 | |
I quite like the way he's done the seagulls. Slightly Canaletto-ey. | 0:32:22 | 0:32:26 | |
And the light from that one... | 0:32:26 | 0:32:28 | |
Yeah, light's very good in that one. | 0:32:28 | 0:32:30 | |
At auction, I would expect these to make anywhere between 80 | 0:32:30 | 0:32:33 | |
and 120, to be frank. | 0:32:33 | 0:32:36 | |
-How about £80? -I would do them for your top estimate, your 120. | 0:32:36 | 0:32:41 | |
Looks like 80 every day. | 0:32:41 | 0:32:43 | |
-80 is good. -I thought you said 85. | 0:32:43 | 0:32:46 | |
If you want to sell them to me at 85, I'll very happily give you 85. | 0:32:46 | 0:32:50 | |
-Um... -Would you? I'd give him 80. -Ooh, she's tough. | 0:32:50 | 0:32:53 | |
So, I think we'll take them at 80, shall we, Barbara? | 0:32:53 | 0:32:56 | |
-Yeah, that's good. That's great. -Thank you, Barry. | 0:32:56 | 0:32:59 | |
If you leave another 20 quid on the floor, | 0:32:59 | 0:33:01 | |
when you go, that would be much more appreciated. | 0:33:01 | 0:33:04 | |
I tell you what, ten. | 0:33:04 | 0:33:06 | |
-80 plus ten, and then you're in the money. -That's 95, isn't it? -No, 90. | 0:33:06 | 0:33:12 | |
-90. -Is it? 90? -90. -OK. -Are you happy with that? Yeah. | 0:33:12 | 0:33:15 | |
-Well done, Barry. -Thank you very much. | 0:33:15 | 0:33:17 | |
I have lost a few little pennies, but I don't mind that. | 0:33:17 | 0:33:20 | |
-Cos you two are absolutely beautiful people. -Oh! -True, true. | 0:33:20 | 0:33:23 | |
So, cracking teamwork gets Barry's maths back on track | 0:33:23 | 0:33:27 | |
and a very generous reduction on the paintings, from £285 to...£90. | 0:33:27 | 0:33:31 | |
Wow! Fancy another go at the stick stand? | 0:33:31 | 0:33:35 | |
Come on, Barry. What can you do, eh? | 0:33:35 | 0:33:37 | |
-I think 150. -Mentioned about 175, so... -I was thinking 155. | 0:33:37 | 0:33:42 | |
-I wanted some more, so... -155. | 0:33:42 | 0:33:46 | |
175. | 0:33:46 | 0:33:48 | |
Now, because it was my fault because I said 175, could you be a | 0:33:48 | 0:33:53 | |
very forgiving man and make me | 0:33:53 | 0:33:55 | |
look better in the eyes of James Braxton by getting it for 100... | 0:33:55 | 0:33:59 | |
-Darling, I can make you look better. -No, no. | 0:33:59 | 0:34:01 | |
-we're still 170, that's so nice of you, Barry. -OK. -170. | 0:34:01 | 0:34:06 | |
-170. -Yes? Oh, my goodness! I didn't ask your permission! | 0:34:06 | 0:34:09 | |
So, with the stick stand reduced from £295 to 170 and the paintings | 0:34:09 | 0:34:15 | |
snapped up for £90, Barbara and James's shopping is all done. | 0:34:15 | 0:34:19 | |
-Really good, eh? -I'm really pleased. | 0:34:19 | 0:34:21 | |
-Why are we walking down here? The car's over there. -I don't know. | 0:34:21 | 0:34:25 | |
Back at Bel-Ami, John's got his eye on something. | 0:34:25 | 0:34:29 | |
-Oh, Christina! -Yes? -Take a look at this. | 0:34:29 | 0:34:32 | |
What is this? Right, let's have a look at this. What have we got? | 0:34:32 | 0:34:36 | |
We've got a lamp. Oh, John, this is lovely! | 0:34:36 | 0:34:39 | |
You have got a good eye. | 0:34:39 | 0:34:40 | |
If you look underneath here, we've got | 0:34:40 | 0:34:43 | |
this wonderful Corinthian capital here | 0:34:43 | 0:34:45 | |
and it's got this lovely sort of fluted stem, very classical. | 0:34:45 | 0:34:49 | |
It looks to me like it's silver-plated, rather than silver. | 0:34:49 | 0:34:53 | |
But really lovely and it works as well, which is fantastic. | 0:34:53 | 0:34:56 | |
-That's good. -So, what have we got on this? | 0:34:56 | 0:34:59 | |
Have you looked at the price before you've called me? | 0:34:59 | 0:35:02 | |
No, I haven't looked at the price. That's very naughty. | 0:35:02 | 0:35:04 | |
Prices and profits are key to victory, John. | 0:35:04 | 0:35:07 | |
£155, that's quite a lot. | 0:35:07 | 0:35:10 | |
Really, we want to get it for the region of £60 or £70, | 0:35:10 | 0:35:13 | |
in order to make a profit at auction. | 0:35:13 | 0:35:16 | |
But it's a lovely thing. | 0:35:16 | 0:35:18 | |
-Let's have a chat. -We're going to have to haggle a little bit. -Yes. | 0:35:18 | 0:35:22 | |
Do your best/worst. | 0:35:22 | 0:35:23 | |
John's in charge of haggling now. Stand by! | 0:35:23 | 0:35:26 | |
-Right, John? -Now, er... | 0:35:26 | 0:35:28 | |
We're very fond, or fondish, of this. | 0:35:28 | 0:35:30 | |
We think it's a very lovely piece. | 0:35:30 | 0:35:32 | |
And it's er... And, but it's a little bit, if I may say, | 0:35:32 | 0:35:36 | |
beyond our budget at the moment. | 0:35:36 | 0:35:38 | |
I was wondering if you'd be ever so kind if you could... | 0:35:38 | 0:35:41 | |
He's terribly good, isn't he! | 0:35:41 | 0:35:43 | |
..possibly, possibly, erm... | 0:35:43 | 0:35:45 | |
..allow us a little? | 0:35:45 | 0:35:47 | |
Ha-ha! That's quite a performance. | 0:35:47 | 0:35:49 | |
Could still do with a little help from his expert, though. | 0:35:49 | 0:35:52 | |
What do you think you might be able to do us? | 0:35:52 | 0:35:55 | |
Bearing in mind he's played a policeman. | 0:35:55 | 0:35:57 | |
-He's got his handcuffs in his back pocket. -I know. | 0:35:57 | 0:36:01 | |
I could probably let it go for about 80. | 0:36:01 | 0:36:04 | |
About £80? | 0:36:04 | 0:36:06 | |
80? Erm. | 0:36:06 | 0:36:10 | |
Another fiver less than 80, do you think? | 0:36:10 | 0:36:13 | |
What's your absolute best on it? | 0:36:13 | 0:36:15 | |
Um, my absolute, absolute best? | 0:36:15 | 0:36:18 | |
I could take off another ten but I wouldn't want to go below that. | 0:36:18 | 0:36:21 | |
-So, £70? -Yeah. -Oh, yes. -Is that OK? | 0:36:21 | 0:36:24 | |
Oh, oh, oh! CHRISTINA LAUGHS | 0:36:24 | 0:36:26 | |
-Well, it's lovely. -What are your thoughts? | 0:36:26 | 0:36:29 | |
My thought is, yes! | 0:36:29 | 0:36:31 | |
A team effort secures a hefty discount on the lamp | 0:36:31 | 0:36:34 | |
and shade, from £155 to £70. | 0:36:34 | 0:36:37 | |
But there's still the case of the £45 oil painting to crack. | 0:36:37 | 0:36:43 | |
And would I be really pushy if I said £80 for the two, | 0:36:43 | 0:36:49 | |
would that be completely out of the way? | 0:36:49 | 0:36:51 | |
Did you buy this with other things? | 0:36:51 | 0:36:53 | |
I did. And I've probably made my money so I'm going to say yes. | 0:36:53 | 0:36:59 | |
-OK. £80 for the two? -For the two. | 0:36:59 | 0:37:01 | |
-Really? -You're wonderful. | 0:37:01 | 0:37:04 | |
I know, I know! | 0:37:04 | 0:37:05 | |
-Thank you so much. -Would you be happy to do it, £80 for the two? | 0:37:05 | 0:37:08 | |
-Yes, you can £80 for the two. -Sue... I think I love you. | 0:37:08 | 0:37:12 | |
So do I! With a little help from Christina, | 0:37:12 | 0:37:15 | |
John, the supposedly hopeless haggler, has bagged | 0:37:15 | 0:37:18 | |
a total of £120 off the lamp and painting. | 0:37:18 | 0:37:21 | |
HE LAUGHS | 0:37:24 | 0:37:25 | |
And he seems pretty chuffed. | 0:37:25 | 0:37:27 | |
-Well done! -What a lovely lady. -What a lovely lady. | 0:37:27 | 0:37:31 | |
-We're on to a winning streak here. -THEY CHUCKLE | 0:37:31 | 0:37:35 | |
HE SINGS: We're going to win, we're going to win! | 0:37:35 | 0:37:38 | |
John and Christina. | 0:37:40 | 0:37:43 | |
I'm pretty sure we will have a battle on our hands. | 0:37:43 | 0:37:47 | |
We will have a battle, won't we? | 0:37:47 | 0:37:48 | |
Nothing wrong with that. | 0:37:48 | 0:37:50 | |
But first, Barbara and James are leaving Devon behind, | 0:37:50 | 0:37:53 | |
to step back in time in Lyme Regis in Dorset. | 0:37:53 | 0:37:56 | |
The town's at the heart of the Jurassic Coast, | 0:37:58 | 0:38:00 | |
and famous for its fossils since the early 1800s. | 0:38:00 | 0:38:04 | |
All thanks to Mary Anning, | 0:38:04 | 0:38:06 | |
a poor local woman who made discoveries which helped | 0:38:06 | 0:38:10 | |
transform scientific understanding about the age of the Earth. | 0:38:10 | 0:38:13 | |
To find out more, Barbara and James have come to Lyme Regis Museum | 0:38:13 | 0:38:17 | |
to meet Paddy Howe, museum geologist and fossil expert. | 0:38:17 | 0:38:22 | |
-Paddy, isn't it? -It is. -Hello, James, hi. Very good to meet you. | 0:38:22 | 0:38:24 | |
Welcome to the Jurassic Coast. | 0:38:24 | 0:38:26 | |
She came from a very poor family. | 0:38:28 | 0:38:30 | |
This was really considered a slum area of the town. | 0:38:30 | 0:38:33 | |
But very keen, very observant, very driven. | 0:38:33 | 0:38:36 | |
Mary's family collected and sold shells and fossils | 0:38:36 | 0:38:39 | |
to help make ends meet. | 0:38:39 | 0:38:41 | |
And, in 1811, when Mary was just 12, she and her brother Joseph | 0:38:41 | 0:38:45 | |
made the world's first discovery of a complete ichthyosaur. | 0:38:45 | 0:38:50 | |
-Wow! -Goodness me! | 0:38:50 | 0:38:52 | |
This is about 70% of the skeleton of an ichthyosaur. | 0:38:54 | 0:38:58 | |
-It's about the same size as one that Mary and Joseph found. -Wow. | 0:38:58 | 0:39:03 | |
Joseph found the skull, and he showed Mary where to find | 0:39:03 | 0:39:06 | |
the rest of it the following year. | 0:39:06 | 0:39:08 | |
From that point, he wasn't really into fossils | 0:39:08 | 0:39:10 | |
-as Mary was. -She took it over. | 0:39:10 | 0:39:12 | |
A huge tail. It must have swum pretty quickly. | 0:39:12 | 0:39:15 | |
Very, very powerful swimmers. | 0:39:15 | 0:39:17 | |
One of the most sturdy bones, | 0:39:17 | 0:39:19 | |
the biggest vertebrae are in the base of the tail. | 0:39:19 | 0:39:22 | |
The tail of the ichthyosaur is the engine, the tail. | 0:39:22 | 0:39:25 | |
So it's all powered from here. | 0:39:25 | 0:39:29 | |
And this, bigger than a big, great white shark. | 0:39:29 | 0:39:33 | |
A ferocious thing. You wouldn't want to be in the water with it. | 0:39:33 | 0:39:35 | |
Mary went on to discover and study thousands more fossils, | 0:39:37 | 0:39:40 | |
acquiring a detailed knowledge of anatomy. | 0:39:40 | 0:39:43 | |
Her finds include another first, the plesiosaur. | 0:39:43 | 0:39:47 | |
The fossils stimulated scientific and religious debate | 0:39:47 | 0:39:50 | |
about the age of the Earth. | 0:39:50 | 0:39:53 | |
And the gentlemen scientists of the day flocked to Lyme to see her. | 0:39:53 | 0:39:57 | |
Here is this woman who is discovering all these fossils. | 0:39:57 | 0:40:02 | |
And she brought it forward. That's an incredible thing. | 0:40:02 | 0:40:04 | |
All the scientists of the day were all working with her, | 0:40:04 | 0:40:07 | |
getting their knowledge from her, getting the information, getting | 0:40:07 | 0:40:10 | |
the finds from her, and using that to push the science forward. | 0:40:10 | 0:40:13 | |
So, she really is seminal in palaeontology. | 0:40:13 | 0:40:16 | |
Mary's contribution is widely recognised now | 0:40:18 | 0:40:20 | |
but, in her lifetime, things were very different. | 0:40:20 | 0:40:23 | |
As a woman, she couldn't join the major scientific institutions, | 0:40:23 | 0:40:27 | |
and many of the so-called gentlemen | 0:40:27 | 0:40:30 | |
were happy to take credit for her ideas. | 0:40:30 | 0:40:33 | |
Mary's private writings suggest she was all too aware of the injustice. | 0:40:33 | 0:40:37 | |
-This page, just titled, Woman. -"And what is woman? | 0:40:37 | 0:40:41 | |
"Was she not made of the same flesh or... | 0:40:41 | 0:40:45 | |
-"The same flesh and blood as lordly man?" -Lordly man! -Lordly man! | 0:40:45 | 0:40:50 | |
-Lordly. -Lordly. | 0:40:50 | 0:40:51 | |
It carries on. | 0:40:51 | 0:40:53 | |
"Yes, I am most destined, doubtless, to become his friend, | 0:40:53 | 0:40:55 | |
"his helpmate in his pilgrimage, but surely not his mare." | 0:40:55 | 0:40:58 | |
It's so biblical. | 0:40:58 | 0:40:59 | |
"For is not reason hers?" | 0:40:59 | 0:41:01 | |
So, I think, here, she is really expressing that anything a man can do, | 0:41:01 | 0:41:06 | |
she can do equally well. | 0:41:06 | 0:41:07 | |
And that she is as good as any man. | 0:41:07 | 0:41:10 | |
Mary Anning never knew how greatly she'd come to be admired. | 0:41:11 | 0:41:15 | |
But, today, Barbara and James are getting a chance | 0:41:15 | 0:41:18 | |
to follow in her footsteps. | 0:41:18 | 0:41:20 | |
Paddy's lined up some promising stones | 0:41:20 | 0:41:22 | |
for them to have a go at fossil finding. | 0:41:22 | 0:41:24 | |
So, quite ordinary, grey rocks there. | 0:41:24 | 0:41:27 | |
They're some of the most dull rocks you will see on the beach. | 0:41:27 | 0:41:30 | |
They're not round like most pebbles. They're quite angular. | 0:41:30 | 0:41:35 | |
Sharp edges or flat edges. | 0:41:35 | 0:41:37 | |
-A good skimming stone. -Yes, actually. | 0:41:37 | 0:41:40 | |
Look at that. | 0:41:42 | 0:41:44 | |
-Oh, my goodness! -Wow. That's not bad, is it? | 0:41:44 | 0:41:48 | |
-Would you like to have a go? -You betcha. -Go on, get bashing. | 0:41:48 | 0:41:51 | |
-You'll have to hit it quite hard. -OK. | 0:41:51 | 0:41:53 | |
Think you're Mary Anning, OK? | 0:41:53 | 0:41:56 | |
Wow. | 0:41:58 | 0:41:59 | |
I'm not making... | 0:42:02 | 0:42:04 | |
Shall I have a go? I'm feeling lucky, Paddy. | 0:42:04 | 0:42:07 | |
-Remember, viewers, safety in the workshop, OK? -Oh! | 0:42:09 | 0:42:13 | |
-Are you all right? -Oh, no. | 0:42:13 | 0:42:15 | |
Go on, give it some welly, James! | 0:42:18 | 0:42:21 | |
-It's not as easy as it looks. -It isn't easy, is it? | 0:42:21 | 0:42:23 | |
No, it isn't. Which is why Paddy believes in | 0:42:25 | 0:42:27 | |
the "here's one I made earlier" principle. | 0:42:27 | 0:42:31 | |
Hit it just there. | 0:42:31 | 0:42:32 | |
-And inside... -Ah! -That's amazing. | 0:42:32 | 0:42:36 | |
-That's incredible. -Isn't that lovely? | 0:42:36 | 0:42:38 | |
Extraordinary. | 0:42:38 | 0:42:39 | |
And, at 65-million-plus years old, | 0:42:39 | 0:42:41 | |
the oldest antique yet on the programme. | 0:42:41 | 0:42:45 | |
John and Christina are still focused on shopping, | 0:42:45 | 0:42:47 | |
and they're tootling up the road to their next stop in Colyton. | 0:42:47 | 0:42:51 | |
Hey, look at that! We could... A fossil! | 0:42:52 | 0:42:55 | |
I think they've been fossil hunting. | 0:42:55 | 0:42:56 | |
We could take that and say we found it. | 0:42:56 | 0:42:59 | |
-SHE LAUGHS -Works for me! | 0:42:59 | 0:43:01 | |
Christina and John are at Colyton Antiques Centre | 0:43:01 | 0:43:04 | |
where Vera and George are masterminding operations today. | 0:43:04 | 0:43:07 | |
A variety of dealers offer everything, | 0:43:07 | 0:43:09 | |
from furniture to, well, bundles of fluff. | 0:43:09 | 0:43:12 | |
-That's Katie. -Oh, Katie, hello! | 0:43:12 | 0:43:16 | |
-Oh, look at you, Katie. -How much for this? | 0:43:16 | 0:43:19 | |
THEY ALL LAUGH | 0:43:19 | 0:43:20 | |
-Would you do a deal on the dog? -Do a deal on the dog? | 0:43:20 | 0:43:23 | |
-Hello, Katie. -But she's hardly antique. | 0:43:23 | 0:43:25 | |
Oh, Katie, do you want to come antiques hunting with us? | 0:43:25 | 0:43:28 | |
-What do you think? -No! -No. | 0:43:28 | 0:43:30 | |
THEY LAUGH | 0:43:30 | 0:43:32 | |
Even without Katie's assistance, | 0:43:32 | 0:43:34 | |
Christina's quick to sniff something out. | 0:43:34 | 0:43:36 | |
John, what do we think about a milk churn? | 0:43:36 | 0:43:38 | |
-A milk churn? -Do you remember these? | 0:43:38 | 0:43:40 | |
LMD, London Midland Dairy. | 0:43:40 | 0:43:43 | |
-That sounds good, doesn't it? -Do you remember those? | 0:43:43 | 0:43:45 | |
-Would they have used those for deliveries? -Yep. | 0:43:45 | 0:43:48 | |
We did, with glass bottles... | 0:43:48 | 0:43:50 | |
With cardboard tops. | 0:43:50 | 0:43:52 | |
-SHE LAUGHS -Very good. | 0:43:52 | 0:43:54 | |
That's excellent. | 0:43:54 | 0:43:55 | |
-What do you think? -Yeah, yeah, it's lovely. | 0:43:55 | 0:43:57 | |
I think we'd want to get it for £5 or £10. What's on it? | 0:43:57 | 0:44:00 | |
-Ooh, £32. -Ah. But it's in the sale. -Sale? | 0:44:00 | 0:44:05 | |
-So there might be some flexibility. -So, is it haggling time? | 0:44:05 | 0:44:07 | |
I shall go and strong-arm George and see. | 0:44:07 | 0:44:09 | |
Looks as if John's embracing the art of haggling. | 0:44:09 | 0:44:12 | |
That is a milk churn. | 0:44:12 | 0:44:15 | |
CHRISTINA LAUGHS | 0:44:15 | 0:44:17 | |
You taught me last night, recognised that right away. | 0:44:17 | 0:44:19 | |
-Is it state-the-bleeding-obvious day! -Yes, yes, yes. | 0:44:19 | 0:44:23 | |
-A slight... -A slight profit. | 0:44:23 | 0:44:25 | |
The sale price, £32. | 0:44:25 | 0:44:28 | |
I'm not entirely sure it's that collectable | 0:44:28 | 0:44:30 | |
because it's a bit late for milk churn collectors. | 0:44:30 | 0:44:33 | |
What, 1960s? Is it? | 0:44:33 | 0:44:36 | |
I'm wondering. This is... | 0:44:36 | 0:44:38 | |
-Late '50s. -Yeah, late '60s, '70s. -Really? | 0:44:38 | 0:44:41 | |
I don't know. You probably remember them slightly better than I do. | 0:44:41 | 0:44:44 | |
-Thank you! Thank you very much! -SHE LAUGHS | 0:44:44 | 0:44:46 | |
I'm not sensitive at all! | 0:44:46 | 0:44:49 | |
1960s, '70s before my time! Before my time. | 0:44:49 | 0:44:52 | |
We were hoping maybe £5 or £10 might buy it. | 0:44:52 | 0:44:56 | |
-What's your thoughts, George? -I think 10 would be more likely. | 0:44:56 | 0:45:00 | |
-10? That's good, isn't it? -What do you think? | 0:45:00 | 0:45:03 | |
-I think that's very good. I'd pay £10 for that. -Would you? | 0:45:03 | 0:45:07 | |
-I'd pay more for that. -No, no, no! | 0:45:07 | 0:45:09 | |
-No, John, shush! -Sshh-sshh. | 0:45:09 | 0:45:13 | |
-No, it's not worth £10. -HE MUMBLES | 0:45:13 | 0:45:15 | |
I think £10 is very fair. Yeah. | 0:45:15 | 0:45:19 | |
In which case, thank you. | 0:45:19 | 0:45:21 | |
So, Christina's managed to steer John away from a haggling disaster | 0:45:21 | 0:45:25 | |
and, with the milk churn, their shopping is finished. | 0:45:25 | 0:45:28 | |
One good churn deserves another! | 0:45:28 | 0:45:30 | |
But will everything turn sour when they reveal all to the opposition? | 0:45:30 | 0:45:34 | |
-Well, that's rather... -Oh, thank you. | 0:45:34 | 0:45:36 | |
That looks nice. | 0:45:36 | 0:45:37 | |
-That's a very nice tea caddy. -That's very sweet. | 0:45:37 | 0:45:40 | |
-Very heavy. -What did you pay for that? | 0:45:40 | 0:45:43 | |
Aha, £65. | 0:45:43 | 0:45:45 | |
-Did you! -65. -Very nice, I like that. | 0:45:45 | 0:45:48 | |
Some pictures in the front there. | 0:45:48 | 0:45:50 | |
Oh, lovely, little street scenes. | 0:45:51 | 0:45:54 | |
-Where's that? -St Ives, I think. -Oh, lovely. | 0:45:54 | 0:45:57 | |
-Quality of life. -Great skies. -It's nice, straight from the Tate! | 0:45:57 | 0:46:01 | |
That'll be news to them, John! | 0:46:01 | 0:46:03 | |
How much did you pay for your stick stand? | 0:46:03 | 0:46:05 | |
-We paid quite a lot of money for that. -We did, we did. | 0:46:05 | 0:46:08 | |
-£170. -Oh, wow, OK. | 0:46:08 | 0:46:10 | |
-It's signed Coalbrookdale, and dated. -Oh, lovely. | 0:46:10 | 0:46:14 | |
-1843. -Very nice. | 0:46:14 | 0:46:16 | |
So you want two stick obsessesors to turn up and fight for it. | 0:46:16 | 0:46:20 | |
£170 for a piece of Coalbrookdale, that's very good. | 0:46:20 | 0:46:24 | |
-Well done. And are you pleased? -It's very handy. | 0:46:24 | 0:46:27 | |
Erm... Delighted, delighted! | 0:46:27 | 0:46:30 | |
-Yes, delighted. -Delighted. Delighted? | 0:46:30 | 0:46:32 | |
Your delight is delightful. | 0:46:32 | 0:46:33 | |
But what about John and Christina's buys? | 0:46:33 | 0:46:36 | |
There it is. | 0:46:36 | 0:46:38 | |
-Da-da! -Look at theirs! | 0:46:38 | 0:46:40 | |
This is an interesting ensemble, isn't it? | 0:46:40 | 0:46:43 | |
It is interesting, yes. | 0:46:43 | 0:46:46 | |
So, talk me through it. | 0:46:46 | 0:46:48 | |
These are medals from the First World War, | 0:46:48 | 0:46:50 | |
given to a lowly private, but nonetheless valuable. | 0:46:50 | 0:46:53 | |
Very, very valuable, you understand. | 0:46:53 | 0:46:55 | |
But these are special favourites. | 0:46:55 | 0:46:58 | |
What about your ghastly picture? | 0:46:58 | 0:47:00 | |
-CHRISTINA: -Ghastly!? | 0:47:00 | 0:47:02 | |
It's not quite the same as yours. It's a different school of thought. | 0:47:02 | 0:47:05 | |
-BARBARA: -Do we need to see it from the front? | 0:47:05 | 0:47:08 | |
Very interesting. What did you pay for your pictures? | 0:47:08 | 0:47:11 | |
-BARBARA: -They were really... It was... | 0:47:11 | 0:47:14 | |
-Guess how much we paid for our picture? -About £2! | 0:47:14 | 0:47:17 | |
-No, that's terrible, no, no. -How much? | 0:47:17 | 0:47:20 | |
-CHRISTINA: -We paid £10. OK, we feel we've overpaid now. It's beautiful! | 0:47:20 | 0:47:24 | |
The execution, the subject matter, the colour differentiation, | 0:47:24 | 0:47:27 | |
-the background colours. -Good luck with that! | 0:47:27 | 0:47:30 | |
Crikey, that's crushing. So, what's the bottom line? | 0:47:30 | 0:47:33 | |
Would you swap or not? | 0:47:33 | 0:47:35 | |
Would you swap? I'm not sure I would, actually. | 0:47:35 | 0:47:39 | |
There's no need to be that snooty about it! | 0:47:39 | 0:47:41 | |
I'm not snooty. | 0:47:41 | 0:47:43 | |
I'm getting very attached to these things. They've been with us now. | 0:47:43 | 0:47:47 | |
-And, good luck. -Good luck! | 0:47:47 | 0:47:49 | |
-Yes, very best of luck. -THEY ALL LAUGH | 0:47:49 | 0:47:52 | |
Well, it was gloves off in front of each other. | 0:47:52 | 0:47:54 | |
What will they say in private? | 0:47:54 | 0:47:55 | |
I didn't like the picture? | 0:47:55 | 0:47:57 | |
I didn't like the picture. I wouldn't give it house room. | 0:47:57 | 0:48:00 | |
I did love our things on the table, I thought they looked really classy. | 0:48:00 | 0:48:04 | |
-They looked handsome. -Clean and nice and singular, | 0:48:04 | 0:48:06 | |
and instantly individually appealing. | 0:48:06 | 0:48:08 | |
I rather liked what they had, I have to say. | 0:48:08 | 0:48:10 | |
-Of course, not as good as what we've got. -Of course not. | 0:48:10 | 0:48:13 | |
-I do like their stick stand rather a lot. -Yes, I did too. | 0:48:13 | 0:48:16 | |
-But I think we will look forward to tomorrow with confidence. -Oh, good! | 0:48:16 | 0:48:19 | |
Quiet confidence. | 0:48:19 | 0:48:21 | |
-Isn't it awful to be so competitive? -I know, it is. -The name of the game. | 0:48:21 | 0:48:24 | |
You've hit the nail on the head, Barbara. | 0:48:24 | 0:48:27 | |
And, as auction day dawns, the celebs are still in fighting spirit. | 0:48:27 | 0:48:31 | |
I think we're away, I think we're flying. | 0:48:32 | 0:48:35 | |
In the final analysis, when push comes to shove, | 0:48:35 | 0:48:38 | |
and people have to put their hands in their pockets, | 0:48:38 | 0:48:40 | |
I think they'll pay more for our stuff than for yours. | 0:48:40 | 0:48:43 | |
Good luck, John, the best of British. | 0:48:43 | 0:48:46 | |
The result hinges on an auction | 0:48:47 | 0:48:49 | |
in the Somerset cathedral city of Wells. | 0:48:49 | 0:48:53 | |
Construction on the cathedral began around 1175. | 0:48:53 | 0:48:56 | |
But our teams are forsaking its glories | 0:48:56 | 0:48:59 | |
in favour of some auction action. | 0:48:59 | 0:49:01 | |
What a great car, isn't it a great car? | 0:49:01 | 0:49:04 | |
CHRISTINA: Hello, hello! Hello, guys! | 0:49:04 | 0:49:06 | |
Come on. Losers! | 0:49:06 | 0:49:08 | |
McCubbing and Redfern hold monthly sales of antiques and collectables. | 0:49:08 | 0:49:14 | |
Auctioneer Allen Meechen has the gavel today. | 0:49:14 | 0:49:16 | |
So, which lots look like winners to him? | 0:49:16 | 0:49:19 | |
I like the Cornish paintings, a pair. | 0:49:19 | 0:49:22 | |
It's a modern painter, Rod Pearce. | 0:49:22 | 0:49:25 | |
Some of his paintings have been known, a single painting, | 0:49:25 | 0:49:28 | |
have been known to go up to £1,000. | 0:49:28 | 0:49:30 | |
But we'll see how things take us in the course of the day. | 0:49:30 | 0:49:35 | |
The milk churn, you're in the land of milk and honey. | 0:49:35 | 0:49:38 | |
A lot of farmers here. | 0:49:38 | 0:49:39 | |
So, let's hope they turn up today and they're not sunbathing. | 0:49:39 | 0:49:43 | |
Each of our teams started with £400. | 0:49:43 | 0:49:45 | |
Barbara and James strove for | 0:49:45 | 0:49:48 | |
craftsmanship and style in their five lots. | 0:49:48 | 0:49:51 | |
And, despite some hard-core haggling, spent £358. | 0:49:51 | 0:49:56 | |
That was fun. | 0:49:56 | 0:49:57 | |
John and Christina's five lots turned out to be an eclectic mix of | 0:49:57 | 0:50:01 | |
militaria, girlie things, and more. | 0:50:01 | 0:50:03 | |
But they didn't splash so much cash, | 0:50:03 | 0:50:06 | |
a mere £190. | 0:50:06 | 0:50:07 | |
I think that's terrific. | 0:50:07 | 0:50:09 | |
Our experts and celebs are sitting comfortably, so let the games begin! | 0:50:09 | 0:50:13 | |
Yes, you too. | 0:50:14 | 0:50:16 | |
Here we are. | 0:50:16 | 0:50:17 | |
The best of luck, best of luck. | 0:50:17 | 0:50:20 | |
First up is Barbara and James's pair of St Ives paintings | 0:50:20 | 0:50:23 | |
which the auctioneer thinks have potential. | 0:50:23 | 0:50:26 | |
Rather nice ones, these, I've got plenty of bids on it. | 0:50:26 | 0:50:28 | |
Going straight in at £120. 130 I'm looking for. | 0:50:28 | 0:50:32 | |
Bingo, bingo! | 0:50:32 | 0:50:34 | |
130 I'm looking for. 120? Are we all done? All finished. | 0:50:34 | 0:50:38 | |
No! Going... | 0:50:38 | 0:50:40 | |
Where? Did someone say something then? No. | 0:50:40 | 0:50:42 | |
£120. I'm going to sell at 120. | 0:50:42 | 0:50:46 | |
-GAVEL BANGS -Well! | 0:50:46 | 0:50:48 | |
-It's a profit. -It is a profit. | 0:50:48 | 0:50:50 | |
It's not a grand, but it's a decent start nevertheless. | 0:50:50 | 0:50:54 | |
As far as I'm concerned, we're all on the same team, | 0:50:54 | 0:50:56 | |
so I would have loved you to have made a lot more money. | 0:50:56 | 0:50:59 | |
We feel the same... | 0:50:59 | 0:51:00 | |
Not a convincing performance, Barbara! | 0:51:00 | 0:51:03 | |
Now, how will John's much-ridiculed floral painting perform? | 0:51:04 | 0:51:07 | |
I've had two small bids here at £15. | 0:51:07 | 0:51:10 | |
Looking for 20. | 0:51:10 | 0:51:12 | |
-Oh, got £15 already. -That's all right. | 0:51:12 | 0:51:14 | |
20 anywhere? At £15. | 0:51:14 | 0:51:17 | |
At £15. | 0:51:17 | 0:51:19 | |
GAVEL BANGS | 0:51:19 | 0:51:20 | |
-So, that's £5. -A little working profit. | 0:51:20 | 0:51:22 | |
-It's a little, yes. -A little gem. | 0:51:22 | 0:51:25 | |
A fiver's not to be sniffed at. | 0:51:25 | 0:51:27 | |
-I'd be jolly pleased with 15. -It's a warm-up. | 0:51:27 | 0:51:30 | |
THEY LAUGH | 0:51:30 | 0:51:32 | |
Now, it's Barbara's book trough, her first find. | 0:51:32 | 0:51:35 | |
£18 I'm going in at. | 0:51:35 | 0:51:36 | |
-Hey, here we go. -20 into the room. | 0:51:36 | 0:51:39 | |
At 20, 22, 24. | 0:51:39 | 0:51:41 | |
25, 26, 26 currently. | 0:51:41 | 0:51:44 | |
28 anywhere? | 0:51:44 | 0:51:46 | |
All done at £26, it would seem we are. | 0:51:46 | 0:51:50 | |
-Oh, we're happy with that. -Are we? | 0:51:50 | 0:51:52 | |
£11 helps Barbara and James build a respectable pot of profits. | 0:51:52 | 0:51:57 | |
I tell you what, in this business, it's all about small gains. | 0:51:57 | 0:52:00 | |
How will John and Christina's milk churn fare now? | 0:52:00 | 0:52:04 | |
£40? | 0:52:04 | 0:52:06 | |
What! | 0:52:06 | 0:52:08 | |
20 then? | 0:52:08 | 0:52:09 | |
Go on! | 0:52:09 | 0:52:10 | |
20 I've got, thank you, sir. | 0:52:10 | 0:52:12 | |
25? Any advance to 25? | 0:52:12 | 0:52:14 | |
25 bid. 30. Can I tempt you with 30? | 0:52:14 | 0:52:17 | |
People with taste, I like it. SHE LAUGHS | 0:52:17 | 0:52:19 | |
-BARBARA: -The taste of milk! | 0:52:19 | 0:52:21 | |
Are we all done, all finished at 25? | 0:52:21 | 0:52:25 | |
-GAVEL BANGS -Yay. -Well done. | 0:52:25 | 0:52:27 | |
-Well done, you. -THEY LAUGH | 0:52:27 | 0:52:29 | |
John and Christina have more than doubled their money with that one. | 0:52:29 | 0:52:33 | |
There's money in junk, isn't there? CHRISTINA LAUGHS | 0:52:33 | 0:52:36 | |
That's the kind of unnecessary comment we can do without. | 0:52:36 | 0:52:38 | |
-It's a triumph. -THEY ALL LAUGH | 0:52:38 | 0:52:39 | |
Barbara and James took a pricey chance on the stick stand. | 0:52:39 | 0:52:43 | |
Now is the moment of truth. | 0:52:43 | 0:52:45 | |
I'm starting the bid at 120. | 0:52:45 | 0:52:46 | |
Take 10 to 130. | 0:52:46 | 0:52:49 | |
At £120. 130, 140, 150. | 0:52:49 | 0:52:52 | |
Sir, I've also got 150 here. | 0:52:52 | 0:52:54 | |
So, it's 160? 160, it's in the room. | 0:52:54 | 0:52:57 | |
170 I'm looking for? | 0:52:57 | 0:52:59 | |
At £160. | 0:52:59 | 0:53:01 | |
Fair and final warning at 160. | 0:53:01 | 0:53:03 | |
-GAVEL BANGS -No stick enthusiasts here today. | 0:53:03 | 0:53:06 | |
So, it's a loss of £10. | 0:53:06 | 0:53:09 | |
If it's any consolation, I think it was a risk worth taking, | 0:53:09 | 0:53:11 | |
because it was a good-looking thing. | 0:53:11 | 0:53:13 | |
The medals and military photos struck a real chord with John. | 0:53:13 | 0:53:17 | |
Will the bidders feel the same? | 0:53:17 | 0:53:20 | |
£60? 60 anywhere? | 0:53:20 | 0:53:22 | |
World War I. | 0:53:22 | 0:53:25 | |
40 anywhere? 30? | 0:53:25 | 0:53:28 | |
Yeah, 30 I've got. £30. | 0:53:28 | 0:53:30 | |
-30 is bid. We're looking for 35. -Go on, keep going, go on! | 0:53:30 | 0:53:33 | |
£35. 30 I've got. | 0:53:33 | 0:53:35 | |
Fair and final warning. | 0:53:35 | 0:53:37 | |
-At 30. -GAVEL BANGS | 0:53:37 | 0:53:38 | |
Can I have a tissue? | 0:53:38 | 0:53:40 | |
We bought those with our heart. | 0:53:40 | 0:53:43 | |
Sadly, it was not to be. | 0:53:43 | 0:53:46 | |
-Our hearts were in the right place. -Exactly. | 0:53:46 | 0:53:48 | |
James liked the look of the pottery chargers, | 0:53:48 | 0:53:50 | |
but there's no knowing how they'll do. | 0:53:50 | 0:53:52 | |
At £45 I'm starting the bid on that? | 0:53:52 | 0:53:55 | |
-50 into the room. -Fantastic! | 0:53:55 | 0:53:57 | |
50. 55. | 0:53:57 | 0:53:59 | |
60. 60 I'm out. 65 I'm looking for. | 0:53:59 | 0:54:02 | |
65, sorry. 70. | 0:54:02 | 0:54:04 | |
75. 80. 85. | 0:54:04 | 0:54:07 | |
90. | 0:54:07 | 0:54:09 | |
No, 85, it's with you, sir. | 0:54:09 | 0:54:11 | |
90 I'm looking for. | 0:54:11 | 0:54:13 | |
At £85. | 0:54:13 | 0:54:15 | |
I think we are finished. | 0:54:15 | 0:54:17 | |
-Fair and final warning. -GAVEL BANGS | 0:54:17 | 0:54:19 | |
That's really good. | 0:54:19 | 0:54:20 | |
That is an incredible £67 profit. | 0:54:22 | 0:54:25 | |
Well spotted, James. | 0:54:25 | 0:54:27 | |
-We're in the room, we're in the room. -Back in the room. | 0:54:27 | 0:54:30 | |
John and Christina's lamp has classically good looks. | 0:54:30 | 0:54:34 | |
But can it command a handsome price? | 0:54:34 | 0:54:36 | |
Starting the bidding on it at £55. | 0:54:36 | 0:54:39 | |
-Hey! -Now then. | 0:54:39 | 0:54:40 | |
At £55, come on, ladies and gentlemen. | 0:54:40 | 0:54:43 | |
Any? You must have seen it, over there. | 0:54:43 | 0:54:45 | |
-Right in front. There it is! -There it is. | 0:54:45 | 0:54:47 | |
A lovely thing. Go on, go for it. | 0:54:47 | 0:54:49 | |
-Fair and final warning. -Ooh, look! | 0:54:49 | 0:54:52 | |
Oh! 60. Believe it or not, I'd go 65. | 0:54:52 | 0:54:56 | |
CHRISTINA: Ooh, go on! | 0:54:56 | 0:54:57 | |
It's lovely. | 0:54:57 | 0:54:59 | |
Yes, it's beautiful. | 0:55:00 | 0:55:03 | |
At the moment, you've got it. 70 I'm out. 70 in the room. | 0:55:03 | 0:55:06 | |
75 anywhere else? At 70. | 0:55:06 | 0:55:07 | |
What a wonderful lady. | 0:55:07 | 0:55:10 | |
She is a wonderful lady. | 0:55:10 | 0:55:12 | |
-GAVEL BANGS -Well done. | 0:55:12 | 0:55:14 | |
Thank you so much. | 0:55:14 | 0:55:16 | |
I'll get John to sign it. | 0:55:16 | 0:55:18 | |
I'll buy you a plug. I'll get you a plug. | 0:55:18 | 0:55:21 | |
It was a valiant try, Good effort, team. | 0:55:21 | 0:55:25 | |
Barbara and James loved the craftsmanship in the tea caddy. | 0:55:25 | 0:55:28 | |
Will anyone pay a premium for it, though? | 0:55:28 | 0:55:31 | |
Straight in at £45. | 0:55:31 | 0:55:33 | |
50 into the room. 50. 55. | 0:55:33 | 0:55:35 | |
60, sir? It's in the room at 60. | 0:55:35 | 0:55:37 | |
65 I'm looking for. 60 I have. | 0:55:37 | 0:55:40 | |
65 I'm looking for. | 0:55:40 | 0:55:42 | |
65, new bidder. | 0:55:42 | 0:55:43 | |
-70, sir? -Go on. -Yes, tea, tea! | 0:55:43 | 0:55:46 | |
70. 75? | 0:55:46 | 0:55:48 | |
Tea, you need it! | 0:55:48 | 0:55:50 | |
At £70, are we all done? | 0:55:50 | 0:55:52 | |
-Are you allowed to bid? -No, I'm not bidding! | 0:55:52 | 0:55:54 | |
I'm not allowed to. | 0:55:54 | 0:55:55 | |
70... I'll take your bid, if you want? | 0:55:55 | 0:55:57 | |
I can't. I would. | 0:55:57 | 0:55:59 | |
At 70, are we all done? | 0:55:59 | 0:56:01 | |
It's all right. We ended up plus. | 0:56:01 | 0:56:04 | |
James. It's more stress. It's so stressful. | 0:56:04 | 0:56:08 | |
Stressful but worth it. That's another fiver for Barbara and James. | 0:56:08 | 0:56:12 | |
John and Christina's buttons in a silver jar make up the last lot | 0:56:12 | 0:56:16 | |
under the hammer. And they are hoping for a grand finale. | 0:56:16 | 0:56:19 | |
-I've got bids on. -Ooh, he's got bids. | 0:56:19 | 0:56:21 | |
£25 I'm starting at. 30 into the room. | 0:56:21 | 0:56:24 | |
30. I've got 35, looking for 40. | 0:56:24 | 0:56:27 | |
-Got to be more than that. -£35, looking for 40. | 0:56:27 | 0:56:30 | |
At 35. | 0:56:30 | 0:56:32 | |
No buyers left in the room! SHE LAUGHS | 0:56:32 | 0:56:35 | |
Commission bids are out, 40 I have. | 0:56:35 | 0:56:38 | |
-All done? I think we are. -Oh, he's bidding! -45, new bidder. | 0:56:38 | 0:56:42 | |
-50, sir? Are you sure? -Go on, they're lovely! | 0:56:42 | 0:56:44 | |
The wife's going to talk about you when you leave. | 0:56:44 | 0:56:47 | |
-45 over there, they are pretty. -They're very pretty. -Very. | 0:56:47 | 0:56:50 | |
Go on, 50. It won't come again, I had to beg you. | 0:56:50 | 0:56:53 | |
-55? -You, sir, Are you still bidding? | 0:56:53 | 0:56:55 | |
£50. At £50 here. | 0:56:55 | 0:56:58 | |
Seated at the front. Sold at 50. | 0:56:58 | 0:57:00 | |
Well done. They are lovely. | 0:57:00 | 0:57:02 | |
They're very lovely. | 0:57:02 | 0:57:04 | |
Boosted by a little extra sales patter, | 0:57:04 | 0:57:07 | |
the jar and buttons made a very useful profit. | 0:57:07 | 0:57:10 | |
But where does that leave our teams? | 0:57:10 | 0:57:12 | |
That was very close. Shall we go outside and do the maths? | 0:57:12 | 0:57:15 | |
-I think you can. -Did you keep count? My brain's fried. | 0:57:15 | 0:57:17 | |
Well, a clear head and a calculator can reveal | 0:57:17 | 0:57:20 | |
that John and Christina's profits were up and down like a yo-yo. | 0:57:20 | 0:57:23 | |
But, after commission, they actually lost £34.20. | 0:57:23 | 0:57:27 | |
So end the trip with £365.80. | 0:57:27 | 0:57:31 | |
Barbara and James had their moments too. | 0:57:31 | 0:57:33 | |
But, thanks largely to the pottery chargers, | 0:57:33 | 0:57:36 | |
they're the victors on this road trip with profits of £20.02. | 0:57:36 | 0:57:41 | |
And a total of £420.02. | 0:57:41 | 0:57:44 | |
All profits, no matter how small, go to Children In Need. | 0:57:44 | 0:57:47 | |
-Oh, my goodness! That was full of highs and lows. -It was. -It was. | 0:57:47 | 0:57:51 | |
Incredibly good fun. | 0:57:51 | 0:57:53 | |
-I've done a bit of adding up. -Have you? You've done the sums? | 0:57:53 | 0:57:56 | |
Yeah, and I can reveal that... | 0:57:56 | 0:57:59 | |
Christina and John are today's losers, I'm afraid. | 0:57:59 | 0:58:02 | |
BARBARA BURSTS OUT LAUGHING | 0:58:02 | 0:58:04 | |
Ohhh! Oh, I'm sorry. | 0:58:04 | 0:58:06 | |
It was cruel. | 0:58:06 | 0:58:07 | |
I'm continuing a long tradition, I'm sorry to say. | 0:58:07 | 0:58:09 | |
I knew it, you're a champ. | 0:58:11 | 0:58:13 | |
Well done. | 0:58:13 | 0:58:14 | |
A valiant attempt. Valiant. | 0:58:14 | 0:58:16 | |
There wasn't a lot in it. | 0:58:16 | 0:58:18 | |
-Anyway, to your cars. -To the cars. | 0:58:18 | 0:58:22 | |
-Bye! -Bye. -Farewell! -Bye-bye. | 0:58:22 | 0:58:25 | |
Very lovely, weren't they? | 0:58:25 | 0:58:27 | |
-It's been very, very enjoyable, hasn't it? -It has been. | 0:58:27 | 0:58:30 | |
Boy, are we lucky? | 0:58:30 | 0:58:31 | |
-And I've loved my driver. -JOHN LAUGHS | 0:58:31 | 0:58:33 | |
-And you. -Oh, thank you very much! | 0:58:33 | 0:58:36 | |
It's been fantastic. | 0:58:36 | 0:58:37 | |
It certainly has! | 0:58:37 | 0:58:39 |