Browse content similar to James Bolam and Susan Jameson. Check below for episodes and series from the same categories and more!
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The nation's favourite celebrities... | 0:00:01 | 0:00:03 | |
We're special then, are we? | 0:00:03 | 0:00:05 | |
-That's excellent. -..paired up with an expert... -We're a good team. | 0:00:05 | 0:00:09 | |
-..and a classic car. -Oh! | 0:00:09 | 0:00:12 | |
Their mission, to scour Britain for antiques. | 0:00:12 | 0:00:14 | |
-I've no idea what it is. -Oh, I love it. | 0:00:14 | 0:00:17 | |
The aim, to make the biggest profit at auction. | 0:00:17 | 0:00:20 | |
-Yes! -But it's no easy ride. | 0:00:20 | 0:00:22 | |
There's no accounting for taste. | 0:00:22 | 0:00:25 | |
Who will find a hidden gem? | 0:00:25 | 0:00:27 | |
Who will take the biggest risks? Will anybody follow expert advice? | 0:00:27 | 0:00:32 | |
-Do you like them? -No. | 0:00:32 | 0:00:35 | |
There will be worthy winners and valiant losers. | 0:00:35 | 0:00:38 | |
-Are you happy? -Yes. -Promise? -Time to put your pedal to the metal. | 0:00:38 | 0:00:42 | |
This is Celebrity Antiques Road Trip. | 0:00:42 | 0:00:45 | |
Today's Celebrity Road Trip is a battle of man versus wife. | 0:00:49 | 0:00:52 | |
Or should I say man versus road? | 0:00:52 | 0:00:55 | |
-Have you got out of second gear at all? -I'm in third! | 0:00:55 | 0:00:58 | |
I beg your pardon. | 0:00:58 | 0:00:59 | |
Veteran actor, James Bowlam, is in the driving seat today. | 0:00:59 | 0:01:03 | |
-Are you going to drive at this speed the whole time? -Yes. -OK. | 0:01:03 | 0:01:07 | |
-I don't want to push the car too hard. -No. | 0:01:07 | 0:01:10 | |
I'm not like you, tearing round the countryside. SHE LAUGHS | 0:01:10 | 0:01:14 | |
And our reluctant passenger is James's wife and fellow actor, | 0:01:14 | 0:01:18 | |
Susan Jameson. | 0:01:18 | 0:01:19 | |
They are trundling along in a 1969 Morris Minor Traveller. | 0:01:19 | 0:01:23 | |
Its seat belt free, all perfectly legal in classic cars, | 0:01:23 | 0:01:27 | |
which predate the law, | 0:01:27 | 0:01:28 | |
and they've had experience of a Morris Minor named Margaret before. | 0:01:28 | 0:01:32 | |
-I used to drive her a bit, because that's when we first met. -Was it? | 0:01:32 | 0:01:38 | |
Yes, and she was named Margaret, after Margaret Morris, | 0:01:38 | 0:01:41 | |
-who was the casting... -The casting lady at Granada. -That's right. | 0:01:41 | 0:01:46 | |
I don't know if she ever knew we'd need a car after her. | 0:01:46 | 0:01:50 | |
With an acting career spanning over five decades, | 0:01:50 | 0:01:53 | |
James Bolan was awarded an MBE in 2009 for his services to drama. | 0:01:53 | 0:01:58 | |
Some of his most memorable roles are The Likely Lads, | 0:01:58 | 0:02:02 | |
When The Boat Comes In and, more recently, | 0:02:02 | 0:02:05 | |
playing retired officer Jack Halford in New Tricks. | 0:02:05 | 0:02:08 | |
When we were still in the job Brian applied to university | 0:02:08 | 0:02:12 | |
as a mature student. | 0:02:12 | 0:02:14 | |
-Really? What happened? -They interviewed him. | 0:02:14 | 0:02:19 | |
Oh. | 0:02:19 | 0:02:20 | |
James is an antiques amateur, | 0:02:20 | 0:02:24 | |
but bird lover Susan has a bit more flair for collecting old objects. | 0:02:24 | 0:02:29 | |
I've no idea what I'm going to buy. | 0:02:29 | 0:02:33 | |
But you ought to go for some birding pictures and things like that. | 0:02:33 | 0:02:37 | |
-A birdie sculpture would be nice. -A little sculpture. | 0:02:37 | 0:02:42 | |
Susan has also been a star of television | 0:02:42 | 0:02:45 | |
and radio for over 50 years. | 0:02:45 | 0:02:47 | |
Her first big role was Myra Booth in Coronation Street in the '60s. | 0:02:47 | 0:02:51 | |
But she's since shared the screen with James many a time, | 0:02:51 | 0:02:55 | |
from When The Boat Comes In to New Tricks. | 0:02:55 | 0:02:58 | |
Despite their on and off-screen chemistry, | 0:02:58 | 0:03:01 | |
today is all about opposition. | 0:03:01 | 0:03:03 | |
-Who's going to win? -How do I know who's going to win? | 0:03:03 | 0:03:06 | |
-Well, I think I am. -You probably will. | 0:03:06 | 0:03:10 | |
Well, if I win, you can | 0:03:10 | 0:03:12 | |
-do the washing up for a week. -What?! | 0:03:12 | 0:03:16 | |
-Yeah. OK? -What if I win? | 0:03:16 | 0:03:19 | |
-You can take me out for a meal. -Oh, cheers. | 0:03:19 | 0:03:23 | |
Win-win for Susan and the challenge is set. | 0:03:23 | 0:03:26 | |
But our young lovebirds aren't alone in their quest. | 0:03:29 | 0:03:33 | |
Heading their way are two of Britain's foremost antiques experts, | 0:03:33 | 0:03:37 | |
James Braxton and David Harper. | 0:03:37 | 0:03:40 | |
And their chariot today is the 1971 convertible Triumph TR6. | 0:03:40 | 0:03:45 | |
-It's a very strange car, this. -Don't you think this sums up the mid-70s? | 0:03:45 | 0:03:49 | |
-We need big hairy chests and medallions. -I know. | 0:03:49 | 0:03:53 | |
That's more than we could take, thank you very much. | 0:03:53 | 0:03:56 | |
-Anyway, back to the game in hand. -So, do you know these celebrities? | 0:03:56 | 0:04:00 | |
Not personally, but I have been watching them all my life. | 0:04:00 | 0:04:05 | |
I particularly remember James Bowlam from The Likely Lads. | 0:04:05 | 0:04:09 | |
-Do you remember The Likely Lads? -I do know them from New Tricks. | 0:04:09 | 0:04:12 | |
I know you're fans of them both of them both, | 0:04:12 | 0:04:16 | |
-but I'd quite like to go with James. -Fine, OK. So I'll go with Susan. | 0:04:16 | 0:04:20 | |
That's that sorted, then. | 0:04:20 | 0:04:22 | |
Each of our pairs will have £400 to splash as their foray for trinkets | 0:04:22 | 0:04:27 | |
and treasures takes them on a tour of the seaside. | 0:04:27 | 0:04:29 | |
They will travel through the coastal county of Sussex before heading | 0:04:29 | 0:04:34 | |
inland to an auction in Dorking, Surrey. | 0:04:34 | 0:04:37 | |
But first our duos must come together, | 0:04:37 | 0:04:39 | |
then divide and conquer, beginning in beautiful Brighton. | 0:04:39 | 0:04:46 | |
They're probably having a paddle in the sea or something. | 0:04:46 | 0:04:48 | |
No, it's just that James is driving. | 0:04:48 | 0:04:51 | |
ALL EXCHANGE GREETINGS | 0:04:51 | 0:04:53 | |
-Nice to meet you. -We were saying we were a bit envious. | 0:04:54 | 0:04:58 | |
-Yes, it's very nice. -And it'll be warm. | 0:04:58 | 0:05:02 | |
I used to have an open car but I got rid of it | 0:05:02 | 0:05:05 | |
because you got to keep it so tidy. | 0:05:05 | 0:05:08 | |
Because as you driving along everything blows out of the car. | 0:05:08 | 0:05:11 | |
It does, yeah. So Susan and I are together, you two are together. | 0:05:11 | 0:05:14 | |
The first couple to finish shopping gets to choose the cars, | 0:05:14 | 0:05:17 | |
-in other words, the Moggie. -Oh, I see. LAUGHTER | 0:05:17 | 0:05:20 | |
-So we'd better get cracking, then. -Are we going to be fast, Susan? -No. | 0:05:20 | 0:05:25 | |
Oh, no! | 0:05:25 | 0:05:26 | |
Shall we run, then? Come on. | 0:05:26 | 0:05:29 | |
He seems keen. | 0:05:29 | 0:05:31 | |
Brighton is most famous for its iconic Grade 2 listed pier. | 0:05:31 | 0:05:36 | |
It opened in May 1899 at a cost of £137,000 to build. | 0:05:36 | 0:05:43 | |
Three million people flock to see it every year, | 0:05:43 | 0:05:46 | |
but this foursome has no time for sightseeing. | 0:05:46 | 0:05:49 | |
-I'm going to rub my lamp. -Whatever works for you, Susan. | 0:05:49 | 0:05:53 | |
LAUGHTER | 0:05:53 | 0:05:55 | |
Family run Brighton Lanes Antique Centre is nestling amongst the alleys | 0:05:57 | 0:06:02 | |
full of independent shops within the city centre's historic quarter. | 0:06:02 | 0:06:06 | |
This shop is split over two units across an alley, | 0:06:06 | 0:06:09 | |
and it's an old haunt of James Braxton's. | 0:06:09 | 0:06:12 | |
So, Team James could be in luck here. | 0:06:12 | 0:06:14 | |
James, you know this part of the world - is it full of treasure? | 0:06:14 | 0:06:17 | |
-It's full of treasure. James, we'll take the far one. -Right. | 0:06:17 | 0:06:21 | |
-He seems to know where he's going. That's a bit worrying. -I know. | 0:06:21 | 0:06:25 | |
So Susan and David have to be on the ball to take the advantage. | 0:06:25 | 0:06:29 | |
I think I'm going to need my glasses. | 0:06:29 | 0:06:32 | |
-It's always a good idea to see, Susan. That's the first rule. -Yes. | 0:06:32 | 0:06:35 | |
That will help. | 0:06:35 | 0:06:37 | |
-Where do you start? -I always start with the owner. -Turn on the charm? | 0:06:37 | 0:06:42 | |
We'll try to. I'll leave the charm to you. | 0:06:42 | 0:06:45 | |
-Is there anything in particular that you really like? -Silver? | 0:06:45 | 0:06:49 | |
-Or little sculptury things. -Oh, right. -I like things that have use. | 0:06:49 | 0:06:54 | |
-Good. -Rather than just ornamental. | 0:06:54 | 0:06:57 | |
OK. | 0:06:57 | 0:06:58 | |
When you're starting out, antique shops can be daunting, | 0:07:00 | 0:07:04 | |
often rants to the rafters with goodies. | 0:07:04 | 0:07:06 | |
So picking out a few specifics to look for can stop you being | 0:07:06 | 0:07:10 | |
overwhelmed and save an awful lot of time. | 0:07:10 | 0:07:13 | |
-It's very expensive, that. -You've got good taste. Expensive taste. | 0:07:15 | 0:07:20 | |
-Is that normal? Do you have expensive tastes generally? -Maybe. -Do you? | 0:07:20 | 0:07:25 | |
-(Except in men.) -Oh, really? | 0:07:25 | 0:07:27 | |
Moving on, next door shop's owner's daughter, Olivia, | 0:07:29 | 0:07:33 | |
is trying to bowl the chaps over with an antique skittles set. | 0:07:33 | 0:07:37 | |
So your balls are there, are they? These are your balls? | 0:07:37 | 0:07:42 | |
-They just pull off. -That's quite nice. | 0:07:42 | 0:07:46 | |
But, contrary to Susan saying she doesn't shop fast, | 0:07:46 | 0:07:50 | |
she's already spotted a cutlery set that ticks both her boxes. | 0:07:50 | 0:07:53 | |
It looks like it could be silver and practical. | 0:07:53 | 0:07:56 | |
-Tell me why you were drawn to that. -I like the patterning on it. | 0:07:56 | 0:08:01 | |
-SHE WINCES I say! -Cutlery?! | 0:08:01 | 0:08:04 | |
-Yeah. And there's chopsticks. -Chopsticks. | 0:08:04 | 0:08:07 | |
Yeah, and this is your little container. | 0:08:07 | 0:08:11 | |
-You know you say keep your thumb on the blade and strike upwards? -No! | 0:08:11 | 0:08:15 | |
Where were you trained? You don't learn this in theatre? | 0:08:15 | 0:08:18 | |
-Shakespearian. -I say! | 0:08:18 | 0:08:21 | |
Looks like David should keep on Susan's good side! | 0:08:21 | 0:08:24 | |
-It's definitely Chinese or Japanese. -Is it? | 0:08:24 | 0:08:26 | |
-I thought perhaps it was Indian. -No, I think it's much further east. | 0:08:26 | 0:08:30 | |
-You've got chopsticks. -Of course. Silly me. | 0:08:30 | 0:08:32 | |
But its shop assistant, Sev, | 0:08:32 | 0:08:35 | |
whose good side they need to keep on to get a good deal. | 0:08:35 | 0:08:39 | |
What are you thinking, Sev, material wise? | 0:08:39 | 0:08:42 | |
It's a white metal but there are no hallmarks. | 0:08:42 | 0:08:45 | |
It has the feel of silver. | 0:08:45 | 0:08:47 | |
It does and it is the weight of silver but there is no hallmark | 0:08:47 | 0:08:51 | |
and there are no identifying marks on it at all, are there? | 0:08:51 | 0:08:54 | |
It's a real novelty thing. Novelty works well in auctions. | 0:08:54 | 0:08:57 | |
I would be interested in that if I was at an auction. | 0:08:57 | 0:09:00 | |
Susan's instinct is telling her she could be onto something | 0:09:00 | 0:09:03 | |
if it's silver, as she suspects, but they are not committing just yet. | 0:09:03 | 0:09:08 | |
Back next door, the chaps have found | 0:09:08 | 0:09:10 | |
something that could strike a note at auction. | 0:09:10 | 0:09:13 | |
What about your bugle down there, Livia? | 0:09:13 | 0:09:16 | |
-I've just bought one in the other shop. -Have you? | 0:09:16 | 0:09:18 | |
There's a silver-plated one across the other side. | 0:09:18 | 0:09:21 | |
-That's done service, hasn't it? -It looks as if it has. | 0:09:23 | 0:09:28 | |
LOUD HONKING | 0:09:28 | 0:09:31 | |
-It's got a lovely tone! -Very good. Very impressed. | 0:09:31 | 0:09:34 | |
It's got a very nice tone, hasn't it? | 0:09:34 | 0:09:36 | |
And silver-plated, so it's for a silver band. | 0:09:36 | 0:09:39 | |
-Toby, can you go and get the bugle for me, please? -Look lively, lad. | 0:09:39 | 0:09:43 | |
Got the runner. Ask Sev for it. | 0:09:43 | 0:09:45 | |
Livia's son, Toby, is hanging out with his mum for the day | 0:09:45 | 0:09:48 | |
during half-term. | 0:09:48 | 0:09:49 | |
The instrument in question is actually a pocket trumpet | 0:09:49 | 0:09:53 | |
and, funnily enough, it's right next to Susan and David, | 0:09:53 | 0:09:56 | |
and it looks like silver and it's practical. | 0:09:56 | 0:09:59 | |
-Toby, pop back a minute. Is that going to your mum? -Yes. | 0:09:59 | 0:10:03 | |
-Is James interested? -No idea. -I think they might be. | 0:10:03 | 0:10:07 | |
-Does that make you more interested, Susan? -Yes. -It makes me interested. | 0:10:07 | 0:10:11 | |
Playing dirty. | 0:10:11 | 0:10:13 | |
I like it. | 0:10:13 | 0:10:14 | |
We've got a royal coat of arms there. | 0:10:14 | 0:10:16 | |
-That's a very nice bit of kit, isn't it? Silver-plated. -I like this. | 0:10:16 | 0:10:21 | |
I like that. It's been silver-plated | 0:10:21 | 0:10:23 | |
and you can see the copper coming through. | 0:10:23 | 0:10:25 | |
So that's what we call in the trade bleeding. | 0:10:25 | 0:10:28 | |
-Give it a blow! -Well, I'll try. | 0:10:28 | 0:10:30 | |
FEEBLE TOOTING | 0:10:31 | 0:10:33 | |
Oh, don't give up the day job. | 0:10:35 | 0:10:37 | |
Meanwhile, Team James are waiting patiently for Toby and the bugle. | 0:10:37 | 0:10:40 | |
Well, actually, it's a pocket trumpet, in the other shop. | 0:10:40 | 0:10:44 | |
Go on, Toby. | 0:10:44 | 0:10:46 | |
DISTANT TOOTING | 0:10:46 | 0:10:48 | |
-That's probably Toby! -That's Toby playing the bugle. | 0:10:48 | 0:10:51 | |
No, it isn't. | 0:10:51 | 0:10:52 | |
TOOTING | 0:10:52 | 0:10:54 | |
-Oh! -Susan, that is remarkably bad. -It's my embouchure. | 0:10:55 | 0:11:00 | |
The silver-plated turn-of-the-century pocket trumpet | 0:11:00 | 0:11:03 | |
was made in Manchester by Joseph Higham, | 0:11:03 | 0:11:06 | |
a prolific maker of musical instruments. | 0:11:06 | 0:11:08 | |
It also carries a royal coat of arms which could help | 0:11:08 | 0:11:11 | |
pull in the punters at auction. | 0:11:11 | 0:11:13 | |
-So, how much is this? -I know what the best is on that. 125. -125. | 0:11:13 | 0:11:18 | |
Date wise, it's got to be late 19th, early 20th-century. | 0:11:18 | 0:11:22 | |
TRUMPET BLOWS | 0:11:22 | 0:11:23 | |
Uh-oh, looks like they've been caught in the act. | 0:11:23 | 0:11:27 | |
-I'm just piping on board deck. -THEY LAUGH | 0:11:27 | 0:11:31 | |
We were in a marching band, what's that? | 0:11:31 | 0:11:33 | |
-That's a coronet, is it, or something? -You're not having this. | 0:11:33 | 0:11:37 | |
-No, we fancy this. Have you bought that? -No, we haven't bought it. | 0:11:37 | 0:11:41 | |
HE BLOWS, THEY LAUGH | 0:11:41 | 0:11:45 | |
SHE BLOWS THE BUGLE | 0:11:45 | 0:11:47 | |
-It's a battle of the duelling bugles. -Very good. | 0:11:47 | 0:11:52 | |
HE BLOWS That's terrible. | 0:11:52 | 0:11:56 | |
This has got a great sound. | 0:11:56 | 0:11:58 | |
That just sounds like some old car that's not very well! | 0:11:58 | 0:12:03 | |
I love it. I think we need to find out a bit more about it. | 0:12:03 | 0:12:06 | |
DAVID: Do you quite fancy that? Livia? | 0:12:06 | 0:12:08 | |
-Can we have you? -You can have me. | 0:12:08 | 0:12:10 | |
Susan is not only snatching the trumpet from under | 0:12:10 | 0:12:13 | |
her husband's nose, but she is also taking Livia from them too. | 0:12:13 | 0:12:17 | |
-Right. -We like this. -Talk to us about this. -Only just come in. | 0:12:17 | 0:12:21 | |
-It hasn't gone out. -Right. | 0:12:21 | 0:12:22 | |
Being charitable, you can have it for £100. | 0:12:22 | 0:12:25 | |
Put it this way, I'd put it in the shop for more, | 0:12:25 | 0:12:28 | |
-so you're getting a bargain. -OK, OK. | 0:12:28 | 0:12:31 | |
-Can't do a tiny bit less? Tiny? -90. 90, then. | 0:12:31 | 0:12:35 | |
Oh, Susan is good, isn't she? | 0:12:37 | 0:12:39 | |
And whilst they're at it, | 0:12:39 | 0:12:41 | |
they're trying to get a deal for the cutlery set too. | 0:12:41 | 0:12:44 | |
Any compromise between the two? | 0:12:46 | 0:12:48 | |
Being charitable, 140. | 0:12:50 | 0:12:52 | |
-Well, decision time? Is it 140 or nothing? -140 or nothing. | 0:12:52 | 0:12:57 | |
-OK, it's 140 or nothing. We've got £400. -Yeah, go on. -Let's do it. | 0:12:57 | 0:13:00 | |
-Thank you very much. -Absolutely. -OK. Well done. | 0:13:00 | 0:13:06 | |
But whilst Mum is busy and with no ticket price, | 0:13:06 | 0:13:09 | |
James and James are trying to put in a cheeky offer on the bugle. | 0:13:09 | 0:13:13 | |
Toby? 20 quid for this. | 0:13:13 | 0:13:15 | |
-Well done. Good man. -I am not sure that is strictly above board. | 0:13:15 | 0:13:20 | |
Meanwhile, the other team haven't finished yet. | 0:13:20 | 0:13:24 | |
-Can I show you something that I really love? -Yes, you can. | 0:13:24 | 0:13:29 | |
I just think it is incredibly stylish, a big lump of glass, | 0:13:29 | 0:13:34 | |
-hand blown. -I don't like it. I don't think the top goes with the bottom. | 0:13:34 | 0:13:39 | |
You know what, you are brilliant, because you are so right. | 0:13:39 | 0:13:42 | |
Susan is definitely getting the hang of this. | 0:13:42 | 0:13:44 | |
That top is probably Venetian, could be Murano. | 0:13:44 | 0:13:48 | |
You're right, that lacquered stand was made in China. | 0:13:48 | 0:13:51 | |
That's too big and hefty to go with the glass. | 0:13:51 | 0:13:54 | |
They've been married together. | 0:13:54 | 0:13:55 | |
People do buy those Chinese stands | 0:13:55 | 0:13:57 | |
and you would be amazed what these things can make. Even though... | 0:13:57 | 0:14:00 | |
I am in your hands. | 0:14:00 | 0:14:02 | |
-You're going to blame me if it all goes wrong, though?! -No. | 0:14:02 | 0:14:05 | |
-I like this, James, don't you? -I think we have done a good deal there. | 0:14:05 | 0:14:09 | |
It's a great deal. Toby, has this been ratified by your mother? | 0:14:09 | 0:14:13 | |
Has she approved the deal? | 0:14:13 | 0:14:16 | |
-Yes. -There we are. Toby, thank you very much. -What do you say? | 0:14:16 | 0:14:21 | |
-Shake hands? Thank you. -Toby, thank you. | 0:14:21 | 0:14:24 | |
You've got all of the Jameses and Mum, thank you very much indeed. | 0:14:24 | 0:14:28 | |
Thank you. | 0:14:28 | 0:14:30 | |
As Susan swiped the trumpet | 0:14:30 | 0:14:32 | |
before they even got the chance to look at it, | 0:14:32 | 0:14:34 | |
Team James are left with just the military bugle for £20. | 0:14:34 | 0:14:38 | |
So that means the chaps could be getting cosy in the Minor | 0:14:38 | 0:14:41 | |
if they choose, rather than shivering in the open-top Triumph. | 0:14:41 | 0:14:45 | |
-Here we are. We've finished. We're all done. -What's that? | 0:14:45 | 0:14:49 | |
This is a bugle. What's this?! | 0:14:49 | 0:14:51 | |
-It took a lot of negotiation, I can tell you. -And horn blowing, we heard. | 0:14:51 | 0:14:56 | |
Lovely tone, this one. | 0:14:56 | 0:14:58 | |
Well, not what we heard, James, was it someone else playing? | 0:14:58 | 0:15:01 | |
-So, we have won the car, have we? -We're off. We're all done. Bye. | 0:15:01 | 0:15:06 | |
Do you think they might do the gentlemanly thing? | 0:15:06 | 0:15:09 | |
-I doubt it. -That's for you to know! | 0:15:09 | 0:15:13 | |
Come on, let's go. | 0:15:13 | 0:15:16 | |
David has not given up convincing Susan that the glass bowl | 0:15:16 | 0:15:19 | |
-and stand is for them. -I will try and capture you with price. | 0:15:19 | 0:15:22 | |
-Livy, hello. -Hi. -Oh, and Toby as well. -Toby as well! Half term. | 0:15:22 | 0:15:26 | |
There's a lovely bowl in the other shop, a blue one, you know the one? | 0:15:26 | 0:15:32 | |
I know the bowl. 125. It's stunning. | 0:15:32 | 0:15:34 | |
It's a lovely bit of art glass, isn't it? | 0:15:34 | 0:15:37 | |
-Very pretty. -Can we split them? Can you sell the bowl for 40? | 0:15:37 | 0:15:41 | |
-You can have them both for 100. -What about 70 for the two? -Give me 90. | 0:15:41 | 0:15:46 | |
-Make it 80 and I will have it. -80 for the two? Go on. -Good. | 0:15:46 | 0:15:50 | |
Thank you very much. | 0:15:50 | 0:15:52 | |
That's three items, the cutlery set, | 0:15:52 | 0:15:55 | |
the silver-plated pocket trumpet | 0:15:55 | 0:15:57 | |
and the Murano glass bowl and stand for £220. | 0:15:57 | 0:16:01 | |
And to top it all, the Jameses had even left them | 0:16:01 | 0:16:04 | |
the cosy Morris Minor. | 0:16:04 | 0:16:06 | |
-Oh, bless. -Oh, my goodness me. | 0:16:06 | 0:16:08 | |
They're going for the public, "We're nice guys." | 0:16:08 | 0:16:13 | |
-No, I think they couldn't remember where it was. -Do you think so?! | 0:16:13 | 0:16:17 | |
Meanwhile, Team James are taking the Triumph TR6 north to Lewes | 0:16:20 | 0:16:24 | |
East Sussex, with the top up, | 0:16:24 | 0:16:26 | |
so that the wind doesn't mess up their hair. Oh. | 0:16:26 | 0:16:28 | |
So, have you ever played the elderly antique dealer yet? | 0:16:28 | 0:16:33 | |
-No, no, missed all that, I'm afraid. -Missed all that. | 0:16:33 | 0:16:35 | |
I suppose one does get involved in antiques in a certain way. | 0:16:35 | 0:16:40 | |
We do something like When The Boat Comes In, of course, | 0:16:40 | 0:16:44 | |
you get all of these First World War uniforms. | 0:16:44 | 0:16:47 | |
Oh, but team James has still got plenty of money to play with. | 0:16:47 | 0:16:52 | |
Is there anything you are particularly interested in, | 0:16:52 | 0:16:55 | |
-antique-wise? -Well, not really, you see, at home, | 0:16:55 | 0:17:00 | |
we don't have any sort of antiques, really. | 0:17:00 | 0:17:03 | |
We always have dogs and cats. | 0:17:03 | 0:17:05 | |
You can't surround yourself with objets d'art. | 0:17:05 | 0:17:09 | |
-Where do you put all those trophies and accolades, then? -I don't get any! | 0:17:09 | 0:17:13 | |
-Rubbish! -I don't get any accolades! -Apart from the MBEs. | 0:17:13 | 0:17:17 | |
-Oh, well, that, yes. -HE LAUGHS | 0:17:17 | 0:17:20 | |
Yes, there is that. | 0:17:20 | 0:17:21 | |
With the break in their shopping, | 0:17:23 | 0:17:26 | |
the chaps were in Lewes to learn about a local landmark, | 0:17:26 | 0:17:29 | |
one of the oldest breweries in the UK, Harvey & Sons. | 0:17:29 | 0:17:33 | |
The Harvey family have been in the alcohol industry | 0:17:36 | 0:17:39 | |
since the late 18th century. | 0:17:39 | 0:17:41 | |
John Harvey established the brewery here in 1838. | 0:17:41 | 0:17:44 | |
The business has since been passed down through | 0:17:44 | 0:17:47 | |
eight generations of the family and they are still in charge today. | 0:17:47 | 0:17:51 | |
Managing director, Miles Jenner, may not be related to the Harveys, | 0:17:51 | 0:17:55 | |
but he followed in his own father's footsteps, | 0:17:55 | 0:17:58 | |
Anthony Jenner, who was once the MD and head brewer. | 0:17:58 | 0:18:01 | |
Harveys is the most beautiful example of a Victorian Gothic style. | 0:18:03 | 0:18:08 | |
Very much the formal landmark to this area of Lewes | 0:18:08 | 0:18:12 | |
and rather irreverently known locally as Lewes Cathedral. | 0:18:12 | 0:18:15 | |
THEY LAUGH | 0:18:15 | 0:18:17 | |
As trade increased, the original brewhouse became worn, | 0:18:17 | 0:18:21 | |
so they needed to replace it. | 0:18:21 | 0:18:23 | |
It was rebuilt in 1881 by a very famous brewery architect | 0:18:23 | 0:18:28 | |
called William Bradford, and he produced a typical tower brewery. | 0:18:28 | 0:18:33 | |
And the whole principle of brewing is literally | 0:18:33 | 0:18:35 | |
-dropping from the top to the bottom by gravity. -Yes, wonderful. | 0:18:35 | 0:18:40 | |
The brewery used to take water directly from the River Ouse, | 0:18:40 | 0:18:43 | |
and pump it up to the top of the tower, | 0:18:43 | 0:18:45 | |
using gravity to drop the water through the brewing process. | 0:18:45 | 0:18:49 | |
Even though the site has been modernised, | 0:18:49 | 0:18:52 | |
traditional methods are key to this family-run business, | 0:18:52 | 0:18:55 | |
which had been noted down through its history | 0:18:55 | 0:18:58 | |
in special handwritten ledgers. | 0:18:58 | 0:19:00 | |
So, these are all brewing journals? | 0:19:00 | 0:19:02 | |
I have volumes and volumes, | 0:19:02 | 0:19:04 | |
every single one handwritten at the end of the day's brewing. | 0:19:04 | 0:19:07 | |
Which is what has happened to the beer, or...? | 0:19:07 | 0:19:09 | |
It's the raw materials that have gone into the beer. And any notes, | 0:19:09 | 0:19:14 | |
anything that has happened during the day that we should be aware of. | 0:19:14 | 0:19:17 | |
-One year, this place was flooded, wasn't it? -Absolutely, yes. | 0:19:17 | 0:19:20 | |
We've a flood entry in our journal. | 0:19:20 | 0:19:23 | |
We had two brews, we've got the flood brew at the top. | 0:19:23 | 0:19:27 | |
And that all went out and was bottled as Ouse booze. | 0:19:27 | 0:19:32 | |
Some of the journals date back almost 200 years. | 0:19:32 | 0:19:36 | |
One of the first is original founder John Harvey's | 0:19:36 | 0:19:41 | |
from the 1830s, detailing the odd brewing catastrophe. | 0:19:41 | 0:19:45 | |
"A bad job today. | 0:19:45 | 0:19:47 | |
"The pipes burst in the river and we had to brew from the river water. | 0:19:47 | 0:19:50 | |
"First brewing today, very thick and muddy." | 0:19:50 | 0:19:54 | |
THEY LAUGH | 0:19:54 | 0:19:57 | |
So, it is a piece of social history. | 0:19:57 | 0:20:00 | |
It's not just problems recorded - | 0:20:00 | 0:20:02 | |
one of the previous head brewers also included personal highlights. | 0:20:02 | 0:20:07 | |
"This morning, 7:12, my wife confined with a little girl." | 0:20:07 | 0:20:12 | |
So, birth intermingled into the brewing records. | 0:20:12 | 0:20:16 | |
Harveys produced 36,000 barrels of beer every year. | 0:20:16 | 0:20:20 | |
Their traditional ales aren't pasteurised, | 0:20:20 | 0:20:23 | |
so the yeast remains active. | 0:20:23 | 0:20:26 | |
For the last 50 years, they have skimmed off yeast from each brew | 0:20:26 | 0:20:29 | |
to re-use it in the next batch, | 0:20:29 | 0:20:30 | |
helping to maintain a consistent flavour. | 0:20:30 | 0:20:33 | |
And at the end of a day's shopping, it would be rude | 0:20:33 | 0:20:36 | |
not to sample the local speciality! | 0:20:36 | 0:20:39 | |
We're going to try the best bitter, which is 90% of our volume. | 0:20:39 | 0:20:44 | |
It was evolved, really, after the Second World War as a local brand. | 0:20:44 | 0:20:50 | |
-Cheers. -Cheers. Cheers, good health. -Lovely to see you. -Good health. | 0:20:50 | 0:20:54 | |
-It's lovely, isn't it? Isn't that right? -That's really, really dry. | 0:20:55 | 0:20:59 | |
Very much characteristic of the Sussex beer - | 0:20:59 | 0:21:02 | |
good, hot character, but the sweetness there to balance it. | 0:21:02 | 0:21:06 | |
And I think brewers by and large, certainly of my generation, | 0:21:06 | 0:21:10 | |
look for balanced beer. | 0:21:10 | 0:21:12 | |
-When you lose your balance, you've had enough. -Exactly! It's very good. | 0:21:12 | 0:21:16 | |
It's delicious. Well, we will tip those away. | 0:21:16 | 0:21:19 | |
James isn't happy with that! | 0:21:19 | 0:21:21 | |
The idea of somebody taking my beer out of my hand | 0:21:21 | 0:21:24 | |
-and throwing it down the sink! -Do we have to go, James? | 0:21:24 | 0:21:27 | |
-Think we have to, I'm afraid. We must. -Oh, dear. -Thank you so much. | 0:21:27 | 0:21:31 | |
Thank you for coming. | 0:21:31 | 0:21:33 | |
Probably best leave the car until tomorrow, though. | 0:21:33 | 0:21:35 | |
-No driving for us, James, is there? -Shanks's pony. | 0:21:35 | 0:21:38 | |
While the fellows have been supping Sussex's special brew, | 0:21:41 | 0:21:45 | |
Susan and David have been pootling along to Peacehaven. | 0:21:45 | 0:21:48 | |
So, what about you and Jim? When did you meet? | 0:21:48 | 0:21:50 | |
-We met on The Lads. Likely Lads. -Oh, OK. | 0:21:50 | 0:21:52 | |
So, what did you think of him when you first saw him? | 0:21:52 | 0:21:55 | |
-I thought he was a bit loud. -HE LAUGHS | 0:21:55 | 0:21:57 | |
-He thought I was a bit stuck up. -No! | 0:21:57 | 0:21:59 | |
And you still get on really well together, don't you? | 0:21:59 | 0:22:02 | |
Yeah, yeah, really do. Yeah, it's great. | 0:22:02 | 0:22:04 | |
-That's probably special after all of these years. -Mmmm. | 0:22:04 | 0:22:08 | |
Susan and David are heading to this divine seaside town to spend | 0:22:08 | 0:22:12 | |
some of the £180 still in their pockets. | 0:22:12 | 0:22:15 | |
Now, then, is there a competitive streak in your game? | 0:22:15 | 0:22:19 | |
-Oh, I shall win. -Really? -But I don't have a competitive streak. | 0:22:19 | 0:22:23 | |
It's confident, though. Great confidence there. | 0:22:23 | 0:22:26 | |
-I'm just being realistic. -Right, OK. | 0:22:26 | 0:22:29 | |
So, you look at the competition, your Jim and James Braxton | 0:22:29 | 0:22:33 | |
-and you are confident. -They've got no chance. | 0:22:33 | 0:22:36 | |
-I'm agree with you. -OK. -That's fighting talk there. | 0:22:36 | 0:22:40 | |
But they must shop well, if they are going to stand a chance at auction. | 0:22:40 | 0:22:44 | |
The next stop is the family-run Collectors Haven. | 0:22:44 | 0:22:47 | |
-Here we are. -Look at this. -I like the sale. | 0:22:48 | 0:22:51 | |
-And manning the fort today is owner Steve Newman. -Hey. -Hi, hello. Hello. | 0:22:53 | 0:23:00 | |
-Right, so, well. -Treasure trove in here. -Dive in. Dive in. | 0:23:00 | 0:23:05 | |
-Yet again, Susan is quick off the mark. -What have you got there? | 0:23:09 | 0:23:13 | |
-It's a lizard. -Oh, nice. -It's sandal, sandalwood. | 0:23:13 | 0:23:18 | |
-Is it sandalwood? -Yeah. -Let's have a look at that. | 0:23:18 | 0:23:20 | |
Tell me why you are drawn to that? | 0:23:20 | 0:23:22 | |
-Cos I like lizards. -Do you? -I'll put my glasses on. | 0:23:22 | 0:23:25 | |
-Actually, it is really well carved, I have got to say. -It's lovely. | 0:23:25 | 0:23:29 | |
-Do you know, I like this. -I'm not knocking him. | 0:23:29 | 0:23:31 | |
I think he's really incredibly well done. | 0:23:31 | 0:23:33 | |
OK, he's bonkers. He's got no age to him. | 0:23:33 | 0:23:36 | |
Stevie's in such a good mood that we know we could get that... | 0:23:36 | 0:23:39 | |
Get him for £3. | 0:23:39 | 0:23:40 | |
-Yes, well... -I'm sure we can... I'm sure we can let that one go. | 0:23:40 | 0:23:46 | |
Susan's following her heart and she seems to be on a roll here. | 0:23:46 | 0:23:49 | |
-Oh, hello. -Oh, hello, another animal. | 0:23:49 | 0:23:51 | |
Inevitably. | 0:23:51 | 0:23:53 | |
These look like temple dogs. | 0:23:53 | 0:23:55 | |
That's exactly what they are - Buddhistic, protecting lion dogs. | 0:23:55 | 0:23:59 | |
Very tactile. | 0:23:59 | 0:24:00 | |
-You like 'em? -They feel so nice in your hands. -Let me have a feel. | 0:24:00 | 0:24:04 | |
-They do. -Don't they? | 0:24:05 | 0:24:06 | |
-They are made to be touched and to be held. -Yeah. | 0:24:06 | 0:24:08 | |
They are sadly quite modern. | 0:24:08 | 0:24:11 | |
-Nevertheless... -Nevertheless, they're very interesting. | 0:24:12 | 0:24:15 | |
-Do you like them? -I do. | 0:24:15 | 0:24:17 | |
-I do. -Are they talking to you? -Yeah, they are. | 0:24:17 | 0:24:20 | |
-Seriously? -They spoke to me in there. -Really? | 0:24:20 | 0:24:23 | |
Have you been to the doctor's, or...? | 0:24:23 | 0:24:24 | |
Yes, he said it's going to happen more and more, | 0:24:24 | 0:24:27 | |
as I get older! | 0:24:27 | 0:24:28 | |
-I like 'em. -I like them, actually. | 0:24:30 | 0:24:33 | |
But they'd have to be cheap. | 0:24:33 | 0:24:34 | |
They don't always have a lizard with them. | 0:24:34 | 0:24:36 | |
You see, cos you'd have a lizard in a temple. | 0:24:36 | 0:24:39 | |
I think Susan will be getting her way with that lizard. | 0:24:39 | 0:24:42 | |
What do you think, Steve? | 0:24:42 | 0:24:44 | |
Erm... | 0:24:44 | 0:24:45 | |
I'd offer them to you for 25. | 0:24:45 | 0:24:49 | |
How does that sound? | 0:24:49 | 0:24:50 | |
WHISPERS: Rubbish. | 0:24:52 | 0:24:53 | |
No, I don't think it's rubbish, | 0:24:55 | 0:24:56 | |
I think it's a reasonable place to start. | 0:24:56 | 0:24:58 | |
She's on fire. | 0:24:58 | 0:25:00 | |
Who needs David? | 0:25:00 | 0:25:01 | |
Bearing in mind we might almost certainly be having the lizard. | 0:25:01 | 0:25:05 | |
-Oh, right. -I'd take a very small profit at 20. | 0:25:05 | 0:25:08 | |
Would that suit you? | 0:25:08 | 0:25:09 | |
I think that's quite acceptable. Are we including the lizard in that 20? | 0:25:11 | 0:25:15 | |
I'll include the lizard in the deal as well. | 0:25:15 | 0:25:18 | |
Excuse me - how on Earth did she do that? | 0:25:20 | 0:25:22 | |
The dogs, that's the thing. | 0:25:22 | 0:25:24 | |
You see, they've been in my hands, they told me how to do it. | 0:25:24 | 0:25:26 | |
Whatever works, Susan. | 0:25:26 | 0:25:28 | |
I think a spot of the Jameson charm helped, though. | 0:25:28 | 0:25:31 | |
So that's £20 for their fourth lot of the day, | 0:25:31 | 0:25:34 | |
the hand-carved lizard and the pair of soapstone temple dogs. | 0:25:34 | 0:25:38 | |
Bye-bye, bye-bye, thank you. | 0:25:38 | 0:25:40 | |
A fantastic first day for both teams | 0:25:40 | 0:25:42 | |
in this husband-versus-wife challenge. | 0:25:42 | 0:25:45 | |
That was the best bit of negotiating I've seen in years. | 0:25:45 | 0:25:47 | |
Oh, thank you. | 0:25:47 | 0:25:49 | |
And now all that's left is for the sun to turn its light off. | 0:25:50 | 0:25:53 | |
Nighty-night. | 0:25:53 | 0:25:54 | |
Another day dawns and both of our antiques amateurs | 0:25:58 | 0:26:02 | |
and aficionados are raring to go. | 0:26:02 | 0:26:05 | |
Oh, watch out! | 0:26:06 | 0:26:07 | |
That's the end of that car. | 0:26:07 | 0:26:09 | |
They don't make 'em like that any more. Oh, dear. | 0:26:09 | 0:26:12 | |
We've got to get our act together today, me and James. | 0:26:13 | 0:26:16 | |
I think you have. | 0:26:16 | 0:26:17 | |
-I'm not sure how much expertise is actually exercised. -Not a lot! | 0:26:17 | 0:26:21 | |
He was quite an expert in the brewery, I thought. | 0:26:21 | 0:26:23 | |
Yes, you spent rather a long time in there. | 0:26:23 | 0:26:26 | |
But Susan was having a rather lovely time herself with David. | 0:26:26 | 0:26:30 | |
-He's fab. -Good. | 0:26:30 | 0:26:33 | |
Yes, we're quite simpatico. | 0:26:33 | 0:26:34 | |
I think I'm probably going to run off with him at the end of the day. | 0:26:34 | 0:26:38 | |
-Fantastic, fantastic. -I knew you'd be glad. | 0:26:38 | 0:26:40 | |
Liar. While they bumble along in the Morris Minor Traveller, | 0:26:40 | 0:26:44 | |
James and David are tearing it up in the Triumph TR6. | 0:26:44 | 0:26:47 | |
How did you get on with the lovely Susan yesterday? | 0:26:47 | 0:26:51 | |
Well, wasn't she fun? She really is an absolute cracker. | 0:26:51 | 0:26:54 | |
She's a very nice lady. | 0:26:54 | 0:26:56 | |
What an attractive lady. | 0:26:56 | 0:26:58 | |
I think she's one of those people just generally interested in life. | 0:26:58 | 0:27:01 | |
-Yeah. -And anything. | 0:27:01 | 0:27:03 | |
Sounds like David's smitten with Susan too. | 0:27:03 | 0:27:06 | |
She's even charmed opposition James. | 0:27:06 | 0:27:09 | |
-She's a cracking eye. What a little negotiator. -Really? | 0:27:09 | 0:27:12 | |
The final chap was mauled by a lamb. | 0:27:12 | 0:27:15 | |
I'm yet to test James, one - on what he wants to buy, | 0:27:15 | 0:27:21 | |
and two - whether he's as good a negotiator as his wife. | 0:27:21 | 0:27:25 | |
Good luck on that one. I doubt it very much. | 0:27:25 | 0:27:27 | |
Crack negotiator and super-charmer Susan, | 0:27:29 | 0:27:32 | |
and David, have splashed out £240 on a Japanese cutlery set, | 0:27:32 | 0:27:35 | |
a silver-plated pocket trumpet, | 0:27:35 | 0:27:38 | |
a glass bowl and stand, a hand-carved lizard | 0:27:38 | 0:27:41 | |
and a pair of temple dogs, as you do, | 0:27:41 | 0:27:44 | |
leaving them with £160 to spend today. | 0:27:44 | 0:27:46 | |
Team James has only spent £20 so far on a military bugle, | 0:27:48 | 0:27:51 | |
so they've got £380 to spend wisely today, | 0:27:51 | 0:27:54 | |
if James Bolam would rather take his wife out to dinner | 0:27:54 | 0:27:57 | |
than have a week of washing up. | 0:27:57 | 0:27:59 | |
Ha! | 0:27:59 | 0:28:00 | |
This is the right way, I hope. | 0:28:01 | 0:28:03 | |
There isn't a sat nav in this, believe it or not. | 0:28:04 | 0:28:08 | |
It's back to the seaside for our treasure seekers, | 0:28:08 | 0:28:10 | |
who are descending on the costal town of Bexhill. | 0:28:10 | 0:28:13 | |
James and David are catching some rays | 0:28:13 | 0:28:16 | |
as they wait for Susan and James. | 0:28:16 | 0:28:18 | |
Again. | 0:28:18 | 0:28:20 | |
Where are they? Come on! | 0:28:20 | 0:28:22 | |
Look at that moggie - isn't she gorgeous? | 0:28:22 | 0:28:24 | |
-Good, isn't it? -Loving it. | 0:28:24 | 0:28:26 | |
Oh, I say...! | 0:28:26 | 0:28:28 | |
ALL: Morning! Morning! | 0:28:28 | 0:28:30 | |
-Nicely rested? -Yes. | 0:28:30 | 0:28:32 | |
Hang on a minute, we're all kind of like on trend... | 0:28:32 | 0:28:35 | |
I'm very dark and sombre, aren't I? | 0:28:35 | 0:28:37 | |
I like it, I like it. | 0:28:37 | 0:28:38 | |
A man who means business. | 0:28:38 | 0:28:40 | |
-Oh! -Ah! | 0:28:40 | 0:28:41 | |
Makes me feel very confident. | 0:28:41 | 0:28:43 | |
Anyway, we struck lucky, we're in here, James. | 0:28:43 | 0:28:45 | |
Wonderful. | 0:28:45 | 0:28:47 | |
-They're off along the coast. -You'll want that, then, won't you? | 0:28:47 | 0:28:49 | |
Shall I do the honours, madam? | 0:28:49 | 0:28:51 | |
I think you'd better, my legs are too short. | 0:28:51 | 0:28:53 | |
Good luck, chaps. | 0:28:53 | 0:28:54 | |
Good luck, good luck. | 0:28:54 | 0:28:55 | |
Not too much. | 0:28:55 | 0:28:57 | |
Team James has the whole | 0:28:59 | 0:29:01 | |
of the huge antique furniture and vintage fitting shop, Eras of Style, | 0:29:01 | 0:29:05 | |
at their fingertips. | 0:29:05 | 0:29:07 | |
We've found the right place here, James. Enormous variety here. | 0:29:07 | 0:29:11 | |
There are 11 rooms inside and an outside garden area, | 0:29:11 | 0:29:14 | |
so thousands of items to choose from here. | 0:29:14 | 0:29:17 | |
James Bolam's a keen golfer, | 0:29:17 | 0:29:19 | |
and keeping an eye out for handy bits of kit is par for the course. | 0:29:19 | 0:29:24 | |
£25. | 0:29:25 | 0:29:27 | |
You see, that's lovely, isn't it? | 0:29:27 | 0:29:28 | |
-A lovely bit of design, isn't it? -Absolutely, marvellous. | 0:29:28 | 0:29:31 | |
You can have that on your golf bag, you see? | 0:29:31 | 0:29:34 | |
While you're waiting for your partner to line up his putt. | 0:29:34 | 0:29:37 | |
Yeah. | 0:29:37 | 0:29:38 | |
-Sit down and... -That's perfect, isn't it? | 0:29:38 | 0:29:41 | |
It's atually a three-legged, folding shooting stick, | 0:29:44 | 0:29:46 | |
but it can be used for other outdoor pursuits, | 0:29:46 | 0:29:50 | |
which could help at auction. | 0:29:50 | 0:29:51 | |
Good find, James. What else have you got? | 0:29:51 | 0:29:53 | |
-Look at these, carved. -Yeah. | 0:29:54 | 0:29:58 | |
And all carved out of a single piece of wood. | 0:29:58 | 0:30:01 | |
Probably from somewhere like Nigeria or somewhere, isn't it? | 0:30:01 | 0:30:04 | |
I don't know, I've never seen anything like it before. | 0:30:04 | 0:30:07 | |
Brilliant, yeah. | 0:30:07 | 0:30:08 | |
You can see the form of it, can't you? | 0:30:08 | 0:30:11 | |
-That's amazing, it's wonderful. -Yeah. 125. | 0:30:11 | 0:30:15 | |
You'd get it for a lot less than that. | 0:30:16 | 0:30:18 | |
Yeah, we'll get it for a lot less. | 0:30:18 | 0:30:20 | |
-Do you like that, then, James? -I do, actually. Don't you? | 0:30:20 | 0:30:23 | |
I think it's unusual. | 0:30:23 | 0:30:25 | |
James started out not knowing what he wanted, | 0:30:25 | 0:30:27 | |
but he's getting into the swing of things. | 0:30:27 | 0:30:30 | |
Susan's love of birds may have rubbed off on him, | 0:30:30 | 0:30:32 | |
but a hefty ticket price of £295 could put these bronze cranes | 0:30:32 | 0:30:37 | |
out of their league. | 0:30:37 | 0:30:40 | |
-Cranes? -I think they're cranes, aren't they? | 0:30:40 | 0:30:42 | |
They've got some good feet, they're cemented into something. | 0:30:42 | 0:30:45 | |
They weight a ton, I should think. | 0:30:45 | 0:30:47 | |
Ooh, I can't lift them! They're rather splendid, aren't they? | 0:30:47 | 0:30:50 | |
-They're nice, aren't they? -They are. | 0:30:50 | 0:30:52 | |
I think they might be another candidate. Do you like them? | 0:30:52 | 0:30:55 | |
Sue would like them, I'm sure. | 0:30:55 | 0:30:57 | |
-Cos she loves birds. -That's always good. | 0:30:57 | 0:31:00 | |
Always good to buy something that somebody else has slightly... | 0:31:00 | 0:31:04 | |
She'd go, "Ooh, I should have bought them." | 0:31:04 | 0:31:07 | |
So with three potential items, the fellas find owner Andy Towle | 0:31:07 | 0:31:12 | |
to try and strike a deal, starting with the £125 African table. | 0:31:12 | 0:31:16 | |
-I'd do that for £70, if it helps. -IN COCKNEY ACCENT: -£70, yeah. | 0:31:16 | 0:31:21 | |
I think that's fair. I think that's excellent. | 0:31:21 | 0:31:24 | |
Yeah, we'll have a go at that. Let's take that, shall we? | 0:31:24 | 0:31:27 | |
Yes, lovely. Thank you. | 0:31:27 | 0:31:28 | |
Well, there wasn't much negotiation there. | 0:31:28 | 0:31:31 | |
They must be pretty confident with what they've chosen. | 0:31:31 | 0:31:33 | |
-Is there anything else you've seen? -I quite like those cranes. | 0:31:33 | 0:31:37 | |
The cranes out in the garden. | 0:31:37 | 0:31:39 | |
They're sold, I'm afraid. | 0:31:39 | 0:31:42 | |
-They're sold? -Sold, are they? -They are. | 0:31:42 | 0:31:44 | |
I sold those at the weekend. | 0:31:44 | 0:31:46 | |
-So they're out. -Well, that's that plan out of the window. | 0:31:46 | 0:31:49 | |
So the fellas head back on the hunt for a replacement. | 0:31:49 | 0:31:53 | |
This is a wine cooler, silver-plated, | 0:31:54 | 0:31:57 | |
it's not a lot of money. | 0:31:57 | 0:31:59 | |
If we're struggling a bit, | 0:31:59 | 0:32:01 | |
I might introduce this as a candidate to James. | 0:32:01 | 0:32:04 | |
Meanwhile, Susan and David have edged east | 0:32:05 | 0:32:08 | |
towards St Leonards-on-Sea | 0:32:08 | 0:32:10 | |
as they reminisce about the '60s. | 0:32:10 | 0:32:13 | |
-Tell me about Coronation Street. -Coronation Street, yeah. -Fun? | 0:32:13 | 0:32:16 | |
It was extraordinary, actually. | 0:32:16 | 0:32:18 | |
We did the rehearsals and on the Friday lunchtime, | 0:32:18 | 0:32:22 | |
-somebody turned up and gave me a brown envelope. -Oh, yeah? | 0:32:22 | 0:32:26 | |
-I thought, "Ooh!", and I had a look inside and there was £25 in it! -£25? | 0:32:26 | 0:32:31 | |
And then I discovered that it wasn't my wages. | 0:32:31 | 0:32:34 | |
It was my expenses for the week. | 0:32:34 | 0:32:36 | |
-For the week? -For the week. | 0:32:36 | 0:32:38 | |
I'd never had expenses before | 0:32:38 | 0:32:41 | |
and never seen that amount of money all in one envelope before. | 0:32:41 | 0:32:44 | |
-That's champagne expenses back then! -Just fantastic. | 0:32:44 | 0:32:47 | |
Sadly for Susan, she has to spend her remaining £180 on shopping, | 0:32:47 | 0:32:53 | |
not champagne. Ha! | 0:32:53 | 0:32:54 | |
The next stop is the Kings Road Bazaar in the heart of St Leonards. | 0:32:54 | 0:32:59 | |
-Right, here we are. Let's go do some seaside shopping. -OK. | 0:32:59 | 0:33:03 | |
This indoor emporium is home to 14 separate stalls. | 0:33:03 | 0:33:08 | |
-Today, we're in the capable Hands of stallholder Clive. -Hello, there. | 0:33:08 | 0:33:13 | |
-Hi, there. Susan. -Hello, Clive, I'm Sue. -Hi, there. -Pleased to meet you. | 0:33:13 | 0:33:17 | |
With four lots already in the old bag, | 0:33:17 | 0:33:19 | |
they're looking for something unique. | 0:33:19 | 0:33:21 | |
We're looking to buy a good auction lot, which means probably small, | 0:33:21 | 0:33:26 | |
good quality, a bit out of the ordinary, quirky. | 0:33:26 | 0:33:30 | |
-A bit like Susan. -THEY LAUGH | 0:33:30 | 0:33:32 | |
That's quite quirky. | 0:33:33 | 0:33:35 | |
Outside garden tap with a dog on the top of it. | 0:33:35 | 0:33:38 | |
If you like dogs. | 0:33:38 | 0:33:41 | |
-I think we do like dogs. -We do like dogs. | 0:33:41 | 0:33:43 | |
It's in keeping with everything else. | 0:33:43 | 0:33:45 | |
-This is brass, yes? -It's definitely brass. | 0:33:45 | 0:33:48 | |
Look at the way it's patinated | 0:33:48 | 0:33:50 | |
through years and years of age. | 0:33:50 | 0:33:52 | |
-Lots of people turning that tap on and off. -Exactly. | 0:33:52 | 0:33:55 | |
A 1930s tap may not be practical if you don't have an older pipe system, | 0:33:55 | 0:34:00 | |
but it still has a novelty value. | 0:34:00 | 0:34:03 | |
Anything to do with animals, | 0:34:03 | 0:34:05 | |
particularly dogs and cats, | 0:34:05 | 0:34:07 | |
people go bonkers. | 0:34:07 | 0:34:10 | |
-Anything to do with animals is me. -It's not too "deer" either. | 0:34:10 | 0:34:13 | |
Oh, God. Have you been waiting for years to do that? | 0:34:13 | 0:34:16 | |
-I just realised it was sitting there. -I like that. | 0:34:16 | 0:34:20 | |
It's marked at £12, | 0:34:20 | 0:34:22 | |
but top negotiator Susan Jameson is on the case. | 0:34:22 | 0:34:26 | |
What can you do us on this little dog? | 0:34:26 | 0:34:28 | |
I'm going to leave this to you. | 0:34:28 | 0:34:29 | |
-A cracking deal on the little dog? -He's a lovely little dog. | 0:34:29 | 0:34:32 | |
I realise that is a fairly reasonable price, | 0:34:32 | 0:34:35 | |
but if you can do us any favours at all... | 0:34:35 | 0:34:37 | |
We've got £12 on that. | 0:34:37 | 0:34:40 | |
If we went up to 15, | 0:34:40 | 0:34:42 | |
because it should be 20 to start with, how does that sound? | 0:34:42 | 0:34:44 | |
Hmm... | 0:34:44 | 0:34:46 | |
-Not too good. -Nice move, Susan. | 0:34:46 | 0:34:49 | |
I liked your "too deer" joke. | 0:34:49 | 0:34:51 | |
I did laugh. | 0:34:51 | 0:34:53 | |
I suppose that's cost me a couple of pound already, hasn't it? | 0:34:53 | 0:34:57 | |
-That's a couple of quid on. -I know. | 0:34:57 | 0:34:59 | |
Shall we call it a straight ten then? | 0:34:59 | 0:35:01 | |
Any more? Any advance on that, at all? | 0:35:01 | 0:35:03 | |
-9.99? -Eight? | 0:35:03 | 0:35:05 | |
She's bringing out that Jameson charm again... | 0:35:05 | 0:35:09 | |
8.50. I like to haggle - I like the last 50 pence. | 0:35:09 | 0:35:12 | |
(8.25.) | 0:35:12 | 0:35:14 | |
8.30. | 0:35:14 | 0:35:15 | |
Eh...28. | 0:35:15 | 0:35:18 | |
£8.28 you can have it for, my dear. | 0:35:18 | 0:35:20 | |
-8.28. -8.28. Thank you very much. | 0:35:20 | 0:35:24 | |
Susan, negotiator extraordinaire has done it again, | 0:35:24 | 0:35:28 | |
with a £3.72 pence saving, | 0:35:28 | 0:35:31 | |
that's the final lot for Susan and David. | 0:35:31 | 0:35:34 | |
A 1930s tap at the bargain price of £8.28p. | 0:35:34 | 0:35:39 | |
Bye-bye. Bye-bye. | 0:35:39 | 0:35:41 | |
Back in Bexhill, it's good news for the chaps, | 0:35:41 | 0:35:44 | |
as the bronze cranes were only on reserve, | 0:35:44 | 0:35:47 | |
Andy has changed his mind and they're up for grabs again. | 0:35:47 | 0:35:50 | |
What price are they? | 0:35:50 | 0:35:53 | |
-295, they are. -295? | 0:35:53 | 0:35:55 | |
That's a biggie, isn't it? | 0:35:55 | 0:35:57 | |
It is a biggie. It's too biggie, I think. | 0:35:57 | 0:35:59 | |
-They're quite solid, aren't they? -They're very solid. | 0:35:59 | 0:36:03 | |
They're just a good thing - nice pair. | 0:36:03 | 0:36:05 | |
-It's a lot of money. -It IS a lot of money. | 0:36:05 | 0:36:07 | |
Two and a half if it helps... | 0:36:07 | 0:36:09 | |
It's a punt - I don't think you could buy them for 250... | 0:36:09 | 0:36:13 | |
if you went to a garden centre. | 0:36:13 | 0:36:15 | |
-OK. Well, let's go for it then. -Do you think so? | 0:36:15 | 0:36:18 | |
-Yup. -Good. I think they're a good one. | 0:36:18 | 0:36:20 | |
I think it's a real punt, but I think they might do well. | 0:36:20 | 0:36:24 | |
It's a massive gamble - if the cranes bomb they've had it | 0:36:24 | 0:36:28 | |
and James Bolam will have a lot of washing up to do. | 0:36:28 | 0:36:32 | |
-What about that folding stand? -Yeah, can we have the little...? | 0:36:32 | 0:36:35 | |
-I'll throw it in for a tenner. -You'll throw it in for a tenner? | 0:36:35 | 0:36:38 | |
I think I've got the fifth lot. | 0:36:38 | 0:36:40 | |
-Oh, right. -Just you stay there. -Right, I see. | 0:36:40 | 0:36:44 | |
We're on the edge of our seats(!) | 0:36:44 | 0:36:47 | |
It's got a bit age here. | 0:36:47 | 0:36:49 | |
It's silver plate. Oysters ready, the shallots cut... | 0:36:49 | 0:36:54 | |
I'm persuaded, are you? | 0:36:56 | 0:36:59 | |
Andy...tenner?? | 0:36:59 | 0:37:00 | |
-I can't do a tenner. -What can you do? | 0:37:00 | 0:37:02 | |
-I can do it for 20 quid. -20 quid. -That's about us... | 0:37:02 | 0:37:05 | |
We got any left? Yes, we have - just about. | 0:37:05 | 0:37:09 | |
-Shall we do it? Then we're all done. -Then we're all done. | 0:37:09 | 0:37:11 | |
Andy, thank you very munch indeed. | 0:37:11 | 0:37:13 | |
Thank you, Andy, very much. | 0:37:13 | 0:37:15 | |
After a flurry of activity, the chaps have four items from Andy - | 0:37:15 | 0:37:20 | |
the African table, | 0:37:20 | 0:37:21 | |
the cranes, the shooting stick and the ice bucket, | 0:37:21 | 0:37:24 | |
all for £350. | 0:37:24 | 0:37:26 | |
Confident buying, chaps, just hope it pays off at auction. | 0:37:26 | 0:37:29 | |
Thank you very much indeed! | 0:37:29 | 0:37:32 | |
Meanwhile, Susan and David are belting towards Battle. | 0:37:32 | 0:37:35 | |
The town was formed after William the Conqueror built an abbey on | 0:37:35 | 0:37:40 | |
the site of his most famous victory at the Battle of Hastings in 1066. | 0:37:40 | 0:37:44 | |
But Susan and David are saving their fight to the finish | 0:37:44 | 0:37:47 | |
for the auction room. | 0:37:47 | 0:37:49 | |
With their shopping complete, and as Susan's a bird lover, | 0:37:49 | 0:37:52 | |
where better to visit than a Sussex shrine to the world's most | 0:37:52 | 0:37:56 | |
fascinating and mystical of birds, the dodo? | 0:37:56 | 0:38:00 | |
Let's go and see some dodo birds. | 0:38:00 | 0:38:01 | |
-Good idea. -Sounds good. | 0:38:01 | 0:38:03 | |
I wish we could. | 0:38:03 | 0:38:05 | |
-I know. -Wish they were still around. | 0:38:05 | 0:38:07 | |
-I know. -The dodo may have been extinct for hundreds of years, | 0:38:07 | 0:38:11 | |
but one man is keeping their memory alive at | 0:38:11 | 0:38:14 | |
the appropriately-named Dodo House. | 0:38:14 | 0:38:16 | |
I think this is it. | 0:38:16 | 0:38:19 | |
I think it is. | 0:38:19 | 0:38:20 | |
THEY LAUGH | 0:38:20 | 0:38:21 | |
How many can you count? My gosh, they're everywhere. | 0:38:21 | 0:38:25 | |
Look at this. | 0:38:25 | 0:38:26 | |
Are you a big dodo fan? | 0:38:26 | 0:38:28 | |
I'm all birds. | 0:38:28 | 0:38:30 | |
But it's 84-year-old Ralph Whistler who's possibly the biggest | 0:38:30 | 0:38:34 | |
doter of all things dodo. | 0:38:34 | 0:38:37 | |
-Hello. -Hello. -Hello. | 0:38:39 | 0:38:41 | |
Welcome to The Dodo House. | 0:38:43 | 0:38:44 | |
Thank you. Two dodos coming in. | 0:38:44 | 0:38:46 | |
Ralph built a career looking after wildlife reserves in the States, | 0:38:46 | 0:38:50 | |
but for the last 30 years, | 0:38:50 | 0:38:52 | |
he's gathered the world's largest collection of dodo memorabilia, | 0:38:52 | 0:38:56 | |
including a four-foot model, | 0:38:56 | 0:38:59 | |
a dodo made of fabric and engine parts... | 0:38:59 | 0:39:02 | |
..and a sculpted wooden replica. | 0:39:03 | 0:39:05 | |
The extinct flightless bird evolved from a pigeon on Mauritius. | 0:39:06 | 0:39:11 | |
Over time, plentiful food | 0:39:11 | 0:39:13 | |
and no predators meant that they grew larger their wings smaller, | 0:39:13 | 0:39:18 | |
which wasn't a problem until sailors arrived. | 0:39:18 | 0:39:21 | |
So the dodo was first seen on Mauritius? | 0:39:21 | 0:39:24 | |
Well, maybe 1550 - we don't know exactly. | 0:39:24 | 0:39:27 | |
When did the dodo finally disappear? | 0:39:27 | 0:39:31 | |
The dodo disappeared about 1680, as far as we know. A long time ago. | 0:39:31 | 0:39:37 | |
So the dodo had no predators? | 0:39:37 | 0:39:40 | |
It had no enemies to start off with | 0:39:40 | 0:39:42 | |
and then man came along with his animals... | 0:39:42 | 0:39:47 | |
with all its dogs or cats or rats from the ships | 0:39:47 | 0:39:51 | |
could eat the baby dodos. | 0:39:51 | 0:39:55 | |
Although dodos were only native to Mauritius, | 0:39:55 | 0:39:58 | |
some were shipped back to Europe. | 0:39:58 | 0:40:00 | |
They did have a live one down in London on Piccadilly, | 0:40:00 | 0:40:06 | |
in the 1650s, and you could pay sixpence or a groat and feed it. | 0:40:06 | 0:40:12 | |
And that lasted a few years on Piccadilly. | 0:40:12 | 0:40:16 | |
They were obviously thought of as exotic creatures. | 0:40:16 | 0:40:18 | |
Yes, cos they look so extraordinary. | 0:40:18 | 0:40:21 | |
The fascination with birds has been in his family for years. | 0:40:21 | 0:40:25 | |
Ralph's ornithologist father Hugh Whistler had been given some | 0:40:25 | 0:40:29 | |
dodo bones as a teenager, | 0:40:29 | 0:40:30 | |
which had been found on Mauritius in the 1860s. | 0:40:30 | 0:40:34 | |
On his father's death in 1953, Ralph inherited the bones. | 0:40:34 | 0:40:39 | |
These are genuine dodo bones? | 0:40:39 | 0:40:41 | |
These are genuine dodo bones, | 0:40:41 | 0:40:43 | |
as dug up by this chap, who was a missionary. | 0:40:43 | 0:40:45 | |
-He knew what he was digging up? -Yes. | 0:40:45 | 0:40:47 | |
He was determined to try and find out what had happened to the dodo, | 0:40:47 | 0:40:52 | |
but he knew it had existed. | 0:40:52 | 0:40:53 | |
He sent them back to the Natural History Museum in London, | 0:40:53 | 0:40:58 | |
to the head of the museum, who was a bone expert, | 0:40:58 | 0:41:01 | |
and he immediately confirmed that these were dodo bones. | 0:41:01 | 0:41:04 | |
A lot of people think, as they did then, that they were just a figment | 0:41:04 | 0:41:08 | |
of someone's imagination. Almost with the discovery of these bones, | 0:41:08 | 0:41:13 | |
-its memory is... -Resurrected. -..resurrected. Is that right? | 0:41:13 | 0:41:17 | |
-Absolutely. -It's like Lazarus - it's just risen. | 0:41:17 | 0:41:19 | |
And now the world knows about the dodo? | 0:41:19 | 0:41:22 | |
So these bones led to all this amazing collection? | 0:41:22 | 0:41:27 | |
After a bit, I decided to take everything | 0:41:27 | 0:41:29 | |
I could find about the dodo. | 0:41:29 | 0:41:31 | |
Once the dodo's existence had been proven and the | 0:41:31 | 0:41:34 | |
Natural History Museum had reconstructed the bird from fossilised bones, | 0:41:34 | 0:41:39 | |
interpretations of what it may have looked like began popping up. | 0:41:39 | 0:41:43 | |
Most famously, the dodo appeared as a character | 0:41:43 | 0:41:47 | |
in Lewis Carroll's Alice In Wonderland in 1865, | 0:41:47 | 0:41:50 | |
and was illustrated by Sir John Tenniel. | 0:41:50 | 0:41:54 | |
People began to suddenly realise that it's not just in Lewis Carroll, | 0:41:54 | 0:41:58 | |
it actually was a real bird, not something really made up. | 0:41:58 | 0:42:02 | |
I think that also reminds people just how easy it is to lose a species, | 0:42:02 | 0:42:07 | |
so the dodo has done an awful to of good in that respect. | 0:42:07 | 0:42:11 | |
We must be so careful. | 0:42:11 | 0:42:12 | |
One of the quickest items ever to be made extinct. | 0:42:12 | 0:42:16 | |
Let's hope the example of the dodo and people knowing about it make us | 0:42:16 | 0:42:20 | |
treasure what we've got a little more. | 0:42:20 | 0:42:22 | |
In the last 500 years, human activity has forced over | 0:42:22 | 0:42:26 | |
800 species into extinction. | 0:42:26 | 0:42:29 | |
It's commendable people like Ralph | 0:42:29 | 0:42:32 | |
remind us just how precious creatures are, | 0:42:32 | 0:42:34 | |
and how careful we should be. | 0:42:34 | 0:42:36 | |
I'm just going to have one last dodo stroke. | 0:42:36 | 0:42:38 | |
While Susan and David have been brushing up on the dodo, | 0:42:45 | 0:42:48 | |
with some solid purchases in the bag, | 0:42:48 | 0:42:50 | |
Team James are taking the time to | 0:42:50 | 0:42:52 | |
sample more of Sussex's specialities. | 0:42:52 | 0:42:55 | |
-Oh, splendid. -Cheers. Well done. Well shopped. -And you. -Very well shopped. | 0:42:55 | 0:43:00 | |
-Here's to us. -Here's to us. | 0:43:00 | 0:43:02 | |
-Here's to our win. -Mm. | 0:43:02 | 0:43:04 | |
As usual, the fellows are confident, | 0:43:04 | 0:43:07 | |
even though one could say they are resting on their laurels. | 0:43:07 | 0:43:10 | |
They'll be looking at dodos now, won't they? | 0:43:10 | 0:43:14 | |
That could be a symbol of what their purchases are going to be. | 0:43:14 | 0:43:18 | |
Dead as a dodo! | 0:43:18 | 0:43:20 | |
The boys may be all cocky now, but it's time for the big reveal. | 0:43:23 | 0:43:27 | |
Team James are up first. | 0:43:27 | 0:43:29 | |
-That's quite a few items, isn't it? -Gosh, we've got carved heads there. | 0:43:29 | 0:43:33 | |
African, made out of one piece. | 0:43:33 | 0:43:35 | |
I quite like that. | 0:43:35 | 0:43:36 | |
Then we've got a standard kind of wine bucket - | 0:43:36 | 0:43:39 | |
silver plated, I'm hoping. | 0:43:39 | 0:43:41 | |
And then... | 0:43:41 | 0:43:42 | |
-Oh! Oh! -Ah! | 0:43:42 | 0:43:46 | |
A shooting stick. | 0:43:46 | 0:43:48 | |
That's quite good, I've got to say. | 0:43:48 | 0:43:49 | |
And then we've got a pair of concrete birds. | 0:43:49 | 0:43:51 | |
No, bronze. | 0:43:51 | 0:43:53 | |
So that makes five lots for the Jameses. | 0:43:53 | 0:43:57 | |
Susan and David also have five lots. | 0:43:57 | 0:43:59 | |
Prepare to be amazed. | 0:43:59 | 0:44:00 | |
Is that made out of one piece of wood? | 0:44:02 | 0:44:04 | |
The stand itself is from China and then at some point, | 0:44:04 | 0:44:07 | |
someone has put a 1960s/70s Murano glass bowl on top of it. | 0:44:07 | 0:44:13 | |
-Hand-blown. -Hand-blown. | 0:44:13 | 0:44:15 | |
That is a lovely item. What a tremendous piece of glass - | 0:44:15 | 0:44:18 | |
-it's huge. -We like that. We do. | 0:44:18 | 0:44:20 | |
Almost as big as our piece of glass, isn't it? | 0:44:20 | 0:44:22 | |
-The tap is glorious. -We love the tap. | 0:44:22 | 0:44:24 | |
-Chinese as well, is it? -No, it's an English one. | 0:44:24 | 0:44:26 | |
-British. -What's that? A clothes brush of some sort? | 0:44:26 | 0:44:30 | |
Nope, it's a Japanese cutlery set. | 0:44:30 | 0:44:32 | |
No! Japanese cutlery set. | 0:44:32 | 0:44:33 | |
And I must boast here, cos I said I think it feels like silver. | 0:44:33 | 0:44:38 | |
We weren't sure - it's been verified. | 0:44:38 | 0:44:40 | |
Very nice. | 0:44:40 | 0:44:41 | |
The cutlery set wasn't hallmarked, | 0:44:41 | 0:44:44 | |
but the in-house jeweller at the shop | 0:44:44 | 0:44:46 | |
they bought it from tested it with acid and confirmed it is silver. | 0:44:46 | 0:44:49 | |
This isn't only a battle of man versus wife, | 0:44:49 | 0:44:52 | |
it's also a battle of bugle versus trumpet! | 0:44:52 | 0:44:54 | |
Three, two, one... | 0:44:54 | 0:44:56 | |
BUGLES HONK | 0:44:56 | 0:44:58 | |
Absolutely dreadful. | 0:44:59 | 0:45:01 | |
He's now gone deaf. | 0:45:01 | 0:45:03 | |
Pardon? | 0:45:03 | 0:45:04 | |
Good luck, the two Jameses. Very best of luck. | 0:45:04 | 0:45:08 | |
We shall see you. | 0:45:08 | 0:45:10 | |
But what do they really think of each other's items? | 0:45:10 | 0:45:13 | |
Amazing that we've both got glass-topped...not tables but... | 0:45:13 | 0:45:19 | |
-Musical instruments. -I think they've got nice stuff but ours is better. | 0:45:19 | 0:45:23 | |
-I agree with you. -I like the little silver set and I like that dog, | 0:45:23 | 0:45:27 | |
but ace in the hole...lizard. | 0:45:27 | 0:45:30 | |
-Team work! -I like their confidence but the other team aren't short of that either. | 0:45:30 | 0:45:33 | |
-I think we're on a winner here. -I think we're on a winner. | 0:45:33 | 0:45:36 | |
No question about it. I don't think their trumpet's going to do anything. | 0:45:36 | 0:45:40 | |
The tap looks very mail-order, to me. | 0:45:40 | 0:45:43 | |
And their little table, what use is it? | 0:45:43 | 0:45:47 | |
In the end, who wants a tiny pair of silver chopsticks? | 0:45:47 | 0:45:50 | |
-Again, it's no use to anybody, is it? -It's an ornament. | 0:45:50 | 0:45:54 | |
It may be silver - pfft - silver-schmilver. | 0:45:54 | 0:45:57 | |
Not even quietly confident - I'm confident. | 0:45:57 | 0:45:59 | |
I don't know about you but I can't wait to see who wins. | 0:46:00 | 0:46:03 | |
Both our celebrities and experts have take 123-mile tour of the | 0:46:03 | 0:46:08 | |
South Coast, starting in Brighton at their final stop in Dorking, Surrey. | 0:46:08 | 0:46:13 | |
It's James's turn in the driving seat again as they make | 0:46:13 | 0:46:17 | |
their way to the market town in the heart of the Surrey hills. | 0:46:17 | 0:46:21 | |
You're quite a poor loser actually. | 0:46:21 | 0:46:23 | |
What do you mean a poor loser? | 0:46:23 | 0:46:25 | |
There you are you see - you get a bit grumpy. | 0:46:25 | 0:46:28 | |
What?! | 0:46:28 | 0:46:30 | |
So where are they, David? | 0:46:30 | 0:46:31 | |
I don't know where they are. I think they like to make a late entrance. | 0:46:31 | 0:46:34 | |
What's that in the middle of the roundabout? | 0:46:34 | 0:46:36 | |
It's a great big silver cock. It's very big. | 0:46:36 | 0:46:41 | |
The ten-foot high sculpture celebrates the Dorking chicken, | 0:46:41 | 0:46:44 | |
a bird associated with the town since the 19th century, | 0:46:44 | 0:46:47 | |
when it became one of the biggest producers of high-quality poultry. | 0:46:47 | 0:46:50 | |
Not a lot of people know that. | 0:46:50 | 0:46:51 | |
-Are you confident? -Definitely. | 0:46:51 | 0:46:54 | |
I've seen the things we've bought | 0:46:54 | 0:46:56 | |
and I've seen the things you've bought... | 0:46:56 | 0:46:58 | |
-Yeah, why are we confident then?! -..and I'm definitely confident. | 0:46:58 | 0:47:01 | |
Meanwhile, James and Susan are still struggling | 0:47:01 | 0:47:03 | |
to find the auction house - as usual. | 0:47:03 | 0:47:05 | |
JAMES: Yeah, it's some sports centre or something, isn't it? | 0:47:05 | 0:47:08 | |
-Oh, it's a care centre. -Care centre. | 0:47:08 | 0:47:09 | |
-No, not yet. -They'll keep you in if you go there. | 0:47:09 | 0:47:12 | |
Well, I'm more confident. | 0:47:12 | 0:47:14 | |
-Really? -Yeah. | 0:47:14 | 0:47:15 | |
I'm always confident with my things. | 0:47:15 | 0:47:17 | |
Finally, they've made it to Crow's Auction Gallery, | 0:47:17 | 0:47:21 | |
who've been auctioneering for over 100 years. | 0:47:21 | 0:47:23 | |
-ALL: -Good morning. | 0:47:23 | 0:47:26 | |
Nice to see you. | 0:47:26 | 0:47:28 | |
-Partner. How are you, opposition? -Very good. -Good. | 0:47:28 | 0:47:31 | |
Shaking, shaking, I've got her worried now. | 0:47:31 | 0:47:34 | |
Welcome to the day of the lizard. | 0:47:34 | 0:47:36 | |
Oh-ho-ho! | 0:47:36 | 0:47:38 | |
I can just see the headlines now - "The Day Of The Lizard." | 0:47:38 | 0:47:41 | |
-Lizard breaks all record. -Lizard triumphs. | 0:47:41 | 0:47:43 | |
Auctioneer of 30 years Tom Lofts has already taken a look | 0:47:43 | 0:47:47 | |
at the two teams' lots. | 0:47:47 | 0:47:49 | |
The piece I'm looking forward to selling most is probably | 0:47:49 | 0:47:53 | |
the Murano glass bowl and the stand. It's a nice lot. | 0:47:53 | 0:47:56 | |
The cranes in bronze, sadly, have been painted, | 0:47:56 | 0:48:01 | |
so I'm a little bit at a loss of how to value them. | 0:48:01 | 0:48:05 | |
The shooting stick... | 0:48:05 | 0:48:07 | |
I'll be amazed if we get a bidder for it. | 0:48:07 | 0:48:09 | |
Despite their confidence, it's not looking so good for Team James. | 0:48:09 | 0:48:13 | |
It could be washing up for Mr Bolam. | 0:48:13 | 0:48:15 | |
The chaps have five lots, spending a total of £370. | 0:48:15 | 0:48:20 | |
Susan and David parted with £248.28, also for five lots. | 0:48:20 | 0:48:25 | |
Are you all right there James? | 0:48:27 | 0:48:29 | |
Room for a small one. | 0:48:29 | 0:48:31 | |
Here's where it gets exciting. | 0:48:32 | 0:48:34 | |
First under the hammer is Susan and David's Japanese cutlery set. | 0:48:34 | 0:48:38 | |
The Japanese nation are primed and ready with a finger. | 0:48:38 | 0:48:42 | |
What time is it in Japan at the moment? | 0:48:42 | 0:48:44 | |
Hate to think. Early. | 0:48:44 | 0:48:45 | |
-Middle of the night. -Shame. | 0:48:45 | 0:48:47 | |
Interest with me here, and my start is a low start at 25, | 0:48:47 | 0:48:51 | |
28, 30, 32, five, eight, 40. | 0:48:51 | 0:48:54 | |
£40 bid, £40 bid, 40, 40, 40... | 0:48:54 | 0:48:56 | |
How are you feeling? | 0:48:56 | 0:48:57 | |
50 bid, and five, at 60, at 65, 70 bid, | 0:48:57 | 0:49:01 | |
-£70 now... -Come on. | 0:49:01 | 0:49:03 | |
-Yes! -75. | 0:49:03 | 0:49:05 | |
Come on. | 0:49:05 | 0:49:06 | |
Against the room at £75. 80 bid. | 0:49:06 | 0:49:08 | |
£80 bid, £80 bid, £80 bid. | 0:49:08 | 0:49:10 | |
Out online. £80, it will be sold, one more, surely. | 0:49:10 | 0:49:13 | |
Online, you're right, £80, sold, all done, | 0:49:13 | 0:49:15 | |
the hammer's up and I trade, all done now at £80. | 0:49:15 | 0:49:19 | |
Ooh! £10. | 0:49:19 | 0:49:20 | |
On paper. | 0:49:20 | 0:49:22 | |
Goodness! A strong start for Susan. | 0:49:23 | 0:49:26 | |
Let's see if Team James's first lot, the military bugle, can better it. | 0:49:26 | 0:49:31 | |
12 bit, at 12, starting at 12. | 0:49:31 | 0:49:34 | |
Starting at 12, starting at 12, this is cheap. | 0:49:34 | 0:49:36 | |
15 bid. 18 bid. Come again, sir. | 0:49:36 | 0:49:38 | |
-A rare bidder in the room. -One more. One more. | 0:49:38 | 0:49:41 | |
-Come on, you can do it. -No more, no more! | 0:49:41 | 0:49:43 | |
20 I've got. At 20 I'm bid, 20 in the room. Selling at 20. | 0:49:43 | 0:49:46 | |
Disappointing for this, selling at 20, selling at 20, selling at 20. | 0:49:46 | 0:49:50 | |
Being sold, in the room, I sell then at £20. | 0:49:50 | 0:49:52 | |
-Oh, dear. -That is a loss, isn't it? | 0:49:52 | 0:49:55 | |
It is a loss. | 0:49:55 | 0:49:56 | |
That's certainly a blow for the boys, | 0:49:56 | 0:49:58 | |
leaving them with a loss after auction costs. | 0:49:58 | 0:50:01 | |
But can have their African glass topped table top it? | 0:50:01 | 0:50:05 | |
Oh, here we are. This is my big choice. | 0:50:05 | 0:50:09 | |
15 bid. 18 bid. 20 I have. | 0:50:09 | 0:50:11 | |
At 20 bid, 20 bid, 25. 30. 35... | 0:50:11 | 0:50:14 | |
-What did you pay for it? -70. | 0:50:14 | 0:50:17 | |
40, 40, 40, now 45 in the room... | 0:50:17 | 0:50:19 | |
It's a beautiful table. | 0:50:19 | 0:50:21 | |
It's going, it's going. | 0:50:21 | 0:50:23 | |
70 with me, 70 bid, £70. | 0:50:23 | 0:50:25 | |
80 with me. | 0:50:25 | 0:50:26 | |
£80, against you, sir. | 0:50:26 | 0:50:27 | |
Now he's going. | 0:50:27 | 0:50:29 | |
90! We're in profit. | 0:50:29 | 0:50:32 | |
The room is out at £90, £90, on the commission, all done, | 0:50:32 | 0:50:35 | |
selling at 90, sold at 90. | 0:50:35 | 0:50:37 | |
-This is a result, James. -All done at £90. | 0:50:37 | 0:50:39 | |
-Enjoy it. -Well done. -Enjoy it! | 0:50:39 | 0:50:42 | |
Brilliant. £20 is a solid profit in the bank. | 0:50:43 | 0:50:47 | |
It's like being on an express train, isn't it? | 0:50:47 | 0:50:50 | |
Yeah, and you can't get off yet, James. | 0:50:50 | 0:50:53 | |
Next, it's time to see if Susan and David's glass item | 0:50:53 | 0:50:57 | |
can do any better, and it's the pick of auctioneer Tom. | 0:50:57 | 0:51:00 | |
We like this, with some size, with some character, quality. | 0:51:00 | 0:51:03 | |
They like it. | 0:51:03 | 0:51:05 | |
What can I say? My best bid secures at 15 only, 18 the bid, | 0:51:05 | 0:51:08 | |
20, and two, and five and eight. | 0:51:08 | 0:51:10 | |
£30 bid, £30 bid. | 0:51:10 | 0:51:12 | |
The Murano, like this, 32, and five, and eight, and 40 I have. | 0:51:12 | 0:51:16 | |
-At £40, selling at £40... -No, don't sell at 40. | 0:51:16 | 0:51:19 | |
Disappointing at £40, the Murano, | 0:51:19 | 0:51:21 | |
the stand is worth that alone. | 0:51:21 | 0:51:23 | |
Come on, wake up at home. | 0:51:23 | 0:51:24 | |
You're out, at £40, I shan't dwell. | 0:51:24 | 0:51:27 | |
He's trying hard, isn't he? He's trying hard. | 0:51:27 | 0:51:29 | |
All done then, I trade, selling away at £40. | 0:51:29 | 0:51:32 | |
Ouch! A £40 loss will certainly hurt their chances. | 0:51:32 | 0:51:36 | |
David had been so sure of a profit. | 0:51:36 | 0:51:39 | |
No-one else, apart from me, has good taste. | 0:51:39 | 0:51:44 | |
Oh, yeah. Auctioneer Tom isn't sure if the two Jameses' next item, | 0:51:44 | 0:51:48 | |
the shooting stick, will even sell at all. | 0:51:48 | 0:51:51 | |
I don't know where they find these things, | 0:51:51 | 0:51:53 | |
a British-made, folding, three-legged shooting stick. | 0:51:53 | 0:51:56 | |
I'm speechless. | 0:51:56 | 0:51:58 | |
It looks bloody uncomfortable. | 0:51:59 | 0:52:01 | |
Hey! James Bolam sat on that, I'll have you know. | 0:52:01 | 0:52:04 | |
Surely that could add a few extra pounds. | 0:52:04 | 0:52:06 | |
Five I have, eight, and 10, and 12... | 0:52:06 | 0:52:09 | |
-There you go. -15, 20 with me. | 0:52:09 | 0:52:11 | |
£20, surprised. | 0:52:11 | 0:52:12 | |
22, Phil? 22 in the room. | 0:52:12 | 0:52:14 | |
22 bid, the lines all out. | 0:52:14 | 0:52:16 | |
This does want buying. At £22, 25 bid. | 0:52:16 | 0:52:18 | |
I do not believe this. At £25. | 0:52:18 | 0:52:21 | |
25, Phil, don't stop. | 0:52:21 | 0:52:23 | |
I'm going to put you in. 28, you're in. £28. | 0:52:23 | 0:52:25 | |
Madame? £28, you're out. | 0:52:25 | 0:52:27 | |
£30 bid. | 0:52:27 | 0:52:29 | |
-Whoa! Three times! -There we are, you see? | 0:52:29 | 0:52:31 | |
I told you. I told you. They wouldn't believe it. | 0:52:31 | 0:52:36 | |
-All done at £30, thank you, Madame. -Well done. | 0:52:36 | 0:52:39 | |
A fantastic buy for Team James as it's tripled its price. | 0:52:40 | 0:52:44 | |
You know, James, this could be a new career for you, you realise that. | 0:52:44 | 0:52:47 | |
Well, I need something! | 0:52:47 | 0:52:49 | |
Now it is Susan's favourite lot, | 0:52:49 | 0:52:51 | |
the temple togs and the carved lizard. | 0:52:51 | 0:52:53 | |
They need to make money to stand a chance of winning. | 0:52:53 | 0:52:56 | |
15, 18, 20 bid, 22. At £22, 25, 28. | 0:52:56 | 0:53:01 | |
£28, £28, 30 bid, 32. | 0:53:01 | 0:53:03 | |
At 32. 35. 35 bid, £35. | 0:53:03 | 0:53:06 | |
Come on. £35, £35. | 0:53:06 | 0:53:08 | |
38. £38. | 0:53:08 | 0:53:09 | |
40 bid, 40 bid, 40. Come on. Come on, you can do it, sir. At £40. | 0:53:09 | 0:53:13 | |
-Go on. -Three pieces for the money! | 0:53:13 | 0:53:15 | |
At £40, sold at £40, in the room, all done at £40. | 0:53:15 | 0:53:19 | |
-Marvellous. -Very good. -Well done. | 0:53:19 | 0:53:21 | |
An amazing profit, doubling their money, | 0:53:21 | 0:53:24 | |
and they're back in the game. | 0:53:24 | 0:53:26 | |
-The day of the Lizard. -The day of the Lizard. | 0:53:26 | 0:53:28 | |
Swung it for you. | 0:53:28 | 0:53:30 | |
Next, it's the two Jameses' silver-plated ice bucket. | 0:53:30 | 0:53:34 | |
A silver-plated, twin-handled ice bucket, or whatever. | 0:53:34 | 0:53:37 | |
-Rather nice, circa 1900, we're pretty happy with this. -Whatever! | 0:53:37 | 0:53:40 | |
Start me at 15, 18, 20, two, five, | 0:53:40 | 0:53:43 | |
eight, at £28 only, £28... | 0:53:43 | 0:53:46 | |
Come on, come on. | 0:53:46 | 0:53:48 | |
30 bid, 32, at 35 bid, £35, £35. | 0:53:48 | 0:53:51 | |
40 can I say, sir? 40 in the room. | 0:53:51 | 0:53:53 | |
Selling at 40, selling at 40, selling at 40 in the room. | 0:53:53 | 0:53:55 | |
-Disappointing, selling at 40, selling at 40. -Disappointing! | 0:53:55 | 0:53:59 | |
Maybe to you, it's amazing for us! | 0:53:59 | 0:54:01 | |
All done at £40. | 0:54:01 | 0:54:03 | |
-Well done, well done. -Well done! | 0:54:03 | 0:54:05 | |
Very well done. They've doubled their money, too. | 0:54:05 | 0:54:09 | |
It's looking quite close to call, this one. | 0:54:09 | 0:54:11 | |
Now it's over to Susan and David's 1930s dog tap. | 0:54:11 | 0:54:14 | |
I'm sure I've seen it in a National Trust gift section somewhere. | 0:54:15 | 0:54:20 | |
-Take no notice of him, Susan. -No. | 0:54:20 | 0:54:23 | |
A lot of character, this, I rather like this little piece. | 0:54:23 | 0:54:26 | |
Five, and eight, only at £8, £8 bid, £8, £8. Ten bid, ten. | 0:54:26 | 0:54:30 | |
12 bid, 15 bid, 18 only, £18. | 0:54:30 | 0:54:33 | |
Selling at 18, selling at 18, 20 is bid online. | 0:54:33 | 0:54:35 | |
At 20 bid, 20 bid, out of the blue, come again, sir. | 0:54:35 | 0:54:37 | |
This has got to be right, it's got to be right. | 0:54:37 | 0:54:39 | |
At 22, at 22, at 22. | 0:54:39 | 0:54:41 | |
Online one, at £25 bid, at £25. | 0:54:41 | 0:54:44 | |
At 25 online one, I'm selling, all done at £25. | 0:54:44 | 0:54:48 | |
-Very good. -Aw, little dog! | 0:54:48 | 0:54:51 | |
And a great profit! | 0:54:52 | 0:54:53 | |
We're now down to both teams' final lots - | 0:54:53 | 0:54:56 | |
the silver-plated pocket trumpet and the garden crane. | 0:54:56 | 0:55:01 | |
First it's Team James's cranes. | 0:55:03 | 0:55:05 | |
They were a huge risk so they need to do well. | 0:55:05 | 0:55:09 | |
We have telephone interest I believe, yes. | 0:55:09 | 0:55:11 | |
And I start here with me at 30. | 0:55:11 | 0:55:14 | |
30?! | 0:55:14 | 0:55:16 | |
£40, £40, £40... | 0:55:16 | 0:55:18 | |
They are bronze! | 0:55:18 | 0:55:19 | |
50 bid, 50 bid, 50. | 0:55:19 | 0:55:21 | |
50 bid, at 50, 60 bid. 70 did. | 0:55:21 | 0:55:24 | |
£80, £80, £80. At 90 bid. | 0:55:24 | 0:55:26 | |
90 on the telephone. | 0:55:26 | 0:55:28 | |
95, 100 can I say? | 0:55:28 | 0:55:29 | |
Course you can. | 0:55:29 | 0:55:31 | |
Thank you. Yes, 100 on the telephone. | 0:55:31 | 0:55:33 | |
At £100, I shan't dwell, £100, telephone bid. | 0:55:33 | 0:55:36 | |
The lines all out, disappointing for these bronzes, all done, | 0:55:36 | 0:55:39 | |
Make no mistake, selling against your online... | 0:55:39 | 0:55:41 | |
100... | 0:55:41 | 0:55:42 | |
All done to the telephone at £100. | 0:55:42 | 0:55:44 | |
Catastrophe! | 0:55:44 | 0:55:46 | |
It turns out the risky cranes have left their chances of winning | 0:55:46 | 0:55:50 | |
as dead as a dodo. Wasn't it, chaps? | 0:55:50 | 0:55:52 | |
Oh, dear. | 0:55:52 | 0:55:53 | |
-Tissues, tissues, hand them over. -I need a tissue. | 0:55:53 | 0:55:56 | |
Blimey. | 0:55:56 | 0:55:59 | |
Crikey, that's a whopping £150 loss. | 0:55:59 | 0:56:02 | |
I think it was the concrete what done it. | 0:56:02 | 0:56:05 | |
Even if Susan and David made a tiny profit with their last lot | 0:56:09 | 0:56:12 | |
they would triumph. | 0:56:12 | 0:56:14 | |
It's their turn-of-the-century pocket trumpet. | 0:56:14 | 0:56:17 | |
So our star musical instrument is next. | 0:56:19 | 0:56:22 | |
Very nice, interest with me, with the telephone, | 0:56:22 | 0:56:26 | |
interest for me and my starter is at 80. | 0:56:26 | 0:56:29 | |
And 90, 110. | 0:56:29 | 0:56:30 | |
120. 130, 140, 150. 150. | 0:56:30 | 0:56:33 | |
160, 170. 180. | 0:56:33 | 0:56:36 | |
-190. 200... -Well, we did like it. -We did like, a lot, didn't we? | 0:56:36 | 0:56:39 | |
Well done. | 0:56:39 | 0:56:40 | |
-I am absolutely astonished. -So am I. | 0:56:40 | 0:56:43 | |
At 220 bid, selling at 220. | 0:56:43 | 0:56:45 | |
I'm going to cry! | 0:56:45 | 0:56:46 | |
Selling at 220, line two, at £220. | 0:56:46 | 0:56:49 | |
Telephone, coming or not? | 0:56:49 | 0:56:51 | |
Ask them kindly. Ask them kindly. | 0:56:51 | 0:56:53 | |
Come on! Keep on going. | 0:56:53 | 0:56:55 | |
You're out. 220, line two, I'm going to sell, | 0:56:55 | 0:56:58 | |
all done, line two has it, all done at £220. | 0:56:58 | 0:57:01 | |
-Fantastic! -That is amazing. Well done. | 0:57:01 | 0:57:06 | |
Susan's in shock. | 0:57:06 | 0:57:08 | |
An amazing achievement - | 0:57:08 | 0:57:10 | |
a £150 profit for them, tripling their money again. | 0:57:10 | 0:57:14 | |
That's wonderful. That's absolutely wonderful. | 0:57:14 | 0:57:17 | |
You'll have us all crying in a minute! | 0:57:17 | 0:57:19 | |
-TEARFULLY: -Don't, you'll get me going! | 0:57:19 | 0:57:21 | |
Both our teams started today's journey with £400. | 0:57:21 | 0:57:25 | |
The two Jameses took a massive gamble on their cranes | 0:57:25 | 0:57:28 | |
and it didn't pay off. | 0:57:28 | 0:57:29 | |
After auction costs they lost £140.40, | 0:57:29 | 0:57:33 | |
leaving them with a finishing total of £259.60. | 0:57:33 | 0:57:37 | |
Susan and David managed to bank themselves a profit | 0:57:38 | 0:57:41 | |
of £83.82 after auction costs, | 0:57:41 | 0:57:45 | |
giving them a clear win with £483.82. | 0:57:45 | 0:57:50 | |
All profits go to Children In Need. | 0:57:50 | 0:57:53 | |
It was close, I'll give them that, it really was close, wasn't it? | 0:57:53 | 0:57:56 | |
-Yeah. -It was close, up until the cranes. | 0:57:56 | 0:58:00 | |
I'm sorry the cranes bombed. | 0:58:00 | 0:58:02 | |
-I know. -That's very kind of you. | 0:58:02 | 0:58:04 | |
-The cranes done us. -The cranes done you in. | 0:58:04 | 0:58:07 | |
Anyway, thank you. Well done, the winners, well done. | 0:58:07 | 0:58:10 | |
-It's been great, great fun. -Well done. | 0:58:10 | 0:58:12 | |
-Thank you, James. Take care. -Goodbye. | 0:58:12 | 0:58:15 | |
Come on, James, those dishes won't wash themselves. | 0:58:16 | 0:58:19 | |
I think David and I did pretty well. | 0:58:20 | 0:58:22 | |
It's quite cool, actually, I quite like the bartering. | 0:58:22 | 0:58:25 | |
It's quite jolly. | 0:58:25 | 0:58:26 | |
Oh! There's a huge hole there. | 0:58:26 | 0:58:28 | |
Oh! | 0:58:28 | 0:58:30 | |
Poor old car. | 0:58:30 | 0:58:31 | |
Perhaps we ought to get them a taxi, eh? | 0:58:31 | 0:58:34 |