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The nation's favourite celebrities... | 0:00:02 | 0:00:03 | |
-We are special, then, are we? -Oh, that's excellent. | 0:00:03 | 0:00:06 | |
..paired up with an expert... | 0:00:06 | 0:00:07 | |
We're a very good team, you and me. | 0:00:07 | 0:00:09 | |
..and a classic car. | 0:00:09 | 0:00:11 | |
Their mission - to scour Britain for antiques. | 0:00:11 | 0:00:14 | |
It's very me, isn't it? | 0:00:14 | 0:00:16 | |
Oh, I love it. | 0:00:16 | 0:00:17 | |
The aim - to make the biggest profit at auction. | 0:00:17 | 0:00:20 | |
But it's no easy ride. | 0:00:21 | 0:00:23 | |
There's no accounting for taste. | 0:00:23 | 0:00:25 | |
Who will find a hidden gem? | 0:00:25 | 0:00:27 | |
Who will take the biggest risks? | 0:00:27 | 0:00:30 | |
Will anybody follow expert advice? | 0:00:30 | 0:00:32 | |
What I'm doing is watching the haggling. | 0:00:32 | 0:00:35 | |
There will be worthy winners and valiant losers. | 0:00:35 | 0:00:38 | |
-Are you happy? -Yes. -Promise? -Ecstatic. | 0:00:38 | 0:00:40 | |
Time to put your pedal to the metal. | 0:00:40 | 0:00:42 | |
This is Celebrity Antiques Road Trip. | 0:00:42 | 0:00:45 | |
Yeah. | 0:00:47 | 0:00:48 | |
This Celebrity Road Trip promises to be a laugh a minute | 0:00:49 | 0:00:53 | |
as comedy duo Rory McGrath and Steve Punt take to the roads. | 0:00:53 | 0:00:57 | |
Now, I know we worked together on a programme | 0:00:57 | 0:01:00 | |
which I think was recorded in Manchester. | 0:01:00 | 0:01:02 | |
You said something on the train coming home... | 0:01:02 | 0:01:05 | |
-Yeah. -..which was so funny... | 0:01:05 | 0:01:07 | |
that I lost it. I was giggling. I very nearly had an underwear issue. | 0:01:07 | 0:01:13 | |
Well, I hope there are no unfortunate accidents today, | 0:01:13 | 0:01:17 | |
with £400 burning a hole in each of their pants. | 0:01:17 | 0:01:20 | |
Rory and Steve are swapping the comedy circuit for | 0:01:20 | 0:01:23 | |
the antiques trail. | 0:01:23 | 0:01:24 | |
I do feel in need of an expert. | 0:01:24 | 0:01:26 | |
-Oh, God, yeah. -My own level of expertise is... | 0:01:26 | 0:01:30 | |
sort of hovering somewhere between zero and minus five. | 0:01:30 | 0:01:34 | |
They tend to be quite... | 0:01:34 | 0:01:36 | |
But when it comes to comedy he goes straight to the top of the class. | 0:01:36 | 0:01:41 | |
Steve has written for many radio shows and contributed to the likes | 0:01:41 | 0:01:44 | |
of Mock The Week, but he's best known for his appearances on | 0:01:44 | 0:01:47 | |
The Mary Whitehouse Experience, The Punt and Dennis Show | 0:01:47 | 0:01:50 | |
and his current news satire radio programme The Now Show. | 0:01:50 | 0:01:54 | |
I certainly feel I could use a bit of help | 0:01:55 | 0:01:58 | |
cos I never know how they price things in antique shops. | 0:01:58 | 0:02:00 | |
They presumably just think, | 0:02:00 | 0:02:02 | |
"Stick a price on it and see if anyone's prepared to cough it up." | 0:02:02 | 0:02:05 | |
Exactly. I think that's true. | 0:02:05 | 0:02:06 | |
Rory also rose to fame through his comedy writing | 0:02:07 | 0:02:10 | |
and is renowned for loving a good road trip. | 0:02:10 | 0:02:13 | |
His comedy feats include Not The Nine O'Clock News, | 0:02:13 | 0:02:16 | |
They Think It's All Over and Three Men In A Boat. | 0:02:16 | 0:02:20 | |
In my experience, comedians tend to be secretly very competitive. | 0:02:20 | 0:02:25 | |
I'm not competitive. In fact, I'm competitively uncompetitive. | 0:02:25 | 0:02:29 | |
I bet I'm more uncompetitive than you are. | 0:02:29 | 0:02:30 | |
Isn't that the sort of thing a closet competitive person would say? | 0:02:30 | 0:02:34 | |
It's not about winning... | 0:02:34 | 0:02:35 | |
-It's about taking part. -Yeah. | 0:02:35 | 0:02:38 | |
It's about not coming second. | 0:02:38 | 0:02:40 | |
Ha! Yup, he's certainly not competitive. | 0:02:40 | 0:02:42 | |
Rather than three men in a boat, | 0:02:42 | 0:02:44 | |
today it's all about two guys in a car, and a pretty one at that, | 0:02:44 | 0:02:47 | |
a 1961 Morris Minor. Good old Moggie. | 0:02:47 | 0:02:50 | |
These cars always remind me of one thing - | 0:02:50 | 0:02:53 | |
rather smug man at the wheel, frozen, beleaguered wife thinking, | 0:02:53 | 0:02:58 | |
"Why do we have to do this every Sunday? | 0:02:58 | 0:03:00 | |
"Trevor, do we have to do this?" | 0:03:00 | 0:03:03 | |
Well, what can I say, today's expert auctioneers Christina Trevanion | 0:03:03 | 0:03:06 | |
and David Harper may act like an old married couple... | 0:03:06 | 0:03:09 | |
Do you think I'm interesting? | 0:03:09 | 0:03:11 | |
On a scale of on to ten. Give me a score. | 0:03:11 | 0:03:14 | |
I'd give you one. | 0:03:14 | 0:03:16 | |
Excellent. My life is complete. | 0:03:16 | 0:03:19 | |
..but they know a thing or two about antiques. | 0:03:19 | 0:03:22 | |
This is going to sound like a really odd question to ask, | 0:03:22 | 0:03:24 | |
but do you think they'll be funny? | 0:03:24 | 0:03:26 | |
They're highly intelligent. Do you know what? | 0:03:26 | 0:03:28 | |
Comedians have to be highly intelligent. | 0:03:28 | 0:03:31 | |
To have that quick wit is quite a rarity. | 0:03:31 | 0:03:35 | |
I think with a comedian they'll go to a supermarket and people will say, | 0:03:35 | 0:03:38 | |
"Make me laugh." And that must be a nightmare. | 0:03:38 | 0:03:42 | |
Yup, a terrible burden. | 0:03:42 | 0:03:44 | |
But not one our two fabulous experts | 0:03:44 | 0:03:47 | |
need to worry themselves about though. | 0:03:47 | 0:03:49 | |
-They're both pretty intelligent. -They will be. -Quick witted. -Yeah. | 0:03:49 | 0:03:53 | |
I'm not entirely sure I'm going to have much in common with them. | 0:03:53 | 0:03:56 | |
Oh, at least these two have got a nice car to drive, | 0:03:56 | 0:04:00 | |
a 1970 Triumph Stag. | 0:04:00 | 0:04:02 | |
This side-splitting journey will take our two teams through | 0:04:04 | 0:04:06 | |
the heart of the Midlands. | 0:04:06 | 0:04:08 | |
Starting in Balsall Common, Warwickshire. | 0:04:08 | 0:04:10 | |
Our double acts will be scouring the area for new material | 0:04:10 | 0:04:14 | |
and some antiques. | 0:04:14 | 0:04:15 | |
As they head north to an auction in Langar in Nottinghamshire. | 0:04:15 | 0:04:18 | |
Buckle up and hold on to your sides, it's going to be a right laugh. | 0:04:18 | 0:04:23 | |
And today's merriment commences in the large commuter village | 0:04:23 | 0:04:26 | |
of Balsall Common. | 0:04:26 | 0:04:28 | |
Oh, look, it's Rory. Quick, say something funny. | 0:04:28 | 0:04:30 | |
-I hope I end up with the sexy one. -Well, you've got me. | 0:04:30 | 0:04:33 | |
Thanks, Rory, we're going to get on great. | 0:04:34 | 0:04:37 | |
Do you guys know anything about antiques? | 0:04:37 | 0:04:39 | |
He knows a lot about antiques. He's been secretly swotting up... | 0:04:39 | 0:04:42 | |
-Have you? -..in order to win the competition. | 0:04:42 | 0:04:44 | |
I think he's been secretly swotting up. | 0:04:44 | 0:04:46 | |
He's playing a double bluff here. | 0:04:46 | 0:04:49 | |
Oh, yeah, we'll soon find out. | 0:04:49 | 0:04:51 | |
Antiques In An Old Barn At Lodge Farm, yes, that's the actual name, | 0:04:54 | 0:04:58 | |
does exactly what it does on the packet. | 0:04:58 | 0:05:00 | |
And it's a great place for that all important mosey. | 0:05:00 | 0:05:03 | |
It stocks everything from furniture, | 0:05:03 | 0:05:05 | |
silver to a couple of familiar faces. | 0:05:05 | 0:05:07 | |
It looks like David and Rory. | 0:05:09 | 0:05:10 | |
And you said you weren't funny, Christina? | 0:05:10 | 0:05:13 | |
It does a bit actually, yeah. | 0:05:13 | 0:05:15 | |
It's not dissimilar. | 0:05:15 | 0:05:17 | |
Can you tell which is which? | 0:05:17 | 0:05:20 | |
And speaking of the devils, David | 0:05:20 | 0:05:22 | |
and Rory have discovered something slightly turbulent themselves. | 0:05:22 | 0:05:25 | |
-Wow. -What's this? | 0:05:25 | 0:05:27 | |
This is part of an aeroplane. | 0:05:27 | 0:05:29 | |
It's something in the cockpit, isn't it? | 0:05:29 | 0:05:31 | |
If you've got lots of imagination you can do so much with this. | 0:05:31 | 0:05:36 | |
Hey. Plenty of legroom. | 0:05:36 | 0:05:38 | |
These were expensive seats, weren't they? | 0:05:38 | 0:05:41 | |
Anyway. Time for some actual shopping. | 0:05:41 | 0:05:43 | |
Tell me about your negotiating skills. | 0:05:43 | 0:05:46 | |
I'm quite good. | 0:05:46 | 0:05:47 | |
I've never done it in an antiques shop before. | 0:05:47 | 0:05:49 | |
I normally do it in newsagents. | 0:05:49 | 0:05:53 | |
£1 for The Daily Telegraph?! I'll give you 50p for it. | 0:05:53 | 0:05:56 | |
Sounds like this could be an interesting shopping trip. | 0:05:56 | 0:05:59 | |
Speaking of interesting... | 0:05:59 | 0:06:01 | |
-Be careful what you're saying. -Go on. | 0:06:03 | 0:06:06 | |
-That's a boar. -It is. | 0:06:06 | 0:06:07 | |
I quite like the idea of... | 0:06:07 | 0:06:09 | |
Do they fetch any...? | 0:06:09 | 0:06:11 | |
They can do if the taxidermy is by somebody quite special. | 0:06:11 | 0:06:15 | |
It's got a cricket cap on it. | 0:06:15 | 0:06:17 | |
Shall we get it out and have a look at it? | 0:06:17 | 0:06:19 | |
Yeah. You stay, I'll bring it out. | 0:06:19 | 0:06:21 | |
People have funny ideas about taxidermy, | 0:06:21 | 0:06:23 | |
but there's something quite noble about that. | 0:06:23 | 0:06:26 | |
Very noble. | 0:06:26 | 0:06:28 | |
I don't have a problem with him because he's ancient. | 0:06:28 | 0:06:31 | |
Is that going to be 19th or 20th century? | 0:06:31 | 0:06:33 | |
I think this is early 20th century, maybe 1910, 1920. | 0:06:33 | 0:06:37 | |
No maker's mark on the back. | 0:06:37 | 0:06:39 | |
If we had the Rowland Ward mark, he would two of three times his value. | 0:06:39 | 0:06:44 | |
So the guy who did it, actually what makes the value... | 0:06:44 | 0:06:47 | |
I was thinking a good old-fashioned low oak beamed pub... | 0:06:47 | 0:06:50 | |
Called The Boar's Head. | 0:06:50 | 0:06:52 | |
And if they don't have a boar's head | 0:06:52 | 0:06:54 | |
-they're going to be desperate for him. -Exactly. | 0:06:54 | 0:06:57 | |
An interesting logic and a speedy decision from Rory. | 0:06:57 | 0:07:00 | |
But how is the competition getting on? | 0:07:01 | 0:07:04 | |
Do you buy antiques? Are you interested in antiques? | 0:07:06 | 0:07:10 | |
I don't really. I'm not confident in what I'm buying. | 0:07:10 | 0:07:14 | |
I would only buy something just because I like it. | 0:07:14 | 0:07:17 | |
Well, that's the way to do it, isn't it? | 0:07:17 | 0:07:19 | |
Rather than it might be complete... | 0:07:19 | 0:07:21 | |
Yeah, I suppose so. | 0:07:21 | 0:07:22 | |
But what will Steve think of Christina's first find? | 0:07:24 | 0:07:27 | |
-That's quite fun. What do you think of that? -It is fun. | 0:07:28 | 0:07:31 | |
They have got that as a garden sundial, which it isn't. | 0:07:31 | 0:07:36 | |
This is an armillary sphere. | 0:07:36 | 0:07:39 | |
-This is where I get a bit geeky. -No, go on. That's fine. | 0:07:39 | 0:07:41 | |
Originally, the unique or the genuine ones would have had | 0:07:41 | 0:07:46 | |
bands inside here where you would have been able to chart the stars. | 0:07:46 | 0:07:49 | |
Whereas this one is in that style, | 0:07:49 | 0:07:52 | |
but it's actually just a garden ornament. | 0:07:52 | 0:07:54 | |
It's got a sundial, but I'd like to see anybody that would be able to | 0:07:54 | 0:07:58 | |
tell the time with that and the sun. | 0:07:58 | 0:08:00 | |
What I really like about it is that it looks like the logo | 0:08:00 | 0:08:03 | |
-of an evil corporation... -Yeah, it does. | 0:08:03 | 0:08:07 | |
-..in a film. It's where the baddie works. -Dr Evil Corps! | 0:08:07 | 0:08:11 | |
It's the kind of thing you perhaps wouldn't think of buying | 0:08:11 | 0:08:14 | |
until you see it. | 0:08:14 | 0:08:16 | |
You wouldn't go to the shops with a list that says | 0:08:16 | 0:08:18 | |
-"armillary sphere" on it. -Yeah. Really, wouldn't you? | 0:08:18 | 0:08:21 | |
But if someone brings one up you think, "That's nice. | 0:08:21 | 0:08:24 | |
"I've always wanted one of those." | 0:08:24 | 0:08:25 | |
Let's go and ask the price. | 0:08:25 | 0:08:27 | |
-Ask the price? -Yes. -You mean not this price? -No. | 0:08:30 | 0:08:33 | |
Go and say, "What are you doing...?" | 0:08:33 | 0:08:36 | |
-Are you good at haggling? -No. | 0:08:36 | 0:08:39 | |
Of course not, I'm British. | 0:08:39 | 0:08:41 | |
"Do you really expect me to pay £44 for this?!" | 0:08:41 | 0:08:43 | |
Is that good? | 0:08:43 | 0:08:45 | |
OK. Maybe leave it to the expert, then. | 0:08:45 | 0:08:48 | |
Let's hope Rory makes less of a pig's ear of things | 0:08:48 | 0:08:51 | |
when it comes to haggling for his beloved boar. | 0:08:51 | 0:08:54 | |
Priced at £165, poor old thing. | 0:08:54 | 0:08:57 | |
What shall we call the boar, Diane? | 0:08:57 | 0:08:58 | |
-Boris. -Boris the boar. | 0:08:58 | 0:09:01 | |
This is lovely. What do we reckon? | 0:09:01 | 0:09:05 | |
Trade price. I'm ignoring that. | 0:09:05 | 0:09:08 | |
Ignore all of that. | 0:09:08 | 0:09:10 | |
I've got £50 in cash. | 0:09:10 | 0:09:12 | |
That's retail prices, we're not retail buyers. | 0:09:12 | 0:09:15 | |
-The trade price would be 95. -95? -Yep. | 0:09:15 | 0:09:20 | |
We need to start from 50, don't we? | 0:09:20 | 0:09:22 | |
He gets it so quickly. | 0:09:22 | 0:09:24 | |
He's been going about three minutes, he's an expert already. | 0:09:24 | 0:09:27 | |
Can we get Steve down to watch and learn? | 0:09:27 | 0:09:30 | |
I can't do 50, again. | 0:09:30 | 0:09:31 | |
I'm sorry. I can't get close to that. | 0:09:31 | 0:09:33 | |
-£51.99. -60. | 0:09:33 | 0:09:36 | |
When you said no to 50, did you mean no or yes to 50? | 0:09:36 | 0:09:40 | |
Cos some people get no and yes mixed up. | 0:09:40 | 0:09:42 | |
Rory's not so secret competitive nature | 0:09:42 | 0:09:45 | |
is certainly shining through now. | 0:09:45 | 0:09:47 | |
-Just give me another five. -55. | 0:09:47 | 0:09:49 | |
Shall we go? | 0:09:49 | 0:09:50 | |
-What do you reckon? -Let's do it. | 0:09:50 | 0:09:52 | |
Right, OK. Thank you very much. | 0:09:52 | 0:09:54 | |
-I'll hold it. -Thank you. | 0:09:54 | 0:09:57 | |
That's one wild boar head in the bag for | 0:09:57 | 0:10:00 | |
the greatly reduced price of £55. | 0:10:00 | 0:10:03 | |
Back with the other team, | 0:10:03 | 0:10:05 | |
Steve has found a little piece of history very close to home. | 0:10:05 | 0:10:08 | |
-Christina? -Yeah. -Look. | 0:10:08 | 0:10:10 | |
I'm afraid, someone who's spent a while on the radio, | 0:10:10 | 0:10:15 | |
-this really fascinates me. -Oh, wow. | 0:10:15 | 0:10:20 | |
BBC Broadcasting House. | 0:10:20 | 0:10:23 | |
It looks a bit different now, doesn't it? | 0:10:23 | 0:10:25 | |
Is this your office? | 0:10:25 | 0:10:27 | |
Uh...that's where we do The Now Show, just right in there. | 0:10:27 | 0:10:30 | |
-Wow. -Where the radio theatre is. | 0:10:30 | 0:10:33 | |
These cigarette cards feature 1930s radio celebrities. | 0:10:33 | 0:10:37 | |
So you would have collected all your cigarette cards with | 0:10:37 | 0:10:40 | |
the cigarettes and then you would have filled your little album. | 0:10:40 | 0:10:43 | |
-Yeah. -That's very appropriate for you. | 0:10:43 | 0:10:46 | |
There's a pub near Broadcasting House that has these in frames | 0:10:46 | 0:10:49 | |
and I've always wondered where they came from. | 0:10:49 | 0:10:52 | |
Clapham and Dwyer - who I think were a comedy double act. | 0:10:52 | 0:10:57 | |
I can't be doing with them. | 0:10:57 | 0:10:59 | |
Has it got a price on it? | 0:10:59 | 0:11:00 | |
No, it hasn't. Well, it has, one penny. | 0:11:00 | 0:11:02 | |
I suspect they'll be wanting a bit more than that. | 0:11:02 | 0:11:06 | |
I'd imagine so. | 0:11:06 | 0:11:08 | |
Steve has also found some World War II pamphlets | 0:11:08 | 0:11:11 | |
on what to do during an air raid. | 0:11:11 | 0:11:13 | |
Combing them with the cigarette cards, | 0:11:13 | 0:11:16 | |
time to find out just how bad at haggling he actually is. | 0:11:16 | 0:11:19 | |
£15. | 0:11:19 | 0:11:21 | |
I think we can go up to that. | 0:11:21 | 0:11:23 | |
Let's just have a little bit of a chat | 0:11:23 | 0:11:26 | |
before we talk about things like that. | 0:11:26 | 0:11:28 | |
OK, yeah, that is pretty bad. | 0:11:28 | 0:11:30 | |
Would there be any flexibility in the price? | 0:11:30 | 0:11:34 | |
What about if I said... | 0:11:34 | 0:11:36 | |
that and that £10, and threw that one in? | 0:11:36 | 0:11:41 | |
£10 for three. | 0:11:41 | 0:11:43 | |
-You are terrible at haggling. -I am. | 0:11:45 | 0:11:48 | |
-But I did warn you. -You did. | 0:11:48 | 0:11:50 | |
What about the armillary sphere priced at £44? | 0:11:50 | 0:11:54 | |
I'll run to 30. | 0:11:54 | 0:11:57 | |
If that's any help to you. | 0:11:57 | 0:11:59 | |
Could you do 35 for everything? | 0:11:59 | 0:12:02 | |
38. | 0:12:02 | 0:12:03 | |
-I've given you a little bit extra. -You have. | 0:12:03 | 0:12:07 | |
What I'm doing is watching the haggling and learning. | 0:12:07 | 0:12:10 | |
A keen student indeed. | 0:12:10 | 0:12:12 | |
38 and ten is £48. | 0:12:12 | 0:12:14 | |
-No, £38 for the whole lot! -Oh! | 0:12:14 | 0:12:18 | |
Of course, that was the whole base of that. I was testing her. | 0:12:18 | 0:12:22 | |
Lucky for Steve, Christina is an expert haggler, | 0:12:22 | 0:12:25 | |
so that's the cigarette cards and armillary sphere bagged for £38. | 0:12:25 | 0:12:30 | |
Not bad. Meanwhile, Rory and David are in the party mood. | 0:12:30 | 0:12:34 | |
-Oh, look at these. -Oh, my gosh. | 0:12:34 | 0:12:36 | |
You're too young to remember these. | 0:12:36 | 0:12:38 | |
You know what? Do you know what it reminds me of? | 0:12:38 | 0:12:40 | |
-Champagne perry? -Yeah. My grandmother. | 0:12:40 | 0:12:43 | |
Yeah, that era. That sort of innocent, late '50s, early '60s. | 0:12:43 | 0:12:47 | |
Yeah, it's that kind of thing. | 0:12:47 | 0:12:49 | |
They're actually quite nice glasses. They're quite substantial. | 0:12:49 | 0:12:52 | |
I would have put him as more of a pipe man myself. | 0:12:52 | 0:12:55 | |
-Do you think anybody would by that? -Yes, I do. | 0:12:55 | 0:12:59 | |
The most exciting thing is the box. | 0:12:59 | 0:13:02 | |
The box can treble or quadruple the value | 0:13:02 | 0:13:05 | |
because the box is the rarer thing. | 0:13:05 | 0:13:07 | |
Shall we call that...? | 0:13:07 | 0:13:09 | |
Yes, let's get Diane in here. | 0:13:09 | 0:13:11 | |
The glasses are priced at £30. But can Rory work his magic again? | 0:13:11 | 0:13:16 | |
Rory, you remember Diane. | 0:13:16 | 0:13:18 | |
Diane, gosh, yeah. | 0:13:18 | 0:13:20 | |
You've let yourself go. | 0:13:20 | 0:13:22 | |
-What was your name? -Trevor. | 0:13:22 | 0:13:26 | |
Our eye has been taken by this lovely set of glasses. | 0:13:26 | 0:13:30 | |
But we wanted to talk about the price. | 0:13:30 | 0:13:33 | |
Someone's written £30 on that. | 0:13:33 | 0:13:35 | |
Obviously a mistake. | 0:13:35 | 0:13:37 | |
Sometimes the threes and twos look different. | 0:13:38 | 0:13:41 | |
Mm, Diane... I mean, Trevor is not looking too impressed. | 0:13:42 | 0:13:45 | |
25 is the best I can do. | 0:13:45 | 0:13:47 | |
25. A tenner, you say? | 0:13:47 | 0:13:50 | |
No, I said 25. | 0:13:50 | 0:13:53 | |
Rory's trying every trick in the book. | 0:13:53 | 0:13:56 | |
I'm very superstitious about odd numbers. | 0:13:56 | 0:13:58 | |
Well, you would be, yes. | 0:13:58 | 0:14:01 | |
-They worry me. -Make it 26. | 0:14:01 | 0:14:03 | |
I was thinking 24, actually. | 0:14:03 | 0:14:05 | |
You're just too fast for me there. | 0:14:05 | 0:14:07 | |
24? | 0:14:07 | 0:14:09 | |
-No. -Oh, go on. | 0:14:09 | 0:14:11 | |
Then I can say I knocked you down a quid. | 0:14:11 | 0:14:13 | |
-Go on, then. -Fantastic. -We've done a deal. | 0:14:13 | 0:14:17 | |
That's great, Diane, Trevor... Whoever you really are. | 0:14:17 | 0:14:21 | |
A deal is done. | 0:14:21 | 0:14:23 | |
Through determination Rory saved a whopping £6 on these retro glasses, | 0:14:23 | 0:14:28 | |
bringing his final spend in this shop to £79. | 0:14:28 | 0:14:31 | |
-It was a good day's work, David. -Brilliant. | 0:14:34 | 0:14:37 | |
But the shopping's not over for the other guys | 0:14:37 | 0:14:40 | |
as Christina's spotted something sparkly. | 0:14:40 | 0:14:42 | |
I know this is probably a bit girlie, but I can't resist shiny things. | 0:14:42 | 0:14:46 | |
And I just saw this. | 0:14:46 | 0:14:48 | |
You've seen a shiny barrel organ. | 0:14:48 | 0:14:50 | |
Yes, which I know is slight contradiction in terms... | 0:14:50 | 0:14:52 | |
That's the one monkeys sit on, isn't it? And you turn the handle. | 0:14:52 | 0:14:55 | |
Isn't that fab? | 0:14:55 | 0:14:57 | |
In its original barrow as well. | 0:14:57 | 0:14:58 | |
Are you musical? | 0:14:58 | 0:15:00 | |
Well, I don't play the barrel organ. | 0:15:00 | 0:15:02 | |
-Why not? -I play the piano and guitar, both quite badly. | 0:15:02 | 0:15:07 | |
But I like musical stuff. | 0:15:07 | 0:15:09 | |
If there's a market for miniature silver then I think | 0:15:09 | 0:15:14 | |
-we should go for it. -Let's go and ask a price. | 0:15:14 | 0:15:17 | |
You are technically from this point on banned | 0:15:17 | 0:15:19 | |
-from talking to people about money. -Probably wise. | 0:15:19 | 0:15:23 | |
It's got £55 on it. | 0:15:23 | 0:15:25 | |
Would you have any flexibility going to about £30 on it? | 0:15:25 | 0:15:29 | |
Not down to 30. | 0:15:29 | 0:15:31 | |
-If I were to do... -Gives us a fighting chance. | 0:15:31 | 0:15:33 | |
Yeah, I'll try. | 0:15:33 | 0:15:35 | |
If I was to say 40... | 0:15:35 | 0:15:38 | |
Could you go down to 35? | 0:15:38 | 0:15:40 | |
Oh, look, it's a steely gaze, isn't it? | 0:15:43 | 0:15:45 | |
35 would be brilliant. | 0:15:45 | 0:15:47 | |
Just to give us a fighting chance. | 0:15:47 | 0:15:49 | |
I can't come down to 35. | 0:15:49 | 0:15:51 | |
38. | 0:15:51 | 0:15:53 | |
What do you think? | 0:15:53 | 0:15:54 | |
I'm not allowed to participate in this discussion. | 0:15:54 | 0:15:57 | |
It's a good price. | 0:15:57 | 0:15:58 | |
That is a good price, isn't it? | 0:15:58 | 0:16:01 | |
Yes, very much so. I'm very happy at that. | 0:16:01 | 0:16:04 | |
And so you should be, Christina. | 0:16:04 | 0:16:05 | |
This silver barrel brings their spending here to £76. | 0:16:05 | 0:16:08 | |
Leaving them with £324. | 0:16:08 | 0:16:11 | |
Not bad for their first shop. | 0:16:11 | 0:16:13 | |
OK, it's time to hit the road. | 0:16:15 | 0:16:17 | |
It certainly is. | 0:16:19 | 0:16:20 | |
And Steve seems quite at home in the Triumph. | 0:16:20 | 0:16:23 | |
# Hit the road, Jack, and don't you come back no more... # | 0:16:23 | 0:16:27 | |
It's got a good throaty roar. | 0:16:27 | 0:16:29 | |
The Morris Minor really didn't have that. | 0:16:30 | 0:16:33 | |
It had more of a polite cough. | 0:16:33 | 0:16:36 | |
-It's got a cassette deck! -Oh, cassettes. | 0:16:36 | 0:16:39 | |
It's got an authentic '70s cassette deck. | 0:16:39 | 0:16:42 | |
Well, if you like that, Steve, | 0:16:42 | 0:16:44 | |
you're going to love where you're being sent to next - | 0:16:44 | 0:16:47 | |
Coventry. | 0:16:47 | 0:16:48 | |
While many associate Coventry with Lady Godiva, | 0:16:49 | 0:16:52 | |
there was another lesser known social movement | 0:16:52 | 0:16:55 | |
that took place here in the 1970s. | 0:16:55 | 0:16:57 | |
It stemmed from a form of music that revolutionised the British | 0:16:57 | 0:17:01 | |
music scene and had a lasting effect on culture and society. | 0:17:01 | 0:17:05 | |
-Are we ready? -Yes. -Let's go 2 Tone. | 0:17:07 | 0:17:10 | |
Aside from comedy, Steve is also a massive music fan, | 0:17:10 | 0:17:14 | |
so this is sure to be a treat for him. | 0:17:14 | 0:17:16 | |
Welcome aboard. | 0:17:16 | 0:17:17 | |
Today they're meeting director and curator Pete Chambers. | 0:17:17 | 0:17:20 | |
This is the Coventry Music Museum. | 0:17:20 | 0:17:23 | |
It's about all types of music, 2 Tone is the big one. | 0:17:23 | 0:17:27 | |
It's what Coventry's known for, more than any other music, | 0:17:27 | 0:17:31 | |
it's our unique selling point. | 0:17:31 | 0:17:33 | |
2 Tone is a music genre created in Coventry in the late 1970s | 0:17:35 | 0:17:39 | |
by fusing elements of punk rock and ska music together. | 0:17:39 | 0:17:44 | |
A guy called Jerry Dammers, he's the guy that came up with this idea. | 0:17:44 | 0:17:48 | |
He wanted to fuse reggae with punk. | 0:17:48 | 0:17:52 | |
Unfortunately, that didn't really work, | 0:17:52 | 0:17:54 | |
but when he sped everything up to ska | 0:17:54 | 0:17:57 | |
suddenly the speeds met each other and he created this fantastic brand | 0:17:57 | 0:18:02 | |
which we know today as 2 Tone Records. | 0:18:02 | 0:18:04 | |
Punk had come and gone, and punk had a big mouth, | 0:18:04 | 0:18:07 | |
but it didn't have a lot to say. | 0:18:07 | 0:18:08 | |
Whereas what followed was 2 Tone, and that had a lot to say. | 0:18:08 | 0:18:12 | |
It was music for the feet and the head. | 0:18:12 | 0:18:14 | |
You could dance to it and you could also listen to it, take it in. | 0:18:14 | 0:18:17 | |
At the time, Coventry was a very multicultural society, | 0:18:18 | 0:18:23 | |
with a strong Caribbean community. | 0:18:23 | 0:18:25 | |
This new form of music brought communities together | 0:18:25 | 0:18:28 | |
for the first time. | 0:18:28 | 0:18:29 | |
Is the black and white symbolic of something? What is that? | 0:18:31 | 0:18:33 | |
It was evidence on there, all the graphics on the records | 0:18:33 | 0:18:37 | |
and everything, and it was evident in the bands | 0:18:37 | 0:18:40 | |
cos the bands were multicultural bands, black and white guys | 0:18:40 | 0:18:43 | |
singing this black and white stuff. | 0:18:43 | 0:18:45 | |
It was a fusion of black and white music. | 0:18:45 | 0:18:47 | |
Listen, we're going to play the number one from these dizzy heights, | 0:18:47 | 0:18:50 | |
it's The Specials. | 0:18:50 | 0:18:51 | |
Jerry Dammers, a 2 Tone pioneer, went on to form The Specials, | 0:18:52 | 0:18:57 | |
probably the best known of the 2 Tone bands | 0:18:57 | 0:19:00 | |
with his college friend Horace Panter. | 0:19:00 | 0:19:02 | |
The movement was branded with the iconic art work of the black | 0:19:04 | 0:19:08 | |
and white squares and the image of Walt Jabsco. | 0:19:08 | 0:19:11 | |
I think of it as bringing in almost like the mod feel | 0:19:11 | 0:19:14 | |
cos there was a bit of a mod element to the whole thing as well. | 0:19:14 | 0:19:17 | |
Walt Jabsco was a fictional character | 0:19:17 | 0:19:20 | |
based on a photo of Peter Tosh, | 0:19:20 | 0:19:22 | |
one of the main members of The Wailers, alongside Bob Marley. | 0:19:22 | 0:19:26 | |
The imagery of the band was to become almost as famous as | 0:19:26 | 0:19:29 | |
-the music itself. -Well, this was it. | 0:19:29 | 0:19:31 | |
The style as well, it just wasn't about music, it was the whole thing. | 0:19:31 | 0:19:36 | |
For three years 2 Tone was at the forefront of the UK music industry, | 0:19:36 | 0:19:41 | |
affecting culture, fashion and politics as well. | 0:19:41 | 0:19:44 | |
I remember The Specials catching a moment with Ghost Town | 0:19:46 | 0:19:51 | |
that probably, more perfectly than any other record I can remember | 0:19:51 | 0:19:55 | |
in terms of just absolutely summing up the time it was made. | 0:19:55 | 0:20:00 | |
The early '80s were a time of great unrest in Britain. | 0:20:00 | 0:20:03 | |
# This town is coming like a ghost town... # | 0:20:03 | 0:20:07 | |
It was the first year of Thatcherism. | 0:20:07 | 0:20:09 | |
And that record just caught what it was like for young people. | 0:20:09 | 0:20:14 | |
Cos the last line of the record is, the people getting angry... | 0:20:14 | 0:20:17 | |
-Yeah. -..and literally, two weeks later there were riots. | 0:20:17 | 0:20:21 | |
And this wasn't the only political movement | 0:20:21 | 0:20:24 | |
Jerry Dammers was involved in. | 0:20:24 | 0:20:26 | |
Jerry Dammers also went on to write... | 0:20:26 | 0:20:28 | |
one of the few songs I can think of that really helped to | 0:20:28 | 0:20:31 | |
change the world, didn't he? | 0:20:31 | 0:20:33 | |
Yeah. Possibly the greatest protest song ever. | 0:20:33 | 0:20:36 | |
What was that? | 0:20:36 | 0:20:38 | |
# Free Nelson Mandela. # | 0:20:38 | 0:20:41 | |
-Yeah. Well done. -Thank you. -Absolutely. | 0:20:41 | 0:20:45 | |
Other famous bands that came up through the 2 Tone label were | 0:20:46 | 0:20:49 | |
Madness, The Beat and Selecter. | 0:20:49 | 0:20:52 | |
Even today, 2 Tone's influence lives on in modern artists. | 0:20:52 | 0:20:56 | |
I remember seeing The Specials at Glastonbury two or three years ago. | 0:20:57 | 0:21:01 | |
And not only were they great, | 0:21:01 | 0:21:04 | |
but Lily Allen was on with them as a guest. | 0:21:04 | 0:21:06 | |
So there's a cross generational thing going on there. | 0:21:06 | 0:21:10 | |
The museum is full of original artefacts for Steve | 0:21:10 | 0:21:13 | |
and Christina to discover, including the master tape from | 0:21:13 | 0:21:15 | |
The Specials' first album and a replica of Jerry Dammers' bedroom. | 0:21:15 | 0:21:20 | |
Oh, good. Look! | 0:21:20 | 0:21:22 | |
If I can move the marathon bar here. | 0:21:22 | 0:21:26 | |
4p. | 0:21:26 | 0:21:27 | |
But what you have here is Letraset, this is how people made posters. | 0:21:27 | 0:21:31 | |
If you were in a band and you wanted to make a poster, | 0:21:31 | 0:21:33 | |
-you couldn't just typeset it, you had to buy these. -Wow. | 0:21:33 | 0:21:38 | |
I once saw a very early poster for The Cure in Reigate | 0:21:38 | 0:21:41 | |
that I reckon hand Letrasetted by Robert Smith. | 0:21:41 | 0:21:43 | |
And I wish I peeled it off the wall and kept it | 0:21:43 | 0:21:46 | |
because then you could have told me how much it was worth. | 0:21:46 | 0:21:49 | |
Does this take you back to being a teenager? | 0:21:49 | 0:21:52 | |
It does. | 0:21:52 | 0:21:54 | |
I had friends whose bedrooms didn't look at all unlike this. | 0:21:54 | 0:21:57 | |
And the trouble is, it's making me feel I ought to be revising. | 0:21:57 | 0:22:01 | |
That's the overwhelming feeling that I'm getting. | 0:22:01 | 0:22:04 | |
I need to do some geography. | 0:22:04 | 0:22:06 | |
Quick. Start revising. | 0:22:06 | 0:22:08 | |
Whilst Steve is being taken back to his youth, | 0:22:08 | 0:22:13 | |
Rory is being taken to his next shop in the market town of Coleshill. | 0:22:13 | 0:22:18 | |
In the market square there still exists the town's pillory | 0:22:18 | 0:22:21 | |
and whipping post. | 0:22:21 | 0:22:23 | |
Though I'm sure David won't be needing that today. | 0:22:23 | 0:22:25 | |
We've got 320 nicker left, haven't we? | 0:22:25 | 0:22:27 | |
-Gosh, that's quite a lot. -Yeah. -Quite a lot. | 0:22:27 | 0:22:30 | |
How do you feel about your first buying experience? | 0:22:30 | 0:22:33 | |
We haven't bought a grandfather clock or a table or a chair, | 0:22:33 | 0:22:36 | |
we've come out with a boar's head and some Babycham glasses. | 0:22:36 | 0:22:39 | |
We haven't exactly gone the traditional route. | 0:22:39 | 0:22:41 | |
I expected nothing less, but perhaps you'll find more antiquities | 0:22:41 | 0:22:45 | |
at Remember When Antiques shop. | 0:22:45 | 0:22:49 | |
Oh, it's a wool shop, Rory. | 0:22:49 | 0:22:51 | |
Don't worry, Rory, there are antiques at the back. | 0:22:51 | 0:22:54 | |
Is it an antique wool shop? Hello. | 0:22:54 | 0:22:57 | |
-Hello. -We could knit ourselves an antique, couldn't we? | 0:22:57 | 0:23:00 | |
We could knit ourselves a Queen Anne desk, shall we? | 0:23:00 | 0:23:02 | |
Can you do that for us? | 0:23:02 | 0:23:04 | |
Perhaps slightly outside her particular skill set | 0:23:04 | 0:23:07 | |
but I'm sure she's got a wealth of other interesting wares to offer. | 0:23:07 | 0:23:10 | |
This old theatre programme, 1957, '58 from Coventry Theatre | 0:23:12 | 0:23:16 | |
-as signed Morecambe and Wise. -Wow. | 0:23:16 | 0:23:21 | |
That says Morecambe. | 0:23:21 | 0:23:22 | |
And I presume that says Wise. | 0:23:22 | 0:23:24 | |
And Harry Secombe! Look at him with hair. | 0:23:24 | 0:23:26 | |
Very young Harry Secombe! | 0:23:26 | 0:23:28 | |
Anybody else signed on there? | 0:23:28 | 0:23:30 | |
Not in that one, no. | 0:23:30 | 0:23:32 | |
This one is signed on the front by Bruce Forsyth. | 0:23:32 | 0:23:36 | |
Brucie! | 0:23:36 | 0:23:38 | |
Good old Brucie, yeah. | 0:23:38 | 0:23:39 | |
And then inside, a very young Brucie. | 0:23:39 | 0:23:42 | |
-Again, another signature. -"I'll sign every page." | 0:23:42 | 0:23:45 | |
IMPERSONATES BRUCE FORSYTH: I'll sign every page. | 0:23:45 | 0:23:48 | |
I love the comedy connection, for you. | 0:23:48 | 0:23:51 | |
Yeah, exactly. | 0:23:51 | 0:23:52 | |
You couldn't have made it up. | 0:23:52 | 0:23:54 | |
Ten, £15 for the two? | 0:23:54 | 0:23:56 | |
I was thinking, yes, about £15 for the two. | 0:23:56 | 0:23:59 | |
I think a tenner would be good. | 0:24:00 | 0:24:02 | |
Cash. | 0:24:02 | 0:24:03 | |
Meet me halfway, 12? | 0:24:03 | 0:24:05 | |
I just like the clean tenner. | 0:24:05 | 0:24:07 | |
And I'm thinking at auction, where's it going to stop. | 0:24:07 | 0:24:10 | |
It's all... | 0:24:10 | 0:24:12 | |
Ten is a beautifully almost decimal number. | 0:24:12 | 0:24:15 | |
It is. | 0:24:15 | 0:24:16 | |
All right, OK. | 0:24:16 | 0:24:19 | |
How decimal do you want to be? | 0:24:19 | 0:24:20 | |
-You can't get any more decimal than that. -Exactly. | 0:24:20 | 0:24:23 | |
Uh, if you just stop talking, boys, I think she said yes to your offer. | 0:24:23 | 0:24:26 | |
I hear what you're saying, so, yes, and I will throw that one in as well. | 0:24:26 | 0:24:30 | |
You wouldn't throw those in, would you? | 0:24:30 | 0:24:33 | |
-These two? -Would you? | 0:24:33 | 0:24:35 | |
David, you are incorrigible. | 0:24:35 | 0:24:37 | |
These sporting dinner menus are also signed by celebrities, | 0:24:37 | 0:24:41 | |
so is Kim in a generous mood? | 0:24:41 | 0:24:43 | |
-Go on, then. Yes. -You're an angel. | 0:24:43 | 0:24:47 | |
We might even buy some wool. | 0:24:47 | 0:24:49 | |
For an incredible price of a tenner, Rory | 0:24:49 | 0:24:52 | |
and David have acquired a selection of theatre programmes | 0:24:52 | 0:24:55 | |
and dinner menus all with famous autographs. | 0:24:55 | 0:24:58 | |
But has David found something else already? | 0:24:58 | 0:25:01 | |
-I do like that dish. -Mm, tell me about that, David. | 0:25:01 | 0:25:06 | |
Well, do you like it? | 0:25:06 | 0:25:07 | |
It looks like a Celtic shield to me, but it is, in fact...? | 0:25:07 | 0:25:11 | |
It's simply a plaque circa 1890-1900. | 0:25:11 | 0:25:15 | |
Really! Is that our antique for the day. | 0:25:15 | 0:25:18 | |
-That's a real one. -That's a genuine one. | 0:25:18 | 0:25:22 | |
It's priced at £62. I feel some more haggling coming. | 0:25:22 | 0:25:26 | |
20 quid? Is that a very attractive figure to you? | 0:25:26 | 0:25:29 | |
It's a little on the low side. | 0:25:29 | 0:25:32 | |
I would probably be looking for 30. | 0:25:32 | 0:25:34 | |
-I'll have to consult with head office! -OK. | 0:25:35 | 0:25:38 | |
THEY MURMUR | 0:25:38 | 0:25:39 | |
We've got to be really, really firm on it. | 0:25:39 | 0:25:41 | |
OK. I will let it go for 20. | 0:25:41 | 0:25:45 | |
Do you think 20 is close to the edge? | 0:25:45 | 0:25:47 | |
-Who can say that's expensive for 20 quid? It's impossible. -15? | 0:25:47 | 0:25:52 | |
You're pushing it now, Rory. | 0:25:53 | 0:25:55 | |
OK. All right. Yes, yes. | 0:25:55 | 0:25:58 | |
That will be the lowest that I go on that. | 0:25:58 | 0:26:00 | |
-I'm... sorry! I'm learning from him. That was amazing! -Oh! | 0:26:00 | 0:26:04 | |
The student has become the master and for an incredible £15, | 0:26:04 | 0:26:09 | |
Rory and David are now the proud owners of an arts and crafts | 0:26:09 | 0:26:13 | |
copper dish which, coupled with their previous purchases, | 0:26:13 | 0:26:15 | |
means they now have £296 left to splash. | 0:26:15 | 0:26:19 | |
-See ya! -Bye-bye. -Bye. | 0:26:19 | 0:26:21 | |
But there's no more spending for now as it is curtains down | 0:26:21 | 0:26:27 | |
on a successful day's shopping. | 0:26:27 | 0:26:29 | |
Have you heard the one about the comedian who couldn't haggle? No? | 0:26:31 | 0:26:35 | |
Well, it's certainly the topic on everyone's lips this morning. | 0:26:35 | 0:26:38 | |
That's the bit I'm really bad at. | 0:26:38 | 0:26:40 | |
I have this terrible thing at the back of my mind all the time | 0:26:40 | 0:26:43 | |
that it's a bit rude. | 0:26:43 | 0:26:45 | |
How are you getting on with the lovely Christina? | 0:26:45 | 0:26:48 | |
She is haggler-in-chief. | 0:26:48 | 0:26:50 | |
-Is she? -She really knows her haggling. | 0:26:50 | 0:26:53 | |
David, I think that must go with the territory of being an expert. | 0:26:53 | 0:26:56 | |
David is exactly the same. | 0:26:56 | 0:26:57 | |
And you're no shrinking violet, Rory! | 0:26:59 | 0:27:01 | |
So, how did you get on yesterday with Rory? He seems a lot of fun. | 0:27:04 | 0:27:07 | |
He's absolutely... Well, he's on fire, isn't he? | 0:27:07 | 0:27:10 | |
-Is he? -Yes, absolutely on fire. | 0:27:10 | 0:27:13 | |
-What about you? -Yeah, great. | 0:27:14 | 0:27:17 | |
Steve is incredibly clever, which is slightly intimidating. | 0:27:17 | 0:27:21 | |
But he's also the worst haggler I think I have ever met. | 0:27:21 | 0:27:24 | |
Why, why, why? | 0:27:24 | 0:27:25 | |
If dealers say a price on the ticket, he'll say, | 0:27:25 | 0:27:28 | |
"Yeah, that's fine. Yeah, yeah." | 0:27:28 | 0:27:30 | |
But luckily Christina was there to step in with some expert negotiation | 0:27:33 | 0:27:37 | |
bringing home an armillary sphere, some cigarette cards | 0:27:37 | 0:27:40 | |
and a miniature silver barrel organ for £76, as you do! | 0:27:40 | 0:27:45 | |
What I'm doing is watching the haggling and learning. | 0:27:45 | 0:27:48 | |
Rory, on the other hand, took to haggling like a duck to water | 0:27:48 | 0:27:51 | |
and purchased Boris the boar's head, Babycham glasses, | 0:27:51 | 0:27:55 | |
signed theatre programmes and a copper dish for a total of £104. | 0:27:55 | 0:27:59 | |
And he was brutal. | 0:27:59 | 0:28:00 | |
He's been going about three minutes and he's an expert already! | 0:28:00 | 0:28:04 | |
This morning, both teams are off to the trendy, | 0:28:04 | 0:28:06 | |
cosmopolitan suburb of Moseley, in Birmingham, which, funnily enough, | 0:28:06 | 0:28:11 | |
is where famous comedian Jasper Carrott went to school. | 0:28:11 | 0:28:14 | |
And, it seems, Rory and Steve are in the mood for a bit of a singsong. | 0:28:14 | 0:28:18 | |
# Christina, she used to be a cleaner | 0:28:18 | 0:28:24 | |
# In a Mexican cantina | 0:28:24 | 0:28:28 | |
# Boy! You should have seen her on her knees | 0:28:28 | 0:28:31 | |
# With a sponge in her hands! # | 0:28:31 | 0:28:32 | |
-Pardon! -Don't encourage the buskers. | 0:28:32 | 0:28:35 | |
The good thing with Christina, she's has the most... | 0:28:35 | 0:28:38 | |
She's so modest... angelic voice, I promise you. | 0:28:38 | 0:28:42 | |
She sings! Oh, she sings... Just beautifully. | 0:28:42 | 0:28:46 | |
-We will see you later. -I thought that'd get rid of her! | 0:28:46 | 0:28:49 | |
The first shop of the day is the Moseley Emporium. | 0:28:52 | 0:28:56 | |
So, what's the plan for today then, folks? | 0:28:56 | 0:28:58 | |
Shall we do like in Scooby-Doo and you go to the cellar | 0:28:59 | 0:29:02 | |
-and I'll check out upstairs? -Oh, thanks. That's really brave. | 0:29:02 | 0:29:06 | |
-Yeah, I'll go down in the cellar! -We're splitting up. -All right. | 0:29:06 | 0:29:10 | |
But, as Scooby would say... (SCOOBY VOICE) "Let's go!" | 0:29:10 | 0:29:13 | |
Flying solo, Steve is keen to impart his new-found antiques knowledge. | 0:29:13 | 0:29:17 | |
There's a lot of what you might call furniture here. | 0:29:17 | 0:29:20 | |
I'm developing that amount of expertise, | 0:29:20 | 0:29:23 | |
I recognise this is furniture. | 0:29:23 | 0:29:25 | |
This is quite nice. | 0:29:25 | 0:29:26 | |
It's basically a chair you can put things in. | 0:29:26 | 0:29:28 | |
Say what you see, Stephen. Say what you see. | 0:29:28 | 0:29:31 | |
But will anything actually catch his interest? | 0:29:31 | 0:29:34 | |
There's a nice mirror here. | 0:29:34 | 0:29:36 | |
Although, suddenly it seems to come with a horrible reflection in it. | 0:29:36 | 0:29:39 | |
I hope that's optional. | 0:29:39 | 0:29:42 | |
EERIE NOISES | 0:29:42 | 0:29:43 | |
Speaking of scary sights, | 0:29:43 | 0:29:44 | |
how's Christina getting on six feet under? Poor girl! | 0:29:44 | 0:29:49 | |
This actually is Scooby-Doo. You see, you should never make jokes. | 0:29:49 | 0:29:53 | |
Interesting philosophy coming from a comedian. | 0:29:53 | 0:29:56 | |
There is actually a mummy. | 0:29:56 | 0:29:58 | |
CHRISTINA SCREAMS | 0:30:00 | 0:30:03 | |
No, not just a mummy, Christina! | 0:30:03 | 0:30:05 | |
It's surprisingly comfortable in here. | 0:30:05 | 0:30:07 | |
I think I might stay for a while. Just come back in a minute. | 0:30:07 | 0:30:11 | |
Put the lid back down. | 0:30:11 | 0:30:13 | |
I mean, I hate to say this but you will need one eventually. | 0:30:13 | 0:30:16 | |
What a cheery thought! Luckily, it's only a stage coffin. | 0:30:16 | 0:30:20 | |
Maybe one we'll save for later. | 0:30:20 | 0:30:22 | |
Maybe ask how much a second-hand coffin is. | 0:30:22 | 0:30:24 | |
Are you seriously considering buying a coffin? | 0:30:24 | 0:30:27 | |
There's a nice mirror upstairs I think you should look at. | 0:30:27 | 0:30:30 | |
Shall I stop being silly and come with you? | 0:30:30 | 0:30:32 | |
Yes, please. It gives me the creeps down here. | 0:30:32 | 0:30:35 | |
The mirror is priced at £85, but what does Christina think? | 0:30:35 | 0:30:39 | |
I have sold them in the past and they make sort of £40 or £50. | 0:30:39 | 0:30:43 | |
I have sold some similar to that in a bit of a job lot for... | 0:30:43 | 0:30:46 | |
So we'd have to get a lot off that to make it worth getting? | 0:30:46 | 0:30:49 | |
Yes, and I think we need a masterclass in haggling | 0:30:49 | 0:30:52 | |
before we do that. | 0:30:52 | 0:30:54 | |
Right! Yes, I think we probably do. | 0:30:54 | 0:30:56 | |
Oh, dear! That doesn't bode well, but certainly one to bear in mind | 0:30:56 | 0:31:00 | |
and what have they found on the stairwell now? | 0:31:00 | 0:31:03 | |
-I'm rather drawn to that. -Yeah, it's really nice. | 0:31:03 | 0:31:07 | |
Oh, look, it's HM Government! | 0:31:07 | 0:31:10 | |
This is what... Civil servants sat around playing billiards. | 0:31:10 | 0:31:14 | |
It's a Thomas Padmore and Sons billiard scorer. | 0:31:14 | 0:31:17 | |
So, it's got Edwardian on here which would indicate | 0:31:17 | 0:31:20 | |
he thinks it's between 1901 and 1910. | 0:31:20 | 0:31:23 | |
I'd say maybe nudging it into the Victorian era, | 0:31:23 | 0:31:26 | |
slightly earlier than that. | 0:31:26 | 0:31:27 | |
It looks like it's made of oak, which is nice. | 0:31:27 | 0:31:29 | |
And these ebony sliders. They're still running so smoothly. | 0:31:29 | 0:31:33 | |
They're beautiful. Really lovely. And I like its sort of faded grandeur. | 0:31:33 | 0:31:38 | |
So, with this, the coffin and the mirror, | 0:31:39 | 0:31:41 | |
that's three items they're interested in. | 0:31:41 | 0:31:44 | |
All that remains to be seen is what they can get the best price on. | 0:31:44 | 0:31:47 | |
-Steve! -How brave are you feeling about haggling? | 0:31:47 | 0:31:50 | |
Well, if I could take you leaping out of a coffin at me, | 0:31:50 | 0:31:52 | |
-I feel I can maybe haggle a bit. -OK. | 0:31:52 | 0:31:56 | |
-Ready? -Er, yep. | 0:31:57 | 0:31:59 | |
Come on, Steve. You can do it! | 0:32:01 | 0:32:03 | |
It's all about eye contact, determination and, above all, | 0:32:03 | 0:32:06 | |
confidence. | 0:32:06 | 0:32:07 | |
So, there's a mirror right at the top. | 0:32:07 | 0:32:09 | |
-An Art Deco mirror. -Yeah. | 0:32:09 | 0:32:11 | |
Erm... | 0:32:11 | 0:32:12 | |
-Oh, no! -Don't be scared to ask. | 0:32:13 | 0:32:16 | |
-Well... -Get the words out. | 0:32:16 | 0:32:18 | |
We are thinking we would happily pay £40 for that. | 0:32:19 | 0:32:22 | |
No, no, no! | 0:32:22 | 0:32:23 | |
-What have I done wrong now? -Start at 30! -Oh, start at 30! | 0:32:23 | 0:32:27 | |
We, myself and my manager, were hoping... | 0:32:27 | 0:32:31 | |
Oh, God! This is like car crash television! | 0:32:31 | 0:32:34 | |
Come on, Steve! | 0:32:34 | 0:32:35 | |
You get knocked down! You get back up again. | 0:32:35 | 0:32:37 | |
We were hoping that perhaps £30 | 0:32:37 | 0:32:39 | |
would take that mirror off your hands, sir. | 0:32:39 | 0:32:42 | |
-Ooh! -That's better, Steve. -It's 85. | 0:32:42 | 0:32:45 | |
For 85. I'll tell you what I'll do for you. 45. | 0:32:45 | 0:32:50 | |
And, what about, dare I say, the coffin? | 0:32:50 | 0:32:53 | |
-I think it's about 85, I'm not sure. -Is it?! | 0:32:53 | 0:32:56 | |
No, no, that's down in the cellar. But the lowest... | 0:32:56 | 0:32:59 | |
-Does that make a difference? -Yes, it's nice in the cellar. | 0:32:59 | 0:33:03 | |
-Nice and cool. -Is it literally the bargain basement? | 0:33:03 | 0:33:05 | |
Good line! Humour him down on the price, Steve! | 0:33:05 | 0:33:08 | |
It's a bargain because it will be £40 but no less. | 0:33:08 | 0:33:12 | |
-No less. Do I take that? "No less." -45 and I would have took it myself. | 0:33:12 | 0:33:17 | |
Before Steve can make a decision, there is | 0:33:17 | 0:33:19 | |
one final piece he needs a price on. | 0:33:19 | 0:33:21 | |
-Now, the billiard scoring thing, we like that. -OK. | 0:33:21 | 0:33:25 | |
I probably shouldn't have told you! No, we hated that. We hated that. | 0:33:25 | 0:33:29 | |
We don't really want to buy it. | 0:33:29 | 0:33:30 | |
We are willing to pay you £30... | 0:33:30 | 0:33:34 | |
-£20. -..£20 for the privilege of... | 0:33:34 | 0:33:36 | |
-Taking it away. -Taking it away. Taking it off your hands, really. | 0:33:36 | 0:33:40 | |
-It's 55, I think, is it? -Er... Yes, it is 55. 55 on the sticker. | 0:33:40 | 0:33:45 | |
For the privilege of being in the shop, | 0:33:45 | 0:33:47 | |
I'll do it for you for 25 and that's it. | 0:33:47 | 0:33:49 | |
What do we think about the mirror? | 0:33:49 | 0:33:51 | |
Deep in our hearts we prefer the scorer, don't we? | 0:33:51 | 0:33:54 | |
If we bought the coffin and the scorer, | 0:33:55 | 0:33:58 | |
is there any movement on the price? | 0:33:58 | 0:33:59 | |
-What's that, 65? -Yeah. | 0:33:59 | 0:34:02 | |
£60, that's fair, it really is. | 0:34:02 | 0:34:06 | |
-Um... -Shall we do it? -Yeah, let's do it. | 0:34:06 | 0:34:08 | |
-We both want to do it, let's face it. -The coffin and the scorer? | 0:34:08 | 0:34:11 | |
-And the scorer. -I'm happy with that. | 0:34:11 | 0:34:13 | |
You can take both of them away for that and bury them for all I care. | 0:34:13 | 0:34:16 | |
THEY LAUGH | 0:34:16 | 0:34:18 | |
Everyone is a joker today. | 0:34:18 | 0:34:20 | |
So, for the princely sum of £60... | 0:34:20 | 0:34:22 | |
A pleasure doing business with you. | 0:34:22 | 0:34:24 | |
..Steve can hold his head high at this victory as he walks away | 0:34:24 | 0:34:27 | |
with a snooker scorer, coffin, and £264 left to spend. | 0:34:27 | 0:34:32 | |
What on earth are they planning to do with that coffin? | 0:34:32 | 0:34:35 | |
-There were people in the hairdressers just sat there. -I'm not surprised. | 0:34:37 | 0:34:42 | |
Oh, show it off down the local high street, good plan. | 0:34:42 | 0:34:46 | |
Just a couple of miles away, taking a break from shopping, | 0:34:46 | 0:34:48 | |
Rory and David are at Moseley Road Baths. | 0:34:48 | 0:34:51 | |
This is us. Men's first-class. In you go. | 0:34:51 | 0:34:54 | |
Designed for us, I think. | 0:34:54 | 0:34:56 | |
During the Industrial Revolution, | 0:34:56 | 0:34:59 | |
Birmingham emerged as one of the country's super cities. | 0:34:59 | 0:35:02 | |
Built in 1907, the baths offered swimming | 0:35:02 | 0:35:05 | |
as a luxury leisure activity | 0:35:05 | 0:35:07 | |
but were primarily providing washing facilities, | 0:35:07 | 0:35:10 | |
as the majority of homes at that time did not have private bathrooms. | 0:35:10 | 0:35:15 | |
For more than a century, they became a focal point of the community. | 0:35:15 | 0:35:18 | |
Hosting dances and even a casualty station during the Second World War. | 0:35:18 | 0:35:23 | |
Today, Rory and David are meeting with Jennifer, | 0:35:23 | 0:35:25 | |
a member of the Friends of Moseley Baths. | 0:35:25 | 0:35:28 | |
-Hello. -Hello. -Hello! Hi, hi. | 0:35:28 | 0:35:31 | |
I'm Rory, hello, Jenny. | 0:35:31 | 0:35:33 | |
They're a group campaigning to keep the baths open | 0:35:33 | 0:35:36 | |
because the future of this spectacular building is in jeopardy. | 0:35:36 | 0:35:40 | |
-Right! -Gosh. -Gentleman, you are now in the first-class men's. | 0:35:40 | 0:35:44 | |
What do we get for that, then? | 0:35:44 | 0:35:46 | |
I think you get a nicer towel, | 0:35:46 | 0:35:48 | |
possibly two towels, but I'm not actually sure. | 0:35:48 | 0:35:50 | |
OK. Are we currently naked, or not? | 0:35:50 | 0:35:52 | |
-No, no, no, no. Please! -Good question! | 0:35:52 | 0:35:55 | |
You come through into here, in the first-class men's, | 0:35:55 | 0:35:58 | |
and you're going to be taken to your cubicle | 0:35:58 | 0:36:00 | |
where the tub of hot water will await you. | 0:36:00 | 0:36:03 | |
How did they decide which man was a first-class man | 0:36:03 | 0:36:06 | |
and which man was a second-class man? | 0:36:06 | 0:36:08 | |
-Surely money! -I think it was how much you could afford. | 0:36:08 | 0:36:11 | |
Some things never change. | 0:36:11 | 0:36:13 | |
-Gosh. -So, we've got our luxury soap and our nice towels. | 0:36:15 | 0:36:19 | |
-There would never be three of us in here, of course. -Oh, I see. | 0:36:19 | 0:36:21 | |
-One person, of course. -Is there an attendant? | 0:36:21 | 0:36:24 | |
The attendant's there, you can ring the bell, | 0:36:24 | 0:36:26 | |
there's a little notice on the door behind you. | 0:36:26 | 0:36:28 | |
You only had half an hour in the bath. | 0:36:28 | 0:36:31 | |
And you couldn't have extra hot, | 0:36:31 | 0:36:33 | |
though we do hear stories of people taking... | 0:36:33 | 0:36:35 | |
staff taking backhanders in the old days | 0:36:35 | 0:36:37 | |
to put in a little bit of extra hot. | 0:36:37 | 0:36:39 | |
Or even manufacture a sort of key that was used to turn | 0:36:39 | 0:36:43 | |
-these enormous taps that you can see here. -Not in first class, Jenny. | 0:36:43 | 0:36:47 | |
-No, no. -Possibly second class. | 0:36:47 | 0:36:51 | |
So, how often would people use a facility like this? | 0:36:51 | 0:36:53 | |
About once a week. If you're using public baths, you come once a week. | 0:36:53 | 0:36:57 | |
But for some families, poor families, | 0:36:57 | 0:36:59 | |
it was such a luxury, maybe it was just on special occasions. | 0:36:59 | 0:37:02 | |
We had one person we interviewed for our Memory Project, a young woman, | 0:37:02 | 0:37:05 | |
who said she came here especially on the night before she got married, | 0:37:05 | 0:37:09 | |
to have a really special, good clean-up | 0:37:09 | 0:37:11 | |
before she went into married life. That's very nice. | 0:37:11 | 0:37:14 | |
-I hope the husband did the same. -I hope he did! | 0:37:14 | 0:37:16 | |
A lot has changed since 1907, | 0:37:16 | 0:37:18 | |
and with more and more bathrooms being built in houses, | 0:37:18 | 0:37:22 | |
the baths became obsolete. | 0:37:22 | 0:37:24 | |
Though they remained open until 2004. | 0:37:24 | 0:37:27 | |
But it wasn't just about bathing. | 0:37:27 | 0:37:29 | |
There's a first and second class pool. | 0:37:29 | 0:37:31 | |
If you'd like to come with me now, | 0:37:31 | 0:37:33 | |
-I'll take you in and show you the gala pool. -Yes, good. | 0:37:33 | 0:37:35 | |
-Have you got your swimming trunks on under there? -I've got my bikini on. | 0:37:35 | 0:37:39 | |
Let's hope he's joking. | 0:37:39 | 0:37:41 | |
The first-class pool, or gala pool, has been closed since 2003, | 0:37:42 | 0:37:47 | |
but its unique balconettes | 0:37:47 | 0:37:49 | |
and cathedral-like structure are still a unique sight to behold. | 0:37:49 | 0:37:53 | |
What do we get here that they don't get in the second-class pool? | 0:37:55 | 0:37:58 | |
In the first-class pool, you get the best water, for a start. | 0:37:58 | 0:38:01 | |
I didn't know there were different sorts of water. | 0:38:01 | 0:38:04 | |
-I thought it was just the same stuff. -Clean and dirty. | 0:38:04 | 0:38:06 | |
Oh, I see. You're kidding! | 0:38:06 | 0:38:07 | |
Before they had proper filtration and chlorination systems, | 0:38:07 | 0:38:11 | |
the water was stored in a very large cast iron tank in the roof. | 0:38:11 | 0:38:16 | |
The cold water was heated up and used here in this, | 0:38:16 | 0:38:18 | |
the first-class pool. | 0:38:18 | 0:38:20 | |
After several days it would have gone through to the second class. | 0:38:20 | 0:38:24 | |
So you basically got used water from this pool. | 0:38:24 | 0:38:28 | |
So gala pool, why gala pool? | 0:38:28 | 0:38:30 | |
Gala pool because they had galas here. | 0:38:30 | 0:38:32 | |
And you'll notice in this pool, | 0:38:32 | 0:38:34 | |
one special feature of it is the beautiful balcony. | 0:38:34 | 0:38:36 | |
It goes all the way round the top here | 0:38:36 | 0:38:38 | |
so this would have been full of people | 0:38:38 | 0:38:40 | |
cheering on local interschool galas, | 0:38:40 | 0:38:42 | |
this is in the period going back to the '50s and '60s, the heyday. | 0:38:42 | 0:38:47 | |
Lots and lots of competitive swimming went on here. | 0:38:47 | 0:38:51 | |
Well, it's obvious then, Jenny, that it's not in order any more. | 0:38:51 | 0:38:54 | |
Look at the building, it's magnificent, | 0:38:54 | 0:38:56 | |
but it really is in need of restoration. | 0:38:56 | 0:38:58 | |
Yes, I absolutely agree. | 0:38:58 | 0:39:00 | |
Next door, what was the second-class pool | 0:39:03 | 0:39:06 | |
is now the only part of the building still in use. | 0:39:06 | 0:39:09 | |
It's the oldest of only three Grade II-listed pools | 0:39:09 | 0:39:12 | |
still operating in the UK and a wonderful piece of history. | 0:39:12 | 0:39:15 | |
In you go, boys. | 0:39:15 | 0:39:17 | |
Meanwhile, Steve and Christina are hotfooting it north | 0:39:20 | 0:39:24 | |
to the beautiful cathedral city of Lichfield. | 0:39:24 | 0:39:26 | |
In a sense, what we do is rather like what you do. | 0:39:27 | 0:39:30 | |
We scour the country looking for old jokes. | 0:39:30 | 0:39:32 | |
And then we polish them up a bit | 0:39:32 | 0:39:34 | |
and we try to sell them to a new audience. | 0:39:34 | 0:39:36 | |
So we are nearing the end of our road trip now. | 0:39:36 | 0:39:39 | |
I know. I feel like I was just getting going. | 0:39:39 | 0:39:42 | |
Good! Because there's still more shopping to do. | 0:39:42 | 0:39:45 | |
I think I can smell antiques in this direction. | 0:39:45 | 0:39:49 | |
Now he's done a bit of haggling, | 0:39:49 | 0:39:51 | |
let's see if Steve can sniff out a bargain in James A Jordan Antiques. | 0:39:51 | 0:39:56 | |
This is rather lovely, isn't it? | 0:39:56 | 0:39:58 | |
I saw some twinkly things when I walked in, are you mainly jewellery? | 0:39:58 | 0:40:02 | |
-You want to look at the twinkly things, don't you? -Steve, I'm sorry. | 0:40:02 | 0:40:05 | |
Go and look at the twinkly things. | 0:40:05 | 0:40:07 | |
Now, it's Steve and Christina who sound like an old married couple. | 0:40:07 | 0:40:11 | |
So, I'll have that one, that one, that one, that one, that one, | 0:40:11 | 0:40:14 | |
-that one, that one. -You have to bear in mind... | 0:40:14 | 0:40:16 | |
-Earrings don't suit me. -You have to bear in mind the budget. -What?! | 0:40:16 | 0:40:20 | |
Yep, definitely like an old married couple. | 0:40:20 | 0:40:23 | |
I just saw this over there. It's obviously a frame. | 0:40:23 | 0:40:27 | |
Very typically Edwardian, this sort of typical swags and garlands | 0:40:27 | 0:40:30 | |
and bows is typically 1901-1910. What do you think? | 0:40:30 | 0:40:35 | |
Um... Well, it's got a clear and obvious use. Which is good. | 0:40:35 | 0:40:39 | |
Do you like it? | 0:40:39 | 0:40:41 | |
-Nice photo frames are, um, much in demand. -Eternally popular. | 0:40:41 | 0:40:45 | |
-I like it. -Shall we ask the price? -Yeah, let's ask the price. -Yeah? | 0:40:45 | 0:40:49 | |
Now... | 0:40:49 | 0:40:50 | |
I know. I know. | 0:40:50 | 0:40:52 | |
What do you want to do? Do you want to do the haggling? | 0:40:52 | 0:40:55 | |
No! But I can do if you want me to. | 0:40:55 | 0:40:58 | |
-But I, I... -I trust you. -This is the last chance to haggle. | 0:40:58 | 0:41:02 | |
So, really, you ought to do your stuff. | 0:41:02 | 0:41:04 | |
It's probably for the best. | 0:41:04 | 0:41:06 | |
Christina, before you start, just remember everything I taught you. | 0:41:06 | 0:41:10 | |
LAUGHTER | 0:41:10 | 0:41:12 | |
-Really? -You'll be OK. You'll be OK. -Thank you, that's very kind. | 0:41:12 | 0:41:15 | |
Yeah, thanks, Steve(!) | 0:41:15 | 0:41:17 | |
-That's marked up at £20. -£20, OK, all right. | 0:41:17 | 0:41:20 | |
I would really be looking to pay maybe £10 for it, really. | 0:41:20 | 0:41:24 | |
At auction. | 0:41:24 | 0:41:25 | |
To give us a fighting chance of it making any money at all. | 0:41:25 | 0:41:28 | |
-This is very much the correct technique. -Yeah? Happy? -Yeah. | 0:41:28 | 0:41:32 | |
-You should have asked him for it for nothing. -OK, sorry. A pound? | 0:41:32 | 0:41:35 | |
-£10 is fine. -Are you happy with £10? | 0:41:35 | 0:41:37 | |
-For a beginner, that's fine, yeah. -Happy? | 0:41:37 | 0:41:40 | |
-Yeah, yeah. -All right. -We'll have a deal on 10. | 0:41:40 | 0:41:42 | |
Oh! You were right! | 0:41:42 | 0:41:44 | |
I should have asked for a pound! A pound?! | 0:41:44 | 0:41:48 | |
It wasn't free, but Steve and Christina | 0:41:49 | 0:41:52 | |
did manage to get the picture frame for half price. | 0:41:52 | 0:41:54 | |
Bringing their total spends for this trip to £146. | 0:41:56 | 0:42:00 | |
Thank you! Bye! | 0:42:01 | 0:42:04 | |
Rory and David are also en route to Lichfield. | 0:42:04 | 0:42:08 | |
There are only two cities in England with three-spired cathedrals. | 0:42:08 | 0:42:12 | |
And Lichfield is one of them. | 0:42:12 | 0:42:14 | |
That's pub quiz gold. | 0:42:14 | 0:42:17 | |
You can admire the cathedral, I'll admire the antiques centre. | 0:42:17 | 0:42:20 | |
Quite right, David. This is no weather for sightseeing. | 0:42:20 | 0:42:24 | |
Good bit of parking, look at that! | 0:42:24 | 0:42:26 | |
Rory and David are sheltering in the abundantly stocked | 0:42:27 | 0:42:31 | |
Lichfield Antiques Centre. | 0:42:31 | 0:42:32 | |
There's some proper what we call antiques here. | 0:42:32 | 0:42:36 | |
-I call them antiques. -Well, you are in the business. | 0:42:36 | 0:42:39 | |
And Rory is keen to prove it. | 0:42:39 | 0:42:41 | |
-I suspect you put a plant pot on top of it, do you? -Yes, you do. | 0:42:41 | 0:42:45 | |
It's a bit art thingy, isn't it? | 0:42:45 | 0:42:47 | |
Art...quelque chose. | 0:42:47 | 0:42:49 | |
That's right, Rory. | 0:42:49 | 0:42:50 | |
French words always make you sound more knowledgeable. | 0:42:50 | 0:42:54 | |
You could say it adds a certain je ne sais quoi. | 0:42:54 | 0:42:57 | |
-It's a tray. -It's a tray... -You see, how good am I? | 0:42:57 | 0:42:59 | |
You seriously need a change of careers, you know that, don't you? | 0:42:59 | 0:43:02 | |
-Made of something tree-based. -Yeah, tree-based. -What an eye, eh? | 0:43:02 | 0:43:07 | |
Now that Rory has asserted himself as an antiques connoisseur, | 0:43:07 | 0:43:11 | |
-time for some serious shopping. -Now that's interesting. | 0:43:11 | 0:43:14 | |
Now what... See, I've got no idea what that's made of, is that metal? | 0:43:14 | 0:43:19 | |
-Not tree-based, then? -It looks odd, doesn't it? | 0:43:19 | 0:43:22 | |
It looks like it could be metal but it doesn't, | 0:43:22 | 0:43:24 | |
it feels more sort of, it's not wood, either, is it? | 0:43:24 | 0:43:27 | |
Have a feel of the weight of it. | 0:43:27 | 0:43:29 | |
-Oh, it's light! -It's light. Yeah. -That's interesting. | 0:43:29 | 0:43:32 | |
-It's paper. It's papier-mache. -Is that really papier-mache? | 0:43:32 | 0:43:36 | |
It's papier-mache. | 0:43:36 | 0:43:38 | |
From the height of the Victorian period but it's all gone to pot. | 0:43:38 | 0:43:42 | |
-It hasn't been cared for... -I see. -..all its life. | 0:43:42 | 0:43:45 | |
It's lost original decoration. It's been waxed and polished. | 0:43:45 | 0:43:48 | |
It hasn't been cared for. | 0:43:48 | 0:43:50 | |
It needs desperately restoring but I still love it. | 0:43:50 | 0:43:54 | |
There's no price tag but armed with a list of defects, Rory is | 0:43:54 | 0:43:57 | |
poised once more for some serious negotiations with dealer Denise. | 0:43:57 | 0:44:02 | |
-This has caught our eye. -Right. | 0:44:02 | 0:44:04 | |
-We like it that it's not in perfect condition, is it? -No. | 0:44:04 | 0:44:09 | |
-It's a really sweet little table. -I like it. -It's got a charm. -Yeah. | 0:44:09 | 0:44:13 | |
But we're here on business. | 0:44:13 | 0:44:15 | |
-Could I walk away with that for £10 cash? -Ooh, ouch! | 0:44:15 | 0:44:19 | |
SHE LAUGHS | 0:44:19 | 0:44:20 | |
-We've got to start somewhere. -I could go around 30. -Ooh. -Ooh. | 0:44:20 | 0:44:26 | |
You said 30 but you said 30 as if you were going to say 15. | 0:44:26 | 0:44:29 | |
-That's what threw me. -Call it 20, we've got a deal. | 0:44:29 | 0:44:32 | |
Though it looks like he might finally have met his match. | 0:44:32 | 0:44:35 | |
-You say 20, I say 15, meet me halfway at 16. -Oh, that's good, he's good. | 0:44:35 | 0:44:40 | |
-£16. -18. Call it a deal. | 0:44:40 | 0:44:44 | |
-£17.50. -Deal. -£17.50. I love you. | 0:44:44 | 0:44:48 | |
Unbelievable. | 0:44:48 | 0:44:50 | |
-I'll say. -It's fantastic. -I'm enjoying this. I'm getting the bug. | 0:44:50 | 0:44:55 | |
Having spent a mere £17.50 on this Victorian papier-mache table, | 0:44:57 | 0:45:01 | |
Rory and David have now bought their final lot, having spent | 0:45:01 | 0:45:05 | |
-a total of £121.50. -See you again soon, goodbye. | 0:45:05 | 0:45:09 | |
And with the shopping now finished, it's time to meet Steve | 0:45:09 | 0:45:12 | |
and Christina to reveal their interesting array of artefacts. | 0:45:12 | 0:45:17 | |
-Here we go. -Amaze us. -Reveal, reveal. Wayey! | 0:45:17 | 0:45:22 | |
Who advised you that buying anything dead was a good idea? | 0:45:22 | 0:45:26 | |
Says the woman with the coffin. | 0:45:26 | 0:45:28 | |
It's olden dead. It's decorative. | 0:45:28 | 0:45:31 | |
It's showing respect to the creature. | 0:45:31 | 0:45:33 | |
-It doesn't look very happy. -Serene. | 0:45:33 | 0:45:37 | |
How many people would love to see that on the wall of their local pub | 0:45:37 | 0:45:41 | |
-above a log fire? 55. -55. -You let me go. | 0:45:41 | 0:45:44 | |
Someone turns up, fitting out a vegetarian restaurant. Huge profit. | 0:45:44 | 0:45:49 | |
What about that, 1870 papier-mache occasional table with rather | 0:45:49 | 0:45:54 | |
interesting cast metal duck-webbed feet. | 0:45:54 | 0:45:56 | |
Yeah, what happened to the base though, that's not very good, is it? | 0:45:56 | 0:45:59 | |
-Well, it's all...it's just as it is. -It's massively repaired. | 0:45:59 | 0:46:03 | |
-No, no, it's got patination. -What did you pay for that? | 0:46:03 | 0:46:05 | |
-It's got patination? -Patination, build up of waxes... | 0:46:05 | 0:46:08 | |
-It's got a massive repair on the bottom. -Character, Christina. | 0:46:08 | 0:46:13 | |
I would be surprised if you paid any more than £20 for it. | 0:46:13 | 0:46:16 | |
Well, you've bought it, baby. Give us your £20. | 0:46:16 | 0:46:19 | |
Well, there we go, happy days. | 0:46:19 | 0:46:22 | |
I must remember that if something's old and filthy, it's got patination. | 0:46:22 | 0:46:26 | |
I like that. | 0:46:26 | 0:46:27 | |
Yeah, spoken like a true expert, Steve, | 0:46:27 | 0:46:29 | |
-but let's see what they think of your selection. -Ready? | 0:46:29 | 0:46:33 | |
-That's a coffin. -It's a coffin. -Yeah. | 0:46:33 | 0:46:35 | |
You know what, I thought, it can't be. It just looks like one. | 0:46:35 | 0:46:38 | |
-It really is. -It's a stage coffin. -It's a comedy coffin. | 0:46:38 | 0:46:43 | |
Is there anything else that you would like to comment on, | 0:46:43 | 0:46:45 | |
-anything at all? -I don't know why you bought the 21st century er... | 0:46:45 | 0:46:49 | |
-What do you think it is? -That was made last Tuesday. | 0:46:49 | 0:46:51 | |
-It's not heavily patinated enough. -It's the BBC News logo, isn't it? | 0:46:51 | 0:46:55 | |
Yes, exactly. No, it's nice. It's a piece of garden statuary. | 0:46:55 | 0:46:59 | |
It's a nice thing. | 0:46:59 | 0:47:00 | |
I tell you what, it's a conversation piece. | 0:47:00 | 0:47:03 | |
-We're having a conversation about it right now. -Yes, exactly. -It works. | 0:47:03 | 0:47:07 | |
OK. | 0:47:07 | 0:47:08 | |
Well, I seriously do not think we could have got a more | 0:47:08 | 0:47:11 | |
-eclectic mix than we have got here. -Eclectic? -Well done. Yes. | 0:47:11 | 0:47:15 | |
That is the word, definitely. | 0:47:15 | 0:47:17 | |
Neither team seems particularly impressed by the other's purchases. | 0:47:17 | 0:47:21 | |
-I was disappointed for them. -For them. -Yes. | 0:47:21 | 0:47:24 | |
-I was disappointed for them. -And the boar's head. | 0:47:24 | 0:47:26 | |
I find it a slightly frightening thing. | 0:47:26 | 0:47:28 | |
And they tried to be very disparaging over our lovely | 0:47:28 | 0:47:31 | |
-boar's head. -I know that. And they produced a coffin. -Hello. -Hello. | 0:47:31 | 0:47:35 | |
-Death, death? Hello, what's this death? -What's going on there? | 0:47:35 | 0:47:39 | |
You've either got to give it all or nothing. | 0:47:39 | 0:47:41 | |
-What, and they've given it nothing? -Well, they've given it a little bit. | 0:47:41 | 0:47:44 | |
Rory... | 0:47:44 | 0:47:45 | |
-Shall we have a round of golf? -Round of golf, a great idea, yes. | 0:47:45 | 0:47:49 | |
Well, there's no holding back there but who will have the last laugh | 0:47:51 | 0:47:54 | |
remains to be seen as the next stop is the auction | 0:47:54 | 0:47:57 | |
in the picturesque village of Langar in Nottinghamshire. | 0:47:57 | 0:48:01 | |
I'm a bit worried about the boar in a way. | 0:48:02 | 0:48:04 | |
I think basically it's an all or nothing situation there. | 0:48:04 | 0:48:08 | |
You either want a really ferocious pig on your wall or you don't. | 0:48:08 | 0:48:14 | |
And Christina really doesn't. | 0:48:14 | 0:48:15 | |
So what on earth possessed you to go out and buy a boar's head? | 0:48:16 | 0:48:20 | |
Well, how dare you... | 0:48:20 | 0:48:22 | |
mention anything to do with my boar's head | 0:48:22 | 0:48:25 | |
when you bought a blinking coffin! | 0:48:25 | 0:48:28 | |
He's got you there, Christina. | 0:48:28 | 0:48:29 | |
-Could you get out of our parking place? -Yeah, absolutely. Come on in. | 0:48:30 | 0:48:33 | |
Loving that shirt, Rory. | 0:48:33 | 0:48:35 | |
-I think he had stolen it actually from my room. -Do you think? | 0:48:35 | 0:48:38 | |
But bizarrely left those trousers behind! | 0:48:38 | 0:48:40 | |
-Actually, it's started, you two are late. -Yeah, you are. | 0:48:41 | 0:48:45 | |
Hurry up, chaps. | 0:48:45 | 0:48:46 | |
Today, we're at Henry Spencer's auctioneers for a general | 0:48:48 | 0:48:51 | |
-sale with auctioneer David Ward. -I think they've done very well. | 0:48:51 | 0:48:55 | |
The boar is a very interesting item. | 0:48:55 | 0:48:57 | |
We've had a look at it, we think it'll probably make between £80 | 0:48:57 | 0:49:00 | |
and £120. | 0:49:00 | 0:49:01 | |
-Hopefully that will be a good result for them. -Yikes! | 0:49:01 | 0:49:05 | |
Well, the coffin is an interesting item. | 0:49:05 | 0:49:08 | |
Quirky items tend to go well | 0:49:08 | 0:49:10 | |
and we are probably thinking it could fetch between £40 and £100. | 0:49:10 | 0:49:15 | |
With a little divine intervention. | 0:49:15 | 0:49:18 | |
Rory and David had a right giggle but spent just £121.50 on five lots. | 0:49:20 | 0:49:24 | |
-What shall we call the boar, Diane? -Boris. -Boris the boar. | 0:49:24 | 0:49:30 | |
And no-one could accuse Steve and Christina of being boring either, | 0:49:30 | 0:49:34 | |
-as they got six lots for £146. -Oh, my God! | 0:49:34 | 0:49:38 | |
This is like car crash television! | 0:49:38 | 0:49:41 | |
The more competitive Rory certainly came out on top at haggling | 0:49:41 | 0:49:45 | |
but who will win at the all-important auction? | 0:49:45 | 0:49:47 | |
-Well, good luck. Good luck. -Come on! | 0:49:47 | 0:49:50 | |
First up is Steve and Christina's armillary sphere. | 0:49:50 | 0:49:54 | |
We really like this one. Who will give £20 for it? | 0:49:54 | 0:49:58 | |
-We've got £20 for it. -Oh! -Never! -Straight in? I can't believe it! | 0:49:58 | 0:50:02 | |
-25? We've got 30. 35? -CHRISTINA: Yes! Go on! -35. | 0:50:02 | 0:50:07 | |
-Do we see 40? -Yeah, go on! Go on! | 0:50:07 | 0:50:10 | |
It's being sold at £35. | 0:50:10 | 0:50:12 | |
-Blimey! That's not bad! I'll take that! -A small profit. Small profit. | 0:50:12 | 0:50:16 | |
In spite of the other team's unsporting comments, | 0:50:16 | 0:50:19 | |
Steve and Christina walk away with £7 profit. | 0:50:19 | 0:50:22 | |
-That's a very good start, profit. Very good. -Great. | 0:50:22 | 0:50:26 | |
Next up it's Rory and David's classy glasses. | 0:50:26 | 0:50:30 | |
-Who's got £10 for them? -RORY: More than that! | 0:50:30 | 0:50:32 | |
-Was that each? -Fiver? | 0:50:32 | 0:50:35 | |
-Shall we say eight? Eight. -Come on! A very rare item. | 0:50:37 | 0:50:42 | |
-We've got -10. Very rare item. | 0:50:42 | 0:50:45 | |
-So rare, never been used. -We've got 18. | 0:50:45 | 0:50:48 | |
The girls will think you're fantastic if you open one of those. | 0:50:48 | 0:50:51 | |
-Do they have to do this? -Not really! -Bid is at £18. | 0:50:51 | 0:50:55 | |
-There has got to be a 20! -THEY GROAN | 0:50:55 | 0:50:58 | |
-No! -Bad luck. | 0:50:58 | 0:51:00 | |
There will be no champagne popping for those glasses today. | 0:51:00 | 0:51:04 | |
-So, you lost? -We lost a little bit there. -Lost some money. | 0:51:04 | 0:51:07 | |
-This is my sad face. -Aw, look at that. | 0:51:07 | 0:51:10 | |
Next up is Steve's favourite item, the cigarette cards. | 0:51:12 | 0:51:15 | |
-But will anyone else love them? -I've got five pounds. | 0:51:15 | 0:51:18 | |
I should think so! Someone with a sense of history! | 0:51:18 | 0:51:21 | |
I've got £10. Give me 12? | 0:51:21 | 0:51:24 | |
-We've got 12. -Go on! Yes! Before you even seen them. | 0:51:24 | 0:51:30 | |
-We've got 18. -Hey, this is good! -20. -They're on fire. They are on fire. | 0:51:30 | 0:51:35 | |
-No, no they're not. They're not on fire! -20. | 0:51:35 | 0:51:38 | |
-£20. -They are perfectly intact! | 0:51:38 | 0:51:41 | |
Give me 25. 25. | 0:51:41 | 0:51:44 | |
Give me 30. He says no. | 0:51:45 | 0:51:48 | |
Perhaps because I've turned round. Go on, go for it. Go for it. | 0:51:48 | 0:51:52 | |
-It's worth it for how to build a shelter alone. -Fantastic. Well done. | 0:51:52 | 0:51:56 | |
That's a great profit for them. | 0:51:56 | 0:51:59 | |
Does that mean I'm not quite as weird as I thought I was? | 0:51:59 | 0:52:02 | |
DAVID: Surprising, that. Well done. | 0:52:02 | 0:52:04 | |
Well, Rory got quite the deal on his signed theatre programmes | 0:52:04 | 0:52:07 | |
and menus but will his efforts be rewarded? | 0:52:07 | 0:52:12 | |
-Where is our £30 for it? -Go on. Morecambe and Wise, early. | 0:52:12 | 0:52:15 | |
-20. -Go on! -Tenner. -RORY: Early Morecambe and Wise! | 0:52:15 | 0:52:18 | |
We've got a phone bid from Bruce Forsyth. | 0:52:18 | 0:52:20 | |
£10 bid. 15? 15. | 0:52:20 | 0:52:23 | |
-20? -Come on! -20. 25? | 0:52:23 | 0:52:25 | |
-We're away! Brilliant. -30. | 0:52:25 | 0:52:27 | |
-This is early Morecambe and Wise. -Early '57! -Go on! | 0:52:27 | 0:52:30 | |
THEY LAUGH | 0:52:30 | 0:52:32 | |
-We've got a fresh bidder. -Another bidder! £35. Just in time. | 0:52:32 | 0:52:37 | |
-Are you 40? -Go on. You'll regret it. You will. | 0:52:37 | 0:52:39 | |
Any more bids? Sold to the lady at £35. | 0:52:39 | 0:52:43 | |
-Sold. -Done. £25 profit. -That's very good. | 0:52:43 | 0:52:47 | |
It really is. Bless Kim and her woollen shop, hey? | 0:52:47 | 0:52:50 | |
-Very good. Pleased with that. -Terrific. | 0:52:50 | 0:52:53 | |
Christina loves her silver, but will it bring in a blinging good profit? | 0:52:53 | 0:52:58 | |
-30. -RORY: 30? Are you kidding? | 0:52:58 | 0:53:02 | |
-20? -Solid silver. | 0:53:02 | 0:53:04 | |
-£20. -They're all up now, they are going crazy. -Any advance on 20? | 0:53:04 | 0:53:08 | |
I've got one in the passageway, 25. | 0:53:08 | 0:53:10 | |
-30. -30 in scrap alone. -35. 40? -There you go. -£40. -Go on. | 0:53:10 | 0:53:14 | |
-The 45 is back in. -That's all right. -Are you 50? | 0:53:16 | 0:53:19 | |
Being sold at £45. | 0:53:19 | 0:53:21 | |
-RORY: Well done, auctioneer. -Yeah, well done, auctioneer! | 0:53:21 | 0:53:25 | |
Well done, Steve and Christina. That's another profit racked up. | 0:53:25 | 0:53:28 | |
-Admittedly a tiny profit, but a profit. -That's OK. | 0:53:28 | 0:53:32 | |
Slow and steady wins the race. | 0:53:32 | 0:53:34 | |
And for our next lot it's Rory and David's 19th-century | 0:53:34 | 0:53:37 | |
papier-mache occasional table, with a touch of patination. | 0:53:37 | 0:53:41 | |
20. I've got £20. | 0:53:41 | 0:53:44 | |
-I've got 22. -Yes! -I need 25. -Go on! | 0:53:44 | 0:53:47 | |
-28. Come in at 30? -Go on! -We've got £30. | 0:53:47 | 0:53:50 | |
Will you come in at 32? | 0:53:50 | 0:53:53 | |
Make no mistake, it's going to be sold for... | 0:53:53 | 0:53:55 | |
-Are you 32? -Way-hey! -32. -RORY: Go, girl! | 0:53:55 | 0:53:59 | |
Being sold for £32 to the lady in green. | 0:53:59 | 0:54:03 | |
-Marvellous. -What did it make? -32. -Well done. | 0:54:03 | 0:54:07 | |
Another brilliant profit for Steve and Rory. | 0:54:07 | 0:54:10 | |
Rory's haggling skills are really paying off. | 0:54:10 | 0:54:13 | |
Even Steve finally stepped up to the haggling challenge | 0:54:13 | 0:54:17 | |
with his next item. | 0:54:17 | 0:54:19 | |
-Who's got £20 for it? -For your mantelpiece. | 0:54:19 | 0:54:21 | |
Who's got a tenner for it? £10. Are you 12, sir? | 0:54:21 | 0:54:25 | |
-12. Are you 15? -Go on, go on, go on! That's nice! | 0:54:25 | 0:54:28 | |
-Keep going, keep going, keep going. -£15. -No more? | 0:54:28 | 0:54:32 | |
-It's got to be more than that! -Shall we say 18? | 0:54:32 | 0:54:36 | |
-A classy item. -Lovely thing. -Any advance on £15? | 0:54:36 | 0:54:40 | |
-It'll be sold at 15. -THEY GROAN | 0:54:40 | 0:54:42 | |
-Our first loss. -You've lost a fiver. | 0:54:42 | 0:54:46 | |
A disappointing score but not a massive loss. | 0:54:47 | 0:54:49 | |
Will Rory's copper dish circa 1900 bring home another profit? | 0:54:51 | 0:54:55 | |
-We've got £20 at the front of the room. -It will keep on going. | 0:54:55 | 0:54:59 | |
25? We've got 25. 30, madam? We've got 25. | 0:54:59 | 0:55:03 | |
-Come on! -We've got 30. 35? | 0:55:03 | 0:55:06 | |
35 at the back. We've got 40. Lady, new bidder. | 0:55:06 | 0:55:11 | |
We've got £40. Have we got 45? We've got 45 at the back of the room. | 0:55:11 | 0:55:16 | |
-Any more bids? -Come on! | 0:55:16 | 0:55:18 | |
-What did it make? -45. -Oh, well done. | 0:55:18 | 0:55:21 | |
Yep. Another great result for team Rory and David. | 0:55:21 | 0:55:24 | |
I think that was well deserved. I think it was a really nice piece. | 0:55:24 | 0:55:27 | |
Sporting of you, Steve. Let's hope your picture frame does as well. | 0:55:27 | 0:55:31 | |
-I've got £10, front of the room. -It is well worth more, more than that. | 0:55:31 | 0:55:34 | |
I've got 12 at the back. Are you 15? 15. | 0:55:34 | 0:55:36 | |
18. 20. £20. Are you 25? 25. Are you 30? | 0:55:36 | 0:55:40 | |
-Imagine your nephew in there. -£30! | 0:55:40 | 0:55:43 | |
-Are you 35? No. -Or your grandchildren. | 0:55:43 | 0:55:46 | |
-Being sold at 30. -Well done. Doubled our money. | 0:55:46 | 0:55:50 | |
Both teams are bringing in the cash. | 0:55:50 | 0:55:54 | |
It's hard to keep track of who's on top. | 0:55:54 | 0:55:56 | |
And from a picture perfect moment to a deathly one. | 0:55:56 | 0:55:59 | |
Hopefully no-one is going to corpse in the audience today. | 0:55:59 | 0:56:03 | |
Right, we have a very interesting item now. It's a coffin. | 0:56:03 | 0:56:07 | |
-EVIL LAUGH -Solid wood construction | 0:56:07 | 0:56:10 | |
and I understand it's had one careful owner | 0:56:10 | 0:56:12 | |
but never actually been used. | 0:56:12 | 0:56:14 | |
-20. I've got £20. -Oh, no! | 0:56:14 | 0:56:17 | |
Of course you've got £20! Are you not feeling very well? | 0:56:17 | 0:56:20 | |
-25. 30. -Think of the Halloween money. | 0:56:20 | 0:56:24 | |
35. 40. 40. 45. | 0:56:24 | 0:56:26 | |
Come on, go one more. | 0:56:26 | 0:56:28 | |
-45. Being sold at 40. -Only 40! -Surely! | 0:56:28 | 0:56:32 | |
THEY GROAN | 0:56:32 | 0:56:35 | |
Breaking even is no mean feat but is this death | 0:56:35 | 0:56:38 | |
-to their chances of winning? -Tell you what, I can be honest, | 0:56:38 | 0:56:42 | |
that made much more than I ever dreamt it was going to make. | 0:56:42 | 0:56:45 | |
It all rests on Rory and David's biggest purchase. Boris the boar. | 0:56:45 | 0:56:50 | |
-This could be their make or break. -Come on, Boris. | 0:56:50 | 0:56:53 | |
-Back of the room. -He's called Boris. | 0:56:53 | 0:56:56 | |
-90. -Come on! -100. -Yes! | 0:56:56 | 0:56:58 | |
-Come on, Boris. -You can do better than that. | 0:56:58 | 0:57:01 | |
-Do we say 110? -Let's say 200. | 0:57:01 | 0:57:04 | |
110? | 0:57:04 | 0:57:06 | |
-Sold at 110? -No! -Come on. -120. -Yes! | 0:57:06 | 0:57:09 | |
Oh, my goodness! You are very surprised. | 0:57:09 | 0:57:13 | |
-120. Come on, then. -Go on! -You love it! -One more, you might get it. | 0:57:13 | 0:57:17 | |
-Sold at 130. -Excellent. -Any advance on 130? | 0:57:17 | 0:57:23 | |
-Come on! -Being sold at £130. | 0:57:23 | 0:57:26 | |
-THEY CLAP -Thank you very much. | 0:57:26 | 0:57:29 | |
-Unbelievable! -Absolutely amazing. | 0:57:29 | 0:57:33 | |
Rory's keen eye certainly picked a winner there. | 0:57:33 | 0:57:36 | |
Right, that's it. We now need to go and work of our figures. | 0:57:36 | 0:57:38 | |
-Oh, no, it's not the maths time, is it? -Maths time. OK. | 0:57:38 | 0:57:42 | |
Well, it's been a funny old Road Trip but the numbers are in. | 0:57:42 | 0:57:46 | |
And Steve and Christina made a small profit after auction costs | 0:57:46 | 0:57:49 | |
of £9.80, leaving them with £409.80. | 0:57:49 | 0:57:54 | |
But, thanks largely to Boris the boar, | 0:57:54 | 0:57:56 | |
Rory and David came out on top with an amazing £91.70 profit | 0:57:56 | 0:58:00 | |
after costs, and a final figure of £491.70. | 0:58:00 | 0:58:07 | |
A brilliant Road Trip and a fabulous victory | 0:58:07 | 0:58:09 | |
with all profits going to Children In Need. | 0:58:09 | 0:58:11 | |
So, you know what they say in antiques? Losers drive. | 0:58:11 | 0:58:14 | |
-I cannot believe he beat me again. -I know. It's awful. It's awful. | 0:58:16 | 0:58:21 | |
-See you, guys. -Stay in touch, now. -Thanks for the memories! | 0:58:21 | 0:58:25 | |
We've have had a few laughs. | 0:58:25 | 0:58:27 | |
It is good to see you after all these years. | 0:58:27 | 0:58:29 | |
I think we've had quite a lot of fun actually, haven't we? | 0:58:29 | 0:58:32 | |
We've had an indecent amount of fun. | 0:58:32 | 0:58:34 | |
So, at the end of an incredible Road Trip, | 0:58:34 | 0:58:36 | |
all that's left to say is thanks for coming. | 0:58:36 | 0:58:39 | |
You've been a right laugh. | 0:58:39 | 0:58:41 |