Browse content similar to Christopher Timothy and Patrick Robinson. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
The nation's favourite celebrities... | 0:00:02 | 0:00:03 | |
-We are special then, are we? -Oh, that's excellent! | 0:00:03 | 0:00:06 | |
..paired up with an expert. | 0:00:06 | 0:00:08 | |
We're a very good team, you and me. | 0:00:08 | 0:00:09 | |
And a classic car. | 0:00:09 | 0:00:11 | |
Their mission? To scour Britain for antiques. | 0:00:12 | 0:00:15 | |
-No idea what it is. -Oh, I love it. -GAVEL BANGS. | 0:00:15 | 0:00:17 | |
The aim? To make the biggest profit at auction. | 0:00:17 | 0:00:20 | |
-Yes! -But it's no easy ride. | 0:00:20 | 0:00:22 | |
THEY GASP | 0:00:22 | 0:00:23 | |
There's no accounting for taste. | 0:00:23 | 0:00:25 | |
Who will find a hidden gem? | 0:00:25 | 0:00:28 | |
Who will take the biggest risks? | 0:00:28 | 0:00:30 | |
Will anybody follow expert advice? | 0:00:30 | 0:00:33 | |
-Do you like them? -No. | 0:00:33 | 0:00:35 | |
There will be worthy winners and valiant losers. | 0:00:35 | 0:00:38 | |
-Are you happy? -Yes. -Promise? -Ecstatic. | 0:00:38 | 0:00:40 | |
Time to put your pedal to the metal. | 0:00:40 | 0:00:42 | |
This is Celebrity Antiques Road Trip. | 0:00:42 | 0:00:45 | |
Yeah! | 0:00:47 | 0:00:48 | |
We're on a celebrity road trip with two of Britain's favourite actors. | 0:00:51 | 0:00:55 | |
Casualty consultant Patrick Robinson, | 0:00:55 | 0:00:58 | |
and All Creatures Great and Small's Christopher Timothy. | 0:00:58 | 0:01:02 | |
I'm seriously excited about this. I know it's pathetic, but I really am. | 0:01:02 | 0:01:06 | |
Christopher became the world's most famous vet | 0:01:06 | 0:01:09 | |
when he played James Herriot in All Creatures Great and Small. | 0:01:09 | 0:01:13 | |
First broadcast in 1978, it became an instant hit, | 0:01:15 | 0:01:18 | |
regularly watched by 20 million people. | 0:01:18 | 0:01:21 | |
Rope's on. | 0:01:23 | 0:01:24 | |
And Christopher's been a familiar face on stage and screen ever since. | 0:01:24 | 0:01:29 | |
Patrick, as consultant Martin Ashford, | 0:01:30 | 0:01:33 | |
is one of Casualty's longest-serving cast members. | 0:01:33 | 0:01:37 | |
And he's even found himself taking Christopher's pulse! | 0:01:37 | 0:01:40 | |
What's wrong? | 0:01:40 | 0:01:42 | |
I suspect it is an acoustic neuroma, | 0:01:42 | 0:01:44 | |
which is a benign, non-cancerous tumour. | 0:01:44 | 0:01:46 | |
Oh, God. | 0:01:46 | 0:01:48 | |
-You had all the dodgy dialogue. -Yes. | 0:01:48 | 0:01:51 | |
-All that medical stuff. -All the jargon. -Yeah. | 0:01:51 | 0:01:53 | |
-And it was when you'd just started doing Strictly. -Right! | 0:01:53 | 0:01:58 | |
Patrick swapped scrubs for sequins in 2013, | 0:01:58 | 0:02:02 | |
and danced his way to the Strictly Come Dancing semifinals. | 0:02:02 | 0:02:05 | |
-Walking seemed to be a problem! -LAUGHTER | 0:02:05 | 0:02:08 | |
Here's hoping dealers won't be as tough on his haggling technique. | 0:02:08 | 0:02:12 | |
Patrick and Christopher are driving a 1974 British Jensen Interceptor. | 0:02:12 | 0:02:16 | |
I want to put my foot down! ENGINE REVS | 0:02:18 | 0:02:22 | |
-Ooh! -Yes! -Steady! -Ooh. | 0:02:23 | 0:02:26 | |
Our celebrities each have £400 to spend | 0:02:27 | 0:02:31 | |
in the battle to make a profit from antiques. | 0:02:31 | 0:02:34 | |
To help them along the way, | 0:02:34 | 0:02:36 | |
furniture and silver expert Margie Cooper, | 0:02:36 | 0:02:38 | |
and auctioneer James Braxton, are on hand. | 0:02:38 | 0:02:40 | |
Is there a theory, Margie, can you smell silver? | 0:02:41 | 0:02:45 | |
I can smell plate. | 0:02:45 | 0:02:47 | |
-You can small plate? -Yes. | 0:02:47 | 0:02:49 | |
But I don't go around smelling silver, James! | 0:02:49 | 0:02:52 | |
Oh, yeah? They'll both be helping our celebrities sniff out bargains | 0:02:52 | 0:02:56 | |
in this left-hand drive 1969 Porsche 911T. | 0:02:56 | 0:03:00 | |
So, we're going to meet our celebrities. | 0:03:00 | 0:03:02 | |
-Um... -Patrick and Timothy. -Right. | 0:03:02 | 0:03:04 | |
No, Christopher! | 0:03:04 | 0:03:07 | |
-Christopher, and Patrick. -Patrick. | 0:03:07 | 0:03:09 | |
-He's a man of two Christian names, isn't he? -He is. | 0:03:09 | 0:03:12 | |
-Christopher Timothy, which is very confusing. -Christopher Timothy. | 0:03:12 | 0:03:15 | |
Christopher Timothy. | 0:03:15 | 0:03:17 | |
Christopher Timothy. | 0:03:17 | 0:03:19 | |
Today's road trip begins close to the Welsh border in Ross-on-Wye, | 0:03:19 | 0:03:22 | |
before heading north east, and then over the River Severn, into Wales, | 0:03:22 | 0:03:26 | |
for an auction in Cardiff. | 0:03:26 | 0:03:28 | |
-Oh... Oh! -Oh! Oh, handbrake on! | 0:03:28 | 0:03:31 | |
Whoopsy! | 0:03:31 | 0:03:32 | |
As the actors make their entrance, it's time to decide the teams. | 0:03:32 | 0:03:36 | |
-Good morning! -Morning, morning. | 0:03:36 | 0:03:39 | |
My word. | 0:03:39 | 0:03:40 | |
-You're James, I know you are. -Hello, Christopher, how are you? | 0:03:40 | 0:03:45 | |
-Hello. -Hi, Margie, how are you? | 0:03:45 | 0:03:47 | |
-Hello, Patrick. -Hello, Margie, nice to meet you. | 0:03:47 | 0:03:50 | |
Hello, James. Good to meet you. | 0:03:50 | 0:03:52 | |
-Can I choose? Only on the grounds of... -I might be very hurt! | 0:03:52 | 0:03:56 | |
Only on the grounds of I want to learn to dance! | 0:03:56 | 0:03:58 | |
THEY LAUGH | 0:03:58 | 0:04:00 | |
Ah, Margie, OK! | 0:04:01 | 0:04:03 | |
-Great, Christopher. -I'm very pleased. So am I, sir. | 0:04:03 | 0:04:08 | |
-I've never driven one of these, it's rather fun. -Oh, right, OK. | 0:04:08 | 0:04:11 | |
-You're going to take the Porsche. -Go on. | 0:04:11 | 0:04:13 | |
-All the very best, my friend. -Yeah, fine, Margie. -Good luck. | 0:04:13 | 0:04:16 | |
Bye. Not too much. | 0:04:16 | 0:04:18 | |
-See you, Christopher. -Christopher, sir. -Good luck, mate. See you later. | 0:04:18 | 0:04:22 | |
So, Christopher and James will purr around in the Porsche | 0:04:22 | 0:04:26 | |
while Patrick and Margie enjoy the Interceptor. | 0:04:26 | 0:04:28 | |
First stop for Team Christopher | 0:04:28 | 0:04:30 | |
is in the historic Hereford market town of Ross-on-Wye. | 0:04:30 | 0:04:34 | |
The town first attracted visitors in the 18th century, as people escaped | 0:04:34 | 0:04:37 | |
the industry of the cities to enjoy the scenic beauty of the Wye Valley. | 0:04:37 | 0:04:41 | |
In fact, it is said to be the birthplace of British tourism. | 0:04:41 | 0:04:45 | |
But these two are not here to take in the views. Oh, no. | 0:04:45 | 0:04:49 | |
They need to look for antiques to take to auction. | 0:04:49 | 0:04:52 | |
First stop, this 16th century building, | 0:04:52 | 0:04:55 | |
home to Elizabethan House Antiques. | 0:04:55 | 0:04:58 | |
Come on, Christopher. Yes, our first big test. | 0:04:58 | 0:05:01 | |
-Hello, there. -How are you? You must be Fred. -I am. | 0:05:01 | 0:05:04 | |
-I'm Chris. -Hello, there. -This is James. -Hello. | 0:05:04 | 0:05:06 | |
Owner Fred has given pride of place in his shop to this rather | 0:05:06 | 0:05:09 | |
imposing contraption. | 0:05:09 | 0:05:11 | |
-Fred, what's this? -It's a cheese press. | 0:05:11 | 0:05:13 | |
-It's French. -It is extraordinary. | 0:05:13 | 0:05:15 | |
So, how would it work? | 0:05:15 | 0:05:18 | |
-The cheese goes underneath here. -The blessed cheesemaker doeth. | 0:05:18 | 0:05:21 | |
You can see there's still a ring down there. You'd press it down. | 0:05:21 | 0:05:26 | |
The pressure drives the moisture out of the curds | 0:05:26 | 0:05:28 | |
which then unify into a single body, a block of cheese. | 0:05:28 | 0:05:32 | |
The blocks would be kept in the cupboard, at the top, | 0:05:32 | 0:05:35 | |
where their weight helps to press the next batch. | 0:05:35 | 0:05:38 | |
Both blessed and resourceful is the cheesemaker! | 0:05:38 | 0:05:41 | |
CHRISTOPHER LAUGHS | 0:05:41 | 0:05:43 | |
Amazing. | 0:05:43 | 0:05:44 | |
-How much is on the cheese press? -It's £1295. -Really, 1295? | 0:05:44 | 0:05:48 | |
Now, the art here is to see if we can do a deal... | 0:05:48 | 0:05:51 | |
-JAMES LAUGHS -..for less than £400! | 0:05:51 | 0:05:55 | |
Now, that would be some discount. | 0:05:55 | 0:05:57 | |
But the press has given James a cheesy angle to work with. | 0:05:59 | 0:06:03 | |
-Have you got anything else associated with dairies? -Erm. | 0:06:03 | 0:06:07 | |
-I'll have to think. Not furniture. -Not furniture. | 0:06:08 | 0:06:12 | |
We'll leave that one with Fred, | 0:06:13 | 0:06:15 | |
allowing James to begin Christopher's education in antiques. | 0:06:15 | 0:06:18 | |
Does that have legs? | 0:06:20 | 0:06:22 | |
-How much has he got on that one? -£48. | 0:06:22 | 0:06:25 | |
Everything in life is negotiable. | 0:06:25 | 0:06:27 | |
James Braxton's number one rule. | 0:06:27 | 0:06:30 | |
Well, I bow to your wisdom. But dark furniture is just not... | 0:06:30 | 0:06:33 | |
-Just not doing much. -At the moment, so I understand. | 0:06:33 | 0:06:36 | |
See, I've done my homework. | 0:06:36 | 0:06:38 | |
Full marks for effort, that man. | 0:06:38 | 0:06:40 | |
Yep? Standard China. | 0:06:40 | 0:06:43 | |
So, it's factory line sort of... | 0:06:43 | 0:06:45 | |
-Dismissed in a phrase, really! -Sorry. -No, no. | 0:06:45 | 0:06:49 | |
I've got so much to learn, and so little time. | 0:06:49 | 0:06:52 | |
He's a keen student, too. | 0:06:52 | 0:06:53 | |
You've got a nasty crack there, haven't you? | 0:06:53 | 0:06:56 | |
I only watched your programme last week, the week before, | 0:06:56 | 0:07:00 | |
-when a crack was considered to be of no consequence. -Really? | 0:07:00 | 0:07:03 | |
Ah, well, it's not an exact science, Christopher! | 0:07:03 | 0:07:08 | |
You asked me about dairy equipment. I've got a milk bowl here. | 0:07:08 | 0:07:12 | |
-A milk bowl? -Oh, look. Read that. | 0:07:14 | 0:07:17 | |
Read it out. | 0:07:17 | 0:07:18 | |
"Patent, hygienic milk bowl. | 0:07:18 | 0:07:21 | |
"Advantages, won't slop over, pours easily, prevents... | 0:07:21 | 0:07:28 | |
"flies walking around the rim." | 0:07:28 | 0:07:31 | |
-So a fly can't walk on the edge? -That's the implication. | 0:07:31 | 0:07:35 | |
How do they know that? You are wearing your glasses... | 0:07:35 | 0:07:40 | |
I think that is advertiser's puff, that. | 0:07:40 | 0:07:43 | |
-"Won't slop, pours easily, prevents flies walking -into -the milk." | 0:07:43 | 0:07:48 | |
-How do they do that? -I suppose... -Because the rim is like that. | 0:07:48 | 0:07:52 | |
They are slightly committed, aren't they? | 0:07:52 | 0:07:55 | |
-They just fall in. -They fall in. | 0:07:55 | 0:07:57 | |
Also, one of the great things is you can hang it up. | 0:07:57 | 0:08:00 | |
-It hangs up when not in use. -How much is it? -It's 25. | 0:08:00 | 0:08:04 | |
-I've never seen one. -Neither have I. | 0:08:04 | 0:08:06 | |
And I like it. | 0:08:07 | 0:08:09 | |
But remember James's number one rule, everything is negotiable. | 0:08:09 | 0:08:13 | |
What's the best you can do on that? | 0:08:13 | 0:08:15 | |
Got to be 20. 20, I'll do. | 0:08:15 | 0:08:17 | |
-20. -I think we should just go for that. | 0:08:17 | 0:08:21 | |
-I like that. -I agree. -It worked! | 0:08:21 | 0:08:23 | |
A fiver skimmed off the ticket price of the milk bowl, | 0:08:23 | 0:08:26 | |
£20 is a great deal from Fred. | 0:08:26 | 0:08:28 | |
-Thank you so much. -Right, well, blessed is the cheese maker. | 0:08:30 | 0:08:35 | |
-Bye. -Bye. Thank you. | 0:08:36 | 0:08:39 | |
Off the boys go with the first purchase of the road trip. | 0:08:39 | 0:08:42 | |
These two are off to a flying start. | 0:08:42 | 0:08:45 | |
Meanwhile, Patrick and Margie are making their way through | 0:08:45 | 0:08:48 | |
the idyllic Cotswolds, to Winchcombe, | 0:08:48 | 0:08:51 | |
seven miles from Cheltenham. | 0:08:51 | 0:08:53 | |
Did you suddenly, as a little boy, think, "I want to be an actor?" | 0:08:53 | 0:08:56 | |
I suppose it did... It kind of did happen like that. | 0:08:56 | 0:09:00 | |
Was it a shock for your mum and dad? | 0:09:00 | 0:09:02 | |
Well, the sad thing about that, Margie, | 0:09:02 | 0:09:05 | |
-is that my mum passed away when I was 15. -Ah! -My dad brought me up. | 0:09:05 | 0:09:09 | |
In the end, my dad and I were estranged | 0:09:09 | 0:09:12 | |
when I was about 20, till about 23. | 0:09:12 | 0:09:15 | |
I was homeless for, like, a year when I was in drama school. | 0:09:15 | 0:09:18 | |
-There wasn't the encouragement from family. -A great credit to you. | 0:09:18 | 0:09:22 | |
So I kind of kept going with me. | 0:09:22 | 0:09:23 | |
I've had to have the confidence to believe that to be an actor, | 0:09:23 | 0:09:27 | |
you have to believe that there is always a job for you. | 0:09:27 | 0:09:32 | |
Yes. | 0:09:32 | 0:09:33 | |
-Well, we have every confidence in -you -with the next job in hand, | 0:09:33 | 0:09:38 | |
buying antiques in Winchcombe. | 0:09:38 | 0:09:40 | |
The town's name derives from the Saxon for "valley with a band". | 0:09:42 | 0:09:46 | |
-Here we go, Margie. I'm excited, you know. -Are you excited? -Yes. | 0:09:47 | 0:09:53 | |
Winchcombe Antiques Centre has 18 dealers on two floors | 0:09:53 | 0:09:56 | |
in this delightful grade II listed building. | 0:09:56 | 0:09:59 | |
Hello! | 0:09:59 | 0:10:00 | |
Ever-helpful Richard is the owner. | 0:10:00 | 0:10:02 | |
-Good morning, Richard. -Richard, yes. -This is Patrick. -Hi. | 0:10:02 | 0:10:06 | |
Nice to meet you, Patrick. | 0:10:06 | 0:10:07 | |
Have a good rummage around and see what you can find. | 0:10:07 | 0:10:10 | |
Sounds like a plan. | 0:10:10 | 0:10:11 | |
-We'll kick off. Thank you. -Good luck. -Right. | 0:10:11 | 0:10:14 | |
-What are you looking at, Patrick? -I'm looking at the silver. -The silver. | 0:10:21 | 0:10:25 | |
Ah, Patrick's already found the way to Margie's heart. | 0:10:25 | 0:10:29 | |
-That is lovely. -That's a pretty thing. | 0:10:29 | 0:10:31 | |
-That's for measuring out your spirits. -Yeah, yeah, yeah. | 0:10:31 | 0:10:34 | |
-You get that into your sight, right. Wait till it gets clear... -Yeah. | 0:10:34 | 0:10:38 | |
You can see dagger and wheat sheaves, that's Chester, | 0:10:38 | 0:10:42 | |
which is always highly rated. | 0:10:42 | 0:10:44 | |
Hallmarked with a ticket of £95. | 0:10:44 | 0:10:47 | |
-So what's the absolute very best? -75? | 0:10:47 | 0:10:51 | |
Oh. | 0:10:53 | 0:10:54 | |
-Right, it's a thought. Is it a thought? -I think so. | 0:10:54 | 0:10:58 | |
Right, it's a thought. | 0:10:58 | 0:11:00 | |
But is it a thought that counts? With one possibility already, | 0:11:00 | 0:11:03 | |
these two are shaping up to be a right double act. | 0:11:03 | 0:11:06 | |
SHE LAUGHS | 0:11:06 | 0:11:08 | |
Stan Laurel, baby. Stan Laurel, baby. | 0:11:10 | 0:11:13 | |
Oliver and Hardy. | 0:11:13 | 0:11:15 | |
Why don't you do something to help me? | 0:11:15 | 0:11:17 | |
OK! Ah... | 0:11:20 | 0:11:21 | |
-What are they up to now? -Yeah. | 0:11:23 | 0:11:25 | |
It's time Patrick got down to business. | 0:11:25 | 0:11:28 | |
-Oh... -More stuff. | 0:11:29 | 0:11:31 | |
-What about those two... -Yeah. -..old boys? -Yeah. Old tea urns. | 0:11:33 | 0:11:38 | |
-They are copper, aren't they? -Copper and brass. | 0:11:38 | 0:11:41 | |
And they've had quite a hard life. Those are old... | 0:11:42 | 0:11:46 | |
-It's popped off a couple of times, maybe. -Welded off, yeah. | 0:11:46 | 0:11:49 | |
It shows what a hard life they've had. | 0:11:49 | 0:11:51 | |
Somebody's been carrying these back and forth. | 0:11:51 | 0:11:54 | |
The tap's been off on that. | 0:11:54 | 0:11:56 | |
-Pfft! Do you like them? -I do, actually. | 0:11:57 | 0:12:00 | |
-Richard. -Yes. | 0:12:00 | 0:12:02 | |
For some unknown reason, Patrick likes those. | 0:12:02 | 0:12:06 | |
-Each to their own! -They've got to be cheap. | 0:12:06 | 0:12:09 | |
Go on, £20. £10 each. That's the deal of the day. | 0:12:09 | 0:12:13 | |
It's worth more than that in scrap, I would have thought. | 0:12:14 | 0:12:17 | |
-Well, then, I would say that might get more than that... -Yeah, yeah. | 0:12:17 | 0:12:21 | |
..at auction. | 0:12:21 | 0:12:23 | |
Two tea urns that could be used for putting plants in and things. | 0:12:23 | 0:12:27 | |
Two urns for £20? He's good once he gets going. | 0:12:28 | 0:12:32 | |
I think we might be developing a theme here. | 0:12:32 | 0:12:35 | |
I kind of like this and I thought, I wonder if it's pewter. And it is. | 0:12:35 | 0:12:40 | |
You see, I hate pewter but I like the design of that. | 0:12:40 | 0:12:43 | |
But I was going to say, I like the design. | 0:12:43 | 0:12:45 | |
I was going to put a ticket on that of £70. | 0:12:45 | 0:12:47 | |
-Oh, that's killed it. -What are you thinking? -For us to gamble... | 0:12:47 | 0:12:51 | |
You are throwing me out of the place. I mean, I'm looking at 35 quid. | 0:12:51 | 0:12:55 | |
-That's exactly what I was going to say. £35. -I hate it, Richard. | 0:12:55 | 0:12:59 | |
That is close to being thrown out, isn't it? | 0:12:59 | 0:13:01 | |
-35 and 20. -Yeah. -55. -Go on, then. -Yeah? -Shake his hand. | 0:13:03 | 0:13:09 | |
Patrick's just done his first deal of the road trip, two lots for £55. | 0:13:10 | 0:13:15 | |
-Oh, gosh. I'm worried about that, Richard. -I'm not, actually. | 0:13:15 | 0:13:18 | |
Margie, too late for second thoughts. | 0:13:18 | 0:13:21 | |
Why not cheer yourself up with some silver? | 0:13:21 | 0:13:24 | |
-What about that little single and double measure? -Oh, yeah. | 0:13:24 | 0:13:30 | |
Richard has already knocked £20 off the ticket price of £95. | 0:13:30 | 0:13:34 | |
Margie will be very lucky if she can get a further discount. | 0:13:34 | 0:13:38 | |
-What is the... What's your best on that? -The very best. | 0:13:38 | 0:13:42 | |
Richard, my dear friend. | 0:13:42 | 0:13:43 | |
40 is the absolute death, I think. | 0:13:43 | 0:13:46 | |
At £40, that's better than half price! | 0:13:46 | 0:13:49 | |
-OK. -There's a bit of weight to that as well, isn't there? OK. | 0:13:49 | 0:13:53 | |
-That can't fail. -Are we all agreed at 40? | 0:13:53 | 0:13:56 | |
So we've bought the pewter... | 0:13:56 | 0:13:58 | |
-Yeah. -We've bought those cheap copper things and we've bought that. | 0:13:58 | 0:14:03 | |
All right, 40. No problem at all. | 0:14:03 | 0:14:05 | |
40 pence! That's brilliant, look at that! | 0:14:05 | 0:14:08 | |
Sorry, sorry... £40 sterling. | 0:14:08 | 0:14:11 | |
Patrick leaves his first shop with a four-piece pewter tea set, | 0:14:12 | 0:14:16 | |
two copper tea urns and one solid silver spirit measure, | 0:14:16 | 0:14:19 | |
all for £95. Wow! | 0:14:19 | 0:14:22 | |
Meanwhile, apprentice antique buyer Christopher | 0:14:22 | 0:14:25 | |
and his expert, James, are back on the road. | 0:14:25 | 0:14:28 | |
I can't help but feel, James, | 0:14:28 | 0:14:30 | |
that I was a bit non-contributory in that last section. | 0:14:30 | 0:14:33 | |
Oh, no, no. Rubbish. | 0:14:33 | 0:14:36 | |
To be frank, we both passed the lot we actually bought. | 0:14:36 | 0:14:39 | |
-I didn't even see it. -No, nor did I. | 0:14:40 | 0:14:42 | |
Well, let's hope nothing's missed at your next shop. | 0:14:42 | 0:14:45 | |
Located on the outskirts of Ross-on-Wye is Blank Canvas Antiques. | 0:14:45 | 0:14:50 | |
Dealer Andy normally sells to the trade. | 0:14:50 | 0:14:53 | |
Here's a perfect opportunity for the lads to sniff out | 0:14:53 | 0:14:56 | |
some market fresh stock with their remaining £380. | 0:14:56 | 0:15:00 | |
How much for your butcher's block, Andy? | 0:15:00 | 0:15:03 | |
That is...450. | 0:15:03 | 0:15:06 | |
-We can't afford that, can we? -How about Mr Tiger, erm, lion here? | 0:15:08 | 0:15:14 | |
That's £850. | 0:15:14 | 0:15:17 | |
-And what about your lantern here? -Chinese lantern, 650. | 0:15:17 | 0:15:21 | |
Mm. They might struggle in here. | 0:15:21 | 0:15:22 | |
-What about your cushions? -£1,500. | 0:15:23 | 0:15:26 | |
Antique and unique they may be but at that price, | 0:15:26 | 0:15:30 | |
they're not an option for our treasure hunters. | 0:15:30 | 0:15:32 | |
-I've got great taste, haven't I? -Bang on, Christopher. | 0:15:32 | 0:15:36 | |
-I reckon you've got the pocket for it. -He hasn't. | 0:15:36 | 0:15:39 | |
-They've only got £380. -This is going to be a tricky one. | 0:15:39 | 0:15:43 | |
That is a beauty, isn't it? | 0:15:44 | 0:15:46 | |
There's plenty for James to admire | 0:15:46 | 0:15:48 | |
but Christopher has been drawn to a bedside cabinet. | 0:15:48 | 0:15:52 | |
But this is not... Andy! | 0:15:52 | 0:15:55 | |
-This isn't one of a pair, is it? -No. | 0:15:55 | 0:15:57 | |
I do get pairs in occasionally but they are quite hard to find. | 0:15:57 | 0:16:01 | |
They are so well made. | 0:16:02 | 0:16:04 | |
Ah, Braxton's found the biscuit jar. | 0:16:04 | 0:16:06 | |
Do me a favour, would you pass me that bedside lamp? | 0:16:06 | 0:16:10 | |
Stick it on top, see if it works. | 0:16:10 | 0:16:12 | |
-I'm liking your style. -With a shade. -Yeah, give it a bit of height, | 0:16:12 | 0:16:16 | |
give it proportion. | 0:16:16 | 0:16:18 | |
Just a bit. And some felt on the bottom. | 0:16:18 | 0:16:21 | |
You realise now, you are breathing sweets all over your glasses. | 0:16:21 | 0:16:24 | |
-And why not? Ginger nuts... -Oh, no. Perfect. | 0:16:24 | 0:16:27 | |
Ginger nuts, the king of biscuits, as far as I'm concerned. | 0:16:27 | 0:16:30 | |
Christopher's doing all the work here. | 0:16:30 | 0:16:32 | |
Finding the oak Victorian bedside cabinet, priced at £150, | 0:16:32 | 0:16:36 | |
and the bronze candlestick converted to an electric lamp stand at £75. | 0:16:36 | 0:16:42 | |
Could we do a deal here, Andy, for the two? | 0:16:42 | 0:16:45 | |
210, to have a deal with you. | 0:16:45 | 0:16:47 | |
I don't want you to go away empty-handed, really. | 0:16:48 | 0:16:51 | |
-100 for that and 60 quid for that. -No. I can do 200. | 0:16:51 | 0:16:55 | |
What are the chances of a profit on this, on these? | 0:16:55 | 0:16:59 | |
They're both items are of lovely quality. That's indisputable. | 0:17:01 | 0:17:05 | |
But are the grand old houses of Cardiff stuffed full | 0:17:05 | 0:17:09 | |
of all this stuff? Oh, I don't know. | 0:17:09 | 0:17:12 | |
HE GROANS | 0:17:13 | 0:17:14 | |
Andy, if we bought the bronze on its tod, what would that be? | 0:17:16 | 0:17:19 | |
£60. | 0:17:19 | 0:17:20 | |
That's kind. I think we'll do that. | 0:17:24 | 0:17:27 | |
Yeah, thanks a lot, mate. | 0:17:27 | 0:17:29 | |
God. Talk about the tortures of purchasing. | 0:17:29 | 0:17:32 | |
Should be a delight. We should be breezing in here. | 0:17:32 | 0:17:35 | |
I've put on ten years. Ten years! | 0:17:35 | 0:17:38 | |
Well, Christopher's definitely picked up the slack | 0:17:38 | 0:17:41 | |
and leaves with the 19th century bronze figure lamp base for £60. | 0:17:41 | 0:17:46 | |
Meanwhile, Patrick and Margie are taking some time out | 0:17:46 | 0:17:49 | |
from shopping and have made their way across Warwickshire | 0:17:49 | 0:17:52 | |
to visit a family home with a remarkable history. | 0:17:52 | 0:17:56 | |
-Hey, Coughton Court, here we come. -Wow. | 0:17:56 | 0:18:00 | |
How do we get in? | 0:18:00 | 0:18:02 | |
BELL RINGS | 0:18:02 | 0:18:03 | |
Am I wrong? | 0:18:07 | 0:18:09 | |
We thought the whole door was going to open. | 0:18:09 | 0:18:12 | |
Hello, sir. | 0:18:12 | 0:18:13 | |
-Hello. Welcome to Coughton Court. -Thanks. | 0:18:13 | 0:18:16 | |
Coughton Court is the ancestral home of the Throckmorton family. | 0:18:16 | 0:18:21 | |
20 generations have lived here since 1409. | 0:18:21 | 0:18:24 | |
Today, it's a house full of treasures | 0:18:24 | 0:18:26 | |
that have connections with dark and dangerous times | 0:18:26 | 0:18:29 | |
which even link Coughton to a potentially seismic event | 0:18:29 | 0:18:32 | |
that would have changed British history for ever - | 0:18:32 | 0:18:35 | |
the Gunpowder Plot. | 0:18:35 | 0:18:37 | |
And guide Vic knows all about the building and the family. | 0:18:40 | 0:18:44 | |
What's significant about the Throckmorton family? | 0:18:44 | 0:18:47 | |
The Throckmorton family are Roman Catholics | 0:18:47 | 0:18:51 | |
and have been all the way through the ages. | 0:18:51 | 0:18:54 | |
And from the time of Henry VIII really into almost the time of | 0:18:54 | 0:18:58 | |
Queen Victoria, Catholics were persecuted in one way or the other. | 0:18:58 | 0:19:02 | |
But the Throckmortons have, as I say, | 0:19:02 | 0:19:05 | |
remained Roman Catholic right through that period. | 0:19:05 | 0:19:07 | |
Yes. And there's a history to the place. | 0:19:07 | 0:19:09 | |
-There's a lot of history to the place. -OK. | 0:19:09 | 0:19:13 | |
In the 16th century, Catholicism was outlawed. | 0:19:13 | 0:19:16 | |
Catholic families had a stark choice - | 0:19:16 | 0:19:18 | |
loyalty to their church or Protestant monarch. | 0:19:18 | 0:19:22 | |
To continue as Catholics, the Throckmortons at Coughton | 0:19:22 | 0:19:26 | |
had to do so in secret. | 0:19:26 | 0:19:29 | |
This is what we call the Tower Room. | 0:19:29 | 0:19:32 | |
This would be the ideal place for a chapel | 0:19:32 | 0:19:34 | |
because if the house was searched | 0:19:34 | 0:19:36 | |
this would be the last room that the people searching would reach | 0:19:36 | 0:19:40 | |
because they've got a spiral staircase all the way up here. | 0:19:40 | 0:19:44 | |
Records show Coughton was repeatedly raided by the authorities | 0:19:44 | 0:19:48 | |
looking for priests or evidence of practising Catholics. | 0:19:48 | 0:19:52 | |
And the 600 year old house continues to reveal many secrets. | 0:19:52 | 0:19:57 | |
Tell us about this incredible thing? | 0:19:57 | 0:19:59 | |
This is a painting on canvas which was discovered in the roof space | 0:20:00 | 0:20:05 | |
about 1900, I believe. | 0:20:05 | 0:20:08 | |
It's dated 1596. At the top there you can just see it. | 0:20:08 | 0:20:13 | |
Across the bottom it shows all the coats of arms of | 0:20:13 | 0:20:19 | |
Catholic families who were imprisoned during Elizabethan times. | 0:20:19 | 0:20:23 | |
It is a kind of Catholic propaganda document, if you like. | 0:20:23 | 0:20:28 | |
This would have been a secret document in its day. | 0:20:28 | 0:20:31 | |
You would be in trouble if it was discovered in your possession. | 0:20:31 | 0:20:34 | |
And is it the only one in existence? | 0:20:34 | 0:20:38 | |
It is unique. There's nothing else like it. | 0:20:38 | 0:20:40 | |
There's no doubt the Throckmortons | 0:20:40 | 0:20:43 | |
and Coughton Court played a crucial part in enabling Catholicism | 0:20:43 | 0:20:47 | |
to remain alive throughout the Reformation. | 0:20:47 | 0:20:50 | |
However, they were almost undone when they became caught up | 0:20:50 | 0:20:54 | |
in a treacherous plot by Catholic militants to kill the king. | 0:20:54 | 0:20:59 | |
I have heard, and tell me if I'm wrong, that the Gunpowder Plot | 0:20:59 | 0:21:02 | |
and Guy Fawkes, the conspirators had some kind of link here. | 0:21:02 | 0:21:06 | |
Yes. The ringleader of the Gunpowder Plot was not Guy Fawkes, | 0:21:06 | 0:21:11 | |
which most people seem to think, but a man called Robert Catesby. | 0:21:11 | 0:21:16 | |
Robert Catesby was the nephew of Thomas Throckmorton | 0:21:16 | 0:21:19 | |
-of Coughton Court. -Ah. -And it wasn't just Catesby. | 0:21:19 | 0:21:23 | |
Of the 13 plotters, | 0:21:23 | 0:21:24 | |
four of the conspirators were related to the Throckmortons. | 0:21:24 | 0:21:28 | |
At the time of the plot in November 1605, the Throckmortons | 0:21:28 | 0:21:33 | |
weren't staying here, they were at another of their properties. | 0:21:33 | 0:21:36 | |
And they actually let his house to one of the plotters. | 0:21:36 | 0:21:39 | |
The story often told is of a plan to blow up Parliament, | 0:21:42 | 0:21:47 | |
killing Protestant King James I. An anonymous tip-off led to | 0:21:47 | 0:21:52 | |
Guy Fawkes being caught red-handed with 36 barrels of gunpowder. | 0:21:52 | 0:21:56 | |
Now, what is not widely known is that in the early hours of | 0:21:56 | 0:22:00 | |
the 6th of November the conspirators' family | 0:22:00 | 0:22:03 | |
and associates gathered at Coughton to receive the news | 0:22:03 | 0:22:06 | |
that their friends and loved ones were on the run. | 0:22:06 | 0:22:09 | |
Eventually all the plotters were caught and executed. | 0:22:10 | 0:22:15 | |
And the worst form of execution which was... | 0:22:15 | 0:22:17 | |
Hung, drawn and quartered. | 0:22:17 | 0:22:19 | |
Records suggest it was at Coughton Court that arms, horses | 0:22:19 | 0:22:23 | |
and ammunitions had been stored ready for the uprising | 0:22:23 | 0:22:26 | |
that was meant to follow the annihilation of Parliament. | 0:22:26 | 0:22:29 | |
Didn't that drop them in it, though? | 0:22:29 | 0:22:32 | |
Well, the Throckmorton family managed to get away with it. | 0:22:32 | 0:22:34 | |
If they were involved they said they knew nothing about it. | 0:22:34 | 0:22:38 | |
They were interrogated and they got away with it. | 0:22:38 | 0:22:42 | |
For 400 years bonfires have burned on November the 5th | 0:22:42 | 0:22:46 | |
to remember the failed coup. | 0:22:46 | 0:22:47 | |
And the Throckmorton family still remain at Coughton Court | 0:22:47 | 0:22:51 | |
to this very day. | 0:22:51 | 0:22:53 | |
Vic, thank you for showing us | 0:22:53 | 0:22:55 | |
and talking to us about this incredible place. Fantastic. | 0:22:55 | 0:23:00 | |
Thank you very much. I've enjoyed showing you. | 0:23:00 | 0:23:03 | |
Back in Ross-on-Wye, Christopher | 0:23:05 | 0:23:07 | |
and James are scouring the high street for more bargains. | 0:23:07 | 0:23:10 | |
-It's still lovely weather, isn't it? -Yeah. | 0:23:10 | 0:23:13 | |
-Here we are. -After you. -Thank you. | 0:23:13 | 0:23:17 | |
Husband and wife Ian | 0:23:17 | 0:23:19 | |
and Sally have only been in their new shop for a few weeks. | 0:23:19 | 0:23:23 | |
There's plenty of new stock for the chaps' remaining £320. | 0:23:23 | 0:23:26 | |
-Hello. James. -How you doing? | 0:23:26 | 0:23:29 | |
-Good to meet you. -I'm Chris. -Nice to meet you. | 0:23:29 | 0:23:33 | |
There is plenty of furniture | 0:23:33 | 0:23:35 | |
and collectibles at one end of the shop and under the counter. | 0:23:35 | 0:23:38 | |
What is that interesting thing at the end there? | 0:23:39 | 0:23:43 | |
Card case. | 0:23:43 | 0:23:45 | |
I think the cards were brought up that way, sliding the cards out. | 0:23:45 | 0:23:49 | |
What a clever system. I like mechanical things. | 0:23:49 | 0:23:53 | |
So that would just irritate them up. | 0:23:54 | 0:23:56 | |
You could put a stack of your visiting cards. | 0:23:56 | 0:23:59 | |
-Would that be right? -I believe so. -I like that a lot. | 0:23:59 | 0:24:03 | |
Ian's asking £45 for the clever novelty card case | 0:24:03 | 0:24:08 | |
which dates from the early 20th century. | 0:24:08 | 0:24:11 | |
It's silver and sports the London hallmark. | 0:24:11 | 0:24:13 | |
There's something early '50s about it, I can't put my finger on it. | 0:24:13 | 0:24:16 | |
When I was discovering Americans and cigarettes and girls | 0:24:16 | 0:24:19 | |
and movies and stuff. | 0:24:19 | 0:24:21 | |
-How much on him? -It can be 35. | 0:24:21 | 0:24:24 | |
There's plenty of other goodies under Ian's counter. | 0:24:24 | 0:24:27 | |
-Hey! -What? | 0:24:27 | 0:24:29 | |
Daffs. | 0:24:29 | 0:24:30 | |
-Isn't that the Welsh thing? -Yes, it is. Absolutely. | 0:24:30 | 0:24:33 | |
Blimey. | 0:24:35 | 0:24:37 | |
-It is the national... -I love the daffodil. | 0:24:37 | 0:24:40 | |
-It is the national thing, isn't it? -Yeah. | 0:24:40 | 0:24:43 | |
Daffs and leeks. | 0:24:43 | 0:24:45 | |
I'm no gardener, but that looks more like a narcissus. | 0:24:45 | 0:24:49 | |
James is hoping Welsh buyers in Cardiff will like something | 0:24:49 | 0:24:52 | |
he thinks is a daffodil. | 0:24:52 | 0:24:54 | |
This compact is engraved "love to Peggy" | 0:24:55 | 0:24:58 | |
and comes with the original outer cover at a ticket price of £85. | 0:24:58 | 0:25:02 | |
-We've got to buy that, haven't we? -I think we do, yeah. | 0:25:03 | 0:25:06 | |
But you must buy your thing as well. | 0:25:06 | 0:25:08 | |
It's got to be done. | 0:25:08 | 0:25:11 | |
I think so too. | 0:25:11 | 0:25:12 | |
-Are we as one on this? -We are. | 0:25:12 | 0:25:14 | |
-Excellent. -OK? -Yeah, fantastic. | 0:25:15 | 0:25:18 | |
Thank you very much. Very kind. Thank you very much. | 0:25:18 | 0:25:22 | |
Ian's agreed to knock £10 off each item. | 0:25:22 | 0:25:25 | |
That's the calling card case at £35 and the enamel compact for £75. | 0:25:25 | 0:25:30 | |
It's been a busy day and there's another to come, | 0:25:30 | 0:25:33 | |
so for now, teams, nighty-night. | 0:25:33 | 0:25:36 | |
Morning has broken | 0:25:38 | 0:25:40 | |
and our actors are back in the Interceptor comparing notes. | 0:25:40 | 0:25:43 | |
Are you pleased with what you've got so far? | 0:25:45 | 0:25:49 | |
-I am. -Are you confident? | 0:25:49 | 0:25:52 | |
I don't think we'll get that much money | 0:25:52 | 0:25:55 | |
with the things we've got. | 0:25:55 | 0:25:57 | |
I really don't. | 0:25:58 | 0:26:00 | |
Yeah, I'm really looking forward to today. | 0:26:00 | 0:26:02 | |
I can't tell you how exciting it is | 0:26:02 | 0:26:03 | |
when an expert agrees with something you say. | 0:26:03 | 0:26:07 | |
Christopher is a real enthusiast. | 0:26:08 | 0:26:10 | |
I think he's a fan of the show. | 0:26:10 | 0:26:12 | |
-Aw. -He loves it. | 0:26:12 | 0:26:14 | |
It's just really easy. | 0:26:14 | 0:26:16 | |
-Don't you like enthusiastic people? -I do. | 0:26:16 | 0:26:20 | |
Yesterday, the former James Herriot hunted for | 0:26:20 | 0:26:24 | |
all bargains great and small. | 0:26:24 | 0:26:26 | |
Christopher and James spent £190 picking up a milk bowl, | 0:26:26 | 0:26:30 | |
a bronze lamp base, card case, an enamel compact. | 0:26:30 | 0:26:34 | |
Leaving them with £210 to spend today. | 0:26:34 | 0:26:37 | |
I've got great taste, haven't I? | 0:26:37 | 0:26:39 | |
And Patrick modestly liked everything Margie loathed. | 0:26:39 | 0:26:43 | |
I kind of liked this and I wondered if it's pewter. | 0:26:43 | 0:26:46 | |
I hate it, I hate it, I hate it. | 0:26:46 | 0:26:48 | |
In the end they spent £95 on two copper tea urns, | 0:26:48 | 0:26:52 | |
a solid silver spirit measure and a pewter tea set. | 0:26:52 | 0:26:56 | |
Leaving them with £305 still to spend. | 0:26:56 | 0:26:59 | |
-Morning. -Morning. | 0:27:00 | 0:27:03 | |
-Morning, team. -Good morning. -Morning. | 0:27:03 | 0:27:06 | |
Another beautiful day? | 0:27:06 | 0:27:08 | |
Aren't we lucky? | 0:27:08 | 0:27:10 | |
Don't you think it's exciting? | 0:27:10 | 0:27:12 | |
Very exciting. | 0:27:12 | 0:27:14 | |
Right, you're driving, mate. | 0:27:14 | 0:27:15 | |
-I've had enough of it this morning. -OK. | 0:27:15 | 0:27:18 | |
Well, Margie, would you like to step this way, darling? | 0:27:18 | 0:27:20 | |
-Have a good day. -Have a good day. -See you later, my love. | 0:27:20 | 0:27:23 | |
Both teams are making their way to Gloucester. | 0:27:23 | 0:27:26 | |
Docks here on the River Severn | 0:27:27 | 0:27:29 | |
have been an important thoroughfare for trade for nearly 2,000 years. | 0:27:29 | 0:27:33 | |
The first stop of the day is Upstairs, Downstairs, | 0:27:34 | 0:27:37 | |
home to over 20 dealers packed in over three floors. | 0:27:37 | 0:27:41 | |
Offering rich pickings to both teams, | 0:27:41 | 0:27:44 | |
but Patrick and Margie have arrived first. | 0:27:44 | 0:27:47 | |
Ah, I think they're going to be arriving, | 0:27:47 | 0:27:50 | |
-so we need to whizz round before they get here. -OK. | 0:27:50 | 0:27:54 | |
-Cos they're going to be hovering. -Right, I'm scanning. -Yeah. | 0:27:54 | 0:27:58 | |
Meanwhile, Chris and James are taking in the sights. | 0:27:58 | 0:28:01 | |
-It is clever, isn't it? -Very clever. | 0:28:01 | 0:28:05 | |
# I'm sittin' on the dock of the bay | 0:28:05 | 0:28:08 | |
# Wasting time... # | 0:28:08 | 0:28:10 | |
But it's such a shame, | 0:28:10 | 0:28:12 | |
I would have loved to have seen the Pool of London working here. | 0:28:12 | 0:28:15 | |
-Yeah, and this working. -Yeah. | 0:28:15 | 0:28:17 | |
Instead bits and pieces become coffee houses and restaurants. | 0:28:17 | 0:28:22 | |
But nice though. | 0:28:22 | 0:28:24 | |
All this dilly-dallying around on the docks has meant that | 0:28:24 | 0:28:28 | |
the other team have first dibs. | 0:28:28 | 0:28:30 | |
I've done quite well in the past with these little Victorian | 0:28:30 | 0:28:33 | |
brooches and things. That's quite reasonable. | 0:28:33 | 0:28:36 | |
If we got two or three of those. | 0:28:36 | 0:28:38 | |
-This one here? -Yeah. | 0:28:38 | 0:28:40 | |
That one with the bird on it there. | 0:28:40 | 0:28:42 | |
What's that little brooch thing? | 0:28:42 | 0:28:45 | |
-That's quite nice. -Yeah. | 0:28:45 | 0:28:47 | |
They're lockets. | 0:28:47 | 0:28:49 | |
They're here already. | 0:28:50 | 0:28:52 | |
Best get in, chaps, you've got £210 left to spend. | 0:28:52 | 0:28:57 | |
Think Welsh. | 0:28:57 | 0:28:59 | |
That's not Welsh, is it? Could be over Wales. | 0:28:59 | 0:29:02 | |
-This way? -Yeah. | 0:29:03 | 0:29:05 | |
Patrick and Margie have enlisted the help of Robert | 0:29:05 | 0:29:07 | |
who's minding another dealer's cabinet. | 0:29:07 | 0:29:09 | |
-Thank you. -Just dive in. | 0:29:09 | 0:29:12 | |
What have we got here? | 0:29:12 | 0:29:14 | |
What's the price on that? | 0:29:14 | 0:29:16 | |
She's got 14 on that. | 0:29:16 | 0:29:18 | |
Yeah, I know why she's just got 14 | 0:29:18 | 0:29:20 | |
cos under my eyeglass I've seen something. Yeah. | 0:29:20 | 0:29:23 | |
That's cheap as chips. | 0:29:23 | 0:29:24 | |
It is, but we've got a slight problem. | 0:29:24 | 0:29:26 | |
This is why you need one of these. | 0:29:26 | 0:29:28 | |
-Damn, I can't see anything. -The enamel is chipped. | 0:29:28 | 0:29:32 | |
You don't notice it until you have one of these eyeglass things. | 0:29:32 | 0:29:36 | |
Even so, £14 is still a great price a late 19th century silver brooch. | 0:29:36 | 0:29:42 | |
Isn't that interesting? | 0:29:45 | 0:29:47 | |
Look up occasionally, look at the plane. Isn't that fun? | 0:29:47 | 0:29:51 | |
-Yes, it is. -Do you like that? -I do. I like it a lot. | 0:29:52 | 0:29:57 | |
James has spotted a model second world war biplane. | 0:29:57 | 0:30:01 | |
-Do you think it will be expensive? -I don't know. | 0:30:01 | 0:30:04 | |
The chaps need to snag a dealer of their own. | 0:30:04 | 0:30:07 | |
Can we also have a look at this one here. | 0:30:07 | 0:30:10 | |
Patrick's seen that. | 0:30:10 | 0:30:12 | |
Oh, yeah. | 0:30:12 | 0:30:13 | |
That's quite pretty, this locket. | 0:30:13 | 0:30:15 | |
I like that. And that... | 0:30:15 | 0:30:17 | |
-A little bit of history in it. -Yes. | 0:30:17 | 0:30:19 | |
Lovely. | 0:30:19 | 0:30:21 | |
With regard on the top, which is lovely. | 0:30:21 | 0:30:25 | |
It's obviously meant for... to look when someone's away | 0:30:25 | 0:30:30 | |
and have a photo in the centre of each. | 0:30:30 | 0:30:33 | |
-I like very much. -Yeah. | 0:30:36 | 0:30:38 | |
Meanwhile, their rivals have roped in Vic to help them out upstairs. | 0:30:38 | 0:30:43 | |
We looked at this fellow. | 0:30:43 | 0:30:45 | |
The biplane is a Gloster Gladiator. | 0:30:45 | 0:30:48 | |
It's a Gloster Gladiator. | 0:30:48 | 0:30:50 | |
The Gladiator was the last British biplane fighter | 0:30:50 | 0:30:54 | |
and was one of Britain's most successful pre-war exports. | 0:30:54 | 0:30:57 | |
It was manufactured with pride just six miles from where we are now. | 0:30:57 | 0:31:02 | |
This scale model is rather spiffing, don't you think? | 0:31:02 | 0:31:05 | |
I think was probably made by an enthusiast. | 0:31:05 | 0:31:08 | |
-Probably made in the '50s, '60s. -What's it made of? | 0:31:08 | 0:31:11 | |
I think it's made just the same as they would make a biplane, | 0:31:11 | 0:31:14 | |
so I think it's wood and bound in some type of canvas. | 0:31:14 | 0:31:18 | |
-And then treated with whatever. -And treated exactly the same way. | 0:31:18 | 0:31:21 | |
All the rudders and everything else work. | 0:31:21 | 0:31:23 | |
It is for sale if you've got £1,200 in your pocket today, | 0:31:25 | 0:31:29 | |
-you can take it home. -Here we go. | 0:31:29 | 0:31:31 | |
-It's a generous offer. -Absolutely. | 0:31:31 | 0:31:34 | |
-What a shame. -It's fun, isn't it? -Yes. | 0:31:36 | 0:31:40 | |
Have you noticed how much we've spoken about things | 0:31:40 | 0:31:43 | |
-that we don't buy? -I know, we have. -Less chat, more shop. | 0:31:43 | 0:31:47 | |
I've just noticed a very rare item in that cabinet. | 0:31:47 | 0:31:50 | |
-Go on, dig it out. -It's not made of silver or gold. | 0:31:50 | 0:31:53 | |
-Go on. -It's that. -Right, yeah! | 0:31:53 | 0:31:56 | |
That's actually a last rites cross, that is. | 0:31:56 | 0:31:59 | |
If you notice on the bottom it's got a skull and crossbones on it. | 0:31:59 | 0:32:02 | |
Oh, gosh. | 0:32:02 | 0:32:03 | |
Quite often that was pressed into the soldier, | 0:32:03 | 0:32:06 | |
they'd put that into this hand. | 0:32:06 | 0:32:08 | |
Basically just read him the last rites just before he went. | 0:32:08 | 0:32:11 | |
-Well, I didn't know that. -I didn't know that. | 0:32:11 | 0:32:13 | |
That's very rare. | 0:32:13 | 0:32:15 | |
The skull and crossbones could also symbolise the location of | 0:32:15 | 0:32:18 | |
the crucifixion, a place known to some as The Place of the Skull. | 0:32:18 | 0:32:23 | |
Rob's convinced this crucifix was used in the First World War. | 0:32:23 | 0:32:27 | |
Gosh, you wouldn't want to part with that, would you? | 0:32:27 | 0:32:30 | |
How many hands have held that? | 0:32:30 | 0:32:32 | |
Yeah, but the history of it. | 0:32:32 | 0:32:35 | |
Great object, but Margie only has eyes for the silver. | 0:32:35 | 0:32:38 | |
The locket has a ticket price of £59 | 0:32:39 | 0:32:41 | |
and the dealer is asking for £14 for the brooch. | 0:32:41 | 0:32:45 | |
I'd like the very best on those two. | 0:32:45 | 0:32:47 | |
She wouldn't take 45 for those two, would she? | 0:32:47 | 0:32:50 | |
I'll give her a try. | 0:32:50 | 0:32:51 | |
While Rob acts as go-between for Team Patrick, | 0:32:51 | 0:32:54 | |
Vic has wooed James and Christopher to a secret corner of the shop | 0:32:54 | 0:32:58 | |
and a bamboo table that's just come in. | 0:32:58 | 0:33:01 | |
I just think it's just so resourceful. | 0:33:01 | 0:33:03 | |
Cos bamboo's one of those magical items that you can bend, | 0:33:03 | 0:33:07 | |
you can steam it, you can joint it. | 0:33:07 | 0:33:10 | |
Amazing. Incredibly strong. | 0:33:10 | 0:33:12 | |
Has it got a nice tile top or is it lacquered? | 0:33:12 | 0:33:14 | |
It's got a lacquered top. | 0:33:14 | 0:33:16 | |
And... | 0:33:16 | 0:33:18 | |
That bit. | 0:33:18 | 0:33:20 | |
That's what it is, so we have to put that piece back in. | 0:33:20 | 0:33:23 | |
But as it is, 25 quid. | 0:33:23 | 0:33:25 | |
The table dates from around 1900. | 0:33:25 | 0:33:27 | |
It's damaged and has a rather tired appearance. | 0:33:27 | 0:33:30 | |
It will be a gamble purchase even at £25. | 0:33:30 | 0:33:33 | |
It's quite a pretty top. It's been bashed and everything. | 0:33:34 | 0:33:37 | |
And we've got little birds here, rather exotic. | 0:33:37 | 0:33:42 | |
-So pretty, isn't it? -So pretty, isn't it? | 0:33:42 | 0:33:45 | |
Oriental, lacquer... I quite like that. | 0:33:45 | 0:33:48 | |
I've got to say, what I'm thinking of, | 0:33:48 | 0:33:51 | |
I'm trying to think in terms of our aim. | 0:33:51 | 0:33:54 | |
Would you do anything to it between now and the sale? | 0:33:54 | 0:33:57 | |
I wouldn't. I would sell it like that. | 0:33:57 | 0:33:59 | |
-Somebody buying it could retrieve it. -I agree with you. | 0:33:59 | 0:34:04 | |
Knowing as little as I do, I agree with you. | 0:34:04 | 0:34:07 | |
Your enthusiasm convinces me. | 0:34:07 | 0:34:09 | |
-I think we should buy it. -Lovely. Shake the man's hand. | 0:34:09 | 0:34:12 | |
-Thank you very much. -Thank you very much. | 0:34:12 | 0:34:16 | |
Deal done. A broken bamboo table for £25. | 0:34:16 | 0:34:20 | |
Let's hope buyers at auction are as enthusiastic about it as James | 0:34:20 | 0:34:24 | |
and Christopher. | 0:34:24 | 0:34:25 | |
On the other side of the shop, Robert has news. | 0:34:25 | 0:34:28 | |
The very best she can do is 51. | 0:34:28 | 0:34:30 | |
I've never bought at 51 before. | 0:34:32 | 0:34:34 | |
-So 45 is a complete no? -Yeah. | 0:34:37 | 0:34:39 | |
-What do you think? -I think... | 0:34:39 | 0:34:43 | |
-Well, it's what you think. But I think it's worth it. -Do you? | 0:34:43 | 0:34:46 | |
-Done and dusted. -Very funny price, that. | 0:34:46 | 0:34:48 | |
That's another lot purchased. | 0:34:50 | 0:34:52 | |
Two pieces of jewellery - £22 off the ticket price. | 0:34:52 | 0:34:55 | |
Right, we've got four items. One more shop. | 0:34:55 | 0:34:58 | |
-But what about that cross? -That cross was lovely. | 0:35:00 | 0:35:03 | |
I think it's a really interesting story behind it. | 0:35:03 | 0:35:05 | |
-You really want it? -I would love it. | 0:35:05 | 0:35:08 | |
-Shall we go back in? -Let's go back in. | 0:35:08 | 0:35:10 | |
Be quick. There's competition behind every cabinet. | 0:35:10 | 0:35:13 | |
Look behind you. | 0:35:13 | 0:35:15 | |
These are very nice, aren't they? Very nice indeed. | 0:35:20 | 0:35:22 | |
And those are very good, yeah. | 0:35:22 | 0:35:24 | |
Wait a minute. I've seen you on the telly, haven't I? | 0:35:24 | 0:35:27 | |
-How you doing? -Going good, how are you? | 0:35:27 | 0:35:30 | |
You're looking a bit pleased with yourself. | 0:35:30 | 0:35:32 | |
-You're confident, aren't you? -Yeah. | 0:35:32 | 0:35:34 | |
-It's best not to fraternise with them. Come with me. -OK, sorry. | 0:35:34 | 0:35:37 | |
They look confident. But they're still buying. | 0:35:39 | 0:35:42 | |
They do. But we... | 0:35:42 | 0:35:44 | |
-But we have every right to be confident. -We have. We're done. | 0:35:44 | 0:35:47 | |
We're done, so let's leave. | 0:35:47 | 0:35:49 | |
Shopping's done. The chaps are off to explore Gloucester | 0:35:49 | 0:35:52 | |
while Patrick still has unfinished business. | 0:35:52 | 0:35:56 | |
Where's that cross, beautiful cross? | 0:35:57 | 0:35:59 | |
-Yeah. -Hello. Back again? -Yeah, we're back. | 0:35:59 | 0:36:03 | |
We've been out, come back in again and we just think | 0:36:03 | 0:36:06 | |
we might quite like that, particularly Patrick. | 0:36:06 | 0:36:10 | |
35, so... | 0:36:11 | 0:36:13 | |
Can we broker a deal? | 0:36:13 | 0:36:15 | |
We can do it for 25. Those are quite rare. | 0:36:15 | 0:36:19 | |
I'm not going to argue. | 0:36:19 | 0:36:21 | |
Thank you very much. | 0:36:21 | 0:36:23 | |
Thank you. Deal done. | 0:36:23 | 0:36:25 | |
-Oh, lovely. Thank you very much. -Thank you. | 0:36:25 | 0:36:28 | |
Patrick now has jewellery, tea urns, some pewter ware and a crucifix. | 0:36:28 | 0:36:34 | |
A good selection for auction. | 0:36:34 | 0:36:36 | |
Back in the car James is hearing how Christopher convinced a producer | 0:36:38 | 0:36:41 | |
to give him the role of James Herriot. | 0:36:41 | 0:36:44 | |
He said, | 0:36:45 | 0:36:47 | |
"The hierarchy are nagging me to cast an established name. | 0:36:47 | 0:36:53 | |
"So would you like to play Tristan?" | 0:36:53 | 0:36:56 | |
I was a father of five, I was broke and I found myself saying, | 0:36:56 | 0:37:01 | |
I can't believe I said it, | 0:37:01 | 0:37:02 | |
"No, it's James Herriot or nothing." | 0:37:02 | 0:37:06 | |
Anyway, the months passed | 0:37:07 | 0:37:08 | |
and through all sorts of machinations I finally got the part. | 0:37:08 | 0:37:11 | |
It was the most joyous time and the most joyous job to do. | 0:37:11 | 0:37:15 | |
Christopher and James had made their way across the city | 0:37:19 | 0:37:22 | |
and to one of its best known landmarks - | 0:37:22 | 0:37:25 | |
Gloucester Cathedral. | 0:37:25 | 0:37:27 | |
The site of the cathedral has been a place of worship | 0:37:28 | 0:37:31 | |
for well over 1,300 years | 0:37:31 | 0:37:33 | |
and played significant parts in English history. | 0:37:33 | 0:37:37 | |
But James and Christopher are here to learn about a little-known | 0:37:37 | 0:37:40 | |
intriguing story with a transatlantic twist. | 0:37:40 | 0:37:44 | |
Former member of the cathedral choir | 0:37:44 | 0:37:47 | |
Jonathan MacKechnie-Jarvis knows all about it. | 0:37:47 | 0:37:50 | |
If you've got time, would you like to come up to the tower? | 0:37:50 | 0:37:52 | |
I'd be very happy to take you. | 0:37:52 | 0:37:54 | |
-I'm fit and able. -I'm able. -Excellent. -Let's make a move. | 0:37:54 | 0:37:58 | |
High up the cathedral's tower is some impressive 18th century | 0:38:04 | 0:38:08 | |
musical machinery. | 0:38:08 | 0:38:09 | |
Mind the step as you come in. | 0:38:10 | 0:38:12 | |
The fact is, | 0:38:14 | 0:38:16 | |
if you go behind the scenes in almost any of our cathedrals | 0:38:16 | 0:38:19 | |
sooner of later you will find some derelict bit of equipment | 0:38:19 | 0:38:22 | |
which has got its own story to tell. | 0:38:22 | 0:38:25 | |
What you're looking at here is a chime machine, 1762. | 0:38:25 | 0:38:30 | |
Chime machines, also known as a carillon, were synchronised with | 0:38:30 | 0:38:33 | |
the clock and the cathedral's bells to play tunes | 0:38:33 | 0:38:36 | |
at intervals throughout the day and night. | 0:38:36 | 0:38:39 | |
This is really like a musical box where | 0:38:39 | 0:38:42 | |
instead of pins, we've got these cans which would have lifted | 0:38:42 | 0:38:47 | |
the lever like that | 0:38:47 | 0:38:49 | |
and there would have been a tensioned wire running to the bell. | 0:38:49 | 0:38:53 | |
BELL RINGS | 0:38:53 | 0:38:59 | |
Wow. | 0:38:59 | 0:39:01 | |
This chime machine first played in 1762 when a young cathedral | 0:39:02 | 0:39:07 | |
choir boy named John Stafford Smith would have sung in these stalls. | 0:39:07 | 0:39:12 | |
He went on to devote his life to music | 0:39:12 | 0:39:14 | |
and gained the reputation of being a gifted organist and composer. | 0:39:14 | 0:39:18 | |
His musical talents gained him entry into an exclusive gentlemen's social | 0:39:20 | 0:39:24 | |
club where in 1780 he penned a composition that has since | 0:39:24 | 0:39:28 | |
become one of the most recognisable pieces of music in the world today. | 0:39:28 | 0:39:32 | |
STAR-SPANGLED BANNER PLAYS | 0:39:34 | 0:39:42 | |
At first Stafford Smith's rising tune | 0:39:42 | 0:39:45 | |
was adopted as an anthem by his social club. | 0:39:45 | 0:39:48 | |
But the song caught on | 0:39:48 | 0:39:50 | |
and became popular on both sides of the Atlantic. | 0:39:50 | 0:39:53 | |
Here's a memorial to him | 0:39:53 | 0:39:56 | |
which picks up on what is best known, and this may just ring a bell, | 0:39:56 | 0:40:01 | |
if you'll pardon the pun, because he wrote the tune which later | 0:40:01 | 0:40:06 | |
became the Star-Spangled Banner. | 0:40:06 | 0:40:08 | |
So, how did the... | 0:40:09 | 0:40:11 | |
theme tune, if you like, for the gentleman's club, | 0:40:11 | 0:40:15 | |
how did that, and why did it become the American national anthem? | 0:40:15 | 0:40:20 | |
It seems it became a popular drinking song on both | 0:40:20 | 0:40:23 | |
sides of the Atlantic so it was quite a well-known tune... | 0:40:23 | 0:40:26 | |
-Already? -..already. | 0:40:26 | 0:40:28 | |
In its first conflict since the War Of Independence, | 0:40:29 | 0:40:32 | |
America found itself in a bloody battle with the British. | 0:40:32 | 0:40:35 | |
In 1814, the British Navy attacked the Port of Baltimore | 0:40:35 | 0:40:39 | |
on America's East Coast. | 0:40:39 | 0:40:41 | |
Despite an aggressive bombardment by the British, | 0:40:41 | 0:40:44 | |
the Americans held their ground. | 0:40:44 | 0:40:47 | |
Suffering heavy losses, the British withdrew. | 0:40:47 | 0:40:50 | |
The sight of the American flag flying at dawn inspired American poet | 0:40:52 | 0:40:56 | |
Francis Scott Key to write a song to celebrate the victory. | 0:40:56 | 0:40:59 | |
He put his lyrics to Stafford Smith's tune. | 0:41:01 | 0:41:05 | |
So actually a popular song became the national anthem. | 0:41:05 | 0:41:09 | |
You can't really imagine | 0:41:09 | 0:41:10 | |
God Save The Queen being a popular song, can you? | 0:41:10 | 0:41:13 | |
-No, you can't. It hasn't quite got the same... -No. | 0:41:13 | 0:41:16 | |
-..the same snap to it. -No, it hasn't. | 0:41:16 | 0:41:18 | |
It wasn't until a congressional resolution in 1931 | 0:41:18 | 0:41:22 | |
that The Star-Spangled Banner officially became the national | 0:41:22 | 0:41:27 | |
anthem of the United States of America. | 0:41:27 | 0:41:29 | |
So, one way or another, we have a little American corner and there's | 0:41:29 | 0:41:33 | |
that link back to our chime machine and the tunes that it plays. | 0:41:33 | 0:41:37 | |
-Fabulous. Well, thank you. -Yeah, thank you so much. | 0:41:37 | 0:41:39 | |
Thank you for coming. Good to see you, James. | 0:41:39 | 0:41:42 | |
-You must come again. -Thank you. -Yes, fantastic building. | 0:41:42 | 0:41:45 | |
Meanwhile, Patrick and Margie are still searching high and low | 0:41:45 | 0:41:49 | |
for treasure to take to auction. | 0:41:49 | 0:41:52 | |
-How tall are you? -5' 11". | 0:41:52 | 0:41:55 | |
-You look bigger. -Thank you very kindly, ma'am. -Cos I'm about 5' 9". | 0:41:55 | 0:41:58 | |
-I know. You're a tall lass. -Yeah. | 0:41:58 | 0:42:00 | |
Their next stop is a stone's throw from the Cathedral | 0:42:00 | 0:42:03 | |
and a shop with 40 dealers - Fab And Faded. | 0:42:03 | 0:42:06 | |
That's not the dealers, it's the name of the shop. | 0:42:06 | 0:42:09 | |
-Well, this looks all right. -It looks very, very nice. | 0:42:09 | 0:42:11 | |
It does look very nice. | 0:42:11 | 0:42:14 | |
And Dudley's the man in charge. Hello, Dud. | 0:42:14 | 0:42:17 | |
-Margie. -Hello. -Dudley, hi. -Patrick. -All right, Patrick. Nice to see you. | 0:42:17 | 0:42:21 | |
-Very nice. Can we have a look round? -Help yourself. | 0:42:21 | 0:42:23 | |
-If you need any help just give me a shout. -Thank you. | 0:42:23 | 0:42:25 | |
Thank you very much. | 0:42:25 | 0:42:26 | |
Patrick and Margie have £229 left to spend | 0:42:26 | 0:42:29 | |
and there are two floors of cabinets to rummage through. | 0:42:29 | 0:42:32 | |
Wow. You're loving this, aren't you? | 0:42:32 | 0:42:35 | |
I actually am. | 0:42:35 | 0:42:37 | |
Because I'm not really keen on shopping | 0:42:37 | 0:42:39 | |
-but looking for various things that could... -Collectables. | 0:42:39 | 0:42:43 | |
..produce quite a decent amount of cash...is quite interesting. | 0:42:43 | 0:42:48 | |
-Yeah. -You know. Oh. -What have we found? -Model cars in the boxes. | 0:42:48 | 0:42:53 | |
-Model cars in the boxes. -Yes, | 0:42:53 | 0:42:55 | |
not the big ones but the little, old ones. | 0:42:55 | 0:42:58 | |
-Look at that. -They're not old. £2.50 each. | 0:42:58 | 0:43:03 | |
No, they're not £2.50 each. | 0:43:03 | 0:43:05 | |
-HE GASPS -They are £2.50 each. | 0:43:05 | 0:43:07 | |
Cos they're not very old. | 0:43:07 | 0:43:08 | |
At least he's trying. | 0:43:08 | 0:43:10 | |
But ever-observant Margie has an item in her sights. | 0:43:10 | 0:43:14 | |
At the bottom of the stairs, | 0:43:14 | 0:43:15 | |
on the right-hand side, | 0:43:15 | 0:43:17 | |
there's a whacking pair of old Victorian industrial bellows. | 0:43:17 | 0:43:22 | |
What do you mean a whacking pair? How big? | 0:43:22 | 0:43:24 | |
-Big, like nearly as big as you. -Stop it! | 0:43:24 | 0:43:29 | |
At 5' 11", that's big. | 0:43:29 | 0:43:31 | |
-Yes, let's see this big bellows. -Amazing. | 0:43:31 | 0:43:34 | |
-Are they as big as you? -Yes. | 0:43:34 | 0:43:36 | |
-You're right. It's as big as me. -What would one do with them? | 0:43:36 | 0:43:40 | |
-Oh, my gosh. -I wonder what they were used for. -Wow. | 0:43:42 | 0:43:46 | |
I wonder if it's something to do with the pottery business. | 0:43:46 | 0:43:49 | |
The big bellows have a rather large ticket price of £250, | 0:43:49 | 0:43:54 | |
some £20 more than what these two have left in the kitty. | 0:43:54 | 0:43:58 | |
-It's a funny old thing, isn't it? -I like it. | 0:43:58 | 0:44:01 | |
But I think the stencilling is probably later. | 0:44:01 | 0:44:04 | |
I like it cos it is a funny old thing. | 0:44:04 | 0:44:06 | |
Just thinking about it actually working. | 0:44:06 | 0:44:09 | |
-Yeah. -Even though it may be very crispy leather. | 0:44:09 | 0:44:13 | |
God forbid it didn't sell. | 0:44:13 | 0:44:16 | |
I know. | 0:44:16 | 0:44:19 | |
Can you get it in your car? | 0:44:19 | 0:44:20 | |
THEY LAUGH | 0:44:20 | 0:44:23 | |
-It happens. -No, I'm sure. | 0:44:24 | 0:44:28 | |
-OK, well, I will be advised by you. -Be a man and make the decision. | 0:44:28 | 0:44:34 | |
Easy, killer! | 0:44:34 | 0:44:36 | |
It will be up to you. It depends what we can get it for. | 0:44:36 | 0:44:39 | |
Do you like it? | 0:44:39 | 0:44:40 | |
And that depends on Dudley. | 0:44:40 | 0:44:42 | |
Right, are we having it or are we not having it? | 0:44:42 | 0:44:45 | |
-What were you thinking? -I was thinking of 100 quid. -Go on, then. | 0:44:45 | 0:44:48 | |
That was easy. | 0:44:48 | 0:44:50 | |
Are we buying it? | 0:44:50 | 0:44:51 | |
SHE LAUGHS | 0:44:51 | 0:44:52 | |
-I must be mad. -Thank you, Dudley. -Cheers. | 0:44:53 | 0:44:55 | |
I mean, that is so un-me I can't tell you. | 0:44:55 | 0:44:59 | |
Margie! Yes! | 0:44:59 | 0:45:04 | |
He's very excitable. These actors, you know. | 0:45:05 | 0:45:09 | |
Steady on. | 0:45:09 | 0:45:10 | |
Bagging those bellows certainly has Patrick all fired up. | 0:45:10 | 0:45:14 | |
-You can pay for it and carry it out now. -OK. -Cos you look a big lad. | 0:45:14 | 0:45:18 | |
Margie seems to rather enjoy having a man of muscle in tow. | 0:45:18 | 0:45:22 | |
Thank you. | 0:45:22 | 0:45:24 | |
Thank you, sir. Thank you for my bellows. My giant bellows. | 0:45:24 | 0:45:28 | |
Patrick and Margie have sealed their sixth deal of the road trip, | 0:45:28 | 0:45:33 | |
reduced from 250 to £100. | 0:45:33 | 0:45:36 | |
Shopping complete, it's time for the teams to compare treasures. | 0:45:36 | 0:45:39 | |
-What a fabulous trip. -Yeah. -What a majestic setting. | 0:45:39 | 0:45:42 | |
-Anyway. -Absolutely. -One, two, three. | 0:45:42 | 0:45:45 | |
ALL: Ooh! | 0:45:46 | 0:45:48 | |
-My favourite. -My favourite... -That's my favourite. | 0:45:48 | 0:45:53 | |
Daffs for Taffs. | 0:45:53 | 0:45:54 | |
-Does this make you feel uneasy? -Daffs for Taffs. -That is lovely. | 0:45:54 | 0:45:57 | |
-Oh, I'd like that. That's really nice. Bronze? -Bronze. -Bronze. | 0:45:57 | 0:46:02 | |
Feel the weight, if you wish. | 0:46:02 | 0:46:04 | |
-Never mind the quality, feel the weight. -Oh, here. -Feel the weight. | 0:46:04 | 0:46:07 | |
-Any chipping on your enamel, sir? -None. | 0:46:07 | 0:46:10 | |
Very pleased to say none. Any chipping! How rude. | 0:46:10 | 0:46:14 | |
-It sounds like a village in Cornwall. -How rude. Come on! | 0:46:14 | 0:46:17 | |
-Very nice. -Show us yours. | 0:46:17 | 0:46:19 | |
Reveal, Margie. | 0:46:19 | 0:46:21 | |
Oh! Look at this! Blimey. Job lots as well. | 0:46:21 | 0:46:26 | |
-Is that pewter? -Yeah, it is. I think pewter might be making its way back. | 0:46:26 | 0:46:31 | |
-Do you? -Were going to ratchet that business now. | 0:46:31 | 0:46:35 | |
It's big in Cardiff, I hear. Pewter, big in Cardiff. I like your urns. | 0:46:35 | 0:46:40 | |
-PATRICK: -I love those. I couldn't resist. | 0:46:40 | 0:46:42 | |
-They've had a hard life. -Yeah. | 0:46:42 | 0:46:44 | |
-And how much were they? -Oh... | 0:46:44 | 0:46:47 | |
20 quid. | 0:46:47 | 0:46:48 | |
-They weren't 20 quid. -20. -Each? -No. | 0:46:48 | 0:46:52 | |
-No. -Tenner each. -That's a very good buy. | 0:46:52 | 0:46:56 | |
The biggie's still to come, though. | 0:46:56 | 0:46:59 | |
-I think here should be all right. -Yeah. -Can we open our eyes? | 0:46:59 | 0:47:02 | |
-Yeah, you can. -Yes. -You can. | 0:47:02 | 0:47:03 | |
Blimey! | 0:47:03 | 0:47:05 | |
Ta-da! | 0:47:05 | 0:47:08 | |
-That is... That is a pair of bellows. -Most religiously, sir. | 0:47:08 | 0:47:12 | |
-CHRISTOPHER: -Would look quite cool over a big... | 0:47:12 | 0:47:14 | |
in a large room over an inglenook fireplace. | 0:47:14 | 0:47:17 | |
- Someone's going to want it. - Yes, they are. | 0:47:17 | 0:47:20 | |
-And how much did you pay for that? -100. -100? 100? -Yeah. | 0:47:20 | 0:47:23 | |
-That's good. It's lovely. Blimey. -Well done, you two. | 0:47:23 | 0:47:26 | |
-Well done, all. -Let's wait and see what happens. | 0:47:26 | 0:47:29 | |
-CHRISTOPHER: -I'm really impressed. | 0:47:29 | 0:47:31 | |
-Seriously impressed. -Come on. -Yeah. | 0:47:31 | 0:47:34 | |
Good haul, people. Good haul. | 0:47:34 | 0:47:37 | |
All very polite but what do they really think? | 0:47:37 | 0:47:40 | |
-Ours stuff's pretty good, don't you think? -I think... I reckon... | 0:47:40 | 0:47:44 | |
-I think... -Our stuff's really good. | 0:47:44 | 0:47:46 | |
Apart from big Bertha the bellows... | 0:47:46 | 0:47:49 | |
-Oh, come on, man, that's a great laugh. -If that goes wrong... | 0:47:49 | 0:47:52 | |
-I think the bellows are brilliant. -They are good, aren't they? | 0:47:52 | 0:47:56 | |
-And the milk bowl, well... -I thought it was... -Yeah. | 0:47:56 | 0:48:01 | |
-Well, I didn't think it was what it was. -No, I just... | 0:48:01 | 0:48:04 | |
-I thought it was a potty. -No, it's a milk pan. | 0:48:04 | 0:48:06 | |
-The fight is on, isn't it? -The fight is on. | 0:48:06 | 0:48:09 | |
-It is on. -It is going to be a fight, don't you think? | 0:48:09 | 0:48:11 | |
-Yeah, and it's coming to us very soon. -Yes. | 0:48:11 | 0:48:14 | |
As soon as you get to the auction. | 0:48:14 | 0:48:15 | |
The teams have taken in a 220-mile road trip | 0:48:15 | 0:48:19 | |
starting in the Wye Valley, | 0:48:19 | 0:48:21 | |
skirting around the Malvern Hills | 0:48:21 | 0:48:23 | |
before crossing the River Severn | 0:48:23 | 0:48:25 | |
heading into Glamorganshire | 0:48:25 | 0:48:27 | |
and to Cardiff, | 0:48:27 | 0:48:29 | |
largest city in Wales. | 0:48:29 | 0:48:31 | |
It was crowned the capital in 1955. | 0:48:31 | 0:48:34 | |
I've been lucky because Christopher is a real enthusiast. | 0:48:34 | 0:48:39 | |
I've seriously enjoyed the two days buying | 0:48:39 | 0:48:42 | |
but I'm doubly excited about this. Really, really excited. | 0:48:42 | 0:48:46 | |
I think Patrick, the same. | 0:48:46 | 0:48:47 | |
Yeah, he's enjoying it and we've had a lot of fun. | 0:48:47 | 0:48:50 | |
PATRICK: I quite liked... The buying was fab. | 0:48:50 | 0:48:52 | |
But how auction-experienced are you in relation to Cardiff? At all? | 0:48:52 | 0:48:57 | |
I have never been to an auction. | 0:48:57 | 0:49:00 | |
Well, you're in for a treat today. | 0:49:00 | 0:49:01 | |
Our teams' treasures are going under the hammer at Rogers Jones | 0:49:01 | 0:49:05 | |
and the man with the gavel is Ben Rogers Jones. | 0:49:05 | 0:49:08 | |
So, what does he think of our celebrities' haul? | 0:49:08 | 0:49:11 | |
Well, the bellows, we call items like that antique slugs. | 0:49:11 | 0:49:15 | |
We call them antique slugs because every time they move, | 0:49:15 | 0:49:18 | |
they leave a trail of mess on the floor. | 0:49:18 | 0:49:20 | |
The bamboo table, if that is shabby chic | 0:49:20 | 0:49:23 | |
it's got a severe leaning towards shabby, I'm afraid. | 0:49:23 | 0:49:26 | |
We might struggle with that one as well. The measure's quite nice. | 0:49:26 | 0:49:30 | |
Quite a nice novelty piece of silver. Quite a reliable market. | 0:49:30 | 0:49:33 | |
The mechanical silver card case, that's quite nice. | 0:49:33 | 0:49:36 | |
Again, collectable silver in small form is doing well | 0:49:36 | 0:49:40 | |
and I would expect that to make between £40 and £60. | 0:49:40 | 0:49:44 | |
A nice item. | 0:49:44 | 0:49:45 | |
Christopher and James set off with £400 and spent £215 on five lots. | 0:49:47 | 0:49:51 | |
I've put on ten years. Ten years. | 0:49:53 | 0:49:54 | |
Patrick and Margie spent £271 but have a total of six lots. | 0:49:57 | 0:50:02 | |
Margie! | 0:50:02 | 0:50:03 | |
Well, it's time for our teams to take their seats. | 0:50:05 | 0:50:08 | |
There's plenty of interest in the sale room and online, too. | 0:50:08 | 0:50:11 | |
You may turn over your exam sheet now. | 0:50:11 | 0:50:13 | |
Patrick and Margie's solid silver spirit measure is up first. | 0:50:13 | 0:50:18 | |
So, I'm straight in at £60. | 0:50:18 | 0:50:20 | |
At £60. Is there 5? At £60... | 0:50:20 | 0:50:23 | |
That's profit. | 0:50:23 | 0:50:24 | |
70. At 70. | 0:50:24 | 0:50:26 | |
At 75, 80. £80. Is there 5? | 0:50:26 | 0:50:28 | |
80 is on the book. Any advance? | 0:50:28 | 0:50:31 | |
Last call, then, at £80. | 0:50:31 | 0:50:32 | |
Hammer's up. | 0:50:32 | 0:50:34 | |
Hey, a £40 profit. | 0:50:34 | 0:50:35 | |
They doubled their money. | 0:50:35 | 0:50:37 | |
That's Patrick and Margie off to a great start. | 0:50:37 | 0:50:40 | |
Well done. Well done. | 0:50:40 | 0:50:42 | |
Next up, another piece of silver - | 0:50:43 | 0:50:45 | |
the first lot from Chris and James. | 0:50:45 | 0:50:47 | |
I'm straight in at £32. Is there 5? | 0:50:47 | 0:50:50 | |
35, 38. | 0:50:50 | 0:50:51 | |
40, 42. | 0:50:51 | 0:50:53 | |
£42 on the book. | 0:50:53 | 0:50:54 | |
-Dignity. Dignity at all times. -Come on. | 0:50:54 | 0:50:57 | |
50, even better. At £50. | 0:50:57 | 0:50:59 | |
55. 55. New bidder now. | 0:50:59 | 0:51:02 | |
55. 55. One more. | 0:51:02 | 0:51:05 | |
60. 60. £60. Is there 5? | 0:51:05 | 0:51:08 | |
All done at £60. | 0:51:08 | 0:51:10 | |
Going to wrap it up, then. | 0:51:10 | 0:51:13 | |
A £25 profit. | 0:51:13 | 0:51:15 | |
Now, now, dignity at all times. | 0:51:15 | 0:51:18 | |
Yes! | 0:51:18 | 0:51:19 | |
Patrick and Margie's locket and brooch are up next. | 0:51:22 | 0:51:25 | |
Some haggling lowered the purchase price to £51. | 0:51:25 | 0:51:28 | |
£40. 40. | 0:51:28 | 0:51:30 | |
Start me at 30. | 0:51:30 | 0:51:32 | |
Oh, dear. | 0:51:32 | 0:51:33 | |
£30. At 30. £30, is... | 0:51:33 | 0:51:35 | |
35. 35 online. | 0:51:35 | 0:51:37 | |
Is there 40? 40, sir. 40. | 0:51:37 | 0:51:39 | |
Put it down. Put it down. | 0:51:39 | 0:51:40 | |
40... 5, just in time. | 0:51:40 | 0:51:42 | |
-45, 50. -Oh, no. | 0:51:42 | 0:51:44 | |
-At 50. -Put it down. | 0:51:44 | 0:51:46 | |
-Everybody done. -I'd put it down. -Oh. -£50. | 0:51:46 | 0:51:50 | |
They almost broke even. Just £1 shy of the purchase price. | 0:51:50 | 0:51:54 | |
At least the first loss of the day is a small one. | 0:51:54 | 0:51:56 | |
-That's a disappointment. -That went too high, anyway. | 0:51:56 | 0:52:00 | |
Next, Chris and James's milk bowl. | 0:52:00 | 0:52:04 | |
I'm straight in above estimate. | 0:52:04 | 0:52:06 | |
It's £12. At 12. | 0:52:06 | 0:52:08 | |
Is there 15? | 0:52:08 | 0:52:09 | |
At 12. 15. 18 with me. | 0:52:09 | 0:52:11 | |
£18. At £18 on the book. | 0:52:11 | 0:52:13 | |
-Dignity. -Keep going. -Dignity. | 0:52:13 | 0:52:16 | |
-AUCTIONEER: -£18 with me. | 0:52:16 | 0:52:17 | |
Is everybody done? | 0:52:17 | 0:52:18 | |
At £18 and the hammer's up. £18. | 0:52:18 | 0:52:22 | |
A loss of two pounds. | 0:52:22 | 0:52:23 | |
Both teams have had profitable and losing lots. | 0:52:23 | 0:52:26 | |
But Margie and Patrick are in the lead. | 0:52:26 | 0:52:28 | |
Say nothing. Say nothing. Just let them comment. | 0:52:28 | 0:52:32 | |
The pewter tea set is up next. | 0:52:32 | 0:52:34 | |
It caught Patrick's eye. | 0:52:34 | 0:52:36 | |
Margie needed some convincing, even at £35. | 0:52:36 | 0:52:40 | |
£40. 40. | 0:52:40 | 0:52:42 | |
Bid me 40. | 0:52:42 | 0:52:43 | |
30. | 0:52:45 | 0:52:46 | |
-20. -£30. | 0:52:47 | 0:52:48 | |
20 if you like. £20. Is there 5? | 0:52:50 | 0:52:52 | |
At 20. £20. Is there 5? | 0:52:52 | 0:52:54 | |
Twos if you like. | 0:52:54 | 0:52:56 | |
-You've got 20. -At 20. All done now at £20. £20. | 0:52:56 | 0:53:00 | |
Oh, sold for £20. That's a loss of £15. | 0:53:00 | 0:53:04 | |
Perhaps Patrick should have listened to Margie after all. | 0:53:04 | 0:53:08 | |
Too late now. | 0:53:08 | 0:53:10 | |
Next up is the silver compact. | 0:53:10 | 0:53:12 | |
James loved the daffodil design. | 0:53:12 | 0:53:14 | |
Welsh-born Christopher thought it would do well in Wales. | 0:53:14 | 0:53:18 | |
I'm still uncertain about those daffs. It's a gamble at £75. | 0:53:18 | 0:53:21 | |
Will it pay off? | 0:53:21 | 0:53:23 | |
Start me at 50. | 0:53:23 | 0:53:24 | |
50. Thank you. Is there 5? | 0:53:24 | 0:53:26 | |
55. 60. | 0:53:26 | 0:53:29 | |
65. 70. | 0:53:29 | 0:53:31 | |
£70. Is there 5? | 0:53:31 | 0:53:33 | |
75. | 0:53:33 | 0:53:34 | |
80, 85, 90. | 0:53:34 | 0:53:36 | |
(Keep going.) | 0:53:36 | 0:53:38 | |
95, 100. | 0:53:38 | 0:53:40 | |
Oh, hello! | 0:53:40 | 0:53:41 | |
110, 120. | 0:53:41 | 0:53:43 | |
(Oh, lovely.) | 0:53:43 | 0:53:44 | |
£120. | 0:53:44 | 0:53:46 | |
At £120, is everybody done? | 0:53:46 | 0:53:48 | |
£120. | 0:53:48 | 0:53:49 | |
Yes! | 0:53:49 | 0:53:51 | |
The gavel's down at £120. | 0:53:51 | 0:53:53 | |
That's a super £45 profit. | 0:53:53 | 0:53:56 | |
How DAFF's that? | 0:53:56 | 0:53:58 | |
-That'll do us. Daffodils. -Very pleased for you. | 0:53:58 | 0:54:01 | |
Smug One and Smug Two. | 0:54:01 | 0:54:02 | |
I'm loving that. | 0:54:04 | 0:54:06 | |
Patrick and Margie on catch-up now. | 0:54:06 | 0:54:08 | |
Hopefully there are some collectors keen on in the next item - | 0:54:08 | 0:54:11 | |
the last rites crucifix. | 0:54:11 | 0:54:13 | |
I've got 20 to start. Is there 5? | 0:54:13 | 0:54:15 | |
£20, come on. | 0:54:15 | 0:54:16 | |
5. 30 with me. | 0:54:16 | 0:54:18 | |
Is there 5? 5. 40. | 0:54:18 | 0:54:20 | |
5. 50. 5. 60. | 0:54:20 | 0:54:22 | |
Oh, hey. | 0:54:22 | 0:54:23 | |
-5. 70. -Oh, my goodness. | 0:54:23 | 0:54:24 | |
75. Is there 80? | 0:54:24 | 0:54:26 | |
At £75. 80 anywhere? | 0:54:26 | 0:54:28 | |
£75. Is there 80? | 0:54:28 | 0:54:30 | |
-At £75. -That guy was right. -All done. | 0:54:30 | 0:54:32 | |
£75. | 0:54:32 | 0:54:34 | |
Hey, that's a bit of OK. | 0:54:34 | 0:54:37 | |
A healthy profit of £50. | 0:54:37 | 0:54:40 | |
-You're back in the game. -Back in profit. | 0:54:40 | 0:54:43 | |
-Are we back in the room? -Back in the room. -Back in the room. | 0:54:43 | 0:54:45 | |
James fell in love with this table, | 0:54:47 | 0:54:49 | |
despite the damage - bought for £25. | 0:54:49 | 0:54:52 | |
Well, there's not an awful lot I can say about this. | 0:54:52 | 0:54:54 | |
It's...it is a standing up... | 0:54:54 | 0:54:56 | |
-LAUGHTER -Well, I don't...! | 0:54:56 | 0:54:58 | |
-20. £20. -£20. | 0:54:58 | 0:55:01 | |
-£20. -Straight in there. -Bid me 10. | 0:55:01 | 0:55:04 | |
A fiver. | 0:55:05 | 0:55:07 | |
-5. I've got a 5 online. £5. -Thank you. | 0:55:07 | 0:55:11 | |
-8 anybody? At 5. -Hammer's up. | 0:55:11 | 0:55:14 | |
-All done. £5. -£5. -Don't book a cruise, as my dad would say. | 0:55:14 | 0:55:18 | |
We've been robbed. | 0:55:18 | 0:55:19 | |
Chris and James's table was more boo than bam. | 0:55:19 | 0:55:23 | |
Sold for a £20 loss. | 0:55:23 | 0:55:25 | |
-So obviously... -I'm very sorry. -No, you're not. No, you're not. | 0:55:25 | 0:55:28 | |
Bad luck, but you've still got one more lot to go | 0:55:29 | 0:55:32 | |
to claw back some cash. | 0:55:32 | 0:55:33 | |
Patrick's pair of Victorian copper and brass tea urns are up next. | 0:55:33 | 0:55:37 | |
Bought for £10 each. | 0:55:37 | 0:55:39 | |
- 15. - Look! | 0:55:39 | 0:55:41 | |
20. | 0:55:41 | 0:55:42 | |
Bid me 30. 30. | 0:55:43 | 0:55:44 | |
At 30 in the room. At £30. Is there 5? | 0:55:46 | 0:55:49 | |
At 30. At £30. Is there 5? | 0:55:49 | 0:55:51 | |
35. Is there 40, sir? £35. | 0:55:51 | 0:55:54 | |
At 35, is everybody done? | 0:55:54 | 0:55:56 | |
£35. | 0:55:56 | 0:55:58 | |
This couple of characterful urns | 0:55:58 | 0:56:00 | |
have URN-ed Patrick a pretty profit of £15. | 0:56:00 | 0:56:04 | |
Well, it was better than nothing. | 0:56:05 | 0:56:07 | |
And it keeps them in front. | 0:56:07 | 0:56:09 | |
Now it's Patrick and Margie's final lot - | 0:56:11 | 0:56:14 | |
the Victorian elm and leather bellows. | 0:56:14 | 0:56:17 | |
£50. 50. | 0:56:17 | 0:56:20 | |
50. | 0:56:20 | 0:56:22 | |
-Start me at 30. -Oh, God! | 0:56:22 | 0:56:24 | |
£30. | 0:56:24 | 0:56:26 | |
20. | 0:56:26 | 0:56:27 | |
Oh, dear. | 0:56:27 | 0:56:28 | |
We've got some muscle here. Don't worry, we'll get it in your car. | 0:56:28 | 0:56:31 | |
£20. Online, the bid. | 0:56:31 | 0:56:32 | |
That's the last call, then. I hope they don't want it posting. | 0:56:32 | 0:56:35 | |
-That's £20. Everybody done? -Oh, that's ridiculous. | 0:56:35 | 0:56:39 | |
Patrick may have loved them but it's an £80 loss. | 0:56:39 | 0:56:43 | |
At least it sold. | 0:56:43 | 0:56:45 | |
Very cruel. | 0:56:45 | 0:56:46 | |
The winner of this road trip will be decided by the hammer price | 0:56:48 | 0:56:51 | |
of Chris and James's 19th-century bronze lamp base. | 0:56:51 | 0:56:55 | |
Nice. £60. 60. | 0:56:55 | 0:56:58 | |
-60. -Go on. Go on. | 0:56:58 | 0:57:00 | |
£50. | 0:57:00 | 0:57:03 | |
50. Thank you, sir. £50. Is there 5? | 0:57:03 | 0:57:06 | |
At 50. At 50. | 0:57:06 | 0:57:07 | |
Nice piece at £50. 5 anywhere? | 0:57:07 | 0:57:09 | |
At 50. At 50. | 0:57:09 | 0:57:10 | |
Where's 5 now? At 50. Is there 5? | 0:57:10 | 0:57:13 | |
£50. Is there 5? £50. | 0:57:13 | 0:57:15 | |
Doesn't matter. | 0:57:15 | 0:57:17 | |
All done at £50. The hammer's up now. | 0:57:17 | 0:57:20 | |
£50. | 0:57:20 | 0:57:21 | |
A loss of £10, but it sounds like James has done the maths. | 0:57:23 | 0:57:28 | |
James, did you lose money on that? | 0:57:28 | 0:57:30 | |
We did. | 0:57:30 | 0:57:32 | |
But it doesn't really matter. | 0:57:32 | 0:57:34 | |
-It's doesn't matter because we had the bellows. -Well done. | 0:57:34 | 0:57:39 | |
-AUCTIONEER: -£70. Is there 2? 70 online... | 0:57:39 | 0:57:42 | |
On there. | 0:57:42 | 0:57:43 | |
Well, the results reveal Patrick and Margie were doing well | 0:57:43 | 0:57:47 | |
until the bellows blew them off course. | 0:57:47 | 0:57:50 | |
After auction costs, they actually lost £41.40, | 0:57:50 | 0:57:54 | |
leaving them with a total of £358.60. | 0:57:54 | 0:57:59 | |
Christopher and James fared only slightly better but came out on top. | 0:57:59 | 0:58:03 | |
After costs, they were out of pocket, too. | 0:58:03 | 0:58:06 | |
But only £7.54, giving them a final total of £392.46. | 0:58:06 | 0:58:13 | |
Well done. | 0:58:13 | 0:58:15 | |
- Congratulations, Christopher, sir. - I don't care about winning. | 0:58:15 | 0:58:19 | |
No, no, no. | 0:58:19 | 0:58:20 | |
-Well done. Well done. -Thank you. -Off we go. -Off we go. | 0:58:20 | 0:58:24 | |
-Bye. -Bye. -Bye. | 0:58:24 | 0:58:27 | |
-CHRISTOPHER: -So, Patrick, how's it been for you? | 0:58:27 | 0:58:29 | |
PATRICK: It's been great. | 0:58:29 | 0:58:31 | |
-It's been fab. -I've had a really nice time. Sorry. | 0:58:31 | 0:58:34 |