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The nation's favourite celebrities... | 0:00:02 | 0:00:03 | |
-We are special then, are we? -Oh, that's excellent. | 0:00:03 | 0:00:06 | |
..paired up with an expert... | 0:00:06 | 0:00:08 | |
We're a very good team, you and me. | 0:00:08 | 0:00:09 | |
..and a classic car. | 0:00:09 | 0:00:11 | |
Their mission? To scour Britain for antiques. | 0:00:11 | 0:00:14 | |
-No idea what it is. -Oh, I love it. -GAVEL BANGS | 0:00:14 | 0:00:17 | |
-The aim? To make the biggest profit at auction. -Yes! | 0:00:17 | 0:00:20 | |
But it's no easy ride. | 0:00:20 | 0:00:22 | |
THEY GASP | 0:00:22 | 0:00:23 | |
There's no accounting for taste. | 0:00:23 | 0:00:25 | |
Who will find a hidden gem? | 0:00:25 | 0:00:28 | |
Who will take the biggest risks? | 0:00:28 | 0:00:30 | |
Will anybody follow expert advice? | 0:00:30 | 0:00:33 | |
-Do you like them? -No. | 0:00:33 | 0:00:35 | |
There will be worthy winners and valiant losers. | 0:00:35 | 0:00:38 | |
-Are you happy? -Yes. -Promise? -Ecstatic. | 0:00:38 | 0:00:40 | |
Time to put your pedal to the metal. | 0:00:40 | 0:00:42 | |
This is Celebrity Antiques Road Trip. | 0:00:42 | 0:00:45 | |
Yeah! | 0:00:47 | 0:00:48 | |
In today's headlines, it's the battle of the broadcasters | 0:00:50 | 0:00:53 | |
with TV legends Sian Williams and Carol Kirkwood. | 0:00:53 | 0:00:58 | |
We go back a long way, don't we? What is it, 15 years? | 0:00:58 | 0:01:02 | |
Golly. It must be longer. | 0:01:02 | 0:01:05 | |
Because I joined the BBC, now, what, 18 years ago. | 0:01:05 | 0:01:09 | |
I went on to Breakfast 17 years ago. | 0:01:09 | 0:01:12 | |
I was there for 11 years, so, yeah. | 0:01:12 | 0:01:14 | |
Our celebrity gal pals will be on the front line | 0:01:14 | 0:01:17 | |
of the antiques trail. | 0:01:17 | 0:01:19 | |
Armed with £400 each to spend, the forecast is looking great. | 0:01:19 | 0:01:23 | |
THEY GIGGLE | 0:01:23 | 0:01:24 | |
In a career spanning over 30 years, Sian is best known as | 0:01:26 | 0:01:29 | |
a news journalist and, for over a decade, | 0:01:29 | 0:01:32 | |
was the face everyone wanted to wake up to on BBC Breakfast. | 0:01:32 | 0:01:35 | |
She's interviewed everyone from movie stars to world leaders. | 0:01:35 | 0:01:38 | |
-It's not going to rewrite the Budget, Mr Cameron. -Why not? | 0:01:38 | 0:01:41 | |
Doesn't he look young! | 0:01:41 | 0:01:42 | |
She's been at the forefront of breaking news. | 0:01:42 | 0:01:45 | |
So this antiques malarkey should be a walk in the park. | 0:01:45 | 0:01:48 | |
I find antiques shops quite intimidating, actually, | 0:01:48 | 0:01:51 | |
because I don't know what I should be looking for. | 0:01:51 | 0:01:54 | |
I don't know what I should be paying for the things I quite like | 0:01:54 | 0:01:57 | |
but I don't know whether they're antiques or not. | 0:01:57 | 0:01:59 | |
It all seems quite overwhelming. | 0:01:59 | 0:02:01 | |
In the end, you'll go for something you like. | 0:02:01 | 0:02:04 | |
There's no point buying something you think's going to sell | 0:02:04 | 0:02:07 | |
if you don't like it. | 0:02:07 | 0:02:08 | |
But at least she's in good company. | 0:02:08 | 0:02:11 | |
Beside her in the passenger seat is fellow broadcasting veteran, | 0:02:13 | 0:02:16 | |
and everyone's favourite daredevil weather girl, Carol Kirkwood. | 0:02:16 | 0:02:20 | |
I'm still too scared to look...down! | 0:02:20 | 0:02:22 | |
She's famous for predicting and battling the elements, | 0:02:22 | 0:02:26 | |
all the while sporting a smile that could melt an ice cream | 0:02:26 | 0:02:28 | |
faster than the sun on a hot summer's day. | 0:02:28 | 0:02:31 | |
What I would really like to look for would be blingy things, | 0:02:31 | 0:02:35 | |
sparkly things, glamorous things. | 0:02:35 | 0:02:38 | |
I love chandeliers, like you see in Versailles. | 0:02:38 | 0:02:42 | |
Hm. How much money does she think she has to spend? | 0:02:42 | 0:02:45 | |
That said, two such classy girls deserve a classy car. | 0:02:46 | 0:02:50 | |
A 1989 Jaguar XJS, to be precise. | 0:02:50 | 0:02:53 | |
This reminds me of that Bridget Jones movie. | 0:02:53 | 0:02:56 | |
The sun is out, you and me in the countryside in an open-top car. | 0:02:56 | 0:03:00 | |
All we need is Hugh Grant and Colin Firth. | 0:03:00 | 0:03:02 | |
Sorry to disappoint, girls, hah! | 0:03:02 | 0:03:03 | |
Today's expert auctioneers, Charlie Ross and Charlie Hanson, | 0:03:04 | 0:03:07 | |
are lovable. | 0:03:07 | 0:03:09 | |
THEY LAUGH | 0:03:09 | 0:03:11 | |
But not quite rom-com material. | 0:03:11 | 0:03:14 | |
They are, however, extremely excited about meeting their leading ladies. | 0:03:14 | 0:03:18 | |
I think a cheery smile, a great warmth, that warmth, | 0:03:18 | 0:03:21 | |
that warm front is here today, Charlie. | 0:03:21 | 0:03:24 | |
-The number of times I've woken up to Sian and Carol. -She's a headliner. | 0:03:24 | 0:03:28 | |
Easy, tiger! | 0:03:28 | 0:03:29 | |
Try to keep your minds on the competition here, fellas. | 0:03:29 | 0:03:32 | |
I don't think I've ever beaten you. Have I ever beaten you? | 0:03:32 | 0:03:35 | |
-No, you never have. -Look at me. Have I ever beaten you? | 0:03:35 | 0:03:37 | |
Charlie, in four years of Road Tripping, | 0:03:37 | 0:03:39 | |
I have never lost to my elder statesman. | 0:03:39 | 0:03:41 | |
Who will emerge victorious remains to be seen. | 0:03:43 | 0:03:46 | |
All that's certain for now is the 1974 Triumph they're driving. | 0:03:46 | 0:03:50 | |
Today's journey commences | 0:03:52 | 0:03:54 | |
in the picturesque village of Battlesbridge. | 0:03:54 | 0:03:57 | |
On this Antiques Road Trip, we're travelling through Essex | 0:03:57 | 0:04:00 | |
before ending up at an auction in Cirencester in the Cotswolds. | 0:04:00 | 0:04:03 | |
-Oh, it's Charlie! -And Charles. -And Charles. | 0:04:08 | 0:04:12 | |
BOTH EXPERTS: Hello! | 0:04:12 | 0:04:13 | |
Hi. That's it, Charlie, just guide them in. Great wheel turn. | 0:04:13 | 0:04:16 | |
Towards me, Sian. Come to me, Sian. | 0:04:16 | 0:04:18 | |
SIAN: There is a post in the way. | 0:04:18 | 0:04:20 | |
Nice to meet you. How are you, OK? | 0:04:20 | 0:04:23 | |
Now, Carol, I'm going to be practising my Scottish accent. | 0:04:23 | 0:04:27 | |
-Oh, no! -I'm going to go with Carol, | 0:04:27 | 0:04:29 | |
then she can be really cross with me when I try to say, | 0:04:29 | 0:04:32 | |
-(SCOTTISH ACCENT) Hello, Carol. -Anyway! So... | 0:04:32 | 0:04:35 | |
Oh, Charlie Ross, I'm so overwhelmed! | 0:04:35 | 0:04:38 | |
I knew it wouldn't work. | 0:04:38 | 0:04:39 | |
Carol, come back again. | 0:04:39 | 0:04:41 | |
Come on. Let's go shopping. Sian. | 0:04:41 | 0:04:43 | |
-Well, we'll be the cooler pairing. -THEY LAUGH | 0:04:43 | 0:04:47 | |
There's a first time for everything, Charles. | 0:04:47 | 0:04:49 | |
With £400 burning a hole in both teams' pockets, | 0:04:49 | 0:04:53 | |
it's full speed ahead. | 0:04:53 | 0:04:55 | |
Right, Carol. Shopping... | 0:04:55 | 0:04:57 | |
Do walk past, after you. Up the stairs, | 0:04:57 | 0:04:59 | |
right to the top of the building. | 0:04:59 | 0:05:01 | |
Their first shop, Battlesbridge Antiques Centre, | 0:05:03 | 0:05:06 | |
has a wealth of wares. But what's the game plan? | 0:05:06 | 0:05:09 | |
This morning, you thought you'd be buying antiques, | 0:05:10 | 0:05:12 | |
what was it you were thinking you want to buy? | 0:05:12 | 0:05:15 | |
-Sparkly things, I think. -Sparkly girl. | 0:05:15 | 0:05:18 | |
And different things, not your run-of-the-mill. | 0:05:18 | 0:05:21 | |
I don't want to go home with a big pile of furniture. | 0:05:21 | 0:05:24 | |
Does rival Sian have such clear ideas about what she wants? | 0:05:24 | 0:05:28 | |
Modern. I quite like a more modern feel. Art Deco-y. | 0:05:28 | 0:05:32 | |
Tactics agreed, next on the boys' agenda, | 0:05:36 | 0:05:39 | |
to woo their leading ladies with some smooth lines. | 0:05:39 | 0:05:42 | |
Like you, it has great style. | 0:05:43 | 0:05:45 | |
Thank you! | 0:05:45 | 0:05:47 | |
It's an oil painting! CAROL LAUGHS | 0:05:47 | 0:05:49 | |
A wonderful picture. | 0:05:49 | 0:05:51 | |
One of the nicest oil paintings I've ever seen. | 0:05:51 | 0:05:53 | |
Aw. You're bonkers, Charlie, come on. | 0:05:53 | 0:05:55 | |
Lucky we're in an antiques shop, Charlie. | 0:05:55 | 0:05:57 | |
I think that line's circa 1950. | 0:05:57 | 0:05:59 | |
But no silver tongue will distract these girls from what they want. | 0:06:01 | 0:06:04 | |
Rustic farmhouse furniture? Not particularly. | 0:06:04 | 0:06:07 | |
A bit of Welsh gold? | 0:06:07 | 0:06:09 | |
SHE SIGHS | 0:06:09 | 0:06:10 | |
Oh, hell fire! I'd better get moving. | 0:06:10 | 0:06:13 | |
Come on, Charles, you're going to have to do better than that | 0:06:13 | 0:06:16 | |
to impress your celebrity. | 0:06:16 | 0:06:18 | |
Sian, I'm looking at those two ladies over there. | 0:06:19 | 0:06:22 | |
Aren't they attractive? | 0:06:22 | 0:06:23 | |
Do you like them? | 0:06:23 | 0:06:25 | |
-No. -No? | 0:06:25 | 0:06:26 | |
Hm. I wonder why! | 0:06:26 | 0:06:29 | |
I don't think I'm going to be buying a statue of a woman wearing | 0:06:29 | 0:06:33 | |
stockings and suspenders, if it's all right with you. | 0:06:33 | 0:06:36 | |
HE MUMBLES Well, yeah, OK... On that note... | 0:06:36 | 0:06:38 | |
-I'll leave you with that one. -It's a shame. | 0:06:38 | 0:06:40 | |
One to remember there, Carlos! | 0:06:40 | 0:06:42 | |
Upstairs, Carol's after glitz and glamour. | 0:06:45 | 0:06:48 | |
Oh, look at this, Charlie. Ooh, is it a commode? | 0:06:50 | 0:06:53 | |
Carol, that is not a commode! | 0:06:53 | 0:06:56 | |
It's a hall seat with a storage compartment. | 0:06:56 | 0:07:00 | |
Oops! I feel a right clot now. | 0:07:00 | 0:07:03 | |
No, no, don't... | 0:07:03 | 0:07:04 | |
I mean, you could use it as a commode. | 0:07:04 | 0:07:06 | |
CAROL LAUGHS It is quite commode-ious. | 0:07:06 | 0:07:09 | |
Let's go, Charlie, come on! | 0:07:09 | 0:07:12 | |
Nice try, though, Carol. | 0:07:12 | 0:07:13 | |
Downstairs, could Sian and Charles finally see eye-to-eye? | 0:07:13 | 0:07:17 | |
-Look at that, isn't that sweet? -That's lovely. | 0:07:17 | 0:07:20 | |
-Now, you've hit it on the head here. -That's lovely, I like these. | 0:07:20 | 0:07:23 | |
They're really nice, and they are made by | 0:07:23 | 0:07:26 | |
a very good factory called Shelley. | 0:07:26 | 0:07:28 | |
Shelly were a really important 1920s factory who evolved | 0:07:28 | 0:07:32 | |
a certain glazed design which reflects Art Deco. | 0:07:32 | 0:07:35 | |
-I love it. -And they're really nice. | 0:07:35 | 0:07:37 | |
-Would that be a good thing to buy? -We could even do a deal. | 0:07:37 | 0:07:40 | |
We could even buy a little sample and put as one lot. | 0:07:40 | 0:07:43 | |
How would you do that? | 0:07:43 | 0:07:45 | |
We could buy a jug, buy the posy holder, the vase, | 0:07:45 | 0:07:48 | |
put the three bits together for one price only. | 0:07:48 | 0:07:50 | |
-They call it doing a deal in the business. -Do they? | 0:07:50 | 0:07:53 | |
What collectors don't like is to see flaking or scratch marks where | 0:07:53 | 0:07:58 | |
something has rubbed against it. | 0:07:58 | 0:07:59 | |
-To me, the rim's in good condition. -Looks all right, doesn't it? -Yeah. | 0:07:59 | 0:08:02 | |
It reads, "From Snowdon, Wales." It's meant to be! | 0:08:02 | 0:08:07 | |
-It's meant to be, it's coming home, via you to an auction. -How lovely. | 0:08:07 | 0:08:11 | |
-That is almost now a must-buy. -That is a must-buy. Yes. | 0:08:11 | 0:08:15 | |
So, possible pottery for Sian and Charles. | 0:08:16 | 0:08:19 | |
Perhaps some retro techno for their rivals. | 0:08:21 | 0:08:23 | |
Ooh. Gosh, look at these computers! | 0:08:25 | 0:08:27 | |
-I remember them when they were first out. -You can't! | 0:08:27 | 0:08:30 | |
No, you're right, I don't! | 0:08:30 | 0:08:31 | |
-I don't remember them at all! -That's a mistake. | 0:08:31 | 0:08:33 | |
Oh, Carol! | 0:08:33 | 0:08:35 | |
But, finally, they've stumbled across something | 0:08:35 | 0:08:37 | |
they can both get excited about. | 0:08:37 | 0:08:39 | |
Look at the books. What do you think of them, Charlie? | 0:08:39 | 0:08:42 | |
Oh, lovely. I like early books. | 0:08:42 | 0:08:45 | |
Jackanapes, by Juliana Horatia Ewing, | 0:08:45 | 0:08:48 | |
illustrations by Randolph Caldecott, famous illustrator. | 0:08:48 | 0:08:52 | |
Now, they are rather fun. | 0:08:52 | 0:08:55 | |
-Do you think we ought to have a look at those? -I think we should. | 0:08:55 | 0:08:58 | |
"The surgeon cannoned against and rebounded from another officer. | 0:08:58 | 0:09:02 | |
"A sallow man, not young, with a face worn | 0:09:02 | 0:09:05 | |
"more by ungentle experiences than by age." Sounds like me! | 0:09:05 | 0:09:09 | |
CAROL LAUGHS | 0:09:09 | 0:09:11 | |
Well, I didn't want to say! | 0:09:11 | 0:09:13 | |
The other thing is, a first edition is quite sexy. | 0:09:13 | 0:09:17 | |
I would say to you, if you could buy these two books for, say, five quid, | 0:09:17 | 0:09:21 | |
I think there's no downside. | 0:09:21 | 0:09:24 | |
You'll make a bit of profit, and you're buying a bit of history. | 0:09:24 | 0:09:28 | |
-We like that, we like a bit of history. -Yes, we like that. | 0:09:28 | 0:09:31 | |
Carol sounds keen. | 0:09:31 | 0:09:33 | |
But, with no ticket, she needs to talk to dealer Tara. | 0:09:33 | 0:09:37 | |
Tara, how much flex do you have in these? | 0:09:37 | 0:09:40 | |
Not as much as you would like me to. | 0:09:40 | 0:09:42 | |
But, because I'd like you guys to win, | 0:09:42 | 0:09:45 | |
-my very, very best would be £8. -For the two? | 0:09:45 | 0:09:49 | |
-For the two. -That sounds good to me. -I mean, frankly... | 0:09:49 | 0:09:52 | |
-Tara. -Oh! She's done it! | 0:09:52 | 0:09:54 | |
A lightning deal from Carol. Who could have forecast that? | 0:09:54 | 0:09:58 | |
You don't hang about, do you? | 0:09:58 | 0:09:59 | |
That's a whole £8 spent on those two books, leaving them with £392. | 0:10:01 | 0:10:06 | |
Meanwhile, Sian has finally found a Shelley vase and posy holder | 0:10:07 | 0:10:11 | |
that she likes, but there's no ticket price. | 0:10:11 | 0:10:13 | |
-OK. The two vases, £30 each. -How much? -£30 each. | 0:10:13 | 0:10:18 | |
-Posy dish, £20. -Aw! | 0:10:18 | 0:10:21 | |
Really? Sorry, sorry. | 0:10:21 | 0:10:23 | |
If you wanted the two, £50 for the vase and the posy dish. | 0:10:23 | 0:10:28 | |
-So these two together would be 50? -Yes. | 0:10:28 | 0:10:30 | |
Do you think - is it worth talking to him? | 0:10:30 | 0:10:33 | |
Do you think he's prepared to budge at all? | 0:10:33 | 0:10:36 | |
Um... | 0:10:36 | 0:10:38 | |
No. If you wanted to take both, he could go to 45 for the two. | 0:10:38 | 0:10:43 | |
I would say the two together, pretty good at £45. | 0:10:43 | 0:10:46 | |
I'd prefer 40, but that's probably pushing it too far. | 0:10:46 | 0:10:49 | |
-So, 45 for those two together. -Yes. | 0:10:49 | 0:10:52 | |
Vicki... | 0:10:52 | 0:10:54 | |
We'll shake your hand, and say, going, going... | 0:10:54 | 0:10:57 | |
-Shake her hand. ..At £45. -Thank you. -No worries. | 0:10:57 | 0:11:00 | |
We're really grateful. I think they're lovely. | 0:11:00 | 0:11:03 | |
Sian and Charles have splashed their cash | 0:11:03 | 0:11:06 | |
on a Shelley Art Deco vase and pottery posy holder for £45. | 0:11:06 | 0:11:10 | |
So, their spending is well underway. | 0:11:10 | 0:11:12 | |
Which is more than can be said for Carol and Charlie. | 0:11:12 | 0:11:14 | |
-We've spent a fortune. -Have you? | 0:11:14 | 0:11:17 | |
Carol has to buy everything she sees, she's very difficult. | 0:11:17 | 0:11:20 | |
She is a hopeless liar, hopeless. Honestly. | 0:11:20 | 0:11:23 | |
Sian's right. Because Carol and Charlie have yet to add | 0:11:23 | 0:11:27 | |
to their £8 Victorian book purchase. | 0:11:27 | 0:11:29 | |
I just haven't seen anything yet that I like. | 0:11:29 | 0:11:32 | |
You will do. Something will grab you. | 0:11:32 | 0:11:34 | |
I will hear a squeal like there's never been before. | 0:11:34 | 0:11:36 | |
And I will come running with my cash. | 0:11:36 | 0:11:39 | |
Oh! But here's something Carol would love. A barometer. | 0:11:39 | 0:11:43 | |
If only she'd found it first. | 0:11:43 | 0:11:46 | |
"Rises for fair or dry. | 0:11:47 | 0:11:50 | |
"Falls for rain or storm." | 0:11:50 | 0:11:52 | |
Shall we have and ask and see? It's £45. What's is worth? | 0:11:52 | 0:11:56 | |
I like it. | 0:11:57 | 0:11:58 | |
If this was...in a London retail store it would be about £95, | 0:11:58 | 0:12:03 | |
and I've seen them on offer there at 95. | 0:12:03 | 0:12:06 | |
In an auction room I think it's worth between 30 and 50. | 0:12:06 | 0:12:10 | |
-But what's it worth to dealer Vicki? -Hello, Vicki. -Hello. | 0:12:10 | 0:12:13 | |
I'm looking at this and thinking, "I don't even know whether it works." | 0:12:13 | 0:12:16 | |
-OK. -Can you tell whether it works? | 0:12:16 | 0:12:19 | |
To be honest, no. | 0:12:19 | 0:12:22 | |
-Sorry. -How much shall we pay you for a barometer that might work or not? | 0:12:22 | 0:12:29 | |
-How much do we have on it? -45. | 0:12:29 | 0:12:33 | |
Absolute best would be 35. | 0:12:33 | 0:12:35 | |
I like it cos it's got a really good look about it and it is Deco. | 0:12:35 | 0:12:40 | |
-30? -Erm... | 0:12:40 | 0:12:43 | |
("Yes", is the word you're looking for.) | 0:12:43 | 0:12:45 | |
OK, go on, then. Yes. | 0:12:45 | 0:12:47 | |
All right. Take a chance. We're going to go with it. | 0:12:47 | 0:12:50 | |
Sian takes a chance, adding the barometer to the Shelley vase | 0:12:51 | 0:12:55 | |
and posy holder, meaning she has now spent a total of £75. | 0:12:55 | 0:12:59 | |
Thanks a lot, we've enjoyed it. | 0:12:59 | 0:13:01 | |
-The car awaits. Bye. -Bye. | 0:13:01 | 0:13:04 | |
Carol and Charlie also bid adieu to Battlesbridge and hit the road. | 0:13:06 | 0:13:10 | |
-And don't spare the horses. -I won't. -Whoo-hoo! | 0:13:10 | 0:13:14 | |
Giving Charlie the perfect opportunity | 0:13:16 | 0:13:18 | |
to get to know his daredevil celebrity a little better. | 0:13:18 | 0:13:21 | |
The scariest thing I've ever done was hang gliding, | 0:13:21 | 0:13:24 | |
and that was for a programme about the weather. | 0:13:24 | 0:13:27 | |
It was really scary. | 0:13:27 | 0:13:28 | |
We were going up with the intention of scooping some cloud | 0:13:28 | 0:13:31 | |
into a jar and measuring the weight of the cloud. | 0:13:31 | 0:13:35 | |
It was terrifying. | 0:13:35 | 0:13:37 | |
We were about five miles high in the sky. | 0:13:37 | 0:13:40 | |
Five miles? Scooping clouds? | 0:13:40 | 0:13:44 | |
With not much between us and eternity. | 0:13:44 | 0:13:47 | |
In keeping with her passion for heights, | 0:13:47 | 0:13:49 | |
Carol and Charlie are off to Stow Maries Aerodrome, | 0:13:49 | 0:13:53 | |
a place that tells the story of the young men who fearlessly defended | 0:13:53 | 0:13:56 | |
our country and, for the first time, the skies during World War I. | 0:13:56 | 0:14:01 | |
Gosh. Half close your eyes and imagine yourself in 1917... | 0:14:01 | 0:14:06 | |
-Gosh. -..and I'm just taking you to your plane. | 0:14:06 | 0:14:10 | |
In 1915, with World War I in full swing in the trenches, the Germans | 0:14:11 | 0:14:16 | |
brought the war to the skies in the form of giant Zeppelin airships. | 0:14:16 | 0:14:20 | |
They were originally used on reconnaissance missions | 0:14:20 | 0:14:23 | |
until January 1915, when they first attacked Britain. | 0:14:23 | 0:14:28 | |
Sadly, this airborne assault was the first of many | 0:14:28 | 0:14:31 | |
and Stow Maries opened the following year. | 0:14:31 | 0:14:34 | |
Carol and Charlie are meeting curator Ivor. | 0:14:34 | 0:14:38 | |
-Welcome to the museum. -Thank you. | 0:14:38 | 0:14:40 | |
We were one of three aerodromes that were set up in 1916 | 0:14:40 | 0:14:45 | |
that were used by 37 Home Defence Squadron, Royal Flying Corps. | 0:14:45 | 0:14:49 | |
These are some of the aerodromes that were dotted around | 0:14:49 | 0:14:53 | |
East Anglia at the time | 0:14:53 | 0:14:55 | |
to defend the northeast and approaches to London from | 0:14:55 | 0:14:59 | |
the Zeppelin raids that plagued the country. | 0:14:59 | 0:15:03 | |
Such giant machines | 0:15:03 | 0:15:04 | |
and bomb attacks had never been seen on British soil, | 0:15:04 | 0:15:07 | |
terrorising its inhabitants and claiming the lives of over 500 people. | 0:15:07 | 0:15:12 | |
There was a huge outcry among the people, | 0:15:12 | 0:15:15 | |
especially in the capital, that they felt they weren't defended. | 0:15:15 | 0:15:19 | |
To be honest, that was probably the truth at the time. | 0:15:19 | 0:15:23 | |
Aviation was still in its infancy and was an unknown world. | 0:15:25 | 0:15:29 | |
In response to these attacks, in tiny planes, our young novice pilots | 0:15:29 | 0:15:33 | |
took to the skies to take on the mighty Zeppelins. | 0:15:33 | 0:15:37 | |
Our first B Flight commander here, Claude Ridley, had been to France, | 0:15:40 | 0:15:44 | |
he'd won the Military Cross and the Distinguished Service Order. | 0:15:44 | 0:15:48 | |
By the time he came here as B Flight commander. | 0:15:48 | 0:15:51 | |
he was just six weeks short of his 20th birthday. | 0:15:51 | 0:15:54 | |
-20! -These guys were pioneers, it was so dangerous. | 0:15:54 | 0:15:58 | |
They had nobody to teach them. | 0:15:58 | 0:15:59 | |
Every time they went up it was the first time somebody had done that. | 0:15:59 | 0:16:03 | |
Young pilots, sometimes with only hours of flying experience, | 0:16:03 | 0:16:07 | |
took to the air. Many didn't even make it past training. | 0:16:07 | 0:16:10 | |
50% of Royal Flying Corps casualties, the whole Corps | 0:16:10 | 0:16:14 | |
during the First World War, were down to flying accidents and not combat. | 0:16:14 | 0:16:19 | |
Despite this, missions continued, | 0:16:22 | 0:16:23 | |
often with recruits learning on the job. | 0:16:23 | 0:16:26 | |
Sadly for many of these fighter pilot pioneers, | 0:16:26 | 0:16:30 | |
life expectancy was short. | 0:16:30 | 0:16:31 | |
There's the thing. | 0:16:36 | 0:16:37 | |
I can't begin to imagine how an 18-year-old, | 0:16:37 | 0:16:39 | |
you're going out in one of them | 0:16:39 | 0:16:41 | |
and knowing that you might not come back. | 0:16:41 | 0:16:44 | |
Over at the mess, World War I enthusiast Russell is waiting, | 0:16:44 | 0:16:48 | |
not with a cup of tea | 0:16:48 | 0:16:50 | |
but something far more useful for keeping warm at 10,000 feet. | 0:16:50 | 0:16:54 | |
Pick that up and just feel the weight of what these guys | 0:16:54 | 0:16:57 | |
would have been wearing. | 0:16:57 | 0:16:59 | |
I've never felt a garment of that weight. | 0:16:59 | 0:17:02 | |
Gosh, that is heavy. | 0:17:02 | 0:17:04 | |
They're flying at 10,000 and 12,000 feet | 0:17:04 | 0:17:06 | |
-and this is the only thing that's going to keep them warm. -Wow. | 0:17:06 | 0:17:09 | |
A Sidcot flying suit for you. | 0:17:11 | 0:17:13 | |
-May I put it on? -Yes. | 0:17:13 | 0:17:14 | |
This is going to be fun. | 0:17:14 | 0:17:16 | |
Come on, Carol, for goodness' sake. | 0:17:18 | 0:17:21 | |
The Zeppelin's halfway across the Channel by now. | 0:17:21 | 0:17:23 | |
-Come on. -How long is this programme? | 0:17:23 | 0:17:26 | |
This clothing, along with goggles, was all that protected | 0:17:27 | 0:17:31 | |
the pilots in open cockpits. | 0:17:31 | 0:17:33 | |
Carol, you look like a polar bear. | 0:17:33 | 0:17:35 | |
We're a long way from the Arctic Circle, | 0:17:35 | 0:17:38 | |
but Russell has one more treat in store. | 0:17:38 | 0:17:40 | |
That's a little bit of history frozen in time. | 0:17:42 | 0:17:45 | |
Russell, this is one of the planes that would actually have been | 0:17:45 | 0:17:48 | |
-used during World War I? -Yes. | 0:17:48 | 0:17:50 | |
It's an SE5, typical type of aircraft that would have been | 0:17:50 | 0:17:53 | |
flown from here. | 0:17:53 | 0:17:54 | |
This is a single seater, so you wouldn't be able to go for a fly, | 0:17:54 | 0:17:56 | |
but at least you'll be able to experience the cockpit | 0:17:56 | 0:18:00 | |
and how tight it is actually and the flight controls. | 0:18:00 | 0:18:04 | |
It's going to be quite tricky. | 0:18:04 | 0:18:06 | |
OK. | 0:18:06 | 0:18:07 | |
Like getting on a horse, really. | 0:18:09 | 0:18:11 | |
Careful, Carol. | 0:18:11 | 0:18:13 | |
I've got you. That's it. | 0:18:13 | 0:18:17 | |
You're facing the wrong way, dear. | 0:18:17 | 0:18:19 | |
There's a mirror there as well. | 0:18:19 | 0:18:21 | |
That's for doing your make-up. | 0:18:22 | 0:18:25 | |
As you can see, it's fairly tight in there. | 0:18:25 | 0:18:28 | |
-Yes. -Also not a lot of view. | 0:18:28 | 0:18:30 | |
You've also got to be looking through the sight, | 0:18:30 | 0:18:32 | |
which is in front of you. | 0:18:32 | 0:18:34 | |
And above your head is a machine gun. | 0:18:34 | 0:18:37 | |
The plane might be small, but it could certainly pack a punch. | 0:18:37 | 0:18:40 | |
What we have here, if you just get a hold of the joystick there, | 0:18:40 | 0:18:43 | |
we have a button on there. | 0:18:43 | 0:18:45 | |
If you give that a little push on it. | 0:18:45 | 0:18:47 | |
And then you'll hopefully get a little bit of a... | 0:18:47 | 0:18:49 | |
MACHINE GUN FIRES | 0:18:49 | 0:18:51 | |
Blimey! | 0:18:51 | 0:18:53 | |
I wasn't expecting that. | 0:18:53 | 0:18:55 | |
Neither was Charlie. | 0:18:55 | 0:18:57 | |
Are you all right, boy? | 0:18:57 | 0:18:58 | |
You can feel the plane shaking as well, can't you? | 0:18:58 | 0:19:02 | |
Very good. | 0:19:02 | 0:19:03 | |
You got him, Carol. | 0:19:03 | 0:19:05 | |
I can't imagine the fear and actually having a target | 0:19:07 | 0:19:11 | |
that you were aiming at when you fired the rifle. | 0:19:11 | 0:19:14 | |
And don't forget, there's some coming back the other way. | 0:19:14 | 0:19:18 | |
And in an aircraft that is basically wood and fabric, there's not much | 0:19:18 | 0:19:22 | |
in way of protection - the bullets would just go straight through. | 0:19:22 | 0:19:25 | |
This is making it much more real | 0:19:25 | 0:19:27 | |
and actually appreciating what the pilots must have felt. | 0:19:27 | 0:19:31 | |
And a very minor level for me, but for them, | 0:19:31 | 0:19:34 | |
they were so incredibly brave. | 0:19:34 | 0:19:36 | |
There's a lot known about the land warfare, but there's not that | 0:19:36 | 0:19:40 | |
much known about the guys flying and the sacrifices they made. | 0:19:40 | 0:19:43 | |
So it's so important for us | 0:19:43 | 0:19:45 | |
and our museum that these memories are kept alive. | 0:19:45 | 0:19:47 | |
A harrowing account of just how brave our servicemen were | 0:19:49 | 0:19:52 | |
during the first world war. | 0:19:52 | 0:19:54 | |
Conquering new technologies | 0:19:54 | 0:19:56 | |
and the skies to save Britain from the enemy. | 0:19:56 | 0:19:58 | |
-Oh, look at that. -Oh! | 0:19:58 | 0:20:01 | |
What control. | 0:20:01 | 0:20:03 | |
Oh, no! No! | 0:20:03 | 0:20:06 | |
Safely back on the ground, | 0:20:11 | 0:20:12 | |
Sian and Charles are on their way to another shop. | 0:20:12 | 0:20:16 | |
But I think you're a lady that likes glitz and glamour. | 0:20:16 | 0:20:18 | |
-Oh, do you think? -Yes! | 0:20:18 | 0:20:19 | |
And maybe we ought to buy some jewellery or maybe try | 0:20:19 | 0:20:22 | |
and find some nice silver. | 0:20:22 | 0:20:23 | |
They're travelling just under two miles to | 0:20:23 | 0:20:26 | |
Rettendon in the Borough of Chelmsford. | 0:20:26 | 0:20:29 | |
Our two broadcasters may be interested to know that | 0:20:29 | 0:20:32 | |
this area played a vital role in the development of radio | 0:20:32 | 0:20:36 | |
and the world's first wireless factory was established here in 1898. | 0:20:36 | 0:20:41 | |
Here we go. Best foot forward. | 0:20:41 | 0:20:43 | |
With £325 left from their original £400, | 0:20:43 | 0:20:46 | |
Sian and Charles have plenty to spend on that perfect | 0:20:46 | 0:20:49 | |
piece of glitz and glamour at FB Antiques. | 0:20:49 | 0:20:52 | |
-I'm Fred, how are you? -Very well. Nice to meet you. | 0:20:52 | 0:20:55 | |
What we're looking for is maybe some jewellery or silver. | 0:20:55 | 0:20:59 | |
No. Silver I don't have and I don't have jewellery, unfortunately. | 0:20:59 | 0:21:03 | |
-Well, that's it. -Thanks, Fred. | 0:21:03 | 0:21:07 | |
-What do you specialise in? -Mainly furniture. -OK. | 0:21:07 | 0:21:10 | |
Hm, might want to rethink that plan, Charles. | 0:21:10 | 0:21:13 | |
It's going big, it's going bold, it's going masculine. | 0:21:13 | 0:21:16 | |
The only problem with big | 0:21:19 | 0:21:20 | |
and bold is that can be a tad on the pricey side. | 0:21:20 | 0:21:24 | |
Oh, stop it. £2,500. | 0:21:26 | 0:21:29 | |
Look at that nice credenza... Oh, that's £5,500. | 0:21:30 | 0:21:33 | |
Move away from the expensive items. Going twice. It's not sold today. | 0:21:34 | 0:21:39 | |
In fact, it's not going at all well for Sian and Charles | 0:21:39 | 0:21:42 | |
and it's about to get worse. | 0:21:42 | 0:21:45 | |
Breaking news. | 0:21:45 | 0:21:46 | |
Sorry to disturb you. But it's raining and your car is open. | 0:21:48 | 0:21:52 | |
It is really raining hard? | 0:21:52 | 0:21:53 | |
Well, it's raining that the interior is getting wet. | 0:21:53 | 0:21:55 | |
I'm sorry about that. | 0:21:55 | 0:21:57 | |
No, no, that's both of our fault. Thank you very much. | 0:21:57 | 0:22:00 | |
Which raises the age-old question - | 0:22:00 | 0:22:02 | |
how many celebrities does it take to close the roof on a car? | 0:22:02 | 0:22:06 | |
Speed control. Roof! | 0:22:06 | 0:22:08 | |
Have you got the keys? It says roof. | 0:22:08 | 0:22:11 | |
Mind your hands. | 0:22:11 | 0:22:13 | |
Come to daddy. | 0:22:13 | 0:22:14 | |
ENGINE SPLUTTERS | 0:22:14 | 0:22:16 | |
This happened before. | 0:22:16 | 0:22:18 | |
Hang on. | 0:22:18 | 0:22:20 | |
Don't just stand there, Charles. | 0:22:20 | 0:22:22 | |
Well done. Now press roof. | 0:22:25 | 0:22:27 | |
well done. It's moving. | 0:22:28 | 0:22:31 | |
Mind your hat! | 0:22:31 | 0:22:33 | |
Thank goodness for that. Disaster averted. | 0:22:35 | 0:22:38 | |
It's back to business. | 0:22:38 | 0:22:39 | |
What I saw when we came out, I saw this man here. | 0:22:41 | 0:22:45 | |
Charles has spotted a late 19th century carved Black Forest | 0:22:47 | 0:22:50 | |
dancing bear clock. | 0:22:50 | 0:22:52 | |
A pretty collectible, but not to everyone's taste. | 0:22:52 | 0:22:55 | |
-I love him. -Why? | 0:22:57 | 0:22:59 | |
You might say, "Charles, look at the subject, it's not very nice." | 0:22:59 | 0:23:02 | |
It isn't very nice. And I feel sorry for the bear. | 0:23:02 | 0:23:05 | |
-Yeah. -Which is tethered by a chain. -Yes. | 0:23:05 | 0:23:08 | |
It's a bit sad. | 0:23:08 | 0:23:10 | |
-You wouldn't want it, would you? -No. | 0:23:10 | 0:23:13 | |
But I'm thinking about what today is so popular | 0:23:13 | 0:23:16 | |
and although the subject is sad... | 0:23:16 | 0:23:18 | |
Look at that. And that's the back. That's gorgeous. | 0:23:18 | 0:23:21 | |
Wow. That's the original movements, dating to around 1880. | 0:23:21 | 0:23:24 | |
I think he's really good. Do you know what he could make at auction? | 0:23:24 | 0:23:27 | |
No, no idea. | 0:23:27 | 0:23:29 | |
It could make £100 if the market isn't with it, | 0:23:29 | 0:23:32 | |
but all day long it ought to make 250 to £300. | 0:23:32 | 0:23:37 | |
-Let me find out what the price is. Can I do that? -Yes. | 0:23:37 | 0:23:39 | |
With your consent. Look at me. | 0:23:39 | 0:23:41 | |
-Happy? -No. -Back in a sec. | 0:23:41 | 0:23:45 | |
I don't like it. It makes me sad. | 0:23:45 | 0:23:48 | |
It makes me sad. | 0:23:48 | 0:23:49 | |
Didn't you say you'll only buy things you like, Sian? | 0:23:49 | 0:23:53 | |
What's the price? | 0:23:53 | 0:23:55 | |
The best I can do on it is 180. | 0:23:55 | 0:23:57 | |
Oh, an ouch. | 0:23:58 | 0:24:01 | |
-That sounds like a lot of money. -Fred, look at the lady. | 0:24:01 | 0:24:04 | |
-Look at the bear. -It isn't a lot of money. | 0:24:04 | 0:24:07 | |
He's got a lovely colour. | 0:24:07 | 0:24:09 | |
What's the very best? | 0:24:09 | 0:24:10 | |
160. | 0:24:10 | 0:24:13 | |
"Let me free!" | 0:24:14 | 0:24:16 | |
I was hoping to buy it somewhere around 120. | 0:24:16 | 0:24:19 | |
Look at me. | 0:24:21 | 0:24:22 | |
-I'll tell you what I'll do... -Look at me. | 0:24:22 | 0:24:24 | |
..I'll split it with you, 140. | 0:24:24 | 0:24:27 | |
-We're going to buy him. Are you happy? -Yeah. No. | 0:24:27 | 0:24:29 | |
We're going to gamble, to accumulate, to speculate | 0:24:29 | 0:24:31 | |
and give this bear freedom. | 0:24:31 | 0:24:33 | |
This is for you and for the profit. | 0:24:33 | 0:24:35 | |
Walk him out and I'll shake the man's hand. | 0:24:35 | 0:24:37 | |
Thank you very much. | 0:24:37 | 0:24:39 | |
Sian's plan has gone out of the window in favour of profit. | 0:24:39 | 0:24:43 | |
So Charles hands over the £140, leaving them | 0:24:43 | 0:24:46 | |
with just £185 left to spend. | 0:24:46 | 0:24:49 | |
What have you done? | 0:24:49 | 0:24:51 | |
With clearer skies and the top down again, it's good night from me | 0:24:53 | 0:24:56 | |
and it's good night from them. | 0:24:56 | 0:24:58 | |
-Sorry. -Sorry! | 0:24:58 | 0:25:00 | |
Uh-oh. | 0:25:02 | 0:25:03 | |
It's 8am and the weather today is clear and sunny and... | 0:25:06 | 0:25:10 | |
And we're on the road. | 0:25:10 | 0:25:13 | |
It's really nice driving this car on a decent road. | 0:25:13 | 0:25:16 | |
-It's nice and smooth without all the potholes. -Yeah, it is. | 0:25:16 | 0:25:19 | |
Carol! | 0:25:21 | 0:25:23 | |
Wrong one, sorry. | 0:25:23 | 0:25:24 | |
Sorry about that, chaps. | 0:25:26 | 0:25:27 | |
Which one's the brake? | 0:25:27 | 0:25:29 | |
It's that big flat thing under your foot, Carol. | 0:25:29 | 0:25:32 | |
Hopefully Charles and Charlie are a bit more in control. | 0:25:32 | 0:25:35 | |
Don't hold your breath, though. | 0:25:35 | 0:25:37 | |
We had a great day yesterday. | 0:25:37 | 0:25:39 | |
-How do you find Carol, seriously? -Absolutely lovely. | 0:25:39 | 0:25:43 | |
Sian's the same, isn't she? | 0:25:43 | 0:25:45 | |
They just have a lovely warm presence and... | 0:25:45 | 0:25:48 | |
-People you want to be with. -Yeah. | 0:25:48 | 0:25:51 | |
Aw, how sweet. | 0:25:51 | 0:25:53 | |
Carol and Charlie are going to have to spend big today, | 0:25:53 | 0:25:56 | |
as they only spent £8 on a pair of Victorian books yesterday. | 0:25:56 | 0:26:00 | |
-That sounds good to me. -I mean, frankly... | 0:26:00 | 0:26:02 | |
Charles and Sian, however, spent £215 of their £400 budget, | 0:26:02 | 0:26:06 | |
coming home with a barometer, some Shelley vases and a dancing bear clock. | 0:26:06 | 0:26:12 | |
-Happy? -No. | 0:26:12 | 0:26:14 | |
Don't worry, Sian, you still have shopping ahead of you today. | 0:26:14 | 0:26:17 | |
-Morning, ladies. -Good morning. | 0:26:17 | 0:26:19 | |
-What's our plan today? -We're going shopping. | 0:26:19 | 0:26:23 | |
-I'd like to buy something big. -Would you? | 0:26:23 | 0:26:24 | |
-Like a wardrobe or a chest of drawers? -I like your style. | 0:26:24 | 0:26:27 | |
Do you know what, Charlie, I don't want to do that. | 0:26:27 | 0:26:30 | |
-What do you want to buy? -I want to buy bling. | 0:26:30 | 0:26:32 | |
She wants to buy something feminine. | 0:26:32 | 0:26:34 | |
A journey awaits. | 0:26:34 | 0:26:37 | |
Good luck! Have a lovely day. | 0:26:37 | 0:26:40 | |
This morning both couples are heading to Great Baddow. | 0:26:40 | 0:26:43 | |
One of England's largest villages with over 13,000 inhabitants. | 0:26:43 | 0:26:48 | |
Like nearby Chelmsford, it also has a historical media link and was | 0:26:48 | 0:26:53 | |
home to an important TV and radio research lab that opened in 1936. | 0:26:53 | 0:26:59 | |
Do you want to have a little sneak round here? | 0:26:59 | 0:27:01 | |
Yeah, very much so. | 0:27:01 | 0:27:02 | |
Sian and Charles have £185 left to spend | 0:27:02 | 0:27:05 | |
and where better than this large antiques emporium? | 0:27:05 | 0:27:09 | |
Baddow Antiques Centre. | 0:27:09 | 0:27:10 | |
-Charles? -Yes. -Gosh, Sian's quick off the mark. | 0:27:10 | 0:27:14 | |
-That's quite sweet. -That is nice. | 0:27:14 | 0:27:16 | |
That's really nice. | 0:27:17 | 0:27:19 | |
That's really nice. | 0:27:19 | 0:27:21 | |
They both like the Chinese bowl. | 0:27:24 | 0:27:26 | |
Mental note. | 0:27:27 | 0:27:28 | |
Mental note. | 0:27:28 | 0:27:30 | |
I quite like this Edwardian feather tray. | 0:27:30 | 0:27:33 | |
That's good. | 0:27:33 | 0:27:34 | |
It's a bit weird, isn't it? | 0:27:34 | 0:27:36 | |
It is. | 0:27:36 | 0:27:37 | |
That's quite good, you know. | 0:27:37 | 0:27:39 | |
1920s. It could do quite well. | 0:27:39 | 0:27:41 | |
I think it's a little bit odd. | 0:27:41 | 0:27:43 | |
It is a bit quirky, isn't it? | 0:27:43 | 0:27:44 | |
-It's well done, isn't it? -Yes. | 0:27:44 | 0:27:46 | |
Condition's good. | 0:27:46 | 0:27:47 | |
They're not in any way stained or marked. | 0:27:47 | 0:27:50 | |
Do you think any butterflies were harmed in that feather tray? | 0:27:50 | 0:27:52 | |
No. | 0:27:52 | 0:27:54 | |
-Of course not. -I'm sure not. | 0:27:54 | 0:27:56 | |
Get out of here. | 0:27:56 | 0:27:57 | |
Hm, I think following on from "Beargate," | 0:27:57 | 0:28:00 | |
Charles may be telling a little porky. | 0:28:00 | 0:28:03 | |
The tray is actually made up from hundreds of butterfly wings. | 0:28:03 | 0:28:07 | |
In the 1920s, peacock butterflies were often raised on farms | 0:28:07 | 0:28:10 | |
in Europe and used for jewellery and decorative art. | 0:28:10 | 0:28:14 | |
Out of interest, if we said to you, "What's the best price?" | 0:28:14 | 0:28:16 | |
what will be the best knockdown as a giver and taker? | 0:28:16 | 0:28:20 | |
I would have to ring her. | 0:28:20 | 0:28:22 | |
As Steve needs to make a call, | 0:28:22 | 0:28:24 | |
Sian asks for a price on the Chinese bowl she likes too. | 0:28:24 | 0:28:27 | |
I'm really conscious that you have never lost against Charlie Ross. | 0:28:27 | 0:28:30 | |
-It doesn't matter. -It matters to me. | 0:28:30 | 0:28:32 | |
-Charlie and I are great friends. -Hey, speak of the devil. | 0:28:32 | 0:28:35 | |
Charlie and Carol are also on the hunt for a deal | 0:28:35 | 0:28:38 | |
elsewhere at Baddow Antiques. | 0:28:38 | 0:28:40 | |
Oh, this is an Aladdin's cave, isn't it? | 0:28:40 | 0:28:43 | |
Look, there's a man. | 0:28:43 | 0:28:44 | |
That's not Aladdin, though, that's the dealer, Ron. Hi, Ron. | 0:28:44 | 0:28:47 | |
Shall I walk from front to back? | 0:28:47 | 0:28:49 | |
You do the same, Carol, and then we'll see what Ron's got for us. | 0:28:49 | 0:28:53 | |
Left to her own devices, like a magpie, | 0:28:55 | 0:28:58 | |
Carol gravitates to the sparkly stuff. | 0:28:58 | 0:29:00 | |
Here's more bling. This is what I've been looking for. | 0:29:00 | 0:29:03 | |
That's a nice ring, the red one. | 0:29:03 | 0:29:06 | |
But I know Charlie won't be impressed if I buy that one. | 0:29:06 | 0:29:10 | |
But Charlie has found something he IS impressed with. | 0:29:10 | 0:29:13 | |
A Victorian painted cast-iron letterbox. | 0:29:13 | 0:29:16 | |
And without consulting Carol, he's on the phone negotiating. | 0:29:16 | 0:29:19 | |
Bad boy, Charlie. I hope she likes it. | 0:29:19 | 0:29:21 | |
I'm not going to beat around the bush, 25 quid! | 0:29:21 | 0:29:24 | |
I know I'm a horrible man, Ernie. | 0:29:24 | 0:29:26 | |
I'm awful. I'm ghastly. | 0:29:28 | 0:29:30 | |
And if you were here you would have permission to hit me. | 0:29:30 | 0:29:32 | |
Permission granted, Ernie. | 0:29:32 | 0:29:34 | |
Oh! Hang on! | 0:29:34 | 0:29:36 | |
Carol, I don't know what you're going to think of me, | 0:29:36 | 0:29:38 | |
but I bought a Victorian letterbox. | 0:29:38 | 0:29:41 | |
It's wonderful. Don't you love it? | 0:29:43 | 0:29:45 | |
Carol, tell me you love it. | 0:29:45 | 0:29:47 | |
I love it. | 0:29:49 | 0:29:51 | |
Phew. | 0:29:51 | 0:29:52 | |
Now that you're enthused, | 0:29:52 | 0:29:54 | |
I've seen something up here I want you to have a look at as well. | 0:29:54 | 0:29:57 | |
-I can't get up. -Let me help you. -I wonder if it sparkles. | 0:29:57 | 0:30:00 | |
Meanwhile, Sian and Charles are waiting for a price on the tray | 0:30:03 | 0:30:07 | |
and bowl when Charles spots something else. | 0:30:07 | 0:30:10 | |
Let's just see what else is in this cabinet. | 0:30:10 | 0:30:12 | |
I've seen something else. | 0:30:12 | 0:30:14 | |
That's nice. | 0:30:14 | 0:30:15 | |
Careful, Charles, that's a 19th century Staffordshire cat... | 0:30:15 | 0:30:19 | |
-Deaf now. -Oh, you've broken the ear. | 0:30:19 | 0:30:22 | |
-Have you got any glue at all? -Oh, no. | 0:30:22 | 0:30:25 | |
Would she travel with a tube? | 0:30:25 | 0:30:27 | |
It wasn't me, honestly. It just fell off. | 0:30:28 | 0:30:30 | |
-Oh, stop it. -Honestly. No, it wasn't me, I promise you. | 0:30:30 | 0:30:33 | |
Pull the other one, Charles. Actually, best not. | 0:30:33 | 0:30:35 | |
You might break something else. | 0:30:35 | 0:30:37 | |
What shall we do? | 0:30:37 | 0:30:39 | |
You have to tell him. | 0:30:39 | 0:30:42 | |
-I'll stick it back on quick. -No. | 0:30:42 | 0:30:44 | |
Lucky for Steve, Sian's moral compass is as straight as an arrow. | 0:30:44 | 0:30:48 | |
The very best she can do is 75. | 0:30:48 | 0:30:52 | |
In the meantime, | 0:30:52 | 0:30:54 | |
Charles went into the cabinet to take this small cat out. | 0:30:54 | 0:30:59 | |
-And he touched the ear of the cat... -And it's fell off. | 0:30:59 | 0:31:02 | |
And it sort of came away under his thumb, | 0:31:02 | 0:31:05 | |
but he thinks that it was loose. | 0:31:05 | 0:31:07 | |
-It was loose, sir. -Don't worry. -What's the best price on the cat? | 0:31:08 | 0:31:12 | |
Honestly. You hold the ear. | 0:31:12 | 0:31:14 | |
What's the price on it? | 0:31:14 | 0:31:17 | |
-£25. -A tenner. | 0:31:17 | 0:31:20 | |
Yeah, I think for £10 that's quite good value. | 0:31:20 | 0:31:22 | |
-Despite the broken ear. -OK. | 0:31:22 | 0:31:24 | |
What's he talking about? | 0:31:24 | 0:31:26 | |
-Do you like cats? -Um... -SHE MEOWS | 0:31:26 | 0:31:29 | |
You do now. | 0:31:29 | 0:31:31 | |
This is the second item Charles has bought that Sian dislikes. | 0:31:31 | 0:31:34 | |
But what about the bowl and tray she found? | 0:31:34 | 0:31:38 | |
-Bowl, 75? -75 is the very best she can do. | 0:31:38 | 0:31:41 | |
Have we got a price on the feather tray? | 0:31:41 | 0:31:43 | |
I can do 40. | 0:31:43 | 0:31:45 | |
She can't do any less on that. | 0:31:45 | 0:31:47 | |
We'll go for the tray and the cat and that's 50. | 0:31:47 | 0:31:49 | |
That's it. Two for 50. | 0:31:49 | 0:31:50 | |
I'll shake the man's hand as well. That's for you, boss. | 0:31:50 | 0:31:53 | |
That's £50 all-in for the tray and the cat. | 0:31:53 | 0:31:55 | |
Leave the tray for the time being? | 0:31:55 | 0:31:56 | |
It's so pretty and delicate. It really is. | 0:31:56 | 0:31:59 | |
It's up to you. | 0:31:59 | 0:32:00 | |
I think it's a real gamble, | 0:32:00 | 0:32:02 | |
but then...the Road Trip is all about a rollercoaster | 0:32:02 | 0:32:05 | |
and we'll ride it together. | 0:32:05 | 0:32:07 | |
-Let's take the risk? -Really? | 0:32:07 | 0:32:09 | |
It's true. It's real. | 0:32:09 | 0:32:11 | |
It's live. | 0:32:11 | 0:32:13 | |
It's sold. | 0:32:13 | 0:32:15 | |
We're going to buy it, yeah? | 0:32:15 | 0:32:17 | |
-Thank you. -We're going to go for it. | 0:32:17 | 0:32:19 | |
After much debating, the plate purchase | 0:32:19 | 0:32:21 | |
brings their spending here to £125. | 0:32:21 | 0:32:25 | |
And the fiver. | 0:32:25 | 0:32:27 | |
There we are, there's ten. | 0:32:27 | 0:32:29 | |
-Not five for the change? -No. -Are you sure? | 0:32:29 | 0:32:32 | |
Yeah. We'll leave it at 70. | 0:32:32 | 0:32:33 | |
It gives you more of a chance. | 0:32:33 | 0:32:36 | |
-Oh, bless you. Thank you very much. -Isn't that nice. | 0:32:36 | 0:32:38 | |
In other words, get out of here before you break something else. | 0:32:38 | 0:32:42 | |
-You get two. -Thank you. | 0:32:42 | 0:32:44 | |
No, Charles, don't kiss him. | 0:32:44 | 0:32:46 | |
Carol too has found something that's caught her eye. | 0:32:49 | 0:32:51 | |
I want to show you this. I'm not sure... I quite like it. | 0:32:51 | 0:32:55 | |
It's this here. | 0:32:55 | 0:32:57 | |
It's got a Christmassy feel to it, probably because of the stag | 0:32:57 | 0:33:00 | |
and the snow and the fir trees. We've got a teapot, a coffee pot and | 0:33:00 | 0:33:04 | |
then there's more cups and saucers down there, so there's a lot to it. | 0:33:04 | 0:33:08 | |
It's Crown Devon China. It's quite interesting. | 0:33:08 | 0:33:11 | |
It's 1960s. Not something I'd want in my house. | 0:33:12 | 0:33:15 | |
Could we live together? Would you like it in your house? | 0:33:15 | 0:33:18 | |
-No, we could live together. -That's fine. | 0:33:18 | 0:33:20 | |
This isn't a wedding gift list, Charlie. | 0:33:20 | 0:33:22 | |
Comes down to price. | 0:33:22 | 0:33:23 | |
Is this a Ron job? | 0:33:23 | 0:33:25 | |
-Yes. -Is this you and Ron? | 0:33:25 | 0:33:26 | |
It's me and Ron...cooking up here. | 0:33:26 | 0:33:28 | |
Ron! | 0:33:28 | 0:33:30 | |
If you bought it all, I mean... | 0:33:30 | 0:33:32 | |
..it would have to be...£225. | 0:33:34 | 0:33:37 | |
What?! You cannot be serious. | 0:33:37 | 0:33:40 | |
You sound like John McEnroe. | 0:33:40 | 0:33:41 | |
That's over half their starting budget. | 0:33:41 | 0:33:44 | |
What's your best price? | 0:33:44 | 0:33:45 | |
I'm leaving. Carol, work your magic. | 0:33:45 | 0:33:49 | |
I was thinking more like 150. | 0:33:49 | 0:33:51 | |
It can't be done. | 0:33:51 | 0:33:53 | |
What if we split the difference and go for 160? | 0:33:53 | 0:33:56 | |
That isn't splitting the difference. I mean... | 0:33:56 | 0:33:59 | |
I would go as low as 185. | 0:34:01 | 0:34:03 | |
Thank you. | 0:34:03 | 0:34:05 | |
Can I consult with... | 0:34:05 | 0:34:07 | |
You consult with who you like. | 0:34:07 | 0:34:08 | |
Although it seems Charlie's head | 0:34:08 | 0:34:11 | |
if full of romantic gestures rather than antiques. | 0:34:11 | 0:34:13 | |
Serenade my Carol. | 0:34:13 | 0:34:16 | |
ACCORDION PLAYS | 0:34:16 | 0:34:19 | |
Oh, look. | 0:34:19 | 0:34:20 | |
# Ron. # | 0:34:22 | 0:34:23 | |
Actually, Charlie, since you're here, Ron has agreed to 180. | 0:34:25 | 0:34:29 | |
No. You said 180. I said 185. | 0:34:29 | 0:34:31 | |
I would say to you, Carol, | 0:34:31 | 0:34:33 | |
if you went on bended knee and Ron could possibly do it for 150, | 0:34:33 | 0:34:38 | |
I would say, "Buy it for 150," cos I think you stand a sporting chance. | 0:34:38 | 0:34:43 | |
Come on, Carol, work that Scottish charm. | 0:34:43 | 0:34:45 | |
I can give you hard cash right now. 150, notes. | 0:34:45 | 0:34:49 | |
Oh, Ron! You legend! | 0:34:53 | 0:34:56 | |
-Are you happy with that, Ron? -No. | 0:34:56 | 0:34:59 | |
It's not something shiny, | 0:35:00 | 0:35:02 | |
but at £150 Carol must be pleased as Punch | 0:35:02 | 0:35:04 | |
and Ron's generosity doesn't end there. | 0:35:04 | 0:35:07 | |
They're a nice couple. | 0:35:07 | 0:35:08 | |
There's something you might have missed | 0:35:08 | 0:35:10 | |
and it's a medal for an exhibitor at the Great Exhibition in 1851. | 0:35:10 | 0:35:16 | |
-You might like to see it. -Love to see it. | 0:35:16 | 0:35:18 | |
The Great Exhibition took place in Hyde Park. | 0:35:18 | 0:35:21 | |
Its aim, to celebrate the works of industry of all nations, | 0:35:21 | 0:35:24 | |
but also for Britain to showcase to the world its own industrial feats. | 0:35:24 | 0:35:28 | |
-And the wee leather case as well, that's cute. -That's the medal. | 0:35:30 | 0:35:33 | |
I think that's the original leather case. | 0:35:33 | 0:35:35 | |
Who have we got there? | 0:35:35 | 0:35:37 | |
-What a handsome devil. -Looks like you. | 0:35:37 | 0:35:40 | |
Prince Albert. | 0:35:40 | 0:35:42 | |
He's got more hair than I have. | 0:35:42 | 0:35:44 | |
But what about the all-important question? | 0:35:44 | 0:35:47 | |
I would do it at a very reasonable... | 0:35:47 | 0:35:49 | |
£20. | 0:35:49 | 0:35:51 | |
And leave the rest to you. | 0:35:51 | 0:35:53 | |
Carol, shake Ron by the hand. | 0:35:53 | 0:35:55 | |
Ron, thank you very much. | 0:35:55 | 0:35:58 | |
A great price for a great little piece of history, | 0:35:58 | 0:36:01 | |
which brings their spending in this shop to £195. | 0:36:01 | 0:36:05 | |
Thank you very much. | 0:36:05 | 0:36:07 | |
Whilst Carol and Charlie celebrate finally spending some money, | 0:36:07 | 0:36:11 | |
Sian and Charles are heading for the village of Greensted-juxta-Ongar. | 0:36:11 | 0:36:16 | |
We're off to visit a very old church. | 0:36:16 | 0:36:19 | |
-My grandfather was a Presbyterian minister. -Was he? | 0:36:19 | 0:36:23 | |
So I spent a lot of my childhood in churches. | 0:36:23 | 0:36:26 | |
Sian now hosts a Sunday morning religious ethical debate programme. | 0:36:26 | 0:36:31 | |
And with churches such a strong part of her childhood, | 0:36:31 | 0:36:34 | |
she should feel at home in St Andrew's. | 0:36:34 | 0:36:36 | |
The building dates back to the time Christianity was introduced | 0:36:36 | 0:36:40 | |
to Britain, that's over 1,300 years of history and worship | 0:36:40 | 0:36:45 | |
as it's still in use today. | 0:36:45 | 0:36:47 | |
That looks amazing. Shall we go in? | 0:36:47 | 0:36:49 | |
Charles and Sian are meeting Jackie, a guide at the church. | 0:36:50 | 0:36:54 | |
It's beautiful. | 0:36:54 | 0:36:56 | |
-Thank you very much. -And very old. | 0:36:56 | 0:36:58 | |
Very old. | 0:36:58 | 0:36:59 | |
It's been dated to 1060 to 1100, | 0:36:59 | 0:37:03 | |
so we're the oldest wooden church in the world | 0:37:03 | 0:37:06 | |
and the oldest wooden building in Europe. | 0:37:06 | 0:37:08 | |
Even more extraordinary, excavations undertaken in 1960 revealed | 0:37:08 | 0:37:13 | |
earlier timber structures dating as far back as the 6th and 7th century. | 0:37:13 | 0:37:18 | |
We could almost be now back in the 11th century, | 0:37:18 | 0:37:21 | |
walking in as maybe a bride and groom to be | 0:37:21 | 0:37:24 | |
and there you've got timbers sitting there for 1,000 years. | 0:37:24 | 0:37:27 | |
-Yes. -Amazing. | 0:37:27 | 0:37:30 | |
Let's pretend you're a peasant farmer | 0:37:30 | 0:37:33 | |
and I'm a land girl. | 0:37:33 | 0:37:35 | |
Thanks a lot. | 0:37:35 | 0:37:37 | |
Looks like the wedding's off, Charles. | 0:37:37 | 0:37:39 | |
Inside the church is a veritable treasure trove of quirky | 0:37:43 | 0:37:46 | |
historical artefacts and stories. | 0:37:46 | 0:37:48 | |
Like the lepers' hole, thought to have been | 0:37:50 | 0:37:53 | |
used by lepers as they weren't allowed into the church itself. | 0:37:53 | 0:37:57 | |
And a Bible bound in the original wood from the church's walls | 0:37:57 | 0:38:00 | |
and still used today in sermons. | 0:38:00 | 0:38:03 | |
Hello, 1060, I'm 2014. | 0:38:03 | 0:38:06 | |
The church is also famous for its stained glass windows, | 0:38:06 | 0:38:10 | |
one of which pays homage to St Edmund, the first patron saint | 0:38:10 | 0:38:15 | |
of England, whose body is believed to have rested here for a night. | 0:38:15 | 0:38:19 | |
Kind Edmund was king of East Anglia in 855. | 0:38:19 | 0:38:23 | |
He ruled for 15 years. | 0:38:23 | 0:38:25 | |
Apparently it was very peaceful during his reign. | 0:38:25 | 0:38:29 | |
However, the Danes started invading this part of England | 0:38:29 | 0:38:33 | |
and he was captured. | 0:38:33 | 0:38:35 | |
Hingwar, the leader of the Danes, said he was to give him half his kingdom | 0:38:35 | 0:38:42 | |
and half his wealth, and relinquish his faith. | 0:38:42 | 0:38:45 | |
Edmund agreed to hand over half his kingdom and half his fortune, | 0:38:47 | 0:38:51 | |
but would not relinquish his faith. | 0:38:51 | 0:38:54 | |
They took him out of the church and they beat him | 0:38:54 | 0:38:57 | |
and then they tied him to a tree. | 0:38:57 | 0:38:59 | |
And when he still would not relinquish his faith | 0:38:59 | 0:39:02 | |
they shot him with arrows and darts. | 0:39:02 | 0:39:05 | |
As if that wasn't enough, the Vikings chopped off his head | 0:39:05 | 0:39:08 | |
and threw it away in a wood. | 0:39:08 | 0:39:10 | |
It is told that his head was found by a talking wolf, who guarded it | 0:39:10 | 0:39:15 | |
between its paws until Edmund's friends came along to find him, | 0:39:15 | 0:39:18 | |
reuniting his head with the rest of his body. | 0:39:18 | 0:39:22 | |
Poor old Edmund. | 0:39:22 | 0:39:24 | |
Why was he superseded by George? | 0:39:25 | 0:39:27 | |
What did George do that Edmund didn't | 0:39:27 | 0:39:30 | |
to make him patron saint of England? | 0:39:30 | 0:39:32 | |
Well, George was chosen by the Normans to be our patron saint. | 0:39:32 | 0:39:37 | |
And the Normans obviously wanted to take over the country and eradicate | 0:39:37 | 0:39:42 | |
all things Saxon, so they wanted to do away with our way of life. | 0:39:42 | 0:39:47 | |
Let's campaign to get Edmund back as patron saint of England. | 0:39:47 | 0:39:52 | |
-Quite right. -Do you think? -Definitely. -It starts here. | 0:39:52 | 0:39:57 | |
You heard it here first. | 0:39:57 | 0:40:00 | |
Meanwhile, Charlie and Carol are off | 0:40:00 | 0:40:02 | |
to the quintessentially charming village of Blackmore, in Essex. | 0:40:02 | 0:40:06 | |
It's believed that Henry VIII's illegitimate child, | 0:40:06 | 0:40:10 | |
Henry Fitzroy, was born there. | 0:40:10 | 0:40:12 | |
And, speaking of royalty... | 0:40:12 | 0:40:14 | |
-Oh, I love the Queen in particular. -You've met the Queen? -Yes, I have. | 0:40:14 | 0:40:18 | |
-No! -Charlie, I had the great honour and privilege of giving a talk | 0:40:18 | 0:40:24 | |
-to the Queen and the Queen has such a brilliant sense of humour. -Really? | 0:40:24 | 0:40:28 | |
-The nerves quickly went. -So when will it be Lady Kirkwood? | 0:40:28 | 0:40:32 | |
-SHE LAUGHS -When I marry Sir Someone-or-other! | 0:40:32 | 0:40:34 | |
LAUGHTER | 0:40:34 | 0:40:36 | |
Sorry, Charlie, looks like you're out of it, then. | 0:40:36 | 0:40:39 | |
Carol and Charlie are left with nearly half their original kitty to spend. | 0:40:39 | 0:40:44 | |
I'm sure they'll sniff out a bargain. Not here, though! | 0:40:44 | 0:40:47 | |
At Megarrys Antiques and Teashop. | 0:40:48 | 0:40:50 | |
Open. That's a good sign. | 0:40:50 | 0:40:52 | |
Hello! | 0:40:52 | 0:40:54 | |
Our lovable duo split up to cover more ground, | 0:40:55 | 0:40:58 | |
and for once it seems Carol isn't after bling. | 0:40:58 | 0:41:01 | |
We had a wee bunny just like that, the Sylvac rabbit there, | 0:41:01 | 0:41:07 | |
when I was growing up at home. | 0:41:07 | 0:41:09 | |
Ooh, bling! | 0:41:09 | 0:41:11 | |
No, spoke too soon. | 0:41:11 | 0:41:12 | |
But she has found something else that's put a sparkle in her eye. | 0:41:12 | 0:41:16 | |
It's different, it's small, it would fit into any house. It's attractive. | 0:41:16 | 0:41:20 | |
Yeah. | 0:41:20 | 0:41:21 | |
-You like it, don't you? -I do like it. | 0:41:21 | 0:41:24 | |
This walnut side table is a reproduction, | 0:41:26 | 0:41:28 | |
but, at over 100 years old, it's still an antique. | 0:41:28 | 0:41:31 | |
Can they afford it, though? | 0:41:31 | 0:41:33 | |
I love that little Louis XV piece. | 0:41:33 | 0:41:35 | |
-I think there is some movement on that. -Is there? | 0:41:35 | 0:41:38 | |
But I'll have to look at my stock book. | 0:41:38 | 0:41:40 | |
Fingers crossed. | 0:41:40 | 0:41:42 | |
-I think I've got an answer for you. -Try me. -Two? | 0:41:42 | 0:41:46 | |
-That is bottom-line! -Yeah, yeah. No, I'm not even wincing. | 0:41:49 | 0:41:54 | |
Yes, you were, Charlie. | 0:41:54 | 0:41:55 | |
-I want Carol to win as well! -Thank you, Judy. | 0:41:55 | 0:41:59 | |
-We haven't quite got that amount, have we? Nearly. -Nearly. | 0:41:59 | 0:42:03 | |
-We are three pounds short. -Three pounds short? | 0:42:03 | 0:42:06 | |
Well, I'm not going to quibble about three pounds! | 0:42:06 | 0:42:09 | |
SHE LAUGHS | 0:42:09 | 0:42:11 | |
Carol, you've given the game away there. THEY LAUGH | 0:42:11 | 0:42:14 | |
No, no. You've got to be hard-headed about these things and it's super. | 0:42:16 | 0:42:20 | |
Astonishingly, Carol has fallen for something other than bling, | 0:42:21 | 0:42:25 | |
but Charlie is thinking with his head for once. | 0:42:25 | 0:42:29 | |
Well, clearly, £200 is about what it'll make. | 0:42:29 | 0:42:32 | |
-And it's lovely. -So we wouldn't make a profit on it. | 0:42:33 | 0:42:37 | |
No, I don't think you would. | 0:42:37 | 0:42:38 | |
That doesn't matter. | 0:42:38 | 0:42:41 | |
It's such a beautiful piece, and the satisfaction we'll get from... | 0:42:41 | 0:42:44 | |
-Owning it. Briefly. -Exactly. Yes. | 0:42:44 | 0:42:47 | |
Despite having said she wouldn't buy furniture, | 0:42:47 | 0:42:50 | |
Carol is determined to get the side table. | 0:42:50 | 0:42:52 | |
The only issue now is the price. | 0:42:52 | 0:42:55 | |
You know what we've got. We've got £197 in our pocket. | 0:42:55 | 0:42:58 | |
Can you do anything better than 180, Judy? | 0:42:58 | 0:43:01 | |
-175, absolute bottom dollar. -You're dropping! Hold on. | 0:43:02 | 0:43:07 | |
-Would you like a chair? -Yes! | 0:43:07 | 0:43:08 | |
We've been given a cracking price. | 0:43:08 | 0:43:10 | |
Can you think of any other reason why we shouldn't buy it? | 0:43:10 | 0:43:13 | |
-No, I think we should buy it. -Sold. | 0:43:13 | 0:43:15 | |
-OK. -That came with such a sigh, Judy. | 0:43:15 | 0:43:18 | |
The deal is sealed. | 0:43:18 | 0:43:20 | |
With a shiny side table in tow, | 0:43:20 | 0:43:23 | |
Charlie hands over the dosh for their final purchase. | 0:43:23 | 0:43:26 | |
-Come on. -You are incorrigible. | 0:43:26 | 0:43:30 | |
And with the shopping now finished, | 0:43:30 | 0:43:33 | |
Carol and Charlie head to Greensted church, | 0:43:33 | 0:43:36 | |
where it's time to unveil her wares. | 0:43:36 | 0:43:38 | |
Three, two, one. This is our table top. | 0:43:38 | 0:43:41 | |
Look at that! | 0:43:41 | 0:43:43 | |
Oh, no! | 0:43:43 | 0:43:44 | |
-The bear's gone! -Wishful thinking on Sian's part. | 0:43:44 | 0:43:47 | |
-Sorry about that. Look! -That's good. | 0:43:47 | 0:43:51 | |
-May I look? -Of course you can. | 0:43:51 | 0:43:52 | |
I have to say I wouldn't give him house room, but I'm sure... | 0:43:52 | 0:43:56 | |
SIAN LAUGHS | 0:43:56 | 0:43:57 | |
-Put it there, girl! That's exactly what I said. -Isn't it funny? | 0:43:57 | 0:44:01 | |
Charles, well done! | 0:44:01 | 0:44:03 | |
-I think you bought something absolutely marvellous. -It's horrible! | 0:44:03 | 0:44:06 | |
-Charlie, sell it to Carol. -Or better still, Sian. | 0:44:06 | 0:44:10 | |
-Black Forest? -Yeah. -Late 19th century. -Yeah. | 0:44:10 | 0:44:14 | |
-Highly collectable. -We paid £140. -I think that's a good thing. | 0:44:14 | 0:44:18 | |
Because we feel, Carol, it might make between 150 and 250. | 0:44:18 | 0:44:21 | |
It could make 250 to 350. | 0:44:21 | 0:44:24 | |
-No, it won't make 250. -It could roar home. -No, no. | 0:44:24 | 0:44:26 | |
Will you? | 0:44:26 | 0:44:28 | |
No. | 0:44:28 | 0:44:29 | |
LAUGHTER | 0:44:29 | 0:44:31 | |
And another of Sian's least favourite pieces, | 0:44:31 | 0:44:34 | |
now with the ear stuck firmly back on. | 0:44:34 | 0:44:37 | |
-What you think of the cat? -I love it. Carol, what's it worth? | 0:44:37 | 0:44:42 | |
50p. | 0:44:42 | 0:44:44 | |
LAUGHTER | 0:44:44 | 0:44:45 | |
That's what I would pay for it. | 0:44:45 | 0:44:47 | |
Carol, I would not even have paid 50p for it. | 0:44:47 | 0:44:50 | |
Carol, one question, is the sun shining on us? | 0:44:50 | 0:44:53 | |
-No, it looks like it's going to rain, actually. -LAUGHTER | 0:44:53 | 0:44:57 | |
But what will Sian and Charles think of their rivals' purchases? | 0:44:57 | 0:45:01 | |
Oooh! | 0:45:01 | 0:45:03 | |
Wow. | 0:45:03 | 0:45:04 | |
Oh, I like this. | 0:45:04 | 0:45:07 | |
-It's Crown Devon, Charlie? -Exactly. What's the pattern? | 0:45:07 | 0:45:11 | |
-Leaping Deer, or something like that. -Stockholm. | 0:45:11 | 0:45:13 | |
Of course, Stockholm, yeah. | 0:45:13 | 0:45:15 | |
Nice little stags, fir trees, a bit of snow. A winter scene. | 0:45:15 | 0:45:19 | |
Well done, that girl. | 0:45:19 | 0:45:21 | |
She might have just swung it for them, you know? | 0:45:21 | 0:45:24 | |
I bet you paid more than £150. | 0:45:24 | 0:45:27 | |
-We paid exactly 150. -Did you, really? Interesting. -Very good. | 0:45:27 | 0:45:31 | |
-Thank you very much. -Sian, come here. What you think of that? | 0:45:31 | 0:45:35 | |
Oh, I didn't see that! | 0:45:35 | 0:45:37 | |
-Is this walnut? -It's walnut. | 0:45:37 | 0:45:40 | |
It's late 19th century, a copy of... | 0:45:40 | 0:45:44 | |
Louis XV style. | 0:45:44 | 0:45:46 | |
So it's 100 years later than it might have been originally, | 0:45:46 | 0:45:49 | |
but it's still a genuine antique. | 0:45:49 | 0:45:51 | |
I'm hoping you paid probably... | 0:45:51 | 0:45:53 | |
-In my estimation, I really feel... -Hang on to me, Sian! | 0:45:53 | 0:45:56 | |
I'm going to be really kind. | 0:45:56 | 0:45:57 | |
-At auction I think it's worth between £70 and £100. -Oh, no, no! | 0:45:57 | 0:46:02 | |
-We paid £150! No, we paid £175! -You didn't? Oh, no! | 0:46:02 | 0:46:08 | |
A mixed reaction, but what do they really think(?) | 0:46:08 | 0:46:12 | |
What was interesting to me | 0:46:12 | 0:46:14 | |
was seeing Charlie's reaction to the bear that I didn't like. | 0:46:14 | 0:46:18 | |
-Absolutely right. -You said to me, "Trust me on this, Sian." | 0:46:18 | 0:46:22 | |
But I don't think the rest of their items are much good at all, | 0:46:22 | 0:46:25 | |
to be perfectly honest. | 0:46:25 | 0:46:27 | |
-The table at 175 is a massive spend. -That's a good spend. | 0:46:27 | 0:46:30 | |
And I think it's worth on a really good day £80. | 0:46:30 | 0:46:33 | |
-Touch and go. -Yeah, I think it could be really close. | 0:46:33 | 0:46:36 | |
-Trust me, we'll be OK. -OK. Come on, then. I do trust you. | 0:46:36 | 0:46:41 | |
No, I really do. | 0:46:41 | 0:46:43 | |
Methinks the lady protesteth too much. | 0:46:44 | 0:46:48 | |
The auction is in the beautiful market town of Cirencester, | 0:46:48 | 0:46:51 | |
often referred to as the capital of the Cotswolds. | 0:46:51 | 0:46:53 | |
Are you looking forward to the auction? | 0:46:53 | 0:46:56 | |
-I don't quite know what to expect. -No. Me neither. | 0:46:56 | 0:46:59 | |
All will soon be revealed. | 0:46:59 | 0:47:02 | |
-We are almost on. -Let's get in. -We're almost on. | 0:47:02 | 0:47:04 | |
Today at Cotswolds Auction House, | 0:47:06 | 0:47:09 | |
our celebs' wares are for sale | 0:47:09 | 0:47:11 | |
online, on the phone and in the room. | 0:47:11 | 0:47:13 | |
Our auctioneer is Elizabeth Poole. | 0:47:13 | 0:47:16 | |
The bear, yes. He's lovely. | 0:47:16 | 0:47:18 | |
The fact that he's a dancing bear with a pole is probably less | 0:47:18 | 0:47:22 | |
saleable than if he hadn't got his dancing pole, | 0:47:22 | 0:47:24 | |
but it's nice that it's a clock. | 0:47:24 | 0:47:25 | |
I'm a little wary of the books because of the condition and | 0:47:25 | 0:47:29 | |
that they're not the sort of thing that's terribly desirable today. | 0:47:29 | 0:47:33 | |
Carol and her very own force of nature, Charlie Ross, | 0:47:33 | 0:47:37 | |
have spent £378 of their original £400 on five lots. | 0:47:37 | 0:47:42 | |
And they still have time for romance. | 0:47:42 | 0:47:44 | |
-That's one of the nicest oil paintings I've ever seen. -Aw! | 0:47:44 | 0:47:47 | |
Sian and Charles could only BEAR to part with £335, | 0:47:47 | 0:47:52 | |
accumulating six lots. | 0:47:52 | 0:47:53 | |
-It's sold. -It's sold. | 0:47:53 | 0:47:55 | |
To date, Charles is undefeated by Charlie Ross, | 0:47:55 | 0:47:59 | |
but could this be the day all that changes? | 0:47:59 | 0:48:01 | |
I've never been to an auction before. | 0:48:01 | 0:48:03 | |
This is all new territory for me. | 0:48:03 | 0:48:06 | |
Carol was after all things shiny, | 0:48:06 | 0:48:08 | |
but ended up falling for a wooden side table. | 0:48:08 | 0:48:10 | |
It's their most expensive purchase, so fingers crossed. | 0:48:10 | 0:48:13 | |
100. 110. 120. | 0:48:13 | 0:48:16 | |
Now we're going! | 0:48:16 | 0:48:18 | |
130. 140. | 0:48:18 | 0:48:20 | |
150. 160. | 0:48:20 | 0:48:22 | |
It's like being at Wimbledon, Carol! | 0:48:22 | 0:48:25 | |
-170. -You're in the money. -180. -Yes! | 0:48:25 | 0:48:29 | |
190. 200. | 0:48:29 | 0:48:31 | |
210. 220. | 0:48:31 | 0:48:33 | |
-It will fit in a small house. -230. | 0:48:33 | 0:48:36 | |
240. | 0:48:36 | 0:48:37 | |
-# Oh, Carol! # -Come on, come on! -250. | 0:48:37 | 0:48:40 | |
# Don't let me steal your heart away. # | 0:48:40 | 0:48:43 | |
270. | 0:48:43 | 0:48:45 | |
At 270 on the phone. | 0:48:45 | 0:48:47 | |
270 on the phone. Are you done in the room? | 0:48:47 | 0:48:49 | |
-270 on the phone. -280! | 0:48:49 | 0:48:52 | |
At 280. | 0:48:52 | 0:48:54 | |
At 280. | 0:48:54 | 0:48:55 | |
290. | 0:48:55 | 0:48:57 | |
At 290. | 0:48:57 | 0:48:58 | |
On the phone at 290. | 0:48:58 | 0:49:00 | |
Last chance, then. Going, going... | 0:49:00 | 0:49:03 | |
-Going at 290... -GAVEL BANGS | 0:49:03 | 0:49:05 | |
CHEERING | 0:49:05 | 0:49:07 | |
-Well done! -An amazing result for their first lot. | 0:49:07 | 0:49:11 | |
Who needs bling when you've got £115 profit? | 0:49:11 | 0:49:16 | |
It shows they've got the right people here. We're going to have a good day. | 0:49:16 | 0:49:19 | |
Sian loved her Shelley vase and posy holder, but will the bidders, too? | 0:49:19 | 0:49:24 | |
-20 to start. -Come on, let's go. | 0:49:24 | 0:49:26 | |
£10. It's a bargain at 20. | 0:49:26 | 0:49:28 | |
-It is a bargain at 20! -20. Come on. | 0:49:28 | 0:49:31 | |
-Start me at 20. -I don't believe it. Surely. | 0:49:31 | 0:49:35 | |
-Madam! -Nobody at £20? | 0:49:35 | 0:49:37 | |
I'm trying hard here, Charles. | 0:49:37 | 0:49:38 | |
-£20... -You're doing a great job. | 0:49:38 | 0:49:42 | |
At 20 with the lady. Any more? Last chance. | 0:49:42 | 0:49:45 | |
A new bidder at 22. | 0:49:45 | 0:49:46 | |
At 22 with the lady. | 0:49:46 | 0:49:48 | |
-22. -One more! Look at me! -Last chance. | 0:49:48 | 0:49:52 | |
Going at 22... | 0:49:52 | 0:49:54 | |
-Oh, no! -A disappointing first lot for Sian and Charles. | 0:49:54 | 0:49:58 | |
Don't mind. Wave them. goodbye. | 0:49:58 | 0:50:01 | |
I want to go and buy them. | 0:50:01 | 0:50:04 | |
Can Carol and Charlie make another big win on their Victorian books? | 0:50:04 | 0:50:09 | |
-Start me at £10. -Easy. -Any interest at 10? | 0:50:09 | 0:50:12 | |
£5. Who'll give me five? | 0:50:12 | 0:50:15 | |
£5. | 0:50:15 | 0:50:16 | |
No interest at five. | 0:50:16 | 0:50:18 | |
-£5. -Sit down! -Two Victorian books. | 0:50:18 | 0:50:21 | |
Five I'm bid. Thank you. Lady's bid at five. | 0:50:21 | 0:50:24 | |
£5. Any more? Lady's bid at five. Six now. | 0:50:24 | 0:50:28 | |
At six. Seven. | 0:50:28 | 0:50:29 | |
At £7 with the lady. Eight, is it? | 0:50:29 | 0:50:32 | |
Eight with the gentleman. | 0:50:32 | 0:50:33 | |
£8. | 0:50:33 | 0:50:35 | |
At £8. | 0:50:35 | 0:50:36 | |
-All done, then, and selling at eight. -Exactly what they cost. | 0:50:36 | 0:50:39 | |
-Oh, well. -Thanks for coming. | 0:50:39 | 0:50:41 | |
Well, perhaps not on fire, Charlie, | 0:50:41 | 0:50:43 | |
but breaking even is still a good result and you're still in the lead. | 0:50:43 | 0:50:48 | |
This is exciting. | 0:50:48 | 0:50:49 | |
But with the temperature rising in the room, | 0:50:49 | 0:50:51 | |
what better time to try out Sian's barometer? | 0:50:51 | 0:50:54 | |
-Start me at 20. -Come on, let's go. Come on, let's go! | 0:50:54 | 0:50:59 | |
Ten, then. £10 for the barometer. | 0:50:59 | 0:51:01 | |
At ten. Any more? | 0:51:01 | 0:51:03 | |
-Over there! -15. | 0:51:03 | 0:51:05 | |
At 15. At 15. Is there any more? | 0:51:05 | 0:51:08 | |
Selling at 15... | 0:51:08 | 0:51:11 | |
SHE LAUGHS | 0:51:11 | 0:51:12 | |
Another disappointing result, | 0:51:12 | 0:51:14 | |
but Charles is still looking on the bright side. | 0:51:14 | 0:51:16 | |
Do you know what, Sian? | 0:51:16 | 0:51:18 | |
I'd rather get the bad ones out of the way first | 0:51:18 | 0:51:20 | |
and look forward to the good times. | 0:51:20 | 0:51:22 | |
Dealer Ron gave Carol | 0:51:23 | 0:51:24 | |
and Charlie quite a bargain on this bronze medal. | 0:51:24 | 0:51:27 | |
Can it turn a profit? | 0:51:27 | 0:51:28 | |
Bit of interest on this. Let's start the bidding at ten. 12. Bid at 12. | 0:51:28 | 0:51:33 | |
At £12. | 0:51:33 | 0:51:34 | |
At 12. 15 in the room. At 15. | 0:51:34 | 0:51:37 | |
At 15. 18. | 0:51:37 | 0:51:39 | |
-20. -Yeah, that's it. -Stop it. | 0:51:39 | 0:51:41 | |
20. Who's going on? At £20. Is there any more? | 0:51:41 | 0:51:44 | |
-At £20... -It's great. -What do you mean, great? It's a disaster. | 0:51:44 | 0:51:47 | |
-At 20... -Very disappointed with that. | 0:51:47 | 0:51:52 | |
Very disappointed with that. | 0:51:52 | 0:51:53 | |
Bad luck. They got that for a steal. | 0:51:54 | 0:51:56 | |
Next up is the Chinese bowl Sian loved. | 0:51:56 | 0:51:59 | |
Ten I'm bid. At ten. At ten. | 0:52:01 | 0:52:04 | |
-20th century. -Is there any more? At 10. -I don't believe it. | 0:52:04 | 0:52:07 | |
-It's 20th century. -At £10. -It's not. -It is. | 0:52:07 | 0:52:09 | |
I'm selling at ten if you're all finished. At £10. | 0:52:09 | 0:52:12 | |
-Last chance... -GAVEL BANGS | 0:52:12 | 0:52:14 | |
Oh! | 0:52:16 | 0:52:17 | |
-Now, that is a disaster. -That is. | 0:52:17 | 0:52:20 | |
Charlie seems to think that the bowl is younger than Charles had | 0:52:20 | 0:52:23 | |
originally thought and it appears the buyers here today agreed. | 0:52:23 | 0:52:27 | |
Carol, I feel we are almost going to surrender | 0:52:27 | 0:52:30 | |
to your lead now, that is just about insurmountable. | 0:52:30 | 0:52:35 | |
It's not over yet, Charles. | 0:52:35 | 0:52:37 | |
Without Carol's permission, | 0:52:37 | 0:52:38 | |
Charlie purchased the so-called Victorian letterbox. | 0:52:38 | 0:52:41 | |
But will it put a final stamp on their victory? | 0:52:41 | 0:52:44 | |
£30. No takers at £30? Come on! | 0:52:44 | 0:52:47 | |
No interest at £30? | 0:52:47 | 0:52:49 | |
You need a letterbox. I know you need a letterbox. | 0:52:49 | 0:52:52 | |
Everybody needs a letterbox! | 0:52:52 | 0:52:55 | |
£20, start me off, then. | 0:52:55 | 0:52:57 | |
-Any interest at 20? -It's very heavy. -With the lady at £20. | 0:52:57 | 0:53:01 | |
At £20. Must be worth more than this. 22. | 0:53:01 | 0:53:05 | |
22. | 0:53:05 | 0:53:06 | |
22 standing. 25. | 0:53:06 | 0:53:08 | |
-You get the money. -25. | 0:53:08 | 0:53:11 | |
Not a lot. At 25. | 0:53:11 | 0:53:13 | |
-Keep going. -Come on! It's wiping its face. | 0:53:13 | 0:53:18 | |
It's cheap at 25... | 0:53:18 | 0:53:20 | |
Is that a profit? | 0:53:21 | 0:53:23 | |
Did someone bid? Yeah, they bought it. Well done. | 0:53:23 | 0:53:27 | |
-Thank you. -An absolute snip. | 0:53:27 | 0:53:29 | |
Another surprise result, but they're still in the lead. | 0:53:29 | 0:53:33 | |
-We're going down, Charlie. -No, Carol, stick with me. | 0:53:33 | 0:53:36 | |
Next up, the cat with a glued-on ear. | 0:53:37 | 0:53:40 | |
Best of luck, guys. | 0:53:40 | 0:53:41 | |
-Start me at £15. -This is our make or break. -Nobody is on the phone. | 0:53:41 | 0:53:45 | |
Come on. | 0:53:45 | 0:53:46 | |
Come on, she says! | 0:53:46 | 0:53:48 | |
-We've got 15! -Thank you, sir. At 30. -30. Come on, let's go. | 0:53:48 | 0:53:51 | |
At 30 here. Come on, it's worth a bit more. 35. | 0:53:51 | 0:53:54 | |
-Come on, let's go. -45. 50. -We're going. -55. 60. -Come on! -At 60. | 0:53:54 | 0:53:59 | |
One more, madam. | 0:53:59 | 0:54:00 | |
At 60. Come on, one more. | 0:54:00 | 0:54:02 | |
At 60. Is there any more? I shall sell at 60. | 0:54:02 | 0:54:06 | |
All done. | 0:54:06 | 0:54:08 | |
-Brilliant! £60! -That's great! -The journey is on. | 0:54:08 | 0:54:12 | |
An amazing profit for Sian and Charles. They're back in the game. | 0:54:12 | 0:54:17 | |
That's really good. Congratulations, Charles. Sian, brilliant. | 0:54:17 | 0:54:22 | |
That was brilliantly done. | 0:54:22 | 0:54:25 | |
The tension is rising, | 0:54:25 | 0:54:26 | |
and at £150, Carol's Stockholm china set was a high-risk purchase. | 0:54:26 | 0:54:32 | |
Let's hope it pays off. | 0:54:32 | 0:54:34 | |
Lots and lots of interest. Can I start the bidding at 55, 60? | 0:54:34 | 0:54:39 | |
-At £60. -Lots of interest, 60? -At 60. 65. 70. 75. 80. | 0:54:39 | 0:54:42 | |
85. 90. | 0:54:42 | 0:54:44 | |
95. 100. 110. 120. | 0:54:44 | 0:54:47 | |
At 120. | 0:54:47 | 0:54:49 | |
More! We need a bit more. | 0:54:49 | 0:54:51 | |
At 120. | 0:54:51 | 0:54:52 | |
130. 140. At 140. Any more? Online at 140. | 0:54:52 | 0:54:56 | |
Are we all done at 140? | 0:54:56 | 0:55:00 | |
-Well done. -It could have been a lot worse. | 0:55:00 | 0:55:03 | |
I thought it would go higher than that, actually. | 0:55:03 | 0:55:05 | |
The way it was going like this. | 0:55:05 | 0:55:07 | |
I agree. Another shock result, though. | 0:55:07 | 0:55:09 | |
And Carol and Charlie's first loss of the day. | 0:55:09 | 0:55:12 | |
Next, love it or loathe it, the dancing bear. | 0:55:14 | 0:55:17 | |
Charles is convinced it's a winner. | 0:55:17 | 0:55:20 | |
It'll need to be to get them back in the competition. | 0:55:20 | 0:55:22 | |
£50 to start me. | 0:55:22 | 0:55:24 | |
-Hold my hand, Carol. -Good luck. | 0:55:24 | 0:55:27 | |
60. | 0:55:27 | 0:55:28 | |
65. | 0:55:28 | 0:55:30 | |
70. 75. | 0:55:30 | 0:55:31 | |
75. 80. 85. | 0:55:31 | 0:55:33 | |
90. | 0:55:33 | 0:55:35 | |
-95. -Oh, my God. | 0:55:35 | 0:55:37 | |
100. 110. 120. 130. | 0:55:37 | 0:55:40 | |
-Keep going, girl. -140. 150. 160. 170. | 0:55:40 | 0:55:44 | |
Let's go, girl. Let's party hard. It's on, girl. | 0:55:44 | 0:55:47 | |
200. 220. | 0:55:47 | 0:55:49 | |
-Let's go, girl. -250. 260. | 0:55:49 | 0:55:51 | |
280. 300. | 0:55:51 | 0:55:53 | |
-At 300... -Keep going. -At 300 bid standing. Any more online? | 0:55:53 | 0:55:57 | |
-At 300 in the room... All done? -GAVEL BANGS | 0:55:57 | 0:56:00 | |
Yes! | 0:56:00 | 0:56:01 | |
-Well done! -Thank you very much! Thank you! -Thank you! | 0:56:03 | 0:56:08 | |
An amazing victory and what a comeback. | 0:56:08 | 0:56:10 | |
The competition is really hotting up. | 0:56:10 | 0:56:13 | |
-Who's winning? I don't know. -I don't know who's winning. | 0:56:13 | 0:56:16 | |
We can't work it out any more. It's no good. My mathematics are no good. | 0:56:16 | 0:56:22 | |
I don't know what's happening. | 0:56:22 | 0:56:24 | |
It's all too much. The contest is now wide open. | 0:56:24 | 0:56:27 | |
It's down to Sian and Charles's final lot. | 0:56:27 | 0:56:30 | |
-£10. -Come on! | 0:56:30 | 0:56:33 | |
Please! | 0:56:33 | 0:56:34 | |
We need this! | 0:56:34 | 0:56:36 | |
Any interest at 10? | 0:56:36 | 0:56:37 | |
-Don't bid! -Beautiful tray. -Five! | 0:56:37 | 0:56:41 | |
£5. Nobody wants it. | 0:56:41 | 0:56:43 | |
Any interest at five? | 0:56:43 | 0:56:45 | |
Oh, no. We worked so hard. | 0:56:45 | 0:56:47 | |
They can't hear me because you're making so much noise! | 0:56:47 | 0:56:50 | |
We're being told off by the auctioneer! | 0:56:50 | 0:56:52 | |
You tell 'em, Liz! | 0:56:52 | 0:56:54 | |
Five I'm bid. Thank you. | 0:56:54 | 0:56:55 | |
At £5. Any more? At £5 with the gentleman. | 0:56:55 | 0:56:58 | |
Come on, six. | 0:56:58 | 0:56:59 | |
This is a plea for a little bit more. £6 anywhere? | 0:56:59 | 0:57:03 | |
Selling, then, at five if I have to. All done. | 0:57:03 | 0:57:06 | |
Were you bidding, madam? | 0:57:07 | 0:57:09 | |
-No, right. -Nice try, Charles. | 0:57:09 | 0:57:10 | |
In spite of his cajoling, they racked up another big loss. | 0:57:10 | 0:57:14 | |
And I still think it's really close. | 0:57:14 | 0:57:16 | |
Of course it's close. Who's won? | 0:57:16 | 0:57:18 | |
So it's time to find out, and let me tell you, it's a close one today. | 0:57:18 | 0:57:22 | |
Sean and Charles made a small profit, after auction costs, | 0:57:22 | 0:57:25 | |
of £2.84, leaving them with £402.84. | 0:57:25 | 0:57:31 | |
But Carol and Charlie did marginally better, and after costs | 0:57:31 | 0:57:34 | |
emerged with a profit of £18.06 | 0:57:34 | 0:57:38 | |
and a final tally of £418.06. | 0:57:38 | 0:57:43 | |
All profits, both great and small, go to Children In Need. | 0:57:43 | 0:57:46 | |
What's more, for the first time in Antique Road Trip history, | 0:57:46 | 0:57:50 | |
Charlie Ross has emerged victorious over Charles Hanson. | 0:57:50 | 0:57:55 | |
-Well done. Congratulations. -Put your hand there. -Congratulations. | 0:57:55 | 0:57:58 | |
-I've beaten you at last. -Sian, allow me. | 0:57:58 | 0:58:01 | |
-We've had an absolute ball. -It was great fun. | 0:58:01 | 0:58:04 | |
Carol, I haven't said goodbye. | 0:58:04 | 0:58:06 | |
Get off! | 0:58:08 | 0:58:09 | |
It looks like victory has gone to Charlie's head! | 0:58:09 | 0:58:12 | |
-Come on, Charlie. -All the best. -Thanks a lot! -Bye, girls. | 0:58:15 | 0:58:21 | |
Bye-bye, ladies. | 0:58:21 | 0:58:22 | |
ALL SAY GOODBYE | 0:58:22 | 0:58:24 | |
Come on, girls! | 0:58:24 | 0:58:26 | |
Don't leave us! Don't leave us! | 0:58:26 | 0:58:28 | |
-Come on, Sian, let's get out of here. -Hurray! | 0:58:28 | 0:58:31 | |
THEY LAUGH | 0:58:31 | 0:58:33 | |
It's been fantastic. I've loved every minute of it. | 0:58:33 | 0:58:36 | |
-We've laughed so much over the past three days, haven't we? -Yes. | 0:58:36 | 0:58:39 | |
It's been brilliant. | 0:58:39 | 0:58:40 |