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The nation's favourite celebrities... | 0:00:02 | 0:00:04 | |
-We are special then, are we? -Oh, that's excellent. | 0:00:04 | 0:00:06 | |
..paired up with an expert... | 0:00:06 | 0:00:08 | |
We are a very good team, you and me. | 0:00:08 | 0:00:10 | |
..and a classic car. | 0:00:10 | 0:00:12 | |
Their mission? To scour Britain for antiques. | 0:00:12 | 0:00:15 | |
-I have no idea what it is. -Oh, I love it. | 0:00:15 | 0:00:17 | |
The aim? To make the biggest profit at auction. | 0:00:17 | 0:00:20 | |
Yes! | 0:00:20 | 0:00:21 | |
But it's no easy ride. | 0:00:21 | 0:00:23 | |
There's no accounting for taste. | 0:00:23 | 0:00:25 | |
Who will find a hidden gem? | 0:00:25 | 0:00:27 | |
Who will take the biggest risks? | 0:00:27 | 0:00:30 | |
Will anybody follow expert advice? | 0:00:30 | 0:00:33 | |
-Do you like them? -No. | 0:00:33 | 0:00:35 | |
There will be worthy winners and valiant losers. | 0:00:35 | 0:00:38 | |
-Are you happy? -Yes. -Promise. -Ecstatic(!) | 0:00:38 | 0:00:40 | |
Time to put your pedal to the metal. | 0:00:40 | 0:00:42 | |
This is Celebrity Antiques Road Trip. | 0:00:42 | 0:00:45 | |
Yeah! | 0:00:47 | 0:00:48 | |
Today's celebrities are two giants of daytime telly, | 0:00:53 | 0:00:56 | |
breakfast presenting doyen Anne Diamond... | 0:00:56 | 0:00:59 | |
Good morning, it's Tuesday. | 0:00:59 | 0:01:01 | |
..joins top TV chef Ainsley Harriott. | 0:01:01 | 0:01:04 | |
Good morning! | 0:01:04 | 0:01:05 | |
Famous for his delicious recipes and flamboyant style, | 0:01:05 | 0:01:09 | |
Ainsley is now one of our leading chefs. | 0:01:09 | 0:01:11 | |
But his first big break was a slot on Good Morning With Anne And Nick. | 0:01:11 | 0:01:15 | |
I'll never forget the first day I came on the show. I was so nervous. | 0:01:17 | 0:01:20 | |
I heated all my pans so everything would cook quickly | 0:01:20 | 0:01:23 | |
because we were against the clock and you came over, | 0:01:23 | 0:01:26 | |
and went to shift the pan. I think you burnt your hand. | 0:01:26 | 0:01:28 | |
Ow! | 0:01:28 | 0:01:29 | |
I thought I was going to get the sack. | 0:01:29 | 0:01:32 | |
"They are never going to have me back." | 0:01:32 | 0:01:34 | |
Broadcaster and campaigner, Anne, started out in the '80s | 0:01:34 | 0:01:37 | |
on the ground-breaking TV-AM but it wasn't until she got up | 0:01:37 | 0:01:41 | |
a bit later and met Ainsley, that she really cracked TV cooking. | 0:01:41 | 0:01:46 | |
-I remember you showing me how to poach an egg. -Yeah. -Live on air. | 0:01:46 | 0:01:50 | |
And you've never forgotten that. | 0:01:50 | 0:01:52 | |
No, and I've never still been able to do it! | 0:01:52 | 0:01:55 | |
Ainsley went on to present legendary shows | 0:01:55 | 0:01:58 | |
like Can't Cook Won't Cook and Ready Steady Cook. | 0:01:58 | 0:02:02 | |
But now, after all these years, he's back with Anne. | 0:02:02 | 0:02:04 | |
Ready Steady must have been a lovely programme to be on. | 0:02:04 | 0:02:07 | |
-Oh, yeah. -Why wasn't I ever invited onto that? -I don't know! | 0:02:07 | 0:02:10 | |
I should have rung you up. Maybe I was busy. | 0:02:10 | 0:02:13 | |
Today's experts, dealer David Harper, | 0:02:17 | 0:02:19 | |
an auctioneer Christina Trevanion, | 0:02:19 | 0:02:21 | |
are certainly feeling bowled over about working with these two. | 0:02:21 | 0:02:26 | |
-He was quite famous for his shirts, wasn't he? -Very much so. | 0:02:26 | 0:02:29 | |
-You'll get on like a house on fire. -Yeah, I know. | 0:02:29 | 0:02:31 | |
I love his dress sense. We've got the same hairstyle and everything! | 0:02:31 | 0:02:36 | |
Do you know what, me and Ainsley Harriott will look like twins! | 0:02:36 | 0:02:39 | |
With £400 each, celebrities | 0:02:42 | 0:02:43 | |
and experts are making their way through the Thames Valley | 0:02:43 | 0:02:46 | |
in a 1990s Alfa Romeo Spider and a 1980s Mercedes convertible. | 0:02:46 | 0:02:51 | |
The last time we saw each other, this car was modern! | 0:02:52 | 0:02:56 | |
Time to meet and decide who's going shopping with whom. | 0:02:57 | 0:03:00 | |
We made it! | 0:03:00 | 0:03:02 | |
Open the door, sir. | 0:03:02 | 0:03:04 | |
Hang on. Sorry, Ainsley. Lovely to meet you. | 0:03:04 | 0:03:08 | |
This is Christina. Are we going to win? | 0:03:08 | 0:03:11 | |
Are we together? | 0:03:11 | 0:03:13 | |
I think we are together. I think it's boy-girl, boy-girl. | 0:03:13 | 0:03:16 | |
-I think it is. Absolutely. -I think so, I think so. | 0:03:16 | 0:03:18 | |
OK, so who's going to go in which car? | 0:03:18 | 0:03:20 | |
Would you prefer the auto? | 0:03:20 | 0:03:21 | |
Quick, quick, quick, let's go! | 0:03:21 | 0:03:23 | |
-Make a decision because they are off. -You drive first. | 0:03:23 | 0:03:26 | |
All right, all right, it's not against the clock, you know? | 0:03:26 | 0:03:29 | |
-Auf wiedersehen, pet. -Really! | 0:03:29 | 0:03:33 | |
Our trip starts in Maidenhead beside the Thames. | 0:03:33 | 0:03:36 | |
We then shop into London before making our way out east, winding | 0:03:36 | 0:03:40 | |
up at an auction even further downstream in Dartford, Kent. | 0:03:40 | 0:03:45 | |
But first, a little celebrity expert bonding. | 0:03:47 | 0:03:50 | |
-Are you a lover of antiques? -My first answer is no. But hang on. | 0:03:50 | 0:03:54 | |
I've got absolutely no idea why | 0:03:54 | 0:03:57 | |
but I've always been interested in little interesting side tables. | 0:03:57 | 0:04:01 | |
Maidenhead will be ready, after all, | 0:04:01 | 0:04:03 | |
it's seen a few celebrities over the years. | 0:04:03 | 0:04:06 | |
Britain's own blonde bombshell Diana Dors used to live here | 0:04:06 | 0:04:09 | |
and we are just a few minutes from the Thameside studio | 0:04:09 | 0:04:12 | |
where the Hammer horrors were made. | 0:04:12 | 0:04:15 | |
-Hello, you must be Marie. -Hello, Anne. Nice to meet you. | 0:04:15 | 0:04:18 | |
-Hello, David. -Lovely to see you. -What a fantastic place. | 0:04:18 | 0:04:21 | |
-You've got so much going on here. -We certainly do. | 0:04:21 | 0:04:24 | |
-So, we are going to be dealing with you, then? -Yes, you will be. | 0:04:24 | 0:04:27 | |
Are you going to be nice and friendly and gorgeous? | 0:04:27 | 0:04:30 | |
-Of course, as always. -Wonderful. | 0:04:30 | 0:04:32 | |
That's the spirit! Although, she has got 40 dealers to keep happy, too. | 0:04:32 | 0:04:36 | |
Anne has declared a passion for furniture | 0:04:40 | 0:04:42 | |
but there's a good bit of retro here as well. | 0:04:42 | 0:04:45 | |
Hardly seems like yesterday, does it? | 0:04:45 | 0:04:47 | |
I think I've got this hat. | 0:04:47 | 0:04:49 | |
I think I wore this to Ascot once. Ascot coming up. | 0:04:49 | 0:04:52 | |
Are you into vintage clothing? | 0:04:52 | 0:04:54 | |
Not particularly, although I have the finest collection of '80s stuff. | 0:04:54 | 0:04:58 | |
Have you got those huge shoulder pads? | 0:04:58 | 0:05:01 | |
I went to an exhibition at the V&A and their stuff from the '80s was | 0:05:01 | 0:05:04 | |
nothing like my stuff from the '80s because I had the money to spend on | 0:05:04 | 0:05:08 | |
designer stuff in the '80s, sequins and huge dynasty padded shoulders. | 0:05:08 | 0:05:11 | |
I felt like writing to the V&A and saying if you want to borrow | 0:05:11 | 0:05:14 | |
any of my stuff and put it in the cabinet instead, you are most | 0:05:14 | 0:05:17 | |
welcome because I thought I had a much better collection. | 0:05:17 | 0:05:20 | |
Would they actually get it in the cabinet though? They'd be too wide. | 0:05:20 | 0:05:23 | |
-And speaking of padding... -Look at that little chair. | 0:05:23 | 0:05:26 | |
I'm into upholstery and I could put new upholstery on it | 0:05:26 | 0:05:29 | |
that would make it look such a pretty piece. | 0:05:29 | 0:05:31 | |
-Do you do your own upholstery? -Yeah, I do. | 0:05:31 | 0:05:33 | |
I've had the same sofa for 27 years because I will not let it die. | 0:05:33 | 0:05:36 | |
She really does love furniture. | 0:05:36 | 0:05:37 | |
-It's a little table and I like little tables. -It is a little table. | 0:05:37 | 0:05:41 | |
I like little tables with little compartments. | 0:05:41 | 0:05:43 | |
That would look beautiful in the corner of a room. | 0:05:43 | 0:05:46 | |
I would be terrified that that's reproduction | 0:05:46 | 0:05:48 | |
-and I'm falling for a reproduction. -I promise you it's not. | 0:05:48 | 0:05:51 | |
This is marquetry inlay, so if you take your nail | 0:05:51 | 0:05:53 | |
and run across the top of it, you can feel... | 0:05:53 | 0:05:55 | |
-You can feel the way it is done. -Exactly. | 0:05:55 | 0:05:57 | |
-Now, if it was a repro, that would certainly be transfer print. -Yes. | 0:05:57 | 0:06:00 | |
I think this is lovely because it has a distinct name | 0:06:00 | 0:06:03 | |
and a great history. It's the Davenport desk. | 0:06:03 | 0:06:05 | |
This was made in about 1910 | 0:06:05 | 0:06:07 | |
but the original Davenport was made for a Captain Davenport | 0:06:07 | 0:06:12 | |
by Gillows of Lancaster in the late 18th, early 19th century, | 0:06:12 | 0:06:17 | |
and Captain Davenport ordered himself a desk | 0:06:17 | 0:06:21 | |
very small and neat, that could travel with him on campaign. | 0:06:21 | 0:06:24 | |
Oh, I like that. | 0:06:24 | 0:06:25 | |
And 100 years later, this was made in England out of walnut with | 0:06:25 | 0:06:29 | |
marquetry, and it's ever so sweet. | 0:06:29 | 0:06:31 | |
It would look nice in my cottage. | 0:06:31 | 0:06:33 | |
-Now, we're not buying for you, we're buying for profit. -I know! | 0:06:33 | 0:06:36 | |
Yeah, don't get carried away. | 0:06:36 | 0:06:38 | |
The ticket price is £225 - | 0:06:38 | 0:06:40 | |
hefty but already reduced from £385. | 0:06:40 | 0:06:43 | |
And there's a good reason why. | 0:06:43 | 0:06:46 | |
15 years ago, I wouldn't have haggled. | 0:06:46 | 0:06:48 | |
I would have bought it instantly and ran out the door. | 0:06:48 | 0:06:51 | |
Why is it different now? | 0:06:51 | 0:06:53 | |
Prices have just collapsed over the last ten or 15 years, | 0:06:53 | 0:06:56 | |
with furniture. We'd have to get it at 100 quid. | 0:06:56 | 0:06:59 | |
We really would. | 0:06:59 | 0:07:01 | |
Put it on the short list then. | 0:07:01 | 0:07:04 | |
So, little bits of furniture really get you, don't they? | 0:07:04 | 0:07:07 | |
I didn't realise they did but actually, yes, they do. | 0:07:07 | 0:07:10 | |
I mean even that little table is quite interesting, isn't it? | 0:07:10 | 0:07:13 | |
It's funny because that's Edwardian as well. Do you know what it is? | 0:07:13 | 0:07:17 | |
-It's a coal scuttle. -Yes. -Wow! -Isn't that brilliant? | 0:07:17 | 0:07:21 | |
Do you know what I would do now is I'd clean that bit out, | 0:07:21 | 0:07:23 | |
completely clean it out and keep magazines and books in there. | 0:07:23 | 0:07:26 | |
Absolutely perfect. | 0:07:26 | 0:07:28 | |
-Anne's enjoying herself here. -You could repair that, couldn't you? | 0:07:28 | 0:07:31 | |
Yeah, you could. | 0:07:31 | 0:07:33 | |
Get a bit of brown beeswax and it will come up an absolute delight. | 0:07:33 | 0:07:36 | |
-I like it. -Isn't that gorgeous? -If we can find out how much it is... | 0:07:36 | 0:07:39 | |
-We'll get a price on that. There's Marie. -The coal scuttle. | 0:07:39 | 0:07:42 | |
-Now, you've got that label for how much? -80, I think. Yes, 80. | 0:07:42 | 0:07:46 | |
So, I would have to get in touch with the dealer. | 0:07:46 | 0:07:49 | |
-Actually, let's backtrack. -OK. | 0:07:49 | 0:07:51 | |
The Davenport. To make a profit, I'd say 100, if Anne was up for it. | 0:07:51 | 0:07:56 | |
-That, I think, would probably be OK. -Shall we have the Davenport? -Yeah. | 0:07:56 | 0:08:02 | |
-I think that's a good deal. -We'll have that. -Excellent, thank you. | 0:08:02 | 0:08:07 | |
Oh, that's really lovely because I loved that. | 0:08:07 | 0:08:10 | |
Well, Anne has got those two off to a brave start, | 0:08:10 | 0:08:13 | |
with the coal scuttle still under consideration. | 0:08:13 | 0:08:16 | |
But what about our other couple? | 0:08:16 | 0:08:19 | |
Go, Ainsley! Go, go, go! | 0:08:19 | 0:08:21 | |
Oh, Lordy, if he shops like that, we're in for quite a ride. | 0:08:21 | 0:08:25 | |
So what's the plan? | 0:08:25 | 0:08:26 | |
Let's buy things that we like. | 0:08:26 | 0:08:28 | |
Let's buy things that are a bit quirky. Let's buy fun things. | 0:08:28 | 0:08:32 | |
Yes, OK. And something that you feel passionate about, too, | 0:08:32 | 0:08:35 | |
-really, isn't it? -Yeah. | 0:08:35 | 0:08:37 | |
I think if you believe in it then we are halfway there. | 0:08:37 | 0:08:40 | |
-OK, that's a very good tip. -Believe in it. | 0:08:40 | 0:08:43 | |
I believe we are now about to head into Buckinghamshire | 0:08:43 | 0:08:46 | |
and the village of Burnham. | 0:08:46 | 0:08:48 | |
If it all seems a bit familiar, that might be | 0:08:48 | 0:08:51 | |
because of the numerous Carry On movies that were shot around here. | 0:08:51 | 0:08:55 | |
Burnham is awfully close to Pinewood Studios, you see? | 0:08:55 | 0:08:58 | |
Hey, we're here. Look at this! | 0:08:58 | 0:09:01 | |
Ooh! Come on! | 0:09:02 | 0:09:03 | |
Any movie memorabilia here, I wonder? Kitchenalia? | 0:09:03 | 0:09:07 | |
Will Ainsley do an Anne? | 0:09:07 | 0:09:09 | |
-Let's have a look over there. -OK. | 0:09:09 | 0:09:11 | |
So, have a good luck. See if there's anything you like the look of. | 0:09:11 | 0:09:15 | |
Anything, anything, anything and give me a shout. | 0:09:15 | 0:09:17 | |
Ainsley, "No unaccompanied children." Come on, come on. This way, this way. | 0:09:17 | 0:09:22 | |
Now, let's not take our expert status too seriously, Christina. | 0:09:22 | 0:09:26 | |
My mother had her tea service in a glass cabinet. | 0:09:26 | 0:09:29 | |
-Were you ever allowed to touch it? -No. -On pain of death? | 0:09:29 | 0:09:31 | |
It was next to the Encyclopaedia Britannicas. | 0:09:31 | 0:09:34 | |
You weren't allowed to touch it. | 0:09:34 | 0:09:36 | |
Ainsley is not too bothered about furniture | 0:09:36 | 0:09:38 | |
but what will he put his hat on? | 0:09:38 | 0:09:40 | |
-Marylou, would you marry me? -I think I would, sir. | 0:09:40 | 0:09:45 | |
Carry on, cowboy! | 0:09:45 | 0:09:46 | |
Let's take a look in "them thar" cabinets. | 0:09:46 | 0:09:49 | |
-That's quite nice. -That is fun, isn't it? What's that? | 0:09:49 | 0:09:52 | |
"Oriental brass and copper cicada cricket snuffbox." | 0:09:52 | 0:09:55 | |
That is interesting, isn't it? | 0:09:55 | 0:09:57 | |
Might have a little look at that. | 0:09:57 | 0:09:59 | |
-I quite like the look of that. -I think that's really pretty. | 0:09:59 | 0:10:02 | |
What would they have used that for, then? | 0:10:02 | 0:10:05 | |
-It's technically termed as a "thing to put things in." -Yeah? OK. | 0:10:05 | 0:10:09 | |
She's good. | 0:10:09 | 0:10:10 | |
Hello! | 0:10:11 | 0:10:13 | |
-Could we possibly have a look in a cabinet? -Yes. | 0:10:13 | 0:10:16 | |
Anne, this is Ainsley, who I've brought with me today. | 0:10:16 | 0:10:18 | |
-Hello, Anne, how are you? -I'm fine, thank you. | 0:10:18 | 0:10:20 | |
Pleased to meet you too. | 0:10:20 | 0:10:22 | |
-We really like that silver box. -No, we don't! | 0:10:22 | 0:10:25 | |
Oh, sorry. We don't like that silver box. | 0:10:25 | 0:10:27 | |
And I'm particularly fond of this piece too. | 0:10:29 | 0:10:33 | |
It's a snuff box, oriental snuff box. | 0:10:33 | 0:10:36 | |
So you'd put your snuff in there, obviously, then take out the wings | 0:10:36 | 0:10:39 | |
-and you'd take your snuff. -And fold it up. | 0:10:39 | 0:10:41 | |
Very sweet. I like that. | 0:10:41 | 0:10:43 | |
Let's have a little look at that. What do you think of that? | 0:10:43 | 0:10:46 | |
I like this. There's a little indentation there. | 0:10:46 | 0:10:48 | |
-You see it? -Like a little crease across the top. | 0:10:48 | 0:10:51 | |
-Oh, look at that, look. -That is nice. | 0:10:51 | 0:10:53 | |
Can you see a hallmark on there? | 0:10:53 | 0:10:55 | |
Can you see a silver hallmark? | 0:10:55 | 0:10:56 | |
-There we are. -There we go. -I am clever, aren't I? | 0:10:56 | 0:10:59 | |
This is the Birmingham hallmark, which is the anchor, | 0:10:59 | 0:11:01 | |
and then a D, which is 1903. | 0:11:01 | 0:11:04 | |
-Typically Edwardian. -OK. | 0:11:04 | 0:11:05 | |
It's got this lovely, lightly-hammered finish, | 0:11:05 | 0:11:07 | |
so it's quite Arts and Crafts, | 0:11:07 | 0:11:09 | |
which means it was handmade, hand-finished as well. | 0:11:09 | 0:11:11 | |
What I really like about it is it's got this silver gilt interior, | 0:11:11 | 0:11:14 | |
which is a sign of quality. | 0:11:14 | 0:11:15 | |
Ah! | 0:11:15 | 0:11:17 | |
I think the silver's winning. | 0:11:17 | 0:11:19 | |
Box not quite up to snuff? | 0:11:19 | 0:11:21 | |
Snuff box collectors really want something that is really antique, | 0:11:21 | 0:11:25 | |
really unique and has got some history to it, | 0:11:25 | 0:11:27 | |
-so this is... -A no-no. | 0:11:27 | 0:11:29 | |
Sorry about that, Anne. | 0:11:29 | 0:11:31 | |
So how much have you got on the silver box, Anne? | 0:11:31 | 0:11:34 | |
I've got 35 on that. | 0:11:34 | 0:11:36 | |
£35. Is there any flexibility on that price at all? | 0:11:36 | 0:11:39 | |
I love you, Anne! | 0:11:40 | 0:11:42 | |
30, how about 30? | 0:11:43 | 0:11:45 | |
How about 25? | 0:11:45 | 0:11:47 | |
Seeing as you're holding my hand so nicely... | 0:11:47 | 0:11:49 | |
22. | 0:11:49 | 0:11:51 | |
-25. -All right, then. | 0:11:54 | 0:11:57 | |
I think that's a deal, don't you? Thank you very much. | 0:11:57 | 0:11:59 | |
Sealed with a loving kiss? | 0:11:59 | 0:12:01 | |
Another one? Oh, how lovely! | 0:12:02 | 0:12:04 | |
# Shall we dance... # | 0:12:06 | 0:12:08 | |
That Ainsley's certainly proving a smooth operator, | 0:12:08 | 0:12:12 | |
plus for a lot less than Anne and David, | 0:12:12 | 0:12:14 | |
they've acquired a very sellable first lot. | 0:12:14 | 0:12:17 | |
This is great for storing things in. | 0:12:17 | 0:12:19 | |
That is the key to buying nice silver successfully these days - | 0:12:19 | 0:12:22 | |
it's still got to be usable. | 0:12:22 | 0:12:23 | |
These lovely entree dishes you can get in solid silver | 0:12:23 | 0:12:26 | |
are incredibly expensive, | 0:12:26 | 0:12:27 | |
but when was the last time you used your silver entree dish? | 0:12:27 | 0:12:30 | |
How dare you talk about my entree dish(!) | 0:12:30 | 0:12:33 | |
It was all going so well, too... | 0:12:33 | 0:12:34 | |
Any news from Maidenhead, I wonder? | 0:12:36 | 0:12:38 | |
Is that just an opening table, then? | 0:12:38 | 0:12:39 | |
It's a tea table. | 0:12:39 | 0:12:41 | |
Anne's got yet more furniture. Look out... | 0:12:41 | 0:12:44 | |
OK, so, there you go, there's your occasional table. | 0:12:44 | 0:12:47 | |
Lovely, lovely, shape. | 0:12:47 | 0:12:48 | |
That's in solid mahogany, | 0:12:48 | 0:12:50 | |
so the table legs should have a wooden hinge, look at that. | 0:12:50 | 0:12:53 | |
-Ooh, yes! -That's hand-crafted. | 0:12:55 | 0:12:57 | |
How do they come out? | 0:12:57 | 0:12:59 | |
Oh, the whole leg comes out! | 0:12:59 | 0:13:00 | |
-Oh, this is brilliant. -Flip that over. | 0:13:00 | 0:13:02 | |
Oh, I love it. I would like to own that. | 0:13:04 | 0:13:06 | |
Now, Anne, it's all about making a profit, love, | 0:13:06 | 0:13:09 | |
not home furnishing. | 0:13:09 | 0:13:11 | |
I need to work out whether it is a Georgian restored | 0:13:11 | 0:13:15 | |
or an Edwardian... | 0:13:15 | 0:13:16 | |
..copy. | 0:13:17 | 0:13:18 | |
An indicator for Georgian furniture are the blocks. | 0:13:18 | 0:13:21 | |
-You see the corner blocks? -Yes. | 0:13:21 | 0:13:22 | |
-In the Georgian period, you've got these round... -A bit of beauty. | 0:13:22 | 0:13:25 | |
Yes, and they're just hand-cut. | 0:13:25 | 0:13:27 | |
This is made in the Georgian period, but at some point, | 0:13:27 | 0:13:31 | |
it's been completely reworked and restored. | 0:13:31 | 0:13:34 | |
-But it would need to be... -Cheaper. -Yeah. | 0:13:34 | 0:13:35 | |
We can try. It'd need to be 100 quid. | 0:13:35 | 0:13:37 | |
If Mhairi wants to sell it to us for 100 quid, we'd have it. | 0:13:37 | 0:13:40 | |
What price is on it. | 0:13:40 | 0:13:43 | |
-238. -That's less than half. | 0:13:43 | 0:13:46 | |
I know, but we are the mercenary band. | 0:13:46 | 0:13:49 | |
Ah... | 0:13:49 | 0:13:51 | |
I realise. | 0:13:51 | 0:13:52 | |
-I'll just go and have a quick word... -Have a word. | 0:13:52 | 0:13:54 | |
-..and come back to you. -OK. | 0:13:54 | 0:13:56 | |
Everybody is petrified of furniture | 0:13:56 | 0:13:58 | |
because they keep getting told it's worth nothing. | 0:13:58 | 0:14:01 | |
You know what? It's for nothing to buy. | 0:14:01 | 0:14:04 | |
Could be "for nothing" to sell too, though, David. | 0:14:04 | 0:14:07 | |
Now, how have negotiations progressed? | 0:14:07 | 0:14:10 | |
I've just had a word with the dealer | 0:14:10 | 0:14:12 | |
and they're suggesting that if you pay 170 for the table, | 0:14:12 | 0:14:17 | |
the coal scuttle will be thrown in for nothing. | 0:14:17 | 0:14:19 | |
-Ah, the coal scuttle's back. -Really, we want to pay 130. | 0:14:20 | 0:14:24 | |
The very lowest would be 150. | 0:14:24 | 0:14:27 | |
I say we go for it, then. | 0:14:27 | 0:14:29 | |
-Can we shake our hands, then? -OK. | 0:14:29 | 0:14:32 | |
So £120 for the table and £30 for the scuttle - | 0:14:32 | 0:14:36 | |
Anne's really following her heart. | 0:14:36 | 0:14:37 | |
-We're breaking all rules here. -Yeah! | 0:14:37 | 0:14:40 | |
-Marvellous! -I hope that augurs well. | 0:14:40 | 0:14:42 | |
Meanwhile, Ainsley and Christina make for the capital. | 0:14:43 | 0:14:46 | |
This is a complete treat for me, | 0:14:46 | 0:14:48 | |
because I used to come home from school, turn on the telly, | 0:14:48 | 0:14:51 | |
-and Ready Steady Cook was on. -I know, it's... | 0:14:51 | 0:14:54 | |
You are just like an icon of my generation. | 0:14:54 | 0:14:57 | |
I thought I was! | 0:14:57 | 0:14:59 | |
They're motoring further down the River Thames towards Lambeth | 0:14:59 | 0:15:03 | |
to learn all about the chef who revolutionised British Army food. | 0:15:03 | 0:15:07 | |
-Hello! -Hello! -Natasha. -Hi, Natasha, Christina. | 0:15:07 | 0:15:10 | |
Hi, Natasha. Ainsley, how are you? | 0:15:10 | 0:15:12 | |
-Do come through. -Lovely, looking forward to this. | 0:15:12 | 0:15:14 | |
The Florence Nightingale Museum is of course dedicated | 0:15:14 | 0:15:18 | |
to the famous "Lady with the Lamp," | 0:15:18 | 0:15:20 | |
but it also celebrates those other heroes | 0:15:20 | 0:15:22 | |
who travelled to the Crimea in the mid-1850s. | 0:15:22 | 0:15:25 | |
One of those was Alexis Soyer, | 0:15:25 | 0:15:28 | |
the Victorian celebrity chef. | 0:15:28 | 0:15:30 | |
Perhaps an example of quite how famous Alexis Soyer was | 0:15:31 | 0:15:36 | |
is the fact that he actually sold his own brand | 0:15:36 | 0:15:39 | |
of cooking sauces. | 0:15:39 | 0:15:40 | |
Hello! | 0:15:40 | 0:15:42 | |
-Thank you! -Just copying him, aren't you? -I know, I know! | 0:15:42 | 0:15:45 | |
-All these years later. -It's actually got his face on it. | 0:15:45 | 0:15:49 | |
Oh, wow, look at that! | 0:15:49 | 0:15:51 | |
That is amazing. Really commercially-minded, isn't it? | 0:15:51 | 0:15:54 | |
What do we have here, Natasha? | 0:15:54 | 0:15:56 | |
This is baking powder. | 0:15:56 | 0:15:58 | |
Maybe you need to adopt that hat. | 0:15:58 | 0:15:59 | |
And that lovely, very French sort of 'tache. | 0:15:59 | 0:16:02 | |
How did he become a celebrity chef? What made him so special? | 0:16:02 | 0:16:05 | |
Well, he was born in a small town in France, | 0:16:05 | 0:16:07 | |
but finding out that in England, French cooks are madly fashionable, | 0:16:07 | 0:16:12 | |
he went across to England | 0:16:12 | 0:16:14 | |
and due to his charm and flamboyant nature, people just adored him. | 0:16:14 | 0:16:19 | |
In 1837, Soyer became the chef de cuisine | 0:16:19 | 0:16:23 | |
at London's new Reform Club and set about designing the kitchens, | 0:16:23 | 0:16:27 | |
along with architect Charles Barry. | 0:16:27 | 0:16:29 | |
I actually used to work at the Reform Club in the '80s. | 0:16:29 | 0:16:32 | |
-No, you didn't! Did you? -Absolutely! | 0:16:32 | 0:16:34 | |
There's a famous recipe he had, which is the lamb cutlet Reform, | 0:16:34 | 0:16:38 | |
which was flour and breadcrumb, | 0:16:38 | 0:16:41 | |
pan-fried the cutlet to a golden brown, | 0:16:41 | 0:16:43 | |
and I think, I think... | 0:16:43 | 0:16:45 | |
This is taking me back a long, long way here. | 0:16:45 | 0:16:48 | |
I think it was served with beetroot, gherkin and ham. | 0:16:48 | 0:16:51 | |
Sounds tasty. | 0:16:51 | 0:16:52 | |
Amongst Soyer's many Reform Club innovations | 0:16:52 | 0:16:56 | |
was the use of gas in cooking | 0:16:56 | 0:16:57 | |
and refrigerators cooled by running water. | 0:16:57 | 0:17:00 | |
Do you recognise these kitchens? | 0:17:00 | 0:17:02 | |
Well, the layout's probably the same. | 0:17:02 | 0:17:03 | |
I wouldn't have thought it had changed very much at all. | 0:17:03 | 0:17:06 | |
Modern equipment, and you certainly wouldn't have that - | 0:17:06 | 0:17:08 | |
health and safety would close you down instantly... | 0:17:08 | 0:17:10 | |
-They'd love that! -..if you had a couple of stags | 0:17:10 | 0:17:12 | |
hanging up in your kitchen. | 0:17:12 | 0:17:14 | |
But as well as catering to the rich, | 0:17:14 | 0:17:16 | |
Soyer wrote cookbooks for those of more modest means. | 0:17:16 | 0:17:19 | |
I think one of the nice things about Alexis Soyer | 0:17:19 | 0:17:22 | |
is that he never forgot his poor background. | 0:17:22 | 0:17:25 | |
During the Irish potato famine in 1847, | 0:17:25 | 0:17:29 | |
the French chef invented the soup kitchen | 0:17:29 | 0:17:31 | |
and he was equally inventive a few years later | 0:17:31 | 0:17:34 | |
when he heard of the suffering | 0:17:34 | 0:17:36 | |
of British soldiers during the Crimean War. | 0:17:36 | 0:17:39 | |
The soldiers weren't dying in battle. | 0:17:39 | 0:17:41 | |
They weren't even dying of illness and disease. | 0:17:41 | 0:17:44 | |
They were actually dying because they were underfed in many cases. | 0:17:44 | 0:17:49 | |
The soldiers were all given their own rations of meat | 0:17:49 | 0:17:53 | |
and, crucially, these rations weren't boned or sorted out at all, | 0:17:53 | 0:17:58 | |
so you might find your ration for the day | 0:17:58 | 0:18:00 | |
was nearly all bones and gristle. | 0:18:00 | 0:18:02 | |
The method of cooking this was to bind meat very, very tightly | 0:18:02 | 0:18:07 | |
to a wooden paddle and just plonk it in water and boil it. | 0:18:07 | 0:18:11 | |
If you boiled it for long enough, you might have a chance, | 0:18:11 | 0:18:14 | |
but I should imagine they'd be so hungry | 0:18:14 | 0:18:16 | |
that they'd put it in there and take it out so quickly. | 0:18:16 | 0:18:19 | |
Soyer's solution was a simple metal cylinder | 0:18:19 | 0:18:22 | |
that can stand on a table top | 0:18:22 | 0:18:24 | |
and is so light that a horse could carry two. | 0:18:24 | 0:18:27 | |
The Soyer Stove and adaptations of it | 0:18:27 | 0:18:30 | |
became a British military standard. | 0:18:30 | 0:18:32 | |
They used them for years and years. | 0:18:32 | 0:18:33 | |
They were in use until well after the Second World War. | 0:18:33 | 0:18:36 | |
-Really? -But what a great, simple design, as you say. | 0:18:36 | 0:18:39 | |
The simplicity of it and versatility of it - brilliant. | 0:18:39 | 0:18:43 | |
What an amazing story. | 0:18:43 | 0:18:45 | |
First celebrity chef - not you. | 0:18:45 | 0:18:47 | |
-I know. -Sorry about that. -Shucks! | 0:18:47 | 0:18:49 | |
Meanwhile, out in the suburbs, | 0:18:55 | 0:18:57 | |
Anne's about to do a bit more shopping. | 0:18:57 | 0:18:59 | |
Any other passions to declare? | 0:18:59 | 0:19:01 | |
The only other thing I'm interested in is I'm very into model railways. | 0:19:01 | 0:19:05 | |
-Very strong market. -I have my own. | 0:19:05 | 0:19:07 | |
-You do not! -I do. | 0:19:07 | 0:19:09 | |
If we were to see a proper, old, 1950s Hornby GWR loco, | 0:19:09 | 0:19:15 | |
I'd think, "Wow!" | 0:19:15 | 0:19:16 | |
They're steaming towards Kingston upon Thames, | 0:19:18 | 0:19:21 | |
famous for its collapsing telephone boxes and the last resting place | 0:19:21 | 0:19:25 | |
of Nipper, the musical dog, | 0:19:25 | 0:19:27 | |
Kingston's only been part of Greater London | 0:19:27 | 0:19:29 | |
for less than 50 years. | 0:19:29 | 0:19:31 | |
THEY GREET EACH OTHER | 0:19:31 | 0:19:33 | |
Just to let you know, we haven't got very long before we close. | 0:19:33 | 0:19:36 | |
Right, OK. How long have we got? | 0:19:36 | 0:19:38 | |
Um, about half an hour. | 0:19:38 | 0:19:39 | |
Half an hour, can we do it in half an hour? | 0:19:39 | 0:19:41 | |
-Oh, yes, we're good at this! -We are good at this! | 0:19:41 | 0:19:44 | |
OK, you two, let's get ready to rummage! | 0:19:44 | 0:19:47 | |
-Right... -I'm going to go down here. | 0:19:47 | 0:19:49 | |
-I'll go down here and then we'll meet in the middle. -I'll call. | 0:19:49 | 0:19:52 | |
Bring some treasure. | 0:19:52 | 0:19:54 | |
Interesting. | 0:19:54 | 0:19:55 | |
I wonder what Anne will come up with solo? | 0:19:55 | 0:19:57 | |
She certainly seems to be getting to grips with it. | 0:19:57 | 0:20:00 | |
You know, I think she does have an eye. There really is something... | 0:20:00 | 0:20:03 | |
Oh, hello! We're talking about your eye, saying you've got lovely eyes. | 0:20:03 | 0:20:06 | |
I found a few more little tables. | 0:20:06 | 0:20:08 | |
Is it going to be all furniture for those two, then? | 0:20:08 | 0:20:11 | |
It was... It was... | 0:20:11 | 0:20:13 | |
It was an ordinary mahogany round-y thing. | 0:20:13 | 0:20:16 | |
"Mahogany round-y thing." Well, that's helpful. | 0:20:16 | 0:20:18 | |
Better still - get three, eh? | 0:20:18 | 0:20:20 | |
I tell you what I do like - that shape in the leg, there. | 0:20:20 | 0:20:23 | |
-It's nice, isn't it? -Isn't that lovely? -Yeah. | 0:20:23 | 0:20:25 | |
They're good-looking tables, but they're not mega-quality. | 0:20:25 | 0:20:28 | |
-No. -Any more tables? | 0:20:28 | 0:20:29 | |
-Yes, one more I want to show you. -All right. | 0:20:29 | 0:20:31 | |
-It's round here. -I love tables. | 0:20:32 | 0:20:35 | |
Nicely avoided, David. | 0:20:35 | 0:20:37 | |
Come on, you two, let's steer clear of the furniture, shall we? | 0:20:37 | 0:20:40 | |
Now what about a bit of 1980s funk? | 0:20:42 | 0:20:45 | |
At least they're not brown. | 0:20:45 | 0:20:47 | |
Does that remind you of your days on breakfast television? | 0:20:47 | 0:20:50 | |
I don't think I ever sat in anything like that. | 0:20:50 | 0:20:52 | |
Well, you should have done. | 0:20:52 | 0:20:54 | |
-It's the colour I like. -Really? | 0:20:54 | 0:20:55 | |
-£75 for the pair. -For the pair? -Yeah. -That's not bad. | 0:20:55 | 0:20:59 | |
Go on, let's have a look at you, see what you look like. | 0:20:59 | 0:21:01 | |
Good morning, Britain. | 0:21:01 | 0:21:03 | |
I never sat in one of these, but I tell you what, it's comfortable. | 0:21:03 | 0:21:06 | |
-There you go. -I tell you what, with the colour and the style... | 0:21:06 | 0:21:10 | |
Interview me. | 0:21:10 | 0:21:11 | |
Yes, I will. Tell me about your latest book. | 0:21:11 | 0:21:14 | |
Oh, well, how long have you got? | 0:21:14 | 0:21:15 | |
Wrap it up, Anne, quick! | 0:21:15 | 0:21:17 | |
-Now, Lesley... -Hi, yep? | 0:21:17 | 0:21:19 | |
..you look like a girl who's going to love these chairs. | 0:21:19 | 0:21:22 | |
75 the pair, that's really good. | 0:21:23 | 0:21:24 | |
It's far too expensive, isn't it, Anne? | 0:21:24 | 0:21:26 | |
Yeah, it is too expensive. | 0:21:26 | 0:21:28 | |
65. | 0:21:28 | 0:21:30 | |
Lesley, can they be 45? | 0:21:30 | 0:21:31 | |
-How much? -45? | 0:21:31 | 0:21:32 | |
LESLEY GASPS | 0:21:32 | 0:21:34 | |
45? Erm... | 0:21:34 | 0:21:36 | |
I think that's a bit of a drop. | 0:21:36 | 0:21:38 | |
65 is really good for two fabulous pieces. | 0:21:38 | 0:21:42 | |
We have to try and make a profit, don't we? | 0:21:42 | 0:21:45 | |
Come on, Anne, what do you think? | 0:21:45 | 0:21:46 | |
What about 55? | 0:21:47 | 0:21:49 | |
Oh, now... | 0:21:49 | 0:21:51 | |
-Have I done something wicked? -Well, no, | 0:21:51 | 0:21:53 | |
but in this business, | 0:21:53 | 0:21:55 | |
if you say, "What about 55?" | 0:21:55 | 0:21:58 | |
and they say yes, that's it. | 0:21:58 | 0:22:01 | |
-It's a done deal. -You're joking! | 0:22:01 | 0:22:03 | |
It's a done deal. You can't then say, | 0:22:03 | 0:22:05 | |
"Hmm, what about 50, then?" You can't go down. | 0:22:05 | 0:22:07 | |
-You've now set the benchmark. -That's your offer? | 0:22:07 | 0:22:09 | |
That's it. | 0:22:09 | 0:22:10 | |
I've sunk us in it, then? | 0:22:10 | 0:22:12 | |
I don't think I can say yes without consultation. | 0:22:12 | 0:22:16 | |
-I will ask. -Go on, then. | 0:22:16 | 0:22:18 | |
OK, I won't be a minute. | 0:22:18 | 0:22:19 | |
Well, I hope it's a yes, | 0:22:19 | 0:22:21 | |
because we're getting perilously near closing time. | 0:22:21 | 0:22:24 | |
I've got a pair of trousers in exactly that colour. | 0:22:24 | 0:22:26 | |
If I sat in them, I'd just look like a torso. | 0:22:26 | 0:22:29 | |
-Good! -It's a nice look. | 0:22:29 | 0:22:31 | |
I'm sure we'd love to hear more, but Lesley's back. | 0:22:31 | 0:22:34 | |
Thankfully. | 0:22:34 | 0:22:35 | |
Apparently, 55 is possible. | 0:22:35 | 0:22:38 | |
That's the bottom. | 0:22:38 | 0:22:40 | |
I think YOU'VE done a deal. | 0:22:40 | 0:22:41 | |
-I think I have done the deal. -An amazing deal. | 0:22:41 | 0:22:43 | |
I think that's a really cool deal. | 0:22:43 | 0:22:45 | |
That's really brilliant, thank you very much. | 0:22:45 | 0:22:47 | |
Well done, Anne. | 0:22:47 | 0:22:48 | |
Those two have bought an awful lot of furniture today. | 0:22:48 | 0:22:52 | |
Anyway... | 0:22:52 | 0:22:53 | |
-So you've got four? -Got four. | 0:22:53 | 0:22:55 | |
I've only got one, so I've got to really... | 0:22:55 | 0:22:57 | |
You've got to do some shopping. | 0:22:57 | 0:22:59 | |
I thought you might go for | 0:22:59 | 0:23:00 | |
some sort of ancient, old Victorian kitchen utensil. | 0:23:00 | 0:23:04 | |
That's what I'm looking for. | 0:23:04 | 0:23:06 | |
You know, a rusty lemon squeezer. | 0:23:06 | 0:23:08 | |
-Old crock pots. -Yeah. | 0:23:09 | 0:23:11 | |
Night-night. | 0:23:11 | 0:23:12 | |
Good morning, Anne and Ainsley. | 0:23:16 | 0:23:18 | |
The weather's looking pretty good too, in Wimbledon Village, anyway. | 0:23:18 | 0:23:22 | |
I had a brilliant time yesterday. | 0:23:22 | 0:23:24 | |
I discovered I quite like shopping. | 0:23:24 | 0:23:27 | |
The first shop I walked into, there was this immediate fear | 0:23:27 | 0:23:30 | |
that I'm going to immediately go for something | 0:23:30 | 0:23:33 | |
that's a bit naff and reproduction, | 0:23:33 | 0:23:35 | |
and, actually, I didn't. | 0:23:35 | 0:23:37 | |
No, she really took charge. | 0:23:37 | 0:23:40 | |
Took quite a few risks too, | 0:23:40 | 0:23:42 | |
acquiring a coal scuttle, a desk, | 0:23:42 | 0:23:44 | |
some retro stools and a Georgian table for £305... | 0:23:44 | 0:23:49 | |
-Wow. -Oh, I love it. I would like to own that. | 0:23:49 | 0:23:52 | |
..leaving them with less than £100. | 0:23:52 | 0:23:54 | |
While Ainsley and Christina took absolutely no risks whatsoever, | 0:23:54 | 0:23:59 | |
parting with a mere £25 for a silver pot... | 0:23:59 | 0:24:02 | |
# Shall we dance... # | 0:24:02 | 0:24:05 | |
..meaning they have almost all of their £400 left to spend today, | 0:24:05 | 0:24:09 | |
a blank canvas, you might say. | 0:24:09 | 0:24:11 | |
What are you going to paint, Christina? | 0:24:11 | 0:24:13 | |
I just love the shape of this tree. It's just magic, isn't it? | 0:24:13 | 0:24:16 | |
Well, I'm going to create | 0:24:16 | 0:24:18 | |
an impression | 0:24:18 | 0:24:20 | |
of a George II sideboard. | 0:24:20 | 0:24:23 | |
-Wouldn't that be a bit brown? -No, not in my paintings, baby. | 0:24:23 | 0:24:26 | |
Hey, slap it on quick, David, | 0:24:26 | 0:24:28 | |
because your celebrities have arrived. | 0:24:28 | 0:24:31 | |
-Hey, how are you doing? -Good morning! | 0:24:31 | 0:24:33 | |
Morning, morning. | 0:24:33 | 0:24:34 | |
Later, they'll be heading into Kent for an auction close to Dartford, | 0:24:34 | 0:24:37 | |
but our next stop is just around the corner in Battersea... | 0:24:37 | 0:24:41 | |
..where our chef is feeling the heat. | 0:24:44 | 0:24:46 | |
I'm a little bit nervous. | 0:24:46 | 0:24:48 | |
Speaking to Anne, she said, "Oh, yes, we bought four things." | 0:24:48 | 0:24:51 | |
I'm thinking, "Hold on a minute, we've only got one." | 0:24:51 | 0:24:54 | |
Ainsley, today is my birthday. | 0:24:54 | 0:24:57 | |
-We have no issues whatsoever. -All right, then. | 0:24:57 | 0:25:00 | |
I wouldn't mind a bit of really old, cool, kitchen equipment, | 0:25:01 | 0:25:04 | |
-something really unusual. -OK. | 0:25:04 | 0:25:06 | |
I want to go wacky today. | 0:25:06 | 0:25:08 | |
-Let's go nuts. -OK. -OK, deal? | 0:25:08 | 0:25:11 | |
Absolutely, let's go nuts. | 0:25:11 | 0:25:12 | |
Well, the others did yesterday. | 0:25:12 | 0:25:14 | |
At least our celebrity should feel right at home, though, | 0:25:14 | 0:25:17 | |
because Ainsley's lived in this corner of "Saff" London. | 0:25:17 | 0:25:21 | |
Can I say hello? | 0:25:21 | 0:25:22 | |
-Hello! -I could fit in the back there! | 0:25:22 | 0:25:24 | |
Yeah, why don't you? | 0:25:24 | 0:25:25 | |
Can't really beat the Spiders, can you? | 0:25:25 | 0:25:27 | |
No, she's a beauty. | 0:25:27 | 0:25:29 | |
-And you look lovely. -Aww, thank you. | 0:25:29 | 0:25:31 | |
As do you. | 0:25:31 | 0:25:33 | |
Friendly round here, aren't they? | 0:25:33 | 0:25:35 | |
Gah, it looks a bit of a TARDIS, Ains. | 0:25:35 | 0:25:38 | |
Oh, wow. Oh! | 0:25:38 | 0:25:39 | |
Ah, so that's obviously a shoe last, | 0:25:41 | 0:25:43 | |
so you put that in your shoes, either to make them or stretch them. | 0:25:43 | 0:25:46 | |
Is there anything on the top of it? | 0:25:46 | 0:25:48 | |
Let's have a little look. What's that? Size ten. | 0:25:48 | 0:25:51 | |
-Size -ten. What size feet are you? | 0:25:51 | 0:25:54 | |
-13. -Really? | 0:25:54 | 0:25:56 | |
Plenty of vintage in here. | 0:25:56 | 0:25:58 | |
Quite a bit of kitchenalia too, | 0:25:58 | 0:26:00 | |
but Ainsley's come over all nostalgic. | 0:26:00 | 0:26:02 | |
This used to be a sawmill. | 0:26:02 | 0:26:04 | |
So where did they used to do the sawmilling? | 0:26:04 | 0:26:06 | |
All the big planks of wood would be standing up here | 0:26:06 | 0:26:09 | |
and they used to cut it, | 0:26:09 | 0:26:11 | |
bits of sawdust would fly off, and that's what I wanted. | 0:26:11 | 0:26:13 | |
I'd come down, collect the sawdust, | 0:26:13 | 0:26:15 | |
and that would go on the bottom of the rabbit's cage. | 0:26:15 | 0:26:18 | |
So what was the rabbit called? | 0:26:18 | 0:26:19 | |
I had Tokie Joy, Jumper Tokie Joy, I had Petrona, | 0:26:19 | 0:26:22 | |
which was my mother's name. | 0:26:22 | 0:26:24 | |
-IN WEST INDIAN ACCENT: -"How could you name the rabbit after me?" | 0:26:24 | 0:26:27 | |
THEY LAUGH | 0:26:27 | 0:26:28 | |
Quite. | 0:26:28 | 0:26:29 | |
Back to the shopping. | 0:26:29 | 0:26:31 | |
Gosh, this looks like, oh, a patent-type teapot. Wow! | 0:26:31 | 0:26:34 | |
So look at that wonderful bulge, if you like, at the bottom. | 0:26:34 | 0:26:39 | |
What does that indicate, that bulge? | 0:26:39 | 0:26:40 | |
That would have been the strainer. | 0:26:40 | 0:26:42 | |
Usually, the strainer is on the side of the teapot, | 0:26:42 | 0:26:44 | |
so this probably some sort of patent. | 0:26:44 | 0:26:46 | |
Yeah, look, "Patent self-pouring." | 0:26:46 | 0:26:48 | |
It's a Doulton one, so great name to have. | 0:26:48 | 0:26:50 | |
I think it's very, very quirky. | 0:26:50 | 0:26:52 | |
-I like it. -Good start. | 0:26:52 | 0:26:54 | |
About time Ainsley chose something, though, isn't it? | 0:26:54 | 0:26:57 | |
Oh, look! | 0:26:57 | 0:26:58 | |
That's rather lovely, isn't it? You know what, | 0:26:58 | 0:27:01 | |
from here it looks like it's been hand-stitched as well, | 0:27:01 | 0:27:03 | |
so, so often you see these and they've just been machine-made | 0:27:03 | 0:27:06 | |
and they're a bit soulless. | 0:27:06 | 0:27:07 | |
I love that, I'd take that, I think that's beautiful. | 0:27:07 | 0:27:09 | |
-Shall we try for that? -Yeah, is it open? | 0:27:09 | 0:27:12 | |
BOTH: Oh! | 0:27:12 | 0:27:14 | |
-Are we allowed to go in? -I don't know. -Oh, look that's beautiful. | 0:27:14 | 0:27:19 | |
I would say this is probably 1950s, | 0:27:19 | 0:27:22 | |
maybe slightly earlier, 1940s, 1950s, and somebody has literally sat | 0:27:22 | 0:27:27 | |
and embroidered this. | 0:27:27 | 0:27:28 | |
I love that. How much has it got on it? | 0:27:28 | 0:27:30 | |
£55. OK, that's not too out of the way. | 0:27:30 | 0:27:33 | |
-What do you think? -I just want to see if we can get anything. | 0:27:33 | 0:27:36 | |
Hello? Excuse me. | 0:27:36 | 0:27:37 | |
-Is this your section? -Yes. | 0:27:37 | 0:27:39 | |
-I'm Christina, hi. What's your name? -Jenny. | 0:27:39 | 0:27:42 | |
Come over here, Jenny. | 0:27:42 | 0:27:44 | |
-That's OK. We really like this. -No, we don't! | 0:27:44 | 0:27:47 | |
Sorry, I think this is the worst thing I've ever seen. | 0:27:47 | 0:27:50 | |
And I'm looking for a shoe polisher | 0:27:51 | 0:27:54 | |
and I just thought this would be really great. | 0:27:54 | 0:27:57 | |
More importantly, Jenny, it's 55, | 0:27:57 | 0:27:59 | |
but got we've a bit of a budget issue here. | 0:27:59 | 0:28:02 | |
-Right. -Really, at auction, we'd be looking, if at all possible, | 0:28:02 | 0:28:05 | |
to purchase it in the region of maybe £20 to £30 to stand us a chance | 0:28:05 | 0:28:09 | |
of making a profit and hopefully appealing to textiles collectors. | 0:28:09 | 0:28:12 | |
I'm happy to give it to you for 30, cos I'd love you to do well | 0:28:12 | 0:28:15 | |
-and make a profit. -Brilliant! | 0:28:15 | 0:28:17 | |
Thank you so much. | 0:28:17 | 0:28:18 | |
Thank you, really appreciate that, thank you. | 0:28:18 | 0:28:21 | |
Oh, you've just bought yourself a handbag. | 0:28:21 | 0:28:23 | |
I'm sorry, it's not very manly, is it? | 0:28:23 | 0:28:25 | |
It suits you. "Ooh, darling!" | 0:28:25 | 0:28:26 | |
Lady Bracknell, isn't it? "A handbag?!" | 0:28:26 | 0:28:29 | |
Second buy "in the bag". | 0:28:29 | 0:28:32 | |
they're not exactly big spenders, those two, are they? | 0:28:32 | 0:28:35 | |
Jenny's calling the dealer about the teapot, | 0:28:35 | 0:28:37 | |
but Ainsley's already got his eye on something else. | 0:28:37 | 0:28:39 | |
What on Earth are you doing up there? | 0:28:39 | 0:28:41 | |
I tell you what, you'd have thought that I'd come up for this lamp, | 0:28:41 | 0:28:44 | |
but I'm actually interested in the hanging lady. | 0:28:44 | 0:28:47 | |
-Let's have a look. -Look! -Oh, my goodness me! | 0:28:47 | 0:28:51 | |
-She's fab, isn't she? -Oh, yeah. -Look at that. | 0:28:51 | 0:28:53 | |
Superb, well done. | 0:28:55 | 0:28:56 | |
Isn't she wonderful? | 0:28:56 | 0:28:57 | |
Wonderful. OK, so what is she made of? | 0:28:57 | 0:28:59 | |
She looks like she's some sort of plaster, | 0:28:59 | 0:29:01 | |
so plaster plaque, obviously to go on the wall. | 0:29:01 | 0:29:04 | |
-She's just wonderful - sort of wild abandon, isn't she? -Yes! | 0:29:04 | 0:29:07 | |
Obviously, stark naked, which is fantastic. | 0:29:07 | 0:29:10 | |
She's really quite cool, I like that. | 0:29:10 | 0:29:12 | |
Looks to me like Art Deco would be quite controversial for that, | 0:29:12 | 0:29:15 | |
so I'm thinking probably later than the 1930s. | 0:29:15 | 0:29:17 | |
But what's the price, I wonder. | 0:29:17 | 0:29:20 | |
32. | 0:29:20 | 0:29:21 | |
32? Well, that doesn't seem bad. | 0:29:21 | 0:29:23 | |
-I think she's wonderful. She's a real talking point, isn't she? -I think so. | 0:29:23 | 0:29:27 | |
I love her smiley face, look at her face. | 0:29:27 | 0:29:30 | |
She's smiling! | 0:29:30 | 0:29:31 | |
I think there'll be a few blushes in the auction room. | 0:29:31 | 0:29:34 | |
I think there might be. | 0:29:34 | 0:29:35 | |
Hey, let's make 'em blush. | 0:29:35 | 0:29:36 | |
He's got to close the deal. Come on, boy. | 0:29:38 | 0:29:41 | |
Hello, Denise, it's Ainsley Harriott. How are you? | 0:29:41 | 0:29:43 | |
Lovely. We walked into the shop and we saw the lovely hanging lady there | 0:29:44 | 0:29:48 | |
and I thought she was just delightful | 0:29:48 | 0:29:49 | |
and my budget's a bit tight, though. | 0:29:49 | 0:29:51 | |
If I said to you £25, how would you feel about that? | 0:29:51 | 0:29:55 | |
Go ahead? OK, thank you very much indeed. | 0:29:55 | 0:29:57 | |
Really, really appreciate that. | 0:29:57 | 0:29:59 | |
Thank you so much. | 0:29:59 | 0:30:00 | |
Thank you, bye-bye. | 0:30:00 | 0:30:03 | |
Yay! Well done, Ains. Fantastic. | 0:30:03 | 0:30:06 | |
You've got to love her. | 0:30:06 | 0:30:08 | |
Go for a spin, girl, go for a spin. | 0:30:08 | 0:30:10 | |
-Whoo! -There you go. | 0:30:10 | 0:30:12 | |
Oh, do be careful! | 0:30:12 | 0:30:13 | |
She look a bit delicate to me. | 0:30:13 | 0:30:14 | |
-You're not allowed to take her home. -I know, I'd love it. | 0:30:14 | 0:30:17 | |
I'll take your money, though. | 0:30:17 | 0:30:18 | |
Oh, yeah, yeah! | 0:30:18 | 0:30:20 | |
-It's all yours. -Well, it's not mine, unfortunately. | 0:30:20 | 0:30:23 | |
Still got over £300 left. | 0:30:24 | 0:30:26 | |
Not so their free-spending opponents, | 0:30:29 | 0:30:32 | |
heading for the City of Westminster and a tea break. | 0:30:32 | 0:30:34 | |
Welcome to Britain's oldest tearoom, | 0:30:36 | 0:30:39 | |
founded in 1706 by the man who changed | 0:30:39 | 0:30:41 | |
the drinking habits of a nation. | 0:30:41 | 0:30:44 | |
-Are you Philippa? -I'm Philippa, pleased to meet you. | 0:30:44 | 0:30:48 | |
-Hello, Anne. -And you've got a royal warrant. | 0:30:48 | 0:30:51 | |
That was granted by Queen Victoria in 1837, | 0:30:51 | 0:30:54 | |
the first year of her reign. | 0:30:54 | 0:30:56 | |
-So she liked a nice cup of tea. -She did like a nice cup of tea. | 0:30:56 | 0:30:59 | |
She did like a nice cup of tea and, of course, we've been very fortunate | 0:30:59 | 0:31:03 | |
to hold the royal warrant for every single successive monarch since. | 0:31:03 | 0:31:06 | |
Is this the real thing? | 0:31:06 | 0:31:07 | |
This is the real thing, yeah. The real deal. | 0:31:07 | 0:31:10 | |
But back at the start of the 18th century, | 0:31:10 | 0:31:12 | |
when the company was founded by Thomas Twining, | 0:31:12 | 0:31:15 | |
tea was the new beverage in a market dominated by coffee. | 0:31:15 | 0:31:19 | |
These coffee houses were nothing like the ones | 0:31:19 | 0:31:21 | |
that we have in the high street today. | 0:31:21 | 0:31:22 | |
A bit raucous, weren't they? | 0:31:22 | 0:31:23 | |
They were quite raucous, definitely the preserve of men only. | 0:31:23 | 0:31:27 | |
No self-respecting woman would be seen dead in a coffee shop, | 0:31:27 | 0:31:31 | |
these dens of almost iniquity. | 0:31:31 | 0:31:33 | |
When Twining took over Tom's Coffee House, | 0:31:37 | 0:31:39 | |
he added tea to the menu, | 0:31:39 | 0:31:41 | |
having discovered it whilst working for the East India Company. | 0:31:41 | 0:31:44 | |
He soon found the drink was a hit | 0:31:44 | 0:31:46 | |
with both the gentlemen and the ladies. | 0:31:46 | 0:31:49 | |
So Thomas was quite astute. | 0:31:49 | 0:31:50 | |
He saw an opportunity, | 0:31:50 | 0:31:52 | |
because the ladies were actually sending their menservants in | 0:31:52 | 0:31:55 | |
to purchase tea | 0:31:55 | 0:31:56 | |
and they were waiting outside in their sedan chairs, | 0:31:56 | 0:31:59 | |
which is why he purchased properties next door | 0:31:59 | 0:32:02 | |
and he actually turned that into a retail environment, | 0:32:02 | 0:32:06 | |
so that way, the ladies could, with propriety, | 0:32:06 | 0:32:09 | |
come in and buy their own tea. | 0:32:09 | 0:32:12 | |
-Knew his marketing skills. -He did. | 0:32:12 | 0:32:14 | |
Within a few years, | 0:32:16 | 0:32:17 | |
the drink from China had become a staple of British drinking habits. | 0:32:17 | 0:32:21 | |
It was first introduced by the Portuguese queen of Charles II | 0:32:21 | 0:32:25 | |
and this brick is how Chinese tea would have looked back then. | 0:32:25 | 0:32:29 | |
China had the monopoly on the tea trade | 0:32:29 | 0:32:33 | |
-and had been drinking it for millennia. -Thousands of years. | 0:32:33 | 0:32:36 | |
Do they compress it purely for transportation purposes? | 0:32:36 | 0:32:39 | |
To get as much in the hold as possible? | 0:32:39 | 0:32:40 | |
-Yes, that would have been one of the main reasons. -Can we touch that? | 0:32:40 | 0:32:44 | |
You could touch it, yes. | 0:32:44 | 0:32:45 | |
You can see a few of the individual tea leaves that are compressed in. | 0:32:45 | 0:32:49 | |
-Is it heavy? -It is quite heavy. | 0:32:49 | 0:32:51 | |
Crumbs, it is. It is a brick! | 0:32:52 | 0:32:54 | |
Philippa's an accomplished tea blender | 0:32:54 | 0:32:57 | |
who gets to taste an awful lot of tea, | 0:32:57 | 0:32:59 | |
and she's prepared a few choice brews for Anne and David to sample. | 0:32:59 | 0:33:03 | |
First two that we have here are teas which you could have found | 0:33:03 | 0:33:06 | |
back in the early days of the shop. | 0:33:06 | 0:33:08 | |
So this is tea how it would have tasted all those years ago? | 0:33:08 | 0:33:11 | |
-Yeah, it hasn't changed, really. -What's the etiquette, what do you do? | 0:33:11 | 0:33:14 | |
-When we're tasting... -Drink it! | 0:33:14 | 0:33:16 | |
I don't normally drink tea with a spoon! | 0:33:16 | 0:33:17 | |
Oh, you're very common, aren't you? | 0:33:17 | 0:33:20 | |
So when we're tasting, we will take a measure of tea and basically... | 0:33:20 | 0:33:25 | |
-..slurp it or Hoover it up. -Do you have to make a noise? | 0:33:26 | 0:33:29 | |
-You don't have to. -She said Hoover it up! | 0:33:30 | 0:33:33 | |
-LOUD SLURPING -Oh, my...! | 0:33:33 | 0:33:34 | |
That was a bit of a shock! | 0:33:34 | 0:33:35 | |
-It really helps to aerate the tea. -Aren't you supposed to spit it out? | 0:33:35 | 0:33:38 | |
-Ideally, yes. -But please don't. -Please don't, no. | 0:33:38 | 0:33:42 | |
I like that. I'll have another bit. | 0:33:42 | 0:33:44 | |
This is a gunpowder green tea. It's quite strong. | 0:33:44 | 0:33:46 | |
SHE SLURPS LOUDLY | 0:33:46 | 0:33:48 | |
If you don't mind me saying, Philippa, | 0:33:48 | 0:33:50 | |
I think I'd be quite embarrassed to take you out for a cup of tea | 0:33:50 | 0:33:52 | |
-to a nice little tearoom somewhere. -I know, I know. | 0:33:52 | 0:33:55 | |
-We wouldn't go down very well. -It's actually quite difficult to do. | 0:33:55 | 0:33:58 | |
-Years of training goes into it? -Years of training. | 0:33:58 | 0:34:00 | |
-600 cups of tea a day, so... -600?! | 0:34:00 | 0:34:03 | |
Perfect opportunity for practising the slurping. | 0:34:03 | 0:34:06 | |
And this is a black tea. Both from China, because at this time, | 0:34:06 | 0:34:09 | |
all tea came from China. | 0:34:09 | 0:34:11 | |
-Let's just hear you give it a good slurp. -I've tried. | 0:34:11 | 0:34:13 | |
It's not easy, you know! QUIET SLURP | 0:34:13 | 0:34:16 | |
-Oh, that was rubbish! -That was very delicate. -That was rubbish! | 0:34:16 | 0:34:19 | |
-Very ladylike. -LOUD SLURP | 0:34:19 | 0:34:21 | |
Oh, well done! LOUD SLURP | 0:34:21 | 0:34:24 | |
How does she do it?! | 0:34:24 | 0:34:25 | |
Well, I think those two should now be suitably refreshed for one | 0:34:25 | 0:34:29 | |
last shop. | 0:34:29 | 0:34:30 | |
Hey, hot pants! | 0:34:30 | 0:34:32 | |
Although, Ainsley and Christina have got a head start, | 0:34:34 | 0:34:37 | |
down beyond Tower Bridge at Greenwich. | 0:34:37 | 0:34:40 | |
once a favourite borough of the Tudors, | 0:34:40 | 0:34:43 | |
Greenwich was where Henry VIII was born, in 1491. | 0:34:43 | 0:34:46 | |
Some even claim it was the site of the legendary puddle where | 0:34:46 | 0:34:50 | |
Sir Walter Raleigh threw down his cloak for Good Queen Bess. | 0:34:50 | 0:34:53 | |
There we go. Perfect. | 0:34:55 | 0:34:57 | |
Well done, we're here! | 0:34:57 | 0:34:59 | |
-It's that kind of place! -THEY CHUCKLE | 0:34:59 | 0:35:02 | |
-Hello. -Christina, nice to meet you. -I'm Christina. What is your name? | 0:35:02 | 0:35:05 | |
-I'm Toby. -Toby, nice to meet you. This is Ainsley. -Hello, Tony. | 0:35:05 | 0:35:08 | |
-How are you, mate? -Toby! -Toby. I apologise. -That's all right. Looking very dapper. | 0:35:08 | 0:35:12 | |
I'm looking forward to looking round the shop. | 0:35:12 | 0:35:15 | |
-Oh. -Oh, sorry. It's all go in here! -There's stock coming in! I like it! | 0:35:15 | 0:35:18 | |
In and out all day long. | 0:35:18 | 0:35:20 | |
Those two desperately need another couple of buys | 0:35:20 | 0:35:23 | |
and they might have come to just the right shop. | 0:35:23 | 0:35:26 | |
Start in the retro room? | 0:35:26 | 0:35:28 | |
Hey! It's like we've walked into Austin Powers' sitting room! | 0:35:32 | 0:35:36 | |
Yeah, baby! | 0:35:36 | 0:35:39 | |
Hey, lots of smashing stuff, including those chairs. | 0:35:39 | 0:35:42 | |
Do they look familiar? | 0:35:42 | 0:35:44 | |
These are really quite modern design classics, aren't they? | 0:35:44 | 0:35:48 | |
Are they comfy? THEY CHUCKLE | 0:35:48 | 0:35:51 | |
It's all right. Why, thank you! | 0:35:51 | 0:35:53 | |
Groovy! | 0:35:53 | 0:35:55 | |
What can you do them for? | 0:35:55 | 0:35:57 | |
-Normally, I'm a 10% person, but... -Oh, no! Boo! | 0:35:57 | 0:36:00 | |
But I'll do a little bit better. | 0:36:00 | 0:36:02 | |
I'll take 100 off. | 0:36:02 | 0:36:04 | |
-How about 250? -I tell you what, yeah. | 0:36:04 | 0:36:07 | |
Yeah, if you really want to go for them, they're a lovely set. | 0:36:07 | 0:36:10 | |
-Ainsley, we said we wanted to buy furniture. We said we wanted to buy big. -You know? | 0:36:10 | 0:36:14 | |
I'm not sure Ainsley's completely convinced. What about those? | 0:36:14 | 0:36:17 | |
Christina's choice again. Trendy theme though. | 0:36:17 | 0:36:21 | |
They're from about 1900, baker's shop. | 0:36:21 | 0:36:23 | |
If you look at the back, they're all terracotta, and then glazed. | 0:36:23 | 0:36:27 | |
-They are rather lovely. -What have you got on those? | 0:36:27 | 0:36:30 | |
It's 275, but I'm not going to sway a lot on these, I'm afraid. | 0:36:30 | 0:36:33 | |
It really would be 225 on these. I like them a lot. | 0:36:33 | 0:36:36 | |
-What do you think? -I'm just a bit worried about the auction room. | 0:36:36 | 0:36:39 | |
Unless you get specialised people coming along... | 0:36:39 | 0:36:42 | |
I think people need to be able to come along and look at that and want | 0:36:42 | 0:36:45 | |
it, need it, as opposed to walk in and think, | 0:36:45 | 0:36:47 | |
-"Oh, that's interesting." What do you think? -I think they're fab. -Really? -Mm. | 0:36:47 | 0:36:51 | |
Think of people being really interested in baking... | 0:36:51 | 0:36:54 | |
-You like these more than the chairs. -I love this! | 0:36:54 | 0:36:57 | |
They're pretty unique and I love the colours. And I'm colour-blind! | 0:36:57 | 0:37:00 | |
-What do you do at traffic lights? -Don't stop! | 0:37:00 | 0:37:04 | |
Like quite a few London drivers, then! | 0:37:04 | 0:37:07 | |
-Did you say 225? -225, but I really won't budge, I'm sorry. -Toby! -No! | 0:37:07 | 0:37:12 | |
-No! No! -Toby... | 0:37:12 | 0:37:13 | |
-No! -Toby... -Nope. | 0:37:13 | 0:37:16 | |
-Tobias, actually! -Oh, really? | 0:37:16 | 0:37:18 | |
What? As in - it'll take more than that "to-buy-us"? | 0:37:18 | 0:37:23 | |
-Ha! The opposition's arrived. -You recognise that one. -I do. | 0:37:23 | 0:37:26 | |
-Which means only one thing. -They're already here. -They're in there. | 0:37:26 | 0:37:31 | |
Don't worry. There's more than enough to go round. | 0:37:31 | 0:37:34 | |
-But I'm a bit overwhelmed. -Exactly. -I don't know where to look first. | 0:37:34 | 0:37:38 | |
Just look everywhere. Just keep on looking. | 0:37:38 | 0:37:41 | |
Plenty of brown furniture so far for those two. | 0:37:41 | 0:37:44 | |
Might be time to spread the risk a little. | 0:37:44 | 0:37:47 | |
-I think we've got to go quirky. -Oh, right. | 0:37:47 | 0:37:49 | |
We've gone sophisticated, refined, real antiques... | 0:37:49 | 0:37:52 | |
And you want to go quirky now. | 0:37:52 | 0:37:54 | |
-I think as an auction cheeky lot, a bit quirky. -Quirky it is then! | 0:37:54 | 0:37:58 | |
You won't get to see the bakery sign though. | 0:37:58 | 0:38:01 | |
Safely concealed, while the others ponder. | 0:38:01 | 0:38:04 | |
We said - let's spend money, let's buy cool, let's buy cooking. | 0:38:04 | 0:38:07 | |
-It ticks every box. -OK. | 0:38:07 | 0:38:10 | |
He's not going to be easily parted from that cash. | 0:38:10 | 0:38:14 | |
-Let's go downstairs. -One more look. | 0:38:14 | 0:38:17 | |
-In the basement, David's found something he likes. -Oh! | 0:38:17 | 0:38:21 | |
-Nobody can value that. -A naked lady to get put in the garden. | 0:38:21 | 0:38:24 | |
-I think that's... -Is that meant for driving in the ground. -You know what? | 0:38:24 | 0:38:27 | |
It's got to be, hasn't it? | 0:38:27 | 0:38:29 | |
-Yeah. -I think it's like a fertility thing. -Yes. -It's African. | 0:38:29 | 0:38:32 | |
And that would go in amongst your gladioli. | 0:38:32 | 0:38:35 | |
Ha! Do you think it would? Would it improve the gladioli? | 0:38:35 | 0:38:38 | |
-Would it enhance your rhododendrons? -I don't think it would, actually. | 0:38:38 | 0:38:41 | |
-It's not too rude. -It's not... Sometimes they are very rude. | 0:38:41 | 0:38:45 | |
It's even got...underwear on. | 0:38:45 | 0:38:46 | |
-He's wearing a pair of pants. -He is. No, not he, darling. | 0:38:46 | 0:38:49 | |
-Oh! Oh, it is she! -Yeah. -Oh, I say! | 0:38:49 | 0:38:52 | |
God, there's another one behind there. | 0:38:52 | 0:38:54 | |
-Oh! Ooh! He's got bits! -Has he? | 0:38:54 | 0:38:57 | |
Time for Tobias to come up with a figure for the pair. | 0:38:57 | 0:39:00 | |
-They are quite rare. -Yeah. -They are not cheap. | 0:39:00 | 0:39:04 | |
-I'm sorry to say. -Oh, right. | 0:39:04 | 0:39:06 | |
-How much are they? -They're £350. | 0:39:06 | 0:39:08 | |
-Oh, right. -Aw! -There we go. -I'm so sorry. -Blimey! | 0:39:08 | 0:39:12 | |
Ainsley's having a very different sort of dilemma. | 0:39:12 | 0:39:14 | |
-I know we're looking for large objects at the moment, but... -Have you found anything? | 0:39:14 | 0:39:18 | |
No, just that little doll I thought was ever so sweet. | 0:39:18 | 0:39:21 | |
-Which one? This one? -The one at the back there. | 0:39:21 | 0:39:25 | |
Am I...? Am I barking up the wrong tree here? | 0:39:25 | 0:39:27 | |
Hm... £3. | 0:39:30 | 0:39:31 | |
Really? | 0:39:31 | 0:39:34 | |
Perhaps I just saw that little porcelain face and I just thought... | 0:39:34 | 0:39:37 | |
-It's looking at me. -It's looking at me! -Take me home! | 0:39:37 | 0:39:40 | |
-I know. -Shall we leave him there? -Back to the baker's. | 0:39:40 | 0:39:44 | |
That's him told. Come on, Ainsley! Flash the cash, mate! | 0:39:44 | 0:39:48 | |
Oh, look at this! VA Marches, RN. Royal Navy. | 0:39:48 | 0:39:52 | |
Imagine the travels this has been on. | 0:39:52 | 0:39:54 | |
-Ooh! -Do you think we get the contents as well? -Treasure! | 0:39:54 | 0:39:58 | |
-Ainsley, look. I think that's our sailor. -Yeah! Might have belonged to him! | 0:39:58 | 0:40:03 | |
-That's his little brandy bottle there. -Yeah, that's his brandy bottle. And...his handbag. | 0:40:03 | 0:40:08 | |
His handbag! I know all about that. | 0:40:08 | 0:40:10 | |
That has got £40 on it. What do you think, my love? | 0:40:10 | 0:40:13 | |
I think we came in here, we wanted a couple of big items. | 0:40:13 | 0:40:17 | |
That's 40, I'd like 240. | 0:40:17 | 0:40:20 | |
It feels like my money, that's why I'm a little bit hesitant about the whole thing. | 0:40:20 | 0:40:25 | |
I shouldn't be like that, because I have an expert with me. | 0:40:25 | 0:40:29 | |
And you're guiding me so, we have a fantastic chest, | 0:40:29 | 0:40:33 | |
-if you want to call it that, a metal chest. -Trunk? -Trunk. | 0:40:33 | 0:40:37 | |
-I'm sure the dealer won't mind what you call it. -Oh, hello! -Hello, mate. | 0:40:37 | 0:40:41 | |
-What's your name? -Dave. -Hello, Dave. | 0:40:41 | 0:40:44 | |
-OK, Ainsley? -You all right? | 0:40:44 | 0:40:45 | |
It's got £40 on it, is there any movement on that price? | 0:40:45 | 0:40:49 | |
-Yeah. -Is there? -35. | 0:40:49 | 0:40:51 | |
How about 30? | 0:40:51 | 0:40:53 | |
-Go on, 30. -And a peck on the cheek. | 0:40:53 | 0:40:55 | |
All right, then! | 0:40:55 | 0:40:56 | |
-Would that be all right? -Deal, yeah. -You're a gent, Dave. -Deal done. -Thank you very much. -Well done. | 0:40:56 | 0:41:01 | |
At last, a deal! And Christina's found something to cap it with. | 0:41:01 | 0:41:05 | |
Can we put that with our trunk? | 0:41:05 | 0:41:07 | |
-You can put it with the trunk for a fiver. -Oh, hello, sailor! -I'll do a little dance for it! | 0:41:08 | 0:41:15 | |
LAUGHTER | 0:41:15 | 0:41:17 | |
So we'll put that in the trunk and include it in our £30. | 0:41:19 | 0:41:22 | |
That would be amazing. | 0:41:22 | 0:41:24 | |
Go on, put it in. | 0:41:24 | 0:41:25 | |
There's certainly treasure in here. | 0:41:25 | 0:41:28 | |
Depends on how you define it, of course, though. | 0:41:28 | 0:41:30 | |
-The face! -We're having a little talk here about a thing that might be suitable, | 0:41:30 | 0:41:35 | |
-it is... -Can I tell you what it is? -Are you serious? | 0:41:35 | 0:41:37 | |
-Can I tell you what it is? -It looks like a horse and trap type... -That's exactly what it is. | 0:41:37 | 0:41:41 | |
-From the Victorian period. -Yeah. | 0:41:41 | 0:41:44 | |
I was going to say, it came off a horse and trap a very long time ago and then it fell on the ground | 0:41:44 | 0:41:48 | |
-and then it rolled over several times. -And then landed in a ditch and stayed there for 100 years. | 0:41:48 | 0:41:53 | |
-Then I dug it out! -You dug it out. | 0:41:53 | 0:41:55 | |
This is going to come up as a surprise in front of an auction room | 0:41:55 | 0:41:57 | |
and they're going to say "It just looks like a bit of old wotsit." | 0:41:57 | 0:42:00 | |
Which sounds like pony and trap. | 0:42:00 | 0:42:02 | |
That is not its original material, because that is not leather. | 0:42:02 | 0:42:07 | |
-But underneath there... -Is the horse hair. -Is your old... Want to have a feel? -No. | 0:42:07 | 0:42:11 | |
-Go on! -No! -Have a feel of it! | 0:42:11 | 0:42:12 | |
-I really don't. -Have a sniff. -I really don't. | 0:42:12 | 0:42:15 | |
I like it. And I can absolutely see, in a beach house or something, it'd be fantastic. | 0:42:15 | 0:42:21 | |
But is anyone going to see the potential in that? | 0:42:21 | 0:42:25 | |
It all depends on the price, I suppose. | 0:42:25 | 0:42:28 | |
What is it, Toby, is it 30 quid? | 0:42:28 | 0:42:30 | |
-I'm afraid £40 I'd take on that. -OK. -It's a heck of a risk, but... | 0:42:30 | 0:42:33 | |
You won't go below 40? | 0:42:35 | 0:42:37 | |
35, yeah? | 0:42:37 | 0:42:38 | |
-35. -I'd love to take a punt. | 0:42:39 | 0:42:41 | |
-I'd love to see Ainsley's face when he sees what we've bought. -You know what? Exactly. What do you reckon? | 0:42:41 | 0:42:46 | |
-Yes. -Shall we have it? You've just bought part of a carriage. | 0:42:46 | 0:42:51 | |
-Toby? -OK. -Good man. | 0:42:51 | 0:42:53 | |
-Thank you. -I won't throw a horse in with it, I'm afraid. | 0:42:53 | 0:42:55 | |
-I think we might be flogging a dead horse! -Don't say that! | 0:42:55 | 0:42:59 | |
Sold for £35. | 0:42:59 | 0:43:01 | |
Ok, it's safe to uncover that baker's sign now. | 0:43:01 | 0:43:05 | |
Hopefully do a deal, too. Oops! | 0:43:05 | 0:43:07 | |
-What is your absolute best price? -My absolute best? | 0:43:07 | 0:43:12 | |
I'll do 210. | 0:43:12 | 0:43:14 | |
200, come on, 200. | 0:43:14 | 0:43:15 | |
£200. | 0:43:15 | 0:43:17 | |
200, right, this is it, but throw in a massage, right? | 0:43:17 | 0:43:20 | |
LAUGHTER | 0:43:20 | 0:43:22 | |
Turn around. | 0:43:22 | 0:43:24 | |
-Hey, all right! -Ready? | 0:43:24 | 0:43:26 | |
-190? -Yeah, 200? -You do hand reflexology! | 0:43:26 | 0:43:30 | |
Yeah, well done! Keep massaging the man! | 0:43:30 | 0:43:34 | |
All right, Ainsley, you can stop now! | 0:43:34 | 0:43:36 | |
Are you convinced? | 0:43:36 | 0:43:38 | |
For 200? | 0:43:38 | 0:43:39 | |
You've got a deal. | 0:43:41 | 0:43:42 | |
It's been a pleasure. | 0:43:45 | 0:43:47 | |
it's certainly been a struggle, but with the purse strings finally loosened, it's time | 0:43:48 | 0:43:52 | |
to take a look at what our celebrities and experts have plumped...FORE! | 0:43:52 | 0:43:57 | |
-Ready, ready, ready, ready? -Ready, go! | 0:43:57 | 0:43:59 | |
Oh, my gosh! | 0:43:59 | 0:44:02 | |
Right, interesting. | 0:44:02 | 0:44:04 | |
I love her. | 0:44:04 | 0:44:05 | |
I mean I LOVE her! | 0:44:05 | 0:44:07 | |
LAUGHTER | 0:44:07 | 0:44:09 | |
- You racy lady, you! - I know! | 0:44:09 | 0:44:11 | |
-She is lovely! -They didn't blush a bit. | 0:44:11 | 0:44:14 | |
That looks like a treasure chest, | 0:44:14 | 0:44:16 | |
- like somebody's treasure chest. - And it really was, for us, because inside of that we found what we think | 0:44:16 | 0:44:22 | |
could be a picture of the man himself. | 0:44:22 | 0:44:24 | |
And we also got a hat thrown in as well. | 0:44:24 | 0:44:26 | |
LAUGHTER | 0:44:26 | 0:44:28 | |
It fits you perfectly! | 0:44:28 | 0:44:29 | |
And we bought it in Greenwich, the home of maritime. | 0:44:29 | 0:44:33 | |
Now for the sign. | 0:44:33 | 0:44:34 | |
-That... -What do you think it is? -Early 20th century baker's sign is astonishing. | 0:44:34 | 0:44:41 | |
-I thought it was wonderful. -Ainsley is not convinced. Really? | 0:44:41 | 0:44:44 | |
- I kept thinking, "Most of our money is going to go on this." | 0:44:44 | 0:44:47 | |
- Oh, OK. - But the baking thing is really trendy at the moment. | 0:44:47 | 0:44:51 | |
- That's true. - That's exactly what I told him! | 0:44:51 | 0:44:54 | |
So, um, excuse me, please! | 0:44:54 | 0:44:56 | |
- You've got a point there! - Shall I give you a hand, shall I do this one? | 0:44:56 | 0:45:01 | |
One, two, three go! | 0:45:01 | 0:45:03 | |
-Oh, wow! -Fab! | 0:45:05 | 0:45:06 | |
- What is that? - Exactly. | 0:45:06 | 0:45:07 | |
What do you mean "What is that?" | 0:45:07 | 0:45:09 | |
We thought, do that up, you could upholster it, | 0:45:09 | 0:45:14 | |
put a beautiful cushion on it. It could be an unusual seat... | 0:45:14 | 0:45:18 | |
Very unusual... | 0:45:18 | 0:45:19 | |
..in a New England beach home | 0:45:19 | 0:45:23 | |
Let us show you real quality here. | 0:45:23 | 0:45:25 | |
- This is nice. - We've very proud of this | 0:45:25 | 0:45:28 | |
A George III 1790 foldover tea table. | 0:45:28 | 0:45:31 | |
It starts as a table maybe even in your hallway, | 0:45:31 | 0:45:34 | |
-but your friends come round for tea, apparently... -Yes they do. -..and the four of you can | 0:45:34 | 0:45:38 | |
sit down comfortably at a beautifully shaped table with all its little bits and pieces. | 0:45:38 | 0:45:44 | |
Anne and her furniture, eh? | 0:45:44 | 0:45:46 | |
OK, so then we go to the sublime to the, frankly, unbelievable... | 0:45:46 | 0:45:52 | |
-Don't say "ridiculous." -These are 1980s chat show interview chairs. | 0:45:52 | 0:45:57 | |
- Oh, are they? Are they comfy? - Oh, aren't they? Michael Parkinson, eat your heart out. | 0:45:57 | 0:46:04 | |
You know, retro, gorgeous, unusual kitchen, unusual breakfast room. | 0:46:04 | 0:46:10 | |
They are very sturdy. | 0:46:10 | 0:46:11 | |
LAUGHTER | 0:46:11 | 0:46:13 | |
But what did they really think? | 0:46:14 | 0:46:17 | |
They looked very happy when they saw our pony and trap seat. | 0:46:17 | 0:46:19 | |
Ha-ha-ha, I think they did! | 0:46:19 | 0:46:22 | |
I didn't believe that Anne was going to like our naked lady! | 0:46:22 | 0:46:25 | |
I know! | 0:46:25 | 0:46:27 | |
-I wonder what they're saying about ours. -Something probably really horrible. | 0:46:27 | 0:46:30 | |
They've taken a risk, they have taken a risk. Brown furniture is not doing very well. | 0:46:30 | 0:46:36 | |
Their baker's sign is gorgeous. | 0:46:36 | 0:46:38 | |
That is the worry. | 0:46:38 | 0:46:40 | |
-That is going to... -Could that go for a lot? -Yes, that will make them or break them. | 0:46:40 | 0:46:44 | |
# I'm a baker... | 0:46:44 | 0:46:46 | |
# I'm the baker... # | 0:46:46 | 0:46:48 | |
We'll be fine! | 0:46:48 | 0:46:50 | |
After starting out in Berkshire at Maidenhead, | 0:46:51 | 0:46:53 | |
our celebrities and experts will conclude their Thameside trip | 0:46:53 | 0:46:57 | |
at an auction in the Kent countryside in Dartford. | 0:46:57 | 0:47:00 | |
Just off the route pilgrims used to take to Canterbury Cathedral. Bless 'em. | 0:47:00 | 0:47:04 | |
ANNE: Have you ever been to an auction before? | 0:47:04 | 0:47:07 | |
-AINSLEY: -I've been to an auction before, but, uh, | 0:47:07 | 0:47:09 | |
I do worry about, sort of, scratching my nose though. | 0:47:09 | 0:47:12 | |
"Sold to you, sir!" | 0:47:12 | 0:47:14 | |
-Anne's driving! -Here we go. Oh, Anne's driving! | 0:47:14 | 0:47:16 | |
Welcome to Watermans Auction Rooms, where, for 14 years, they've been selling antiques and collectables | 0:47:16 | 0:47:21 | |
-the old fashioned way. -Right, shall we head on in? | 0:47:21 | 0:47:23 | |
Are you excited or nervous? | 0:47:23 | 0:47:25 | |
ANNE: I'm feeling nervous, now. | 0:47:25 | 0:47:27 | |
Will Anne's brown furniture spree prevail, or will Ainsley's caution, | 0:47:27 | 0:47:32 | |
combined with Christina's pester power | 0:47:32 | 0:47:35 | |
prove the winning recipe? | 0:47:35 | 0:47:36 | |
Let's hear what auctioneer Colin Waterman makes of their lots. | 0:47:36 | 0:47:39 | |
The baker sign is very unusual. | 0:47:39 | 0:47:41 | |
Because it is advertising it should do very, very well. | 0:47:41 | 0:47:44 | |
We're talking about 100 to 200 on a good day. | 0:47:44 | 0:47:46 | |
There's a Davenport, pretty little thing but they went out of favour | 0:47:46 | 0:47:49 | |
sort of five, six years ago. | 0:47:49 | 0:47:51 | |
Brown furniture has had its day. | 0:47:51 | 0:47:53 | |
And this is the thing of the future, retro. | 0:47:53 | 0:47:57 | |
Anne and David bought five auction lots, spending £340, | 0:47:59 | 0:48:03 | |
while Ainsley and Christina bought five auction lots for a total of £310. | 0:48:03 | 0:48:08 | |
And they are first under the gavel | 0:48:10 | 0:48:12 | |
with their safe little silver purchase. | 0:48:12 | 0:48:15 | |
Here we go, here we go, here we go, here we go! | 0:48:15 | 0:48:17 | |
What shall we say to that, £50 to start me? 40? | 0:48:17 | 0:48:19 | |
30? You tell me. 30 straight in, thank you. | 0:48:19 | 0:48:23 | |
30 I have, two anywhere now? | 0:48:23 | 0:48:25 | |
Lovely silver box for £30. Can I see two? | 0:48:25 | 0:48:28 | |
Should go for more. | 0:48:28 | 0:48:30 | |
At £30, it's got to be sold. At £30 are we sure? | 0:48:30 | 0:48:33 | |
Oh, maiden bid, maiden bid. | 0:48:33 | 0:48:36 | |
-Never mind... -Profit, is that profit? -That's what you want. | 0:48:36 | 0:48:38 | |
Yes, it is definitely a profit. | 0:48:38 | 0:48:40 | |
No complaints. | 0:48:40 | 0:48:42 | |
Next up, Anne and David's posh coalscuttle. | 0:48:42 | 0:48:44 | |
If a coalscuttle can ever be posh. | 0:48:44 | 0:48:46 | |
Dan's going to lift it up, show his muscles. | 0:48:46 | 0:48:48 | |
What shall we say for that, about 50? 40? | 0:48:48 | 0:48:51 | |
You tell me. 30 quid then? Go on. | 0:48:51 | 0:48:53 | |
-Come on! -£30, someone? | 0:48:53 | 0:48:55 | |
25? | 0:48:55 | 0:48:57 | |
£20 then. | 0:48:57 | 0:48:59 | |
Oh, come on, come on! | 0:48:59 | 0:49:01 | |
Looking for two. Last time at £20. | 0:49:01 | 0:49:03 | |
-You miserable lot! -22, 24, 26. | 0:49:03 | 0:49:06 | |
-Go on! -28. 30. | 0:49:06 | 0:49:09 | |
-Go on! -28 there, 30 anywhere now. | 0:49:09 | 0:49:12 | |
Looking for £30 again, last time. | 0:49:12 | 0:49:14 | |
-At 28 it's got to be sold... -Oh, no! | 0:49:14 | 0:49:17 | |
An even bigger loss after auction costs. | 0:49:19 | 0:49:22 | |
We're just getting warmed up here. | 0:49:22 | 0:49:24 | |
-Oh, yeah. -So are we! | 0:49:24 | 0:49:26 | |
Yeah. Handbags at dawn, eh? Speaking of which... | 0:49:27 | 0:49:31 | |
We paid £30 for it, there's an estimate of £20 - £22. | 0:49:31 | 0:49:35 | |
-We've got to get it up more than that. -Well, see what happens. | 0:49:35 | 0:49:38 | |
Have to do a bit of modelling or something. | 0:49:38 | 0:49:41 | |
The catwalk won't know what's hit it. | 0:49:41 | 0:49:43 | |
He's off. | 0:49:43 | 0:49:45 | |
-The 1940s... -DAVID: -Oh! Oh, I say! | 0:49:45 | 0:49:49 | |
It looks great with or without glasses, girls. Look at this. | 0:49:50 | 0:49:55 | |
Start me off at £30, someone. 20 then, for it. Nice vintage handbag. | 0:49:55 | 0:49:59 | |
-Hold it up, come on. -15 then. -I'm showing you, look. | 0:49:59 | 0:50:02 | |
Anyone at 15 on the vintage handbag? | 0:50:02 | 0:50:04 | |
-15 I have, 16 anywhere now? -Really is beautiful. | 0:50:04 | 0:50:09 | |
18, 20. 22. 24. | 0:50:09 | 0:50:12 | |
ANNE: Go on, Ainsley! | 0:50:12 | 0:50:14 | |
28, 30. 28 with the lady there, 30 anywhere now? | 0:50:14 | 0:50:18 | |
Still selling at £20 for the last time now. | 0:50:18 | 0:50:22 | |
-DAVID: -Oh, but well modelled. | 0:50:22 | 0:50:24 | |
-The next auction's on the 27th, can you come back? -Yes! | 0:50:24 | 0:50:28 | |
-Oh, no, we lost money on it! -Oh, did you? | 0:50:28 | 0:50:31 | |
Well, I'm sure that without modelling it, | 0:50:31 | 0:50:33 | |
it would have been a lot worse. | 0:50:33 | 0:50:35 | |
So, are you going to carry around your horse...? | 0:50:35 | 0:50:37 | |
-Yes, I may well do. -Put it on your back. | 0:50:37 | 0:50:40 | |
Time for Anne's big fat Georgian gamble. | 0:50:40 | 0:50:43 | |
Quality, that's what it says. | 0:50:43 | 0:50:45 | |
And real age as well. Real period age to it. | 0:50:45 | 0:50:48 | |
But unfortunately as we all know, we are dictated to by fashion. | 0:50:48 | 0:50:51 | |
I know, I know. | 0:50:51 | 0:50:52 | |
I think you should sell it with a tin of paint. | 0:50:52 | 0:50:55 | |
Yeah, to paint and distress it. | 0:50:55 | 0:50:57 | |
-I know. I know. -Can we see it? It's over there. | 0:50:57 | 0:51:00 | |
Can you bring it over? He's a strong lad. Go on, Dan, come on, Danny. | 0:51:00 | 0:51:04 | |
-What can we say for that, 100? -Come on. | 0:51:04 | 0:51:07 | |
-Come on, guys. -You tell me. | 0:51:07 | 0:51:09 | |
£70 then. No? Nobody at 70 on it? | 0:51:09 | 0:51:13 | |
-Come on. -60? -Not looking good. | 0:51:13 | 0:51:17 | |
Any interest at all? 40? | 0:51:17 | 0:51:20 | |
40 I've got. 40 I've got. Five? | 0:51:20 | 0:51:22 | |
-50? Five. 60. -Come on, come on. | 0:51:22 | 0:51:25 | |
Five. 70. | 0:51:25 | 0:51:28 | |
Five anywhere now? 70 I've still got, looking for five. | 0:51:28 | 0:51:32 | |
It's got to be sold. At £70... | 0:51:32 | 0:51:34 | |
Devastating. | 0:51:34 | 0:51:37 | |
HE SOBS | 0:51:37 | 0:51:38 | |
That is a blow. | 0:51:38 | 0:51:40 | |
But someone's got themselves a very nice table. | 0:51:40 | 0:51:44 | |
How about Ainsley and Christina's piece of maritime history? | 0:51:44 | 0:51:47 | |
Start me off at, what, £90 for it? 80? You tell me. | 0:51:47 | 0:51:51 | |
£60 for it, someone start me? Nope? 50? | 0:51:51 | 0:51:54 | |
-Come on, come on. -Coffee table. | 0:51:54 | 0:51:57 | |
Coffee table, painted, shabby chic. 45? 40? 30? You tell me. | 0:51:57 | 0:52:02 | |
Any interest at all? 20? 20 I've got. | 0:52:02 | 0:52:06 | |
-We'll take that. -20 I've got. Five anywhere now? | 0:52:06 | 0:52:09 | |
-20 I've got. 22. 24. 26, 28. 30. 32. -Go on. | 0:52:09 | 0:52:14 | |
30, I've got. Two anywhere now? | 0:52:14 | 0:52:16 | |
On the naval trunk, 32, last time at £32, it's got to be sold. | 0:52:16 | 0:52:22 | |
Ohhh! | 0:52:22 | 0:52:24 | |
A tiny profit, but sadly another loss after costs. | 0:52:24 | 0:52:29 | |
Don't think you'll ever go to another auction again, Ainsley. | 0:52:29 | 0:52:32 | |
-Can we start again? -I feel like going for a wee. Where's the loo? | 0:52:32 | 0:52:35 | |
At least the next lot is one of the opposition's. Anne's favourite buy. | 0:52:35 | 0:52:39 | |
-How much did we buy it for? -£100. It feels very expensive. | 0:52:39 | 0:52:44 | |
-Can we bring it in? -Give them a hand. Come on, Dan, there we are. | 0:52:44 | 0:52:48 | |
There we are, son. There we are. | 0:52:48 | 0:52:51 | |
Very good job. | 0:52:51 | 0:52:53 | |
-Lovely little thing there. -Hold it up, hold it up. | 0:52:53 | 0:52:56 | |
What shall we say for that? £100? 90? 80? | 0:52:56 | 0:52:59 | |
-Come on. -Work the lid, Ainsley. | 0:52:59 | 0:53:01 | |
-60 then, 60 I've got. -Come on, everybody. | 0:53:01 | 0:53:04 | |
Five anywhere now? Thank you. 70. | 0:53:04 | 0:53:07 | |
-Five. -It's got the ink pot, look. | 0:53:07 | 0:53:10 | |
80, five. The reserve's a lot more. | 0:53:10 | 0:53:12 | |
-80 I've got. Last time, five. 90. -Go on! | 0:53:12 | 0:53:16 | |
95 I've still got, last time at 95. | 0:53:16 | 0:53:20 | |
-One more! -100 I've got. It came back. -Yes! | 0:53:20 | 0:53:25 | |
-105. At £100. -I think this is a world-record price. -100... | 0:53:25 | 0:53:30 | |
-Thank you. -That's good. | 0:53:30 | 0:53:33 | |
Good work, Ainsley. I think you saved them. | 0:53:33 | 0:53:36 | |
-Well done, Ainsley. -Can I hire him out? -Yes! | 0:53:36 | 0:53:40 | |
Time for his little swinger. But there's bad news. | 0:53:40 | 0:53:45 | |
-You know our naked lady that you loved? -Yeah. | 0:53:45 | 0:53:47 | |
We just went over to have a look at her and her foot has come off. | 0:53:47 | 0:53:50 | |
DAVID: Oh, bless her. | 0:53:50 | 0:53:51 | |
The auctioneer's given an insurance valuation of £30. | 0:53:51 | 0:53:55 | |
So there's a small profit guaranteed at least. | 0:53:55 | 0:53:58 | |
30 quid, 20, ten, you tell me. Ten I've got at the back. | 0:53:58 | 0:54:02 | |
-12 anywhere now? 12, 14. -Still like her, don't we? -20. | 0:54:02 | 0:54:07 | |
22. 24. 26. 28. | 0:54:07 | 0:54:11 | |
30. 32. | 0:54:11 | 0:54:13 | |
-Hang on a minute! -We'll take the price! | 0:54:13 | 0:54:16 | |
Selling at £32 for the last time... | 0:54:16 | 0:54:20 | |
I wonder what she'd have made intact, then. | 0:54:20 | 0:54:23 | |
I don't believe it. | 0:54:23 | 0:54:25 | |
The best lot of the day is about to perform. | 0:54:25 | 0:54:28 | |
After all that fine furniture, the runt of the litter. | 0:54:28 | 0:54:32 | |
-How much do we say for that? -500? | 0:54:32 | 0:54:34 | |
Yeah, we'd like to think so, wouldn't we? £100 to start me. | 0:54:34 | 0:54:38 | |
-Go on. -90? 80? -The seat lifts up, you can put stuff in it. | 0:54:38 | 0:54:44 | |
Yeah, I know. I thought that myself, actually. | 0:54:44 | 0:54:46 | |
£70, start me, then, someone, surely. No? | 0:54:46 | 0:54:48 | |
Let's have a look at it more. | 0:54:48 | 0:54:50 | |
-50? 50 I have got. -Oh, yes. -Not bad. | 0:54:50 | 0:54:52 | |
Come on, come on. | 0:54:52 | 0:54:54 | |
Looking for five pounds now. 55, 60. Five. | 0:54:54 | 0:54:58 | |
70. Five. | 0:54:58 | 0:55:00 | |
-Go on! -80. Five. -Unbelievable! | 0:55:00 | 0:55:04 | |
Last time at 80. | 0:55:04 | 0:55:06 | |
It's got to be sold. At £80, then? | 0:55:06 | 0:55:09 | |
Star lot! | 0:55:09 | 0:55:11 | |
Well done. Really lovely. | 0:55:11 | 0:55:13 | |
Well, the profit is, certainly. | 0:55:13 | 0:55:15 | |
David's persuasion paid off. | 0:55:15 | 0:55:17 | |
-I don't understand it. -And it sold for more than a George III 1790 mahogany foldover. | 0:55:17 | 0:55:22 | |
-But that's what the market wants, they want quirky. -They want madness. | 0:55:22 | 0:55:26 | |
They want cupcakes too, apparently. | 0:55:26 | 0:55:28 | |
Christina twisted Ainsley's arm to buy this but it's risky. | 0:55:28 | 0:55:32 | |
-I'm really nervous. -I'm nervous. | 0:55:32 | 0:55:34 | |
Early 20th-century baker's sign. If you saw it over there. | 0:55:34 | 0:55:38 | |
-And commission bids on this start me straight in. -Oh, oh! | 0:55:38 | 0:55:41 | |
-At £145. -Oh! -Do I see 150? | 0:55:41 | 0:55:43 | |
145 I have. 150 anywhere? | 0:55:43 | 0:55:47 | |
-145 I've still got, 150, last time? -Go on. | 0:55:47 | 0:55:51 | |
-At £145, I'm going to sell it. -No! | 0:55:51 | 0:55:54 | |
-At 145... -Go on! | 0:55:54 | 0:55:58 | |
LAUGHTER | 0:55:58 | 0:56:00 | |
Oh! | 0:56:00 | 0:56:01 | |
So, now they've both had one stonking great loss. | 0:56:01 | 0:56:05 | |
-You win some, you lose some. -You do, it's all fun. | 0:56:05 | 0:56:07 | |
It's not the winning, Ainsley. It's not the winning. | 0:56:07 | 0:56:10 | |
-It's the journey, darling. -Oh, yes it is! | 0:56:10 | 0:56:13 | |
Finally, it comes down to those 1980s chairs. | 0:56:13 | 0:56:16 | |
I think you should model them. It's our... Will you model them? | 0:56:16 | 0:56:19 | |
-Yeah, I'll do an Ainsley. -Will you? Are you going to do an Ainsley? | 0:56:19 | 0:56:23 | |
OK, this is your starring moment, Anne Diamond, go on. | 0:56:23 | 0:56:26 | |
Anne Diamond herself is going to read the news now. | 0:56:26 | 0:56:28 | |
I think they're like studio chairs, | 0:56:28 | 0:56:30 | |
except you can have these in your kitchen. | 0:56:30 | 0:56:32 | |
Michael Parkinson would sit on a very high stool like this | 0:56:32 | 0:56:35 | |
and interview Billy Connolly sat on that one. | 0:56:35 | 0:56:38 | |
And there's... And what's more, they're really comfy. | 0:56:38 | 0:56:41 | |
-And they're orange. -Yeah. | 0:56:41 | 0:56:43 | |
You can't miss them and they would go fantastic | 0:56:43 | 0:56:45 | |
in a retro kitchen or something, wouldn't they? | 0:56:45 | 0:56:47 | |
-Ta-da! -Well done. | 0:56:47 | 0:56:49 | |
Well, I'm convinced. What about everyone else, though? | 0:56:49 | 0:56:52 | |
What are we saying, £80, 70? You tell me. Any interest at all? | 0:56:52 | 0:56:55 | |
-Shall we start it off? £10? -Oh, my...! | 0:56:55 | 0:56:58 | |
-Oh, no, they're retro! -15, 20. | 0:56:58 | 0:57:00 | |
Five, 30. | 0:57:00 | 0:57:02 | |
-Come on! -25 behind. -No! -Looking for 30. | 0:57:02 | 0:57:04 | |
-30. Five. -Go on. -40. | 0:57:04 | 0:57:07 | |
-Five. 50. -Go on. -Five. | 0:57:07 | 0:57:10 | |
-60. -Oh, you're in profit. Well done! -Shhhh! Keep your voice down! | 0:57:10 | 0:57:14 | |
60 there. Five anywhere now? 60 I have. | 0:57:14 | 0:57:17 | |
Five? 70. 65 there, 70 anywhere now? | 0:57:17 | 0:57:21 | |
Last time. You can't get blood out of a stone. | 0:57:21 | 0:57:23 | |
Believe me, I try every two weeks. | 0:57:23 | 0:57:26 | |
65 I've got. Selling I am now, last time. | 0:57:26 | 0:57:30 | |
Cor, Anne's extra efforts ensured a profit. | 0:57:30 | 0:57:33 | |
That means that she and David are today's victors. | 0:57:33 | 0:57:36 | |
Gosh almighty. | 0:57:36 | 0:57:38 | |
That was a ride, wasn't it? | 0:57:38 | 0:57:40 | |
Ainsley and Christina began with £400. | 0:57:40 | 0:57:44 | |
And after paying auction costs they made a loss of £91.06, | 0:57:44 | 0:57:49 | |
leaving them with £308.94. | 0:57:49 | 0:57:52 | |
Whilst Anne and David, who also started out with £400, | 0:57:52 | 0:57:56 | |
made, after paying auction costs, a slightly smaller loss of £58.74. | 0:57:56 | 0:58:02 | |
So, they are today's victors with £341.26. | 0:58:02 | 0:58:07 | |
-So we've won. -Oh, yay! Well done. | 0:58:07 | 0:58:09 | |
-Well, we lost less! -It's been great fun though. | 0:58:09 | 0:58:13 | |
-I've really, really enjoyed it. -It's completely crazy. | 0:58:13 | 0:58:16 | |
Shall we have a last go in our cars? Come on. The sun is out. | 0:58:16 | 0:58:20 | |
-Thank you! -I tell you what this has given me a taste for, going out | 0:58:22 | 0:58:25 | |
-and doing it myself. -Not being frightened to do it. -No. | 0:58:25 | 0:58:28 | |
-I enjoyed... -Maybe you and I should make a date | 0:58:28 | 0:58:30 | |
-and go rummage around... -Exactly. -..on our own one afternoon! | 0:58:30 | 0:58:35 |