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The nation's favourite celebrities. | 0:00:02 | 0:00:03 | |
We are special, then, are we? | 0:00:03 | 0:00:05 | |
Oh, that's excellent. | 0:00:05 | 0:00:06 | |
Paired up with an expert... | 0:00:06 | 0:00:08 | |
We're a very good team, you and me. | 0:00:08 | 0:00:09 | |
And a classic car. | 0:00:09 | 0:00:11 | |
Their mission, to scour Britain for antiques. | 0:00:11 | 0:00:14 | |
-I've no idea what it is. -Oh, I love it! | 0:00:14 | 0:00:17 | |
The aim, to make the biggest profit at auction. | 0:00:17 | 0:00:20 | |
Yes! | 0:00:20 | 0:00:21 | |
But it's no easy ride. | 0:00:21 | 0:00:23 | |
-Oh! -There is no accounting for taste! | 0:00:23 | 0:00:25 | |
Who will find a hidden gem? | 0:00:25 | 0:00:28 | |
Who will take the biggest risks? | 0:00:28 | 0:00:30 | |
Will anybody follow expert advice? | 0:00:30 | 0:00:32 | |
-Do you like them? -No. | 0:00:32 | 0:00:35 | |
There will be worthy winners and valiant losers. | 0:00:35 | 0:00:38 | |
-Are you happy? -Yes. -Promise? -Ecstatic. | 0:00:38 | 0:00:40 | |
Time to put your pedal to the metal, | 0:00:40 | 0:00:42 | |
this is Celebrity Antiques Road Trip. | 0:00:42 | 0:00:44 | |
Yeah! | 0:00:46 | 0:00:48 | |
We're in the Thames Valley for a celebrity road trip with TV aristocracy. | 0:00:50 | 0:00:54 | |
Oh, look, there it is. | 0:00:54 | 0:00:56 | |
Presenter Rebecca Wilcox and her mum, the iconic Esther Rantzen. | 0:00:56 | 0:01:00 | |
It promises to be the mother of all contests. | 0:01:00 | 0:01:03 | |
I am so competitive that I have actually made myself sick | 0:01:03 | 0:01:08 | |
playing Trivial Pursuit. | 0:01:08 | 0:01:09 | |
Do I get that from you, or do I get that from Dad? | 0:01:09 | 0:01:12 | |
I think you get that from yourself, Rebecca. | 0:01:12 | 0:01:14 | |
I don't think on this occasion you can blame either parent. | 0:01:14 | 0:01:18 | |
-I am horribly competitive. -You are. | 0:01:18 | 0:01:20 | |
I'm not, I just effortlessly win things. | 0:01:20 | 0:01:24 | |
MUSIC: Theme tune from That's Life | 0:01:24 | 0:01:28 | |
Esther Rantzen has been effortlessly gracing our | 0:01:28 | 0:01:30 | |
TV screens for over 40 years. | 0:01:30 | 0:01:32 | |
Most famously in That's Life. | 0:01:32 | 0:01:36 | |
She always combined fun with being the consumers' champion. | 0:01:36 | 0:01:40 | |
We get a great many letters every week on this | 0:01:40 | 0:01:42 | |
programme from people complaining... | 0:01:42 | 0:01:44 | |
But, perhaps, her greatest legacy is ChildLine, | 0:01:44 | 0:01:47 | |
the ground-breaking service for children and young people. | 0:01:47 | 0:01:51 | |
Today, Esther's a rather nervous passenger. | 0:01:51 | 0:01:54 | |
Keep your eye on the road. | 0:01:54 | 0:01:56 | |
My eye is on the road! | 0:01:56 | 0:01:58 | |
In a 1985 Mercedes convertible... | 0:01:58 | 0:02:01 | |
You will tell me if I'm heading off into a ditch, won't you? | 0:02:01 | 0:02:04 | |
Yes, darling, I will. | 0:02:04 | 0:02:05 | |
The child of Esther and her late husband documentary maker, | 0:02:05 | 0:02:08 | |
Desmond Wilcox, Rebecca's forged her own career in front of the cameras. | 0:02:08 | 0:02:13 | |
No problem. | 0:02:13 | 0:02:14 | |
On consumer programmes like Watchdog, This Morning | 0:02:14 | 0:02:18 | |
and Your Money Their Tricks, for her presenting | 0:02:18 | 0:02:20 | |
is as easy as falling off...a sofa. | 0:02:20 | 0:02:22 | |
Ouch. | 0:02:22 | 0:02:24 | |
But, when it comes to antiques hunting, | 0:02:24 | 0:02:26 | |
she defers to Mum for advice. | 0:02:26 | 0:02:28 | |
Go for what you think is chic and stylish | 0:02:28 | 0:02:31 | |
and that you would want to live with in your home. | 0:02:31 | 0:02:34 | |
How do I know that you're not trying to give me misinformation? | 0:02:34 | 0:02:37 | |
Because I'm a warm and caring mother. | 0:02:37 | 0:02:40 | |
THEY LAUGH | 0:02:40 | 0:02:43 | |
Esther and Rebecca each have £400 to spend in a battle to create | 0:02:43 | 0:02:47 | |
profits from antiques. They're going to need trustworthy advice. | 0:02:47 | 0:02:51 | |
Sounds like a job for experts, David Harper and Will Axon. | 0:02:53 | 0:02:56 | |
So as far as Esther's buying habits go, | 0:02:58 | 0:03:00 | |
do you think she's going to be looking for the ridiculous? | 0:03:00 | 0:03:04 | |
I know what you're going... I know where you're going. | 0:03:04 | 0:03:06 | |
Is she going to look for a piece of pottery in the shape | 0:03:06 | 0:03:08 | |
of a rude bit - a carrot! | 0:03:08 | 0:03:11 | |
That's the one. A misshapen spud. | 0:03:11 | 0:03:13 | |
Well, it would be the first on the show. | 0:03:13 | 0:03:16 | |
Auctioneer and valuer, Will, specialises in conventional pottery and furniture. | 0:03:16 | 0:03:20 | |
David pairs up specialist antiques with buyers and auctions. | 0:03:20 | 0:03:25 | |
He's also into classic cars, | 0:03:25 | 0:03:27 | |
preferably bigger than this 1966 Mini Cooper. | 0:03:27 | 0:03:30 | |
It's a good job we're both slim chaps. | 0:03:30 | 0:03:33 | |
Slim and trim, Will, slim and trim. | 0:03:33 | 0:03:36 | |
Today's road trip begins on the outskirts of Reading in Berkshire. | 0:03:36 | 0:03:40 | |
It nips briefly into Hampshire | 0:03:40 | 0:03:42 | |
and wanders through the Thames Valley in Oxfordshire | 0:03:42 | 0:03:45 | |
before heading to an auction at the village of Send, | 0:03:45 | 0:03:48 | |
near Woking in Surrey. | 0:03:48 | 0:03:50 | |
-Hello, how are you? -Hello. | 0:03:50 | 0:03:53 | |
Hi, Rebecca, David. Nice to meet you. | 0:03:53 | 0:03:55 | |
Lovely to meet you. | 0:03:55 | 0:03:56 | |
How'd you do, I'm Will, nice to meet you. | 0:03:56 | 0:03:58 | |
As the celebrities arrive, it's time to declare the teams. | 0:03:58 | 0:04:01 | |
-I see you are in your cyclamen? -Yes, thank you. | 0:04:01 | 0:04:05 | |
Nice to meet you. | 0:04:05 | 0:04:07 | |
-We're sort of matching. -We complement each other. -We do, don't we? | 0:04:07 | 0:04:10 | |
So, that's the pretty in pink team sorted. | 0:04:10 | 0:04:13 | |
What do you think of the cars? | 0:04:13 | 0:04:15 | |
I think you two are perfect for that little thing | 0:04:15 | 0:04:17 | |
and we are perfect for this rather stately one. | 0:04:17 | 0:04:19 | |
I feel slightly judged but I think that's great. | 0:04:19 | 0:04:22 | |
I think that's much cooler. | 0:04:22 | 0:04:23 | |
It's decided, Rebecca and Will will be zipping about in the Mini | 0:04:23 | 0:04:26 | |
while Esther and David cruise in the Merc, | 0:04:26 | 0:04:30 | |
their first stop will be in the centre of Reading | 0:04:30 | 0:04:32 | |
and the short journey is a chance to assess the opposition. | 0:04:32 | 0:04:36 | |
-We'll fight them to the death. -Oh! -To win. | 0:04:36 | 0:04:39 | |
-Oh, my God! -So I have said that I'm not competitive, | 0:04:39 | 0:04:43 | |
-I'm not competing with her. -OK. | 0:04:43 | 0:04:45 | |
Is that because there's no point in competing with her? | 0:04:45 | 0:04:47 | |
-Well, it's because I want to disarm her. -Ah. | 0:04:47 | 0:04:50 | |
-Trap her into confidence. -Good. | 0:04:50 | 0:04:52 | |
And then see if I can win in spite of her. | 0:04:52 | 0:04:55 | |
Devious... And what about shopping style? | 0:04:55 | 0:04:58 | |
It's very difficult to judge who's going to be in the auction, etc. | 0:04:58 | 0:05:03 | |
I think the only thing to do is to go for things | 0:05:03 | 0:05:05 | |
that you would buy yourself. | 0:05:05 | 0:05:07 | |
It's a clear strategy. | 0:05:07 | 0:05:09 | |
The first place to test it is at Fanny's. | 0:05:09 | 0:05:12 | |
It's home to about 20 dealers with an eclectic mix of wares. | 0:05:12 | 0:05:15 | |
Today, Will's the man keeping an eye on it all. | 0:05:15 | 0:05:17 | |
-How do you do? -I've watched you for many years. -Aw. -Oh. | 0:05:17 | 0:05:20 | |
How sweet you are. | 0:05:20 | 0:05:21 | |
Ah, and there's a lot to look at. | 0:05:21 | 0:05:23 | |
Do you do this, do you wander around places? | 0:05:23 | 0:05:25 | |
I haven't done this since my husband died. | 0:05:25 | 0:05:27 | |
-We used to do it a lot. -Did you? -Oh, yeah. | 0:05:27 | 0:05:30 | |
Did you do it like a hobby thing, or did you... | 0:05:30 | 0:05:32 | |
It's just when we had a lovely day out, we would go to | 0:05:32 | 0:05:35 | |
an antique shop and pick around, find something | 0:05:35 | 0:05:38 | |
and then that would always remind us of the day. | 0:05:38 | 0:05:40 | |
Esther's soon back in rummaging mode. | 0:05:40 | 0:05:43 | |
I've got to get me glasses. | 0:05:43 | 0:05:45 | |
And going for what she likes. | 0:05:45 | 0:05:46 | |
Oh, look, wait a minute, there's a pig. | 0:05:46 | 0:05:49 | |
-Now I'm very partial to pigs. -OK. | 0:05:49 | 0:05:51 | |
What is it that you're drawn to, though? | 0:05:51 | 0:05:53 | |
Well, it's got lots of animals. | 0:05:53 | 0:05:55 | |
DAVID CHUCKLES | 0:05:55 | 0:05:56 | |
God! There are animals everywhere I look. | 0:05:56 | 0:05:59 | |
It's another animal! | 0:05:59 | 0:06:00 | |
We've got a bit of an animal theme going here with Esther. | 0:06:00 | 0:06:02 | |
-What is that? -It's a nut cracker. | 0:06:02 | 0:06:05 | |
With anything to do with animals, she's in there. | 0:06:05 | 0:06:07 | |
Stick your nuts in there. | 0:06:07 | 0:06:09 | |
I won't. Stick your own nuts in there. | 0:06:09 | 0:06:12 | |
It doesn't matter whether they are brand-new, or any age at all. | 0:06:12 | 0:06:15 | |
Look, I've found an elephant stool. | 0:06:15 | 0:06:18 | |
Now I need to try and turn this round and start focusing | 0:06:18 | 0:06:21 | |
on something with age and quality and distinction. | 0:06:21 | 0:06:25 | |
It could be an uphill battle, David. | 0:06:25 | 0:06:27 | |
Fortunately, it looks as if Esther's taste extend beyond animals. | 0:06:27 | 0:06:31 | |
Do you want me to help you there? | 0:06:31 | 0:06:33 | |
If I knock everything off this shelf, will we have to pay for it? | 0:06:33 | 0:06:36 | |
-Yes, well, you will. -Thanks. | 0:06:36 | 0:06:38 | |
-Right. -Oh! | 0:06:38 | 0:06:40 | |
That's lighter than I thought it was going to be. Well, well, well. | 0:06:40 | 0:06:43 | |
-OK, a piece of glass. -Yeah... | 0:06:43 | 0:06:45 | |
-Signed... -Yeah. | 0:06:45 | 0:06:46 | |
Hand blown. | 0:06:46 | 0:06:48 | |
Do you like glass? | 0:06:48 | 0:06:50 | |
-Some glass, I like that bit. -OK. | 0:06:50 | 0:06:52 | |
-Do you speak French? -Oui. | 0:06:52 | 0:06:55 | |
Can you pronounce that beautifully? | 0:06:55 | 0:06:57 | |
-Alors, qu'est-ce qu'on dit... -Was that German? | 0:06:57 | 0:06:59 | |
Jean Noel Bouillet, Objet D'art Signe. | 0:06:59 | 0:07:02 | |
She's tres sophisticated! | 0:07:02 | 0:07:05 | |
This piece of Art Glass was made in 1999 by Frenchman, | 0:07:05 | 0:07:08 | |
Jean Noel Bouillet. | 0:07:08 | 0:07:11 | |
Ah, il y a quelque chose... | 0:07:11 | 0:07:13 | |
It comes with a signature, a certificate of authenticity | 0:07:13 | 0:07:16 | |
and a £55 price ticket. | 0:07:16 | 0:07:18 | |
I love it because all Art Glass is individual. | 0:07:19 | 0:07:23 | |
There is only one of these objects in... | 0:07:23 | 0:07:25 | |
It's a bit like you, Esther Rantzen. | 0:07:25 | 0:07:27 | |
There is only one Esther Rantzen in the whole world. | 0:07:27 | 0:07:31 | |
-You may say, "Thank the Lord!" -I never said that. | 0:07:31 | 0:07:34 | |
-And there's only one of them. -I think it's rather gorgeous. | 0:07:34 | 0:07:36 | |
-How much would you pay? -£15. | 0:07:36 | 0:07:38 | |
-Would you? -Yes. | 0:07:38 | 0:07:40 | |
You're very hard, aren't you? | 0:07:40 | 0:07:41 | |
-You know, I've never haggled in my life. -Really? -Never. | 0:07:41 | 0:07:44 | |
-Seriously? -What do you think we could... | 0:07:44 | 0:07:47 | |
-I think that would be 20 to 30 in auction. -Do you? | 0:07:47 | 0:07:49 | |
I think it's very, very stylish. | 0:07:49 | 0:07:52 | |
-Shall we get a price on it? -Yeah. | 0:07:52 | 0:07:54 | |
The Art Glass vase is a strong contender for Esther's first buy | 0:07:54 | 0:07:57 | |
but only if the price is right. | 0:07:57 | 0:07:59 | |
Esther, this is your opportunity to try, for your very first time, | 0:07:59 | 0:08:04 | |
some negotiating. Go for it. | 0:08:04 | 0:08:08 | |
25? | 0:08:08 | 0:08:10 | |
That's 55, that's about 60% discount. | 0:08:12 | 0:08:15 | |
Well, I'm... I've never... | 0:08:15 | 0:08:17 | |
I think we need a little bit more than that | 0:08:17 | 0:08:19 | |
but I think we could go... | 0:08:19 | 0:08:20 | |
-35. -You've weakened him nicely. | 0:08:20 | 0:08:22 | |
Somewhere in the middle, 30? | 0:08:22 | 0:08:24 | |
-30. £30. -You've done it, you've done the deal. | 0:08:24 | 0:08:27 | |
-There we are. -That's it! | 0:08:27 | 0:08:29 | |
Well, you're wonderful, thank you very much. | 0:08:29 | 0:08:31 | |
-Deal done. -Thank you! -Our first purchase. | 0:08:31 | 0:08:34 | |
With a reduction from £55 to £30, Esther's bagged her first bargain. | 0:08:34 | 0:08:38 | |
It's modern but there's not an animal in sight. Phew! | 0:08:38 | 0:08:43 | |
Out on the road, antiques novice, Rebecca, | 0:08:43 | 0:08:45 | |
has a confession. | 0:08:45 | 0:08:47 | |
I'm the most indecisive person in the world! | 0:08:47 | 0:08:49 | |
-This I do not like. -No. | 0:08:49 | 0:08:50 | |
We are going to have to make quick decisions today. | 0:08:50 | 0:08:53 | |
Rebecca and Will are heading 11 miles south | 0:08:53 | 0:08:56 | |
to the Hampshire village of Eversley. | 0:08:56 | 0:08:58 | |
It's the home of Eversley Barn Antiques, | 0:08:58 | 0:09:01 | |
a 16th century barn, filled with antiques and collectibles | 0:09:01 | 0:09:05 | |
from furniture to porcelain. | 0:09:05 | 0:09:07 | |
-Oh, my word. -There's a lot here. -I don't know where to start. | 0:09:07 | 0:09:10 | |
You have to start somewhere. | 0:09:10 | 0:09:12 | |
A first peek in the cabinets yields a possibility. | 0:09:12 | 0:09:16 | |
"Three pieces", it says. | 0:09:16 | 0:09:18 | |
Yes, he would stand on top of that, which is | 0:09:18 | 0:09:20 | |
where you'd put your little flowers. | 0:09:20 | 0:09:22 | |
Then you've got the bowl underneath, | 0:09:22 | 0:09:24 | |
which is quite stylish on its own. | 0:09:24 | 0:09:25 | |
-Do you like that? -I don't know. | 0:09:25 | 0:09:27 | |
-You did say you were indecisive. -I'm completely indecisive. | 0:09:27 | 0:09:30 | |
-Well, you're not indecisive about that? -No. | 0:09:30 | 0:09:32 | |
"I'm completely indecisive!" | 0:09:32 | 0:09:34 | |
I don't know what I like. | 0:09:34 | 0:09:36 | |
I know that I don't know but I don't know what I know. | 0:09:36 | 0:09:38 | |
So, just to clarify, that's a known unknown. | 0:09:38 | 0:09:41 | |
-That's quite sweet. -That's nice quality, actually. | 0:09:43 | 0:09:45 | |
-Is that painted, or printed? -Erm... | 0:09:45 | 0:09:48 | |
Painted... | 0:09:49 | 0:09:50 | |
Printed... | 0:09:50 | 0:09:52 | |
Painted... Stop me when I'm right. | 0:09:52 | 0:09:54 | |
Well, it looks as if the lid on this glass tankard | 0:09:54 | 0:09:56 | |
uses a combination of both techniques. | 0:09:56 | 0:09:59 | |
It was probably made in Bohemia in the late 1800s. | 0:09:59 | 0:10:02 | |
With a ticket price of £30, could it provide a rhapsody? | 0:10:02 | 0:10:07 | |
I mean, it doesn't... It doesn't set my world on fire | 0:10:07 | 0:10:10 | |
but... | 0:10:10 | 0:10:12 | |
I don't want it if it doesn't set your world on fire. | 0:10:12 | 0:10:14 | |
So it that a decision? | 0:10:14 | 0:10:15 | |
Are we saying no to that? | 0:10:15 | 0:10:17 | |
-We're not saying no. -We'll keep it in mind. -Keep it in mind. | 0:10:17 | 0:10:20 | |
Ah, a decision not to make a decision. | 0:10:20 | 0:10:23 | |
Back in Reading, Esther's still working on the principle | 0:10:23 | 0:10:26 | |
of buying what she likes, no matter what it is. | 0:10:26 | 0:10:29 | |
I have a two-year-old grandson... | 0:10:29 | 0:10:32 | |
-Oh, how he would love that. -OK. | 0:10:32 | 0:10:36 | |
That is brilliant... | 0:10:36 | 0:10:37 | |
in so many ways | 0:10:37 | 0:10:39 | |
and then abominable in another. | 0:10:39 | 0:10:42 | |
-£65. -OK. | 0:10:42 | 0:10:44 | |
It is new and probably made in China. | 0:10:44 | 0:10:46 | |
I don't care. | 0:10:46 | 0:10:47 | |
On the day this was made, they also made 48,000 of them | 0:10:47 | 0:10:51 | |
in the same factory. For your grandchild... | 0:10:51 | 0:10:54 | |
Stick it on the floor down there. | 0:10:54 | 0:10:55 | |
-What am I, blinking Arnold Schwarzenegger? -Yes. | 0:10:55 | 0:10:58 | |
Well, yes. | 0:10:58 | 0:10:59 | |
It's that cyclamen shirt, you see. | 0:10:59 | 0:11:02 | |
Now, hang on. | 0:11:02 | 0:11:03 | |
Jump on, then. Let's see... | 0:11:03 | 0:11:05 | |
You're not going to, are you? You are. | 0:11:05 | 0:11:07 | |
I can't believe it! | 0:11:07 | 0:11:09 | |
Wait a minute. | 0:11:09 | 0:11:10 | |
-Oh! -Oh, I say! | 0:11:10 | 0:11:12 | |
-Hang on, hang on. -Esther, you'll never get out. | 0:11:12 | 0:11:14 | |
You're right. | 0:11:14 | 0:11:16 | |
I'm there forever. | 0:11:16 | 0:11:18 | |
How's that? | 0:11:18 | 0:11:20 | |
Well, it's not a sensation that I would do very often for fun. | 0:11:20 | 0:11:24 | |
You know, my life is complete. | 0:11:24 | 0:11:26 | |
Let's not go there, eh? | 0:11:26 | 0:11:27 | |
-Ow! -Do you want a hand out? | 0:11:27 | 0:11:30 | |
-Call a doctor. -Argh. | 0:11:30 | 0:11:31 | |
A little more searching turns up something | 0:11:34 | 0:11:36 | |
that really floats David's boat. | 0:11:36 | 0:11:39 | |
Something finally with a bit of age. | 0:11:39 | 0:11:41 | |
-Hang on. Esther? -Yeah! | 0:11:41 | 0:11:43 | |
Can I introduce you to something that we call in the business | 0:11:43 | 0:11:47 | |
-an antique? -Yes, go on, then. | 0:11:47 | 0:11:49 | |
Would you like to try it out? It's this chair. | 0:11:49 | 0:11:52 | |
-Yes. -It's safe but it does rock, so be prepared... -Yeah. | 0:11:52 | 0:11:55 | |
..to rock. | 0:11:55 | 0:11:56 | |
This American rocker dates from around the late 19th century. | 0:11:56 | 0:12:00 | |
The upholstery has seen better days | 0:12:00 | 0:12:02 | |
but the frame is made from durable beechwood. | 0:12:02 | 0:12:05 | |
-Tell me what your thoughts are? -I think it's hideous. -Ah! | 0:12:07 | 0:12:11 | |
Excellent, I'm loving that attitude. | 0:12:11 | 0:12:14 | |
-OK, it does get better. -It would have to. | 0:12:14 | 0:12:17 | |
-I'm removing that. -Yes, OK. -It's just a super piece of kit. | 0:12:17 | 0:12:21 | |
-Is it? -Oh, yes. | 0:12:21 | 0:12:24 | |
-I'm not convincing you, am I? -It's just I think it's ugly | 0:12:24 | 0:12:26 | |
-but that's just me. -What do you think it's worth? | 0:12:26 | 0:12:29 | |
I think it's worth about 35/40 quid. | 0:12:29 | 0:12:32 | |
-OK, would you pay that for it? -Never! | 0:12:32 | 0:12:35 | |
Unimpressed, Esther carries on browsing. | 0:12:37 | 0:12:40 | |
Undeterred, David tracks down Will. | 0:12:40 | 0:12:43 | |
Right, Will, the old American rocker there, | 0:12:43 | 0:12:46 | |
needing a little bit of restoration. | 0:12:46 | 0:12:49 | |
What's the absolute double-death best price? | 0:12:49 | 0:12:51 | |
The death on that would be £25. | 0:12:51 | 0:12:55 | |
-25? -Mmm. | 0:12:55 | 0:12:58 | |
-That's really... -No, that's fine. | 0:12:58 | 0:13:00 | |
OK, leave that with me for a moment. | 0:13:00 | 0:13:01 | |
Right, there you are. OK, so you were meant to stay with the chair, | 0:13:01 | 0:13:05 | |
lusting after it. | 0:13:05 | 0:13:07 | |
-I'm sorry, darling. -Yes. | 0:13:07 | 0:13:09 | |
-Japanese? -Japanese, yes, definitely. | 0:13:09 | 0:13:11 | |
-Very pretty. -Very pretty. I like that. -I like that. | 0:13:11 | 0:13:14 | |
-That's Imari. -If someone gave me that as a present, I'd be thrilled. | 0:13:14 | 0:13:18 | |
-So you actually like it? -I actually like it. | 0:13:18 | 0:13:20 | |
-Oh, oh! -I really do like it. | 0:13:20 | 0:13:22 | |
-And, guess what? -What? -It's an antique. | 0:13:22 | 0:13:25 | |
Goodness me! | 0:13:25 | 0:13:26 | |
It's got no animals, it's genuine 19th century | 0:13:26 | 0:13:29 | |
and with a ticket price of £22, it's a possibility. | 0:13:29 | 0:13:33 | |
But, first, David has unfinished business with the rocker. | 0:13:33 | 0:13:37 | |
You said you would pay, if you went mad one day, 35. | 0:13:37 | 0:13:41 | |
-What if I said we can get it for 25? -Done. | 0:13:41 | 0:13:46 | |
-It's a steal. -Great. | 0:13:46 | 0:13:48 | |
It may be hideous in Esther's eyes | 0:13:48 | 0:13:50 | |
but at £25 even she can turn a blind eye. | 0:13:50 | 0:13:53 | |
All that's needed now is a deal on the Imari plate, | 0:13:53 | 0:13:56 | |
ticket price £22. | 0:13:56 | 0:13:57 | |
Erm, what could that be? | 0:13:59 | 0:14:00 | |
Bearing in mind, we've bought the chair - big spenders. | 0:14:00 | 0:14:04 | |
-Can it be ten quid? -12. | 0:14:04 | 0:14:06 | |
-Done! -I'm happy. | 0:14:06 | 0:14:08 | |
My gosh, we're on a buying fest! | 0:14:08 | 0:14:09 | |
It's a buying tour de force, no less, with the rocker, | 0:14:09 | 0:14:13 | |
the Imari plate and the Art Glass vase, | 0:14:13 | 0:14:16 | |
all snapped up for a total of £67 in Esther's first shop. | 0:14:16 | 0:14:19 | |
Wow! | 0:14:19 | 0:14:21 | |
Over at Eversley Barn, indecision is the name of the game. | 0:14:21 | 0:14:24 | |
Rebecca hasn't ruled out the Bohemian glass | 0:14:24 | 0:14:27 | |
and Will's diverted to another option. | 0:14:27 | 0:14:29 | |
They're very simple. | 0:14:30 | 0:14:32 | |
-Is that the style? -Yeah, very much so. | 0:14:32 | 0:14:34 | |
I mean, they know who it's by, Keith Murray, | 0:14:34 | 0:14:36 | |
and it helps us that you can turn it over | 0:14:36 | 0:14:38 | |
and it tells you exactly who it's by under there. | 0:14:38 | 0:14:41 | |
-Keith Murray for Wedgwood. -Is that somebody I should have heard of? | 0:14:41 | 0:14:44 | |
Well, Keith Murray was a very influential | 0:14:44 | 0:14:47 | |
architect and designer who worked at Wedgwood in the 1930s. | 0:14:47 | 0:14:50 | |
He's known for his very restrained take on Art Deco style. | 0:14:50 | 0:14:55 | |
-Whoa! -How much is it? -£135! -Yeah, but look. -Wow! | 0:14:55 | 0:15:01 | |
It was £195. | 0:15:01 | 0:15:03 | |
It has come down to £135 because, obviously, they can't sell it. | 0:15:03 | 0:15:08 | |
What do you reckon? Get it for 70? | 0:15:08 | 0:15:10 | |
I think if we could get that for £100, we could stand a chance. | 0:15:10 | 0:15:14 | |
Got to put the face on, got to put the face. | 0:15:14 | 0:15:17 | |
Rebecca's on the brink of a decision. | 0:15:17 | 0:15:19 | |
-Hold that. -No, please! | 0:15:19 | 0:15:22 | |
But it all hinges on her haggling skills... | 0:15:22 | 0:15:24 | |
Nobody get in my way! | 0:15:24 | 0:15:26 | |
..and how dealer Hillary reacts to them. | 0:15:26 | 0:15:28 | |
-What would be your best price? -OK, let me see. | 0:15:28 | 0:15:32 | |
100. | 0:15:32 | 0:15:34 | |
What about 75? | 0:15:35 | 0:15:37 | |
I'm tempted. 80, and then... | 0:15:38 | 0:15:41 | |
-80, as it's you? -77? | 0:15:41 | 0:15:43 | |
Oh! She's good! I haven't even had a word. | 0:15:43 | 0:15:45 | |
-It's all your own work, this. -Would you go for a nice even 77? | 0:15:45 | 0:15:48 | |
-77. We've got to, haven't we? -OK. | 0:15:48 | 0:15:51 | |
-Amazing! -Have we bought it? -Brilliant! -You've bought it. | 0:15:51 | 0:15:53 | |
-Good work. Well done. -Thank you so much! | 0:15:53 | 0:15:56 | |
It's an impressive haggling debut with the Keith Murray set | 0:15:56 | 0:15:59 | |
reduced from £135 to 77. | 0:15:59 | 0:16:02 | |
On a roll, Rebecca decides to try for the Bohemian glass tankard, too. | 0:16:02 | 0:16:06 | |
-What's the best price? -It's only got £30 on it. | 0:16:06 | 0:16:10 | |
-I know. It's not a lot to start with. -25. -You are going to go for 20. | 0:16:10 | 0:16:15 | |
He's thinking 20. | 0:16:15 | 0:16:17 | |
22 and I will. Don't push it. | 0:16:18 | 0:16:20 | |
She's playing you at your own game now. I think you should say yes. | 0:16:20 | 0:16:23 | |
77 and 22. That makes a lovely 99. | 0:16:23 | 0:16:26 | |
-Pay me 100 if you like! -77, 22, 99. | 0:16:26 | 0:16:28 | |
-Love it. -It's in the stars. Shake hands. -Thank you very much. | 0:16:28 | 0:16:32 | |
With the Keith Murray set at £77 and the Bohemian glass tankard | 0:16:32 | 0:16:36 | |
reduced from £30 to £22, Rebecca and Will have two decisions made. | 0:16:36 | 0:16:42 | |
-Thank you. -No, thank you. It's been good fun. -Thank you. | 0:16:42 | 0:16:46 | |
Out on the road, Esther is itching to find out how her daughter | 0:16:46 | 0:16:50 | |
and opponent is getting on with her purchases. | 0:16:50 | 0:16:53 | |
She says she's only brought a Faberge egg and a Rolex. | 0:16:53 | 0:16:56 | |
-Several Rolexes. -I like your style, Rebecca! | 0:16:56 | 0:17:00 | |
Esther and David are taking time out from shopping to find out more about | 0:17:00 | 0:17:05 | |
a subject close to Esther's heart - children going through tough times. | 0:17:05 | 0:17:08 | |
The Museum of English Rural Life in Reading has a collection | 0:17:08 | 0:17:11 | |
devoted to the upheaval endured by child evacuees during World War II. | 0:17:11 | 0:17:16 | |
-Hello. -Hello. Martin Parsons. How do you do? | 0:17:16 | 0:17:20 | |
Professor Martin Parsons has studied their experiences. | 0:17:20 | 0:17:23 | |
Between September 1st and 4th 1939, | 0:17:25 | 0:17:28 | |
Operation Pied Piper evacuated 1.5 million children | 0:17:28 | 0:17:31 | |
thought to be in imminent danger from bombing of British cities. | 0:17:31 | 0:17:36 | |
They were only allowed to take the bare minimum. | 0:17:39 | 0:17:42 | |
"Boys - one vest, one pair of pants, one shirt and collars, | 0:17:42 | 0:17:46 | |
"one pair of trousers or shorts. | 0:17:46 | 0:17:49 | |
"Girls - one vest or combination..." | 0:17:49 | 0:17:51 | |
-You know what combinations are? -I haven't got a clue. -I can remember them well. | 0:17:51 | 0:17:55 | |
"One pair of knickers, tunic and blouse or dress. | 0:17:55 | 0:17:58 | |
Those children whose parents thought, | 0:17:58 | 0:18:00 | |
"You're going to need more than one change of clothing," | 0:18:00 | 0:18:03 | |
decided to dress them up in two layers of clothing | 0:18:03 | 0:18:06 | |
when they got on the train with a gabardine mac. | 0:18:06 | 0:18:09 | |
-And that weekend was notoriously hot. -Gosh. | 0:18:09 | 0:18:12 | |
Also, they were given a 48-hour ration pack and of course, | 0:18:12 | 0:18:18 | |
some of these children were going down to Cornwall | 0:18:18 | 0:18:21 | |
and they were on the trains for nine, ten or twelve hours. | 0:18:21 | 0:18:24 | |
If you're sitting there with a bag of food, you're going to eat it. | 0:18:24 | 0:18:27 | |
-You're not going to say they threw up? -Yeah, they did. | 0:18:27 | 0:18:29 | |
And so some of these children got to the other end and they were in a hell of a state. | 0:18:29 | 0:18:33 | |
Poor little things! | 0:18:33 | 0:18:35 | |
The journey was only the first part of a radical change | 0:18:37 | 0:18:40 | |
in the children's lives. | 0:18:40 | 0:18:42 | |
-So, was it a happy country holiday for... -No. -It wasn't? | 0:18:42 | 0:18:46 | |
We have this romantic notion that these working-class children | 0:18:46 | 0:18:49 | |
from the cities were taken in by middle-class people | 0:18:49 | 0:18:51 | |
in the countryside but that's actually not true. | 0:18:51 | 0:18:54 | |
The vast majority of people taking them in | 0:18:54 | 0:18:56 | |
were the labouring classes, the agricultural labouring classes. | 0:18:56 | 0:19:01 | |
And so what you get is a culture shock for the people | 0:19:01 | 0:19:04 | |
-who had come down from the cities. -Would they have baths? | 0:19:04 | 0:19:07 | |
No, they would have had a tin bath in front of the fire | 0:19:07 | 0:19:11 | |
on a Friday night. | 0:19:11 | 0:19:14 | |
They would have had a privy at the bottom...earth privy at the bottom of the garden, | 0:19:14 | 0:19:18 | |
and they would have had candlelight. | 0:19:18 | 0:19:20 | |
For some children, the distances and the culture shock were even greater. | 0:19:21 | 0:19:26 | |
19,000 were sent overseas through private arrangements or by the government. | 0:19:26 | 0:19:30 | |
The museum has a particularly fine collection relating | 0:19:30 | 0:19:33 | |
to a young girl called Margaret Banyard who was placed with | 0:19:33 | 0:19:37 | |
-a prosperous South African family. -How old was she there? | 0:19:37 | 0:19:40 | |
-She's 11. -Here's a telegram dated 3rd October 1940. | 0:19:40 | 0:19:46 | |
So, she had sent a telegram from South Africa? | 0:19:54 | 0:19:56 | |
Yes, to say she had arrived. | 0:19:56 | 0:19:59 | |
And this is her five years later...six years later, | 0:19:59 | 0:20:01 | |
-when she comes back at 17. -Right. And was she happy? -No. -Oh, lord. | 0:20:01 | 0:20:07 | |
-And did it change her life? -It changed her life completely | 0:20:07 | 0:20:10 | |
because until recently, she wouldn't even talk about her experiences. | 0:20:10 | 0:20:15 | |
Margaret's hosts looked after her physical needs | 0:20:17 | 0:20:21 | |
but through her formative years she got no emotional support | 0:20:21 | 0:20:24 | |
and felt like a stranger in the house. | 0:20:24 | 0:20:27 | |
The headline says, "Haunted for life by the loneliness of war years | 0:20:27 | 0:20:30 | |
"away from her family". | 0:20:30 | 0:20:32 | |
-Is that about her? -Yes, that's Margaret. | 0:20:32 | 0:20:35 | |
Margaret completed her school matriculation in South Africa | 0:20:35 | 0:20:39 | |
and had a long wait to be reunited with her family. | 0:20:39 | 0:20:42 | |
14th of January 1946. "Thursday. Cheers! Meet in Waterloo station. | 0:20:42 | 0:20:48 | |
-"Love, Daddy." -Aw! -That's a reunion. -That's gorgeous. | 0:20:48 | 0:20:51 | |
Although there were difficult experiences both abroad | 0:20:51 | 0:20:54 | |
and within the UK, there were many happy ones, too. | 0:20:54 | 0:20:58 | |
It's not insignificant, the number of ex-evacuees who have now | 0:20:58 | 0:21:05 | |
retired back to where they were evacuated to during the war. | 0:21:05 | 0:21:09 | |
-Well, that's a good thing. -It's a good sign. | 0:21:09 | 0:21:11 | |
That's a very happy ending because that means that it's associated | 0:21:11 | 0:21:14 | |
with good memories for them. | 0:21:14 | 0:21:16 | |
That's lovely. Well, that's brilliant. | 0:21:16 | 0:21:19 | |
Thank you very, very much. | 0:21:19 | 0:21:21 | |
-I feel very privileged to have seen them all. -You are very welcome. -Yeah. | 0:21:21 | 0:21:24 | |
We've learned so much, Martin, in such a short period of time, | 0:21:24 | 0:21:28 | |
-and it's been fascinating. -Fascinating. -Fascinating. | 0:21:28 | 0:21:31 | |
On the highways of Hampshire, Rebecca is explaining to Will | 0:21:33 | 0:21:36 | |
what it's like forging a career in the shadow of a famous mum. | 0:21:36 | 0:21:40 | |
I never used to tell people that she was my mum so I used to lie | 0:21:42 | 0:21:46 | |
and say she wasn't my mum and if somebody really pushed | 0:21:46 | 0:21:48 | |
-I'd say that it was Joanna Lumley. -HE LAUGHS | 0:21:48 | 0:21:52 | |
-Nice! -Which sometimes people believe, which is quite nice. | 0:21:52 | 0:21:56 | |
There is something, yeah, there's something of the Patsy about you. | 0:21:56 | 0:21:59 | |
-AS PATSY: -Sweetie, darling! | 0:21:59 | 0:22:02 | |
I met her once, actually, and I said, | 0:22:02 | 0:22:03 | |
"I use to lie and pretend you were my mum." She looked horrified! | 0:22:03 | 0:22:07 | |
Rebecca and Will are making the three-mile hop | 0:22:07 | 0:22:10 | |
from Eversley to the village of Hartley Wintney | 0:22:10 | 0:22:14 | |
where they are hoping to find more booty at White Lion Antiques. | 0:22:14 | 0:22:17 | |
It's a centre offering everything from antiques to jewellery | 0:22:17 | 0:22:20 | |
and shabby chic. | 0:22:20 | 0:22:22 | |
With lots to look at, Rebecca and Will split up to search. | 0:22:22 | 0:22:26 | |
But Rebecca's not sure about going solo. | 0:22:28 | 0:22:31 | |
I'm a bit overwhelmed. Don't know where to start. | 0:22:33 | 0:22:37 | |
This place is enormous. Look, it goes on. | 0:22:37 | 0:22:40 | |
I have to make decisions. | 0:22:40 | 0:22:42 | |
Denby. Denby. I've heard of Denby. | 0:22:42 | 0:22:45 | |
Haven't I heard of Denby? Denby's good, isn't it? | 0:22:45 | 0:22:47 | |
CHORD SOUNDS | 0:22:47 | 0:22:49 | |
Is it supposed to do that? OK. | 0:22:49 | 0:22:51 | |
I'm so musical(!) | 0:22:53 | 0:22:55 | |
Mum's probably doing brilliantly by now. | 0:22:58 | 0:23:01 | |
She probably bought everything in one shop | 0:23:01 | 0:23:04 | |
and she's haggled down the price. | 0:23:04 | 0:23:06 | |
It's as if you've known her all your life! | 0:23:06 | 0:23:10 | |
Whoo! £395! | 0:23:10 | 0:23:13 | |
Bamboozled by all the options, Rebecca ropes in Will for advice. | 0:23:14 | 0:23:19 | |
Are you trying to suggest that I'll be your monkey while you grind it? | 0:23:19 | 0:23:22 | |
-Yes! You're my organ grinder! -DISCORDANT MUSIC | 0:23:22 | 0:23:25 | |
That's the only problem with it. | 0:23:26 | 0:23:29 | |
-It's quite dramatic, isn't it? -I think it's a horror movie. | 0:23:32 | 0:23:35 | |
It's made in Spain so it could be a well-known flamenco number. | 0:23:35 | 0:23:38 | |
-Oh, really? -Yeah. How is your offbeat clapping? | 0:23:38 | 0:23:41 | |
DISCORDANT MUSIC | 0:23:41 | 0:23:43 | |
-Oh, sweet Mary! -I really wish I hadn't done that. | 0:23:43 | 0:23:45 | |
Ole! Will's rummaging has turned up a textured Art Deco style vase. | 0:23:45 | 0:23:52 | |
-I don't know. It just had a funky sort of finish to it. -Look at that. | 0:23:52 | 0:23:55 | |
It's weird, isn't it? It's not signed, that's the only thing. | 0:23:55 | 0:24:00 | |
I'm wondering where it could be from. | 0:24:00 | 0:24:03 | |
-I mean, if... -It could be an anonymous gem. | 0:24:03 | 0:24:06 | |
It's got £68 on the ticket. | 0:24:06 | 0:24:08 | |
-You need to get that for, like, £20, really. -OK. Wow! £20. | 0:24:08 | 0:24:13 | |
-I can do that. -I've seen you in action. | 0:24:13 | 0:24:15 | |
-If anyone can do it, the Becmeister can. -I like the name! -Go on! | 0:24:16 | 0:24:20 | |
Go on, the Becmeister! | 0:24:20 | 0:24:22 | |
The Becmeister will be pitting her haggling skills | 0:24:22 | 0:24:26 | |
-against centre owner, Jerry. -We'd like to pay £20 for that. | 0:24:26 | 0:24:31 | |
-Ow! -You hurt him! I felt that from here. | 0:24:31 | 0:24:34 | |
I mean, it's been there a while. It's very dusty. | 0:24:35 | 0:24:38 | |
-It's an antique! -Tucked away in the corner there, unloved, it was. | 0:24:38 | 0:24:43 | |
-It's not signed. -Well, it's up for 68. Why don't we say 50? | 0:24:43 | 0:24:47 | |
-Can't do that. -You're not trying? -No, I know. | 0:24:47 | 0:24:50 | |
I told you the truth. My upper limit was 20. | 0:24:50 | 0:24:53 | |
She's tough. | 0:24:53 | 0:24:55 | |
-30? -25? | 0:24:55 | 0:24:58 | |
-25, and that will be...that is it. -27. | 0:24:58 | 0:25:01 | |
-25. -25. -Shake his hand. -Thank you! Thank you! | 0:25:01 | 0:25:05 | |
Having parted with the vase for £25, | 0:25:06 | 0:25:09 | |
Jerry sees an opportunity for another sale. | 0:25:09 | 0:25:11 | |
He has an Art Deco sterling silver dressing table set | 0:25:11 | 0:25:14 | |
with a mirror, hairbrush and clothes brush at £125. | 0:25:14 | 0:25:18 | |
-There's the mirror. -That's not a sight anyone wants to see! | 0:25:18 | 0:25:22 | |
And I will give Will the hairbrush cos he'll be able | 0:25:22 | 0:25:25 | |
to see the hallmarks. | 0:25:25 | 0:25:28 | |
It's got something about it. It's not English. | 0:25:28 | 0:25:30 | |
-Do you like it? -I do. I do think it's beautiful. | 0:25:30 | 0:25:34 | |
-What would be your best price on that? -What about 85? | 0:25:34 | 0:25:38 | |
-75. -75? -Would you do 75? | 0:25:38 | 0:25:42 | |
-You get the better end of the deal at 75, Rebecca. -Oh, my days! | 0:25:42 | 0:25:45 | |
-You are a lovely man. -Is it sold? -It's sold. -Thank you! -Good work. | 0:25:45 | 0:25:49 | |
Well done. She is good, isn't she? I told you. | 0:25:49 | 0:25:51 | |
Rebecca is a natural, landing a £50 discount with ease. | 0:25:51 | 0:25:56 | |
It's been a busy day and there's another one to come | 0:25:56 | 0:25:58 | |
so for now, teams, night-night. | 0:25:58 | 0:26:01 | |
It's a new day and Esther and Rebecca are comparing notes. | 0:26:04 | 0:26:08 | |
-I'm getting my eye in. Are you OK? -Really? I feel like I know nothing. | 0:26:09 | 0:26:13 | |
I severely regret some purchases. | 0:26:13 | 0:26:16 | |
Now, funnily enough, I don't regret any of mine. | 0:26:16 | 0:26:19 | |
-I'm rather pleased with mine. -You're sounding really supremely confident. | 0:26:19 | 0:26:24 | |
Some might say smug. | 0:26:24 | 0:26:26 | |
Well, let assess who's entitled to feel smug, eh? | 0:26:26 | 0:26:30 | |
Yesterday Rebecca had trouble deciding on anything. | 0:26:30 | 0:26:33 | |
-Do you like that? -I don't know. | 0:26:33 | 0:26:36 | |
But in the end, she and Will spent £199 on a glass tankard, | 0:26:36 | 0:26:40 | |
a Wedgwood jug and tankards designed by Keith Murray, | 0:26:40 | 0:26:44 | |
a vase and a silver dressing table set, | 0:26:44 | 0:26:46 | |
and it leaves them with £201 still to spend. | 0:26:46 | 0:26:49 | |
Go on! Go on, the Becmeister! | 0:26:49 | 0:26:51 | |
Esther made a beeline for what she likes. | 0:26:51 | 0:26:55 | |
-What is that? -It's a nutcracker. | 0:26:55 | 0:26:57 | |
-Hunting through modern, mass-produced goods. -Wow! | 0:26:57 | 0:27:00 | |
I have a two-year-old grandson. How he would love that! | 0:27:00 | 0:27:06 | |
Eventually she and David compromised, buying a modern | 0:27:07 | 0:27:10 | |
Art Glass vase, a rocking chair and a 19th century Imari plate. | 0:27:10 | 0:27:15 | |
-And guess what? -What? -It's an antique! | 0:27:15 | 0:27:18 | |
They spent just £67 so they have a whopping £333 left to spend. | 0:27:18 | 0:27:24 | |
-I like that jacket, that's very smart. -I like that shirt. | 0:27:24 | 0:27:29 | |
Mum has scared the life out of me. She's supremely confident. | 0:27:29 | 0:27:32 | |
-Come on, Esther! Put 'em up! DAVID: -Good, good. | 0:27:32 | 0:27:35 | |
-And how are you feeling then, today? -Not confident. Sorry. | 0:27:35 | 0:27:38 | |
-WILL: Thanks(!) Love you too(!) -Shall we hit the road? | 0:27:38 | 0:27:41 | |
Let's hit the road, come on! | 0:27:41 | 0:27:44 | |
David is wondering how Esther got into presenting. | 0:27:46 | 0:27:49 | |
I was 28 and it was a programme called Braden's Week | 0:27:49 | 0:27:54 | |
and I was the researcher and the producer decided | 0:27:54 | 0:27:58 | |
-to put the researchers into the programme so there I was. -Wow. | 0:27:58 | 0:28:02 | |
So it was a shock, then? It was a surprise to you? | 0:28:02 | 0:28:04 | |
-And it was never planned. -Never planned. | 0:28:04 | 0:28:07 | |
Esther and David are starting their second day shopping | 0:28:07 | 0:28:11 | |
after a short drive along the Thames to Goring. | 0:28:11 | 0:28:15 | |
It is a pretty village on the Oxfordshire bank of the river | 0:28:15 | 0:28:18 | |
and the local scenery was the setting for | 0:28:18 | 0:28:20 | |
The Wind In The Willows and Three Men In A Boat. Speaking of which... | 0:28:20 | 0:28:24 | |
Esther and David have no time for such literary diversions | 0:28:25 | 0:28:29 | |
as they are heading for Barbara's, home to 25 dealers | 0:28:29 | 0:28:33 | |
and everything from antiques to bric-a-brac. | 0:28:33 | 0:28:35 | |
Esther's still set on buying what she likes | 0:28:35 | 0:28:38 | |
and now she needs help from owner, Mandy. | 0:28:38 | 0:28:41 | |
I've got a two-year-old grandson and my theory is that people who go | 0:28:41 | 0:28:46 | |
-to auctions have grandchildren. -Yes. | 0:28:46 | 0:28:49 | |
So, if you have anything that might appeal to a grandparent, | 0:28:49 | 0:28:53 | |
this grandparent would be delighted. | 0:28:53 | 0:28:55 | |
So, what's here that's suitable for a grandchild? | 0:28:55 | 0:28:59 | |
£2.50? | 0:28:59 | 0:29:01 | |
I'm irresistibly... "Present from Morecambe". | 0:29:01 | 0:29:04 | |
-I'm irresistibly drawn to crap. -Oi! Not that then. | 0:29:04 | 0:29:08 | |
A set of pictures looks far more appropriate | 0:29:08 | 0:29:11 | |
but it's hard to tell whether they are originals or prints. | 0:29:11 | 0:29:14 | |
I'm thinking it's a watercolour. I can see the pencil underneath. | 0:29:14 | 0:29:19 | |
Actually, I think I'm with you. | 0:29:19 | 0:29:21 | |
I think they're proper watercolours. And very, very sweet. | 0:29:21 | 0:29:25 | |
The pictures date from around 1930s | 0:29:26 | 0:29:28 | |
and depict a sequence of nursery scenes. | 0:29:28 | 0:29:31 | |
-The set of four is priced at £75. -Baby Bunkins. -I think they're fun. | 0:29:31 | 0:29:35 | |
They would be lovely in a nursery. Wouldn't they be lovely in a nursery? | 0:29:35 | 0:29:39 | |
I think they're gorgeous. I think they are gorgeous, actually. | 0:29:39 | 0:29:42 | |
-Oh, my God. -I know. I can't believe we are agreed on something. | 0:29:42 | 0:29:44 | |
-This is amazing. Alleluia! -Don't get too enthusiastic. | 0:29:44 | 0:29:47 | |
-Because we've got to beat them down. -Listen, we really don't like them. | 0:29:47 | 0:29:51 | |
Enthusiasm is a strategic error but at least they are agreed. | 0:29:52 | 0:29:57 | |
-Now it's all down to price. -So, what are you thinking? | 0:29:57 | 0:30:02 | |
OK, I'll take £30 off. That's it. | 0:30:02 | 0:30:04 | |
-So, that'll be 45. -For all four? 45? | 0:30:04 | 0:30:08 | |
Well, you know what? You pay... | 0:30:08 | 0:30:11 | |
How did that happen? I think we've just bought them. Well done. | 0:30:12 | 0:30:16 | |
-This is a new method of negotiating. -Well, look, it's tenner each. | 0:30:16 | 0:30:21 | |
-It's a tenner each. -Brilliant. -Hooray! -Hooray! | 0:30:21 | 0:30:25 | |
And thrice hooray! That's four pictures reduced from £75 to 45 | 0:30:25 | 0:30:30 | |
and a priceless outbreak of harmony between Esther and David. | 0:30:30 | 0:30:35 | |
Meanwhile, Rebecca's still rueing yesterday's shopping. | 0:30:35 | 0:30:39 | |
I hate the glass tankard with the enamel that I made us buy. | 0:30:39 | 0:30:44 | |
I have no idea why I did that. | 0:30:44 | 0:30:47 | |
It was some weird possession of some nutty, bad taste spirit that got me. | 0:30:47 | 0:30:52 | |
Do you know what? I bet that makes the biggest profit. | 0:30:52 | 0:30:55 | |
Soothing words, Will. Happily, there is another distraction at hand. | 0:30:55 | 0:30:59 | |
Romance. | 0:30:59 | 0:31:01 | |
Rebecca and Will are off to the University of Reading archives, | 0:31:01 | 0:31:06 | |
which has a collection of material relating to publishers Mills and Boon. | 0:31:06 | 0:31:10 | |
In the UK, one of their romance novels is bought every five seconds | 0:31:10 | 0:31:14 | |
and Rebecca is well qualified to enjoy them. | 0:31:14 | 0:31:17 | |
Well, I do have a Masters in English literature and language | 0:31:17 | 0:31:20 | |
and, of course, Mills and Boon | 0:31:20 | 0:31:22 | |
is superlatively wonderful literature(!) | 0:31:22 | 0:31:24 | |
Actually, I have read a ridiculously revolting number of them. | 0:31:24 | 0:31:27 | |
-Have you really? -I used to try and write them with my sister. | 0:31:27 | 0:31:31 | |
All this about the stable boy who was in lust | 0:31:31 | 0:31:33 | |
-and love with the manor lady. -Lady of the manor. -Yes. | 0:31:33 | 0:31:37 | |
-Hello. Are you Judith? -Yes, welcome. | 0:31:37 | 0:31:40 | |
Rebecca and Will's guide is Judith Watts, | 0:31:40 | 0:31:43 | |
a PhD student who is researching the archive. | 0:31:43 | 0:31:46 | |
Do you think they are unfairly disparaged? | 0:31:46 | 0:31:48 | |
-That they are actually high literature? -No. | 0:31:48 | 0:31:50 | |
I wouldn't say, and I don't think the authors would claim, | 0:31:50 | 0:31:53 | |
and the publishers didn't say that it was high literature. | 0:31:53 | 0:31:57 | |
It was always entertainment. | 0:31:57 | 0:31:59 | |
The company was launched as a general publisher | 0:31:59 | 0:32:01 | |
in 1908 by Gerald Mills and Charles Boon. | 0:32:01 | 0:32:05 | |
When sales slumped in the Great Depression, | 0:32:05 | 0:32:07 | |
it hit on a winning formula of producing books cheaply | 0:32:07 | 0:32:10 | |
through tuppenny libraries | 0:32:10 | 0:32:12 | |
and focusing on escapist romances for women. | 0:32:12 | 0:32:15 | |
The readers took them very seriously. | 0:32:15 | 0:32:17 | |
Some of the readers you read about walked or went 60 miles | 0:32:17 | 0:32:21 | |
to buy a new copy. | 0:32:21 | 0:32:23 | |
They would go without a pair of nylons, there's kind of | 0:32:23 | 0:32:25 | |
in the readers' letters, to go and buy one. | 0:32:25 | 0:32:28 | |
So people were taking them very seriously, the writers took them very seriously. | 0:32:28 | 0:32:31 | |
I think what Mills and Boon were wanting to do was to publish the best romance that you could do. | 0:32:31 | 0:32:36 | |
The company always encouraged and nurtured female authors. | 0:32:36 | 0:32:40 | |
As the decades passed, the novels and the authors themselves | 0:32:40 | 0:32:43 | |
reflected the changing role of women in society. | 0:32:43 | 0:32:47 | |
When we reach the 1950s, | 0:32:47 | 0:32:50 | |
the women are starting to kind of have more professions. | 0:32:50 | 0:32:54 | |
So, this is a kind of really good example of an author writing then. | 0:32:54 | 0:32:58 | |
This is Betty Beaty. She was actually living the dream. | 0:32:58 | 0:33:01 | |
She went to Leeds University, she then trained as an air stewardess | 0:33:01 | 0:33:05 | |
and, of course, she met her husband, who was a very handsome pilot. | 0:33:05 | 0:33:09 | |
There were also a lot of other women who had dreamt about writing a novel. | 0:33:09 | 0:33:14 | |
Someone like Violet Winspear, who started writing in the 1960s. | 0:33:14 | 0:33:18 | |
Violet's first novel for the publishing house | 0:33:19 | 0:33:22 | |
appeared in 1961 and her books | 0:33:22 | 0:33:25 | |
earned a reputation for passionate stories and exotic locations. | 0:33:25 | 0:33:30 | |
She was actually unmarried and lived at home with her mother | 0:33:30 | 0:33:33 | |
but had strong views on what romance should be. | 0:33:33 | 0:33:36 | |
In some of the letters she talks about, | 0:33:37 | 0:33:39 | |
it shouldn't be like bacon and eggs on a plate. | 0:33:39 | 0:33:42 | |
She says that romance should be caviar and not cod, | 0:33:42 | 0:33:45 | |
and that's her view of it. | 0:33:45 | 0:33:47 | |
She was very kind of worried that in the '60s lots of realistic things | 0:33:47 | 0:33:51 | |
were creeping into romance and she really did believe in the... | 0:33:51 | 0:33:54 | |
-The fantasy side. -Fantasy side. | 0:33:54 | 0:33:57 | |
For many readers, | 0:33:57 | 0:33:59 | |
the permissive society of the '60s changed what was acceptable. | 0:33:59 | 0:34:02 | |
Violet tried hard to give readers all they wanted, but not too much. | 0:34:02 | 0:34:07 | |
She sent a questionnaire to Alan Boon, | 0:34:08 | 0:34:11 | |
which was wonderful because she asks things like, | 0:34:11 | 0:34:14 | |
are heroines still to be virtuous? | 0:34:14 | 0:34:17 | |
There's a lot of questions about the bedroom door | 0:34:17 | 0:34:20 | |
and how far it should be kind of left ajar, or should it be closed? | 0:34:20 | 0:34:24 | |
Whilst the business of writing was taken very seriously, | 0:34:24 | 0:34:28 | |
the publishers did allow themselves a bit of fun, too. | 0:34:28 | 0:34:32 | |
This book is really an equivalent of outtakes from the novels | 0:34:32 | 0:34:34 | |
and they've been a bit cheeky, the editors and the publisher, | 0:34:34 | 0:34:37 | |
because they've taken some of the things out of context. | 0:34:37 | 0:34:40 | |
But they are very, very amusing. One of my personal favourites is, | 0:34:40 | 0:34:45 | |
"I have never been intimate with a bear," she said with a sniff. | 0:34:45 | 0:34:49 | |
"There's always a first time." | 0:34:49 | 0:34:51 | |
So it's just full of wonderful things. | 0:34:51 | 0:34:54 | |
-I have no idea what that means. -Me neither. | 0:34:54 | 0:34:57 | |
"These lips are my sacramental wine," he murmured. | 0:34:57 | 0:35:01 | |
At least they drank it and made certain vows | 0:35:01 | 0:35:04 | |
that not even the blade of an espada may sever. | 0:35:04 | 0:35:07 | |
-A bit of Spanish in there as well. Romantic. -Shivers! | 0:35:09 | 0:35:13 | |
That's quite enough of that. | 0:35:13 | 0:35:15 | |
Can I just say, it's been very informative and good fun. | 0:35:15 | 0:35:18 | |
-And as a fan, I loved it. -Thank you for letting me share it with you. | 0:35:18 | 0:35:21 | |
It's great. | 0:35:21 | 0:35:23 | |
As our dashing hero and beautiful heroine | 0:35:23 | 0:35:26 | |
head out into the golden sunset of Reading, | 0:35:26 | 0:35:29 | |
Esther and David are making a slightly more prosaic journey | 0:35:29 | 0:35:33 | |
from Goring further up the River Thames | 0:35:33 | 0:35:35 | |
to the Oxfordshire town of Wallingford. | 0:35:35 | 0:35:38 | |
Back in 1135, it was an important place in the struggle | 0:35:38 | 0:35:42 | |
for the throne between Empress Matilda and her cousin, Stephen. | 0:35:42 | 0:35:47 | |
Nowadays it's more likely to witness a taste war | 0:35:47 | 0:35:49 | |
between Esther and David. | 0:35:49 | 0:35:52 | |
It'll be played out at Lamb Arcade, | 0:35:52 | 0:35:54 | |
an antique centre with over 40 shops and showcases, | 0:35:54 | 0:35:57 | |
where Siobhan is one of the dealers. | 0:35:57 | 0:36:00 | |
-I'm Esther. Hello, how do you do? -Nice to meet you, Esther. | 0:36:00 | 0:36:03 | |
Esther and David still have £288 to spend. | 0:36:03 | 0:36:06 | |
That is a treasure trove, is it not? | 0:36:06 | 0:36:08 | |
After a little rummaging, David strikes gold. | 0:36:08 | 0:36:12 | |
Isn't that just gorgeous? | 0:36:12 | 0:36:15 | |
-That is one of the most... -Yeah. | 0:36:16 | 0:36:18 | |
..hideous pieces of china I've ever seen in my life! | 0:36:18 | 0:36:22 | |
This is the chalk and cheese team. | 0:36:22 | 0:36:25 | |
Perhaps Esther is better off finding her own treasures, hey? | 0:36:25 | 0:36:29 | |
-LID CLATTERS -Here we go! | 0:36:29 | 0:36:31 | |
-Perhaps not. -Everything is collapsing! | 0:36:31 | 0:36:35 | |
She is feeling the pressure. | 0:36:35 | 0:36:38 | |
-The fiendish desire to win. -Exactly. | 0:36:38 | 0:36:41 | |
-Overwhelming me. -The competitiveness is now coming out. | 0:36:41 | 0:36:45 | |
The real Esther Rantzen has arrived. | 0:36:45 | 0:36:48 | |
The real Esther Rantzen needs help, David. So, what do you suggest? | 0:36:48 | 0:36:52 | |
Here we have a cigarette case. | 0:36:52 | 0:36:55 | |
I know it's not that PC but it could be used as a card case. | 0:36:55 | 0:37:00 | |
Silver, hallmarked, | 0:37:00 | 0:37:03 | |
but that's the interesting thing. | 0:37:03 | 0:37:05 | |
-RAF. -RAF. -Wow. | 0:37:05 | 0:37:07 | |
-Gilded interior and it's hallmarked for 1939. -Wow! | 0:37:09 | 0:37:15 | |
-That's interesting. -That's more than interesting, that's brilliant. | 0:37:15 | 0:37:18 | |
-It is quite brilliant, actually. -I love it. -Do you? -Yes. | 0:37:18 | 0:37:23 | |
At last - unity. | 0:37:23 | 0:37:24 | |
It's got a fantastic history. | 0:37:24 | 0:37:26 | |
This is a Battle of Britain pilot, | 0:37:26 | 0:37:28 | |
aged 19, you know, with probably his little self-rolled cigarettes. | 0:37:28 | 0:37:35 | |
You're absolutely right. | 0:37:35 | 0:37:37 | |
-And because it's 1939, the beginning of the Second World War... -Yes. | 0:37:37 | 0:37:42 | |
-..it more than likely saw action during the Second World War. -Yes. | 0:37:42 | 0:37:47 | |
The case seems promising, but it's not priced. | 0:37:47 | 0:37:50 | |
What kind of figure can you do this for? | 0:37:50 | 0:37:52 | |
I could do that for £60. | 0:37:52 | 0:37:54 | |
50? | 0:38:00 | 0:38:02 | |
Five. | 0:38:02 | 0:38:03 | |
-Two? -No, I'll do 55, and I think you'll do well. | 0:38:03 | 0:38:06 | |
At £55, it's tempting, | 0:38:06 | 0:38:08 | |
and for Esther, it's not all about profit this time. | 0:38:08 | 0:38:11 | |
I have met Battle of Britain pilots. | 0:38:13 | 0:38:16 | |
I have sat next to them at dinner | 0:38:16 | 0:38:19 | |
knowing that this man at age 19 had gone out on mission after mission, | 0:38:19 | 0:38:24 | |
losing friends each time, | 0:38:24 | 0:38:26 | |
and I'm Jewish, and I wouldn't be here if they had lost. | 0:38:26 | 0:38:30 | |
If that battle hadn't been won, I certainly wouldn't be here, | 0:38:30 | 0:38:34 | |
my family wouldn't be here. | 0:38:34 | 0:38:36 | |
-Oh, my gosh, well... -So they mean a heck of a lot to me. | 0:38:36 | 0:38:39 | |
Well, I think we have to go for that. | 0:38:39 | 0:38:42 | |
That is so powerful that we have to have this. | 0:38:42 | 0:38:44 | |
So we've done it. That's our final object. | 0:38:44 | 0:38:47 | |
-Siobhan, please shake my hand. -Yes. | 0:38:47 | 0:38:49 | |
-Thank you very much. -Thank you. -Esther. -I'm thrilled with that. | 0:38:49 | 0:38:53 | |
-That's our best object. -That's our best object. | 0:38:53 | 0:38:55 | |
It's been a bumpy ride for Esther and David, | 0:38:56 | 0:38:59 | |
but at £55, their final lot is secured. | 0:38:59 | 0:39:02 | |
Rebecca and Will have emerged from between the covers of their | 0:39:03 | 0:39:06 | |
"romantic interlude" in Reading to meander down the river to Henley. | 0:39:06 | 0:39:10 | |
Of course, it's famous for rowing, but there's no time for posing | 0:39:10 | 0:39:14 | |
in straw boaters and stripy blazers today. | 0:39:14 | 0:39:16 | |
Rebecca and Will have £201 left to spend. | 0:39:16 | 0:39:20 | |
Tudor House Antiques could be the place to do it. | 0:39:20 | 0:39:22 | |
It may look tiny but it's packed to the rafters, | 0:39:22 | 0:39:25 | |
and Dave and Patrick are on hand to help. | 0:39:25 | 0:39:28 | |
-Hello. -Hi, how you doing, all right? -I'm Rebecca, hi. | 0:39:28 | 0:39:31 | |
-I'm Dave, pleased to meet you. -Hi, Dave, I'm Will. | 0:39:31 | 0:39:33 | |
Adopting a divide-and-rule strategy, | 0:39:33 | 0:39:35 | |
Will scours the back yard while Rebecca searches indoors. | 0:39:35 | 0:39:38 | |
This is quite cool. This... | 0:39:38 | 0:39:40 | |
..coal scullet...skillet thing? | 0:39:42 | 0:39:45 | |
Ooh, it's got a... Oh, how nifty! | 0:39:45 | 0:39:47 | |
I think that's old. I'm going to get Will. | 0:39:48 | 0:39:52 | |
Will? | 0:39:52 | 0:39:53 | |
Gosh, a new decisive Rebecca! | 0:39:53 | 0:39:55 | |
-Yeah? -Come and have a look at this. | 0:39:55 | 0:39:57 | |
-Oh? -Not sure. -Yeah. -Don't get your hopes up. | 0:39:57 | 0:40:00 | |
-Oh, a little purdonium. -A purdonium | 0:40:00 | 0:40:03 | |
is a type of coal scuttle named after its inventor, Mr Purdon. | 0:40:03 | 0:40:07 | |
This one is £85. | 0:40:07 | 0:40:09 | |
I'm just thinking, a saleroom... | 0:40:09 | 0:40:12 | |
-Bit of brass... -In the middle of summer... -Let's think about it. | 0:40:12 | 0:40:16 | |
It's a possibility. | 0:40:16 | 0:40:18 | |
As you were. No decision. | 0:40:18 | 0:40:20 | |
Let the rummaging continue. | 0:40:20 | 0:40:22 | |
SHE GIGGLES | 0:40:26 | 0:40:27 | |
That's a quirky item, isn't it? | 0:40:29 | 0:40:30 | |
ACCORDION PLAYS | 0:40:31 | 0:40:33 | |
Well, I was just thinking, | 0:40:35 | 0:40:37 | |
there I am telling Becca not to look at coal purdoniums | 0:40:37 | 0:40:39 | |
because it's high summer, and what am I looking at? A sledge. | 0:40:39 | 0:40:43 | |
If I give Will another musical item, he'll lose all faith in me. | 0:40:47 | 0:40:51 | |
But not any old sledge. | 0:40:51 | 0:40:54 | |
This is what they call a flexible flyer. | 0:40:54 | 0:40:56 | |
It's an American company that make these sledges | 0:40:56 | 0:40:59 | |
and they've got some great steering at the front there. | 0:40:59 | 0:41:02 | |
For me, that's a great thing, | 0:41:06 | 0:41:08 | |
but I don't know. How's she going to take it when I tell her? | 0:41:08 | 0:41:12 | |
Seasonal. | 0:41:12 | 0:41:14 | |
-There's no time like the present to find out. -Oh, dear. | 0:41:14 | 0:41:17 | |
Have you ever seen... | 0:41:22 | 0:41:24 | |
..a sledge better than that? | 0:41:25 | 0:41:28 | |
You're not impressed, are you? | 0:41:28 | 0:41:30 | |
Can't say I'm feeling it. | 0:41:30 | 0:41:33 | |
It's a proper bit of American folk art. | 0:41:33 | 0:41:38 | |
You genuinely think we can make money on it? | 0:41:38 | 0:41:40 | |
I've seen them make the money, | 0:41:40 | 0:41:41 | |
-but it's just whether the market is there in Woking. -In Woking in summer! | 0:41:41 | 0:41:45 | |
In summer, for a sledge. | 0:41:45 | 0:41:47 | |
No, we'll leave the sledge. | 0:41:47 | 0:41:49 | |
-I can tell you're not enamoured by the sledge. -No! I'm not NOT... | 0:41:49 | 0:41:52 | |
If not, there is a lovely little box that I saw, a lacquered box. | 0:41:52 | 0:41:55 | |
Crikey. Rebecca's struggling to decide between two items | 0:41:55 | 0:41:58 | |
and Will's introducing a third? | 0:41:58 | 0:42:01 | |
This is it, look. | 0:42:01 | 0:42:02 | |
Hmm. | 0:42:02 | 0:42:04 | |
A little Japanese lacquered box. | 0:42:04 | 0:42:07 | |
-OK. -Look at the quality, look at the workmanship. | 0:42:07 | 0:42:10 | |
-That's all done by hand, you know. -Is it? -Yeah. | 0:42:10 | 0:42:13 | |
The box probably dates from the 1920s or '30s, and it's £22. | 0:42:13 | 0:42:17 | |
Why don't I like it? What's wrong with me? | 0:42:18 | 0:42:21 | |
I think this at auction, if it's picked up by the right person, | 0:42:21 | 0:42:27 | |
could easily make 40, 50, maybe 60 quid. | 0:42:27 | 0:42:30 | |
Really?! | 0:42:30 | 0:42:32 | |
OK, well, this is hard | 0:42:32 | 0:42:34 | |
-because now I really like the sled in comparison with that. -Really? | 0:42:34 | 0:42:37 | |
-And what about your coal bucket? -No, I've gone off that. | 0:42:37 | 0:42:40 | |
HE LAUGHS | 0:42:40 | 0:42:41 | |
I'm fickle. | 0:42:41 | 0:42:42 | |
Let's be clear. Rebecca has decided against the coal scuttle | 0:42:42 | 0:42:45 | |
and doesn't like the lacquer box, | 0:42:45 | 0:42:47 | |
but there's still trouble reaching a decision. | 0:42:47 | 0:42:50 | |
We're in a dilemma, aren't we? | 0:42:50 | 0:42:51 | |
-You said you were indecisive. -I'm so indecisive. | 0:42:51 | 0:42:54 | |
See, I would never buy the box. | 0:42:54 | 0:42:57 | |
But now I would buy the sledge. I wouldn't have before. | 0:42:57 | 0:42:59 | |
-You wouldn't, would you? -No. I was like, "What? Rubbish!" | 0:42:59 | 0:43:03 | |
-Oh, let's throw caution to the wind and buy the sled. -Oh... | 0:43:03 | 0:43:07 | |
-Flick a coin? -Let's do the sledge! | 0:43:08 | 0:43:10 | |
Yeah? Go on, then. You stay here, I'll go and get it. | 0:43:10 | 0:43:12 | |
Now, there's still the crucial matter of the £48 price ticket. | 0:43:14 | 0:43:17 | |
-Hello. -Hi. -Hi. -Find something? | 0:43:17 | 0:43:21 | |
-Yes. -I think so. -Right. -Oh, that's the best item in the shop. | 0:43:21 | 0:43:24 | |
-Is it? -I knew you'd say that. | 0:43:24 | 0:43:26 | |
But, it's the height of summer. We're trying to sell a sledge. | 0:43:26 | 0:43:31 | |
What's the best price you can do? | 0:43:31 | 0:43:33 | |
-I could do it for 40. -Oh... | 0:43:33 | 0:43:36 | |
I was thinking 30. | 0:43:36 | 0:43:38 | |
I've played this game. | 0:43:41 | 0:43:42 | |
35 and we've got a deal. | 0:43:42 | 0:43:45 | |
Go for 33 and you'll make me really happy. | 0:43:45 | 0:43:48 | |
She's good, isn't she? | 0:43:48 | 0:43:50 | |
Well, I'll tell you what. | 0:43:50 | 0:43:51 | |
Half of this item belongs to my colleague here, | 0:43:51 | 0:43:54 | |
so what do you think? | 0:43:54 | 0:43:55 | |
-33, then. -33! | 0:43:55 | 0:43:57 | |
-WILL: Oh! Good work! -You're a sucker for a pretty face! | 0:43:57 | 0:44:01 | |
Rebecca and Will have clinched their fifth and final purchase, | 0:44:01 | 0:44:05 | |
reduced from £48 to £33, | 0:44:05 | 0:44:07 | |
but will the scrutiny of Esther and David provoke fresh doubts | 0:44:07 | 0:44:12 | |
as the teams reveal all? | 0:44:12 | 0:44:13 | |
Talk them through it, Becca. | 0:44:13 | 0:44:15 | |
So, beautiful vase, possibly 1920s. | 0:44:15 | 0:44:18 | |
-I like that, yeah. -This is a Keith Murray for Wedgwood. | 0:44:18 | 0:44:22 | |
-OK. -And we paid for that... | 0:44:22 | 0:44:24 | |
-75... -77. | 0:44:24 | 0:44:27 | |
-77. Really? -(That's a fortune.) | 0:44:27 | 0:44:30 | |
-Then this is all Becca's doing. -Yes. | 0:44:30 | 0:44:33 | |
I see, you're passing the blame already, Will. Well done. | 0:44:33 | 0:44:36 | |
-I like your tactics. -This is the one that's giving me nightmares. -Why? | 0:44:36 | 0:44:39 | |
Because it's not particularly beautiful and it's not worth much. | 0:44:39 | 0:44:42 | |
Did you pay much for it? | 0:44:42 | 0:44:43 | |
We paid, for that, £22. | 0:44:43 | 0:44:46 | |
- Oh, dear! - Then, down front... | 0:44:46 | 0:44:49 | |
-Ooh... -Da-da-da! | 0:44:49 | 0:44:51 | |
It's a sledge! | 0:44:51 | 0:44:53 | |
-It is! -Oh, that looks good fun! | 0:44:53 | 0:44:56 | |
It's an American piece and I have seen them make good money. | 0:44:56 | 0:44:59 | |
Could I just make a point? | 0:44:59 | 0:45:01 | |
Esther Rantzen is so quiet, this is unbelievable. | 0:45:01 | 0:45:04 | |
-She thinks we're nuts. -She's in shock. | 0:45:04 | 0:45:06 | |
-I know that expression. -Do you? -She's pulled that face | 0:45:06 | 0:45:09 | |
when I've brought certain men home. It's not good! | 0:45:09 | 0:45:12 | |
-Not suitable? -Not suitable! | 0:45:12 | 0:45:14 | |
Come on, Esther, pass judgment on our treasure. | 0:45:14 | 0:45:16 | |
I think you've tried really hard. | 0:45:16 | 0:45:18 | |
-She's so polite. -No, she's not! | 0:45:18 | 0:45:21 | |
-We all know what she really means. -That's really quite rude. | 0:45:21 | 0:45:23 | |
Just take the opposite meaning of everything she's saying | 0:45:23 | 0:45:26 | |
and there's her honest truth. | 0:45:26 | 0:45:28 | |
I'm glad that is a well-known name | 0:45:28 | 0:45:29 | |
because otherwise I might think they were exceptionally dull. | 0:45:29 | 0:45:33 | |
I've no idea who madam is. But, but, I could be completely wrong. | 0:45:33 | 0:45:37 | |
-Yeah, it's time to show yours. -Come on, then. | 0:45:37 | 0:45:39 | |
Get ready to be criticised now. | 0:45:39 | 0:45:42 | |
The gloves are off. Oh... | 0:45:42 | 0:45:44 | |
Oh, look, they went for art! | 0:45:44 | 0:45:46 | |
They've bought art. | 0:45:46 | 0:45:48 | |
What have we got down there? | 0:45:48 | 0:45:50 | |
-Military cigarette case. -Even I'm impressed when we unroll this. | 0:45:50 | 0:45:53 | |
- OK, so... - Talk us through it. | 0:45:53 | 0:45:55 | |
Now, this, every picture tells a story... | 0:45:55 | 0:45:59 | |
And they're original, obviously, watercolours, and I took the view | 0:45:59 | 0:46:04 | |
there would be quite a lot of grandparents at the auction | 0:46:04 | 0:46:08 | |
and they might like to decorate a nursery and it would be perfect. | 0:46:08 | 0:46:11 | |
I think it would look lovely in your nursery, actually. | 0:46:11 | 0:46:14 | |
I'm supposed to be nasty, I'm supposed to be, "Oh, it's horrible!" | 0:46:14 | 0:46:17 | |
-That is a cigarette case but it would double as a card case. -Yeah. | 0:46:17 | 0:46:22 | |
It is sterling silver. | 0:46:22 | 0:46:23 | |
-60 quid. -Yeah, bang on, 55. -Yeah. | 0:46:23 | 0:46:27 | |
Well, I think it's a really eclectic, interesting mix of stuff. | 0:46:27 | 0:46:30 | |
-And we are now in the hands of... -The gods. -..the auctioneer. | 0:46:30 | 0:46:33 | |
Crumbs. | 0:46:33 | 0:46:34 | |
With no punches pulled in public, what will they say in private? | 0:46:34 | 0:46:40 | |
ESTHER: The sledge would be fine in a hotel... | 0:46:40 | 0:46:42 | |
-DAVID: -In Switzerland. -Yeah, or in Scotland, | 0:46:42 | 0:46:45 | |
-but Woking? -Woking, in the summer - excellent news. -Not so brilliant. | 0:46:45 | 0:46:49 | |
-The tankard was peculiar, wasn't it? -Wasn't me. | 0:46:49 | 0:46:52 | |
-I hate the tankard! -That was your work. -It's all my fault. | 0:46:52 | 0:46:55 | |
Would you swap all of their items for all of your items? | 0:46:55 | 0:46:58 | |
-No. -Good. -Absolutely not. | 0:46:58 | 0:47:00 | |
Oh, come on. Fist bump it out. | 0:47:00 | 0:47:02 | |
Yeah, man. Pow! | 0:47:02 | 0:47:04 | |
Loving your work! | 0:47:04 | 0:47:05 | |
Can't carry that off. Not street. | 0:47:05 | 0:47:07 | |
As auction day dawns, Esther's raring to go. | 0:47:09 | 0:47:11 | |
I am so excited about the auction. I absolutely adore auctions. | 0:47:13 | 0:47:17 | |
When your father and I used to go to charity events | 0:47:17 | 0:47:20 | |
and there was an auction, he had to hold me down and handcuff me | 0:47:20 | 0:47:24 | |
because I would bid for everything. How are you feeling about it all? | 0:47:24 | 0:47:28 | |
I've never been to an auction. | 0:47:28 | 0:47:29 | |
-It's huge fun. -I am quite excited. | 0:47:29 | 0:47:32 | |
Our teams are travelling from the Thames Valley | 0:47:32 | 0:47:35 | |
down to a village called Send | 0:47:35 | 0:47:37 | |
near Woking in Surrey. | 0:47:37 | 0:47:39 | |
-It suits you. -Hello again. | 0:47:39 | 0:47:41 | |
Happily, David's taste in trousers doesn't send the celebs running, | 0:47:41 | 0:47:45 | |
so it's on with the show. | 0:47:45 | 0:47:47 | |
-Are you an auction... -Never been. | 0:47:47 | 0:47:49 | |
This is your first time? | 0:47:49 | 0:47:50 | |
Anxious, because I fidget, I'm going to accidentally bid on something. | 0:47:50 | 0:47:54 | |
-Oh, don't! You've got to sit on your hands and don't blink. -Don't blink? | 0:47:54 | 0:47:57 | |
Because if you blink, you spend money. | 0:47:57 | 0:48:00 | |
-Anything can happen. Come on. -So very true. | 0:48:01 | 0:48:04 | |
The place where anything might happen today is Ewbank's | 0:48:04 | 0:48:07 | |
auctions which holds quarterly antique | 0:48:07 | 0:48:09 | |
and fine art auctions as well as a range of specialist sales. | 0:48:09 | 0:48:13 | |
Tim Duggan is the man wielding the gavel | 0:48:13 | 0:48:16 | |
so what does he think might happen? | 0:48:16 | 0:48:18 | |
I think the sleigh is going to be of interest. | 0:48:18 | 0:48:21 | |
It's a novelty item, it's well displayed. | 0:48:21 | 0:48:23 | |
The glass vase, I quite like. It's got the certificate there. | 0:48:23 | 0:48:26 | |
If I had to pick a lot - I like the silver dressing table set. | 0:48:26 | 0:48:29 | |
It's very nice, very stylised, very Art Deco and I hope to get | 0:48:29 | 0:48:33 | |
that away, certainly it should make 50 or £60. Tankard, yeah. | 0:48:33 | 0:48:37 | |
It's a bit boring, £10 would be lucky. | 0:48:37 | 0:48:41 | |
Each of our teams started with £400. | 0:48:41 | 0:48:44 | |
Esther listened to David's advice then followed her own instincts. | 0:48:44 | 0:48:48 | |
Somehow they managed to agree on five diverse lots | 0:48:48 | 0:48:52 | |
spending a paltry total of £167. | 0:48:52 | 0:48:56 | |
Rebecca convinced herself she had bad taste | 0:48:56 | 0:48:59 | |
but with help from Will eventually managed to decide on her five lots | 0:48:59 | 0:49:03 | |
shelling out a much heftier £232. | 0:49:03 | 0:49:06 | |
As the auction gets under way, | 0:49:07 | 0:49:09 | |
Will is doing nothing to soothe Rebecca's nerves. | 0:49:09 | 0:49:12 | |
This is the arena. | 0:49:12 | 0:49:15 | |
-Are we gladiators? -Yeah. | 0:49:15 | 0:49:18 | |
First up is the World War II RAF cigarette case that stirred | 0:49:18 | 0:49:21 | |
Esther's emotions. | 0:49:21 | 0:49:23 | |
-Esther, this is us. -Good luck, David. Good luck, Esther. | 0:49:23 | 0:49:26 | |
-RAF cigarette case hallmark for Birmingham 1939. -£20. | 0:49:26 | 0:49:30 | |
It's a gift from a proud mum to a 19-year-old who has just | 0:49:30 | 0:49:35 | |
joined the RAF in 1939 - just before the Battle of Britain. | 0:49:35 | 0:49:40 | |
-This is a very important lot. -You sold it! | 0:49:40 | 0:49:42 | |
You weren't expecting that, were you? | 0:49:44 | 0:49:46 | |
I was! | 0:49:46 | 0:49:48 | |
Should I say "That's Life!" | 0:49:48 | 0:49:51 | |
LAUGHTER | 0:49:51 | 0:49:53 | |
At 35, 40, 45, with you, sir, in the doorway. | 0:49:53 | 0:49:57 | |
-Good, come on. -65 and 70. | 0:49:57 | 0:50:01 | |
75. 80. 85. £80 in the doorway. | 0:50:01 | 0:50:05 | |
Standing. Looking for 85. | 0:50:05 | 0:50:06 | |
At £80 for the last time. | 0:50:06 | 0:50:10 | |
Aw! £80. It is a trickle. | 0:50:10 | 0:50:14 | |
Thank you for the trickle. | 0:50:14 | 0:50:16 | |
I call £25 profit a very reasonable start for Esther and David. | 0:50:16 | 0:50:21 | |
I can't believe you did that. | 0:50:21 | 0:50:23 | |
I tried to pull her down but almost got her trousers! | 0:50:23 | 0:50:25 | |
-That would have been brilliant! -For the bids. | 0:50:25 | 0:50:29 | |
The second lot of silver is Rebecca's Art Deco brush | 0:50:29 | 0:50:32 | |
and mirror set fancied by auctioneer Tim. | 0:50:32 | 0:50:35 | |
£30 for it. £30 bid. And five. | 0:50:35 | 0:50:39 | |
45 now. 45. 50. 55. 60. 65. | 0:50:39 | 0:50:43 | |
Surely on the internet... | 0:50:43 | 0:50:45 | |
At £60. Are we all done? | 0:50:45 | 0:50:49 | |
-It's not as bad as you thought. -Much better. | 0:50:49 | 0:50:54 | |
A classy choice but an unlucky debut for Rebecca. | 0:50:54 | 0:50:57 | |
Are you enjoying your auction experience? | 0:50:57 | 0:50:59 | |
No! | 0:50:59 | 0:51:01 | |
Will and Rebecca's Keith Murray for Wedgwood set is next. | 0:51:01 | 0:51:05 | |
Will the bidders rate it delightful or dull? | 0:51:05 | 0:51:08 | |
£100 for it. | 0:51:08 | 0:51:10 | |
Don't bid! I thought you were bidding. | 0:51:10 | 0:51:13 | |
-30 if you like. -Oh! | 0:51:13 | 0:51:16 | |
-It will go up. -45. 50. | 0:51:16 | 0:51:19 | |
At 50. Looking for 55. | 0:51:19 | 0:51:21 | |
-60. 65 online, if you want it. -It's online bidding. | 0:51:21 | 0:51:26 | |
60 in the room. At 65. | 0:51:26 | 0:51:28 | |
-Get the hammer down. -Come on, £70. Worth it. 75 online. | 0:51:28 | 0:51:34 | |
75 online if you want it. | 0:51:34 | 0:51:36 | |
It's gone quiet online now. At £70. | 0:51:36 | 0:51:39 | |
We've made a loss! | 0:51:39 | 0:51:42 | |
Yes, another small loss and a bumpy start for Rebecca. | 0:51:42 | 0:51:46 | |
But this still plenty of time to turn things around. | 0:51:46 | 0:51:49 | |
It's a bit of a loss, not much. | 0:51:49 | 0:51:51 | |
But we haggled hard for that. | 0:51:51 | 0:51:53 | |
Next up is the 19th century Imari plate found by Esther. | 0:51:53 | 0:51:58 | |
£10 for it. | 0:51:58 | 0:51:59 | |
-Go on, go on. -It's Japanese. £10 for it. | 0:51:59 | 0:52:04 | |
He's working on their side. | 0:52:04 | 0:52:07 | |
-10 for it. -Come on. Esther, do something. | 0:52:07 | 0:52:11 | |
15, I've got. And 20, madam. | 0:52:11 | 0:52:14 | |
-What?! -And 25. -Come on! That's better. | 0:52:14 | 0:52:18 | |
-What did we pay? -30. | 0:52:18 | 0:52:21 | |
-25. Battle of the ladies. -Come on, you miserable lot. | 0:52:21 | 0:52:25 | |
At £25. With you, madam. | 0:52:25 | 0:52:28 | |
Selling to the room at £25. | 0:52:28 | 0:52:30 | |
As Esther and David consolidate their lead, | 0:52:32 | 0:52:35 | |
Rebecca has realised she's on the back foot. | 0:52:35 | 0:52:38 | |
It's because people love you. They don't know who the hell I am. | 0:52:38 | 0:52:42 | |
Rebecca and Will both liked the glass trumpet vase. | 0:52:42 | 0:52:46 | |
Now they need the bidders to feel the same. | 0:52:46 | 0:52:49 | |
You could use it for a hospital sample. | 0:52:49 | 0:52:52 | |
-You'd know. -It looks like it already has. | 0:52:52 | 0:52:56 | |
£20 for it. Bid me ten. | 0:52:56 | 0:52:58 | |
You're bidding! | 0:52:58 | 0:53:02 | |
Come on, surely £10 at the back. 10 is bid, I'll take 15. | 0:53:02 | 0:53:06 | |
-This is criminal. -Period. | 0:53:06 | 0:53:09 | |
£10 at the back. | 0:53:09 | 0:53:12 | |
It's beautiful. | 0:53:12 | 0:53:14 | |
-Wrong! -Calm down, calm down. | 0:53:15 | 0:53:20 | |
The right people just weren't in the room, Rebecca. | 0:53:20 | 0:53:23 | |
Whoever bought that, you might get a quick profit in the car park. | 0:53:23 | 0:53:27 | |
After a series of losses comes the lot that worries Rebecca most. | 0:53:29 | 0:53:33 | |
-The Bohemian tankard she chose. -£30. 10, if you like. | 0:53:33 | 0:53:37 | |
For goodness' sake! | 0:53:37 | 0:53:39 | |
-It's a nice thing. -It's beautiful. | 0:53:41 | 0:53:45 | |
25 online now. Battle at 30. | 0:53:45 | 0:53:48 | |
You've got a profit. | 0:53:48 | 0:53:50 | |
35. Looking for 40. | 0:53:50 | 0:53:53 | |
45 online. Want 50. You are out... | 0:53:53 | 0:53:57 | |
-I feel sick. -Told you. | 0:53:57 | 0:54:00 | |
-At £45. -Yay! -Change of tune. | 0:54:00 | 0:54:05 | |
Yes! | 0:54:08 | 0:54:09 | |
Rebecca's supposedly tasteless tankard comes up trumps | 0:54:09 | 0:54:13 | |
-and turns around her fortunes. -Back in the game. | 0:54:13 | 0:54:16 | |
It's good now, isn't? | 0:54:16 | 0:54:18 | |
Ester discovered the French studio glass vase. | 0:54:18 | 0:54:21 | |
Will it be a oui or a non, from the bidders? | 0:54:21 | 0:54:24 | |
-£10 for it. -Come on, come on. | 0:54:24 | 0:54:28 | |
25 now. 30 bid. 35. | 0:54:28 | 0:54:31 | |
Just a load of... | 0:54:32 | 0:54:35 | |
At 45, selling at £45. | 0:54:35 | 0:54:39 | |
Formidable! | 0:54:39 | 0:54:41 | |
Magnifique! | 0:54:41 | 0:54:43 | |
Esther and David's profits are rising slowly but steadily. | 0:54:43 | 0:54:47 | |
-We are trickling all the way. -We are leaking all the way. | 0:54:47 | 0:54:51 | |
Don't fret, Rebecca. | 0:54:51 | 0:54:53 | |
It may be summer in Surrey but Will has high hopes | 0:54:53 | 0:54:57 | |
-for the American sledge. -£100 for it. | 0:54:57 | 0:54:59 | |
Come on, a nice item, this one. £100. 50 for it. | 0:54:59 | 0:55:03 | |
55, 60. 65. 70. 75. | 0:55:03 | 0:55:07 | |
Looking for 80. | 0:55:07 | 0:55:09 | |
It's a good lot. | 0:55:09 | 0:55:11 | |
Looking for 80 anywhere. At £75. The bids are out. | 0:55:11 | 0:55:15 | |
The back of the room, £75. | 0:55:15 | 0:55:17 | |
-Well done. -We are pleased. | 0:55:17 | 0:55:20 | |
It's all right. | 0:55:20 | 0:55:22 | |
A spectacular £42 profit puts Rebecca | 0:55:22 | 0:55:25 | |
and Will right back in the running. | 0:55:25 | 0:55:28 | |
Now she's happy. Was she like this as a child? | 0:55:28 | 0:55:30 | |
Yes. Always. | 0:55:30 | 0:55:33 | |
Next up is the American rocker. Hideous, according to Esther. | 0:55:33 | 0:55:37 | |
-£30 for it. £30. -Go on. | 0:55:37 | 0:55:39 | |
Don't be ridiculous. | 0:55:39 | 0:55:41 | |
You would have to pay me to buy that. | 0:55:41 | 0:55:44 | |
-Go on. -£10. 10 bid. | 0:55:44 | 0:55:46 | |
-That was 20 he was bidding. -10 bid. -You were cheating. | 0:55:46 | 0:55:50 | |
He said 20. I heard him say it. | 0:55:50 | 0:55:53 | |
-Come on. Come on. Come on. -At £30, it is with you. | 0:55:53 | 0:55:59 | |
He just said 40! | 0:55:59 | 0:56:01 | |
Cheats! | 0:56:03 | 0:56:04 | |
Someone get security! | 0:56:04 | 0:56:07 | |
Yes! Go on. You realise it has no cushions. | 0:56:07 | 0:56:10 | |
But how much will it be worth with cushions? | 0:56:10 | 0:56:13 | |
-Selling at £40. -Well done. | 0:56:13 | 0:56:16 | |
Hm, not so hideous when you consider that is a decent profit, Esther. | 0:56:18 | 0:56:22 | |
-Well done. -Well done, you. | 0:56:24 | 0:56:25 | |
-Wow. -Believing in the American rocker. | 0:56:25 | 0:56:28 | |
Look at that look. | 0:56:28 | 0:56:30 | |
Esther is banking on doting grandparents like herself to | 0:56:30 | 0:56:33 | |
snap up the final lot, the four nursery pictures. | 0:56:33 | 0:56:37 | |
-Good and decorative. £30. You pay that for the frame. -Go on. | 0:56:37 | 0:56:40 | |
Bid me 20. 20 bid. 25 behind you. | 0:56:40 | 0:56:44 | |
Come on. Come on. Come on. | 0:56:44 | 0:56:47 | |
35 with the lady. | 0:56:47 | 0:56:49 | |
Looking for 40. At £35. | 0:56:49 | 0:56:52 | |
Stop looking down. | 0:56:52 | 0:56:55 | |
-35. -Our first loss. | 0:56:55 | 0:56:58 | |
I'm glad you had one. | 0:56:58 | 0:57:00 | |
Late in the day, Esther and David joined the losers club | 0:57:00 | 0:57:03 | |
-but only a modest 10 down. -Share the pain. | 0:57:03 | 0:57:06 | |
I wish they had had more pain. | 0:57:06 | 0:57:08 | |
Good stuff, shall we hit the burger van? | 0:57:08 | 0:57:11 | |
-Yes, please. -Let's do it. | 0:57:11 | 0:57:13 | |
Let's check the ratio of pain to profit. | 0:57:13 | 0:57:17 | |
After the agonies of indecision, Rebecca | 0:57:17 | 0:57:19 | |
and Will did well with the sledge and the supposedly tacky tankard | 0:57:19 | 0:57:24 | |
but after paying auction costs they made a small loss of £18.80p. | 0:57:24 | 0:57:28 | |
It leaves them with a total of £381.20. | 0:57:28 | 0:57:33 | |
Despite their taste war, | 0:57:33 | 0:57:35 | |
Esther and David managed to acquire some solid lots | 0:57:35 | 0:57:38 | |
and their profits climbed slowly but surely to £17.50 giving them | 0:57:38 | 0:57:43 | |
a total of £417.50 and victory on this road trip. | 0:57:43 | 0:57:48 | |
All profits, no matter how small, go to Children in Need. | 0:57:48 | 0:57:51 | |
It's not about the winning or losing, it's the taking part... | 0:57:51 | 0:57:55 | |
No, you always thought that, Becca, all the way through. | 0:57:56 | 0:57:59 | |
I was fine. I am not at all competitive. | 0:57:59 | 0:58:02 | |
No, we noticed(!) | 0:58:02 | 0:58:03 | |
I think if you buy what you love it almost doesn't matter that you | 0:58:03 | 0:58:07 | |
-completely crush the opposition and win... -She's going to be intolerable. | 0:58:07 | 0:58:12 | |
-She's now an expert. Teeny tiny win. -Intolerable forever now. | 0:58:12 | 0:58:16 | |
-You know that, don't you? -I've got to get in the car with her. | 0:58:16 | 0:58:19 | |
ALL TALK OVER EACH OTHER | 0:58:19 | 0:58:21 | |
Thanks for your help, David. | 0:58:21 | 0:58:24 | |
-Thank you, thank you. -Goodbye! | 0:58:24 | 0:58:26 | |
-It has been fun. -I've adored it. | 0:58:26 | 0:58:29 | |
If somebody asked me to do a whole week of this, I would jump at it. | 0:58:29 | 0:58:33 | |
So, I suppose the biggest profit we made... | 0:58:33 | 0:58:37 | |
Oh, stop it! | 0:58:37 | 0:58:39 |