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-The nation's favourite celebrities... -Got some proper bling here. -..paired up with an expert... | 0:00:02 | 0:00:06 | |
Point, point! | 0:00:06 | 0:00:07 | |
..and a classic car. | 0:00:07 | 0:00:09 | |
Get your hands up! | 0:00:09 | 0:00:11 | |
Their mission, to scour Britain for antiques. | 0:00:11 | 0:00:14 | |
All breakages must be paid for. | 0:00:14 | 0:00:16 | |
This is a good find, is it not? | 0:00:16 | 0:00:18 | |
The aim - to make the biggest profit at auction. But it's no easy ride. | 0:00:18 | 0:00:23 | |
Who will find a hidden gem? Who will take the biggest risks? | 0:00:23 | 0:00:28 | |
Turn my antiques head on. | 0:00:28 | 0:00:29 | |
Will anybody follow expert advice? | 0:00:29 | 0:00:32 | |
I think it's horrible! | 0:00:32 | 0:00:34 | |
There will be worthy winners... | 0:00:34 | 0:00:36 | |
This is better than Christmas! | 0:00:36 | 0:00:37 | |
..and valiant losers. | 0:00:37 | 0:00:39 | |
Time to put your pedal to the metal. This is Celebrity Antiques Road Trip. | 0:00:40 | 0:00:45 | |
Yeah! | 0:00:47 | 0:00:49 | |
On this road trip, we have a pair of very clever celebrities. | 0:00:50 | 0:00:53 | |
These scientists could teach us | 0:00:53 | 0:00:55 | |
a thing or two but there's one gaping hole in their vast knowledge. | 0:00:55 | 0:00:59 | |
I don't know anything about antiques. I'm a little nervous. | 0:00:59 | 0:01:02 | |
-Well, you and me both. -This to me is truly a leap into the unknown. | 0:01:02 | 0:01:05 | |
It really is. | 0:01:05 | 0:01:06 | |
Dr Maggie Aderin-Pocock MBE is a respected space scientist. | 0:01:06 | 0:01:12 | |
With a degree in physics and a doctorate in mechanical engineering, she's one smart lady! | 0:01:12 | 0:01:17 | |
Looking at the sky in different bands of the electromagnetic | 0:01:17 | 0:01:20 | |
spectrum gives you a very different viewpoint. | 0:01:20 | 0:01:22 | |
When Maggie's not behind a telescope, she's in front of the camera, | 0:01:22 | 0:01:25 | |
presenting The Sky At Night. | 0:01:25 | 0:01:27 | |
Remember, get outside and get looking up. | 0:01:27 | 0:01:30 | |
Miranda Krestovnikoff will go to any length... | 0:01:30 | 0:01:33 | |
This is much more than some bizarre fashion statement. | 0:01:33 | 0:01:36 | |
..and any depth to explain the wonders of the natural world. | 0:01:36 | 0:01:40 | |
This is the closest I have ever been to puffins in the water. | 0:01:40 | 0:01:44 | |
Zoologist Miranda is a familiar face on programmes such as Coast, | 0:01:44 | 0:01:48 | |
Countryfile and The One Show, | 0:01:48 | 0:01:50 | |
offering a new perspective of what lies beneath the waves. | 0:01:50 | 0:01:55 | |
Our two knowledgeable ladies are enjoying life in this 1961 Morris, | 0:01:55 | 0:01:58 | |
which was manufactured before seatbelts were mandatory. | 0:01:58 | 0:02:01 | |
Not the best weather for a convertible, though. | 0:02:01 | 0:02:04 | |
-We're going to be blessed with rain all day. -Yes. | 0:02:04 | 0:02:07 | |
I'm going to be racing in and out of the car. | 0:02:07 | 0:02:10 | |
Crikey! Found you, found you. That is first. | 0:02:10 | 0:02:13 | |
Do we have any idea where we're going? | 0:02:13 | 0:02:15 | |
-Yes, I guess we're going to meet the experts. -And what awaits us at the other end. -Yeah. -Yeah. | 0:02:15 | 0:02:19 | |
Yes and you're in good hands with auctioneers Philip Serrell | 0:02:19 | 0:02:22 | |
and James Braxton, who are enjoying the ride in the 1972 Lancia Fulvia. | 0:02:22 | 0:02:27 | |
See, I think, James, that being a huge Star Trek fan, I think | 0:02:29 | 0:02:33 | |
I should go with the physics lady, Dr Maggie. | 0:02:33 | 0:02:37 | |
I think that should be my course. What do you think? | 0:02:37 | 0:02:40 | |
You're very happy with that, because I'm a countryman and I think that Miranda's the lady for me. | 0:02:40 | 0:02:45 | |
That's the pairings scientifically selected, then | 0:02:46 | 0:02:49 | |
and we'll arm them each with £400. | 0:02:49 | 0:02:52 | |
-I do want to win. Ha-ha! -Yeah, of course. | 0:02:53 | 0:02:56 | |
I was going to say, it's a bit of an evil laugh there, going on. | 0:02:56 | 0:03:00 | |
Lordy, I think we're going to have a proper competition today. | 0:03:00 | 0:03:04 | |
Let the experts meet the scientists. | 0:03:04 | 0:03:07 | |
-Well, look at that! -Very good. Very adroitly driven. | 0:03:07 | 0:03:11 | |
I'm going to go and grab the physicist. | 0:03:12 | 0:03:14 | |
-Lovely to meet you. How are you, all right? -Oh, lovely. | 0:03:14 | 0:03:17 | |
-Enjoying the Morris, actually. -Good, good. | 0:03:17 | 0:03:19 | |
-Very nice to meet you. -Nice to meet you. James. -James, Miranda. | 0:03:19 | 0:03:22 | |
It's time to hit the road. | 0:03:22 | 0:03:23 | |
-What do you want to do? Drive? -Yeah, can I drive? | 0:03:23 | 0:03:26 | |
Of course you can. Get around that. | 0:03:26 | 0:03:28 | |
It's chocks away in Yeovil before sidling across Somerset, | 0:03:30 | 0:03:34 | |
heading over the River Severn into South Wales | 0:03:34 | 0:03:36 | |
and ending with an auction in Clevedon. | 0:03:36 | 0:03:39 | |
First, though, it's time to get to know each other. | 0:03:41 | 0:03:43 | |
I'm not buying any stuffed animals, if that's where you're going. No stuffed animals. | 0:03:43 | 0:03:47 | |
-No stuffed animals, no, no. OK. -No, I think they're really very bizarre. | 0:03:47 | 0:03:50 | |
-What is your favourite bird? -My favourite bird? | 0:03:50 | 0:03:54 | |
It has to be the puffin. You look at a puffin... | 0:03:54 | 0:03:56 | |
-Why the puffin? -You just want to smile. -Yeah. | 0:03:56 | 0:03:58 | |
They're really comical, they're brightly coloured, | 0:03:58 | 0:04:00 | |
they go "brrrrrrrrr""! | 0:04:00 | 0:04:02 | |
How are things going in the rival Morris? | 0:04:02 | 0:04:05 | |
-Maggie, or shall I call you doctor? -Oh, no, no, no, no. Maggie, please. | 0:04:05 | 0:04:09 | |
The Sky At Night. | 0:04:09 | 0:04:11 | |
Patrick Moore brought all that alive for a whole generation, didn't he? | 0:04:11 | 0:04:15 | |
-He did. He did the programme for 57 years. -You've been doing it for...? | 0:04:15 | 0:04:19 | |
-18 months. -Right. OK. OK, OK. | 0:04:19 | 0:04:22 | |
A bit of a way to go. | 0:04:22 | 0:04:24 | |
Maggie, why are you driving me through a river? | 0:04:24 | 0:04:26 | |
-I don't know where that came from. -Really? | 0:04:26 | 0:04:30 | |
Whilst many Somerset towns boomed trading wool, | 0:04:30 | 0:04:33 | |
Yeovil developed a speciality for making gloves. | 0:04:33 | 0:04:37 | |
Our foursome will share their first shopping experience | 0:04:37 | 0:04:39 | |
today in Emporium Antiques. | 0:04:39 | 0:04:42 | |
Let's just hope we get there before the other two do. | 0:04:42 | 0:04:45 | |
You're in luck, Philip. The shop's all yours. For now! | 0:04:45 | 0:04:48 | |
Plenty to see but any words of advice, Phil? | 0:04:53 | 0:04:56 | |
I think you need to go and find something. | 0:04:56 | 0:04:58 | |
-I'll tell you what I think. -OK, lovely. -You need to find something. | 0:04:58 | 0:05:01 | |
Whatever it might be, I want you to find me the best two things in here. | 0:05:01 | 0:05:05 | |
-OK. Well, something caught my eye but I don't know which vintage. -OK. | 0:05:05 | 0:05:08 | |
-The plane. -Yes. -I think that's wicked. -Do you? -Yeah, I do. | 0:05:08 | 0:05:13 | |
I think that's really, really lovely. | 0:05:13 | 0:05:15 | |
-Heavy? -Not as heavy as you'd want it to be. -Ah. | 0:05:16 | 0:05:19 | |
And I suspect not as old as you'd want it to be. | 0:05:19 | 0:05:22 | |
As a rough rule of thumb, if it's got a base like that on it, | 0:05:22 | 0:05:26 | |
it stands a chance of not being that old. | 0:05:26 | 0:05:29 | |
I know a spaceplane, a modern spaceplane, | 0:05:29 | 0:05:32 | |
-a design, which has this look, it's all retro 1950s. -Like a shuttle, almost. | 0:05:32 | 0:05:36 | |
-Actually, yeah, the shuttle was a bit bulkier. -Would you want to go in the space shuttle? -Yes, actually, | 0:05:36 | 0:05:40 | |
-I would have definitely gone in the space shuttle. -Would you? -Yeah. | 0:05:40 | 0:05:44 | |
-My dream has been to one day go into space. -Absolutely bonkers! | 0:05:44 | 0:05:47 | |
The polished aluminium plane has a ticket price of £79. | 0:05:47 | 0:05:52 | |
-One to think about. -There's something else I saw. -Go on, then. | 0:05:52 | 0:05:55 | |
Squeeze through here. | 0:05:55 | 0:05:57 | |
She is keen. | 0:05:57 | 0:05:58 | |
I love the stone. | 0:05:58 | 0:06:00 | |
It's got the pink, the mottled... | 0:06:00 | 0:06:02 | |
-Right. -How heavy is it? | 0:06:02 | 0:06:04 | |
It's got quite a weight to it. I love the colouring in it. But what is it? | 0:06:05 | 0:06:10 | |
-It's meant to be a curling stone. -Oh, I see. | 0:06:10 | 0:06:12 | |
If you hold it like that, that... | 0:06:12 | 0:06:15 | |
-Oh, yes. They sweep. -Absolutely right. You like that? -I do. | 0:06:15 | 0:06:18 | |
-I just like the colouring. -What we'll do... -We'll ask about it. -We'll ask about it. -It's lovely. | 0:06:18 | 0:06:23 | |
-But make sure you remind me that it's in my pocket. -OK. | 0:06:23 | 0:06:27 | |
That little paperweight is priced at £9. | 0:06:27 | 0:06:30 | |
And look who's arrived. | 0:06:30 | 0:06:31 | |
-Hopefully, Miranda won't notice all the taxidermy in here. -Elephants. | 0:06:34 | 0:06:38 | |
-A heron. -That is a heron, isn't it? -Yeah. There's a puffin here, though. | 0:06:38 | 0:06:43 | |
-Isn't that funny? -We were talking about puffins in the car. | 0:06:43 | 0:06:45 | |
-Yeah, your favourite bird. -That is actually a puffin. -It's got your name written on it. | 0:06:45 | 0:06:49 | |
Well, no, I'm afraid, you know, his beak's lost its colour and its... | 0:06:49 | 0:06:53 | |
-No, it's too sad, unfortunately. -Moving on... | 0:06:53 | 0:06:56 | |
I feel quite overwhelmed. | 0:06:56 | 0:06:58 | |
I just have absolutely no idea where to start. | 0:06:58 | 0:07:00 | |
I think, just go for the unusual. The novelty is much prized nowadays. | 0:07:00 | 0:07:05 | |
-Really? -So anything unusual. -OK. -So eyes peeled. | 0:07:05 | 0:07:09 | |
Will those sage words from James help? | 0:07:09 | 0:07:12 | |
It's just bewildering. It's... I don't know where to start. | 0:07:19 | 0:07:23 | |
I don't know the value of any of these things. | 0:07:23 | 0:07:25 | |
It all looks beautiful. | 0:07:25 | 0:07:27 | |
Um and I'm a bit terrified, actually. | 0:07:28 | 0:07:30 | |
I really hope that James is going to hold my hand and help me | 0:07:30 | 0:07:34 | |
-along the way, because I just don't know where to start. -Really scary. | 0:07:34 | 0:07:38 | |
Her favourite bird is the puffin. | 0:07:38 | 0:07:40 | |
And what do we first see in this shop? A stuffed puffin! | 0:07:40 | 0:07:44 | |
Ah, a bit awkward, that! | 0:07:44 | 0:07:46 | |
Meanwhile, Maggie's taken Philip to another corner of the shop. | 0:07:46 | 0:07:50 | |
Looking in here earlier, it's bizarre. But there's a cow! | 0:07:50 | 0:07:54 | |
-Let's just have a look, shall we? -And the thing is, it's got fur. | 0:07:54 | 0:07:57 | |
It's...it's...it's alive! | 0:07:57 | 0:07:59 | |
Skin-covered toys like this cow | 0:07:59 | 0:08:02 | |
were the forerunners of the soft cuddly ones we love to squeeze today. | 0:08:02 | 0:08:06 | |
Ticket price is £16. | 0:08:06 | 0:08:08 | |
That's quite fun. It's got a bit of... | 0:08:08 | 0:08:12 | |
-A bit of a dopey smile, though, hasn't it, really? -Adds character! | 0:08:12 | 0:08:16 | |
-But this is cow skin on a wooden carving. -Oh. | 0:08:16 | 0:08:21 | |
I sort of kind of think she's quite nice. | 0:08:21 | 0:08:25 | |
And I was thinking, the two might make a nice little desk lot. | 0:08:25 | 0:08:29 | |
I mean, I just think that's... | 0:08:29 | 0:08:32 | |
It's...yes! Slightly demented smile! | 0:08:32 | 0:08:35 | |
The cow, or Philip? | 0:08:35 | 0:08:36 | |
Miranda and James meanwhile have found dealer Rob. | 0:08:36 | 0:08:40 | |
Now what should we be looking at, Rob? | 0:08:40 | 0:08:43 | |
-Have you got any antiques bargains? -Tucked away in the corner somewhere! | 0:08:43 | 0:08:47 | |
Funnily enough, something that people walk past quite often... | 0:08:47 | 0:08:49 | |
-Yeah. -..is this one here. | 0:08:49 | 0:08:51 | |
-OK. -And you can see the marble inset here. -Yeah. | 0:08:51 | 0:08:53 | |
-This is where the big unveil... Have a look at this. -Ooh-hoo! | 0:08:53 | 0:08:57 | |
And if you just open this up here, | 0:08:57 | 0:09:00 | |
you've actually got your cupboard with all of the pipes there. | 0:09:00 | 0:09:03 | |
Oh, really? | 0:09:03 | 0:09:07 | |
This clever pot cupboard sports a ticket price of £345. | 0:09:07 | 0:09:11 | |
Your maid would have rushed up, up early, | 0:09:13 | 0:09:16 | |
she would have brought hot water up, | 0:09:16 | 0:09:18 | |
you would have poured it in that, remembering to put the plug in, | 0:09:18 | 0:09:21 | |
and then you'd put the jug back underneath the hole, | 0:09:21 | 0:09:25 | |
lo and behold - bing! | 0:09:25 | 0:09:27 | |
-It goes straight back into the jug. -It's perfect. -Isn't that clever? | 0:09:27 | 0:09:30 | |
-It's really clever. -That is typically Victorian, isn't it? | 0:09:30 | 0:09:33 | |
-It's just a lovely object. -It makes you smile, doesn't it? -Yes, it does. | 0:09:33 | 0:09:36 | |
-When you opened the door, and looked inside, it made you smile. -Yeah. | 0:09:36 | 0:09:39 | |
-Yeah. It is the novelty. -Novelty! That's what you wanted, James. | 0:09:39 | 0:09:43 | |
And their rivals? Maggie's found something. | 0:09:43 | 0:09:47 | |
Oh, that's quite cool. | 0:09:47 | 0:09:48 | |
I love these. The sort of recessed handles. | 0:09:48 | 0:09:51 | |
-Why do you think they'd be recessed? -It looks as if they want it flush. | 0:09:51 | 0:09:55 | |
-Yeah, but why? -Ooh, yeah! I don't know. You move it around a lot, you don't want it knocked off? | 0:09:55 | 0:10:00 | |
-When Colonel so-and-so went to the battle of Crimea in 1860 whatever... -Yeah. | 0:10:00 | 0:10:05 | |
..he would have taken his campaign desk, his campaign chest. | 0:10:05 | 0:10:09 | |
Sunken handles made these chests easier to stack | 0:10:09 | 0:10:12 | |
and therefore transport between military postings. | 0:10:12 | 0:10:16 | |
This chest is priced at £145. | 0:10:16 | 0:10:19 | |
Hang on, Miranda and James have found something else. | 0:10:19 | 0:10:22 | |
Now what is it? Shove chalk and half pence. | 0:10:22 | 0:10:26 | |
-Shove halfpenny. -Shove halfpenny. So have you played shove halfpenny? | 0:10:26 | 0:10:31 | |
No. I've heard about it. Never played it. Never seen a board before. | 0:10:31 | 0:10:34 | |
Time for another lesson. | 0:10:34 | 0:10:36 | |
So you put £10 there, or whatever, and then you got the thing | 0:10:36 | 0:10:40 | |
and then you shoved it. | 0:10:40 | 0:10:43 | |
-And you have to get it between the lines. -Oh, my goodness. | 0:10:43 | 0:10:46 | |
-Fabulous. There you are. -There you go. You've just won a tenner. | 0:10:46 | 0:10:49 | |
You've got a score there. Won a tenner. | 0:10:49 | 0:10:51 | |
So what have you got on this, Chief? | 0:10:51 | 0:10:53 | |
-You can have that for £20. -£20! -Which is a bargain. | 0:10:53 | 0:10:56 | |
Shall we have it for 20 quid? | 0:10:56 | 0:10:57 | |
-That's a bargain, I think. Don't you? -All right. | 0:10:57 | 0:10:59 | |
-That's great. We're having this, then, aren't we? -Do you like that? | 0:10:59 | 0:11:03 | |
-It feels good and it's wood. -Will you give us a... Rob, it sounds terribly cheeky. | 0:11:03 | 0:11:07 | |
Can you give us a little hand? Can we say £19 for that? | 0:11:07 | 0:11:10 | |
-We can indeed. -Well done. Yeah? Can we do that? -Deal. | 0:11:10 | 0:11:14 | |
Rob, could you do this for 100? | 0:11:14 | 0:11:17 | |
For you, yes, I will. Yes. For you. | 0:11:17 | 0:11:20 | |
-Oh, you lovely man. -Bless you. Thank you so much. | 0:11:20 | 0:11:23 | |
That's two great deals. | 0:11:23 | 0:11:25 | |
£19 for a boxed shove halfpenny set, | 0:11:25 | 0:11:29 | |
and Rob generously knocks £245 off the pot cupboard. Crikey. | 0:11:29 | 0:11:34 | |
The question is, can he afford to be so kind to the other team? | 0:11:34 | 0:11:38 | |
-Crack on. How can I help you? -Well, let's start. | 0:11:38 | 0:11:41 | |
-You've got a campaign chest down there. -I have. | 0:11:41 | 0:11:43 | |
-Can we have a look at that? -Thank you. | 0:11:43 | 0:11:46 | |
Now this does weigh a little bit. | 0:11:46 | 0:11:48 | |
-There we go. -Let's have a look at it. | 0:11:52 | 0:11:55 | |
It's made out of padouk wood, this, you know. | 0:12:00 | 0:12:03 | |
-P-A-D-O-U-K - padouk. -What's padouk? | 0:12:03 | 0:12:06 | |
Padouk is... Padouk is um, | 0:12:06 | 0:12:08 | |
er, to the best of my knowledge, it's an equatorial hardwood. | 0:12:08 | 0:12:11 | |
It's the sort of thing that if you're a colonial officer, | 0:12:11 | 0:12:15 | |
you might have a campaign chest made out of padouk wood. | 0:12:15 | 0:12:19 | |
Right. Yes. | 0:12:19 | 0:12:21 | |
I mean, I actually quite like that. | 0:12:21 | 0:12:23 | |
We could do it for you for £40. | 0:12:23 | 0:12:26 | |
£40? That's a great discount. | 0:12:26 | 0:12:29 | |
The chest isn't all these two are interested in. | 0:12:29 | 0:12:32 | |
-So we also quite like the little... -OK. -..cow. | 0:12:32 | 0:12:36 | |
Oh, that's fantastic, isn't it? | 0:12:36 | 0:12:37 | |
And the little paperweight, really, I suppose. | 0:12:37 | 0:12:40 | |
We've got £16 on this one. £9 on this one. | 0:12:40 | 0:12:43 | |
How about, just for you guys, £55 for the three pieces. | 0:12:43 | 0:12:49 | |
-We haven't quite finished yet. -No problem. -There's the aeroplane. | 0:12:49 | 0:12:53 | |
I'll bring it over. | 0:12:53 | 0:12:54 | |
Cos it's got a bit of weight to it and I just like the sort of | 0:12:56 | 0:12:59 | |
-1950s sleek design. -Yeah. It's got no real age to it as far as I know but, like you say, | 0:12:59 | 0:13:03 | |
it's very difficult to tell with something like this. | 0:13:03 | 0:13:05 | |
It's really a desk piece, isn't it, on a gentleman's desk. | 0:13:05 | 0:13:08 | |
I'll tell you what I was thinking. I was thinking, £10 for that. | 0:13:08 | 0:13:12 | |
-£20 for that. £40 for that. -Yes. | 0:13:12 | 0:13:15 | |
So are you happy that we buy those three? | 0:13:15 | 0:13:17 | |
Lovely, and we've got potentially two lots or more. | 0:13:17 | 0:13:20 | |
-One, two, three, four and £70? -Yes. £70. Yeah. I'm very happy with that. | 0:13:20 | 0:13:23 | |
-I'll shake your hand, now, sir. Brilliant. Thank you, Philip. -Thank you. -I hope you do really well. | 0:13:23 | 0:13:27 | |
-Thank you. You've been really good to us. -Thank you. | 0:13:27 | 0:13:30 | |
He has been good and four items in their first shop is good going. | 0:13:30 | 0:13:34 | |
Time for the physicist to do the math. | 0:13:34 | 0:13:36 | |
20, 40, 60. And ten. 70 quid. | 0:13:36 | 0:13:40 | |
-Thank you very much. -Thank you. | 0:13:40 | 0:13:42 | |
That's both teams off to a flying start. | 0:13:42 | 0:13:45 | |
Cos we've got quite a few good things under our belts now. | 0:13:45 | 0:13:47 | |
Well, you've done really, really well. | 0:13:47 | 0:13:49 | |
Really well. Are you sure you haven't done this before? | 0:13:49 | 0:13:52 | |
Phillip's impressed with his celeb. | 0:13:52 | 0:13:55 | |
But what of their rivals out on the open road? | 0:13:55 | 0:13:57 | |
Are you very competitive, Miranda? | 0:13:57 | 0:13:59 | |
I have to say, I really am quite competitive. But this is a... | 0:13:59 | 0:14:04 | |
-I'm so... -Let's beat Maggie! | 0:14:04 | 0:14:07 | |
James and Miranda have motored the Lancia 20 miles north-east to | 0:14:07 | 0:14:11 | |
one of the prettiest market towns in Somerset, Castle Cary. | 0:14:11 | 0:14:14 | |
MUSIC: A String Of Pearls by Glenn Miller and His Orchestra | 0:14:14 | 0:14:19 | |
OK. | 0:14:19 | 0:14:21 | |
They've come to hear about a local man whose legacy has helped millions of people. | 0:14:21 | 0:14:25 | |
To share the little-known story of Douglas Macmillan, | 0:14:27 | 0:14:30 | |
is Castle Cary resident David Gee. | 0:14:30 | 0:14:33 | |
-David, nice to meet you. -Welcome. -Miranda. | 0:14:33 | 0:14:35 | |
-Hello, James. -Welcome. | 0:14:35 | 0:14:37 | |
When Douglas was growing up in the early 1900s, there was no NHS. | 0:14:38 | 0:14:44 | |
Healthcare was a luxury few could afford. | 0:14:44 | 0:14:46 | |
When his father William became severely unwell, there was | 0:14:46 | 0:14:49 | |
little support for him and none for his family. | 0:14:49 | 0:14:52 | |
Young Douglas could only watch as his dad deteriorated. | 0:14:52 | 0:14:56 | |
William McMillan contracted cancer and Douglas saw him | 0:14:57 | 0:15:00 | |
go down so quickly and it really hit him | 0:15:00 | 0:15:03 | |
and he resolved that people should not suffer like this. | 0:15:03 | 0:15:06 | |
The death of his father left a deep impression. | 0:15:06 | 0:15:09 | |
In his dad's memory, 27-year-old Douglas created | 0:15:09 | 0:15:13 | |
the Society for the Prevention and Relief of Cancer. | 0:15:13 | 0:15:17 | |
In the early days, he talked about cure and prevention | 0:15:17 | 0:15:20 | |
but later on, it was established | 0:15:20 | 0:15:23 | |
as a nationally registered charity in 1924 | 0:15:23 | 0:15:25 | |
and around about that time, | 0:15:25 | 0:15:26 | |
he turned more to the caring for people with cancer, | 0:15:26 | 0:15:29 | |
rather than trying to cure it | 0:15:29 | 0:15:31 | |
and he made it his life's work and it became his hobby | 0:15:31 | 0:15:34 | |
and effectively his work to do something about this. | 0:15:34 | 0:15:37 | |
Despite working full-time as a civil servant, | 0:15:37 | 0:15:40 | |
Douglas dedicated his spare waking hours to the charity. | 0:15:40 | 0:15:44 | |
He believed families needed support at a time | 0:15:44 | 0:15:46 | |
when the breadwinner was unwell. | 0:15:46 | 0:15:49 | |
During the War, Douglas even collected coal | 0:15:49 | 0:15:51 | |
and personally delivered it to homes of cancer patients. | 0:15:51 | 0:15:55 | |
A unique exhibition in the Castle Cary museum recognises | 0:15:55 | 0:15:59 | |
the work of this compassionate man. | 0:15:59 | 0:16:02 | |
We've got this document here with his aims. He says, | 0:16:02 | 0:16:05 | |
"I want to see homes for cancer patients throughout the land | 0:16:05 | 0:16:08 | |
"where attention will be provided freely or at low cost, | 0:16:08 | 0:16:11 | |
"as circumstances dictate | 0:16:11 | 0:16:13 | |
"and I want also to see panels of voluntary nurses who can be detailed | 0:16:13 | 0:16:17 | |
"off to attend the necessitous patients in their own homes." | 0:16:17 | 0:16:21 | |
That's the start of Macmillan nurses, of course. | 0:16:21 | 0:16:24 | |
You mention the name Macmillan and people instantly recognise it. | 0:16:24 | 0:16:28 | |
-Macmillan nurses, yeah. -That's right. -He looks very kindly, doesn't he? -He was a kindly man. | 0:16:28 | 0:16:33 | |
30 years after its launch, | 0:16:33 | 0:16:35 | |
Douglas's charity was receiving donations of over £16,000 annually. | 0:16:35 | 0:16:40 | |
Half a million in today's money. | 0:16:40 | 0:16:42 | |
In 1948, Health Minister Nye Bevan had a radical idea that has | 0:16:44 | 0:16:49 | |
since become the envy of the world. | 0:16:49 | 0:16:51 | |
The revolutionary National Health Service provided free | 0:16:53 | 0:16:56 | |
care for all at the point of need. | 0:16:56 | 0:16:59 | |
Drugs and surgery were now freely available but Douglas spent | 0:16:59 | 0:17:03 | |
the next 20 years campaigning for better facilities in hospitals. | 0:17:03 | 0:17:07 | |
Meanwhile, the charity was pioneering a new approach to | 0:17:07 | 0:17:10 | |
care by supporting the families of those diagnosed with cancer too. | 0:17:10 | 0:17:14 | |
This is a particularly nice picture. | 0:17:15 | 0:17:18 | |
This is Douglas in his latter years, in his retirement home | 0:17:18 | 0:17:22 | |
in Ansford, which is a little piece of Castle Cary on the edge. | 0:17:22 | 0:17:26 | |
He had a house built and he retired there, | 0:17:26 | 0:17:29 | |
came back in 1965, I think it was. | 0:17:29 | 0:17:32 | |
In 1945, Douglas retired from the civil service | 0:17:32 | 0:17:35 | |
and threw himself into fundraising. | 0:17:35 | 0:17:38 | |
His ground-breaking work was gaining recognition. | 0:17:38 | 0:17:41 | |
World Cup footballer Stanley Matthews and top comedian Arthur Askey | 0:17:41 | 0:17:45 | |
stepped up to support Douglas and boost the profile of the charity. | 0:17:45 | 0:17:49 | |
Douglas died in 1969. The charity he nurtured for over 50 years continues. | 0:17:50 | 0:17:56 | |
His legacy is now one of the country's biggest charities, | 0:17:56 | 0:17:59 | |
raising over £200 million in 2015. | 0:17:59 | 0:18:04 | |
-Well, thank you so much... -Thank you. -..for sharing that. | 0:18:04 | 0:18:06 | |
We got a real flavour of this man | 0:18:06 | 0:18:09 | |
and his wonderful life and his caring nature | 0:18:09 | 0:18:13 | |
and the legacy that he left behind as well. | 0:18:13 | 0:18:15 | |
-It's been really enlightening. Thanks ever so much. -Thank you. | 0:18:15 | 0:18:18 | |
-A pleasure. Pleased to meet you. -Thank you. -Pleasure. | 0:18:18 | 0:18:22 | |
Back on the road, how are Philip and our inspiring stargazer getting along? | 0:18:24 | 0:18:29 | |
I was just really keen to get a closer look at the stars. | 0:18:29 | 0:18:32 | |
And telescopes are expensive. But then I made my own telescope. | 0:18:32 | 0:18:36 | |
-You made your own telescope? -Yes. It takes a while. | 0:18:36 | 0:18:40 | |
-So you made your own telescope at 14? -Yeah. It was a necessity really. | 0:18:40 | 0:18:46 | |
Can I just tell you that I didn't? | 0:18:46 | 0:18:48 | |
Maggie and Philip are headed to Somerton, | 0:18:48 | 0:18:51 | |
the former county town of Somerset. | 0:18:51 | 0:18:54 | |
The next stop is right in the heart of the town. | 0:18:54 | 0:18:58 | |
We did really well at the last place, you know, | 0:18:58 | 0:19:00 | |
-so I think we should just chill here. -Oh, yes. -You go and find something you really, really like | 0:19:00 | 0:19:04 | |
-and I'll try and find something that I really, really like. -OK. | 0:19:04 | 0:19:07 | |
-Then we'll compare notes later. -Absolutely right. | 0:19:07 | 0:19:09 | |
Sounds like a plan. | 0:19:09 | 0:19:11 | |
I've no idea what it's for. | 0:19:14 | 0:19:16 | |
Hmm. Perhaps a more familiar item, then. | 0:19:16 | 0:19:19 | |
Now, of course, for me, seeing a telescope, I can't resist, so... | 0:19:20 | 0:19:24 | |
And this is a beautiful one. A nice weight to it. | 0:19:24 | 0:19:26 | |
And it's got this built-in lens cap either end. | 0:19:26 | 0:19:29 | |
So there's one at that end and then one at this end, too. | 0:19:29 | 0:19:33 | |
It's a nice piece, yeah. Ah, stiff. | 0:19:34 | 0:19:37 | |
But quite nice wood. | 0:19:37 | 0:19:40 | |
Nice metal features. I think it's still a thing of beauty, | 0:19:40 | 0:19:43 | |
so I'd like to get Phil's input on that, to get a feel of... yeah, of the age of it. | 0:19:43 | 0:19:47 | |
Well, I can tell you, it's Georgian and it's priced at £58. | 0:19:47 | 0:19:52 | |
Maggie's gone off looking on her own. | 0:19:52 | 0:19:54 | |
So I'm sort of wondering what she's going to come back with. | 0:19:54 | 0:19:57 | |
You know, it could be a telescope, some kind of scientific microscope. | 0:19:57 | 0:20:02 | |
It could even be a new planet! | 0:20:02 | 0:20:04 | |
But she'll come back with something, that's for sure. Here she is, look. | 0:20:04 | 0:20:08 | |
-How are you? -I'm fine, thank you. -Have you found lots of things? | 0:20:08 | 0:20:11 | |
-I have. -Really? -But, yeah, I don't know much about them so I'd like to find out more. | 0:20:11 | 0:20:15 | |
You're asking me? Come on, then. Let's go and have a look. | 0:20:15 | 0:20:19 | |
-Guess what, Philip? -I know what that is. -Yeah. | 0:20:19 | 0:20:21 | |
This is it, isn't it? It is. A telescope. I couldn't resist. OK. | 0:20:21 | 0:20:24 | |
-Let's have a look at this, then. -I wasn't sure what to look for. | 0:20:24 | 0:20:28 | |
When you draw these out like that, | 0:20:28 | 0:20:30 | |
you would find a name like Dollond or something like that | 0:20:30 | 0:20:33 | |
just on here and of course on this, there's absolutely diddly. | 0:20:33 | 0:20:38 | |
That's quite a length. | 0:20:38 | 0:20:40 | |
Cos I do think this is an astronomical telescope. | 0:20:40 | 0:20:42 | |
-What difference is there? You think this is a seafaring one, do you? -Yes. | 0:20:42 | 0:20:45 | |
Actually, it's partly aperture size and with a telescope, | 0:20:45 | 0:20:48 | |
cos you're looking at a dim objects, | 0:20:48 | 0:20:50 | |
you usually want to get as big an opening as possible. | 0:20:50 | 0:20:53 | |
So this might have been used by a ship's captain or | 0:20:53 | 0:20:56 | |
-something like that, you think? -Yes. Imagine them sort of on the deck. | 0:20:56 | 0:21:00 | |
-There's a long thing. -That sort of appeals to you? -Oh, yes, yes. | 0:21:00 | 0:21:03 | |
Cos I'm into optics. And I made my own telescope, so it's sort of... | 0:21:03 | 0:21:07 | |
I remember that. Yeah, yeah. | 0:21:07 | 0:21:09 | |
OK, right. | 0:21:09 | 0:21:10 | |
-I went out with a girl once who made her own telescope. Come on, then. -Weird, was she? | 0:21:10 | 0:21:15 | |
Phillip's got his eye on some things, too. | 0:21:15 | 0:21:18 | |
These sticks here, which I think are really quite fun. | 0:21:18 | 0:21:21 | |
-If I just put that down there for a second. -Yeah. | 0:21:21 | 0:21:23 | |
So, the first one, yeah, isn't actually a stick. It's a measure. | 0:21:23 | 0:21:28 | |
-It is. -Well, it says here it's a draper's yardstick. | 0:21:28 | 0:21:31 | |
-Ah, OK. For material? -Yeah. | 0:21:31 | 0:21:35 | |
So that's quite interesting. | 0:21:35 | 0:21:37 | |
This is a swagger stick, so you can... | 0:21:38 | 0:21:42 | |
Yeah, so you can swagger. | 0:21:42 | 0:21:45 | |
It's quite nice. It's leather covered. | 0:21:45 | 0:21:47 | |
-And a metal end. -Yeah. | 0:21:47 | 0:21:49 | |
What sort of weight? | 0:21:49 | 0:21:51 | |
-Oh, yes. I think a good swagger with that... -Yeah. | 0:21:51 | 0:21:54 | |
"Look at me, I just found a new planet." | 0:21:54 | 0:21:56 | |
What have you found? | 0:21:56 | 0:21:59 | |
-Erm... This I like. -Ooh. Knobbly. | 0:21:59 | 0:22:02 | |
Well, yeah. It's either blackthorn or it's off a rose. | 0:22:02 | 0:22:07 | |
Oh, yeah, cos it's got the burrs. | 0:22:07 | 0:22:08 | |
That, I just think is interesting. | 0:22:08 | 0:22:11 | |
This... | 0:22:11 | 0:22:12 | |
Yes, like a head. | 0:22:12 | 0:22:14 | |
I just think... Isn't that a lovely little doggie? | 0:22:14 | 0:22:17 | |
-Yes. -So he's quite nice. -Gosh. | 0:22:17 | 0:22:20 | |
-And last, but not least... -Ah. -Do you know what that is? | 0:22:20 | 0:22:24 | |
That's... Ooh. Oh, my. | 0:22:24 | 0:22:26 | |
-I thought it was snakeskin. -No. -No! | 0:22:26 | 0:22:28 | |
Ooh. | 0:22:29 | 0:22:31 | |
-It's a shark's vertebra. -My goodness! | 0:22:31 | 0:22:34 | |
-Right? -Yeah. -So... | 0:22:34 | 0:22:36 | |
-It's got wobble. -Yeah. | 0:22:36 | 0:22:38 | |
I mean, it needs tightening up a little bit, | 0:22:38 | 0:22:40 | |
but it's a shark's vertebra and I just think that's quite a fun stick. | 0:22:40 | 0:22:42 | |
-So you like all of these, do you? -I do. -OK. | 0:22:42 | 0:22:45 | |
Let me just go and get the shopkeeper | 0:22:45 | 0:22:47 | |
and see where we can go. | 0:22:47 | 0:22:49 | |
Collectively, the sticks are priced at £330. | 0:22:50 | 0:22:53 | |
Will dealer Peter be open for a deal? | 0:22:53 | 0:22:56 | |
What we're were hoping - the first thing that we'd like | 0:22:56 | 0:22:59 | |
to buy off you is that, this lovely telescope. | 0:22:59 | 0:23:01 | |
What could you do that for? | 0:23:01 | 0:23:03 | |
I think the very best on that's going to be about £35, Phil. | 0:23:03 | 0:23:06 | |
About. I like the "about" bit. | 0:23:06 | 0:23:08 | |
Well... It's a bit more. | 0:23:08 | 0:23:10 | |
Would "about" be 30, do you think, or not? | 0:23:10 | 0:23:12 | |
I think we're... Yeah, we could possibly do that for 30 for you. | 0:23:12 | 0:23:15 | |
Well, let's put that one down. You'd like that, wouldn't you? | 0:23:15 | 0:23:18 | |
-I do. -So we'll definitely have that? -Yes. | 0:23:18 | 0:23:19 | |
Right, let's put that there. That's a sold. | 0:23:19 | 0:23:22 | |
And then these sticks, we really love these. | 0:23:22 | 0:23:24 | |
If we could buy all of them, we'd buy all of them, | 0:23:24 | 0:23:26 | |
but it's all down to price, isn't it? | 0:23:26 | 0:23:27 | |
I could do you a good price on all of them. | 0:23:27 | 0:23:29 | |
OK, what's a good price on all of them? | 0:23:29 | 0:23:31 | |
£180 for the lot. | 0:23:31 | 0:23:33 | |
What do you want to do? | 0:23:34 | 0:23:35 | |
If we do it as a job lot, five sticks does seem quite substantial. | 0:23:35 | 0:23:39 | |
-OK. Done. -And I think we've got enough money to play with. -Yeah. | 0:23:39 | 0:23:42 | |
-Done. Done, done, done, done, done. -Thank you very much. | 0:23:42 | 0:23:45 | |
-Thank you very much. Thank you. -Thank you. | 0:23:45 | 0:23:47 | |
Thank you for looking after us. Thank you. | 0:23:47 | 0:23:49 | |
That's a deal for the telescope at £30 | 0:23:49 | 0:23:51 | |
and the collection of sticks with £120 knocked off. | 0:23:51 | 0:23:55 | |
-Show me how to find a planet. -SHE LAUGHS | 0:23:57 | 0:23:59 | |
Do you know what? | 0:23:59 | 0:24:00 | |
I think Planet Serrell's got a really nice ring to it. | 0:24:00 | 0:24:03 | |
Well, don't stargaze beyond your bedtime. | 0:24:03 | 0:24:06 | |
Another big day tomorrow. Nighty-night. | 0:24:06 | 0:24:09 | |
The next morning, our celebrities are dissecting yesterday's events. | 0:24:10 | 0:24:14 | |
I didn't know where to start... | 0:24:14 | 0:24:15 | |
Looking at the bric-a-brac for me, working sort of scientifically. | 0:24:15 | 0:24:18 | |
"This has a value and it's this much..." | 0:24:18 | 0:24:20 | |
-Yes, it's logical. -That's it. But this is, sort of, market-led | 0:24:20 | 0:24:23 | |
and you don't know what the market is, so... | 0:24:23 | 0:24:25 | |
And I find that quite hard. | 0:24:25 | 0:24:27 | |
I learnt a huge amount about what makes something interesting, | 0:24:27 | 0:24:31 | |
buyable, attractive to other people... | 0:24:31 | 0:24:34 | |
Look, a heron. Look at him go! | 0:24:34 | 0:24:36 | |
It's beautiful. Wow. | 0:24:36 | 0:24:38 | |
Can we look at the wildlife, please? | 0:24:38 | 0:24:41 | |
-You've got a one-track mind. -I really have. | 0:24:41 | 0:24:43 | |
Yesterday, Miranda and James parted with £119 | 0:24:43 | 0:24:47 | |
for a Victorian mahogany washstand and a shove ha'penny set. | 0:24:47 | 0:24:51 | |
Fabulous! | 0:24:51 | 0:24:52 | |
There we go. You just won a tenner. | 0:24:52 | 0:24:55 | |
They still have £281 left to spent today. | 0:24:55 | 0:24:58 | |
While Maggie and Philip picked up a toy cow, a marble paperweight, | 0:25:00 | 0:25:04 | |
a polished aluminium model aeroplane, a campaign chest, a telescope | 0:25:04 | 0:25:08 | |
and a collection of sticks. | 0:25:08 | 0:25:10 | |
"Look at me, I just found a new planet!" | 0:25:12 | 0:25:15 | |
They spent £280, | 0:25:15 | 0:25:17 | |
leaving them £120 for today's purchases. | 0:25:17 | 0:25:21 | |
We've done really, really well. | 0:25:21 | 0:25:22 | |
Really well. Are you sure you haven't done this before? | 0:25:22 | 0:25:25 | |
Yesterday was rather a success, apart from the Lancia, that is. | 0:25:25 | 0:25:29 | |
Driven through one too many puddles, perhaps, | 0:25:29 | 0:25:31 | |
and it looks like that chap's struggling. | 0:25:31 | 0:25:32 | |
-What have you done to our car?! -I didn't do anything... | 0:25:32 | 0:25:35 | |
-What have you done to our car? -We thought it was a boat. | 0:25:35 | 0:25:39 | |
-It's not a boat, is it? -Oh, no, puddles... | 0:25:39 | 0:25:42 | |
-Walk! She's got her walking shoes on. -We might enjoy it. | 0:25:42 | 0:25:45 | |
I'll drive, come on. Is that all right? | 0:25:47 | 0:25:49 | |
Maggie and Philip set off on foot because today, | 0:25:49 | 0:25:52 | |
Miranda and James have the only working car. | 0:25:52 | 0:25:55 | |
I went to bed and all I could think about was antiques. | 0:25:55 | 0:25:59 | |
Oh, my goodness me, my head was full of all the stuff that we saw, | 0:25:59 | 0:26:01 | |
the things that we bought and the things that we didn't buy | 0:26:01 | 0:26:04 | |
and did we make the right decisions. I think we did, actually. | 0:26:04 | 0:26:07 | |
-I was really pleased. -So, on quiet reflection...? -Yeah, happy. Happy. | 0:26:07 | 0:26:11 | |
That's what I like to hear. | 0:26:11 | 0:26:13 | |
This morning, James and Miranda kick off the shopping | 0:26:13 | 0:26:15 | |
in the Welsh capital. | 0:26:15 | 0:26:17 | |
Cardiff was once the world's busiest port, | 0:26:19 | 0:26:22 | |
with its fortunes built on the export of coal. | 0:26:22 | 0:26:26 | |
Absolutely enormous, isn't it? | 0:26:28 | 0:26:30 | |
-It's a big old industrial thing, but if we come this way... -OK. | 0:26:30 | 0:26:35 | |
-Where do we start? -I think we can go up and down here. | 0:26:35 | 0:26:39 | |
A huge pumping station in Victorian times, this place is now home | 0:26:39 | 0:26:43 | |
to over 30 traders and our brave duo have over £280 to spend. | 0:26:43 | 0:26:48 | |
That's one of those amazing silver chests. | 0:26:49 | 0:26:51 | |
So that's what you kept your silver in. | 0:26:51 | 0:26:54 | |
-If one had lots of silver. -Yes. | 0:26:54 | 0:26:56 | |
So normally, that would be inscribed with the owner's name. | 0:26:56 | 0:27:00 | |
-You could fit a small child in there, couldn't you? -Yeah. | 0:27:00 | 0:27:02 | |
-SHE GIGGLES -But look at the engravings. | 0:27:02 | 0:27:04 | |
Sold by Goldsmiths, jeweller, | 0:27:04 | 0:27:06 | |
-to HR... -HRH! The Duke of Sussex. -Duke of Sussex. | 0:27:06 | 0:27:10 | |
Interesting provenance, but this chest has seen better days. | 0:27:10 | 0:27:14 | |
-This is just old wallpaper. They were normally base-lined. -OK. | 0:27:14 | 0:27:19 | |
So you'd keep everything protected. | 0:27:19 | 0:27:21 | |
And this would have gone to maybe a bank | 0:27:21 | 0:27:23 | |
or a place of safe storage when people were away. | 0:27:23 | 0:27:26 | |
Funny, isn't it? It's something and nothing. | 0:27:26 | 0:27:29 | |
You really want that engraving on the inside to be one | 0:27:29 | 0:27:31 | |
-the outside, don't you? -Yeah. | 0:27:31 | 0:27:32 | |
Not for them this time then. | 0:27:32 | 0:27:34 | |
Right... We've only touched the surface of this place. | 0:27:34 | 0:27:38 | |
-God... -Oh, dear! | 0:27:38 | 0:27:39 | |
-Big old... Big old lion. -Oh, my word! | 0:27:39 | 0:27:45 | |
Poor Miranda. Can't seem to get away from stuffed animals. | 0:27:45 | 0:27:49 | |
-Let's have a look at this fellow. -Right. | 0:27:49 | 0:27:52 | |
So...this should be a sleeve-cut, just beautifully fitted. | 0:27:52 | 0:27:57 | |
-And then you'd undo this... -What would go in there? | 0:27:57 | 0:28:00 | |
Probably, er, hard liquor. | 0:28:00 | 0:28:03 | |
Great. Pour me a cup, then. | 0:28:03 | 0:28:06 | |
Is this all silver then? | 0:28:06 | 0:28:08 | |
We've got a mark here, but we should have four or five marks, | 0:28:08 | 0:28:12 | |
so very definitely plate. | 0:28:12 | 0:28:15 | |
Had that had a silver mark on it, | 0:28:15 | 0:28:16 | |
that would've been well worth buying. | 0:28:16 | 0:28:19 | |
-It's plated. -OK. -But a beautiful design. -OK. | 0:28:19 | 0:28:23 | |
And at £95, unlikely to make a profit at auction. | 0:28:23 | 0:28:26 | |
Nothing catching your eye? Perhaps time to think of a plan B, James. | 0:28:32 | 0:28:36 | |
I think for a last throw of the dice, | 0:28:36 | 0:28:38 | |
I think we should go to the shop in Newport. | 0:28:38 | 0:28:41 | |
So it's our very last shop, it's our last chance, | 0:28:41 | 0:28:44 | |
-but I think we'll have more fun there. -OK. | 0:28:44 | 0:28:48 | |
James, that's a big gamble. It's now all or nothing at the next shop. | 0:28:48 | 0:28:52 | |
-Oh, well. -Not very fruitful, then. -No. | 0:28:52 | 0:28:55 | |
-What a shame. -Chin up! | 0:28:55 | 0:28:58 | |
Back in Newport, Philip and Maggie are on foot | 0:29:00 | 0:29:03 | |
and heading towards the city centre. | 0:29:03 | 0:29:05 | |
They're quite literally following in the steps of the 20,000 men | 0:29:07 | 0:29:11 | |
who brought this country the closest it has ever been | 0:29:11 | 0:29:14 | |
to a full-blown revolution. | 0:29:14 | 0:29:16 | |
-Welcome to Newport Museum and Art Gallery. -Good to see you. | 0:29:16 | 0:29:21 | |
To hear how a group of men, led by local John Frost, | 0:29:21 | 0:29:24 | |
were intent on toppling the government in 1839, | 0:29:24 | 0:29:27 | |
they're meeting museum manager, Mike Lewis. | 0:29:27 | 0:29:31 | |
John Frost became very enthusiastic about Chartism. | 0:29:31 | 0:29:35 | |
They say he was an eloquent orator | 0:29:35 | 0:29:37 | |
and became a kind of de facto head of the Chartism movement in Newport. | 0:29:37 | 0:29:43 | |
So what is the Chartist movement? | 0:29:43 | 0:29:45 | |
The Chartist movement was a movement... | 0:29:45 | 0:29:47 | |
really a fight for democracy. | 0:29:47 | 0:29:49 | |
A parliament that reflected the aspirations | 0:29:49 | 0:29:51 | |
of the greater population, | 0:29:51 | 0:29:53 | |
that was really what the Chartist movement were fighting for. | 0:29:53 | 0:29:56 | |
In the 1830s, there was growing discontent across Britain. | 0:29:56 | 0:30:00 | |
The government was made up of wealthy landowners, | 0:30:00 | 0:30:02 | |
able to buy their way into parliament and reluctant to relinquish control. | 0:30:02 | 0:30:07 | |
Industrialisation had created a working class desperate | 0:30:09 | 0:30:12 | |
for fairer pay and conditions, yet powerless to bring about change. | 0:30:12 | 0:30:16 | |
For a lot of the workers in the factories, in the mines, | 0:30:16 | 0:30:19 | |
it was pretty grim. | 0:30:19 | 0:30:20 | |
But the Chartists were also middle-class, | 0:30:20 | 0:30:23 | |
shop-owning people that were denied the right to vote. | 0:30:23 | 0:30:26 | |
So who could vote? | 0:30:26 | 0:30:27 | |
You had to have a property qualification, so all the | 0:30:27 | 0:30:29 | |
renting classes were denied the vote and that was more or less everybody. | 0:30:29 | 0:30:33 | |
John Frost, like millions of others, | 0:30:33 | 0:30:35 | |
had signed a petition called the Great Charter. | 0:30:35 | 0:30:38 | |
It demanded votes for all and for any man to be able to stand as an MP - | 0:30:38 | 0:30:42 | |
rights we take for granted today, but revolutionary thinking at the time. | 0:30:42 | 0:30:47 | |
You had this charter and it was put forward. What was the response? | 0:30:47 | 0:30:50 | |
Well, the charter was rejected by the parliament. | 0:30:50 | 0:30:53 | |
This must have really rocked the establishment boat, really? | 0:30:53 | 0:30:56 | |
I suppose that's why they didn't vote for it in parliament. | 0:30:56 | 0:30:59 | |
They didn't want this to happen. They had the power. | 0:30:59 | 0:31:01 | |
-This is our little club, thank you. -Yes, that's it. | 0:31:01 | 0:31:03 | |
Political upheaval was rippling across Europe. | 0:31:03 | 0:31:06 | |
The French, unhappy with how their country was run... | 0:31:06 | 0:31:09 | |
..overthrew those in power. | 0:31:11 | 0:31:13 | |
British MPs knew their necks were on the line too. | 0:31:13 | 0:31:16 | |
Fearing a revolution on home soil, they banned Chartist meetings, | 0:31:16 | 0:31:20 | |
intent on stamping out the cause. | 0:31:20 | 0:31:22 | |
The police were ordered to round up Chartists nationwide | 0:31:24 | 0:31:27 | |
and the focus fell on Newport. | 0:31:27 | 0:31:29 | |
You mentioned John Frost. This is a poster written by him. | 0:31:29 | 0:31:32 | |
-What's he saying in here? -That's right. | 0:31:32 | 0:31:34 | |
A number of Chartist sympathisers had been set upon | 0:31:34 | 0:31:38 | |
by a number of special constables | 0:31:38 | 0:31:41 | |
and they were taken prisoner and this pamphlet really is asking | 0:31:41 | 0:31:47 | |
the working men of Monmouthshire to stay cool | 0:31:47 | 0:31:49 | |
but firm in their demands for the Chartists' rights. | 0:31:49 | 0:31:54 | |
Despite John Frost calling for calm in Newport, | 0:31:54 | 0:31:56 | |
his fellow Chartists were becoming impatient. | 0:31:56 | 0:31:59 | |
Their motto was "Peaceably, if we can. Forcibly, if we must." | 0:32:00 | 0:32:05 | |
-So basically, it was a powder keg and it could all blow up? -I think | 0:32:05 | 0:32:07 | |
the feeling was at this time that we were on the edge of something. | 0:32:07 | 0:32:12 | |
Thousands of men armed themselves with home-made weapons, | 0:32:12 | 0:32:16 | |
left their homes in the Welsh valleys and marched through the night. | 0:32:16 | 0:32:20 | |
They headed for central Newport to demand | 0:32:20 | 0:32:22 | |
the freedom of the imprisoned men. | 0:32:22 | 0:32:24 | |
But they arrived cold, wet and exhausted. | 0:32:24 | 0:32:27 | |
Of the many thousands that planned to meet outside the Westgate Hotel, | 0:32:29 | 0:32:33 | |
where they believed the men were being held, | 0:32:33 | 0:32:35 | |
only a fraction arrived on time. | 0:32:35 | 0:32:37 | |
Worse still, Newport's mayor had heard of the Chartists' plans | 0:32:37 | 0:32:41 | |
and had called in the army. | 0:32:41 | 0:32:43 | |
Thomas Phillips, mayor of Newport, | 0:32:43 | 0:32:45 | |
stationed elements of the 45th regiment at the workhouse, | 0:32:45 | 0:32:49 | |
which was on the outskirts of Newport, | 0:32:49 | 0:32:50 | |
and brought a detachment into the Westgate Hotel. | 0:32:50 | 0:32:53 | |
They waited for the marchers to come down Stow Hill, and they did, | 0:32:53 | 0:32:57 | |
and they circled round the front of the hotel | 0:32:57 | 0:32:59 | |
and then somebody fired a shot. | 0:32:59 | 0:33:01 | |
The next action was the soldiers threw open the shutters | 0:33:02 | 0:33:05 | |
and opened fire on the mass in front of them. | 0:33:05 | 0:33:08 | |
-So that first shot was the tinderbox? -It was. | 0:33:08 | 0:33:11 | |
22 men were killed instantly, many more wounded, all of them Chartists. | 0:33:11 | 0:33:17 | |
The rest ran for their lives. | 0:33:17 | 0:33:18 | |
Soon after the authorities took control, | 0:33:18 | 0:33:21 | |
they rounded up a number of the Chartists, including John Frost, | 0:33:21 | 0:33:25 | |
and they were then taken to Monmouth and charged with treason. | 0:33:25 | 0:33:28 | |
It was feared that had the Chartists overthrown | 0:33:28 | 0:33:31 | |
the authorities in Newport, other uprisings nationwide | 0:33:31 | 0:33:34 | |
would have brought the country to the brink of a revolution. | 0:33:34 | 0:33:38 | |
So what happened to John Frost? | 0:33:38 | 0:33:39 | |
He was put on trial shortly after the rising. | 0:33:39 | 0:33:41 | |
He was found guilty of treason and then sentenced to be hanged | 0:33:41 | 0:33:46 | |
and quartered. | 0:33:46 | 0:33:48 | |
And is that what happened? | 0:33:48 | 0:33:49 | |
No, there was a bit of disquiet about the fact that these sentences | 0:33:49 | 0:33:53 | |
were so harsh and very quickly, | 0:33:53 | 0:33:55 | |
the sentence was commuted to transportation and John Frost | 0:33:55 | 0:33:59 | |
then went to Australia with his two other treason-charged colleagues. | 0:33:59 | 0:34:04 | |
Even with one of its leaders punished with exile, | 0:34:04 | 0:34:07 | |
and despite the government's success in quashing the uprising, | 0:34:07 | 0:34:10 | |
the Chartist movement did not die on the steps of the Westgate Hotel. | 0:34:10 | 0:34:15 | |
The campaign continued | 0:34:15 | 0:34:16 | |
and persistent peaceful protests encouraged parliament to rethink. | 0:34:16 | 0:34:20 | |
Electoral reform took place over the following years, | 0:34:22 | 0:34:25 | |
but it wasn't until 1928 that all men and women over 21 were able to vote. | 0:34:25 | 0:34:30 | |
I'm just really embarrassed that my history taught me | 0:34:30 | 0:34:33 | |
-nothing about this. -I didn't know anything about it either. | 0:34:33 | 0:34:35 | |
Remarkably, other than annual elections, | 0:34:35 | 0:34:38 | |
today, Britain's political system has adopted five of the six demands | 0:34:38 | 0:34:43 | |
set out in the Great Charter. | 0:34:43 | 0:34:46 | |
As for John Frost, he was given a full pardon. | 0:34:46 | 0:34:48 | |
He returned to Britain after 15 years in Australia. | 0:34:48 | 0:34:51 | |
He died in 1877 aged 92. | 0:34:51 | 0:34:55 | |
Thank you very much for coming along and please come back to Newport | 0:34:55 | 0:34:58 | |
to find out a little bit more about the Chartist story. | 0:34:58 | 0:35:00 | |
Perfect. Thank you. | 0:35:00 | 0:35:01 | |
Hot on the heels of their rivals, | 0:35:04 | 0:35:06 | |
Miranda and James have made their way back | 0:35:06 | 0:35:08 | |
along the coast to sunny Newport. | 0:35:08 | 0:35:10 | |
-At least we haven't got the rain today. -No. | 0:35:10 | 0:35:12 | |
It was a bit aquatic yesterday, driving through those puddles. | 0:35:12 | 0:35:15 | |
-Look at this. -A bit of sunshine today. | 0:35:15 | 0:35:17 | |
-South Wales delivering sunshine. -It really is. | 0:35:17 | 0:35:19 | |
-And agriculture. -Grumpy cows. | 0:35:19 | 0:35:23 | |
They're enjoying the day! | 0:35:23 | 0:35:24 | |
With £281 left to spend, | 0:35:24 | 0:35:27 | |
this next shop really is the last roll of the dice. | 0:35:27 | 0:35:31 | |
-This is it. -This is it. -This is the one. | 0:35:34 | 0:35:36 | |
This is our cornucopia. | 0:35:36 | 0:35:38 | |
They're optimistic. | 0:35:38 | 0:35:40 | |
-Ah, sanctuary. -Yeah! | 0:35:40 | 0:35:42 | |
-This looks interesting, doesn't it? -It does look interesting. | 0:35:44 | 0:35:47 | |
-So I think, should we ask mein host? -Yeah. | 0:35:47 | 0:35:52 | |
John's the main man here. | 0:35:52 | 0:35:53 | |
We have a challenge. You are our last hope. | 0:35:53 | 0:35:57 | |
We come here wanting to buy about three items. | 0:35:57 | 0:36:00 | |
Now, have you got some goodies? Have you got anything sorted away? | 0:36:00 | 0:36:04 | |
-'Fraid not. -Oh, no! | 0:36:04 | 0:36:07 | |
Do you want to go and have a little rummage? | 0:36:07 | 0:36:09 | |
-I think that's our only option I'm afraid. -OK. | 0:36:09 | 0:36:11 | |
-All right, we'll rummage away, then. -If anything springs to mind, John... | 0:36:11 | 0:36:15 | |
-Yeah. -I'll dig it out immediately. -That'd be lovely. | 0:36:15 | 0:36:18 | |
(Can't let the others win, James!) | 0:36:18 | 0:36:20 | |
No pressure, James, eh? | 0:36:20 | 0:36:22 | |
I'm looking inside everything. | 0:36:23 | 0:36:26 | |
There's got to be something. | 0:36:27 | 0:36:29 | |
Hang on. John's found something. | 0:36:30 | 0:36:32 | |
Oh, God! | 0:36:32 | 0:36:33 | |
-HE LAUGHS -It's a sweet little thing. | 0:36:33 | 0:36:37 | |
A stuffed armadillo given new life as a card tray. | 0:36:37 | 0:36:41 | |
I just... Sorry. | 0:36:41 | 0:36:43 | |
-No. I really can't. -You can't even... | 0:36:43 | 0:36:45 | |
Something about dead animals. No. | 0:36:45 | 0:36:48 | |
Not to my taste either. | 0:36:48 | 0:36:50 | |
Dead animals everywhere. Poor Miranda. | 0:36:50 | 0:36:52 | |
The pressure's on, James. | 0:36:52 | 0:36:54 | |
CLATTERING | 0:36:54 | 0:36:56 | |
Looking up, looking down, looking all around. | 0:36:57 | 0:37:00 | |
I think the clock can stay down. | 0:37:03 | 0:37:07 | |
CREAKING | 0:37:07 | 0:37:09 | |
Hmm... It doesn't even work. | 0:37:09 | 0:37:11 | |
HE SIGHS | 0:37:15 | 0:37:16 | |
James has started sighing quite a bit, | 0:37:16 | 0:37:19 | |
which has made me slightly worried. | 0:37:19 | 0:37:21 | |
Something of value. | 0:37:23 | 0:37:24 | |
We must have been round the shop about ten times. | 0:37:24 | 0:37:28 | |
There really is literally nothing. | 0:37:28 | 0:37:30 | |
-What have we done, James? -White flag's going up soon. | 0:37:31 | 0:37:35 | |
-No! -The white flag is being raised. | 0:37:35 | 0:37:38 | |
CRASHING | 0:37:38 | 0:37:40 | |
Oh, battery pack. | 0:37:40 | 0:37:42 | |
-Lordy. Really, James? -Sorry. | 0:37:42 | 0:37:45 | |
As Miranda and James continue their hunt... | 0:37:45 | 0:37:47 | |
..Maggie and Phil have headed the 20 miles east | 0:37:48 | 0:37:51 | |
to the Welsh border town of Chepstow. | 0:37:51 | 0:37:54 | |
Doing some of the journey on foot | 0:37:56 | 0:37:57 | |
allows more time for Maggie to impress our Phil. | 0:37:57 | 0:38:00 | |
-Ooh, actually, I went out to Nasa headquarters... -You've been to Nasa? | 0:38:00 | 0:38:04 | |
-Yes. Yes. -Really? | 0:38:04 | 0:38:06 | |
-That's wicked! -Comes with the job! -What were you doing there? | 0:38:06 | 0:38:09 | |
-There was a Pluto fly-by. -Yeah. | 0:38:09 | 0:38:11 | |
And so the press of the world all gathered in Nasa headquarters | 0:38:11 | 0:38:13 | |
to actually see a space probe go past Pluto. | 0:38:13 | 0:38:17 | |
That's just absolutely fantastic. | 0:38:17 | 0:38:19 | |
-Really, really fantastic. -It's amazing. | 0:38:19 | 0:38:22 | |
It certainly is. Now time to buy some antiques. | 0:38:22 | 0:38:25 | |
-So here's our shop, look. -Looks interesting. | 0:38:25 | 0:38:27 | |
-I like the look of that before I start. -Ooh! That's beautiful. | 0:38:27 | 0:38:31 | |
-It is. -Is it oak? -You're absolutely spot on. | 0:38:31 | 0:38:35 | |
Coffer. Late 17th, early 18th-century. | 0:38:35 | 0:38:38 | |
Wow! I love the way you can do that. | 0:38:38 | 0:38:40 | |
Well, it's really interesting in an anorak sort of a way. | 0:38:40 | 0:38:45 | |
-I'm an anorak! -Shall we dissect it? | 0:38:45 | 0:38:47 | |
Yeah, yeah, please do! | 0:38:47 | 0:38:48 | |
Right, Phil, your chance to impress your celeb. Good luck! | 0:38:48 | 0:38:51 | |
OK, what does that tell you? | 0:38:53 | 0:38:54 | |
OK. There was something there that's come out. | 0:38:54 | 0:38:56 | |
-That's all you need to know. -OK. | 0:38:56 | 0:38:58 | |
So something's gone on there. That's the first thing you need to know. | 0:38:58 | 0:39:01 | |
-What's happened there? -OK. | 0:39:01 | 0:39:02 | |
-That looks like these aren't the original hinges. -Yeah. | 0:39:02 | 0:39:05 | |
So we know something's happened there. | 0:39:05 | 0:39:06 | |
-Look at this - can you see that line down there? -Yes. | 0:39:06 | 0:39:09 | |
And this side as well, all the way round. | 0:39:09 | 0:39:10 | |
There's been a little box there and you'd have kept candles in there. | 0:39:10 | 0:39:13 | |
-Why? -The candles, I think they probably contained camphor. | 0:39:13 | 0:39:17 | |
But this, the whole box, the big box, | 0:39:17 | 0:39:19 | |
-is a blanket box and for materials, so the wax... -Camphor is mothballs. | 0:39:19 | 0:39:25 | |
..it keeps the moths away so your little candle box | 0:39:25 | 0:39:28 | |
tucked on the end is also a huge great mothball. | 0:39:28 | 0:39:31 | |
So you know where your candles are and it's keeping the moths away. | 0:39:31 | 0:39:33 | |
-Absolutely. -Dual use! -Very, very clever. | 0:39:33 | 0:39:36 | |
There's one last bit of social history | 0:39:36 | 0:39:37 | |
that I love about these things. | 0:39:37 | 0:39:39 | |
This has been reduced, I would think by about two or three inches. | 0:39:39 | 0:39:43 | |
-Oh, so it would be taller? -Yeah. The reason why is... Imagine this | 0:39:43 | 0:39:46 | |
in a really big, grand hall. | 0:39:46 | 0:39:48 | |
Timbered grand hall. And an even, flagstone floor. | 0:39:48 | 0:39:52 | |
And to clean the flagstone floor, you chuck water on it. | 0:39:52 | 0:39:55 | |
-Chuck water on it, you rot the legs. -Right. | 0:39:55 | 0:39:57 | |
So these things get cut down and reduced in size. | 0:39:57 | 0:39:59 | |
-I still love it. -Well, I like it a lot. | 0:39:59 | 0:40:02 | |
It's looking like a good, sturdy box and I love all that history. | 0:40:02 | 0:40:06 | |
You've given it a life to me. | 0:40:06 | 0:40:08 | |
Well done. | 0:40:08 | 0:40:09 | |
Well, it's priced up at £225. | 0:40:09 | 0:40:12 | |
If you want to make a cheeky offer of 120, | 0:40:12 | 0:40:14 | |
but we can't go any more because we haven't got more. | 0:40:14 | 0:40:17 | |
Right, go on, then. | 0:40:17 | 0:40:18 | |
One tiny step into a shop and one giant find for the space scientist. | 0:40:20 | 0:40:26 | |
But can she pull off the deal of the road trip? | 0:40:26 | 0:40:29 | |
-I'm Maggie. -Good afternoon. -Lovely to meet you. | 0:40:29 | 0:40:31 | |
Hi, I'm Philip. How are you, Dawn? | 0:40:31 | 0:40:32 | |
Hello. Good afternoon, welcome to Chepstow. | 0:40:32 | 0:40:34 | |
-Well, we've seen something we like, haven't we? -We have. | 0:40:34 | 0:40:37 | |
-It's the large wooden chest. -The coffer? -The coffer, yes. | 0:40:37 | 0:40:41 | |
Erm... We had a look at it. I really love it. | 0:40:41 | 0:40:43 | |
-That's probably a bad negotiation tactic! -SHE LAUGHS | 0:40:43 | 0:40:46 | |
This isn't going down very well, now, is it? | 0:40:46 | 0:40:49 | |
But, yeah, we've got £120 left. | 0:40:49 | 0:40:52 | |
Do you think you can help us? | 0:40:52 | 0:40:54 | |
I've got the money here. | 0:40:55 | 0:40:57 | |
Lay it out on the table and she might go for it! | 0:40:57 | 0:41:00 | |
As you've asked so nicely... Go on! | 0:41:00 | 0:41:02 | |
-Oh, thank you so much. -Are you sure? -Yes. | 0:41:02 | 0:41:04 | |
Go on. | 0:41:04 | 0:41:06 | |
Well done, Maggie. | 0:41:06 | 0:41:07 | |
£125 off the ticket price of the knocked-about coffer. | 0:41:07 | 0:41:11 | |
I'm going to take you shopping again with me, because you are good. | 0:41:11 | 0:41:13 | |
-Really good. -This is fun. I'm loving it. | 0:41:13 | 0:41:15 | |
-I so love this chest, though. -It's great, isn't it? | 0:41:15 | 0:41:18 | |
Yes, it is. And you found it without even going into the shop. | 0:41:18 | 0:41:22 | |
-We spent all the money! -Every last penny. | 0:41:22 | 0:41:24 | |
-I'm really pleased. We've done well. -I love what we've got. | 0:41:24 | 0:41:27 | |
As for the other team, are they still struggling? | 0:41:27 | 0:41:30 | |
Not looking good. | 0:41:32 | 0:41:33 | |
You see, that's a... You know, that's a thing of yesteryear. | 0:41:33 | 0:41:38 | |
A table like that, yeah. | 0:41:38 | 0:41:39 | |
Ooh, this could be something. | 0:41:39 | 0:41:42 | |
-Right, OK. -It's funny. | 0:41:42 | 0:41:44 | |
Why would you do a square table and then offset it? | 0:41:44 | 0:41:48 | |
So you can stick it in a corner easily or...not easily? | 0:41:48 | 0:41:51 | |
Well, it's still there, isn't it? It's just a weird one. | 0:41:51 | 0:41:53 | |
Just a different way of doing things, isn't it? | 0:41:53 | 0:41:56 | |
But to what extent do people buy late-Victorian tables, nowadays? | 0:41:57 | 0:42:02 | |
Well, I wouldn't, personally. | 0:42:02 | 0:42:04 | |
-But, erm... -It's got a butterfly wing shaped top. | 0:42:04 | 0:42:08 | |
It's got a lot going on for it, hasn't it? | 0:42:08 | 0:42:10 | |
Sounds like a strong contender. | 0:42:10 | 0:42:12 | |
Now, keep going, James. | 0:42:12 | 0:42:14 | |
It's got some weight to it. | 0:42:14 | 0:42:16 | |
-Yeah. -Yeah. -What are you looking for? | 0:42:16 | 0:42:18 | |
This one's quite good because it's really nice thick enamel. | 0:42:18 | 0:42:22 | |
The Sunday Dispatch was once Britain's biggest-selling | 0:42:22 | 0:42:26 | |
Sunday newspaper. It ceased publication in the early '60s. | 0:42:26 | 0:42:29 | |
This sign would have adorned a newsagent's wall. | 0:42:29 | 0:42:32 | |
Do people collect these? | 0:42:32 | 0:42:34 | |
Yeah. Lots of pubs, restaurants, they collect them. | 0:42:34 | 0:42:39 | |
This is quite a nice one. It's big and bright. | 0:42:39 | 0:42:42 | |
It doesn't have a picture, a decorative element to it. | 0:42:42 | 0:42:47 | |
It's a magazine, but somebody doing up a pub would like this. | 0:42:47 | 0:42:51 | |
-John's asking £60 for the sign. -Let's hold that thought. | 0:42:51 | 0:42:55 | |
Hold that thought, OK. | 0:42:55 | 0:42:56 | |
-That's given me a little bit of positive hope. -Come on. Come on. | 0:42:56 | 0:43:00 | |
-Positive hope. -OK. -Might be another sign. | 0:43:00 | 0:43:02 | |
I quite like the table. I don't know why I like the table. | 0:43:02 | 0:43:04 | |
But I like its quirkiness. | 0:43:04 | 0:43:06 | |
I'm not sure Miranda's so keen, though, James. | 0:43:06 | 0:43:09 | |
-You've got to talk me into the table. -99% of tables will be... | 0:43:09 | 0:43:15 | |
-Square. -Will be squared to the top. | 0:43:15 | 0:43:18 | |
None of it's damaged. It's got a gallery at the bottom. | 0:43:18 | 0:43:22 | |
And, you know, every home should have one, especially an offset one. | 0:43:22 | 0:43:27 | |
-Are you selling it to me? -Yeah. | 0:43:27 | 0:43:29 | |
This is a gamble. | 0:43:29 | 0:43:30 | |
Brown furniture doesn't make the money it once did. | 0:43:32 | 0:43:34 | |
John's priced it at £60. | 0:43:34 | 0:43:37 | |
John, if we said 25 for this and 25 for the enamel sign, | 0:43:37 | 0:43:42 | |
-and... We need something meatier, don't we? -Hmm. | 0:43:42 | 0:43:46 | |
Leave no stone unturned, James. | 0:43:46 | 0:43:49 | |
How about a bowl of fruit? | 0:43:49 | 0:43:50 | |
-Miranda... -Hello. -Would you buy this? | 0:43:52 | 0:43:54 | |
-Talking about your five a day. -LAUGHING: -That is horrible! | 0:43:54 | 0:43:59 | |
-What? -It's horrible. | 0:43:59 | 0:44:00 | |
-But is it...? -Really horrible. -Is that kitsch? | 0:44:00 | 0:44:05 | |
Is that kitsch? | 0:44:05 | 0:44:07 | |
-Is that horrible? -Would you have that in your house? | 0:44:07 | 0:44:11 | |
You know, you're the expert, but I think it's absolutely hideous. | 0:44:11 | 0:44:14 | |
-Do you think that's hideous? -Yeah. | 0:44:14 | 0:44:16 | |
Would somebody pay... ten quid for it? | 0:44:16 | 0:44:19 | |
But is that something that you could say? | 0:44:19 | 0:44:23 | |
"That should be part of your five a day." | 0:44:23 | 0:44:25 | |
That is, you know... | 0:44:25 | 0:44:28 | |
John's asking £12 for all this fruit. | 0:44:28 | 0:44:30 | |
-You quite like it, don't you? -I do quite like it. | 0:44:33 | 0:44:35 | |
It's spectacularly hideous, isn't it? In a way? | 0:44:35 | 0:44:38 | |
In a sort of smiley way. It did make me smile. | 0:44:38 | 0:44:41 | |
-Made you smile! -I know. | 0:44:41 | 0:44:44 | |
Wasn't quite the reaction I was hoping for. | 0:44:44 | 0:44:46 | |
I tell you what. I like that so much, I'll just sell it for a fiver. | 0:44:46 | 0:44:48 | |
A fiver, that's just what I was thinking, | 0:44:48 | 0:44:50 | |
-OK. Mind-reader. Should we do it? -We've got to. | 0:44:50 | 0:44:52 | |
I think... | 0:44:52 | 0:44:54 | |
So that's 25 for the table, 25 for the enamel and a fiver for that... | 0:44:54 | 0:44:59 | |
It's not bad shopping. £55. | 0:44:59 | 0:45:00 | |
-You'll make money on that. -Thank you, John. | 0:45:00 | 0:45:02 | |
-Thank you. -Are we done? -We are done. Give the man a shake. | 0:45:02 | 0:45:05 | |
-Thank you so much. It's been an experience. -It has! | 0:45:05 | 0:45:08 | |
-Thank you very much. -No, a pleasure. Pleasure. | 0:45:08 | 0:45:11 | |
Well done, James, for helping Miranda find three final items to take | 0:45:11 | 0:45:15 | |
to auction at the knock-down price of £55. | 0:45:15 | 0:45:18 | |
Right, we need to settle up with you, then, John. | 0:45:20 | 0:45:22 | |
-Thank you so much. You've been a star. -Yeah, thank you, John. | 0:45:22 | 0:45:24 | |
-Very kind. Thank you. Thank you. -Great. | 0:45:24 | 0:45:26 | |
See you again. Bye-bye. | 0:45:26 | 0:45:28 | |
-Happy? -Yep. Very happy. | 0:45:28 | 0:45:30 | |
After all that excitement, | 0:45:30 | 0:45:31 | |
let's get our teams back together to see who's bought what. | 0:45:31 | 0:45:35 | |
-You've got to brace yourselves. -Three, two, one! Go. | 0:45:35 | 0:45:37 | |
-PHIL: -What on earth is that there? | 0:45:37 | 0:45:41 | |
-James, that's awful. -Apparently it's Italian. | 0:45:42 | 0:45:44 | |
How much did you pay for that? | 0:45:44 | 0:45:46 | |
Well... A fiver. | 0:45:46 | 0:45:47 | |
-You were robbed! -THEY LAUGH | 0:45:47 | 0:45:49 | |
-That is filthy. -But I love the table. That looks beautiful. | 0:45:49 | 0:45:52 | |
-Do you like the table? -I do. -How much was the table, James? | 0:45:52 | 0:45:55 | |
-Er... 25. -Well, that's for nothing, isn't it? | 0:45:55 | 0:45:58 | |
I like the fact that it's offset. | 0:45:58 | 0:46:00 | |
-The washstand looks quite cool. -Yeah, that's quite cool. | 0:46:00 | 0:46:03 | |
Actually, the closer I get to that... | 0:46:03 | 0:46:05 | |
What on earth?! | 0:46:06 | 0:46:07 | |
Looks like something out of a medical journal, doesn't it? | 0:46:07 | 0:46:12 | |
How much was your tin sign? | 0:46:12 | 0:46:13 | |
-£25. -No, the trouble is, you keep being drawn back to this... | 0:46:13 | 0:46:19 | |
It's mesmerising, isn't it? | 0:46:19 | 0:46:21 | |
Time for Maggie and Phil's pile. | 0:46:21 | 0:46:23 | |
I've just got to tell you, we've got nothing like that. | 0:46:23 | 0:46:25 | |
-Nothing... -Really? Nothing of this quality. | 0:46:25 | 0:46:28 | |
-No, no. -You'll be pleased to know! | 0:46:28 | 0:46:29 | |
-How much did you spend in all? -Every penny, mate. -Everything. | 0:46:29 | 0:46:33 | |
I'd be fascinated to see what £400 buys. | 0:46:33 | 0:46:36 | |
-Actually buys you. -Yeah. -Are you ready? Three, two, one, go! | 0:46:36 | 0:46:40 | |
Look at that! | 0:46:41 | 0:46:43 | |
I tell you what £400 buys you - almost an auction sale. | 0:46:43 | 0:46:47 | |
-Absolutely right, yeah. -You've got everything covered. | 0:46:47 | 0:46:49 | |
You've got miscellaneous section, you've got furniture. | 0:46:49 | 0:46:52 | |
-You're doing well! -What are these things? | 0:46:52 | 0:46:55 | |
-They're shark vertebra. -I could believe that. -No! | 0:46:55 | 0:46:58 | |
Oh, Miranda. Another dead animal. | 0:46:58 | 0:47:01 | |
-So, we've got our telescope is one lot and that was... -30. -£30. | 0:47:01 | 0:47:07 | |
That's good! | 0:47:07 | 0:47:08 | |
This might be our Achilles heel because all of these are one lot. | 0:47:08 | 0:47:12 | |
-Yeah. -And they were £180. | 0:47:12 | 0:47:14 | |
-Really? -Yes. | 0:47:14 | 0:47:15 | |
Then this little lot, which was the plane, a lovely little cow... | 0:47:15 | 0:47:21 | |
-Is that coal painted bronze? -No, no, no. No, it's cow's hide on wood. | 0:47:21 | 0:47:25 | |
-What? -Spooky! -Yeah. | 0:47:27 | 0:47:28 | |
-It's cow's hide on wood. -Really? -Yeah. | 0:47:28 | 0:47:30 | |
-So we bought this as a little desk lot... -OK, it's a bit quirky. | 0:47:32 | 0:47:35 | |
-Look at her smile! -She's missing a front hoof. | 0:47:35 | 0:47:38 | |
OK, don't get picky! | 0:47:38 | 0:47:40 | |
This was £30, this lot. | 0:47:40 | 0:47:41 | |
-That's £30 in all?! -Yeah. So that's a profit. | 0:47:41 | 0:47:44 | |
So it's just a sort of...nice decorative lot? | 0:47:44 | 0:47:47 | |
This, I thought was lovely. This is the... | 0:47:47 | 0:47:49 | |
It's part of a campaign chest. | 0:47:50 | 0:47:52 | |
We thought it would make a nice coffee table. 40 quid. | 0:47:52 | 0:47:55 | |
And then our last lot, James, is this here. | 0:47:55 | 0:47:57 | |
Just come round the front, look. | 0:47:57 | 0:47:58 | |
-Look at the detail! -Let's see. Let's see. Oh, lovely. | 0:47:58 | 0:48:02 | |
It's a thing of great beauty, isn't it? | 0:48:02 | 0:48:03 | |
-And, you know... -Solid. -So well made. -120 quid. | 0:48:03 | 0:48:07 | |
120 quid? | 0:48:08 | 0:48:09 | |
That's great, but when you spend money, | 0:48:09 | 0:48:12 | |
you get more hinges, don't you? | 0:48:12 | 0:48:13 | |
Never seen so many hinges! | 0:48:13 | 0:48:16 | |
-We've brought colour. -And we've bought class! | 0:48:16 | 0:48:19 | |
-MIRANDA: -We've brought comedy... -To an otherwise drab world. | 0:48:19 | 0:48:23 | |
Anyway, I think we've all done very well, don't you? | 0:48:23 | 0:48:26 | |
Don't have anything more to do. | 0:48:26 | 0:48:27 | |
Actually, my eyes are a little bit sore! | 0:48:27 | 0:48:30 | |
Now, what do you really think? | 0:48:30 | 0:48:32 | |
-Well, the fruit bowl... -Do you know what? | 0:48:32 | 0:48:34 | |
Everybody in life, sometimes you have a blindspot moment. | 0:48:34 | 0:48:38 | |
And I think that is James' blindspot moment. I mean, it's awful! | 0:48:38 | 0:48:42 | |
I think Philip really likes the little table. | 0:48:42 | 0:48:45 | |
He was really taken by the table | 0:48:45 | 0:48:46 | |
and that gave me a lot of confidence in the table. | 0:48:46 | 0:48:48 | |
I'm worried. They didn't spend all their money. | 0:48:48 | 0:48:50 | |
I think you're spot on and that could be a problem for us. | 0:48:50 | 0:48:53 | |
-Yes. But I don't care. We love our stuff. -Have you enjoyed it? | 0:48:53 | 0:48:55 | |
-I've had tremendous fun. -Come on. | 0:48:55 | 0:48:58 | |
-Best of luck to them. -Yeah. -Are we still in scrumping country? | 0:48:58 | 0:49:02 | |
Oh, yeah. Shall we go for a pint, then? | 0:49:02 | 0:49:04 | |
After setting off from Yeovil, our celebrities and experts are making | 0:49:05 | 0:49:09 | |
their way to Clevedon near Bristol for this road trip's main event. | 0:49:09 | 0:49:13 | |
-Glorious. -It is. -It's amazing. -Ah, yeah, this is more like it. | 0:49:15 | 0:49:19 | |
This is the calm before the storm, though, isn't it? | 0:49:19 | 0:49:22 | |
Yeah, the auction. Dun, dun, DUN! | 0:49:22 | 0:49:24 | |
-How are you feeling? -Er, apprehensive. | 0:49:24 | 0:49:27 | |
Phil's been wonderful, but I've got quite an emotional attachment | 0:49:27 | 0:49:30 | |
to the things we've bought now. | 0:49:30 | 0:49:31 | |
-So I'm... -Right, I don't have an emotional attachment... | 0:49:31 | 0:49:35 | |
To the fruit bowl! Come on, you do! | 0:49:35 | 0:49:37 | |
I make no apologies for the fruit bowl. | 0:49:37 | 0:49:39 | |
We'll soon see. | 0:49:39 | 0:49:41 | |
-Here they are! -Oh, hello! | 0:49:41 | 0:49:42 | |
-How are you? Are you well? -I'm all right. -Good. -Yeah, slightly... | 0:49:42 | 0:49:47 | |
Don't be nervous! Don't be silly! | 0:49:47 | 0:49:49 | |
To the victor, the spoils. | 0:49:49 | 0:49:51 | |
I wonder what auctioneer Mark Burrage | 0:49:51 | 0:49:54 | |
makes of our teams' little collection. | 0:49:54 | 0:49:56 | |
The coffer's nice. A good, clean, honest example. | 0:49:56 | 0:49:59 | |
Early 18th-century, so we should be looking, I think, £150-200 bracket. | 0:49:59 | 0:50:05 | |
I really like this washstand. It's unusual. | 0:50:05 | 0:50:08 | |
Can't remember seeing one with the lift-up lid | 0:50:08 | 0:50:11 | |
fitted with the basin and the jug underneath. | 0:50:11 | 0:50:14 | |
I think between £100 and £200 today. | 0:50:14 | 0:50:16 | |
Generally, brown furniture is quite difficult to sell, | 0:50:16 | 0:50:19 | |
but today with the two items - the washstand and the coffer - | 0:50:19 | 0:50:23 | |
I think they'll both buck the trend today and sell reasonably well. | 0:50:23 | 0:50:26 | |
Maggie and Phil were the big spenders, | 0:50:26 | 0:50:29 | |
parting with all £400 on five lots. | 0:50:29 | 0:50:32 | |
While Miranda and James spent a mere £174 also on five lots. | 0:50:33 | 0:50:38 | |
Brace yourselves. It's time for the auction. | 0:50:40 | 0:50:43 | |
OK. Let battle commence! | 0:50:44 | 0:50:46 | |
Bring it on! | 0:50:46 | 0:50:49 | |
Oh, fighting talk! First up, James and Miranda's kitsch bowl of fruit. | 0:50:49 | 0:50:53 | |
That fruit bowl's going to make some money. | 0:50:53 | 0:50:55 | |
I still had nothing to do with it. | 0:50:55 | 0:50:56 | |
If it makes £100, I still had nothing to do with it. | 0:50:56 | 0:51:00 | |
Commission bid here. I've got £5. | 0:51:00 | 0:51:03 | |
-And 8. Now £8. -8! | 0:51:03 | 0:51:04 | |
-Profit! -10 here. 12 now. | 0:51:04 | 0:51:07 | |
12 now. £12. 12 bid. | 0:51:07 | 0:51:08 | |
15 with me. | 0:51:08 | 0:51:10 | |
I'm selling on the £15 then. | 0:51:10 | 0:51:12 | |
Amazing! That is amazing. That put a smile on my face. | 0:51:13 | 0:51:17 | |
And a big, smug grin on James'. | 0:51:17 | 0:51:20 | |
What a great way to start. | 0:51:20 | 0:51:22 | |
Ooh... I'm getting butterflies! | 0:51:22 | 0:51:25 | |
Catch your tummy. | 0:51:25 | 0:51:26 | |
-You do get a bit nervous, don't you? -Yeah! -Absolutely. | 0:51:26 | 0:51:29 | |
It's very exciting. | 0:51:29 | 0:51:31 | |
Now Maggie's telescope. | 0:51:31 | 0:51:33 | |
-30, I'm bid. 35. 35. 35, at 40 and 5... -Phew! | 0:51:33 | 0:51:38 | |
Once more. 5. 50. | 0:51:38 | 0:51:40 | |
50, 50, I'm bid. | 0:51:40 | 0:51:41 | |
With me at £50 then. | 0:51:41 | 0:51:44 | |
-Well done. -That's 50 quid. Well done, Maggie. | 0:51:44 | 0:51:47 | |
That's excellent. | 0:51:47 | 0:51:48 | |
Well done, Maggie. Great find, great profit. | 0:51:48 | 0:51:52 | |
-That was really exciting! -This is a battle now. | 0:51:52 | 0:51:54 | |
-No. -Yeah. -All right. | 0:51:54 | 0:51:57 | |
Miranda's boxed shove ha'penny next. | 0:51:58 | 0:52:02 | |
I have £20 to start. 22, 25, 28, 30, 32 now. | 0:52:02 | 0:52:07 | |
32 in the room. 35. | 0:52:07 | 0:52:09 | |
35 here. 8. 8 now. 40. | 0:52:09 | 0:52:12 | |
40 here. 2. Bid's in the room then. Selling at £42. | 0:52:12 | 0:52:16 | |
-Thank you. -Very decent. | 0:52:16 | 0:52:19 | |
Yeah, that's all right, isn't it? | 0:52:19 | 0:52:20 | |
I would say that's more than working profit. | 0:52:20 | 0:52:23 | |
That's almost vulgar profit. | 0:52:24 | 0:52:26 | |
It is. | 0:52:26 | 0:52:27 | |
More than doubled your money. | 0:52:27 | 0:52:30 | |
Yeah. Beat that one. | 0:52:30 | 0:52:33 | |
Over to you! | 0:52:33 | 0:52:34 | |
-Ooh, the rivalry! -A ding-dong battle. | 0:52:34 | 0:52:37 | |
Three items make up this next lot for Maggie and Philip. | 0:52:37 | 0:52:40 | |
It's their gentleman's desktop collection. | 0:52:40 | 0:52:42 | |
Just have a look at that smile, | 0:52:42 | 0:52:44 | |
because it won't be there for very much longer. | 0:52:44 | 0:52:46 | |
Appreciate it now. | 0:52:46 | 0:52:48 | |
Just enjoy it. | 0:52:48 | 0:52:50 | |
I've interest here at 25, 30, | 0:52:50 | 0:52:52 | |
-5, 40, 5... -Oh, no! | 0:52:52 | 0:52:54 | |
50, 5, 60... | 0:52:54 | 0:52:57 | |
-Somebody likes that plane. -60 in the room. 65. | 0:52:57 | 0:53:00 | |
65. 5 bid? 70. | 0:53:00 | 0:53:02 | |
75. 5 and 80? | 0:53:02 | 0:53:05 | |
In the room, then, on £80. | 0:53:05 | 0:53:07 | |
-Just look. Look. Look at that! -It's brilliant! | 0:53:08 | 0:53:12 | |
-Absolutely... -Nutters! | 0:53:12 | 0:53:14 | |
Aren't they doing well? | 0:53:15 | 0:53:17 | |
You know what the best part about it was? | 0:53:17 | 0:53:20 | |
The way that smile just went... | 0:53:20 | 0:53:22 | |
-Couldn't believe it. -Slipping down. | 0:53:22 | 0:53:24 | |
James had to convince Miranda to buy the lamp table. | 0:53:24 | 0:53:27 | |
It's next to go under the gavel. Can it make a profit? | 0:53:27 | 0:53:30 | |
30, I am bid. 35 now. 35? | 0:53:30 | 0:53:34 | |
-It's unusual. -35 there. 40. 45. | 0:53:34 | 0:53:38 | |
50. 5. Commission buyer. | 0:53:38 | 0:53:41 | |
55, anyone else? | 0:53:41 | 0:53:42 | |
Yes or no? Selling on the 50. | 0:53:42 | 0:53:44 | |
Commission buyer. | 0:53:45 | 0:53:46 | |
-James, that was cheap. -That was quite cheap. | 0:53:46 | 0:53:48 | |
Doesn't matter. Still a profit. | 0:53:48 | 0:53:51 | |
Doubled your money again. | 0:53:51 | 0:53:52 | |
-I thought that would get more. -Do you know what, Maggie? | 0:53:55 | 0:53:57 | |
-That's so sad... -I am gutted. | 0:53:57 | 0:54:00 | |
-He said that so sincerely(!) -So, so sad! | 0:54:00 | 0:54:04 | |
-I'll wipe a tear. -Don't listen to them! | 0:54:04 | 0:54:07 | |
Next up, Maggie's find - the campaign chest. | 0:54:07 | 0:54:10 | |
I have £40 to start. 45? 45? | 0:54:10 | 0:54:13 | |
And 50 and 5? | 0:54:13 | 0:54:15 | |
55, 60, 5? | 0:54:15 | 0:54:16 | |
5 and 70. | 0:54:16 | 0:54:18 | |
Selling on £65 then. | 0:54:18 | 0:54:21 | |
65, well done. | 0:54:21 | 0:54:23 | |
Well done, Maggie. Another healthy profit. | 0:54:23 | 0:54:26 | |
You got away with that one. | 0:54:26 | 0:54:28 | |
Cheeky! | 0:54:28 | 0:54:30 | |
Up now is James and Miranda's enamel sign. | 0:54:30 | 0:54:33 | |
We have interest here again on the book. | 0:54:33 | 0:54:36 | |
30, 5, 40, 5. | 0:54:36 | 0:54:38 | |
50. 5. 60 here. | 0:54:38 | 0:54:41 | |
5? 65. | 0:54:41 | 0:54:43 | |
65? | 0:54:43 | 0:54:45 | |
70. 5. | 0:54:45 | 0:54:47 | |
Commission here at £70. | 0:54:47 | 0:54:49 | |
Selling on £70 then. | 0:54:49 | 0:54:51 | |
70 quid! 70 quid, 70 quid. | 0:54:51 | 0:54:55 | |
-SHE LAUGHS -Going to get silly now. | 0:54:55 | 0:54:58 | |
Miranda! Don't blame you, though. Great profit. | 0:54:58 | 0:55:01 | |
I would say, using naval parlance, we have caught the wind. | 0:55:01 | 0:55:06 | |
-You've got what? -We've caught the wind. -Oh, sorry! | 0:55:06 | 0:55:10 | |
I wasn't too sure... | 0:55:10 | 0:55:13 | |
Next up, Maggie and Phil's gamble buy. Can the sticks make a return? | 0:55:13 | 0:55:17 | |
I have again commission bids here at 110. | 0:55:17 | 0:55:21 | |
20, 30, 40, | 0:55:21 | 0:55:23 | |
150 here. My bid. | 0:55:23 | 0:55:26 | |
160 in the room. 170 now. | 0:55:26 | 0:55:28 | |
180. 190. | 0:55:28 | 0:55:30 | |
I can't believe it! | 0:55:30 | 0:55:31 | |
£180. The bid is in the room at £180. Anyone else? | 0:55:31 | 0:55:34 | |
All done then at £180. | 0:55:34 | 0:55:37 | |
I'm afraid that will be a small loss after auction costs are deducted. | 0:55:38 | 0:55:42 | |
-Have we saved the best till last? I don't know. -I think we have. | 0:55:42 | 0:55:45 | |
-I think we have. -I think you have. I think you have. | 0:55:45 | 0:55:47 | |
James and Miranda splashed out £100 on this Victorian wash basin. | 0:55:47 | 0:55:51 | |
It was their one big buy. | 0:55:51 | 0:55:54 | |
Five, six, seven commission bids. | 0:55:54 | 0:55:56 | |
That's a good start! | 0:55:56 | 0:55:58 | |
So working through them, we'll go 80, 90, 100. 110, 120, 130. | 0:55:58 | 0:56:03 | |
140, 150, 160. | 0:56:03 | 0:56:05 | |
170, 180, 190. | 0:56:05 | 0:56:06 | |
-I love the rhythm. -Yeah, I know. | 0:56:06 | 0:56:09 | |
200 now. 200? | 0:56:09 | 0:56:11 | |
200 on the book and I'm selling at £200 then. | 0:56:11 | 0:56:15 | |
-Oh, yes! -200. -That's good. | 0:56:16 | 0:56:19 | |
Really well done. That is really well done. | 0:56:19 | 0:56:22 | |
Well done! Look at that - a fantastic profit. | 0:56:22 | 0:56:25 | |
-It's done really, really well, hasn't it? -Yeah. | 0:56:25 | 0:56:28 | |
Yeah, it's a nice item! | 0:56:28 | 0:56:29 | |
Sad, isn't it? It's gutting. | 0:56:29 | 0:56:32 | |
All is not lost! | 0:56:32 | 0:56:34 | |
Maggie knocked over £100 off the asking price of the coffer. | 0:56:34 | 0:56:37 | |
There's every chance this last lot could win the game. | 0:56:37 | 0:56:41 | |
Interest here. One, two, three, four commission buyers here. | 0:56:41 | 0:56:45 | |
100, 10, 20, 30, 40. | 0:56:45 | 0:56:48 | |
It's going! | 0:56:48 | 0:56:49 | |
70, 80. 180 and 90 now. | 0:56:49 | 0:56:52 | |
190. 190. 200. | 0:56:52 | 0:56:55 | |
I'll take ten. 210. | 0:56:55 | 0:56:57 | |
210, 210, 210? With me, on the book, against you all in the room. | 0:56:57 | 0:57:01 | |
Make no mistake - selling on £200. | 0:57:01 | 0:57:04 | |
-Commission buy! -Well done. Well done. | 0:57:04 | 0:57:06 | |
That's amazing. Look at his face! | 0:57:06 | 0:57:08 | |
-I love his face. -Well done. | 0:57:08 | 0:57:10 | |
And a profit to end the day. | 0:57:10 | 0:57:12 | |
But is it enough? | 0:57:12 | 0:57:14 | |
-It's going to be very close. -Is it? -Profits all round. | 0:57:14 | 0:57:18 | |
-Yeah. Well done! -Will we break even? -Let's go outside and work it out. | 0:57:18 | 0:57:21 | |
Come on, let's go. Well done. | 0:57:21 | 0:57:23 | |
I'm intrigued! | 0:57:23 | 0:57:25 | |
I've got no idea. | 0:57:25 | 0:57:28 | |
Maggie and Phil started out with £400 and made - | 0:57:28 | 0:57:30 | |
after paying auction house costs - a respectable profit of £71.50. | 0:57:30 | 0:57:36 | |
While Miranda and James also began with £400. | 0:57:38 | 0:57:41 | |
After all fees were paid, they made a rather wonderful profit of £135.14. | 0:57:41 | 0:57:48 | |
All profits go to Children in Need. | 0:57:48 | 0:57:50 | |
-Do we know who won? -I have the numbers. | 0:57:52 | 0:57:54 | |
-You have the numbers? -It's close, is it? | 0:57:54 | 0:57:57 | |
-Oh, dear! -Just trying to build the tension. -It's working! | 0:57:57 | 0:58:00 | |
You have made about £135, | 0:58:00 | 0:58:02 | |
however, we... | 0:58:02 | 0:58:04 | |
Look at the smug faces. | 0:58:04 | 0:58:06 | |
..have made about 70 quid. | 0:58:06 | 0:58:08 | |
Hooray! | 0:58:08 | 0:58:10 | |
So we are the winners. Well done. | 0:58:10 | 0:58:13 | |
Well done to both teams. | 0:58:13 | 0:58:15 | |
It was so much fun! Thank you. | 0:58:15 | 0:58:18 | |
You've both been great stars. | 0:58:18 | 0:58:19 | |
-Right. -Off we go, girl. | 0:58:19 | 0:58:21 | |
Bye! | 0:58:24 | 0:58:26 | |
I've never experienced anything like that. | 0:58:28 | 0:58:31 | |
-So out of my comfort zone, but so much fun. -Absolutely. | 0:58:31 | 0:58:33 | |
Out of our comfort zones, but so much fun. | 0:58:33 | 0:58:36 |