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The nation's favourite celebrities... | 0:00:02 | 0:00:03 | |
Got some proper bling here. | 0:00:03 | 0:00:05 | |
..paired up with an expert... | 0:00:05 | 0:00:06 | |
What? What? | 0:00:06 | 0:00:07 | |
..and a classic car. | 0:00:07 | 0:00:08 | |
Put your hands up, girls! | 0:00:08 | 0:00:10 | |
Their mission - to scour Britain for antiques. | 0:00:10 | 0:00:14 | |
All breakages must be paid for. | 0:00:14 | 0:00:16 | |
This is a good find, is it not? | 0:00:16 | 0:00:18 | |
The aim? To make the biggest profit at auction. | 0:00:18 | 0:00:21 | |
But it's no easy ride. | 0:00:21 | 0:00:23 | |
Who will find a hidden gem? | 0:00:23 | 0:00:25 | |
Who will take the biggest risks? | 0:00:25 | 0:00:27 | |
Turn my antiques head on. | 0:00:27 | 0:00:29 | |
Will anybody follow expert advice? | 0:00:29 | 0:00:32 | |
I think it's horrible. | 0:00:32 | 0:00:34 | |
There will be worthy winners... | 0:00:34 | 0:00:35 | |
This is better than Christmas! | 0:00:35 | 0:00:37 | |
..and valiant losers. | 0:00:37 | 0:00:39 | |
Time to put your pedal to the metal. | 0:00:40 | 0:00:42 | |
This is Celebrity Antiques Road Trip. | 0:00:42 | 0:00:45 | |
Yeah! | 0:00:47 | 0:00:48 | |
On this road trip, we're roaring along | 0:00:50 | 0:00:52 | |
with two lovely presenting stars of the small screen - | 0:00:52 | 0:00:56 | |
Jenni Falconer and Angellica Bell. | 0:00:56 | 0:00:59 | |
-I'm excited, are you excited? -Yeah, I am excited. | 0:00:59 | 0:01:01 | |
This is the first time we've actually done something together, | 0:01:01 | 0:01:04 | |
and I've known you for so long. | 0:01:04 | 0:01:06 | |
Jenni Falconer's bright and bubbly style | 0:01:06 | 0:01:09 | |
has graced shows like The National Lottery and This Morning. | 0:01:09 | 0:01:14 | |
She's currently cheering up the early hours | 0:01:14 | 0:01:16 | |
on a daily radio breakfast show. | 0:01:16 | 0:01:18 | |
Hi there, good morning. | 0:01:18 | 0:01:19 | |
Jenni Falconer here with some early breakfast action for you. | 0:01:19 | 0:01:23 | |
Our Jenni might be all smiles, but is she competitive? | 0:01:23 | 0:01:27 | |
We've never worked together. | 0:01:27 | 0:01:28 | |
This is just a competition, so we're not really working together. | 0:01:28 | 0:01:31 | |
We'll just be having polite conversation in the car now, | 0:01:31 | 0:01:34 | |
and then it'll be war. | 0:01:34 | 0:01:35 | |
War, eh? Crikey. | 0:01:35 | 0:01:36 | |
While the charming Angellica Bell started her presenting career | 0:01:38 | 0:01:41 | |
delighting the young folks on CBBC. | 0:01:41 | 0:01:44 | |
-Don't worry, Jensen. I found it. -TOY SQUEAKS | 0:01:44 | 0:01:47 | |
It was down the side of the sofa. | 0:01:47 | 0:01:49 | |
Since moving into prime-time, she is a regular presenter | 0:01:49 | 0:01:52 | |
on all sorts of shows, including BBC One's hit The One Show. | 0:01:52 | 0:01:56 | |
As you'd expect, she's a font of energy and vim. | 0:01:58 | 0:02:02 | |
Did you buy that hat yourself? | 0:02:02 | 0:02:03 | |
I feel free. My hat feels free. | 0:02:03 | 0:02:05 | |
-We feel free! -It's nice. | 0:02:05 | 0:02:07 | |
Indeed. Today our glamorous TV twosome | 0:02:07 | 0:02:10 | |
are driving an appropriately sleek 1989 Jaguar XJS. | 0:02:10 | 0:02:14 | |
And paired with these titans of television | 0:02:17 | 0:02:20 | |
are two stars of the saleroom. | 0:02:20 | 0:02:22 | |
Auctioneer Christina Trevanion and dealer David Harper. | 0:02:22 | 0:02:26 | |
What could be nicer? | 0:02:26 | 0:02:27 | |
Driving through a beautiful park in a beautiful car with... | 0:02:27 | 0:02:29 | |
-I know. -..you. | 0:02:29 | 0:02:30 | |
Lovely. | 0:02:30 | 0:02:32 | |
Today, they're driving a 1969 Porsche 911T. | 0:02:32 | 0:02:35 | |
Each with £400 to spend, | 0:02:37 | 0:02:40 | |
our two teams will begin this trip in East Molesey, Surrey, | 0:02:40 | 0:02:43 | |
on the outer edges of London, | 0:02:43 | 0:02:45 | |
aiming for auction near the village of Beltring in Kent. | 0:02:45 | 0:02:50 | |
They're currently driving through Bushy Park, | 0:02:50 | 0:02:52 | |
en route to their rendezvous. | 0:02:52 | 0:02:54 | |
-This is nice. I do like it around here. -Bushy Park. | 0:02:55 | 0:02:58 | |
So I come running here sometimes. | 0:02:58 | 0:03:01 | |
I think I prefer driving through it. | 0:03:01 | 0:03:04 | |
It's a bit quicker. | 0:03:04 | 0:03:05 | |
-The London traffic's a nightmare, isn't it? -I know. | 0:03:05 | 0:03:08 | |
I mean, look at it. Whew! Total gridlock. | 0:03:08 | 0:03:10 | |
THEY LAUGH | 0:03:10 | 0:03:12 | |
It's time for celebrities to meet experts. | 0:03:12 | 0:03:15 | |
Check those trousers out. | 0:03:15 | 0:03:16 | |
-Hello. -Hi. -Hello there. | 0:03:16 | 0:03:18 | |
Good morning. Great hat. | 0:03:20 | 0:03:22 | |
Jenni will pair with Christina, and Angellica with David. | 0:03:23 | 0:03:27 | |
Right, good luck. | 0:03:27 | 0:03:29 | |
Both teams are sailing off. | 0:03:29 | 0:03:31 | |
Time to get acquainted. | 0:03:31 | 0:03:33 | |
So, from television, you went on to work in radio? | 0:03:34 | 0:03:37 | |
Yeah, so I kind of mix everything up a little bit now. | 0:03:37 | 0:03:40 | |
So I just started working in radio a couple of years ago, | 0:03:40 | 0:03:43 | |
-and I have an early breakfast show, which is quite nice. -Oh, cool. | 0:03:43 | 0:03:47 | |
So, yeah, I love it. | 0:03:47 | 0:03:48 | |
So this morning, as usual, my alarm went off just after two. | 0:03:48 | 0:03:53 | |
Oh, my goodness. You're a busy, busy bee. | 0:03:53 | 0:03:56 | |
She is indeed. | 0:03:56 | 0:03:57 | |
They'll need to keep their energy up today. | 0:03:57 | 0:04:00 | |
While in the other car, they're also playing the getting-to-know-you game. | 0:04:00 | 0:04:04 | |
So are you and Jenni friends then, Angellica? | 0:04:04 | 0:04:06 | |
Yeah, we're genuine friends. | 0:04:06 | 0:04:09 | |
So you haven't just met today? | 0:04:09 | 0:04:11 | |
It's not a showbiz friendship, it's a true, genuine friendship. | 0:04:11 | 0:04:14 | |
We go each other's houses. | 0:04:14 | 0:04:15 | |
And what about your house? How do you furnish it? | 0:04:15 | 0:04:17 | |
-Oh, we've got two Art Deco mirrors. -Ah! | 0:04:17 | 0:04:19 | |
And even though I'm not keen on Art Deco, | 0:04:19 | 0:04:21 | |
-but they look really nice. -OK. | 0:04:21 | 0:04:23 | |
Some pointers there on Angellica's style then, David. | 0:04:23 | 0:04:27 | |
They're arriving in East Molesey, on the banks of old father Thames, | 0:04:28 | 0:04:33 | |
for the first shop of this trip - Bridge Road Antiques. | 0:04:33 | 0:04:37 | |
Go on, let's have a good old root. | 0:04:37 | 0:04:40 | |
They're meeting dealer Sue. | 0:04:40 | 0:04:42 | |
-Hello, Sue. -Angellica, nice to meet you. | 0:04:42 | 0:04:45 | |
-Hi there. David. -Hello. -Hello, Sue. Lovely to see you. -And you. | 0:04:45 | 0:04:48 | |
And who's that? | 0:04:48 | 0:04:50 | |
Who's your friend? | 0:04:50 | 0:04:51 | |
Yeah, it's my new boyfriend. | 0:04:51 | 0:04:54 | |
Let me just plug him in. | 0:04:54 | 0:04:56 | |
'Make yourself at home.' | 0:04:56 | 0:04:58 | |
Thank you very much. | 0:04:58 | 0:05:00 | |
He's not for sale. Happily. | 0:05:00 | 0:05:02 | |
Can you unplug your mate? | 0:05:02 | 0:05:04 | |
I can, cos he drives you mad after a while. | 0:05:04 | 0:05:06 | |
I'm sure. There you go. | 0:05:06 | 0:05:08 | |
If only you could unplug certain people like that. | 0:05:08 | 0:05:10 | |
I know who I'd unplug. | 0:05:10 | 0:05:13 | |
Best get browsing, eh? | 0:05:13 | 0:05:14 | |
-Let's do this. -All right. -Yeah, good. | 0:05:14 | 0:05:16 | |
-So what kind of things do you really like? -Well... | 0:05:22 | 0:05:26 | |
I do like going to antique shops. | 0:05:26 | 0:05:28 | |
I like rummaging around and seeing what there is. | 0:05:28 | 0:05:30 | |
At the minute, I'm quite into furniture | 0:05:30 | 0:05:32 | |
-because my husband's just done an upholstery course. -No! | 0:05:32 | 0:05:35 | |
And in our porch we're painting old chairs and redoing the seats. | 0:05:35 | 0:05:38 | |
So in our house there's a bit of old traditional stuff, | 0:05:38 | 0:05:41 | |
-as well as modern and sort of shabby chic. -Brilliant. | 0:05:41 | 0:05:45 | |
-It's exciting though, isn't it? -Yeah. | 0:05:45 | 0:05:48 | |
Sounds like Angellica has an experienced eye for an item. | 0:05:48 | 0:05:52 | |
One to watch, perhaps. | 0:05:52 | 0:05:54 | |
See, I would love something like that in my house | 0:05:54 | 0:05:56 | |
because I just think it's old, | 0:05:56 | 0:05:58 | |
I can imagine someone using it, but it just looks funky and cool. | 0:05:58 | 0:06:02 | |
-It's a talking piece, isn't it? -Yes. | 0:06:02 | 0:06:04 | |
It's a stylish early 20th-century calculating machine, actually. | 0:06:04 | 0:06:09 | |
Ticket price is £55. | 0:06:09 | 0:06:11 | |
-I mean, look at the colours. -Beautiful. | 0:06:11 | 0:06:13 | |
-The colours are wonderful. -It is beautiful. | 0:06:13 | 0:06:15 | |
I love that. See, I would have that in my house. | 0:06:15 | 0:06:18 | |
I like quirky things as well. | 0:06:18 | 0:06:19 | |
If you can buy that for 20 quid, I think that would be fantastic. | 0:06:19 | 0:06:22 | |
It's got a bit of an Art Deco... Ah. | 0:06:22 | 0:06:25 | |
Oh, I don't like Art Deco, do I? | 0:06:25 | 0:06:27 | |
It's got an Art Deco feel to it. | 0:06:27 | 0:06:29 | |
-Can I just take all that back, what I said? -Go on, then. Take it back. | 0:06:29 | 0:06:33 | |
-Rewind. Cut that bit. -I love Art Deco. -You do! | 0:06:33 | 0:06:35 | |
It seems so. | 0:06:35 | 0:06:37 | |
But what else, Angellica? | 0:06:37 | 0:06:39 | |
What about this? | 0:06:39 | 0:06:41 | |
My gosh, what on earth is that? | 0:06:41 | 0:06:44 | |
Is it a nutcracker? | 0:06:44 | 0:06:46 | |
I don't know. | 0:06:46 | 0:06:47 | |
It's a nutcracker. | 0:06:47 | 0:06:48 | |
-It is. -With the shape of the ship's wheel. | 0:06:48 | 0:06:52 | |
-It's quite funky, isn't it? -It is funky. | 0:06:52 | 0:06:54 | |
Again, it's got that 20th-century... | 0:06:54 | 0:06:56 | |
-Would someone buy it? -Yes, definitely. | 0:06:56 | 0:06:58 | |
Because it's an oddity. | 0:06:58 | 0:06:59 | |
-You don't want something that everyone else has got. -Exactly. | 0:06:59 | 0:07:02 | |
So they definitely like those two items. | 0:07:02 | 0:07:05 | |
Now, who's going to lead the haggle? | 0:07:05 | 0:07:07 | |
-You smile, flutter your eyelids... -Oh, right. | 0:07:07 | 0:07:09 | |
-..I'll do the negotiating. -Will you? -Yeah. | 0:07:09 | 0:07:12 | |
Quite right too. Combined ticket price on the two is £72. | 0:07:12 | 0:07:16 | |
Time to call Sue. | 0:07:16 | 0:07:17 | |
Watch out, Sue. | 0:07:17 | 0:07:19 | |
-Sue? -Sue? -Yes? -Sue? | 0:07:19 | 0:07:22 | |
-Where are you, Sue? -Yes! | 0:07:22 | 0:07:25 | |
-So how much would you want for that? -Um... | 0:07:25 | 0:07:28 | |
Well, if you did the two, | 0:07:28 | 0:07:30 | |
-then I'd do the two for, like, 50. -50? -Yeah. -OK. | 0:07:30 | 0:07:35 | |
Help me to help you. | 0:07:35 | 0:07:37 | |
-£40 for the both. -No. | 0:07:37 | 0:07:41 | |
-42. -No. | 0:07:41 | 0:07:43 | |
-45. -No. | 0:07:43 | 0:07:45 | |
This is all about compromise. | 0:07:46 | 0:07:48 | |
I'm the one that's compromising here. | 0:07:48 | 0:07:50 | |
I'd do 48. And that's as far as I'm going to go. | 0:07:50 | 0:07:54 | |
-Is that what we call, "The death?" -That is definitely the death. | 0:07:54 | 0:07:56 | |
-That's the death? -That's it. -That is the death. | 0:07:56 | 0:07:58 | |
Blimey. Angellica even knows the antiques lingo. | 0:07:58 | 0:08:01 | |
You've spoken, we're going to go with it. | 0:08:01 | 0:08:03 | |
-Are we going to do it? -Yeah. | 0:08:03 | 0:08:05 | |
-Sue, thank you. -Thank you. I'm happy. -Thank YOU. | 0:08:05 | 0:08:08 | |
Angellica's proving a haggling natural, | 0:08:08 | 0:08:11 | |
and this team are off to a storming start. | 0:08:11 | 0:08:13 | |
Now, Jenni and Christina are elsewhere in East Molesey. | 0:08:20 | 0:08:25 | |
Their first shop of the day is Hampton Court Emporium. | 0:08:25 | 0:08:29 | |
-Hello. -Hello, how nice to meet you. I'm Leslie. | 0:08:29 | 0:08:32 | |
Hi, Leslie. | 0:08:32 | 0:08:33 | |
She's searching, but how will this team be approaching today's hunt? | 0:08:43 | 0:08:47 | |
We're looking for, basically, | 0:08:47 | 0:08:49 | |
things that will make us a profit at auction. | 0:08:49 | 0:08:52 | |
OK, so we've got to not necessarily think of something we like, | 0:08:52 | 0:08:54 | |
it's got to be something we think will be a profit. | 0:08:54 | 0:08:57 | |
Personally, I do like to buy things that I like, | 0:08:57 | 0:08:59 | |
but if we stand any chance of winning, | 0:08:59 | 0:09:01 | |
probably got to be a bit more commercial about it. | 0:09:01 | 0:09:03 | |
With that in mind, the search is on. | 0:09:03 | 0:09:05 | |
It's difficult because I don't really know what I'm looking for. | 0:09:05 | 0:09:08 | |
I'm just kind of like looking for things I quite like, | 0:09:08 | 0:09:11 | |
but I've got to stop thinking like that. | 0:09:11 | 0:09:12 | |
It's not for me, it's not going on display in my house, | 0:09:12 | 0:09:15 | |
whatever it is we buy. | 0:09:15 | 0:09:16 | |
I've got to get that, kind of, my antiques head on. | 0:09:16 | 0:09:20 | |
I don't know what it is. Not that. | 0:09:20 | 0:09:23 | |
She's an eager student, but Christina's spotted something. | 0:09:23 | 0:09:28 | |
What do you think of those? | 0:09:28 | 0:09:29 | |
Oh, nice. Are they...? | 0:09:29 | 0:09:31 | |
I don't want to assume... | 0:09:31 | 0:09:33 | |
Are the gravy jugs or hollandaise sauce jugs or something like that? | 0:09:33 | 0:09:36 | |
-Sauce boats, darling. -Sauce boats. -That's exactly what they are. | 0:09:36 | 0:09:40 | |
-Look at that. -So unsophisticated. | 0:09:40 | 0:09:43 | |
I do think they're quite stylish. What do you think? | 0:09:43 | 0:09:45 | |
-Yeah, they're quite nice. -Would you use a sauce boat at home? | 0:09:45 | 0:09:48 | |
Obviously not, cos I didn't know the name for it. | 0:09:48 | 0:09:51 | |
Plastic Tupperware... | 0:09:51 | 0:09:52 | |
"Anyone want gravy? There you go. Thank you." | 0:09:52 | 0:09:56 | |
-Saucepan, that'll do. -Quite. | 0:09:56 | 0:09:58 | |
What do you think? | 0:09:58 | 0:09:59 | |
Yeah, no, they're nice. I mean, if you think they're... | 0:09:59 | 0:10:01 | |
This is the kind of thing my grandma would have had, | 0:10:01 | 0:10:03 | |
my mum would have had for Christmas Day. | 0:10:03 | 0:10:05 | |
Yeah. The sauce boats dates from 1912 and are ticketed at £48. | 0:10:05 | 0:10:09 | |
A possible first purchase. | 0:10:10 | 0:10:13 | |
-I'll put them with Leslie. -Right. | 0:10:13 | 0:10:15 | |
Here you go. | 0:10:15 | 0:10:16 | |
And Christina's also spotted something else outside. | 0:10:16 | 0:10:20 | |
-Right, OK, what is it? -Is beautiful, isn't it? | 0:10:20 | 0:10:24 | |
-I love it. It's nice. -Yeah. It's very tactile, isn't it? | 0:10:24 | 0:10:27 | |
-It's actually a propeller. -Oh, right. | 0:10:27 | 0:10:28 | |
It would have been a propeller along time ago. | 0:10:28 | 0:10:30 | |
Obviously, you're not going to fly very far with the blades | 0:10:30 | 0:10:33 | |
clipped off like that. But I just think it's quite cool. | 0:10:33 | 0:10:35 | |
No, it is very cool. | 0:10:35 | 0:10:37 | |
Jenni's sounds keen on this clipped 1930s aeroplane propeller. | 0:10:37 | 0:10:41 | |
Ticket price is £75. | 0:10:42 | 0:10:44 | |
So, off to Leslie they fly. | 0:10:47 | 0:10:50 | |
-We've got something else. -Here we are. | 0:10:51 | 0:10:53 | |
Ah, you've got the lovely propeller. | 0:10:53 | 0:10:55 | |
A very nice light piece of driftwood. | 0:10:55 | 0:10:57 | |
-Well, this is the gentleman here you need to speak to. -My name's Tony. | 0:10:57 | 0:11:00 | |
-Lovely to meet you, Tony. I'm Christina. -I'm Jenni. | 0:11:00 | 0:11:03 | |
So we've got £75 on it, Tony. | 0:11:03 | 0:11:05 | |
We could go to £60. | 0:11:05 | 0:11:07 | |
£60 on that one. | 0:11:07 | 0:11:09 | |
OK. So potentially that could be of interest. | 0:11:09 | 0:11:11 | |
And the Edwardian sauce boats? | 0:11:11 | 0:11:13 | |
I need to consult with Sally because those are hers. | 0:11:13 | 0:11:17 | |
If Sally could do those for 25, that would be brilliant. | 0:11:17 | 0:11:21 | |
-See what she says. -Sally... | 0:11:21 | 0:11:23 | |
-Oh, Sally's hiding behind there. -Sally, what's your thoughts? | 0:11:23 | 0:11:26 | |
-Hello, Sally. -Is that all right? -Is 25 OK, Sally? -That'll do, yes. | 0:11:26 | 0:11:29 | |
-Oh, You're an angel. -Thank you. -Thank you very much, Sally. | 0:11:29 | 0:11:31 | |
So, Sally-through-the-shelves has got a thumbs up, | 0:11:31 | 0:11:35 | |
so we're saying 25 on that, 60 on that. | 0:11:35 | 0:11:37 | |
So it's £85 for the lot. | 0:11:37 | 0:11:39 | |
-Are you happy with that, Leslie? -I am completely happy with that. | 0:11:39 | 0:11:43 | |
-Brilliant. -I'm glad I negotiated that so well. | 0:11:43 | 0:11:45 | |
-CHRISTINA LAUGHS -Thank you very much. | 0:11:45 | 0:11:48 | |
Yes, Christina. | 0:11:48 | 0:11:50 | |
You'd better give a Jenni a chance to shine in the next shop, | 0:11:50 | 0:11:52 | |
or your wings may be clipped, too. | 0:11:52 | 0:11:55 | |
Now, Angellica and David are back in the car, and David's grilling | 0:11:59 | 0:12:02 | |
his new best friend on her job as roving reporter for The One Show. | 0:12:02 | 0:12:08 | |
-You're the longest-standing reporter? -Yeah. | 0:12:08 | 0:12:11 | |
I've been there since day dot. | 0:12:11 | 0:12:13 | |
-Have you really? -Yeah. I love that show. I love... | 0:12:13 | 0:12:16 | |
What I love about The One Show is all my reports, | 0:12:16 | 0:12:19 | |
I go up and down the country and I meet normal people | 0:12:19 | 0:12:25 | |
with a fascinating story who are absolutely lovely. | 0:12:25 | 0:12:28 | |
And I go and I meet them and I feel I've come away | 0:12:28 | 0:12:30 | |
and I've learned something or they've inspired me. | 0:12:30 | 0:12:33 | |
As luck would have it, they're on their way to learn | 0:12:33 | 0:12:35 | |
the inspiring story of a local gentleman of the 18th century. | 0:12:35 | 0:12:39 | |
Their motoring on to the area around the village of Cobham in Surrey, | 0:12:39 | 0:12:44 | |
where they're taking a break from buying to visit Painshill Park, | 0:12:44 | 0:12:48 | |
a uniquely beautiful garden, created by a great English eccentric. | 0:12:48 | 0:12:53 | |
They're meeting the director of Painshill Restoration, Michael Gove. | 0:12:53 | 0:12:57 | |
-Hello. -Hello. | 0:12:57 | 0:12:59 | |
-Welcome the Painshill. -Thank you. I'm Angellica. -Hello, Angellica. | 0:12:59 | 0:13:02 | |
-I'm Michael. -Hello, Michael. I'm David. -Hello. Welcome. | 0:13:02 | 0:13:05 | |
-You picked a nice day for it, too. -Wow. -It's wonderful, yes. | 0:13:05 | 0:13:08 | |
Haven't they just? | 0:13:08 | 0:13:10 | |
Painshill Park is an 18th-century garden that's been restored | 0:13:10 | 0:13:14 | |
to its former glory by the charity Painshill Park Trust. | 0:13:14 | 0:13:19 | |
In the 1700s, garden design in Britain underwent a revolution, | 0:13:19 | 0:13:23 | |
transforming the grounds of the country's parks and stately homes, | 0:13:23 | 0:13:27 | |
from formal French-style gardens | 0:13:27 | 0:13:29 | |
into a new type of romantic landscape. | 0:13:29 | 0:13:32 | |
Painshill was at the forefront of this new picturesque style. | 0:13:34 | 0:13:38 | |
The park boasts a collection of highly eccentric | 0:13:38 | 0:13:41 | |
decorative structures or follies, like this ruined abbey. | 0:13:41 | 0:13:44 | |
Like other features in the part, the abbey is essentially fake. | 0:13:46 | 0:13:49 | |
It was built just as a ruin, to prettify the landscape scenes. | 0:13:49 | 0:13:53 | |
As you'd expect, the man who created it was quite a character. | 0:13:53 | 0:13:57 | |
So, Michael, is this what makes Painshill so special? | 0:14:00 | 0:14:03 | |
Yes, it's one of the features which is within an 18th-century landscape, | 0:14:03 | 0:14:07 | |
and there's a series of these throughout the park. | 0:14:07 | 0:14:10 | |
It was created by The Honourable Charles Hamilton, | 0:14:10 | 0:14:13 | |
who was born in 1704 and, like all young gentleman of that time, | 0:14:13 | 0:14:18 | |
he went on two grand tours. | 0:14:18 | 0:14:20 | |
And it was in travelling through these grand tours throughout Europe | 0:14:20 | 0:14:24 | |
that he was inspired by the various things that he saw. | 0:14:24 | 0:14:29 | |
In 1738, when he came back, he bought land in this area | 0:14:29 | 0:14:33 | |
and he started to set about a new landscape. | 0:14:33 | 0:14:37 | |
Taking inspiration from the art and countryside he'd seen in Europe, | 0:14:37 | 0:14:41 | |
Hamilton set about creating an idealised romantic landscape, | 0:14:41 | 0:14:45 | |
enlivened by the follies he dotted about, | 0:14:45 | 0:14:48 | |
like the pre-ruined abbey, or his Gothic temple. | 0:14:48 | 0:14:51 | |
To create an artistic expression within the landscape, | 0:14:53 | 0:14:56 | |
just like an artist would do it on canvas. | 0:14:56 | 0:14:58 | |
There were many notable visitors. | 0:14:58 | 0:15:00 | |
George III visited the park. | 0:15:00 | 0:15:03 | |
So it was very well-known and very highly respected. | 0:15:03 | 0:15:06 | |
The park was very costly to create, | 0:15:06 | 0:15:08 | |
and despite his acclaim and aristocratic status, | 0:15:08 | 0:15:11 | |
Hamilton's project here often lacked for ready cash. | 0:15:11 | 0:15:15 | |
He was the 14th child of the Earl of Abercorn, | 0:15:15 | 0:15:19 | |
ninth son, so he didn't have any inheritance. | 0:15:19 | 0:15:21 | |
How did they fund it? | 0:15:21 | 0:15:23 | |
By borrowing money from his friends, mostly. | 0:15:23 | 0:15:26 | |
But he had good friends and they lent him... | 0:15:26 | 0:15:28 | |
-Always good to have friends in high places. -Absolutely. | 0:15:28 | 0:15:31 | |
-I don't have any friends like that. -Exactly. | 0:15:31 | 0:15:34 | |
Of all the buildings at Painshill, there's ones that stands out | 0:15:34 | 0:15:37 | |
as an extraordinary example of Hamilton's work. | 0:15:37 | 0:15:40 | |
Oh. | 0:15:42 | 0:15:44 | |
This is quite intricate. | 0:15:44 | 0:15:46 | |
Hamilton created this completely man-made grotto, | 0:15:46 | 0:15:49 | |
or cave system, as the masterpiece of his park, | 0:15:49 | 0:15:53 | |
with walls studded with reflective crystals. | 0:15:53 | 0:15:56 | |
It's cool. | 0:15:56 | 0:15:58 | |
-Every single crystal has been put on by hand. -No! -Yes. | 0:15:58 | 0:16:01 | |
-You lead the way, then. And you go second. -Yeah. Scaredy-cat. | 0:16:01 | 0:16:05 | |
Man up, David. | 0:16:05 | 0:16:07 | |
Welcome to the main chamber. | 0:16:07 | 0:16:09 | |
Whoa. | 0:16:09 | 0:16:10 | |
As I said earlier, it is one of the centrepieces of the park, | 0:16:10 | 0:16:13 | |
and I think it's truly outstanding. | 0:16:13 | 0:16:16 | |
-It's quite mesmerising, isn't it? -It is mesmerising. | 0:16:16 | 0:16:19 | |
The light reflecting, I must say, is amazing. | 0:16:19 | 0:16:22 | |
It's incredible, isn't it? It is truly breathtaking. | 0:16:22 | 0:16:25 | |
Michael and his team have laboured | 0:16:25 | 0:16:27 | |
to restore this grotto to its former glory, | 0:16:27 | 0:16:29 | |
after it suffered catastrophic damage in the 1940s, | 0:16:29 | 0:16:33 | |
when lead was apparently taken from the roof | 0:16:33 | 0:16:36 | |
to pay for a VE Day celebration. | 0:16:36 | 0:16:39 | |
They pinched the lead? | 0:16:40 | 0:16:41 | |
Well, that is the rumour. I believe so, yes. | 0:16:41 | 0:16:44 | |
They must have had a good time, | 0:16:44 | 0:16:45 | |
but in the end the whole ceiling collapsed, | 0:16:45 | 0:16:48 | |
and when we arrived here in the 1981, | 0:16:48 | 0:16:51 | |
in actual fact, the whole of the thing had collapsed, | 0:16:51 | 0:16:54 | |
so we had to do complete archaeology to find all the crystals. | 0:16:54 | 0:16:57 | |
-So is this how Hamilton originally built it? -Yes. | 0:16:57 | 0:17:00 | |
The whole restoration has been based | 0:17:00 | 0:17:03 | |
upon 18th-century sketches and drawings, | 0:17:03 | 0:17:06 | |
and even when we were doing | 0:17:06 | 0:17:08 | |
the final piece of restoration a year ago, | 0:17:08 | 0:17:10 | |
we suddenly found an illustration in a magazine | 0:17:10 | 0:17:13 | |
which showed we had two or three too many stalactites in one area, | 0:17:13 | 0:17:17 | |
so we had to take those down | 0:17:17 | 0:17:19 | |
in order to try and be true to the restoration. | 0:17:19 | 0:17:21 | |
Oh, you're good, because I wouldn't have known otherwise. | 0:17:21 | 0:17:23 | |
-You could have just left it. -I'd have let that go. | 0:17:23 | 0:17:26 | |
-Wouldn't you? -Yeah, I would. | 0:17:26 | 0:17:28 | |
The restoration of Hamilton's wonderful park | 0:17:28 | 0:17:31 | |
has been that careful and exacting, from inside the grotto to outside, | 0:17:31 | 0:17:36 | |
amongst the beautiful vistas. | 0:17:36 | 0:17:39 | |
This view is spectacular. | 0:17:39 | 0:17:41 | |
I could just stand here all day. So what happened in the end? | 0:17:41 | 0:17:44 | |
He set up the park, put all these pieces of art in. | 0:17:44 | 0:17:48 | |
It took him until 1773, when he completed the park, | 0:17:48 | 0:17:52 | |
and at that time he decided to sell the park because he needed | 0:17:52 | 0:17:56 | |
to repay his friends that had lent him money to create the park. | 0:17:56 | 0:17:59 | |
After that, the park stayed in a number of separate ownerships | 0:17:59 | 0:18:04 | |
until around about just before or after the war, | 0:18:04 | 0:18:08 | |
when it became completely derelict. | 0:18:08 | 0:18:09 | |
And so it remained, | 0:18:09 | 0:18:11 | |
until Michael's team began their restoration in the 1980s. | 0:18:11 | 0:18:14 | |
And what do you think Hamilton would think today? | 0:18:14 | 0:18:16 | |
I think he'd be very proud. | 0:18:16 | 0:18:18 | |
I think, in actual fact, we've been able to restore his dream. | 0:18:18 | 0:18:21 | |
-Has it been saved forever now? Is that it? -I very much hope so. | 0:18:21 | 0:18:25 | |
-Don't be stealing any of that lead. -No, no. | 0:18:25 | 0:18:27 | |
Well said! | 0:18:27 | 0:18:29 | |
Michael, it's been an absolute pleasure. Hasn't it? | 0:18:29 | 0:18:31 | |
Yeah, it's been really lovely. | 0:18:31 | 0:18:32 | |
It's been a great pleasure to show you. | 0:18:32 | 0:18:35 | |
Now, how are the team dynamics back on the road with Jenni and Christina? | 0:18:39 | 0:18:45 | |
Sometimes I'm just polite. | 0:18:45 | 0:18:46 | |
I might not necessarily always agree with what you want, | 0:18:46 | 0:18:49 | |
but I'm quite polite and I'll just smile. | 0:18:49 | 0:18:51 | |
Honestly, I probably, I'm going to try really hard to tell you | 0:18:51 | 0:18:55 | |
if I don't like something. | 0:18:55 | 0:18:56 | |
Sounds promising. | 0:18:56 | 0:18:58 | |
They're driving to Oatlands village, near Weybridge, Surrey, | 0:18:58 | 0:19:02 | |
and heading onto their second shop - Brocante Antiques... | 0:19:02 | 0:19:06 | |
-Here we are. -Oh, cute. -How dinky. -Actually a house. | 0:19:07 | 0:19:11 | |
Yeah, it does look a bit like a house. | 0:19:11 | 0:19:13 | |
..where resides dealer Ray. | 0:19:13 | 0:19:16 | |
-Hello. -Hello. -Hello there. -Hello. | 0:19:16 | 0:19:18 | |
How are you? Are you well? | 0:19:18 | 0:19:20 | |
Yeah, nice to see you. | 0:19:20 | 0:19:21 | |
Now, what about this new Jenni-takes-charge tactic? | 0:19:21 | 0:19:25 | |
-What catches your eye, darling? -Literally, this eye bath. | 0:19:26 | 0:19:30 | |
Ah-ha! | 0:19:30 | 0:19:31 | |
Sorry, I've been staring at that. | 0:19:31 | 0:19:34 | |
Very funny. | 0:19:34 | 0:19:35 | |
Come on, Jenni. | 0:19:38 | 0:19:40 | |
What DOES take your fancy in here? | 0:19:40 | 0:19:42 | |
-Those are beautiful. -Are those wine glasses? | 0:19:43 | 0:19:46 | |
They probably would have been, yes. | 0:19:46 | 0:19:48 | |
Whether they'd sell for a profit at auction, probably not, | 0:19:48 | 0:19:51 | |
to be perfectly honest. | 0:19:51 | 0:19:52 | |
-But certainly one to consider. -OK. | 0:19:52 | 0:19:54 | |
-What do you think? -I have to think, what would Angellica do? | 0:19:54 | 0:19:57 | |
She'd say no. She'd go for something that's probably going to beat us. | 0:19:57 | 0:20:00 | |
-Are we being decisive? -Well, maybe. Maybe on this occasion. | 0:20:00 | 0:20:03 | |
-I'm maybe being decisive. -That's it. -Maybe yes, maybe no. | 0:20:03 | 0:20:07 | |
-Let's come back to it. -OK. | 0:20:07 | 0:20:10 | |
Ah, definite progress there. | 0:20:10 | 0:20:12 | |
What else will she unearth? | 0:20:12 | 0:20:15 | |
Here's something I don't like. | 0:20:15 | 0:20:16 | |
Would that be something to go for? | 0:20:16 | 0:20:18 | |
It's an early 20th century German footed bowl, | 0:20:18 | 0:20:22 | |
known as a tazza, or comport. | 0:20:22 | 0:20:24 | |
Jenni's selected it because she DOESN'T like it, | 0:20:25 | 0:20:29 | |
but is it a contender? | 0:20:29 | 0:20:31 | |
I think that was good choice. I think that's fab. | 0:20:31 | 0:20:34 | |
Would people want this in their home or is this...? | 0:20:34 | 0:20:36 | |
See, look. Right. | 0:20:36 | 0:20:38 | |
In the right house... | 0:20:38 | 0:20:40 | |
Oh, my goodness. Right, OK. | 0:20:40 | 0:20:42 | |
-But you don't like it? -No, I hate it. It's disgusting. | 0:20:42 | 0:20:47 | |
-But you think it's a good buy. -Maybe let's put it back. | 0:20:47 | 0:20:49 | |
No, but I think what I've realised | 0:20:49 | 0:20:51 | |
is the things that might sell are things I really don't like. | 0:20:51 | 0:20:53 | |
I know you don't like it, but I think, commercially, that... | 0:20:53 | 0:20:56 | |
-I can retrain my brain to believe it's beautiful. -Can you? | 0:20:56 | 0:20:59 | |
It's very easy. Yeah, I can. But I want you to believe in it. | 0:20:59 | 0:21:01 | |
-Look at that! It's gorgeous. -CHRISTINA LAUGHS | 0:21:01 | 0:21:04 | |
So pragmatism wins out. And they're going to have a punt on that. | 0:21:04 | 0:21:08 | |
Ticket price is £40. Ray! | 0:21:08 | 0:21:11 | |
Ray, what can we do on your Eichwald? | 0:21:11 | 0:21:16 | |
I've got £40 on it. | 0:21:16 | 0:21:17 | |
Do you love that, Ray? | 0:21:19 | 0:21:20 | |
We love that period, which is Jugendstil. The Art Nouveau period. | 0:21:20 | 0:21:23 | |
You don't like that either, do you? | 0:21:23 | 0:21:25 | |
You either like it or you hate it. | 0:21:25 | 0:21:27 | |
He's like that, "Buy it, buy it. Get it out the shop." | 0:21:27 | 0:21:30 | |
-Er, 30. -30. That could be a potential. -OK. | 0:21:30 | 0:21:35 | |
-Can we put that to one side just for a minute? -We can indeed, yes. | 0:21:35 | 0:21:37 | |
Thank you. We have to find something that you love. | 0:21:37 | 0:21:39 | |
-OK, all right. OK. -Find something you love. | 0:21:39 | 0:21:42 | |
So upstairs our girls go. | 0:21:42 | 0:21:44 | |
Ah-ha-ha! | 0:21:44 | 0:21:45 | |
You off on safari, my dear? | 0:21:45 | 0:21:47 | |
-That's great. -I think... -I love it. | 0:21:49 | 0:21:51 | |
They're getting on splendidly well. | 0:21:51 | 0:21:54 | |
You looking? Have a good look? | 0:21:56 | 0:21:57 | |
Yeah, I'm looking, I'm looking. | 0:21:57 | 0:21:59 | |
Is your taste more, sort of, modern? | 0:21:59 | 0:22:01 | |
I think I'm more contemporary. | 0:22:01 | 0:22:03 | |
I think that's why I come in to somewhere like this and I find | 0:22:03 | 0:22:06 | |
it quite difficult to find anything that would be of any value. | 0:22:06 | 0:22:09 | |
But here's something. | 0:22:09 | 0:22:11 | |
Look at that, it's quite nice. | 0:22:11 | 0:22:14 | |
What's that got on it? | 0:22:14 | 0:22:15 | |
-It says, "Minton..." -Ooh, nice. -Is that nice? -Mmm. | 0:22:15 | 0:22:18 | |
Mintons is a very good firm. | 0:22:18 | 0:22:20 | |
-What's that got on it? -£65. Jug and... | 0:22:20 | 0:22:26 | |
bowl. | 0:22:26 | 0:22:27 | |
-What do you think of that? -Yeah, I quite like that. | 0:22:27 | 0:22:31 | |
It's a jug and bowl set, | 0:22:31 | 0:22:33 | |
decorated in the Japanese-style, | 0:22:33 | 0:22:35 | |
dating from around 1875. | 0:22:35 | 0:22:37 | |
It is quite contemporary, isn't it? | 0:22:37 | 0:22:39 | |
It is quite contemporary, Jenni. | 0:22:39 | 0:22:41 | |
-Is this good? -I think maybe that's why I like it. | 0:22:41 | 0:22:45 | |
If you like it, then I love it. | 0:22:45 | 0:22:47 | |
Oh, right. OK. | 0:22:47 | 0:22:50 | |
-OK, well, this is a good'un then. -OK. | 0:22:50 | 0:22:51 | |
But it's 65, so what do you...? Cos I've noticed that what you do | 0:22:51 | 0:22:55 | |
-is you say to me... -THUD | 0:22:55 | 0:22:57 | |
Don't break it! It's the only thing I've liked. | 0:22:57 | 0:23:00 | |
Sorry. | 0:23:01 | 0:23:02 | |
Do be careful, Christina. At least they've found something Jenni loves. | 0:23:02 | 0:23:07 | |
Now, how about some haggling? | 0:23:08 | 0:23:10 | |
-It's quite awkward, isn't it? -Is it? -Do you not think it's quite awkward? | 0:23:10 | 0:23:13 | |
Cos you're like, "You're a really nice man..." | 0:23:13 | 0:23:15 | |
-You're not a natural haggler, are you? -He's nice. | 0:23:15 | 0:23:17 | |
Yes, he's lovely, but you're going to have to man up. | 0:23:17 | 0:23:20 | |
Come on, harden up. Where's haggler Jenni? | 0:23:20 | 0:23:23 | |
-OK. -You need to reach deep inside and get her. -OK. | 0:23:23 | 0:23:28 | |
Time for Jenni's first tough deal. Ticket price is £65. | 0:23:28 | 0:23:32 | |
Stand by. | 0:23:32 | 0:23:33 | |
-We've found something. -You've found something. | 0:23:34 | 0:23:37 | |
Will you help us make some money cos I'd like us to buy something here? | 0:23:37 | 0:23:41 | |
-Come on, Ray of sunshine. -OK. In that case... | 0:23:41 | 0:23:43 | |
Well, I was going to say 40. | 0:23:46 | 0:23:48 | |
-So what if we...? Sorry. -No, go on. You can't help yourself, can you? | 0:23:48 | 0:23:52 | |
No, I can't. I'm sorry. | 0:23:52 | 0:23:55 | |
Honestly, Christina. | 0:23:55 | 0:23:56 | |
So what if we had the comport and the jug and bowl? | 0:23:56 | 0:24:00 | |
40... That's 70... | 0:24:00 | 0:24:03 | |
65. | 0:24:03 | 0:24:04 | |
Ray, would 50 be massively out of the ballpark? | 0:24:04 | 0:24:08 | |
It is, really. We try to work on quite small margins here. | 0:24:09 | 0:24:13 | |
-OK. -So then 55? | 0:24:13 | 0:24:15 | |
In the middle. | 0:24:15 | 0:24:17 | |
That would be nice. That would be lovely. | 0:24:17 | 0:24:19 | |
OK, Jenni. OK. | 0:24:19 | 0:24:22 | |
Watch out! He'll drop it! | 0:24:22 | 0:24:24 | |
I'm so proud. | 0:24:24 | 0:24:26 | |
Well done, Jenni. You're getting the hang of this lark after all. | 0:24:26 | 0:24:30 | |
Don't drop it. Don't drop it. | 0:24:30 | 0:24:32 | |
Yay! Well done. Put it there. | 0:24:33 | 0:24:36 | |
That's a great deal on the jug and bowl set and the tazza. | 0:24:36 | 0:24:39 | |
Christina will have you apprenticed in no time, Jenni. | 0:24:39 | 0:24:43 | |
And with that it's the end of a rollicking first day | 0:24:43 | 0:24:47 | |
of the road trip. | 0:24:47 | 0:24:49 | |
Nighty-night. | 0:24:49 | 0:24:50 | |
The morning sun greets celebrities and experts | 0:24:54 | 0:24:57 | |
back in their cars and exchanging notes. | 0:24:57 | 0:25:00 | |
How did it go yesterday? | 0:25:00 | 0:25:02 | |
Yesterday was fun. I love David. | 0:25:02 | 0:25:06 | |
He's really energetic and chatty. | 0:25:06 | 0:25:08 | |
-I love his trousers. -His trousers are phenomenal. | 0:25:08 | 0:25:11 | |
And he taught me a lot. | 0:25:11 | 0:25:13 | |
I felt I learnt a lot about antiques yesterday, did you? | 0:25:13 | 0:25:16 | |
Um...yeah. I learnt that I don't know much about them. | 0:25:16 | 0:25:20 | |
And in the other car... | 0:25:23 | 0:25:25 | |
Angellica really does want to win. | 0:25:25 | 0:25:27 | |
-But they're great friends, aren't they? -I know. | 0:25:27 | 0:25:29 | |
But we're great friends, but come on, | 0:25:29 | 0:25:31 | |
we want to win, don't we? Don't you want to win? | 0:25:31 | 0:25:33 | |
I'd love to kick your butt. | 0:25:33 | 0:25:35 | |
And one day I will. | 0:25:36 | 0:25:38 | |
So the gloves are off. It's time to get these teams on the road. | 0:25:38 | 0:25:42 | |
Good morning. Hello. Are you OK? | 0:25:42 | 0:25:46 | |
Fantastic! | 0:25:46 | 0:25:47 | |
-I'll put you in here. -See you later. | 0:25:47 | 0:25:50 | |
So far, Angellica and David have spent £48 on two lots - | 0:25:53 | 0:25:57 | |
the colourful calculating machine | 0:25:57 | 0:26:00 | |
and the nutcracker shaped as a ship's wheel. | 0:26:00 | 0:26:03 | |
While Jenni and Christina have spent £140 on four lots - | 0:26:03 | 0:26:08 | |
the pair of sauce boats, the plane's propeller, the tazza | 0:26:08 | 0:26:13 | |
and the jug and bowl set. | 0:26:13 | 0:26:15 | |
David and Angellica are motoring onwards and hopefully upwards. | 0:26:19 | 0:26:23 | |
-I had a fantastic day with you yesterday. -Thank you. | 0:26:24 | 0:26:28 | |
And I think you're absolutely lovely. | 0:26:28 | 0:26:29 | |
I don't think people tell people enough how they feel about people. | 0:26:29 | 0:26:33 | |
Aw. | 0:26:33 | 0:26:34 | |
I quite agree. How sweet, Angellica. | 0:26:34 | 0:26:36 | |
This happy pair are driving to the town of Henley-on-Thames | 0:26:38 | 0:26:41 | |
in Oxfordshire, | 0:26:41 | 0:26:42 | |
an ancient and very well-appointed place to kick off the day's buying. | 0:26:42 | 0:26:47 | |
Tudor House Antiques is their first stop today. | 0:26:47 | 0:26:50 | |
-Hello. -You all right? | 0:26:52 | 0:26:54 | |
-Angellica. -I'm Dave. Pleased to meet you. | 0:26:54 | 0:26:56 | |
Hello, there, Dave. | 0:26:56 | 0:26:58 | |
Right, shall we split up? You do your thing, I'll do mine. | 0:26:58 | 0:27:00 | |
OK. That's fine. | 0:27:00 | 0:27:01 | |
That's not tight enough. | 0:27:04 | 0:27:06 | |
Angellica's led their buying so far, | 0:27:09 | 0:27:11 | |
but soon enough David spots something. | 0:27:11 | 0:27:14 | |
I like things like this. Tell me what you think? | 0:27:14 | 0:27:16 | |
-Well, he's smiling. -He's smiling. He's happy. | 0:27:20 | 0:27:23 | |
Is it a little Buddha? | 0:27:25 | 0:27:26 | |
Ah, well, people often think that is Buddha, | 0:27:26 | 0:27:29 | |
but that is not Buddha as in the enlightened one, | 0:27:29 | 0:27:32 | |
the founder of Buddhism. That is a Buddhist monk called Budai. | 0:27:32 | 0:27:36 | |
He's the laughing Buddha that travels around the world, | 0:27:36 | 0:27:39 | |
spreading joy and peace and happiness, just like you. | 0:27:39 | 0:27:42 | |
The bamboo Budai looks brand-new to me. | 0:27:42 | 0:27:45 | |
£15 on the ticket. | 0:27:45 | 0:27:48 | |
He's a good luck symbol. He's good luck. | 0:27:48 | 0:27:51 | |
But why is this valuable? | 0:27:51 | 0:27:53 | |
Because it's a sort of thing... It's just an object. It's a touch piece. | 0:27:53 | 0:27:57 | |
It's something that somebody would have in their modern home, | 0:27:57 | 0:28:00 | |
-in actual fact. -He's an acquired taste. | 0:28:00 | 0:28:02 | |
Angellica doesn't seem keen. | 0:28:02 | 0:28:05 | |
Er... Let's move on. | 0:28:05 | 0:28:08 | |
So that idea's been shelved and they're browsing on. | 0:28:10 | 0:28:13 | |
David, shall I look for anything specific? | 0:28:13 | 0:28:16 | |
I want you to look for something that you... | 0:28:16 | 0:28:18 | |
-Hello. I'm down here. Hello. -Ah! | 0:28:18 | 0:28:20 | |
-I want you to look for things that you love. -OK. | 0:28:20 | 0:28:25 | |
I know David said find something that I like, | 0:28:25 | 0:28:27 | |
but I want to impress him with my find. | 0:28:27 | 0:28:30 | |
I'm sure you will. | 0:28:30 | 0:28:33 | |
-I just spotted that. Can we bring it over? -What is it? | 0:28:33 | 0:28:35 | |
-Oh, my gosh! -This thing weighs a ton. | 0:28:35 | 0:28:38 | |
-Don't give yourself a hernia, David. -Do you want some help? | 0:28:38 | 0:28:40 | |
I'm not helping him. | 0:28:40 | 0:28:41 | |
What a gentleman(!) | 0:28:41 | 0:28:43 | |
Let's put it down here. | 0:28:43 | 0:28:44 | |
Cos obviously Angellica Bell, bell. So I always look at bells. | 0:28:44 | 0:28:47 | |
-You don't! Seriously? -Yeah. -Do you really? | 0:28:47 | 0:28:50 | |
-But this looks like it's got a bit of history to it. -My gosh! | 0:28:50 | 0:28:53 | |
Shall we go down and have a look cos we can't lift it up? | 0:28:53 | 0:28:57 | |
It's a ship's bell dating from the 1950s. | 0:28:57 | 0:29:01 | |
It's heavy in weight and its price is £200 on the ticket. | 0:29:01 | 0:29:05 | |
That's bronze. That is bronze. | 0:29:05 | 0:29:08 | |
Which is a very beautiful material and very expensive. | 0:29:08 | 0:29:12 | |
-I think we're going to have to ring it. -OK. | 0:29:12 | 0:29:14 | |
-I'm going to lift it once only. -OK. | 0:29:14 | 0:29:17 | |
-Right? -We have to work together. | 0:29:17 | 0:29:19 | |
BELL RINGS | 0:29:19 | 0:29:22 | |
-Put it down. -Wow! | 0:29:24 | 0:29:26 | |
-That is a sound. -What do you think? -I love it. | 0:29:26 | 0:29:29 | |
-I absolutely adore it. -Is it a risk? | 0:29:29 | 0:29:32 | |
-Depends how much it is. -What could you do, David? | 0:29:32 | 0:29:35 | |
-We've built up a relationship here. -Oh, here we go. Here we go. | 0:29:35 | 0:29:39 | |
Oh, no, no! | 0:29:39 | 0:29:41 | |
Your reputation as a haggler precedes you, Angellica. | 0:29:41 | 0:29:44 | |
-Right. -OK. -We don't want to insult you, obviously, | 0:29:44 | 0:29:48 | |
-cos I know this is your business and stuff. -Do that wink again. | 0:29:48 | 0:29:50 | |
It's yours. It's yours. Take it. Take it. | 0:29:50 | 0:29:54 | |
-£100. -There you go. | 0:29:54 | 0:29:55 | |
A generous discount at £100 and a wink. | 0:29:55 | 0:29:58 | |
But will they go for it? | 0:29:58 | 0:30:00 | |
-I'm going to do a deal with you. -Go on. | 0:30:00 | 0:30:02 | |
That's a risk, but it's fantastic. | 0:30:02 | 0:30:04 | |
We do work as a partnership. | 0:30:04 | 0:30:06 | |
I will happily agree with you to purchase that bell at £100 | 0:30:06 | 0:30:10 | |
if you would agree with me... | 0:30:10 | 0:30:12 | |
to purchase Budai at £5. | 0:30:12 | 0:30:16 | |
-You're definitely having the bell. -If we can have Budai... | 0:30:17 | 0:30:21 | |
OK, you got the Budai if you're buying the bell. | 0:30:21 | 0:30:24 | |
-Just give me a minute. -Uh-oh. | 0:30:25 | 0:30:28 | |
You get a bell... | 0:30:29 | 0:30:31 | |
I get a Budai. | 0:30:31 | 0:30:33 | |
Partnership. | 0:30:33 | 0:30:35 | |
-I trust you. -I trust you. | 0:30:35 | 0:30:37 | |
-It's a deal. -We've done a deal. | 0:30:37 | 0:30:39 | |
Let's get David in. Thank you, David. | 0:30:39 | 0:30:43 | |
Yay! Mwah! | 0:30:43 | 0:30:45 | |
Now that is team-work, | 0:30:45 | 0:30:47 | |
picking up the bell and the Budai for £105 all-in. | 0:30:47 | 0:30:51 | |
Now, Jenni and Christina are back in the car. | 0:30:53 | 0:30:56 | |
-How you finding the Porsche? -Yeah, I love it. It's nice. | 0:30:56 | 0:30:59 | |
-Yeah? -Yeah, really like it. | 0:30:59 | 0:31:00 | |
Whilst enjoying the German vehicle, they're on their way to visit | 0:31:00 | 0:31:03 | |
the home of one of the British car industry's greatest characters. | 0:31:03 | 0:31:08 | |
They're motoring on to the village of Nuffield in Oxfordshire. | 0:31:09 | 0:31:13 | |
They're taking a short break from shopping to visit Nuffield Place, | 0:31:15 | 0:31:19 | |
the home of one of Britain's greatest motoring entrepreneurs. | 0:31:19 | 0:31:24 | |
They're meeting house steward Joanna Gamester. | 0:31:24 | 0:31:27 | |
-Hello. -Hello. Welcome to Nuffield Place. | 0:31:27 | 0:31:30 | |
Jenni. Nice to meet you. | 0:31:30 | 0:31:31 | |
Nice to meet you. Would you like to come inside? | 0:31:31 | 0:31:33 | |
-Yeah, love to. -Thank you. | 0:31:33 | 0:31:35 | |
-Oh, a lovely, sunny room. -Yeah, this is the sitting room. | 0:31:40 | 0:31:43 | |
-Beautiful. -In the house of William Morris, Lord Nuffield. | 0:31:43 | 0:31:47 | |
-Ah! -Famed for being William Morris of Morris Motors. | 0:31:47 | 0:31:51 | |
A very hardworking man who started the business and became one of | 0:31:52 | 0:31:57 | |
the biggest motorcar manufacturers in the country. | 0:31:57 | 0:32:00 | |
Ending up with 45% of the market at one point. | 0:32:00 | 0:32:04 | |
45% of the motoring industry?! | 0:32:04 | 0:32:07 | |
Yes. So then what he decided to do with his money was to give it away. | 0:32:07 | 0:32:12 | |
He was one of the biggest philanthropists | 0:32:12 | 0:32:14 | |
that we've ever had in this country. | 0:32:14 | 0:32:16 | |
Morris had a profound effect on early 20th century Britain. | 0:32:17 | 0:32:21 | |
Gaining truly enormous wealth and becoming one of the most | 0:32:21 | 0:32:24 | |
successful British industrialists of his age. | 0:32:24 | 0:32:27 | |
Of course, he also founded the company | 0:32:27 | 0:32:29 | |
that created the Morris Minor, one of the country's most iconic cars, | 0:32:29 | 0:32:33 | |
but Morris originally came from very humble beginnings in Oxford. | 0:32:33 | 0:32:38 | |
He wasn't particularly well educated. | 0:32:38 | 0:32:40 | |
He had to leave school at the age of 14 to support his family. | 0:32:40 | 0:32:45 | |
But William was a natural at mending and making. | 0:32:45 | 0:32:49 | |
He was just fascinated by mechanical objects | 0:32:49 | 0:32:53 | |
and it was just something he played with them and learned. | 0:32:53 | 0:32:56 | |
-So just by experimentation, he learnt all about it? -Absolutely. | 0:32:56 | 0:32:59 | |
It was that talent and curiosity that led Morris to start | 0:32:59 | 0:33:03 | |
his own bicycle manufacturing firm in his parents' house. | 0:33:03 | 0:33:06 | |
They had a small terraced house in Oxford, | 0:33:06 | 0:33:09 | |
and he had the front room as a showroom, | 0:33:09 | 0:33:12 | |
the shed in the back yard was his workshop and the front garden | 0:33:12 | 0:33:17 | |
was where bicycles were placed to be collected. | 0:33:17 | 0:33:19 | |
How did he go from bicycles to then developing Morris Motors? | 0:33:19 | 0:33:23 | |
The motorcars, well, he made them one at a time to start with. | 0:33:23 | 0:33:27 | |
And the First World War came along shortly afterwards, | 0:33:27 | 0:33:30 | |
so he just kept his business going by taking orders for munitions. | 0:33:30 | 0:33:35 | |
And then, after the war, he built it up again | 0:33:35 | 0:33:38 | |
and he'd been to America to see assembly line production with Ford | 0:33:38 | 0:33:43 | |
and he brought that idea over to this country | 0:33:43 | 0:33:46 | |
and, of course, he could manufacture more and more cars. | 0:33:46 | 0:33:50 | |
And his brilliant idea was to bring motoring to the masses, | 0:33:50 | 0:33:54 | |
and therefore to sell his cars, to make them simple | 0:33:54 | 0:33:57 | |
and sell them at a reasonable price so that built it up. | 0:33:57 | 0:34:00 | |
So not just to the elite? | 0:34:00 | 0:34:02 | |
Morris' business boomed in the interwar years | 0:34:02 | 0:34:05 | |
as his dream of bringing motoring within the reach | 0:34:05 | 0:34:07 | |
of the ordinary working Britons was realised. | 0:34:07 | 0:34:10 | |
But his enormous success | 0:34:10 | 0:34:12 | |
never altered his humble and generous nature. | 0:34:12 | 0:34:15 | |
Can I just say, for someone that had such a successful business, | 0:34:15 | 0:34:18 | |
-his home is not very ostentatious. -It's very modest. | 0:34:18 | 0:34:21 | |
Well, he was a modest person. | 0:34:21 | 0:34:24 | |
He and his wife were used to habits of frugality. | 0:34:24 | 0:34:27 | |
Given his enormous wealth, Morris did live fairly humbly. | 0:34:27 | 0:34:32 | |
-We're going to Lord Nuffield's own bedroom. -Ooh. | 0:34:35 | 0:34:39 | |
-So come in, see this room. -Wow. | 0:34:39 | 0:34:42 | |
This bedroom really shows you the modesty of the man. | 0:34:42 | 0:34:45 | |
I find it really interesting as well. | 0:34:45 | 0:34:48 | |
This is so clearly a man's room. | 0:34:48 | 0:34:49 | |
It certainly is. | 0:34:49 | 0:34:50 | |
Morris never lost his love of making and mending machinery, | 0:34:50 | 0:34:54 | |
as one eccentric addition to this room shows. | 0:34:54 | 0:34:57 | |
His wardrobe. | 0:34:57 | 0:34:58 | |
This will be a bit of a surprise in a bedroom. | 0:34:58 | 0:35:01 | |
JENNI CHUCKLES | 0:35:03 | 0:35:04 | |
I really didn't expect that. | 0:35:04 | 0:35:06 | |
Oh, my goodness! | 0:35:06 | 0:35:08 | |
I truly expected it to be a sink or something like that. | 0:35:08 | 0:35:13 | |
-So he had a workshop in his bedroom? -Yeah. | 0:35:13 | 0:35:16 | |
He was obsessed. | 0:35:16 | 0:35:18 | |
-That is the ultimate boys' toys, isn't it? -Yeah. | 0:35:18 | 0:35:21 | |
The story goes that Lady Nuffield was fed up of his bedroom | 0:35:21 | 0:35:24 | |
being full of tools laid around and when she was away he had this built | 0:35:24 | 0:35:29 | |
-in the cupboard in the corner. -Really? -At least it's all tidy. | 0:35:29 | 0:35:33 | |
He sounds like the perfect man to be married to. | 0:35:33 | 0:35:36 | |
-Yeah. -He could fix anything. | 0:35:36 | 0:35:39 | |
One of the interesting things in here... Quite a surprise this. | 0:35:39 | 0:35:43 | |
On the back shelf, that is his appendix. | 0:35:43 | 0:35:46 | |
-BOTH: Eurgh! -Pickled in a jar. | 0:35:46 | 0:35:48 | |
Now I've changed my mind. He is disgusting. | 0:35:48 | 0:35:50 | |
Apparently, they offered them to you at one time | 0:35:50 | 0:35:52 | |
-when you had the operation. -Why would you keep it? | 0:35:52 | 0:35:55 | |
It links quite well with his interest in medicine. | 0:35:55 | 0:35:58 | |
He was always very concerned about his health, | 0:35:58 | 0:36:00 | |
about other people's health and he gave a lot of money to medicine. | 0:36:00 | 0:36:03 | |
As Morris' business and wealth grew, so did his charitable giving. | 0:36:03 | 0:36:07 | |
He donated his enormous fortune to good causes, | 0:36:07 | 0:36:11 | |
notably in education and medicine. | 0:36:11 | 0:36:13 | |
This is the room they called the sun room. | 0:36:14 | 0:36:17 | |
Oh, look at the view! | 0:36:17 | 0:36:18 | |
Lots of his gifts were to do with health and medicine. | 0:36:18 | 0:36:22 | |
Amongst many other causes, Morris endowed an Oxford college, | 0:36:22 | 0:36:27 | |
funded the development of anaesthetics | 0:36:27 | 0:36:30 | |
and donated a huge amount of money to medical care and research. | 0:36:30 | 0:36:33 | |
It truly sounds like there was a huge amount of philanthropy here. | 0:36:33 | 0:36:36 | |
I mean, what kind of figures are we talking? | 0:36:36 | 0:36:38 | |
One researcher reckoned that if you looked at it over time | 0:36:38 | 0:36:41 | |
and took all that into account that he was giving from the '20s | 0:36:41 | 0:36:44 | |
right through to the late '50s and early '60s | 0:36:44 | 0:36:48 | |
it would come to, he thought, 11 billion. | 0:36:48 | 0:36:50 | |
So he really was one of the greatest philanthropists | 0:36:50 | 0:36:53 | |
there's ever been. | 0:36:53 | 0:36:54 | |
Morris compares even to the billionaire philanthropists of today | 0:36:54 | 0:36:58 | |
like Bill Gates. | 0:36:58 | 0:36:59 | |
His money is working in so many ways still today. | 0:36:59 | 0:37:01 | |
There's a Nuffield Foundation | 0:37:01 | 0:37:03 | |
still gives a huge amount of money every year to education. | 0:37:03 | 0:37:07 | |
And you'll hear the name Nuffield in so many different places. | 0:37:07 | 0:37:12 | |
There'll be a Nuffield hospital here | 0:37:12 | 0:37:14 | |
or a Nuffield ward in another hospital somewhere else. | 0:37:14 | 0:37:17 | |
Most people's lives will have been touched by him in some way. | 0:37:17 | 0:37:20 | |
£11 billion. Wow! | 0:37:20 | 0:37:23 | |
I think we've really got a sense of what a modest, humble man he is. | 0:37:23 | 0:37:26 | |
I think that's fantastic. | 0:37:26 | 0:37:28 | |
Yeah. He would definitely be a good friend to have. | 0:37:28 | 0:37:32 | |
-Thank you for showing us. -Pleasure. -It's wonderful. | 0:37:32 | 0:37:36 | |
Meanwhile, Angellica and David are back in their car | 0:37:40 | 0:37:44 | |
and driving towards their next shop. | 0:37:44 | 0:37:47 | |
I think the tactic is we find something that we like | 0:37:47 | 0:37:50 | |
and we pass the negotiating to you. | 0:37:50 | 0:37:54 | |
Cos I think you are very good at it. | 0:37:54 | 0:37:56 | |
-OK. -Happy with that? -Yes, I'll do anything you say. | 0:37:56 | 0:38:00 | |
Good. Just keep smiling and we will win this trip. | 0:38:00 | 0:38:04 | |
They might just. | 0:38:07 | 0:38:08 | |
And they still have £247 left to spend. | 0:38:08 | 0:38:13 | |
Jenni and Christina aren't far behind them. | 0:38:13 | 0:38:16 | |
So we've only really got one more thing left to buy. | 0:38:16 | 0:38:20 | |
OK. Do we have a price limit? | 0:38:20 | 0:38:22 | |
Well, our budget is £400. | 0:38:22 | 0:38:24 | |
-We don't have to spend it all. -OK. | 0:38:24 | 0:38:26 | |
And we've only spent so far, up to this point, £140. | 0:38:26 | 0:38:29 | |
-You're like my husband. "You DO NOT have to spend it all." -Yeah. | 0:38:29 | 0:38:33 | |
Remember that. | 0:38:33 | 0:38:35 | |
Personally, I'd love to find something that you absolutely love. | 0:38:35 | 0:38:38 | |
OK. | 0:38:38 | 0:38:40 | |
So with these tactics in mind, | 0:38:40 | 0:38:42 | |
both teams are driving to Reading in Berkshire. | 0:38:42 | 0:38:46 | |
And look who it is! | 0:38:46 | 0:38:47 | |
-CHRISTINA: -Quick! Let's go! Let's go! | 0:38:47 | 0:38:49 | |
-ANGELLICA: -Come on, David! | 0:38:49 | 0:38:51 | |
Come on, we can do this! | 0:38:51 | 0:38:54 | |
Competition is heating up here. | 0:38:54 | 0:38:56 | |
I hope dealers Tom and Will are ready for them. | 0:38:56 | 0:38:59 | |
-Hello. -Hi, there. | 0:38:59 | 0:39:01 | |
-Christina. Nice to meet you. -I'm Will. | 0:39:01 | 0:39:04 | |
Each team will claim a dealer. | 0:39:04 | 0:39:06 | |
-Will, you've got me and Angellica. You thought -I -was bad. | 0:39:06 | 0:39:10 | |
-Hello. -I'm the sweetener. | 0:39:10 | 0:39:13 | |
I think I've got the best pair. | 0:39:13 | 0:39:15 | |
-Yay! -Come on, Will, let's go. | 0:39:15 | 0:39:18 | |
I beg your pardon? | 0:39:18 | 0:39:20 | |
It's the final stretch for our teams. Best get to it. | 0:39:20 | 0:39:24 | |
So let's recap. What are we ideally looking for? | 0:39:24 | 0:39:27 | |
What would you love to buy? | 0:39:27 | 0:39:28 | |
Something...with a bit of history, British, a bit antiquey. | 0:39:28 | 0:39:33 | |
-What's this? -Harrods. | 0:39:44 | 0:39:46 | |
-I like anything with Harrods. -What's in here? -Don't know. No idea. | 0:39:46 | 0:39:49 | |
-Wahey. -A badminton set. | 0:39:49 | 0:39:52 | |
-Ooh. -Interesting. | 0:39:52 | 0:39:54 | |
It's a mid-20th century badminton set | 0:39:54 | 0:39:57 | |
manufactured by the century-old London games company Jaques, | 0:39:57 | 0:40:02 | |
and bearing a Harrods retailer stamp. | 0:40:02 | 0:40:04 | |
We were hoping our final object, we were talking, | 0:40:04 | 0:40:08 | |
was going to be a true traditional British antique... | 0:40:08 | 0:40:12 | |
-Yes. -..piece of furniture, but really... | 0:40:12 | 0:40:15 | |
-I can't see any of those. -Yet. Can we just hold this, maybe? | 0:40:15 | 0:40:19 | |
-Yeah. -Put it to one side, cos we don't want the opposition | 0:40:19 | 0:40:22 | |
to cast their beady eyes on it. | 0:40:22 | 0:40:24 | |
I mean... Well, I'm not going to get involved in a fight with you. | 0:40:24 | 0:40:28 | |
You won't have to fight, Will, don't worry. | 0:40:28 | 0:40:31 | |
There's one to come back to. But will anything else catch their eye? | 0:40:31 | 0:40:36 | |
What about...this? I'm loving this. | 0:40:36 | 0:40:39 | |
Tell me about that. | 0:40:39 | 0:40:41 | |
-A hall chair. -Perfect. Well done. | 0:40:44 | 0:40:47 | |
-1800s. -Wahey, you are getting so good. | 0:40:49 | 0:40:53 | |
Victorian. | 0:40:53 | 0:40:55 | |
Definitely Victorian. | 0:40:55 | 0:40:56 | |
It's kind of 1860. | 0:40:56 | 0:40:59 | |
-I'm going to bring this over to you. -OK. | 0:40:59 | 0:41:02 | |
-OK. -It looks nice. | 0:41:05 | 0:41:07 | |
-What do you think of it as a piece? -I think it's really sweet. | 0:41:07 | 0:41:10 | |
So that's a definite possibility. | 0:41:10 | 0:41:12 | |
But, meanwhile, back downstairs... | 0:41:12 | 0:41:15 | |
-Oh, look. -Badminton set. | 0:41:15 | 0:41:18 | |
Oh, it's Jaques. I know his grandson. | 0:41:18 | 0:41:21 | |
I've met the grandson who now runs the business. | 0:41:21 | 0:41:24 | |
They're still going. They make games. | 0:41:24 | 0:41:26 | |
They make family compendiums and different things like that. | 0:41:26 | 0:41:30 | |
I'm quite excited about this. | 0:41:30 | 0:41:32 | |
-Really? -Yeah. | 0:41:32 | 0:41:33 | |
I don't think I've seen your face light up quite so much... | 0:41:33 | 0:41:36 | |
It's quite interesting. | 0:41:36 | 0:41:37 | |
Uh-oh! Perhaps Will should have put that one to one side after all. | 0:41:37 | 0:41:41 | |
War it may be. | 0:41:43 | 0:41:46 | |
I really like this. I think this is a really good choice. | 0:41:46 | 0:41:48 | |
-I like it as well. -Good call. | 0:41:48 | 0:41:50 | |
Good call, Jenni, I like it. | 0:41:50 | 0:41:51 | |
-No, I like it. This is... -Are we thinking...? | 0:41:51 | 0:41:54 | |
-Gosh, this is my favourite thing I've seen. -Really? | 0:41:54 | 0:41:57 | |
-Yeah. -Cool. OK. | 0:41:57 | 0:41:58 | |
Jenni finally finds something she really loves. | 0:41:58 | 0:42:01 | |
But, of course, their dealer, Tom, doesn't know the other team | 0:42:01 | 0:42:04 | |
has already reserved it. | 0:42:04 | 0:42:06 | |
Or think they have. | 0:42:06 | 0:42:08 | |
Oh, Tom! | 0:42:08 | 0:42:09 | |
Come hither! Light of my life. | 0:42:09 | 0:42:12 | |
-Here we go. -Ah-ha. -I found him. -Hello. | 0:42:12 | 0:42:15 | |
-Hello. -Over to you. -See, we've found this. | 0:42:15 | 0:42:18 | |
-Right. -It's quite interesting. | 0:42:18 | 0:42:20 | |
What kind of price could you offer this to us for? | 0:42:20 | 0:42:22 | |
I was thinking about 35. Is that any good? | 0:42:22 | 0:42:25 | |
We could come down a little more, couldn't we? Like, to 15. | 0:42:25 | 0:42:28 | |
-HE GASPS -15?! | 0:42:28 | 0:42:30 | |
20. Come on. You'll make money on 20. | 0:42:30 | 0:42:33 | |
This is a £20 handshake. Thank you very much. | 0:42:33 | 0:42:37 | |
-You're welcome. -Brilliant. OK. That's exciting. -Well done. | 0:42:37 | 0:42:41 | |
-Put it there. -Good. We've got something. Yes. | 0:42:41 | 0:42:43 | |
Blimey! Jenni's haggling really has come on leaps and bounds. Bravo. | 0:42:43 | 0:42:48 | |
-There you go. -Thank you. | 0:42:48 | 0:42:50 | |
They steal the badminton set | 0:42:50 | 0:42:51 | |
right out from under the other team's noses, | 0:42:51 | 0:42:54 | |
albeit unintentionally. | 0:42:54 | 0:42:56 | |
Back upstairs and completely oblivious, | 0:42:58 | 0:43:00 | |
Angellica and David have uncovered a hall chair, | 0:43:00 | 0:43:03 | |
so cross words might yet be avoided. | 0:43:03 | 0:43:07 | |
Ticket price on the chair is £48. | 0:43:07 | 0:43:10 | |
I know which I'd prefer. | 0:43:10 | 0:43:12 | |
This has caught our eye. | 0:43:12 | 0:43:14 | |
Will, how shall we do this? | 0:43:14 | 0:43:16 | |
Shall I offer you a price and you come back with another offer? | 0:43:16 | 0:43:19 | |
-Go on. What is your offer? -£8. | 0:43:19 | 0:43:23 | |
-I think 15 would be fair. -12. | 0:43:23 | 0:43:25 | |
No, 15. It will give you a good profit. | 0:43:25 | 0:43:28 | |
Look into her eyes. | 0:43:28 | 0:43:30 | |
I don't want to, cos she's going to hypnotise me and I might say yes. | 0:43:30 | 0:43:33 | |
I've got an idea. Let me mediate. | 0:43:33 | 0:43:36 | |
Both agree to this. | 0:43:36 | 0:43:38 | |
-On the spin of a coin. £12.50 or £15. -OK. | 0:43:38 | 0:43:43 | |
-All right. -Angellica? -Heads. I always go heads. | 0:43:43 | 0:43:46 | |
-You're heads, then. -Ready? -Mm. | 0:43:46 | 0:43:48 | |
-Sorry, darling, it's tails. -No, all's fair. | 0:43:50 | 0:43:53 | |
-15. -15, well done. -Thank you. | 0:43:54 | 0:43:56 | |
-And so you have been! No, no... -Ahh! | 0:43:56 | 0:43:58 | |
THEY ALL LAUGH | 0:43:58 | 0:44:01 | |
Witty banter and a great deal from Will. | 0:44:01 | 0:44:04 | |
They got the chair, so they don't need the badminton set. | 0:44:04 | 0:44:07 | |
HE WHISTLES WITH RELIEF | 0:44:07 | 0:44:10 | |
With all the items in the bag, | 0:44:10 | 0:44:12 | |
it's time to reveal their purchases to each other. Let's go outside. | 0:44:12 | 0:44:17 | |
-Hello. -Hello. -It's nice to be all together. | 0:44:17 | 0:44:20 | |
It's a bit nerve-racking, though, let's be honest. | 0:44:20 | 0:44:22 | |
I think I'm more intrigued to see what you've got. | 0:44:22 | 0:44:24 | |
I think actually I like everything that we've got apart from one item. | 0:44:24 | 0:44:28 | |
Let's try and work that one out. | 0:44:28 | 0:44:29 | |
Here we go. | 0:44:29 | 0:44:31 | |
Wow! | 0:44:31 | 0:44:32 | |
I recognise that box! | 0:44:32 | 0:44:35 | |
Do you? | 0:44:35 | 0:44:36 | |
Oh, come on. You... | 0:44:36 | 0:44:37 | |
-Have you seen this before? -Usurped us! | 0:44:37 | 0:44:39 | |
-Did you see this? -Yes. | 0:44:39 | 0:44:42 | |
-Yeah. -Now it all becomes clear. | 0:44:42 | 0:44:43 | |
But we didn't want it. | 0:44:43 | 0:44:46 | |
Well, you did at one point. | 0:44:46 | 0:44:47 | |
-We got it for 20. -Good price. | 0:44:47 | 0:44:50 | |
-That will make you some money. -I think that was a good buy. | 0:44:50 | 0:44:53 | |
You did love that. | 0:44:53 | 0:44:54 | |
That one I did like. | 0:44:54 | 0:44:56 | |
OK, so we haven't found yet the object that you hate? | 0:44:56 | 0:44:58 | |
You have not. | 0:44:58 | 0:45:00 | |
Can I say, the one I think you won't like is the red one. | 0:45:00 | 0:45:03 | |
-Ah! -You know me well. | 0:45:03 | 0:45:04 | |
-DAVID: -Well done. Why do you say that? | 0:45:04 | 0:45:07 | |
It's just knowing Jenni and knowing her house and her style, | 0:45:07 | 0:45:10 | |
-it's too busy. -OK. -It's just too garish. | 0:45:10 | 0:45:14 | |
Yeah, you really didn't like that. | 0:45:14 | 0:45:15 | |
That's exactly what I feel. | 0:45:15 | 0:45:17 | |
-But there is money to be made. It was 25 quid. -That's cheap. | 0:45:17 | 0:45:21 | |
-Jolly good. OK. -You bought a range. -Exactly, a bit of everything. | 0:45:21 | 0:45:24 | |
-JENNI: -It's nice seeing everything together. | 0:45:24 | 0:45:26 | |
Suddenly I'm like, actually, with the exception of one item, | 0:45:26 | 0:45:29 | |
I'm really, really proud of what we've got. | 0:45:29 | 0:45:32 | |
Wonderful. Now for Angellica and David. | 0:45:32 | 0:45:35 | |
-Jenni, there is one thing here that I don't like. -Ooh, OK. | 0:45:35 | 0:45:40 | |
Oh, right. OK, find that one. | 0:45:40 | 0:45:43 | |
-OK... -What do you think? -Oh, wow, I love your bell. | 0:45:43 | 0:45:46 | |
I love the bell. | 0:45:46 | 0:45:48 | |
Bell for Angellica Bell. | 0:45:48 | 0:45:49 | |
-I know. -I like it. | 0:45:49 | 0:45:51 | |
-That's brilliant. -Is this a calculator? | 0:45:53 | 0:45:56 | |
-Yes. It's an Art Deco... -Look at that Bakelite, it's amazing. | 0:45:56 | 0:46:00 | |
Bakelite - isn't it gorgeous? | 0:46:00 | 0:46:02 | |
Can Jenni spot the odd one out in this haul? | 0:46:02 | 0:46:05 | |
There's one object that kind of stands out for me, but I'm... | 0:46:05 | 0:46:08 | |
Do you have any idea which one she might not like? | 0:46:08 | 0:46:11 | |
I don't think you like the Buddha. | 0:46:11 | 0:46:13 | |
That's exactly what I was going to say. | 0:46:13 | 0:46:15 | |
I hate the Buddha. | 0:46:15 | 0:46:16 | |
THEY LAUGH | 0:46:16 | 0:46:18 | |
Why would you buy the Buddha? | 0:46:18 | 0:46:20 | |
Can I just make something clear. That is not Buddha. | 0:46:20 | 0:46:23 | |
Quite right, David. | 0:46:23 | 0:46:24 | |
Budai. | 0:46:24 | 0:46:25 | |
Budai. Hand-carved out of bamboo and it cost a £5 note. | 0:46:25 | 0:46:30 | |
He's got to be lucky for that, hasn't he? | 0:46:30 | 0:46:32 | |
-JENNI: -We're going to get loads of money at auction. | 0:46:32 | 0:46:34 | |
-I think so. Well, we'll see you at auction, you two. -Yeah. | 0:46:34 | 0:46:38 | |
Best of luck. | 0:46:38 | 0:46:39 | |
You will. | 0:46:39 | 0:46:40 | |
But, before that, how do they really rate their rivals' lot? | 0:46:40 | 0:46:44 | |
Out of their items and our items, would you swap? | 0:46:44 | 0:46:47 | |
-No, I like ours more. -I do, too. -Do you? -Yeah. -Yes! | 0:46:47 | 0:46:51 | |
Aw. | 0:46:51 | 0:46:53 | |
And would Angellica swap any of their haul? | 0:46:53 | 0:46:55 | |
-No. -Even Budai? | 0:46:55 | 0:46:58 | |
No, because you love Budai and we're a team. | 0:46:58 | 0:47:00 | |
-We ARE a team. -Remember, that's what we said. | 0:47:00 | 0:47:03 | |
You know what? We are a team. | 0:47:03 | 0:47:05 | |
-I love you. -Oh, thank you. I love you, too. | 0:47:05 | 0:47:07 | |
So it's lurve and joy as they head to auction. | 0:47:07 | 0:47:12 | |
On this trip they've motored all the way from East Molesey in Surrey | 0:47:12 | 0:47:16 | |
to auction near the village of Beltring in Kent. | 0:47:16 | 0:47:19 | |
That sounds BELTERING. | 0:47:19 | 0:47:21 | |
Jenni and Angellica are driving to the sale. | 0:47:21 | 0:47:24 | |
I'm excited about today, too. | 0:47:24 | 0:47:25 | |
-It's going to be amazing. -How about David? | 0:47:25 | 0:47:28 | |
What colour trouser will he be wearing today? | 0:47:28 | 0:47:30 | |
I think he might be wearing green. | 0:47:30 | 0:47:31 | |
Whatever he wears, they'll be tight. | 0:47:31 | 0:47:34 | |
While David and Christina await them at Hop Farm Auction House... | 0:47:34 | 0:47:37 | |
Well, the girls were almost right. | 0:47:37 | 0:47:40 | |
-Blue. -Blue trousers. | 0:47:40 | 0:47:42 | |
-Hi! -Not green. | 0:47:42 | 0:47:43 | |
-You look very glamorous, you two. -Super duper glam. | 0:47:45 | 0:47:48 | |
-Oh, thank you very much. -How are you, my love? | 0:47:48 | 0:47:51 | |
Nice to see you. | 0:47:51 | 0:47:53 | |
Hmm. Formation kissing, look. | 0:47:53 | 0:47:55 | |
To the saleroom, teams. | 0:47:55 | 0:47:58 | |
Our auctioneer today is Alex Jenkins. | 0:47:58 | 0:48:01 | |
Before the off, what does he think of our teams' lots? | 0:48:01 | 0:48:04 | |
The Harrods badminton set - nice lot, like it. | 0:48:04 | 0:48:07 | |
That kind of thing's really popular at the moment. | 0:48:07 | 0:48:10 | |
The Bakelite calculator - nice Art Deco piece, lovely colours. | 0:48:10 | 0:48:14 | |
Green, chocolate lime almost. Nice thing. | 0:48:14 | 0:48:18 | |
Both teams started with £400. | 0:48:18 | 0:48:20 | |
Angellica and David spent £168 exactly | 0:48:20 | 0:48:23 | |
and have five lots to show for it. | 0:48:23 | 0:48:26 | |
While Jenni and Christina spent £160 | 0:48:29 | 0:48:32 | |
and also have five lots in today's sale. | 0:48:32 | 0:48:35 | |
The auction is about to begin. | 0:48:35 | 0:48:37 | |
- We're off. Good luck, you two. - Is this it? | 0:48:40 | 0:48:43 | |
First up is Jenni and Christina's... opinion-dividing tazza. | 0:48:43 | 0:48:48 | |
At £20. Straight in. £20. 26. Straight in. | 0:48:48 | 0:48:51 | |
They're loving it online. | 0:48:51 | 0:48:53 | |
£26 there. £28, if you will. | 0:48:53 | 0:48:55 | |
28. Thank you. | 0:48:55 | 0:48:56 | |
28's in the room. 30 has been bid. | 0:48:56 | 0:48:58 | |
It's very rare. | 0:48:58 | 0:49:01 | |
Just telling you. | 0:49:01 | 0:49:02 | |
36. £38. 40. | 0:49:02 | 0:49:04 | |
42 is there. | 0:49:04 | 0:49:05 | |
44 in the room. | 0:49:05 | 0:49:06 | |
46 next. 46. 48. | 0:49:06 | 0:49:09 | |
£48 in the room. 50 has been bid. | 0:49:09 | 0:49:12 | |
It's doing well. | 0:49:12 | 0:49:14 | |
£50 online. | 0:49:14 | 0:49:15 | |
£55, if you want. | 0:49:15 | 0:49:17 | |
Look how nice it is. Look how nice it is. | 0:49:18 | 0:49:20 | |
-Well done. -That's great. | 0:49:20 | 0:49:23 | |
It's a good start. | 0:49:23 | 0:49:25 | |
It is. Jenni hated it, but that pragmatic buy has paid of splendidly. | 0:49:25 | 0:49:31 | |
Now it's the first lot for Angellica and David. | 0:49:31 | 0:49:34 | |
-Are you nervous? -Have you been to an auction before? | 0:49:34 | 0:49:37 | |
-No, it's my first time. -Never ever? -No. -Oh, wow! | 0:49:37 | 0:49:39 | |
Their maiden lot is their very first buy. | 0:49:39 | 0:49:42 | |
The Art Deco calculating machine. | 0:49:42 | 0:49:45 | |
Oh, my goodness gracious me! | 0:49:45 | 0:49:47 | |
What a beauty! | 0:49:47 | 0:49:49 | |
And I'm not talking about me! | 0:49:49 | 0:49:51 | |
Start them off now. Should be £50 for this one easily. | 0:49:51 | 0:49:54 | |
£50. | 0:49:54 | 0:49:55 | |
£40. Only £40. Got to be. Come along. £40. | 0:49:55 | 0:49:58 | |
What's that? | 0:49:58 | 0:50:00 | |
-30, you're saying? -No, you've got internet. | 0:50:00 | 0:50:03 | |
I'm concentrating on him so much. | 0:50:03 | 0:50:05 | |
Trying to tease him. £40 is there. | 0:50:05 | 0:50:07 | |
£42. Let's get excited. | 0:50:07 | 0:50:09 | |
£40 is online. | 0:50:09 | 0:50:11 | |
£42 is next. | 0:50:11 | 0:50:12 | |
Come along now. You look pretty. Show us your money. | 0:50:12 | 0:50:15 | |
-The internet! -No, I've got 42 there. | 0:50:15 | 0:50:17 | |
44's there. 46. | 0:50:17 | 0:50:19 | |
Oh, do behave, David. | 0:50:19 | 0:50:21 | |
-More like an argument than an auction, isn't it? -I know. | 0:50:21 | 0:50:23 | |
They're falling out over this. | 0:50:23 | 0:50:24 | |
£50 there. 55 is next. | 0:50:24 | 0:50:26 | |
55 is bid. 60. | 0:50:26 | 0:50:28 | |
Well done, though, sir. £60 next. At £55. | 0:50:28 | 0:50:32 | |
Last chance. | 0:50:32 | 0:50:34 | |
55 it is. At 55. | 0:50:34 | 0:50:36 | |
Yay! | 0:50:36 | 0:50:39 | |
Thank you. | 0:50:39 | 0:50:41 | |
That all adds up to a terrific start for them. | 0:50:41 | 0:50:44 | |
I don't know if we're meant to heckle him. | 0:50:44 | 0:50:46 | |
That's not really done. | 0:50:46 | 0:50:48 | |
Quite, Christina. | 0:50:48 | 0:50:50 | |
Now it's Jenni and Christina's jug and bowl set. | 0:50:51 | 0:50:54 | |
It was the first thing Jenni picked herself. | 0:50:54 | 0:50:57 | |
Oh, look at that! | 0:50:59 | 0:51:00 | |
Sorry, what have you seen? | 0:51:00 | 0:51:02 | |
Can I just say, this is beautiful. | 0:51:03 | 0:51:07 | |
£15. £15 I've got. | 0:51:07 | 0:51:10 | |
18. 20. 22. 22 anywhere? | 0:51:10 | 0:51:13 | |
22 is there. 24. | 0:51:13 | 0:51:15 | |
26. 28. 30. | 0:51:15 | 0:51:18 | |
Come on, sir, it's £2. | 0:51:18 | 0:51:20 | |
£30 there. | 0:51:20 | 0:51:22 | |
32. 34 next. | 0:51:22 | 0:51:23 | |
-JENNI: -It's got so much history. | 0:51:23 | 0:51:25 | |
"It's got so much history," she says. | 0:51:25 | 0:51:27 | |
People used to pour water out of that jug. | 0:51:27 | 0:51:29 | |
-No way! -I swear. -Did they really? -I'm not even making that up. | 0:51:29 | 0:51:33 | |
Really? No. | 0:51:33 | 0:51:35 | |
£32 there. | 0:51:35 | 0:51:37 | |
It's £32 in the room. And selling at 32. | 0:51:37 | 0:51:41 | |
-Really good. -Thank you. | 0:51:41 | 0:51:43 | |
Some charm from Jenni, | 0:51:43 | 0:51:45 | |
and Alex our auctioneer pulls that into the black before costs. | 0:51:45 | 0:51:50 | |
Bravo. | 0:51:50 | 0:51:51 | |
The lovely nutcracker which captures Angellica's quirky classic style | 0:51:51 | 0:51:55 | |
is the next lot to meet the room. | 0:51:55 | 0:51:58 | |
£10 for it. | 0:51:58 | 0:51:59 | |
£10. Novelty item. There he is. £12 there. | 0:51:59 | 0:52:02 | |
£14 next. | 0:52:02 | 0:52:03 | |
-There we are. -All good. -16. £18 next anywhere. | 0:52:03 | 0:52:07 | |
Tell 'em how rare it is, Angellica. | 0:52:07 | 0:52:08 | |
£16 in the room. | 0:52:08 | 0:52:10 | |
18 is bid. 20. Don't make me work for it. | 0:52:10 | 0:52:12 | |
20 is in the room. | 0:52:12 | 0:52:14 | |
22 is there. 24. We're getting there. | 0:52:14 | 0:52:17 | |
Go for it. £24 is bid in the room. | 0:52:17 | 0:52:19 | |
Oh, go on. | 0:52:19 | 0:52:20 | |
They're going quiet. There's some dancing going on. | 0:52:20 | 0:52:23 | |
26... You get the dance for free. | 0:52:23 | 0:52:26 | |
£26 next, if you will. | 0:52:26 | 0:52:27 | |
24 it is. And selling at 24. | 0:52:27 | 0:52:31 | |
Yay! | 0:52:31 | 0:52:32 | |
-That's all right. -Well done. | 0:52:32 | 0:52:34 | |
They danced their way to a nice little profit. | 0:52:34 | 0:52:37 | |
Should we be more in competition? Are we being too nice? | 0:52:37 | 0:52:40 | |
Should we be more aggressively against them? | 0:52:40 | 0:52:43 | |
Well, do you want to do that? | 0:52:43 | 0:52:45 | |
Groovy. | 0:52:45 | 0:52:46 | |
Up next, it's Jenni and Christina's early aeroplane propeller. | 0:52:46 | 0:52:51 | |
It was Christina's pick, but they both liked it. | 0:52:51 | 0:52:54 | |
Let's hope some bidders agree. | 0:52:54 | 0:52:56 | |
£40 starts it. £40. It's got to be worth £40. | 0:52:56 | 0:52:59 | |
£30 in the room. £32 next. | 0:52:59 | 0:53:02 | |
32's there. 34. 36. | 0:53:02 | 0:53:05 | |
Come along. Come on. 36 there. 38. | 0:53:05 | 0:53:08 | |
40. | 0:53:08 | 0:53:10 | |
42. At 42. And selling at 42. | 0:53:10 | 0:53:14 | |
Ouch! | 0:53:14 | 0:53:16 | |
Unlucky, girls. First loss of the day. | 0:53:16 | 0:53:19 | |
Now, the lot that divided rock-solid team Angellica and David. | 0:53:19 | 0:53:24 | |
Will luck shine on the bamboo Budai? | 0:53:24 | 0:53:26 | |
Any Bid-dais out there? | 0:53:26 | 0:53:28 | |
FAINT LAUGHTER | 0:53:28 | 0:53:29 | |
He's on fire, isn't he? | 0:53:29 | 0:53:32 | |
Let's see. Starts here with me at, I'll go the top end, £36 starts in. | 0:53:32 | 0:53:37 | |
£38, if you want it. | 0:53:37 | 0:53:39 | |
£36 is with me. | 0:53:39 | 0:53:41 | |
-What?! -£38 there. 40 with me. | 0:53:41 | 0:53:44 | |
42 next. 42 is there. | 0:53:44 | 0:53:47 | |
I love Budai! | 0:53:47 | 0:53:49 | |
Would you like to buy one? | 0:53:49 | 0:53:51 | |
-No! -£44. £44 next. | 0:53:51 | 0:53:54 | |
-You already did. -And selling at 42. | 0:53:54 | 0:53:58 | |
Yeah, baby! | 0:53:58 | 0:54:00 | |
Did that just happen? | 0:54:01 | 0:54:03 | |
It did. | 0:54:03 | 0:54:04 | |
Even Angellica's won round to its charms. | 0:54:04 | 0:54:08 | |
What did it make? | 0:54:08 | 0:54:09 | |
-I'm in indebted to you forever. -Thank you. | 0:54:09 | 0:54:11 | |
He does know what he's talking about after all. | 0:54:11 | 0:54:14 | |
So surprising. | 0:54:14 | 0:54:16 | |
Jenni wasn't sure what these sauce boats were, | 0:54:16 | 0:54:19 | |
but she put her faith in Christina. Will it pay off? | 0:54:19 | 0:54:22 | |
Let's just go with your fiver, Roy. | 0:54:22 | 0:54:23 | |
Come on, then. £5 is there. £6 is online. | 0:54:23 | 0:54:26 | |
7. £8 next. | 0:54:26 | 0:54:27 | |
£8 there. £9 is in the room. | 0:54:27 | 0:54:29 | |
Ooh, going in ones. It's painful going up in ones. | 0:54:29 | 0:54:31 | |
But it's climbing. | 0:54:31 | 0:54:33 | |
£20 is there. | 0:54:33 | 0:54:34 | |
22 next. In 22. | 0:54:34 | 0:54:37 | |
£24 there. £24 is bid. | 0:54:37 | 0:54:39 | |
Ooh, you're getting there. | 0:54:39 | 0:54:40 | |
£28, if you want. 28 is online. | 0:54:40 | 0:54:42 | |
30 to you. 30 is in the room. | 0:54:42 | 0:54:44 | |
It really is climbing. | 0:54:44 | 0:54:46 | |
36 next. | 0:54:46 | 0:54:47 | |
-Well done. You're a good man. -38. | 0:54:47 | 0:54:50 | |
-38 is in the room. 40 next. -Whoo! | 0:54:50 | 0:54:53 | |
42. 42 is in the room. | 0:54:53 | 0:54:55 | |
44 next. At 42. | 0:54:55 | 0:54:58 | |
Is that a bid? No. 42. | 0:54:58 | 0:55:01 | |
Well done. | 0:55:01 | 0:55:03 | |
What did they start at, a fiver? | 0:55:03 | 0:55:05 | |
That's really good. | 0:55:05 | 0:55:07 | |
Patience wins out and that's another great profit for Jenni and Christina. | 0:55:07 | 0:55:12 | |
Angellica wanted a traditional antique | 0:55:12 | 0:55:14 | |
and she got one in the form of this hall chair. | 0:55:14 | 0:55:17 | |
£20. Do I see 22? | 0:55:17 | 0:55:20 | |
Come on. | 0:55:20 | 0:55:21 | |
Got to be more in this. £22. | 0:55:21 | 0:55:23 | |
£22 anywhere? 22 is bid. 24 next. | 0:55:23 | 0:55:25 | |
24 is there. | 0:55:25 | 0:55:27 | |
26 next. | 0:55:27 | 0:55:28 | |
£26. Got to be. | 0:55:28 | 0:55:30 | |
There it is. 28. 30 next. | 0:55:30 | 0:55:32 | |
30 is there. 32. | 0:55:32 | 0:55:34 | |
-£30 here. -Double bubble, baby. | 0:55:34 | 0:55:36 | |
32 wanted. At £30 and selling. At 30. | 0:55:36 | 0:55:39 | |
-Thank you. -Well done. | 0:55:41 | 0:55:43 | |
Double bubble. Brilliant. | 0:55:43 | 0:55:44 | |
Double bubble, indeed. | 0:55:44 | 0:55:46 | |
And this game is looking close. | 0:55:46 | 0:55:49 | |
Now the Jaques badminton set that both teams liked, | 0:55:49 | 0:55:53 | |
but only Jenni and Christina picked up. | 0:55:53 | 0:55:55 | |
£40 is there. £42 next. | 0:55:55 | 0:55:58 | |
I only want £2. There it is. | 0:55:58 | 0:55:59 | |
42 is there. 44 next. | 0:55:59 | 0:56:01 | |
£44 is all I want. | 0:56:01 | 0:56:03 | |
At £42, I'm selling. | 0:56:03 | 0:56:06 | |
Oh, no. More than that. | 0:56:06 | 0:56:07 | |
Oh, that's a shame. | 0:56:07 | 0:56:09 | |
What a shame. | 0:56:09 | 0:56:10 | |
Lots of people haven't even bid. There he is. | 0:56:10 | 0:56:13 | |
44 is there. | 0:56:13 | 0:56:14 | |
£46 next. 46. | 0:56:14 | 0:56:17 | |
£46 I'm selling. Last chance. At 46. | 0:56:17 | 0:56:20 | |
-That's good. -Well done. | 0:56:21 | 0:56:24 | |
That scores a nice profit for them. | 0:56:24 | 0:56:26 | |
Could that have won the day? | 0:56:26 | 0:56:29 | |
It's Angellica's bell now. Can her namesake win them this game? | 0:56:29 | 0:56:34 | |
£80 I'm bid. £90. Well done. | 0:56:34 | 0:56:36 | |
95 next. Back in. 100. 110, if you will. | 0:56:36 | 0:56:41 | |
110 is there. 120 is in the room. | 0:56:41 | 0:56:44 | |
120. I'm finding it hard to see you. | 0:56:44 | 0:56:48 | |
130 is there. 140. 140's in. | 0:56:48 | 0:56:50 | |
150, if you will. | 0:56:50 | 0:56:52 | |
150 is there. 160. | 0:56:52 | 0:56:55 | |
I'll offer it up, 155, to make it cheeky. | 0:56:55 | 0:56:57 | |
155, if you will. Go on, sir. | 0:56:57 | 0:57:01 | |
155. | 0:57:01 | 0:57:03 | |
155, he's back in. | 0:57:03 | 0:57:05 | |
160 it is. | 0:57:05 | 0:57:07 | |
At £160. It's going. It's gone. | 0:57:07 | 0:57:11 | |
Yay! | 0:57:11 | 0:57:14 | |
This is better than Christmas! | 0:57:19 | 0:57:21 | |
Maybe someone just bought you a bell. You never know. | 0:57:22 | 0:57:25 | |
The bell's a big winner on their very last lot. | 0:57:27 | 0:57:31 | |
We need now to go and do some numbers and find out who's won. | 0:57:31 | 0:57:35 | |
-Yeah, let's go. -I think we can work it out. | 0:57:35 | 0:57:37 | |
Just ignore him. | 0:57:37 | 0:57:38 | |
Both teams started this trip with £400. | 0:57:40 | 0:57:43 | |
After auction costs, Jenny and Christina made a profit of £13.84. | 0:57:43 | 0:57:48 | |
Giving them £413.84. | 0:57:48 | 0:57:51 | |
Well done, girls. | 0:57:51 | 0:57:53 | |
But Angellica and David romped home with a profit of £87.02. | 0:57:55 | 0:58:01 | |
Giving them, oddly enough, £487.02 | 0:58:01 | 0:58:06 | |
and bragging rights forever more. | 0:58:06 | 0:58:08 | |
It was good. Really good. | 0:58:10 | 0:58:13 | |
It was fantastic. | 0:58:13 | 0:58:15 | |
What a trip, eh? | 0:58:15 | 0:58:17 | |
Thank you, Jenni. Thank you so much. | 0:58:17 | 0:58:19 | |
Thanks for being a brilliant partner. | 0:58:19 | 0:58:21 | |
-You've been brilliant. -Thank you. | 0:58:21 | 0:58:24 | |
Thank you, girls, for the laughs, the profits and all the horsing about. | 0:58:24 | 0:58:30 | |
-I've enjoyed doing this show. -Oh, look. | 0:58:30 | 0:58:33 | |
Aww. | 0:58:33 | 0:58:34 | |
-BOTH: -Hello. | 0:58:34 | 0:58:36 | |
All profits from this series go to Children In Need. | 0:58:36 | 0:58:39 |