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The nation's favourite celebrities... | 0:00:02 | 0:00:03 | |
I like that. | 0:00:03 | 0:00:04 | |
..paired up with an expert... | 0:00:04 | 0:00:06 | |
Oh, we've had some fun, haven't we? | 0:00:06 | 0:00:07 | |
..and a classic car. | 0:00:07 | 0:00:09 | |
It feels as if it could go quite fast. | 0:00:09 | 0:00:11 | |
Their mission? To scour Britain for antiques. | 0:00:11 | 0:00:14 | |
-Yes! -Fantastic. | 0:00:14 | 0:00:15 | |
I'll do that in slow-mo. | 0:00:15 | 0:00:17 | |
The aim? To make the biggest profit at auction. | 0:00:17 | 0:00:19 | |
Come on, boys. | 0:00:19 | 0:00:21 | |
But it's no easy ride. | 0:00:21 | 0:00:22 | |
Da-da! | 0:00:22 | 0:00:23 | |
Who will find a hidden gem? | 0:00:23 | 0:00:25 | |
Don't sell me! | 0:00:25 | 0:00:26 | |
Who will take the biggest risks? | 0:00:26 | 0:00:28 | |
Go away, darling. | 0:00:28 | 0:00:29 | |
Will anybody follow expert advice? | 0:00:29 | 0:00:32 | |
I'm trying to spend money here. | 0:00:32 | 0:00:34 | |
There will be worthy winners... | 0:00:34 | 0:00:35 | |
Yes! | 0:00:35 | 0:00:36 | |
..and valiant losers. | 0:00:36 | 0:00:39 | |
Put your pedal to the metal. | 0:00:39 | 0:00:40 | |
This is the Celebrity Antiques Road Trip. | 0:00:40 | 0:00:43 | |
Yeah! | 0:00:46 | 0:00:47 | |
On today's show, we have a pair of sparkling, groovy singers | 0:00:54 | 0:00:58 | |
from the velvet bell-bottomed decade of the '70s. | 0:00:58 | 0:01:01 | |
Jimmy Osmond and Tony Christie. | 0:01:02 | 0:01:05 | |
So you've recorded a million things. | 0:01:05 | 0:01:08 | |
-Obviously Road To Amarillo is the big one, right? -Yeah. | 0:01:08 | 0:01:11 | |
I'm Long Haired Lover, I'd rather have yours. | 0:01:11 | 0:01:13 | |
Can we switch? | 0:01:13 | 0:01:15 | |
I mean, I enjoy singing Amarillo. | 0:01:15 | 0:01:18 | |
As soon as I start it, everyone starts singing with me. | 0:01:18 | 0:01:20 | |
Oh, hello. | 0:01:20 | 0:01:22 | |
-# Sha la la la la la la la... # -Oh, no. | 0:01:22 | 0:01:25 | |
Today's, well, tuneful experts are auctioneer Catherine Southon | 0:01:25 | 0:01:28 | |
and dealer Margie Cooper. | 0:01:28 | 0:01:31 | |
# And sweet Marie who waits for me. # | 0:01:31 | 0:01:33 | |
Just so they don't sing Long Haired Lover From Liverpool, | 0:01:33 | 0:01:36 | |
we're all good. | 0:01:36 | 0:01:37 | |
# I'll be your long haired lover from Liverpool... # | 0:01:37 | 0:01:39 | |
Whoops! | 0:01:39 | 0:01:41 | |
# And I do anything you say... # | 0:01:41 | 0:01:42 | |
Oh, I like it, Margie! | 0:01:42 | 0:01:46 | |
Back in the '70s, Margie was a hot-to-trot model, you know. | 0:01:46 | 0:01:50 | |
And Catherine? Well, she was winning bonnie baby competitions. | 0:01:50 | 0:01:55 | |
Oh, what a cutie. | 0:01:55 | 0:01:56 | |
Jimmy and Tony have the very grand 1989 Bentley 8 | 0:01:57 | 0:02:01 | |
to parade around the country. | 0:02:01 | 0:02:03 | |
-So how do you like this car, huh, Bentley? -It's great. -Pretty posh. | 0:02:03 | 0:02:07 | |
It's great. Takes me back to the '70s when I used to have a Rolls. | 0:02:07 | 0:02:11 | |
Very nice, Tony. | 0:02:11 | 0:02:13 | |
MUSIC: (Is This The Way To) Amarillo by Tony Christie | 0:02:13 | 0:02:15 | |
Our cool crooner has been in the world of showbiz | 0:02:15 | 0:02:18 | |
for over half a century and is best known | 0:02:18 | 0:02:21 | |
for a certain 1971 sing-a-long ditty. | 0:02:21 | 0:02:23 | |
# Is this the way to Amarillo? | 0:02:23 | 0:02:26 | |
# Every night I've been hugging my pillow | 0:02:26 | 0:02:30 | |
# Dreaming dreams of Amarillo... # | 0:02:30 | 0:02:31 | |
Don't you love that song? | 0:02:31 | 0:02:33 | |
Lovable Jimmy hails from global phenomenon | 0:02:34 | 0:02:38 | |
and super successful pop dynasty The Osmonds. | 0:02:38 | 0:02:41 | |
As a little nipper, | 0:02:43 | 0:02:44 | |
he hit the big time by going straight to number one in 1972. | 0:02:44 | 0:02:48 | |
# I'll be your long-haired lover from Liverpool | 0:02:48 | 0:02:52 | |
# You'll be my sunshine daisy from LA... # | 0:02:52 | 0:02:56 | |
They each have a bag of money totalling £400, | 0:02:58 | 0:03:01 | |
and it looks like Jimmy wants to win. | 0:03:01 | 0:03:03 | |
We're not on a team, we're competitors. | 0:03:03 | 0:03:06 | |
-Yeah, we're enemies. -We're enemies. -But not yet. -Not yet. | 0:03:06 | 0:03:10 | |
-We're friendly enemies. -Yes. | 0:03:11 | 0:03:13 | |
You'd better watch him, Jimmy. | 0:03:13 | 0:03:15 | |
Catherine and Margie are bobbing about town and dale | 0:03:15 | 0:03:19 | |
in the rare 1981 DeLorean, | 0:03:19 | 0:03:21 | |
best known as the time machine in the Back To The Future trilogy. | 0:03:21 | 0:03:26 | |
But we've got wings, haven't we? We could fly in this. | 0:03:26 | 0:03:30 | |
Er, I don't think so, Catherine. | 0:03:30 | 0:03:32 | |
Our trip begins in the Leicestershire town of Loughborough. | 0:03:34 | 0:03:37 | |
Moving northwards to the city of Nottingham, | 0:03:39 | 0:03:41 | |
charging west through Shropshire | 0:03:41 | 0:03:43 | |
and finally auctioning | 0:03:43 | 0:03:44 | |
in the Staffordshire city of Stoke-on-Trent. | 0:03:44 | 0:03:46 | |
Celebrities waiting, where are those girls? | 0:03:47 | 0:03:50 | |
There they are. About time too. | 0:03:50 | 0:03:53 | |
This should be fun. I like adventures like this, don't you? | 0:03:53 | 0:03:56 | |
-Oh, yeah. -Yeah. | 0:03:56 | 0:03:57 | |
Oh, look, there's a DeLorean! That's just like mine used to be. | 0:03:57 | 0:04:02 | |
-Oh, you're right. -Wow, look at that. | 0:04:02 | 0:04:04 | |
See, I never should have sold it, man. | 0:04:04 | 0:04:07 | |
CLUTCH SCRAPES, LAUGHTER | 0:04:07 | 0:04:09 | |
Crumbs! | 0:04:09 | 0:04:10 | |
-Hey, hey! -GIRLS: -Ta-dah! | 0:04:10 | 0:04:13 | |
-Hey, I should help you out. Hi, how are you? -Hi, I'm Catherine. | 0:04:15 | 0:04:18 | |
Nice to meet you. | 0:04:18 | 0:04:19 | |
-Nice to meet you. -Nice to meet you. | 0:04:19 | 0:04:21 | |
Nice to meet you, Tony, how are you doing? | 0:04:21 | 0:04:22 | |
Hello, lovely. | 0:04:22 | 0:04:24 | |
Jimmy, how nice to meet you. | 0:04:24 | 0:04:26 | |
Oh, you're warm. It's freezing out here. | 0:04:26 | 0:04:28 | |
That's hard work. | 0:04:28 | 0:04:29 | |
-What do you think of our car? -It's hard work. | 0:04:29 | 0:04:32 | |
-I know, it looks it. -I used to have one! | 0:04:32 | 0:04:33 | |
Well, I would love to know how this car really goes, | 0:04:33 | 0:04:36 | |
-because Margie is pretty hopeless at driving. -Give me the key. | 0:04:36 | 0:04:39 | |
Don't mince your words, then, Catherine. | 0:04:39 | 0:04:41 | |
The keys are in there. | 0:04:41 | 0:04:42 | |
So that's settled, then. | 0:04:42 | 0:04:44 | |
Catherine teams up with Jimmy and Margie has paired up with Tony. | 0:04:44 | 0:04:47 | |
It's kind of a generational thing. | 0:04:47 | 0:04:49 | |
Our raring-to-go road-trippers are all heading | 0:04:49 | 0:04:52 | |
to the town of Coalville in north-west Leicestershire, | 0:04:52 | 0:04:55 | |
and there's some real love in the DeLorean. | 0:04:55 | 0:04:58 | |
-Cos I used to sing in Japanese. -Oh, my gosh. You are so talented. | 0:04:58 | 0:05:03 | |
-No, I'm not. -You can do everything. -No. -I hope you can buy antiques. | 0:05:03 | 0:05:08 | |
I can't buy antiques. | 0:05:08 | 0:05:10 | |
I'm sure Jimmy will be just fine, Catherine. | 0:05:10 | 0:05:13 | |
What about Tony and Margie? | 0:05:13 | 0:05:15 | |
We go in the shop and then you sort of have a look around. | 0:05:15 | 0:05:20 | |
-Are they price tagged? -Yeah. | 0:05:20 | 0:05:22 | |
You look for dirty tickets, cos they've had it a long time. | 0:05:22 | 0:05:25 | |
Had it a long time. That's a good tip. | 0:05:25 | 0:05:27 | |
No flies on Margie. | 0:05:27 | 0:05:28 | |
Kat's Antique, Vintage & Collectables Centre | 0:05:31 | 0:05:33 | |
better watch out, because this bunch are ready to pile in. | 0:05:33 | 0:05:36 | |
Tony the tiger, he's ahead. | 0:05:38 | 0:05:39 | |
Let the dog see the rabbit, you lot. | 0:05:39 | 0:05:42 | |
-Hello, how are you? -We're first. | 0:05:42 | 0:05:44 | |
Margie and Julie are going to have their hands full in here. | 0:05:44 | 0:05:47 | |
Go on, darling, you go upstairs. You go up. | 0:05:47 | 0:05:50 | |
Up, up and away. | 0:05:50 | 0:05:51 | |
-See you later. -All right. | 0:05:51 | 0:05:53 | |
Good luck. | 0:05:53 | 0:05:54 | |
An owl. My mum used to collect owls. | 0:06:02 | 0:06:04 | |
-Had this in your bedroom, this was all you had. Do you remember? -Yeah. | 0:06:06 | 0:06:10 | |
Really? | 0:06:10 | 0:06:12 | |
Look at the ways to grind stuff. | 0:06:14 | 0:06:17 | |
-Mincer. You'd put all your... -Put your finger in there, mincemeat. | 0:06:17 | 0:06:21 | |
No, please don't do that. | 0:06:21 | 0:06:23 | |
-Glasses. -Glasses. Put your bins on. -Put my bins on. | 0:06:23 | 0:06:26 | |
Let's have a look. | 0:06:26 | 0:06:28 | |
Margie is our resident silver expert, | 0:06:28 | 0:06:30 | |
and she's spied a rather delightful sugar shaker. | 0:06:30 | 0:06:33 | |
Early part of the 20th century. | 0:06:33 | 0:06:35 | |
It's a bit rubbed, which is not good news. | 0:06:35 | 0:06:37 | |
It depends how much money it is. | 0:06:37 | 0:06:39 | |
It is silver. It is silver. The fact it's boxed makes it quite nice. | 0:06:39 | 0:06:43 | |
Decorative pieces like this in solid silver | 0:06:43 | 0:06:46 | |
are usually popular in the saleroom. | 0:06:46 | 0:06:49 | |
-Ah! Got a better mark. -Ah, you see?! | 0:06:49 | 0:06:52 | |
That's the sign of a good piece, every part of it is signed. | 0:06:52 | 0:06:56 | |
Right. | 0:06:56 | 0:06:58 | |
Yeah, so it's about 1920s. | 0:06:58 | 0:07:00 | |
-Yeah. -Do you like it? | 0:07:00 | 0:07:03 | |
It's nice, yeah. | 0:07:03 | 0:07:04 | |
Yeah, just be careful with that top, | 0:07:04 | 0:07:05 | |
-cos it's a bit wibbly wobbly, isn't it? -Yeah, needs a bit of attention. | 0:07:05 | 0:07:09 | |
-What-what-what...? -The best, best offer on that, really, would be 35. | 0:07:09 | 0:07:14 | |
-We're not arguing, are we? -No, I think that's good. That is good. | 0:07:14 | 0:07:17 | |
Crikey, that was quick. | 0:07:17 | 0:07:18 | |
Thanks, Julie. | 0:07:18 | 0:07:20 | |
We got the sugar shaker for £35. | 0:07:20 | 0:07:23 | |
-That's the first. -First one. -First job. -First one. -First one. | 0:07:23 | 0:07:26 | |
-That's not a bad choice, is it? -I don't... Hopefully. Should be... | 0:07:26 | 0:07:30 | |
Should make a profit. | 0:07:30 | 0:07:31 | |
Here's hoping, Margie. | 0:07:31 | 0:07:33 | |
Now, what about our rascals upstairs? | 0:07:33 | 0:07:36 | |
Are they jimmying around? | 0:07:36 | 0:07:37 | |
Are you competitive? | 0:07:37 | 0:07:40 | |
Yeah, but I'm OK... I don't have to win, but I want to. | 0:07:40 | 0:07:43 | |
-Who doesn't want to win? Come on! -Of course, of course. | 0:07:43 | 0:07:47 | |
-OK. -Yeah, this is a game. | 0:07:47 | 0:07:49 | |
-Do you think Tony is competitive? -I don't know. | 0:07:49 | 0:07:51 | |
I think Tony has got a little tiger in him. | 0:07:51 | 0:07:53 | |
Oh... | 0:07:53 | 0:07:55 | |
Now, what's this you've found, Catherine? | 0:07:55 | 0:07:57 | |
That's kind of cool, isn't it? | 0:07:57 | 0:07:59 | |
They're miniature ship lights, port and starboard. | 0:07:59 | 0:08:02 | |
Electric. | 0:08:02 | 0:08:03 | |
-This all looks very modern. -Yeah. | 0:08:04 | 0:08:07 | |
Julie and Marie have moved upstairs to help this pair. | 0:08:07 | 0:08:10 | |
-Do they work? -She said they worked. | 0:08:10 | 0:08:13 | |
I mean, what about that fan at the bottom? that lovely retro fan. | 0:08:13 | 0:08:17 | |
How much would that be? | 0:08:17 | 0:08:20 | |
-What, the fan? -Yeah. -What's on the label? | 0:08:20 | 0:08:22 | |
-£40. -I can do that for 25 quid for you. | 0:08:22 | 0:08:26 | |
That's generous, but will the £15 discount sell it to them? | 0:08:26 | 0:08:30 | |
Look, if we pay 25, it needs to make £40, £50, really. | 0:08:30 | 0:08:34 | |
Yeah, so we really need to pay, like, 10. | 0:08:34 | 0:08:37 | |
What about the lamps? | 0:08:37 | 0:08:39 | |
-They're coloured, aren't they? -Yeah, this is a green and a red one. | 0:08:39 | 0:08:42 | |
-You see? You can kind of see it's green and red. -Port and starboard. | 0:08:42 | 0:08:46 | |
So what would...you do? | 0:08:46 | 0:08:49 | |
I could do 15 for the pair. | 0:08:49 | 0:08:52 | |
Can you throw in the fan? | 0:08:52 | 0:08:54 | |
He wants a lot, don't he? | 0:08:56 | 0:08:58 | |
Well, no, I don't want to be cheeky, but I want to win. | 0:08:58 | 0:09:01 | |
-Don't we all?! -Yeah. | 0:09:02 | 0:09:04 | |
So could we have these and the fan for a tenner? | 0:09:04 | 0:09:07 | |
Sounds cheeky to me. | 0:09:07 | 0:09:09 | |
What, you want to give me a tenner for the fan? | 0:09:09 | 0:09:13 | |
And the lamps! | 0:09:13 | 0:09:16 | |
Come on, can we push it a little bit? How about 12? | 0:09:16 | 0:09:18 | |
12, we can. | 0:09:18 | 0:09:19 | |
-What about 15? -Meet in the middle, between 12 and 15, what's that? | 0:09:19 | 0:09:24 | |
Go on, then, 14. | 0:09:24 | 0:09:26 | |
Ah, I love you! All right, 14, and now we're your biggest fan. | 0:09:26 | 0:09:31 | |
Oh-ho-ho! Who writes this stuff?(!) | 0:09:33 | 0:09:34 | |
We need to shake your hand and say thank you very much. | 0:09:34 | 0:09:37 | |
I don't even know what we've paid, I don't know what we've bought. | 0:09:37 | 0:09:40 | |
-I'm confused. -14. We paid 14. -Yeah, you did. | 0:09:40 | 0:09:43 | |
After a bit of Jimmy schmoozing them, we have two lots. | 0:09:43 | 0:09:47 | |
£7 for the ship's lamps and £7 for the fan. That's ridiculous. | 0:09:47 | 0:09:51 | |
Ah, I spy the opposition. | 0:09:53 | 0:09:55 | |
Have you bought...? Have you spent quite a lot of money? | 0:09:55 | 0:09:58 | |
Catherine Southon, just mind your own business. | 0:09:58 | 0:10:00 | |
-Oh! -Ooh! | 0:10:00 | 0:10:02 | |
We're getting a little competitive, are we? | 0:10:02 | 0:10:04 | |
Competitive? You've just shown them what you bought, you ninnies. | 0:10:04 | 0:10:08 | |
Back to Tony, and his eyes are drawn to something. | 0:10:10 | 0:10:13 | |
Oh, that's interesting. What's that? | 0:10:13 | 0:10:15 | |
Yeah, look at the quality of that. | 0:10:15 | 0:10:17 | |
-Evening coat. -Oh, that's beautiful, isn't it? | 0:10:18 | 0:10:21 | |
-Yeah. -Look at that. | 0:10:21 | 0:10:23 | |
Who would have thought Tony would find a lady's coat, | 0:10:23 | 0:10:27 | |
but he does love his threads, and this looks top quality. | 0:10:27 | 0:10:31 | |
-And it's hardly worn. -Yeah. | 0:10:31 | 0:10:34 | |
-Look at that lace. -Yeah. | 0:10:34 | 0:10:36 | |
I mean, who or when and where could you wear it? | 0:10:37 | 0:10:40 | |
Do you think that's a possibility or not? | 0:10:41 | 0:10:44 | |
-I can't believe the nick it's in. -Great nick. | 0:10:44 | 0:10:47 | |
-Julie is over there. -Are you around? Sorry, Julie. | 0:10:47 | 0:10:50 | |
Do you know anything about the history of this? | 0:10:50 | 0:10:52 | |
-Wasn't that a marvellous...? -Well, it's Victorian. | 0:10:52 | 0:10:55 | |
Yeah, I realised that. And it's an evening coat of some kind. | 0:10:55 | 0:10:59 | |
-Yeah, and it belonged to a lady's mother. -Yeah. | 0:10:59 | 0:11:02 | |
-I mean, I don't think she's hardly ever wore it. -No. -No. | 0:11:02 | 0:11:05 | |
So what sort of price is it? | 0:11:05 | 0:11:07 | |
I've got £50 on that. | 0:11:07 | 0:11:09 | |
Yeah, it's a real gamble for us. You know, we wouldn't be able to make... | 0:11:09 | 0:11:12 | |
-It's unusual. -It is unusual, but that's too dear. | 0:11:12 | 0:11:16 | |
I think there's a little bit of movement on it, though. | 0:11:16 | 0:11:20 | |
I mean, what about £30? | 0:11:20 | 0:11:22 | |
-30. -What are you thinking, then? -Are we being really mean? | 0:11:23 | 0:11:26 | |
-Come on, you won't offend me. -Really? -No. -Well, that's nice. | 0:11:26 | 0:11:30 | |
-Well, let's go for 25. -Yeah? -Yeah. -Yeah, go on, then. | 0:11:30 | 0:11:33 | |
-Yeah we'll do that. -I think that's a good... | 0:11:33 | 0:11:35 | |
I don't want to go any lower, cos it's not fair. | 0:11:35 | 0:11:37 | |
-No. -Thank you very much. -Thank you. | 0:11:37 | 0:11:39 | |
The intricate Victorian lady's coat for £25. Thanks, Julie! | 0:11:39 | 0:11:44 | |
Meanwhile, Catherine and Jimmy are back in the DeLorean. | 0:11:47 | 0:11:50 | |
# Show me the way to Amarillo | 0:11:50 | 0:11:53 | |
# Every night I've been hugging my pillow... | 0:11:53 | 0:11:56 | |
# La la la la la la la la | 0:11:56 | 0:12:00 | |
# And sweet Marie who waits for me. # | 0:12:00 | 0:12:04 | |
Yes, now, moving on... | 0:12:04 | 0:12:05 | |
Our happy duo are having a rest from shopping. | 0:12:09 | 0:12:12 | |
They're heading to Castle Donington in Leicestershire... | 0:12:12 | 0:12:15 | |
down an English country lane. | 0:12:15 | 0:12:18 | |
-Oh, it's so beautiful. -Isn't it gorgeous? | 0:12:18 | 0:12:21 | |
-Oh, we're really lucky. -Yeah. | 0:12:21 | 0:12:23 | |
Petrolhead Jimmy may be American, | 0:12:26 | 0:12:28 | |
but he loves nothing more than British racing cars, | 0:12:28 | 0:12:31 | |
so as a treat, he's headed to the Donington Circuit... | 0:12:31 | 0:12:35 | |
Wow. | 0:12:35 | 0:12:37 | |
..to uncover the history behind a British marque that defied all odds | 0:12:37 | 0:12:41 | |
to beat the rest of the world in the late 1950s. | 0:12:41 | 0:12:44 | |
Now, that's what you call an entrance. | 0:12:46 | 0:12:48 | |
If I can get out of this thing. | 0:12:48 | 0:12:50 | |
How are you, sir? | 0:12:50 | 0:12:51 | |
-Welcome to Donington Park. -Thank you so much. | 0:12:51 | 0:12:54 | |
Nice sunny day for you. | 0:12:54 | 0:12:56 | |
Catherine and Jimmy are meeting with the park's managing director, | 0:12:56 | 0:12:59 | |
Christopher Tate, to find out more about this centre of excellence | 0:12:59 | 0:13:03 | |
for training and development in the world of motorcar racing. | 0:13:03 | 0:13:06 | |
-There was actually Grand Prix here in '36, '37, '38 and '39. -Wow. | 0:13:06 | 0:13:12 | |
Then the war came and this whole estate was then turned into | 0:13:12 | 0:13:15 | |
-a huge military parking lot and an airfield... -It's just so cool. | 0:13:15 | 0:13:20 | |
..which became a US and British Air Force field. | 0:13:20 | 0:13:24 | |
After four decades, the park returned to the world of motorsports | 0:13:25 | 0:13:29 | |
in 1971, and now houses the largest collection | 0:13:29 | 0:13:32 | |
of Grand Prix racing cars in the world. | 0:13:32 | 0:13:34 | |
-Oh, wow! -This is amazing! | 0:13:38 | 0:13:40 | |
You get to see really something | 0:13:40 | 0:13:42 | |
about the entire engineering of F1 cars, if you like, | 0:13:42 | 0:13:45 | |
Grand Prix cars from before the war right through to the 1970s. | 0:13:45 | 0:13:49 | |
Look at that. | 0:13:49 | 0:13:50 | |
It was all about learning lessons and how to build a Grand Prix car. | 0:13:50 | 0:13:56 | |
Look at the green. I love the British racing green. | 0:13:56 | 0:14:00 | |
World-famous. | 0:14:00 | 0:14:01 | |
This is immensely complicated - a V16 engine. | 0:14:01 | 0:14:06 | |
1.5 litres with a supercharger. | 0:14:06 | 0:14:08 | |
But, then, British racing green went on | 0:14:08 | 0:14:11 | |
to some of these other cars through the '50s and '60s. | 0:14:11 | 0:14:16 | |
Here we have the only complete set of British-built | 0:14:17 | 0:14:21 | |
Vanwall F1 cars in the world. | 0:14:21 | 0:14:23 | |
For 30 years, continental teams were at the forefront | 0:14:24 | 0:14:27 | |
of car technology and beating Brits to the chequered flag. | 0:14:27 | 0:14:31 | |
But all that changed when British company Vanwall entered | 0:14:31 | 0:14:35 | |
the 1954 racing season. | 0:14:35 | 0:14:37 | |
Three years later, | 0:14:37 | 0:14:38 | |
Stirling Moss clinched victory at the British Grand Prix, | 0:14:38 | 0:14:41 | |
the first time ever a British-built car won a World Championship race. | 0:14:41 | 0:14:46 | |
Vanwall were only racing for four years. | 0:14:46 | 0:14:49 | |
Not only did they win races but they changed racing car design for ever. | 0:14:49 | 0:14:54 | |
-Lower and sleeker and faster. -Look at that body style. It's so sleek. | 0:14:54 | 0:14:58 | |
This is Graham Hill's World Championship-winning car from 1962. | 0:14:58 | 0:15:02 | |
-No way. -Yeah, it's the proper thing. | 0:15:02 | 0:15:05 | |
MUSIC: Don't Stop Me Now by Queen | 0:15:05 | 0:15:08 | |
The 1930s race circuit here is a gem | 0:15:08 | 0:15:10 | |
in the heritage of British motor car racing. | 0:15:10 | 0:15:13 | |
Only fair that Jimmy gets a shot at burning some rubber. | 0:15:13 | 0:15:16 | |
-Here we go. -Hang on to your hat, sir. | 0:15:16 | 0:15:19 | |
Here we go. We're ready. | 0:15:19 | 0:15:20 | |
Whoohoo! | 0:15:21 | 0:15:23 | |
I'm holding on now. | 0:15:25 | 0:15:27 | |
THEY EXCLAIM | 0:15:27 | 0:15:29 | |
-Whoohoo! -This is so exciting. | 0:15:31 | 0:15:34 | |
Ah! | 0:15:35 | 0:15:36 | |
I can't look. | 0:15:38 | 0:15:39 | |
That is scary. | 0:15:41 | 0:15:42 | |
That's so cool. | 0:15:42 | 0:15:45 | |
Oh, my God! | 0:15:45 | 0:15:47 | |
That was amazing. | 0:15:49 | 0:15:51 | |
I'm going to get out so quickly just in case you start driving again. | 0:15:51 | 0:15:54 | |
I won't take off. | 0:15:54 | 0:15:56 | |
That was fun. | 0:15:56 | 0:15:57 | |
Jimmy's driving is amazing, but I feel really quite queasy. | 0:15:57 | 0:16:02 | |
JIMMY LAUGHS | 0:16:02 | 0:16:04 | |
I loved it. | 0:16:05 | 0:16:07 | |
(Let's do it again.) | 0:16:07 | 0:16:08 | |
Were you both in the same car? | 0:16:10 | 0:16:12 | |
I just was a racing driver. What are you talking about? | 0:16:13 | 0:16:16 | |
Are you OK? Come on. | 0:16:16 | 0:16:19 | |
Aw! Still friends? | 0:16:19 | 0:16:21 | |
-That was great fun. -Ooh. -Thank you. | 0:16:21 | 0:16:24 | |
It was good, but... | 0:16:24 | 0:16:26 | |
that's enough. | 0:16:26 | 0:16:27 | |
I think Catherine could do with a cup of tea. How British! | 0:16:28 | 0:16:31 | |
From the heady days of pre-war daredevil motor racing | 0:16:32 | 0:16:35 | |
and the spectacular achievements of Vanwall, | 0:16:35 | 0:16:37 | |
Donington Park Circuit became a training ground | 0:16:37 | 0:16:40 | |
for developing British engineering to the highest of standards, | 0:16:40 | 0:16:43 | |
and helped to hone the talents | 0:16:43 | 0:16:45 | |
of some of the greatest British drivers of all time. | 0:16:45 | 0:16:48 | |
While cars were spinning around Donington racetrack in the 1950s, | 0:16:52 | 0:16:57 | |
Tony was a little 'un finding his voice. | 0:16:57 | 0:16:59 | |
My first memory is when I was about five years old, | 0:16:59 | 0:17:02 | |
my dad would stand me on a table. | 0:17:02 | 0:17:05 | |
He'd play the piano and I would sing. | 0:17:05 | 0:17:07 | |
My grandparents then would put their hands in their pockets | 0:17:07 | 0:17:10 | |
and give me money for singing. | 0:17:10 | 0:17:12 | |
I thought, "Hmm, that's a career." | 0:17:12 | 0:17:15 | |
Margie and Tony have made their way to the city of Nottingham. | 0:17:17 | 0:17:21 | |
Hopkinson Vintage Antiques & Arts Centre | 0:17:21 | 0:17:24 | |
is next on their road-tripping expedition. | 0:17:24 | 0:17:27 | |
Laser-sharp focus is needed, because there are four floors | 0:17:27 | 0:17:30 | |
and 200 dealers selling their wares in here, and that's a lot. | 0:17:30 | 0:17:34 | |
Too expensive. | 0:17:41 | 0:17:43 | |
We've got to win. We've got to beat Jimmy. | 0:17:46 | 0:17:49 | |
Margie and Tony have £340 left to spend. | 0:17:49 | 0:17:53 | |
# La la la la la la | 0:17:53 | 0:17:55 | |
-BOTH: -# La la la la la la. # | 0:17:55 | 0:17:57 | |
Very musical. | 0:17:57 | 0:17:59 | |
Finally, Margie has sifted something out. What's this? | 0:17:59 | 0:18:03 | |
Are they copying Jimmy's ship lamp purchase from earlier? | 0:18:03 | 0:18:07 | |
Do you think that's a sellable thing? It's an original, isn't it? | 0:18:07 | 0:18:12 | |
Is it? | 0:18:12 | 0:18:13 | |
-Do you like it? Shall I put it down here? -Oh, OK. | 0:18:13 | 0:18:16 | |
Once powered by kerosene, | 0:18:17 | 0:18:18 | |
this copper and brass ship's lamp from the late 19th century | 0:18:18 | 0:18:22 | |
has been electrified for use as an interior design piece. | 0:18:22 | 0:18:26 | |
That's been on a ship or something. | 0:18:26 | 0:18:29 | |
It looks very new, doesn't it? | 0:18:29 | 0:18:30 | |
-It's been cleaned. -A marine lamp. Do you like it or not? | 0:18:30 | 0:18:34 | |
-Well... -You're not sure. -I'm not sure. | 0:18:34 | 0:18:36 | |
-Anything that you've seen? -No. | 0:18:36 | 0:18:40 | |
I haven't. | 0:18:40 | 0:18:42 | |
Oh, dear. | 0:18:42 | 0:18:43 | |
-But you're not happy with that? -Well... -It's an antique, isn't it? | 0:18:43 | 0:18:46 | |
-Yeah. -Yeah. | 0:18:46 | 0:18:48 | |
-Well, shall we just see how cheap it can be? -Yeah. | 0:18:48 | 0:18:51 | |
Liam is on hand to assist. The ticket price is £80. | 0:18:51 | 0:18:55 | |
Look out. | 0:18:56 | 0:18:58 | |
Would that be a really good deal? | 0:18:58 | 0:19:00 | |
What are you wanting? | 0:19:00 | 0:19:02 | |
Obviously the cheapest price you can get. | 0:19:02 | 0:19:04 | |
Well, I was thinking about 50. | 0:19:04 | 0:19:06 | |
I don't think we can go to 50. | 0:19:07 | 0:19:08 | |
Hmm. What do you think? | 0:19:08 | 0:19:11 | |
If I had to apply a bit of a discount, I'd do £60. | 0:19:12 | 0:19:16 | |
As an in-between. I'd give you a chance to make some profit. | 0:19:16 | 0:19:19 | |
-I quite like that. -Yeah, we'll take it. -Hopefully. | 0:19:19 | 0:19:21 | |
Yeah. Fingers crossed. | 0:19:21 | 0:19:23 | |
Fingers crossed. | 0:19:23 | 0:19:24 | |
-We have a deal. -Thank you. | 0:19:24 | 0:19:27 | |
I'm not sure if Tony actually really likes it. | 0:19:27 | 0:19:30 | |
Anyway, time for a rest before you do it all again tomorrow. | 0:19:30 | 0:19:36 | |
Nighty-night. | 0:19:36 | 0:19:37 | |
What a lovely morning. | 0:19:43 | 0:19:44 | |
Our musical maestros don't need a radio in this Bentley. | 0:19:44 | 0:19:47 | |
THEY HUM MELODY | 0:19:51 | 0:19:53 | |
Hey! | 0:19:53 | 0:19:54 | |
It's party time with the fellas. | 0:19:54 | 0:19:57 | |
What about the girls? | 0:19:57 | 0:19:58 | |
We didn't spend much yesterday, but watch this space, Margie, | 0:19:58 | 0:20:01 | |
today is the day we will spend. | 0:20:01 | 0:20:04 | |
Well, me too. | 0:20:04 | 0:20:05 | |
I want to spend. Today, let's spend. | 0:20:05 | 0:20:07 | |
Hurrah! | 0:20:07 | 0:20:09 | |
Yesterday, our perky pop legends | 0:20:14 | 0:20:16 | |
launched into the world of antiques full of gusto. | 0:20:16 | 0:20:19 | |
Margie and Tony bought three lots - | 0:20:21 | 0:20:23 | |
the silver sugar shaker, | 0:20:23 | 0:20:25 | |
the Victorian lady's evening coat, and the converted marine lamp, | 0:20:25 | 0:20:29 | |
meaning they have £280 to spend today. | 0:20:29 | 0:20:32 | |
Whilst Catherine and Jimmy bought two lots - | 0:20:34 | 0:20:36 | |
the two ship's lamps and the retro fan. | 0:20:36 | 0:20:39 | |
They still have £386 left to spend. | 0:20:39 | 0:20:41 | |
The troops are assembling in the town of Telford in Shropshire. | 0:20:45 | 0:20:48 | |
-Ah! -Oh, there they are. | 0:20:51 | 0:20:53 | |
Hello! | 0:20:53 | 0:20:55 | |
Our boys. | 0:20:56 | 0:20:57 | |
Our boys! | 0:20:58 | 0:21:00 | |
We're like teenagers. | 0:21:00 | 0:21:02 | |
Good morning. | 0:21:02 | 0:21:03 | |
-Hello, ladies. -Hello, girls. | 0:21:03 | 0:21:06 | |
Look at you two, you're back to the future. | 0:21:06 | 0:21:09 | |
-MARGIE: -We are, we've come back. | 0:21:09 | 0:21:11 | |
-You're in charge of the Bentley, all right? -I'll drive. | 0:21:11 | 0:21:13 | |
-Do you...? -Do you want...? Oh, go on, then. | 0:21:13 | 0:21:16 | |
Come on, let's go. Let's go shopping. | 0:21:16 | 0:21:18 | |
Tony wasn't always in showbiz. As a young man, he had a 9-5 and a boss. | 0:21:22 | 0:21:28 | |
He called me into the office and said, | 0:21:28 | 0:21:30 | |
"Look, you've got a choice to make. | 0:21:30 | 0:21:31 | |
"You either want to be an accountant like your father | 0:21:31 | 0:21:35 | |
"or do you want to be another Adam Faith?" | 0:21:35 | 0:21:37 | |
With his tongue in his cheek. | 0:21:39 | 0:21:41 | |
What did you say? | 0:21:41 | 0:21:42 | |
-"I'm sorry." -"I want to be a singer." | 0:21:42 | 0:21:44 | |
He said, "Well, I'm sorry, but we're going to have to let you go." | 0:21:44 | 0:21:48 | |
Good thing your boss did, eh? | 0:21:48 | 0:21:50 | |
We'll join Margie and Tony later, but for now, | 0:21:52 | 0:21:54 | |
Catherine and Jimmy are powering | 0:21:54 | 0:21:56 | |
towards their next shopping destination, | 0:21:56 | 0:21:59 | |
the pretty town of Much Wenlock in Shropshire. | 0:21:59 | 0:22:01 | |
So what was life really like back then, on tour with The Osmonds? | 0:22:04 | 0:22:08 | |
I mean, what was going through your mind? Were you having fun? | 0:22:08 | 0:22:11 | |
It was so crazy back in the '70s. | 0:22:11 | 0:22:14 | |
It was kind of alarming, in a way. | 0:22:14 | 0:22:16 | |
I mean, I can remember not being able to get out of a hotel room, | 0:22:16 | 0:22:19 | |
and running into these bread trucks so that nobody knew | 0:22:19 | 0:22:23 | |
you were in them, and hiding under the tables of a Chinese restaurant. | 0:22:23 | 0:22:26 | |
-That's just another world, though, isn't it? -It was just bizarre. | 0:22:26 | 0:22:29 | |
I mean, something you'd see in a movie. But that was my life. | 0:22:29 | 0:22:34 | |
Blimey, Jimmy! | 0:22:34 | 0:22:36 | |
Our Catherine will take very good care of you | 0:22:36 | 0:22:38 | |
in this lovely emporium called Memories. | 0:22:38 | 0:22:41 | |
Get spending! You've got over £380 to splash. | 0:22:42 | 0:22:46 | |
All right, I'm feeling good, feeling good. After you. Ladies first. | 0:22:46 | 0:22:49 | |
Yeah? You ready? | 0:22:49 | 0:22:50 | |
-Yeah, let's do it. -OK. | 0:22:50 | 0:22:52 | |
-Whoa! -Lots of cups. Lots of china. -It's like the Mad Hatter lives here. | 0:22:54 | 0:22:58 | |
MUSIC: Freak Out by Chic | 0:23:00 | 0:23:02 | |
Catherine and Jimmy have a language all of their own. | 0:23:09 | 0:23:12 | |
Chi-co! | 0:23:12 | 0:23:13 | |
-Chi-ki-chi-kah. -Chi-ki-chi-kah. | 0:23:13 | 0:23:15 | |
-That weird little box? -Yeah. This is a sample box that people... | 0:23:15 | 0:23:21 | |
Huntley & Palmers, the people who produce the biscuit, | 0:23:21 | 0:23:24 | |
they would have gone round with this little sample... | 0:23:24 | 0:23:26 | |
-Oh, really, so it's a tester. -..to show the biscuits that they made. | 0:23:26 | 0:23:30 | |
Let's get a better look. Owner Mary is being very helpful. | 0:23:30 | 0:23:33 | |
Is it tin? | 0:23:34 | 0:23:36 | |
-It is. -Wow. | 0:23:36 | 0:23:38 | |
-Have a look, Jimmy. -Is there anything in it? | 0:23:38 | 0:23:41 | |
-Jimmy wants it to be full of biscuits. -Oh... | 0:23:41 | 0:23:44 | |
That's got to be a discount. There's nothing in it. | 0:23:44 | 0:23:47 | |
-Oh, I'm sure we can arrange that. -What am I going to do with a tin? | 0:23:47 | 0:23:50 | |
What's on it? How much? | 0:23:50 | 0:23:52 | |
Unfortunately it's in at 40. | 0:23:52 | 0:23:54 | |
-40?! -Hmm. | 0:23:54 | 0:23:55 | |
Because I want to buy other stuff from you, | 0:23:55 | 0:23:57 | |
I kind of need it really good. | 0:23:57 | 0:24:00 | |
20. Half price. | 0:24:00 | 0:24:02 | |
Yeah? OK, I was going to say 10, and you said 20, | 0:24:02 | 0:24:05 | |
how about we meet in the middle? | 0:24:05 | 0:24:07 | |
Would that be all right? | 0:24:07 | 0:24:09 | |
-I would do 18. That's the best. -The very best. -Yeah. | 0:24:09 | 0:24:12 | |
Well, what if we hold off on this for a minute | 0:24:12 | 0:24:15 | |
and then see what else we do? | 0:24:15 | 0:24:16 | |
Cor, Jimmy is confident when holding the reins of sharp negotiation. | 0:24:16 | 0:24:21 | |
But what's next for our road trip buddies? | 0:24:21 | 0:24:25 | |
Everybody is collecting vinyls again, you know? | 0:24:25 | 0:24:27 | |
Hang on in there, Catherine. | 0:24:29 | 0:24:31 | |
Cor, you're strong. | 0:24:32 | 0:24:35 | |
Take your time. | 0:24:35 | 0:24:36 | |
-I love album covers. -Take your time, Jimmy. | 0:24:36 | 0:24:38 | |
We've got all the time in the world. | 0:24:38 | 0:24:40 | |
-Are you having a struggle? -No... -Come on. | 0:24:40 | 0:24:42 | |
-Top Of The Pops. -Oh, yeah. Crazy... That's yours! | 0:24:42 | 0:24:45 | |
-It's at the top, Crazy Horses. -Ha! | 0:24:45 | 0:24:47 | |
Oh, that's brilliant. | 0:24:47 | 0:24:49 | |
Is that cool or what? | 0:24:49 | 0:24:50 | |
Super cool. Jimmy has a light bulb moment. | 0:24:51 | 0:24:53 | |
Ooh... Mary! | 0:24:55 | 0:24:56 | |
Do you have any record players? | 0:24:56 | 0:24:58 | |
Yes, there should be two around that area somewhere. | 0:24:58 | 0:25:01 | |
Wouldn't this be cool - if we had a record player, a record rack, | 0:25:01 | 0:25:05 | |
like this guy right here? | 0:25:05 | 0:25:07 | |
You've got Long Haired Lover From Liverpool on here as well. | 0:25:07 | 0:25:09 | |
-Are you serious? -You've got two songs. -I've got two songs on there. | 0:25:09 | 0:25:12 | |
See, I know your songs better than you do. | 0:25:12 | 0:25:14 | |
So what if we did a record player, | 0:25:14 | 0:25:17 | |
a record rack and a record with two of our songs on it? | 0:25:17 | 0:25:22 | |
What's the good guy price? | 0:25:22 | 0:25:23 | |
Normally, it would be about £40 for the record player, £10 for the rack. | 0:25:23 | 0:25:29 | |
-25 all-in. -What do you think? -Best price. | 0:25:29 | 0:25:34 | |
Best price. Well, I don't want to push... Can I ask this? | 0:25:34 | 0:25:37 | |
If we do this, can we have the tin for 15? | 0:25:37 | 0:25:41 | |
-Yes. -I love ya. Let's do it. | 0:25:41 | 0:25:45 | |
Crikey, Moses, poor Catherine didn't get a word in there. | 0:25:45 | 0:25:48 | |
Two lots bought, and Jimmy is on the prowl for more. | 0:25:48 | 0:25:51 | |
Look at this, this is cool. | 0:25:53 | 0:25:55 | |
What about this? | 0:25:55 | 0:25:56 | |
-Yeah? -That is amazing. -Look at those baby drawers. | 0:25:56 | 0:25:59 | |
What do you put in there? Tooth picks. | 0:25:59 | 0:26:01 | |
I mean, what do you do? There's like nothing to put in there. | 0:26:01 | 0:26:04 | |
-It's a toolmaker's chest. -Is it? You're such a nice lady. | 0:26:04 | 0:26:09 | |
He's gone platinum with the charm. | 0:26:09 | 0:26:11 | |
So what would you do? What would be the best price? | 0:26:11 | 0:26:14 | |
189. The very best would be 125. | 0:26:14 | 0:26:16 | |
Can that possibly go down to about 100? | 0:26:17 | 0:26:20 | |
I could probably do 100 on that, actually. | 0:26:21 | 0:26:24 | |
-What do you think? -How much for the phone and that? | 0:26:25 | 0:26:27 | |
-Phone is... -There's no stopping you, is there? | 0:26:27 | 0:26:30 | |
No, I just like how it looks. It's like... | 0:26:30 | 0:26:32 | |
Look at that together, it's awesome. | 0:26:32 | 0:26:33 | |
Yeah, it does look good. | 0:26:33 | 0:26:35 | |
125 with the phone. | 0:26:35 | 0:26:36 | |
Sounds fair, Mary. But I suspect Jimmy is up to something. | 0:26:37 | 0:26:42 | |
What we'd really like to trade you are these mariner lamps. | 0:26:42 | 0:26:45 | |
-It's like port and starboard. -Do you want me to go get them? | 0:26:45 | 0:26:47 | |
-I could certainly have a look, yes. -I'll go and get them. -Would you? | 0:26:47 | 0:26:51 | |
-Don't buy anything else. -I'll stop. | 0:26:51 | 0:26:53 | |
Thank you so much. I love that. That is... | 0:26:53 | 0:26:56 | |
Jimmy is hoping to throw Margie and Tony off the scent, | 0:26:56 | 0:27:00 | |
and he's being super canny. He only paid £7 for those lamps. | 0:27:00 | 0:27:04 | |
They are fairly modern. There's some marking on the top. | 0:27:05 | 0:27:08 | |
-What are you hoping to get for them? -Where are we at on this one? | 0:27:08 | 0:27:11 | |
We're at 125. | 0:27:11 | 0:27:12 | |
If there's any way we could get that lot for 100 | 0:27:12 | 0:27:15 | |
and we could give you these, two of these, remember, | 0:27:15 | 0:27:19 | |
for 25, that would be really good. | 0:27:19 | 0:27:22 | |
Yeah, I'd rather do just 20 on these. | 0:27:22 | 0:27:25 | |
You're so nice. Let's do it. Thank you for doing that. | 0:27:25 | 0:27:27 | |
You rock. | 0:27:27 | 0:27:29 | |
-You rock. -Right. | 0:27:29 | 0:27:30 | |
You rock, eh? Well played. | 0:27:30 | 0:27:33 | |
Trading in the ship's lamps means the engineer's drawers | 0:27:33 | 0:27:36 | |
and the Bakelite phone cost £112. | 0:27:36 | 0:27:38 | |
The '70s records lot for 25 and the biscuit sampler tin for 15. | 0:27:39 | 0:27:45 | |
Hello, somebody's nicked the engine. | 0:27:45 | 0:27:47 | |
Let's return to Margie and Tony. | 0:27:49 | 0:27:51 | |
They're having a breather and travelling | 0:27:51 | 0:27:53 | |
to the Museum of Iron in the village of Coalbrookdale in Shropshire. | 0:27:53 | 0:27:57 | |
Tony is telling Margie about his days | 0:27:59 | 0:28:02 | |
before a glittering career in showbiz. | 0:28:02 | 0:28:05 | |
-When I left school, I went to work in an office. -Mm. | 0:28:05 | 0:28:08 | |
In a steelworks. I used to walk round and go and visit the... | 0:28:09 | 0:28:12 | |
Times of when they were emptying the furnaces into... | 0:28:12 | 0:28:15 | |
-Oh, so dangerous. -Absolutely brilliant. | 0:28:15 | 0:28:18 | |
Oh, it was absolutely fascinating. | 0:28:18 | 0:28:19 | |
This area is responsible for the Industrial Revolution, | 0:28:21 | 0:28:24 | |
all thanks to Abraham Darby's revolutionary techniques | 0:28:24 | 0:28:27 | |
in iron making in the early 18th century. | 0:28:27 | 0:28:30 | |
He developed the coke-burning blast furnace, | 0:28:30 | 0:28:33 | |
which made it possible to produce commercial iron cheaply. | 0:28:33 | 0:28:37 | |
Once sleepy, Coalbrookdale became a powerhouse | 0:28:38 | 0:28:41 | |
of pioneering excellence at the dawning of the industrial world. | 0:28:41 | 0:28:45 | |
Margie and Tony are meeting with David to find out more. | 0:28:48 | 0:28:52 | |
This was the derelict old furnace that Abraham Darby took over. | 0:28:52 | 0:28:56 | |
Refurbished it, got new bellows, and in January 1709, | 0:28:56 | 0:29:00 | |
he started drawing off the new metal. | 0:29:00 | 0:29:02 | |
-Yeah? What sort of things did they make? -Everyday utensils. | 0:29:02 | 0:29:06 | |
It all started with the three-legged pot. | 0:29:06 | 0:29:08 | |
The success of manufacturing this little pot sparked | 0:29:08 | 0:29:11 | |
the beginning of mass production of cast iron. | 0:29:11 | 0:29:14 | |
This is an example of the ones he made? | 0:29:15 | 0:29:18 | |
Absolutely, this is an early Coalbrookdale pot. | 0:29:18 | 0:29:22 | |
I say early, they were actually then made for many centuries, | 0:29:22 | 0:29:25 | |
well into the 20th century, | 0:29:25 | 0:29:27 | |
when they were still exported to other countries. | 0:29:27 | 0:29:30 | |
Is it heavy? | 0:29:30 | 0:29:31 | |
-It's not too heavy, you see? -It's not too bad. | 0:29:31 | 0:29:33 | |
He cut down on the amount of metal he was using, | 0:29:33 | 0:29:35 | |
so, in other words, the amount of metal he was producing, | 0:29:35 | 0:29:38 | |
which was about 5-10 tonnes a week, went further. | 0:29:38 | 0:29:41 | |
He was producing about 150 of these, apparently, by 1713, a week. | 0:29:41 | 0:29:45 | |
By the mid-19th century, the world was reliant on cast iron, | 0:29:47 | 0:29:50 | |
heavily used for both domestic and industrial purposes. | 0:29:50 | 0:29:54 | |
Cast iron was also used for some of the early steam engines, | 0:29:55 | 0:29:58 | |
the cylinders of some of the very earliest steam engines. | 0:29:58 | 0:30:01 | |
So basically, this innovation fuelled the Industrial Revolution. | 0:30:01 | 0:30:06 | |
It made possible all those engineering innovations in textiles, | 0:30:06 | 0:30:09 | |
with power looms, steam engines, | 0:30:09 | 0:30:12 | |
-steamships all stemming from this. -Yeah. | 0:30:12 | 0:30:15 | |
The pioneering inventor was something that pumped through | 0:30:15 | 0:30:18 | |
the veins of the Darby lineage. | 0:30:18 | 0:30:20 | |
In 1779, Darby's grandson, Abraham Darby III, constructed the world's | 0:30:20 | 0:30:27 | |
first industrial iron bridge, over the River Severn, in Coalbrookdale. | 0:30:27 | 0:30:31 | |
A stone's throw from the factory, | 0:30:31 | 0:30:33 | |
this bridge showcased the versatility of iron to the world. | 0:30:33 | 0:30:38 | |
Here we are, this is the bridge, the famous iron bridge, | 0:30:38 | 0:30:41 | |
made at the Coalbrookdale Foundry by the Darby family, | 0:30:41 | 0:30:44 | |
and this really took ironwork into this new area | 0:30:44 | 0:30:47 | |
of constructional ironwork, architectural ironwork. | 0:30:47 | 0:30:51 | |
And it is also beautiful. | 0:30:51 | 0:30:53 | |
-The bridge is still here, it survives as a monument... -Yeah. | 0:30:53 | 0:30:57 | |
..to the thriving industry that was along the banks | 0:30:57 | 0:31:00 | |
-of the River Severn here. -Yeah. | 0:31:00 | 0:31:03 | |
Generations of Darbys continued the scientific and industrial | 0:31:03 | 0:31:07 | |
advances of Abraham Darby I. | 0:31:07 | 0:31:09 | |
The changes affected how we live on a global scale | 0:31:09 | 0:31:13 | |
and enabled Britain to become the world's most dominant industrial, | 0:31:13 | 0:31:16 | |
colonial and military power in the 18th and 19th centuries. | 0:31:16 | 0:31:21 | |
-David, thanks for looking after us. -It's been a pleasure. -Thanks. | 0:31:21 | 0:31:25 | |
Catherine and Jimmy | 0:31:25 | 0:31:27 | |
have zoomed northwest, | 0:31:27 | 0:31:29 | |
to the town of Shrewsbury, | 0:31:29 | 0:31:30 | |
in Shropshire. | 0:31:30 | 0:31:31 | |
-So this is Shrewsbury. -Shros... -Shroosbury. | 0:31:31 | 0:31:35 | |
Yes, Shrosbury, Shroosbury. | 0:31:35 | 0:31:38 | |
-Shroos... What? -Is it tomay-to, toma-to? One of those things. | 0:31:38 | 0:31:41 | |
SHE LAUGHS | 0:31:41 | 0:31:43 | |
SHE MAKES WHOOSHING NOISE | 0:31:43 | 0:31:46 | |
-I feel like I'm getting out of a spaceship. -CHUCKLING: -You are. | 0:31:46 | 0:31:50 | |
And you're the pilot. | 0:31:50 | 0:31:52 | |
Ooh, look at that, bit awkward. | 0:31:52 | 0:31:54 | |
Memory Lane is owned by the lovely Holly. | 0:31:54 | 0:31:57 | |
If you find anything, come to us. | 0:31:57 | 0:31:58 | |
-Can we wheel and deal with you? -You can try. | 0:31:58 | 0:32:00 | |
Ah, look at her! | 0:32:00 | 0:32:02 | |
GIGGLING: You might have met your match, Jimbo. | 0:32:02 | 0:32:05 | |
Hey, Catherine, check this out. This is cool. | 0:32:10 | 0:32:13 | |
Wouldn't that be neat, like, on a shelf? What is it? | 0:32:13 | 0:32:16 | |
-It's like... -Oh, it's a coffee grinder. -Is it? | 0:32:16 | 0:32:19 | |
# Do the hustle... # | 0:32:19 | 0:32:20 | |
-This looks like a particularly good example. -Right there. | 0:32:20 | 0:32:24 | |
-And it's worth a second look. -It's kind of cool, look at that. | 0:32:24 | 0:32:27 | |
Wouldn't that be good in a really cool, like, trendy... | 0:32:27 | 0:32:30 | |
-I think it'd be amazing. -..coffee shop? | 0:32:30 | 0:32:32 | |
-Yeah, just up on a high shelf or something, you know? -Yeah. | 0:32:32 | 0:32:35 | |
So you'd get beans and put them in there, | 0:32:35 | 0:32:37 | |
and you're turning the handle. | 0:32:37 | 0:32:38 | |
-Shall we get it? -Cor, he's quick off the mark. | 0:32:38 | 0:32:42 | |
-Let's put ourselves out of pain. -£160. | 0:32:42 | 0:32:45 | |
Ooh. Ah, that never stopped me, did it? Come on. | 0:32:45 | 0:32:50 | |
Is this guy for real? | 0:32:51 | 0:32:53 | |
He sure is. | 0:32:53 | 0:32:54 | |
Back inside, Holly makes a call to the dealer, | 0:32:54 | 0:32:57 | |
but young Jimmy wants to take control...again. | 0:32:57 | 0:33:00 | |
It's John? Hey, John, how are you, sir? | 0:33:00 | 0:33:04 | |
And how much is that coffee grinder in the window? | 0:33:04 | 0:33:07 | |
HOLLY AND CATHERINE LAUGH | 0:33:07 | 0:33:08 | |
The one with the waggly tail. No. Um... | 0:33:08 | 0:33:11 | |
Is it American? No wonder I was drawn to it. | 0:33:13 | 0:33:15 | |
He said 120 is all. | 0:33:17 | 0:33:19 | |
But we could only do half price, | 0:33:19 | 0:33:21 | |
which, I hope that didn't offend you. | 0:33:21 | 0:33:23 | |
Can we meet in the middle? | 0:33:23 | 0:33:26 | |
115. Hold on, can I just talk to my partner here... | 0:33:26 | 0:33:29 | |
Partner in crime. | 0:33:29 | 0:33:31 | |
..and ask her what she thinks, is that all right? | 0:33:31 | 0:33:33 | |
While Jimmy and Catherine have a ponder... | 0:33:33 | 0:33:37 | |
..Margie and Tony are making | 0:33:38 | 0:33:39 | |
their way north-east | 0:33:39 | 0:33:40 | |
to the Shropshire town | 0:33:40 | 0:33:42 | |
of Shifnal. | 0:33:42 | 0:33:44 | |
SONG: Whole Lotta Love | 0:33:44 | 0:33:45 | |
-Are you going to sing to me before we finish? -Oh. | 0:33:45 | 0:33:47 | |
That would be a no, then. | 0:33:49 | 0:33:51 | |
-Time's running out for our time together, Tony. -Oh, I know. | 0:33:51 | 0:33:56 | |
Well, make the most of it, then. | 0:33:56 | 0:33:58 | |
TwoJays Corner is the last shop of the day, | 0:33:58 | 0:34:01 | |
and this is Tony's last chance to find some more goodies. | 0:34:01 | 0:34:04 | |
-Come on, let's get in there. -Let's do it, let's see what we've got. | 0:34:04 | 0:34:08 | |
Let's do it. | 0:34:08 | 0:34:09 | |
That Margie can be a bit of a nosy parker. | 0:34:14 | 0:34:17 | |
-What do you have at home? -A mixture. | 0:34:17 | 0:34:20 | |
-We go for dark wood. -Do you? -Yeah. | 0:34:20 | 0:34:23 | |
Mm. What, old? | 0:34:23 | 0:34:25 | |
-Some of it is, yeah. -Bit of antique? -Bit of it. -Yeah? Bit of modern? | 0:34:25 | 0:34:30 | |
-Mind your own business. -Quite right, Tony. | 0:34:30 | 0:34:32 | |
We're talking antiques here. | 0:34:32 | 0:34:35 | |
How are Jimmy and Catherine getting on with making that deal? | 0:34:35 | 0:34:38 | |
So, we know that our friend on the phone will go for 115 for this. | 0:34:38 | 0:34:45 | |
-OK. -Let's do it, shall we? | 0:34:45 | 0:34:46 | |
-I need to pay you. -Are you happy? -I'm happy. I'm skint, but I'm happy. | 0:34:46 | 0:34:51 | |
CATHERINE LAUGHS | 0:34:51 | 0:34:53 | |
Jimmy really likes to take control. | 0:34:53 | 0:34:55 | |
Could this be an expensive gamble or a clued-up, profit-making success? | 0:34:55 | 0:34:59 | |
Meanwhile, back in the camp of Tony and Margie... | 0:35:01 | 0:35:04 | |
Is that a clocking-in clock? Look at that. Love those, don't you? | 0:35:04 | 0:35:08 | |
-Used to have that at the steelworks where I worked. -Did you? -Yeah. | 0:35:08 | 0:35:12 | |
-For the workmen, yeah, they used to clock in. -I think they're fantastic. | 0:35:12 | 0:35:16 | |
After a trip down memory lane, what's next for this twosome? | 0:35:16 | 0:35:20 | |
-Tony. -Yeah? -Shall we go outside? Do you want to go outside? | 0:35:20 | 0:35:25 | |
THEY LAUGH | 0:35:25 | 0:35:27 | |
Sorry, I'll do it again. | 0:35:27 | 0:35:28 | |
Sounds like a pick-up line. | 0:35:28 | 0:35:30 | |
Blimey. | 0:35:30 | 0:35:32 | |
-OK, let's go. -And the helpful Jackie will accompany them to talk prices. | 0:35:32 | 0:35:37 | |
Right, now, we've got to look at everything, haven't we? | 0:35:37 | 0:35:41 | |
Are you looking? | 0:35:41 | 0:35:42 | |
-All right, Mrs Bossy Boots! -Still looking. -Ooh, quite like that. | 0:35:42 | 0:35:48 | |
-That's interesting. Is it stone? -It's got style, that, hasn't it? | 0:35:48 | 0:35:52 | |
-1819, this one. -That's the stock number! | 0:35:52 | 0:35:56 | |
JACKIE AND MARGIE LAUGH | 0:35:56 | 0:35:58 | |
How was Tony meant to know that? | 0:35:58 | 0:36:00 | |
The ticket price is £67.50. | 0:36:00 | 0:36:02 | |
-And the old boxer there. People like dogs. -It's a bulldog. | 0:36:05 | 0:36:10 | |
-Oh, is it a bulldog? -Yeah. | 0:36:10 | 0:36:13 | |
-Just don't know what's going on here. -That's his leg! | 0:36:13 | 0:36:16 | |
Oh, it's his leg? | 0:36:16 | 0:36:17 | |
Oh, Margie. | 0:36:17 | 0:36:19 | |
-Have you had him a while? Cos the sign's washed out. -Mmm. | 0:36:19 | 0:36:24 | |
-Oh, look. -Oh. | 0:36:24 | 0:36:28 | |
Two cats in the planters. Oh, look at that. Hello! | 0:36:28 | 0:36:34 | |
-Those are two bulb planters? -I'd say they are, yep. | 0:36:34 | 0:36:38 | |
-About 1950s. -So what sort of price are they? | 0:36:38 | 0:36:42 | |
One has gone. | 0:36:42 | 0:36:44 | |
-What sort of money are they? -Erm... -Can they be a good price? | 0:36:45 | 0:36:48 | |
I could do those for you for... Let me have a think. | 0:36:48 | 0:36:54 | |
Cos you're pausing, I'm going to come in with 65. | 0:36:55 | 0:36:59 | |
-I was thinking more like 75. -Right. | 0:36:59 | 0:37:01 | |
Now we have three lots rooted out, | 0:37:02 | 0:37:05 | |
it's time for Tony to take control of the dealing reins. | 0:37:05 | 0:37:08 | |
-I'm moving towards this, Jackie. -Mmm. | 0:37:08 | 0:37:12 | |
What I want to know is, what's your best price? | 0:37:14 | 0:37:17 | |
MARGIE CHUCKLES | 0:37:17 | 0:37:18 | |
I could do him for...35. | 0:37:18 | 0:37:22 | |
-35? -Mm. -And we were thinking of... | 0:37:22 | 0:37:25 | |
Of the bulldog. | 0:37:25 | 0:37:26 | |
I can do the bulldog for 15. | 0:37:26 | 0:37:29 | |
-15? -Mm-hm. | 0:37:29 | 0:37:30 | |
And then we've got to consider the planters with the cats in. | 0:37:30 | 0:37:35 | |
Yeah, I'll do 65 for the planters. | 0:37:35 | 0:37:37 | |
-Well, I think that's fair, thank you. -Yeah? | 0:37:37 | 0:37:39 | |
-Hopefully they'll do well. -Shake on it. | 0:37:39 | 0:37:41 | |
-And thanks. -Thanks very much, Jackie. -And good luck. | 0:37:41 | 0:37:45 | |
Yeah, I think we might need it. | 0:37:45 | 0:37:47 | |
THEY LAUGH | 0:37:47 | 0:37:49 | |
What a whirlwind buy...of three items costing a grand total of £115. | 0:37:49 | 0:37:54 | |
And - can you believe it? - | 0:37:54 | 0:37:57 | |
we've reached the end of our shopping spectacular. | 0:37:57 | 0:38:00 | |
And Catherine and Jimmy are in high spirits. | 0:38:02 | 0:38:05 | |
-I like Neil Diamond. Do you? -I do. | 0:38:05 | 0:38:08 | |
-# Sweet Caroline... # -Oh. | 0:38:08 | 0:38:10 | |
-BOTH: -# Bam-bam-bam | 0:38:10 | 0:38:12 | |
# Good times never seemed so good... # | 0:38:12 | 0:38:15 | |
Do it! | 0:38:15 | 0:38:17 | |
He always said these weird little things, like, | 0:38:17 | 0:38:19 | |
"Do it! Yeah!" You know? | 0:38:19 | 0:38:20 | |
CATHERINE LAUGHS | 0:38:20 | 0:38:22 | |
Now for the big peek at one another's buys. | 0:38:22 | 0:38:25 | |
Wow, how did it go? Did you enjoy yourselves? | 0:38:27 | 0:38:31 | |
-Yeah, course we did. -Did you have a good time? -I had a great time. | 0:38:31 | 0:38:34 | |
-I learnt a lot. -Did you buy some cool things? | 0:38:34 | 0:38:36 | |
TONY AND MARGIE LAUGH | 0:38:36 | 0:38:37 | |
-Very cool things. -It depends what you mean by "cool". | 0:38:37 | 0:38:41 | |
Come on, we got to see 'em, I'm excited to see 'em. | 0:38:41 | 0:38:44 | |
Hang on, hang on, we don't want to spoil anything. | 0:38:44 | 0:38:46 | |
-JIMMY AND CATHERINE: -Ooooh. | 0:38:46 | 0:38:48 | |
There we go. | 0:38:48 | 0:38:50 | |
Hey, Crazy Horses! | 0:38:50 | 0:38:51 | |
# Crazy hors... # | 0:38:51 | 0:38:53 | |
# Crazy horses... # | 0:38:53 | 0:38:54 | |
-I think this bunch have had too much sugar. -That is great. | 0:38:54 | 0:38:57 | |
-I love your dog. -Look at the dog. | 0:38:57 | 0:39:00 | |
-Is it old? -No, not very. | 0:39:00 | 0:39:02 | |
-What is that? -That is... Oh, we can't touch it. -You do it. | 0:39:02 | 0:39:05 | |
-Yeah, we can. -I picked that. - Did you? | 0:39:05 | 0:39:08 | |
It's a Victorian evening coat. - Amazing. | 0:39:08 | 0:39:11 | |
-You picked that at the first shop. -Exactly. | 0:39:11 | 0:39:13 | |
CATHERINE AND JIMMY: Ahhh. | 0:39:13 | 0:39:15 | |
-Very clever. -Yeah. -Very clever. What's this? | 0:39:15 | 0:39:17 | |
This is a marine lamp. - Yes, cos you saw our little lamps. Right, OK. | 0:39:17 | 0:39:24 | |
We got to shake them off our tails, haven't we? | 0:39:24 | 0:39:27 | |
OK, so you thought you would copy us. | 0:39:27 | 0:39:28 | |
And in there is a silver sugar shaker. | 0:39:28 | 0:39:31 | |
-I want to see. -You want to see? -Oh, don't touch it. It's all right. | 0:39:31 | 0:39:34 | |
-TONY: -Can you see? | 0:39:34 | 0:39:36 | |
-There we go. -And it is...? | 0:39:36 | 0:39:39 | |
-Real silver? -£35. | 0:39:39 | 0:39:40 | |
-TONY: -Real silver. -Get out of town. -1927. | 0:39:40 | 0:39:43 | |
-Really? -35? -Yeah! -She's the queen of silver. | 0:39:43 | 0:39:46 | |
-TONY: -She knocked it down. | 0:39:46 | 0:39:48 | |
-- OK, would you like to see ours? -Can't wait. | 0:39:48 | 0:39:50 | |
-You do this. -I'll do this. -On your marks, get set, go! | 0:39:50 | 0:39:54 | |
Whoa! Oh, that's great! | 0:39:54 | 0:39:57 | |
-An old coffee grinder. -Yeah, that's a coffee grinder. | 0:39:57 | 0:40:00 | |
-It's like toleware. -No, that's a hot chocolate grinder. | 0:40:00 | 0:40:03 | |
-For me. -Are you a hot chocolate man? -Yeah, I'm a hot chocolate man. | 0:40:03 | 0:40:06 | |
And then this, I love that vintage. We got that at the first place. | 0:40:06 | 0:40:10 | |
-Oh, God, that's good, I like that. -This is what's really cool. | 0:40:10 | 0:40:13 | |
-Like that? -Yeah, I love these little chests. -So that's one lot there. | 0:40:13 | 0:40:17 | |
To go with the telephone? | 0:40:17 | 0:40:18 | |
Well, we thought it looked quite good together, it was on it, | 0:40:18 | 0:40:21 | |
-but we just... -And how much did you pay for that? -We paid 105. | 0:40:21 | 0:40:24 | |
-I love that. That's really nice. -That's nice. | 0:40:24 | 0:40:27 | |
-- Have you noticed anything missing? -Anything missing? Yes! | 0:40:27 | 0:40:30 | |
-Your two lamps. -Yes. -We horse-traded. | 0:40:30 | 0:40:34 | |
-You traded. -We traded and got a better deal on that. | 0:40:34 | 0:40:37 | |
Jimmy and Catherine are sharpshooters, Margie. | 0:40:37 | 0:40:40 | |
-I've got to show you this. -He's up for it, is old Jimmy. | 0:40:40 | 0:40:43 | |
Look what we found. | 0:40:43 | 0:40:45 | |
-Top Of The Pops. -Top Of The Pops. Crazy Horse. | 0:40:45 | 0:40:49 | |
Long Haired Lover From Liverpool. No kidding! | 0:40:49 | 0:40:52 | |
Who sang that? Who sang that? | 0:40:52 | 0:40:54 | |
But that's either a really bad thing that nobody wanted it... | 0:40:54 | 0:40:57 | |
The Jacksons. I love The Jacksons. | 0:40:57 | 0:40:58 | |
-Oh, yeah, right. -Oh, Tony, you joker. -That's very good. | 0:40:58 | 0:41:02 | |
Yeah, it's a record player with the records in the little display thing. | 0:41:02 | 0:41:06 | |
-And our music. -And Jimmy's autograph. -Isn't that hilarious? | 0:41:06 | 0:41:09 | |
That is hilarious. | 0:41:09 | 0:41:10 | |
I signed it, which is really going to take the value down, you see. | 0:41:10 | 0:41:14 | |
No, you're going to do OK with that. | 0:41:14 | 0:41:15 | |
-Margie, can I show you one last thing? -This is cool, I like this. | 0:41:15 | 0:41:19 | |
-Yes, go on. -I have to tell you, this one last thing | 0:41:19 | 0:41:21 | |
is a little miniature Huntley & Palmers biscuit tin. | 0:41:21 | 0:41:25 | |
-Oh, how cute. -So I think we have bought completely different things. | 0:41:25 | 0:41:30 | |
-No kidding, Sherlock. -It's going to be an amazing auction. | 0:41:30 | 0:41:33 | |
And all I can do is wish you the very best, Catherine Southon. | 0:41:33 | 0:41:37 | |
-It's going to be great. -Good luck. -Good luck. -May the best team win. | 0:41:37 | 0:41:42 | |
- Yes, well, thank you! | 0:41:42 | 0:41:44 | |
Yes, we will, right? | 0:41:44 | 0:41:46 | |
-Come on. -Come on. | 0:41:46 | 0:41:48 | |
What a bunch, eh? But what do they really think? | 0:41:48 | 0:41:52 | |
I like the horse, that was kind of cool, | 0:41:52 | 0:41:54 | |
but I don't know if anybody's... | 0:41:54 | 0:41:56 | |
You know what? Those things are modern, though. They're modern. | 0:41:56 | 0:41:58 | |
I'm surprised he's in the position where he has to go and buy a fan. | 0:41:58 | 0:42:03 | |
-I don't... The dress? -No. -No. | 0:42:05 | 0:42:08 | |
-So, fingers crossed. -Fingers crossed. | 0:42:08 | 0:42:11 | |
I think we did well. Good job, buddy. | 0:42:11 | 0:42:13 | |
-Good job, buddy. -You're awesome. | 0:42:13 | 0:42:15 | |
It's auction time. | 0:42:15 | 0:42:17 | |
We're off to Stoke-on-Trent | 0:42:17 | 0:42:19 | |
in Staffordshire - stand by. | 0:42:19 | 0:42:20 | |
Jimmy and Tony are anticipating the final chapter | 0:42:22 | 0:42:24 | |
of their Road Trip adventure. | 0:42:24 | 0:42:27 | |
-This is my first auction, so this will be fun. -Yeah. | 0:42:27 | 0:42:29 | |
This will be cool. | 0:42:29 | 0:42:30 | |
-I've never been to an auction in my life. -Haven't you? -No. | 0:42:30 | 0:42:33 | |
We're going to find out pretty quick which one of us is rubbish, right? | 0:42:33 | 0:42:37 | |
It's tipping it down as the girls await our celebrities' arrival. | 0:42:39 | 0:42:43 | |
-Hey! -Lovely day! | 0:42:43 | 0:42:46 | |
-Welcome to Stoke! -JIMMY: -It's raining! | 0:42:46 | 0:42:50 | |
-Quick, quick, quick, we're getting wet! -Shut the door. | 0:42:50 | 0:42:53 | |
-Oh, thank you for the brolly, but... -Let's go inside. | 0:42:53 | 0:42:56 | |
Let's do this. This will be fun. | 0:42:56 | 0:42:58 | |
This will be fun, come on. | 0:42:58 | 0:43:00 | |
Get in, before you catch a cold. | 0:43:00 | 0:43:02 | |
Today, we're at ASH Auctions, | 0:43:05 | 0:43:07 | |
and the man in command is auctioneer Lee Sherratt. | 0:43:07 | 0:43:09 | |
What do you think of their offerings, then, Lee? | 0:43:09 | 0:43:12 | |
When I saw the record player and the records, | 0:43:12 | 0:43:14 | |
I just realised that I used to have one of those. | 0:43:14 | 0:43:18 | |
Exactly the same model, back in the day, nineteen seventy... | 0:43:18 | 0:43:21 | |
two, I think it was. | 0:43:21 | 0:43:23 | |
The silver sugar shaker in its original box, | 0:43:23 | 0:43:27 | |
I've had a lot of people having a look at that today, | 0:43:27 | 0:43:30 | |
people who've come into the saleroom, | 0:43:30 | 0:43:32 | |
so I'm sure that'll do well. | 0:43:32 | 0:43:34 | |
Excellent. Jimmy and Catherine were today's biggest spenders. | 0:43:34 | 0:43:37 | |
Jimmy proved to be a sweet-talking guy with a sharp business acumen. | 0:43:37 | 0:43:42 | |
They spent £274 on five different lots. | 0:43:42 | 0:43:46 | |
Tony and Margie were a little more laid-back, but dapper gent Tony | 0:43:48 | 0:43:51 | |
knew what he wanted and persuaded Margie to buy into vintage clothing. | 0:43:51 | 0:43:55 | |
They spent £235, also on five lots. | 0:43:55 | 0:43:59 | |
It's a packed house as our glittering stars arrive. | 0:44:01 | 0:44:04 | |
Get ready, the auction is about to begin. | 0:44:04 | 0:44:07 | |
-Mm-hm. -This is it. -This is it, this is the moment. | 0:44:07 | 0:44:13 | |
-Are you ready? -Are you ready? -Put 'em up. | 0:44:13 | 0:44:15 | |
CATHERINE LAUGHS | 0:44:15 | 0:44:18 | |
-Right, are we ready? -Yes, dear. | 0:44:18 | 0:44:20 | |
- Do you think we're going to make some profits? | 0:44:20 | 0:44:24 | |
Erm... | 0:44:24 | 0:44:26 | |
There's confidence for you. | 0:44:26 | 0:44:28 | |
First up, it's Jimmy's retro fan. | 0:44:29 | 0:44:32 | |
I mean, it's a piece of art, it's of an era, isn't it? | 0:44:32 | 0:44:35 | |
Come on, what am I selling myself for? | 0:44:35 | 0:44:38 | |
£30, 25, come on, where are we? | 0:44:38 | 0:44:41 | |
£20, £10 to start me, maybe £10? | 0:44:41 | 0:44:43 | |
-10 bid on my left. -MARGIE: -10. -We have profit. | 0:44:43 | 0:44:47 | |
..more than this, surely? At £10, 12? 10 on the left-hand side. | 0:44:47 | 0:44:51 | |
-MARGIE: -Eh? In profit. | 0:44:51 | 0:44:53 | |
Maiden bid of only £10. 12. At 12 now, is it 14? | 0:44:53 | 0:44:56 | |
-Come on. -Come on! | 0:44:56 | 0:44:59 | |
Feel like I'm riding a horse here. | 0:44:59 | 0:45:02 | |
-Any more, then, at £14? -Come on! -You've doubled your money. | 0:45:02 | 0:45:05 | |
Doubled your money. | 0:45:05 | 0:45:07 | |
-JIMMY: -£14. It's good, isn't it? | 0:45:07 | 0:45:10 | |
Doubled your money. Splendid result, Jimmy. | 0:45:10 | 0:45:13 | |
-They're ahead. -Yes, we're doing famously, aren't we? | 0:45:13 | 0:45:16 | |
Actually, you are, Jimmy. | 0:45:17 | 0:45:20 | |
It's your turn now, Tony. The sugar shaker is up next. | 0:45:21 | 0:45:25 | |
-Hey, shake your sugar. -# Shake it... # | 0:45:26 | 0:45:29 | |
-TONY: -# Shake your sugar, baby... # | 0:45:29 | 0:45:33 | |
-Loads of commission bids left on this. -Loads of commission bids! | 0:45:33 | 0:45:35 | |
£40, straight in at 40, I'll take 45. | 0:45:35 | 0:45:38 | |
You made a profit! Well done. | 0:45:38 | 0:45:40 | |
50, now 5? On commission at £50. Carry on. | 0:45:40 | 0:45:44 | |
-55, and 60. -We're up to £60. | 0:45:44 | 0:45:47 | |
-CATHERINE: -60? Well done. | 0:45:47 | 0:45:48 | |
65, going to sell it, no mistake, then, at £60... | 0:45:48 | 0:45:53 | |
-JIMMY: -Whoa! Whoohoo! | 0:45:53 | 0:45:56 | |
Way to go. All right, now it's on, buddy. | 0:45:56 | 0:45:59 | |
I'm going now, I'm going now. | 0:45:59 | 0:46:01 | |
Uh-oh, the buddies might be at war, but it's sweet success for Tony. | 0:46:03 | 0:46:06 | |
-What's next? -Your dress. -It's a coat. -The dress. | 0:46:08 | 0:46:12 | |
-It's a coat. -It's a dress, OK? | 0:46:12 | 0:46:14 | |
Tony's Victorian evening coat is next. | 0:46:18 | 0:46:22 | |
Lot 37 is a satin and lace handmade Victorian evening coat... | 0:46:22 | 0:46:26 | |
And we've made a new friend to model the garment. | 0:46:26 | 0:46:29 | |
Modelled, of course, by our, uh, modeller, Ros. | 0:46:29 | 0:46:32 | |
LAUGHTER | 0:46:32 | 0:46:35 | |
Give a little twirl, there you go. | 0:46:35 | 0:46:37 | |
-Look at this. -Beautiful. | 0:46:37 | 0:46:39 | |
-£20. Bid straight in at 20... -Beautiful. | 0:46:39 | 0:46:42 | |
25, 30... 30 bid, now 5? | 0:46:42 | 0:46:45 | |
-At £30... -MARGIE: -We're in profit! | 0:46:45 | 0:46:47 | |
-Come on, it's worth more, surely. -Give a twirl! | 0:46:47 | 0:46:50 | |
40, 42, I've got you, 44. | 0:46:50 | 0:46:52 | |
-Come on. -44, 44, 46? | 0:46:52 | 0:46:55 | |
46. 48. Well done. Top it up to 50 now, come on. 49, then... | 0:46:55 | 0:47:01 | |
For a dress? Give me a break. | 0:47:02 | 0:47:05 | |
-50, there we go. -What?! | 0:47:05 | 0:47:08 | |
He's definitely out at £50, stuck to his task. | 0:47:08 | 0:47:11 | |
-At £50... -It's you. You've done it. The model's done it. | 0:47:11 | 0:47:14 | |
-CATHERINE AND JIMMY: Aww. CATHERINE: -Well done. | 0:47:14 | 0:47:18 | |
-I stand corrected. -How did you do that? | 0:47:18 | 0:47:21 | |
I'll let you do the shopping from now on, all right? | 0:47:21 | 0:47:23 | |
How did you do that? | 0:47:23 | 0:47:25 | |
Tony's got taste. Another sizeable profit for Margie's team. | 0:47:25 | 0:47:30 | |
You are on fire. Tony the Tiger, see, what did I tell you? | 0:47:30 | 0:47:35 | |
I can't believe it. I can't believe it. | 0:47:35 | 0:47:37 | |
Back to Jimmy now. The engineer's drawers and Bakelite phone are next. | 0:47:39 | 0:47:42 | |
-Oh, yeah, yeah, yeah. -This is us, this is us. | 0:47:45 | 0:47:50 | |
-We've got new porters. -Lovely phone. | 0:47:50 | 0:47:54 | |
-MARGIE: -Right, here we go. | 0:47:54 | 0:47:56 | |
-Any time you want a job, mate, come and see me. -All right, yeah! | 0:47:56 | 0:48:00 | |
£30 the lot, get me £20 at the start of the bidding. | 0:48:00 | 0:48:03 | |
-£20. All over the place. -Oh, everyone, everyone. | 0:48:03 | 0:48:06 | |
Like a Mexican wave at the Vale there. | 0:48:06 | 0:48:07 | |
£20 I'm bid now. 22, 24, 26, 28 and 30. 2, 4, 6, 8. | 0:48:07 | 0:48:13 | |
40, 2, 4, 6, 8. 50, 2, 4, 6, 8. | 0:48:13 | 0:48:16 | |
-MARGIE: -Ooh, getting there. | 0:48:16 | 0:48:17 | |
-60, 2... -Keep going, keep going. | 0:48:17 | 0:48:22 | |
Where's 4? Come on. At £62, the hammer's up. Being sold at £62. | 0:48:22 | 0:48:26 | |
No, come on! | 0:48:26 | 0:48:27 | |
-Aww. -Oh, man! | 0:48:27 | 0:48:31 | |
-Well, you did all right. -Where do we go? | 0:48:31 | 0:48:34 | |
Well, you did everything you could to try and wow the crowd, | 0:48:36 | 0:48:39 | |
but it's a hefty loss. | 0:48:39 | 0:48:41 | |
So what did we lose? | 0:48:41 | 0:48:43 | |
-Let's not talk about it. -Good plan. | 0:48:43 | 0:48:45 | |
Tony's mariner's lamp is next. Well, we know it works. | 0:48:47 | 0:48:51 | |
-We paid too much money. -Oh, what did you pay for that? | 0:48:51 | 0:48:55 | |
GAVEL BANGS | 0:48:55 | 0:48:58 | |
-£60. -Sorry, didn't hear that? | 0:48:58 | 0:49:01 | |
-£20, somebody. I've got you, 20 bid. At 20 bid now... -20. -Come on. | 0:49:01 | 0:49:06 | |
At £20, and 2. We're off now, 24, and 6, now 8, 28, now 30... | 0:49:06 | 0:49:12 | |
-Oh, you're going. -32 now. 4. | 0:49:12 | 0:49:15 | |
At 32 to your left-hand side. Any more now? | 0:49:15 | 0:49:17 | |
At £32 now. The hammer's up. All done now at three-two. | 0:49:17 | 0:49:20 | |
-Could have been worse. -I'm happy with that. | 0:49:20 | 0:49:23 | |
And so you should be, Tony, you're still in the lead. | 0:49:23 | 0:49:27 | |
I think that's the end of our problems. | 0:49:27 | 0:49:30 | |
If that was your only problem, that's good, | 0:49:30 | 0:49:32 | |
-we've got a lot of problems. -We've got a lot of problems. | 0:49:32 | 0:49:34 | |
Let's hope you don't. It's Jimmy's biscuit sampler tin next. | 0:49:36 | 0:49:40 | |
And it's got "Osborne" on the side. | 0:49:42 | 0:49:44 | |
Aww. But you're not called Osborne. | 0:49:44 | 0:49:46 | |
Not, it's another family, but it's close. | 0:49:46 | 0:49:48 | |
-But it has "Marie" on the backside of it. -Oh, Marie. | 0:49:48 | 0:49:51 | |
Yeah, so Marie Osborne. | 0:49:51 | 0:49:53 | |
Put that in the bank and draw that interest, right? | 0:49:53 | 0:49:56 | |
-£15 for it, where are we? -Come on! | 0:49:56 | 0:49:59 | |
Give me a 5. 5 I'm bid. 6? 6 I'm bid. 7 I'm bid. | 0:49:59 | 0:50:03 | |
-8. Now 9. -Come on, come on! -It's going, it's going. | 0:50:03 | 0:50:07 | |
12. 14. 14, 16. | 0:50:07 | 0:50:09 | |
Commission buyer comes in. | 0:50:09 | 0:50:10 | |
-No, come on! -Come on! -No, no, no, no! | 0:50:10 | 0:50:13 | |
At £14, keep going. | 0:50:13 | 0:50:15 | |
-Come on! -Come on! -£14. Commission at £14. £14. | 0:50:15 | 0:50:21 | |
Aaaargh! | 0:50:21 | 0:50:22 | |
Hang on, hang on! 16. | 0:50:22 | 0:50:24 | |
-I'm in pain. -Still on commission. 18. | 0:50:24 | 0:50:28 | |
-19, then. £18, still commission. -Oh, yeah. | 0:50:28 | 0:50:31 | |
-£18, are we all done? -He's got a big commission. | 0:50:31 | 0:50:33 | |
Are you having a good time? | 0:50:33 | 0:50:35 | |
-Having a good time. -All done. Sold on commission. -Well done! | 0:50:35 | 0:50:39 | |
We did it. | 0:50:39 | 0:50:40 | |
Yeah, but it's, like, minute. | 0:50:40 | 0:50:42 | |
I don't care. I just don't want to lose any more money! | 0:50:42 | 0:50:44 | |
I hear you, Jimmy. It's still a profit. | 0:50:47 | 0:50:51 | |
Way to go, partner. | 0:50:51 | 0:50:53 | |
-You did it. -It's hard to get a pound, isn't it? | 0:50:53 | 0:50:56 | |
We're sticking with Jimmy now. | 0:50:59 | 0:51:01 | |
The '70s record combo lot is next. | 0:51:01 | 0:51:04 | |
-Come on, let's get ready. -There we go. | 0:51:04 | 0:51:06 | |
Oh, here they go again. | 0:51:06 | 0:51:08 | |
Hold on a minute, dear. | 0:51:08 | 0:51:10 | |
Oh, dear, oh, dear. | 0:51:11 | 0:51:13 | |
Lot 72A is the Marconiphone record player, | 0:51:13 | 0:51:15 | |
together with six LPs from the 1970s, | 0:51:15 | 0:51:18 | |
including a signed Top Of The Pops LP | 0:51:18 | 0:51:21 | |
-featuring Jimmy Osmond's Long Haired... -That's... | 0:51:21 | 0:51:24 | |
That's not my picture. | 0:51:24 | 0:51:26 | |
Right, who's going to bid me £50 for the lot? £50. | 0:51:26 | 0:51:29 | |
# I'll be your long-haired lover from Liverpool | 0:51:29 | 0:51:35 | |
-# And... # -This is great! | 0:51:35 | 0:51:39 | |
You know this. | 0:51:39 | 0:51:40 | |
# I'll be your clown or your puppet or your April Fool | 0:51:40 | 0:51:43 | |
# If you'll be my sunshine daisy from LA | 0:51:43 | 0:51:47 | |
# I'll be your leprechaun and sit upon... # | 0:51:47 | 0:51:50 | |
Here comes the chorus. | 0:51:50 | 0:51:51 | |
Blimey, feel the love in the room. | 0:51:51 | 0:51:53 | |
# Till I'm old and grey... # Your turn! | 0:51:53 | 0:51:55 | |
-# I'll be your... -# Long-haired lover from Liverpool | 0:51:55 | 0:51:59 | |
# You'll be my sunshine daisy from LA. # | 0:51:59 | 0:52:03 | |
CHEERING | 0:52:03 | 0:52:05 | |
It's a bargain! It's a bargain! | 0:52:05 | 0:52:07 | |
Yes! | 0:52:07 | 0:52:09 | |
Absolutely brilliant. | 0:52:09 | 0:52:12 | |
-OK! -Right, come on, let's start it at 50. | 0:52:12 | 0:52:15 | |
-It's got to be worth that, just for the LPs. -Yay! | 0:52:15 | 0:52:19 | |
50! £50 is bid. 52? 52? | 0:52:19 | 0:52:22 | |
-Hey, 52! -54. | 0:52:22 | 0:52:24 | |
-Jimmy's just sang! 56. -21! | 0:52:24 | 0:52:28 | |
Don't let that ruin it! Right? | 0:52:28 | 0:52:30 | |
Are you sure this time? At £56, then. | 0:52:30 | 0:52:32 | |
-All done and finished at £56. -JIMMY: -56, do we hear 57? | 0:52:32 | 0:52:35 | |
Sold at £56, number 45. | 0:52:35 | 0:52:39 | |
Thank you very much. That was cool. | 0:52:39 | 0:52:43 | |
What a brilliant singalong, and a lovely profit. Well done. | 0:52:43 | 0:52:47 | |
I don't know where we are. I've completely lost it. | 0:52:48 | 0:52:51 | |
-All I know is I shut my finger in that record player! -Oh, Lord. | 0:52:51 | 0:52:55 | |
Back to Tony. The weighty planters are next. | 0:52:55 | 0:52:59 | |
Several commission bids left on this next item. | 0:52:59 | 0:53:02 | |
-Several commission bids. -What? | 0:53:02 | 0:53:05 | |
You have the magic! | 0:53:05 | 0:53:07 | |
I've got £50 bid straight in for the two. 55. | 0:53:07 | 0:53:10 | |
You got them cheap. | 0:53:10 | 0:53:13 | |
No, we're not, carry on. | 0:53:13 | 0:53:15 | |
55, 60, 5, 70, 5. | 0:53:15 | 0:53:18 | |
80, 5, 90, 5. | 0:53:18 | 0:53:21 | |
Now we're up to £95 on commission. | 0:53:21 | 0:53:24 | |
-They are good. -Get out of town! | 0:53:24 | 0:53:26 | |
-Close your mouth! -At £95, let's start... | 0:53:26 | 0:53:28 | |
-For kitty boxes? -I can't believe it. | 0:53:28 | 0:53:31 | |
I shouldn't have told Tony Christie to shut his mouth! | 0:53:31 | 0:53:34 | |
-£100, then. -I can't believe it. | 0:53:34 | 0:53:36 | |
£95 on commission and all done. | 0:53:36 | 0:53:38 | |
-Sold, 95. -Are you serious? | 0:53:38 | 0:53:41 | |
-Yes! -Yay! | 0:53:41 | 0:53:43 | |
Well done, Tony! | 0:53:43 | 0:53:46 | |
Well, I am gobsmacked. | 0:53:46 | 0:53:49 | |
I think Tony likes this auction lark. | 0:53:49 | 0:53:51 | |
Yet another chunky profit. | 0:53:51 | 0:53:54 | |
We've got high hopes for the horse's head now. | 0:53:54 | 0:53:57 | |
-We have. The pub. -Our duo. | 0:53:57 | 0:54:00 | |
Tony's great haggle got these for a great price, | 0:54:00 | 0:54:04 | |
but can they turn a great profit? | 0:54:04 | 0:54:06 | |
£30 the lot. Got to be worth that. | 0:54:06 | 0:54:09 | |
-Give me £20. -Oh, no! Oh, no! | 0:54:09 | 0:54:11 | |
10, 12, 14. 14, 16. | 0:54:11 | 0:54:15 | |
-16, 18. -Oh, it's moving. -20, 22, 24. | 0:54:15 | 0:54:19 | |
24, 26. 26. 28, 28. | 0:54:19 | 0:54:23 | |
28. 30. Bid. 2? | 0:54:23 | 0:54:26 | |
-30 bid now. 2? He says no. -Oh, come on, this is cheap. | 0:54:26 | 0:54:30 | |
Now we go. Here we go. | 0:54:30 | 0:54:31 | |
Hang on! 32, 34, 36? | 0:54:31 | 0:54:33 | |
-36. -Come on, got to get me up to 50. | 0:54:33 | 0:54:35 | |
46, 48, 50, 5, 60. | 0:54:35 | 0:54:39 | |
Right-hand side at £55. Where's £60? | 0:54:39 | 0:54:42 | |
-Another one! -At £55. | 0:54:42 | 0:54:44 | |
-The hand's up, then, at 55. Any more? -That's cheap, though. | 0:54:44 | 0:54:46 | |
-60. -60! | 0:54:46 | 0:54:49 | |
You guys... Can I touch you? | 0:54:49 | 0:54:52 | |
Right-hand side, being sold at £60. | 0:54:52 | 0:54:56 | |
-Sold at £60. -Yay! | 0:54:56 | 0:54:58 | |
Tony, you're coming up with the profits today, man. | 0:55:00 | 0:55:04 | |
Another good sale. | 0:55:04 | 0:55:05 | |
-That was quite cheap. -Can I touch you? | 0:55:05 | 0:55:08 | |
You are gold! | 0:55:08 | 0:55:10 | |
It's the final lot of the day - Jimmy's big gamble, | 0:55:10 | 0:55:15 | |
the American coffee grinder, is next. | 0:55:15 | 0:55:18 | |
This is the decider, cos you've got something really good here. | 0:55:18 | 0:55:21 | |
-A large coffee grinder... -Oh, yeah. | 0:55:21 | 0:55:24 | |
Another song, Jimmy? | 0:55:24 | 0:55:26 | |
12, 14, 16, 18, 20, 22, 24, 26... And 4, and 6, and 8, and 30... | 0:55:26 | 0:55:32 | |
-It's very rare. -And 4, 6, 8, 40, 2... | 0:55:32 | 0:55:36 | |
-He's bidding at the back. -..and 8 and 50. | 0:55:36 | 0:55:39 | |
And 2 and 4 and 6 and 8. | 0:55:39 | 0:55:42 | |
And 60 and 2. Out. | 0:55:42 | 0:55:44 | |
In the room at £60. Take 2 more. | 0:55:44 | 0:55:46 | |
2, fresh money. 62. 64 now? | 0:55:46 | 0:55:49 | |
At 62. 64, you've been with me all the way. | 0:55:49 | 0:55:52 | |
-No, no, you're doing a great job! -70 now. | 0:55:52 | 0:55:55 | |
-Well, been with me all the way through. -Come on! | 0:55:55 | 0:55:57 | |
Thanks for your bids, then, at £68. | 0:55:57 | 0:55:59 | |
-Come on! -Being sold, no mistake, then, at 68. | 0:55:59 | 0:56:02 | |
-Oh. -Thank you. | 0:56:02 | 0:56:04 | |
-Well, it's all right. -Oh, that is a rare thing. | 0:56:06 | 0:56:10 | |
-That is a really good item. -Yeah, I'm still proud of it. -Fantastic. | 0:56:10 | 0:56:14 | |
-Still proud of it. -Ouch. | 0:56:14 | 0:56:16 | |
Someone's got an excellent deal, there. | 0:56:16 | 0:56:18 | |
Have you enjoyed your first auction, chaps? | 0:56:19 | 0:56:22 | |
Well, it's the first one for me ever, and I'll tell you what, | 0:56:22 | 0:56:24 | |
-it's been brilliant. I'd like to do another one. -Would you? -Yes. | 0:56:24 | 0:56:28 | |
-That's good. Now you know the ropes. -You guys are winners. | 0:56:28 | 0:56:30 | |
Now you know what to buy - dresses - and you'll be fine! | 0:56:30 | 0:56:33 | |
You'll have a whole wardrobe full of dresses! | 0:56:33 | 0:56:36 | |
But I had the best time. | 0:56:36 | 0:56:38 | |
-Shall we get out of here? -Yeah, let's go. -Come on. | 0:56:38 | 0:56:41 | |
That was exciting. Let's tot up the scores. | 0:56:41 | 0:56:43 | |
Who will be today's winner? | 0:56:43 | 0:56:45 | |
Jimmy and Catherine started out with £400. | 0:56:46 | 0:56:49 | |
After all auction costs, | 0:56:49 | 0:56:51 | |
they made a small loss of £95.24. | 0:56:51 | 0:56:54 | |
Their takings are £304.76. | 0:56:54 | 0:56:58 | |
Tony and Margie also began with £400, | 0:57:01 | 0:57:03 | |
and after all saleroom costs, | 0:57:03 | 0:57:06 | |
they made a profit of £8.54. | 0:57:06 | 0:57:09 | |
Their final earnings are £408.54, | 0:57:09 | 0:57:13 | |
making this pair of luvvies the winners. | 0:57:13 | 0:57:16 | |
All profits to Children in Need. | 0:57:16 | 0:57:19 | |
-Whoo, that was fun! -Well, that was... -Was that crazy or what? | 0:57:19 | 0:57:22 | |
-That was different! -I loved it, I loved it. -Wow. | 0:57:22 | 0:57:25 | |
-Do you want the good news or the bad news? -The good news. | 0:57:25 | 0:57:29 | |
-The good news is that you have won. -Yes. | 0:57:29 | 0:57:32 | |
-Yay! -Well done. -Very well-deserved, I must admit. | 0:57:32 | 0:57:37 | |
But only by... - By a huge amount. | 0:57:37 | 0:57:39 | |
You have won... | 0:57:39 | 0:57:42 | |
-£8! -£8?! -All that hard work. | 0:57:42 | 0:57:47 | |
-And the bad news is that we lost. -We lost how much? | 0:57:47 | 0:57:50 | |
It doesn't matter. | 0:57:50 | 0:57:51 | |
-A lot! A lot! -It doesn't matter. | 0:57:51 | 0:57:54 | |
But we tried, and I still love what we did. | 0:57:54 | 0:57:56 | |
But it's been the best. It's been the best, buddy, congratulations. | 0:57:56 | 0:58:00 | |
Margie! - Fan-dabby-dozy. | 0:58:00 | 0:58:02 | |
Congratulations, lovely. | 0:58:02 | 0:58:05 | |
It was a close one, and we'll miss you, fellas. | 0:58:05 | 0:58:08 | |
-I'd do it again, wouldn't you? -Oh, absolutely. | 0:58:10 | 0:58:13 | |
We might just do it on our own without all those TV people! | 0:58:13 | 0:58:17 | |
Don't blame you. | 0:58:17 | 0:58:18 | |
Bye-bye, Jimmy and Tony. | 0:58:18 | 0:58:20 |