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The nation's favourite celebrities... | 0:00:01 | 0:00:03 | |
-I like that. -Are paired up with an expert... | 0:00:03 | 0:00:06 | |
We've had some fun, haven't we? | 0:00:06 | 0:00:07 | |
..and a classic car. | 0:00:07 | 0:00:09 | |
It feels as if it could go quite fast. | 0:00:09 | 0:00:10 | |
The mission, to scour Britain for antiques. | 0:00:10 | 0:00:14 | |
-Yes. -Fantastic. -I'd do that in slow-mo. | 0:00:14 | 0:00:16 | |
The aim, to make the biggest profit at auction... | 0:00:16 | 0:00:19 | |
-Come on, boys! -..but it's no easy ride. | 0:00:19 | 0:00:22 | |
-Da-dah! -Who will find a hidden gem? | 0:00:22 | 0:00:25 | |
-Oh! Sell me! -Who will take the biggest risks? | 0:00:25 | 0:00:28 | |
Go away, darling. | 0:00:28 | 0:00:29 | |
Will anybody follow expert advice? | 0:00:29 | 0:00:32 | |
I'm trying to spend money here. | 0:00:32 | 0:00:34 | |
There will be worthy winners... | 0:00:34 | 0:00:35 | |
-Yes. -..and valiant losers. | 0:00:35 | 0:00:38 | |
Put your pedal to the metal. | 0:00:38 | 0:00:40 | |
This is the Celebrity Antiques Road Trip. | 0:00:40 | 0:00:43 | |
Yeah! | 0:00:46 | 0:00:47 | |
Today it's all about hitting the right notes. | 0:00:53 | 0:00:56 | |
I kind of feel like this is a really mean machine | 0:00:56 | 0:00:59 | |
and you're driving it like a granny. | 0:00:59 | 0:01:02 | |
Don't knock granny-driving. | 0:01:02 | 0:01:04 | |
Change gear, babe. | 0:01:04 | 0:01:06 | |
That will be the one. | 0:01:06 | 0:01:08 | |
Cruising along in this throaty 1970 Trident Clipper | 0:01:08 | 0:01:12 | |
are husband and wife singing duo David and Carrie Grant, | 0:01:12 | 0:01:16 | |
who are swapping singing in harmony | 0:01:16 | 0:01:18 | |
for a spot of competitive antique-ing. | 0:01:18 | 0:01:20 | |
Oh, yes. | 0:01:20 | 0:01:21 | |
Even after 30 years your first base attitude is, | 0:01:21 | 0:01:27 | |
-"I'm going to beat you." -Of course. | 0:01:27 | 0:01:28 | |
Like, literally, for 30 years you've been saying that | 0:01:28 | 0:01:32 | |
and for 30 years you've been losing. | 0:01:32 | 0:01:35 | |
Oh, come on! | 0:01:35 | 0:01:36 | |
David Grant is an '80s pop icon. | 0:01:38 | 0:01:41 | |
# I'd play out after dark and they would come get me... # | 0:01:41 | 0:01:46 | |
Yeah! He was a regular in the UK charts, | 0:01:46 | 0:01:49 | |
clocking up 14 hits and becoming a television favourite. | 0:01:49 | 0:01:53 | |
David Grant, the man himself, for the Yellows. | 0:01:53 | 0:01:55 | |
His wife Carrie was a hit-maker herself | 0:01:58 | 0:02:01 | |
and, in 1983, as part of the group Sweet Dreams | 0:02:01 | 0:02:04 | |
she represented the UK at the Eurovision Song Contest. | 0:02:04 | 0:02:07 | |
After becoming coaches and judges on successful shows like Fame Academy, | 0:02:07 | 0:02:12 | |
David and Carrie have become familiar faces on our screen. | 0:02:12 | 0:02:15 | |
David, have you decided to stick with your new trainers, | 0:02:15 | 0:02:18 | |
or are you going to go back to those smelly old ones? | 0:02:18 | 0:02:21 | |
But for all that showbiz talent, | 0:02:21 | 0:02:22 | |
it's shopping skills they'll need today. | 0:02:22 | 0:02:24 | |
Don't get me wrong. You're good at shopping | 0:02:24 | 0:02:28 | |
but I am good at spotting a bargain. | 0:02:28 | 0:02:31 | |
You know the cost of nothing. | 0:02:31 | 0:02:33 | |
You don't even know the cost of a loaf of bread now. | 0:02:33 | 0:02:36 | |
So how do you think that you're going to go into a shop | 0:02:36 | 0:02:39 | |
and suddenly gain this gift of knowing the value of something? | 0:02:39 | 0:02:42 | |
Because, baby, I'm not going to be buying bread. | 0:02:42 | 0:02:45 | |
I don't know what you're going to be buying, | 0:02:45 | 0:02:48 | |
but let me tell you something, I've already won | 0:02:48 | 0:02:51 | |
if you're going to go and buy loaves of bread. | 0:02:51 | 0:02:54 | |
Our competitive couple will be guided away from the bread aisle | 0:02:56 | 0:02:59 | |
by the expert hands of our auctioneers, | 0:02:59 | 0:03:02 | |
Will Axon and Mark Stacey. | 0:03:02 | 0:03:05 | |
They're bopping along in this pre-seatbelt-era | 0:03:05 | 0:03:08 | |
1961 Morris 1000 in custard yellow. | 0:03:08 | 0:03:11 | |
And I hear Mark is a fan of Carrie's European past. | 0:03:11 | 0:03:14 | |
She was in a group called Sweet Dreams | 0:03:14 | 0:03:16 | |
that were in the Eurovision Song Contest in 1983 | 0:03:16 | 0:03:18 | |
with I'm Never Gonna Give You Up. | 0:03:18 | 0:03:20 | |
I know you have an encyclopaedic knowledge... | 0:03:20 | 0:03:23 | |
Not encyclopaedic, but I love Eurovision. | 0:03:23 | 0:03:26 | |
# Ooh-ah, just a little bit Ooh-ah, a little bit more... # | 0:03:26 | 0:03:30 | |
Mark Stacey, douze points. | 0:03:30 | 0:03:32 | |
Will Axon, nil points. | 0:03:32 | 0:03:35 | |
Well, that concludes the judging from our expert jury. | 0:03:36 | 0:03:39 | |
Time for our hopefuls to meet their mentors. | 0:03:39 | 0:03:41 | |
-Good morning. -How are you, Mark? I'm David. | 0:03:44 | 0:03:46 | |
-Nice to meet you, David. -Hi! -Lovely to meet you. | 0:03:46 | 0:03:49 | |
David, Will. How are you? | 0:03:49 | 0:03:50 | |
Nice to meet you. How are you? | 0:03:50 | 0:03:52 | |
-Carrie. How are you? -I'm good, thank you. -Good. | 0:03:52 | 0:03:54 | |
We are so looking forward to this. | 0:03:54 | 0:03:56 | |
We are. We've decided our pairing. | 0:03:56 | 0:03:58 | |
-Am I with you? -Yeah, because I love Eurovision. | 0:03:58 | 0:04:00 | |
Come here, you. Come here and give me a man hug. | 0:04:00 | 0:04:04 | |
-We are a team. -We are all bonded, cos this is our car... | 0:04:04 | 0:04:07 | |
No, I think you'll find the man with the keys always wins. | 0:04:07 | 0:04:11 | |
Take a little look in there, you'll see my handbag, reserved. | 0:04:11 | 0:04:14 | |
Try and start the car with a handbag. | 0:04:14 | 0:04:17 | |
I'll keep the keys. Come on. | 0:04:17 | 0:04:19 | |
You talk about starting the car. Let's do it. | 0:04:19 | 0:04:23 | |
HORN BEEPS | 0:04:23 | 0:04:25 | |
HORN PLAYS "DIXIELAND" | 0:04:25 | 0:04:28 | |
-Now that's a horn. -And it's got a horn! | 0:04:28 | 0:04:31 | |
This should be fun. | 0:04:31 | 0:04:32 | |
Carrie and David will have £400 each to spend | 0:04:32 | 0:04:35 | |
and their journey starts off in Landbeach in Cambridgeshire. | 0:04:35 | 0:04:38 | |
They'll explore Suffolk and Hertfordshire | 0:04:38 | 0:04:40 | |
and nip into Bedfordshire | 0:04:40 | 0:04:42 | |
before heading north to Norfolk for an auction in Downham Market. | 0:04:42 | 0:04:45 | |
-Are you good at shopping? -I'm really good at shopping, yes. | 0:04:45 | 0:04:48 | |
-I am. Yeah. -Are you good at bargaining? | 0:04:48 | 0:04:51 | |
-I'm not. -I'll help you. | 0:04:51 | 0:04:53 | |
I'm relying on you heavily for everything, to be honest. | 0:04:53 | 0:04:56 | |
That worries me a bit, you know. | 0:04:56 | 0:04:58 | |
You know, it's not that I mind losing to her. | 0:04:58 | 0:05:01 | |
Not really. It's just that it would make my life unbearable if I did. | 0:05:01 | 0:05:06 | |
-It's just bragging rights at home, isn't it? -Big-time. | 0:05:06 | 0:05:09 | |
Well, let's get things moving, then! | 0:05:09 | 0:05:11 | |
And with a rural auction coming up, | 0:05:11 | 0:05:13 | |
this could be the perfect place for David and Will | 0:05:13 | 0:05:15 | |
to start their shopping adventure. | 0:05:15 | 0:05:17 | |
-Hello there! -How are you doing? -Will, how do you do? | 0:05:17 | 0:05:20 | |
-Yeah, good. -I'm David, hi. | 0:05:20 | 0:05:22 | |
David, yeah. I'm Stan from Stantiques. | 0:05:22 | 0:05:24 | |
Stantiques, good! | 0:05:24 | 0:05:26 | |
Like what you did there, Stan. | 0:05:26 | 0:05:28 | |
This place is jam-packed. | 0:05:29 | 0:05:31 | |
Have a look round, guys, see what you can find. | 0:05:31 | 0:05:33 | |
-Thank you. -Let's have a wander, David, let's have a wander. | 0:05:33 | 0:05:35 | |
What... | 0:05:35 | 0:05:37 | |
-Oh! -What have you got there? | 0:05:37 | 0:05:39 | |
Straight in with a...shooting stick. | 0:05:39 | 0:05:42 | |
Are you a man of country pursuits? | 0:05:42 | 0:05:44 | |
No! What do you think? | 0:05:44 | 0:05:45 | |
A lot of people have one. | 0:05:45 | 0:05:47 | |
If you're going to have one for decorative purposes, | 0:05:47 | 0:05:49 | |
you want the old bamboo one with the cane seat, really. | 0:05:49 | 0:05:51 | |
-Really? -Yeah. | 0:05:51 | 0:05:53 | |
-OK. -But, you know, it's a start, you're showing that you're keen. | 0:05:53 | 0:05:57 | |
A bit of taxidermy. | 0:05:57 | 0:05:59 | |
How do you feel about dead animals? | 0:05:59 | 0:06:01 | |
Oh, I like this stuff. You see what I did there? | 0:06:01 | 0:06:03 | |
OK, um... | 0:06:03 | 0:06:05 | |
Yeah. In the UK, all animals are protected by law, | 0:06:07 | 0:06:11 | |
and items from endangered foreign species can be sold, | 0:06:11 | 0:06:14 | |
as long as they predate | 0:06:14 | 0:06:16 | |
the 1947 Cites agreement, don't you know! | 0:06:16 | 0:06:19 | |
I'm liking the wild boar. | 0:06:19 | 0:06:20 | |
Yeah, how much is the wild boar? | 0:06:20 | 0:06:23 | |
Best, best price, 120. | 0:06:23 | 0:06:26 | |
What? | 0:06:26 | 0:06:28 | |
Come on! | 0:06:28 | 0:06:30 | |
120? | 0:06:30 | 0:06:32 | |
Well, it's a price, at least we've got something to think about. | 0:06:32 | 0:06:35 | |
Well, taxidermy isn't to everyone's taste and could be a big gamble, | 0:06:35 | 0:06:39 | |
even at a rural auction. | 0:06:39 | 0:06:41 | |
Meanwhile, Carrie and Mark are toddling along the road | 0:06:42 | 0:06:45 | |
to Newmarket, the birthplace of horse racing, | 0:06:45 | 0:06:47 | |
and they are under starter's orders in their first shop, | 0:06:47 | 0:06:50 | |
Treasures Antiques. | 0:06:50 | 0:06:52 | |
And it's big! | 0:06:52 | 0:06:53 | |
Is that two floors? | 0:06:53 | 0:06:56 | |
-It is. -I need a week in here! | 0:06:56 | 0:06:58 | |
So, plenty of interesting things to get you going. | 0:06:58 | 0:07:02 | |
Do you know, that reminds me of Will! | 0:07:02 | 0:07:04 | |
-Why? -Because he's such a bore! | 0:07:04 | 0:07:06 | |
How long did it take him to think that one up? | 0:07:08 | 0:07:11 | |
Do you think we should split up? | 0:07:11 | 0:07:12 | |
Yeah. I mean, yeah. I don't know what to look for, but, yes. | 0:07:12 | 0:07:16 | |
I think you've got an eye. | 0:07:16 | 0:07:18 | |
Oh, yeah? Nothing like throwing her in at the deep end, Mark. | 0:07:18 | 0:07:21 | |
I feel like some of the stuff I've seen here | 0:07:25 | 0:07:27 | |
is actually from my childhood home. | 0:07:27 | 0:07:29 | |
Hornsea, Springtime, wow. | 0:07:31 | 0:07:34 | |
Mark, I really like this as a set, look. | 0:07:34 | 0:07:37 | |
-Is that good? -I love it. | 0:07:37 | 0:07:39 | |
-'60s, isn't it? -Yeah, 1960s. | 0:07:39 | 0:07:41 | |
You know, I love the simplicity of it | 0:07:41 | 0:07:42 | |
and it is very in vogue in certain areas. | 0:07:42 | 0:07:44 | |
It would look lovely in your house. | 0:07:44 | 0:07:46 | |
So I've got to stop buying for myself? | 0:07:46 | 0:07:48 | |
Yes, but that's a very common thing to do when you are shopping, isn't it? | 0:07:48 | 0:07:52 | |
Now, I've found something which I think you'll hate. | 0:07:52 | 0:07:55 | |
You just took that out of your pocket. | 0:07:55 | 0:07:56 | |
-I did. -Were you trying to nick it? | 0:07:56 | 0:07:58 | |
No! I just think there's something about it. | 0:07:58 | 0:08:01 | |
I think this is an antique. | 0:08:01 | 0:08:02 | |
There's a lot of modern tribal stuff around, | 0:08:02 | 0:08:04 | |
but antique tribal stuff is quite collectable. | 0:08:04 | 0:08:06 | |
You can see there's a lot of dust and dirt in there. | 0:08:06 | 0:08:09 | |
I'm not being funny, but you're saying that in rural areas, | 0:08:09 | 0:08:12 | |
they won't go for a 1960s butter dish, | 0:08:12 | 0:08:15 | |
but they'll go for something that's tribal, with no arms... | 0:08:15 | 0:08:19 | |
-You hate it, don't you? -I beyond hate it. | 0:08:19 | 0:08:21 | |
OK. Thanks, Carrie. | 0:08:21 | 0:08:23 | |
Bye. | 0:08:23 | 0:08:25 | |
Lordy, this could be a long day. | 0:08:25 | 0:08:27 | |
Meanwhile, in Landbeach, David and Will are still browsing. | 0:08:28 | 0:08:32 | |
Little stationary boxes, | 0:08:32 | 0:08:34 | |
these all look like they should have cutlery in. | 0:08:34 | 0:08:37 | |
-Yup. -They look like sort of fish services, fruit services, | 0:08:37 | 0:08:40 | |
that sort of thing. You've got tins that are collectable... | 0:08:40 | 0:08:44 | |
-Oh! Well caught. -Steady, Will. | 0:08:44 | 0:08:46 | |
-Let's see if there's anything in this little box. -Let's have a look. | 0:08:46 | 0:08:51 | |
Go on, open her up. | 0:08:51 | 0:08:53 | |
-Well, there you go, the fish service. -Ah! | 0:08:53 | 0:08:56 | |
The Victorians loved to complicate things. | 0:08:56 | 0:08:58 | |
There's not much of a market for that, these days. | 0:08:58 | 0:09:01 | |
-Do you use a fish service? -Um, no. | 0:09:01 | 0:09:03 | |
Well, anything more practical? | 0:09:03 | 0:09:05 | |
Now what have you found? | 0:09:05 | 0:09:07 | |
-Look at that! -That's kind of cool, isn't it? | 0:09:07 | 0:09:09 | |
-Yeah! -Good old saw. | 0:09:09 | 0:09:11 | |
What kind of age would that be? | 0:09:11 | 0:09:13 | |
Looking at the wear and so on, | 0:09:13 | 0:09:15 | |
it's got to be sort of turn-of-the-century, hasn't it? | 0:09:15 | 0:09:17 | |
-Wow. -Sort of 1900, something like that, maybe a touch later, | 0:09:17 | 0:09:21 | |
1910 or something. | 0:09:21 | 0:09:22 | |
So this could be a century old? | 0:09:22 | 0:09:24 | |
-Yes. -Do you think this is the kind of thing that might be of interest? | 0:09:24 | 0:09:28 | |
I do, I quite like it. | 0:09:28 | 0:09:30 | |
I quite like it. Again, it's got a sort of sculptural quality about it, hasn't it? | 0:09:30 | 0:09:33 | |
-But do you like it? -I do, I really like it. | 0:09:33 | 0:09:37 | |
I think David might get the hang of this rather quickly. | 0:09:37 | 0:09:40 | |
Just as well. Will has spotted something else. | 0:09:40 | 0:09:42 | |
What do you reckon to that bad boy? | 0:09:42 | 0:09:44 | |
-See it? -Wow! Yeah! | 0:09:44 | 0:09:46 | |
It's a little hand plough, | 0:09:46 | 0:09:48 | |
not too big, so it's, you know, accommodatable. If that's a word! | 0:09:48 | 0:09:52 | |
It's definitely not. | 0:09:52 | 0:09:54 | |
It evokes the Fens, in my mind. | 0:09:54 | 0:09:57 | |
-Yes. -Doesn't it? I mean, all you see around is ploughed fields, | 0:09:57 | 0:10:01 | |
ploughing competitions left, right and centre... | 0:10:01 | 0:10:03 | |
-Are there still now? -There's one held every year, just down the road. | 0:10:03 | 0:10:06 | |
So something like this, when would it have been used until? | 0:10:06 | 0:10:10 | |
Again, I think if you are talking out in the provinces, | 0:10:10 | 0:10:13 | |
probably up to the Second World War, that sort of period, | 0:10:13 | 0:10:16 | |
maybe even could have been used recently after the Second World War. | 0:10:16 | 0:10:20 | |
I think that might have potential. | 0:10:20 | 0:10:21 | |
Shall we find out what it costs? | 0:10:21 | 0:10:23 | |
Yeah, let's find out, because I like that, I do like that. | 0:10:23 | 0:10:25 | |
Well, it's worth a shot, I suppose. | 0:10:25 | 0:10:28 | |
Over in Newmarket, have our other pair agreed on anything yet? | 0:10:28 | 0:10:32 | |
So, just round this corner... | 0:10:32 | 0:10:34 | |
-Yes. Show me. -I noticed these, and I just am attracted to them, | 0:10:34 | 0:10:39 | |
I love them. | 0:10:39 | 0:10:41 | |
-Yes. -You hate them! | 0:10:42 | 0:10:44 | |
Well, I don't hate them, um, | 0:10:44 | 0:10:45 | |
but they are sort of measuring jars, aren't they? | 0:10:45 | 0:10:48 | |
-Jugs. -Yes, are they common? | 0:10:48 | 0:10:49 | |
They look really unusual to me. | 0:10:49 | 0:10:52 | |
Well, they are not that unusual, but I think they are £10 each. | 0:10:52 | 0:10:56 | |
Oh. | 0:10:56 | 0:10:57 | |
Yeah, let's forget that, then. | 0:10:59 | 0:11:01 | |
I think... I like where you're going with that, but I think, you know, | 0:11:01 | 0:11:04 | |
we can find maybe something a bit... | 0:11:04 | 0:11:06 | |
Don't humour me, let's go somewhere else. | 0:11:06 | 0:11:08 | |
I thought I was doing quite a good job then! | 0:11:08 | 0:11:10 | |
Well, what did you have in mind, then, Mark? | 0:11:10 | 0:11:13 | |
-Carrie? -Yes? | 0:11:13 | 0:11:15 | |
Are you a porcelain lady? | 0:11:15 | 0:11:17 | |
Do you know, I walked past those earlier. | 0:11:17 | 0:11:19 | |
-Did you? -And I thought, I like those, | 0:11:19 | 0:11:21 | |
but I'm just going to be told they're tacky. | 0:11:21 | 0:11:23 | |
No, they are not. Do you want to take that one? | 0:11:23 | 0:11:25 | |
Yes. Are they not tacky, then? | 0:11:25 | 0:11:27 | |
I don't think so. They're French porcelain. | 0:11:27 | 0:11:29 | |
Possibly made in the sort of Paris area, around about 1870, | 0:11:29 | 0:11:33 | |
-and this... -So I did have an eye! | 0:11:33 | 0:11:35 | |
I was thinking they are bit gaudy, I'll be told that's a bit naff. | 0:11:35 | 0:11:39 | |
You're right, they are gaudy, but they are meant to be, | 0:11:39 | 0:11:41 | |
because that was the taste of the day. | 0:11:41 | 0:11:43 | |
I quite like that sort of pale peach colour as well. | 0:11:43 | 0:11:46 | |
I just love the whole thing, yeah. | 0:11:46 | 0:11:47 | |
I mean, they're very flamboyant, aren't they? | 0:11:47 | 0:11:50 | |
Hurrah, something on which they both agree! | 0:11:50 | 0:11:52 | |
With a ticket price of £79, Naz is here to talk money. | 0:11:52 | 0:11:57 | |
-We've seen these... -Mm-hm. -..and we quite like them. | 0:11:57 | 0:12:00 | |
I think we've got to make an offer... | 0:12:00 | 0:12:01 | |
It's my first chance at bartering, hang on. | 0:12:01 | 0:12:03 | |
Could we have them for cheaper, please? | 0:12:03 | 0:12:05 | |
Are you willing to barter with us? | 0:12:05 | 0:12:07 | |
Give me a figure, then we'll work from there. | 0:12:07 | 0:12:11 | |
-So, I... -(50?) -Oh, no! | 0:12:11 | 0:12:12 | |
-No, no. -Go on, then, what would you say? | 0:12:12 | 0:12:14 | |
-£40. -Can you come up a little bit? | 0:12:14 | 0:12:16 | |
41? | 0:12:16 | 0:12:18 | |
42? | 0:12:19 | 0:12:21 | |
What about 45? | 0:12:21 | 0:12:23 | |
Can we do 45? | 0:12:23 | 0:12:25 | |
I can do 55. | 0:12:25 | 0:12:26 | |
-Oh! -55? How about 50? | 0:12:26 | 0:12:28 | |
Can we do 50? | 0:12:28 | 0:12:30 | |
Oh, my gosh! Did we just buy it? | 0:12:30 | 0:12:32 | |
-Well, you did. -Oh, is that it now? | 0:12:32 | 0:12:35 | |
I was in full flow there! | 0:12:35 | 0:12:37 | |
Oh, come on, £51... | 0:12:39 | 0:12:42 | |
I think we could have got it for 45. | 0:12:42 | 0:12:44 | |
Never mind, that's the first purchase of the Road Trip. | 0:12:44 | 0:12:47 | |
Great! The Etruscan style vases for £50. Well done, Carrie. | 0:12:47 | 0:12:50 | |
Now, how are the chaps getting along? | 0:12:53 | 0:12:55 | |
I do like the look of this. | 0:12:55 | 0:12:56 | |
Can you tell me anything about it? | 0:12:56 | 0:12:58 | |
It's an old saw. | 0:13:00 | 0:13:02 | |
Well, glad we cleared that one up. | 0:13:02 | 0:13:04 | |
So, now, what would this cost? | 0:13:04 | 0:13:06 | |
£15, David. | 0:13:07 | 0:13:09 | |
15, OK. | 0:13:09 | 0:13:10 | |
What if we had these two together? | 0:13:10 | 0:13:13 | |
Are you liking the saw still? | 0:13:13 | 0:13:14 | |
I still like the saw. | 0:13:14 | 0:13:15 | |
-Yeah. -What did you say for the saw? | 0:13:15 | 0:13:18 | |
-Did you say...? -300. | 0:13:18 | 0:13:21 | |
I thought we said a tenner? | 0:13:21 | 0:13:22 | |
Here we go. Nice try! | 0:13:23 | 0:13:25 | |
But Stan still wants £15 for the saw. | 0:13:25 | 0:13:28 | |
The plough actually looks like a push or wheel hoe, | 0:13:28 | 0:13:32 | |
which would loosen the soil in your garden, and Stan's asking £25. | 0:13:32 | 0:13:37 | |
What do you think, David? | 0:13:37 | 0:13:40 | |
If I was shelling out £30 | 0:13:40 | 0:13:42 | |
and taking both of them, would that be...? | 0:13:42 | 0:13:45 | |
Oh, that sounds like a very fair offer. | 0:13:45 | 0:13:47 | |
Could we do that? | 0:13:47 | 0:13:48 | |
It sounds reasonable. | 0:13:49 | 0:13:51 | |
Boys, I could shake hands at £30, it's here and now. | 0:13:51 | 0:13:54 | |
Come on, let's do it, let's get that first buy done. | 0:13:54 | 0:13:56 | |
-Cool, all right. -Nice one. | 0:13:56 | 0:13:58 | |
So we have a saw... | 0:13:58 | 0:13:59 | |
-Yeah. -And we have a plough. | 0:13:59 | 0:14:01 | |
-A saw plough! -All we need is a farm. | 0:14:01 | 0:14:04 | |
Oh, come on! I think I saw one on the way in. | 0:14:05 | 0:14:08 | |
Right, let's see if it's for sale. | 0:14:08 | 0:14:09 | |
Follow me. Thanks, Stan! | 0:14:09 | 0:14:11 | |
-OK, yep. -Thank you! -Cheers. | 0:14:11 | 0:14:13 | |
Ahem! Um, chaps? | 0:14:13 | 0:14:15 | |
Hang on, we haven't paid him! | 0:14:15 | 0:14:17 | |
We agreed on £30, yeah? | 0:14:18 | 0:14:20 | |
We did, yeah. | 0:14:20 | 0:14:22 | |
Well, what I have here | 0:14:22 | 0:14:25 | |
is £100, which I would really like you to have. | 0:14:25 | 0:14:29 | |
What are you up to, David? | 0:14:31 | 0:14:32 | |
In exchange for what we've already got and the boar's head. | 0:14:34 | 0:14:38 | |
Oh, that was a cheeky move. | 0:14:38 | 0:14:40 | |
I know you're thinking, that's an awful lot of money for those things, | 0:14:40 | 0:14:44 | |
but I want you to have it. | 0:14:44 | 0:14:46 | |
I really do, I don't want to scrimp, I just want to say, look... | 0:14:46 | 0:14:49 | |
-Listen... David... -Put it in your hand. | 0:14:49 | 0:14:51 | |
-I couldn't do that. There's still meat on the bone there, boys. -Yeah. | 0:14:51 | 0:14:55 | |
£100, you know, that's only a good dinner. | 0:14:55 | 0:14:58 | |
-What do you want for the boar's head, then? -120. | 0:14:58 | 0:15:01 | |
-Oh! I still want 120 for it. -Oh, no! | 0:15:01 | 0:15:04 | |
That's me on that, I'm afraid. | 0:15:04 | 0:15:06 | |
-Sorry. -120. -120, yup, so 150 in total for the three items, guys. | 0:15:06 | 0:15:10 | |
-Are we done? -Yeah, nice little parcel. | 0:15:10 | 0:15:13 | |
Lovely, yeah, no worries. | 0:15:13 | 0:15:15 | |
No-one got hurt! | 0:15:15 | 0:15:16 | |
Except the boar! | 0:15:18 | 0:15:19 | |
We got there, and the boys are off to a flying start. | 0:15:20 | 0:15:24 | |
Back in Newmarket, it looks like Mark is on to something else. | 0:15:26 | 0:15:29 | |
Carrie, come and have a look at these. | 0:15:30 | 0:15:32 | |
Those little winning trophies there. | 0:15:34 | 0:15:35 | |
-Oh, yes! -And they are modelled on horseshoes, aren't they? | 0:15:35 | 0:15:38 | |
In my teenage years growing up in Royston, | 0:15:38 | 0:15:40 | |
you'd see the racehorses going across the heath in the morning and, | 0:15:40 | 0:15:43 | |
you know, this is a really important subject | 0:15:43 | 0:15:45 | |
for this particular area of the country. | 0:15:45 | 0:15:47 | |
So can we find out how much they are? | 0:15:47 | 0:15:49 | |
Time for round two with Naz. | 0:15:49 | 0:15:52 | |
Stand by, girl! | 0:15:52 | 0:15:53 | |
There are great fun, aren't they? | 0:15:53 | 0:15:55 | |
-What are they made of? -I think they are just tin. | 0:15:55 | 0:15:57 | |
And I'm guessing they would go on the horse... | 0:15:58 | 0:16:01 | |
What's it called? What do you keep a horse in? | 0:16:01 | 0:16:03 | |
-Horsebox! -Stables? | 0:16:03 | 0:16:05 | |
Stables, oh, that's it. | 0:16:05 | 0:16:06 | |
-I tell you what... -I've got to trust you with me horses! | 0:16:07 | 0:16:11 | |
These plaques are priced at £178. | 0:16:11 | 0:16:14 | |
I'm keeping your hands well away from this deal. | 0:16:14 | 0:16:17 | |
-Yeah. -You just hold those. | 0:16:17 | 0:16:18 | |
You just hold them all and it'll keep you occupied. | 0:16:18 | 0:16:21 | |
Um, I tell you what, | 0:16:21 | 0:16:22 | |
because you lost a fiver last time, | 0:16:22 | 0:16:25 | |
let's say 105. | 0:16:25 | 0:16:26 | |
-Oh! -Thank you so much. | 0:16:28 | 0:16:30 | |
-Yes! -She said yes! | 0:16:30 | 0:16:33 | |
That's a whopping £155 on their first two items. | 0:16:33 | 0:16:37 | |
-Well, I'm pleased with these. -I'm really pleased! | 0:16:38 | 0:16:41 | |
Time to catch up with the boys | 0:16:43 | 0:16:45 | |
and their new friend, don't you know? | 0:16:45 | 0:16:48 | |
Boris the boar! Boris the boar. | 0:16:48 | 0:16:50 | |
Oh! I've always fancied a fourth child. | 0:16:50 | 0:16:53 | |
Boris, you're mine. | 0:16:55 | 0:16:56 | |
David, Will and Boris the boar | 0:16:58 | 0:17:01 | |
have meandered their way | 0:17:01 | 0:17:02 | |
to the illustrious university city of Cambridge, | 0:17:02 | 0:17:05 | |
where amongst the bicycles and hallowed spires | 0:17:05 | 0:17:08 | |
lies a hidden footballing past. | 0:17:08 | 0:17:11 | |
What's all that about? | 0:17:11 | 0:17:12 | |
-You like your football? -I love football. | 0:17:12 | 0:17:15 | |
-Do you? -I absolutely love football. | 0:17:15 | 0:17:16 | |
I'm passionate about football. | 0:17:16 | 0:17:18 | |
When I was a kid, everybody in my school in East London | 0:17:18 | 0:17:20 | |
had an out of London team. It was always Manchester United. | 0:17:20 | 0:17:22 | |
Mine was Liverpool. | 0:17:22 | 0:17:24 | |
I started going to watch Liverpool whenever they were in London. | 0:17:24 | 0:17:27 | |
And then, years later, my cousin played for Liverpool... | 0:17:27 | 0:17:30 | |
-What? -John Barnes. Yeah, he played for Liverpool... | 0:17:30 | 0:17:32 | |
John Barnes is your cousin? | 0:17:32 | 0:17:34 | |
-Yeah. -Barnsey, the legend? | 0:17:34 | 0:17:36 | |
The legend that is John Barnes is my cousin. | 0:17:36 | 0:17:38 | |
-Oh, my God, how cool is that? -Very, very cool. | 0:17:38 | 0:17:41 | |
David and Will are here to find out how this unassuming scrap of ground, | 0:17:43 | 0:17:47 | |
known as Parker's Piece, | 0:17:47 | 0:17:49 | |
is responsible for the rise of the world's most popular ball game. | 0:17:49 | 0:17:52 | |
Football fan Alan Ward is on hand to tell them all about it. | 0:17:53 | 0:17:56 | |
Alan, I've never known that this was the birthplace of football. | 0:17:56 | 0:18:00 | |
-Is that true? -Well, it is true, | 0:18:00 | 0:18:02 | |
in the sense that this was the first time | 0:18:02 | 0:18:04 | |
that the rules were written down in one place, here at Cambridge. | 0:18:04 | 0:18:08 | |
-I've got you. -So, before they formalised them, | 0:18:08 | 0:18:12 | |
what was football like? | 0:18:12 | 0:18:14 | |
Well, it was a pretty lawless game! | 0:18:14 | 0:18:17 | |
It was played... | 0:18:17 | 0:18:18 | |
It could be played over a whole day, with 100 people a side, | 0:18:18 | 0:18:22 | |
between two villages... | 0:18:22 | 0:18:24 | |
-Oh, wow. -And the idea was you got the ball, or the object, | 0:18:24 | 0:18:27 | |
from one place to the other. | 0:18:27 | 0:18:29 | |
Football's British origins began as a mob game. | 0:18:29 | 0:18:32 | |
This archive from the 1920s shows hundreds of men and boys | 0:18:32 | 0:18:36 | |
chasing a ball. | 0:18:36 | 0:18:37 | |
Rather fun. In fact, from the Middle Ages to the late 19th century, | 0:18:37 | 0:18:40 | |
the games were wild, no-holds-barred affairs, | 0:18:40 | 0:18:44 | |
pitting areas of the same town against each other | 0:18:44 | 0:18:47 | |
and ending up with gangs of men brawling in the streets. | 0:18:47 | 0:18:49 | |
It sounds like a really violent game. | 0:18:51 | 0:18:54 | |
Well, it was extremely violent, and often | 0:18:54 | 0:18:56 | |
the games were played on bank holidays, | 0:18:56 | 0:18:58 | |
because people didn't have any time off from work. | 0:18:58 | 0:19:01 | |
So it was a bank holiday, big game between two villages, | 0:19:01 | 0:19:04 | |
extremely violent, lots of people hurt and injured. | 0:19:04 | 0:19:08 | |
It was discussed as to whether the game would be banned | 0:19:08 | 0:19:11 | |
because people weren't able to go to work the following day. | 0:19:11 | 0:19:14 | |
Lots of people were injured and hurt. | 0:19:14 | 0:19:16 | |
To keep the workforce in one piece, | 0:19:18 | 0:19:21 | |
efforts were made to restrict these mob games, | 0:19:21 | 0:19:24 | |
although they continued to be played in some areas as annual spectacles. | 0:19:24 | 0:19:28 | |
Public schools and colleges adopted a rather less violent version | 0:19:28 | 0:19:31 | |
of the game, but the rules remained ambiguous. | 0:19:31 | 0:19:34 | |
Some schools allowed the ball to be handled, others did not. | 0:19:34 | 0:19:38 | |
This made playing against anyone | 0:19:38 | 0:19:40 | |
who came from a different school very difficult, naturally. | 0:19:40 | 0:19:43 | |
Get it? | 0:19:43 | 0:19:45 | |
So if the rules were sort of | 0:19:45 | 0:19:46 | |
slightly different throughout the country | 0:19:46 | 0:19:48 | |
and from college to college, | 0:19:48 | 0:19:49 | |
how did they decide which rules they were going to play under? | 0:19:49 | 0:19:52 | |
Was at the home team that decided? | 0:19:52 | 0:19:54 | |
Here in Cambridge, | 0:19:54 | 0:19:56 | |
the colleges would come to Parker's Piece and they said, | 0:19:56 | 0:20:00 | |
"Well, why don't we all just play to the same rules?" | 0:20:00 | 0:20:02 | |
And so, in 1848, | 0:20:02 | 0:20:05 | |
the Cambridge rules were written down | 0:20:05 | 0:20:07 | |
and that's the first time that the rules were formalised. | 0:20:07 | 0:20:10 | |
In 1848, a group of students pinned their Cambridge rules to a tree | 0:20:10 | 0:20:13 | |
here at Parker's Piece. | 0:20:13 | 0:20:16 | |
This was the first time that a single set of rules | 0:20:16 | 0:20:19 | |
was agreed by more than one college football team. | 0:20:19 | 0:20:22 | |
Alan has very kindly recreated the pinning of those rules today. | 0:20:22 | 0:20:26 | |
This is talking about throw-ins and goal kicks and how to kick off, | 0:20:26 | 0:20:32 | |
and no player must be tripped or pushed or held back by hand. | 0:20:32 | 0:20:36 | |
It's, like, things that we really take for granted. | 0:20:36 | 0:20:40 | |
There are still details missing, | 0:20:40 | 0:20:42 | |
like the number of players and length of a match, | 0:20:42 | 0:20:44 | |
but within 15 years the Football Association was created. | 0:20:44 | 0:20:48 | |
The FA used the Cambridge rules to form the modern game of football. | 0:20:48 | 0:20:52 | |
In an age of the British Empire, people travelled from these shores, | 0:20:54 | 0:20:58 | |
taking the rules of football with them | 0:20:58 | 0:21:00 | |
and sharing this new game with the world. | 0:21:00 | 0:21:03 | |
So are you saying, really, | 0:21:05 | 0:21:07 | |
that on various continents throughout the world, | 0:21:07 | 0:21:10 | |
footballing nations owe their footballing origins to Britain? | 0:21:10 | 0:21:13 | |
-Yes. -Wow! | 0:21:13 | 0:21:15 | |
Slightly embarrassing that we are not any better at it, isn't it? | 0:21:15 | 0:21:19 | |
We won't go there. | 0:21:19 | 0:21:20 | |
Come on, let's go for it. | 0:21:20 | 0:21:22 | |
Come on, lend us the ball! | 0:21:22 | 0:21:23 | |
Oh, nice turn! | 0:21:26 | 0:21:28 | |
And so the game loved by so many today around the world | 0:21:28 | 0:21:31 | |
owes everything to a handful of students who had a kickabout here | 0:21:31 | 0:21:35 | |
in Cambridge in 1848. | 0:21:35 | 0:21:38 | |
Hey, pass the ball, lads. | 0:21:38 | 0:21:40 | |
Meanwhile, across the county border in Suffolk, | 0:21:41 | 0:21:45 | |
Mark and Carrie are continuing their search | 0:21:45 | 0:21:48 | |
at Clare Antiques & Interiors. | 0:21:48 | 0:21:50 | |
-Hello! -Hello, Mark. | 0:21:51 | 0:21:53 | |
-Hi, nice to meet you, I'm Carrie. -Hi, Carrie, I'm David. | 0:21:53 | 0:21:55 | |
Good to see you. We are going to have a good look round. | 0:21:55 | 0:21:58 | |
Wonderful, thanks very much. | 0:21:58 | 0:22:00 | |
In we go. | 0:22:00 | 0:22:02 | |
There's no hanging around, and just as well. | 0:22:02 | 0:22:05 | |
Carrie, surely you can persuade Mark to take a gamble on something. | 0:22:05 | 0:22:09 | |
This blue case of stuff... | 0:22:11 | 0:22:13 | |
Quality always sells. | 0:22:13 | 0:22:15 | |
Cheap doesn't. | 0:22:15 | 0:22:16 | |
I'm saying no more. | 0:22:18 | 0:22:20 | |
I'll just leave you with that thought for the day. | 0:22:21 | 0:22:24 | |
Something else, perhaps? | 0:22:24 | 0:22:26 | |
-That's absolutely ghastly! -It's lovely! -It's awful! | 0:22:27 | 0:22:31 | |
Oh, my gosh. | 0:22:31 | 0:22:33 | |
Maybe Mark's right about that one. | 0:22:33 | 0:22:35 | |
Another try? | 0:22:35 | 0:22:37 | |
Well, that's pretty, isn't it? | 0:22:39 | 0:22:41 | |
-A pair of glasses? -Well, it's actually... | 0:22:41 | 0:22:43 | |
Yes, you can take the glasses out. | 0:22:43 | 0:22:45 | |
Those are cool! | 0:22:45 | 0:22:47 | |
Proper vintage glasses. | 0:22:47 | 0:22:48 | |
-They are, aren't they? -Oh, wow. -Try them on. | 0:22:48 | 0:22:51 | |
Oh, you look fabulous. | 0:22:54 | 0:22:55 | |
You look like a doctor! | 0:22:56 | 0:22:58 | |
You look as if you're just about to analyse me. | 0:22:58 | 0:23:00 | |
If my head's like that, I'm fine. It really works. | 0:23:00 | 0:23:03 | |
-But I love the case. Do you know what it's made of? -No, what is it? | 0:23:03 | 0:23:06 | |
Oh, is it mother-of-pearl? | 0:23:06 | 0:23:07 | |
It is, mother-of-pearl, an abalone shell. | 0:23:07 | 0:23:09 | |
-And it's made of papier mache. -No! | 0:23:11 | 0:23:12 | |
Yes. And it's Victorian. | 0:23:12 | 0:23:14 | |
That dates to about 1890. | 0:23:14 | 0:23:16 | |
-We're having it. -You really like this, don't you? | 0:23:16 | 0:23:18 | |
I really, like, instantly warm to those. | 0:23:18 | 0:23:20 | |
There's £28 on the ticket. | 0:23:20 | 0:23:23 | |
Time to talk money with dealer David. Look out! | 0:23:23 | 0:23:27 | |
-Hello. -Hello. | 0:23:27 | 0:23:29 | |
We've fallen in love | 0:23:29 | 0:23:30 | |
-with these vintage spectacles and the glass case. -Wonderful, yes. | 0:23:30 | 0:23:33 | |
We're putting them into auction, | 0:23:33 | 0:23:35 | |
we're wondering whether we can get a really good price on them. | 0:23:35 | 0:23:38 | |
-I'll certainly do my best. -Will you? -Yup. | 0:23:38 | 0:23:40 | |
Well, we were wondering whether we could get it for 15. | 0:23:40 | 0:23:42 | |
I can't do 15, Mark, but I could stretch to 18. | 0:23:42 | 0:23:46 | |
-Shall we? -We love 18. -Thank you, we love 18, thank you. | 0:23:46 | 0:23:48 | |
-Thank you very much. -That's very kind of you. | 0:23:48 | 0:23:51 | |
-Carrie, what can I say? -Yes! -That was wonderful. | 0:23:51 | 0:23:54 | |
We've ended the day on a high. | 0:23:54 | 0:23:56 | |
Turning into quite a team, aren't they? | 0:23:56 | 0:23:58 | |
£18 gets them their third item | 0:23:58 | 0:24:00 | |
and wraps up shopping on an eventful day. | 0:24:00 | 0:24:03 | |
Just time for our celebrity husband and wife | 0:24:04 | 0:24:07 | |
to catch up before they kip. | 0:24:07 | 0:24:09 | |
Because I'm such a beginner and newcomer to this, | 0:24:09 | 0:24:11 | |
I still have that genuine belief | 0:24:11 | 0:24:14 | |
that I will find something for a little bit of money | 0:24:14 | 0:24:17 | |
that's worth a lot. | 0:24:17 | 0:24:20 | |
-Do you know what I mean? -Yeah. -Like, "I'm going to be able to do that!" | 0:24:20 | 0:24:23 | |
They get on well, don't they? | 0:24:23 | 0:24:25 | |
Nighty-night. | 0:24:25 | 0:24:26 | |
It's a new day and time to compare notes. | 0:24:32 | 0:24:35 | |
Will was just so good. | 0:24:36 | 0:24:37 | |
He corrected me in a really nice way. | 0:24:37 | 0:24:40 | |
Like, I'd be going, "Let's buy this," and he'd go, | 0:24:40 | 0:24:42 | |
"Yeah, that's interesting. Do you like that?" | 0:24:42 | 0:24:44 | |
"That's interesting. That's really good." | 0:24:44 | 0:24:46 | |
Oh, really? Martin didn't do that. | 0:24:46 | 0:24:47 | |
-Martin corrected me in a horrible way. -Really, like what? | 0:24:47 | 0:24:50 | |
-He just gave you the look. -He just gave me the look. | 0:24:50 | 0:24:53 | |
He loves you really. | 0:24:53 | 0:24:56 | |
She was so nice a person to work with | 0:24:56 | 0:24:58 | |
and so enthusiastic in the shop, | 0:24:58 | 0:25:00 | |
but everything I showed her she seemed not terribly impressed with. | 0:25:00 | 0:25:04 | |
-You mean she hated? -Yes. | 0:25:04 | 0:25:06 | |
Yeah. Yesterday Mark and Carrie bought a pair of vases, | 0:25:06 | 0:25:10 | |
some equestrian plaques, | 0:25:10 | 0:25:11 | |
some spectacles and a lovely frog-mouth spectacle case, | 0:25:11 | 0:25:15 | |
leaving them £227 to spend today. | 0:25:15 | 0:25:18 | |
I'm quite pleased with those. | 0:25:18 | 0:25:20 | |
I'm really pleased. | 0:25:20 | 0:25:21 | |
While David and Will picked up a boar's head, | 0:25:23 | 0:25:25 | |
a rustic saw and a push hoe. | 0:25:25 | 0:25:27 | |
Still, they have £250 to play with. | 0:25:27 | 0:25:30 | |
-Well done. -Very good. | 0:25:30 | 0:25:32 | |
So when you were looking, | 0:25:33 | 0:25:34 | |
what kind of things were you looking for? | 0:25:34 | 0:25:36 | |
-Small things, big things...? -I was looking for things | 0:25:36 | 0:25:39 | |
that would make a profit and beat you. | 0:25:39 | 0:25:41 | |
So that was basically the criteria? | 0:25:43 | 0:25:45 | |
And you? | 0:25:45 | 0:25:47 | |
Yeah, the same. Pretty much. | 0:25:47 | 0:25:50 | |
OK, chaps, time for round two. | 0:25:50 | 0:25:52 | |
Oh, look, here they are. | 0:25:52 | 0:25:54 | |
Oh, yeah, what a stylish couple... | 0:25:54 | 0:25:57 | |
-Oh! -..we are. | 0:25:57 | 0:25:58 | |
Hello! | 0:26:00 | 0:26:02 | |
Do you know, that sounded a lot smoother with Carrie driving it. | 0:26:02 | 0:26:05 | |
No, it didn't. | 0:26:05 | 0:26:06 | |
It didn't, it just sounded a little more relaxed | 0:26:06 | 0:26:09 | |
because she doesn't actually give it loads. | 0:26:09 | 0:26:11 | |
Do we not deserve the red car? | 0:26:11 | 0:26:12 | |
I think you drove it beautifully. | 0:26:12 | 0:26:14 | |
-Thank you. -It was so smooth. | 0:26:14 | 0:26:16 | |
-I think we've earned it. -I think you misunderstand. | 0:26:16 | 0:26:18 | |
You see, the red car is the winner's car. | 0:26:18 | 0:26:21 | |
-Great, that's ours, then. -Literally ours, then. | 0:26:21 | 0:26:24 | |
You haven't earned it yet. | 0:26:24 | 0:26:25 | |
-Excuse me! -I'm not getting involved. | 0:26:26 | 0:26:28 | |
I'll make a deal with you - if you win... | 0:26:28 | 0:26:31 | |
..I'll buy you the car. | 0:26:32 | 0:26:33 | |
Get out of town! | 0:26:35 | 0:26:37 | |
Is matrimonial bliss suspended for the rest of the competition, then? | 0:26:37 | 0:26:41 | |
David asked me this morning... | 0:26:41 | 0:26:44 | |
Yes? | 0:26:44 | 0:26:46 | |
..how I got on yesterday and I told him that I'd bought everything. | 0:26:46 | 0:26:52 | |
No! Are you trying to wind him up? | 0:26:52 | 0:26:54 | |
-Yeah. -Are you playing games with him? | 0:26:54 | 0:26:57 | |
Yes. I've been sending him secret texts calling him a loser. | 0:26:57 | 0:27:01 | |
Is this something you do on a regular basis or just for the show? | 0:27:01 | 0:27:04 | |
Oh, yeah, it's a competition. | 0:27:04 | 0:27:06 | |
I'm not sure if David is competitive about the antiques or just the car. | 0:27:07 | 0:27:11 | |
She has to earn driving this car by winning. | 0:27:11 | 0:27:15 | |
As that's not going to happen, she may not drive it again. | 0:27:15 | 0:27:19 | |
Exactly, she's had her chance, mate. | 0:27:19 | 0:27:21 | |
Our teams will be selling their antiques at an auction | 0:27:21 | 0:27:24 | |
in Norfolk's Downham Market. | 0:27:24 | 0:27:26 | |
But our first stop today | 0:27:26 | 0:27:27 | |
is in the Hertfordshire market town of Hitchin. | 0:27:27 | 0:27:31 | |
David and Will are at Marie Antiques for a rummage about. | 0:27:31 | 0:27:34 | |
So off you go, lads. | 0:27:34 | 0:27:36 | |
And where's Marie? | 0:27:36 | 0:27:37 | |
More spangly jewellery. | 0:27:38 | 0:27:40 | |
These are nice, though, aren't they, these hardstone pieces? | 0:27:40 | 0:27:43 | |
-They're lovely. -If you wanted to buy things for Carrie here. | 0:27:43 | 0:27:46 | |
We're not buying for Carrie, we're buying for us for a profit. | 0:27:46 | 0:27:49 | |
-What about over here? -Oh! | 0:27:49 | 0:27:51 | |
-What have you spotted? -What's that?! | 0:27:51 | 0:27:53 | |
Well... Continuing on our animal theme, this looks like a fish slice, | 0:27:55 | 0:28:00 | |
I would imagine, by the fact that it's a fish. | 0:28:00 | 0:28:02 | |
Why's it shaped that way? | 0:28:02 | 0:28:04 | |
You don't want to lose your salmon steak, do you? | 0:28:04 | 0:28:07 | |
So you would cut it and lift it? | 0:28:07 | 0:28:09 | |
Yes, that would be for passing the fish. | 0:28:09 | 0:28:12 | |
Those bits... Serrated edges, or something? | 0:28:13 | 0:28:16 | |
I suppose you could if you wanted, but no, | 0:28:16 | 0:28:18 | |
I think the shape is decorative and slightly humorous. | 0:28:18 | 0:28:21 | |
Oh, yes, it's the most amusing fish slice I've ever seen | 0:28:21 | 0:28:25 | |
and it will cost you 45 with no chips. | 0:28:25 | 0:28:28 | |
I like this a lot. | 0:28:28 | 0:28:30 | |
It's not bad quality, actually. | 0:28:30 | 0:28:31 | |
Do you think that we might, like, | 0:28:31 | 0:28:34 | |
get some interest? | 0:28:34 | 0:28:36 | |
I think it's a bit quirky, isn't it? | 0:28:36 | 0:28:38 | |
A bit different. | 0:28:38 | 0:28:40 | |
We've got Boris the boar, why not have Freddie the fish? | 0:28:40 | 0:28:43 | |
Absolutely. Time to talk money with dealer, savvy Sheila. | 0:28:43 | 0:28:46 | |
-OK. -Now... | 0:28:46 | 0:28:49 | |
-We like that. -You like it. | 0:28:50 | 0:28:51 | |
I'm not surprised, it's a beautiful item. | 0:28:51 | 0:28:53 | |
-It's fun, isn't it? -Yes, it is. | 0:28:53 | 0:28:55 | |
But the price is just a little bit out of our comfort zone. | 0:28:55 | 0:28:59 | |
Can you give me an idea of where we can go with this? | 0:28:59 | 0:29:03 | |
I can do but it's a good item at 45, | 0:29:03 | 0:29:06 | |
but of course I will see if there is anything that we can do. | 0:29:06 | 0:29:09 | |
I just need to go out the back to check that. | 0:29:09 | 0:29:11 | |
-No problem. -Thank you. | 0:29:11 | 0:29:12 | |
Fingers crossed the owner is willing to give a little discount. | 0:29:12 | 0:29:15 | |
Sheila makes the call. | 0:29:16 | 0:29:18 | |
-Think positive, think positive. -Stand by. | 0:29:18 | 0:29:20 | |
-OK, guys. -Good news or bad news? | 0:29:20 | 0:29:22 | |
I think you're going to find this is amazing news. | 0:29:22 | 0:29:25 | |
-Go on. -OK. We like you. | 0:29:25 | 0:29:27 | |
-Aw! -That's good. -It's happened once before. | 0:29:28 | 0:29:30 | |
That's almost as unique as the fish slice. | 0:29:30 | 0:29:32 | |
That's unique what I've just said as well, | 0:29:32 | 0:29:35 | |
and so is this, because we're going to offer you that for £5. | 0:29:35 | 0:29:38 | |
-What?! -Get out of town! | 0:29:38 | 0:29:39 | |
Oh, my goodness. | 0:29:39 | 0:29:41 | |
A Lady Godiva. | 0:29:41 | 0:29:42 | |
-Yes! -He's straight in his pocket. I think that's a deal. | 0:29:42 | 0:29:46 | |
I should say so. | 0:29:47 | 0:29:48 | |
That's an incredibly generous discount! | 0:29:48 | 0:29:51 | |
-Goodbye. -Bye-bye. | 0:29:51 | 0:29:52 | |
With £40 off, the boys get a once-in-a-lifetime deal. | 0:29:52 | 0:29:56 | |
They must be happy with that. Bonkers. | 0:29:56 | 0:29:59 | |
Do you know what? I'm going to kick my heels up. | 0:29:59 | 0:30:01 | |
Nice! | 0:30:02 | 0:30:04 | |
Elsewhere, Mark and Carrie have made | 0:30:06 | 0:30:08 | |
a 50-mile journey west, into Hertfordshire, | 0:30:08 | 0:30:10 | |
as they head for lovely Letchworth. | 0:30:10 | 0:30:13 | |
Oh, Letchworth Garden City. | 0:30:16 | 0:30:19 | |
-It sounds very nice. -I have a really big connection there. | 0:30:19 | 0:30:23 | |
-Do you? -I do. -Tell me. | 0:30:23 | 0:30:25 | |
Cos my...mum and dad | 0:30:25 | 0:30:29 | |
owned the station shop. | 0:30:29 | 0:30:32 | |
My mum loved it. Once she retired, she did this for...about | 0:30:32 | 0:30:37 | |
maybe five or six years. They owned it, | 0:30:37 | 0:30:39 | |
and it was just brilliant. | 0:30:39 | 0:30:41 | |
She loved it cos she loved people. | 0:30:41 | 0:30:43 | |
I know nothing about the history. | 0:30:43 | 0:30:45 | |
-No, I don't. -I'm sorry to say, ashamed to say. | 0:30:45 | 0:30:48 | |
Well, now's your chance. | 0:30:48 | 0:30:49 | |
Carrie and David are visiting the local museum | 0:30:49 | 0:30:52 | |
to find out how these leafy surroundings | 0:30:52 | 0:30:55 | |
sparked a social revolution. | 0:30:55 | 0:30:57 | |
To explain how this town changed the way people lived | 0:30:57 | 0:31:00 | |
in cities worldwide is curator Josh Tidy. | 0:31:00 | 0:31:04 | |
-Hello! -Hello, welcome. -I'm Carrie. -I'm Josh. | 0:31:04 | 0:31:07 | |
-Hi, Josh. I'm Mark. -Hello. Do come through. | 0:31:07 | 0:31:10 | |
Where did it all begin, Josh? | 0:31:12 | 0:31:13 | |
It all began with Ebenezer Howard, who was a social reformer | 0:31:13 | 0:31:17 | |
who was trying to solve the problems of the late-Victorian age. | 0:31:17 | 0:31:19 | |
In Victorian Britain, | 0:31:21 | 0:31:22 | |
people flocked to the cities looking for work, | 0:31:22 | 0:31:24 | |
but overcrowded homes, crammed next to factories, | 0:31:24 | 0:31:27 | |
meant workers were constantly subjected | 0:31:27 | 0:31:30 | |
to the smoke and squalor of their industrial surroundings. | 0:31:30 | 0:31:33 | |
Poverty was rife | 0:31:35 | 0:31:36 | |
and the average life expectancy was just 40 years. | 0:31:36 | 0:31:39 | |
But Ebenezer Howard, who'd grown up in London, | 0:31:39 | 0:31:42 | |
had a vision to change the way people lived. | 0:31:42 | 0:31:45 | |
He wanted to plan the construction of new towns | 0:31:45 | 0:31:47 | |
with an altogether different approach. | 0:31:47 | 0:31:49 | |
So the biggest influences on Howard | 0:31:51 | 0:31:53 | |
were industrial villages set up by factory benefactors, | 0:31:53 | 0:31:58 | |
like Cadburys, who created Bournville, | 0:31:58 | 0:32:01 | |
and Lord Lever, who created Port Sunlight up near Liverpool. | 0:32:01 | 0:32:04 | |
They were really looking | 0:32:04 | 0:32:06 | |
at increasing the productivity of the workers. | 0:32:06 | 0:32:09 | |
So healthier, happier workers would obviously be off sick less | 0:32:09 | 0:32:13 | |
and produce more. | 0:32:13 | 0:32:15 | |
Howard was inspired by that, | 0:32:15 | 0:32:16 | |
but also felt it should apply to everyone | 0:32:16 | 0:32:19 | |
and not just to do with increasing productivity. | 0:32:19 | 0:32:22 | |
In 1898, Ebenezer Howard published his book, Garden Cities Of Tomorrow. | 0:32:22 | 0:32:27 | |
He set out his vision of people leaving industrial cities behind | 0:32:27 | 0:32:31 | |
to work in the new towns, | 0:32:31 | 0:32:33 | |
that offered employment and the benefits of a rural lifestyle. | 0:32:33 | 0:32:37 | |
The book really sets out his vision for garden cities | 0:32:38 | 0:32:42 | |
and is packed full of diagrams, | 0:32:42 | 0:32:45 | |
which is where he best illustrates his ideas, | 0:32:45 | 0:32:48 | |
including this one, the three magnets. | 0:32:48 | 0:32:51 | |
It's a very simple idea but very neatly expressed. | 0:32:51 | 0:32:53 | |
It's combining all of the best parts of town | 0:32:53 | 0:32:56 | |
and the best parts of country life, | 0:32:56 | 0:32:57 | |
without either of the worst parts. | 0:32:57 | 0:32:59 | |
So you end up with different uses for different areas of the town. | 0:32:59 | 0:33:02 | |
You have areas for workers' housing so they can walk to work. | 0:33:02 | 0:33:06 | |
You also have planned green spaces right in the heart of the town | 0:33:06 | 0:33:10 | |
so people can enjoy that. | 0:33:10 | 0:33:11 | |
-It's amazing, isn't it? -It's fantastic, actually. | 0:33:11 | 0:33:13 | |
He wanted it really to be a network of associated towns. | 0:33:13 | 0:33:16 | |
In fact he thought if the idea was really a success, | 0:33:16 | 0:33:20 | |
he thought the problem might be that London would wonder what to do | 0:33:20 | 0:33:25 | |
with the empty husk cos everyone had left. | 0:33:25 | 0:33:27 | |
-THEY LAUGH -What a lovely thought! | 0:33:27 | 0:33:29 | |
Indeed. | 0:33:29 | 0:33:31 | |
The diagrams were simple | 0:33:31 | 0:33:32 | |
but Howard's ideas were a sea change in town planning. | 0:33:32 | 0:33:36 | |
Zones were created to separate housing and industry | 0:33:36 | 0:33:39 | |
and communities were surrounded by agricultural land | 0:33:39 | 0:33:42 | |
in what became the country's first green belt. | 0:33:42 | 0:33:45 | |
Residents could access invigorating green spaces | 0:33:45 | 0:33:48 | |
and, most revolutionary of all, | 0:33:48 | 0:33:50 | |
rent paid in these new towns was invested back into the community, | 0:33:50 | 0:33:54 | |
rather than lining the pockets of landlords. | 0:33:54 | 0:33:57 | |
In 1903, the new town of Letchworth | 0:33:57 | 0:34:00 | |
became the world's first garden city. | 0:34:00 | 0:34:02 | |
Its village greens, Arts and Crafts-style houses | 0:34:02 | 0:34:06 | |
and zoned areas were the realisation of Howard's dream. | 0:34:06 | 0:34:10 | |
Letchworth soon attracted the attention of people | 0:34:10 | 0:34:13 | |
excited to see what life in this new garden city was like. | 0:34:13 | 0:34:17 | |
This is Andrew Muir and he is one of the early settlers | 0:34:17 | 0:34:21 | |
that were affectionately known as "cranks". | 0:34:21 | 0:34:24 | |
Lots of people were interested in this simple life | 0:34:24 | 0:34:26 | |
and...rational dress. | 0:34:26 | 0:34:29 | |
They rejected the formal attire of Edwardian England | 0:34:29 | 0:34:34 | |
and went with these smocks. | 0:34:34 | 0:34:35 | |
That would have been outrageous at the time, right? | 0:34:35 | 0:34:37 | |
Letchworth and its cranks were regarded as a curiosity | 0:34:37 | 0:34:41 | |
by the rest of the country. | 0:34:41 | 0:34:44 | |
People came up from London on a day trip to have a look at them. | 0:34:44 | 0:34:49 | |
Forget the city, just look at the people! | 0:34:49 | 0:34:50 | |
-Indeed. -Yeah. | 0:34:50 | 0:34:52 | |
Howard's revolutionary Letchworth Garden City | 0:34:52 | 0:34:55 | |
became a blueprint for new towns across the world. | 0:34:55 | 0:34:57 | |
Locations like Sao Paulo and Christchurch in New Zealand, | 0:34:57 | 0:35:01 | |
as well as parts of New York and Los Angeles, | 0:35:01 | 0:35:04 | |
all owe their design to Letchworth, | 0:35:04 | 0:35:07 | |
the garden city that remains a testament | 0:35:07 | 0:35:09 | |
to Ebenezer Howard's dream of a utopian living environment. | 0:35:09 | 0:35:14 | |
How interesting. | 0:35:14 | 0:35:15 | |
Meanwhile, Will and David | 0:35:16 | 0:35:18 | |
have one last stop on their shopping trip | 0:35:18 | 0:35:21 | |
and are pootling west to Barton-Le-Clay. | 0:35:21 | 0:35:24 | |
Their final stop is | 0:35:24 | 0:35:26 | |
in this local antiques centre. | 0:35:26 | 0:35:28 | |
-Here we are. -OK. | 0:35:28 | 0:35:30 | |
Listen, just don't buy any more ploughs. | 0:35:30 | 0:35:31 | |
OK, I'm sorted with that. | 0:35:31 | 0:35:33 | |
LAUGHTER | 0:35:33 | 0:35:35 | |
This place is huge! | 0:35:35 | 0:35:37 | |
There's plenty here for them to spend their remaining £245. | 0:35:37 | 0:35:41 | |
How about you go that way and I'll go this way? | 0:35:41 | 0:35:44 | |
Go on, then. See you later. | 0:35:44 | 0:35:45 | |
There's a lot here. | 0:35:50 | 0:35:52 | |
Oh-ho-ho! | 0:35:56 | 0:35:58 | |
Quite nice. | 0:36:00 | 0:36:02 | |
That might be a goer for our rural lot. | 0:36:02 | 0:36:07 | |
One of the first presents that I ever got | 0:36:08 | 0:36:11 | |
that I was really, truly excited about, was a camera. | 0:36:11 | 0:36:16 | |
As a child, just having a camera was a great thing | 0:36:16 | 0:36:19 | |
and I loved it, I cherished it, I loved taking photos. | 0:36:19 | 0:36:23 | |
This reminds me of that excitement. | 0:36:23 | 0:36:26 | |
First World War. This is from 1912 to 1914. | 0:36:28 | 0:36:31 | |
Even before the war, people had these. | 0:36:31 | 0:36:35 | |
In fact I really like this. | 0:36:35 | 0:36:37 | |
David loves it and it is ticketed at £35. | 0:36:37 | 0:36:41 | |
Oh, here comes Will. | 0:36:41 | 0:36:43 | |
Hello, young sir, can I interest you in any fresh milk? | 0:36:43 | 0:36:46 | |
-What do you reckon? -DAVID LAUGHS | 0:36:46 | 0:36:48 | |
I'm ready for the American football field. | 0:36:48 | 0:36:50 | |
You've got to be kidding! | 0:36:50 | 0:36:52 | |
Really? I thought, to add to our country lot. | 0:36:52 | 0:36:55 | |
So do you put two buckets on the end of those? | 0:36:55 | 0:36:57 | |
-Two buckets, off you go. -Oh, wow! | 0:36:57 | 0:37:00 | |
Do you think anyone would buy this? | 0:37:00 | 0:37:02 | |
I don't know. Unless you want to veto me. | 0:37:02 | 0:37:05 | |
No, I'm not the expert. | 0:37:05 | 0:37:07 | |
We've just got money burning a hole in our pocket | 0:37:07 | 0:37:09 | |
and I want to try and spend as much as we can. | 0:37:09 | 0:37:12 | |
-OK. -What is it? -What was it? | 0:37:12 | 0:37:14 | |
It was at £48 and it's now £28. | 0:37:14 | 0:37:18 | |
Tell me, what have you been looking at? | 0:37:18 | 0:37:20 | |
I've been looking at these cameras. I love old cameras. | 0:37:20 | 0:37:24 | |
-Do you? -This one has particularly caught my attention. | 0:37:24 | 0:37:27 | |
That's two items to think about. | 0:37:27 | 0:37:29 | |
The owner of the yoke has left them their number. | 0:37:29 | 0:37:32 | |
Time to make a call. | 0:37:32 | 0:37:34 | |
Thank you. | 0:37:34 | 0:37:35 | |
Hello, Stan. We saw your milkmaid's yoke | 0:37:37 | 0:37:39 | |
and we wondered if you might be able to help us out. | 0:37:39 | 0:37:42 | |
At the moment, you've got 28 on it. | 0:37:42 | 0:37:44 | |
Would a nice round 20 buy it? | 0:37:45 | 0:37:48 | |
Yeah, 20 quid? | 0:37:48 | 0:37:49 | |
Are you happy with that? All right, then, lovely. | 0:37:49 | 0:37:52 | |
-Toodle-pip! -Yes! | 0:37:52 | 0:37:55 | |
That's an £8 discount and the yoke is theirs. | 0:37:55 | 0:37:58 | |
But if you want anything else, you will need to get a move on | 0:37:58 | 0:38:00 | |
cos here comes the yellow peril. | 0:38:00 | 0:38:02 | |
-That cheeky whatsit. -I tell you what... | 0:38:02 | 0:38:04 | |
-How long have they had in here? -I have no idea, Carrie. | 0:38:04 | 0:38:07 | |
Taking all the best stuff! | 0:38:07 | 0:38:09 | |
Well, they are certainly trying their best, Carrie. | 0:38:09 | 0:38:11 | |
-Carrie, we have no time to waste. -Let's get straight in there. | 0:38:11 | 0:38:15 | |
Are we going to spend all our money? | 0:38:15 | 0:38:18 | |
Only if it's going to make us lots of money. | 0:38:18 | 0:38:21 | |
I'm finally getting the hang of it. | 0:38:21 | 0:38:23 | |
You are getting the hang of it. | 0:38:23 | 0:38:25 | |
These two have £227 weighing them down. | 0:38:25 | 0:38:28 | |
Oh, nice! | 0:38:38 | 0:38:39 | |
£480. | 0:38:39 | 0:38:40 | |
Put it back. | 0:38:40 | 0:38:41 | |
You tell him, Carrie. | 0:38:41 | 0:38:44 | |
Cameras, do they sell? | 0:38:44 | 0:38:46 | |
Only certain ones. | 0:38:46 | 0:38:48 | |
That's a code for "no". | 0:38:48 | 0:38:51 | |
Well, don't tell David, then! | 0:38:51 | 0:38:52 | |
Although the boys have their eye on something else. | 0:38:52 | 0:38:55 | |
I absolutely love this. | 0:38:55 | 0:38:59 | |
A little mahogany fist? | 0:38:59 | 0:39:00 | |
It's like a... Maybe not mahogany. | 0:39:00 | 0:39:02 | |
A fruitwood or perhaps a little boxwood | 0:39:02 | 0:39:05 | |
or something like that. | 0:39:05 | 0:39:06 | |
It's a fist, but check this out. | 0:39:06 | 0:39:08 | |
Good spot, Will! | 0:39:10 | 0:39:12 | |
What is that? | 0:39:12 | 0:39:13 | |
It's a novelty pipe bowl carved in the form of a clenched fist. | 0:39:13 | 0:39:18 | |
Ticketed at £29, it's certainly an unusual lot, | 0:39:18 | 0:39:21 | |
but wait, there's more. | 0:39:21 | 0:39:23 | |
What do you reckon to that? | 0:39:23 | 0:39:25 | |
What's that made of? What would that be? | 0:39:25 | 0:39:27 | |
That's horn and I'm almost certain that is silver-mounted, | 0:39:27 | 0:39:31 | |
though I can't find a hallmark. | 0:39:31 | 0:39:33 | |
I like this. | 0:39:33 | 0:39:34 | |
It could've been used at a pre-hunt meet. | 0:39:34 | 0:39:37 | |
It looks that kind of thing, doesn't it? | 0:39:37 | 0:39:38 | |
To maybe have a little glass of sherry before you're off. | 0:39:38 | 0:39:41 | |
Hold on a minute... | 0:39:41 | 0:39:42 | |
-Whisky. -Oh! You have a man with a nose here. | 0:39:42 | 0:39:46 | |
Oh, yeah, you're right. | 0:39:46 | 0:39:47 | |
Whatever went in it, there's £22 on that beaker. | 0:39:47 | 0:39:51 | |
They now have several potentials to consider. | 0:39:51 | 0:39:54 | |
I say! How about Carrie and Mark? | 0:39:54 | 0:39:56 | |
It's a ladies' cigarette case | 0:39:56 | 0:39:59 | |
and it's, "Helen, from Roy, 8/6/1929." | 0:39:59 | 0:40:05 | |
It's Continental silver. | 0:40:05 | 0:40:07 | |
It's marked 925. | 0:40:07 | 0:40:09 | |
It's enamelled in this lovely lilac enamel. | 0:40:09 | 0:40:12 | |
And engine-turned underneath. | 0:40:14 | 0:40:15 | |
Gives it a lovely quality feel. | 0:40:15 | 0:40:18 | |
I like it. I like it... | 0:40:18 | 0:40:20 | |
-But? -But... | 0:40:20 | 0:40:22 | |
-It's lovely quality. -175? That feels like a huge risk. | 0:40:22 | 0:40:26 | |
It is a huge risk, but do we like taking risks? | 0:40:26 | 0:40:29 | |
I do. | 0:40:31 | 0:40:32 | |
-What would we say yes to? -Oh, gosh. | 0:40:32 | 0:40:34 | |
It's a big ask, I think, | 0:40:34 | 0:40:35 | |
but if we could get it for 125 or less, it might stand a chance. | 0:40:35 | 0:40:39 | |
-It is a good-quality item. -OK. | 0:40:39 | 0:40:40 | |
Do you want me to buy this? | 0:40:40 | 0:40:42 | |
I would like to find out what we could get it for. | 0:40:42 | 0:40:45 | |
You do that then, Mark, and let Carrie have a gander. | 0:40:45 | 0:40:48 | |
Oh, my gosh. That's adorable. | 0:40:53 | 0:40:55 | |
Mark? | 0:40:57 | 0:40:58 | |
Where has he got to? | 0:40:58 | 0:41:00 | |
-OK, thank you very much. -No problem. -I'll tell her. -Oh, hello... | 0:41:00 | 0:41:03 | |
-Carrie. -Yes. -Don't shout at me. | 0:41:03 | 0:41:05 | |
I bought it. | 0:41:05 | 0:41:06 | |
-How much...? -125. | 0:41:06 | 0:41:08 | |
OK. | 0:41:08 | 0:41:10 | |
The exact price. | 0:41:10 | 0:41:11 | |
I know, but it is lovely. It's worth a chance, isn't it? | 0:41:11 | 0:41:15 | |
We have got to make at least... | 0:41:15 | 0:41:17 | |
Four million. | 0:41:17 | 0:41:18 | |
Hey, that would be a find. | 0:41:18 | 0:41:20 | |
But that's a £50 discount for the cigarette case. | 0:41:20 | 0:41:23 | |
Now it's the boys' turn to chat with dealer Steve. | 0:41:25 | 0:41:27 | |
-OK. -Right. -We've got a few items that we've chosen | 0:41:27 | 0:41:33 | |
from your selection. | 0:41:33 | 0:41:34 | |
What shall we go for first? Let's go for this one. | 0:41:34 | 0:41:36 | |
OK, beaker first. | 0:41:36 | 0:41:38 | |
Steve has got the owner on the phone. | 0:41:38 | 0:41:40 | |
-There we go. It's Judy. -Hi, Judy? | 0:41:40 | 0:41:43 | |
We've been rather taken by a little horn beaker. | 0:41:43 | 0:41:46 | |
It's got 22 on it. | 0:41:46 | 0:41:48 | |
Yes, I'm going to say yes to that and thank you very much. | 0:41:51 | 0:41:54 | |
-Judy, thank you so much. -£15. | 0:41:56 | 0:41:59 | |
Schmoozer. That's a £7 discount for the beaker. | 0:41:59 | 0:42:02 | |
Now for the pipe. | 0:42:02 | 0:42:03 | |
-Sorry... -It's on at 29. | 0:42:03 | 0:42:05 | |
I'm not going to try and break your back on it. | 0:42:05 | 0:42:08 | |
Would a straight 20 quid buy that? | 0:42:08 | 0:42:10 | |
-You know what? Let's do it. -Yeah? -Yeah. | 0:42:10 | 0:42:12 | |
That's £20 for the pipe and £15 for the beaker. | 0:42:12 | 0:42:16 | |
Now for the camera. | 0:42:16 | 0:42:17 | |
Hope you've been watching, David, because it's your turn. | 0:42:17 | 0:42:21 | |
I've got quite a tight budget | 0:42:21 | 0:42:23 | |
and I was wondering if we could agree on a figure | 0:42:23 | 0:42:26 | |
that I could just part with now - around 20 quid? | 0:42:26 | 0:42:29 | |
If I go to 25? | 0:42:29 | 0:42:31 | |
This is all yours, remember. | 0:42:31 | 0:42:33 | |
OK, yeah. 25. | 0:42:33 | 0:42:35 | |
Shall I pass you back? | 0:42:35 | 0:42:37 | |
OK, thank you. | 0:42:37 | 0:42:39 | |
Well done. | 0:42:39 | 0:42:40 | |
£80 gets them the yoke, beaker, pipe and camera. | 0:42:40 | 0:42:45 | |
-That's been great. -Enjoy those. | 0:42:45 | 0:42:48 | |
You grab those, I'll grab the yoke. | 0:42:48 | 0:42:49 | |
Let's hope it's a double-yoker, and their shopping is complete. | 0:42:49 | 0:42:53 | |
-Oh, no! -Look out! | 0:42:53 | 0:42:54 | |
-Bags of stuff. -This isn't fair. | 0:42:54 | 0:42:58 | |
-What have you got there? -I wouldn't go in there. | 0:42:58 | 0:43:00 | |
We've had all the good stuff. | 0:43:00 | 0:43:02 | |
You've bought all the rubbish already? | 0:43:02 | 0:43:04 | |
Listen, they are like people in a dark room | 0:43:04 | 0:43:06 | |
looking for a black cat. Anyway, come on. | 0:43:06 | 0:43:08 | |
-Oh! Is he always that rude? -Yes. | 0:43:08 | 0:43:11 | |
TIM LAUGHS | 0:43:11 | 0:43:13 | |
Now you have the place to yourself. | 0:43:13 | 0:43:15 | |
What's Carrie found? | 0:43:15 | 0:43:17 | |
-It's a child's chair. -Yeah. | 0:43:17 | 0:43:18 | |
Actually, I'm quite impressed with you. | 0:43:18 | 0:43:20 | |
-Aw! -I'm so glad you found this because I can sit down. | 0:43:20 | 0:43:23 | |
I like it for a couple of reasons. | 0:43:25 | 0:43:27 | |
People collect children's chairs and it's a rocker. | 0:43:27 | 0:43:29 | |
I just... | 0:43:29 | 0:43:30 | |
This is all turned, nicely turned. | 0:43:30 | 0:43:32 | |
There is a lot of wear on that so people have used that. | 0:43:32 | 0:43:36 | |
It tells of its history, doesn't it? | 0:43:36 | 0:43:38 | |
It does. But this is rather simple, here... | 0:43:38 | 0:43:40 | |
But it is only £35. | 0:43:42 | 0:43:44 | |
That's what I was thinking - Edwardian, | 0:43:44 | 0:43:46 | |
and if we could get it a little bit cheaper... | 0:43:46 | 0:43:47 | |
When is the Edwardian period? | 0:43:47 | 0:43:49 | |
That was when Edward was around. | 0:43:49 | 0:43:51 | |
You're absolutely right. | 0:43:51 | 0:43:53 | |
I'll tell you what, I'm not needed. | 0:43:53 | 0:43:57 | |
I think that's a possibility. | 0:43:57 | 0:43:59 | |
Well done, you. | 0:43:59 | 0:44:01 | |
We've not seen Steve for a while, so let's get him back in. | 0:44:01 | 0:44:04 | |
We want to be a bit mean if we can, sorry. | 0:44:04 | 0:44:07 | |
-I knew this bit was coming. -I know. | 0:44:07 | 0:44:09 | |
THEY LAUGH | 0:44:09 | 0:44:11 | |
I'm sure the others were much nicer. | 0:44:11 | 0:44:13 | |
But, um... | 0:44:13 | 0:44:15 | |
we'd like to get it for about 20. | 0:44:15 | 0:44:17 | |
20? What's the price on there? | 0:44:18 | 0:44:20 | |
-35. -I thought it was 22, wasn't it? | 0:44:20 | 0:44:22 | |
25... | 0:44:22 | 0:44:25 | |
-That's it, isn't it? -Do you know what? | 0:44:25 | 0:44:27 | |
Yes. | 0:44:27 | 0:44:29 | |
-Shake his hand quick. -There we go. | 0:44:29 | 0:44:32 | |
-I told you to shake his hand. -He said yes! | 0:44:32 | 0:44:34 | |
Steve, thank you. We're thrilled with that. | 0:44:34 | 0:44:36 | |
Oh, my gosh. We're going to make money on that. | 0:44:36 | 0:44:38 | |
-I hope so. -Thank you so much. | 0:44:38 | 0:44:40 | |
-We are all done. We're shopped out. -We're good. | 0:44:40 | 0:44:43 | |
You certainly are. | 0:44:43 | 0:44:45 | |
Now, with all that shopping complete, | 0:44:45 | 0:44:47 | |
brace yourselves... | 0:44:47 | 0:44:49 | |
-Shall we show? -Yeah, let's do it. | 0:44:49 | 0:44:51 | |
All right. Ready, steady... | 0:44:51 | 0:44:53 | |
-You've bought a warthog. -A warthog! | 0:44:53 | 0:44:57 | |
Wow! | 0:44:57 | 0:44:58 | |
This is a wild boar, or at least, WAS a wild boar. | 0:44:58 | 0:45:02 | |
-It still is. -I'm not sure about that. | 0:45:02 | 0:45:05 | |
What's that? What's that? | 0:45:05 | 0:45:07 | |
Well, this is our... | 0:45:07 | 0:45:08 | |
We've gone for a bit of a tactical lot here, | 0:45:08 | 0:45:10 | |
bearing in mind we're going to a rural auction house. | 0:45:10 | 0:45:13 | |
So we thought we'd get something that might appeal | 0:45:13 | 0:45:15 | |
to the rich farmer boys. | 0:45:15 | 0:45:16 | |
- That's a good lot. - It's quite fun. | 0:45:16 | 0:45:18 | |
What's the spoon, Will? | 0:45:18 | 0:45:21 | |
The spoon is actually just silver-plated. | 0:45:21 | 0:45:23 | |
It's also a fish slice. | 0:45:23 | 0:45:25 | |
- But it's kind of fun, isn't it? - How much was that? | 0:45:25 | 0:45:27 | |
We asked what her best price was. | 0:45:27 | 0:45:29 | |
-You won't believe it. -She said a fiver. | 0:45:29 | 0:45:30 | |
No! You're going to make money on that. | 0:45:30 | 0:45:34 | |
The hand thing, what's the hand thing? | 0:45:34 | 0:45:36 | |
-I love it. -A pipe? | 0:45:36 | 0:45:38 | |
- It's great, isn't it? - And you've put it with the horn? | 0:45:38 | 0:45:42 | |
I've put it with the horn beaker, which again we picked up today. | 0:45:42 | 0:45:45 | |
Hang on a minute, how many bits of this...? | 0:45:45 | 0:45:47 | |
This is a lot, that's a lot. | 0:45:47 | 0:45:48 | |
It is a lot. It's way too much. | 0:45:48 | 0:45:50 | |
That's a lot, that's a lot. | 0:45:50 | 0:45:52 | |
I think you've done really... They've done well. | 0:45:52 | 0:45:54 | |
-I think you have, to be honest. -I hate to say it... | 0:45:54 | 0:45:56 | |
-No, I agree. -But they've done extremely well. | 0:45:56 | 0:45:58 | |
- Hang on, we haven't seen your lot. - No, trust me, you've done well. | 0:45:58 | 0:46:01 | |
- Let's have a look. - Shall we? | 0:46:01 | 0:46:03 | |
Careful now. | 0:46:03 | 0:46:06 | |
-Oh, no, look. -Oh, man! | 0:46:06 | 0:46:09 | |
I love this. | 0:46:10 | 0:46:12 | |
You bought that in there, didn't you? | 0:46:12 | 0:46:13 | |
- Carrie found that. 20 quid. - No way! | 0:46:13 | 0:46:16 | |
-£20. -It was cheap enough at 35. | 0:46:16 | 0:46:19 | |
Oh, my goodness. | 0:46:19 | 0:46:21 | |
-We love these with the sun... -Look at these. | 0:46:21 | 0:46:22 | |
And you've got the spectacles. | 0:46:22 | 0:46:24 | |
-Nice. -Fabulous. | 0:46:24 | 0:46:26 | |
-This is perfect. -I love them. | 0:46:26 | 0:46:29 | |
What's that clanking? | 0:46:29 | 0:46:31 | |
They look really stylish. | 0:46:31 | 0:46:32 | |
They're French - Paris, probably. Etruscan style. | 0:46:32 | 0:46:35 | |
They are really designer interior. | 0:46:35 | 0:46:38 | |
And I wanted them for 45. | 0:46:38 | 0:46:39 | |
- But Carrie shook hands at 50. - 50's still cheap, Mark. | 0:46:39 | 0:46:43 | |
From the really agricultural to the delicate and tasteful. | 0:46:43 | 0:46:46 | |
Oh, it's been nice. | 0:46:46 | 0:46:48 | |
It's damning me with faint praise. | 0:46:48 | 0:46:51 | |
On that note, I think we'd better leave. | 0:46:51 | 0:46:53 | |
Oh, well, let's see what he really thinks. | 0:46:53 | 0:46:55 | |
Mark's got a certain look, | 0:46:57 | 0:46:59 | |
and he's gone very well with those porcelain vases. | 0:46:59 | 0:47:02 | |
The little card case, the enamel card case - beautiful. | 0:47:02 | 0:47:06 | |
I don't think they'll get loads for the boar's head, | 0:47:06 | 0:47:08 | |
but that spoon thing and the pipe, those two things. | 0:47:08 | 0:47:11 | |
That spoon, I can't believe it. Five quid. | 0:47:11 | 0:47:13 | |
The glasses, the Victorian glasses, I love. | 0:47:13 | 0:47:15 | |
Yeah, that's quirky. And the chair. | 0:47:15 | 0:47:17 | |
I think the chair is their good lot there. | 0:47:17 | 0:47:20 | |
I really hope the silver enamel cigarette box does well. | 0:47:20 | 0:47:22 | |
-It might come back to haunt you, that one. -It might do. | 0:47:22 | 0:47:25 | |
I don't like it when you wag your finger at me. | 0:47:25 | 0:47:27 | |
Time now to head north into Norfolk | 0:47:31 | 0:47:33 | |
for the auction in Downham Market. | 0:47:33 | 0:47:35 | |
Has anybody got any pre-auction jitters? | 0:47:37 | 0:47:40 | |
I feel like all of my bravado has left me. | 0:47:40 | 0:47:43 | |
DAVID LAUGHS | 0:47:43 | 0:47:46 | |
I've lost my mojo | 0:47:46 | 0:47:48 | |
with the fear of being beaten. | 0:47:48 | 0:47:51 | |
-Do you know what? -I saw your stuff and I was like, | 0:47:52 | 0:47:55 | |
"OK, I'm going to lose." | 0:47:55 | 0:47:58 | |
For me, this whole thing has been about beating you, | 0:47:58 | 0:48:02 | |
but now we're here... | 0:48:02 | 0:48:04 | |
You still want to beat me. | 0:48:04 | 0:48:06 | |
Yes, I do, but if I beat you and you lose money, | 0:48:06 | 0:48:08 | |
I'll still feel like I've failed. | 0:48:08 | 0:48:10 | |
So is it a matter of who loses the most? | 0:48:10 | 0:48:13 | |
Who loses the most is the loser, yes. | 0:48:13 | 0:48:17 | |
Well, I'm glad that's straight. | 0:48:17 | 0:48:19 | |
Downham Market was once the hiding place for King Charles I | 0:48:19 | 0:48:21 | |
after his defeat at the Battle of Naseby. | 0:48:21 | 0:48:24 | |
But who will trounce who today? | 0:48:24 | 0:48:28 | |
CAR HORN TOOTS | 0:48:28 | 0:48:30 | |
Oh, I recognise that sound. Oh, no. | 0:48:30 | 0:48:32 | |
Loving it. He's like a boy with a new toy. | 0:48:34 | 0:48:37 | |
We hadn't noticed. Come on. | 0:48:37 | 0:48:39 | |
-How are you, mate? -Good. | 0:48:39 | 0:48:41 | |
-All right. -Are you ready? -Yeah, come on. | 0:48:41 | 0:48:43 | |
No time to lose. | 0:48:43 | 0:48:45 | |
Let's remind ourselves what they bought. | 0:48:47 | 0:48:49 | |
Carrie and Mark spent the most, | 0:48:51 | 0:48:53 | |
splashing £318 on five lots for auction... | 0:48:53 | 0:48:57 | |
..while David and Will parted with £235. | 0:48:58 | 0:49:02 | |
After combining a few things, they also have five auction lots. | 0:49:02 | 0:49:06 | |
But what does Barry from Barry Hawkins Auctioneers | 0:49:06 | 0:49:09 | |
make of it all? | 0:49:09 | 0:49:10 | |
The little plough is, in actual fact, a hoe. | 0:49:10 | 0:49:13 | |
We see them time after time. | 0:49:13 | 0:49:15 | |
And then the whole lot altogether, with the yoke and saw, | 0:49:15 | 0:49:19 | |
is probably going to make £10 at the outside. | 0:49:19 | 0:49:22 | |
Now, the little cigarette case - absolutely delightful. | 0:49:22 | 0:49:25 | |
And that could, again, top £100. | 0:49:25 | 0:49:28 | |
While Barry relaxes with a cup of tea, | 0:49:28 | 0:49:30 | |
his colleague Julia is first up with the gavel. | 0:49:30 | 0:49:33 | |
Everybody ready? | 0:49:33 | 0:49:34 | |
Selling for £14. | 0:49:34 | 0:49:36 | |
First lot of the day is David and Will's silver-plated fish slice. | 0:49:39 | 0:49:43 | |
Who'll start me with this? | 0:49:43 | 0:49:45 | |
Start me with £20 on this nice little fish slice. | 0:49:45 | 0:49:47 | |
-£15, I am bid. -Oh... | 0:49:47 | 0:49:49 | |
18, 20. | 0:49:49 | 0:49:51 | |
Here we go. | 0:49:51 | 0:49:52 | |
24, 26, 28, 30. | 0:49:52 | 0:49:56 | |
Selling for £30. | 0:49:56 | 0:49:59 | |
Well done, you. | 0:49:59 | 0:50:01 | |
What a really good buy. I'm so pleased for you. | 0:50:01 | 0:50:03 | |
WILL LAUGHS | 0:50:03 | 0:50:05 | |
I'm not bitter. | 0:50:05 | 0:50:06 | |
Very gracious! | 0:50:06 | 0:50:08 | |
Well, the generous discount on the fish slice | 0:50:08 | 0:50:10 | |
ensured a tidy profit. | 0:50:10 | 0:50:12 | |
That's some result. I'll take that. | 0:50:12 | 0:50:14 | |
Now, Carrie fell in love with the glasses | 0:50:14 | 0:50:18 | |
and Mark adored the frog-mouth case. | 0:50:18 | 0:50:20 | |
But will they take the fancy of the bidders? | 0:50:20 | 0:50:22 | |
The glasses are actually inside it. | 0:50:22 | 0:50:24 | |
Little glasses there. | 0:50:24 | 0:50:26 | |
Do you need them modelled? | 0:50:26 | 0:50:28 | |
£20. | 0:50:28 | 0:50:30 | |
15? | 0:50:30 | 0:50:31 | |
Oh, come on. | 0:50:31 | 0:50:33 | |
£10 I'm bid. | 0:50:33 | 0:50:34 | |
-£10, 12. -You're -in. | 0:50:34 | 0:50:35 | |
14. 16, 18. £18 with me at the moment. | 0:50:35 | 0:50:40 | |
-Come on. -20 - £20 I have. | 0:50:40 | 0:50:43 | |
£20 I have. £20 - any more? | 0:50:43 | 0:50:45 | |
I thought they'd make more than that. | 0:50:45 | 0:50:47 | |
Selling at £20. | 0:50:47 | 0:50:49 | |
Carrie's first lot of the day and it's a small profit. | 0:50:49 | 0:50:52 | |
Your next best lot is coming up next. | 0:50:54 | 0:50:56 | |
- This is my favourite lot. - Oh, I love it. | 0:50:56 | 0:50:58 | |
Next, it's the combination lot of the treen pipe and beaker. | 0:51:00 | 0:51:04 | |
Nice little lot there. | 0:51:04 | 0:51:06 | |
Sale of the century moment, that. | 0:51:06 | 0:51:09 | |
Start off at £20 on that. | 0:51:09 | 0:51:10 | |
£20, I am bid. | 0:51:10 | 0:51:12 | |
25, 30. £30. 35, 40. | 0:51:12 | 0:51:15 | |
£40, £40. 45, 50. £50 with me on the book. | 0:51:15 | 0:51:19 | |
Oh, commission on it as well. | 0:51:19 | 0:51:20 | |
52. 55. £55 with me. | 0:51:20 | 0:51:25 | |
It's a profit. | 0:51:25 | 0:51:26 | |
65. 65 on the book. | 0:51:26 | 0:51:28 | |
They've got a lot of commission bids, haven't they? | 0:51:28 | 0:51:31 | |
Still cheap. | 0:51:32 | 0:51:33 | |
Selling for £65. | 0:51:33 | 0:51:36 | |
- £30 profit. - £30 profit. | 0:51:36 | 0:51:39 | |
We're doing all right, we're doing all right. | 0:51:39 | 0:51:41 | |
You know, I'm quite... | 0:51:41 | 0:51:43 | |
I'm quite relieved - we thought you might get more than that for that. | 0:51:43 | 0:51:46 | |
Is that a compliment or what? | 0:51:46 | 0:51:48 | |
Either way, it's two profits for the boys. | 0:51:48 | 0:51:51 | |
That's all your good luck now gone. | 0:51:52 | 0:51:54 | |
Thanks! | 0:51:54 | 0:51:55 | |
Hopefully, the good luck is heading your way, Carrie. | 0:51:57 | 0:52:00 | |
It's your pair of vases next. | 0:52:00 | 0:52:02 | |
Just look at those. | 0:52:02 | 0:52:03 | |
- They're very stylish. - What a pair. | 0:52:03 | 0:52:05 | |
Who will start me off? | 0:52:05 | 0:52:06 | |
£20 on those. | 0:52:06 | 0:52:08 | |
£20 on the vases. | 0:52:08 | 0:52:11 | |
£10 I am bid. | 0:52:11 | 0:52:12 | |
12, 14, 16, 18. | 0:52:12 | 0:52:16 | |
- Come up, it will come up. - No, it won't. | 0:52:16 | 0:52:18 | |
20, 22. | 0:52:18 | 0:52:21 | |
It's only got £130 to go. | 0:52:21 | 0:52:23 | |
24, £24. | 0:52:23 | 0:52:25 | |
-That's such a bargain. -Any more, any more? | 0:52:25 | 0:52:27 | |
Selling at £24. | 0:52:27 | 0:52:30 | |
Oh, that was... | 0:52:32 | 0:52:33 | |
Sorry, Carrie. | 0:52:33 | 0:52:35 | |
The buyer isn't sorry. | 0:52:35 | 0:52:36 | |
He's grabbed a real bargain. | 0:52:36 | 0:52:39 | |
But it's another loss for Carrie. | 0:52:39 | 0:52:41 | |
Do you know, I really am disappointed by that. | 0:52:41 | 0:52:44 | |
We're distraught this end(!) | 0:52:44 | 0:52:46 | |
Next, it's Carrie and Mark's biggest spend. | 0:52:47 | 0:52:51 | |
So it was £125. | 0:52:51 | 0:52:53 | |
If it sells for 1,000, we might win. | 0:52:53 | 0:52:56 | |
If it sells for 1,000, I'll give you the money myself. | 0:52:56 | 0:52:59 | |
£100 I am bid. | 0:52:59 | 0:53:00 | |
- Oh. - Well done, Mark. | 0:53:00 | 0:53:03 | |
110 anywhere? | 0:53:03 | 0:53:04 | |
Come on. | 0:53:04 | 0:53:06 | |
110 anywhere? 110. 120 on my book. | 0:53:06 | 0:53:09 | |
120 on my book. | 0:53:09 | 0:53:10 | |
-One more. -125 in the room. | 0:53:10 | 0:53:13 | |
A voice at the back. | 0:53:13 | 0:53:15 | |
-We broke even. -Come on. | 0:53:15 | 0:53:18 | |
Selling for £125. | 0:53:18 | 0:53:20 | |
-It's a disaster. -That could have been a lot worse. | 0:53:20 | 0:53:23 | |
That could have been a lot worse. | 0:53:23 | 0:53:26 | |
That's it, Mark, stay on the positive side, mate. | 0:53:26 | 0:53:29 | |
Maybe a change of scenery will alter your luck. | 0:53:29 | 0:53:31 | |
The auction moves through to another space | 0:53:31 | 0:53:33 | |
for the rest of the lots, | 0:53:33 | 0:53:35 | |
and here comes Barry to shake things up. | 0:53:35 | 0:53:37 | |
Wakey-wakey! Ten. | 0:53:37 | 0:53:39 | |
It's fast and furious. | 0:53:39 | 0:53:41 | |
Certainly is. | 0:53:41 | 0:53:42 | |
12, £15, 15. | 0:53:42 | 0:53:44 | |
Time for David's camera. | 0:53:44 | 0:53:46 | |
5, 5, I'm bid a 5, let's see 8, | 0:53:46 | 0:53:49 | |
10 again, 12, I'll do it at 12. | 0:53:49 | 0:53:51 | |
15, 18, 18, 20, at 20, 20. | 0:53:51 | 0:53:54 | |
Up the top at £20. Quickly, at £20. | 0:53:54 | 0:53:57 | |
That's your first loss. | 0:53:57 | 0:53:59 | |
It feels horrible, right? | 0:53:59 | 0:54:00 | |
-Yes. -It does, doesn't it? | 0:54:00 | 0:54:02 | |
It feels really like someone's punched you. | 0:54:02 | 0:54:04 | |
It's certainly not pleasant. | 0:54:04 | 0:54:06 | |
The first loss for David and Will in double-quick time. Stand by. | 0:54:06 | 0:54:10 | |
David, I just wish you'd bought all the lots. | 0:54:10 | 0:54:13 | |
We should have trusted you. | 0:54:13 | 0:54:14 | |
Right, Mark and Carrie need to make a comeback. | 0:54:16 | 0:54:19 | |
Next is their equestrian lot. Good luck, chaps. | 0:54:19 | 0:54:22 | |
Your start for that one, 30, £40. | 0:54:22 | 0:54:25 | |
At 5, I'm bidding 5, 5 and 8, 8 and 10, | 0:54:25 | 0:54:27 | |
10, 12, bid at 12. | 0:54:27 | 0:54:29 | |
15 and 18, 18 and 20. | 0:54:29 | 0:54:30 | |
I'm feeling for you, I'm feeling for you. | 0:54:30 | 0:54:33 | |
25, 25, 28, 28. 28, 30, at 30, 32. | 0:54:33 | 0:54:36 | |
Someone's going to pay a tenner each for them. | 0:54:36 | 0:54:38 | |
38, 38, come on. | 0:54:38 | 0:54:39 | |
Not going to get over 50. | 0:54:39 | 0:54:41 | |
At 50, come on, don't joke it off. | 0:54:41 | 0:54:44 | |
Shake it off. | 0:54:44 | 0:54:46 | |
One at the back, quickly, at £50. | 0:54:46 | 0:54:48 | |
Someone has grabbed a fantastic deal for those plaques, | 0:54:48 | 0:54:52 | |
leaving Carrie and Mark with another loss. | 0:54:52 | 0:54:55 | |
Listen, you could give the boar's head away | 0:54:55 | 0:54:57 | |
and we'd still lose. | 0:54:57 | 0:54:59 | |
- Yeah, that's true. - I can't believe that. | 0:54:59 | 0:55:02 | |
It's not over yet. | 0:55:02 | 0:55:04 | |
Boris, your time has come. | 0:55:04 | 0:55:07 | |
The boar's head. | 0:55:07 | 0:55:09 | |
It's good, isn't it? | 0:55:09 | 0:55:10 | |
It's rubbish. | 0:55:10 | 0:55:11 | |
Your start, 60, £70. A tenner. A tenner bid, 10, 15, 15, 20. | 0:55:11 | 0:55:15 | |
25, 25, 30. | 0:55:15 | 0:55:16 | |
Keep going, keep going. | 0:55:16 | 0:55:17 | |
50, I've got on my book, at £50, 60, 60, 70. | 0:55:17 | 0:55:21 | |
That's it. 80, 90. | 0:55:21 | 0:55:22 | |
£90, 90. £90, 90. | 0:55:22 | 0:55:24 | |
Come on! Oh, go on! | 0:55:24 | 0:55:25 | |
On the shelf at 90. Are you all done? | 0:55:25 | 0:55:27 | |
Round it up to 100. | 0:55:27 | 0:55:29 | |
-Oh. We got away with that, just. -We did. | 0:55:30 | 0:55:33 | |
Despite some gentle encouragement from auctioneer Barry, | 0:55:33 | 0:55:37 | |
it's still a loss for the boar. | 0:55:37 | 0:55:39 | |
Can I just say, it was only when he got to 90 | 0:55:39 | 0:55:42 | |
I realised he wasn't saying "17, 18, 19". | 0:55:42 | 0:55:47 | |
Well, pay attention, | 0:55:47 | 0:55:49 | |
because it's your combined agricultural lot next. | 0:55:49 | 0:55:53 | |
At £15, and 15, and £15, 15, 18, 18, 18. | 0:55:53 | 0:55:56 | |
Stop bidding. | 0:55:56 | 0:55:58 | |
18, you're quick, at 18, 20. | 0:55:58 | 0:56:00 | |
You going to go your age? | 0:56:00 | 0:56:02 | |
21. 22. 22, 4, 24. | 0:56:02 | 0:56:06 | |
-Creeping up. -26, 28, 28... | 0:56:06 | 0:56:08 | |
Put that gavel down. | 0:56:08 | 0:56:10 | |
-At £30. -It's 30, everything is at 30. | 0:56:10 | 0:56:13 | |
-No, stop it! -£30, away from you, quick, £30. | 0:56:13 | 0:56:16 | |
You were lucky. | 0:56:16 | 0:56:17 | |
Yeah, but it's still a loss. | 0:56:17 | 0:56:19 | |
-Have we got anything left? -Yeah, you've got your chair. | 0:56:21 | 0:56:24 | |
Which needs to make about £400 to catch up. | 0:56:24 | 0:56:27 | |
It's our final lot of the day. | 0:56:27 | 0:56:30 | |
Never before has so much rested on such a little chair. | 0:56:30 | 0:56:34 | |
Right, I have bids on the book. | 0:56:34 | 0:56:36 | |
One of £4. | 0:56:36 | 0:56:38 | |
- Oh! - Send them home, Barry. | 0:56:38 | 0:56:41 | |
4 I'm bid, 4, 4 and 6, 6 and 8, 8, | 0:56:41 | 0:56:43 | |
8 and 10. | 0:56:43 | 0:56:44 | |
He wasn't joking. | 0:56:44 | 0:56:46 | |
18, 20, 22. 22, 22. | 0:56:46 | 0:56:48 | |
-Come on. -25. 28. | 0:56:48 | 0:56:51 | |
Come on! 30! | 0:56:51 | 0:56:53 | |
-Come on, at £30. -No more, he says, no more. | 0:56:53 | 0:56:56 | |
Get in, quick, at £30... | 0:56:56 | 0:56:59 | |
-I think we've been just so unlucky today. -Rubbish. | 0:56:59 | 0:57:02 | |
You made a profit. | 0:57:02 | 0:57:04 | |
Yes, a second profit of the day for Carrie and Mark, | 0:57:05 | 0:57:08 | |
but is it enough? | 0:57:08 | 0:57:10 | |
Time to do the maths. | 0:57:10 | 0:57:12 | |
Carrie and Mark started off with £400 and, after auction costs, | 0:57:15 | 0:57:18 | |
made a loss of £132.82, | 0:57:18 | 0:57:22 | |
leaving a total of £286.18. | 0:57:22 | 0:57:27 | |
Lovely couple, aren't they? | 0:57:27 | 0:57:28 | |
David and Will also began with £400. | 0:57:29 | 0:57:32 | |
After saleroom costs are deducted, they too made a loss, | 0:57:32 | 0:57:34 | |
albeit a smaller one of £42.30. | 0:57:34 | 0:57:37 | |
So after a final total of £357.70, they are today's winners. | 0:57:37 | 0:57:43 | |
Cheer up! | 0:57:43 | 0:57:44 | |
Humble in victory. | 0:57:44 | 0:57:46 | |
-Never. -Never! | 0:57:46 | 0:57:48 | |
-But we're winners in life. -We're winners in life. | 0:57:48 | 0:57:50 | |
-Off you go. -I've never celebrated losing before. | 0:57:50 | 0:57:53 | |
-Get in the car. -Come on then, Carrie. | 0:57:53 | 0:57:55 | |
- Well done, Will. - Cheers, Mark. | 0:57:55 | 0:57:56 | |
It's been good fun, mate. Listen, David, | 0:57:56 | 0:57:58 | |
-make the most of it, won't you? -I will. | 0:57:58 | 0:58:00 | |
-Make the most of it. -Thank you. | 0:58:00 | 0:58:02 | |
I am never going to forget this, you know that, don't you? | 0:58:02 | 0:58:05 | |
That's it, Carrie. Humble in victory, | 0:58:05 | 0:58:07 | |
gracious in defeat. | 0:58:07 | 0:58:09 | |
Would you ever go to an auction again? | 0:58:10 | 0:58:12 | |
Oh, yeah, I loved it, it's so exciting. | 0:58:12 | 0:58:15 | |
-Course you did. -I tell you what's even better, though. | 0:58:15 | 0:58:17 | |
-What? -Having lunch. Shall we find a pub and have one? | 0:58:17 | 0:58:20 | |
-Yeah - winner pays? -No, loser pays. | 0:58:20 | 0:58:22 | |
-Winner pays. -Oh, all right, I'll pay. | 0:58:22 | 0:58:25 | |
Cheerio! | 0:58:25 | 0:58:26 |