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The nation's favourite celebrities... | 0:00:02 | 0:00:03 | |
Ooh, I like that. | 0:00:03 | 0:00:04 | |
..paired up with an expert... | 0:00:04 | 0:00:06 | |
Oh, we've had some fun, haven't we? | 0:00:06 | 0:00:07 | |
..and a classic car. | 0:00:07 | 0:00:08 | |
It feels as if it could go quite fast. | 0:00:08 | 0:00:10 | |
Their mission - to scour Britain for antiques. | 0:00:10 | 0:00:13 | |
CONCERTINA NOTE | 0:00:13 | 0:00:14 | |
-Yes! -Fantastic. | 0:00:14 | 0:00:15 | |
I'll do that in slow-mo. | 0:00:15 | 0:00:16 | |
The aim - to make the biggest profit at auction... | 0:00:16 | 0:00:19 | |
Come on, boys! | 0:00:19 | 0:00:20 | |
..but it's no easy ride. | 0:00:20 | 0:00:22 | |
Ta-da! | 0:00:22 | 0:00:23 | |
Who will find a hidden gem? | 0:00:23 | 0:00:25 | |
"Go on, sell me!" | 0:00:25 | 0:00:26 | |
Who will take the biggest risks? | 0:00:26 | 0:00:28 | |
Go away, darling! | 0:00:28 | 0:00:29 | |
Will anybody follow expert advice? | 0:00:29 | 0:00:32 | |
I'm trying to spend money, here! | 0:00:32 | 0:00:34 | |
There will be worthy winners... | 0:00:34 | 0:00:35 | |
Yes! | 0:00:35 | 0:00:36 | |
..and valiant losers. | 0:00:36 | 0:00:38 | |
Put your pedal to the metal - this is the Celebrity Antiques Road Trip. | 0:00:39 | 0:00:43 | |
Yeah! | 0:00:46 | 0:00:47 | |
On today's show, we have a pair of culinary masters of cuisine - | 0:00:54 | 0:00:57 | |
the red-hot and spicy chefs | 0:00:57 | 0:00:59 | |
Tony Singh | 0:00:59 | 0:01:01 | |
and Cyrus Todiwala. | 0:01:01 | 0:01:03 | |
I want to find a Ming vase. | 0:01:03 | 0:01:05 | |
Oh, well, actually, I'm not really bothered, | 0:01:05 | 0:01:07 | |
as long as I don't drop a Ming vase or anything like that. | 0:01:07 | 0:01:10 | |
-Yes. -That's it. I'm a bit clumsy, and that's the thing. | 0:01:10 | 0:01:13 | |
-A bit clumsy. -Well, I've got butter-fingers too. -Oh. | 0:01:13 | 0:01:16 | |
We'll need to keep an eye on you two, then. | 0:01:16 | 0:01:18 | |
Edinburgh-born Tony | 0:01:20 | 0:01:22 | |
has worked at some of the most prestigious restaurants in Scotland | 0:01:22 | 0:01:25 | |
and has been in the industry for over 20 years. | 0:01:25 | 0:01:27 | |
The award-winning chefs are firm friends. | 0:01:28 | 0:01:32 | |
They've appeared on many TV cooking shows - | 0:01:32 | 0:01:34 | |
even guest-presenting much-loved foodie hit... | 0:01:34 | 0:01:37 | |
-BOTH: -This is Saturday Kitchen Live. | 0:01:37 | 0:01:39 | |
Turmeric, salt, coconut milk... | 0:01:40 | 0:01:42 | |
Some spring onions. Turmeric. | 0:01:42 | 0:01:44 | |
Cumin, coriander... | 0:01:44 | 0:01:45 | |
bit of garam masala... | 0:01:45 | 0:01:47 | |
Cyrus moved from Mumbai to London over 20 years ago. | 0:01:47 | 0:01:51 | |
The critically acclaimed chef is an award-winning restaurateur | 0:01:51 | 0:01:55 | |
who has a respected following amongst royalty and celebrities. | 0:01:55 | 0:01:59 | |
The gourmet gastronomes have the unusual 1977 Aston Martin Lagonda | 0:02:01 | 0:02:06 | |
to zip around the countryside in. | 0:02:06 | 0:02:08 | |
-It's lovely. -Seriously. | 0:02:08 | 0:02:10 | |
I like this. I like the whole trim. | 0:02:10 | 0:02:13 | |
-The feel, yeah. -It's the '70s, eh? | 0:02:13 | 0:02:15 | |
It's like a passion wagon. | 0:02:15 | 0:02:18 | |
Passion wagon?! | 0:02:18 | 0:02:19 | |
The great chums each have a bag of money totalling £400... | 0:02:21 | 0:02:25 | |
..and Tony is serious about his antiques mission. | 0:02:27 | 0:02:30 | |
Well, we've always been on the same side. | 0:02:30 | 0:02:31 | |
-Yeah. -It's always been fun... | 0:02:31 | 0:02:32 | |
-Yeah. -..but now the gloves come off, I say. | 0:02:32 | 0:02:35 | |
Er... | 0:02:35 | 0:02:36 | |
Yeah, I'm not very happy with that. | 0:02:36 | 0:02:38 | |
Why? But it'll be fun. | 0:02:38 | 0:02:39 | |
I can promise you that. | 0:02:39 | 0:02:41 | |
Today's antiques experts are the beautiful Natasha Raskin | 0:02:42 | 0:02:46 | |
and the - mm - fragrant David Harbour. | 0:02:46 | 0:02:50 | |
I bet with your look, people often say, "Why do I know that guy? | 0:02:50 | 0:02:53 | |
"Is he a rock star? Is he a musician?" | 0:02:53 | 0:02:55 | |
-And then the... -And then it dawns on them - | 0:02:55 | 0:02:57 | |
-"Oh, he's just that antiques guy!" -You know, bizarrely, | 0:02:57 | 0:02:59 | |
they often think I'm a TV chef. | 0:02:59 | 0:03:01 | |
It's weird, isn't it? | 0:03:01 | 0:03:02 | |
It is. | 0:03:02 | 0:03:04 | |
Natasha and David have the rather grand 1977 Jaguar XJC. | 0:03:05 | 0:03:11 | |
Natasha is getting to grips with some tropical temperatures. | 0:03:11 | 0:03:15 | |
-It's hot in here. -It is hot. | 0:03:15 | 0:03:16 | |
Are these 1970s cars always so warm? | 0:03:16 | 0:03:19 | |
The reason why is because most 1970s cars' electric windows don't work. | 0:03:19 | 0:03:23 | |
-Oh, right, OK. -The electric windows don't work. -That's true, yeah! | 0:03:23 | 0:03:27 | |
-Yeah. -As long as you can get us there and we don't cook. -Yeah. | 0:03:27 | 0:03:30 | |
I'm sure you'll be absolutely fine, Natasha. | 0:03:30 | 0:03:33 | |
Meanwhile, over in the big, manly Aston Martin... | 0:03:34 | 0:03:38 | |
I love the passion. | 0:03:38 | 0:03:40 | |
It's like the chefs that work for you - | 0:03:40 | 0:03:41 | |
-your specialists, the sous chef... -Yeah. | 0:03:41 | 0:03:43 | |
The passion they have rubs off on you | 0:03:43 | 0:03:44 | |
and it makes you want to see other things. | 0:03:44 | 0:03:46 | |
-That's what you're looking for. -They're much keener. | 0:03:46 | 0:03:48 | |
I'll tell you what, we are excitable characters, | 0:03:48 | 0:03:50 | |
-so we get excited when we see things. -Mm-hm. | 0:03:50 | 0:03:53 | |
I hope they have the same kind of excitement and enthusiasm. | 0:03:53 | 0:03:55 | |
Don't worry, gents, | 0:03:55 | 0:03:56 | |
we have the finest of television professionals for you. | 0:03:56 | 0:03:59 | |
It just occurred to me as I told you that... | 0:03:59 | 0:04:01 | |
Oh, my gosh. You're meant to be good at this! | 0:04:01 | 0:04:04 | |
Crikey, Moses! | 0:04:06 | 0:04:07 | |
Our adventure begins in the city of Dundee, | 0:04:11 | 0:04:14 | |
moving south along the east coast, | 0:04:14 | 0:04:17 | |
taking in the Fife town of Anstruther | 0:04:17 | 0:04:19 | |
before finally landing at an auction | 0:04:19 | 0:04:21 | |
in the village of Rosewell in Midlothian... | 0:04:21 | 0:04:23 | |
..and it's time to meet up. | 0:04:25 | 0:04:26 | |
-Oh, my gosh, they're in an Aston Martin Lagonda! -Oh! | 0:04:26 | 0:04:30 | |
HE WHISTLES | 0:04:30 | 0:04:31 | |
Oh, they're nice and relaxed. | 0:04:31 | 0:04:32 | |
-It's huge! -Oh, my gosh, thank you very much. | 0:04:34 | 0:04:36 | |
-Hello! -Ah! -Look at you two! | 0:04:36 | 0:04:38 | |
-What do we have here? -Do we refer to you as "Chef"? | 0:04:38 | 0:04:40 | |
-TONY: -You can if you want shouted at, it's OK. | 0:04:40 | 0:04:42 | |
Do you need a hand out, Chef? | 0:04:42 | 0:04:44 | |
Cyrus, Chef. | 0:04:45 | 0:04:47 | |
-How are you, sir? -Very well. | 0:04:47 | 0:04:48 | |
-Great delight to meet too. -Nice to meet you, Cyrus. | 0:04:48 | 0:04:50 | |
-How are you? -How are you? | 0:04:50 | 0:04:51 | |
- Very good to meet you. - Nice to meet you. | 0:04:51 | 0:04:53 | |
-Hello, Tony. How are you? -I love your shoes. -Oh, thank you! | 0:04:53 | 0:04:55 | |
Look at this. Look at this. | 0:04:55 | 0:04:57 | |
-Oh, my God. -Oh, how was that drive? -Aston Martin. | 0:04:57 | 0:04:59 | |
It's a tank, eh? | 0:04:59 | 0:05:00 | |
- It's a tank? - It is a tank. | 0:05:00 | 0:05:01 | |
-We can go right through them. -Oh, yeah?! | 0:05:01 | 0:05:03 | |
I think I've got a bit of competition | 0:05:03 | 0:05:04 | |
on the fashion stage here. | 0:05:04 | 0:05:05 | |
I was going to be the peacock - what's this?! | 0:05:05 | 0:05:08 | |
There does seem to be a bit of a red theme. | 0:05:08 | 0:05:10 | |
-Well, this is it. -Shall we... | 0:05:10 | 0:05:11 | |
What car are we going to have? | 0:05:11 | 0:05:12 | |
I'm very happy with it - you want to drive that one? | 0:05:12 | 0:05:14 | |
I would love to drive this one. | 0:05:14 | 0:05:16 | |
-OK, then. We'll go with that one. -Are you sure? Are you sure? | 0:05:16 | 0:05:18 | |
-Yeah. -Thank God. Sounds good to me! | 0:05:18 | 0:05:20 | |
Come on, you lot, get a wriggle on. | 0:05:20 | 0:05:22 | |
Antiques won't buy themselves, you know. | 0:05:22 | 0:05:23 | |
Go, go! | 0:05:23 | 0:05:25 | |
-Ha-ha! See you later. -Suckers! | 0:05:25 | 0:05:28 | |
Wow, my gosh, lively. | 0:05:28 | 0:05:30 | |
-What's it got, lively? -Lively. | 0:05:30 | 0:05:32 | |
Let's saddle up, then, with Tony and Natasha. | 0:05:34 | 0:05:38 | |
Antique shops, auctions, charity shops... | 0:05:38 | 0:05:40 | |
I just like... I'm a rummager. | 0:05:40 | 0:05:42 | |
This is not uncharted territory for you. | 0:05:42 | 0:05:43 | |
-Nah. -You know exactly what you're doing... | 0:05:43 | 0:05:45 | |
I was just kidding on to Cyrus cos I want to beat him. | 0:05:45 | 0:05:47 | |
"I've never been to a charity shop in my life." | 0:05:47 | 0:05:49 | |
-You've been telling him you're a novice. -Porkies. | 0:05:49 | 0:05:51 | |
Yeah, it's terrible. | 0:05:51 | 0:05:52 | |
Sneaky, Tony. | 0:05:52 | 0:05:53 | |
Meanwhile, Cyrus is giving David a lesson in the Indian haggle. | 0:05:55 | 0:05:59 | |
Indians will nod their head like that, | 0:05:59 | 0:06:00 | |
so you have to understand whether that's a yes or a no. | 0:06:00 | 0:06:02 | |
-But it's still a...a shake of the head. -It's still a nod. | 0:06:02 | 0:06:05 | |
Because here you will have two nods. | 0:06:05 | 0:06:07 | |
-One is yes, or one is no. -Yeah. | 0:06:07 | 0:06:10 | |
The Indian will go like that and like that, you know? | 0:06:10 | 0:06:12 | |
And what does that mean? | 0:06:12 | 0:06:14 | |
So, this is no... | 0:06:14 | 0:06:15 | |
and that is OK, you know? | 0:06:15 | 0:06:17 | |
No! This is brilliant. | 0:06:17 | 0:06:19 | |
It's a little bit more crazy. | 0:06:19 | 0:06:20 | |
Interesting. | 0:06:22 | 0:06:23 | |
Our gang are all sharing the first shop. | 0:06:23 | 0:06:26 | |
Look out, Clepington Antiques. | 0:06:26 | 0:06:29 | |
Cyrus and David are first to arrive. | 0:06:29 | 0:06:32 | |
Oh, man. | 0:06:32 | 0:06:33 | |
-Shall we cut in front of them? -They must have known a short cut. | 0:06:33 | 0:06:36 | |
A very common Jaguar. | 0:06:37 | 0:06:38 | |
-Hello! -Ah, Mr Singh is here. | 0:06:38 | 0:06:41 | |
Yes, yes, yes. We're in first. | 0:06:41 | 0:06:43 | |
Yes, David. Well done. | 0:06:43 | 0:06:45 | |
This looks big enough, though, for everyone. | 0:06:45 | 0:06:47 | |
Eee, look at that! | 0:06:47 | 0:06:48 | |
Huh! | 0:06:48 | 0:06:49 | |
Right, OK, here we go. | 0:06:51 | 0:06:53 | |
-Let's go. -Are you ready? -Let's do it. | 0:06:53 | 0:06:55 | |
-Feeling confident? -Oh, yeah. | 0:06:55 | 0:06:57 | |
But I'm liking the look of this. | 0:06:57 | 0:06:59 | |
Glad to hear it. It used to be a dairy farm, don't you know? | 0:06:59 | 0:07:02 | |
Crikey. | 0:07:02 | 0:07:03 | |
So you really do come from a real trading heritage, don't you? | 0:07:05 | 0:07:08 | |
-Very much so. -Yeah. | 0:07:08 | 0:07:10 | |
But you could buy a pin, and you could order a Wells Fargo truck | 0:07:10 | 0:07:13 | |
or a Rolls-Royce from my grandfather's shop. | 0:07:13 | 0:07:15 | |
-No way. -Yes. | 0:07:15 | 0:07:18 | |
I think Cyrus's trading experience | 0:07:19 | 0:07:21 | |
will prove to be invaluable on this trip, don't you? | 0:07:21 | 0:07:24 | |
So, you said you liked small things. | 0:07:25 | 0:07:26 | |
Yeah, smaller things, because they can fit more into a house. | 0:07:26 | 0:07:29 | |
Otherwise, bigger things do not have a place in a small house. | 0:07:29 | 0:07:32 | |
-Yeah, yeah, yeah. -That's why small. | 0:07:32 | 0:07:33 | |
But small things, also, for me, are a mark of craftsmanship. | 0:07:33 | 0:07:38 | |
-Yes, OK. OK. -For instance, that one looks real class. | 0:07:38 | 0:07:41 | |
OK. That is a very stylish thing. | 0:07:41 | 0:07:43 | |
Very stylish. Date-wise, what are you thinking? | 0:07:43 | 0:07:46 | |
I think '50s, '60s, maybe. | 0:07:46 | 0:07:48 | |
Yeah. A definite nod towards Art Deco. | 0:07:48 | 0:07:52 | |
Now, where's dealer Jim to talk money? | 0:07:52 | 0:07:55 | |
OK, so do we...? | 0:07:55 | 0:07:57 | |
Can you do us a deal on the glass? | 0:07:57 | 0:08:00 | |
I don't know about that, er... | 0:08:00 | 0:08:01 | |
I can only try. Is it priced? | 0:08:02 | 0:08:05 | |
Well, let me just show you the one that we're looking at. | 0:08:05 | 0:08:07 | |
Right. Right. Oh, aye. | 0:08:07 | 0:08:09 | |
A piece of art glass, aye. | 0:08:09 | 0:08:10 | |
A piece of art glass. | 0:08:10 | 0:08:11 | |
See, there's nae price on that. I'd be lost. | 0:08:11 | 0:08:14 | |
I mean, there it could have 20 quid, I'd say, "Och, £2." | 0:08:14 | 0:08:16 | |
All right. OK, OK. | 0:08:16 | 0:08:18 | |
Shall we go with £2, then? | 0:08:18 | 0:08:20 | |
Well... I'm happy with £2. | 0:08:20 | 0:08:22 | |
Hey? | 0:08:22 | 0:08:23 | |
-Are you happy? £2? -Shall we go for £2? | 0:08:23 | 0:08:25 | |
-What do you think? -Well, I think you couldn't get much cheaper than £2. | 0:08:25 | 0:08:29 | |
Too right, David. | 0:08:29 | 0:08:30 | |
Well, actually, here's me, you know, just agreeing. | 0:08:30 | 0:08:34 | |
Do you want to... Do you want to do your spice bartering? | 0:08:34 | 0:08:37 | |
Well, I'll tell you why, because, I mean, | 0:08:37 | 0:08:39 | |
somebody buying it back from us... | 0:08:39 | 0:08:40 | |
-OK. -..might look at the chip there and the little chip there | 0:08:40 | 0:08:43 | |
and might say, no, I'll drop the value down further. | 0:08:43 | 0:08:46 | |
So maybe if you get it slightly cheaper, | 0:08:46 | 0:08:50 | |
we might be able to sell it off at a... | 0:08:50 | 0:08:52 | |
So, hang on, slightly cheaper than £2? | 0:08:52 | 0:08:55 | |
-Yes. -OK. OK, this is good. | 0:08:55 | 0:08:57 | |
-Right. OK. -Which is £1. | 0:08:57 | 0:08:58 | |
-I bet you're pleased we've arrived(!) -Oh, aye. | 0:08:58 | 0:09:00 | |
Well, that's not my stuff, so I'm quite happy anyway. | 0:09:00 | 0:09:03 | |
£1, then. That's £1, anyway. | 0:09:03 | 0:09:06 | |
Have we gone down to £1 now?! | 0:09:06 | 0:09:07 | |
-Oh, aye. Aye, £1. -Over to you, Cyrus. | 0:09:07 | 0:09:10 | |
So it's down to £1. Big spender. | 0:09:10 | 0:09:12 | |
-Have we done it? -Yeah, I think we'll take it for £1. | 0:09:13 | 0:09:15 | |
Do we do a certain nod? | 0:09:15 | 0:09:16 | |
-We do a nod, yeah. -Oh, marvellous, we've done it! | 0:09:16 | 0:09:19 | |
Marvellous. Thank you very much. | 0:09:19 | 0:09:21 | |
We've done it. £1. OK... | 0:09:21 | 0:09:23 | |
What's just happened there, then? Hah! | 0:09:23 | 0:09:26 | |
One solitary pound for the 1960s glass vase. | 0:09:26 | 0:09:29 | |
Well, I never did. Cyrus is one tough negotiator. | 0:09:29 | 0:09:33 | |
What about over in the other camp? | 0:09:34 | 0:09:36 | |
-So, these are slides, aren't they? -Yeah. | 0:09:36 | 0:09:37 | |
These are family photographs. Slides. | 0:09:37 | 0:09:39 | |
Oops-a-daisy. Dear, oh, dear. | 0:09:39 | 0:09:41 | |
Oh, my God. | 0:09:41 | 0:09:42 | |
Yes. Bulletproof ones. | 0:09:42 | 0:09:44 | |
They're still intact, which is amazing. | 0:09:44 | 0:09:47 | |
Yeah. Let's move away quickly from here, I think. | 0:09:47 | 0:09:51 | |
What's your method in the shop? | 0:09:52 | 0:09:53 | |
-Are you going to go...? -I have never got a method. | 0:09:53 | 0:09:55 | |
I just rummage. | 0:09:55 | 0:09:56 | |
-I mean, is that something that you're into? -Look at that. Wow. | 0:09:56 | 0:09:58 | |
Old-fashioned fire extinguisher. | 0:09:58 | 0:10:00 | |
-Now, that's quite cool. -Is that...? Is that quite cool? -Isn't it? -Yeah. | 0:10:00 | 0:10:03 | |
What is that for? Now, I have no idea what that's for. | 0:10:03 | 0:10:05 | |
That's... That's not... | 0:10:05 | 0:10:06 | |
-Is that a welding thing? -Should we ask about it? | 0:10:06 | 0:10:08 | |
We should, actually. That's quite cool. | 0:10:08 | 0:10:10 | |
Because that's quite a cool bit of kit, too. | 0:10:10 | 0:10:12 | |
And it's different, yeah. | 0:10:12 | 0:10:13 | |
Time to call over proprietor Derek. | 0:10:13 | 0:10:15 | |
-We've got sprayer or extinguisher. -Extinguisher... | 0:10:16 | 0:10:18 | |
We thought it was a welder, but it's only one tank. | 0:10:18 | 0:10:20 | |
I personally think it's a sprayer. | 0:10:20 | 0:10:22 | |
It's got all those different nozzles. | 0:10:22 | 0:10:23 | |
Yeah, but it's army, so we think... | 0:10:23 | 0:10:26 | |
Oh, it is? OK. So, all right. | 0:10:26 | 0:10:27 | |
There's an arrow on there, showing it's... | 0:10:27 | 0:10:29 | |
-I couldn't see the arrow. -Where's the arrow? | 0:10:29 | 0:10:31 | |
-We couldn't see it. -We couldn't see the arrow. | 0:10:31 | 0:10:33 | |
-Oh, look, there it is there. -See? We tried to find that. | 0:10:33 | 0:10:36 | |
So it's from 1960, and it's a Four Oaks spraying machine. | 0:10:36 | 0:10:40 | |
In fact, it's the Four Oaks Spraying Machine Company Limited. | 0:10:40 | 0:10:42 | |
That's correct. | 0:10:42 | 0:10:44 | |
Oh, yes, the Four Oaks Spraying Machine Company was founded in 1902, | 0:10:44 | 0:10:48 | |
based in the Midlands, they manufactured a range of products | 0:10:48 | 0:10:51 | |
that were originally used | 0:10:51 | 0:10:52 | |
for both agricultural and domestic purposes, don't you know? | 0:10:52 | 0:10:55 | |
And what would it be used to spray? | 0:10:55 | 0:10:57 | |
-Anything? -I really do not know. | 0:10:57 | 0:10:59 | |
Maybe it was for fields. | 0:10:59 | 0:11:01 | |
What kind of money's in that? | 0:11:01 | 0:11:02 | |
I think he had 140 on it, but I could ask him. | 0:11:04 | 0:11:07 | |
-Yeah, OK. -So this isn't your stock? | 0:11:07 | 0:11:09 | |
This isn't my stock. This is another... | 0:11:09 | 0:11:11 | |
-Oh. -OK. -Right, OK. -..dealer's. | 0:11:11 | 0:11:12 | |
I wouldn't buy at 140. | 0:11:12 | 0:11:14 | |
-What were you thinking? -I'd say 90 quid. | 0:11:14 | 0:11:17 | |
90 quid not still a bit dangerous? | 0:11:17 | 0:11:19 | |
Tony and Natasha decide to offer £70... | 0:11:19 | 0:11:22 | |
and Derek has managed to get an answer. | 0:11:22 | 0:11:25 | |
Well, I was talking to the dealer. | 0:11:25 | 0:11:28 | |
He says, "I think you're being a bit cheeky on the 70." | 0:11:28 | 0:11:30 | |
-I see. I thought that. -But he says he'll do it for £90. | 0:11:30 | 0:11:33 | |
-OK. -Mmm. | 0:11:33 | 0:11:35 | |
-OK. -That could still be... | 0:11:35 | 0:11:37 | |
-It could still be a goer. -I think that could be a goer. | 0:11:37 | 0:11:39 | |
-It could be a goer? -Yeah. | 0:11:39 | 0:11:40 | |
You'd have to get pumped up, though, wouldn't you? | 0:11:40 | 0:11:42 | |
While Tony and Natasha have a think, | 0:11:42 | 0:11:44 | |
someone's got a voice like a fog horn. | 0:11:44 | 0:11:46 | |
-DAVID: -So, hang on, a military garden-sprayer? | 0:11:46 | 0:11:48 | |
I don't know what they'd use it for. | 0:11:48 | 0:11:50 | |
I've never come across a military garden-sprayer. | 0:11:50 | 0:11:52 | |
-They're actually talking about the sprayer. -Oh, come on. | 0:11:52 | 0:11:55 | |
That's David's voice. | 0:11:55 | 0:11:56 | |
He's so loud I can hear him talking about the sprayer. | 0:11:56 | 0:11:58 | |
Right, let's go. Go, go, go. Look. | 0:11:58 | 0:12:00 | |
- 'It's military...' - Aye, see? | 0:12:00 | 0:12:01 | |
-Excuse us! -Did you see our sprayer? | 0:12:01 | 0:12:03 | |
Sorry to interrupt. Hello. | 0:12:03 | 0:12:05 | |
-Hi, there. -Hello. -What's that? | 0:12:05 | 0:12:06 | |
This sprayer we're going to buy. | 0:12:06 | 0:12:07 | |
You're not buying that, Chef. | 0:12:07 | 0:12:09 | |
You have no use for that. | 0:12:09 | 0:12:10 | |
I like the smell of the kerosene oil in there. | 0:12:10 | 0:12:12 | |
Is it kerosene? I was wondering what it is. | 0:12:12 | 0:12:14 | |
-What are you going to do with that? -Have you bought it, Tash? | 0:12:14 | 0:12:16 | |
-Yes, we have. -Oh. Oh, well. | 0:12:16 | 0:12:18 | |
There was a wink there. There was a wink there. | 0:12:18 | 0:12:21 | |
-I did notice that... -Hang on. | 0:12:21 | 0:12:23 | |
- Do it again. - What? | 0:12:23 | 0:12:24 | |
- The wink. - Yes, we've got that. | 0:12:24 | 0:12:26 | |
Wait a minute. Wait a minute. Are you the owner of the item? | 0:12:26 | 0:12:28 | |
-OK, well... -Sorry, we came first to the owner of the item. | 0:12:28 | 0:12:31 | |
-How much is it? -No, it was another one... | 0:12:31 | 0:12:32 | |
I think we were first to... | 0:12:32 | 0:12:34 | |
Uh-oh, this could get messy. | 0:12:34 | 0:12:35 | |
Is this going to come down to who makes the best offer? | 0:12:35 | 0:12:37 | |
-Yeah. -Well, we were told it could actually be £90. | 0:12:37 | 0:12:41 | |
That's the wrong way. It doesn't work like that. | 0:12:42 | 0:12:44 | |
Yeah, well, hang on, you don't know Jim. | 0:12:44 | 0:12:46 | |
I know Jim. Right, Jim? | 0:12:46 | 0:12:49 | |
-Jim, shake on it. -No, no, no... | 0:12:49 | 0:12:51 | |
What, what, what, what's all this going on here? | 0:12:51 | 0:12:53 | |
What are you thinking about? | 0:12:53 | 0:12:54 | |
It's chef wars! | 0:12:54 | 0:12:56 | |
And now Derek's joining in. | 0:12:57 | 0:12:58 | |
How can you buy that? | 0:12:58 | 0:12:59 | |
What about a fresh offer, then? | 0:12:59 | 0:13:01 | |
No, no, no, we were here first. £100. | 0:13:01 | 0:13:03 | |
-There you go. -Well, that's it. -£100. A C-note. | 0:13:03 | 0:13:05 | |
Cash, £100. | 0:13:05 | 0:13:07 | |
So that's your bid? £100? | 0:13:07 | 0:13:09 | |
Cyrus? | 0:13:09 | 0:13:10 | |
Well, I could match that, but it depends what... | 0:13:10 | 0:13:12 | |
Only one way to settle it. | 0:13:12 | 0:13:14 | |
Heads I win, tails he loses. | 0:13:14 | 0:13:16 | |
Ah, we've fallen for that one before. | 0:13:16 | 0:13:18 | |
- All right, heads. - Heads. | 0:13:18 | 0:13:19 | |
- Ready? - Go. | 0:13:20 | 0:13:21 | |
-It's heads. -Yay! | 0:13:22 | 0:13:25 | |
Winner, winner, chicken dinner. Thank you, Chef. | 0:13:25 | 0:13:28 | |
Wow, that was tense. | 0:13:28 | 0:13:29 | |
There you go. | 0:13:29 | 0:13:30 | |
The Four Oaks spraying machine for £100, then, | 0:13:30 | 0:13:34 | |
for Tony and Natasha. | 0:13:34 | 0:13:36 | |
This doesn't faze Cyrus and David. | 0:13:36 | 0:13:39 | |
They've got their eye on something else. | 0:13:39 | 0:13:41 | |
Mantelpiece clock. | 0:13:41 | 0:13:43 | |
I quite like that, actually. That's a bit of a novelty clock. | 0:13:43 | 0:13:45 | |
Made in England. And a light on the top. | 0:13:45 | 0:13:48 | |
It is quite cool. It's a bit twee, isn't it? | 0:13:48 | 0:13:50 | |
-And it's Bakelite. -Yeah. | 0:13:50 | 0:13:52 | |
Which is sort of stylish. | 0:13:52 | 0:13:54 | |
And knowing Jimmy, it's going to be so cheap it's unbelievable. | 0:13:54 | 0:13:57 | |
Yeah, I think he's in a good, good mood today. | 0:13:58 | 0:14:01 | |
So, I mean, Bakelite is actually a very sought-after material, | 0:14:01 | 0:14:05 | |
because it has its own unique look. | 0:14:05 | 0:14:07 | |
Yeah, it's had its day... | 0:14:07 | 0:14:08 | |
Yeah, it's dirty. | 0:14:08 | 0:14:10 | |
Not very many of these clocks were made | 0:14:10 | 0:14:12 | |
for the simple reason they weren't terribly popular. | 0:14:12 | 0:14:14 | |
What sort of money is it, Jim? | 0:14:15 | 0:14:16 | |
I don't... What's the price on the bottom? | 0:14:16 | 0:14:19 | |
The price on the bottom says £20, but the zero's been rubbed off. | 0:14:19 | 0:14:22 | |
-Are you sure? -So shall we take it as £2? | 0:14:22 | 0:14:25 | |
Cyrus! | 0:14:25 | 0:14:26 | |
-Fiver. -A fiver, a fiver. | 0:14:26 | 0:14:29 | |
Four quid. Four. | 0:14:29 | 0:14:31 | |
-What do you think? -I don't know, but he just keeps coming down. | 0:14:31 | 0:14:33 | |
-Eventually he'll get down to one. -That's £16 off. Good trade price. | 0:14:33 | 0:14:36 | |
Give... Give him ten seconds, he'll go down another pound. | 0:14:36 | 0:14:39 | |
-What, something that... -Three quid, that's it. | 0:14:41 | 0:14:42 | |
-See? I told you. -Three quid, that's it. -That's five seconds. | 0:14:42 | 0:14:45 | |
No, wait, wait, wait... That was five seconds. | 0:14:45 | 0:14:47 | |
Give him another five seconds. Just look at him. Jim... | 0:14:47 | 0:14:50 | |
What did I say, three quid? | 0:14:51 | 0:14:54 | |
Two quid. | 0:14:54 | 0:14:55 | |
It's brilliant! It's brilliant. | 0:14:55 | 0:14:57 | |
I don't know whether I have the heart to do it again. | 0:14:57 | 0:14:59 | |
No, you can't do it again. | 0:14:59 | 0:15:00 | |
No? OK. Jim, thank you very much. | 0:15:00 | 0:15:02 | |
-That's all right. -Thank you, sir. | 0:15:02 | 0:15:03 | |
You're brilliant. I love you. You're fantastic. | 0:15:03 | 0:15:05 | |
Gosh, this is unusual - | 0:15:05 | 0:15:07 | |
and Cyrus is proving to be the negotiator of the year. | 0:15:07 | 0:15:10 | |
£2 - cor - for the Art Deco Bakelite lamp-cum-clock. | 0:15:10 | 0:15:16 | |
Over now to Tony and Natasha. | 0:15:16 | 0:15:18 | |
Now... Can you play that? | 0:15:18 | 0:15:20 | |
Er, no, but I'll give it a bash. Can I play it? | 0:15:20 | 0:15:22 | |
HE PLAYS TUNELESSLY | 0:15:24 | 0:15:25 | |
I need a basket. | 0:15:28 | 0:15:30 | |
That's good. Good. That's good. | 0:15:30 | 0:15:32 | |
Hold on, that's terrible. | 0:15:32 | 0:15:33 | |
Where's the snake? | 0:15:33 | 0:15:35 | |
Now, back to business. What's this? | 0:15:37 | 0:15:39 | |
I've never seen one like that. | 0:15:39 | 0:15:41 | |
So it works to warm your brandy... | 0:15:41 | 0:15:42 | |
You literally put the brandy in it, and - do you know what it does? | 0:15:42 | 0:15:45 | |
It also stops you from drinking too much at a time, | 0:15:45 | 0:15:47 | |
because you have to have it at an angle. | 0:15:47 | 0:15:49 | |
-Too much, it would just flip out. -Fall out, catch fire. | 0:15:49 | 0:15:51 | |
So, one measure, you lay it over the flame, | 0:15:51 | 0:15:52 | |
-which is light, some oil in there... -Yeah. | 0:15:52 | 0:15:54 | |
-And it just gently heats the brandy. -Warms it. | 0:15:54 | 0:15:56 | |
But see that aroma when it comes out, it's just... | 0:15:56 | 0:15:59 | |
So, it's so much fun, | 0:15:59 | 0:16:00 | |
because it's almost as if, if this were to start evaporating, | 0:16:00 | 0:16:03 | |
it would be like the steam coming out of the train. | 0:16:03 | 0:16:05 | |
-Yeah. -That's a quirky little thing. | 0:16:05 | 0:16:06 | |
I think... I think people would go wild for that. | 0:16:06 | 0:16:08 | |
I think we'll get a deal on it. | 0:16:08 | 0:16:10 | |
Only one way to find out. | 0:16:10 | 0:16:11 | |
Oh, Derek? | 0:16:11 | 0:16:13 | |
-You've got your lines. -Derek. | 0:16:13 | 0:16:14 | |
-Hi, there. -Right, we'd like to buy the get-rich express | 0:16:14 | 0:16:18 | |
-that you've got in the room next door. -The what? -The what?! | 0:16:18 | 0:16:21 | |
The what?! | 0:16:21 | 0:16:23 | |
The choo-choo train with the brandy-warming cup. | 0:16:23 | 0:16:26 | |
That's the technical term. | 0:16:26 | 0:16:28 | |
The ticket price is £10. Stand by. | 0:16:28 | 0:16:31 | |
All right. Once... Once only, £5. | 0:16:31 | 0:16:35 | |
We're thinking £4 or £3. | 0:16:35 | 0:16:37 | |
Gee-whiz. | 0:16:38 | 0:16:40 | |
He's like Cyrus. | 0:16:40 | 0:16:41 | |
How long have you had it for there, Derek? | 0:16:41 | 0:16:43 | |
About three weeks. | 0:16:43 | 0:16:45 | |
See, it's not going to go anywhere, eh? | 0:16:45 | 0:16:47 | |
-It's stuck on the tracks. -It's there. | 0:16:47 | 0:16:49 | |
It's stuck on the tracks. | 0:16:49 | 0:16:50 | |
You know what I mean? If it was a fast-mover, now it would be gone. | 0:16:50 | 0:16:53 | |
-You know what I mean? Gone. -OK, you can have it for £4. | 0:16:53 | 0:16:55 | |
Right, done. Excellent. | 0:16:55 | 0:16:57 | |
-It's a deal. -It's a deal. -Oh, brilliant. | 0:16:57 | 0:16:58 | |
Derek, thank you so much. | 0:16:58 | 0:16:59 | |
That's the novelty brandy-warmer for £4. | 0:16:59 | 0:17:03 | |
But Tony's not finished yet. | 0:17:03 | 0:17:05 | |
Is that the Catering Corps? | 0:17:05 | 0:17:07 | |
-Yes. -I thought it was! | 0:17:07 | 0:17:09 | |
-Is that what that is? -Yeah, just caught the corner of my eye. | 0:17:09 | 0:17:11 | |
OK. So, are these little shoulder badges, these wee epaulettes? | 0:17:11 | 0:17:14 | |
Well, might be this one's a cap badge, eh? | 0:17:14 | 0:17:16 | |
Yeah, they're cap badges. | 0:17:16 | 0:17:17 | |
Oh, they're super cute. | 0:17:17 | 0:17:19 | |
British Army Catering Corps. | 0:17:19 | 0:17:20 | |
It's just... I don't have a clue. | 0:17:20 | 0:17:22 | |
Are these wheat sheaves on the top? | 0:17:22 | 0:17:23 | |
Well, that's flames and that's the pot Mark 1 stove. | 0:17:23 | 0:17:27 | |
But that's the thing, eh - an army marches on its stomach, | 0:17:27 | 0:17:30 | |
so we are the most important people in the army, are the chefs. | 0:17:30 | 0:17:33 | |
Oh, of course! | 0:17:33 | 0:17:34 | |
Yup, easy mistake, Tony. | 0:17:35 | 0:17:36 | |
This is actually the Royal Artillery emblem, and is a bomb with flames, | 0:17:36 | 0:17:40 | |
rather than the Catering Corps' pot. | 0:17:40 | 0:17:43 | |
Still, it's a collectable, nevertheless. | 0:17:43 | 0:17:45 | |
-Wow. -I'll make it easy for you - £2 for the pair. | 0:17:48 | 0:17:51 | |
-Two quid? -I don't know. | 0:17:51 | 0:17:53 | |
It's up to you. I mean, we're not playing much of a risky game. | 0:17:53 | 0:17:55 | |
We've got one for four and then another for two. | 0:17:55 | 0:17:58 | |
Yeah, go on, then. Two quid, there you go. | 0:17:58 | 0:18:00 | |
-Did that just happen? -Yeah, it's just happened. -OK! | 0:18:00 | 0:18:02 | |
-Thank you very much indeed. -I'm going to need your advice | 0:18:02 | 0:18:05 | |
when it comes to cataloguing these, because... | 0:18:05 | 0:18:07 | |
-Yeah, I'm going to have to check up. -You're going to have to educate me. | 0:18:07 | 0:18:09 | |
And in case I was completely wrong... | 0:18:09 | 0:18:11 | |
It only cost us two quid! | 0:18:11 | 0:18:12 | |
-There you go. -So that's OK. | 0:18:12 | 0:18:13 | |
It's a winner. Silver linings and all that. | 0:18:13 | 0:18:15 | |
Thank goodness for that. | 0:18:15 | 0:18:17 | |
That makes a grand total of three items for £106. | 0:18:17 | 0:18:21 | |
Back to Cyrus and David. | 0:18:22 | 0:18:23 | |
Can they splash a bit more of their cash? | 0:18:23 | 0:18:25 | |
They've spent £3 on two items so far. | 0:18:25 | 0:18:28 | |
So, what do you have here, sir, that could be interesting? | 0:18:29 | 0:18:32 | |
A nice little Mouseman stool. | 0:18:32 | 0:18:33 | |
-I like that, actually. -Do you like that? | 0:18:33 | 0:18:35 | |
Tell me why you like that, Cyrus. | 0:18:35 | 0:18:37 | |
I like that. I like that for a couple of reasons. | 0:18:37 | 0:18:38 | |
One, there is... The finish is good. | 0:18:38 | 0:18:40 | |
-Yeah. -And I like the mouse. | 0:18:40 | 0:18:42 | |
I like the mouse. Let's... | 0:18:44 | 0:18:46 | |
That reminds me of school. | 0:18:46 | 0:18:47 | |
Oh, does it? Tell me why. | 0:18:47 | 0:18:49 | |
Yeah, because, you know, | 0:18:49 | 0:18:51 | |
you had stuff like that, | 0:18:51 | 0:18:52 | |
and we always ended up breaking them. | 0:18:52 | 0:18:55 | |
And do you know who made it? | 0:18:55 | 0:18:57 | |
No, I wouldn't have a clue. | 0:18:57 | 0:18:59 | |
OK. But you spotted it from feet away, | 0:18:59 | 0:19:02 | |
because it was great quality and you like the mouse. | 0:19:02 | 0:19:04 | |
-And the mouse... -Yeah, because, see the grain on the wood? | 0:19:04 | 0:19:07 | |
Once you touch it, it talks a language. | 0:19:07 | 0:19:09 | |
Impressive, eh? | 0:19:09 | 0:19:11 | |
This was made by a company very close to where I live | 0:19:11 | 0:19:14 | |
-called Robert Thompson of Kilburn. -Really? -Yes. | 0:19:14 | 0:19:17 | |
Mouseman furniture. | 0:19:17 | 0:19:19 | |
He is famous worldwide. | 0:19:19 | 0:19:23 | |
They are known for their exquisite pieces of basic furniture, | 0:19:23 | 0:19:28 | |
each carved with a unique individual mouse. | 0:19:28 | 0:19:33 | |
Really? | 0:19:33 | 0:19:34 | |
-Mr Jim. -Hello, Chef - sir. | 0:19:34 | 0:19:36 | |
What do you think? Five bucks, four bucks, three bucks, two bucks? | 0:19:37 | 0:19:41 | |
-One? -It's one of the other traders'... -Sorry? | 0:19:41 | 0:19:43 | |
It's one of the other traders' stools. | 0:19:43 | 0:19:45 | |
I think he's got 110 on it. | 0:19:45 | 0:19:46 | |
-110. -110? -I think so. | 0:19:46 | 0:19:49 | |
It needs to be 80 quid. | 0:19:49 | 0:19:50 | |
-Really? -I... I feel. | 0:19:50 | 0:19:53 | |
To buy from Mr Jim? | 0:19:53 | 0:19:55 | |
-Yeah. -It depends if there's anything else you're interested in... | 0:19:55 | 0:19:58 | |
-Ah. -We could do a package, a package. | 0:19:58 | 0:19:59 | |
What is it? Like a buy one get one free, Jim, is it? | 0:19:59 | 0:20:01 | |
-Don't bother. -No? | 0:20:01 | 0:20:03 | |
Listen, don't push your luck, David. | 0:20:03 | 0:20:05 | |
But, encouraged by a combo deal... | 0:20:05 | 0:20:07 | |
-That looked interesting. -OK. Tell me why. | 0:20:07 | 0:20:10 | |
Now, I mean, old-fashioned... | 0:20:10 | 0:20:12 | |
Yeah. | 0:20:12 | 0:20:14 | |
Well, you've hit the nail on the head right there. | 0:20:14 | 0:20:16 | |
It's old-fashioned. | 0:20:16 | 0:20:18 | |
Birmingham - and we have the letter E, | 0:20:18 | 0:20:20 | |
which gives us the date of... | 0:20:20 | 0:20:22 | |
-Jim... -Dates... | 0:20:22 | 0:20:23 | |
I don't know, the '20s is some... | 0:20:23 | 0:20:25 | |
'25, '26? | 0:20:25 | 0:20:26 | |
-'27. -Is it? -1927. | 0:20:26 | 0:20:29 | |
Look at how beautifully it is made. | 0:20:29 | 0:20:31 | |
Salt, because it's got a glass bowl inside. | 0:20:33 | 0:20:35 | |
-I think that's pepper. -Yeah. | 0:20:35 | 0:20:36 | |
-That's mustard, I think. -Mustard. | 0:20:36 | 0:20:38 | |
-Absolutely perfect. -So it's a cruet set. | 0:20:38 | 0:20:40 | |
It is - in its own original presentation box. | 0:20:40 | 0:20:44 | |
The original ticket price on the Mouseman stool is £110, | 0:20:44 | 0:20:48 | |
and the silver cruet set is priced at 80, totalling £190 for both. | 0:20:48 | 0:20:53 | |
-For me, that needs to be... -We are hoping | 0:20:53 | 0:20:56 | |
that you'll do us a fabulous deal on this one. | 0:20:56 | 0:20:58 | |
I think, with Cyrus's permission, the bid is 120. | 0:20:58 | 0:21:01 | |
Do you want to speak to the owner? | 0:21:01 | 0:21:03 | |
That goes over above... | 0:21:03 | 0:21:04 | |
A little over budget. | 0:21:04 | 0:21:05 | |
I'll have a word. Just give us a minute. | 0:21:05 | 0:21:07 | |
So, Jim goes to have a quick chat with the dealer | 0:21:07 | 0:21:10 | |
on the combo deal for the two items. | 0:21:10 | 0:21:11 | |
-You're all right. -So, we are all right? Sir? | 0:21:11 | 0:21:14 | |
-Yeah. -It's all in your hands. | 0:21:14 | 0:21:16 | |
It's all or nothing. We walk out with this. | 0:21:16 | 0:21:19 | |
I'm on for it, myself. | 0:21:19 | 0:21:21 | |
-All right, then. -You've got it. -If you're on for it, then... | 0:21:21 | 0:21:23 | |
-Thank you very much. -..I'm up for it. -I'm on for it. -Thank you. | 0:21:23 | 0:21:25 | |
-Take care. -Thank you. | 0:21:25 | 0:21:27 | |
Well, this is certainly a day for unique haggling - | 0:21:27 | 0:21:29 | |
a bumper haul of four lots for £138. | 0:21:29 | 0:21:32 | |
Meanwhile, it's hotting up in the Jag. | 0:21:34 | 0:21:37 | |
It's boiling. It's boiling! | 0:21:37 | 0:21:38 | |
You must be boiling in your denim kilt. | 0:21:38 | 0:21:41 | |
It's got its built-in ventilation, it's OK. | 0:21:41 | 0:21:43 | |
Thank you - that's enough information. Thank you, Chef. | 0:21:43 | 0:21:46 | |
Quite! | 0:21:46 | 0:21:48 | |
Tony and Natasha are heading from Dundee's rural suburbs | 0:21:48 | 0:21:52 | |
into the city centre. | 0:21:52 | 0:21:54 | |
Towards the end of the Victorian era, | 0:21:55 | 0:21:57 | |
Scotland was a powerhouse of production, | 0:21:57 | 0:21:59 | |
but it was right here in Dundee | 0:21:59 | 0:22:01 | |
that the phenomenal boom of the natural fibre from India | 0:22:01 | 0:22:05 | |
would prove to be so versatile it would become a global essential. | 0:22:05 | 0:22:10 | |
When the first bales of jute were unloaded at Dundee's docks in 1820, | 0:22:10 | 0:22:15 | |
nobody could predict the magnitude of its success. | 0:22:15 | 0:22:19 | |
Tony and Natasha have an appointment at Verdant Works, | 0:22:20 | 0:22:24 | |
one of the 150 mills once involved in jute production, | 0:22:24 | 0:22:28 | |
and which helped to change the city's destiny forever. | 0:22:28 | 0:22:31 | |
Tony is passionate about his Indian heritage, | 0:22:33 | 0:22:35 | |
and wants to find out more about the plant grown | 0:22:35 | 0:22:38 | |
in the Indian subcontinent that in the 19th century | 0:22:38 | 0:22:41 | |
made Dundee the jute capital of the world. | 0:22:41 | 0:22:44 | |
Education officer Brian Kelly is the man with the answers. | 0:22:44 | 0:22:47 | |
Lots of things sort of came together at that time. | 0:22:47 | 0:22:50 | |
First of all, Dundee was already producing linen from flax... | 0:22:50 | 0:22:53 | |
-OK. -..at that time, so they had the mills and they had the workers. | 0:22:53 | 0:22:57 | |
Dundee was also a whaling port, | 0:22:57 | 0:22:58 | |
and it turned out that whale oil was really good for softening jute. | 0:22:58 | 0:23:01 | |
-Mm! -That was really the breakthrough | 0:23:01 | 0:23:03 | |
that allowed the jute to be produced on a large scale in Dundee. | 0:23:03 | 0:23:05 | |
Jute is one of the most versatile fibres known to man, | 0:23:06 | 0:23:10 | |
and can be spun into coarse, strong threads | 0:23:10 | 0:23:13 | |
to make a multitude of products cheaply, | 0:23:13 | 0:23:15 | |
including durable and strong sacking. | 0:23:15 | 0:23:19 | |
You can see how far it travels, from Dundee all around the world. | 0:23:19 | 0:23:21 | |
-So it was everything... -Australia, everything. | 0:23:21 | 0:23:23 | |
Yup. You'd have, sort of, wool from Australia, | 0:23:23 | 0:23:25 | |
you'd have spices from the Far East, | 0:23:25 | 0:23:27 | |
grain from South America, cotton from the US. | 0:23:27 | 0:23:30 | |
All these things were transported in jute bags | 0:23:30 | 0:23:32 | |
that were sent out from Dundee. | 0:23:32 | 0:23:33 | |
Dundee cornered the jute market, and in the 19th century, | 0:23:33 | 0:23:37 | |
the city had more millionaires than anywhere in Britain - | 0:23:37 | 0:23:40 | |
if not the whole of Europe. | 0:23:40 | 0:23:42 | |
But with huge riches, there was also a high degree of poverty. | 0:23:42 | 0:23:47 | |
A huge population rise during the 19th century, | 0:23:47 | 0:23:49 | |
at the beginning of the jute boom, round about the 1850s, | 0:23:49 | 0:23:52 | |
the population of Dundee was maybe round about 60,000 to 70,000. | 0:23:52 | 0:23:55 | |
By the start of the 20th century, that was up to almost 170,000. | 0:23:55 | 0:23:58 | |
-Wow. -So you had all these people moving into the city and... | 0:23:58 | 0:24:00 | |
-Problems, yeah. -The living conditions were very, very cramped. | 0:24:00 | 0:24:03 | |
-A small number of rooms per family, so... -Mmm. | 0:24:03 | 0:24:05 | |
It was a high population centre, but... | 0:24:05 | 0:24:08 | |
but not a great place to live. | 0:24:08 | 0:24:09 | |
The recently restored High Mill was built in 1833. | 0:24:11 | 0:24:15 | |
Tony and Natasha are getting a bird's eye view | 0:24:15 | 0:24:18 | |
of what it would once have looked like. | 0:24:18 | 0:24:21 | |
This is amazing. | 0:24:21 | 0:24:22 | |
It's massive. It's a grand hall. | 0:24:22 | 0:24:25 | |
But was this the main production area or...? | 0:24:25 | 0:24:27 | |
Yeah, this... The High Mill here | 0:24:27 | 0:24:29 | |
is where the machinery was in Verdant Works | 0:24:29 | 0:24:30 | |
when it was a working factory. | 0:24:30 | 0:24:32 | |
-So there were three floors of machines in here. -Right. | 0:24:32 | 0:24:35 | |
So it was a very, very bustling factory. | 0:24:35 | 0:24:36 | |
There were 500 people worked here at its height. | 0:24:36 | 0:24:39 | |
Conditions improved for workers, | 0:24:39 | 0:24:41 | |
but the mill owners looked for a cheaper labour market, | 0:24:41 | 0:24:44 | |
and eventually managers and machinery moved to India itself. | 0:24:44 | 0:24:49 | |
Even by 1900, for example, | 0:24:49 | 0:24:50 | |
Calcutta was overtaking Dundee in the production of jute. | 0:24:50 | 0:24:54 | |
As the 20th century went on, it just continued to decline, | 0:24:54 | 0:24:57 | |
and then, by the 1970s, practically everything was gone in Dundee. | 0:24:57 | 0:25:01 | |
Time now to walk in the footsteps of the Dundonians who once worked here. | 0:25:02 | 0:25:07 | |
Right, so this is it. | 0:25:07 | 0:25:09 | |
This is where you would have started your day in the jute house. | 0:25:09 | 0:25:11 | |
-All right, Tash, clock in. -OK. | 0:25:11 | 0:25:13 | |
-"When I was a lad..." -Oh, look at that! | 0:25:16 | 0:25:17 | |
-"This is what I did." -Right. | 0:25:17 | 0:25:19 | |
So I'm in. Thank you. | 0:25:19 | 0:25:22 | |
-Right. I'm following you, Chef. -Let's go. Chop chop. | 0:25:22 | 0:25:24 | |
In the 1950s, | 0:25:25 | 0:25:27 | |
Lily Thomson was clocking in to this very factory | 0:25:27 | 0:25:30 | |
when she was just a young girl. | 0:25:30 | 0:25:32 | |
I left school on a Friday, and I went into that on the Monday. | 0:25:32 | 0:25:36 | |
I didn't have a clue what we were going to be. | 0:25:36 | 0:25:38 | |
-Were you nervous? -Yes, cos we were only 15. | 0:25:38 | 0:25:41 | |
-Uh-huh. -You heard the mills and you talked about the mills, | 0:25:41 | 0:25:45 | |
-but you never saw what they looked like inside. -Right. | 0:25:45 | 0:25:48 | |
But you didn't wait long to get wakened up. | 0:25:48 | 0:25:51 | |
The loud, clattering machines made it very difficult to hear. | 0:25:51 | 0:25:55 | |
Workers developed their own way of communicating. | 0:25:56 | 0:26:00 | |
Can you give us a little bit of sign language, then? | 0:26:00 | 0:26:02 | |
What did things mean? A man in the brown coat came in... | 0:26:02 | 0:26:05 | |
Uh-huh, so that'd be a foreman, yeah? | 0:26:05 | 0:26:07 | |
Or you would just go... | 0:26:07 | 0:26:08 | |
-"Oi!" -A beard man. -"Beardy's coming!" | 0:26:08 | 0:26:11 | |
-"Beardy's coming." -It wouldn't be Beardy...! | 0:26:11 | 0:26:13 | |
-"Foreman's coming." -"Foreman's coming." | 0:26:15 | 0:26:16 | |
Man in white coat, the manager, the same thing. | 0:26:16 | 0:26:20 | |
"Oi!" | 0:26:20 | 0:26:21 | |
-"Top man." -"Top man." | 0:26:21 | 0:26:22 | |
-White man. -Yeah. -Coat. | 0:26:22 | 0:26:24 | |
That is fascinating - your own language. | 0:26:24 | 0:26:25 | |
We are standing in front of the machine | 0:26:25 | 0:26:27 | |
that you worked since you were 15, | 0:26:27 | 0:26:28 | |
so, Tony, we've got to see the lady in action. | 0:26:28 | 0:26:30 | |
I can't wait to see the skill. I want to see the action. | 0:26:30 | 0:26:33 | |
In the early days, women outnumbered men three to one, | 0:26:33 | 0:26:36 | |
and earned Dundee the nickname of the She Town. | 0:26:36 | 0:26:40 | |
After six weeks of training, | 0:26:40 | 0:26:41 | |
Lily would have eventually looked after as many as six machines. | 0:26:41 | 0:26:45 | |
LOOM CLATTERS | 0:26:45 | 0:26:47 | |
Now, that's loud! | 0:26:49 | 0:26:51 | |
-That is loud, eh? -That is so noisy. | 0:26:51 | 0:26:55 | |
See, the string came off and she just nipped it straight away there? | 0:26:56 | 0:26:59 | |
I knew how to get the shuttle to stop there every time. | 0:26:59 | 0:27:03 | |
The once jute capital of the world | 0:27:03 | 0:27:05 | |
employed over 50,000 people during its peak, | 0:27:05 | 0:27:08 | |
and saw a triple-fold rise in the population. | 0:27:08 | 0:27:11 | |
The industry may be long gone, | 0:27:11 | 0:27:14 | |
but this hard-wearing thread | 0:27:14 | 0:27:16 | |
provided the solid foundations of success | 0:27:16 | 0:27:18 | |
and ensured Dundee became a giant of industry on an international scale. | 0:27:18 | 0:27:23 | |
Meanwhile, Cyrus and David are musing over their shopping thus far. | 0:27:27 | 0:27:31 | |
Now, any regrets on the coin toss? | 0:27:31 | 0:27:33 | |
Yeah, 100%, because Tony is always lucky. | 0:27:33 | 0:27:37 | |
-Is he? -He gets it every single time. | 0:27:37 | 0:27:40 | |
Maybe he spins some kind of power, you know? | 0:27:40 | 0:27:43 | |
Maybe he does. | 0:27:43 | 0:27:44 | |
Cyrus and David have travelled west to the city of Perth | 0:27:46 | 0:27:49 | |
in central Scotland. | 0:27:49 | 0:27:51 | |
Fair City Antiques is next | 0:27:51 | 0:27:53 | |
on the fellas' hit list for hunting down | 0:27:53 | 0:27:55 | |
some antiques and plunder. | 0:27:55 | 0:27:57 | |
OK... Ooh, I say. Hello. | 0:27:58 | 0:28:00 | |
-Hello. -Interesting. | 0:28:00 | 0:28:02 | |
Hello, hello. Hello, hello. | 0:28:03 | 0:28:04 | |
-I'm David. -Hi, I'm Karen. | 0:28:04 | 0:28:06 | |
-Karen, hi there. -I'm Max. -Hi. | 0:28:06 | 0:28:07 | |
-Hi, I'm Cyrus. -Nice meeting you. -I'm Karen. -Hi, Karen. | 0:28:07 | 0:28:09 | |
- I'm Max. - Hi, Max. | 0:28:09 | 0:28:10 | |
-Hi, Cyrus. -Wow. | 0:28:10 | 0:28:11 | |
OK, shall we just dive in? | 0:28:11 | 0:28:13 | |
-You certainly can. -Yeah. -All right. | 0:28:13 | 0:28:14 | |
-Shall we go diving? -Absolutely. | 0:28:14 | 0:28:16 | |
This isn't a swimming pool, David. | 0:28:16 | 0:28:18 | |
Thank you. Very interesting. | 0:28:18 | 0:28:20 | |
Oh, plenty of potential booty in here, though. | 0:28:21 | 0:28:23 | |
And like a hunter with its prey, Cyrus has pounced on something. | 0:28:26 | 0:28:31 | |
That one's got a royal feel to it, doesn't it? | 0:28:31 | 0:28:33 | |
Yeah, that is a royal feel. | 0:28:33 | 0:28:34 | |
-That is the... -That's like a crest, isn't it? | 0:28:34 | 0:28:36 | |
-A royal crest? -It's the royal coat of arms, isn't it? | 0:28:36 | 0:28:38 | |
It's the royal coat of arms, yeah. | 0:28:38 | 0:28:40 | |
-What's it made out of? -There's a crown there. | 0:28:40 | 0:28:41 | |
-Alabaster. -Alabaster, is it? | 0:28:41 | 0:28:43 | |
So, hand-cut perhaps? | 0:28:43 | 0:28:45 | |
Absolutely. Absolutely hand-cut. | 0:28:45 | 0:28:46 | |
But alabaster's a soft stone, so it's quite easy to carve. | 0:28:46 | 0:28:49 | |
It's almost like soapstone, isn't it? | 0:28:49 | 0:28:51 | |
Have you never seen this before? | 0:28:51 | 0:28:52 | |
-So, that is quite a grand thing, isn't it? -Oh, wow. | 0:28:52 | 0:28:55 | |
OK, look at the carving. Look at the detail. | 0:28:55 | 0:28:57 | |
-So, we have the lion... -Yeah. -..to the left-hand side. | 0:28:57 | 0:29:00 | |
Then we have the unicorn... | 0:29:00 | 0:29:02 | |
The royal arms of Scotland have their origins in the 12th century, | 0:29:02 | 0:29:06 | |
and are still used widely today as a symbol of Scotland. | 0:29:06 | 0:29:09 | |
Now, look at the face itself. | 0:29:09 | 0:29:12 | |
Now, this is an indication as to its age, | 0:29:12 | 0:29:15 | |
because the alabaster itself is millions of years old. | 0:29:15 | 0:29:19 | |
When it was carved, we're not sure, | 0:29:19 | 0:29:21 | |
but I think that sort of style of decoration... | 0:29:21 | 0:29:24 | |
-Was Art Deco style maybe? -Almost Art Deco-y, yeah. | 0:29:24 | 0:29:26 | |
-I think it's Art Deco-y. -Yeah? Art Deco-y again? | 0:29:26 | 0:29:28 | |
-It's Art Deco-y. -I do, I do. -Because it is very fancy, isn't it? | 0:29:28 | 0:29:32 | |
Yeah. It's a really interesting thing. | 0:29:32 | 0:29:35 | |
I think that's 1950s. | 0:29:35 | 0:29:36 | |
It's a real celebration of royalty, isn't it? | 0:29:36 | 0:29:40 | |
Could be from the coronation time? | 0:29:40 | 0:29:42 | |
It could be 1953. | 0:29:42 | 0:29:44 | |
I... I'm intrigued by that. | 0:29:44 | 0:29:48 | |
I've never seen that before. | 0:29:48 | 0:29:49 | |
Could be mocked at, at the same time, it could be appreciated. | 0:29:49 | 0:29:53 | |
You're so right. | 0:29:53 | 0:29:55 | |
It sports a price tag of £120. | 0:29:55 | 0:29:58 | |
Manager Max has called the vendor, who is willing to knock £20 off. | 0:29:58 | 0:30:03 | |
It's 100 quid or nothing. | 0:30:03 | 0:30:06 | |
What's your gut feeling? | 0:30:06 | 0:30:07 | |
He'll want it for a fiver. | 0:30:07 | 0:30:09 | |
My gut feel probably says it might go. | 0:30:09 | 0:30:12 | |
You, I know, Cyrus, after knowing you only for a few short hours, | 0:30:12 | 0:30:17 | |
are a real risk taker. | 0:30:17 | 0:30:19 | |
You really are. | 0:30:21 | 0:30:23 | |
You know that could make 20 quid. | 0:30:23 | 0:30:25 | |
But it could make 200. | 0:30:26 | 0:30:28 | |
Yeah, well, that's the fear, isn't it? | 0:30:28 | 0:30:31 | |
-That's the fear. -But doesn't fear make you feel alive, Cyrus? | 0:30:31 | 0:30:36 | |
Well, it does. You're drawing me into this, yeah? | 0:30:36 | 0:30:39 | |
You're drawing me into this. | 0:30:39 | 0:30:40 | |
Come on, make your minds up. | 0:30:40 | 0:30:43 | |
Are we going to do it? Cyrus! | 0:30:43 | 0:30:45 | |
-What do you think? -Let's take a chance. | 0:30:45 | 0:30:47 | |
-All right, then, let's do it. -Max? | 0:30:47 | 0:30:49 | |
-All right. -Thank you. -OK. | 0:30:49 | 0:30:50 | |
Well, Cyrus seems to have calmed down on the tough negotiation front. | 0:30:50 | 0:30:55 | |
But for how long, I wonder. | 0:30:55 | 0:30:57 | |
The alabaster mantel clock for £100, then. | 0:30:57 | 0:31:00 | |
For better or for worse. | 0:31:00 | 0:31:01 | |
It's pretty good going, that, Cyrus. | 0:31:01 | 0:31:03 | |
-You think so? -Very well done. | 0:31:03 | 0:31:05 | |
Amazing negotiating. | 0:31:05 | 0:31:07 | |
-Really? -Amazing negotiating. | 0:31:07 | 0:31:09 | |
-I'm hopeless. -Bizarre negotiating! | 0:31:09 | 0:31:12 | |
But nevertheless, amazing. | 0:31:12 | 0:31:13 | |
Amazing indeed. | 0:31:14 | 0:31:16 | |
I think you should call it a day. | 0:31:16 | 0:31:18 | |
Nighty-night. | 0:31:18 | 0:31:19 | |
What's on the menu today, then, for our excitable chefs? | 0:31:24 | 0:31:28 | |
I think I might get something frivolous. | 0:31:28 | 0:31:31 | |
Yeah, suits your nature, Chef, go for it. | 0:31:31 | 0:31:34 | |
A mink-trimmed toilet holder or something. | 0:31:34 | 0:31:36 | |
That's what we'll go for. If I can get one, I'm having one of them. | 0:31:36 | 0:31:40 | |
Hm, not so sure, Tony. | 0:31:41 | 0:31:43 | |
Our experts are swapping notes on yesterday. | 0:31:45 | 0:31:48 | |
I can't really vocabularise how the negotiating went yesterday. | 0:31:48 | 0:31:52 | |
But it worked. | 0:31:52 | 0:31:54 | |
Is it sort of loud and brash and just kind of throws fire? | 0:31:54 | 0:31:56 | |
No, I don't know, it was out of control, but I loved it. | 0:31:56 | 0:31:59 | |
Yeah, so did we. | 0:31:59 | 0:32:00 | |
Yesterday, our bold and super-confident chefs | 0:32:02 | 0:32:05 | |
took to the world of antiques like ducks to water. | 0:32:05 | 0:32:08 | |
Cyrus and David bought like there was no tomorrow. | 0:32:08 | 0:32:12 | |
They've got the 1960s vase, | 0:32:12 | 0:32:14 | |
the Bakelite mantel clock-cum-lamp combo, | 0:32:14 | 0:32:17 | |
the Mouseman stool, | 0:32:17 | 0:32:19 | |
the silver cruet set, | 0:32:19 | 0:32:20 | |
and the alabaster mantel clock. | 0:32:20 | 0:32:22 | |
They have £162 left in their wallet. | 0:32:22 | 0:32:26 | |
Tony and Natasha, with the flip of a coin, | 0:32:26 | 0:32:28 | |
bought the Four Oaks sprayer, | 0:32:28 | 0:32:30 | |
the novelty choo-choo brandy warmer, | 0:32:30 | 0:32:33 | |
and the pair of Royal Artillery badges, | 0:32:33 | 0:32:36 | |
leaving them with a mighty £294 to splash today. | 0:32:36 | 0:32:40 | |
Right, then, chaps, time for everybody to catch up. | 0:32:43 | 0:32:45 | |
-How's it going? -How are you this morning, are you well? | 0:32:45 | 0:32:48 | |
-Nice to see you. -How are you doing? | 0:32:48 | 0:32:50 | |
Very well, nice to see you. | 0:32:50 | 0:32:51 | |
We've been tootling around the countryside. | 0:32:51 | 0:32:53 | |
I know why you don't want me to drive that car. | 0:32:53 | 0:32:55 | |
-Why? -That thing is great, man. | 0:32:55 | 0:32:58 | |
-Have you been driving it? -Yes. -I love it. | 0:32:58 | 0:33:01 | |
No wonder you won't let me touch it. | 0:33:01 | 0:33:02 | |
-Am I driving? -No, no, no! | 0:33:02 | 0:33:04 | |
While Cyrus and David sort themselves out, | 0:33:04 | 0:33:06 | |
let's follow Tony and Natasha. | 0:33:06 | 0:33:08 | |
They're making their way | 0:33:10 | 0:33:12 | |
to the town of South Queensferry in West Lothian. | 0:33:12 | 0:33:15 | |
Tony, we do not need to be tight with purse strings today. | 0:33:15 | 0:33:18 | |
I say let's go for it. | 0:33:18 | 0:33:19 | |
-But we can haggle? -Oh, sure, | 0:33:19 | 0:33:21 | |
-I'm not going to stop you from haggling. -That's OK. | 0:33:21 | 0:33:23 | |
Tony loves a bargain. | 0:33:23 | 0:33:25 | |
Did you know, a "sea kist" was a chest | 0:33:26 | 0:33:29 | |
which held all things dear to a seafarer on his travels? | 0:33:29 | 0:33:33 | |
Hopefully this pair can find a precious and nautical antique here. | 0:33:33 | 0:33:38 | |
The shop's called Sea Kist - get it? | 0:33:38 | 0:33:41 | |
Tony, you're already straight in - what have you got? | 0:33:41 | 0:33:44 | |
Half a ship, ship's plan. | 0:33:44 | 0:33:46 | |
The plans look quite cool, that's a bit different. | 0:33:46 | 0:33:48 | |
They do look quite cool. | 0:33:48 | 0:33:50 | |
What have we got? It's for the... | 0:33:50 | 0:33:51 | |
Oh, it's for the Royal Yacht Britannia. | 0:33:51 | 0:33:53 | |
Funnily enough, I was the first civilian chef | 0:33:53 | 0:33:56 | |
-on the Royal Yacht Britannia. -So you were! | 0:33:56 | 0:33:59 | |
-I think we should have a look at that. -OK, let's have a look. | 0:33:59 | 0:34:02 | |
Amazing. But it's priced at £500. | 0:34:02 | 0:34:06 | |
And even with Tony's magical haggling, | 0:34:06 | 0:34:09 | |
I think it's best if we maybe move on. | 0:34:09 | 0:34:11 | |
Oh, here we go. | 0:34:14 | 0:34:15 | |
-Tash? -Yes? -Come and have a look at this, I think I've got something. | 0:34:17 | 0:34:21 | |
-What have you got? -It's a quacker. | 0:34:21 | 0:34:23 | |
Ha-ha! A pair of novelty bookends. | 0:34:25 | 0:34:26 | |
-Oh, I like that. -I tell you what, Tony, you and I get along - | 0:34:26 | 0:34:29 | |
I have a serious penchant for ducks. | 0:34:29 | 0:34:31 | |
-Yeah, ducks are good. -Especially a mallard. | 0:34:31 | 0:34:34 | |
They're quite nicely done, they come as a pair. | 0:34:34 | 0:34:37 | |
-It says 28 quid. -We'll have to get a deal on that. | 0:34:37 | 0:34:40 | |
We'll get a deal on that. | 0:34:40 | 0:34:41 | |
That's one possible, and Natasha has rooted something else out. | 0:34:42 | 0:34:46 | |
-Here we have a wee Viking ship. -Yes. | 0:34:48 | 0:34:50 | |
And we really want this to be Scandinavian silver. | 0:34:50 | 0:34:53 | |
What we've got is an enamel brooch here. | 0:34:53 | 0:34:55 | |
I love wee brooches, Tony, I can't deny it. | 0:34:55 | 0:34:57 | |
See, that looks quite cool. | 0:34:57 | 0:34:58 | |
Everything about this smacks of quality. | 0:34:58 | 0:35:01 | |
-It is. -So, Tony, £55. | 0:35:01 | 0:35:03 | |
We'll get a deal. | 0:35:03 | 0:35:05 | |
Righty-ho, let's get owner Jenny in to talk cash. | 0:35:05 | 0:35:08 | |
These, I could let you have 18, how does that sound? | 0:35:08 | 0:35:12 | |
Sounds pretty tasty. | 0:35:12 | 0:35:14 | |
-Yeah. -I mean, 15 sounds nicer, that's all I'm saying. | 0:35:14 | 0:35:16 | |
-Just round numbers, yeah. -Round numbers, right, | 0:35:16 | 0:35:18 | |
yeah, that's easier, right, OK. | 0:35:18 | 0:35:21 | |
-15 on the ducks. -OK. -OK, that's very generous. | 0:35:21 | 0:35:23 | |
Your Viking brooch, that could be 40. | 0:35:23 | 0:35:28 | |
If we say £50 for both of them? | 0:35:28 | 0:35:30 | |
Oh, I think that's fine, I'm happy with that if you're happy with that. | 0:35:30 | 0:35:34 | |
£50 the two, so 35 on the brooch. | 0:35:34 | 0:35:36 | |
35 on the brooch and 15 on the bookends. | 0:35:36 | 0:35:39 | |
-Yeah. -You're quite relaxed. | 0:35:39 | 0:35:40 | |
Yes. OK, £50, Jenny, thank you very much, that's a good deal. | 0:35:40 | 0:35:45 | |
There we go, then, another two items to add to their haul of goodies. | 0:35:45 | 0:35:49 | |
Let's leave them to it for the moment. | 0:35:49 | 0:35:51 | |
Now, how about Cyrus and David? | 0:35:55 | 0:35:57 | |
Being your partner, | 0:35:57 | 0:35:58 | |
I want you to win. | 0:35:58 | 0:36:01 | |
I think we are going to win. | 0:36:01 | 0:36:03 | |
I feel pretty confident, I don't know what they've bought, but... | 0:36:03 | 0:36:06 | |
Something is telling me we will win. | 0:36:06 | 0:36:07 | |
-OK. -OK, we will win, because I think we've got some unique pieces, | 0:36:07 | 0:36:12 | |
and we haven't squandered our money. | 0:36:12 | 0:36:14 | |
Loving your confidence there, Cyrus. | 0:36:14 | 0:36:16 | |
The gents have travelled along the east coast | 0:36:18 | 0:36:20 | |
to the town of St Andrews in Fife. | 0:36:20 | 0:36:22 | |
They already have five lots from yesterday's mammoth shopping haul, | 0:36:24 | 0:36:28 | |
but they still have £162 in their road-tripping purse. | 0:36:28 | 0:36:32 | |
Immediately I see cooking utensils. | 0:36:33 | 0:36:37 | |
-Yeah. -A fantastic Victorian jelly mould. That is fun, isn't it? | 0:36:37 | 0:36:42 | |
-Look at that. -Isn't it gorgeous? | 0:36:42 | 0:36:44 | |
-It's gorgeous. -Imagine making jellies in that. | 0:36:44 | 0:36:46 | |
And the professional chefs still like to use copper. | 0:36:46 | 0:36:50 | |
-Do they? Why? -And when they can get the tinning done, | 0:36:50 | 0:36:53 | |
they love using copper. | 0:36:53 | 0:36:54 | |
Because copper is always cold. | 0:36:54 | 0:36:56 | |
It has an amazing way of working with cold things, | 0:36:56 | 0:36:59 | |
so setting a jelly. | 0:36:59 | 0:37:00 | |
This will chill faster than aluminium or a coated steel dish. | 0:37:00 | 0:37:08 | |
Imagine that coming on a big plate on the table, and your mum shook it, | 0:37:08 | 0:37:12 | |
-like that, and lifted it. -MAKES SLURPING NOISE | 0:37:12 | 0:37:15 | |
-Wow! -And the jelly came out, what a sound. | 0:37:15 | 0:37:18 | |
Good clotted cream, or just fresh cream on the top. | 0:37:18 | 0:37:21 | |
There's nothing quite like a good jelly sometimes. | 0:37:21 | 0:37:24 | |
I agree, Cyrus. | 0:37:24 | 0:37:25 | |
But after a good mooch about, | 0:37:27 | 0:37:28 | |
the boys decide they don't want to add | 0:37:28 | 0:37:31 | |
to their already full bag of five lots. | 0:37:31 | 0:37:33 | |
Meanwhile, Tony and Natasha are still in South Queensferry. | 0:37:33 | 0:37:38 | |
How much for your destroyer? | 0:37:38 | 0:37:39 | |
The plastic model? | 0:37:39 | 0:37:41 | |
That's what I mean, it just doesn't fit with all this great stuff | 0:37:41 | 0:37:44 | |
-that you've got. -No. -I'll take it off your hands. | 0:37:44 | 0:37:47 | |
You could do, I could make that £8. | 0:37:47 | 0:37:49 | |
-Oh, Tony! -Yeah. | 0:37:49 | 0:37:51 | |
-I'll take it. -Tony, Tony! £8? | 0:37:51 | 0:37:52 | |
-Honestly. -But it's plastic, that's literally... | 0:37:52 | 0:37:55 | |
But how will they put it on the block, when they talk about it? | 0:37:55 | 0:37:59 | |
They will say, this is a plastic toy. | 0:37:59 | 0:38:02 | |
Don't do it, don't do it, Tony. | 0:38:02 | 0:38:04 | |
-No? -Don't do it, don't do it. -Go on. | 0:38:04 | 0:38:07 | |
Go on! OK. | 0:38:07 | 0:38:09 | |
-So, you're saying no? -I'm saying, do what you feel is right. | 0:38:09 | 0:38:13 | |
Yeah, we'll take that. | 0:38:13 | 0:38:14 | |
TONY LAUGHS | 0:38:14 | 0:38:16 | |
OK. Really, actually? | 0:38:16 | 0:38:18 | |
Yeah, we'll take that. | 0:38:18 | 0:38:20 | |
Sure, Jenny, that's another sale. | 0:38:20 | 0:38:23 | |
It's sorted. | 0:38:24 | 0:38:25 | |
Tash, you get the boat, I'll get the quackers, how much are we due you? | 0:38:25 | 0:38:29 | |
That makes £58 altogether. | 0:38:29 | 0:38:31 | |
Tony, this doesn't bear close inspection. | 0:38:31 | 0:38:34 | |
It's just a bit... | 0:38:34 | 0:38:35 | |
It's got a helicopter... | 0:38:37 | 0:38:38 | |
it's got two helicopters on it, we've won a watch. | 0:38:38 | 0:38:41 | |
If you say so, Tony. | 0:38:41 | 0:38:42 | |
Yes! | 0:38:42 | 0:38:44 | |
The mixed bag of the bookends, the brooch | 0:38:44 | 0:38:47 | |
and the plastic battleship, and Tony's happy. | 0:38:47 | 0:38:50 | |
We're going to destroy them with that, | 0:38:50 | 0:38:51 | |
look at it in the daylight! | 0:38:51 | 0:38:53 | |
-Oh, my God. -It looks even worse in the daylight. -It's cracking. | 0:38:53 | 0:38:56 | |
-It's definitely plastic, Tony. -I know it's plastic. | 0:38:56 | 0:38:59 | |
Enough said. | 0:38:59 | 0:39:00 | |
Let's catch up with the other bunch. | 0:39:01 | 0:39:03 | |
In the pursuit of food, man has created and man has achieved. | 0:39:03 | 0:39:08 | |
A sideboard is a beautiful piece of furniture, | 0:39:08 | 0:39:10 | |
it's made for serving food. | 0:39:10 | 0:39:12 | |
A dining table for eating. | 0:39:12 | 0:39:14 | |
-Yeah. -My gosh, it's something I'd never really thought about. | 0:39:14 | 0:39:17 | |
Blimey! David's really on the ball today. | 0:39:17 | 0:39:20 | |
Cyrus and David have travelled to the Fife town of Anstruther, | 0:39:23 | 0:39:27 | |
or "Ainster", as the locals pronounce it. | 0:39:27 | 0:39:30 | |
For thousands of years, | 0:39:30 | 0:39:31 | |
Scotland's east coast has had a long association | 0:39:31 | 0:39:35 | |
with the fishing industry. | 0:39:35 | 0:39:37 | |
Located in the East Neuk of Fife, Anstruther was one of the busiest | 0:39:37 | 0:39:41 | |
fishing harbours of the 19th century. | 0:39:41 | 0:39:43 | |
During this time, as many as 30,000 boats would be fishing for herring | 0:39:43 | 0:39:48 | |
along the east coast, | 0:39:48 | 0:39:49 | |
making the Scottish fishing industry the biggest in Europe. | 0:39:49 | 0:39:53 | |
The beating heart of the fishing trade, | 0:39:53 | 0:39:56 | |
this town became a leader in innovations in boat design. | 0:39:56 | 0:40:00 | |
So what is it - Ainstruther? | 0:40:00 | 0:40:02 | |
-Ainstruther? -Ainster. -Ainster. | 0:40:02 | 0:40:05 | |
Not Anstruther? | 0:40:05 | 0:40:07 | |
Cyrus and David are meeting with former fisherman Davy Todd, | 0:40:07 | 0:40:10 | |
who is a trustee of the Scottish Fisheries Museum based here. | 0:40:10 | 0:40:14 | |
Fantastic, you're going to teach us all about the Fife fishing industry? | 0:40:14 | 0:40:18 | |
-I'll try. -A little bit more. | 0:40:18 | 0:40:19 | |
This is the type of fishing boat they used 100 years ago. | 0:40:19 | 0:40:24 | |
-Can we get on it? -Certainly. | 0:40:24 | 0:40:26 | |
-Do they still use it? -Let's do it. | 0:40:26 | 0:40:28 | |
This is the Reaper. | 0:40:28 | 0:40:30 | |
At 115 years old, it is a wonderful example of the Fifie boat design | 0:40:30 | 0:40:35 | |
that, as the name suggests, | 0:40:35 | 0:40:37 | |
was developed right here in the Kingdom of Fife. | 0:40:37 | 0:40:40 | |
Right, fellas, let's clamber aboard for a better look. | 0:40:41 | 0:40:44 | |
You can fall on somebody's head, isn't it? | 0:40:44 | 0:40:46 | |
Well, exactly, we don't want to be doing that, do we? | 0:40:46 | 0:40:49 | |
Watch you don't get your lemon trousers all mucky, ducky. | 0:40:49 | 0:40:52 | |
Right... | 0:40:52 | 0:40:53 | |
Fishing boats were constantly being improved in the 19th century, | 0:40:53 | 0:40:57 | |
and after a treacherous storm of 1841, when many lives were lost, | 0:40:57 | 0:41:02 | |
the government placed a ban on all open-deck boats. | 0:41:02 | 0:41:05 | |
Locals developed their own vessel, | 0:41:07 | 0:41:09 | |
a revolutionary boat that has many unique features. | 0:41:09 | 0:41:13 | |
So, what was so good then about the design of the Fifie? | 0:41:13 | 0:41:17 | |
It was wide of beam | 0:41:17 | 0:41:19 | |
and it had a deep keel, it was very stable. | 0:41:19 | 0:41:23 | |
The east coast of Scotland mostly was Fifies. | 0:41:23 | 0:41:26 | |
Herring was a delicacy on the Continent | 0:41:26 | 0:41:29 | |
and could be easily caught along the east coast of Scotland. | 0:41:29 | 0:41:32 | |
At the peak of the herring boom in 1907, | 0:41:32 | 0:41:35 | |
two and a half million barrels of fish were cured and exported | 0:41:35 | 0:41:39 | |
to Germany, Eastern Europe and Russia. Wow! | 0:41:39 | 0:41:42 | |
Every boat, when it came in and landed, they would take... | 0:41:42 | 0:41:46 | |
..a scoop full of herring up to the sale ring, | 0:41:47 | 0:41:50 | |
and that was sold as the quality of the sample. | 0:41:50 | 0:41:53 | |
And if they were of good quality, | 0:41:53 | 0:41:55 | |
these barrels had a brand on them with a crown on it, | 0:41:55 | 0:41:58 | |
and these were the quality fish that were exported. | 0:41:58 | 0:42:02 | |
The fishing industry supported the whole community | 0:42:02 | 0:42:04 | |
with women helping to gut the huge loads of herring | 0:42:04 | 0:42:07 | |
that would arrive at the harbour, hence the term, I guess, fishwives. | 0:42:07 | 0:42:11 | |
I saw a picture where women have got bandages on their fingers | 0:42:11 | 0:42:16 | |
-and they're cleaning herring. -Yes. | 0:42:16 | 0:42:17 | |
What are the those bandages? | 0:42:17 | 0:42:19 | |
To protect their fingers from being cut. | 0:42:19 | 0:42:21 | |
Ah, by the...? | 0:42:21 | 0:42:22 | |
-By the knife. -By the knife? | 0:42:22 | 0:42:25 | |
By the knife, yeah. They can gut about 30 herring a minute. | 0:42:25 | 0:42:28 | |
-30 herring a minute?! -Yeah. | 0:42:28 | 0:42:30 | |
-That's one every two seconds. -My goodness, two seconds a fish. | 0:42:30 | 0:42:33 | |
Their hands flew. | 0:42:33 | 0:42:35 | |
As the 20th century developed, | 0:42:37 | 0:42:39 | |
the herring industry gradually disappeared | 0:42:39 | 0:42:42 | |
and so, too, did the fleets of fishing boats. | 0:42:42 | 0:42:45 | |
Anstruther may no longer be the busy port it once was, | 0:42:45 | 0:42:49 | |
but the history of the Anstruther seafarers, | 0:42:49 | 0:42:51 | |
and their key role in boat development, | 0:42:51 | 0:42:54 | |
certainly helped the revolution of the fishing industry of today. | 0:42:54 | 0:42:58 | |
And just before we pack up and leave... | 0:42:59 | 0:43:01 | |
Are these good fish and chips or what? | 0:43:01 | 0:43:03 | |
I love the fish, I think it's pretty good. | 0:43:03 | 0:43:06 | |
Not only that, it's fresh as fresh can be. | 0:43:06 | 0:43:09 | |
You can taste that, you can taste the fish, there's no smell | 0:43:09 | 0:43:12 | |
-in the fish. -No. -Which is when you know the fish is very fresh. | 0:43:12 | 0:43:15 | |
-Right. -It doesn't have any smell in it. | 0:43:15 | 0:43:16 | |
And thanks for bringing me here, | 0:43:16 | 0:43:18 | |
because now I can prove that Scottish produce is fabulous. | 0:43:18 | 0:43:22 | |
It is fabulous. | 0:43:22 | 0:43:23 | |
With all the shopping done and dusted, | 0:43:23 | 0:43:26 | |
it's time to give one another's buys a good once over. | 0:43:26 | 0:43:29 | |
How was it, guys? | 0:43:30 | 0:43:31 | |
-Fabulous. -Wonderful. -Yes. | 0:43:31 | 0:43:33 | |
I can see, Cyrus, you've adopted a uniform since we last met. | 0:43:33 | 0:43:37 | |
Are you now a full, bona-fide antique dealer | 0:43:37 | 0:43:40 | |
-with your hat and everything? -What do you think? -You look the part. | 0:43:40 | 0:43:44 | |
It's definitely the Del Boy look, don't you agree? | 0:43:44 | 0:43:46 | |
So, you're walking the walk, but we want to find out if you talk the talk. | 0:43:46 | 0:43:49 | |
-Shall we show you? -Are you ready for battle? | 0:43:49 | 0:43:51 | |
- Are you confident, though, Tony? - Of course! | 0:43:51 | 0:43:54 | |
- Smash it. - Go on, then, smash it. | 0:43:54 | 0:43:57 | |
-OK. -I'm going to show you this beautiful piece first. | 0:43:57 | 0:44:01 | |
Yeah, we all remember him. | 0:44:01 | 0:44:04 | |
-Whoo! -I'll get rid of this. | 0:44:04 | 0:44:07 | |
-Come and have a look. -OK. | 0:44:07 | 0:44:09 | |
I mean, quality is not really the key word here, is it? | 0:44:09 | 0:44:14 | |
Oh, no, it is! Quality is in the eye of the beholder. | 0:44:14 | 0:44:17 | |
-Who put these on their side? -Because they are suicide ducks. | 0:44:17 | 0:44:20 | |
What are they? Oh, they're ducks. | 0:44:20 | 0:44:22 | |
- Ah! - They're suicide ducks. | 0:44:22 | 0:44:23 | |
-They're cool-ish. -That's what I thought, why were they upside down? | 0:44:23 | 0:44:26 | |
Maybe it's ominous that they're taking a nosedive, I'm not sure. | 0:44:26 | 0:44:29 | |
And this is the piece de resistance. | 0:44:29 | 0:44:32 | |
Oh, this is it, is it? Is this the big one? | 0:44:32 | 0:44:34 | |
This will blow yous out of the water. | 0:44:34 | 0:44:36 | |
It comes back to profit, eh? | 0:44:36 | 0:44:38 | |
- You're right. - There you go. | 0:44:38 | 0:44:40 | |
Quality means nothing. | 0:44:40 | 0:44:42 | |
It's HMS Blow Yourself Out Of The Water. | 0:44:42 | 0:44:43 | |
Yeah, it's a steal, it's a deal. | 0:44:43 | 0:44:45 | |
What about the, ahem, choo-choo? | 0:44:45 | 0:44:48 | |
The Get-Rich Express. | 0:44:49 | 0:44:50 | |
Well, if you light this, does the glass move forward? | 0:44:50 | 0:44:53 | |
-It explodes, actually. -What, what...? It's a brandy warmer. | 0:44:53 | 0:44:57 | |
Right, very sophisticated, I've got to say. | 0:44:57 | 0:45:00 | |
Sorry, is this quality? | 0:45:00 | 0:45:02 | |
Don't you damage... | 0:45:02 | 0:45:04 | |
Lordy! Dramatic jump from David there. | 0:45:04 | 0:45:08 | |
Cyrus! Is this your game plan? | 0:45:08 | 0:45:10 | |
-Sabotage? -Listen, he's just added value, all right? | 0:45:10 | 0:45:13 | |
That's the most expensive thing. | 0:45:13 | 0:45:15 | |
That's Baccarat crystal. | 0:45:15 | 0:45:16 | |
Tony jests. It was a cheap brandy glass only for show. | 0:45:16 | 0:45:20 | |
And will be replaced at no extra cost for auction. | 0:45:20 | 0:45:24 | |
Moving quickly on. | 0:45:24 | 0:45:25 | |
Very gentle, because there's lots of valuable objects here. | 0:45:25 | 0:45:28 | |
OK. Feast your eyes. | 0:45:28 | 0:45:31 | |
-Quite traditional, let's go have a gander. -Feast, please. | 0:45:31 | 0:45:35 | |
Try not to touch anything. | 0:45:35 | 0:45:36 | |
-TONY: -It's a unicorn and a lion. -This is quite cool, isn't it? | 0:45:36 | 0:45:39 | |
-And what does that tell you? -Royal Scottish, er...stag... | 0:45:39 | 0:45:43 | |
-Standard. -No, it's the union, yeah. | 0:45:43 | 0:45:46 | |
-OK. -The best thing was the clock works perfectly. | 0:45:46 | 0:45:48 | |
-I can hear it ticking. -It is? Yeah, it works perfectly. | 0:45:48 | 0:45:51 | |
Not at the back of the hall when they're bidding. | 0:45:51 | 0:45:54 | |
And just like our brandy glass, is it going to self-destruct? | 0:45:54 | 0:45:57 | |
It will if Cyrus picks it up. | 0:45:57 | 0:45:59 | |
-But where did you get that and for how much? -Is that a Mouseman? | 0:45:59 | 0:46:02 | |
That is a Mouseman. That is Robert Thompson of Kilburn, Mouseman special. | 0:46:02 | 0:46:06 | |
This is a three-legged stool. | 0:46:06 | 0:46:08 | |
I like the mouse. What a finish on the mouse, you know? | 0:46:08 | 0:46:11 | |
And that's what I saw the value to it. | 0:46:11 | 0:46:13 | |
Oh, yeah, great spot, Cyrus... | 0:46:13 | 0:46:15 | |
Tony. Thank you. | 0:46:15 | 0:46:16 | |
You can tell me what you really think. | 0:46:17 | 0:46:20 | |
I won't tell anyone. | 0:46:20 | 0:46:21 | |
-Thank you! -See you there. | 0:46:21 | 0:46:23 | |
How do you feel about their diabolical collection? | 0:46:23 | 0:46:26 | |
I feel a lot more confident. | 0:46:26 | 0:46:29 | |
-I think their Mouseman will do well. -The Mouseman will fly, yes. | 0:46:29 | 0:46:32 | |
Would you swap any of their objects for any of ours? | 0:46:32 | 0:46:34 | |
-No. -Good! Neither would I. | 0:46:34 | 0:46:36 | |
-No, I wouldn't. -I think we're on a winner. | 0:46:36 | 0:46:38 | |
We'll see them at the auction and we'll see what we can do. | 0:46:38 | 0:46:41 | |
-Do you reckon it's going to be OK? -Of course, the battleship. | 0:46:41 | 0:46:43 | |
-I like your attitude. -Battleship. | 0:46:43 | 0:46:45 | |
Off to auction we jolly well will go. | 0:46:45 | 0:46:48 | |
The mining village of Rosewell in Midlothian | 0:46:48 | 0:46:51 | |
is where the cars are all pointed. | 0:46:51 | 0:46:53 | |
-Right, Chef. -Yeah. -None of this skulduggery, OK? | 0:46:53 | 0:46:56 | |
Smashed my glass and everything - I need all the help I can get. | 0:46:56 | 0:46:59 | |
Listen, Chef, I gave you a better glass. | 0:46:59 | 0:47:01 | |
-Honestly? -That glass wasn't that good, you know? | 0:47:01 | 0:47:04 | |
With glass replaced, Tony, you've every chance of a profit at auction. | 0:47:04 | 0:47:08 | |
Now, buck up. | 0:47:08 | 0:47:10 | |
-Fashionably late. -Fashionably late. | 0:47:10 | 0:47:12 | |
Natasha and David are keen to get on. | 0:47:12 | 0:47:13 | |
Oh, hold on, wait a minute. | 0:47:13 | 0:47:14 | |
-The auction is on, gentlemen. -You got the memo to wear red, Cyrus, | 0:47:14 | 0:47:17 | |
you got the memo, we got the memo. | 0:47:17 | 0:47:19 | |
Memo? It's a Thursday, it's red. | 0:47:19 | 0:47:22 | |
-Right, come on, let's get in there. -Very good to see you. -Get in. | 0:47:22 | 0:47:26 | |
Don't think I've seen so much red before. | 0:47:26 | 0:47:28 | |
Bold rascal Tony and Natasha spent £164 on five lots. | 0:47:30 | 0:47:36 | |
Cyrus, king of negotiating, and David, king of the trousers, | 0:47:36 | 0:47:41 | |
spent £238 on five lots. | 0:47:41 | 0:47:44 | |
Thomson Roddick Scottish Auctions is the venue for today, | 0:47:44 | 0:47:48 | |
and Sybil Thomson is the lady in charge. | 0:47:48 | 0:47:51 | |
What do you think of our roadtrippers' wares, then, love? | 0:47:51 | 0:47:54 | |
An interesting battleship, I wasn't sure whose son had made it. | 0:47:54 | 0:47:58 | |
Yeah, it'll be interesting to see how it goes today. | 0:47:58 | 0:48:02 | |
The Mouseman of Kilburn stool, very nice indeed, lots of interest in it. | 0:48:02 | 0:48:07 | |
Already we've lots of commissions in it | 0:48:07 | 0:48:09 | |
and it will probably be the highlight of the day. | 0:48:09 | 0:48:12 | |
Oh, that's what we like to hear. | 0:48:12 | 0:48:14 | |
Told you it had started. | 0:48:16 | 0:48:17 | |
Oh, it's a tight squeeze for the Scarlet Bunch. | 0:48:18 | 0:48:21 | |
Hoo-hoo-hoo! Oh, dear! | 0:48:21 | 0:48:23 | |
I'll remove this, it might help. | 0:48:23 | 0:48:26 | |
Yeah, great help, David. | 0:48:26 | 0:48:27 | |
First up is Cyrus's bargain glass vase. | 0:48:30 | 0:48:32 | |
That's where you start, with your £1 item? | 0:48:34 | 0:48:36 | |
-Shhh, shhh! -Sorry, sorry! | 0:48:36 | 0:48:38 | |
Natasha! | 0:48:38 | 0:48:39 | |
I've got two commissions, and we'll start at ten bid, ten bid. | 0:48:39 | 0:48:43 | |
-Oh, come on. -Ten bid, ten bid. Anyone else? Ten, 15, 20. | 0:48:43 | 0:48:47 | |
Five, 25. | 0:48:47 | 0:48:49 | |
-Come on, come on. -Push. -Bit more. | 0:48:49 | 0:48:52 | |
Anyone else going on at 25? | 0:48:52 | 0:48:56 | |
That's amazing! That's a 25% profit, no, 250! | 0:48:56 | 0:49:01 | |
More like 42,000,000%. | 0:49:01 | 0:49:03 | |
Er, slight exaggeration, David, | 0:49:05 | 0:49:07 | |
but a tidy profit nevertheless from the get-go. | 0:49:07 | 0:49:09 | |
Well, I tell you, if we can keep in that theme, | 0:49:10 | 0:49:13 | |
we'll be all millionaires by the end of the day. | 0:49:13 | 0:49:15 | |
-Well, you might be. -You might be. | 0:49:15 | 0:49:17 | |
I doubt it. | 0:49:17 | 0:49:18 | |
Now, Cyrus again, this time with the silver cruet set. | 0:49:19 | 0:49:22 | |
Straight in at 35 bid. | 0:49:22 | 0:49:25 | |
35, 40, five, 50, five, 60. | 0:49:25 | 0:49:29 | |
-£60. -Long way to go. | 0:49:29 | 0:49:31 | |
At 60. Anyone else going on, at 60, you're all out online. | 0:49:31 | 0:49:35 | |
Come on, folks, bit more, bit more. | 0:49:35 | 0:49:37 | |
With the lady at £60. | 0:49:37 | 0:49:41 | |
-504. -Get Cyrus! | 0:49:41 | 0:49:42 | |
Thank you. | 0:49:42 | 0:49:43 | |
He's very cool, isn't he? I've got to say, he's very cool. | 0:49:43 | 0:49:46 | |
Cyrus is super cool, and he's just banked another profit. | 0:49:46 | 0:49:51 | |
Well done. Happy? | 0:49:51 | 0:49:52 | |
Right, Tony, it's your turn now with the novelty brandy warmer | 0:49:54 | 0:49:58 | |
and the replacement glass. | 0:49:58 | 0:50:00 | |
You forgot gravity works, you do that and it falls off. | 0:50:00 | 0:50:03 | |
It's a universal law. | 0:50:03 | 0:50:06 | |
Straight in at £10. | 0:50:06 | 0:50:07 | |
-Yay! -Ten bid, ten bid, ten bid, ten bid, 15 online. | 0:50:07 | 0:50:13 | |
-No. -15, 15. | 0:50:13 | 0:50:14 | |
-Come on. -There we go. | 0:50:14 | 0:50:16 | |
20, 20. Best do another train impression. | 0:50:16 | 0:50:19 | |
-Choo-choo! -20, 20, £20. | 0:50:19 | 0:50:22 | |
In the front row at 20. | 0:50:22 | 0:50:24 | |
Anyone else going on? | 0:50:24 | 0:50:26 | |
At 25. 30. | 0:50:26 | 0:50:28 | |
- Five. - Somebody likes Tony very much. | 0:50:28 | 0:50:30 | |
40. Five. 45. | 0:50:30 | 0:50:33 | |
Anyone else on at 45? | 0:50:33 | 0:50:35 | |
Lady in the front row, at 45. | 0:50:35 | 0:50:39 | |
-Yay! -Yes! Sorry, I've got to give you a round of applause for that, | 0:50:39 | 0:50:42 | |
because that's ridiculous. | 0:50:42 | 0:50:44 | |
Blimey! Tony's a bit hot to trot too - great profit. | 0:50:44 | 0:50:49 | |
-My glass did it, I told you. -Do you reckon? | 0:50:49 | 0:50:51 | |
- Yeah. - Thank you. | 0:50:51 | 0:50:53 | |
It's Tony again, with the big-money buy of the military sprayer. | 0:50:53 | 0:50:58 | |
And I've interest in it. | 0:50:58 | 0:50:59 | |
And I'm starting at £45. | 0:50:59 | 0:51:02 | |
Oh, we need more, we need more. | 0:51:02 | 0:51:04 | |
-50, five. -Oh, it's going. | 0:51:04 | 0:51:06 | |
60, five. | 0:51:06 | 0:51:09 | |
70, five. | 0:51:09 | 0:51:11 | |
80, five. | 0:51:11 | 0:51:13 | |
90, five. | 0:51:13 | 0:51:15 | |
-100. On commission at 100. -We need more! | 0:51:15 | 0:51:18 | |
100, anyone else going on at 100? | 0:51:18 | 0:51:22 | |
At £100. | 0:51:22 | 0:51:24 | |
-928. -If only we'd paid £90 for it! -I know! | 0:51:24 | 0:51:28 | |
That will teach you to haggle a price upwards, Tony. | 0:51:28 | 0:51:32 | |
What a shame, after commission, we've just made a wee loss. | 0:51:32 | 0:51:35 | |
-What a shame. -I can't believe it made that £100. -You made a loss. | 0:51:35 | 0:51:38 | |
On to the mantel clock that Cyrus loved the look of. | 0:51:38 | 0:51:42 | |
Is this your taste, Cyrus, the clock? | 0:51:43 | 0:51:45 | |
-My taste? -Yeah, you'd like it, you'd have it? | 0:51:45 | 0:51:48 | |
-Well, I'd have it. -I like it, we both... | 0:51:48 | 0:51:50 | |
The thing is, we went with our heart on this one. | 0:51:50 | 0:51:51 | |
-We didn't go with our heads, we knew... -Didn't use our heads at all. | 0:51:51 | 0:51:54 | |
But we loved it. | 0:51:54 | 0:51:56 | |
Straight in at 50 bid. | 0:51:56 | 0:51:57 | |
Oh, come on. | 0:51:57 | 0:51:58 | |
-50 bid, 50 bid. -It's going to climb. | 0:51:58 | 0:52:02 | |
-55. -No, it's not. -60. | 0:52:02 | 0:52:04 | |
Five. 70, five. | 0:52:04 | 0:52:07 | |
80, five. | 0:52:07 | 0:52:09 | |
- It's really nice. - 90, five. | 0:52:09 | 0:52:11 | |
100, 110. | 0:52:11 | 0:52:13 | |
-120. -That's it, that's it! -120. -Come on. | 0:52:13 | 0:52:15 | |
120, 120. | 0:52:15 | 0:52:17 | |
-On commission, you're all out in the room at 120? -Go on! | 0:52:17 | 0:52:20 | |
120, at £120. | 0:52:20 | 0:52:25 | |
Well done! | 0:52:25 | 0:52:26 | |
-Thank you. -You guys. -Well done. | 0:52:26 | 0:52:28 | |
Pays to go with your heart sometimes. | 0:52:28 | 0:52:31 | |
Excellent work. | 0:52:31 | 0:52:33 | |
-See, sometimes passion works, doesn't it? -Yeah, passion works. | 0:52:34 | 0:52:37 | |
-The person who bought it had passion. -Yes. | 0:52:37 | 0:52:39 | |
And a passionate person needs to buy this lot. | 0:52:41 | 0:52:44 | |
It's Tony's battleship, and the Royal Artillery badges. | 0:52:44 | 0:52:48 | |
£20 for it. 20 bid, 20 bid. | 0:52:48 | 0:52:50 | |
20 bid, 20 bid. | 0:52:50 | 0:52:52 | |
-That's Auntie Bess! -20 bid, 25, 30. | 0:52:52 | 0:52:55 | |
Five. 40. | 0:52:55 | 0:52:58 | |
£40 in the second row. | 0:52:58 | 0:53:00 | |
Anyone else going on at 40? | 0:53:00 | 0:53:03 | |
At £40. | 0:53:03 | 0:53:05 | |
-To 43. -Yeah! | 0:53:05 | 0:53:07 | |
Well done, Tony. Whether the bidder bought it | 0:53:07 | 0:53:10 | |
for the boat or the badges, that's a neat profit. | 0:53:10 | 0:53:13 | |
Sticking with Tony, his novelty duck bookends are next. | 0:53:15 | 0:53:18 | |
£20 for them. | 0:53:18 | 0:53:20 | |
20, £10. | 0:53:20 | 0:53:21 | |
Unusual bookends. | 0:53:21 | 0:53:23 | |
-Ten bid, ten bid, ten bid. -Yes! | 0:53:23 | 0:53:26 | |
Anyone else going on? | 0:53:26 | 0:53:27 | |
Ten, 15. 20, £20, in the front row at 20. | 0:53:27 | 0:53:32 | |
-It's marginal. -Anyone else want in? | 0:53:32 | 0:53:34 | |
You're all out at 20. | 0:53:34 | 0:53:36 | |
At £20. | 0:53:36 | 0:53:38 | |
It's a close one, but Tony's just creeping ahead. | 0:53:40 | 0:53:43 | |
-It's very level pegging. -I know, it is, isn't it? | 0:53:43 | 0:53:46 | |
Tony's rather lovely Scandinavian brooch is next. | 0:53:47 | 0:53:50 | |
It's Tiffany, you know, you're going to... | 0:53:51 | 0:53:53 | |
# Sail away, sail away, sail away... # | 0:53:53 | 0:53:55 | |
That's going to be stuck in my head all day long. | 0:53:55 | 0:53:58 | |
I think you've got auction fever. | 0:53:58 | 0:54:01 | |
Going to start straight in at 40 bid, 40 bid. | 0:54:01 | 0:54:03 | |
40 bid, 40 bid. | 0:54:03 | 0:54:05 | |
45, 50. 50, still on commission, | 0:54:05 | 0:54:08 | |
-you're all out in the room at 50. -Oh, no! -And online. At 50, | 0:54:08 | 0:54:12 | |
at £50. 55, new bidder. | 0:54:12 | 0:54:16 | |
I'm out on commission now, at 55. | 0:54:17 | 0:54:20 | |
Gentleman in the front row, at 55. | 0:54:20 | 0:54:22 | |
He's going to have a happy wife. | 0:54:22 | 0:54:24 | |
And we have a happy Tony. | 0:54:24 | 0:54:28 | |
That result pushes you further into the lead. | 0:54:28 | 0:54:30 | |
-It's all down to your last two. -You two can sit back and relax now. | 0:54:30 | 0:54:34 | |
We'll do all the performing. Ready, Cyrus? | 0:54:34 | 0:54:36 | |
-What have we got left? -# Sail away, sail away... # -Oh, my Lord. | 0:54:36 | 0:54:39 | |
Lovely baritone. | 0:54:39 | 0:54:40 | |
The Bakelite lamp clock is next. | 0:54:40 | 0:54:43 | |
So, it's an oddity, it's a real oddity. | 0:54:44 | 0:54:46 | |
- It's an oddity. - It's a real oddity. | 0:54:46 | 0:54:48 | |
- So it could go...? - Yeah. | 0:54:48 | 0:54:50 | |
20, £10. | 0:54:50 | 0:54:51 | |
£10 for the clock. | 0:54:51 | 0:54:53 | |
£10, anyone for 10? | 0:54:53 | 0:54:55 | |
Ten bid, ten bid, ten bid, ten bid, ten bid. | 0:54:55 | 0:54:57 | |
-That's quite a big profit. -Anyone else going on at ten? | 0:54:57 | 0:55:00 | |
15, 15? 15, 15? | 0:55:00 | 0:55:03 | |
-Come on. -20. 25, 25. | 0:55:03 | 0:55:07 | |
Oh, they're hovering online. | 0:55:07 | 0:55:09 | |
-Go on, online! -Hammer down! -25! | 0:55:09 | 0:55:11 | |
-Hammer down! -Hovering at 25. | 0:55:11 | 0:55:16 | |
-Cyrus. -Good work. | 0:55:16 | 0:55:17 | |
-I have to say congratulations. -Thank you very much. | 0:55:17 | 0:55:20 | |
Love it or loathe it, | 0:55:21 | 0:55:23 | |
this clock definitely helps you to climb closer to Tony. | 0:55:23 | 0:55:26 | |
Right, it all comes down to the final item of the day, | 0:55:28 | 0:55:31 | |
the Mouseman stool that Cyrus absolutely adores. | 0:55:31 | 0:55:35 | |
This is our last one, the Mouseman. | 0:55:35 | 0:55:37 | |
Yeah, but this is the one that I learnt about, the Mouseman. | 0:55:37 | 0:55:41 | |
-Mouseman. -And I have six bids on it. | 0:55:41 | 0:55:43 | |
-Good. -And I'll start straight in at 150. | 0:55:43 | 0:55:47 | |
-Waaay! -150. | 0:55:47 | 0:55:49 | |
Er, you're not meant to shout, Natasha! | 0:55:49 | 0:55:51 | |
-It's not even hers! -Exactly. | 0:55:51 | 0:55:54 | |
- 160, 170, 180, 190. - It's beautiful, | 0:55:54 | 0:55:56 | |
it's just gorgeous. | 0:55:56 | 0:55:57 | |
200, 210, 210, on commission at 210. | 0:55:57 | 0:56:01 | |
220, new bidder. | 0:56:01 | 0:56:03 | |
220, 220, selling in the room at 220. | 0:56:03 | 0:56:07 | |
Selling it to the gentleman at the back. | 0:56:07 | 0:56:09 | |
At £220. | 0:56:09 | 0:56:12 | |
What a way to do it, well done! | 0:56:12 | 0:56:14 | |
Good buy, sir, whoever bought it, good buy. | 0:56:14 | 0:56:17 | |
Couldn't work out which hand to use. | 0:56:19 | 0:56:21 | |
Never mind about that, well done. | 0:56:21 | 0:56:24 | |
Another purchase guided by the heart has earned big money. | 0:56:24 | 0:56:27 | |
You guys are amazing, that was the way to finish it. | 0:56:29 | 0:56:32 | |
-Well done. -Cracking player. | 0:56:32 | 0:56:34 | |
-So pleased. -Right, shall we go and do some numbers? | 0:56:34 | 0:56:36 | |
I don't think we have a lot of maths to do, but well done. | 0:56:36 | 0:56:40 | |
-Come on, then. -Thanks for teaching me that much. | 0:56:40 | 0:56:43 | |
Thank you very much. | 0:56:43 | 0:56:44 | |
I think Cyrus has enjoyed his road trip. | 0:56:44 | 0:56:47 | |
Now, time to tot up the numbers. | 0:56:47 | 0:56:50 | |
Tony and Natasha began with £400. | 0:56:52 | 0:56:54 | |
After all sale room costs, they made a profit of £49.20. | 0:56:54 | 0:56:59 | |
Their final takings are £449.20. | 0:56:59 | 0:57:03 | |
Cyrus and David also kicked off with £400 and after all auction costs, | 0:57:05 | 0:57:09 | |
they have made an excellent profit of £131 exactly. | 0:57:09 | 0:57:14 | |
Their final earnings are £531, | 0:57:14 | 0:57:17 | |
making them clinch today's Road Trip crown. | 0:57:17 | 0:57:20 | |
All profits go to Children In Need. | 0:57:21 | 0:57:23 | |
Doesn't take a genius to figure it out, but I tell you what, | 0:57:24 | 0:57:27 | |
-we've all done well. -Yes. | 0:57:27 | 0:57:28 | |
Well, I have figured it out, | 0:57:28 | 0:57:29 | |
and I refer to myself as a genius, actually. | 0:57:29 | 0:57:31 | |
You'd be modest, then, too. | 0:57:31 | 0:57:33 | |
-Scores on the doors. -OK, remarkable, | 0:57:33 | 0:57:35 | |
you two are coming out with a profit of £49. | 0:57:35 | 0:57:40 | |
-Is that all? -That's all right. | 0:57:40 | 0:57:42 | |
You and I, Cyrus, how much do you think we've made? | 0:57:42 | 0:57:45 | |
I think we've made 100 bucks. | 0:57:45 | 0:57:47 | |
We've made more, we've made £131. | 0:57:47 | 0:57:50 | |
-Oh, very good. -Oh, well done. -His job is secure. | 0:57:50 | 0:57:53 | |
-# Sail away, sail away, sail away. # -Well done. -Tony, well done. | 0:57:53 | 0:57:57 | |
-# Sail away... # -I think it's time for you to sail off into the sunset. | 0:57:57 | 0:58:00 | |
-Are you driving? -I'm driving. | 0:58:00 | 0:58:03 | |
It's been a delight, gents. | 0:58:03 | 0:58:05 | |
Goodbye, we love you! See you soon! | 0:58:05 | 0:58:07 | |
-Bye, bye, ciao! -Arrivederci! | 0:58:07 | 0:58:11 | |
We'll miss you! Goodbye! | 0:58:11 | 0:58:14 | |
-I'd do that again. -I would do it any time. | 0:58:15 | 0:58:17 | |
-Yeah. -Maybe get more bold next time. | 0:58:17 | 0:58:21 | |
-A little bit more gutsy. -Gutsy. | 0:58:21 | 0:58:23 | |
I think you did a sterling job. | 0:58:23 | 0:58:25 | |
Bye-bye, we'll miss you. | 0:58:25 | 0:58:27 |