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The nation's favourite celebrities... | 0:00:02 | 0:00:04 | |
-Ooh, I like that! -..paired up with an expert... | 0:00:04 | 0:00:06 | |
-Oh, we've had some fun, haven't we? -..and a classic car. | 0:00:06 | 0:00:08 | |
It feels as if it could go quite fast. | 0:00:08 | 0:00:10 | |
Their mission? To scour Britain for antiques. | 0:00:10 | 0:00:13 | |
CONCERTINA WHEEZES | 0:00:13 | 0:00:15 | |
-Yes! -Fantastic. -I do that in slow-mo. | 0:00:15 | 0:00:16 | |
The aim? To make the biggest profit at auction. | 0:00:16 | 0:00:19 | |
-Come on, boys! -But it's no easy ride. | 0:00:19 | 0:00:22 | |
-Tah-dah! -Who will find a hidden gem? | 0:00:22 | 0:00:25 | |
-"Don't sell me!" -Who will take the biggest risks? | 0:00:25 | 0:00:28 | |
-Go away darling! -Will anybody follow expert advice? | 0:00:28 | 0:00:32 | |
-I'm trying to spend money here. -There will be worthy winners... | 0:00:32 | 0:00:35 | |
-Yes! -..and valiant losers. | 0:00:35 | 0:00:38 | |
Put your pedal to the metal - | 0:00:38 | 0:00:40 | |
this is the Celebrity Antiques Road Trip. | 0:00:40 | 0:00:43 | |
Yeah! | 0:00:46 | 0:00:48 | |
Today, we'll be "gannin' about" the north-east of England with a couple | 0:00:52 | 0:00:56 | |
of our finest Paralympians under starters' orders. | 0:00:56 | 0:01:00 | |
It's not about the competing. It's about the taking part. | 0:01:00 | 0:01:02 | |
Of course not. Absolutely. Yeah! | 0:01:02 | 0:01:04 | |
-I definitely don't want to win! -OK, I believe that(!) | 0:01:06 | 0:01:10 | |
Yes, its wheelchair racers Tanni Grey-Thompson | 0:01:10 | 0:01:13 | |
and her young protege Jade Jones. | 0:01:13 | 0:01:16 | |
Titans of the track but strictly amateurs in a Jag | 0:01:16 | 0:01:19 | |
when it comes to this malarkey. | 0:01:19 | 0:01:21 | |
Do you know what sort of things you want to buy? | 0:01:21 | 0:01:23 | |
I was thinking somewhere maybe along the lines | 0:01:23 | 0:01:25 | |
of jewellery or something like that, maybe. | 0:01:25 | 0:01:27 | |
-What about you? -I really like glass things. | 0:01:27 | 0:01:30 | |
But I just don't want to buy junk and pay a lot for it. | 0:01:30 | 0:01:33 | |
Yeah, yeah, yeah. Exactly. | 0:01:33 | 0:01:35 | |
Canny Tanni won 11 gold medals | 0:01:35 | 0:01:37 | |
and broke 30 records during an astonishing athletics career, | 0:01:37 | 0:01:41 | |
picking up her final Olympic gongs in Athens in 2004. | 0:01:41 | 0:01:45 | |
I could be quite rude and say your medals are pretty much antique! | 0:01:45 | 0:01:49 | |
And she then became first a dame and now a baroness, | 0:01:49 | 0:01:54 | |
serving in the Lords as a County Durham peer, | 0:01:54 | 0:01:57 | |
whilst also training young Jade. | 0:01:57 | 0:01:59 | |
It's a shame we never really got to race against each other. | 0:01:59 | 0:02:01 | |
-It's going to be a bit weird competing. -I think it'll be fun. | 0:02:01 | 0:02:05 | |
They first met at Jade's school when she was just 12 years old | 0:02:05 | 0:02:09 | |
and not into sport one little bit. | 0:02:09 | 0:02:11 | |
At first I was like, "I'm not sure if I really want to do this." | 0:02:11 | 0:02:14 | |
But actually, I remember we went out for a bit of a push | 0:02:14 | 0:02:17 | |
and there was another guy there that was off to the Paralympics. | 0:02:17 | 0:02:20 | |
I think I saw him and just saw how fast he was | 0:02:20 | 0:02:23 | |
and thought, "Right, OK." | 0:02:23 | 0:02:25 | |
-Actually, it's quite good. -Yeah, it's quite cool. | 0:02:25 | 0:02:27 | |
Jade became very fast very quickly, | 0:02:27 | 0:02:29 | |
competing in her first Olympics in London in 2012, and then Rio. | 0:02:29 | 0:02:34 | |
Her tender age of just 20 making her, surely, | 0:02:34 | 0:02:37 | |
our youngest ever Roadtripper. | 0:02:37 | 0:02:40 | |
Have you seen the tape deck in it? | 0:02:40 | 0:02:42 | |
I don't think I've ever listened to a tape! | 0:02:42 | 0:02:45 | |
Really? We've probably got some tapes from probably the early '80s. | 0:02:45 | 0:02:49 | |
-Oh, wow! -Like, old music. | 0:02:49 | 0:02:52 | |
So what's the oldest music you've listened to? | 0:02:52 | 0:02:54 | |
Erm... Definitely '90s. | 0:02:54 | 0:02:56 | |
MUSIC: Smells Like Teen Spirit by Nirvana | 0:02:56 | 0:02:59 | |
Smells like antiques experts David Harper and Phil Serrell. | 0:03:00 | 0:03:03 | |
Here we are. Now, entertain us. | 0:03:03 | 0:03:05 | |
They're sportswomen and there's a massive sporting connection | 0:03:05 | 0:03:08 | |
in the north-east, isn't there? | 0:03:08 | 0:03:09 | |
-Yeah, there is. -You've got all the footy. | 0:03:09 | 0:03:13 | |
-You've got the rugby. -Yeah. -Wor Jackie - was it Wor Jackie? | 0:03:13 | 0:03:17 | |
-Yeah, Wor Jackie. -He was Newcastle legend Jackie Milburn, actually. | 0:03:17 | 0:03:22 | |
Never mind, perhaps those two in the TVR | 0:03:22 | 0:03:24 | |
should just concentrate on doing their thing. | 0:03:24 | 0:03:27 | |
Starting out with an assignation in Hartlepool. | 0:03:27 | 0:03:30 | |
Now, the unusual thing about this place is the alacrity with which | 0:03:32 | 0:03:35 | |
its residents have accepted their almost certainly unjust reputation | 0:03:35 | 0:03:40 | |
as the town that once tried and executed | 0:03:40 | 0:03:42 | |
a shipwrecked Napoleonic monkey. | 0:03:42 | 0:03:44 | |
Huh! | 0:03:44 | 0:03:46 | |
Puts you on the map, I suppose. | 0:03:46 | 0:03:47 | |
-Tanni, how are you? -I'm good, thank you. How are you? -Hello. | 0:03:47 | 0:03:51 | |
-Lovely to see you. -Nice to meet you. | 0:03:51 | 0:03:53 | |
-Hello. -Hello! How are you? -Are you driving, Tanni? -I am. | 0:03:53 | 0:03:57 | |
Yeah. This is my car now. This is it. | 0:03:57 | 0:04:00 | |
I think somebody's very local to here, aren't you? | 0:04:00 | 0:04:02 | |
We probably know all the good shops. We're just going to slope off now, if that's all right? | 0:04:02 | 0:04:05 | |
-OK. -All right. -Bear with us. We'll have to get your equipment out. | 0:04:05 | 0:04:09 | |
-That's amazing, actually, isn't it? -Perfect. | 0:04:09 | 0:04:11 | |
Right. We're in the modern, trendy, young, funky TVR. | 0:04:11 | 0:04:17 | |
-Oh, wow. -Have a nice time. -You too. | 0:04:17 | 0:04:20 | |
-You two in the old grand tourer. -Cheeky monkey! | 0:04:20 | 0:04:24 | |
-Oh, he's revving his engine. Bye! -See you, oldies. | 0:04:24 | 0:04:27 | |
After kicking off amongst the Hartlepudlians, | 0:04:30 | 0:04:33 | |
our athletes will head out on a whistle-stop tour of the north-east, | 0:04:33 | 0:04:36 | |
before pushing south to a Yorkshire auction at Harrogate. | 0:04:36 | 0:04:40 | |
Now, not sure they know it yet, but they're in the first shop together. | 0:04:40 | 0:04:45 | |
-So stand by. -There they are. For goodness' sake. | 0:04:45 | 0:04:48 | |
Which direction have they come from? Quickly, let's go. | 0:04:48 | 0:04:51 | |
Jade is really good at shopping. | 0:04:51 | 0:04:53 | |
-Looking at stuff. -You go in, I'll let her tyres down. | 0:04:53 | 0:04:55 | |
Queensberry rules, please, Phil. | 0:04:55 | 0:04:58 | |
There're racing, they're trying to get in before us. Can't believe it. | 0:04:58 | 0:05:01 | |
Well, you know, we've got to steal | 0:05:01 | 0:05:03 | |
a march somewhere. We're the old-timers in this thing. | 0:05:03 | 0:05:05 | |
-I know! -Speak for yourself. -We're the young bucks. | 0:05:05 | 0:05:08 | |
At least we have a neutral Kiwi proprietor to ensure fair play. | 0:05:08 | 0:05:12 | |
-Good morning. Hello. -How are you doing, guys? All right? | 0:05:12 | 0:05:14 | |
Sweet, I'd say, Alan, with a chocka place like yours to explore! | 0:05:14 | 0:05:18 | |
Have you ever been into a shop like this before? | 0:05:19 | 0:05:21 | |
Never. Is that a hot water bottle? | 0:05:21 | 0:05:23 | |
How did you spot that? You've got blinking good guys, haven't you! | 0:05:23 | 0:05:27 | |
-Made from Bakelite. -Tanni loves a good hot water bottle. | 0:05:27 | 0:05:31 | |
-She takes them everywhere. -Does she really? -Oh, yeah! | 0:05:31 | 0:05:34 | |
Oh, yeah. It's not all inside either, | 0:05:34 | 0:05:37 | |
as Tanni and Phil have already discovered. | 0:05:37 | 0:05:39 | |
How would you have got on in Seoul with that? | 0:05:39 | 0:05:41 | |
Actually, my first racing chair was probably not far off that. | 0:05:41 | 0:05:45 | |
-What's in there? -Eh, eh? | 0:05:45 | 0:05:47 | |
-Shall we go and have a look? -We've got some leaded lights. | 0:05:47 | 0:05:50 | |
See, I do like this coloured glass. | 0:05:52 | 0:05:53 | |
-Do you? -I do. -You like glass, don't you? -I do like glass, yes. | 0:05:53 | 0:05:56 | |
-Shall we take this one out and have a look at it? -Oh, do let's. | 0:05:56 | 0:05:59 | |
So what we've got is a little bit of Edwardian, | 0:05:59 | 0:06:02 | |
late 19th-century, possibly, | 0:06:02 | 0:06:03 | |
leaded light glass, and the thing with this, | 0:06:03 | 0:06:06 | |
when this breaks, it's an absolute pig to repair. | 0:06:06 | 0:06:08 | |
-Yeah. I do like the colours. -Come on, Phil, get rummaging! | 0:06:08 | 0:06:12 | |
-What about that one, boss? -Eugh. -That's a no, then. -No. | 0:06:12 | 0:06:16 | |
SHE CHUCKLES | 0:06:16 | 0:06:17 | |
-No. -No, right, OK. | 0:06:17 | 0:06:19 | |
They said she was easy to work with. | 0:06:20 | 0:06:22 | |
Oh, that's nice. Oh, I like that. | 0:06:22 | 0:06:25 | |
Isn't that lovely? There is some damage down the bottom. | 0:06:25 | 0:06:28 | |
I like the colours on it. | 0:06:28 | 0:06:29 | |
I mean, if you could get those two for a tenner... | 0:06:29 | 0:06:31 | |
I want to make sure the others don't see them. | 0:06:31 | 0:06:34 | |
-You seriously hiding them? -Yeah, course I am. | 0:06:34 | 0:06:36 | |
I've played with David Harper before, let me tell you. | 0:06:38 | 0:06:41 | |
There we are. Right, swiftly moving on. | 0:06:41 | 0:06:44 | |
But they are too busy, | 0:06:44 | 0:06:46 | |
what with David trying to convince Jade | 0:06:46 | 0:06:48 | |
to buy a moose head and now a buckskin. | 0:06:48 | 0:06:50 | |
-That's funky, isn't it? -Is it a proper cowboy outfit? | 0:06:50 | 0:06:53 | |
-Look at that! -Yeah, that's interesting. | 0:06:53 | 0:06:56 | |
I'm not sure if it's for me. | 0:06:56 | 0:06:59 | |
-SHE LAUGHS -Would it suit you? Let's have a look? | 0:06:59 | 0:07:01 | |
-I don't think it's my style. -Oh, I don't know. -I don't know. | 0:07:01 | 0:07:05 | |
Quite like the tassels. | 0:07:05 | 0:07:07 | |
Calamity Jade perhaps! | 0:07:07 | 0:07:09 | |
-Now, there's a funky chair. Do you like that? -I do. Yeah. | 0:07:09 | 0:07:12 | |
I'm going to try it out. | 0:07:12 | 0:07:14 | |
The cupboards, I quite like the cupboards on the side. | 0:07:14 | 0:07:17 | |
-Cupboards. -The cupboard things. -That's amazing, isn't it? | 0:07:17 | 0:07:19 | |
They're great, aren't they? | 0:07:19 | 0:07:21 | |
Look at that! Shouldn't every chair have cupboards? | 0:07:21 | 0:07:23 | |
Every chair should have cupboards. | 0:07:23 | 0:07:25 | |
So, what you got here, you've got zones for bottles. | 0:07:25 | 0:07:29 | |
-Right, OK. -So you could have bottles of beer. -Yeah. -Bottles of wine. | 0:07:29 | 0:07:31 | |
Whiskey, whatever you like it. This will recline, I'm sure. | 0:07:31 | 0:07:35 | |
Oh, really? Oh, wow, OK. | 0:07:35 | 0:07:38 | |
-That's brilliant. -Cigar. -Suits you. -Port. Yeah. | 0:07:38 | 0:07:41 | |
And then we have little magazine racks this side. | 0:07:41 | 0:07:44 | |
-Oh! -What dates do you think it comes from? What period? -Oh, gosh, OK. | 0:07:44 | 0:07:48 | |
-Have a guess. -Now you're asking. | 0:07:48 | 0:07:50 | |
Look at the shape and the design of the arms. | 0:07:50 | 0:07:53 | |
-Right. -Does that remind you of old cinemas? | 0:07:53 | 0:07:56 | |
-Oh, wow, yes. -So go back to the early part of the 1920s, maybe... | 0:07:56 | 0:08:01 | |
-Really, that far back? -Yeah, absolutely. | 0:08:01 | 0:08:03 | |
-Wow. -It's got that early sort of Art Deco feel to it. | 0:08:03 | 0:08:07 | |
The upholstery itself is a bit rotten, | 0:08:07 | 0:08:09 | |
I mean, it's much later upholstery, | 0:08:09 | 0:08:10 | |
it would have been in a leather or may be what they call a moquette. | 0:08:10 | 0:08:14 | |
Jade, would you have this in your house? | 0:08:14 | 0:08:16 | |
Do you know what, I think I would. | 0:08:16 | 0:08:18 | |
It's quite quirky, it's a bit different. | 0:08:18 | 0:08:20 | |
Different is good. And in this business, different is brilliant. | 0:08:20 | 0:08:22 | |
-Brilliant. -It's quite comfortable, actually. -Is it? | 0:08:22 | 0:08:25 | |
Well, let's find out if the price is just as easy. | 0:08:25 | 0:08:28 | |
What do you think of this? | 0:08:28 | 0:08:30 | |
-I love it, myself. -Well, you're bound to say that, aren't you? | 0:08:30 | 0:08:33 | |
-I do, I love it. -What sort of money is it to the lovely Jade here? | 0:08:33 | 0:08:36 | |
Well, we had 75 on it, | 0:08:36 | 0:08:38 | |
I can do it for about 50 quid if it's any good to you? | 0:08:38 | 0:08:41 | |
Now, Alan here is used to serious negotiators coming in here. | 0:08:41 | 0:08:46 | |
Is it worth us working very hard on the lovely Alan? | 0:08:46 | 0:08:50 | |
Yeah, I think so. | 0:08:52 | 0:08:54 | |
-What would you like to pay for it? -35. | 0:08:54 | 0:08:56 | |
-Maybe 45 is going to buy it, I think. -What about 40? | 0:08:58 | 0:09:03 | |
OK. We'll do it for 40, then. | 0:09:04 | 0:09:07 | |
-Brilliant. -You are an absolute natural. | 0:09:07 | 0:09:10 | |
You've just done a deal, your first deal! Shake his hand. Brilliant. | 0:09:10 | 0:09:13 | |
-Excellent, thank you. -Thank you very much. | 0:09:13 | 0:09:15 | |
Nice work. Out back, they have something | 0:09:15 | 0:09:17 | |
a wee bit more industrial in mind. | 0:09:17 | 0:09:19 | |
I'd definitely have that as a tool box. | 0:09:19 | 0:09:21 | |
I've got enough tools to fill it. | 0:09:21 | 0:09:23 | |
-Do you think people would buy it? -Yeah, yeah, yeah, absolutely. | 0:09:23 | 0:09:26 | |
-I'm bang on trend, up there with the kids. That's where I am. -Down there. | 0:09:26 | 0:09:29 | |
Down there with the kids? See, I'm not up there, I'm down there. | 0:09:29 | 0:09:32 | |
I've even got that wrong. | 0:09:32 | 0:09:34 | |
-Good grief! -You'd sort of kind of just strip that. | 0:09:34 | 0:09:36 | |
-What's it made out of? -It's metal. | 0:09:36 | 0:09:38 | |
And then wax it up... | 0:09:38 | 0:09:40 | |
-I'd take that off it... -Yeah. | 0:09:40 | 0:09:42 | |
I think you've got a really cool kitchen cupboard, but, you know, | 0:09:42 | 0:09:46 | |
if we could buy that for five or ten quid... | 0:09:46 | 0:09:48 | |
Crikey, don't get your hopes up, Alan. | 0:09:48 | 0:09:50 | |
-Oh, my gosh, what have we found here? -That old steel cabinet. | 0:09:50 | 0:09:54 | |
-Of all the places that we've been. -This is great. -Yes. | 0:09:54 | 0:09:56 | |
Tanni, hang on, let's just start that... | 0:09:56 | 0:09:58 | |
Let's rewind. Tanni, it's not great. | 0:09:58 | 0:10:01 | |
-Oh, no, it's rubbish. -It's rubbish, it's poor, it's rusting... | 0:10:01 | 0:10:03 | |
-It's 20 quid. -Oh, behave! | 0:10:03 | 0:10:06 | |
And then of course there's the windows. | 0:10:06 | 0:10:08 | |
How much will he want to take these of his hands? | 0:10:08 | 0:10:12 | |
A fiver. | 0:10:12 | 0:10:13 | |
-What, him to pay us? -Yes! | 0:10:13 | 0:10:15 | |
They really do want to win, don't they? | 0:10:15 | 0:10:17 | |
-That's really killing me, that. -So, what do you think? | 0:10:17 | 0:10:20 | |
That cabinet and those stained-glass windows... | 0:10:22 | 0:10:24 | |
That's what we were sort of thinking. | 0:10:24 | 0:10:25 | |
-Well, I was thinking 20 quid. -15 quid, you've got a deal for the two. | 0:10:25 | 0:10:28 | |
-OK, 15 quid together. -Thank you. Thank you so much. | 0:10:28 | 0:10:30 | |
We've got to go have a look inside. | 0:10:30 | 0:10:32 | |
-Thank you! -Now, take a quick breather, Alan, | 0:10:32 | 0:10:34 | |
because your other customers could be calling any minute. | 0:10:34 | 0:10:38 | |
I really like the little teapots, I think they're... | 0:10:38 | 0:10:41 | |
-Here, have a look at one. -really cute, aren't they? | 0:10:41 | 0:10:44 | |
I remember kind of like playing with little teapots | 0:10:44 | 0:10:46 | |
when you're younger, you get the pretend sets... | 0:10:46 | 0:10:48 | |
-Yeah. -They were cute. -So that what drew you in. | 0:10:48 | 0:10:51 | |
Yeah, that's what made me think of it, | 0:10:51 | 0:10:53 | |
you get the tiny little cups and saucers and things. | 0:10:53 | 0:10:55 | |
-Yeah. -Yeah. -Actually it's odd because this business | 0:10:55 | 0:10:57 | |
is very much about that, it's about memories. | 0:10:57 | 0:10:59 | |
-Yeah. -They're made by a company called Goss. | 0:10:59 | 0:11:01 | |
-Right. -And these things were really popular in the early part | 0:11:01 | 0:11:04 | |
of the 20th century. All novelty miniature pieces. | 0:11:04 | 0:11:07 | |
-Yeah. -And often from different places. | 0:11:07 | 0:11:09 | |
-There you go, there's Skegness. -Oh, Skegness. OK. | 0:11:09 | 0:11:12 | |
And so, you know, here we are in Hartlepool, | 0:11:12 | 0:11:14 | |
you would buy them from Hartlepool. | 0:11:14 | 0:11:16 | |
-Yes. -And up until probably about ten years ago | 0:11:16 | 0:11:19 | |
they were really collected. | 0:11:19 | 0:11:21 | |
-Yeah. -So, that whole tray there might have been worth... | 0:11:21 | 0:11:24 | |
-..100 quid, 150, 15 years ago. -Wow, really? | 0:11:26 | 0:11:29 | |
They're probably not worth much more than ten quid. | 0:11:29 | 0:11:31 | |
-For the lot. Honestly. -OK. That's interesting. | 0:11:31 | 0:11:34 | |
But the thing is, it's going to auction and it would make a good auction lot. | 0:11:34 | 0:11:37 | |
-Yes. -Yeah, it might. Oh, Alan! | 0:11:37 | 0:11:40 | |
Can we get 15 quid for the lot? | 0:11:40 | 0:11:42 | |
Jeez, that's a good deal. | 0:11:42 | 0:11:44 | |
Well, let's see how many pieces we've got. | 0:11:44 | 0:11:46 | |
So, we've got one, two, three, four, five... | 0:11:46 | 0:11:47 | |
Can't even be bothered to count. More than ten pieces. | 0:11:47 | 0:11:50 | |
-Including... -The tray. | 0:11:50 | 0:11:52 | |
Oh, we get the tray as well? | 0:11:52 | 0:11:53 | |
-The lot. -The tray's probably worth more, actually. | 0:11:53 | 0:11:56 | |
-That's a bonus. -I rate it. If Alan can do... | 0:11:56 | 0:11:59 | |
-(For a tenner...) -I think we all heard that whisper! | 0:11:59 | 0:12:03 | |
OK, so you said 15. | 0:12:03 | 0:12:05 | |
-Yes. -Would you take seven? | 0:12:05 | 0:12:08 | |
GEORDIE ACCENT: Shy bairns get nowt. | 0:12:08 | 0:12:09 | |
-So they say. -Where did that come from? | 0:12:09 | 0:12:11 | |
-Make it a tenner and we've got a deal. That's great. -OK. Brilliant. | 0:12:11 | 0:12:15 | |
-Yeah. -She's unbelievable! | 0:12:15 | 0:12:17 | |
Well done, bonny lass. | 0:12:17 | 0:12:19 | |
Time to pay the man £50 for the china and the chair. | 0:12:19 | 0:12:22 | |
-Excellent, thank you. -Brilliant. -Lovely. | 0:12:22 | 0:12:25 | |
And with Jade and Dave safely off the premises, | 0:12:25 | 0:12:27 | |
will Tanni and Phil acquire anything else? | 0:12:27 | 0:12:30 | |
-Is it me? -You look cool. | 0:12:30 | 0:12:32 | |
Up with the kids, then, eh, Phil? | 0:12:32 | 0:12:35 | |
-Is that me? -No, that might be, though. | 0:12:35 | 0:12:38 | |
-What have you found? -North Eastern Railway. | 0:12:38 | 0:12:41 | |
"Persons are warned not to trespass on the railway. | 0:12:41 | 0:12:45 | |
"Any persons so trespassing are liable | 0:12:45 | 0:12:48 | |
"to a penalty of 40 shillings." | 0:12:48 | 0:12:50 | |
-Was that a lot of money? -Phil's more into groats. | 0:12:50 | 0:12:53 | |
No price label on it, either. | 0:12:53 | 0:12:55 | |
-What do you reckon? -Well, railway stuff | 0:12:55 | 0:12:57 | |
like that is massively collectable. | 0:12:57 | 0:12:59 | |
-Right. -Massively collectable. -Do you want to see how much it is? | 0:12:59 | 0:13:02 | |
-Shall I go and see if I can find Alan? -Yeah, go on, then. | 0:13:02 | 0:13:05 | |
I spend so much of my life on the railway, | 0:13:05 | 0:13:07 | |
because I live in the north-east but I work in London. | 0:13:07 | 0:13:09 | |
I like the North Eastern Railway bit, I think that's fantastic. | 0:13:09 | 0:13:13 | |
You could clean that up and it would look really nice. | 0:13:13 | 0:13:16 | |
Time for the north-east's premier Antipodean antiques vendor. | 0:13:16 | 0:13:20 | |
-And how much is that? -It's 150. -Oh, my life! | 0:13:20 | 0:13:23 | |
What were you thinking? | 0:13:23 | 0:13:25 | |
Well, I was thinking like 40 or 50 quid. | 0:13:26 | 0:13:28 | |
Oh, my God. It's not mine, it's somebody else's. | 0:13:28 | 0:13:31 | |
-OK. -I can get him on the phone. | 0:13:31 | 0:13:33 | |
Is there a chance, do you think? Or are we wasting our time? | 0:13:33 | 0:13:35 | |
Might be a chance. Might be a chance. | 0:13:35 | 0:13:37 | |
-It's a big ask, Phil. -Can I offer you 60 quid for it? | 0:13:37 | 0:13:40 | |
£60. Oh, you're an absolute star. | 0:13:42 | 0:13:44 | |
Let me just... I'll go and tell Tanni. | 0:13:44 | 0:13:46 | |
It's her decision at the end of the day, but thank you so much. | 0:13:46 | 0:13:48 | |
-Yeah? -Well, Tanni, Peter was the dealer and I think he's been | 0:13:48 | 0:13:51 | |
really, really kind to us. He wanted 80 quid, | 0:13:51 | 0:13:53 | |
-he said we can have it for 60 quid. -Oh, good effort. | 0:13:53 | 0:13:55 | |
I think we should buy that, don't you? | 0:13:55 | 0:13:56 | |
-Yeah. -Definitely. -Let's have it. | 0:13:56 | 0:13:58 | |
They seem to have got an awful lot for their £75. | 0:13:58 | 0:14:00 | |
-80 quid. -80. Fiver change. Thank you. -Brilliant, thank you very much. | 0:14:00 | 0:14:05 | |
-Top place. -A cabinet, two windows, and of course that sign. | 0:14:05 | 0:14:09 | |
Come on then, Tanni. Off we go. Onto the next, onto the next. | 0:14:09 | 0:14:13 | |
Time to discover the whereabouts of Jade and David. | 0:14:15 | 0:14:17 | |
It's incredible, isn't it, | 0:14:17 | 0:14:19 | |
how your life was changed from that one meeting with Tanni? | 0:14:19 | 0:14:22 | |
Yeah, it was just probably only a couple of hours | 0:14:22 | 0:14:25 | |
and that moment just changed everything. | 0:14:25 | 0:14:27 | |
What's the ultimate goal, aim for you? | 0:14:27 | 0:14:30 | |
Whenever anybody gets asked that they always kind of say, | 0:14:30 | 0:14:33 | |
"Oh, gold medal at the Paralympics or Olympics," | 0:14:33 | 0:14:35 | |
and I think actually for me I just want to be the best I can be, | 0:14:35 | 0:14:38 | |
and I think the day I stop enjoying it is when | 0:14:38 | 0:14:41 | |
I will know that's kind of it. | 0:14:41 | 0:14:43 | |
I think that's a very good answer. | 0:14:43 | 0:14:45 | |
They've headed south to the River Tee, to the town of Middlesbrough. | 0:14:45 | 0:14:49 | |
That great industrial centre once named Ironopolis, | 0:14:49 | 0:14:53 | |
which is also Jade's home town. | 0:14:53 | 0:14:56 | |
Here we are. Now, being a Middlesbrough girl, have you been here before? | 0:14:56 | 0:14:59 | |
I haven't. I probably should have done. | 0:14:59 | 0:15:01 | |
They're here to find out about another local hero. | 0:15:01 | 0:15:04 | |
-Hi, there. -Welcome to the Dorman Museum. | 0:15:04 | 0:15:06 | |
-Nice to meet you. -My name is Sue, I'm the education officer here, | 0:15:06 | 0:15:09 | |
and I'm going to show you our Christopher Dresser Collection. | 0:15:09 | 0:15:13 | |
The Victorian designer Christopher Dresser wasn't actually born in | 0:15:13 | 0:15:16 | |
the town, but thanks to his role as art superintendent | 0:15:16 | 0:15:20 | |
at the local Linthorpe pottery, | 0:15:20 | 0:15:22 | |
he'll forever be associated with Boro. | 0:15:22 | 0:15:25 | |
You can go all over the world and find pieces of Dresser | 0:15:25 | 0:15:27 | |
in different museums. In New York, in Europe. | 0:15:27 | 0:15:31 | |
But this is the biggest collection | 0:15:31 | 0:15:33 | |
that you can go and see in the world. | 0:15:33 | 0:15:35 | |
Dresser designed everything, from ceramics to furniture, | 0:15:35 | 0:15:38 | |
metalwork and wallpaper. | 0:15:38 | 0:15:40 | |
And was a huge and lasting influence on 20th-century design. | 0:15:40 | 0:15:44 | |
Even though today he's much less well known | 0:15:45 | 0:15:47 | |
than his contemporary William Morris. | 0:15:47 | 0:15:50 | |
I have heard of him, but I don't know a great deal about him. | 0:15:50 | 0:15:54 | |
But like you said, I think it's great | 0:15:54 | 0:15:55 | |
to promote kind of positive things coming from Middlesbrough. | 0:15:55 | 0:15:59 | |
I think where I can I try and help that, too, with sports. | 0:15:59 | 0:16:03 | |
Despite becoming the first industrialised nation, | 0:16:03 | 0:16:06 | |
Britain in the early 19th century was falling behind its European | 0:16:06 | 0:16:09 | |
and American competitors in the field of design. | 0:16:09 | 0:16:13 | |
So, the government established specialised schools | 0:16:13 | 0:16:16 | |
from which Dresser was an outstanding early graduate. | 0:16:16 | 0:16:20 | |
What sort of things would he have studied there? | 0:16:20 | 0:16:22 | |
Most of it would have been flora and fauna, | 0:16:22 | 0:16:24 | |
and it were thought that these were good inspirations for design, | 0:16:24 | 0:16:28 | |
but he became really interested in the subject and he was even given a | 0:16:28 | 0:16:31 | |
doctorate from the University in Jena. | 0:16:31 | 0:16:34 | |
He could have went on to be a botanist, | 0:16:34 | 0:16:36 | |
but he chose a more lucrative career path. | 0:16:36 | 0:16:38 | |
He was already being commissioned | 0:16:38 | 0:16:40 | |
to do design when he was just a student. | 0:16:40 | 0:16:42 | |
People like Minton and Coalbrookdale and Wedgwood. | 0:16:42 | 0:16:46 | |
Unlike Morris, whose inspirations stemmed from Britain's pre-industrial past, | 0:16:46 | 0:16:50 | |
Dresser belonged firmly in the modern age, | 0:16:50 | 0:16:53 | |
believing that the combination of design and manufacture could create | 0:16:53 | 0:16:56 | |
mass-produced goods of high quality. | 0:16:56 | 0:16:59 | |
People could design for craftsmen, | 0:17:00 | 0:17:02 | |
but Dresser was looking to design for the machine, | 0:17:02 | 0:17:04 | |
which was the way forward. | 0:17:04 | 0:17:06 | |
His metalwork looks like it was designed in the 1970s. | 0:17:06 | 0:17:09 | |
-Exactly. -And we get so many visitors who say, | 0:17:09 | 0:17:12 | |
"This looks so Art Nouveau and Art Deco." | 0:17:12 | 0:17:15 | |
And I'm like, "This is 1860s." | 0:17:15 | 0:17:17 | |
You can see what a pioneer of design and the man was. | 0:17:17 | 0:17:20 | |
Sometimes I think that's why he didn't fit so well in | 0:17:20 | 0:17:22 | |
with the Victorian natural design, because he was so forward-thinking. | 0:17:22 | 0:17:27 | |
The Middlesbrough connection came about when Dresser suggested that | 0:17:27 | 0:17:31 | |
a local factory owner convert his ailing brickworks | 0:17:31 | 0:17:34 | |
into Linthorpe Art Pottery. | 0:17:34 | 0:17:36 | |
Production began in 1879, | 0:17:36 | 0:17:39 | |
with Dresser firmly at the designing helm, | 0:17:39 | 0:17:42 | |
and Linthorpe became known worldwide after winning a medal at | 0:17:42 | 0:17:46 | |
the London International Exhibition in 1885. | 0:17:46 | 0:17:50 | |
Now, is this Dresser, then, at his height of his power, here, | 0:17:50 | 0:17:53 | |
designing for Linthorpe? | 0:17:53 | 0:17:55 | |
Oh, absolutely. You've got to remember at the time | 0:17:55 | 0:17:58 | |
the Linthorpe Pottery was so cutting edge | 0:17:58 | 0:18:00 | |
and no-one had ever seen anything like this before, | 0:18:00 | 0:18:03 | |
and it was selling off the shelves. | 0:18:03 | 0:18:05 | |
He was very innovative as well. | 0:18:05 | 0:18:07 | |
The Linthorpe Pottery was the first pottery in the country | 0:18:07 | 0:18:09 | |
where the kilns were run on gas, | 0:18:09 | 0:18:11 | |
and he was experimenting with the glazes that covered the pots, | 0:18:11 | 0:18:14 | |
and he was the first one to experiment | 0:18:14 | 0:18:16 | |
with spray painting pots as well. | 0:18:16 | 0:18:18 | |
And I think he got the idea from going to the barbers, | 0:18:18 | 0:18:20 | |
and seeing the barber spraying people's hair. | 0:18:20 | 0:18:23 | |
I love the colours, especially this one here, the teal one, | 0:18:23 | 0:18:26 | |
I really, really like that colour. | 0:18:26 | 0:18:29 | |
So where did he get the influence for these designs? | 0:18:29 | 0:18:32 | |
Well, previous to opening the pottery, | 0:18:32 | 0:18:34 | |
he went on one of his dreams. | 0:18:34 | 0:18:36 | |
He got the opportunity to go to Japan, | 0:18:36 | 0:18:39 | |
and the emperor gave him unlimited access to the whole of the country, | 0:18:39 | 0:18:42 | |
which has never been heard of before. | 0:18:42 | 0:18:44 | |
So he travelled, he was looking at factories, temples, | 0:18:44 | 0:18:48 | |
he was invited to ceremonies. | 0:18:48 | 0:18:50 | |
And he just absorbed it all, | 0:18:50 | 0:18:52 | |
and you can see it in the pieces when he came back. | 0:18:52 | 0:18:55 | |
He used a lot of his Japanese designs, the glazes, the patterns, | 0:18:55 | 0:19:00 | |
and quite a lot of the floral designs | 0:19:00 | 0:19:02 | |
he used in the Linthorpe pieces, | 0:19:02 | 0:19:04 | |
and that was revolutionary at the time. | 0:19:04 | 0:19:06 | |
Dresser then went one step further | 0:19:07 | 0:19:10 | |
by opening a store to sell his designs. | 0:19:10 | 0:19:12 | |
Although short lived, | 0:19:12 | 0:19:14 | |
the Art Furnishers' Alliance was to be yet another visionary move by | 0:19:14 | 0:19:18 | |
the designer who spent his later years | 0:19:18 | 0:19:20 | |
working with Liberty of London. | 0:19:20 | 0:19:22 | |
This is the Kordofan candlestick. | 0:19:22 | 0:19:24 | |
And this was designed exclusively for sale at Liberty's of London. | 0:19:24 | 0:19:28 | |
God. I mean, if that was in absolutely immaculate condition | 0:19:28 | 0:19:32 | |
you would say it was designed yesterday. | 0:19:32 | 0:19:34 | |
Terence Conran, from Habitat, | 0:19:34 | 0:19:37 | |
credits Dresser with being one of his biggest influences. | 0:19:37 | 0:19:40 | |
And this piece here is a Dresser design, it's a letter or toast rack, | 0:19:40 | 0:19:45 | |
and it's still produced today by Italian designers Alessi. | 0:19:45 | 0:19:49 | |
And something they're almost certain not to find in the next shop. | 0:19:49 | 0:19:53 | |
Now, what about Tanni and her commoner? | 0:19:57 | 0:19:59 | |
Which is more terrifying, House of Lords | 0:19:59 | 0:20:02 | |
or a start line in the Olympics? | 0:20:02 | 0:20:05 | |
-I'm going to guess the House of Lords. -House of Lords. | 0:20:07 | 0:20:09 | |
What you do matters to people. | 0:20:09 | 0:20:11 | |
You know, so sport's important and... | 0:20:11 | 0:20:14 | |
You know, winning was massively important | 0:20:14 | 0:20:15 | |
to me, but nobody lives or dies, you know? | 0:20:15 | 0:20:17 | |
So we've done Dame, we've done Baroness, what's the next one up? | 0:20:17 | 0:20:20 | |
-That's it, for me, really. -Queen Grey-Thompson? | 0:20:20 | 0:20:23 | |
Unless I marry a Duke, I'm kind of done with the titles, really. | 0:20:23 | 0:20:25 | |
And what does your husband think about that? | 0:20:25 | 0:20:27 | |
-Is he happy with that or is he...? -Erm... | 0:20:27 | 0:20:29 | |
Quite. These two are working their way west towards Bishop Auckland, | 0:20:31 | 0:20:34 | |
yet another bonny sporting destination | 0:20:34 | 0:20:37 | |
to tick off on our north-east tour. | 0:20:37 | 0:20:39 | |
Come on then, boss, you go first. | 0:20:39 | 0:20:41 | |
-Right. If you could. -The young Stan Laurel lived here as well. | 0:20:41 | 0:20:45 | |
-Hello, how are you? -Hi. -Hi, how are you? -Nice to meet you. | 0:20:45 | 0:20:48 | |
-Hi, I'm Tanni Grey. -I'm Yvonne. | 0:20:48 | 0:20:50 | |
-Philip. Hi, good to see you, my love. -Hi, Philip. | 0:20:50 | 0:20:52 | |
Ah, we've definitely been here before. | 0:20:52 | 0:20:55 | |
Tanni likes her glass, so maybe this is the place. | 0:20:55 | 0:20:59 | |
-Wow. -If you want to get ahead, get a hat. -Oh, no, that's nice. | 0:20:59 | 0:21:02 | |
-Oh, that's cool. -It is, isn't it? | 0:21:02 | 0:21:05 | |
-Is that copper? -Yeah. So, this is a ship's light. | 0:21:05 | 0:21:08 | |
-Yes. -I think it's early part of the 20th century. | 0:21:08 | 0:21:12 | |
Bit of a tip, here, if you go into an antique shop and you see | 0:21:13 | 0:21:16 | |
a really old faded label, it kind of means | 0:21:16 | 0:21:19 | |
it's been there for some long time. | 0:21:19 | 0:21:22 | |
-OK. -That's just in the window in the sun. | 0:21:22 | 0:21:25 | |
-We haven't had any sun! -Hats off to you, Phil. | 0:21:25 | 0:21:30 | |
-Anything else? -Right, so what do you reckon about this, then? | 0:21:30 | 0:21:32 | |
-Oh... Definitely! -That's me, isn't it? | 0:21:32 | 0:21:34 | |
Now, that's what a Baroness should look like. | 0:21:34 | 0:21:36 | |
-I think I should wear this all the time. -It's got a certain dignity to it. | 0:21:36 | 0:21:39 | |
-It's nice, isn't it? -Yeah, it's lovely. | 0:21:39 | 0:21:41 | |
It would be nice if it was real. | 0:21:41 | 0:21:42 | |
-Isn't it? -Who's the expert around here? | 0:21:42 | 0:21:45 | |
Now, I'm an either going to make myself feel really quite clever | 0:21:45 | 0:21:47 | |
-or an idiot here. -Yeah. -But if you pick that blue vase up, there. | 0:21:47 | 0:21:51 | |
-Yeah. -That should have "Maling's" written underneath it, | 0:21:51 | 0:21:54 | |
and Maling's is a porcelain company that worked in Newcastle. | 0:21:54 | 0:21:57 | |
So that's a local pot. Tell me if I'm right or wrong. | 0:21:57 | 0:22:00 | |
What does that say? | 0:22:00 | 0:22:02 | |
-Ringtons. -That's the tea supplier, Tanni. | 0:22:02 | 0:22:05 | |
It says "Maling Ware" in the small print. | 0:22:05 | 0:22:08 | |
-That's really pretty. I like that colour. -OK. | 0:22:08 | 0:22:10 | |
It reminds me of my grandmother. | 0:22:10 | 0:22:12 | |
-You know, when she... -Was she blue and white? | 0:22:12 | 0:22:14 | |
She... She used to have something similar | 0:22:14 | 0:22:16 | |
she used to scoop out the tea leaves. | 0:22:16 | 0:22:18 | |
Let's have another look at it. | 0:22:18 | 0:22:20 | |
This is... This is a tea caddy. For Ringtons Ltd. | 0:22:21 | 0:22:25 | |
They were Newcastle-on-Tyne, and it is Maling Ware. | 0:22:25 | 0:22:27 | |
-But there's no price. -OK. Will it help us win? | 0:22:27 | 0:22:31 | |
There comes a point in time where you've got to like what we buy, | 0:22:31 | 0:22:33 | |
and I think you kind of like that. | 0:22:33 | 0:22:36 | |
-Always the best way. -I like the miner's lamps. | 0:22:36 | 0:22:40 | |
Oh, those there? There does seem to be | 0:22:40 | 0:22:42 | |
one recurring theme here. | 0:22:42 | 0:22:44 | |
-That one there, £68. -Yeah. | 0:22:44 | 0:22:48 | |
That one there... | 0:22:48 | 0:22:50 | |
£68. That one there. | 0:22:50 | 0:22:52 | |
-Guess? Go on! -£68! -She's good isn't she? | 0:22:52 | 0:22:54 | |
She's on the money, this girl. | 0:22:54 | 0:22:56 | |
Makes choosing your favourite a bit easier. | 0:22:56 | 0:22:59 | |
My knowledge of miner's lamps... | 0:22:59 | 0:23:01 | |
..could be written on the back of a very small postage stamp. | 0:23:02 | 0:23:05 | |
-Oh, no. -But what I want you to do is | 0:23:05 | 0:23:07 | |
I want you to hold that there and look at it. | 0:23:07 | 0:23:09 | |
-Yeah. -Now, just hold... | 0:23:09 | 0:23:12 | |
Look at them. | 0:23:12 | 0:23:14 | |
So, that's really...smooth, and that's... | 0:23:14 | 0:23:16 | |
This supposedly has been down a mine. | 0:23:16 | 0:23:19 | |
-And that looks a bit sort of more used. -Yeah. | 0:23:19 | 0:23:21 | |
I mean, I'm sort of... I quite like that one. | 0:23:21 | 0:23:26 | |
-And you'll never guess the price. -£68? -Well done! | 0:23:26 | 0:23:28 | |
Yeah, yeah. We'd better find out | 0:23:28 | 0:23:30 | |
what they can do them for, haven't we? | 0:23:30 | 0:23:32 | |
-Yeah, I think so. -Come in, Yvonne. | 0:23:32 | 0:23:34 | |
-How are you, my love, all right? -Yeah, great. | 0:23:34 | 0:23:37 | |
What's the best you can do on the bit of Maling's? | 0:23:37 | 0:23:39 | |
That's easy. That could be £10. | 0:23:39 | 0:23:42 | |
OK. What's the best you can do on the miner's lamp? | 0:23:42 | 0:23:44 | |
I could do... | 0:23:44 | 0:23:46 | |
-40? -..and I'm hardly making anything here. I could do 45. | 0:23:46 | 0:23:50 | |
-Can we have the two for 50 quid? -I knew you were going to say that. | 0:23:50 | 0:23:53 | |
Because it's Tanni, I want her to get something nice. | 0:23:53 | 0:23:55 | |
-Oh, thank you! -So could we have those two for 50? -Yes. You can. | 0:23:55 | 0:23:59 | |
-What a nice lady! -£50, thank you very much. | 0:23:59 | 0:24:02 | |
-Thanks so much. -Thank you. -Lovely to meet you both. | 0:24:02 | 0:24:05 | |
-Good luck. -Thank you. You take care, now. Cheers. -Bye-bye. -Bye-bye. | 0:24:05 | 0:24:09 | |
Quite a team, those two. | 0:24:09 | 0:24:11 | |
I tell you what, you're good in that. | 0:24:11 | 0:24:12 | |
Have you ever thought about racing it? | 0:24:12 | 0:24:14 | |
Do you know, I should give it a go, shouldn't I? | 0:24:14 | 0:24:16 | |
You should, you'd be quite good, I think. | 0:24:16 | 0:24:18 | |
Now, with shopping done for the day, Tanni and Jade are back together. | 0:24:19 | 0:24:23 | |
And have our experts inspired confidence? | 0:24:23 | 0:24:26 | |
What we needed to find out is what's the biggest losing team ever? | 0:24:26 | 0:24:30 | |
And try and beat that. | 0:24:30 | 0:24:32 | |
So we're not the biggest losing team ever. That could be our joint goal. | 0:24:32 | 0:24:35 | |
Yeah, OK. | 0:24:35 | 0:24:37 | |
Gawd! Nighty-night. | 0:24:37 | 0:24:39 | |
Now, this is more like open top weather. | 0:24:42 | 0:24:44 | |
-What do you think to the car, then? -Oh, she's a little baby, actually. | 0:24:44 | 0:24:48 | |
There is something about the roar of a British sports car, isn't there? | 0:24:48 | 0:24:51 | |
You know what, it doesn't even have to go very quickly, does it? | 0:24:51 | 0:24:53 | |
-No, which is a good job. -It is. -Because they don't. | 0:24:53 | 0:24:58 | |
-What was the open-top car like? -My hair was a mess. -Yes! | 0:24:58 | 0:25:01 | |
That the car's incredible. | 0:25:01 | 0:25:03 | |
-I couldn't see a thing the whole way. -This is so childish, | 0:25:03 | 0:25:05 | |
but even after a marathon, your hair looks lovely, so... | 0:25:05 | 0:25:08 | |
I am so happy that your hair was a mess! | 0:25:08 | 0:25:10 | |
That's so mean! | 0:25:10 | 0:25:12 | |
Yesterday, David and Jane purchased just a Goss assortment | 0:25:12 | 0:25:16 | |
and an easy chair... | 0:25:16 | 0:25:17 | |
-Shouldn't every chair have cupboards? -Every chair should have cupboards. | 0:25:17 | 0:25:21 | |
..meaning they still have £350 to spend. | 0:25:21 | 0:25:24 | |
Whilst Tanni and Phil picked up a tea caddy, a miner's lamp, | 0:25:25 | 0:25:29 | |
some leaded lights, a metal cabinet, and a railway sign - as you do. | 0:25:29 | 0:25:34 | |
-40 shillings! -Was that a lot of money? | 0:25:34 | 0:25:37 | |
Leaving £275 in their wallet for today. | 0:25:37 | 0:25:41 | |
-How did it go for you? -It's just really weird what people buy. | 0:25:41 | 0:25:44 | |
-Yeah. -And what they like. And I didn't see any glass, | 0:25:44 | 0:25:48 | |
so I was really looking hard to find some coloured, like... | 0:25:48 | 0:25:51 | |
Like, paperweights and things. | 0:25:51 | 0:25:53 | |
Yeah, OK. I think David wanted us to buy this great big moose's head that | 0:25:53 | 0:25:56 | |
-you stick on the wall, which was quite... -A real one? -Yeah! | 0:25:56 | 0:26:00 | |
-Eugh... -It was awful. | 0:26:00 | 0:26:02 | |
And it would never have squeezed into the TVR. | 0:26:02 | 0:26:05 | |
-Here's the ladies. -Come on, you two, are you just chatting? | 0:26:05 | 0:26:07 | |
Well, you know what it's like. | 0:26:07 | 0:26:09 | |
-Oh, come on. -We're having a jolly good time. -We've got shopping to do! | 0:26:09 | 0:26:13 | |
Later, they'll be heading towards Harrogate | 0:26:13 | 0:26:15 | |
for their Yorkshire auction, | 0:26:15 | 0:26:17 | |
but the first shop today is in Horsley, | 0:26:17 | 0:26:19 | |
a little village in Northumberland. | 0:26:19 | 0:26:21 | |
Not a lot here, but it does have a corner shop. | 0:26:21 | 0:26:25 | |
-What a fantastic place, Graham. -Thank you. -He's right. | 0:26:25 | 0:26:29 | |
Good thing they've still got a bob or two to spend. | 0:26:29 | 0:26:32 | |
So, tell me what you like. Let's get to see your taste. | 0:26:32 | 0:26:36 | |
I like... I like this. | 0:26:36 | 0:26:38 | |
-Ah, OK, tell me what you like in that? -I like glass, I just like... | 0:26:38 | 0:26:42 | |
The way the light shines off it, is what I like. | 0:26:43 | 0:26:45 | |
-I just like the shape of it. -Obviously it's a decanter. | 0:26:45 | 0:26:48 | |
I mean, the ticket tells you everything you need to know, | 0:26:48 | 0:26:50 | |
made in about 1960, but by Waterford Crystal, so it's cut crystal, | 0:26:50 | 0:26:55 | |
it's really high-end quality. | 0:26:55 | 0:26:58 | |
Now, let me just pass this to you, | 0:26:58 | 0:27:00 | |
because it is truly a thing of absolute delight. | 0:27:00 | 0:27:03 | |
-And be careful when you tip it over. -Yeah. | 0:27:03 | 0:27:06 | |
-Because the stopper... -Of course, yeah! | 0:27:06 | 0:27:08 | |
Now, just as you're handling it, of course, stoppers can fall out. | 0:27:08 | 0:27:13 | |
Yes, of course, yes. | 0:27:13 | 0:27:14 | |
So, the big thing with decanters is always check the condition of | 0:27:14 | 0:27:17 | |
the stopper, so go on, give it a twist and pull it out. | 0:27:17 | 0:27:20 | |
I mean, it looks like there's been no nibbles there. | 0:27:20 | 0:27:23 | |
-No. -Look along the rim. It's seen no wild parties, has it? | 0:27:23 | 0:27:27 | |
-No. -But a good stopper, generally speaking, | 0:27:27 | 0:27:30 | |
if you just plonk it in like that, | 0:27:30 | 0:27:31 | |
tip it over, it will fall out. | 0:27:31 | 0:27:33 | |
-Yeah, OK. -So you lock it in place, | 0:27:33 | 0:27:35 | |
one and a half twists generally does it. | 0:27:35 | 0:27:37 | |
-Oh, OK. -In. One...and a half. | 0:27:37 | 0:27:41 | |
-Yeah. -So I'm going to now risk it. Put your hand out. | 0:27:41 | 0:27:44 | |
-Wow. -So that's a nice tight-fitting stopper. | 0:27:46 | 0:27:49 | |
What's it priced at? 70 quid. | 0:27:49 | 0:27:51 | |
I mean, it's no money, but in auction it's going to be 20 or £30. | 0:27:51 | 0:27:55 | |
-You have nice taste. -Thanks. | 0:27:55 | 0:27:58 | |
But the search goes on. | 0:27:58 | 0:28:00 | |
How about our other athlete and expert combo? | 0:28:01 | 0:28:04 | |
If you were to pick an event for me, what would you choose? | 0:28:04 | 0:28:08 | |
Tanni, you're laughing. I don't think it's very funny. | 0:28:10 | 0:28:12 | |
It was a serious question. | 0:28:12 | 0:28:14 | |
Could you please concentrate when I'm talking to you, Tanni? | 0:28:14 | 0:28:17 | |
Good luck with that, Phil. | 0:28:17 | 0:28:18 | |
The pair are off to the River Tyne and Gateshead. | 0:28:18 | 0:28:21 | |
Something of a track and field hotbed | 0:28:21 | 0:28:23 | |
thanks to the likes of Messrs Foster and Cram. | 0:28:23 | 0:28:26 | |
-Right, let's have a look. -Hello. -Hi. -Hi. | 0:28:26 | 0:28:29 | |
-Hiya. Welcome to McCartney's Yard. -Hi, I'm Tanni. -Debbie. -Philip. | 0:28:29 | 0:28:32 | |
-Hello. -How are you, all right? | 0:28:32 | 0:28:34 | |
-You've got a lot here, haven't we? -We have, yeah. | 0:28:34 | 0:28:37 | |
Well, at least David asked Jade what she liked. | 0:28:37 | 0:28:40 | |
I can't see Tanni finding a lot of fine glass in this establishment. | 0:28:40 | 0:28:42 | |
So, how old does it have to be? I'm guessing all this is too new. | 0:28:42 | 0:28:46 | |
Well, antique is almost as old as me. | 0:28:46 | 0:28:48 | |
The thing is it's got to be 100 years old, | 0:28:48 | 0:28:50 | |
so you could be in this silly situation | 0:28:50 | 0:28:52 | |
where something's not an antique today, but it is tomorrow. | 0:28:52 | 0:28:54 | |
Not something that's ever bothered our Phil too much, mind you. | 0:28:54 | 0:28:57 | |
-These are cowls off a roof. -Oh, of course, yeah. | 0:28:57 | 0:29:00 | |
And they're air vents. They're 150 quid. | 0:29:00 | 0:29:04 | |
-Is that a bit steep? -Yeah. | 0:29:04 | 0:29:06 | |
I mean, I think they're worth £40, £50. | 0:29:06 | 0:29:09 | |
I do like this kind of... Are they love seats or just... | 0:29:09 | 0:29:12 | |
-They're garden arbours. -Yeah. -Don't think there's much age to them. | 0:29:12 | 0:29:16 | |
£125. | 0:29:16 | 0:29:18 | |
-OK. -There's one big "but". | 0:29:18 | 0:29:20 | |
-Phillips screws. -Oh, is that...? | 0:29:20 | 0:29:22 | |
-So that's pretty much zero age, there. -I like the little one. | 0:29:22 | 0:29:26 | |
-I prefer that one. -That's very pretty. | 0:29:26 | 0:29:28 | |
-Let me go and have a look at that one. -OK. -That's £90, Tanni. | 0:29:28 | 0:29:31 | |
-But if that was £50... -I like it. | 0:29:31 | 0:29:35 | |
I'd like one in my garden. | 0:29:35 | 0:29:37 | |
But is it going to make money? | 0:29:37 | 0:29:39 | |
Spoken like a serial winner. | 0:29:39 | 0:29:41 | |
That will look nice with some nice flowers in. | 0:29:41 | 0:29:43 | |
It's an old feed trough, isn't it? | 0:29:43 | 0:29:45 | |
-Yeah. -That's why all this stuff has become collectable, | 0:29:45 | 0:29:47 | |
people are now using them as garden ornaments. | 0:29:47 | 0:29:50 | |
Meanwhile, back in Horsley... | 0:29:51 | 0:29:53 | |
Why the long face? | 0:29:53 | 0:29:55 | |
That Arabian stallion, the Ferrari of the ancient Chinese world, | 0:29:55 | 0:30:01 | |
is about 1,000 years old. | 0:30:01 | 0:30:06 | |
It's absolutely astonishing. | 0:30:06 | 0:30:08 | |
It sends shivers down the back of my spine. | 0:30:08 | 0:30:12 | |
Yes, but what are you going to actually buy? | 0:30:12 | 0:30:14 | |
Paperweights. They're good, aren't they? | 0:30:14 | 0:30:17 | |
Apparently this one was made in Sunderland. | 0:30:17 | 0:30:20 | |
-That's a bit more like it. -This is really nice. | 0:30:20 | 0:30:23 | |
Might be one to show to David. | 0:30:23 | 0:30:25 | |
He, meanwhile, seems to have had the bright idea | 0:30:25 | 0:30:27 | |
of getting Graham to recommend something. | 0:30:27 | 0:30:29 | |
This has just come in, David, which is quite interesting. | 0:30:29 | 0:30:32 | |
-It's a horn beaker. -Yeah. -With a sterling silver rim and crest. | 0:30:32 | 0:30:35 | |
-Which is not unusual in itself. -No, it's not. | 0:30:35 | 0:30:38 | |
It's hallmarked 1876, | 0:30:38 | 0:30:40 | |
and it's been engraved across the top there "Ellen Terry". | 0:30:40 | 0:30:43 | |
She became a top actress in the Victorian period. | 0:30:43 | 0:30:45 | |
-OK. I've never heard of her, I've got to say. -Yeah. | 0:30:45 | 0:30:47 | |
Yeah, she was really quite famous, David. | 0:30:47 | 0:30:50 | |
-What sort of money is that? -The best, to you, | 0:30:50 | 0:30:53 | |
you could have that for £180. | 0:30:53 | 0:30:55 | |
But, you know, I think, to the right collector, that's an unusual piece. | 0:30:55 | 0:30:58 | |
You seem reasonably confident, bearing in mind it's not your money. | 0:30:58 | 0:31:01 | |
-No. -There's no such thing as a fixed price in this business. | 0:31:01 | 0:31:04 | |
As Tanni is fast finding out. | 0:31:04 | 0:31:05 | |
It's been a really good experience. I've learnt lots. | 0:31:07 | 0:31:09 | |
I think what actually what I've learned | 0:31:09 | 0:31:11 | |
is whatever the price says, it's always negotiable. | 0:31:11 | 0:31:13 | |
-As our expert will now demonstrate. -Now, Debbie, have a seat. | 0:31:13 | 0:31:17 | |
This might take some time. | 0:31:17 | 0:31:19 | |
There's three things that Tanni likes. | 0:31:19 | 0:31:21 | |
-I like the arbour. -Yeah. -The smaller one. | 0:31:21 | 0:31:23 | |
I like the trough with the bars. | 0:31:23 | 0:31:25 | |
And then there's this one here as well. | 0:31:25 | 0:31:27 | |
-Right. OK. -Let's start here. What's the best you can do on that? | 0:31:27 | 0:31:30 | |
-60. -Have I ever told you how sad my life is? | 0:31:30 | 0:31:33 | |
It's been tough, dragged up... | 0:31:34 | 0:31:36 | |
-He has to work with me! -Dragged up through the streets of Worcester. | 0:31:36 | 0:31:39 | |
-50. -Family of five, never eating. No roof on the house. | 0:31:39 | 0:31:43 | |
-45. -Holes in me shoes. -40. -Hold on. | 0:31:43 | 0:31:47 | |
Can't afford a car. Have we done the car? I'm wearing out, here. | 0:31:47 | 0:31:49 | |
No, you're doing really well. Keep going. I'm not looking. | 0:31:49 | 0:31:52 | |
-What else is there? Outside toilet. -35. | 0:31:52 | 0:31:55 | |
-Did she say 30? -35. | 0:31:55 | 0:31:57 | |
-Whose side are you on?! -I'm all right with 35! | 0:31:57 | 0:32:01 | |
35 and it's yours. | 0:32:01 | 0:32:03 | |
OK. What about the other one? The other trough is 125. | 0:32:03 | 0:32:06 | |
Just tell me what the rock bottom you can do on that is? | 0:32:06 | 0:32:09 | |
-75. -OK. | 0:32:09 | 0:32:11 | |
And what about the arbour? | 0:32:11 | 0:32:13 | |
-75. -Time to apply some peer pressure. | 0:32:13 | 0:32:16 | |
What will Tanni plump for? | 0:32:16 | 0:32:18 | |
What you like is totally irrelevant. | 0:32:18 | 0:32:20 | |
You're going to buy this just on price alone. | 0:32:20 | 0:32:22 | |
-Yeah. -Correct? -Yeah. I prefer that one, but my head says buy that one. | 0:32:22 | 0:32:27 | |
-THEY LAUGH -Yeah. | 0:32:27 | 0:32:29 | |
Do you remember me saying to you at the outset | 0:32:29 | 0:32:31 | |
-that I wanted you to buy things that you really liked. -Yeah. | 0:32:31 | 0:32:34 | |
-And forget making a profit. -I'd have that in my house. | 0:32:34 | 0:32:36 | |
I would have that. | 0:32:36 | 0:32:39 | |
-Absolutely. Yes. -Shall we buy that, then? | 0:32:39 | 0:32:41 | |
-Yeah. -I'll go and tell her. -Cool. | 0:32:41 | 0:32:43 | |
You'll get used to him. | 0:32:47 | 0:32:48 | |
That £35 means that Tanni and Phil are just about done, | 0:32:48 | 0:32:52 | |
but Jade's still on the lookout, | 0:32:52 | 0:32:54 | |
so what will she make of the celebrity beaker? | 0:32:54 | 0:32:57 | |
We're going to show you something here. | 0:32:57 | 0:33:00 | |
-OK. -And I want your opinion, | 0:33:00 | 0:33:02 | |
and Graham's going to give you a hard selling job. | 0:33:02 | 0:33:05 | |
JADE LAUGHS | 0:33:05 | 0:33:06 | |
What's unique about this one, it's engraved here "Ellen Terry", | 0:33:06 | 0:33:10 | |
and she was a famous Victorian lady in about 1870s, | 0:33:10 | 0:33:13 | |
and she was famous for acting in Shakespeare's plays. | 0:33:13 | 0:33:16 | |
-Oh, OK, yeah. -And later in the 19th century, | 0:33:16 | 0:33:18 | |
she became Dame Ellen Terry, because of her acting. | 0:33:18 | 0:33:21 | |
-Right. -Are you impressed so far? | 0:33:21 | 0:33:23 | |
-I do like it. -And it's 400 years since Shakespeare died, | 0:33:23 | 0:33:26 | |
and it's sort of apt at the moment. | 0:33:26 | 0:33:28 | |
How much premium do you think you have to pay in this business | 0:33:28 | 0:33:31 | |
to tap into 19th-century celebrity? | 0:33:31 | 0:33:34 | |
It would be a fair amount, wouldn't it? | 0:33:34 | 0:33:36 | |
-I kind of feel like it would be. -Well done. -Yeah... | 0:33:36 | 0:33:38 | |
I'm going to guess a couple of hundred more than that. | 0:33:38 | 0:33:42 | |
Oh, my goodness me. Whose side are you on? | 0:33:42 | 0:33:45 | |
-It's £180, Jade. -It's 180. | 0:33:45 | 0:33:47 | |
-Yeah. -I think that is a bit of a risk, isn't it? | 0:33:47 | 0:33:49 | |
-Do you take risks in life? -Yeah, of course you do. | 0:33:49 | 0:33:51 | |
But it could lose you the show. | 0:33:51 | 0:33:53 | |
Yeah. I think at the same time, it could probably win it. | 0:33:53 | 0:33:56 | |
You make a very good point there, Jade. | 0:33:56 | 0:33:59 | |
But don't forget your paperweight, either, love. | 0:33:59 | 0:34:01 | |
Oh, well, OK. Gosh, OK. | 0:34:01 | 0:34:03 | |
-Tell me why you like it. -I love the flowers, | 0:34:03 | 0:34:05 | |
I think it's really different. I've not seen anything like that before. | 0:34:05 | 0:34:08 | |
-OK. Bit of local interest going on. -Yes, Sunderland. | 0:34:08 | 0:34:11 | |
-Sunderland, yeah. -So... | 0:34:11 | 0:34:13 | |
Sunderland's a really well-known area for making glass, | 0:34:13 | 0:34:15 | |
and not very many people actually know that, do they? | 0:34:15 | 0:34:18 | |
Priced at £125. | 0:34:18 | 0:34:20 | |
To you, it would be £85. | 0:34:20 | 0:34:22 | |
-85. -I think in an auction it would probably go at 30-50 as an estimate. | 0:34:22 | 0:34:27 | |
Yeah, I think... I think we should take a risk. | 0:34:27 | 0:34:30 | |
There she goes again. | 0:34:30 | 0:34:32 | |
-Do you want to see if we can do a package deal? -A package deal? OK. | 0:34:32 | 0:34:36 | |
We might even get a buy-one-get-one-free. | 0:34:36 | 0:34:39 | |
Not that sort of place, I don't think. | 0:34:39 | 0:34:41 | |
So I've said 180 for this, you could have the two for £240. | 0:34:41 | 0:34:45 | |
240. Yeah, I think we should do it. | 0:34:45 | 0:34:49 | |
OK. Do you want to go with them both? | 0:34:49 | 0:34:50 | |
-Yeah, let's do it. -Go on, then, risk-monger. | 0:34:50 | 0:34:53 | |
-Yeah. Do it. -Well done. -Thank you. -Thank you very much indeed. | 0:34:53 | 0:34:56 | |
No-one can accuse our Jade of being risk-averse. | 0:34:56 | 0:34:59 | |
-Are they in safe hands? -Yes, they are. -Good. -Let's go. | 0:34:59 | 0:35:02 | |
Meanwhile, Tanni and Phil have her apprentice very much in mind. | 0:35:04 | 0:35:08 | |
Here's a loaded question for you. | 0:35:08 | 0:35:11 | |
Do you think she's going to be as good as you? | 0:35:11 | 0:35:14 | |
-Yeah. -Is that because of the coach? | 0:35:14 | 0:35:16 | |
-Obviously. -Oh, it's all the coaching. | 0:35:16 | 0:35:18 | |
That's what I was thinking. | 0:35:18 | 0:35:20 | |
If she wants it, yeah. | 0:35:20 | 0:35:22 | |
She could be very, very, very good. | 0:35:22 | 0:35:25 | |
Not at this game though, eh? | 0:35:25 | 0:35:27 | |
Those two now have shopped up, with enough time for Tanni to indulge | 0:35:27 | 0:35:31 | |
her passion for glass | 0:35:31 | 0:35:33 | |
in the historic Wearside city of Sunderland. | 0:35:33 | 0:35:36 | |
Ready, steady... | 0:35:36 | 0:35:38 | |
THEY LAUGH | 0:35:38 | 0:35:40 | |
That is unfair! | 0:35:41 | 0:35:42 | |
They've come to the National Glass Centre to find out about the place | 0:35:43 | 0:35:47 | |
where British glass manufacture began. | 0:35:47 | 0:35:49 | |
-Hi, I'm Tanni, how are you? -Hi, I'm Keith, pleased to meet you. | 0:35:49 | 0:35:52 | |
Keith, Philip. Hi. Nice to see you. | 0:35:52 | 0:35:54 | |
Welcome to the National Glass Centre. Thank you. | 0:35:54 | 0:35:56 | |
One of the reasons for the city's claim to be the heart | 0:35:56 | 0:35:59 | |
of British glass is the role | 0:35:59 | 0:36:00 | |
of a certain 7th century Northumbrian abbot. | 0:36:00 | 0:36:04 | |
Benedict Biscop was actually a local Anglo-Saxon nobleman and he became | 0:36:04 | 0:36:07 | |
fired up with Christian zeal and decided to create the best monastery | 0:36:07 | 0:36:12 | |
in the world right here in Sunderland. | 0:36:12 | 0:36:14 | |
You can still see part of it, now, just across the road here. | 0:36:14 | 0:36:17 | |
And he travelled to Rome extensively, | 0:36:17 | 0:36:20 | |
and each time he went to Rome | 0:36:20 | 0:36:21 | |
he brought back with him great art works, | 0:36:21 | 0:36:23 | |
great books, and actually people. | 0:36:23 | 0:36:25 | |
He brought glass-makers from France and they were really started | 0:36:25 | 0:36:28 | |
the tradition of making glass, | 0:36:28 | 0:36:30 | |
and they taught local people to make glass. | 0:36:30 | 0:36:32 | |
And those craftsmen created the first glass windows, | 0:36:32 | 0:36:35 | |
and we have lots of glass here | 0:36:35 | 0:36:36 | |
that actually dates from the 7th century | 0:36:36 | 0:36:38 | |
and was made here in Sunderland, | 0:36:38 | 0:36:40 | |
and that's the first time anywhere in the UK that glass was being made. | 0:36:40 | 0:36:43 | |
But despite that head start, | 0:36:43 | 0:36:44 | |
it wasn't until the Industrial Revolution that glass | 0:36:44 | 0:36:47 | |
really began to take central stage in Sunderland. | 0:36:47 | 0:36:51 | |
The very first factory was founded in the late 17th century, | 0:36:51 | 0:36:55 | |
and by 1817, the city boasted seven bottle factories | 0:36:55 | 0:36:57 | |
and three glassworks. All smoking. | 0:36:57 | 0:37:01 | |
Was Sunderland particularly good for the glass-making industry | 0:37:01 | 0:37:04 | |
-because of what's around? -Yeah, I mean, obviously, | 0:37:04 | 0:37:06 | |
the city is here right on the River Wear, | 0:37:06 | 0:37:08 | |
and that river was not only able to bring in the raw materials | 0:37:08 | 0:37:12 | |
needed for glass-making but also to export glass across the world, | 0:37:12 | 0:37:15 | |
because what we also had in this area was an abundance of coal, | 0:37:15 | 0:37:19 | |
and that fired the kilns that were needed for melting glass, | 0:37:19 | 0:37:22 | |
and not only did we have that history going back to the Anglo-Saxon times | 0:37:22 | 0:37:25 | |
but we also had all the raw materials that we needed right here. | 0:37:25 | 0:37:28 | |
By the mid-19th century, | 0:37:28 | 0:37:30 | |
Sunderland was producing several thousand bottles every day, | 0:37:30 | 0:37:33 | |
and the city was even partly responsible | 0:37:33 | 0:37:35 | |
for housing the Great Exhibition of 1851. | 0:37:35 | 0:37:38 | |
Hartley Wood factory, here in Sunderland, | 0:37:39 | 0:37:41 | |
made large bits of glass plates that were used to make the Crystal Palace | 0:37:41 | 0:37:45 | |
for the exhibition, so, you know, really, | 0:37:45 | 0:37:48 | |
Sunderland was very much at the heart | 0:37:48 | 0:37:50 | |
of an international industry in glass-making. | 0:37:50 | 0:37:52 | |
But the centre doesn't just celebrate | 0:37:52 | 0:37:55 | |
the city's glass-making past. | 0:37:55 | 0:37:57 | |
Time for Tanni to get stuck in. | 0:37:57 | 0:38:00 | |
-Pleased to meet you. -Thanks for letting me do this. | 0:38:00 | 0:38:03 | |
Now, I've decided that you can sit and watch... | 0:38:03 | 0:38:05 | |
-I'm superfluous, aren't I? -..the master craftsman at work. | 0:38:05 | 0:38:08 | |
# Soon turned out had a heart of glass... # | 0:38:08 | 0:38:11 | |
-OK. -Just put it in the white. | 0:38:11 | 0:38:13 | |
-Like that. -Oh, right, OK, yeah. -And because it's so fine, | 0:38:13 | 0:38:17 | |
the white glass just sticks to the hot glass. | 0:38:17 | 0:38:19 | |
You make that look really easy. | 0:38:19 | 0:38:20 | |
-Well... -How long have you been doing this for? | 0:38:20 | 0:38:24 | |
I've been doing it since I left school, for 44 year. | 0:38:24 | 0:38:27 | |
This is the traditional style of glass-making. | 0:38:27 | 0:38:30 | |
We don't use any moulds. This has been around since the Roman days. | 0:38:30 | 0:38:34 | |
So, this time, we get the end hot, | 0:38:34 | 0:38:36 | |
and we'll pick up some of the yellow chips. | 0:38:36 | 0:38:38 | |
OK, yeah. | 0:38:38 | 0:38:40 | |
And just snip it there. Now. | 0:38:40 | 0:38:42 | |
And the opposite side. | 0:38:42 | 0:38:45 | |
It cuts easy... Oh, no, it's getting... | 0:38:45 | 0:38:47 | |
It's getting harder all the time. | 0:38:47 | 0:38:49 | |
-That's it, stay there. -Oh, my God. -You OK? -Yeah. | 0:38:49 | 0:38:53 | |
-It's all right, you can't feel it. -You can't feel it. | 0:38:53 | 0:38:55 | |
-It's well insulated. -You think you're going to feel it. | 0:38:55 | 0:38:58 | |
-Yes. -But you're not. -Out. | 0:38:58 | 0:38:59 | |
-That's warm. -Yeah, that's very warm. | 0:38:59 | 0:39:02 | |
-That's it. -You've just got a pile of molten glass in there? | 0:39:02 | 0:39:05 | |
Yeah. Exactly. It's just like getting honey out of a jar. | 0:39:05 | 0:39:09 | |
Into there. | 0:39:09 | 0:39:11 | |
Back again. That's great. | 0:39:12 | 0:39:15 | |
-Yeah, you've done very well. -LAUGHING: -Thank you. | 0:39:15 | 0:39:18 | |
Right, then, Tanni, so there we have it. | 0:39:18 | 0:39:20 | |
Get hold of this. And then tap the iron. | 0:39:20 | 0:39:22 | |
-Just there? -Yeah. -How hard? | 0:39:22 | 0:39:23 | |
Now, tap it. Bit harder. | 0:39:23 | 0:39:25 | |
That's the one. | 0:39:25 | 0:39:27 | |
TIM LAUGHS | 0:39:27 | 0:39:28 | |
She finally got that glass she was after. | 0:39:28 | 0:39:30 | |
-Well done. -Thank you very much. -Well done. | 0:39:30 | 0:39:32 | |
A box ticked for Tanni, eh? | 0:39:32 | 0:39:34 | |
But the other two are still on the road, | 0:39:36 | 0:39:38 | |
and we know David loves his wheels. | 0:39:38 | 0:39:40 | |
I'm impressed with the chair that you use, it's incredibly light. | 0:39:41 | 0:39:44 | |
-But that's not a racing chair, is it? -No, no, it's not. | 0:39:44 | 0:39:47 | |
And the race chair's quite a bit different, actually. | 0:39:47 | 0:39:49 | |
And what sort of speeds can you get to? | 0:39:49 | 0:39:52 | |
It varies a bit, but there's a race that we do through the Tyne Tunnel, | 0:39:52 | 0:39:57 | |
and the fastest guys get up to about 50mph. | 0:39:57 | 0:40:01 | |
Which makes it a very exciting spectator sport. | 0:40:01 | 0:40:03 | |
-It does. -I've got to say. -Yeah, absolutely. | 0:40:03 | 0:40:05 | |
And that's why I think cycling is so great. | 0:40:05 | 0:40:07 | |
I think wheelchair racing's actually a lot more like cycling than it is | 0:40:07 | 0:40:10 | |
like running, so the crashes and things do make it really exciting. | 0:40:10 | 0:40:14 | |
Well, let's safely get ourselves across to Corbridge, | 0:40:14 | 0:40:18 | |
quite close to Hadrian's Wall. | 0:40:18 | 0:40:20 | |
And, yes, that's the River Tyne again. | 0:40:20 | 0:40:23 | |
-After you. -OK, let's see what we can find. | 0:40:23 | 0:40:25 | |
Shouldn't be too hard in here, Jade. | 0:40:25 | 0:40:29 | |
So, Jade, this is a centre. | 0:40:29 | 0:40:31 | |
So every section you see is owned by a different person. | 0:40:31 | 0:40:34 | |
Oh, OK. Right, I see, yes. | 0:40:34 | 0:40:36 | |
So there's probably, I'm guessing, 20 dealers here? | 0:40:36 | 0:40:39 | |
-Right. -So it's a collective, which is a great idea. | 0:40:39 | 0:40:42 | |
Always nice if the dealer turns up, though. | 0:40:42 | 0:40:44 | |
What about this one? | 0:40:44 | 0:40:46 | |
HE LAUGHS | 0:40:46 | 0:40:48 | |
Blinking heck. OK, that's good fun, isn't it? | 0:40:48 | 0:40:50 | |
-How old is that, then? -Well, look at the top. | 0:40:50 | 0:40:53 | |
-What does it say? -Yeah, 6D. | 0:40:53 | 0:40:55 | |
6D. So that pre-decimalisation. | 0:40:55 | 0:40:58 | |
When was decimalisation? You're the intelligent one here. | 0:40:58 | 0:41:01 | |
-I've no idea. OK. -You know what? OK, let me try and work it out, | 0:41:02 | 0:41:05 | |
because I can just remember it. | 0:41:05 | 0:41:07 | |
I know people are going to find this hard to believe, | 0:41:07 | 0:41:09 | |
I should remember it really well, but I think it was '71. | 0:41:09 | 0:41:13 | |
Very good, David. And he was only three! | 0:41:13 | 0:41:16 | |
-Aw! -What do you reckon? | 0:41:16 | 0:41:19 | |
No, I like it. It's cool, isn't it? It's different. | 0:41:19 | 0:41:23 | |
Yeah. Got to be 1950s, maybe early '60s. | 0:41:23 | 0:41:26 | |
Don't think I've ever actually used one like that. | 0:41:26 | 0:41:28 | |
-You've never used one? -No. -Oh, it's an experience. | 0:41:28 | 0:41:31 | |
-Who buys them? Is the question. -Yeah. Would you buy it? | 0:41:31 | 0:41:36 | |
I don't know what I'd do with it. | 0:41:36 | 0:41:38 | |
It looks really cool, but I'm not sure what I'd do with it. | 0:41:38 | 0:41:41 | |
-They're very popular in auction. -Oh, really? -Yeah. | 0:41:41 | 0:41:44 | |
-It's different, it's fun. -You're a proper gambler, though, aren't you? | 0:41:44 | 0:41:47 | |
I do. Yeah, I think it's good. | 0:41:47 | 0:41:50 | |
What does our shopkeeper Steve make of it? | 0:41:50 | 0:41:53 | |
It's a great thing, yeah. | 0:41:53 | 0:41:54 | |
It's really good value, because you don't have to put money in. | 0:41:54 | 0:41:57 | |
You can actually play it without putting any money in. | 0:41:57 | 0:41:59 | |
-Does it work? -Yeah. | 0:41:59 | 0:42:01 | |
Oh! OK. | 0:42:02 | 0:42:03 | |
You get that. The downside is you don't win anything. | 0:42:03 | 0:42:06 | |
Jade has never, ever played a bandit machine. | 0:42:06 | 0:42:09 | |
-Do it! -There we go. -Well done. | 0:42:09 | 0:42:11 | |
-Isn't that great, though, isn't it? -That's really cool. -Don't you think? | 0:42:11 | 0:42:15 | |
-Oh, happy days! -I know, it brings back memories, doesn't it? | 0:42:15 | 0:42:18 | |
It does bring back memories. Now, we are trying to get a date on it. | 0:42:18 | 0:42:21 | |
When was decimalisation? | 0:42:21 | 0:42:23 | |
-Oh, was it '71, something like that? -I think it was '71. | 0:42:23 | 0:42:27 | |
Because they had those little rhymes, didn't they? | 0:42:27 | 0:42:29 | |
Give us a rhyme. | 0:42:29 | 0:42:30 | |
-SINGSONG: -£1 equals 100 new pennies. | 0:42:30 | 0:42:32 | |
100 new pence to the pound. | 0:42:32 | 0:42:35 | |
You give more, you get change. | 0:42:35 | 0:42:37 | |
You give more, you get change. | 0:42:37 | 0:42:39 | |
Was that a hit in '71? | 0:42:39 | 0:42:41 | |
Well, "Grandad" was, so anything is possible. | 0:42:41 | 0:42:44 | |
-Do you own it? -I don't own it, but I do know the person that does. | 0:42:44 | 0:42:48 | |
What's on it? £175. | 0:42:48 | 0:42:52 | |
-Which is more than they have left. -Might be able to do a little bit. | 0:42:52 | 0:42:56 | |
-Do you want to find out? -Yeah. -Do you mind? | 0:42:56 | 0:42:59 | |
OK. OK, come back to us. | 0:42:59 | 0:43:01 | |
OK. Well, what have we got left? | 0:43:01 | 0:43:03 | |
-We've got about 110. -110. | 0:43:03 | 0:43:06 | |
I might just pass this over to you now. | 0:43:06 | 0:43:08 | |
-OK. -You know what you've got. -So say 100. -Good luck, Jade. | 0:43:08 | 0:43:11 | |
Right. It's very good news. No longer is it 175, it's £150. | 0:43:12 | 0:43:17 | |
-It's very bad news. -Why? -One, we don't have 150. | 0:43:19 | 0:43:23 | |
-Oh. Oh, right. -And two, we want it to be... | 0:43:23 | 0:43:26 | |
Yeah, we kind of wanted it sub 100. | 0:43:27 | 0:43:30 | |
-Ideally. -That's just not going to happen. | 0:43:30 | 0:43:33 | |
140, something like that. | 0:43:33 | 0:43:36 | |
-Well, again... -140 would be pushing it. -That's impossible. | 0:43:36 | 0:43:39 | |
-Another big hit from 1971. -OK, cards on the table. | 0:43:39 | 0:43:42 | |
We have only got 110. So this could go on all day. | 0:43:42 | 0:43:46 | |
-110. -We can have it? -110. -Brilliant. -We've done it. | 0:43:46 | 0:43:49 | |
-Perfect! -You're going for it? -We've done it. | 0:43:49 | 0:43:50 | |
-Thank you, Steve. Thank you very much indeed. -Thank you very much. | 0:43:50 | 0:43:53 | |
-Wise choice. -OK, that's it. We've actually literally blown everything. | 0:43:53 | 0:43:56 | |
Yeah, they're definitely the gamblers. | 0:43:56 | 0:43:59 | |
-OK? -We're off. -Now, with our shopping bags fit to burst, | 0:43:59 | 0:44:04 | |
it's time to visit the social club | 0:44:04 | 0:44:06 | |
to unveil what exactly they've bought. | 0:44:06 | 0:44:08 | |
What I want to know is, was this one as competitive as this one? | 0:44:08 | 0:44:11 | |
That's what I want to know. | 0:44:11 | 0:44:13 | |
Actually, Jade has shown her true colours. | 0:44:13 | 0:44:16 | |
She is incredibly competitive. | 0:44:16 | 0:44:18 | |
-That doesn't surprise me. -I wonder where she gets that from, then? | 0:44:18 | 0:44:20 | |
I wonder. Show us yours, Phil. | 0:44:20 | 0:44:22 | |
-You ready? Just hang on. -I'm a bit nervous about this, actually. | 0:44:22 | 0:44:25 | |
Ooh. Ooh. | 0:44:25 | 0:44:27 | |
-Urgh. -TANNI LAUGHS | 0:44:27 | 0:44:28 | |
-There's a bit of a theme here. -What kind of theme is that, Phil? | 0:44:28 | 0:44:32 | |
Kind of Grotbags' skip or what? | 0:44:32 | 0:44:35 | |
Hey, wash your mouth out with soap and water! | 0:44:35 | 0:44:37 | |
I don't know - what's the theme? What's the theme? | 0:44:37 | 0:44:39 | |
We've got a bit of Northern stuff going on here. | 0:44:39 | 0:44:42 | |
We got a miner's lamp, we've got a bit of Ringtons, I believe. | 0:44:42 | 0:44:44 | |
-Malings tea caddy. -Yeah. -An original North Eastern Railway sign. | 0:44:44 | 0:44:48 | |
-Yeah, I like that. -60 quid. | 0:44:48 | 0:44:49 | |
-That's not bad, that's not bad. -I thought that was for nothing. | 0:44:49 | 0:44:52 | |
-And that won't be heavy at all, will it? -No, no. | 0:44:52 | 0:44:54 | |
Dead easy to pick up. | 0:44:54 | 0:44:55 | |
Whilst we're on this sort of lightweight, easy to move stuff, | 0:44:55 | 0:44:58 | |
we thought we'd have a go at this cast-iron pig trough here. | 0:44:58 | 0:45:01 | |
Nice, very nice. Yeah, I wonder where you'd put that in your home. | 0:45:01 | 0:45:04 | |
-But you know... -Flowers, flowers. -Have you not got one? | 0:45:04 | 0:45:07 | |
-It is unbelievable! -35 quid. -I don't know how to value it. -No. | 0:45:07 | 0:45:12 | |
-It's interesting, isn't it? -PHIL: -Jade! -That's polite. | 0:45:12 | 0:45:15 | |
-I'm being nice! -TANNI: -Did you know what that was? | 0:45:15 | 0:45:18 | |
No. And I thought those bits were just ready to go to the bin. | 0:45:18 | 0:45:21 | |
-LAUGHTER -I'm not going to lie. | 0:45:21 | 0:45:24 | |
-PHIL: -I tell you what, you'd better find yourself a new coach! | 0:45:24 | 0:45:27 | |
-Show us yours. -OK. Ready? Phil, that's going to make you mad. | 0:45:27 | 0:45:31 | |
-I like that! I like that! -And... | 0:45:31 | 0:45:35 | |
We know that paperweights are ten a penny, | 0:45:36 | 0:45:38 | |
cos any idiot can make one of those. | 0:45:38 | 0:45:41 | |
The Goss. Is anyone collecting that these days? | 0:45:42 | 0:45:45 | |
-Nobody collects Goss. -It's cute. | 0:45:45 | 0:45:46 | |
There's not one person in the world that collects... | 0:45:46 | 0:45:48 | |
-Apart from Jade and I. -Apart from me! | 0:45:48 | 0:45:50 | |
-PHIL: -The chair's cool. -The chair's very cool. -I like the chair. | 0:45:50 | 0:45:53 | |
And I love the one-armed bandit. | 0:45:53 | 0:45:54 | |
-How much was that? -Well, that was our final purchase. | 0:45:54 | 0:45:57 | |
-It was. -And everything that Jade had in her pocket... | 0:45:57 | 0:46:01 | |
we paid for that. | 0:46:01 | 0:46:02 | |
Because we have spent every single pound. | 0:46:02 | 0:46:06 | |
-PHIL: -I like the horn beaker. -JADE: -This one was...? | 0:46:06 | 0:46:09 | |
-That was £180. -£180 for that?! -Yes! Yes. | 0:46:09 | 0:46:13 | |
-What?! -Don't. | 0:46:13 | 0:46:15 | |
Apparently, it was somebody who acted Shakespeare's plays. | 0:46:15 | 0:46:20 | |
-Ellen Terry. -Ellen Terry was a famous 19th-century Shakespearean actor, | 0:46:20 | 0:46:25 | |
who later became a dame. | 0:46:25 | 0:46:27 | |
Let me stop you there. We don't deal in Dames, right? | 0:46:27 | 0:46:31 | |
Unless they're a Baroness, frankly, I'm not interested. | 0:46:31 | 0:46:35 | |
-We shall see you at the auction. -All the best. -All the best to you. | 0:46:35 | 0:46:38 | |
-Come on, you. -So let's now be candid, shall we? | 0:46:38 | 0:46:40 | |
-We have bought some tat, haven't we? -Looks a bit shabby. | 0:46:40 | 0:46:43 | |
-A bit? -I was quite pleased, and then their stuff looked so nice. | 0:46:43 | 0:46:47 | |
They might get us on the budget. | 0:46:47 | 0:46:48 | |
We've definitely got better stuff, it's just if we can sell it. | 0:46:48 | 0:46:51 | |
-We do, we do. -The cup, bit expensive. -A bit? | 0:46:51 | 0:46:54 | |
-Are you feeling confident? -Yeah, I am. -Silver or gold? -Gold! | 0:46:54 | 0:46:59 | |
-Gold medal or silver medal? -Gold. -OK, that's good enough for me. | 0:46:59 | 0:47:02 | |
If they're half-blind! | 0:47:04 | 0:47:06 | |
After setting off from the County Durham town of Hartlepool, | 0:47:06 | 0:47:11 | |
they're now on their way to an auction in Yorkshire at Harrogate. | 0:47:11 | 0:47:15 | |
Travelling in style. | 0:47:15 | 0:47:17 | |
What do you think of the new chauffeur? I'm trying him, but... | 0:47:17 | 0:47:20 | |
-Yeah... -Tanni, you have changed. You've changed. | 0:47:20 | 0:47:23 | |
I can remember you when you were just one of the people, | 0:47:23 | 0:47:27 | |
but that House of Lords, it's changed you. | 0:47:27 | 0:47:29 | |
I'm on gate duty now, am I? | 0:47:29 | 0:47:31 | |
-I think so, yeah. -Won't be long, madam. -Thank you. | 0:47:31 | 0:47:34 | |
TANNI AND JADE LAUGH | 0:47:34 | 0:47:35 | |
-He's doing all right, isn't he? -He's not so bad. | 0:47:35 | 0:47:38 | |
He doesn't look too impressed, mind. | 0:47:40 | 0:47:42 | |
Don't forget to close it, Phil. | 0:47:42 | 0:47:44 | |
Follow the country code. | 0:47:44 | 0:47:46 | |
Welcome to the delightful spa town of Harrogate, | 0:47:46 | 0:47:49 | |
the great tea and bun destination. | 0:47:49 | 0:47:51 | |
And this is Thompson's Auctioneers, a sort of antiques arena. | 0:47:51 | 0:47:54 | |
-Good morning, Tanni. -Good morning, how are you? | 0:47:54 | 0:47:57 | |
-Very well. Oh, sorry, I didn't say hello to you. -Go on, in we go. | 0:47:57 | 0:48:01 | |
-Right, let's go. -Tanni and Phil spent just £160 on their five lots, | 0:48:01 | 0:48:06 | |
whilst Jade and David splashed all of their 400, also on five lots. | 0:48:06 | 0:48:11 | |
I wonder what auctioneer Lawrence Peat | 0:48:11 | 0:48:14 | |
thinks will prove as tasty as a toasted teacake? | 0:48:14 | 0:48:18 | |
I think the star lot, I would say, is the railway sign, | 0:48:18 | 0:48:20 | |
without a shadow of a doubt. Railwayana - there's a strong, | 0:48:20 | 0:48:23 | |
strong interest in that. I think that's a winner. | 0:48:23 | 0:48:25 | |
The one-armed bandit, I think, is a bit of fun, really. | 0:48:25 | 0:48:28 | |
It's portable, just about, so it's not a large item. | 0:48:28 | 0:48:31 | |
But does it work, is the question? | 0:48:31 | 0:48:34 | |
So, hold or nudge? We'll soon find out. | 0:48:34 | 0:48:35 | |
Now, Jade, have you been to an auction before? | 0:48:35 | 0:48:38 | |
-Never. -Never?! -So it's interesting. | 0:48:38 | 0:48:40 | |
-Don't mess about, do they? -Brilliant. -Wow. | 0:48:40 | 0:48:42 | |
Tanni, have you been to an auction? | 0:48:42 | 0:48:45 | |
Not since I was a teenager, so this is quite exciting. | 0:48:45 | 0:48:48 | |
-Phil, have you been to an auction? -I did once, but I didn't like it. | 0:48:48 | 0:48:52 | |
First up is Tanni's sign. | 0:48:53 | 0:48:55 | |
The auctioneer's favourite. | 0:48:55 | 0:48:57 | |
-I am really excited... -Oh! -Oh, here it is. | 0:48:57 | 0:49:00 | |
Look, our best lot's up now. My cost is £60. | 0:49:00 | 0:49:03 | |
-OK. -There's a profit in this. -Good. | 0:49:03 | 0:49:04 | |
Commissions starts here with me at £120. | 0:49:04 | 0:49:07 | |
-Get in. -JADE: -Whoa. | 0:49:07 | 0:49:08 | |
-60 quid done. -120. | 0:49:08 | 0:49:09 | |
It's good value at 120. | 0:49:09 | 0:49:11 | |
Any advance...? | 0:49:11 | 0:49:12 | |
They're away, these two. | 0:49:12 | 0:49:13 | |
Are we all done? I shall sell at 120. | 0:49:13 | 0:49:16 | |
-Hello! -Is that it? -Doubled your money! | 0:49:16 | 0:49:18 | |
-What?! -PHIL: -It's the way we roll, you know? Isn't it? | 0:49:18 | 0:49:21 | |
-It's the way we roll. -Well, I hope this is not the way you roll! | 0:49:21 | 0:49:24 | |
Already on the back straight. | 0:49:24 | 0:49:26 | |
There's a long way to go yet. | 0:49:26 | 0:49:28 | |
OK, I'm pleased with that. | 0:49:28 | 0:49:29 | |
-Yeah. That's good. -It's all right. | 0:49:29 | 0:49:31 | |
Don't look too impressed, just play it down, play it down. | 0:49:31 | 0:49:33 | |
-Yeah, be cool, be cool. -Yeah, it's fine. -Be cool about that. | 0:49:33 | 0:49:36 | |
-Whatever. -Now for one of Jade's big spends. | 0:49:36 | 0:49:40 | |
Will she hit the jackpot? | 0:49:40 | 0:49:41 | |
This isn't normal, to double your money all the way. | 0:49:41 | 0:49:43 | |
-OK. -I don't want you to be too disappointed with me, that's all. | 0:49:43 | 0:49:46 | |
-You've upset me now. -Yeah, I think so. -Interest on the book here. | 0:49:46 | 0:49:48 | |
-At £90. -Come on! | 0:49:48 | 0:49:50 | |
100, 110, 120. | 0:49:50 | 0:49:52 | |
-Come on! -120 in the room. At £120. | 0:49:52 | 0:49:54 | |
-At 120. -Go on! A bit more! | 0:49:54 | 0:49:56 | |
130, 140, 150? | 0:49:56 | 0:49:59 | |
-No? -Come on! We need to double our money, Jade! | 0:49:59 | 0:50:02 | |
Are we all done? I shall sell. Standing, at £140. | 0:50:02 | 0:50:06 | |
-It's a start. -We made money. | 0:50:06 | 0:50:08 | |
-It's all right. -Yeah, not double your money. But not too bad. | 0:50:08 | 0:50:12 | |
It wasn't three bells, but it was two cherries. | 0:50:12 | 0:50:14 | |
Two cherries? Two cherries will do. | 0:50:14 | 0:50:16 | |
You've got other good stuff, though, haven't you? | 0:50:16 | 0:50:19 | |
-Yeah, we have. -Our sign was the best. | 0:50:19 | 0:50:21 | |
-Excuse me! So have we! -Sorry, we've got really good stuff(!) -Yeah. | 0:50:21 | 0:50:24 | |
Like the piggies' choice. | 0:50:24 | 0:50:26 | |
Their alternative garden ornament. | 0:50:26 | 0:50:28 | |
We're hoping we're going to have our noses in the trough here, aren't we? | 0:50:28 | 0:50:31 | |
You've already had them in with that blinking railway sign. | 0:50:31 | 0:50:35 | |
And I can start here with me at £45. 50 anywhere? | 0:50:35 | 0:50:37 | |
-Oh! 45?! -No way! -55 and 60. | 0:50:37 | 0:50:40 | |
Still cheap at £60. | 0:50:40 | 0:50:42 | |
He's going to double his money again. | 0:50:42 | 0:50:45 | |
65, 70, 75, 80, | 0:50:45 | 0:50:47 | |
-85... -No way! | 0:50:47 | 0:50:50 | |
You look shocked? I'm shocked and horrified. | 0:50:50 | 0:50:53 | |
Are we all done at £80? With the gentleman at 80. | 0:50:53 | 0:50:56 | |
Selling at 80... | 0:50:56 | 0:50:59 | |
-Good effort. -Good effort. -Well done. | 0:50:59 | 0:51:02 | |
-Thank you very much. -Well done. | 0:51:02 | 0:51:04 | |
-Wow. -I know. So sorry, Jade. | 0:51:04 | 0:51:06 | |
I'm really sorry, honestly! | 0:51:06 | 0:51:08 | |
-I know! -Another great result leaves them hogging the lead. | 0:51:08 | 0:51:12 | |
I was really happy with that. Do you know, I really liked it, | 0:51:12 | 0:51:15 | |
but I didn't think it would kind of go for that. | 0:51:15 | 0:51:18 | |
Because Jade was saying we had rubbish. | 0:51:18 | 0:51:20 | |
And I think she'd kind of convinced me that I had. | 0:51:20 | 0:51:22 | |
-Oh, no, she's still right! -Yeah, I did. | 0:51:22 | 0:51:25 | |
Jade's turn - the bargain chair. | 0:51:25 | 0:51:27 | |
I think 20 quid profit. | 0:51:27 | 0:51:30 | |
-That would be good. -Would be nice, wouldn't it? | 0:51:30 | 0:51:32 | |
But I don't think we're in the Serrell territory here. | 0:51:32 | 0:51:34 | |
-This is my worry. -Commissions start here with me at £30. | 0:51:34 | 0:51:38 | |
-Come on. -There we go. -38 has it. | 0:51:38 | 0:51:41 | |
-No, 40. 42. -Good, good. | 0:51:41 | 0:51:44 | |
-Go on! -48, 50, | 0:51:44 | 0:51:46 | |
52, 55... | 0:51:46 | 0:51:48 | |
-When do they go to bigger jumps? -Go on! | 0:51:48 | 0:51:50 | |
58? Are you sure? | 0:51:50 | 0:51:53 | |
55 there, at 55. | 0:51:53 | 0:51:54 | |
58, new bidder. | 0:51:54 | 0:51:56 | |
-60. -Go on. -Yes! -Yes! | 0:51:56 | 0:51:58 | |
68, 70, 72, 75... | 0:51:58 | 0:52:02 | |
Go on. No? 72 here. | 0:52:02 | 0:52:04 | |
At £72. 75, well done. | 0:52:04 | 0:52:06 | |
78? No, 75. | 0:52:06 | 0:52:08 | |
-Oh, this is good! -Yeah! I'm happy with that. | 0:52:08 | 0:52:11 | |
We shall sell at £75. | 0:52:11 | 0:52:13 | |
-Yes! -PHIL: -See, annoyingly, that deserved that. | 0:52:13 | 0:52:16 | |
-Yeah. -Yeah. -He's right. | 0:52:16 | 0:52:18 | |
A comfortably large profit. | 0:52:18 | 0:52:21 | |
This is so quick, I can barely keep track. | 0:52:21 | 0:52:23 | |
-I know. -Of actually how quick he's going, | 0:52:23 | 0:52:25 | |
but how much we money we're making or not making. | 0:52:25 | 0:52:27 | |
-It's just... -It's really hard. | 0:52:27 | 0:52:28 | |
This is the big one, Tanni. | 0:52:28 | 0:52:30 | |
If your rivals don't do well with this beaker, the podium beckons. | 0:52:30 | 0:52:34 | |
In this environment, where everything's going so quickly, | 0:52:34 | 0:52:37 | |
I think we'd in for a bit of a nosebleed here, I'm afraid. | 0:52:37 | 0:52:39 | |
Or you could do amazingly well and then you could change of mind. | 0:52:39 | 0:52:42 | |
-Maybe. -And then I will, yeah. I will backtrack completely. | 0:52:42 | 0:52:45 | |
Victorian polished horn beaker with the sterling silver hallmark | 0:52:45 | 0:52:48 | |
for Ellen Terry, the famous Victorian Shakespearean actress. | 0:52:48 | 0:52:52 | |
Commission starts with me just at £25. | 0:52:52 | 0:52:55 | |
-No. -30, 35, 40, | 0:52:55 | 0:52:57 | |
45, 50, 55, 60, 65, 70. | 0:52:57 | 0:53:00 | |
65 here. 65, 70, 75, 80. | 0:53:00 | 0:53:03 | |
85, 90, 95, 100. | 0:53:03 | 0:53:06 | |
110, 120, 130 and 140. | 0:53:06 | 0:53:09 | |
-140 takes it. -Come on! -It's still no money at 140. | 0:53:09 | 0:53:13 | |
-Say something, Jade. -At 140? | 0:53:13 | 0:53:16 | |
Well, it could have been much worse. | 0:53:17 | 0:53:19 | |
Certainly could. They've got away with that a bit. | 0:53:19 | 0:53:22 | |
We've got a bit of local social history next. | 0:53:22 | 0:53:25 | |
-What have you got? -Miner's lamp. | 0:53:25 | 0:53:26 | |
-JADE: -Oh, nice. -Yeah, yeah. | 0:53:26 | 0:53:28 | |
-Yeah? -I like miner's lamps. | 0:53:28 | 0:53:31 | |
Oh, sorry. Wonderful. Wonderful. Love miner's lamps. | 0:53:31 | 0:53:34 | |
-I have a miner's lamp. -Oh, yeah, me too. | 0:53:34 | 0:53:36 | |
He always gets bitter when he loses money. | 0:53:36 | 0:53:39 | |
Yeah, come on, David. Nothing wrong with a nice lamp though. | 0:53:39 | 0:53:42 | |
Commissions starting with me at £30. | 0:53:42 | 0:53:44 | |
Two anywhere? 32, 35, 38, 38 with the lady. | 0:53:44 | 0:53:48 | |
40, 42? No. 40 seated here. | 0:53:48 | 0:53:51 | |
-At £40. -Maybe they're back in fashion, I don't know. | 0:53:51 | 0:53:54 | |
-What do I know? -At £40. | 0:53:54 | 0:53:56 | |
-Oh. -Wiped its face. | 0:53:56 | 0:53:58 | |
Whose expression was that? | 0:53:58 | 0:54:01 | |
Can Jade's Sunderland glass help her catch up a bit? | 0:54:01 | 0:54:05 | |
If you want to buy a really good paperweight, | 0:54:05 | 0:54:07 | |
this is the one you want to have. | 0:54:07 | 0:54:09 | |
Now, this is a unique Tanni Grey-Thompson. | 0:54:09 | 0:54:12 | |
Tanni Grey...? It's not a Tanni Grey-Thompson! | 0:54:12 | 0:54:14 | |
-It is a Tanni Grey-Thomson. -This is from the Baroness range. | 0:54:14 | 0:54:16 | |
-Oh, look. Look, it's up. -The bid is with me at 25. | 0:54:16 | 0:54:19 | |
Do I see...? 28 takes it in the room now. | 0:54:19 | 0:54:20 | |
Come on. No! | 0:54:20 | 0:54:22 | |
30, 32, 35, 38? | 0:54:22 | 0:54:24 | |
No. 35 here. | 0:54:24 | 0:54:26 | |
Oh, it's a nasty one. | 0:54:26 | 0:54:27 | |
I shall sell at £35. GROANING | 0:54:27 | 0:54:30 | |
-Oh, no. -Not to worry. Again, it was a beautiful thing. | 0:54:30 | 0:54:33 | |
-I think we'll hang onto ours. -I think so. | 0:54:33 | 0:54:36 | |
Good idea. They don't seem keen. | 0:54:36 | 0:54:39 | |
Great bit of social history for us next, | 0:54:39 | 0:54:41 | |
Malings of Newcastle tea caddy. | 0:54:41 | 0:54:43 | |
-Tea caddy. -Yeah. -Was it Ringtons? Ringtons, is it? -Ringtons, yeah. | 0:54:43 | 0:54:46 | |
-Really pretty. -It is nice. -I love the blue. | 0:54:46 | 0:54:48 | |
And quite rare, because they made 48 million of them. | 0:54:48 | 0:54:51 | |
He is bitter. | 0:54:51 | 0:54:53 | |
Now, they like a cup of tea around here, | 0:54:53 | 0:54:55 | |
and it has Ripon Cathedral on it. | 0:54:55 | 0:54:57 | |
-Commission starts here on £18. -There you go. -Wow. | 0:54:57 | 0:55:00 | |
On commission at £18. | 0:55:00 | 0:55:03 | |
Are we all done? 20 at the back. | 0:55:03 | 0:55:05 | |
-Double bubble Serrell. -It's a funny old world, isn't it? | 0:55:05 | 0:55:09 | |
Funny old world. | 0:55:09 | 0:55:11 | |
Disappointed, really, cos we just doubled our money there, didn't we? | 0:55:11 | 0:55:15 | |
Now he's just rubbing it in. | 0:55:15 | 0:55:17 | |
Do you know what? If I came here, | 0:55:17 | 0:55:18 | |
I'd end up spending more money than I made. | 0:55:18 | 0:55:20 | |
An auctioneer's skill is to sell you something | 0:55:20 | 0:55:22 | |
that you wanted to buy for more than you wanted to pay for it. | 0:55:22 | 0:55:25 | |
-OK. -So if your limit's 15 quid, he wants to sell it you for 20 or 25, | 0:55:25 | 0:55:30 | |
and he can do that in a number of ways too. | 0:55:30 | 0:55:32 | |
One of the best tricks I heard is if you want someone to bid again, | 0:55:32 | 0:55:35 | |
you just nod at them. Most people always nod back at you. | 0:55:35 | 0:55:38 | |
-Oh, yeah. -So you leave it till the last, going, "One more?" | 0:55:38 | 0:55:40 | |
-They always nod back. -Yeah, interesting. | 0:55:40 | 0:55:42 | |
-I'm not going to nod at all! -No. | 0:55:42 | 0:55:44 | |
Well, I hope for Jade's sake that | 0:55:44 | 0:55:46 | |
someone gives her Goss collection a nod or two. | 0:55:46 | 0:55:49 | |
Fiver. Five away. Five to the hand, and five. | 0:55:49 | 0:55:53 | |
-Go on. -Any advance on £5? | 0:55:53 | 0:55:54 | |
Eight, ten, 12, 15, 18? | 0:55:54 | 0:55:57 | |
-No, 15. -Go on! Go on, keep going. | 0:55:57 | 0:56:00 | |
On the front at £15. Are we all done? | 0:56:00 | 0:56:03 | |
I shall sell at £15. | 0:56:03 | 0:56:05 | |
-It's all right, Jade. -£5. -Keep the spirit. -That's all right. | 0:56:05 | 0:56:08 | |
That's done well for them, hasn't it? | 0:56:08 | 0:56:11 | |
Yeah, for us, that's really good! | 0:56:11 | 0:56:13 | |
It's respectable, is what it is. | 0:56:13 | 0:56:15 | |
Jade, don't worry, cos it's not all over yet. | 0:56:15 | 0:56:17 | |
These two have got one more item to sell. What did you pay for this one? | 0:56:17 | 0:56:21 | |
It's not... Listen, we're bang on trend here, up there with the kids, | 0:56:21 | 0:56:24 | |
-aren't we? -Yes. -Up there with the kids, cutting-edge. | 0:56:24 | 0:56:26 | |
-Down there with the kids. -Down there? Is it down there? | 0:56:26 | 0:56:28 | |
-Yeah. -Well, up and down with the kids, we are. | 0:56:28 | 0:56:30 | |
-Yeah, yeah. -And £15 for our steel cupboard and our bits of glass. | 0:56:30 | 0:56:35 | |
Yeah, they really took a punt on those. | 0:56:35 | 0:56:37 | |
The bid is with me at 20. | 0:56:37 | 0:56:39 | |
Oh, well done. I'm so pleased for you. | 0:56:39 | 0:56:41 | |
28 with the lady, it's no money at 28. | 0:56:41 | 0:56:43 | |
-That's it, new nickname. -30, 32. 30 with you, sir. | 0:56:43 | 0:56:47 | |
-32. -Disappointing, Tanni, this, isn't it? | 0:56:47 | 0:56:49 | |
Just doubling its money again, you see? | 0:56:49 | 0:56:51 | |
-Keep a straight face. Keep a straight face. -It's not normal. | 0:56:51 | 0:56:55 | |
-Yeah. -This is not normal. You're regretting spending time with me. | 0:56:55 | 0:56:57 | |
-At £48... -Did that just double our money again? | 0:56:57 | 0:57:01 | |
-I think so. -Tripled, actually. | 0:57:01 | 0:57:03 | |
Come on then, Double Bubble, let's exit and work these figures out, | 0:57:03 | 0:57:06 | |
-shall we? -We might be a bit slower than you, | 0:57:06 | 0:57:08 | |
cos we're weighed down with money. | 0:57:08 | 0:57:09 | |
-Ha-ha-ha! -Shall we go? | 0:57:09 | 0:57:12 | |
Right, let's go. | 0:57:12 | 0:57:14 | |
Jade and David started out with £400 and, after auction costs, | 0:57:14 | 0:57:18 | |
made a loss of £67.90. | 0:57:18 | 0:57:21 | |
So they ended up with £332.10. | 0:57:21 | 0:57:25 | |
While Tanni and Phil, who also began with 400, | 0:57:25 | 0:57:28 | |
made a profit, after costs, | 0:57:28 | 0:57:30 | |
of £92.56. | 0:57:30 | 0:57:33 | |
So, with £492.56, they are the clear victors. | 0:57:33 | 0:57:38 | |
All profits will go to Children In Need. | 0:57:38 | 0:57:41 | |
In every event, there are gold medal winners | 0:57:41 | 0:57:44 | |
and there are those that end up with silver, | 0:57:44 | 0:57:47 | |
sometimes bronze. | 0:57:47 | 0:57:49 | |
Now, I'll let you work out... | 0:57:49 | 0:57:51 | |
-Right. -Who got gold and who's got tin. | 0:57:51 | 0:57:56 | |
-Oh, no! -Jade, we're silver, I'm afraid. We're silver. | 0:57:56 | 0:57:58 | |
Not bad for rubbish, was it? | 0:57:58 | 0:58:00 | |
-You ready? One, two, three. -BOTH: Yes! | 0:58:00 | 0:58:03 | |
Fun's almost over. It'll soon be back to the training regime. | 0:58:03 | 0:58:07 | |
-It's been a good day, hasn't it? -It's been loads of fun. | 0:58:07 | 0:58:09 | |
-Brilliant, well done. -Now, some of us are old enough | 0:58:09 | 0:58:12 | |
to remember the '80s, | 0:58:12 | 0:58:14 | |
and have the cassettes to prove it. | 0:58:14 | 0:58:16 | |
# Gold! Always believe in your soul | 0:58:16 | 0:58:20 | |
# You've got the power to know | 0:58:20 | 0:58:22 | |
# You're indestructible | 0:58:22 | 0:58:24 | |
# Always believe in... # | 0:58:24 | 0:58:27 | |
Do you know what? That was absolutely first class. | 0:58:27 | 0:58:30 | |
THEY LAUGH | 0:58:30 | 0:58:32 |