Buckland Flog It!


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LineFromTo

We are nine miles from the coastline, but looking over there at that backdrop,

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you wouldn't believe it.

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We're in the heart of the Devon countryside

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and this magnificent building behind me is Buckland Abbey,

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our venue for today's show. Welcome to "Flog It!".

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ROOSTER CROWS

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'Buckland Abbey was built in 1278,

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'with this remote spot chosen by monks

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'because it was close to running water -

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'perfect for their cider making.'

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ALL: Hello!

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But the heady atmosphere here today isn't due to a lot of cider drinking,

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it's because we've got a wonderful crowd of people, hundreds of them.

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They're hoping they're one of the lucky ones

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that go through to auction later with something that is worth a small fortune.

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The beauty of this is they don't know what they've got yet.

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It's up to our experts to find it.

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'Taking on the expert challenge today are David Barby...'

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-Oh, it's a sweetie pops! And it's just been washed.

-THEY LAUGH

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DISCORDANT NOTES

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-'..and Catherine Southon.

-Go on.

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TUNELESS NOTES

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'Buckland Abbey is proving to be a really popular venue

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and today's show is fit to bursting with fascinating treasures.'

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'Can any of you at home guess which of these three shiny,

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'sparkly antiques makes the most money at auction?'

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'A diamond ring.'

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One carat. Brilliant cut. Old cut.

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'A Georgian silver jug.'

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This is an exquisite piece.

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'Or a cloisonne brooch.'

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What drew me to this is the stunning, vibrant colours.

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'Well, I'll let you know later on, but let's not keep everyone waiting.'

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Well, there's no time like the present.

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We should get on with a few valuations, move the day along.

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Look at this wonderful queue. And there is such an air of excitement.

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Everybody hopes they have something that's worth a lot of money.

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We're going to find out who the lucky ones are.

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It looks like Catherine has spotted somebody.

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Let's see what they've brought along.

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'And it's Peter's colourful brooch which has caught Catherine's eye.'

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A stunning brooch with lovely cloisonne enamel

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in the form of a dagger.

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Tell me, where did you get this from?

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Round about the 1960s, I moved into an old house

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and I was doing some decoration on the stairs

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and moved the stair carpet and there it was underneath the carpet.

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-So you found it under the carpet?

-I did, indeed, yes.

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-What a gem! Was there anything else under the carpet?

-No.

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SHE LAUGHS No, nothing at all!

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-Is it something that you or your family have ever used?

-No.

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Definitely. I put it in the drawer and it's been there ever since, really.

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Do you know anything about it at all?

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No, I don't. No.

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Well, what drew me to this is really the stunning, vibrant colours.

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You can see here these little individual sections of enamel.

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And they've been put on to the brooch

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and separated from one another with the wire that goes round.

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And this type of enamel work is called cloisonne enamelling.

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Now, opening this up,

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we can turn it over and see a couple of marks.

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First of all, I must tell you that this type of dagger is called

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a kindjal dagger. Did you know that?

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-I didn't, no.

-Well, there you go.

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And turning it over...

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I can see a kokoshnik mark which tells us it's from Russia.

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Right.

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Also, here there's a type of mark which is a maker's mark,

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but, unfortunately, it's partially rubbed

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so we can't actually tell you exactly where it is made.

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But the fact that it's got this kokoshnik mark

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enables us to date it to between 1899 and 1917.

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So, it's probably around 1900, that sort of date.

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Would you be happy to sell it at between £80 and £120?

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Yeah, if that's the value of it, fine, that sounds great.

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I think we should put it in at £80 to £120,

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-with a fixed reserve of £60.

-Lovely.

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-And I think it might surprise us.

-Oh, right.

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'And I hope it's a good surprise.

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'I've headed into the Abbey's gardens to talk silver.'

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Emily, some lovely silverware, look at this, have we won the cup?

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Well, I don't think so. Look, as you know, it's dated 1923,

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but these are fascinating.

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So, how did you come by these?

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They're my grandad's, and he inherited them from his aunt,

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and, um, I think it's time they went

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because we have nowhere to put them and cleaning them...

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So, they just go to waste, really.

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-They've been in the family long time?

-Yes.

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Who's been cleaning them, polishing all of these up?

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-My granny.

-Oh, bless her.

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Has somebody in your family won these in the past?

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Yes, and, um...but they passed it down to my grandad.

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-So, this could be your inheritance, really?

-Yes.

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I know you are a keen show-jumper,

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you're off to pony club straight after this little chat?

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You never know, you could win some silverware.

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These are fascinating, aren't they?

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Look what it says here, "Tavistock Fat Stock Show, 1923."

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That's presented for the best beast in the field, basically.

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Ha-ha, I love that!

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Who's going to get best beast?

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Me, please!

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Look at these marks on the back, OK, there's a makers mark.

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There's the assay marks, there,

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for Birmingham, it's the sign of an anchor.

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And that's a lion, tells us it's sterling silver, so it's English.

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And that capital X tells us that this was made in 1922,

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a year before this cup was presented.

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There's a nice piece of history, there.

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Here is the largest one, look at this.

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It's got this lovely, sort of, classical vase shape,

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almost like an urn.

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It's typical of the Georgian period,

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although, this is an Edwardian piece.

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Were your grandparent's farmers at all? Are they still farmers?

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Yes, they still are, yes.

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So, that makes sense.

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And then, there's this one.

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For the best animal in show, this one's 1927, this one's bit later.

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Yes.

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Slightly a different...

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-I think it looks quite modern.

-..design.

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It does, more contemporary looking. in keeping with the period.

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Yeah.

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It's a great time to sell silver right now,

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it's at an all-time high.

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Whenever there's a recession, or the economy's really low, investors,

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not just in England, but throughout the world,

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invest in gold and silver.

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So the bullion prices and precious metal prices are very high.

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If I said, I think you should get around £700

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I think you'd be really happy.

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I would be really, really happy, yes.

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That's what they're going to get. Would you like to sell them?

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-Yes.

-Yeah?

-Yeah.

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Well, let's put them into auction with a value of £600 to £700,

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-with a fixed reserve of £600.

-Yeah, yeah.

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-Now you can go off and win a trophy, can't you?

-Yeah.

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David loves his pots, but with his next valuation,

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he's run out of space for them.

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Val, I have two offer you an apology.

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First of all, I haven't got a table large enough

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to put your whole collection of Oriental ceramics.

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I understand that you bought these in the 1970s?

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Something like that, yes.

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-When you were in Indonesia?

-Correct, yes.

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Did you have a tea plantation, or something like that?

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No, we didn't have a tea plantation,

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my husband was in business in Indonesia.

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Oh, right, quite high-powered.

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-Oh, no, he wouldn't say that.

-Ha-ha!

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But, how did you acquire all these ceramics?

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Because they are predominantly late 19th and early 20th century.

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Well, it was a very nice way to acquire them,

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because in the evenings we would be sitting on the patio in our bungalow,

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having a gin and tonic, and a tukang,

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which was the name of the travelling salesman,

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would come and he'd sit down and he'd spread all the wares out

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and we'd have a happy couple of hours bargaining in Indonesian

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and sometimes we'd buy something and sometimes we didn't.

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Oh, right.

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You've gone for a large number of these celadon glazes.

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Now, I like these, sort of, soft greens.

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There's a nice old piece, there,

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and a more modern one here.

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Which has a base metal mount, a white metal mount.

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And you have blue and white wares.

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I know you have a pair of these,

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but only one with a carved wood stand and cover.

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And you have, what you term as, what's this block here,

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-what do you call it?

-I called it an opium pillow.

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It could either be used as a pillow or it could be for flower arranging.

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But this one is all printed design, it's not hand-painted.

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Whereas this piece at the back, here, which I think is startling, of a serpent.

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It's a dragon, isn't it?

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A dragon, here, with very distinctive wings,

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This is a beautiful piece.

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Very spontaneously decorated, with great skill.

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I think this would be my favourite piece.

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I think it was my husband's favourite, that one.

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Let's think in terms of price.

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There's 11 pieces, all told, of varying quality and varying date,

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predominantly 20th century.

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I'm suggesting that we put the whole lot up for sale at one go.

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The auctioneer may, in his wisdom,

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wish to separate the celadon from the blue-and-white,

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and that's entirely in his hands.

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But I think we have to establish a price, probably between £200,

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£250, £300, that sort of price range.

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I think we need to put a reserve of 200. Would that be acceptable?

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-Fine, fine. Absolutely.

-Why are you getting rid of this?

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Because we are planning to move to Australia to join our family,

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and I'm going to go all minimalistic

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and not take lots of bits and pieces.

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That's de rigueur in Australia. They have lots of mirrors

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-and wide open plate glass windows, lots of light. It's wonderful.

-Yes.

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Well, there you are, our first three items found and ready to go off to auction.

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Let's find out exactly what they are worth.

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let's put those valuations to the test.

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Here's a recap of what's going under the hammer.

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Peter's Russian brooch in the shape of a dagger.

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Emily's three silver show cups.

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And Val's 11-piece collection of Oriental ceramics.

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And we're selling our antiques down the road, in Plymouth,

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at Eldred's Auctioneers,

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where the standard sellers' commission is 15% plus VAT.

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Anthony Eldred is our auctioneer on the rostrum.

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£50, quite sure?

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The auction has just started, tension is building.

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Let's find out who our first owner is.

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Hopefully, they might go home with a lot of money.

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Let's see how Val's collection of ceramics goes down

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with the bidders, and they're all staying in one lot.

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We've got a valuation of £250 to £350, David,

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which you put on, with a reserve of £200.

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Since the valuation day,

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the auction room has reduced the reserve to £150.

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They're slightly worried they might not sell.

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Hopefully, we'll still get within your estimate.

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-I would hope so.

-I think there is quality and quantity there.

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So, the big move to Australia.

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Well... Yes, we hope, but not for a year or so.

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-Long-term plans?

-Yes.

-Let's see what the bidders think.

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Here we go, they're going under the hammer.

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It's a collection of mainly 20th century

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and contemporary Oriental ceramics.

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-I'm bid £240.

-Oh!

-We didn't need it, did we?

-£240.

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-50 if you want it. At £240 then.

-There is a lot there.

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Any more in the room at £240?

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Finished at 240.

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-Sold. Well done.

-Oh, we did very well.

-Well, I thought so.

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That's good. And that's money towards the Australia fund.

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-Well, no. Probably into my grandson's saving account.

-Wow.

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One bidder just got a lot for his money with that 11-piece collection.

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OK, next up, a Russian silver gilt brooch.

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That, and Catherine Southon, our expert.

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Unfortunately, our owner, Peter, cannot be with us, he's on holiday.

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We've got £80 to £120 on this.

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Were you being cautious or is that about right?

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I probably was. I love the cloisonne enamel.

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It's really pretty, lots of lovely colours. But it does seem quite cheap now.

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So, maybe I was a bit conservative.

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It does sound quite exotic, it's Russian. It ticks all the boxes.

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It's a Russian gilt brooch. £50. Bid for that at £50 pounds.

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-Five if you want it. 55. 60. Five. 70.

-Lots of hands going up.

-80.

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-Five.

-Competition in the room.

-100.

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-And 10. 120.

-I knew it was too low.

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-It's on the top estimate now.

-£120, then. You finished?

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All done, then, at £120.

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Well done, Catherine.

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I thought it would go for more than that, but 120, that's good.

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-Peter will be pleased.

-He'll be pleased.

-We didn't let him down.

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Top end of the estimate for that pretty little bit of cloisonne.

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And now, it's my turn to be put on the spot with my valuation

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of the three early 20th century cups.

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They belonged to Emily, who's at the dentist today.

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But we do have her older sister, Elizabeth.

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-Hello.

-You do look alike.

-Yes, we do.

-And there is a younger sister,

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-as well, is there?

-Yes, Alicia.

-So, there's three of you.

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-I bet you all get very competitive with your ponies.

-Yes, we do.

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This is where the money is going towards, if we can sell these,

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-cos you need... What do you need?

-A new horse box. Yes.

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I had a chat with the auctioneer yesterday.

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-He said that it's going to be tight.

-Yes.

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Because the price of silver has slightly, unbelievably, dropped.

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-It's going to be close.

-OK.

-But we need that horse trailer.

-Yes, we do.

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-Let's find out.

-Lot 406.

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Two-handled trophy cups.

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Local connection to the Fat Stock Show.

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And £540 for them. 540. 550.

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560. 570. 580. 590. 600.

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-And 10.

-There we go.

-Wow.

-620.

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630. 640. 650. 660.

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670. 680. 690.

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-At £690.

-That's our bid.

-At £690. Finished at 690.

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Yes! The hammer has gone down. Sold, £690! That's great.

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-That's really good.

-Pleased?

-Yes, very pleased.

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-That's money towards that horse trailer.

-Yeah.

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-Give Emily the good news.

-I will.

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-Is she going to be happy?

-She will be very happy now.

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-Good luck.

-Thank you.

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That's what I call a prize-winning result.

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Anthony has literally just got off the rostrum.

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We're halfway through our auction, so we're taking a break. So far, so good for all of our own,

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as we're coming back here later on in the show. So, don't go away.

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This next film is all about a personal passion of mine,

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playing the drums, but this time with a modern twist,

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something ancient.

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I don't think there's anybody in the world who can say

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they don't feel energised by the beat of the drum,

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whether a marching band in a military procession,

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dramatic introductions at the theatre

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or gigs played all over the world.

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Drumming gets you going! It gets your adrenaline going.

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Now, many of you may know, at one stage in my life,

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I was a professional drummer, many moons ago.

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So, I'm absolutely delighted to come here today to the Barnfield Theatre,

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in Exeter, to pick up the sticks once again,

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albeit with a difference.

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Modern Taiko drumming was invented by a Japanese musician

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called Daihachi Oguchi in the 1950s.

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His background was in jazz music and he saw an opportunity

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for multiple drums to be played to different beats in a group,

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rather than as solo percussion, amongst other types of instruments.

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The drums used for taiko are traditional instruments in Japan

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that have been heard and seen for centuries,

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throughout the country's history,

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and were most likely first used by the military.

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The drums are still used today in temples, theatres and festivals.

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In fact, the word taiko means drum or big drum.

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There are many myths surrounding their introduction

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into Japanese culture.

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One of the first people to bring the taiko technique to UK

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was Jonathan Kirby, who runs a performance group and drumming school,

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Kagemusha Taiko.

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I know a little bit about drumming, but nothing about taiko,

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so explain a little bit further.

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We talk about four principals when we play taiko.

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-Attitude, so it's the way you approach it.

-OK.

0:18:010:18:03

Your kata, which is a martial arts term, meaning your stance,

0:18:030:18:07

the way you stand, the way you project in performance art.

0:18:070:18:10

-Technique is about doing simple things well.

-Yes.

0:18:100:18:14

And then we move on to chi, which is the energy.

0:18:140:18:16

That's what makes it so exciting. That's what you need to channel.

0:18:160:18:19

-Get the breathing right.

-Yep.

-Get focused.

0:18:190:18:21

What do you say it's a derivative of? Is it world music?

0:18:210:18:25

Or is it just purely Japanese rhythms?

0:18:250:18:27

Oh, it definitely a world music thing. Taiko is a creative thing.

0:18:270:18:31

There are some traditional Japanese rhythms,

0:18:310:18:34

maybe about half a dozen that taiko groups around the world would know.

0:18:340:18:38

-Which are your rudiments, in a way.

-Absolutely.

0:18:380:18:40

I think it's important to understand the history, know where it comes from.

0:18:400:18:44

-Sure.

-But, from that, you create your own music, which is what we do.

0:18:440:18:48

We create taiko that's influenced by Anglo-Celtic sounds, rock 'n roll.

0:18:480:18:52

-Really?

-Yeah.

0:18:520:18:53

What's this behind me? Is it some sort of cowbell?

0:18:530:18:57

It is a sort of cowbell. It looks like it fell off the bottom of a car, doesn't it?

0:18:570:19:01

It looks like an exhaust pipe. Let's look at it.

0:19:010:19:04

-Is it heavy? Where did this come from?

-This was...

0:19:040:19:07

It's a very special gift to us.

0:19:070:19:09

It came from Mr Oguchi, or Grand Master Oguchi,

0:19:090:19:12

the creator of that first group.

0:19:120:19:14

-Do you hit it?

-You do, with sticks.

-Is it tuned?

-It is.

0:19:140:19:19

It's a beautiful instrument. Mr Oguchi said, "Taiko is great.

0:19:190:19:23

"The wood of the drums is like a forest,

0:19:230:19:25

"but without metal percussion, it's a forest without birdsong."

0:19:250:19:29

Oh, that's lovely, isn't it?

0:19:290:19:31

I'd like to hear some of that with the drums later on, then.

0:19:310:19:33

-We can do that.

-So, how do you go about converting a kit drummer?

0:19:330:19:37

We introduce you to one of our group members.

0:19:370:19:40

My son, Oliver, is a member of the main performing group.

0:19:400:19:44

Thanks for helping us out today, Oliver.

0:19:440:19:46

-Where do we start?

-We can show you the ropes,

0:19:460:19:48

introduce you to some of our fundamentals

0:19:480:19:51

-and have a little go.

-Come on, then.

0:19:510:19:53

I'm excited, but with slight trepidation.

0:19:530:19:55

-No problem, we'll get you through it.

-OK.

0:19:550:19:57

As Jonathan said, much of taiko is about doing simple things well.

0:19:570:20:01

While the beats that we play are important,

0:20:010:20:03

it's also about how we play them

0:20:030:20:05

and the way we present ourselves when we play.

0:20:050:20:08

So, take your left leg and plant it behind the left corner of the drum. And then right leg, going behind.

0:20:080:20:13

To get your body weight down?

0:20:130:20:15

Yep, and you've got a nice foundation to work off.

0:20:150:20:17

The arms go out in front. There's space under the armpits.

0:20:170:20:20

-Open your diaphragm.

-Yep. Open your body out.

-So you can breathe.

0:20:200:20:24

Even this, a group of people doing this, is performance in itself.

0:20:240:20:27

-It's quite ceremonial.

-Absolutely.

0:20:270:20:29

It's a very powerful feeling, just standing here,

0:20:290:20:32

knowing you're going to hit this in a moment and it'll be really loud.

0:20:320:20:36

-Exactly. That feeling of tension...

-Suspense.

0:20:360:20:39

..goes to the audience as well.

0:20:390:20:41

-The first beat we'll play, we keep our arms in this position.

-OK.

0:20:410:20:44

The left hand is going to stay there and with the right,

0:20:440:20:47

we're going to drag up with the back of the hand.

0:20:470:20:49

So, we come up in a straight line, so the stick is line with your arm.

0:20:490:20:53

To hit the drum, we bend at the elbow,

0:20:530:20:55

so the stick is still vertical, then at the wrist, and then snap.

0:20:550:20:58

-You follow through. Basically, this is your power stroke.

-Absolutely.

0:20:580:21:02

Let it bounce off the drum skin when you hit it.

0:21:020:21:04

Under that, someone might play a base rhythm.

0:21:040:21:07

The one I'll show you now is called a dongo.

0:21:070:21:10

It's a swung base rhythm. And it sounds...

0:21:100:21:13

There you go, exactly.

0:21:150:21:16

I wonder if you're up to the challenge of playing a little piece with myself and Jonathan.

0:21:160:21:21

Come and get Dad on. Here he is.

0:21:210:21:23

The master.

0:21:230:21:24

-What are we doing? Is this a traditional song or one of your songs?

-It's one of mine.

0:21:270:21:31

Were going to play a piece called Congruenza, an extract from it.

0:21:310:21:34

It features Oliver playing a couple of melodies, as we call them, on that side.

0:21:340:21:38

I'll play a couple this side. And we'll have a little bit at the end.

0:21:380:21:42

-And you'll play the same as Oliver or me throughout.

-OK.

0:21:420:21:45

Here we go.

0:21:450:21:46

'Well, I can't tell you how much enjoyed that, but right now

0:22:290:22:32

'get ready for a special performance from some of the group's drummers.'

0:22:320:22:35

All of a sudden, there is a great feeling of suspense and dynamic.

0:22:410:22:45

Yeah! Fabulous!

0:23:530:23:57

Absolutely fabulous.

0:23:570:23:59

With a drumming beat setting off today's rhythm, let's keep marching

0:24:040:24:08

as Buckland Abbey is surrounded by "Flog It!" fans.

0:24:080:24:12

One quirky antique that has caught Catherine's eye is a stanhope.

0:24:120:24:16

Regular viewers of "Flog It!" may recognise them, but for those who don't,

0:24:160:24:21

they are Victorian novelties used to view microscopic images.

0:24:210:24:25

And it all started with the lens designed by Mr Charles Stanhope.

0:24:250:24:29

Over to Catherine.

0:24:290:24:31

Mary, I homed in on this because it is a stanhope,

0:24:310:24:35

but a stanhope with a difference - it's in the shape of a fish.

0:24:350:24:39

Where did you get this?

0:24:390:24:41

I inherited it from my father after he died some years ago.

0:24:410:24:46

When turning out the house, I found it with a couple of others.

0:24:460:24:51

But this was interesting because it had pictures of Plymouth on it.

0:24:510:24:55

Oh, it's got pictures! Even more perfect!

0:24:550:24:58

Should we just take a little look?

0:24:580:25:00

Let's see if we can see inside.

0:25:000:25:03

Now, if you peer in here, there is a tiny, little lens,

0:25:030:25:08

and you can see different images.

0:25:080:25:11

And I can see...the lighthouse and St Andrew's cross.

0:25:110:25:17

There's the pier, Breakwater and the Eddystone Lighthouse.

0:25:170:25:22

Well, I think that's perfect that you can see all the buildings,

0:25:220:25:25

the local attractions of Plymouth.

0:25:250:25:27

But what really excites me about this is the fact that it's carved,

0:25:270:25:31

quite beautifully, in the shape of a fish.

0:25:310:25:36

Really, we associate stanhopes as a novelty, a toy in the Victorian era.

0:25:360:25:41

-Yes.

-So, this item really dates from the late 19th century, I would say.

0:25:410:25:47

Stanhopes are quite collectable,

0:25:470:25:49

but I'm always amazed at how little they make at auction.

0:25:490:25:53

They don't make a great price.

0:25:530:25:56

You can get them in all different materials.

0:25:560:25:59

This one is made from bone. We know that because of the flecks...

0:25:590:26:02

-Yes.

-..on the material.

0:26:020:26:05

Estimate wise, I would say about £40 to £50.

0:26:050:26:10

I think people will be attracted to it

0:26:100:26:12

because of the fish, the Plymouth scenes and it might make some more.

0:26:120:26:16

-OK.

-Let's put a reserve on of £30 and hope it makes toward the top end of the estimate.

0:26:160:26:21

-That would be lovely.

-Hopefully, a bit more than that.

0:26:210:26:25

-How does that sound to you?

-Yes, that sounds pretty good to me.

0:26:250:26:29

Well, let's hope it swims away at the auction.

0:26:290:26:31

Now, that's caught my eye. Whose is it?

0:26:350:26:38

-Mine.

-What is your name?

-Jill.

-Jill. That's by Tony Warren.

0:26:380:26:42

I knew the artist. He was a friend of my parents.

0:26:420:26:46

-Very collectable in the '80s.

-Yes.

0:26:460:26:48

That's brought back memories for me. Good luck with that.

0:26:480:26:51

Something has caught David's eye - a bit of silver brought by Alan.

0:26:510:26:57

This is an exquisite piece of Georgian silver.

0:26:570:27:03

This is a jug, which might have been part of a tea set.

0:27:030:27:07

There's probably three or four pieces. But this stands on its own.

0:27:070:27:14

So you could use it for cream or milk on any occasion,

0:27:140:27:17

it doesn't have to be with the tea set.

0:27:170:27:19

Now, all the sort of elements of the late Georgian period

0:27:190:27:23

are reflected in this particular item.

0:27:230:27:26

Now, where does it come from? Is it a family heirloom?

0:27:260:27:29

It was given to my mother and I inherited it

0:27:290:27:33

when she passed on about nine years ago.

0:27:330:27:35

Right. First of all, I like the shape, which is very functional.

0:27:370:27:41

I love the fluted design.

0:27:410:27:43

On the front here, you've got what we term as a cartouche.

0:27:430:27:47

That's a wreath that leaves a space in the middle for either a date

0:27:470:27:51

or initials.

0:27:510:27:53

We've got the initials on the front here with a surname M.

0:27:530:27:56

What does that mean to you?

0:27:560:27:58

-That's Mackenzie.

-Mackenzie.

-Yes.

0:27:580:28:01

My mother worked in service for a family called Mackenzie,

0:28:010:28:06

obviously before I was born.

0:28:060:28:08

-Right.

-So, many years ago.

0:28:080:28:10

I believe it came down from a daughter of the Mackenzies,

0:28:100:28:16

who gave it to my mother.

0:28:160:28:18

They must have held her in high regard.

0:28:180:28:20

-She was a very strong person.

-Was she really?

-Yes.

0:28:200:28:23

The other element I like about this piece

0:28:230:28:27

is this bright-cut decoration all the way around, called garlands.

0:28:270:28:32

These lovely garlands with little pendules all the way around.

0:28:320:28:36

It's typical decoration round about the time of George III

0:28:360:28:41

and the Regency. We call that neoclassicism.

0:28:410:28:45

It's looking back to the ancient Greek, ancient Roman period

0:28:450:28:48

for inspiration.

0:28:480:28:50

So, this has all the elements of the late Georgian period.

0:28:500:28:54

The mark on the front there is for London, 1802.

0:28:540:29:01

And the maker, we think, is Thomas Whipham,

0:29:010:29:04

who specialised in jugs of that particular period.

0:29:040:29:08

Now, I've explained all the various components of that.

0:29:080:29:12

It sounds wonderful and it is wonderful.

0:29:120:29:15

Possibly I've over-embellished it and you think it's worth thousands, but it's not.

0:29:150:29:20

It's going to be worth something in the region, at auction,

0:29:200:29:25

of let's say £80 to £100.

0:29:250:29:27

I think we should put a reserve, to protect you, of around about 65.

0:29:270:29:32

-Is that agreeable?

-Yes, that's fine.

0:29:320:29:34

I know I shouldn't ask this, but would you do with 65?

0:29:340:29:37

Well, I'd like to put it towards a new set of golf clubs.

0:29:370:29:41

-Does the wife no?

-No.

0:29:410:29:42

I think I'll probably have to go on a holiday.

0:29:420:29:46

I think that's right, actually. Take your old golf clubs with you.

0:29:460:29:49

Thank you very much for bringing this along. I do appreciate that.

0:29:490:29:53

Buckland Abbey was not only home to an order of monks many centuries ago,

0:29:560:30:00

it was also owned by famous sailor, Sir Francis Drake.

0:30:000:30:04

Jean, one of the abbey's volunteer guides,

0:30:040:30:07

has brought a special book to show me.

0:30:070:30:11

You don't know what's going to turn up at a "Flog It!" valuation day.

0:30:110:30:14

We've got something signed by one of the descendents of Sir Francis Drake.

0:30:140:30:18

-Yes.

-That's marvellous. In the grounds of his home.

-Yes.

0:30:180:30:24

He was this country's first circumnavigator.

0:30:240:30:28

I mean, he was a hero in his days. Must have been a wealthy man.

0:30:280:30:31

-When he came back, yes.

-He wasn't born too far away from here.

0:30:310:30:36

Crowndale, just on the outskirts of Tavistock.

0:30:360:30:39

But his father, who was involved in prayer book wars,

0:30:390:30:44

had 11 sons, and they went and lived on a hulk on the River Medway.

0:30:440:30:51

-That's where Francis Drake began sailing.

-Really?

-Yes.

0:30:510:30:56

Apprentice to a old boy with a flat-bottomed boat that went across the channel.

0:30:560:31:00

-When he died, he left his boat to Francis Drake.

-Look at this.

0:31:000:31:05

-From Sir...

-Thomas.

0:31:050:31:09

..Thomas and Lady Drake, as a small token of their respect

0:31:090:31:14

-and affection.

-Yes.

-And it is signed and dated.

0:31:140:31:18

1833.

0:31:180:31:20

You've got a little bit of family tree somewhere.

0:31:200:31:23

Sir Francis Drakes' family. We should be able to find...

0:31:230:31:26

-There he is.

-Yeah.

-1813, the nephew, Thomas Trayton.

0:31:260:31:31

Thomas Trayton-Fuller-Eliott-Drake.

0:31:310:31:34

You didn't have cheques to write, I suppose, in those days.

0:31:340:31:38

HE LAUGHS

0:31:380:31:40

He probably had so much money he didn't need to write cheques.

0:31:400:31:43

How much did your husband pay for this?

0:31:430:31:45

-It won't have been much.

-It's in very good condition, let's face it.

0:31:450:31:49

It's in excellent condition.

0:31:490:31:51

-I'd be very annoyed if he had paid £100.

-Really?

-But he wouldn't.

0:31:510:31:55

I mean, I'm thinking in terms of eight or ten.

0:31:550:32:00

-Eight or ten pounds?

-Yes.

0:32:000:32:02

Do you think the person selling this didn't know it was signed?

0:32:020:32:05

I don't know any more about it than that.

0:32:050:32:08

I don't even know really what he paid for it. He doesn't tell me.

0:32:080:32:11

How about a value of £50 to £100?

0:32:110:32:16

Whatever you say.

0:32:160:32:18

-I think £50 to £100 is right.

-Thank you very much.

0:32:200:32:22

I'd like to think it'll get top-end.

0:32:220:32:24

There are a lot of people around this area

0:32:240:32:26

that have a big interest in San Francis Drake.

0:32:260:32:30

He's got a room full of books on Francis Drake, and associated.

0:32:300:32:33

He was just being kind to me fishing something out to bring today.

0:32:330:32:37

When you go home and thank him, will you say,

0:32:370:32:39

"Paul says thank you very, very much."

0:32:390:32:42

I'd love to meet him if he would come along with you to the auction.

0:32:420:32:45

-He will.

-OK. Let's put it in.

0:32:450:32:49

What a fitting item for our venue today,

0:32:490:32:52

a tribute to the Abbey's famous former owner.

0:32:520:32:56

Because it's inscribed inside - Mrs Lucas.

0:32:560:33:00

Claire has brought along two shiny and sparkly items

0:33:000:33:02

to magpie Catherine's table.

0:33:020:33:06

Claire, when I come along to film at "Flog It!" valuation days,

0:33:060:33:09

I always hope to see some real gems,

0:33:090:33:11

-and you've certainly brought some gems along today.

-Good.

0:33:110:33:15

Let's take this one, first of all.

0:33:150:33:17

Which is a mourning ring and is William IV. The date is...

0:33:170:33:23

Just inside here, we can see it's dated 1834.

0:33:230:33:29

Now, where does this come from?

0:33:290:33:32

It belonged to an aunt of mine, but before that, I don't know.

0:33:320:33:36

So, you've had it in your family for quite some time.

0:33:360:33:38

-For some time, yes.

-It's a really pretty ring,

0:33:380:33:42

but inside it's got the name - Mrs Lucas.

0:33:420:33:46

Do you know who Mrs Lucas was? There's no connection?

0:33:460:33:50

Well, let's just have a look at it. In itself, it is a very pretty ring.

0:33:500:33:54

We have diamonds here, and the diamonds are set in silver.

0:33:540:34:00

And then the pearls around the outside.

0:34:000:34:04

-Is it a ring you've ever worn?

-No, I don't think I have.

0:34:040:34:07

-I'm not a ring wearer.

-You don't wear rings?

-Not really.

0:34:070:34:10

-It's so pretty, though.

-It's very pretty.

0:34:100:34:12

And it's 18 carat gold, as well.

0:34:120:34:14

-Yes.

-Would it surprise you that it's worth about £200 to £300?

0:34:140:34:19

A little bit, yes. Yes, it would.

0:34:190:34:23

Well, if you are wanting to sell this, I would say that it's worth

0:34:230:34:27

£200 to £300. We'll put a reserve on of £180.

0:34:270:34:30

-Does that sound good to you?

-That sounds all right.

0:34:300:34:33

-Are you happy to sell it?

-Yes.

-But I'd like to come on to this one.

0:34:330:34:37

Which has been reset, we can see that straight away.

0:34:390:34:43

But it is a brilliant cut diamond.

0:34:430:34:47

And it's one carat, brilliant cut.

0:34:470:34:51

Old cut. Now, where's this from, because it looks like it has been remounted.

0:34:510:34:56

It was part of a brooch, which belonged to the same aunt.

0:34:560:34:59

I know she took the stones off the brooch and gave them

0:34:590:35:04

to her nieces, made them into rings.

0:35:040:35:07

-So, each niece got one of these.

-Got one of those rings.

0:35:070:35:11

-You're one of the nieces?

-I am.

0:35:110:35:13

-Have you worn this ring?

-I think I have, yes.

-You've worn this.

0:35:130:35:16

It's absolutely stunning.

0:35:160:35:18

It's a very beautiful, very beautiful diamond.

0:35:180:35:22

-I can see that there is a tiny, tiny, little nick in it.

-Oh, yes.

0:35:220:35:27

..which would affect the value.

0:35:270:35:29

But as it is, it is absolutely beautiful.

0:35:290:35:32

I would say, at auction,

0:35:320:35:34

you're looking at an estimate of £400 to £500.

0:35:340:35:37

-OK, yes.

-And a reserve of 350. Would you be happy to sell at that?

0:35:370:35:42

I think so, yes.

0:35:420:35:44

Now, these are quite an important part of your life.

0:35:440:35:47

Obviously, they belonged to your aunt and it's now come down to you.

0:35:470:35:52

-Yes.

-Are you happy to sell them?

-I think so.

0:35:520:35:54

I don't wear them. Why shouldn't someone else?

0:35:540:35:58

I'll look forward to seeing you at the auction.

0:35:580:36:01

-Thank you for coming along to "Flog It!".

-Thank you.

0:36:010:36:04

There are our final items ready to take off to auction.

0:36:080:36:11

You've heard what our experts have had to say.

0:36:110:36:14

You probably have your own opinion of what they're worth,

0:36:140:36:17

but I think we should leave it up to the bidders, don't you?

0:36:170:36:20

Amongst the three items we're taking with us, we have...

0:36:200:36:23

Mary's stanhope novelty in the shape of a fish.

0:36:230:36:27

Alan's Georgian silver jug...

0:36:290:36:32

Jean's book about the life of Sir Francis Drake

0:36:340:36:38

and Claire's diamond ring and mourning ring.

0:36:380:36:42

Now, over in Plymouth, our owners are patiently waiting to see

0:36:470:36:51

whether their items attract enough bids.

0:36:510:36:54

Mary's fish-shaped stanhope is something I really like myself.

0:36:540:36:58

-That's such a lovely thing!

-Yes, it is.

0:36:580:37:01

There is a lot of sentimental attachment.

0:37:010:37:03

And a lot of local interest, with the views of Plymouth.

0:37:030:37:06

Six views of Plymouth.

0:37:060:37:07

The only view we're interested in is that one out there -

0:37:070:37:10

-all those bidders hopefully bidding on this.

-I hope so.

0:37:100:37:13

Because there is a lot of local interest and it's quality.

0:37:130:37:16

-Yes, it is, it's a really nice item.

-Yeah.

0:37:160:37:18

I'm making you feel a bit guilty, aren't I?

0:37:180:37:20

Because it's something I wouldn't sell.

0:37:200:37:22

-What do you think?

-Me, too.

0:37:220:37:24

But, hey, this is "Flog It!", this is not "Collect It!"!

0:37:240:37:27

Right, let's find a new bidder. Let's find a new home for it.

0:37:270:37:30

-Brilliant.

-Here we go.

0:37:300:37:31

This is a small, carved-bone needle holder with a little stanhope in it,

0:37:310:37:37

souvenirs of Plymouth. There it is. Lot of bids for it.

0:37:370:37:40

-I bid £60 against you all in the room.

-Brilliant!

0:37:400:37:43

70. That's £70. Still against you all at 70. Five if you want it.

0:37:430:37:48

75. And 80.

0:37:480:37:50

-Great, he's got a commission bid on it.

-Good.

-At 85. And 90.

0:37:500:37:54

-It's quality, isn't it?

-Yeah, it is lovely.

0:37:540:37:57

Still against the lady at £90. Finished then at 90. Quite sure?

0:37:570:38:02

-There you are, Mary, it's gone. £90!

-Lovely!

0:38:020:38:05

-Amazing.

-Very good.

-A lovely result.

-I'm very pleased.

0:38:050:38:08

You see, quality always sells.

0:38:080:38:10

And there'll be a donation to Dartmoor Search And Rescue group.

0:38:100:38:13

-Really? That's where the money is going?

-Yes.

-Bless you.

0:38:130:38:17

Donations went there when my father died,

0:38:170:38:19

so I think it would be the right thing to do.

0:38:190:38:21

-So, I'm really pleased.

-How lovely. Good cause.

-Thank you.

0:38:210:38:26

That was a bit of a surprise result.

0:38:260:38:27

But will there be a shock in store for Jean

0:38:270:38:30

when her Sir Francis Drake book comes up?

0:38:300:38:33

So far, so good. Now, it could go horribly wrong, because it's my turn to be the expert.

0:38:330:38:37

Remember that lovely book of Sir Francis Drake?

0:38:370:38:40

It belonged to Jean. It was given to her by Alan.

0:38:400:38:43

Hello, Jean. And here is Alan, your husband. A gentleman.

0:38:430:38:46

Alan sorted you out with the right thing on the day,

0:38:460:38:49

didn't he? And I know you are a bit of an authority on Drake, as well.

0:38:490:38:52

-That's right, yes.

-OK, well, it's great to see you both.

0:38:520:38:55

Let's see what the bidders think, shall we?

0:38:550:38:58

Hopefully, there should be lots of local interest.

0:38:580:39:01

We're in the right place, let's face it. Here we go.

0:39:010:39:03

The Life Of The Celebrated Sir Francis Drake, there it is.

0:39:030:39:07

£40 bid for that one. £40. Two if you want it.

0:39:070:39:12

At 40 pounds, then. Two. Five.

0:39:120:39:15

-At 45 then.

-We have a reserve of 50.

0:39:150:39:17

£45. You're all done at £45.

0:39:170:39:21

Last chance at £45. Quite sure?

0:39:210:39:24

-Well, that one can't quite be sold.

-He didn't sell it, did he?

-No.

0:39:260:39:29

-We had a reserve of £50.

-That's all right,

0:39:290:39:32

we didn't come for the money.

0:39:320:39:34

Not sold this time, but definitely one book

0:39:350:39:38

to stay in Jean and Alan's collection.

0:39:380:39:42

Next up, will the fluctuating silver prices affect

0:39:420:39:46

Alan's silver jug sale?

0:39:460:39:48

It's great to see you again. Thank you for bringing in such quality,

0:39:480:39:52

because I know Mr Barby gravitated towards that piece.

0:39:520:39:54

David's a purist. You like those things.

0:39:540:39:57

It's something very simple. Lovely lines. Late Georgian,

0:39:570:40:00

so you've got this sheer, fluted design,

0:40:000:40:02

with that engraving all around.

0:40:020:40:04

We talk about silver at the moment being melt value,

0:40:040:40:07

but this will not be melted.

0:40:070:40:09

This won't go for scrap. It's quality throughout.

0:40:090:40:12

-General public interest, as well, one hopes.

-Yeah.

0:40:120:40:15

Anyway, good luck with this. Here we go, Alan.

0:40:150:40:17

It's a George III milk jug. There it is. £60 bid for it. At 60.

0:40:170:40:22

At £60. Two. Five. Eight.

0:40:220:40:25

-At £68. 70 if you want it. At £68 here.

-Come on.

-70. At 72.

0:40:250:40:32

At £72, against you at the back. All done at £72.

0:40:320:40:37

-Come on, come on.

-£72.

0:40:370:40:42

Not as much as we would've expected, but I tell you what,

0:40:420:40:44

we had a reserve of £65, so we did it.

0:40:440:40:46

-We just tucked it under.

-Oh, that's your favourite, tucking it under.

0:40:480:40:51

THEY LAUGH

0:40:510:40:54

Our final owner, Claire, has two jewellery lots to sell.

0:40:550:40:59

Will they live up to our estimates and our expectations?

0:40:590:41:04

There are two lots here. We've split them up into two lots.

0:41:040:41:07

£200 to £300 for the mourning ring and we've got that beautiful diamond coming up at £400 to £500.

0:41:070:41:13

-That's lovely. The old-fashioned cut on it.

-Yes.

0:41:130:41:15

-Now, that surely you should be keeping, shouldn't you?

-Maybe.

0:41:150:41:19

Tempting, yeah. But it's too late now, because they're going under the hammer. Good luck, this is it.

0:41:190:41:24

It's a 19th-century mourning ring.

0:41:240:41:27

£140 for that. At 140. 150.

0:41:270:41:31

160. 170. 180. 190. At 190 now.

0:41:310:41:36

-At £190. You're all done at £190.

-He's selling.

0:41:360:41:41

Yes, he sold. 190. Perfect! OK, now the one carat diamond.

0:41:430:41:48

It's a diamond ring this time. And £300 for that. 310.

0:41:500:41:55

-320. At 320 now. 330.

-This is good.

0:41:550:42:00

At 350 there against the wall. 360.

0:42:000:42:02

370. 380. 390.

0:42:020:42:05

400. And 10. 420. 430.

0:42:050:42:08

-440. 450.

-This is more like it.

-460.

0:42:080:42:11

470. 480. 490. £500.

0:42:110:42:14

And 10. 520. 530. 540.

0:42:140:42:18

-550. 560. 570.

-I like this.

-580.

0:42:180:42:22

590. 600.

0:42:220:42:24

620. 640. 660.

0:42:240:42:27

680. 700.

0:42:270:42:29

And 20. 740. 760.

0:42:290:42:32

780. 800. And 50.

0:42:320:42:34

-900.

-I don't think they're going to stop, actually.

0:42:340:42:38

-At £950 there.

-Wow, they really love this.

-1,000.

0:42:380:42:41

Fresh bidding.

0:42:410:42:42

At £1,050, against the wall.

0:42:420:42:46

You are all done at £1,050.

0:42:460:42:49

-Wow!

-Thank you very much.

-That sparkled, didn't it, Claire?

0:42:490:42:52

-Thank you so much for coming in with that.

-Thank you.

-Well done.

0:42:520:42:56

-Congratulations, that is great.

-What a way to end today's show, as well.

0:42:560:43:00

See, there is a big surprise, isn't there?

0:43:000:43:02

We want to see more of that.

0:43:020:43:05

Every sale throws up a new set of stories

0:43:050:43:07

and I'm sure they'll be more surprises next time.

0:43:070:43:11

But until then, from Plymouth, it's goodbye.

0:43:110:43:14

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0:43:300:43:34

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0:43:340:43:39

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