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Today I'm in Northumberland and the venue for our valuation day today | 0:00:02 | 0:00:06 | |
is the spectacular, breathtaking Alnwick Castle. | 0:00:06 | 0:00:10 | |
But will we have the antiques and collectables worthy of the backdrop? | 0:00:10 | 0:00:15 | |
Well, stay tuned and find out. It's going to be an adventure. | 0:00:15 | 0:00:19 | |
Standing proud over the town of Alnwick, the castle is seen for miles. | 0:00:40 | 0:00:45 | |
As a warning to any strangers, the Percy family's lion guards the entrance to the town. | 0:00:45 | 0:00:52 | |
But don't worry. We're friendly visitors today. | 0:00:52 | 0:00:56 | |
And this is where it all starts. For the lucky ones who go through to the auction later on, | 0:00:58 | 0:01:04 | |
they could be going home with a small fortune. There could be one or two big surprises. | 0:01:04 | 0:01:10 | |
Everyone here has turned up laden with unwanted antiques to ask our experts the all-important question, | 0:01:10 | 0:01:17 | |
-which is... -ALL: What's it worth? | 0:01:17 | 0:01:20 | |
-What'll you do when you find out? -ALL: Flog it! | 0:01:20 | 0:01:23 | |
-It's about time we stormed the castle, got everybody inside and got on with it. Ready? -Yes! | 0:01:23 | 0:01:29 | |
Follow me, then. Let's go. | 0:01:29 | 0:01:32 | |
Heading up our team of experts are David Fletcher and Anita Manning. | 0:01:34 | 0:01:40 | |
Are they both in good condition? That's crucial. | 0:01:40 | 0:01:43 | |
They've already scoured the queue, but better get inside with me. | 0:01:43 | 0:01:47 | |
And we're greeted by this marvellous vista. | 0:01:47 | 0:01:51 | |
Coming up on today's show, there's fun for the young and the young at heart | 0:01:53 | 0:01:59 | |
and can you guess which of these items spotted by Anita makes the most at auction? | 0:01:59 | 0:02:05 | |
A collection of toy trains? | 0:02:06 | 0:02:08 | |
This is our dear old Hornby. | 0:02:08 | 0:02:11 | |
A concertina with a bit of damage? | 0:02:11 | 0:02:14 | |
It's made by Lachenal. | 0:02:14 | 0:02:17 | |
Or three history books with a local connection? | 0:02:17 | 0:02:20 | |
Alnwick. The county town of Northumberland. | 0:02:20 | 0:02:24 | |
Stay tuned and all will be revealed. | 0:02:24 | 0:02:27 | |
-Love this. Don't you? -Yes! | 0:02:29 | 0:02:32 | |
Everybody's now safely seated inside. We're filming outside today, so fingers crossed it won't rain. | 0:02:33 | 0:02:40 | |
What a stunning backdrop! It doesn't get much better than that. | 0:02:40 | 0:02:45 | |
Hopefully we'll have some wizard work by our experts. And Anita Manning is first at the tables. | 0:02:45 | 0:02:52 | |
Anita is with Dick and his trains are certainly not just for boys. | 0:02:52 | 0:02:57 | |
When I was a wee girl, my dad bought me train sets for Christmas. Not dolls. I'm always pleased | 0:02:57 | 0:03:03 | |
to see this type of thing. Tell me, where did you get these? | 0:03:03 | 0:03:07 | |
They were my dad's. And he, I think, bought some of them | 0:03:07 | 0:03:13 | |
in the 1940s. Probably when he came out of the RAF. And he was a railway engineer on steam trains. | 0:03:13 | 0:03:21 | |
-So I think this is where the interest came. -Oh, right. | 0:03:21 | 0:03:25 | |
-Did he play with these? -Yes, he did. -And when you were a wee boy? -Yes! | 0:03:25 | 0:03:30 | |
I was never allowed to touch them! | 0:03:30 | 0:03:32 | |
-Did your dad get dressed up in his uniform? -No, no. | 0:03:32 | 0:03:36 | |
No, no! | 0:03:36 | 0:03:38 | |
-It wasn't as bad as that? -No, it wisnae. | 0:03:38 | 0:03:41 | |
This one here is possibly the earliest one. | 0:03:41 | 0:03:45 | |
This is a German locomotive made by Bing. | 0:03:45 | 0:03:50 | |
From about the mid-1920s, I would say. | 0:03:50 | 0:03:53 | |
-This one here is our dear old Hornby. -Yes, clockwork. | 0:03:53 | 0:03:58 | |
Probably the most popular company for making trains or locomotives ever. | 0:03:58 | 0:04:04 | |
And this one here is Bassett-Lowke, which were a Northampton company | 0:04:04 | 0:04:08 | |
and, of course, Northampton's a very famous place for railways, railway memorabilia. | 0:04:08 | 0:04:16 | |
Now do you have the other pieces of this? | 0:04:16 | 0:04:20 | |
-We have various tracks and goods stock to go with them all. -Right, OK. | 0:04:20 | 0:04:26 | |
-Now these are steam-driven. -Yes. -When you were a wee laddie, were you allowed to do any of that? | 0:04:26 | 0:04:32 | |
-No, no. -No? -Actually, one time they had it going in the living room. | 0:04:32 | 0:04:37 | |
I think this one caught fire and my dad threw it in the sink and it set the curtains on fire...! | 0:04:37 | 0:04:45 | |
He wasn't really allowed to run them in the house after that. | 0:04:45 | 0:04:49 | |
-Your mum said, "Enough's enough." -They're very difficult to regulate. | 0:04:49 | 0:04:54 | |
You had to put a load of coaches on to slow them down on corners. | 0:04:54 | 0:04:58 | |
-I used to like when they fell off. -You must have been a wee devil! | 0:04:58 | 0:05:03 | |
-Aye. -All right. I notice on the Hornby one | 0:05:03 | 0:05:08 | |
that they're all zero gauge and this has been a replacement. | 0:05:08 | 0:05:13 | |
-Yes, my dad made the replacement. -That probably didn't affect the performance. -No. | 0:05:13 | 0:05:20 | |
-But... -The price. -It will affect the price a wee bit. | 0:05:20 | 0:05:24 | |
I think probably putting them in, maybe 150-250, would you be happy to put them in at that? | 0:05:24 | 0:05:30 | |
-Yes, aye. -We'll put them in with a reserve of maybe round about 130 on them. | 0:05:30 | 0:05:37 | |
But what I would like you to do if you have the other pieces and carriages | 0:05:37 | 0:05:42 | |
-is to bring them to the auctioneer. The auctioneer may amend the valuation on it. -Right. | 0:05:42 | 0:05:49 | |
I'd rather somebody got the enjoyment out of using them. That's where they should be. | 0:05:49 | 0:05:55 | |
-Played with again. That's the important thing. -Aye. | 0:05:55 | 0:06:00 | |
Let's hope whoever buys them doesn't set fire to their mum's curtains! | 0:06:00 | 0:06:04 | |
'And moving on I'm with Irene and the most bizarre inkwell I have ever seen.' | 0:06:04 | 0:06:10 | |
-It's been kicking around my loft for 30 years. -Has it? What was it doing up there? | 0:06:10 | 0:06:16 | |
-I have no idea. It's my husband's. -Oh, right. OK. | 0:06:16 | 0:06:20 | |
-I think he got it from his father. -Strange thing. -You like it or you don't. -Yeah, I know. | 0:06:20 | 0:06:26 | |
-I don't really like it. -No! Neither do I. -I'm a horse lover | 0:06:26 | 0:06:31 | |
-and it's something that I would never do. -No. | 0:06:31 | 0:06:34 | |
-Never. -It looks better on the horse. -It looks much better on the horse. The horse was called Duckling. | 0:06:34 | 0:06:41 | |
-We know that as it's engraved "Duckling, 1908". -Yeah. | 0:06:41 | 0:06:46 | |
-This is silver. Did you know that? -I saw the... -The hallmarks. | 0:06:46 | 0:06:51 | |
-It was black this morning! -You polished this? -My husband did. | 0:06:51 | 0:06:55 | |
-Bless him! -It was black. -"It might make more money! Give it a quick polish!" | 0:06:55 | 0:07:02 | |
It doesn't really matter if you don't polish silver. | 0:07:02 | 0:07:05 | |
I like my silver unpolished. Maker's name - M&C. The silversmith Macey and Chisholm. | 0:07:05 | 0:07:12 | |
They were working from 1834 to around about 1957. | 0:07:12 | 0:07:16 | |
-Somewhere around there. -Right. -So it was a good span, over 100 years. | 0:07:16 | 0:07:20 | |
-That thistle, what does that tell you? -Scotland? -Exactly. | 0:07:20 | 0:07:25 | |
So the assay office was in Edinburgh. | 0:07:25 | 0:07:29 | |
-If this horse had had a racing pedigree, then it might be worth quite a bit of money. -Yeah. | 0:07:29 | 0:07:35 | |
But I think it was just a trusty steed, a family pet. | 0:07:35 | 0:07:40 | |
This kind of thing was fashionable back in 1908. | 0:07:40 | 0:07:44 | |
-At auction, I imagine this would fetch £60-£80. -Right. -Are you happy with that? -Fine. | 0:07:44 | 0:07:51 | |
-Let's stick it in with that valuation. Do you want a reserve? -No. -Shall we say no reserve? -Yeah. | 0:07:51 | 0:07:57 | |
-Just get rid. -OK. -I've never been to an auction before. -Well, you'll enjoy yourself! | 0:07:57 | 0:08:03 | |
You'll enjoy yourself. 'Not to everyone's taste, but Irene gets to experience an auction. | 0:08:03 | 0:08:09 | |
'David is with Linda and her dolls.' | 0:08:11 | 0:08:14 | |
You've brought three very pretty young ladies along with you. | 0:08:14 | 0:08:19 | |
-What can you tell me about them? -Well, all I know is that they belong to my mother-in-law. | 0:08:19 | 0:08:25 | |
I don't know how long she had them, but we came across them in a cupboard, all wrapped up, | 0:08:25 | 0:08:32 | |
-after she died. And really we've had them since then. -OK. | 0:08:32 | 0:08:38 | |
-You didn't know of their existence? -She'd never really shown us them. | 0:08:38 | 0:08:43 | |
-She collected and had so many things. -I don't think these are dolls that were made to play with. | 0:08:43 | 0:08:50 | |
They were made to sit on a mantelpiece or in a display cabinet. | 0:08:50 | 0:08:54 | |
That's really borne out by the splendour of their costumes. | 0:08:55 | 0:09:00 | |
I think that they would have been made in about 1900. | 0:09:00 | 0:09:04 | |
-They were made in Germany. -Oh, right. -Made out of what I really think we should call porcelain, | 0:09:04 | 0:09:12 | |
-but is known as bone china. -Mm-hm. | 0:09:12 | 0:09:15 | |
And more or less mass produced. | 0:09:15 | 0:09:18 | |
Each one of the girls has very rosy cheeks and those bright blue eyes. | 0:09:18 | 0:09:22 | |
-And their difference lies in the costumes. -Yeah. | 0:09:22 | 0:09:27 | |
-Are you looking to raise money for a particular purpose? -Well, we are going a trip | 0:09:27 | 0:09:34 | |
-to the Deep South in the States next year. New Orleans, Memphis, all around that area. -Wonderful. | 0:09:34 | 0:09:41 | |
OK. I don't think the proceeds will pay for your trip, | 0:09:41 | 0:09:45 | |
but they'll go towards your holiday. And you might be able to buy dinner somewhere on the proceeds. | 0:09:45 | 0:09:52 | |
I think they're going to make somewhere between £10 and £20 each. | 0:09:52 | 0:09:57 | |
So I would like to put an estimate of £30-£50 on them. | 0:09:57 | 0:10:02 | |
-OK. -So if you're happy because they're relatively low value I'd like to sell without reserve. | 0:10:02 | 0:10:08 | |
-Fine. -You don't really want them back again, do you? -No. | 0:10:08 | 0:10:12 | |
-Just have to say bye-bye. -And I'll see you at the sale. -Thank you very much. | 0:10:12 | 0:10:18 | |
That's it. That's our last item found this morning and now it's time to put those valuations to the test | 0:10:18 | 0:10:24 | |
as we head over to the auction room for the first time. Here's a quick recap, just to jog your memory, | 0:10:24 | 0:10:30 | |
of the items going under the hammer. | 0:10:30 | 0:10:33 | |
We have three items to take off to auction, all good fun. | 0:10:33 | 0:10:38 | |
Dick's selling his collection of trains along with more track that he's added to the lot. | 0:10:38 | 0:10:44 | |
Irene's horse's hoof inkwell is a curious item, but it does have a silver lid. | 0:10:44 | 0:10:50 | |
And Linda's three dolls are low value, but would really appeal to a collector. | 0:10:52 | 0:10:58 | |
We're thrilled to be at Boldon Auction Galleries in South Tyneside, | 0:11:02 | 0:11:06 | |
where I'm keen to get the bidders enthusiastic. | 0:11:06 | 0:11:11 | |
-What have you seen? -Lots of things, but it depends how much they go for. | 0:11:11 | 0:11:16 | |
Oh, a canny lot! Well, any moment now the auction is just about to start. | 0:11:16 | 0:11:21 | |
Our auctioneer is Giles Hodges and he's ready with his gavel in hand. | 0:11:21 | 0:11:27 | |
Linda's hoping to raise some holiday money by selling her dolls. | 0:11:27 | 0:11:32 | |
-Why are you selling these? Because they're spooky? -Well, they are a bit! | 0:11:32 | 0:11:38 | |
-We don't have them out. -I don't like them. I don't like any type of dolls. | 0:11:38 | 0:11:44 | |
-Do you? -I don't think I do, particularly, Paul! -You didn't want to answer that. | 0:11:44 | 0:11:50 | |
But somebody out there does love them and we're going to find them. Good luck. | 0:11:50 | 0:11:55 | |
Three little continental dress dolls. Somebody bid me £10. 10 bid. | 0:11:55 | 0:11:59 | |
-At 10. 15. 20. -We've sold them. | 0:11:59 | 0:12:04 | |
Anybody I've missed? At £20. | 0:12:04 | 0:12:07 | |
5, yes or no? At £20. We're right at the front. | 0:12:07 | 0:12:10 | |
For the last time at 20. | 0:12:10 | 0:12:13 | |
Yes! That's it. There was no reserve, so £20, straight in. | 0:12:13 | 0:12:18 | |
-It was a bit of fun! -It'll buy you a gin and tonic if you're lucky! | 0:12:18 | 0:12:23 | |
I hope those dolls went to someone who will love them. The same goes for Irene's horse hoof ink well | 0:12:23 | 0:12:30 | |
as she doesn't want it back. | 0:12:30 | 0:12:33 | |
-Hello there. Who's this? -Joan, my friend. The reason I came. -The reason you came? Why? | 0:12:33 | 0:12:39 | |
-She wanted to come. -Ah, I see! -And I didn't have anything! | 0:12:39 | 0:12:43 | |
-You haven't got anything in your house? -It wasn't worth anything. | 0:12:43 | 0:12:48 | |
OK, well, hopefully it's the little bit of silver that gets this away. | 0:12:48 | 0:12:52 | |
I'm not sure about the name Duckling, but somebody loved it and this was the fashion. | 0:12:52 | 0:12:58 | |
-Let's see what the bidders think. Happy? -Absolutely. -Here we go. | 0:12:58 | 0:13:02 | |
A silver-mounted hoof inkwell. Edinburgh, 1908. | 0:13:02 | 0:13:07 | |
Engraved "Duckling". And I have a £50 bid for it. At 50. | 0:13:07 | 0:13:14 | |
5, anybody? 55. 60. | 0:13:14 | 0:13:17 | |
65. 70. | 0:13:17 | 0:13:20 | |
75. 80. At £80. It's on commission. | 0:13:20 | 0:13:25 | |
At £80, are we all done? | 0:13:25 | 0:13:27 | |
At £80. It's the commission bidder. There's nobody on the 'net. | 0:13:27 | 0:13:32 | |
At £80, are we all done? At 80. | 0:13:32 | 0:13:37 | |
-Yes! £80. That's not bad, is it? -It's all right. -I was a bit worried. | 0:13:37 | 0:13:42 | |
-Kind of what I said in a way. -Yeah, it was. 60-80. | 0:13:42 | 0:13:47 | |
-It was nice and quick! -Yeah. In and out. -Lovely. Yeah. | 0:13:47 | 0:13:52 | |
Top end of the estimate for lovely Irene. Now it's time for Dick to say goodbye to his trains, | 0:13:52 | 0:13:58 | |
which used to belong to his dad. | 0:13:58 | 0:14:01 | |
-Did he let you play with them? -Not often! Not at all, in fact! | 0:14:01 | 0:14:06 | |
-"You can't play with them, but I can!" -They're a wee bit dangerous at times! | 0:14:06 | 0:14:12 | |
-And you brought some other bits and pieces. -Rails and carriages. | 0:14:12 | 0:14:17 | |
-It's a nice package. -A nice group. -Well, we could have a big surprise. -Let's hope so. -You never know. | 0:14:17 | 0:14:23 | |
This is what happens in an auction. Cheeky come-and-buy-mes. | 0:14:23 | 0:14:27 | |
-Good luck, Dick. -Right. -Here we go. | 0:14:27 | 0:14:30 | |
A large collection of Bingham, Hornby, locomotives, track, rolling stock. | 0:14:30 | 0:14:37 | |
Plenty of interest again. I'm bid 100 to start it. 100. | 0:14:37 | 0:14:41 | |
120. 140. 160. | 0:14:41 | 0:14:45 | |
At 160. 180 now? | 0:14:45 | 0:14:47 | |
At 160. 180. Back of the hall. | 0:14:47 | 0:14:51 | |
At £180. 200 now? At £180. Are you all done? | 0:14:51 | 0:14:56 | |
At £180 and we're away. | 0:14:56 | 0:14:59 | |
-Sold. 180. It's gone. -Right. Good, good. | 0:14:59 | 0:15:04 | |
I don't need to take it back! | 0:15:04 | 0:15:07 | |
There you are. That concludes our first visit to the auction room. | 0:15:07 | 0:15:12 | |
We are coming back here later on, so don't go away. | 0:15:12 | 0:15:16 | |
While I was in the area, I took the opportunity to discover | 0:15:16 | 0:15:21 | |
the new gardens created by the Duchess of Northumberland. This is the old meets the new | 0:15:21 | 0:15:27 | |
and it's absolutely stunning. Take a look at this. | 0:15:27 | 0:15:32 | |
We all dream of a secret garden, but this one is teeming with people. | 0:15:41 | 0:15:46 | |
Welcome to Alnwick Gardens, just a short walk from the castle. | 0:15:51 | 0:15:56 | |
A peaceful, yet invigorating space to appreciate Mother Nature at her very finest. | 0:15:56 | 0:16:01 | |
Thanks to Jane Percy, 12th Duchess of Northumberland, | 0:16:01 | 0:16:05 | |
24 acres of the castle's estate have been transformed into these truly spectacular gardens. | 0:16:05 | 0:16:11 | |
The Duchess's vision was to turn a neglected piece of land into a gorgeous public garden, | 0:16:11 | 0:16:18 | |
but it's taken a lot of hard graft to get here. The plans started to form in 1997. | 0:16:18 | 0:16:24 | |
Heavy work started in the year 2000 and now, a decade on, the garden is clearly flourishing. | 0:16:24 | 0:16:31 | |
As this site was used for centuries before as the gardens for the previous Dukes of Northumberland, | 0:16:33 | 0:16:39 | |
the current design incorporates a nod to the past. | 0:16:39 | 0:16:44 | |
For traditionalists, there is the ornamental garden | 0:16:44 | 0:16:47 | |
and also a touch of modern with the bamboo labyrinth. | 0:16:47 | 0:16:52 | |
The area I'm in now is the rose garden and I'm surrounded by 3,000 roses. | 0:16:55 | 0:17:01 | |
The sense of smell is really heightened here because this area is so concentrated. | 0:17:01 | 0:17:07 | |
One rose here is the Alnwick rose. This was planted up in 2001 when it was named. | 0:17:07 | 0:17:13 | |
I'm told you can actually make out the scent of raspberries. | 0:17:13 | 0:17:18 | |
Do you know what? You can. It really does smell of raspberries. That's astonishing. | 0:17:19 | 0:17:26 | |
Now to something darker. | 0:17:27 | 0:17:29 | |
This is the Poison Garden, developed to educate the public | 0:17:29 | 0:17:35 | |
about the hidden hazards of horticulture. Alison Hamer from Alnwick Gardens | 0:17:35 | 0:17:40 | |
has agreed to be my guide through the world of deadly and dangerous plants. | 0:17:40 | 0:17:47 | |
Hello, Alison. Pleased to meet you. So tell me all about this. | 0:17:55 | 0:17:59 | |
-Why have they kept poisonous plants here under lock and key? -Well, every plant in this garden | 0:17:59 | 0:18:06 | |
-is poisonous. -Right. -Would you recognise them? -No. -No, you wouldn't. | 0:18:06 | 0:18:11 | |
-What's this? -This here is Rue, an irritant. Debbie, our gardener, was bruised by this | 0:18:11 | 0:18:18 | |
-and her whole skin was up... -In a rash? -Yeah. | 0:18:18 | 0:18:23 | |
-I know you've got something to show me that I've never heard of. -Aconite. -I don't know it! | 0:18:23 | 0:18:28 | |
You will when you see it. | 0:18:28 | 0:18:31 | |
It's absolutely beautiful. | 0:18:32 | 0:18:35 | |
I'd want to buy some. It's like a cottage garden flower. | 0:18:35 | 0:18:39 | |
-You can go into florists and see this in bouquets. -Really? -Absolutely. -Why do they sell it? | 0:18:39 | 0:18:45 | |
-They know how to handle it. -OK. -The poison in that is only if you ingest it, | 0:18:45 | 0:18:51 | |
actually take it into your body. In ancient times, warriors would carry aconite in their pockets, | 0:18:51 | 0:18:58 | |
dried, and when they were on siege, they would drop it into wells and castles would be poisoned. | 0:18:58 | 0:19:05 | |
-Really? So if you dry this out... -I'm not going to tell you how to do it! That's a secret. | 0:19:05 | 0:19:11 | |
We hold those secrets dear. | 0:19:11 | 0:19:13 | |
But in Ancient Greece this plant was known | 0:19:13 | 0:19:17 | |
that if you were no longer of any use to the state, especially old men, | 0:19:17 | 0:19:23 | |
you were expected to take aconite and rid your family. | 0:19:23 | 0:19:29 | |
-So a good plant to have. -What else can you show me? -Come over here. | 0:19:29 | 0:19:33 | |
-Can you touch this? -You can, but the smell it gives off is what makes it really special. | 0:19:39 | 0:19:45 | |
If you just rub the leaves and smell. | 0:19:45 | 0:19:48 | |
This is Artemisia absinthe, which came to notoriety | 0:19:48 | 0:19:53 | |
in absinthe, the hallucinogenic. It's totally addictive. | 0:19:53 | 0:19:58 | |
-Is it? -Absolutely addictive. If you drink this, your colour spectrum turns to the yellow. | 0:19:58 | 0:20:06 | |
Now just you imagine... Go back and look at Degas. Look at Lautrec. | 0:20:06 | 0:20:11 | |
-You see everything goes to yellow. -Really? They were into this. | 0:20:11 | 0:20:16 | |
They were really into this. The fascinating thing about this | 0:20:16 | 0:20:20 | |
is that this is mentioned in an Anglo-Saxon book. They say you make a tea from this, wormwood, | 0:20:20 | 0:20:27 | |
and it rids the body of worms. | 0:20:27 | 0:20:29 | |
In recent studies, there's been a clinical trial for malaria. | 0:20:29 | 0:20:34 | |
And we've had York University come to talk to us. They're now creating a medicine | 0:20:34 | 0:20:40 | |
from absinthe for malaria. But where did all that knowledge go? 900 years we had that knowledge | 0:20:40 | 0:20:47 | |
and it's only coming to light now. That's the story these plants tell. | 0:20:47 | 0:20:51 | |
-It's absolutely fascinating! Thank you so much! -Come again! | 0:20:51 | 0:20:55 | |
Before everything goes yellow. | 0:20:55 | 0:20:58 | |
# This is the end | 0:20:58 | 0:21:01 | |
# Beautiful friend | 0:21:01 | 0:21:04 | |
# This is the end | 0:21:07 | 0:21:09 | |
# My only friend, the end... # | 0:21:09 | 0:21:14 | |
But Alnwick Garden is not just for the alchemist or green-fingered. | 0:21:16 | 0:21:20 | |
There's plenty of humour, fun and information in the grounds to entertain every visitor. | 0:21:20 | 0:21:27 | |
Engineering and imagination have joined forces here to create this wonderful visual spectacle, | 0:21:27 | 0:21:34 | |
the Grand Cascade. There's 21 little weirs of water here | 0:21:34 | 0:21:38 | |
with 7,260 gallons of water flowing down it. The whole thing is made out of local stone. | 0:21:38 | 0:21:45 | |
And every half hour and on the hour you get this wonderful, | 0:21:45 | 0:21:49 | |
eccentric display of water spurting up with fountains everywhere. It'll be any moment. | 0:21:49 | 0:21:56 | |
I might have to move in a second because one of the fountains is literally 2 or 3 feet away from me. | 0:21:56 | 0:22:03 | |
And if the Grand Cascade wasn't an impressive enough water feature, | 0:22:17 | 0:22:22 | |
there's another fluid bit of design in the Serpent Garden, | 0:22:22 | 0:22:25 | |
home to eight water sculptures. | 0:22:25 | 0:22:28 | |
You really do have to get amongst them to understand their true meaning. | 0:22:32 | 0:22:37 | |
They were designed by the celebrated sculptor William Pye who must have an excellent grasp of science | 0:22:37 | 0:22:43 | |
because for these installations to work, they have to rely on physics, surface tension and gravity. | 0:22:43 | 0:22:49 | |
But it's not the science the kids are enjoying, it's all the splashing! | 0:22:49 | 0:22:55 | |
I particularly like this one. This one is one of my favourites. | 0:22:55 | 0:22:59 | |
It's called Coanda. It gives the illusion of water defying gravity | 0:22:59 | 0:23:03 | |
by clinging to the underside of a smooth surface like that. Isn't that wonderful? | 0:23:03 | 0:23:08 | |
It's subtle. It's something for the adults. I could live with this one at home. | 0:23:08 | 0:23:13 | |
And all this is down to the vision and the dedication of one lady - | 0:23:18 | 0:23:22 | |
Jane, the current Duchess of Northumberland. | 0:23:22 | 0:23:25 | |
Without her hard work and passion, none of this would have been possible. | 0:23:25 | 0:23:30 | |
This is Alnwick Castle. Nothing was ever going to be done on a small scale. | 0:23:30 | 0:23:35 | |
It's as grand as ever and it's paid off. | 0:23:35 | 0:23:38 | |
A short walk up from Alnwick Gardens and you're in the grand surrounds of the castle buildings | 0:23:44 | 0:23:50 | |
where we have more valuations to get under way. | 0:23:50 | 0:23:54 | |
And over with David, Betty has her sweetheart brooch on display. | 0:23:54 | 0:23:58 | |
-Hello, Betty. -Hello there. -You've brought along a little brooch | 0:24:00 | 0:24:04 | |
which has a pair of wings, a bit like eagle wings. | 0:24:04 | 0:24:08 | |
-It's actually an RAF brooch. -An RAF brooch, yes. | 0:24:08 | 0:24:11 | |
Royal Air Force, of course. | 0:24:11 | 0:24:14 | |
How did you come by it? | 0:24:14 | 0:24:16 | |
I bought it at an antique sale. | 0:24:16 | 0:24:19 | |
And what attracted you to it? | 0:24:20 | 0:24:23 | |
Well, my husband was in the RAF in the 1950s for five years. | 0:24:23 | 0:24:28 | |
I'm interested that you bought it yourself. I'm soon to get married. | 0:24:28 | 0:24:34 | |
I hope that my wife will buy her own jewellery. | 0:24:34 | 0:24:37 | |
-It's what's known as a sweetheart's brooch. -Yes. | 0:24:37 | 0:24:41 | |
And wives of men in the RAF either were bought these or, in your case, bought them for themselves | 0:24:41 | 0:24:48 | |
to recognise the fact that their husbands or boyfriends were in the RAF | 0:24:48 | 0:24:56 | |
or whatever other armed force it might have been. | 0:24:56 | 0:24:59 | |
You get regimental sweetheart badges and all sorts of things. | 0:24:59 | 0:25:03 | |
I think that they're delightful. | 0:25:03 | 0:25:05 | |
It's not quite what it appears to be | 0:25:08 | 0:25:10 | |
because, as I'm sure you know, it looks as if they're diamonds, | 0:25:10 | 0:25:15 | |
-but on closer examination, we discover that they're just glass or paste. -Yes. | 0:25:15 | 0:25:20 | |
But if I could turn it over... | 0:25:21 | 0:25:24 | |
Yes, I can confirm that the mount is silver. | 0:25:25 | 0:25:28 | |
It's actually marked "sterling silver" | 0:25:28 | 0:25:31 | |
which I think we can take as a guarantee that it's 925 parts per 1,000, | 0:25:31 | 0:25:38 | |
so it's a nice little thing, enamel decoration | 0:25:38 | 0:25:41 | |
and, as I say, paste | 0:25:41 | 0:25:43 | |
-with the RAF wreath just behind the letters in green. -Yes. | 0:25:43 | 0:25:48 | |
And surmounted, of course, by the crown. | 0:25:48 | 0:25:52 | |
-You don't have any sentimental attachment to it now? -Not really. I never wear it. | 0:25:53 | 0:25:59 | |
It's not anything of immense value, as I'm sure you know. | 0:25:59 | 0:26:03 | |
I would be disappointed if it made less than £30, | 0:26:04 | 0:26:09 | |
but I think an estimate of £20 to £30 would be sensible. | 0:26:09 | 0:26:13 | |
Let's hope we have a nice surprise and it flies away. | 0:26:13 | 0:26:18 | |
-Very apt. -Sorry. It was very corny, wasn't it? | 0:26:18 | 0:26:21 | |
-I'll see you at the sale. -Right. | 0:26:21 | 0:26:24 | |
Well, those rain clouds have finally opened up and sent us all inside the Guest Hall | 0:26:24 | 0:26:29 | |
to carry on with our valuations, | 0:26:29 | 0:26:32 | |
but we still get to look at the castle and that's thanks to Jackie's local history books. | 0:26:32 | 0:26:38 | |
-Where did you get these books? -I was left them by my uncle who live in Jesmond just out of Newcastle. | 0:26:38 | 0:26:45 | |
He had a great interest in historical books and had quite a few. | 0:26:45 | 0:26:51 | |
-Uh-huh. -He didn't get to travel very far in his lifetime, | 0:26:51 | 0:26:55 | |
but he gathered information from places that he visited and went on holidays, | 0:26:55 | 0:27:01 | |
such as Bamburgh. | 0:27:01 | 0:27:03 | |
And a general interest in Newcastle. | 0:27:03 | 0:27:06 | |
He never moved out of the city and he lived until he was about 90, 95. | 0:27:06 | 0:27:12 | |
Well, it just shows you, you can get so much from books. | 0:27:12 | 0:27:16 | |
-When did you inherit these books? -About 15 years ago. I can't quite remember now. | 0:27:16 | 0:27:22 | |
Have you read them? | 0:27:22 | 0:27:24 | |
I've leafed through them, but I don't like to go through them too often in case I damage the pages | 0:27:24 | 0:27:30 | |
And they are in remarkably good condition. Let's have a look at them in more detail. | 0:27:30 | 0:27:36 | |
-I'd like to open the book on Alnwick first of all. -Yeah. | 0:27:37 | 0:27:41 | |
"A descriptive and historical view of Alnwick, | 0:27:41 | 0:27:46 | |
"the county town of Northumberland, and of Alnwick Castle." | 0:27:46 | 0:27:50 | |
-And this is the second edition, dated 1825. -Yeah. | 0:27:52 | 0:27:57 | |
-Here we have the ground plan showing the Great Court. -Yeah. | 0:27:57 | 0:28:02 | |
Absolutely wonderful. | 0:28:02 | 0:28:05 | |
It's always good to have illustrations | 0:28:05 | 0:28:08 | |
and when we look at this book here, it's The History Of Newcastle... | 0:28:08 | 0:28:12 | |
Now, very interesting as well. Have we dated this book? | 0:28:12 | 0:28:16 | |
-It's dated 1736... -1736. | 0:28:16 | 0:28:18 | |
"The History of Newcastle upon Tyne or the Ancient and Present State of that Town." | 0:28:18 | 0:28:24 | |
What we have here is a little piece of Newcastle's history. | 0:28:24 | 0:28:28 | |
As well as telling us about the history of Newcastle, it's a piece of history as well. | 0:28:28 | 0:28:34 | |
-These are original, the bindings? -The bindings are original. | 0:28:34 | 0:28:38 | |
Here we have... This is a later book. | 0:28:38 | 0:28:41 | |
This book is by Cadwallader John Bates. | 0:28:42 | 0:28:47 | |
It's gone into its third edition | 0:28:47 | 0:28:49 | |
and again we have some illustrations. | 0:28:49 | 0:28:53 | |
-He had so many books. -Wonderful again. -Fantastic book, yeah. | 0:28:53 | 0:28:57 | |
I love this. | 0:28:57 | 0:29:00 | |
-Uh-huh. -It's pretty. -They were all beautifully bound. | 0:29:00 | 0:29:04 | |
Well, I have a feeling that... | 0:29:04 | 0:29:07 | |
I know that these two are the most desirable. | 0:29:07 | 0:29:11 | |
But if we put them into the auction with a moderate estimate, they will achieve their proper price. | 0:29:11 | 0:29:18 | |
-Yes. -Would you be happy if we put them in with an estimate of 80 to 120? -Yes. | 0:29:18 | 0:29:25 | |
We'll put a firm reserve of £80 | 0:29:25 | 0:29:28 | |
-because I think they're worth that at least. -OK. | 0:29:28 | 0:29:31 | |
I've enjoyed looking at them and when we've finished this, | 0:29:31 | 0:29:35 | |
-I'll go into a wee corner and have an even better look at them. -Good. | 0:29:35 | 0:29:39 | |
Thank you very much. | 0:29:39 | 0:29:42 | |
Fascinating books and lovely to see something relevant to our location. | 0:29:42 | 0:29:46 | |
Christine's glass vases are a lovely splash of colour on David's table. | 0:29:46 | 0:29:52 | |
Do you like them? | 0:29:54 | 0:29:56 | |
-Not particularly. -No, which is why they're here. -They're quite pretty. | 0:29:56 | 0:30:00 | |
-They belong to my daughter, really. -Right. | 0:30:00 | 0:30:03 | |
She knew I was coming along today and she said, "Mum, take the glass vases that were Great-Granny's." | 0:30:03 | 0:30:09 | |
-OK. -She just has them stuck in a little cabinet at the side there. | 0:30:09 | 0:30:14 | |
This is just the sort of thing that young people, in particular, don't like, really, | 0:30:14 | 0:30:20 | |
because they represent | 0:30:20 | 0:30:24 | |
all that they think is bad about sort of Victorian art and Victorian decoration. | 0:30:24 | 0:30:30 | |
They're overblown, they're over-ornate, | 0:30:30 | 0:30:33 | |
they've got sort of frilly edges. | 0:30:33 | 0:30:36 | |
You know, people today prefer minimalism. | 0:30:36 | 0:30:39 | |
Anyway, I've done nothing but criticise them and now I've got to try and get you to sell them. | 0:30:39 | 0:30:46 | |
I'll have to do some frantic back-pedalling. | 0:30:46 | 0:30:48 | |
They're typical of the sort of items that were produced | 0:30:48 | 0:30:52 | |
to decorate your parlour in the late 19th century. | 0:30:52 | 0:30:56 | |
And the parlour was that space in your house in Victorian England | 0:30:56 | 0:31:00 | |
-which you only ever used if the vicar came to tea. -That's right. | 0:31:00 | 0:31:04 | |
You'd have a family of five or six in a smallish terraced house and they didn't use one of the rooms. | 0:31:04 | 0:31:10 | |
I must say, I quite like this sort of thing. | 0:31:10 | 0:31:13 | |
-It represents, it speaks of a period. -It does. | 0:31:13 | 0:31:17 | |
It therefore has historical value, even if we may doubt its decorative value. | 0:31:17 | 0:31:22 | |
And having been so rude about them, there are aspects of them which make them quite commercial and saleable. | 0:31:22 | 0:31:29 | |
-And chiefly, the colour. -Yes. | 0:31:29 | 0:31:32 | |
This type of glass is often called Vaseline glass for obvious reasons. | 0:31:32 | 0:31:36 | |
You won't be sorry to see them go, your daughter won't miss them, | 0:31:36 | 0:31:41 | |
so let's have a think as to what they might be worth. | 0:31:41 | 0:31:45 | |
-I think we're talking about something in the region of 30 to 50. -Right. | 0:31:45 | 0:31:50 | |
And because they're your daughter's and not yours, | 0:31:50 | 0:31:53 | |
you're probably not empowered to sell them without a reserve. | 0:31:53 | 0:31:57 | |
-Do you think we ought to put a reserve on them? -Yes. -OK. | 0:31:57 | 0:32:01 | |
Let's make it that bottom estimate, £30, and hope that they might make 50 or 60. | 0:32:01 | 0:32:08 | |
For our final item, we have headed back outside for a last hint of sunshine | 0:32:10 | 0:32:16 | |
and maybe a spot of music as Ian and Liz have brought along their concertina. | 0:32:16 | 0:32:21 | |
-Now, I... -MUSICAL SOUND | 0:32:21 | 0:32:24 | |
I love these things. | 0:32:24 | 0:32:27 | |
It's a concertina. | 0:32:27 | 0:32:29 | |
-Where did you get it? -It was from my grandfather. | 0:32:29 | 0:32:33 | |
I've had it for 30 years and it's just been sitting in my house. | 0:32:33 | 0:32:37 | |
Liz, did he never take it out at some point and just have a wee go at it? | 0:32:37 | 0:32:43 | |
-He's not very musical. -He's not very musical? -No. | 0:32:43 | 0:32:46 | |
He can't sing, he can't play. | 0:32:46 | 0:32:48 | |
OK, concertinas are highly desirable instruments | 0:32:48 | 0:32:53 | |
and the best of them can go well into four figures. | 0:32:53 | 0:32:57 | |
But what's most important about it is the make. | 0:32:57 | 0:33:02 | |
And if we look at this one, this is called The Edeophone | 0:33:02 | 0:33:07 | |
and it's made by Lachenal. | 0:33:07 | 0:33:09 | |
Now, Lachenal was a Swiss company that came to London | 0:33:09 | 0:33:13 | |
and made these precision instruments. | 0:33:13 | 0:33:17 | |
They made them from about the 1850s to the 1930s. | 0:33:17 | 0:33:22 | |
This one is probably from about the late 1890s, in that area. | 0:33:22 | 0:33:28 | |
But let's look at this wonderful, ebonised plate on here | 0:33:28 | 0:33:35 | |
with this marvellous fretwork. | 0:33:35 | 0:33:38 | |
Now, I like that and when I see things finished like that | 0:33:38 | 0:33:44 | |
with such good craftsmanship, then you know it's a quality instrument. | 0:33:44 | 0:33:49 | |
We have a wee condition issue on this thumb strap here. | 0:33:49 | 0:33:55 | |
Now, tell me, Ian, was it like that when you got it? | 0:33:55 | 0:33:59 | |
-As far as I can remember, yes. -It's been like that? -Yeah. | 0:33:59 | 0:34:03 | |
We also need some attention on some of the buttons here. | 0:34:03 | 0:34:08 | |
They're not working. So a couple of wee condition issues there, | 0:34:08 | 0:34:13 | |
but in the main, the instrument is in good order. | 0:34:13 | 0:34:17 | |
What makes it...even more desirable | 0:34:17 | 0:34:21 | |
is the fact that we have it in its original leather case. | 0:34:21 | 0:34:25 | |
-Yes. -Estimate... | 0:34:25 | 0:34:28 | |
I would like to put a value of 250 to 450. | 0:34:28 | 0:34:33 | |
I think that it has a good chance of going higher, | 0:34:33 | 0:34:36 | |
but to give it a conservative estimate will pull in the bidders. | 0:34:36 | 0:34:41 | |
-Shall we go ahead and flog it? -Yeah. -Yes. -Good, good. | 0:34:41 | 0:34:45 | |
-Will you be there at the auction? -We'd love to be, but I think we might be away on holiday. | 0:34:45 | 0:34:51 | |
-You'll be on holiday at that time? -I think so. | 0:34:51 | 0:34:54 | |
Well, I will be there to cheer it on | 0:34:54 | 0:34:58 | |
-and hopefully, to make you a nice little pot of money for coming back to. -That's brilliant. | 0:34:58 | 0:35:04 | |
Well, that's it. We've now found our final items to take off to auction, | 0:35:04 | 0:35:09 | |
so sadly, it's time to say farewell to our magnificent backdrop - Alnwick Castle. | 0:35:09 | 0:35:15 | |
Let's get straight over to the saleroom. Here's a quick recap of what we're taking with us. | 0:35:15 | 0:35:22 | |
And we're taking Betty's sweetheart brooch with its RAF connections. | 0:35:22 | 0:35:26 | |
Jackie's three local history books, | 0:35:28 | 0:35:31 | |
including one all about Alnwick Castle. | 0:35:31 | 0:35:34 | |
Christine's two Victorian coloured glass vases. | 0:35:35 | 0:35:39 | |
And last, but not least, Ian and Liz's concertina in original case. | 0:35:39 | 0:35:44 | |
It's a packed auction house and hopefully, that can be good news for our owners. | 0:35:49 | 0:35:55 | |
If you're buying or selling at auction, there is commission to pay. | 0:35:58 | 0:36:02 | |
Here at the Boldon Auction Galleries, it's 17.5% plus VAT. | 0:36:02 | 0:36:06 | |
Check in the catalogue because it does vary from auction room to auction room. | 0:36:06 | 0:36:11 | |
Betty is waiting with her sweetheart brooch. | 0:36:11 | 0:36:14 | |
I know it wasn't your husband's, was it, but you managed to buy this one? | 0:36:14 | 0:36:19 | |
-I bought it. I bought it in an antique sale. -In an antique sale? | 0:36:19 | 0:36:23 | |
-How much did you pay for it? -I can't remember. It's 20-odd years ago and I think it was about 50. | 0:36:23 | 0:36:30 | |
It's great that the gallant chaps in the RAF were sentimental enough to think of their girlfriends and wives | 0:36:30 | 0:36:36 | |
-and buy little tokens like that. It's very touching. -Yes. | 0:36:36 | 0:36:39 | |
Let's find out what the bidders think right now. | 0:36:39 | 0:36:42 | |
Pretty little RAF brooch. | 0:36:42 | 0:36:45 | |
I've got commission bids. | 0:36:45 | 0:36:47 | |
I've got £35 to start me. | 0:36:47 | 0:36:50 | |
40. 5. 50. | 0:36:50 | 0:36:53 | |
5. 60. 5. | 0:36:53 | 0:36:55 | |
At £65 to my immediate left. | 0:36:55 | 0:36:58 | |
-At £65 now on the net. -Yes. | 0:36:58 | 0:37:01 | |
Bidding on the book and on the internet - £65. | 0:37:01 | 0:37:05 | |
Are we all done, ladies and gents, at 65? | 0:37:05 | 0:37:10 | |
-GAVEL BANGS -That's a good result. -Fantastic. | 0:37:10 | 0:37:14 | |
-£65. -Someone else likes it as much as I did. | 0:37:14 | 0:37:17 | |
Yeah, that's a real collectable, isn't it? That's a real collectable. | 0:37:17 | 0:37:21 | |
It's a piece of jewellery, but it's also a collectable item. | 0:37:21 | 0:37:25 | |
If you're interested in aviation or the RAF, it's a nice thing to own. | 0:37:25 | 0:37:29 | |
-Betty, thank you so much. It's been a real pleasure to meet you. -And you as well. | 0:37:29 | 0:37:35 | |
'That was a double whammy as it was Betty as well as her brooch who was a real sweetheart. | 0:37:35 | 0:37:40 | |
'And here's another one - Jackie and her three books with a local connection.' | 0:37:40 | 0:37:46 | |
Very, very nice. Why are you selling these? | 0:37:46 | 0:37:49 | |
They're just getting very dusty on a bookshelf | 0:37:49 | 0:37:52 | |
and probably not kept in the right conditions for older books | 0:37:52 | 0:37:56 | |
Well, these things are of historical interest as well. | 0:37:56 | 0:38:00 | |
I think it's nice for a collector to have them, to get that historical information and move on from there. | 0:38:00 | 0:38:06 | |
Let's hope there's a few collectors here today and to get the top end and a bit more. | 0:38:06 | 0:38:11 | |
Good luck, both of you. This is it. | 0:38:11 | 0:38:14 | |
"The History of Newcastle upon Tyne | 0:38:14 | 0:38:16 | |
"or the Ancient and Present State of that Town." | 0:38:16 | 0:38:19 | |
Somebody bid me? I'm bid £50 straight in. | 0:38:19 | 0:38:23 | |
At 50. At £50. 5, anybody now? | 0:38:23 | 0:38:26 | |
At 50. 5. 60. 5. | 0:38:26 | 0:38:30 | |
70. 5. 80. | 0:38:30 | 0:38:32 | |
5. 90. 5. | 0:38:32 | 0:38:35 | |
100. 110. 120. | 0:38:35 | 0:38:38 | |
130. | 0:38:38 | 0:38:41 | |
140. Downstairs to the left at £140. | 0:38:41 | 0:38:45 | |
Are we all done, ladies and gents, | 0:38:45 | 0:38:47 | |
at 140...? | 0:38:47 | 0:38:50 | |
-GAVEL BANGS -Sold. Good. Very good. -Very good. | 0:38:50 | 0:38:53 | |
-Are you happy? -Yes, very pleased. -Thank you for bringing them in. | 0:38:53 | 0:38:57 | |
'Way over top estimate, perhaps because of the link with the north-east. | 0:38:57 | 0:39:02 | |
'Moving on to some colourful glassware with Christine...' | 0:39:02 | 0:39:06 | |
They've been in the family a long time, but they skipped a generation. They were Grandma's? | 0:39:06 | 0:39:12 | |
-Not your mother's? -No. They were my grandmother's, then Mother's, then mine. | 0:39:12 | 0:39:17 | |
-And your daughter's? -My daughter's. -But she doesn't want them now? | 0:39:17 | 0:39:21 | |
-No, no. -Do you want them back? | 0:39:21 | 0:39:23 | |
Not really. | 0:39:23 | 0:39:25 | |
-Not really. -It seems nobody really likes them. | 0:39:25 | 0:39:28 | |
But I'm sure they'll find a home today. We'll find out right now. | 0:39:28 | 0:39:32 | |
We've got the two pretty, Victorian, coloured glass trumpet vases | 0:39:32 | 0:39:37 | |
with the flower heads. | 0:39:37 | 0:39:39 | |
And I'm bid 20 to start them. | 0:39:39 | 0:39:42 | |
25. 30. | 0:39:42 | 0:39:44 | |
5. Front row at £35. | 0:39:44 | 0:39:46 | |
40. | 0:39:46 | 0:39:49 | |
45. | 0:39:49 | 0:39:50 | |
£45 on the front row. | 0:39:50 | 0:39:53 | |
At £45. 50, have I missed anybody? | 0:39:53 | 0:39:56 | |
At £45 for the first and the last. | 0:39:56 | 0:39:59 | |
At £45... | 0:39:59 | 0:40:02 | |
-Job done. -Yes. -Well done. -Thank you very much. | 0:40:02 | 0:40:05 | |
No big surprises there. | 0:40:05 | 0:40:07 | |
-It was a good experience though? -Yes, I've thoroughly enjoyed it. | 0:40:07 | 0:40:11 | |
Thank you for coming along because without you, we would not have a show. | 0:40:11 | 0:40:16 | |
If you've got anything you would like to sell, bring it along to one of our valuation days. | 0:40:16 | 0:40:21 | |
Pick up details on the website. Just log on to bbc.co.uk/flogit | 0:40:21 | 0:40:26 | |
Follow the links. All the information will be there. Or check the details in your local press. | 0:40:26 | 0:40:32 | |
Dust those antiques down and bring them along. | 0:40:32 | 0:40:35 | |
'For our final item, Ian and Liz's concertina. | 0:40:35 | 0:40:39 | |
'I asked auctioneer Giles's opinion on the preview day.' | 0:40:39 | 0:40:43 | |
When people come in to view this, | 0:40:44 | 0:40:47 | |
the collectors come in and people that play them, hopefully, | 0:40:47 | 0:40:51 | |
do they get a tune out of them? | 0:40:51 | 0:40:54 | |
If I give you a quick demonstration, what they're not looking for, unfortunately, | 0:40:54 | 0:40:59 | |
is this sound. | 0:40:59 | 0:41:01 | |
-It's quite... -Flat. -Flat. | 0:41:01 | 0:41:03 | |
-Some of the cards are broken in there? -Yes, and there's probably quite a lot of rust inside it. | 0:41:03 | 0:41:09 | |
At some stage, it's got damp inside. | 0:41:09 | 0:41:13 | |
Whoever buys it will be having a bit of a gamble to see whether they can restore it. | 0:41:13 | 0:41:18 | |
If they've got to restore all the airs, it will cost a lot of money. | 0:41:18 | 0:41:22 | |
If this was in perfect nick, in good condition and played well, £700, £800? | 0:41:22 | 0:41:28 | |
-Yes, I would have thought so. -£1,000 -It would probably tip over 1,000 on the right day at the right sale, | 0:41:28 | 0:41:34 | |
-but with our business, condition is paramount. -Yeah, this isn't good condition. -It needs a lot of work. | 0:41:34 | 0:41:41 | |
It's a great item, but will its condition affect the final result? | 0:41:43 | 0:41:48 | |
Time to see how Ian and Liz's concertina fares. | 0:41:48 | 0:41:52 | |
-Unfortunately, they can't be with us, but we have their daughter Kelly. Hello. -Hello. | 0:41:52 | 0:41:57 | |
-Where are your mum and dad? -On holiday in Wales. | 0:41:57 | 0:42:00 | |
-And I gather they're off to Poland soon? -They are, next week. | 0:42:00 | 0:42:04 | |
-And they're putting the proceeds of the sale towards that trip? -Yes. | 0:42:04 | 0:42:08 | |
-Did you ever have a go on this? -I didn't, no, unfortunately. -Did anyone? -I don't think so. | 0:42:08 | 0:42:13 | |
-We were frightened to touch it. -Good luck. -Thank you. -Here we go. | 0:42:13 | 0:42:18 | |
We have the Lachenal Edeophone concertina with 48 buttons. | 0:42:18 | 0:42:23 | |
And I'm bid 200 to start me. | 0:42:23 | 0:42:27 | |
-We're straight in, but it's not enough. -£200. | 0:42:27 | 0:42:31 | |
At £200. | 0:42:32 | 0:42:35 | |
220. 250. | 0:42:35 | 0:42:37 | |
At 250... | 0:42:39 | 0:42:42 | |
-That was a sticky start, wasn't it? -280. 300. | 0:42:42 | 0:42:45 | |
-320. 350. -This is great. -380. | 0:42:45 | 0:42:48 | |
-400. 420. -Now we're making music! | 0:42:48 | 0:42:50 | |
450. 480. 500. 520. | 0:42:50 | 0:42:53 | |
550. 580. 600. | 0:42:53 | 0:42:56 | |
-I love this, don't you? -Yes. | 0:42:56 | 0:42:58 | |
680. On the phone at 680. 700 now? | 0:42:58 | 0:43:02 | |
At £680. It's on the phone. | 0:43:04 | 0:43:06 | |
Be quick on the net, please. It's fair warning. | 0:43:06 | 0:43:10 | |
At £680 for the last time... | 0:43:10 | 0:43:13 | |
At 680. | 0:43:13 | 0:43:16 | |
Yes! Great result, considering the condition. It needed sorting out. | 0:43:16 | 0:43:21 | |
-That's great. -You've got to get on the phone and tell them. -I will. | 0:43:21 | 0:43:25 | |
-Will they be pleased? -Yeah. -I bet you're pleased as well. -I am, yeah. | 0:43:25 | 0:43:29 | |
'Ian and Liz had a fantastic holiday in Poland, using some of the proceeds of the sale. | 0:43:29 | 0:43:34 | |
'They might even make a return trip with the rest of the money.' | 0:43:34 | 0:43:39 | |
I hope you've enjoyed today's show. If you've got any antiques you want to sell, we would love to see you. | 0:43:42 | 0:43:48 | |
Bring them along to our valuation day and it could be you in the next sale going home with a lot of money. | 0:43:48 | 0:43:54 | |
But until then, from the Boldon Auction Galleries, it's goodbye. | 0:43:54 | 0:43:59 | |
Subtitles by Subtext for Red Bee Media Ltd 2012 | 0:44:16 | 0:44:20 | |
Email [email protected] | 0:44:20 | 0:44:23 |