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If this motion meant this house would fight for liberal democracy,

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it would say so!

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Thousands of orators have entered these gates to discuss the hot,

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controversial issues of the day,

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none more so than the threats of war -

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Vietnam, Ireland, Iraq and, of course, Afghanistan -

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all controversial issues.

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This is definitely the place to get people talking today.

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I'm sure we're going to have one or two debates over what's it worth.

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Welcome to "Flog It!"

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Today's programme comes from Oxford Union.

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These debating rooms provided a mecca for discussion,

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right in the heart of the city centre.

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The Oxford Union has never shied away from talking about conflict.

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I'm speaking as a black man from America, which is a racist society.

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And over the years, the question of war

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has proved a controversial topic, time and time again.

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Well, tonight, Mr President, we are debating about war.

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The infamous King and Country debate shook Britain to its core,

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but more of that later.

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The union played a crucial role during World War I.

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Not only did it send men off to the front line,

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but it also stayed open throughout those years.

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Political issues were the hot topic of the day, hardly surprising

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given the political activity throughout the world.

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And back then, it would have been packed to the rafters

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with an enthusiastic crowd.

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There would have been no lighting or heating,

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but things haven't really changed that much today.

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It's still packed - we've got the enthusiastic crowd -

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it is lights, camera, action.

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The power is, thankfully, back on.

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So, let's see what Oxford has to offer.

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Our experts are currently on a recce.

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What are you doing?

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I'm just catching up with what you're up to. Look.

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I don't want you anywhere near me.

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First up, it's our silver-tongued "Flog It!" sweetheart, Mark Stacey.

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-Oh, you drank it all?

-Yeah.

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Who's that? Is that your family album?

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And he's being stalked by our very own secret agent, Will Axon.

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Start at the back, work me way up!

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Coming up in today's show,

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we'll get transported back to the fields of the Somme.

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Quite evocative, isn't it?

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You were told to mount your bayonets

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and then you knew it was going to get dirty, didn't you?

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And propaganda posters whip up a fever in the auction room.

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80, 300, and I end at 310.

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Well, it's all go. We've got an army of experts

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and an arsenal of antiques to value.

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The perfect ingredients for a battle.

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Let's get started with Mark Stacey.

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He's first to find a real gem and he's right down there,

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in the thick of it.

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-Cynthia, time is on us.

-Yes.

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You've brought this interesting little collection in.

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Now, is there any story to it?

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I was shopping one day and I saw this

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and I thought it would make a nice birthday present for my husband.

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-And in those days, he used to wear a waistcoat.

-Oh, of course.

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And I thought it would look very nice, you know, in his waistcoat.

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-Very elegant.

-Yes.

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And was the vesta case attached to it?

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No, I added that and I also added the gold sovereign, yes.

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And it's Queen Victoria,

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a nice early shield back sovereign.

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Quite unusual to find a 9ct gold vesta case.

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I had never seen one before, or since.

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I mean, they're normally silver,

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of course. Sometimes gilded.

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There can be all sorts of decoration.

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-This is a fairly plain example.

-Yes.

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Um...

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The pocket watch is a half hunter.

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I mean, you can see it.

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-And he used it and enjoyed it?

-Yes.

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I mean, in days gone by, every gentleman would have a pocket watch.

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-Absolutely.

-You know, and dress very smartly and elegantly.

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But people don't wear, men don't wear waistcoats any more, so...

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Well, to be honest with you, I don't even wear a watch any more.

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And especially when they put on weight, they can't do the buttons up.

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-I hope you're not looking...

-No.

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But my son doesn't want it, and they're expecting their first baby

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and I thought, "Why not flog it and give him the money?"

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-That's a lovely idea, isn't it?

-So, I'm grandmother for the first time.

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Oh, wonderful!

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It comes down to the gold, really, doesn't it,

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on something like this, unfortunately these days.

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We ought to put the estimate around £900 to £1,200.

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-Yes.

-Something like that.

-That's fine.

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And we have to fix a reserve, of course.

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-Yes.

-The reserve is normally the low-end estimate, £900.

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Let's put it in at that, let's put it in at £900 to £1,200.

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-Yes, that's fine.

-And we'll put a fixed reserve of £900.

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-I'd like a fixed reserve.

-That's absolutely fine.

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Of course, it might be that when we come to the auction,

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there's been a spike in the gold price and it'll make even more.

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From one dapper gentleman to another, who does still adhere

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to traditional dress, and it looks like Will has discovered

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a fascinating relic from a French battlefield.

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Well, here we are, Les, in the Goodman Library and just across

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the courtyard over there is the Oxford Union debating chamber,

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which opened in 1879,

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three years after your bayonet was made.

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That's amazing, actually.

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-You surprised me.

-Tell me, are you a military man?

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Not at all, no.

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So, what drew you to a bayonet?

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Well, I go to auctions and I look around for things of interest

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or collectables, and if I can pick it up reasonable, I have a go.

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-That's a... I've just had it about a year.

-OK.

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The first thing that caught my eye was the condition.

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-It really is tip-top, isn't it?

-Excellent condition.

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And especially when you've got this leather mount here,

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-that would be strapped onto the belt...

-That's right.

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..so you could carry it. I'm sure a lot of those have perished.

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I mean, you don't often see them with the bayonet.

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-No, that would be missing normally.

-Exactly.

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-Well, the bayonet is French, you probably know yourself.

-Yes.

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We'll have a look in a moment.

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If I just drag it out here, we can clearly see there on the blade

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that we've got the Saint-Etienne mark there, 1876 is the date.

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That basically translates as, "Made in the armoury of Saint-Etienne,"

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at that date, 1876.

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And again here, you can just see there the little armourer's marks.

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That's the armourer's mark, is it? Ah, yes.

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Just to identify who actually made the blade.

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Nice tight fit there, isn't it?

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And of course here you've got where you would mount it onto

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the end of your rifle. I mean, quite evocative, isn't it?

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You were told to mount your bayonets

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-and then you knew it was going to get dirty, didn't you?

-Exactly.

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-How much did you pay for it?

-About £45, I think it was, with commission.

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-OK.

-Round about that figure.

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Quite a good deal, I think, especially with this leather mount.

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-With the engraved dates, as well.

-And the engraving, yes, exactly.

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Well, listen, I think you might be able to turn a small profit on that.

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-What about putting it in at, say, £40 to £60?

-Um...

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Bit of a gamble on the bottom figure, I know.

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-OK, what about, say, £50?

-That sounds better.

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-Then if we say £50 to £80.

-Say that, yes. I'd be happy with that.

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-£50 to £80, and let's fix the reserve at £50.

-Fixed reserve, good.

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-I'm sure we'll get it away for you.

-Good, good.

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And before I do go, can I just say how dapper you're looking, Les?

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I mean, I love this waistcoat.

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Tell me more about that, where did you get that from?

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Would you like to make me an offer?

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Oh, I don't know if I've got a big enough wedge in my pocket,

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-but that's quite something, isn't it?

-Yes.

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Now, the build-up to World War I

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coincided with Oxford Union's heyday.

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Talented students, like future Prime Minister, Harold Macmillan, were

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drawn to this debating hall to talk about unfolding political events.

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And just look what I've discovered in the archives.

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What I have in my hands is a ledger of all the members

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of the union from 1891 to 1948,

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which spans the years of the Great War.

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Now, many of the members that were here during that time would

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have gone off to fight on the front line.

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It's quite a poignant document, really, and as I look

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down the list, you can see who was killed or wounded in action.

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And there's a chap here,

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died of his wounds, 28th of August, 1915,

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a chap called Lister.

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And there's another one here,

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killed in action, April 1918,

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coming towards the end of the war.

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And it just goes on and on and on.

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But it's marvellous, really, that documents like this exist.

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It does give us a window into the past

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and it's an invaluable piece of social history.

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A priceless piece of social history to the union.

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We see a lot of commemorative pieces on "Flog It!" and Mark Stacey has

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found a king-sized example,

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brought in by pottery connoisseur, Claude.

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Now, it doesn't take much to work out what you've brought in, does it?

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-No. No, it's quite easy to see.

-It's a loving cup...

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-It is indeed.

-..by Doulton.

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Now, the interesting thing with the coronationware of Edward VIII

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is that because he was never crowned,

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people automatically assume

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that any items with him on are very rare.

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In fact, it's the other way around.

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Because all the potters were already geared up, it was a shock to them to

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have to then produce a load of wares

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to commemorate, actually, George VI.

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-Yeah.

-But we've got something special here, haven't we?

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Because this is a great piece of Doulton potting history.

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-I mean, we've really got pomp and circumstance here.

-Oh, yes.

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It's all over it, isn't it?

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-All the flags and the royal emblems are there, aren't they?

-Absolutely.

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I love the handles,

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with all the different parts of the Commonwealth, the Empire.

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Canada, Australia, India,

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South Africa, New Zealand.

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But it's a great, great piece.

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Underneath, of course, we've got everything you need to know.

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Doulton are very good at marking their wares.

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It's a limited edition of 2,000

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and this is marked at 826.

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Where did you get it from?

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I actually bought it in one of the Commonwealth countries,

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I bought it in New Zealand.

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Not at the time?

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No, no, I'm not quite that old. Nearly.

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-I bought it in 1998.

-Gosh, what did you pay for it?

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£400... The equivalent of £400 pounds sterling.

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And you shipped it all the way back from...?

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-I hand-carried it via Los Angeles, home.

-Oh, wow.

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-And it survived.

-It survived.

-Fantastic.

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Well, what's it worth today, do you think?

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-You're going to tell me.

-No, Claude, look. A man of your knowledge...

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Well, it's worth a minimum of £600.

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Gosh, I'm glad I'm sitting down.

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You know, there have been some that have sold over the last year

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or so, and they've been making between sort of £600 and £1,000.

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Yes.

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I think, sensibly, Claude,

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we should put an estimate of £600 to £800 on it.

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-Yeah, that's right.

-Would you be happy with that?

-Quite happy.

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We'll have to put a reserve, of course.

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-£550?

-Yes, fixed.

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-Fixed at £550, yeah.

-I think let's put a fixed reserve of £550.

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-Would you miss it?

-No.

-No?

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I bought it to sell, didn't I?

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You're just putting it out there.

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Well, listen, I really look forward to seeing you at the auction.

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Thank you.

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I've actually looked at it more since we've been sat here

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and studied it than I have before.

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Our experts have been working flat out here at the Oxford Union.

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You've just seen the items, you've heard what they've had to say,

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you've probably got your own opinions,

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but right now, we're going across to the auction room to put them

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to the test, and here's a quick recap of what we're taking with us.

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Will it be Cynthia's antique pocket watch that appeals

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to the debonair gentlemen in the saleroom?

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Or will the bidders be seduced by the history

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behind Leslie's French bayonet?

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And speaking of history,

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we also have Claude's commemorative loving cup.

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Will he get the high price he thinks it merits?

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Minimum of £600.

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Gosh, I'm glad I'm sitting down.

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Our auction today comes from Newbury, near Reading.

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The site of a former RAF base, this place has military connections

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dating back to the English Civil War.

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Cruise missiles were situated here during the Cold War,

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which sparked huge protests.

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Here's hoping today's auction is a little bit less contentious.

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5, 8, 5, 9.

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Our auctioneer is a familiar face,

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our very own Thomas Plant.

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70 it is.

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Our first item needs no introduction to antique fans,

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but Thomas feels Royal Doulton is currently not in vogue,

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so he's lowered the reserve to £300.

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How long have you had this loving cup?

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I bought it in New Zealand in 1998.

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You get around! And so does the Royal Doulton.

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Oh, it does, it travels all over the world.

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-And how much did you pay for it?

-£400.

-£400?

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Yeah, but I should have sold it long ago.

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Royal Doulton is in the doldrums, I'm afraid.

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There's no doubt about it,

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the collectors aren't there like they used to be.

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I used to do a bit of antique fairs years ago,

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so it's all stuff that's left over.

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There you go, you've got to do something with your time,

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-haven't you?

-You have when you're retired.

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-We need £300 to sell this.

-I'd like a bit more for it than that.

-OK.

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Well, let's find out what it's worth,

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let's hand things over to Thomas Plant on the rostrum.

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Lot 560, the Royal Doulton Pottery

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commemorative loving cup,

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limited edition for Edward VIII.

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I can start the bidding with me here,

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straight in at £250.

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At £250 against you all.

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Is there any advance at £250?

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£260, do we have?

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At £250 is the bid I have.

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It's not going to sell.

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No, it doesn't look like it's going to sell.

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£250. Doesn't sell.

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-He was calling for £250.

-Well, there we go another day, another auction.

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We can pop it in somewhere else.

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-You took that well, with a smile on your face.

-But I knew...

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And you're right, Mark, Doulton is not what it was.

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Not at the moment, but it'll come around again, Paul.

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We've been in this business,

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-everything comes round again eventually, doesn't it?

-Yes.

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Take it on the chin and reinvest the money

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and hopefully you'll be back in profit.

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I'll find something else to bring.

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I'm sure you will and you've got a good eye.

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You win some, you lose some.

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Will Leslie's bayonet make a late charge in the saleroom?

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He's certainly made an impression on me.

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Well, I must say, I'm admiring Leslie's waistcoat.

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I think we could do with one like that.

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Well, I said on the valuation day,

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he made me feel somewhat underdressed.

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-Are you a keen waistcoat wearer?

-I've got several, yes.

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-The last few years, livens things up a bit.

-Yeah.

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We're admiring your French bayonet.

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It's a very nice thing, isn't it?

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-It's in good condition.

-It is, yes.

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And it's nice and complete, with the leather belt strap and so on.

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Yeah, it's a good 'un.

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You bought this about a year ago

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-and you paid £40 for it.

-Yeah.

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OK, well, we're going to put it to the test.

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We'll test your eye out. I'm sure you're going to make a profit.

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Here we are, this is the bayonet, the French bayonet,

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carved and engraved Saint-Etienne, 1876.

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See if there's some militaria buyers.

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Start me off here at £35.

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At £35, and £40, £45. And £50,

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I have. At £50 it is for the bayonet.

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Any advance at £50?

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At £50, you never know, you could run somebody through.

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At £50, they don't...

0:15:180:15:21

At £50 it is.

0:15:210:15:22

That's all right. You probably wiped your face

0:15:220:15:25

-once commissions are off at the end.

-Just.

0:15:250:15:27

Well, we had some fun, didn't we, with that?

0:15:270:15:29

Yeah, exactly, and you can't put a price on that.

0:15:290:15:32

Well, the boys' items have hardly set the auction room alight.

0:15:320:15:35

Will Cynthia's pocket watch be a bit more incendiary?

0:15:350:15:39

-This is a real cracker, I do like this.

-Yes.

0:15:390:15:41

I'd like to see the top end of the estimate for this.

0:15:410:15:43

Why have you decided to sell this, is it something that's in a drawer?

0:15:430:15:46

Because my son doesn't want it

0:15:460:15:48

and my daughter-in-law's just produced my first grandchild

0:15:480:15:51

and I thought I would buy some premium bonds for his...

0:15:510:15:55

-What's his name?

-That's him.

-Oh, bless!

-Isn't he lovely?

0:15:550:15:58

-Oh, isn't he lovely.

-His name's Archie.

-Look, good luck with this.

0:15:580:16:02

Fingers crossed. Mark, you're looking worried.

0:16:020:16:05

I am, I never know with these sort of things.

0:16:050:16:07

I mean, it is a lovely lot, isn't it?

0:16:070:16:09

It's got the nice Albert chain, as well.

0:16:090:16:11

It's an auction, anything can happen.

0:16:110:16:13

Let's find out what Thomas thinks.

0:16:130:16:14

Next lot is a 9ct gold open-face pocket watch,

0:16:160:16:20

vesta and chain.

0:16:200:16:21

There we are, with the little sovereign on it.

0:16:210:16:24

Really nice looking lot.

0:16:240:16:25

Start me here at £700.

0:16:250:16:27

720. 750. 780.

0:16:270:16:30

800, 850.

0:16:300:16:32

880, 900.

0:16:320:16:35

920, at 920 I am.

0:16:350:16:37

At 920 it's in the room. Is there any advance at 920?

0:16:370:16:40

At 920, 950.

0:16:400:16:41

980.

0:16:410:16:44

1,000.

0:16:440:16:45

Oh, that's better, isn't it?

0:16:450:16:47

Go on. 1,100 sir.

0:16:470:16:49

-INAUDIBLE

-You've very, very sure?

-Wonderful.

0:16:490:16:52

There's another bid by the door.

0:16:520:16:53

1,050. I have £1,050 against you all.

0:16:530:16:57

At 1,050...

0:16:570:16:59

Well, I think that's a very good result.

0:16:590:17:01

-Fantastic.

-Very good result.

0:17:010:17:03

-And a wonderful start for little Archie.

-Yes.

0:17:030:17:06

Archie's certainly been a lucky boy.

0:17:070:17:10

Photography is a way of capturing the most important events

0:17:100:17:13

which occur in our lives.

0:17:130:17:14

Each photograph is a little snapshot of history.

0:17:140:17:18

And in the 1950s, one man singlehandedly captured

0:17:180:17:21

the rise of an entire counter-cultural movement,

0:17:210:17:25

a movement we know today simply as rock'n'roll.

0:17:250:17:28

I went to London to find out more.

0:17:290:17:31

MUSIC: "Shakin' All Over" by The Guess Who

0:17:370:17:40

I'm a huge music fan and I'm fascinated by how

0:17:400:17:43

powerfully music can express the mood of a nation.

0:17:430:17:46

# When you move in right up close to me... #

0:17:460:17:50

Cheers, thank you.

0:17:510:17:53

Post-war Britain was dominated by jazz singers

0:17:530:17:56

and family-friendly acts,

0:17:560:17:57

such as Frank Sinatra and Dean Martin.

0:17:570:18:00

But within a decade, a rock'n'roll revolution had taken place.

0:18:000:18:04

One man, Harry Hammond, was there,

0:18:040:18:07

in the right place at the right time

0:18:070:18:09

to witness this musical watershed.

0:18:090:18:11

Before the times of paparazzi and press packs,

0:18:110:18:14

it was Hammond who captured the birth of rock'n'roll.

0:18:140:18:16

# Quivers down the backbone

0:18:160:18:20

# I've got the shivers down the thigh bone... #

0:18:200:18:22

These quite remarkable behind-the-scenes pictures

0:18:230:18:27

chart an era of great musical and social change.

0:18:270:18:30

For two decades, Harry Hammond was Britain's leading musical

0:18:300:18:34

photographer, and from the start, he appeared to have

0:18:340:18:36

a knack for putting the rich and the famous at their ease.

0:18:360:18:40

According to Hammond expert, Alwyn Turner,

0:18:400:18:43

his success lay in his wartime experiences.

0:18:430:18:46

During the war, he served in the RAF as a reconnaissance photographer,

0:18:470:18:51

so he was flying over enemy lines, hanging out the side of a plane,

0:18:510:18:55

taking photographs of German and Italian positions in North Africa.

0:18:550:18:58

And I think, because of the length of his experience

0:18:580:19:01

and the intensity of that experience,

0:19:010:19:03

really, he was never going to be fazed by anybody who came

0:19:030:19:06

over from America with star attitudes.

0:19:060:19:08

I mean, when he photographed Frank Sinatra,

0:19:080:19:12

there's nothing Sinatra can do to intimidate him

0:19:120:19:14

after he's had that kind of background.

0:19:140:19:16

But being a freelance photographer in post-war Britain wasn't easy.

0:19:190:19:23

Rationing was still in place and cameras were hard to come by,

0:19:230:19:27

but Harry made the best of the situation,

0:19:270:19:29

reclaiming vintage cameras

0:19:290:19:31

and making the bold move away from the studio

0:19:310:19:34

to on-location sessions.

0:19:340:19:36

Kate Bailey is currently curating an exhibition

0:19:390:19:43

for the Victoria and Albert Museum, of Hammond's most iconic images.

0:19:430:19:47

So once Hammond worked his way out of the studio set-up,

0:19:470:19:50

he was able to go out on location, meet the jazz musicians,

0:19:500:19:54

backstage, concert venues, in the street, and sell them

0:19:540:19:56

-the images, the photographs that he took of them.

-Yeah.

0:19:560:19:59

And he was based in Denmark Street,

0:19:590:20:01

which was the centre for music publishing,

0:20:010:20:03

and he was there at the right time.

0:20:030:20:05

So the NME set up in 1952 and he became their photographer

0:20:050:20:09

and then for the next ten years, he was photographing all

0:20:090:20:12

the jazz musicians and the first of the British rock'n'rollers.

0:20:120:20:15

Harry became a familiar face front of stage.

0:20:170:20:20

This put him in a unique position.

0:20:200:20:23

He was able to capture the emerging American acts as they began

0:20:230:20:26

to roll in from across the Atlantic.

0:20:260:20:28

MUSIC: "Big Stuff" by Billie Holiday

0:20:280:20:30

This lovely image of Billie Holiday

0:20:330:20:36

is really quite extraordinary.

0:20:360:20:38

She came over to the Albert Hall in 1954,

0:20:380:20:41

she performed to a crowd of 6,000 people and sadly,

0:20:410:20:45

within four or five years of this photo, she had died.

0:20:450:20:48

But you can't see that in this image.

0:20:480:20:51

You wouldn't know it, would you?

0:20:510:20:52

You see a confident performer, she looks beautiful,

0:20:520:20:55

there's no cracks and she loved the London crowd.

0:20:550:20:57

I mean, the composition's beautiful, the lighting's beautiful.

0:20:570:21:01

Everything is so perfect about the shot,

0:21:010:21:03

capturing that one moment in time.

0:21:030:21:05

On the stage, so it's not about them all being posed.

0:21:050:21:08

It's not staged, is it?

0:21:080:21:09

It's capturing them doing what they do best.

0:21:090:21:12

This is a fantastic image of Winifred Atwell

0:21:120:21:15

playing her famous honky-tonk piano.

0:21:150:21:18

She's a really significant black artist,

0:21:180:21:21

she was the first female black artist to get a number one.

0:21:210:21:24

-She sold 20 million records.

-Wow.

0:21:240:21:26

Harry really captures her energy

0:21:260:21:28

and her enthusiasm and her happiness,

0:21:280:21:30

which everyone said, when she performed, it was just incredible.

0:21:300:21:34

Getting down there and jamming and having fun.

0:21:340:21:36

Yeah, and just sharing this London, with the whole melting pot

0:21:360:21:39

of different music and different styles and all coming together

0:21:390:21:42

and enabling the sort of development of a very clear British rock'n'roll.

0:21:420:21:46

MUSIC: "All Shook Up"

0:21:460:21:48

# Bless my soul, what's wrong with me?

0:21:480:21:51

# I'm itching like a man on a fuzzy tree. #

0:21:510:21:54

It was clear Harry wasn't just capturing great artists.

0:21:540:21:58

# I'm in love, yeah, I'm all shook up... #

0:21:580:22:00

He was documenting the changing attitudes to black music in Britain.

0:22:000:22:04

This was what rock'n'roll, at its heart, was.

0:22:040:22:07

A pulsating version of African-American blues,

0:22:070:22:10

and it was met with a chorus of disapproval.

0:22:100:22:13

# And who do you thank when you have good luck?

0:22:130:22:15

# I'm in love, yeah, I'm all shook up... #

0:22:150:22:18

But TV was paying attention,

0:22:180:22:20

and Harry was asked to take photographs for the BBC's

0:22:200:22:23

first foray into rock'n'roll programming.

0:22:230:22:26

# The Six-Five Special's steamin' down the line... #

0:22:260:22:30

The Six-Five Special shimmied onto our TV screens in 1957

0:22:300:22:34

and it became the template for the iconic music shows that we

0:22:340:22:37

know today, Top Of The Pops and Jukebox Jury.

0:22:370:22:40

This was a show that could make or break a musician

0:22:400:22:43

and filling the audience was a scary new youth faction called teenagers.

0:22:430:22:47

And waiting in the wings to take the photographs?

0:22:470:22:50

Of course, Harry Hammond.

0:22:500:22:52

We've had a lot of letters from people asking us

0:22:520:22:54

the difference between rock'n'roll dancing and jive dancing, so we've

0:22:540:22:58

got a couple of rock'n'roll dance experts to come along, Mr Billy Ross

0:22:580:23:01

and Lesley, and they're going to show us how to do the rock'n'roll.

0:23:010:23:04

The Youthquake had arrived

0:23:080:23:10

and Teddy Boys appeared on every street corner.

0:23:100:23:13

In stark contrast, rock'n'roll was dismissed as a passing fad

0:23:130:23:17

by a fearful adult population but not Hammond.

0:23:170:23:22

He photographed everybody and virtually nobody else did.

0:23:220:23:24

I mean, he would talk about going to concerts where

0:23:240:23:27

he was the only photographer there.

0:23:270:23:29

Rock'n'roll was seen in Britain by the establishment very much

0:23:290:23:32

as a black music at a time when the Empire was starting to crumble.

0:23:320:23:37

The first African colonies were becoming independent.

0:23:370:23:40

It was the first real start of the wave of immigration

0:23:400:23:44

from the West Indies. Race was a big issue in Britain at the time.

0:23:440:23:48

Dangerous music was coming over from America that caused riots

0:23:480:23:51

and trouble in the streets.

0:23:510:23:53

# Nine, ten, eleven o'clock, twelve o'clock rock

0:23:530:23:56

# We're gonna rock.... #

0:23:560:23:57

The first rock'n'roll riot was at

0:23:570:23:58

the Trocadero at the Elephant And Castle,

0:23:580:24:01

this was followed by similar demonstrations all over the country.

0:24:010:24:04

Again, the nation was up in arms.

0:24:040:24:06

The title music came up and that was it. Nobody wanted to see the film.

0:24:080:24:12

They just wanted to dance. We just got into the aisles and that was it.

0:24:120:24:16

There was pushing and shoving, next thing you know the seats are up

0:24:160:24:19

in the air, trying to clear the way, trying to make a dancehall out of it.

0:24:190:24:22

# We're gonna rock, rock, rock till broad day light... #

0:24:220:24:25

That's how we felt.

0:24:250:24:26

We had nothing else to do and we just went for the music,

0:24:260:24:29

it was just what we wanted at the right time.

0:24:290:24:32

It wasn't just the youth causing trouble in the streets.

0:24:320:24:35

Some of the celebrities themselves were questionable role models

0:24:350:24:39

and Hammond was often at close quarters.

0:24:390:24:42

# You shake my nerves and you rattle my brain

0:24:420:24:44

# Too much love drives a man insane... #

0:24:440:24:47

On Jerry Lee Lewis' tour of 1958,

0:24:470:24:49

which was the big scandal-ridden tour where it was discovered that

0:24:490:24:53

he was married to his underaged second cousin.

0:24:530:24:57

Harry Hammond photographed him on that tour

0:24:570:25:00

and they're extraordinary photographs.

0:25:000:25:02

I mean, he catches some of the power of Jerry Lee Lewis backstage.

0:25:020:25:05

But he looks a very dangerous kind of figure that, you know,

0:25:050:25:09

this is not somebody you'd want to meet down a dark alley.

0:25:090:25:12

# Hold me, baby

0:25:120:25:14

# Well, I want to love you like a lover should... #

0:25:140:25:17

From the distance of 50 years,

0:25:170:25:19

it's hard to imagine just how revolutionary rock'n'roll was.

0:25:190:25:24

This is what Hammond's photographs give us, rock'n'roll in the raw

0:25:240:25:27

before it was sanitised and accepted into mainstream culture.

0:25:270:25:32

I think because Harry was pretty much the only person taking photographs

0:25:320:25:36

in Britain at that stage of rock'n'roll,

0:25:360:25:39

his work effectively defines an era in a way that,

0:25:390:25:43

it's very rare for a photographer to be able to do that, where he shapes

0:25:430:25:46

our visual image of what the 1950s was like in British music.

0:25:460:25:49

No-one could've predicted how important rock'n'roll would

0:25:520:25:55

become but one thing is for sure, Harry Hammond was in the right place

0:25:550:25:58

at the right time to capture the seismic cultural shift.

0:25:580:26:02

So the next time you hear some rock'n'roll, put on your

0:26:020:26:05

blue suede shoes, rattle some pots and pans and rock until you drop.

0:26:050:26:09

Welcome back to our valuation day venue, the Oxford Union.

0:26:140:26:17

There's still a great buzz in the room,

0:26:170:26:18

plenty more antiques to find to take off to auction.

0:26:180:26:22

So from the best seat in the house, the President's chair,

0:26:220:26:25

to the hot seat in the house, let's catch up with Mark Stacey

0:26:250:26:28

and see what he's up to.

0:26:280:26:30

I adore your elephant. I love it. Where does it come from?

0:26:300:26:34

It's my daughter's actually.

0:26:340:26:37

Her husband, who's a glazier, was given it as part payment for some work.

0:26:370:26:41

-Oh, wow.

-So...

-I love it.

0:26:410:26:44

It's basically a silver model of an elephant,

0:26:440:26:48

though is it African or Indian, do you think?

0:26:480:26:50

-Ah, it's the ears, isn't it?

-Yes.

-It's an African, isn't it?

0:26:500:26:53

-The big ears are Indian, no, Indian...

-I think it's Indian because

0:26:530:26:56

I think the ears are slightly smaller than in an African.

0:26:560:26:59

-They look sort of in-between.

-It's an Afro-Indian.

-Yeah, OK.

0:26:590:27:02

-There we are, we'll call it that.

-We'll settle for that.

0:27:020:27:05

I mean, it's great fun, it's not terribly old,

0:27:050:27:07

-it's not an antique item.

-No.

0:27:070:27:09

It has got some marks on here which are continental marks,

0:27:090:27:12

it's marked 925 so we know it's sterling standard silver

0:27:120:27:16

-and basically I think the inner body is made of another material...

-Uh-huh.

0:27:160:27:20

-..and then the silver body has been put over the top...

-Yes.

-..I think.

0:27:200:27:25

-Yes.

-And there's a little bit of damage, isn't there?

-Yes.

0:27:250:27:27

On the trunk.

0:27:270:27:30

-And she wants to sell it now, does she?

-Mm.

0:27:300:27:33

Now, were you on strict instructions about how you're going to sell it?

0:27:330:27:37

She wants to sell it but she wants to get as much as she can, obviously.

0:27:370:27:43

-We all want to get as much as we can...

-Yes.

-..don't we?

0:27:430:27:45

I think this will attract an awful lot of interest.

0:27:450:27:49

-It's very realistically modelled, isn't it?

-Mm.

0:27:490:27:51

These type of models don't come on the market very often

0:27:510:27:54

and they're great interior design pieces.

0:27:540:27:58

In terms of value, this is quite a difficult one

0:27:580:28:00

-because when you pick it up, it's very heavy.

-Mm-hm.

0:28:000:28:02

So the temptation is to think that the whole thing is absolutely

0:28:020:28:05

solid silver whereas actually what it is

0:28:050:28:08

is a sheet of silver over a composite body.

0:28:080:28:12

Right.

0:28:120:28:13

So it's quite deceiving when you weigh it.

0:28:130:28:17

I think, I'm hoping that somebody will fall in love

0:28:170:28:19

and will want to restore it and keep it,

0:28:190:28:21

-rather than tear it apart and sell it...

-Yes.

0:28:210:28:24

-..as scrap silver which would be a terrible shame.

-Absolutely, yes.

0:28:240:28:28

I think we're looking at £600 - £800 with a £600 fixed reserve.

0:28:280:28:34

-Do you think your daughter would be happy with that?

-I think so, yes.

0:28:340:28:38

Wonderful. I would hope on the day that two people see what

0:28:380:28:42

-I see in it and it might charge ahead to £1,000 or something.

-OK.

0:28:420:28:47

You know, we might get a herd of bidders. Shall I stop all the puns?

0:28:470:28:50

I think so.

0:28:500:28:52

Normally on this show, the antiques come to us

0:28:550:28:58

in all kinds of bags and boxes.

0:28:580:28:59

Well, today I've gravitated towards the boxes and they're special ones.

0:28:590:29:04

Here they are, there's two of them. They're despatch boxes

0:29:040:29:06

and they're modelled on the ones you'll find in the House of Commons.

0:29:060:29:10

They were given to the house here during the Second World War

0:29:100:29:13

and they're still used today.

0:29:130:29:15

Lovely piece of history.

0:29:150:29:16

One of the most iconic images of World War II

0:29:190:29:22

is the Keep Calm and Carry On

0:29:220:29:24

propaganda poster.

0:29:240:29:26

The poster was rediscovered in 2,000 in mint condition

0:29:260:29:29

and reissued worldwide.

0:29:290:29:31

Why I am telling you this?

0:29:310:29:33

Well, just look at what Will Axon has come across.

0:29:330:29:36

Well, we've scoured the building to find somewhere

0:29:360:29:39

big enough to be able to display your posters you brought in

0:29:390:29:41

and we've ended up here in the snooker room

0:29:410:29:43

and I think they look rather splendid,

0:29:430:29:45

even though we've had to use the cues to weigh them down

0:29:450:29:47

because they've been rolled up for some time, haven't they?

0:29:470:29:50

Tell me about them. Where are they from?

0:29:500:29:52

These are posters produced in 1944,

0:29:520:29:56

that went up on the London Underground

0:29:560:29:59

and they came into the family

0:29:590:30:01

because my stepfather was an architect who built lots of churches

0:30:010:30:05

and buildings after the war that had been flattened

0:30:050:30:08

and he was actually the surveyor of St Paul's Cathedral

0:30:080:30:12

and I think he must've been given them as a souvenir of his time

0:30:120:30:17

in the Blitz and they've been rolled up since 1944.

0:30:170:30:22

-The series is called The Proud City.

-Yes.

0:30:220:30:24

And I was brought up with stories about my mother living through

0:30:240:30:28

the Blitz and I think they convey the feeling of London at that time.

0:30:280:30:34

Buildings flattened but, "Come on, we can rise above all this.

0:30:340:30:39

"We're not going to be done down by the Germans.

0:30:390:30:42

"Londoners can survive."

0:30:420:30:44

And one of the things my mother always talked about in London

0:30:440:30:47

during the Blitz was the flower, the rosebay willowherb.

0:30:470:30:51

And we've got some of that in a couple of the posters, haven't we?

0:30:510:30:53

Coming up out of ground that had been completely burnt,

0:30:530:30:57

-it was also called fireweed.

-Ah.

-And wherever you'd had a fire...

0:30:570:31:01

-Yes.

-..it will seed itself and grow.

0:31:010:31:04

You've hit the nail on the head, I think, in that they really do,

0:31:040:31:07

sort of, convey that sort of slightly menacing feel

0:31:070:31:11

in one or two of them. I mean, this one here of the Chelsea Power House,

0:31:110:31:15

-I mean, it's quite a spooky scene, isn't it?

-It's quite scary.

0:31:150:31:19

And even the lamppost there that's been sort of knocked off its axis,

0:31:190:31:22

a wonderful little detail but really conveys that, like I say,

0:31:220:31:26

-slightly menacing feel.

-Yeah.

0:31:260:31:28

St Paul's, again next to that, the new view of St Paul's

0:31:280:31:31

because that isn't a view we had before the Blitz, was it?

0:31:310:31:34

No, St Paul's was completely surrounded by high buildings.

0:31:340:31:36

You never got a panoramic view of it.

0:31:360:31:39

Obviously I am going to have to draw attention to their condition

0:31:390:31:42

because they're in quite poor condition.

0:31:420:31:45

There are some quite serious tears, there's one or two losses,

0:31:450:31:48

there's various folds and the poster collectors are a fussy lot.

0:31:480:31:52

They like them to be pristine.

0:31:520:31:53

It's understandable how they've got in this condition,

0:31:530:31:56

especially if someone hasn't acquired them

0:31:560:31:59

with an idea of putting them away

0:31:590:32:01

as an investment or having the forethought to think,

0:32:010:32:03

"Well, one day these might be worth something." I mean,

0:32:030:32:06

we all know the story about the Keep Calm And Carry On poster,

0:32:060:32:08

-don't we?

-Exactly.

0:32:080:32:09

You know, exactly the same except, you know, we just had the fortune

0:32:090:32:12

that that was put away somewhere safely and it didn't get quite as

0:32:120:32:16

badly damaged as some of these have been.

0:32:160:32:18

Now the artist, it's Spradbery

0:32:180:32:21

and he was an artist sort of late 19th century into the 20th century.

0:32:210:32:25

He actually was a war artist as well.

0:32:250:32:27

Served in the First World War but as a pacifist was in the

0:32:270:32:29

Medical Corps and he used his time also as the official war artist.

0:32:290:32:35

Value wise, a single one in very good condition can make between

0:32:350:32:41

-£100, £150 but that's in mint condition.

-Mm-hm.

0:32:410:32:44

I think we're going to have to probably put that kind of value

0:32:440:32:48

on all six because of the condition.

0:32:480:32:50

Let's say £100 - £150

0:32:500:32:52

and I would suggest putting a reserve at the 100 figure.

0:32:520:32:55

How do you feel about that?

0:32:550:32:57

I think that would be all right because I'd much rather

0:32:570:32:59

they were owned by somebody or an archive or a library

0:32:590:33:03

that really values them and wants to look at them.

0:33:030:33:06

Here's hoping there's some World War II enthusiasts in the auction room.

0:33:070:33:12

And speaking of World War II, it was the threat of this conflict

0:33:130:33:17

which triggered the most infamous Oxford Union debate of all time.

0:33:170:33:21

Now, Oxford Union has witnessed many exciting debates over the decades

0:33:220:33:26

but none more so than the one that took place

0:33:260:33:29

on the 9th of February in 1933.

0:33:290:33:32

The motion was,

0:33:320:33:33

"This house will in no circumstances fight for King and Country."

0:33:330:33:37

And the shocking thing was the motion was carried 275 votes to 153.

0:33:370:33:43

It was the build-up to the Second World War

0:33:430:33:45

and the result caused a national outcry in the press.

0:33:450:33:49

Churchill labelled it squalid and shameless and some say

0:33:490:33:52

it even misled Hitler into thinking the British youth would not fight.

0:33:520:33:57

This debate was so powerful

0:33:570:33:59

that it was syndicated around the world in the press.

0:33:590:34:02

It was even restaged for television in 1965 through

0:34:020:34:06

the prism of escalating conflict in Vietnam.

0:34:060:34:09

It has been said that this motion is offensive.

0:34:090:34:12

That this motion is a disgrace to the society.

0:34:120:34:16

An antiwar feeling persisted at the union right through the 1960s

0:34:160:34:19

and Senator Robert Kennedy was invited to address the union here

0:34:190:34:23

but he wasn't greeted with a warm welcome.

0:34:230:34:26

Instead, 70 protesters formed an archway just here wielding

0:34:260:34:29

anti-Vietnam placards, the power of the protester.

0:34:290:34:34

The Kennedy debate wasn't filmed but someone who came to our

0:34:340:34:37

valuation day was actually in the chamber to hear Kennedy speak,

0:34:370:34:41

Owen Murphy.

0:34:410:34:42

It must have been the highlight of all debates here back then.

0:34:420:34:45

-Was it a packed house?

-They were hanging from the rafters.

0:34:450:34:48

A very large number of ladies here and one of something like adulation

0:34:480:34:51

-because he was probably a very...

-He was a very good-looking man.

0:34:510:34:54

He was a very powerful man as well at the time,

0:34:540:34:56

influential and he was in the presidential stakes.

0:34:560:35:00

Was he a good public speaker?

0:35:000:35:02

I was very impressed by the fluency of it

0:35:020:35:04

-and the comprehensiveness of it. It really was quite persuasive.

-Yep.

0:35:040:35:08

Well, we've got two very fluent experts down there

0:35:080:35:11

doing their valuations so enjoy the rest of the day, won't you?

0:35:110:35:13

-They're good speakers.

-Thank you very much, yes.

0:35:130:35:16

Someone else who likes talking is Mark Stacey.

0:35:160:35:20

He's still working hard and has come across a military style pair

0:35:200:35:23

of cufflinks modelled as a kukri, a traditional Gurkha knife and shield.

0:35:230:35:28

Thank you for bringing in such an exotic pair of cufflinks.

0:35:290:35:32

-Good, I'm pleased you like them.

-Now, where on earth did you find these?

0:35:320:35:36

They've been in my possession for about 40 years, I think.

0:35:360:35:39

My mother gave me them and, in all honesty, I've never worn them

0:35:390:35:42

and they've been in my sock drawer for that time.

0:35:420:35:45

Oh, no.

0:35:450:35:47

Oh, how sad. Well, they're lovely. They're 22 carat gold, of course.

0:35:470:35:52

One of the highest carats of gold.

0:35:520:35:55

-Persian, I think.

-Really?

-And they're dated on the back, 1900.

0:35:550:35:58

And they're modelled as this sort of dagger and shield.

0:35:590:36:02

Absolutely wonderful.

0:36:040:36:06

Very exotic pair. I wear cufflinks.

0:36:060:36:08

The difficulty with them is this chain mechanism because it's

0:36:080:36:12

much easier just to thread the more modern adjustable ones in.

0:36:120:36:16

-So they've been in your sock drawer, never worn.

-Never worn.

0:36:170:36:21

-Never loved.

-Never loved.

0:36:210:36:23

And I'm not sure they'll be loved again, actually. I suspect

0:36:230:36:27

what might happen, sadly, whoever buys them will melt them down

0:36:270:36:31

-and make them into something more profitable.

-That would be sad.

0:36:310:36:34

I'm rather hoping that if they're listed correctly for the auction

0:36:340:36:37

that somebody maybe with a Gurkha background or...

0:36:370:36:41

Might be interested in them.

0:36:410:36:43

I think there actually will be in fairness

0:36:430:36:45

because there are specialist shops as well in big cities,

0:36:450:36:49

particularly London, that specialise in gentlemen's attire and of course,

0:36:490:36:54

-classic unusual cufflinks like this often end up in Bond Street.

-Right.

0:36:540:36:59

You know, for a nice rich client. Have you thought about the value?

0:36:590:37:03

I've looked up on the internet what the scrap value is

0:37:030:37:06

so I've got a rough idea.

0:37:060:37:07

Oh, dear. So I can't get away with a low estimate then?

0:37:070:37:10

No, you're quite wise to do that actually.

0:37:110:37:13

-Today we're probably looking at around £300 or so.

-Right.

0:37:130:37:17

-Is that what you were thinking?

-Yeah, I was thinking 250 - 270.

0:37:170:37:21

-That sort of figure.

-I like you even more now, Tony.

0:37:210:37:24

If we could put an estimate of 250 - 350 on them I think there

0:37:240:37:28

will be interest other than just the intrinsic value of the gold.

0:37:280:37:32

So if we put a reserve of 250 on it

0:37:320:37:34

-because you don't want to give them away.

-Sure.

0:37:340:37:36

I think there will be quite a lot of interest in them.

0:37:360:37:39

-Good.

-But I mean if you did get a good price,

0:37:390:37:41

-would you try and get something else or?

-My passion is pots.

0:37:410:37:45

-I readily admit to it.

-Ah, you're a pot-oholic.

-I'm a pot-oholic.

0:37:450:37:49

Why not turn the money into something that you can love

0:37:490:37:52

-and look at and it gives you pleasure?

-Mm.

0:37:520:37:54

And it's too big to put in your sock drawer.

0:37:540:37:57

Well, there you are.

0:38:010:38:03

Our experts have now made their final choices of items

0:38:030:38:06

to take off to auction.

0:38:060:38:07

For us, it's time to say goodbye to this wonderful,

0:38:070:38:09

atmospheric place, the Oxford Union,

0:38:090:38:12

as we head over to Newbury to the auction room for the very last time.

0:38:120:38:15

Stay tuned, there could be one or two big surprises

0:38:150:38:18

and here's a quick recap of what's going under the hammer.

0:38:180:38:22

Will it be Zena's unusual elephant which entices the bidders?

0:38:220:38:25

Or will the social history of Jaime's propaganda posters

0:38:250:38:29

fire their imagination?

0:38:290:38:31

Come on, we can rise above all this. Londoners can survive.

0:38:310:38:35

And don't forget those Gurkha cufflinks for those

0:38:350:38:38

who like militaria.

0:38:380:38:39

Any advance at 50?

0:38:410:38:43

'Thomas Plant's got his gavel in his hand

0:38:430:38:45

'and he's raring to get under way.

0:38:450:38:48

'First to be put to the test is Zena's quirky elephant.'

0:38:480:38:51

-Who have you brought along with you today?

-This is David, my husband.

0:38:510:38:54

-David, pleased to meet you.

-Thank you, Paul.

-Do you like the elephant?

0:38:540:38:57

Yes, very nice, actually.

0:38:570:38:58

-Why have you decided to sell this?

-Well, it's not mine.

0:38:580:39:01

-It's our daughter's.

-Oh, OK.

-Yeah.

0:39:010:39:03

And it's just sitting there collecting dust

0:39:030:39:05

-and now she wants to sell it.

-Well, I'll tell you what,

0:39:050:39:07

-Mark raced towards that when you saw that...

-I did.

-It was straight out

0:39:070:39:10

-the starting blocks and...

-It was, well...

-A lot of silver.

0:39:100:39:13

-A lot of silver.

-Great deal of silver.

0:39:130:39:15

Very nicely modelled.

0:39:150:39:17

Anything can happen in an auction, that's why they're such great fun.

0:39:170:39:20

-Ready for this?

-Absolutely.

-I'm ready.

-Let's put it to the test.

0:39:200:39:23

What's it worth? We can find out right now.

0:39:230:39:25

Next lot is lot number 60 and this is the

0:39:260:39:29

impressive modern silver elephant.

0:39:290:39:31

I can start straight in at £600 anywhere.

0:39:310:39:33

At £600 I have.

0:39:330:39:35

At £600, is there any advance at 600?

0:39:350:39:37

At £600 is my maiden bid...

0:39:370:39:41

There's a phone line, look, there's a phone line. Could be a trunk call.

0:39:410:39:45

£600 and I sell then. Maiden bid against you all.

0:39:450:39:49

-£600.

-Ooh, it's gone.

0:39:500:39:53

-Yep.

-Blink and you'll miss that but it's gone.

0:39:530:39:56

-Yep.

-Happy?

-Yes.

-Very happy.

0:39:560:39:57

Any plans how you're going to spend...put it in the bank,

0:39:570:40:00

-pay the bills?

-We'll go to Ourgate.

-Where?

-Ourgate.

-Ourgate.

0:40:000:40:03

-Have you been there?

-No, what is that?

-Bottom of the garden.

-Oh.

0:40:030:40:08

Come on, Mark. Keep up. They say elephants aren't speedy.

0:40:090:40:12

Well, that auction certainly was. We're staying with Mark

0:40:120:40:15

now for our next lot, those military style cufflinks.

0:40:150:40:19

I'm not wearing any today and nor's Tony.

0:40:190:40:21

Well, Tony's selling his, let's face it.

0:40:210:40:23

-You don't normally wear cufflinks, do you?

-No, no.

-I think Mark does,

0:40:230:40:26

-have you got some on, Mark?

-I haven't got any on today,

0:40:260:40:28

unfortunately. I cheated today, I've got a button shirt.

0:40:280:40:32

-Your hands behind your...

-Hidden away.

0:40:320:40:34

I think it's something all guys should own. I've got a few pairs.

0:40:340:40:37

Oh, I've got lots of pairs, Paul, but you're right, I think

0:40:370:40:40

-it's something lovely to own. 22 carat gold.

-Gorgeous, gorgeous.

0:40:400:40:43

So remind us how did you come by these?

0:40:430:40:45

I think I must've owned them for about 40 years which coincides with

0:40:450:40:48

-when I started my banking career.

-Right, OK.

0:40:480:40:51

-There's a lot of guys here.

-There is.

-Who knows?

0:40:510:40:53

And here we go, it's going under the hammer right now.

0:40:530:40:55

Next lot is a pair of Middle Eastern 22 carat gold cufflinks.

0:40:560:41:00

There we are, with the kukri and the shield.

0:41:000:41:03

Start the bidding with me here, straight in at 240.

0:41:030:41:06

240 I have.

0:41:060:41:07

Straight in.

0:41:070:41:08

240 against you all.

0:41:080:41:10

At 240, is there any advance on 240?

0:41:100:41:12

Is there any advance?

0:41:120:41:14

At 240, all done then?

0:41:140:41:15

240 didn't quite make it.

0:41:160:41:18

That's surprising. I thought it would make 250.

0:41:180:41:21

That surprised me as well, I was hoping...

0:41:210:41:23

Really has surprised me.

0:41:230:41:24

Well, the scrap value was about 280 actually

0:41:240:41:26

so I'm quite pleased we didn't sell it too fast.

0:41:260:41:29

That's right on the cusp because if someone was bidding 230,

0:41:290:41:32

he was calling for 240 plus commission.

0:41:320:41:35

-Mm.

-Plus VAT, it makes it £280, that is the scrap value.

0:41:350:41:39

-And you know what they're worth.

-Yeah.

-Stick to your guns,

0:41:390:41:41

maybe wear them.

0:41:410:41:43

Re-enter them in another sale in maybe six months...

0:41:430:41:45

Yeah, maybe in a specialist jewellery sale.

0:41:450:41:48

What a shame.

0:41:490:41:50

Now, last lot of the day will be those World War II posters.

0:41:500:41:53

Whom in the auction room will be swayed by a piece of propaganda?

0:41:530:41:57

Thomas has lined the saleroom with them.

0:41:570:41:59

-Six World War II campaign posters.

-They look great, don't they?

0:41:590:42:03

They do look great. What I want to know is why are you selling them?

0:42:030:42:07

I actually want to put some money

0:42:070:42:09

into a charity I founded in central Africa.

0:42:090:42:12

We are renovating Africa's oldest ship and she's going to be a clinic.

0:42:120:42:16

-That's incredible.

-And she's going to steam round Lake Malawi...

0:42:160:42:20

-And that'll save lives.

-It will save thousands of lives.

0:42:200:42:22

And hopefully you'll be out there on the maiden voyage, will you?

0:42:220:42:25

-I jolly well hope so, I'm going to buy a new hat.

-Wow!

0:42:250:42:28

Hopefully we're going to get top money

0:42:280:42:30

and it's going under the hammer right now.

0:42:300:42:32

This is it. Good luck.

0:42:320:42:33

World War II, The Proud City.

0:42:330:42:36

There we are, from the London Passenger Transport poster series,

0:42:360:42:39

you can see them displayed around the room here.

0:42:390:42:41

Spradbery, 1944, some with some damages

0:42:410:42:43

but my, have we got interest!

0:42:430:42:45

160, 170, 180,

0:42:450:42:47

190, 200...

0:42:470:42:49

Well, there is a lot of them, isn't there? There's six.

0:42:490:42:51

240, 260.

0:42:510:42:52

280, 300 and I end at 310.

0:42:520:42:55

At £310 is my bid.

0:42:550:42:57

At £310 I have.

0:42:570:42:59

-Come on!

-Against you all at 310.

-Come on, come on.

0:42:590:43:01

At 320 will buy it. At 310 I have.

0:43:010:43:03

Last chance then at 310.

0:43:030:43:05

Are you thinking about it, sir?

0:43:050:43:07

At £310 against you all.

0:43:070:43:08

Last chance.

0:43:080:43:10

-Jaime, the hammer's gone down. Yes!

-Yes.

-At £310, what a great result.

0:43:100:43:14

-Yes.

-Yes.

-That surprised us all, didn't it?

-Yes.

0:43:140:43:16

-It did, mainly because of the condition they were in.

-Yes.

0:43:160:43:18

But they've got real potential,

0:43:180:43:20

-they're sort of museum pieces really.

-They are.

0:43:200:43:22

-War propaganda, that's what it was all about back then.

-Yeah.

0:43:220:43:25

-You know, your country needs you.

-Yes.

0:43:250:43:27

What a wonderful way to end today's show.

0:43:270:43:29

We've had one or two great surprises but I think this one tops the lot.

0:43:290:43:32

Anyway, well done to our experts,

0:43:320:43:34

it's not easy valuing antiques, it's not an exact science.

0:43:340:43:36

Well done to Thomas Plant on the rostrum,

0:43:360:43:38

our very own "Flog It!" favourite auctioneer.

0:43:380:43:40

See you next time.

0:43:400:43:42

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