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We've flown across the Irish Sea to Ballymoney | 0:00:03 | 0:00:07 | |
in the heart of Northern Ireland. | 0:00:07 | 0:00:09 | |
And what a magnificent, beautiful setting we have for today's Flog It! | 0:00:09 | 0:00:14 | |
Lissanoure Castle dates back to the 14th century. | 0:00:37 | 0:00:41 | |
It was largely destroyed in 1847 when unused caskets of gunpowder | 0:00:41 | 0:00:46 | |
were accidentally ignited. | 0:00:46 | 0:00:48 | |
And this Tudor archway is one of the survivors of that huge explosion. | 0:00:51 | 0:00:56 | |
But it's out in the barn in the grounds of the castle today | 0:00:56 | 0:00:59 | |
that scores of people have turned up laden with bags and boxes | 0:00:59 | 0:01:02 | |
full of antiques and treasures to be valued by our team | 0:01:02 | 0:01:05 | |
of experts and hopefully sold off to the highest bidder at auction. | 0:01:05 | 0:01:09 | |
Joining us today is expert Will Axon | 0:01:16 | 0:01:18 | |
who likes handling the goods, especially when it's a handful of gold. | 0:01:18 | 0:01:22 | |
What have we got... They're going to be of interest to someone. | 0:01:22 | 0:01:26 | |
Catherine Southon has had an eye for antiques since she was a child | 0:01:26 | 0:01:30 | |
and when she finds something, she just can't let it go. | 0:01:30 | 0:01:34 | |
You can't sell that! | 0:01:34 | 0:01:37 | |
And coming up, we take a trip down memory lane. | 0:01:37 | 0:01:40 | |
'I've got my eye on the ball.' Oh, missed it completely! | 0:01:40 | 0:01:45 | |
Will is in touch with his animal side. | 0:01:45 | 0:01:47 | |
Tigers attacking elephants. | 0:01:47 | 0:01:49 | |
And Catherine gets flirty. | 0:01:49 | 0:01:51 | |
Put my number in your phone, give me a call! | 0:01:51 | 0:01:53 | |
Well, I'm bally well done in after that. | 0:01:53 | 0:01:56 | |
Everybody is safely seated inside and somebody here in this massive crowd - | 0:02:01 | 0:02:05 | |
and 400 or 500 people have already turned up first thing this morning - | 0:02:05 | 0:02:08 | |
somebody is going to go home with an awful lot of money. | 0:02:08 | 0:02:11 | |
It could be you, it could be you, it could be this chap here. | 0:02:11 | 0:02:14 | |
Who knows? But keep watching and you'll find out, | 0:02:14 | 0:02:17 | |
and it looks like Catherine Southon is our first expert to the tables. | 0:02:17 | 0:02:20 | |
Let's take a closer look at what she's spotted. | 0:02:20 | 0:02:22 | |
It's Heather's vase that's up first. | 0:02:22 | 0:02:26 | |
Heather, I do love Charlotte Rhead, I do actually collect | 0:02:26 | 0:02:29 | |
Charlotte Rhead myself. Are you a collector of Charlotte Rhead? | 0:02:29 | 0:02:32 | |
No, not personally, but I think it's rather nice. | 0:02:32 | 0:02:36 | |
So where did you get this vase from? | 0:02:36 | 0:02:37 | |
I bought it in Scotland last week just. | 0:02:37 | 0:02:40 | |
-Last week? -Yes, last week, yes. | 0:02:40 | 0:02:42 | |
Right, OK. So did you buy it at a fair? | 0:02:42 | 0:02:44 | |
I bought it in an antiques centre. | 0:02:44 | 0:02:47 | |
Right, OK. Can I ask how much you paid for it? | 0:02:47 | 0:02:50 | |
-30. -£30? -Yes. | 0:02:50 | 0:02:52 | |
OK. Well, let's just have a look at it because it screams out | 0:02:52 | 0:02:56 | |
Charlotte Rhead, it's got all the characteristics we know and love. | 0:02:56 | 0:03:00 | |
The yellow and oranges of the 1930s and then obviously the tube lining | 0:03:00 | 0:03:06 | |
here which I always think looks a bit like an icing bag, | 0:03:06 | 0:03:09 | |
-when you're doing your icing. -I appreciate that. | 0:03:09 | 0:03:12 | |
Looks as if it has been squeezed out of the bag. | 0:03:12 | 0:03:15 | |
What I think is quite unusual is that it's not a smooth piece, | 0:03:15 | 0:03:19 | |
-it's very bumpy. -Yes, that's what caught my eye. | 0:03:19 | 0:03:22 | |
It's got that sort of textured look about it. | 0:03:22 | 0:03:25 | |
-But the rest of it is all quite standard Charlotte Rhead. -Yes. | 0:03:25 | 0:03:29 | |
Now, let's just turn it over here. | 0:03:29 | 0:03:32 | |
And we can see the signature there of Rhead, | 0:03:34 | 0:03:36 | |
C Rhead. And obviously she was the designer for the factory. | 0:03:36 | 0:03:40 | |
-Yes. -The Crown Ducal factory. | 0:03:40 | 0:03:43 | |
Now you say you paid £30 for it. | 0:03:43 | 0:03:47 | |
Yes, I was surprised when he said 30, and I said, "Yes, that's fine." | 0:03:47 | 0:03:51 | |
-So do you actually buy to sell? -Well, I do for charity fairs mainly | 0:03:51 | 0:03:57 | |
and I just love the buzz of buying and selling | 0:03:57 | 0:04:00 | |
-and it keeps the grey matter active. -I think that's wonderful. | 0:04:00 | 0:04:04 | |
-Now, you certainly will make a bit of a profit on this. -I'm hoping to! | 0:04:04 | 0:04:08 | |
I'd like to see this vase really make between £60-80 at auction. | 0:04:08 | 0:04:14 | |
-Yes, that's fine. -It should make £80, | 0:04:14 | 0:04:16 | |
but I think let's keep it at £60-80 with a £60 reserve. | 0:04:16 | 0:04:20 | |
-Does that sound good? -Yes, that's fine for me. | 0:04:20 | 0:04:23 | |
-So this particular item you bought in Scotland last week? -Yes, yes. | 0:04:23 | 0:04:27 | |
That's amazing. This must be one of the quickest items you've had. | 0:04:27 | 0:04:30 | |
-It definitely is! -So you've had it in your possession about four days. | 0:04:30 | 0:04:34 | |
I came back on Sunday night and this is now Wednesday. | 0:04:34 | 0:04:37 | |
-So three days and then it's off. -Three days! | 0:04:37 | 0:04:41 | |
-Well, I hope we do you justice at the auction. -I hope so. | 0:04:41 | 0:04:44 | |
-It's a wonderful story and thank you so much for coming along, Heather. Thank you. -OK. | 0:04:44 | 0:04:48 | |
Things are moving along nicely here today. | 0:04:51 | 0:04:54 | |
As you can see, it really is in full flow. | 0:04:54 | 0:04:56 | |
It looks a bit chaotic but believe me, everybody knows | 0:04:56 | 0:04:58 | |
what they're doing, and this I have to show you | 0:04:58 | 0:05:01 | |
because it's the first piece of Irish silver I've come across today. | 0:05:01 | 0:05:05 | |
It's a wonderful Georgian ladle. | 0:05:05 | 0:05:09 | |
Instantly you can tell it's Irish or Scottish because the handle is a lot | 0:05:09 | 0:05:13 | |
longer than the English ones, but there's some nice weight there. | 0:05:13 | 0:05:17 | |
It's a good time to sell silver | 0:05:17 | 0:05:18 | |
because everybody is investing in it now. | 0:05:18 | 0:05:21 | |
But if I show you here, the owner has put some | 0:05:21 | 0:05:23 | |
Sellotape on the back of the assay marks because she's frightened of | 0:05:23 | 0:05:27 | |
cleaning them too much when she's cleaning the rest of the ladle. | 0:05:27 | 0:05:30 | |
If this was English, a ladle like that dating from around | 0:05:30 | 0:05:32 | |
the early 1800s would realise in auction around about £100-120 tops. | 0:05:32 | 0:05:39 | |
But because it's Irish and it's from Dublin, this ladle is worth £300. | 0:05:39 | 0:05:45 | |
I think she'll be pleased with that. | 0:05:45 | 0:05:47 | |
From a dainty piece of silver to Sharon's mighty bronze. | 0:05:49 | 0:05:51 | |
I hope you haven't had to lug this here on your own - there's quite a weight in this. | 0:05:51 | 0:05:55 | |
-Have you got a big, strong man helping you? -I did bring him along. | 0:05:55 | 0:05:58 | |
-Excellent, he's hiding off camera, is he? -Yes. | 0:05:58 | 0:06:01 | |
Keeping under wraps? | 0:06:01 | 0:06:03 | |
Well, it's an impressive bronze you've brought along today. | 0:06:03 | 0:06:06 | |
-What can you tell me about it? -My parents had it in their hall since | 0:06:06 | 0:06:10 | |
I was a child, it always just sat in the hallway. | 0:06:10 | 0:06:13 | |
-Yes. -Nobody ever talked about it. | 0:06:13 | 0:06:15 | |
-Really? -And then I inherited it about 10 years ago. | 0:06:15 | 0:06:19 | |
Well, I really like it. | 0:06:19 | 0:06:21 | |
When I saw it across the room, it really caught my attention. | 0:06:21 | 0:06:24 | |
It's beautifully modelled. That's one of the key things with bronzes, | 0:06:24 | 0:06:28 | |
how crisp and detailed it is. | 0:06:28 | 0:06:30 | |
The bull's face here and the detail in his skin and this Japanese man, | 0:06:30 | 0:06:34 | |
because that's what it is, a Japanese bronze. | 0:06:34 | 0:06:38 | |
We can tell that by this figure | 0:06:38 | 0:06:40 | |
who's very much similar to the kind of figures we see carved in ivory, | 0:06:40 | 0:06:44 | |
-okimonos and that sort of thing. -OK. -This is going to date | 0:06:44 | 0:06:47 | |
from around late 19th century. | 0:06:47 | 0:06:50 | |
Early Chinese and Japanese bronzes, they were ceremonial pieces, | 0:06:50 | 0:06:54 | |
tigers attacking elephants, that sort of quite, shall we say, | 0:06:54 | 0:06:58 | |
macho bronzes that a lot of people aren't that keen on. | 0:06:58 | 0:07:02 | |
This obviously doesn't have any ritualistic connotations to it. | 0:07:02 | 0:07:07 | |
The whole fashion started to change with the rise of Buddhism | 0:07:07 | 0:07:12 | |
when more naturalistic themes started to come into their thinking. | 0:07:12 | 0:07:17 | |
Sort of farmers, rural workers, fishermen, the same applies | 0:07:17 | 0:07:21 | |
-to the ivory carvings that we get from Japan as well. -Yes. | 0:07:21 | 0:07:25 | |
So you remember it from your childhood, | 0:07:25 | 0:07:27 | |
you've no inclination to hold on to it, really? | 0:07:27 | 0:07:31 | |
Well, I've tried to... | 0:07:32 | 0:07:34 | |
grow to like it, I've put it in my hall a few times, let it sit there and then I put it back in the garage | 0:07:34 | 0:07:39 | |
-and it's been in the garage for ten years. -In the garage?! | 0:07:39 | 0:07:41 | |
Oh, that's terrible, we hear that all the time on Flog It! | 0:07:41 | 0:07:44 | |
-Oh, dear! -If it's not in the wardrobe, it's under the stairs or in the garage. | 0:07:44 | 0:07:48 | |
I'm glad it's seen the light of day today | 0:07:48 | 0:07:50 | |
and I think we could do well with this at auction. | 0:07:50 | 0:07:53 | |
Did your parents ever let on what they thought it was worth, | 0:07:53 | 0:07:57 | |
or have you seen similar items? | 0:07:57 | 0:07:58 | |
-No, I didn't even know it was bronze, to be honest. -OK. | 0:07:58 | 0:08:02 | |
Bronze has got a scrap value as well, let alone what it's going | 0:08:02 | 0:08:05 | |
to be worth for its artistic merit. | 0:08:05 | 0:08:07 | |
But I wouldn't be surprised if we could put this in the sale room | 0:08:07 | 0:08:10 | |
-at around £400-600. -OK. | 0:08:10 | 0:08:13 | |
Is it something that you think would sit well with you and perhaps | 0:08:13 | 0:08:18 | |
your sons who might stand to perhaps get a cut themselves? | 0:08:18 | 0:08:21 | |
I'm sure they'd be happy enough! | 0:08:21 | 0:08:23 | |
Yes, I'm sure they are, they'll be watching now saying, "Go on, Mum!" | 0:08:23 | 0:08:27 | |
But I'll be there with you on the day to hopefully see it sold. Thanks for coming, Sharon. | 0:08:27 | 0:08:31 | |
This is the bit I love at valuation days, dipping in and out | 0:08:33 | 0:08:36 | |
of the queue before the experts see all the little treasures. | 0:08:36 | 0:08:40 | |
I'm sitting next to Helen who's got a bit of tissue paper. | 0:08:40 | 0:08:43 | |
What are you going to reveal there? | 0:08:43 | 0:08:45 | |
Oh, look at that. | 0:08:45 | 0:08:47 | |
What's that going to do? | 0:08:47 | 0:08:49 | |
HE LAUGHS | 0:08:49 | 0:08:51 | |
And now it's Brian and Ellen who have brought in some of the family silver. | 0:08:51 | 0:08:56 | |
Thank you very much for coming | 0:08:56 | 0:08:58 | |
and bringing along this lovely piece of Victoriana. | 0:08:58 | 0:09:01 | |
From first glimpse we could think it might be a little Victoria handbag. | 0:09:01 | 0:09:06 | |
But if we just open it up here... | 0:09:06 | 0:09:08 | |
..we can see... | 0:09:09 | 0:09:12 | |
that it's probably a little food warmer of some description. | 0:09:12 | 0:09:16 | |
So perhaps used to put your water. | 0:09:16 | 0:09:18 | |
I don't think you'd have put candles underneath because | 0:09:18 | 0:09:22 | |
it's probably a little bit dangerous because of this barrel shape here, | 0:09:22 | 0:09:27 | |
so perhaps put your hot water | 0:09:27 | 0:09:29 | |
and then you'd have put something on the top here to heat it up. | 0:09:29 | 0:09:33 | |
-Now, tell me a bit about it, where did you get this from? -Well, my mother left it to me. | 0:09:33 | 0:09:37 | |
It was her grandfather's. | 0:09:37 | 0:09:40 | |
-Right. -Yep. -So it's been handed down through the family? | 0:09:40 | 0:09:44 | |
-It has, yes. -Now, if we look on the front here, it does say, | 0:09:44 | 0:09:47 | |
there's a little inscription here. It says, "Presented to..." | 0:09:47 | 0:09:52 | |
I'm just trying to make that out. | 0:09:52 | 0:09:53 | |
N Luke Esquire, by the peoples of the Metropolitan | 0:09:53 | 0:09:57 | |
-School of Art in Dublin. -Yes. | 0:09:57 | 0:10:01 | |
-Your grandfather was actually given this as a... -Retirement present. | 0:10:01 | 0:10:03 | |
-As a retirement present? -He taught art in this college. | 0:10:03 | 0:10:07 | |
And are you an artist yourself? | 0:10:07 | 0:10:09 | |
-He dabbles. -I do a bit. -Oh, he dabbles? Oh, very nice. | 0:10:09 | 0:10:13 | |
It says it's | 0:10:13 | 0:10:14 | |
a token of their esteem and affection. | 0:10:14 | 0:10:18 | |
And that's May 1879, so right at the height of Victoriana. | 0:10:18 | 0:10:24 | |
That works perfectly with all this lovely decoration here. | 0:10:24 | 0:10:27 | |
The Victorians liked to go over the top really, didn't they? But this, | 0:10:27 | 0:10:29 | |
I love, it's really beautiful. | 0:10:29 | 0:10:32 | |
Now have you actually ever used this as a warmer? | 0:10:32 | 0:10:35 | |
-No, no. -I was sort of afraid | 0:10:35 | 0:10:37 | |
to do anything with it in case it wasn't the right thing. | 0:10:37 | 0:10:41 | |
I thought at first of just putting muffins or something to warm | 0:10:41 | 0:10:44 | |
them but then I was afraid of that. | 0:10:44 | 0:10:46 | |
I mean, I really think that's probably what you used to do, | 0:10:46 | 0:10:49 | |
put little muffins or something like that on the top. | 0:10:49 | 0:10:53 | |
I have to say it's been beautifully made. | 0:10:53 | 0:10:56 | |
It's not silver. Had it been solid silver, | 0:10:56 | 0:11:00 | |
we'd be talking about something very special. | 0:11:00 | 0:11:04 | |
If you turn it over here, | 0:11:04 | 0:11:06 | |
you can see there the registration mark which is actually 1876. | 0:11:06 | 0:11:12 | |
-Have you ever had it valued before? -Yes, about 1960 something. | 0:11:12 | 0:11:17 | |
I got it an insurance appraisal of £10. | 0:11:17 | 0:11:22 | |
£10? I'll give you £10 for it now, I'll give you 15! | 0:11:22 | 0:11:25 | |
I'd like to say probably £100-150. | 0:11:25 | 0:11:28 | |
-Terrific. -Let's hope it makes more than that. | 0:11:28 | 0:11:31 | |
-Thank you very much. -Thank you very much. | 0:11:31 | 0:11:32 | |
Thank you so much for coming along and I'll see you at the auction. | 0:11:32 | 0:11:36 | |
This is Ballymoney and this is Margaret I've just met in the crowd who's my new best friend. | 0:11:39 | 0:11:45 | |
Go on, take it away, why are there so many Ballys around here? | 0:11:45 | 0:11:48 | |
Well, if Ballywalter hadn't been so Ballymena with his Ballymoney, | 0:11:48 | 0:11:53 | |
he could have bought a Ballycastle for his Ballyholme. | 0:11:53 | 0:11:57 | |
Well, I'm bally-well done in after that. | 0:11:57 | 0:12:00 | |
Next up, it's aspiring collector Danielle. | 0:12:00 | 0:12:05 | |
You're somewhat below the demographic age | 0:12:05 | 0:12:07 | |
that we usually see on this programme which I'm | 0:12:07 | 0:12:10 | |
pleased about, I'm glad to see a younger generation coming through. | 0:12:10 | 0:12:13 | |
And you've brought what I'd call a piece of sort of almost | 0:12:13 | 0:12:16 | |
folk art, I suppose, that sort of, well, let's call it what it is, | 0:12:16 | 0:12:20 | |
a chessboard/draughts board, isn't it? What can you tell me about this? | 0:12:20 | 0:12:23 | |
Are you a chess grandmaster, is this what you practise on? | 0:12:23 | 0:12:27 | |
Me and my brother, it was actually just a phase of playing | 0:12:27 | 0:12:30 | |
chess and draughts at the time | 0:12:30 | 0:12:32 | |
and me and my dad would be a regular goer to car boot sales. | 0:12:32 | 0:12:35 | |
I spotted this and I said it was nice and I asked how much it was, | 0:12:35 | 0:12:38 | |
and the lady told me it was £2. | 0:12:38 | 0:12:40 | |
But I had a pound in my pocket so I said would you take a pound? | 0:12:40 | 0:12:43 | |
And she said yes, take it with you. So I was quite happy and me and my brother played on it for a while. | 0:12:43 | 0:12:48 | |
-So you actually used it? -Yeah, for a while. | 0:12:48 | 0:12:50 | |
And you got her down to a pound from two, that's good work, | 0:12:50 | 0:12:54 | |
good haggling, I like your style. | 0:12:54 | 0:12:56 | |
I don't think it's going to be hugely valuable before we get too | 0:12:56 | 0:13:00 | |
excited but I just like its honesty and its simplicity, shall we say. | 0:13:00 | 0:13:03 | |
I say simplicity, it's actually quite | 0:13:03 | 0:13:06 | |
sophisticated marbling on here. | 0:13:06 | 0:13:09 | |
-Yeah. -You've got this border around the outside with these | 0:13:09 | 0:13:13 | |
wonderful shamrocks. | 0:13:13 | 0:13:15 | |
Sort of ribbon-tied shamrocks, very apt being here in Northern Ireland. | 0:13:15 | 0:13:21 | |
And in the corners we've just got | 0:13:21 | 0:13:23 | |
these compass-type stars, aren't they? | 0:13:23 | 0:13:25 | |
That sort of feel and all hand-painted remember, | 0:13:25 | 0:13:29 | |
-this is all hand-painted. -Yes. | 0:13:29 | 0:13:30 | |
You've got these double lines, | 0:13:30 | 0:13:33 | |
this red line bordered in yellow and then you've got this | 0:13:33 | 0:13:37 | |
marbled effect in the squares to denote the black and white squares. | 0:13:37 | 0:13:42 | |
How old do you think it is, have you any idea? | 0:13:42 | 0:13:45 | |
-Maybe ten, 20 years. -Ten or 20 years? | 0:13:45 | 0:13:48 | |
-Yep. -So what are we talking, | 0:13:48 | 0:13:49 | |
80s or 90s, I think it's a bit older than that to be honest. | 0:13:49 | 0:13:52 | |
I'm going to say it's definitely 19th century so we're talking 1800. | 0:13:52 | 0:13:58 | |
-Yeah. -So you liked it, | 0:13:58 | 0:14:00 | |
you've used it, you didn't pay a lot for it, so why are you selling it? | 0:14:00 | 0:14:04 | |
Daddy said just take it to the | 0:14:04 | 0:14:06 | |
-antiques today to see what it's worth. -Did he? -Yeah. | 0:14:06 | 0:14:09 | |
Daddy said! So I've already told you | 0:14:09 | 0:14:11 | |
more or less that it's not going to be worth a fortune. | 0:14:11 | 0:14:14 | |
-That's fine. -But I think as someone | 0:14:14 | 0:14:17 | |
who likes it and would probably have a go at it if I saw it in a | 0:14:17 | 0:14:20 | |
sale room, I'd be prepared to pay between 30, 40 maybe £50 for it. | 0:14:20 | 0:14:25 | |
So how does that sound as a return on your pound purchase? | 0:14:25 | 0:14:29 | |
That sounds fantastic. | 0:14:29 | 0:14:30 | |
Well, some fabulous items there. | 0:14:33 | 0:14:35 | |
Even the dog's giving them the nod of approval. We're halfway through our day which means | 0:14:35 | 0:14:39 | |
it's time for our first visit to the auction room. You've heard what our experts have said, | 0:14:39 | 0:14:43 | |
you've probably got your own opinions. I think there could be a real surprise there. | 0:14:43 | 0:14:48 | |
Let's get over to the sale room and find out what the bidders think. | 0:14:48 | 0:14:51 | |
Today, we're at McAfee's auctioneers. | 0:15:00 | 0:15:03 | |
Good luck! Hopefully you're going to be bidding on some of our items, | 0:15:04 | 0:15:07 | |
well, I hope so. | 0:15:07 | 0:15:08 | |
It's a jam-packed sale room here in Ballycastle. | 0:15:08 | 0:15:11 | |
Someone today is going home with a lot of money, but do you know what? | 0:15:11 | 0:15:14 | |
Auctions are so unpredictable. | 0:15:14 | 0:15:16 | |
It can be a roller-coaster for everybody. | 0:15:16 | 0:15:18 | |
Someone may be going home very disappointed. | 0:15:18 | 0:15:21 | |
I'm going to catch up with our owners and we'll leave you | 0:15:21 | 0:15:23 | |
with a quick run-down of the items going under the hammer. | 0:15:23 | 0:15:26 | |
We have Heather's textured Charlotte Rhead vase. | 0:15:26 | 0:15:30 | |
Eagle-eyed Danielle's bargain chessboard. | 0:15:30 | 0:15:34 | |
Brian and Ellen's silver-plated food warmer | 0:15:34 | 0:15:37 | |
and Sharon's Japanese bronze bull. | 0:15:37 | 0:15:40 | |
Jerry McAfee is on the rostrum. | 0:15:40 | 0:15:43 | |
Let's hope it's checkmate in one. | 0:15:43 | 0:15:45 | |
You know what I'm talking about. I've been joined by Danielle, | 0:15:45 | 0:15:48 | |
we're talking about that lovely | 0:15:48 | 0:15:49 | |
chess board, we've got £30 to £50 on this and you got this for just £1. | 0:15:49 | 0:15:54 | |
Yes, at the car boot sale. | 0:15:54 | 0:15:56 | |
At the car-boot sale. Have you been back since? | 0:15:56 | 0:15:58 | |
-What? -Have you been back since? -Yes. | 0:15:58 | 0:16:00 | |
-Any other bargains? -We've got a few teapots and a few books and stuff. | 0:16:00 | 0:16:04 | |
The good thing is, you've been playing chess as well. | 0:16:04 | 0:16:06 | |
-Yes, and draughts. -And beating her brother. Do you play chess? | 0:16:06 | 0:16:09 | |
Yes, I used to play a lot with my father and my grandfather was good. | 0:16:09 | 0:16:12 | |
It was nice to see someone that's, you know, keeping the tradition | 0:16:12 | 0:16:15 | |
going because I imagine it's a game that's dying out. | 0:16:15 | 0:16:18 | |
I tell you what, this is a lovely, unique piece. | 0:16:18 | 0:16:21 | |
You could say it's a bit of folk art - | 0:16:21 | 0:16:23 | |
a bit of Irish folk art. It's beautifully painted. | 0:16:23 | 0:16:26 | |
You could put any sort of chess figure on this. | 0:16:26 | 0:16:28 | |
Why do you want to sell it? Are you trading upwards, going to put the money towards something else? | 0:16:28 | 0:16:33 | |
Yes, I'm just looking, because like it's worth so much compared to what | 0:16:33 | 0:16:37 | |
I bought it for, I just think it's worth more money and sell it. | 0:16:37 | 0:16:40 | |
-OK and buy other things? -Yes. | 0:16:40 | 0:16:42 | |
That's the spirit. Always trade on and trade upwards. Right now, we're | 0:16:42 | 0:16:46 | |
trading this one in and it's going right under the hammer, good luck. | 0:16:46 | 0:16:49 | |
We have a wooden chess board, a very nice early wooden chess board | 0:16:49 | 0:16:53 | |
being held up at the back of the room. | 0:16:53 | 0:16:55 | |
What will I get for the wooden chessboard, £40. 30? | 0:16:55 | 0:16:58 | |
-10 bid, wooden chess board at £10. -That sounds cheap. -We're in profit. | 0:16:58 | 0:17:02 | |
16, 18. £20. | 0:17:02 | 0:17:05 | |
We like it, they like it, Danielle. | 0:17:05 | 0:17:07 | |
25 here, £25. | 0:17:07 | 0:17:09 | |
Good value at £25. This chessboard at £25. I'm selling it. | 0:17:09 | 0:17:12 | |
If we're all finished now at £25? | 0:17:12 | 0:17:14 | |
The bid's here at £25. Last call, selling it at £25. | 0:17:14 | 0:17:18 | |
The hammer's gone down. | 0:17:18 | 0:17:20 | |
-£25, that's a good result. -Yes. | 0:17:20 | 0:17:22 | |
You paid £1 for that. | 0:17:22 | 0:17:25 | |
Don't forget, there is commission to pay. Anyway, | 0:17:25 | 0:17:27 | |
that's good for you, because you can go off spending it | 0:17:27 | 0:17:31 | |
and trade upwards. What's on your shopping list? | 0:17:31 | 0:17:34 | |
Anything that's anything, to make money. | 0:17:34 | 0:17:36 | |
We've got the makings here of a real dealer, haven't we? | 0:17:38 | 0:17:41 | |
-It's great, good to see. -Maybe Danielle will even | 0:17:41 | 0:17:44 | |
be one of our future experts. | 0:17:44 | 0:17:47 | |
Next, it's Brian and Ellen's pretty silver-plated food warmer. | 0:17:47 | 0:17:53 | |
Brian and Ellen, it's great to see you. Love the American accent. | 0:17:53 | 0:17:55 | |
-Come on, give us a bit. -Howdy, y'all. | 0:17:55 | 0:17:58 | |
How long have you been in Ireland? | 0:17:58 | 0:18:00 | |
I've been here for 21 years. | 0:18:00 | 0:18:02 | |
Wow. And you were working here, | 0:18:02 | 0:18:04 | |
-you were obviously working across the road, that's how you met? -Yes. | 0:18:04 | 0:18:08 | |
That was a good day, wasn't it? | 0:18:08 | 0:18:10 | |
-Yes, it was. -How many years ago was that? | 0:18:10 | 0:18:13 | |
-That was 17 years ago. -17. | 0:18:13 | 0:18:15 | |
-My car had broken down and he helped me. -He fixed it. | 0:18:15 | 0:18:18 | |
-Ah, that's love, isn't it? -Love at first sight. | 0:18:18 | 0:18:21 | |
Good luck, good luck. | 0:18:21 | 0:18:23 | |
I agree with the value anyway. | 0:18:23 | 0:18:25 | |
Well it's a piece of Victoriana, isn't it? A high Victoriana. | 0:18:25 | 0:18:29 | |
-Very dressy. -It is, really dressy | 0:18:29 | 0:18:31 | |
and I think it's quite good quality, it should do top end. | 0:18:31 | 0:18:35 | |
It's got the look, it's got the look. Let's find out what the | 0:18:35 | 0:18:38 | |
bidders think. It's going under the hammer right now. Here we go. | 0:18:38 | 0:18:42 | |
A fine silver-plated food warmer, | 0:18:42 | 0:18:44 | |
a biscuit box, circa 1870, a lovely piece of early silver plate | 0:18:44 | 0:18:49 | |
and I can start it off with an internet bid of £70. | 0:18:49 | 0:18:52 | |
£70, bid at £70. With me at 80. | 0:18:52 | 0:18:54 | |
85. £90. | 0:18:54 | 0:18:57 | |
95, £100. | 0:18:57 | 0:19:00 | |
-Keep going. -Bid at £100. | 0:19:00 | 0:19:03 | |
£100. £100 for the food warmer, £100. 105. | 0:19:03 | 0:19:09 | |
110. 110, at 110. | 0:19:09 | 0:19:12 | |
115. At 115. | 0:19:12 | 0:19:16 | |
The bid's in the room at £115. | 0:19:16 | 0:19:18 | |
I'm selling at £115... | 0:19:18 | 0:19:21 | |
It's gone. £115. | 0:19:21 | 0:19:24 | |
-Happy? -Yes. -Happy? Good. | 0:19:24 | 0:19:26 | |
Maybe you can treat yourself for a nice meal out, | 0:19:26 | 0:19:28 | |
the two of you together. | 0:19:28 | 0:19:30 | |
-A romantic supper. -Yes. -Yes? OK. | 0:19:30 | 0:19:34 | |
Another meal, care of Flog It! | 0:19:34 | 0:19:36 | |
It's good to be of service. | 0:19:36 | 0:19:39 | |
Next up, there's some more meat on the menu. | 0:19:39 | 0:19:41 | |
We've got some real quality going under the hammer right | 0:19:41 | 0:19:44 | |
now, it's the Japanese bull bronze. | 0:19:44 | 0:19:46 | |
We have that, unfortunately Sharon, the owner, can't be with us tonight, | 0:19:46 | 0:19:50 | |
but we do have Will, our expert. | 0:19:50 | 0:19:52 | |
£400 to £600, a lot of money... | 0:19:52 | 0:19:54 | |
It's got to be worth it, hasn't it? | 0:19:54 | 0:19:56 | |
I think so, yes. Got a packed saleroom, let's find out | 0:19:56 | 0:19:59 | |
right now what the bidders think. Here we go, this is it. | 0:19:59 | 0:20:02 | |
The large Japanese bronze of a bull and herdsman, nicely carved, | 0:20:04 | 0:20:08 | |
a very fine bronze here. A lovely carved base, very, very nice piece. | 0:20:08 | 0:20:13 | |
Start at £300. | 0:20:13 | 0:20:15 | |
£300, bid at £300. 320. | 0:20:15 | 0:20:18 | |
340. | 0:20:18 | 0:20:20 | |
360. 380. Big bronze now at 380. | 0:20:20 | 0:20:24 | |
£400. The bronze now at £400. | 0:20:24 | 0:20:27 | |
This big bronze at 420 on the phone. | 0:20:27 | 0:20:29 | |
-We need somebody in the room now. -£420. | 0:20:29 | 0:20:32 | |
The bid's on the phone at 420. 440. | 0:20:32 | 0:20:35 | |
It's like a Jack Russell wrestling with an old sock, won't let go. | 0:20:35 | 0:20:39 | |
-I was thinking that. -In the room at 440 and selling at £440. | 0:20:39 | 0:20:44 | |
It's gone down. 440, that's good. | 0:20:44 | 0:20:47 | |
-I think we need to get on the phone and tell Sharon. -Yes. | 0:20:47 | 0:20:50 | |
-Within estimate anyway, so she's going to be really happy. -I hope so. | 0:20:50 | 0:20:53 | |
If you've got anything like that, we would love to see it. | 0:20:53 | 0:20:56 | |
Bring it along to one of our valuation days. | 0:20:56 | 0:20:58 | |
You can log on to bbc.co.uk/flogit. | 0:20:58 | 0:21:02 | |
Go to the links and hopefully | 0:21:02 | 0:21:04 | |
we'll be coming to a town very near you soon. | 0:21:04 | 0:21:07 | |
Aspiring collector Heather followed this advice and now | 0:21:09 | 0:21:12 | |
her vase is going under the hammer. | 0:21:12 | 0:21:14 | |
Heather, I love the vase as well. | 0:21:14 | 0:21:17 | |
The thrill of buying and selling is good, isn't it? | 0:21:17 | 0:21:19 | |
The hunt, the search. | 0:21:19 | 0:21:20 | |
I've just been joined by Heather, we're putting the Charlotte Rhead | 0:21:20 | 0:21:24 | |
-vase under the hammer, which came all the way from Scotland. -Yes, it did. Perthshire. | 0:21:24 | 0:21:28 | |
Are we going to make a big profit? | 0:21:28 | 0:21:29 | |
-We should do. -We should do. | 0:21:29 | 0:21:31 | |
It screams Charlotte Rhead though, doesn't it? | 0:21:31 | 0:21:34 | |
It's got the colours, the pattern | 0:21:34 | 0:21:36 | |
and that tube lining, it's a nice thing. | 0:21:36 | 0:21:38 | |
It's the only piece like that here today. | 0:21:38 | 0:21:40 | |
-Yes. A good sought after name. -Yes. | 0:21:40 | 0:21:43 | |
Great name. That's going to get it away, isn't it? | 0:21:43 | 0:21:45 | |
-I hope so. -So do I. | 0:21:45 | 0:21:47 | |
We're going to find out what the bidders think right now, | 0:21:47 | 0:21:50 | |
because this is your lot. | 0:21:50 | 0:21:51 | |
The Charlotte Rhead crowned vase. | 0:21:53 | 0:21:55 | |
Lovely quality, lovely colours. | 0:21:55 | 0:21:57 | |
Somebody give me £100. | 0:21:57 | 0:21:59 | |
£100 for the Charlotte Rhead vase £100? | 0:21:59 | 0:22:03 | |
-Go on, Gerry. -Start it at £50. | 0:22:03 | 0:22:06 | |
£50... | 0:22:06 | 0:22:07 | |
-Fingers crossed. -55, bid. 55, £60. | 0:22:07 | 0:22:11 | |
Vase at £60. | 0:22:11 | 0:22:13 | |
Another five anywhere, at £60? | 0:22:13 | 0:22:15 | |
A bit more! | 0:22:15 | 0:22:18 | |
I'm going to sell it then, the crown vase at £60. | 0:22:18 | 0:22:23 | |
-Just on its reserve. -Low estimate. | 0:22:23 | 0:22:24 | |
-It's gone. -That's OK. | 0:22:24 | 0:22:26 | |
-Happy? -It only cost me £30. | 0:22:26 | 0:22:28 | |
It only cost you £30, that's a good result. | 0:22:28 | 0:22:30 | |
Doubled your money, didn't you? | 0:22:30 | 0:22:32 | |
That's what it's all about, profit, profit, profit. | 0:22:32 | 0:22:37 | |
Well, so far, so good. That concludes our first visit to | 0:22:37 | 0:22:40 | |
the sale room today. We are coming back here later on in the programme, | 0:22:40 | 0:22:43 | |
so fingers crossed there's going to be one or two big surprises. | 0:22:43 | 0:22:47 | |
The Irish are very passionate about keeping their traditions alive. | 0:22:58 | 0:23:01 | |
# Where we sported and played... # | 0:23:01 | 0:23:07 | |
And this can be found in music | 0:23:11 | 0:23:13 | |
and dance and one very unique sporting event. | 0:23:13 | 0:23:17 | |
The All Ireland Finals are national occasions, arousing such | 0:23:17 | 0:23:21 | |
passions, becoming an obsession, | 0:23:21 | 0:23:23 | |
overwhelming every other aspect of life for weeks before. | 0:23:23 | 0:23:26 | |
The team sport of hurling is one of | 0:23:34 | 0:23:36 | |
the fastest field games in the world. | 0:23:36 | 0:23:38 | |
It's frenetic, it's energetic | 0:23:38 | 0:23:40 | |
but much importantly, it's born of Irish tradition. | 0:23:40 | 0:23:44 | |
The men of the county hurling team prepare for the all-Ireland | 0:23:46 | 0:23:50 | |
hurling final. | 0:23:50 | 0:23:51 | |
Hurling is an ancient sport. | 0:23:54 | 0:23:57 | |
It came to Ireland with the Celts. | 0:23:57 | 0:23:59 | |
For the past two millennia, | 0:23:59 | 0:24:01 | |
the Irish have celebrated its legendary status. | 0:24:01 | 0:24:05 | |
It's in their blood. | 0:24:05 | 0:24:07 | |
So what's involved in the game? Well, two teams of up to 15 players | 0:24:13 | 0:24:17 | |
try to get a ball between two sets of extended goal posts. | 0:24:17 | 0:24:21 | |
They get one point for doing that and three points for getting it in | 0:24:21 | 0:24:25 | |
the back of the net past a goalkeeper. | 0:24:25 | 0:24:27 | |
More recently during the Troubles, hurling has become | 0:24:27 | 0:24:30 | |
even more important. | 0:24:30 | 0:24:32 | |
By uniting communities, it's helped to heal the divide | 0:24:32 | 0:24:36 | |
in Northern Ireland. | 0:24:36 | 0:24:38 | |
But on the pitch, things have been known to get a little out of hand. | 0:24:38 | 0:24:42 | |
It's tremendously exciting but what's caught my eye | 0:24:46 | 0:24:50 | |
is the attention to detail in making this very simple piece of equipment. | 0:24:50 | 0:24:54 | |
Michael Scullion runs a hurl-making business from his backyard. | 0:24:56 | 0:25:01 | |
That's how it starts. You can see it taking shape now. | 0:25:03 | 0:25:07 | |
I can show you in the workshop. | 0:25:07 | 0:25:09 | |
Sure, OK. | 0:25:09 | 0:25:10 | |
How many do you make a year? | 0:25:16 | 0:25:18 | |
We'd make between 8 and 10,000 of all sizes. | 0:25:18 | 0:25:21 | |
-Gosh, that's a lot, isn't it? -It is. | 0:25:21 | 0:25:22 | |
That is a lot. | 0:25:22 | 0:25:25 | |
Ash wood is used for its flexibility and strength. | 0:25:25 | 0:25:28 | |
Michael customises the hurls for each player's needs. | 0:25:28 | 0:25:32 | |
You've made this so quickly. | 0:25:39 | 0:25:41 | |
You've turned it almost into a piece of sculpture. | 0:25:41 | 0:25:43 | |
It feels so perfect. | 0:25:43 | 0:25:45 | |
It really does. | 0:25:45 | 0:25:47 | |
There's great balance there. | 0:25:47 | 0:25:49 | |
That's what you're looking for. | 0:25:49 | 0:25:51 | |
I'm very impressed with that. I really am. | 0:25:51 | 0:25:55 | |
If you've got a quality tool, surely you're halfway there. | 0:25:57 | 0:26:01 | |
Maybe not. I think I might need an expert to show me how. | 0:26:01 | 0:26:06 | |
One more. | 0:26:06 | 0:26:07 | |
You could dribble with it like this. | 0:26:12 | 0:26:14 | |
And then as soon as you've got it up... | 0:26:14 | 0:26:17 | |
When you've got it up, you're allowed | 0:26:17 | 0:26:19 | |
to take four steps with the ball in your hand. | 0:26:19 | 0:26:22 | |
So, I'll try and get away from you. | 0:26:22 | 0:26:24 | |
I can set it on there and when that ball's... | 0:26:24 | 0:26:28 | |
-Free like that you can try and tap it away. -I see. | 0:26:28 | 0:26:31 | |
The ball's coming in and we're trying to... | 0:26:34 | 0:26:38 | |
-Do people get hurt in this? -Yes. | 0:26:38 | 0:26:42 | |
Hurling is fast, furious and above all, fun. | 0:26:42 | 0:26:46 | |
For the Irish, it's more than a sport. | 0:26:48 | 0:26:50 | |
And it's vital this tradition is kept alive | 0:26:50 | 0:26:53 | |
and handed down to future generations. | 0:26:53 | 0:26:55 | |
'At all the pubs and the roads, there were celebrations. | 0:26:55 | 0:26:58 | |
'At every one they sang the same song - The Banks of Lee.' | 0:26:58 | 0:27:03 | |
At Lissanoure Castle, there's a buzz in the air. | 0:27:08 | 0:27:12 | |
All these people have come here to ask that all-important question... | 0:27:12 | 0:27:17 | |
What's it worth?! | 0:27:17 | 0:27:18 | |
And what are you going to do when you find out? | 0:27:18 | 0:27:21 | |
Flog it! | 0:27:21 | 0:27:23 | |
And that's what Joan is hoping to do with her pottery. | 0:27:23 | 0:27:26 | |
Can you remember how much you paid? | 0:27:26 | 0:27:28 | |
Well, I know it wasn't any more than £2 each. | 0:27:28 | 0:27:34 | |
I tell you what, can I come with you next time? | 0:27:34 | 0:27:37 | |
You certainly can because it would be great to have the expert. | 0:27:37 | 0:27:40 | |
For £2 each, I think you did pretty well. | 0:27:40 | 0:27:43 | |
Do you know anything about these at all? | 0:27:43 | 0:27:45 | |
No, only what I found out from you watching your programmes. | 0:27:45 | 0:27:50 | |
When I bought them, I didn't know at all. | 0:27:50 | 0:27:52 | |
So, you didn't know they were Moorcroft. | 0:27:52 | 0:27:54 | |
-No. -They're quite clearly Moorcroft. | 0:27:54 | 0:27:56 | |
They have that distinctive look that we know and love from Moorcroft. | 0:27:56 | 0:28:01 | |
They're quite late in date, probably 1930s. | 0:28:01 | 0:28:07 | |
This one, the brown and this sort of coral or orangey flower, | 0:28:07 | 0:28:15 | |
the pattern is known as hibiscus. | 0:28:15 | 0:28:18 | |
This is probably like a little bon bon dish, something like that. | 0:28:18 | 0:28:23 | |
I don't like this one so much. | 0:28:23 | 0:28:25 | |
The colour isn't so commercial and also the shape | 0:28:25 | 0:28:29 | |
whereas this one, you could nicely display this in your home | 0:28:29 | 0:28:33 | |
and the colour is more commercial, it'll be more collectible. | 0:28:33 | 0:28:36 | |
The pattern on this one is called clematis. | 0:28:36 | 0:28:40 | |
This dark, very dark blue. | 0:28:40 | 0:28:43 | |
It's quite dusty. It could do with a clean. | 0:28:43 | 0:28:47 | |
Value-wise, this one, | 0:28:47 | 0:28:51 | |
we'd be looking at £40-£60. | 0:28:51 | 0:28:54 | |
This one would be about 80, £80 to £100. | 0:28:54 | 0:28:58 | |
-How does that sound? -That's lovely. | 0:28:58 | 0:29:00 | |
On £2, pretty good going. | 0:29:00 | 0:29:02 | |
-A good return. -Not bad at all. | 0:29:02 | 0:29:05 | |
Why do you want to sell them? | 0:29:05 | 0:29:07 | |
Well, I have grandchildren | 0:29:07 | 0:29:11 | |
and I'm scared they'll get toppled over and they'll be worth nothing. | 0:29:11 | 0:29:15 | |
This way, if I sell them now, I can have a holiday to Blackpool. | 0:29:15 | 0:29:19 | |
I love going to Blackpool. | 0:29:19 | 0:29:21 | |
I have to say it's a good return on £2 each. | 0:29:21 | 0:29:24 | |
-Very much so. -Very good. Next time I'm coming with you | 0:29:24 | 0:29:28 | |
so put my number in your phone and give me a call and we'll be there together. | 0:29:28 | 0:29:34 | |
But you've made everybody so wise now to it, we're not getting bargains! | 0:29:34 | 0:29:38 | |
Time for some fresh air. | 0:29:40 | 0:29:43 | |
Cherry and Hector have brought along a family heirloom. | 0:29:43 | 0:29:46 | |
Our experts are working flat out inside the castle, | 0:29:46 | 0:29:49 | |
but I've decided to do this one outside. | 0:29:49 | 0:29:53 | |
It's drizzling, but this castle dates back to the 14th century | 0:29:53 | 0:29:57 | |
and I'm sure it's seen a lot worse. | 0:29:57 | 0:29:59 | |
-We didn't mind a bit of drizzle, do we? -We call it mizzle. | 0:29:59 | 0:30:03 | |
-Why do you call it mizzle? -I don't know! -Do you really? -It's mizzling. | 0:30:03 | 0:30:07 | |
Hopefully, it'll clear up a bit anyway. But we don't mind. | 0:30:07 | 0:30:12 | |
It's not dampening our spirits. | 0:30:12 | 0:30:14 | |
We know what this is. | 0:30:14 | 0:30:16 | |
Do you know what this is? | 0:30:18 | 0:30:19 | |
-Not really. -If I spin that round... | 0:30:19 | 0:30:22 | |
Have another think. | 0:30:24 | 0:30:26 | |
OK, it's an ornament of some sort. | 0:30:26 | 0:30:28 | |
It does on a desk. | 0:30:28 | 0:30:30 | |
-Ink well? -Yes, look. | 0:30:30 | 0:30:33 | |
That's where the glass liner should be. | 0:30:33 | 0:30:35 | |
Sadly it's missing. But that doesn't matter really | 0:30:35 | 0:30:38 | |
because hundreds of those have survived. | 0:30:38 | 0:30:40 | |
Not many of these have. I'm sure we can find a replacement for that. | 0:30:40 | 0:30:44 | |
So, tell me how did you come by this? | 0:30:44 | 0:30:47 | |
Well, I think it came back from India with one or other of two great-uncles of mine | 0:30:47 | 0:30:54 | |
who worked there in the late 19th and early 20th century. | 0:30:54 | 0:30:57 | |
Were they in the forces? | 0:30:57 | 0:30:59 | |
They both worked for the railways in India | 0:30:59 | 0:31:03 | |
-although one was a volunteer in the armed forces with the railway. -OK. | 0:31:03 | 0:31:10 | |
It probably did come back from India but it found its way out to India. | 0:31:10 | 0:31:15 | |
This was made in England. | 0:31:15 | 0:31:18 | |
It is unfortunately the down side - it's only silver plate. | 0:31:18 | 0:31:22 | |
It's electro-plated on a Britannia metal. | 0:31:22 | 0:31:26 | |
Queen Victoria was made Princess of India and there was this sort of | 0:31:26 | 0:31:29 | |
zest for anything that had the Raj influence. | 0:31:29 | 0:31:32 | |
I think an officer and gentleman serving in the army | 0:31:32 | 0:31:36 | |
took this out on campaign with all of his wonderful mahogany camping furniture. | 0:31:36 | 0:31:41 | |
He'd have stuck that ink well on it | 0:31:41 | 0:31:44 | |
and that would have reminded him of home, and also of where he was - | 0:31:44 | 0:31:48 | |
it's an Indian elephant because it's got small ears | 0:31:48 | 0:31:51 | |
and a wonderful ceremonial headdress as well. It's a very good casting. | 0:31:51 | 0:31:56 | |
I like this matt groundwork because that gives the texture | 0:31:56 | 0:32:00 | |
of the elephant's skin which is thick and undulating and hairy. | 0:32:00 | 0:32:04 | |
I think if you put this into auction, | 0:32:04 | 0:32:07 | |
we'd give a valuation of £120 to £150. It should do around 150-180. | 0:32:07 | 0:32:12 | |
-Well done. -I like it a lot. | 0:32:12 | 0:32:16 | |
That's delightful. | 0:32:16 | 0:32:17 | |
-Something you'd like to own? -Yes. | 0:32:17 | 0:32:19 | |
Come along to the auction, you never know! You could be the owner! | 0:32:19 | 0:32:23 | |
-That's right. -See you there. | 0:32:23 | 0:32:25 | |
There's just time for one more and it's Frank's carriage clock. | 0:32:28 | 0:32:33 | |
Frank, welcome to Flog It! And you've brought a four glass mantel clock. | 0:32:33 | 0:32:39 | |
Is this something you've bought for yourself or a family piece? | 0:32:39 | 0:32:43 | |
When my mother was a young girl, she was a servant. | 0:32:43 | 0:32:48 | |
-She was in service? In the big house on the hill. -That's right. | 0:32:48 | 0:32:53 | |
-And this was gifted to her? -It was. | 0:32:53 | 0:32:56 | |
A very nice gift. We hear that a lot in this business. | 0:32:56 | 0:33:00 | |
Let's have another look at the clock itself. | 0:33:00 | 0:33:02 | |
Called four glass for obvious reasons - glass on each side. | 0:33:02 | 0:33:07 | |
Nice clean dial with the winding hole and another winding hole. | 0:33:07 | 0:33:13 | |
I've looked at the movement. It's stamped France - | 0:33:13 | 0:33:17 | |
they're fairly standard movements. | 0:33:17 | 0:33:19 | |
They were produced in large numbers and were imported into this country. | 0:33:19 | 0:33:24 | |
It strikes on a gong rather than a bell. | 0:33:24 | 0:33:28 | |
Not the most popular striking mechanism, the gong. | 0:33:28 | 0:33:32 | |
People tend to like the bells because it suggests they're earlier as clocks. | 0:33:32 | 0:33:38 | |
But the bit I like is the mercury pendulum. | 0:33:38 | 0:33:42 | |
We want clocks to be accurate. | 0:33:42 | 0:33:44 | |
You don't want a clock losing a minute every hour because then you don't know what time it is. | 0:33:44 | 0:33:51 | |
Heat expansions of the pendulums used to affect the distance of the arc, the tick. | 0:33:51 | 0:33:56 | |
That in turn would cause it to lose time or gain time. The pendulum that was filled with mercury | 0:33:56 | 0:34:03 | |
would compensate for that temperature change and therefore, in theory, it would keep better time. | 0:34:03 | 0:34:10 | |
-Have you any idea what it might be worth? -No idea. -No idea at all. | 0:34:10 | 0:34:16 | |
If I said it was worth £100 or so, would that be a figure you'd be happy with? | 0:34:16 | 0:34:21 | |
Well, to be quite honest, I thought it might have been worth more. | 0:34:21 | 0:34:27 | |
Well, with clocks, the buyers and collectors are really after named makers, that's what they want. | 0:34:27 | 0:34:33 | |
This is going to be too sort of industrial for them, | 0:34:33 | 0:34:37 | |
a mass-produced example of the four glass mantel clock. | 0:34:37 | 0:34:41 | |
I know you want it to be worth more. I'D like it to be worth more. | 0:34:41 | 0:34:45 | |
The auctioneer would like it to be worth more. | 0:34:45 | 0:34:47 | |
Let's fix the reserve at £100. | 0:34:47 | 0:34:49 | |
Will you let me run with this one? | 0:34:49 | 0:34:51 | |
It doesn't stop it making more, remember, at an auction. | 0:34:53 | 0:34:57 | |
Put a reserve of 125 on. | 0:34:57 | 0:34:59 | |
125. That's going to look a bit... | 0:34:59 | 0:35:02 | |
Let's go 120. | 0:35:02 | 0:35:04 | |
You've seen the name of the programme. It's Flog It! | 0:35:04 | 0:35:06 | |
-OK, right. -120. -120. | 0:35:06 | 0:35:09 | |
We'll fix it at 120. It'll go and make £400 now, won't it?! | 0:35:09 | 0:35:13 | |
It's time to leave Lissanoure Castle. | 0:35:13 | 0:35:16 | |
We're making our way to the auction room and leaving you | 0:35:16 | 0:35:21 | |
with a quick recap of all the items. | 0:35:21 | 0:35:23 | |
Catherine was amazed by Joan's £2 Moorcroft finds. | 0:35:23 | 0:35:28 | |
Frank's clock ticks all the boxes | 0:35:28 | 0:35:31 | |
and Cherry and Hector are selling their exotic inkwell. | 0:35:31 | 0:35:34 | |
We're back at McAfee's in Ballycastle. | 0:35:43 | 0:35:47 | |
Frank and Will disagreed about his clock's value. | 0:35:47 | 0:35:49 | |
What will auctioneer, Gerry, think? | 0:35:49 | 0:35:52 | |
We've got a valuation of £120-£150 on this. | 0:35:52 | 0:35:56 | |
It should certainly make 120. It's a nice clock in working order. | 0:35:56 | 0:36:00 | |
-The case is a wee bit plain. -It's very, very... | 0:36:00 | 0:36:03 | |
Which will appeal to some people and not to others but it should certainly get away at the low estimate of 120. | 0:36:03 | 0:36:07 | |
That's good, that's really good. | 0:36:07 | 0:36:09 | |
We need two people to fall in love with it and bid against each other. | 0:36:09 | 0:36:12 | |
-That's what auctions are all about. -Getting the numbers up. | 0:36:12 | 0:36:16 | |
It's time to see if the bidders are here because it's going under the hammer right now. | 0:36:16 | 0:36:21 | |
Good luck, good luck. The tension's building. | 0:36:21 | 0:36:24 | |
I think it's about time we found out what Frank's clock is worth. It's been in the family a long time. | 0:36:24 | 0:36:30 | |
It was brought in to my house and my grandchildren didn't like it striking. | 0:36:30 | 0:36:35 | |
-Oh, they didn't? Oh, dear. I love that sound. -Yeah, nice. | 0:36:35 | 0:36:39 | |
Good luck. Good luck. Let's find out what the bidders think. This is it. | 0:36:39 | 0:36:45 | |
A very nice French brass carriage clock, folks, you all viewed it. | 0:36:46 | 0:36:50 | |
Very, very good working order. | 0:36:50 | 0:36:52 | |
Nice, clean brass case, here. A French brass carriage clock. | 0:36:52 | 0:36:55 | |
Somebody give me a couple of hundred for it? | 0:36:55 | 0:36:58 | |
A couple of hundred for the brass carriage clock? | 0:36:58 | 0:37:00 | |
A couple of hundred? 180? £100, start me at £100. | 0:37:00 | 0:37:04 | |
The brass carriage clock, 110. | 0:37:04 | 0:37:07 | |
At 110 beside me, 110. | 0:37:07 | 0:37:08 | |
120. 130. 140. | 0:37:08 | 0:37:12 | |
150. 160. 170. 180... | 0:37:13 | 0:37:17 | |
This is good. We like it. | 0:37:17 | 0:37:20 | |
The gent stood there at £190. | 0:37:20 | 0:37:23 | |
Nice carriage clock now at 190. | 0:37:23 | 0:37:25 | |
And I'm selling to the gent stood at £190. | 0:37:25 | 0:37:29 | |
-Yes! Hammer's gone down - £190. Good result. Happy? -Yes. | 0:37:29 | 0:37:34 | |
What are you going to spend your money on, Frank? Your wife? | 0:37:34 | 0:37:40 | |
The wife will have to get some of it. | 0:37:40 | 0:37:42 | |
-OK. -And I'll get some of it. | 0:37:42 | 0:37:45 | |
And a digital clock for the grandchildren! No chiming. | 0:37:45 | 0:37:49 | |
Sold over the estimate, and Frank and family can divvy up the cash. Will Hector and Cherry be as lucky? | 0:37:49 | 0:37:57 | |
If you've got a good memory - one like an elephant - | 0:37:57 | 0:38:01 | |
you will remember this next lot belonging to Hector and Cherry - that wonderful elephant inkwell. | 0:38:01 | 0:38:05 | |
What a charming little thing. | 0:38:05 | 0:38:07 | |
It would grace any gentleman's desk. | 0:38:07 | 0:38:10 | |
So, what have you been up to since we last saw you? Anything? | 0:38:10 | 0:38:12 | |
-A bit of gardening? -Enjoying the good weather. -Enjoying the good weather. | 0:38:12 | 0:38:17 | |
-It has been beautiful. -Have you seen the inkwell here? | 0:38:17 | 0:38:20 | |
-Yes. -Yes, up at the top there. It looks well. -It does look well. | 0:38:20 | 0:38:24 | |
-So, hopefully, we're going to sell it. -Hopefully. | 0:38:24 | 0:38:27 | |
-If we don't, it will go home and you won't mind. -We will welcome it home. | 0:38:27 | 0:38:31 | |
I bet you will, because it's a lovely thing. | 0:38:31 | 0:38:34 | |
It's going under the hammer right now. | 0:38:34 | 0:38:37 | |
Very unusual silver-plated inkwell in the form of an elephant. | 0:38:39 | 0:38:43 | |
Nice bit of early, silver-plated inkwell in the form of an elephant. | 0:38:43 | 0:38:46 | |
Couple of hundred pounds for it? 180? 50? | 0:38:46 | 0:38:49 | |
Start me at £50. | 0:38:49 | 0:38:52 | |
The silver inkwell now at £50. £50 bid now, at 50. 60 bid. 70 bid. | 0:38:52 | 0:38:56 | |
-Looks fabulous, doesn't it? -It looks better... | 0:38:56 | 0:39:01 | |
It's surely worth more. The inkwell now, at only £80. | 0:39:01 | 0:39:04 | |
85? 85 bid. | 0:39:04 | 0:39:07 | |
£90, the inkwell now at 90. At 90, what about £90? | 0:39:07 | 0:39:11 | |
Hoping for more now, at £90. | 0:39:11 | 0:39:13 | |
This silver-plated inkwell in the form of an elephant only making £90. | 0:39:13 | 0:39:18 | |
Sorry, we're going to have to leave this now, folks, at £90. | 0:39:18 | 0:39:21 | |
Do you know, I'm pleased it's going home | 0:39:21 | 0:39:24 | |
because it didn't sell at the price you wanted. | 0:39:24 | 0:39:28 | |
-We protected it with the reserve. A sensible reserve. -Yes, yes. | 0:39:28 | 0:39:33 | |
-I'm glad it's going home. -Good. | 0:39:33 | 0:39:35 | |
-Do you know, I bet it never leaves your sight again. -Never again. | 0:39:35 | 0:39:41 | |
Well, at least Hector's happy to be taking it home. | 0:39:41 | 0:39:43 | |
That's just the way it goes sometimes. | 0:39:43 | 0:39:47 | |
Our last items of the day are Joan's Moorcroft pieces, | 0:39:47 | 0:39:50 | |
which have been split into two lots. | 0:39:50 | 0:39:53 | |
Going under the hammer right now we have some real quality. | 0:39:53 | 0:39:56 | |
I've just been joined by Joan, it's your Moorcroft. Two lovely finds. | 0:39:56 | 0:40:01 | |
-Yes. -From a bric-a-brac sale? | 0:40:01 | 0:40:04 | |
-Indeed. -How long ago? | 0:40:04 | 0:40:06 | |
At least 10 years. | 0:40:06 | 0:40:08 | |
-OK, OK, not recently, though. -No. | 0:40:08 | 0:40:11 | |
So, the first is the little vase, isn't it? £80-£100? | 0:40:11 | 0:40:15 | |
Why are you selling now? | 0:40:15 | 0:40:17 | |
-Well, there's none of the family interested in it. -Aren't they? | 0:40:17 | 0:40:23 | |
No. And they're always telling me to downsize. | 0:40:23 | 0:40:27 | |
I live in a fold which... You can only have so much. So I really have to downsize. | 0:40:27 | 0:40:34 | |
-You live in a what? -A fold. -What's a fold? | 0:40:34 | 0:40:37 | |
I've never heard of that, a fold. | 0:40:37 | 0:40:39 | |
-Can't say I know what a fold is. -What's a fold? | 0:40:39 | 0:40:42 | |
It's...you're independent living, but you have a supervisor to check on you to see that you're all right. | 0:40:42 | 0:40:50 | |
-So you do need to declutter a bit? -Yes. Really. -Good luck. | 0:40:50 | 0:40:54 | |
Let's hope all the collectors are here. Here we go. | 0:40:54 | 0:40:58 | |
We're now into two very nice pieces of Moorcroft | 0:40:58 | 0:41:01 | |
starting at lot number 325, the Moorcroft vase. | 0:41:01 | 0:41:05 | |
Who will give me 150 for it? 150? 125. | 0:41:05 | 0:41:08 | |
£100, the Moorcroft vase. | 0:41:08 | 0:41:12 | |
50 bid. 60 bid. 70 bid. 80 bid. | 0:41:12 | 0:41:15 | |
-Well, we've sold this one. -£90. -Come on! | 0:41:15 | 0:41:19 | |
£90? £100. | 0:41:19 | 0:41:21 | |
Standing here at £100. | 0:41:21 | 0:41:24 | |
The Moorcroft vase at £100. 105 on the phone. 110. At £110. | 0:41:24 | 0:41:29 | |
Excellent! That's what we like. | 0:41:29 | 0:41:32 | |
On the phone at £115. I'm selling on the phone if we're all out. 120? | 0:41:32 | 0:41:35 | |
Back in at £120. £125 on the phone. | 0:41:35 | 0:41:39 | |
On the phone at £125 and selling. | 0:41:39 | 0:41:42 | |
Yes, hammer's down at £125. This is the second lot, it is the bowl. | 0:41:42 | 0:41:47 | |
Hopefully, we will get 50, £60? | 0:41:47 | 0:41:50 | |
Who will give me £100 for this one? | 0:41:52 | 0:41:54 | |
£100 for the Moorcroft comport. | 0:41:54 | 0:41:56 | |
£100? 90? 80? £50 for this one? | 0:41:56 | 0:41:59 | |
30? Start me at £30. At £30, it's Moorcroft, 35? | 0:41:59 | 0:42:04 | |
40 here. | 0:42:04 | 0:42:06 | |
45. £50. £50, the lady's bid at £50. | 0:42:06 | 0:42:11 | |
55 over here. £60 here. £65. | 0:42:11 | 0:42:14 | |
-£70. -This is great. | 0:42:14 | 0:42:16 | |
-I'm very pleased about this. -£75 over here. | 0:42:16 | 0:42:19 | |
And I'm selling now at £75, if we're all finished. | 0:42:19 | 0:42:23 | |
-At £75 now. -Marvellous. | 0:42:23 | 0:42:26 | |
-Very good. -As we always keep saying on this show, quality always sells. | 0:42:26 | 0:42:31 | |
Joan, that's marvellous, isn't it? | 0:42:31 | 0:42:33 | |
Not bad for £2. | 0:42:33 | 0:42:35 | |
-That's going to come in handy. £2 from a bric-a-brac sale. -Yes. | 0:42:35 | 0:42:38 | |
-Good on you. Good on you. -And that's you educated me. | 0:42:38 | 0:42:43 | |
And are you going to spend the money on yourself? | 0:42:43 | 0:42:46 | |
I love Blackpool and I'll probably book a holiday to Blackpool. | 0:42:46 | 0:42:50 | |
Holiday to Blackpool. Aw, lovely! | 0:42:50 | 0:42:53 | |
Well, we've come to the end of another day in another auction. | 0:42:58 | 0:43:01 | |
It's been a marvellous roller-coaster ride of emotions, | 0:43:01 | 0:43:04 | |
some highs and lows, some hits and misses but that's what auctions are all about. | 0:43:04 | 0:43:09 | |
You can't predict what's going to happen and I can't wait until the next one. | 0:43:09 | 0:43:13 | |
Join me again soon but, for now, from Ballycastle in Northern Ireland, it's goodbye. | 0:43:13 | 0:43:18 |