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The origins of this castle date back to Saxon times, | 0:00:07 | 0:00:10 | |
but it was William the Conqueror who commanded the first wooden castle to be built here on this site. | 0:00:10 | 0:00:15 | |
I wonder what he'd make of it today, because "Flog It!" comes to you from the magnificent Warwick Castle. | 0:00:15 | 0:00:21 | |
Will we find any Saxon or Norman antiquities here today? | 0:00:51 | 0:00:53 | |
I certainly hope so. But hundreds of people have turned out, | 0:00:53 | 0:00:56 | |
all laden with bags and boxes, so I know we'll find some treasures. | 0:00:56 | 0:01:01 | |
Somebody's going to go home with a great deal of money. | 0:01:01 | 0:01:04 | |
I don't know who it is yet, but keep watching and you'll find out. | 0:01:04 | 0:01:07 | |
It's time to get on with the show and get everybody inside the courtyard so they can ask... | 0:01:07 | 0:01:12 | |
ALL: What's it worth? | 0:01:12 | 0:01:14 | |
'And we have a whole team of experts here to provide the answer. | 0:01:16 | 0:01:19 | |
'They're led by our Glaswegian auctioneer, Anita Manning, | 0:01:19 | 0:01:23 | |
-'a woman of great experience...' -Tell me where you got it. | 0:01:23 | 0:01:27 | |
'..who instantly knows what she's looking at.' | 0:01:27 | 0:01:30 | |
-It's a bit early in the day for that! -THEY LAUGH | 0:01:30 | 0:01:32 | |
'But being canny as usual, she's not giving anything away.' | 0:01:32 | 0:01:35 | |
It looks lethal, but we'll have a closer look at it. | 0:01:35 | 0:01:39 | |
'And Thomas Plant, another auctioneer with extensive knowledge | 0:01:39 | 0:01:43 | |
'who has an eye for the unusual.' | 0:01:43 | 0:01:46 | |
Is it a railing, is it a battle mace? I think it might be railing. | 0:01:46 | 0:01:49 | |
'And then, of course, there's me. Well, I've never been one to blow my own trumpet.' | 0:01:51 | 0:01:55 | |
HE BLOWS HORN | 0:01:55 | 0:01:58 | |
'And coming up, I have a question of a rather personal nature for Anita.' | 0:01:58 | 0:02:02 | |
Have you ever had to share a bathroom with three or four guys? | 0:02:02 | 0:02:05 | |
-Only the men I was married to. -THEY LAUGH | 0:02:05 | 0:02:08 | |
'I'm given all the right answers by one of our owners.' | 0:02:08 | 0:02:12 | |
They came via my nan's sister, who was a domestic for the sculptor. | 0:02:12 | 0:02:16 | |
-You're joking! -No. -Oh, my gosh! Such provenance! | 0:02:16 | 0:02:20 | |
'And I explore Hidcote Manor, probably one of the most beautiful gardens in Britain.' | 0:02:20 | 0:02:26 | |
When you look around and take it all in, it's absolutely stunning. | 0:02:26 | 0:02:31 | |
It shows the eye of a true artist. Just look at it. | 0:02:31 | 0:02:34 | |
Well, I think we're going to be in for a marvellous day here at Warwick Castle. | 0:02:44 | 0:02:48 | |
The sun is shining, there are smiles on everybody's faces, everybody's now safely seated in the courtyard | 0:02:48 | 0:02:53 | |
and it looks like Anita Manning is our first expert to the tables. Let's take a wee peep. | 0:02:53 | 0:02:59 | |
Cath, I am absolutely soppy about miniature things, | 0:03:00 | 0:03:03 | |
and I'm delighted to see this lovely wee doll's highchair. | 0:03:03 | 0:03:09 | |
-Can you tell me where you go it? -It belonged to my mother | 0:03:09 | 0:03:12 | |
and she was going to sell it about ten years ago, | 0:03:12 | 0:03:15 | |
-so I said I would like to have it. -Do you have a collection of dolls? Did you use it? -No. | 0:03:15 | 0:03:20 | |
I don't have a collection and I don't collect dolls, | 0:03:20 | 0:03:24 | |
but it belonged to my mother, who had dolls, and I think she would've had it as part of the collection. | 0:03:24 | 0:03:30 | |
So how did you use it? What did you do with it? | 0:03:30 | 0:03:35 | |
I didn't really. It's just been sitting around. It was in the loft for a while | 0:03:35 | 0:03:39 | |
and then I brought it down and I've just moved house, | 0:03:39 | 0:03:43 | |
so I just feel I haven't really got room for it any more. | 0:03:43 | 0:03:46 | |
It's a delightful wee thing. | 0:03:46 | 0:03:49 | |
It's a fairly simple wee item | 0:03:49 | 0:03:52 | |
which I think may have been made up perhaps by a father for his daughter. | 0:03:52 | 0:03:57 | |
It's a wee artisany type of thing. | 0:03:57 | 0:04:00 | |
Now, what we have is a highchair for the dolly | 0:04:00 | 0:04:06 | |
and if you can help me with this, we bring this over, | 0:04:06 | 0:04:11 | |
and then bring it up like that | 0:04:11 | 0:04:15 | |
and we have a little low chair which wheels back and forward. | 0:04:15 | 0:04:20 | |
-And you can lift this up. -We can lift this up and we've got a nice little piece of stencil | 0:04:20 | 0:04:25 | |
-or pokerwork here. -Oh, right! -And we can see this delightful little scene | 0:04:25 | 0:04:31 | |
of children playing in a woodland | 0:04:31 | 0:04:35 | |
and feeding chickens. | 0:04:35 | 0:04:37 | |
And, of course, these wee things here for the dolly to play with. | 0:04:37 | 0:04:41 | |
So, I mean, it's such a sweet wee thing. | 0:04:41 | 0:04:43 | |
-It's made of beech. -Right. | 0:04:43 | 0:04:47 | |
It's probably 1930s, 1940s. | 0:04:47 | 0:04:52 | |
I wouldn't date it much earlier than that, | 0:04:52 | 0:04:56 | |
-and it certainly isn't Victorian. -OK. | 0:04:56 | 0:04:59 | |
I think it's sweet, it's adorable. | 0:04:59 | 0:05:03 | |
It will appeal to the doll collectors, | 0:05:03 | 0:05:06 | |
because this will be a piece of furniture | 0:05:06 | 0:05:09 | |
on which to display their dolls, | 0:05:09 | 0:05:12 | |
-and the doll market is good just now. -Is it? | 0:05:12 | 0:05:16 | |
I mean, have you an idea of what you would be looking for or what you think its value is? | 0:05:16 | 0:05:23 | |
I've not really any idea, but possibly £80 or something? 80 to 100? | 0:05:23 | 0:05:28 | |
-I think... -Maybe more. I'd like that to be the lowest amount. | 0:05:28 | 0:05:31 | |
-Yeah. I think we're in that region, anyway. -Good. | 0:05:31 | 0:05:38 | |
I think, probably, an estimate of 80 to 120 is the right estimate. | 0:05:38 | 0:05:44 | |
Let's hope that we have two doll collectors in there who will compete fiercely for it. | 0:05:44 | 0:05:50 | |
It is a sweet wee thing. Are you happy with that 80 to 120? | 0:05:50 | 0:05:54 | |
-Yeah, that's fine. -Let's put it to auction. Let's flog it! -OK. Thank you very much. | 0:05:54 | 0:05:58 | |
'Anita's started us off with the auctioneer's favourite estimate of £80 to £120. | 0:05:58 | 0:06:04 | |
'She's right, that little chair should appeal to the doll collectors. | 0:06:04 | 0:06:08 | |
'It's always good to find young people at our events.' | 0:06:11 | 0:06:16 | |
-You're very young. You're both into antiques, obviously. -I'm doing it for my mum. | 0:06:16 | 0:06:20 | |
-HE LAUGHS -You're on a errand, are you, for Mum? -Yeah. -Aww, bless her. | 0:06:20 | 0:06:25 | |
'Next, young Thomas with Pap, who has brought in something a bit out of the ordinary.' | 0:06:29 | 0:06:34 | |
That's your nickname. Why is that? | 0:06:34 | 0:06:36 | |
So, tell me, you brought along this Nepalese, is that right... | 0:06:39 | 0:06:43 | |
Nepalese Kora, I think. From the research I've done, I think that's what it is. | 0:06:43 | 0:06:47 | |
Tell me where you acquired it from. | 0:06:47 | 0:06:50 | |
I helped an old gentleman put a pond in his back garden | 0:06:50 | 0:06:54 | |
and I didn't want to take any money off him | 0:06:54 | 0:06:57 | |
and he knew I'd got a few replica swords hanging up at home, so he gave me this. | 0:06:57 | 0:07:03 | |
So this gentleman, a neighbour, friend? | 0:07:03 | 0:07:07 | |
Turned out to be a friend in the end. He was a neighbour of a friend. | 0:07:07 | 0:07:10 | |
-And you just helped him. -Just helped him with his pond in his back garden. | 0:07:10 | 0:07:14 | |
-He presented you with this Nepalese Kora. -Yeah. | 0:07:14 | 0:07:18 | |
-It's quite a vicious instrument, isn't it? -It's still got quite an edge on it. | 0:07:18 | 0:07:22 | |
Still got quite an edge. It's rather handsome. It's rather a nice weapon, really. | 0:07:22 | 0:07:28 | |
The thing about these that one always has to look at | 0:07:28 | 0:07:32 | |
is are these copies? Cos, obviously, they were copied in India quite a lot | 0:07:32 | 0:07:37 | |
and sold as tourist items. | 0:07:37 | 0:07:41 | |
But something about this tells me the quality is too good to be a copy, | 0:07:41 | 0:07:46 | |
-especially this inlay here. -Yeah. | 0:07:46 | 0:07:48 | |
The chap who gave it to you, the man who you did the pond for, | 0:07:48 | 0:07:52 | |
did he acquire it himself? | 0:07:52 | 0:07:55 | |
It was a relative who was in the Queen's Hussars, | 0:07:55 | 0:07:59 | |
I think the Nottinghamshire Regiment. | 0:07:59 | 0:08:01 | |
He was told he brought it back with him from India when he'd done a tour of duty out there. | 0:08:01 | 0:08:07 | |
-So this gentleman you did the pond for was elderly, so his relative... -Yes. | 0:08:07 | 0:08:13 | |
-So we're talking 1900s, are we? -I think so. -Late Victorian, early Edwardian, early 20th century. | 0:08:13 | 0:08:19 | |
I think that all adds up to this. | 0:08:19 | 0:08:22 | |
And the fact that there's a slight crack in the steel here, | 0:08:22 | 0:08:28 | |
-I think this has been used. -Yeah. -Now, let's talk about value. | 0:08:28 | 0:08:34 | |
We've established that we think it's right. | 0:08:34 | 0:08:37 | |
I personally think it's worth £150 to £250. | 0:08:37 | 0:08:42 | |
It could make £200 to £300. | 0:08:42 | 0:08:44 | |
But what do you want to say? What do you want to do? | 0:08:44 | 0:08:47 | |
Well, at that price, yeah, the money would come in handy, cos I'm rebuilding a bike. | 0:08:47 | 0:08:53 | |
-You're rebuilding a bike? -Yeah. So the money would go towards that. -Brilliant. | 0:08:53 | 0:08:58 | |
-Shall we talk about a reserve? -Yeah, I wouldn't like it to go for nothing. | 0:08:58 | 0:09:03 | |
-What do you want? -Would a reserve of 100, 125? | 0:09:03 | 0:09:09 | |
It's perfectly acceptable to put a reserve on lower than the estimate. 120 I think would be great. | 0:09:09 | 0:09:14 | |
-All I can hope for you is that at the auction we get £200 plus for that. -That would be nice. | 0:09:14 | 0:09:20 | |
-And that would be really useful for the bike rebuild. -It would. | 0:09:20 | 0:09:24 | |
'Well, I'd love to have a look at that bike when it's finished. | 0:09:26 | 0:09:30 | |
'Seems some people are planning to celebrate long before the auction.' | 0:09:30 | 0:09:35 | |
-Ooh, look! Look! Hey! -THEY LAUGH | 0:09:35 | 0:09:38 | |
Someone's a winner! | 0:09:38 | 0:09:42 | |
Oh, look at that! A bottle of bubbly! | 0:09:42 | 0:09:45 | |
Hey, you do it in style, don't you? You do it in style. | 0:09:45 | 0:09:49 | |
-I'm not joking, this is chilled, as well. -THEY LAUGH | 0:09:49 | 0:09:53 | |
'Next, Anita with a mystery object. | 0:09:55 | 0:09:58 | |
'Does anybody know what it is?' | 0:09:58 | 0:10:00 | |
-Deborah, welcome to "Flog It!" Is this your wee girl? -Yes, this is Bethany. | 0:10:02 | 0:10:07 | |
Now, do you know what this is, Deborah? | 0:10:07 | 0:10:10 | |
-No, no, we're not sure. -You're not sure. Bethany, what do you think? | 0:10:10 | 0:10:15 | |
No idea. Looks like something to do with tea with the strainer. | 0:10:15 | 0:10:19 | |
Yeah. Well, it has something to do with liquid | 0:10:19 | 0:10:23 | |
and if you think along the lines of tea strainer, you're thinking along the right lines. | 0:10:23 | 0:10:28 | |
This is what we call a wine funnel | 0:10:28 | 0:10:32 | |
and it was used in much the same way as you would use a tea strainer. | 0:10:32 | 0:10:37 | |
What you would do is you would decant your wine into a decanter | 0:10:37 | 0:10:41 | |
and you would pour it through the top here | 0:10:41 | 0:10:45 | |
so that all the gunge and sediment at the bottom | 0:10:45 | 0:10:48 | |
would be kept in this reservoir at the top | 0:10:48 | 0:10:51 | |
and your wine would slide beautifully into your cut-glass decanter. | 0:10:51 | 0:10:56 | |
Now, tell me where you got it. | 0:10:56 | 0:10:59 | |
It was one of my late auntie's pieces | 0:10:59 | 0:11:02 | |
and we found it very safely locked away. | 0:11:02 | 0:11:05 | |
-So you've never used it. -No. -Never used it. OK. | 0:11:05 | 0:11:09 | |
This is a very collectable item. | 0:11:09 | 0:11:13 | |
Number one, because of its purpose. | 0:11:13 | 0:11:16 | |
People who are interested in good wines and so on will use this | 0:11:16 | 0:11:20 | |
and would like to own such an item. | 0:11:20 | 0:11:24 | |
It is also of considerable age. | 0:11:24 | 0:11:28 | |
The hallmark has told me that it is 1803, | 0:11:28 | 0:11:33 | |
so it's George III. | 0:11:33 | 0:11:35 | |
If you look here, you can see the little lion mark telling us that it's silver. | 0:11:35 | 0:11:41 | |
Another point which is important | 0:11:41 | 0:11:44 | |
is that it was made in Newcastle. | 0:11:44 | 0:11:47 | |
And people love to collect provincial silver. | 0:11:47 | 0:11:51 | |
So we've got a lovely, lovely thing here. | 0:11:51 | 0:11:54 | |
Another thing that I should mention in talking about this item | 0:11:54 | 0:11:57 | |
is the condition of it, which is good. | 0:11:57 | 0:12:01 | |
Very often, in funnels of this age, | 0:12:01 | 0:12:05 | |
we have this bottom part broken off. | 0:12:05 | 0:12:09 | |
So this is absolutely complete | 0:12:09 | 0:12:12 | |
and it's absolutely lovely. | 0:12:12 | 0:12:14 | |
Now, value on it. What would you think? Can you make a guess? | 0:12:14 | 0:12:19 | |
Er, about £50 to £75. | 0:12:19 | 0:12:22 | |
-I was thinking the same, yeah. -Right, OK. | 0:12:22 | 0:12:25 | |
Well, if we put it to auction, I would hope for perhaps four times that. | 0:12:25 | 0:12:30 | |
-Really? -Yeah. So I would like to put an estimate of £200 to £300 on it. | 0:12:30 | 0:12:35 | |
-Gosh! -It's a terrific item. | 0:12:35 | 0:12:38 | |
-Would you be happy to put it to auction at that price? -Yes. | 0:12:38 | 0:12:42 | |
Yeah. You're still thinking it's a pretty useless object, aren't you? | 0:12:42 | 0:12:46 | |
THEY LAUGH | 0:12:46 | 0:12:49 | |
Well, it's a highly collectable wee thing and I think it's lovely. | 0:12:49 | 0:12:52 | |
So, estimate, £200 to £300. | 0:12:52 | 0:12:55 | |
We'll perhaps put a reserve price of 180 on it | 0:12:55 | 0:13:00 | |
and take it to auction and I'm sure it will do very, very well. | 0:13:00 | 0:13:05 | |
-Thank you so much for bringing it along. -Thank you. | 0:13:05 | 0:13:08 | |
'Now, that's what I call a very fluid valuation.' | 0:13:10 | 0:13:14 | |
Well, we are now halfway through our day and people still keep pouring in | 0:13:14 | 0:13:18 | |
all laden with antiques and collectables. | 0:13:18 | 0:13:20 | |
But right now, it's time to put our first valuations to the test. | 0:13:20 | 0:13:24 | |
We've found some real gems, so let's find out what the bidders think. | 0:13:24 | 0:13:27 | |
We're making our way to the auction room and we'll leave you with a quick rundown | 0:13:27 | 0:13:31 | |
to jog your memory of all the items that are going under the hammer. | 0:13:31 | 0:13:35 | |
'I rather think Anita fell for the doll's highchair. | 0:13:36 | 0:13:39 | |
'It'll do well if the doll collectors are there at the auction. | 0:13:39 | 0:13:42 | |
'The Nepalese Kora sword is quality, looks authentic and the provenance sounds right, | 0:13:43 | 0:13:48 | |
'so I imagine it will shortly be in the hands of a new owner. | 0:13:48 | 0:13:52 | |
'And with its George III hallmark, I think Deborah and Beth's beautiful silver wine funnel | 0:13:53 | 0:13:58 | |
'will definitely be the one to watch.' | 0:13:58 | 0:14:00 | |
You've seen the items our experts have picked out at the valuation day. | 0:14:06 | 0:14:10 | |
I think there could be one or two surprises. This is where we're putting the valuations to the test, | 0:14:10 | 0:14:15 | |
Bigwood Auctioneers and Valuers in Stratford-upon-Avon. | 0:14:15 | 0:14:18 | |
So let's go inside and catch up with our owners, because I know they're feeling really nervous. | 0:14:18 | 0:14:24 | |
'The auction room's looking busy, which is always a good sign, | 0:14:24 | 0:14:27 | |
'and we have two auctioneers selling our lots today, Steven Kay and Christopher Ironmonger. | 0:14:27 | 0:14:33 | |
'And we're kicking off with Christopher, who'll be selling the doll's highchair belonging to Cath.' | 0:14:34 | 0:14:40 | |
The country's full of people that collect dolls | 0:14:40 | 0:14:43 | |
and they should want this next item, cos it's a doll's highchair. | 0:14:43 | 0:14:46 | |
And hopefully they're here to buy it, because we've got £80 to £120 on this. | 0:14:46 | 0:14:50 | |
-This was your mum's. -Yes. -So did she have a doll sitting on it? | 0:14:50 | 0:14:54 | |
-No, she had a collection of dolls. -Did she? -Yes. | 0:14:54 | 0:14:56 | |
-So I think it was part of that. -It's a stunning little example. | 0:14:56 | 0:14:59 | |
It's a nice wee thing. It folds over and it's a little sort of chair, a low chair. | 0:14:59 | 0:15:05 | |
-So we've got two functions there, and it's very, very sweet. -It's metamorphic furniture! | 0:15:05 | 0:15:10 | |
-So we should get twice as much money! -THEY LAUGH | 0:15:10 | 0:15:13 | |
341 is the Victorian doll's metamorphic highchair. | 0:15:15 | 0:15:20 | |
There it is. Lovely little chair it is indeed. | 0:15:20 | 0:15:23 | |
Who's going to start me? £80 for it? | 0:15:23 | 0:15:26 | |
Come on, where's all the hands? | 0:15:26 | 0:15:28 | |
60 I'm bid. 60. 70. 80. | 0:15:28 | 0:15:31 | |
80. 90 is it? £80 over here by the stairs. | 0:15:31 | 0:15:35 | |
I'll sell it. 90 if you want to carry on. | 0:15:35 | 0:15:37 | |
90. 100. 110. | 0:15:38 | 0:15:41 | |
100 by the stairs here. You're out over there. | 0:15:41 | 0:15:45 | |
At £100. 110 possibly might do it. | 0:15:45 | 0:15:48 | |
At £100. Are we all finished at 100? | 0:15:49 | 0:15:53 | |
-Hammer's gone down. -Yes. -Well done. -That's good. | 0:15:53 | 0:15:56 | |
-Good valuation, Anita. You happy with that? -Yes. | 0:15:56 | 0:15:58 | |
There is commission to pay, it's 15 percent plus VAT here. | 0:15:58 | 0:16:01 | |
It does vary from saleroom to saleroom, so do check the details in the catalogue, it's printed there. | 0:16:01 | 0:16:07 | |
-Well done. -Thank you very much. -That's a meal out. Treat yourself. | 0:16:07 | 0:16:12 | |
'Anita was spot on mid-estimate, Good show. | 0:16:12 | 0:16:16 | |
'Thomas is up next, and this next lot was a sharp choice.' | 0:16:16 | 0:16:19 | |
Well, we definitely are at the cutting edge of saleroom | 0:16:23 | 0:16:26 | |
because just going under the hammer we've got that lovely Nepalese sword. | 0:16:26 | 0:16:30 | |
-150 to 250? -Yeah. I think it's got a very good chance of making a little bit more. | 0:16:30 | 0:16:35 | |
These aged weapons have really taken off. | 0:16:35 | 0:16:39 | |
We'll find out if we are at the cutting edge because it's going under the hammer now. | 0:16:39 | 0:16:43 | |
The late 19th, early 20th century Nepalese sword. | 0:16:45 | 0:16:50 | |
I've got 160 here. 170? 160 on the book. | 0:16:51 | 0:16:54 | |
At 160. 160. I'm going to sell it. | 0:16:54 | 0:16:57 | |
At 160. With me on the book at 160. Is it 170 in the room now? | 0:16:57 | 0:17:02 | |
At 160. Your last chance to bid. | 0:17:03 | 0:17:06 | |
160, the bid's here. | 0:17:06 | 0:17:08 | |
-160. -Sold for 160. | 0:17:08 | 0:17:10 | |
It wasn't the hammer going down, it was the sword going across. Happy? | 0:17:10 | 0:17:14 | |
-Yes. -That'll do nicely. -It'll pay for a rewiring job on the bike. -Is it? | 0:17:14 | 0:17:17 | |
-Yeah. -Repairing it in the front room? | 0:17:17 | 0:17:20 | |
I have to have them in the garage now. Used to be in the bedroom. | 0:17:20 | 0:17:25 | |
'I think Thomas would've liked a little more for that, but it did sell within estimate. | 0:17:26 | 0:17:31 | |
'Now we have something a bit special for the silver collectors. | 0:17:31 | 0:17:34 | |
'That Georgian silver wine funnel. And a change of auctioneer.' | 0:17:34 | 0:17:37 | |
Deborah, why are you flogging this? | 0:17:38 | 0:17:41 | |
Well, Bethany's hoping to go to university in October. | 0:17:41 | 0:17:45 | |
-Congratulations. Where are you going? -Loughborough. | 0:17:45 | 0:17:48 | |
And students haemorrhage money! I know what you're going to say. | 0:17:48 | 0:17:51 | |
-They do, don't they? -Yes. -So it's going towards the fees. -Yes. | 0:17:51 | 0:17:55 | |
-Have you got your accommodation sorted out yet? -I have. -You're feeling positive. -En suite. | 0:17:55 | 0:18:00 | |
That's a really good move, cos you do not want to be sharing a bathroom | 0:18:00 | 0:18:04 | |
-with four guys, do you? -No. | 0:18:04 | 0:18:07 | |
-No? -No. | 0:18:07 | 0:18:08 | |
-Have you ever had to share a bathroom with three or four guys? -Only the men I was married to. | 0:18:08 | 0:18:13 | |
THEY LAUGH | 0:18:13 | 0:18:15 | |
The wine funnel. George III. | 0:18:16 | 0:18:20 | |
Unusual assay office, Newcastle. | 0:18:20 | 0:18:23 | |
Doesn't turn up that often. | 0:18:23 | 0:18:25 | |
£100 to start me? 100 I've got. 110. 120. 130. 140. | 0:18:25 | 0:18:31 | |
150. 160. 170. 180. 190. 200. And 10. | 0:18:31 | 0:18:36 | |
220. 230. 240. | 0:18:36 | 0:18:38 | |
-This is good. -230 with you, sir. 240. 250. | 0:18:38 | 0:18:42 | |
260. 270. 260 I have here. Anyone else? | 0:18:42 | 0:18:46 | |
270. 280? 290. 300? And 10? | 0:18:46 | 0:18:51 | |
320? 330? | 0:18:51 | 0:18:53 | |
340. 350. | 0:18:53 | 0:18:56 | |
340 I've got. Anyone else? 350 over there. | 0:18:56 | 0:18:58 | |
360. 370. 380. | 0:18:58 | 0:19:02 | |
390. 400. | 0:19:02 | 0:19:04 | |
And 10. 420. | 0:19:04 | 0:19:06 | |
430. | 0:19:06 | 0:19:08 | |
440. 450. | 0:19:08 | 0:19:10 | |
460. 470. | 0:19:10 | 0:19:12 | |
460 I have. Anyone else? | 0:19:13 | 0:19:16 | |
-£460! -Yes! -Hammer's gone down! | 0:19:17 | 0:19:20 | |
-What a good result, eh, Beth? -Yeah. | 0:19:20 | 0:19:23 | |
-I'll be having my en suite. -That will set you off on your journey to uni. -It will. | 0:19:23 | 0:19:28 | |
'That was a good result, which is what you'd expect with such a fabulous item. | 0:19:28 | 0:19:34 | |
'What a brilliant end to our first trip to the saleroom today. | 0:19:34 | 0:19:37 | |
'Time now for a change of pace.' | 0:19:37 | 0:19:39 | |
'What can be more beautiful than a garden on a summer's day? | 0:19:51 | 0:19:54 | |
'And this one's right in the heart of England.' | 0:19:54 | 0:19:58 | |
Hidcote Manor in Gloucestershire is a charming, delightful house. | 0:20:00 | 0:20:03 | |
It's so quintessentially English. But its real merits lie beyond these gates. | 0:20:03 | 0:20:08 | |
Because, without doubt, it has one of the most outstanding gardens in England. | 0:20:08 | 0:20:13 | |
It was created in the early part of the 20th century | 0:20:13 | 0:20:15 | |
and it's the first ever gardens to be taken on for its horticultural merits | 0:20:15 | 0:20:19 | |
by the National Trust, back in 1948. | 0:20:19 | 0:20:22 | |
'The garden, which is Arts and Crafts in style, was the lifelong work of Lawrence Johnston. | 0:20:33 | 0:20:38 | |
'His mother, the formidable Gertrude Winthrop, | 0:20:38 | 0:20:41 | |
'a wealthy twice-widowed American, bought Hidcote in 1907. | 0:20:41 | 0:20:45 | |
'It came with a hamlet of cottages, but no garden to speak of, | 0:20:51 | 0:20:54 | |
'just a collection of rose beds and a huge cedar of Lebanon.' | 0:20:54 | 0:20:58 | |
So, what is an Arts and Crafts style garden? Good question! | 0:21:00 | 0:21:04 | |
It's the Edwardians turning their backs on what they considered to be Victoria conformity, | 0:21:04 | 0:21:09 | |
let's say rows and rows of regimented, gaudy bedding plants, | 0:21:09 | 0:21:13 | |
which was all the rage at the time. | 0:21:13 | 0:21:15 | |
Lawrence Johnston described Hidcote as "a wild garden within a formal setting." | 0:21:15 | 0:21:20 | |
It was a romantic vision, an artistic vision, and he certainly got that right, | 0:21:20 | 0:21:24 | |
with the use of old-fashioned flowers and traditional garden crafts, such as topiary. | 0:21:24 | 0:21:29 | |
That, with a combination of natural materials, like the stone I'm walking on, | 0:21:29 | 0:21:33 | |
and wood left in the round for all the arbours, | 0:21:33 | 0:21:35 | |
created a cottage-like atmosphere, | 0:21:35 | 0:21:38 | |
one the harked back to the pre-industrial world. | 0:21:38 | 0:21:42 | |
'Lawrence was a man of 36 when they arrived here. | 0:21:46 | 0:21:49 | |
'He'd already been off to fight in the Boer War | 0:21:49 | 0:21:51 | |
'and had become a naturalised British citizen, in love with his adopted English heritage. | 0:21:51 | 0:21:56 | |
'In the seven years he and his mother lived here, before the start of the First World War, | 0:21:56 | 0:22:01 | |
'most of the garden was close to the house. | 0:22:01 | 0:22:03 | |
'It took many years for it to grow to its current size, | 0:22:03 | 0:22:06 | |
'spreading slowly out into the surrounding countryside.' | 0:22:06 | 0:22:09 | |
This is his starting point. The garden is divided up into rooms which extend out from the house. | 0:22:09 | 0:22:14 | |
This is key to the Arts and Crafts idea. | 0:22:14 | 0:22:17 | |
Many gardens are divided up with walls, but here, | 0:22:17 | 0:22:20 | |
they're divided with beautiful box and yew wood hedges. | 0:22:20 | 0:22:23 | |
This area is now known as the White Garden, | 0:22:39 | 0:22:42 | |
and when you look around and take it all in, it's absolutely stunning. | 0:22:42 | 0:22:46 | |
It's subtle, it's clever, and I wasn't surprised to find out that Lawrence was a keen painter. | 0:22:46 | 0:22:52 | |
It shows the eye of a true artist. Just look at it. | 0:22:52 | 0:22:54 | |
And another great thing about having different themed rooms within the garden is | 0:23:01 | 0:23:05 | |
there's many inviting doorways for you to walk through. | 0:23:05 | 0:23:08 | |
There are 28 garden rooms here at Hidcote. The closer they are to the house, the more formal they are | 0:23:17 | 0:23:22 | |
and then gradually, the further away they get, they start giving way to nature and wilderness. | 0:23:22 | 0:23:27 | |
It's a highly creative, personal statement | 0:23:33 | 0:23:36 | |
and the great thing is, it's all on a wonderfully human scale. | 0:23:36 | 0:23:40 | |
Walking around the garden, Lawrence constantly surprises. Some rooms are bursting full of plants. | 0:23:42 | 0:23:48 | |
Others are left quite sparse. | 0:23:48 | 0:23:50 | |
And it's these contrasts that make it so incredibly exciting. | 0:23:50 | 0:23:53 | |
Gardens like this just don't happen overnight. | 0:24:06 | 0:24:09 | |
Lawrence worked on the design for well over 23 years | 0:24:09 | 0:24:12 | |
and he created this room, the one I'm in now, | 0:24:12 | 0:24:14 | |
upon his return from fighting in the First World War. | 0:24:14 | 0:24:18 | |
Now, nobody knows for sure why there are 22 English yew pillars here. | 0:24:18 | 0:24:23 | |
Maybe it's no coincidence that there were 22 fellow officers in his regiment. | 0:24:23 | 0:24:27 | |
And in total contrast, you've got the Rose Walk. | 0:24:42 | 0:24:45 | |
Now, this is absolutely stunning. | 0:24:45 | 0:24:47 | |
In fact, it's breathtaking, especially on a gorgeous day like this. | 0:24:47 | 0:24:51 | |
Looking at these wonderful deep beds, you can see splashes of colour everywhere. | 0:24:51 | 0:24:55 | |
That's the eye of an artist. It's like his palette board. | 0:24:55 | 0:24:59 | |
But it's also the eye of a very keen plantsman. | 0:24:59 | 0:25:02 | |
Many of the examples you see here Lawrence gathered on his planting-hunting trips | 0:25:02 | 0:25:06 | |
to far-flung places such as South Africa, China and Turkey. | 0:25:06 | 0:25:11 | |
'It was for this, and his contribution to horticulture, | 0:25:18 | 0:25:21 | |
'that in 1947, he was given the highest accolade of the Royal Horticultural Society, | 0:25:21 | 0:25:26 | |
'a gold Veitch Memorial Medal. | 0:25:26 | 0:25:28 | |
'Not only had he introduced many new plants, | 0:25:31 | 0:25:34 | |
'but he'd created one of the most influential gardens of his time.' | 0:25:34 | 0:25:38 | |
Well, here we have it. This rock bank is a reconstruction | 0:25:40 | 0:25:43 | |
of what Lawrence would've come across on one of his plant-hunting expeditions, | 0:25:43 | 0:25:47 | |
and I absolutely love this part of the garden, because here it blends in effortlessly | 0:25:47 | 0:25:51 | |
with the Gloucestershire countryside. | 0:25:51 | 0:25:54 | |
A classic end to an Arts and Crafts garden. | 0:25:54 | 0:25:56 | |
'Back at Warwick Castle, our team of experts are still at full tilt. | 0:26:08 | 0:26:12 | |
'Keep watching, because later in the show, we have a priceless moment, | 0:26:15 | 0:26:19 | |
'one that I thought I would never see.' | 0:26:19 | 0:26:22 | |
-Unbelievable! Unbelievable! -Thomas is lost for words. | 0:26:22 | 0:26:25 | |
'But right now, Anita is delighted with a platter belonging to Sue and daughter Jane.' | 0:26:29 | 0:26:34 | |
Welcome to "Flog It!" and I'm delighted that you've brought in | 0:26:36 | 0:26:39 | |
this wonderful strawberry dish. Tell me, where did you get it? | 0:26:39 | 0:26:44 | |
It's my husband's auntie's, so it's Jane's great auntie, | 0:26:44 | 0:26:47 | |
and I think she was given it. She's had it 30, 40 years | 0:26:47 | 0:26:52 | |
and it's been on a coffee table just inside, just stuck there, | 0:26:52 | 0:26:56 | |
and she's had soap in it. | 0:26:56 | 0:26:58 | |
SHE LAUGHS She always thought there was something missing. | 0:26:58 | 0:27:02 | |
Did you like it when you inherited it? Have you enjoyed having it? | 0:27:02 | 0:27:06 | |
Yeah, it has been nice, but we're so scared of it getting broken with grandkids. | 0:27:06 | 0:27:11 | |
And what does your lovely daughter think about it? | 0:27:11 | 0:27:13 | |
-It's not of my taste. -THEY LAUGH | 0:27:13 | 0:27:17 | |
Interestingly enough, this type of ware has gone out of fashion a wee bit. | 0:27:17 | 0:27:23 | |
It is a Victorian piece. But younger people are not as interested in it | 0:27:23 | 0:27:29 | |
as older folk are. | 0:27:29 | 0:27:33 | |
It's Majolica, which is a tin-glazed earthenware. | 0:27:33 | 0:27:38 | |
And we love it because of the sort of luscious singing glaze. | 0:27:38 | 0:27:44 | |
It's almost translucent. It's lovely. | 0:27:44 | 0:27:47 | |
And we can see the strawberries here. | 0:27:47 | 0:27:50 | |
It would've been used to pile your strawberries on | 0:27:50 | 0:27:56 | |
on a beautiful day like today and you have your little cream jug beside it. | 0:27:56 | 0:28:02 | |
We've had this all this time and I never realised it was strawberries. | 0:28:02 | 0:28:06 | |
-We learn something every day. -Which is really brilliant. | 0:28:06 | 0:28:09 | |
Now, if we look at the back of it, Sue, we can date it. | 0:28:09 | 0:28:14 | |
And we have on here, this is what we call a registration lozenge. | 0:28:14 | 0:28:19 | |
I've checked it out and the date of it is 1873. | 0:28:19 | 0:28:23 | |
So it's a substantial age. | 0:28:23 | 0:28:26 | |
It's in remarkable condition for that age. | 0:28:26 | 0:28:30 | |
We have a wee hairline crack here, which makes a wee bit of difference value-wise, | 0:28:30 | 0:28:36 | |
but I'm not considering that terribly important. | 0:28:36 | 0:28:42 | |
Now, the make of it. We see no maker's name on the back. | 0:28:42 | 0:28:47 | |
It's quite possible that it could be Mintons or Wedgewood | 0:28:47 | 0:28:51 | |
or George Jones, one of these. | 0:28:51 | 0:28:54 | |
I'm thinking that it's probably Jones, | 0:28:54 | 0:28:57 | |
because I would be expecting a Wedgewood or a Mintons to be slightly heavier. | 0:28:57 | 0:29:04 | |
I see, yeah. OK. | 0:29:04 | 0:29:06 | |
-Why are you selling it? -She's getting married in August | 0:29:06 | 0:29:09 | |
and my other daughter's had a big extension, | 0:29:09 | 0:29:12 | |
so we could do with the cash. | 0:29:12 | 0:29:14 | |
-Children always cost you money! -As they get older. | 0:29:14 | 0:29:18 | |
It never stops, but it's always a pleasure. | 0:29:18 | 0:29:22 | |
-It'd buy us a bottle of champagne, wouldn't it? -Yeah. | 0:29:22 | 0:29:25 | |
Well, I hope that it buys maybe a magnum of champagne. | 0:29:25 | 0:29:29 | |
-And her auntie would appreciate that. -I think that's a lovely idea. | 0:29:29 | 0:29:33 | |
We'll put it in with an estimate of £100 to £200. | 0:29:33 | 0:29:37 | |
We'll put a firm reserve of £100 on it | 0:29:37 | 0:29:41 | |
and hopefully it will fly away and will buy you a good few bottles of champagne for the wedding. | 0:29:41 | 0:29:48 | |
You never know. We'll toast you. THEY LAUGH | 0:29:48 | 0:29:51 | |
'What a lovely thing to spend the money on, a family celebration. | 0:29:53 | 0:29:56 | |
'Thomas's attention has just been grabbed by a quirky little fellow | 0:29:56 | 0:30:00 | |
'belonging to sisters Miranda and Ruby.' | 0:30:00 | 0:30:03 | |
-Girls, tell me, who actually owns this item? -My mother owned it. | 0:30:05 | 0:30:09 | |
-Your late mother. So you girls are sisters? -Yes. -Never would've guessed. | 0:30:09 | 0:30:13 | |
-Of course. And what brings you here? -We've come along to see if we can see how much this is valued at, please. | 0:30:13 | 0:30:21 | |
-You're talking about your biscuit barrel. -Yes. | 0:30:21 | 0:30:25 | |
Well, if I take the lid off, it helps us here. Look. | 0:30:25 | 0:30:30 | |
McVitie and Price Biscuit Manufacturers | 0:30:30 | 0:30:33 | |
to HM the King and the Prince of Wales. There we are. | 0:30:33 | 0:30:37 | |
Edinburgh and London. Nicely printed there. | 0:30:37 | 0:30:41 | |
-Obviously, it is a biscuit tin. -Yes. | 0:30:41 | 0:30:44 | |
But what I liked about it was the object itself. | 0:30:44 | 0:30:48 | |
A biscuit tin could just be a plain, simple rectangular or square tin. | 0:30:48 | 0:30:52 | |
But people then decided, "No, we don't want to do that, we want to make interesting objects," | 0:30:52 | 0:30:58 | |
and that's what's important about this, the design and the lithography, | 0:30:58 | 0:31:02 | |
which is the feathers, the painting, | 0:31:02 | 0:31:05 | |
the printing on it and the moulding. | 0:31:05 | 0:31:08 | |
-It's quite a difficult thing to have done. -Yes. | 0:31:08 | 0:31:11 | |
And it would've been quite expensive as a biscuit barrel. | 0:31:11 | 0:31:15 | |
-Yes. -Cos it's more difficult to make and there's certainly more integral parts. | 0:31:15 | 0:31:20 | |
-There's a base and then you've got the sections and the lid. -Yes. | 0:31:20 | 0:31:24 | |
Do you think your mother had it in the twenties? | 0:31:24 | 0:31:28 | |
-She may have done. -When was she married? | 0:31:28 | 0:31:31 | |
1952. | 0:31:31 | 0:31:33 | |
1952. So I think it could've been her mother's. | 0:31:33 | 0:31:36 | |
-It might have been. -I think it's Deco. | 0:31:36 | 0:31:39 | |
Or if it wasn't that, it was the people she worked for. | 0:31:39 | 0:31:42 | |
She worked for different people, you know, when she was younger, so... | 0:31:42 | 0:31:47 | |
-What was she doing? Was she in service? -Service, yeah. | 0:31:47 | 0:31:50 | |
I think it might have been that, because this would've been quite an expensive item | 0:31:50 | 0:31:54 | |
-and it's a bit of a frivolity to spend money on a biscuit barrel. -Yes. | 0:31:54 | 0:31:58 | |
So it would've been probably something which maybe the household were getting rid of | 0:31:58 | 0:32:02 | |
-and she acquired it that way. -Yes. -But it's from that period, | 0:32:02 | 0:32:07 | |
pre-war, 1920s I would've thought, maybe a little earlier. | 0:32:07 | 0:32:10 | |
And it's also got so many facets to why it's interesting. | 0:32:10 | 0:32:16 | |
You've got the interest because of the design, the printing, the lithography, | 0:32:16 | 0:32:21 | |
the way it's made, and advertising, as well. | 0:32:21 | 0:32:24 | |
So, the important question. What do you girls think it's worth? | 0:32:24 | 0:32:28 | |
Well, we haven't got a clue, actually. | 0:32:28 | 0:32:31 | |
-Not even a Scooby? -No. | 0:32:31 | 0:32:33 | |
-Nothing? -No. -We've never had it valued. | 0:32:33 | 0:32:35 | |
Well, I would've thought you're going to get between £50 and £80 for it at auction. | 0:32:35 | 0:32:41 | |
How does that grab you? | 0:32:41 | 0:32:43 | |
-Yeah. That's fine. -Is that all right? -Yes. | 0:32:43 | 0:32:46 | |
-Can we put a reserve on it? -Yes. | 0:32:46 | 0:32:48 | |
-Around about £40. I think that gives the auctioneer a bit of leeway. -Yes. | 0:32:48 | 0:32:52 | |
And then he might be able to start it and move on from there. | 0:32:52 | 0:32:56 | |
-But it's quite nice. -Yes. Yeah, that's good. Thank you. | 0:32:56 | 0:33:00 | |
'Biscuit barrels are not my area, so who knows, maybe it could fly away. | 0:33:00 | 0:33:06 | |
'We're having a brilliant day here at Warwick Castle and it's just about to get better.' | 0:33:07 | 0:33:13 | |
Helen, you've absolutely made my day. I'm in love with these. | 0:33:14 | 0:33:18 | |
Big cats. Aren't they wonderful? | 0:33:18 | 0:33:20 | |
OK, tell me the story. How did you come by them? | 0:33:20 | 0:33:23 | |
I inherited them about ten years ago from my grandparents | 0:33:23 | 0:33:27 | |
and they came to them via my nan's sister, | 0:33:27 | 0:33:31 | |
who was a domestic for the sculptor. | 0:33:31 | 0:33:34 | |
-You're joking! -No. -Oh, my gosh! Such provenance! | 0:33:34 | 0:33:37 | |
-Direct from the artist. -And they've been in your family a long time. -Every since then, yes. | 0:33:37 | 0:33:42 | |
Frank Lutiger. | 0:33:42 | 0:33:45 | |
Unbelievable. A Swiss artist, but he did live in the Midlands. | 0:33:45 | 0:33:48 | |
I think so, yeah. So I believe. | 0:33:48 | 0:33:50 | |
-Incredible, isn't it? He was born in around 1870, somewhere around there. -Yeah, something like that. | 0:33:50 | 0:33:56 | |
-Yeah. -Oh, wow! | 0:33:56 | 0:33:59 | |
-What do you do for a living? -I'm a full-time artist. -It doesn't get much better than this. | 0:33:59 | 0:34:04 | |
-So you can really appreciate these. -Yes, I can definitely appreciate the skill. | 0:34:04 | 0:34:08 | |
-You know what's coming next, don't you? What my next question is? -Go on, then. | 0:34:08 | 0:34:12 | |
-Do you really want to sell them? -I do and I don't. | 0:34:12 | 0:34:15 | |
I don't really have room for them. | 0:34:15 | 0:34:18 | |
I've got quite a small house and a family, so I don't really have room for them | 0:34:18 | 0:34:23 | |
and I guess it's time for them to go to somebody who would really appreciate them. | 0:34:23 | 0:34:28 | |
OK. Well, look, I've done a bit of research on Frank Lutiger. | 0:34:28 | 0:34:32 | |
He was very prolific in the 1920s. | 0:34:32 | 0:34:34 | |
He did specialise in big cats. He loved lions and cheetahs and tigers. Absolutely adored them. | 0:34:34 | 0:34:40 | |
Interestingly enough, this one was modelled in 1925. | 0:34:40 | 0:34:45 | |
You've got this large cat picking at a bone. | 0:34:45 | 0:34:47 | |
But look at its muscle tone. And look at those variegated hues in the bronze. | 0:34:47 | 0:34:52 | |
-That's what you want. You want the rub. -Yeah. | 0:34:52 | 0:34:55 | |
And this one, modelled in 1926. So they're a year apart, | 0:34:55 | 0:34:59 | |
which is quite nice, because it means it's easier to put a value on them | 0:34:59 | 0:35:02 | |
-and to split them up into two separate lots, if that's what you want. -Yeah. | 0:35:02 | 0:35:06 | |
Now, what sort of figure have you in mind for these two? | 0:35:06 | 0:35:10 | |
Erm, I don't know. I would hope that they would fetch about £500 each. | 0:35:10 | 0:35:16 | |
Do you know, you're spot on. You are absolutely spot on. | 0:35:16 | 0:35:19 | |
I was going to hedge my bets and say £400 to £600, | 0:35:19 | 0:35:22 | |
but I'd be quite happy to put these into auction with a value of £500 to £700 each, | 0:35:22 | 0:35:29 | |
with a reserve at £500, | 0:35:29 | 0:35:32 | |
because they have such a wonderful impressionistic look. | 0:35:32 | 0:35:35 | |
Considering he flourished in the 1920s, that's the Art Deco period, | 0:35:35 | 0:35:39 | |
-you'd think it to be more Deco-looking. -Yes. | 0:35:39 | 0:35:42 | |
But this is so impressionistic. It's very loose and I really like that because it's timeless. | 0:35:42 | 0:35:48 | |
And I think we'll find a bigger market for these. | 0:35:48 | 0:35:50 | |
I hope so. Hopefully, they'll be worth more, but I'd be happy with that. | 0:35:50 | 0:35:54 | |
I thought you were going to give me a tough time and say, "They are worth £800 each, let's start there." | 0:35:54 | 0:35:59 | |
No, you know the business better than I do. | 0:35:59 | 0:36:02 | |
-I've never sold anything at auction. -It's a funny old game. | 0:36:02 | 0:36:06 | |
You've got to get people interested, not put them off at the first hurdle. I'd be happy with that. | 0:36:06 | 0:36:12 | |
-I can't wait for this moment, and I bet you can't, either. -No, I can't. | 0:36:12 | 0:36:15 | |
-HE LAUGHS -See you at the auction room! -Thank you. | 0:36:15 | 0:36:18 | |
'They are just stunning. I hope you agree. | 0:36:20 | 0:36:23 | |
'Who wouldn't like to own those beautifully sculpted cats? | 0:36:23 | 0:36:27 | |
'Before our lots go under the hammer, let's take another look at them. | 0:36:28 | 0:36:32 | |
'The Victorian tin-glazed earthenware plate, dated 1873, | 0:36:32 | 0:36:36 | |
'perfect for strawberries and cream in the garden on a summer's day.' | 0:36:36 | 0:36:40 | |
'And you could add some homemade shortbread if you'd like, | 0:36:40 | 0:36:43 | |
'if you'd also brought the bird-shaped biscuit barrel, which is brimming with personality. | 0:36:43 | 0:36:48 | |
'And finally, my choice, the two bronze big cats, dating from the 1920s. | 0:36:50 | 0:36:54 | |
'They're sleek and wonderfully modelled. | 0:36:54 | 0:36:57 | |
'Steven Kay is putting our first item under the hammer. | 0:37:01 | 0:37:05 | |
'It's the strawberry dish owned by Sue, who's brought Malcolm, her husband, along for moral support.' | 0:37:05 | 0:37:10 | |
Sue and Malcolm, good luck. It's that lovely Majolica strawberry plate. | 0:37:12 | 0:37:16 | |
It's a good, solid, traditional antique. | 0:37:16 | 0:37:20 | |
The hairline crack won't put too many collectors off, because it's tin-glazed | 0:37:20 | 0:37:24 | |
and I've seen these things sell with great big gouges and chips out of them. So good luck. Here we go. | 0:37:24 | 0:37:30 | |
The Majolica strawberry serving platter. | 0:37:31 | 0:37:35 | |
I have some bids here on the book and I can start at £130. 140? | 0:37:35 | 0:37:40 | |
I'm on the book at 130 and I'll take 140. | 0:37:43 | 0:37:46 | |
I'm going to sell at 130. Anyone else? | 0:37:48 | 0:37:50 | |
-Good price, good price. -Yeah. -Happy? -Oh, yes, more than happy. | 0:37:51 | 0:37:57 | |
-What are you putting the money towards? -A wedding. -A wedding? -In three weeks. | 0:37:57 | 0:38:01 | |
-Whose wedding? -Jane, my daughter. -Your daughter. | 0:38:01 | 0:38:05 | |
-So we'll drink to you, Anita. -Thank you! | 0:38:05 | 0:38:08 | |
'Celebrations all round, then. Before the sale, | 0:38:10 | 0:38:13 | |
'I asked auctioneer Christopher Ironmonger his thoughts on Helen's sculpted bronze cats.' | 0:38:13 | 0:38:19 | |
My eyes lit up at the valuation day when Helen arrived carrying these two big bronze cats. | 0:38:21 | 0:38:27 | |
"Oh, my gosh. Yes, please. Hopefully you want to sell them and I'd love to value them." | 0:38:27 | 0:38:31 | |
Her family knew the artist when he lived in England for a few years | 0:38:31 | 0:38:35 | |
and we've put £500 to £700 on each one and separated the lots. | 0:38:35 | 0:38:40 | |
I like them. I think they're very typical of his work | 0:38:40 | 0:38:44 | |
-and you could say shining examples, really. -Exactly. | 0:38:44 | 0:38:49 | |
I think, to the right collector, for someone who wants to make an investment, they're an ideal lot. | 0:38:49 | 0:38:54 | |
Hopefully, they'll stay together. I'm hoping the same person buys them. But you never know. | 0:38:54 | 0:39:00 | |
-It would be a nice thought. Things often do go like that, but we'll see. -I can see these in a gallery. | 0:39:00 | 0:39:06 | |
Yes. I think that the attraction of the subject is half of it | 0:39:06 | 0:39:10 | |
-and the quality of his workmanship. -Has there been much interest? | 0:39:10 | 0:39:14 | |
-A fair bit of interest. We've got other bronzes in the sale, so we'll see. -It's in good company. | 0:39:14 | 0:39:20 | |
-It'll be interesting to see which does the most. -I suspect that one. | 0:39:20 | 0:39:23 | |
It is down to the appearance that people go for, as well as the art in it. | 0:39:23 | 0:39:30 | |
-Right now, it's down to you. It's time to go on the rostrum and put them under the hammer. -Indeed. | 0:39:30 | 0:39:35 | |
-Have you seen your big cats in the room? -I have. I had a little twang. | 0:39:43 | 0:39:47 | |
-Did you have a flutter? -Yeah, I did. -This is it. I'm scared now. | 0:39:47 | 0:39:50 | |
They're split into two lots and we're looking at around £500 to £700. Let's go. | 0:39:50 | 0:39:54 | |
The cast and patinated bronze and model cat. | 0:39:57 | 0:40:01 | |
And he's a very handsome chap there, resting on his haunches. | 0:40:01 | 0:40:05 | |
And I'm bid 400 on the book here. At 400. | 0:40:05 | 0:40:08 | |
Is it 50 now? | 0:40:08 | 0:40:10 | |
At £400. 420 is it? 420. 440? | 0:40:11 | 0:40:15 | |
440. 460. 480. 500. | 0:40:15 | 0:40:19 | |
500. 500? 500. | 0:40:19 | 0:40:22 | |
520? At £500 and it will be sold, make no mistake. | 0:40:22 | 0:40:25 | |
At £500, are we done? | 0:40:25 | 0:40:27 | |
-Yes. -Ooh! -First one's gone. That was my favourite. | 0:40:27 | 0:40:31 | |
-Yeah, you liked that one, didn't you? -Yeah. -That's on the wooden base. | 0:40:31 | 0:40:34 | |
This is the other cast and patinated bronze, another seated cat. | 0:40:37 | 0:40:42 | |
This one's dated 1925. Signed again. | 0:40:42 | 0:40:44 | |
And I've got a 500 bid. At 500. 50, is it? | 0:40:46 | 0:40:50 | |
At £500. It's going to sell at £500. 20 anywhere? | 0:40:50 | 0:40:55 | |
Just give you the last chance. At £500. | 0:40:55 | 0:40:58 | |
Gone again. £1,000. | 0:40:58 | 0:41:01 | |
Wow. Thank you! | 0:41:01 | 0:41:03 | |
-We did it, didn't we? -Yeah. Big, deep breath. | 0:41:03 | 0:41:05 | |
-Thank you for bringing them in. They're beautiful. -Pleasure. Thanks. | 0:41:05 | 0:41:09 | |
'Well, Helen will miss her cats, but I'm sure the money will come in handy. | 0:41:09 | 0:41:13 | |
'Now, from the sublime to what some people might call the ridiculous. | 0:41:13 | 0:41:17 | |
'The biscuit barrel belonging to sisters Miranda and Ruby.' | 0:41:17 | 0:41:20 | |
-I know why you've got to sell. You can't divide it up, can you? -No. | 0:41:22 | 0:41:25 | |
Unless you share it part of the year. What a thing, Thomas! | 0:41:25 | 0:41:28 | |
-It's great. -It's full of nostalgia and quirkiness! | 0:41:28 | 0:41:31 | |
-It's so British and so much fun. -Let's find out what the bidders think. | 0:41:31 | 0:41:35 | |
It's under the hammer now. Let's hope we fall off our perch. | 0:41:35 | 0:41:38 | |
The McVitie and Price biscuit tin, | 0:41:40 | 0:41:42 | |
fashioned as a bird with a detachable head lid. | 0:41:42 | 0:41:45 | |
Very unusual little item. I can start at £80. £80. Pardon? | 0:41:45 | 0:41:50 | |
180 we've got. 180. | 0:41:50 | 0:41:52 | |
180? 200. 220. | 0:41:52 | 0:41:55 | |
230. 240. 240 and I'm clear. 250 there. | 0:41:55 | 0:41:59 | |
260. 270. 280. 290. | 0:41:59 | 0:42:02 | |
290. 300. 320. | 0:42:02 | 0:42:05 | |
340. 360? | 0:42:05 | 0:42:07 | |
I didn't expect that much. | 0:42:07 | 0:42:10 | |
400. 420? 420? | 0:42:10 | 0:42:13 | |
420. 440. 460. | 0:42:13 | 0:42:15 | |
480? 480. 500. | 0:42:15 | 0:42:17 | |
520? 520. 540. | 0:42:17 | 0:42:20 | |
-560. -Is this our lot? -Yeah. | 0:42:20 | 0:42:23 | |
620. 640. 660. | 0:42:23 | 0:42:26 | |
680. 680. 700? | 0:42:26 | 0:42:29 | |
700. 720. 740. | 0:42:29 | 0:42:32 | |
-You didn't have a load of sovereigns inside there, did you? -No! | 0:42:32 | 0:42:35 | |
800. 850. 900. | 0:42:35 | 0:42:38 | |
900. 950. | 0:42:38 | 0:42:40 | |
950. 1,000. 1,000. | 0:42:40 | 0:42:43 | |
£1,000! | 0:42:43 | 0:42:46 | |
1,050 it is. By the stairs at 1,050. Are we all done and finished? | 0:42:46 | 0:42:50 | |
Hammer's gone down. £1,050! | 0:42:51 | 0:42:54 | |
-Well done, you two! -APPLAUSE | 0:42:54 | 0:42:56 | |
Hey! There's money is biscuit barrels, isn't there? Thomas. | 0:42:56 | 0:43:02 | |
-I'm shivering. You guys must be shivering. -Yes. | 0:43:02 | 0:43:06 | |
Wow! What's going through your minds right now? | 0:43:06 | 0:43:10 | |
I don't know. It's just shock, really. | 0:43:10 | 0:43:13 | |
-Unbelievable. Unbelievable. -Thomas is lost for words. | 0:43:13 | 0:43:17 | |
In fact, we all are. I hope you've enjoyed the show as much as we have. | 0:43:17 | 0:43:20 | |
It's been wonderful. Look forward to many more surprises to come, so keep watching "Flog It!" | 0:43:20 | 0:43:25 | |
Subtitles by Red Bee Media Ltd | 0:43:26 | 0:43:30 | |
E-mail [email protected] | 0:43:30 | 0:43:34 | |
. | 0:43:34 | 0:43:35 |