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Today we're in the busy market town of Todmorden in Yorkshire. | 0:00:05 | 0:00:08 | |
Not only is it market day, but it's also a valuation day. | 0:00:08 | 0:00:11 | |
Welcome to Flog It!. | 0:00:11 | 0:00:13 | |
Overlooked by the Pennines and located between three beautiful valleys, | 0:00:36 | 0:00:40 | |
the town of Todmorden is in Yorkshire, right on the border with Lancashire. | 0:00:40 | 0:00:44 | |
And I'm hoping for a jolly good turnout of local people | 0:00:44 | 0:00:47 | |
for today's Flog It!. | 0:00:47 | 0:00:49 | |
The market doesn't look that busy. | 0:00:49 | 0:00:51 | |
Why's that? Well, there's another special event going on, | 0:00:51 | 0:00:54 | |
and it's right here in this magnificent venue, the Town Hall. | 0:00:54 | 0:00:57 | |
Look at this! Hundreds of people queuing to see Flog It!. | 0:00:57 | 0:01:00 | |
They want the answer to the question "what's it worth?", and we're going to tell them. | 0:01:00 | 0:01:05 | |
We've got a great team of experts to value all the items | 0:01:05 | 0:01:08 | |
everyone has brought along, and leading the crew today | 0:01:08 | 0:01:10 | |
we've got Flog It! favourites Adam Partridge and Catherine Southon. | 0:01:10 | 0:01:15 | |
Adam runs his own auction house, and is used to valuing all sorts of antiques. | 0:01:15 | 0:01:19 | |
Looks like a German mark on it, | 0:01:19 | 0:01:21 | |
maybe the Sitzendorf factory. That's quite nice, isn't it? | 0:01:21 | 0:01:25 | |
Catherine is an antiques consultant with an eye for maritime items, | 0:01:27 | 0:01:32 | |
and always has a cheery word for our visitors. | 0:01:32 | 0:01:35 | |
-£50 or £60 then. -Right. | 0:01:35 | 0:01:37 | |
-I wonder what it might be worth. -It might be worth millions now! | 0:01:37 | 0:01:41 | |
-Nice! -THEY LAUGH | 0:01:41 | 0:01:43 | |
You never can guess what we're going to unpack and discover | 0:01:43 | 0:01:46 | |
at our valuation days, and for me, that's the fun of it all! | 0:01:46 | 0:01:50 | |
So let's get down to business, shall we? | 0:01:50 | 0:01:53 | |
Coming up on today's show... | 0:01:53 | 0:01:56 | |
find out why Adam is looking a bit sheepish. | 0:01:56 | 0:01:59 | |
Right. Have you any idea what it might be worth? | 0:01:59 | 0:02:03 | |
Catherine looks into a bit of advertising history. | 0:02:04 | 0:02:07 | |
..a can of dog shampoo. | 0:02:07 | 0:02:09 | |
A bit quirky, and you've... Whoops! Sorry! | 0:02:09 | 0:02:14 | |
'And a bit of wood turns out to be a valuable and dangerous antique.' | 0:02:16 | 0:02:20 | |
And that seriously would do an awful lot of damage. | 0:02:20 | 0:02:24 | |
'With items of every shape and size coming through the doors, | 0:02:25 | 0:02:29 | |
'it's going to be a mixed lot making it to the valuation tables. | 0:02:29 | 0:02:32 | |
'So let's look at that rather modern item with Adam, | 0:02:32 | 0:02:35 | |
'brought in by Catherine.' | 0:02:35 | 0:02:38 | |
-Are you from Todmorden? -No, I'm from Burnley. | 0:02:38 | 0:02:40 | |
-So you're Lancashire, not Yorkshire. -Yes. -I'm getting the grip of this. | 0:02:40 | 0:02:44 | |
I had my passport stamped at the border. | 0:02:44 | 0:02:47 | |
-It's really close, Todmorden. It's a border town. -Yes. | 0:02:47 | 0:02:50 | |
-It is. Now, you've brought a sheep. -No. He's a ram. | 0:02:50 | 0:02:53 | |
-He's a ram. How did you get him? -Car-boot. | 0:02:53 | 0:02:56 | |
-Car-boot. -Yeah. -OK. Tell us a bit more. | 0:02:56 | 0:02:59 | |
He was bought as a joke for my daughter. | 0:02:59 | 0:03:03 | |
Right. | 0:03:03 | 0:03:05 | |
Since she was little, she's collected sheep. | 0:03:05 | 0:03:07 | |
-Your daughter collects sheep? -Yes. -How old's your daughter? | 0:03:07 | 0:03:11 | |
She's 16. | 0:03:11 | 0:03:12 | |
So you've got... How many sheep has she got, roughly? | 0:03:12 | 0:03:16 | |
She's got about 250, of varying sizes, | 0:03:16 | 0:03:20 | |
from tiny little ones up to huge humungous things. | 0:03:20 | 0:03:24 | |
We're not allowed to eat lamb in our house. | 0:03:24 | 0:03:27 | |
-That's how bad she is into her sheep. -Right. | 0:03:27 | 0:03:31 | |
He was laid on the stall... laid down... | 0:03:31 | 0:03:34 | |
-Ahh! -..like that. | 0:03:34 | 0:03:35 | |
-Like a dead ram. -Like a dead ram. | 0:03:35 | 0:03:37 | |
So I picked him up. The girl asked... I said, "How much is it?" | 0:03:37 | 0:03:41 | |
She said, "50p." Gave her the 50p. | 0:03:41 | 0:03:44 | |
I thought that would be a good joke for her. | 0:03:44 | 0:03:46 | |
Put it in my bag, got back to the car with my husband, | 0:03:46 | 0:03:50 | |
and he said, "It's Steiff." | 0:03:50 | 0:03:53 | |
So if she'd have laid it that way round... | 0:03:53 | 0:03:56 | |
Yes. She'd have probably got a lot more for him. | 0:03:56 | 0:03:59 | |
-But he was my bargain of the day! -You presented it to your daughter, | 0:03:59 | 0:04:03 | |
-who collected sheep, and she was delighted. -And she hates him. | 0:04:03 | 0:04:07 | |
-Why? -She hates him with vengeance. -What's the matter with him? | 0:04:07 | 0:04:10 | |
-Because he's a ram and not a sheep. -Ahh! | 0:04:10 | 0:04:13 | |
Well, for 100 years now, Steiff has been the leading name | 0:04:13 | 0:04:17 | |
and the most famous name in teddy bears, and consequently later years | 0:04:17 | 0:04:21 | |
in all sorts of stuffed toys and novelties. | 0:04:21 | 0:04:24 | |
This one isn't of great age, but it's got that great Steiff pedigree. | 0:04:24 | 0:04:27 | |
And it's very nicely made. Lovely quality. | 0:04:27 | 0:04:31 | |
You've not dropped on fortunes, but certainly on a profit. | 0:04:31 | 0:04:34 | |
Yeah. And we always watch this programme, | 0:04:34 | 0:04:36 | |
so it's, like, you learn so much! | 0:04:36 | 0:04:39 | |
So you can tell me what it's worth. | 0:04:39 | 0:04:41 | |
-I don't know. -Come on. Let's have a prediction off you. | 0:04:41 | 0:04:44 | |
-£20. -£20. Good idea. Good. | 0:04:44 | 0:04:46 | |
-I was going to say put 20 to 40. -Yeah. -Do you reckon? | 0:04:46 | 0:04:49 | |
-Yeah. -No reserve? -No reserve, no. | 0:04:49 | 0:04:52 | |
-Let him go? -Let him go, yeah. -If he's cost you 50p... | 0:04:52 | 0:04:55 | |
-50p's nothing. -Are you going to keep the... | 0:04:55 | 0:04:58 | |
I know it's not a lot of money, but are you going to keep it? | 0:04:58 | 0:05:01 | |
It's going to more sheep. Yes, it's got to go to more sheep. | 0:05:01 | 0:05:06 | |
Excellent. Well, thanks for bringing him. | 0:05:06 | 0:05:08 | |
Oh, you're welcome! | 0:05:08 | 0:05:10 | |
More and more people... Where does the queue end? | 0:05:12 | 0:05:15 | |
-That looks heavy! Are you all right? -It is, yes. | 0:05:15 | 0:05:18 | |
'And it's not only people coming in. I'm like Dr Dolittle today, | 0:05:18 | 0:05:22 | |
'with Flog It! attracting all the animals in town. | 0:05:22 | 0:05:25 | |
'Back in the hall, Catherine's with Sonia and her son Matthew, | 0:05:28 | 0:05:31 | |
'and some advertising memories.' | 0:05:31 | 0:05:34 | |
Sonia, welcome to Flog It!. And gorgeous little Matthew, as well. | 0:05:34 | 0:05:38 | |
Thank you for coming and bringing something out of the ordinary. | 0:05:38 | 0:05:42 | |
I always like to see something a little bit unusual, | 0:05:42 | 0:05:44 | |
and you've certainly delivered today with this lovely collection | 0:05:44 | 0:05:48 | |
of advertising memorabilia. Tell me about it. Where did you get it from? | 0:05:48 | 0:05:52 | |
My father worked in Odhams during the '30s and '40s, | 0:05:52 | 0:05:55 | |
and also in Fleet Street during that sort of time. | 0:05:55 | 0:05:59 | |
-So Odhams were...printers. -Printers. | 0:05:59 | 0:06:02 | |
-It was based in Watford. -Some of these are shop stands, | 0:06:02 | 0:06:06 | |
posters, all things that would have been used | 0:06:06 | 0:06:09 | |
to decorate the shops, advertise the products. | 0:06:09 | 0:06:12 | |
And they really epitomise, to me, the 1930s. | 0:06:12 | 0:06:15 | |
-Yes. -Especially this wonderful lady here, | 0:06:15 | 0:06:19 | |
who looks so glamorous - she's got this wonderful hat, | 0:06:19 | 0:06:22 | |
and this lovely red lipstick. Very 1930s. | 0:06:22 | 0:06:27 | |
And she's holding a can of dog shampoo. | 0:06:27 | 0:06:29 | |
-Yes. -It's wonderful! | 0:06:29 | 0:06:32 | |
And underneath, "Perfection is true of all Cooper Dog Remedies". | 0:06:32 | 0:06:36 | |
This is another one of my favourites here, | 0:06:36 | 0:06:39 | |
because it's really futuristic - this fantastic picture of a rocket | 0:06:39 | 0:06:44 | |
zooming out, and it's beautifully, beautifully drawn. | 0:06:44 | 0:06:47 | |
"You can 'rocket' your hosiery sales with Ballito heavenly nylons". | 0:06:47 | 0:06:52 | |
I mean, just... It's a wonderful image there, | 0:06:52 | 0:06:55 | |
and not something you would associate with your pair of tights. | 0:06:55 | 0:06:59 | |
No, not really. Not rockets. | 0:06:59 | 0:07:02 | |
It seems sad to sell something like this, | 0:07:02 | 0:07:04 | |
which was part of your father's life. | 0:07:04 | 0:07:07 | |
I've kept some pieces that I particularly like, | 0:07:07 | 0:07:10 | |
particularly want to keep, so this is what's left over, really. | 0:07:10 | 0:07:14 | |
Well, I think you should probably put them at auction | 0:07:14 | 0:07:17 | |
-with an estimate of £80 to £120. -Right. OK. | 0:07:17 | 0:07:20 | |
But I can really see these taking off, actually. | 0:07:20 | 0:07:23 | |
I think people will really get excited about them. | 0:07:23 | 0:07:26 | |
So with that in mind, I want to put a fixed reserve on | 0:07:26 | 0:07:29 | |
-of, I think, £80... -OK, that's fine. -..so they don't sell below that. | 0:07:29 | 0:07:33 | |
-Are you happy with that? -I think they're worth... | 0:07:33 | 0:07:36 | |
Or do you want to pitch it lower and just get rid of them? | 0:07:36 | 0:07:39 | |
-I think 80 is fine. -80. -They're probably worth 80. | 0:07:39 | 0:07:42 | |
I think they are. So if they don't go for £80, | 0:07:42 | 0:07:45 | |
I think you should probably keep them, | 0:07:45 | 0:07:48 | |
-and pass them on to your lovely son. -Yes, who's ignoring everyone. | 0:07:48 | 0:07:51 | |
Thank you very much for bringing them along, | 0:07:51 | 0:07:54 | |
because I've really enjoyed looking at them, | 0:07:54 | 0:07:56 | |
and I'm sure they will at the auction, as well. | 0:07:56 | 0:07:59 | |
We can't always hang on to all our inherited items, | 0:08:01 | 0:08:04 | |
but a reserve protects their value. | 0:08:04 | 0:08:06 | |
'Lots of people from Tod are waiting in the queue | 0:08:08 | 0:08:11 | |
'for a valuation, but it seems Alan's elegant timepiece | 0:08:11 | 0:08:14 | |
'has particularly caught Adam's eye.' | 0:08:14 | 0:08:16 | |
I can see you've brought a very nice-looking chronometer. | 0:08:16 | 0:08:20 | |
-Are you a collector of watches? -I've had a short collection, | 0:08:20 | 0:08:23 | |
and I bought a book on watches, | 0:08:23 | 0:08:26 | |
and on the front cover was an illustration of this watch. | 0:08:26 | 0:08:29 | |
And I went to a watch fair at Liverpool | 0:08:29 | 0:08:32 | |
-about five or six years ago... -Oh, not that long! | 0:08:32 | 0:08:35 | |
I managed to find one, | 0:08:35 | 0:08:37 | |
so I was delighted to find what I was looking for. | 0:08:37 | 0:08:39 | |
So this is something you'd always wanted to get, | 0:08:39 | 0:08:42 | |
cos you'd seen it on the front cover of your book, | 0:08:42 | 0:08:45 | |
and it's the kind of, er, high point of a collection. | 0:08:45 | 0:08:47 | |
-Exactly. -And you managed to find it. -I did. | 0:08:47 | 0:08:50 | |
-Tell us about the watch. -Well, it's known as a chronometer. | 0:08:50 | 0:08:53 | |
It does many things - day, month, year, even phases of the moon. | 0:08:53 | 0:08:57 | |
-Yes. -This little implement I use... | 0:08:57 | 0:08:59 | |
There are tiny little buttons round the side | 0:08:59 | 0:09:01 | |
for altering the dials. | 0:09:01 | 0:09:04 | |
Right. So this is your way of getting to these little buttons | 0:09:04 | 0:09:08 | |
-to alter what the dials say. -Exactly. | 0:09:08 | 0:09:10 | |
And you can see it's French because of the fact | 0:09:10 | 0:09:13 | |
that the months and the days of the week are in French. | 0:09:13 | 0:09:17 | |
Well, as you can see, time is passing by. | 0:09:17 | 0:09:19 | |
We've opened it up. It's a fairly standard movement. | 0:09:19 | 0:09:23 | |
-It is, yes. -Sometimes you see these with jewels set in, as well, | 0:09:23 | 0:09:27 | |
jewelled movements. But for something that does quite a lot, | 0:09:27 | 0:09:31 | |
it's a fairly standard movement. | 0:09:31 | 0:09:34 | |
French case. A base-metal case - gunmetal case, of course, | 0:09:34 | 0:09:37 | |
not a silver case. | 0:09:37 | 0:09:40 | |
So in some ways it's quite a cheap object really, | 0:09:40 | 0:09:44 | |
in terms of its construction and movement, | 0:09:44 | 0:09:46 | |
-but very elaborate, beautiful dial. -Beautiful dial, yes. | 0:09:46 | 0:09:50 | |
-Isn't it? -I don't like things that have been damaged, | 0:09:50 | 0:09:53 | |
-and the dial is perfect on this one. -This is often the problem | 0:09:53 | 0:09:56 | |
with the pocket-watch and chronometer market. | 0:09:56 | 0:09:59 | |
The enamel dials here... I'm getting used to this! | 0:09:59 | 0:10:02 | |
Can I keep it for future ones? A little pointer. | 0:10:02 | 0:10:06 | |
The enamel dials get cracked and chipped, | 0:10:06 | 0:10:09 | |
and this has come out really unscathed altogether. | 0:10:09 | 0:10:12 | |
-Crisp. -Very crisp. That's right. | 0:10:12 | 0:10:14 | |
And the gilding on there's very crisp, as well. | 0:10:14 | 0:10:17 | |
And it's working. I like the fact it's got the moon phases, as well, | 0:10:17 | 0:10:21 | |
hasn't it? So, you bought it only about five years ago. | 0:10:21 | 0:10:25 | |
-About five years ago, yes. -From a specialist watch fair? -Yes. | 0:10:25 | 0:10:28 | |
-Right. -Yes. -Probably cost a bit? | 0:10:28 | 0:10:30 | |
Er, I think it was, er, 340. | 0:10:30 | 0:10:33 | |
340. Did you manage to get that down a bit? | 0:10:33 | 0:10:36 | |
-He was asking 375. -So you had a bit of a deal on it. | 0:10:36 | 0:10:40 | |
Yes. | 0:10:40 | 0:10:41 | |
Well, I don't think that's a bad price for a watch market, | 0:10:41 | 0:10:45 | |
but I think, to get interest on it, | 0:10:45 | 0:10:48 | |
you're going to have to pitch it a bit lower for auction. | 0:10:48 | 0:10:51 | |
-Is that something you're prepared to do? -That's fine, Adam. | 0:10:51 | 0:10:54 | |
I thought you might have an adverse reaction to that. | 0:10:54 | 0:10:57 | |
No. It's just recycling things, and I'll probably buy another antique. | 0:10:57 | 0:11:01 | |
Well, I would say 200 to 300 would be a sensible estimate | 0:11:01 | 0:11:04 | |
to get people interested in it, and it would be lovely | 0:11:04 | 0:11:08 | |
-to get your money back, or a small profit would be ideal. -It would. | 0:11:08 | 0:11:11 | |
-Fix a reserve, then. 200 is what I'd suggest. -Right. | 0:11:11 | 0:11:14 | |
You stand to lose a bit, but you're quite a cool customer, aren't you? | 0:11:14 | 0:11:18 | |
-It'll be good on the day. -It will be good on the day. | 0:11:18 | 0:11:21 | |
And we know what you're going to do with the money, | 0:11:21 | 0:11:24 | |
-so thanks for coming. -Thank you. | 0:11:24 | 0:11:27 | |
Right! We're halfway through a day, | 0:11:30 | 0:11:32 | |
and we're about to put our first valuations to the test. | 0:11:32 | 0:11:35 | |
This is where it gets exciting, because you never know what's going to happen. | 0:11:35 | 0:11:39 | |
That's the beauty of an auction room. Fingers crossed, we've got one or two surprises. | 0:11:39 | 0:11:44 | |
And here's a recap of what's going under the hammer. | 0:11:44 | 0:11:47 | |
Catherine's unwanted Steiff ram surely has to attract bidders, | 0:11:48 | 0:11:52 | |
as it has no reserve. Will there be any nostalgia fans | 0:11:52 | 0:11:56 | |
bidding on Sonia's advertising material? | 0:11:56 | 0:11:59 | |
And Alan paid £340 for his chronometer. | 0:11:59 | 0:12:03 | |
Will he make his money back? | 0:12:03 | 0:12:05 | |
Well, to find out, all of our items are being sold | 0:12:05 | 0:12:08 | |
at Calder Valley Auctioneers, not far from Todmorden, | 0:12:08 | 0:12:11 | |
in some beautiful countryside, | 0:12:11 | 0:12:13 | |
and the commission here is 15% plus VAT. | 0:12:13 | 0:12:17 | |
The Steiff ram is up next, and owner Catherine and daughter Hannah | 0:12:20 | 0:12:24 | |
are after funds for some real sheep, rather than the toy variety. | 0:12:24 | 0:12:27 | |
This is a lovely Steiff ram. I know you're into sheep. | 0:12:29 | 0:12:31 | |
-You've got a little smallholding. -It's not me. It's her that's into sheep. | 0:12:31 | 0:12:35 | |
Ah! So Mum bought this for you. This is great, | 0:12:35 | 0:12:40 | |
because it only cost 50 pence, so it is classic recycling again. | 0:12:40 | 0:12:43 | |
-It doesn't get greener than antiques... -No. | 0:12:43 | 0:12:46 | |
..because they keep going around and around. | 0:12:46 | 0:12:48 | |
-So, what's the money going towards? -More sheep. | 0:12:48 | 0:12:52 | |
-More sheep. -You didn't want a ram because all yours are ewes. | 0:12:52 | 0:12:56 | |
-Yes. -Can't throw a ram in amongst all those ewes. | 0:12:56 | 0:13:00 | |
-You can't. -Mayhem. -It would be, wouldn't it? | 0:13:00 | 0:13:03 | |
Good luck. Let's find out what the bidders think. It's going under the hammer right now. | 0:13:03 | 0:13:07 | |
Large Steiff soft-toy ram in cream and beige. | 0:13:07 | 0:13:11 | |
Right. There it's being shown. | 0:13:11 | 0:13:14 | |
It's got the yellow label and the ear stud. 391 is the lot. | 0:13:14 | 0:13:17 | |
What am I starting at? 30? | 0:13:17 | 0:13:20 | |
Owe me at £20. £20. 20 I'm bid. And five anywhere? | 0:13:20 | 0:13:24 | |
-At 20. -There you are! -Any further bids? | 0:13:24 | 0:13:26 | |
-At £20. 25. -Let's have another one. | 0:13:26 | 0:13:29 | |
30, sir. 30. 35. | 0:13:29 | 0:13:32 | |
-40. -Come on, Flossie. -45. | 0:13:32 | 0:13:35 | |
-This is nice. -This is good. | 0:13:35 | 0:13:37 | |
At 50 in that corner. Anybody else now? | 0:13:37 | 0:13:40 | |
-At £50. Selling for £50... -50 quid! | 0:13:40 | 0:13:43 | |
First and last time in the corner... | 0:13:43 | 0:13:46 | |
-It's yours. -Yes! -That's fabulous. | 0:13:46 | 0:13:48 | |
As Adam just said, 50 pence becomes £50. | 0:13:48 | 0:13:52 | |
It is all out there! You've just got to get there early, | 0:13:52 | 0:13:55 | |
to the charity shops and car-boots and little fairs to pick up these bargains. Well spotted, Mum. | 0:13:55 | 0:14:00 | |
-Yes. -Well spotted. -Two real sheep for that. | 0:14:00 | 0:14:03 | |
-Yes. -Hopefully, yeah! | 0:14:03 | 0:14:05 | |
-Thanks for coming. -Yeah. Thank you. | 0:14:05 | 0:14:08 | |
Two sheep on the shopping list! Now I've heard it all. | 0:14:10 | 0:14:13 | |
Time for a more conventional antique now - Alan's French chronometer. | 0:14:13 | 0:14:18 | |
Everybody's on the edge of their seats right now, | 0:14:20 | 0:14:22 | |
because it's not an exact science at auction. Anything can happen, | 0:14:22 | 0:14:26 | |
and it can go wrong, but thankfully we've got Adam with us. | 0:14:26 | 0:14:29 | |
We've got £200 to £300 on this, and I think you should get your money back. | 0:14:29 | 0:14:33 | |
I would hope so. I'm not sure it's going to make much more. | 0:14:33 | 0:14:36 | |
£300, fingers crossed. Let's get the top end. | 0:14:36 | 0:14:38 | |
It's a lovely lot, and it's going under the hammer right now. | 0:14:38 | 0:14:42 | |
Lot 310, the French chronograph. | 0:14:43 | 0:14:46 | |
What am I bid for this? A couple of hundred? | 0:14:46 | 0:14:49 | |
150? I'm opening this at £100. | 0:14:50 | 0:14:52 | |
£100. At £100. 110. 120. | 0:14:52 | 0:14:55 | |
At £120. | 0:14:55 | 0:14:57 | |
At 120. 130. 140. At 140. | 0:14:57 | 0:15:01 | |
-150. 160. -He's got a commission. -Are we quite finished at 160? | 0:15:03 | 0:15:06 | |
Any further bids? At £160. | 0:15:06 | 0:15:10 | |
At £160... | 0:15:12 | 0:15:14 | |
Passed on it. | 0:15:15 | 0:15:17 | |
I said it's not an exact science and things can go wrong. | 0:15:17 | 0:15:20 | |
It just depends on the day. You've got to have the buyers here. | 0:15:20 | 0:15:24 | |
-Nobody fancied a chronometer. -No. | 0:15:24 | 0:15:26 | |
-OK. There's another day. -I did have my concerns, | 0:15:26 | 0:15:29 | |
but it's better than Alan being disappointed. | 0:15:29 | 0:15:32 | |
I'll have to learn to tell the time. THEY LAUGH | 0:15:32 | 0:15:35 | |
-Thanks a lot, Alan. -OK. -Thanks for coming. | 0:15:35 | 0:15:38 | |
What a shame that didn't sell! | 0:15:38 | 0:15:40 | |
But hopefully Alan will recoup his investment at a later date. | 0:15:40 | 0:15:44 | |
Sonia and son Matthew have come along | 0:15:44 | 0:15:46 | |
to see their advertising collection go up for sale. | 0:15:46 | 0:15:49 | |
We got a classic 80 to 120 on this. | 0:15:49 | 0:15:52 | |
Yes, I know. It is a bit of a cliche estimate, | 0:15:52 | 0:15:55 | |
but these are lovely, and in their own right, | 0:15:55 | 0:15:58 | |
each item is a little work of art, really. | 0:15:58 | 0:16:01 | |
-Why are you selling? -Um, they were my father's, | 0:16:01 | 0:16:05 | |
and they've just been stuck away in a drawer, | 0:16:05 | 0:16:07 | |
and I had nowhere to put them. I've taken the bits I like out | 0:16:07 | 0:16:11 | |
and I've got them framed, but I've got nowhere else for them. | 0:16:11 | 0:16:14 | |
-Makes sense, doesn't it? -Perhaps someone else can appreciate them. | 0:16:14 | 0:16:18 | |
Look, he's hiding his face. Look! | 0:16:18 | 0:16:20 | |
PAUL LAUGHS | 0:16:20 | 0:16:23 | |
You're going to miss all the action! Which is just about to start now. | 0:16:23 | 0:16:26 | |
Here it is. It's going under the hammer. | 0:16:26 | 0:16:29 | |
And then 480 is the collection of advertising memorabilia. | 0:16:29 | 0:16:35 | |
1930s up to '60s. | 0:16:35 | 0:16:38 | |
-And I've got a phone bid... -Oh, yes! | 0:16:38 | 0:16:41 | |
The collectors are here and on the phone. | 0:16:41 | 0:16:43 | |
So I'm going to open this at... | 0:16:43 | 0:16:46 | |
£80. At £80 I'm bid. At £80. At 80. | 0:16:46 | 0:16:50 | |
I've 90. At £90. At 90. Do I have 100? | 0:16:50 | 0:16:54 | |
I have £90. At £90. | 0:16:54 | 0:16:56 | |
At 100 in the room. 110. | 0:16:56 | 0:16:58 | |
110. 120. | 0:17:01 | 0:17:02 | |
130 on the phone. At 130. Anybody else, now, for this lot? | 0:17:06 | 0:17:10 | |
£130. It's going for £130. | 0:17:10 | 0:17:16 | |
A few people were keen on that. 130, top end and a bit over. | 0:17:16 | 0:17:19 | |
-Yeah, that's great. -Happy? | 0:17:19 | 0:17:21 | |
Yes, I am. I wasn't sure whether they were going to sell or not. | 0:17:21 | 0:17:24 | |
I think I know who's going to get the money, | 0:17:24 | 0:17:28 | |
-after commission's paid. -Yes. We're going out to LEGOLAND. | 0:17:28 | 0:17:31 | |
I've got another, older boy, so that's where we'll be going. | 0:17:31 | 0:17:34 | |
-Yeah? Oh, well. -There you go. | 0:17:34 | 0:17:37 | |
-Thank you. -He's happy. -Yeah. | 0:17:37 | 0:17:40 | |
At 40. 45. | 0:17:52 | 0:17:54 | |
While I've been filming up here, I took the opportunity | 0:17:54 | 0:17:57 | |
to go and explore the most magnificent house, | 0:17:57 | 0:17:59 | |
which is a real treasure. Take a look at this. | 0:17:59 | 0:18:02 | |
I've popped over the border from Yorkshire to Lancashire | 0:18:06 | 0:18:09 | |
to a place called Padiham, to show you a true architectural delight. | 0:18:09 | 0:18:13 | |
And that's all down to one family, who lived here for 400 years. | 0:18:13 | 0:18:17 | |
And believe me, it's quite a house. Welcome to Gawthorpe Hall. | 0:18:17 | 0:18:21 | |
The original structure, hiding underneath the house we see now, was square. | 0:18:30 | 0:18:35 | |
It was built way back in the 14th century | 0:18:35 | 0:18:38 | |
as a peel tower, and used as a lookout. | 0:18:38 | 0:18:40 | |
The tower and land were inherited by a wealthy man | 0:18:40 | 0:18:44 | |
called Sir Richard Shuttleworth back in 1596, | 0:18:44 | 0:18:48 | |
and he set about the radical transformation | 0:18:48 | 0:18:51 | |
of the original medieval tower into this impressive Elizabethan mansion. | 0:18:51 | 0:18:55 | |
Sadly, he didn't live to see the build begin. | 0:18:55 | 0:18:58 | |
Shuttleworth is believed to have enlisted the help | 0:19:06 | 0:19:09 | |
of an influential architect called Robert Smythson, | 0:19:09 | 0:19:12 | |
the man behind other great country houses - | 0:19:12 | 0:19:14 | |
Here at Gawthorpe, it's likely he made the most | 0:19:16 | 0:19:19 | |
of locally sourced materials. The wood in the panelling | 0:19:19 | 0:19:22 | |
almost certainly came from the nearby Mitton Wood, | 0:19:22 | 0:19:25 | |
and much of the stone from a nearby quarry. | 0:19:25 | 0:19:27 | |
The original Gawthorpe Hall took about five years to build, | 0:19:28 | 0:19:33 | |
and it's as immaculate on the outside as it is on the inside, | 0:19:33 | 0:19:36 | |
and that's down to the generations of Shuttleworths who lived here. | 0:19:36 | 0:19:40 | |
What you've got to remember about these big ancestral piles is, | 0:19:43 | 0:19:46 | |
they don't always look like they would have done originally. | 0:19:46 | 0:19:50 | |
That's because each later generation would have liked to have updated the property while they lived here, | 0:19:50 | 0:19:55 | |
and, of course, add their mark. | 0:19:55 | 0:19:58 | |
All through the life of this magnificent house, | 0:19:58 | 0:20:02 | |
marks have been left to remember the family who owned it. | 0:20:02 | 0:20:05 | |
These carved figures are of the original Sir Richard Shuttleworth, | 0:20:07 | 0:20:11 | |
who commissioned the house, and his wife. | 0:20:11 | 0:20:13 | |
And there are family monograms all over the place. | 0:20:13 | 0:20:17 | |
By 1850, the house was in need of repair and general updating, | 0:20:20 | 0:20:24 | |
so its then owner, Sir James Kay-Shuttleworth, | 0:20:24 | 0:20:27 | |
commissioned another illustrious architect | 0:20:27 | 0:20:29 | |
to transform this house back to its former Elizabethan glory. | 0:20:29 | 0:20:33 | |
And such a well-to-do family could only call upon the best. | 0:20:33 | 0:20:37 | |
The architect he commissioned was also responsible | 0:20:37 | 0:20:40 | |
for designing the Houses of Parliament. | 0:20:40 | 0:20:43 | |
Sir Charles Barry was one of the best practitioners | 0:20:44 | 0:20:47 | |
of the Victorian fashion for designing in a more historic style. | 0:20:47 | 0:20:51 | |
His most famous work was arguably the Palace of Westminster in London. | 0:20:51 | 0:20:56 | |
Barry used some very clever and quirky design innovations | 0:20:57 | 0:21:01 | |
here at Gawthorpe. Take, for instance, this magnificent fireplace. | 0:21:01 | 0:21:04 | |
Normally there should be a chimney breast above it with a flue, | 0:21:04 | 0:21:08 | |
so it would draw the smoke off the fire so it doesn't fill the room. | 0:21:08 | 0:21:11 | |
But look - he's put this wonderful great big window up there. | 0:21:11 | 0:21:15 | |
What he's cleverly done is angled the flue | 0:21:15 | 0:21:18 | |
so it runs underneath the window and then up parallel with it, | 0:21:18 | 0:21:22 | |
so it still does the same practical job of drawing the smoke out the room. | 0:21:22 | 0:21:26 | |
But he's introduced badly needed extra light | 0:21:26 | 0:21:30 | |
into this room, because it is rather dark, | 0:21:30 | 0:21:32 | |
due to the wonderful Elizabethan oak panelling. | 0:21:32 | 0:21:35 | |
What I find so fascinating about this house is, | 0:21:39 | 0:21:42 | |
obviously it's a place of historical interest, | 0:21:42 | 0:21:45 | |
but it feels like a family home, not a museum. | 0:21:45 | 0:21:48 | |
And that's down to the family who have loved it and cared for it, | 0:21:48 | 0:21:52 | |
and over the years they've added their innovations, | 0:21:52 | 0:21:55 | |
but kept true to the original Elizabethan design. | 0:21:55 | 0:21:59 | |
And to tell you the truth, it's the first time, today, | 0:21:59 | 0:22:02 | |
I've ever heard of it, so I feel like I've discovered a bit of our hidden heritage. | 0:22:02 | 0:22:06 | |
Gawthorpe ticks all the boxes for me. It's well worth the visit. | 0:22:06 | 0:22:09 | |
The Victorian town hall in Todmorden | 0:22:17 | 0:22:19 | |
is proving to be a good venue for Flog It!, | 0:22:19 | 0:22:22 | |
with lots of visitors. | 0:22:22 | 0:22:25 | |
Adam's over at the tables with a bit of bronze brought in by Barbara. | 0:22:25 | 0:22:29 | |
This is a handsome beast here, isn't it? | 0:22:29 | 0:22:31 | |
-He surely is. -He surely is! | 0:22:31 | 0:22:33 | |
Where did you get him from, Barbara? | 0:22:33 | 0:22:35 | |
Well, he's my husband's grandmother's. | 0:22:35 | 0:22:37 | |
We're not quite sure how she got him. | 0:22:37 | 0:22:40 | |
She was given it, and she died at 96, 20 years ago. | 0:22:40 | 0:22:44 | |
-We live on a farm up above Todmorden. -That explains a lot, | 0:22:44 | 0:22:48 | |
because farmers tend to love their bronzes and figures of animals, | 0:22:48 | 0:22:52 | |
-don't they? -Yes. It's beautiful. | 0:22:52 | 0:22:54 | |
But we've had it for a long time, and I think it's time for it to... | 0:22:54 | 0:22:59 | |
-Find a new home. -Find a new home, yeah. | 0:22:59 | 0:23:01 | |
Time for it to "moove" on. I can't believe I said that! | 0:23:01 | 0:23:04 | |
OK. So, he's magnificent. | 0:23:04 | 0:23:07 | |
You can tell... He's a good large size. | 0:23:07 | 0:23:10 | |
-He's a big, heavy lump, isn't he? -Very heavy. | 0:23:10 | 0:23:12 | |
And, um, nicely modelled, really, isn't he? | 0:23:12 | 0:23:15 | |
-He is. -Quite nice detail. -The detail is tremendous. | 0:23:15 | 0:23:19 | |
The detail is very good. I think he's late-19th, turn of the century, | 0:23:19 | 0:23:23 | |
that sort of period. About where it was produced, I'm sure it's European. | 0:23:23 | 0:23:28 | |
-Yes. -Something tells me Spanish about it. | 0:23:28 | 0:23:30 | |
-This bit here has this sort of... -It has got a Spanish feel. | 0:23:30 | 0:23:34 | |
-You want it to be English. -You do, and you want it to be signed | 0:23:34 | 0:23:37 | |
so that I can give you a really good, chunky price on it. | 0:23:37 | 0:23:41 | |
What expectations do you have? Have you got a figure in mind? | 0:23:41 | 0:23:44 | |
Well, I was hoping for around 500, | 0:23:44 | 0:23:46 | |
because of the weight and the intricate workmanship in it. | 0:23:46 | 0:23:50 | |
You'd like to think he should be worth that. | 0:23:50 | 0:23:53 | |
Would you be devastated if it made £200? | 0:23:53 | 0:23:56 | |
I'm not disappointed. It's worth what somebody's going to pay for it. | 0:23:56 | 0:24:01 | |
-This is the thing. -Yeah. | 0:24:01 | 0:24:03 | |
So what would you suggest as a reserve? | 0:24:03 | 0:24:05 | |
I'm a straight-talking chap. You won't get any bull from me. | 0:24:05 | 0:24:09 | |
Oh, yes. Very good! SHE LAUGHS | 0:24:09 | 0:24:11 | |
-What price do you want for it? -I was hoping 500. | 0:24:11 | 0:24:14 | |
You were saying 200. So shall we put a... | 0:24:14 | 0:24:18 | |
-Can we put a 250 reserve? -Yes. We'll do that. -Compromise? | 0:24:18 | 0:24:22 | |
-Life is full of compromise! -It is, isn't it? | 0:24:22 | 0:24:25 | |
You're clearly a very reasonable lady. | 0:24:25 | 0:24:27 | |
I try to be. I don't know if my husband would agree with you! | 0:24:27 | 0:24:31 | |
I don't know. | 0:24:31 | 0:24:32 | |
-OK. Let's go for a 250 reserve. -Fine. -Estimate 250, 350. | 0:24:32 | 0:24:36 | |
Let's just hope there's two or three people wanting it | 0:24:36 | 0:24:39 | |
-and that it might go up. -He's in a good area, | 0:24:39 | 0:24:42 | |
because there's agricultural interest round here. | 0:24:42 | 0:24:44 | |
There's a lot of hill farmers around. | 0:24:44 | 0:24:46 | |
What are farmers like when they get stuck in at an auction? | 0:24:46 | 0:24:49 | |
-They never know when to stop! -Exactly! -We always go too high. | 0:24:49 | 0:24:53 | |
So what we need is two farmers to go for that, and we'll get a huge price. | 0:24:53 | 0:24:57 | |
-There we go. -Let's hope. Thanks. | 0:24:57 | 0:25:00 | |
Let's hope the bidders do get carried away, like Barbara suggested. | 0:25:02 | 0:25:06 | |
Now, I've spotted a bit of wood with a rather unusual purpose. | 0:25:07 | 0:25:11 | |
Right, Stewart and Eleanor, what have we got here? | 0:25:11 | 0:25:15 | |
I guess this is Dad's, isn't it? It wouldn't be yours. | 0:25:15 | 0:25:18 | |
-Tell me, what do you know about it? -Er, not a lot, really. | 0:25:18 | 0:25:22 | |
It was given to my parents about 30 years ago | 0:25:22 | 0:25:25 | |
by an old sailor, and they've just had it on the wall. | 0:25:25 | 0:25:29 | |
About ten years ago, when my dad died, | 0:25:29 | 0:25:31 | |
we had it decorated. It went into the garage, | 0:25:31 | 0:25:33 | |
and it's been there ever since. My mum died last year. | 0:25:33 | 0:25:36 | |
We were clearing the garage, and that's on one of the shelves. | 0:25:36 | 0:25:39 | |
What's really nice is, this came from an old sailor, | 0:25:39 | 0:25:42 | |
so it's got great provenance. He brought this back from his travels. | 0:25:42 | 0:25:46 | |
-Do you know what this is? -I haven't got a clue. | 0:25:46 | 0:25:48 | |
If I did this - bash, bash - have you got a clue now? | 0:25:48 | 0:25:52 | |
-Some sort of club. -Yes. It's a Fijian gunstock war club. | 0:25:52 | 0:25:57 | |
I don't know what wood this is, but it's incredibly hard, | 0:25:57 | 0:26:00 | |
close-grained, dense wood. | 0:26:00 | 0:26:02 | |
And it's meant to do a lot of damage, as well. | 0:26:02 | 0:26:05 | |
With the weight, I would have expected so. | 0:26:05 | 0:26:08 | |
-Now I know it's a club, yeah! -It's known as a gunstock war club. | 0:26:08 | 0:26:12 | |
You can see why. It looks like a gunstock. | 0:26:12 | 0:26:15 | |
You see this wonderful geometric carving on the handle? | 0:26:15 | 0:26:17 | |
That's known as cross-hatching, and it's virtually what you see | 0:26:17 | 0:26:21 | |
on the stock, on the handle of a gun. | 0:26:21 | 0:26:23 | |
-Right. -It's just to give you extra grip. | 0:26:23 | 0:26:26 | |
And you do need a lot of grip. That's to be held with two hands. | 0:26:26 | 0:26:29 | |
And that, seriously, would do an awful lot of damage. | 0:26:29 | 0:26:33 | |
-Just about! -Yeah. | 0:26:33 | 0:26:37 | |
You see this section here? That's been broken. | 0:26:37 | 0:26:40 | |
Maybe this actually terminated in a point at one stage, | 0:26:40 | 0:26:43 | |
like an arrowhead. Maybe just a sort of spear, as well. | 0:26:43 | 0:26:47 | |
-Now, that's obviously... -The damaging bit. | 0:26:47 | 0:26:50 | |
We thought originally that it was a plough, a hand-plough, | 0:26:50 | 0:26:53 | |
-with it being that shape. -Understandably. | 0:26:53 | 0:26:56 | |
That would be for tilling. No, it's not. | 0:26:56 | 0:26:59 | |
-That's a war club. -I take it it's not ceremonial. -No. | 0:26:59 | 0:27:02 | |
-It's probably been used? -If this was ceremonial, | 0:27:02 | 0:27:05 | |
most of the handle would be decorated with geometric pattern. | 0:27:05 | 0:27:08 | |
-Right. -Yeah. | 0:27:08 | 0:27:10 | |
So that's what it is. That's what's been in your garage | 0:27:10 | 0:27:13 | |
all of this time. | 0:27:13 | 0:27:15 | |
-Amazing. -It's incredible, isn't it? | 0:27:15 | 0:27:18 | |
-It really is. This is 18th century. -As old as that? | 0:27:18 | 0:27:21 | |
-Yes, it is. Yeah. Sort of circa 1790. -Gosh! | 0:27:21 | 0:27:24 | |
-At the very latest, early 1900s. -Fantastic. | 0:27:24 | 0:27:28 | |
And it's got that lovely patina to go with it. | 0:27:28 | 0:27:31 | |
The wood, over the years, gets tighter and tighter, | 0:27:31 | 0:27:34 | |
and holds the dirt and the grime and the wax, | 0:27:34 | 0:27:36 | |
and that's what you call patina. Any idea of value? | 0:27:36 | 0:27:40 | |
-Absolutely none at all. -What would you be happy with? | 0:27:40 | 0:27:43 | |
-What would he take? -Anything. | 0:27:43 | 0:27:45 | |
Would he? Is he going to treat you to something with the money? | 0:27:45 | 0:27:49 | |
-I hope so. -Are you a student at the moment? | 0:27:49 | 0:27:52 | |
-Yes. -Studying, yeah? OK. | 0:27:52 | 0:27:54 | |
-Well, the money will come in handy. -I hope so. | 0:27:54 | 0:27:57 | |
Would you be happy with £300? | 0:27:57 | 0:27:59 | |
-Definitely, yes. -Yeah? -Yeah. | 0:27:59 | 0:28:02 | |
-I'd be more than happy with £300. -Would you? -Yeah! | 0:28:02 | 0:28:05 | |
-Will you be extra-happy at five? -Just about, yes! -Right. | 0:28:05 | 0:28:09 | |
I think to tempt these bidders in, we've got to show them that it's not a trade loss. | 0:28:09 | 0:28:13 | |
It's not done the rounds. It's from a private source, | 0:28:13 | 0:28:16 | |
-and you're prepared to let this go at £300 to £500. -Right. OK. | 0:28:16 | 0:28:20 | |
-That's fantastic. -That's auction psychology for you, | 0:28:20 | 0:28:23 | |
because you know what happens, don't you? It really is a tricky business. | 0:28:23 | 0:28:27 | |
We'll put a fixed reserve on at £300, | 0:28:27 | 0:28:29 | |
so if it doesn't go for over £300, it goes home with you. | 0:28:29 | 0:28:33 | |
This is where it gets exciting, | 0:28:33 | 0:28:35 | |
because you don't know what will happen at auction. | 0:28:35 | 0:28:38 | |
We're about to find out. Whatever you do, don't go away. | 0:28:38 | 0:28:41 | |
You two could be going home with a lot of money. | 0:28:41 | 0:28:44 | |
Not a bad prospect for something found hidden in a garage! | 0:28:46 | 0:28:49 | |
But now it's Catherine's turn. | 0:28:49 | 0:28:52 | |
She's found a retro-looking piece of pottery belonging to Cynthia. | 0:28:52 | 0:28:56 | |
-Cynthia, welcome to Flog It!. -Thank you. | 0:28:58 | 0:29:00 | |
Thank you for bringing along this posy-holder. | 0:29:00 | 0:29:03 | |
As you look at it, it just looks like a rather ordinary posy-holder. | 0:29:03 | 0:29:07 | |
But as you turn it over, we're faced with the wonderful name of Dresser, | 0:29:07 | 0:29:13 | |
namely Christopher Dresser. Tell me about this. | 0:29:13 | 0:29:16 | |
Where did you get this from? | 0:29:16 | 0:29:17 | |
It came in a box of oddments from a relative of mine, | 0:29:17 | 0:29:21 | |
because she knew that I collected green glass, | 0:29:21 | 0:29:24 | |
and primarily green things, and so it came with a lot of bits and pieces, | 0:29:24 | 0:29:29 | |
and I must admit when I first saw it, I thought it was rather tacky, | 0:29:29 | 0:29:32 | |
because I thought it was something modern | 0:29:32 | 0:29:35 | |
-that we used to have in the '60s. -It does look modern. | 0:29:35 | 0:29:38 | |
And then I had a book of Miller's Collectables. | 0:29:38 | 0:29:41 | |
It was illustrated in the book, and a passage about Christopher Dresser. | 0:29:41 | 0:29:46 | |
So then it took on an entirely different meaning. | 0:29:46 | 0:29:49 | |
-So then you quite liked it. -Yeah. -Well, I don't blame you. | 0:29:49 | 0:29:52 | |
I mean, you hit the nail on the head. | 0:29:52 | 0:29:54 | |
When you look at it, it does look quite modern, | 0:29:54 | 0:29:57 | |
and you probably would think more sort of '40s, '50s. | 0:29:57 | 0:30:00 | |
-But actually it dates from the late 19th century. -Does it? | 0:30:00 | 0:30:03 | |
-1880s, 1890s. -Really? | 0:30:03 | 0:30:06 | |
-So it is quite a bit older than one would think. -Yes! | 0:30:06 | 0:30:09 | |
To look at it, you wouldn't think it is a piece of Christopher Dresser, | 0:30:09 | 0:30:13 | |
because it hasn't got his characteristics about it. | 0:30:13 | 0:30:15 | |
When you think of Dresser, you think of, really, metalwork, | 0:30:15 | 0:30:19 | |
and very iconic design, quite stylised and very stylish. | 0:30:19 | 0:30:23 | |
-Really, this doesn't say Dresser. -It doesn't give you the wow factor. | 0:30:23 | 0:30:27 | |
It doesn't, and it's not until you turn it over | 0:30:27 | 0:30:31 | |
and you see that name on the bottom. But it is a lovely piece of pottery, | 0:30:31 | 0:30:35 | |
and I'm so glad that you didn't chuck it out, | 0:30:35 | 0:30:38 | |
which was probably one of your first thoughts. | 0:30:38 | 0:30:41 | |
-Do you have any idea on value? -Not present value. | 0:30:41 | 0:30:45 | |
-Right. -But I have had it valued previously, | 0:30:45 | 0:30:48 | |
-about ten to 12 years ago. -Mm-hm? -£40. | 0:30:48 | 0:30:52 | |
£40. Right. I would say it's gone up a little bit since then, | 0:30:52 | 0:30:55 | |
and I'd be happy to put a pre-sale estimate on of £60 to £80, | 0:30:55 | 0:30:59 | |
-with a 50 reserve. How does that sound to you? -That sounds fine. | 0:30:59 | 0:31:03 | |
-Would you be happy to sell at that? -Very happy, yes. | 0:31:03 | 0:31:06 | |
This town hall has been a marvellous venue for Flog It! today, | 0:31:07 | 0:31:11 | |
and now it's time to say a fond farewell to Todmorden. | 0:31:11 | 0:31:14 | |
We're making our way to the auction rooms, so let's... | 0:31:14 | 0:31:17 | |
And put everything under the hammer! | 0:31:17 | 0:31:20 | |
We're selling Barbara's bronze bull. | 0:31:21 | 0:31:24 | |
Will it appeal to any farmers at the auction? | 0:31:24 | 0:31:26 | |
Cynthia's green Christopher Dresser posy-holder, | 0:31:26 | 0:31:30 | |
and Stewart and Eleanor's wooden gunstock war club. | 0:31:30 | 0:31:34 | |
That's the one to watch! | 0:31:34 | 0:31:37 | |
At the auction, we've got a bull to sell now - | 0:31:40 | 0:31:44 | |
not livestock, but Barbara's bronze. | 0:31:44 | 0:31:47 | |
We've got a reserve of £250, but let's hope we get that top end of 400. | 0:31:47 | 0:31:51 | |
-Why are you selling this? -Well, we've had it... | 0:31:51 | 0:31:55 | |
-It's a great thing to look at. -I know. | 0:31:55 | 0:31:58 | |
We've had it in the family over 60-odd years, | 0:31:58 | 0:32:00 | |
and it sits in one of the lounges and just sits in front of the fire, | 0:32:00 | 0:32:04 | |
so the idea is that we'll sell it, perhaps put it into premium bonds. | 0:32:04 | 0:32:08 | |
Oh, really? Have a dabble with the premium bonds! | 0:32:08 | 0:32:11 | |
-The government can use it. They're in a terrible state! -They are! | 0:32:11 | 0:32:15 | |
-Do you do the Lottery as well? -Yes. -Have you ever won a tenner? | 0:32:15 | 0:32:18 | |
Oh, yes. We've won some tens and we've won some 55s. | 0:32:18 | 0:32:21 | |
Have you? But right now, let's find out, shall we? | 0:32:21 | 0:32:24 | |
We digressed a bit. But let's get back to business. This is Flog It! | 0:32:24 | 0:32:28 | |
and we've got the bronze bull going under the hammer. Let's find out what the locals think. | 0:32:28 | 0:32:33 | |
Lot 350 is the 19th-century European bronze model of a bull | 0:32:34 | 0:32:38 | |
with saddle. Here it is. Lot 350. What am I bid for this? | 0:32:38 | 0:32:42 | |
A couple of hundred, may I say? | 0:32:42 | 0:32:44 | |
150. 150. Starting at 150. | 0:32:45 | 0:32:48 | |
150. Advance in tens. 160. 170. At £170. | 0:32:48 | 0:32:53 | |
Any advance on £170? At 170. 180. Thank you. 180. | 0:32:53 | 0:32:57 | |
-Come on, come on! -190. | 0:32:57 | 0:32:59 | |
200. And ten. | 0:32:59 | 0:33:01 | |
£210. Any further bids at £210? | 0:33:01 | 0:33:05 | |
We're just short of reserve. | 0:33:05 | 0:33:07 | |
At £210. Anybody else, now, | 0:33:07 | 0:33:09 | |
at £210... | 0:33:09 | 0:33:11 | |
-HE BANGS HAMMER -Unsold. | 0:33:12 | 0:33:15 | |
Couldn't find a buyer. I'm really sorry. | 0:33:15 | 0:33:17 | |
-It's fine. It can go home. -Auctions can be a lottery too. | 0:33:17 | 0:33:20 | |
Yes, exactly. You never know what's going to happen. | 0:33:20 | 0:33:23 | |
I had had a few second thoughts, because we've had it for so long. | 0:33:23 | 0:33:27 | |
-Well over 60 years. -Maybe it's meant to stay at home. | 0:33:27 | 0:33:31 | |
-I like the look of it. -I think it's meant to stay on the farm. | 0:33:31 | 0:33:34 | |
-It's been there so long. -That's where the bull belongs. | 0:33:34 | 0:33:37 | |
-It does. -Thank you for bringing it in. -That's OK. | 0:33:37 | 0:33:40 | |
Well, the bronze bull is heading out to pasture for now. | 0:33:40 | 0:33:44 | |
Let's hope Cynthia has more luck with her Christopher Dresser posy-holder. | 0:33:44 | 0:33:48 | |
Cynthia, good luck! That's all I can say. | 0:33:48 | 0:33:50 | |
Here's the posy-holder. Fingers crossed. | 0:33:50 | 0:33:53 | |
Hope you'll get the £60. What do you think? | 0:33:53 | 0:33:56 | |
-I don't know! -Oh, dear, we're all worried now! | 0:33:56 | 0:33:58 | |
Let's find out what the bidders think. It's going under the hammer right now. | 0:33:58 | 0:34:02 | |
Lot 588 is this rather nice little 19th century posy-holder | 0:34:02 | 0:34:08 | |
by Christopher Dresser. It's well signed on the bottom. | 0:34:08 | 0:34:11 | |
Greeny runny glaze. Let's open this at, let's say, 40. | 0:34:11 | 0:34:15 | |
30, then. £30. £30. An affordable piece of Christopher Dresser here. | 0:34:15 | 0:34:19 | |
-£30 I have. Thank you. £30. -Come on! | 0:34:19 | 0:34:22 | |
This is such a good name. | 0:34:23 | 0:34:26 | |
At £45. 50, do I see? I have 45. | 0:34:26 | 0:34:29 | |
And 50. 50, thank you. £50. | 0:34:29 | 0:34:32 | |
At 50. Any further bids at £50? | 0:34:32 | 0:34:35 | |
Are we all done at £50? 55, sir. | 0:34:36 | 0:34:40 | |
-55. -He thinks, "55. A bit more." | 0:34:40 | 0:34:44 | |
Then, at 55, signed by Christopher Dresser, | 0:34:44 | 0:34:46 | |
at £55. Are you all done? | 0:34:46 | 0:34:50 | |
Are there any further bids? | 0:34:50 | 0:34:52 | |
55, then. | 0:34:52 | 0:34:54 | |
Yes! The hammer's gone down. We just did it, didn't we? | 0:34:54 | 0:34:57 | |
Had a reserve of 50. | 0:34:57 | 0:34:59 | |
-Just! -Oh, that was nail-biting, wasn't it? | 0:34:59 | 0:35:02 | |
-It was! -We don't want to be doing that too often. | 0:35:02 | 0:35:05 | |
Not really! | 0:35:05 | 0:35:07 | |
That just goes to show Catherine's valuation was pretty accurate, | 0:35:07 | 0:35:11 | |
but now I'm under pressure, as the gunstock war club is up for auction. | 0:35:11 | 0:35:15 | |
So you could be going to Barcelona for that photography trip! | 0:35:15 | 0:35:18 | |
So what's this all about, then, the trip? | 0:35:18 | 0:35:21 | |
It's for my graphics course. It's photography. | 0:35:21 | 0:35:24 | |
We're going to go and do some work over there, | 0:35:24 | 0:35:26 | |
and try and get a bit more in my portfolio. | 0:35:26 | 0:35:29 | |
Ooh! Because we were saying students haemorrhage money, | 0:35:29 | 0:35:32 | |
don't they, Dad? Eh? I just hope we get the top end | 0:35:32 | 0:35:35 | |
of the estimate. Whatever happens, that's still £500. | 0:35:35 | 0:35:38 | |
But you never know. We could be in for a real surprise. | 0:35:38 | 0:35:41 | |
We see it happen in auction rooms all the time. | 0:35:41 | 0:35:44 | |
-I just hope it happens now. -Fingers crossed! | 0:35:44 | 0:35:46 | |
Fingers crossed, please! Don't go away. Watch this. | 0:35:46 | 0:35:49 | |
This is going under the hammer now. Let's see what it does. | 0:35:49 | 0:35:53 | |
Lot 417, | 0:35:53 | 0:35:55 | |
the hardwood tribal gunstock war club | 0:35:55 | 0:35:58 | |
with carved handle there. | 0:35:58 | 0:36:02 | |
Good-looking piece. Nice patina, lovely carving. | 0:36:02 | 0:36:05 | |
Lot 417. | 0:36:05 | 0:36:07 | |
What am I bid on this? £300? | 0:36:07 | 0:36:09 | |
250? 200 I have. Thank you. £200. | 0:36:11 | 0:36:14 | |
-Gosh, he's starting low, Eleanor. -225. 250. 250. | 0:36:14 | 0:36:19 | |
275? 250. 275 in the room. | 0:36:19 | 0:36:22 | |
£300. At £300. £300. | 0:36:22 | 0:36:24 | |
-£300. I have 325. Do I see 325? 325. -We've got a phone bid. | 0:36:24 | 0:36:28 | |
There's somebody on the phone. | 0:36:28 | 0:36:31 | |
350. 375 on the phone. At 400 in the room. £400. | 0:36:31 | 0:36:36 | |
Stewart, it's starting to get exciting. | 0:36:37 | 0:36:40 | |
450 in the room. 450. | 0:36:40 | 0:36:42 | |
475 on the phone. £500 in the room. | 0:36:44 | 0:36:47 | |
£500. | 0:36:47 | 0:36:49 | |
-Top end now. -525 on the phone. | 0:36:50 | 0:36:52 | |
550, sir. 550. | 0:36:52 | 0:36:55 | |
575. At £600 in the room. | 0:36:57 | 0:36:59 | |
At £600. | 0:36:59 | 0:37:01 | |
-This is good. -625 on the phone. | 0:37:03 | 0:37:06 | |
650 in the room. | 0:37:06 | 0:37:08 | |
-Barcelona, here we come. -Barcelona, here we come! | 0:37:08 | 0:37:11 | |
675 on the phone. | 0:37:12 | 0:37:14 | |
I've 675 on the phone. | 0:37:14 | 0:37:17 | |
Any further bids? At 675, then... | 0:37:17 | 0:37:20 | |
-Yes! The hammer's gone down. -Well done! -£675. | 0:37:21 | 0:37:24 | |
-We're happy with that, aren't we? Well over the top end. -Sure! | 0:37:24 | 0:37:28 | |
And to think this was in the garage! | 0:37:28 | 0:37:31 | |
Yes. And only two weeks before the valuation, | 0:37:31 | 0:37:35 | |
-the garage got broken into. -What did they steal? | 0:37:35 | 0:37:37 | |
They went through everything, left that, and took a mountain bike! | 0:37:37 | 0:37:41 | |
SHE LAUGHS So thanks very much! | 0:37:41 | 0:37:44 | |
-It's enough for a new mountain bike! -It's enough for a new mountain bike, | 0:37:44 | 0:37:48 | |
-and the air fare to Barcelona. -Definitely. -Yeah? | 0:37:48 | 0:37:51 | |
-Great! -Congratulations, both of you. Thank you for bringing that in. | 0:37:51 | 0:37:55 | |
You've made my day and everybody else's here, as well. | 0:37:55 | 0:37:58 | |
I hope you've enjoyed watching the show. | 0:37:58 | 0:38:00 | |
Do join us again for many more surprises, but for now, | 0:38:00 | 0:38:03 | |
from the Calder Valley, it's goodbye from all of us. | 0:38:03 | 0:38:06 |