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Hello and welcome to For What It's Worth, | 0:00:14 | 0:00:17 | |
the quiz show where it's not enough simply to know the answers, | 0:00:17 | 0:00:20 | |
no, you need a nose for antiques too. | 0:00:20 | 0:00:23 | |
Three pairs of contestants are ready to play. | 0:00:23 | 0:00:25 | |
And in each team is a quizzer, | 0:00:25 | 0:00:27 | |
responsible for answering general knowledge questions, | 0:00:27 | 0:00:29 | |
so that their partner, the picker, can choose an antique item | 0:00:29 | 0:00:33 | |
to add to their collection. | 0:00:33 | 0:00:35 | |
Now, the aim of the game is to amass the most valuable collection. | 0:00:35 | 0:00:38 | |
First up, we have great friends Nicole and Greg | 0:00:38 | 0:00:41 | |
from London and Manchester. | 0:00:41 | 0:00:43 | |
-Nicole, welcome. -Thank you. -You'll be picking the lots today. | 0:00:43 | 0:00:46 | |
So what particularly spikes your interest | 0:00:46 | 0:00:48 | |
in the world of antiques and collectables? | 0:00:48 | 0:00:50 | |
I'm particularly interested in jewellery. | 0:00:50 | 0:00:53 | |
I love any type of antique jewellery with diamonds or rhinestones, | 0:00:53 | 0:00:57 | |
-anything that glitters. I'm a bit of a magpie. -Yes. | 0:00:57 | 0:01:00 | |
I also love watches and clocks. | 0:01:00 | 0:01:02 | |
-Do you? -Yes, I do. -Hmm. | 0:01:02 | 0:01:05 | |
-OK. And sitting next to you is your friend, Greg. Hello, Greg. -Hi. | 0:01:05 | 0:01:08 | |
You are answering the questions today. | 0:01:08 | 0:01:11 | |
So how would you describe your friendship with Nicole? | 0:01:11 | 0:01:13 | |
-You've known each other a long time. -We have. We met on the bus on the first day of high school, | 0:01:13 | 0:01:17 | |
so we've been friends for a long time. | 0:01:17 | 0:01:19 | |
You've known each other a long time, but do you agree on things? | 0:01:19 | 0:01:23 | |
-We do. -On the whole, I'd say, yeah. | 0:01:23 | 0:01:25 | |
We've got an eye for a bargain. We know what we want. | 0:01:25 | 0:01:28 | |
-Right, so you're trusting each other's judgment? -Yes, we are. | 0:01:28 | 0:01:31 | |
Excellent. Good luck. Good luck. | 0:01:31 | 0:01:33 | |
Sitting next to you are Graham and Chris. | 0:01:33 | 0:01:35 | |
Welcome, Graham and Chris. They are a married couple from Sheffield. | 0:01:35 | 0:01:39 | |
Now, Graham, you are the quizzer on the team, so how did you both meet? | 0:01:39 | 0:01:43 | |
We met in a discotheque back in 1968 in Sheffield. | 0:01:43 | 0:01:48 | |
And do you remember that moment as well, Chris? | 0:01:48 | 0:01:50 | |
-Not quite as well as Graham. -LAUGHTER | 0:01:50 | 0:01:54 | |
Erm, now, Chris, you are the team's picker today, | 0:01:54 | 0:01:57 | |
-so what sort of antiques and collectables do you love rooting out? -I like glass. | 0:01:57 | 0:02:01 | |
The interest was sparked because I bought some glasses not knowing they were as old as they were. | 0:02:01 | 0:02:07 | |
And they were 1750, which I still have. | 0:02:07 | 0:02:10 | |
-Wow! Did you pay just thruppence for them? -A pound...for five. | 0:02:10 | 0:02:14 | |
And I thought they were sold cheap because there wasn't a set of six. | 0:02:14 | 0:02:18 | |
-Well, welcome to the show. -Thank you. -Lovely to have you here. | 0:02:18 | 0:02:20 | |
And our third team today is John and Mike from Hertfordshire in Kent, | 0:02:20 | 0:02:25 | |
-who are uncle and nephew. Welcome to you both, lovely to have you here. -Thank you. | 0:02:25 | 0:02:29 | |
Mike, you're the picker, how did your interest in collectables start? | 0:02:29 | 0:02:33 | |
My grandma gave me my great-great-grandfather's | 0:02:33 | 0:02:36 | |
-World War I medals. -Wow! | 0:02:36 | 0:02:37 | |
And along with that trench letters and pictures. | 0:02:37 | 0:02:41 | |
And I started getting into that a bit, | 0:02:41 | 0:02:42 | |
cos there's a lot of history attached to the item. | 0:02:42 | 0:02:45 | |
-So that really lit your fire, the story of something? -That's right, yeah. | 0:02:45 | 0:02:48 | |
Yeah. Well, with you is Uncle John, | 0:02:48 | 0:02:51 | |
who will be answering all the questions for the team. | 0:02:51 | 0:02:53 | |
So how would you describe your relationship with Mike, John? | 0:02:53 | 0:02:56 | |
Mike's always looked up to me for some reason | 0:02:56 | 0:02:59 | |
and I've always looked down on him, so we get on. | 0:02:59 | 0:03:01 | |
-We know where we stand in the relationship. -FERN LAUGHS | 0:03:01 | 0:03:04 | |
-He's... -LAUGHTER | 0:03:04 | 0:03:06 | |
He's my elder brother's eldest boy. | 0:03:06 | 0:03:09 | |
We've just clicked and we do a lot of stuff together | 0:03:09 | 0:03:12 | |
and have the same sense of humour and just really get on. | 0:03:12 | 0:03:15 | |
-We enjoy ourselves when we get together. -Fantastic! | 0:03:15 | 0:03:17 | |
Well, it's lovely to have you here. I really hope that you do enjoy today as well because it is fun right here. | 0:03:17 | 0:03:23 | |
So, here are today's lots for your consideration. | 0:03:23 | 0:03:26 | |
We have 16 different antiques and collectables and here they are. | 0:03:26 | 0:03:31 | |
Starting left to right we have... | 0:03:31 | 0:03:33 | |
Planters. | 0:03:33 | 0:03:35 | |
A chocolate box. | 0:03:35 | 0:03:36 | |
A paperweight. | 0:03:36 | 0:03:38 | |
A toy. | 0:03:38 | 0:03:39 | |
A top hat. | 0:03:39 | 0:03:41 | |
A clock. | 0:03:41 | 0:03:43 | |
A bust. | 0:03:43 | 0:03:44 | |
A Bond prop. | 0:03:44 | 0:03:46 | |
A plaque. | 0:03:46 | 0:03:48 | |
A bowl. | 0:03:48 | 0:03:49 | |
A rug. | 0:03:49 | 0:03:50 | |
A scent bottle. | 0:03:50 | 0:03:52 | |
A card ladle. | 0:03:52 | 0:03:54 | |
Lace. | 0:03:54 | 0:03:55 | |
A painting. And a vase. | 0:03:55 | 0:03:58 | |
Eclectic collection, very different, but with very different values. | 0:03:58 | 0:04:02 | |
One is worthless, worth £10 or less, | 0:04:02 | 0:04:05 | |
and the rest increase in value up to our top lot, | 0:04:05 | 0:04:08 | |
which is worth a whopping £2,500. | 0:04:08 | 0:04:11 | |
And that is the lot to spot, | 0:04:11 | 0:04:13 | |
because at the end of the show the winning pair will walk away | 0:04:13 | 0:04:16 | |
with the cash equivalent of one of these items. | 0:04:16 | 0:04:19 | |
Now, earlier our teams inspected the lots, | 0:04:19 | 0:04:23 | |
but could they separate the top whack from the bric-a-brac? | 0:04:23 | 0:04:26 | |
-Oh, there are some lovely items in here, isn't there? -Yeah. | 0:04:27 | 0:04:30 | |
-Let's have a quick peruse of everything. -OK. | 0:04:34 | 0:04:37 | |
It's obviously fairly old cos it's losing its whiteness, in't it? | 0:04:38 | 0:04:41 | |
-Do you think this is probably the pricey one, then? -I'm not sure. | 0:04:41 | 0:04:45 | |
I don't really know anything about plaques. | 0:04:45 | 0:04:47 | |
It just strike me as being a print. | 0:04:47 | 0:04:51 | |
-Oh, I like that. -In the original box. | 0:04:51 | 0:04:54 | |
It does look old. | 0:04:54 | 0:04:57 | |
Are these for wine? Do you think, wine coolers? | 0:04:58 | 0:05:01 | |
-Made to look older than it is, I think. -And... -Plated. -Yeah. | 0:05:01 | 0:05:04 | |
That's plated as well. A card ladle. | 0:05:04 | 0:05:07 | |
So that's the old croupier thing, I think, isn't it? | 0:05:07 | 0:05:10 | |
-I don't think it's real silver, you know. -No. | 0:05:10 | 0:05:12 | |
Top hat. Probably Victorian, do you reckon? | 0:05:14 | 0:05:17 | |
Ah, so is that the royal...seal? | 0:05:17 | 0:05:21 | |
That's just like something you'd have in your nana's living room, in't it? | 0:05:21 | 0:05:24 | |
-It's one of those standard Persian eastern patterns, in't it? -Yeah. | 0:05:24 | 0:05:28 | |
No. | 0:05:28 | 0:05:29 | |
-Yeah, this is very nice. -It's very you this, isn't it? -Yeah. -Yeah. | 0:05:29 | 0:05:33 | |
-It looks Victorian, dun't it? Very over the top. -Hmm. | 0:05:33 | 0:05:37 | |
-Yeah, I think it's the Virgin Mary. -Let's have a look. | 0:05:38 | 0:05:40 | |
-It's hollow that, isn't it? -Hmm. -I bet it's spelter. | 0:05:40 | 0:05:43 | |
I think that's probably worth more than £10. | 0:05:43 | 0:05:47 | |
-Yeah, it's got the box. -And it's in a good state. | 0:05:47 | 0:05:51 | |
SCREECHING | 0:05:51 | 0:05:53 | |
Oh! | 0:05:53 | 0:05:54 | |
SCREECHING | 0:05:54 | 0:05:55 | |
Actually, that's quite good. | 0:05:57 | 0:05:59 | |
Paperweights can cost... | 0:05:59 | 0:06:01 | |
-There can usually be a lot more colours in there though, aren't there? -Hmm. | 0:06:01 | 0:06:05 | |
This is definitely cheap. | 0:06:05 | 0:06:07 | |
Well, you're the expert, do you know what I mean? | 0:06:07 | 0:06:09 | |
I could be picking up a Faberge egg and saying it cost the same as a creme egg. | 0:06:09 | 0:06:13 | |
Well, is got James Bond kudos, hasn't it? | 0:06:13 | 0:06:17 | |
But what is it? Film memorabilia. | 0:06:17 | 0:06:21 | |
You'd pay money for that. Like, £80? | 0:06:21 | 0:06:24 | |
I think it's lustrewear this. | 0:06:24 | 0:06:26 | |
Limited edition, cos it's got a Z5125. Definitely Wedgwood. | 0:06:27 | 0:06:31 | |
-Wedgwood as well. -English. | 0:06:31 | 0:06:34 | |
-I like the style of it, don't you? -Constable. -Yeah. | 0:06:34 | 0:06:38 | |
I'd have that in my house, that. | 0:06:38 | 0:06:40 | |
Bernard Moore. Can't say he's my...cup of tea, | 0:06:40 | 0:06:45 | |
-I'm more a Clarice Cliff. -Don't know that person. | 0:06:45 | 0:06:48 | |
We're going to go for scent, painting, plaque. | 0:06:48 | 0:06:52 | |
I think the top hat, the bowl and the clock. | 0:06:52 | 0:06:54 | |
If we'd chucked out one piece, it would be the prop. | 0:06:54 | 0:06:57 | |
-Yeah. -The James Bond prop would have to go. | 0:06:57 | 0:06:59 | |
-I wouldn't chuck it, I'd recycle it cos it's paper. -Yeah. | 0:06:59 | 0:07:01 | |
Joining me, of course, | 0:07:01 | 0:07:03 | |
is our resident antiques expert, Charlie Ross. | 0:07:03 | 0:07:06 | |
Charlie, what do you make of these lots? | 0:07:06 | 0:07:08 | |
-I think they are really, really exciting. -Hmm. | 0:07:08 | 0:07:11 | |
Talk about an eclectic mix, but there are some goodies in there. | 0:07:11 | 0:07:15 | |
-There might be a little bit of dross as well, mightn't there? -FERN LAUGHS | 0:07:15 | 0:07:19 | |
So how has the valuation been worked? | 0:07:19 | 0:07:22 | |
Well, all the values have been agreed by...myself. | 0:07:22 | 0:07:27 | |
-LAUGHTER -And an independent valuer based on hammer price. | 0:07:27 | 0:07:32 | |
That is the price that you would pay | 0:07:32 | 0:07:34 | |
when the auctioneer's gavel hits the rostrum | 0:07:34 | 0:07:38 | |
-without any of the added costs. -Interesting. | 0:07:38 | 0:07:41 | |
Well, as well as those little treasures, | 0:07:41 | 0:07:44 | |
we have our mystery lot hidden under the shroud of mystery | 0:07:44 | 0:07:48 | |
poised to be uncovered at the end of the show to tempt our winners. | 0:07:48 | 0:07:53 | |
-Charlie - oh, it's a tiddler. -It's small, | 0:07:53 | 0:07:56 | |
but, of course, it might have a whopping value. | 0:07:56 | 0:07:59 | |
Mmm! You tease! | 0:07:59 | 0:08:01 | |
Well, it could be worth thousands or just a fiver, | 0:08:01 | 0:08:04 | |
we will be unveiling it a bit later. | 0:08:04 | 0:08:06 | |
But for now, are you ready? | 0:08:06 | 0:08:08 | |
It's time for round one. | 0:08:08 | 0:08:10 | |
I am going to ask ten general knowledge questions. | 0:08:12 | 0:08:15 | |
Quizzers, if you buzz in with the correct answer, | 0:08:15 | 0:08:18 | |
your picker gets to add a lot to your collection. | 0:08:18 | 0:08:21 | |
But, beware, buzz in incorrectly | 0:08:21 | 0:08:23 | |
and you'll be frozen out of the next question. | 0:08:23 | 0:08:26 | |
All clear? Quizzers, your job is to give your picker | 0:08:26 | 0:08:29 | |
the best chance to bag the top lots first. | 0:08:29 | 0:08:32 | |
So, fingers on buzzers, here is question one. | 0:08:32 | 0:08:35 | |
Which Egyptian pharaoh is often referred to as "the boy king"? | 0:08:35 | 0:08:41 | |
-Yes, John? -Tutankhamen. | 0:08:41 | 0:08:43 | |
It is Tutankhamen. Well done. | 0:08:43 | 0:08:45 | |
-Mike, you get the first pick of the grid. -Thank you, Fern. | 0:08:45 | 0:08:48 | |
Can I get the top hat, please? | 0:08:48 | 0:08:50 | |
The top hat, you certainly can. | 0:08:50 | 0:08:52 | |
That is the first lot in your collection. Question two. | 0:08:52 | 0:08:57 | |
What is the first name of Hillary and Bill Clinton daughter? | 0:08:57 | 0:09:01 | |
-Yes, John? -Chelsea. | 0:09:01 | 0:09:03 | |
It is Chelsea. Mike? | 0:09:03 | 0:09:06 | |
-Can I go for the painting, please, Fern? -The painting. | 0:09:06 | 0:09:09 | |
Mike, it's yours. Question three. | 0:09:09 | 0:09:12 | |
Which planet is fifth from the sun? | 0:09:12 | 0:09:15 | |
-Greg? -Saturn. | 0:09:15 | 0:09:18 | |
Oh, it's incorrect. You're frozen out of the next question. | 0:09:18 | 0:09:21 | |
-It's actually Jupiter. -Did you know that? -Yeah. -OK, question four. | 0:09:21 | 0:09:25 | |
Which character did Jason Donovan play | 0:09:25 | 0:09:28 | |
in the Australian soap Neighbours? | 0:09:28 | 0:09:31 | |
No... Yes, John? | 0:09:31 | 0:09:33 | |
-Kylie's boyfriend. -LAUGHTER | 0:09:33 | 0:09:36 | |
Well, yes, but what did she call him? | 0:09:36 | 0:09:39 | |
-Bruce. -No, Scott Robinson. -Oh! | 0:09:39 | 0:09:42 | |
You're frozen out. Greg and Nicole, you're OK, you're back in. | 0:09:42 | 0:09:46 | |
Question five. | 0:09:46 | 0:09:47 | |
Da Nang International Airport is located in which Asian country? | 0:09:47 | 0:09:52 | |
-Yes, Graham? -India. | 0:09:52 | 0:09:55 | |
Ah, Vietnam. I'm so sorry, you're frozen out. | 0:09:55 | 0:09:58 | |
John and Mike, you are back. You can answer this question. | 0:09:58 | 0:10:01 | |
Question six. | 0:10:01 | 0:10:03 | |
Romaine, lollo rosso and butterhead | 0:10:03 | 0:10:06 | |
are all varieties of which vegetable? | 0:10:06 | 0:10:09 | |
-Yes, Greg? -Lettuce. -Lettuce, that is correct. Well done. | 0:10:09 | 0:10:13 | |
Nicole, what's shiny and sparkly that's catching your magpie eyes? | 0:10:13 | 0:10:17 | |
-I'll say the bowl. -It's on its way to you. | 0:10:17 | 0:10:20 | |
Graham and Chris, you are now back in play as well. Question seven. | 0:10:20 | 0:10:24 | |
Anastasia Steele is a character in which 2011 novel? | 0:10:24 | 0:10:30 | |
Yes, John? | 0:10:30 | 0:10:31 | |
I'm going to guess at Fifty Shades Of Grey. | 0:10:31 | 0:10:34 | |
Yes, it is. That's correct, it is Fifty Shades Of Grey. | 0:10:34 | 0:10:36 | |
Mike, would you like to choose something? | 0:10:36 | 0:10:39 | |
-Can I get the vase, please, Fern? -The vase. It's yours. | 0:10:39 | 0:10:42 | |
There we go. Question eight. | 0:10:42 | 0:10:44 | |
In which film based on true events | 0:10:44 | 0:10:47 | |
does Hanks played FBI agent Carl Hanratty? | 0:10:47 | 0:10:52 | |
I'm sorry, we've lost that question, but the answer is Catch Me If You Can. | 0:10:56 | 0:11:00 | |
GRAHAM MUMBLES Question number nine. | 0:11:00 | 0:11:02 | |
In 2012, in which sport did Alistair Brownlee win Olympic gold? | 0:11:02 | 0:11:07 | |
-Yes, Graham? -Triathlon. -Yes! -Oh, well done. -Well done! | 0:11:07 | 0:11:12 | |
-Got there. -Right, Chris, what catches your eye on the grid? | 0:11:12 | 0:11:16 | |
I'd like the scent bottle. I really...like that. | 0:11:16 | 0:11:20 | |
The scent bottle is yours. It's on its way to your collection. | 0:11:20 | 0:11:22 | |
Final question. Question ten. | 0:11:22 | 0:11:24 | |
The statue of Eros is located at which London circus? | 0:11:24 | 0:11:29 | |
-Yes, John? -Piccadilly. -It is Piccadilly Circus. Well done. Mike, what you want? | 0:11:29 | 0:11:33 | |
A bit upset that the scent bottle just got stolen, | 0:11:33 | 0:11:36 | |
cos I'd have liked that next, but... | 0:11:36 | 0:11:38 | |
-I'll go for the bust, please, Fern. -The bust. It's on its way. | 0:11:38 | 0:11:42 | |
Very good. Right, let's have a look at how well the teams have done. | 0:11:42 | 0:11:46 | |
Greg and Nicole, you have your beautiful bowl there. | 0:11:46 | 0:11:49 | |
Graham and Chris, you've got the scent bottle. | 0:11:49 | 0:11:52 | |
And, finally, Mike and John, | 0:11:52 | 0:11:54 | |
you have managed to get hold of the top hat, the painting, the vase and the bust. | 0:11:54 | 0:11:58 | |
Well, our teams have started to build their collections, | 0:11:58 | 0:12:01 | |
but before they have the chance to add to them, | 0:12:01 | 0:12:03 | |
Charlie is going to give each of you a fact about a lot of your choice. | 0:12:03 | 0:12:08 | |
Now, these snippets of information | 0:12:08 | 0:12:10 | |
should give you vital clues about what it's worth, so choose wisely. | 0:12:10 | 0:12:14 | |
It could be one of yours, it could be one of your opponents', | 0:12:14 | 0:12:18 | |
or it could be something that's still up for grabs on the grid. | 0:12:18 | 0:12:21 | |
Nicole, let's start with you. | 0:12:21 | 0:12:22 | |
-Which lot would you like to hear more about? -Erm, the clock. | 0:12:22 | 0:12:26 | |
-The clock. You're keen on clocks and watches, aren't you? -I love clocks, yeah. | 0:12:26 | 0:12:30 | |
So, Charlie, what can you tell us about the clock? | 0:12:30 | 0:12:33 | |
This is a French ornate table clock | 0:12:33 | 0:12:36 | |
in polished brass with Rococo-style appendices... | 0:12:36 | 0:12:40 | |
dating to around 1860... | 0:12:40 | 0:12:45 | |
with the all-important fusee movement. | 0:12:45 | 0:12:49 | |
It keeps time perfectly, but what about its value? | 0:12:49 | 0:12:54 | |
-It's very pretty, though. -It matches my jacket. | 0:12:54 | 0:12:56 | |
-It does match your jacket. -Yeah, it's shiny. -It does. | 0:12:56 | 0:12:59 | |
Don't say too much, don't look too keen, | 0:12:59 | 0:13:01 | |
cos they'll want it, you see. LAUGHTER | 0:13:01 | 0:13:03 | |
OK, Graham and Chris. Chris, what would you like to know about? | 0:13:03 | 0:13:07 | |
-I'd like to know about the plaque. -The plaque. | 0:13:07 | 0:13:11 | |
-Charlie? -Well, Chris, this is a printed enamel plaque | 0:13:11 | 0:13:15 | |
signed C Faure from Limoges. | 0:13:15 | 0:13:20 | |
Camille Faure was working out of Limoges, France, | 0:13:20 | 0:13:23 | |
during the late 19th and early 20th centuries. | 0:13:23 | 0:13:27 | |
Some of his pieces can fetch eye-watering sums. | 0:13:27 | 0:13:33 | |
This is a printed image, though, produced for the mass market. | 0:13:33 | 0:13:38 | |
Even the greatest artists need to pay their bills. | 0:13:38 | 0:13:43 | |
-Yes, has it helped? -It has, yes. | 0:13:43 | 0:13:45 | |
I thought it was a print. | 0:13:45 | 0:13:47 | |
-So that's what I wanted confirming, really. -Good. -OK. John and Mike. | 0:13:47 | 0:13:53 | |
Right, Mike, what you fancy? | 0:13:53 | 0:13:55 | |
Remember, it could be on the grid or the other teams'. | 0:13:55 | 0:13:58 | |
Could you please tell me about the lace? | 0:14:00 | 0:14:03 | |
Mike, this is a late-17th century length of lace or flounce. | 0:14:03 | 0:14:08 | |
This lace is a style called point de France, | 0:14:08 | 0:14:12 | |
a school of French lace | 0:14:12 | 0:14:14 | |
set up by Louis XIV's minister, Jean Baptiste Colbert. | 0:14:14 | 0:14:20 | |
This strip is almost three metres long. | 0:14:20 | 0:14:24 | |
Thank you. | 0:14:24 | 0:14:26 | |
Now that you're all a bit more knowledgeable about today's lots, | 0:14:26 | 0:14:29 | |
let's give you the chance to add more of them to your collections. | 0:14:29 | 0:14:32 | |
Bear in mind that at the end of this round | 0:14:32 | 0:14:35 | |
the team with the least valuable collection will be eliminated. | 0:14:35 | 0:14:39 | |
There are three more lots now available to each pair. | 0:14:41 | 0:14:44 | |
And this time, pickers, you target a lot | 0:14:44 | 0:14:48 | |
and, quizzers, you then try to secure it by answering a question correctly. | 0:14:48 | 0:14:53 | |
But in this round the lots come with their own question categories. | 0:14:53 | 0:14:57 | |
And the categories today are... along the top. | 0:14:57 | 0:15:01 | |
And down the side. | 0:15:07 | 0:15:09 | |
So you will see that perhaps you will ask for the Bond prop, | 0:15:14 | 0:15:17 | |
the quizzer can then ask for a question | 0:15:17 | 0:15:20 | |
either on girl bands up at the top or boxing along the side. | 0:15:20 | 0:15:24 | |
-Understand? -Uh-huh. Yes. -Good. Excellent. Here we go. | 0:15:24 | 0:15:27 | |
Nicole and Greg, you are up first. So, Nicole, what's your lot? | 0:15:27 | 0:15:31 | |
-The clock. -The clock? -Yeah. | 0:15:31 | 0:15:34 | |
Greg, I know you've just qualified as a doctor, | 0:15:34 | 0:15:37 | |
so you'll be very, very well versed in landmarks or boxing. | 0:15:37 | 0:15:40 | |
-GREG LAUGHS -Sorry, Greg! | 0:15:40 | 0:15:42 | |
-I'll go with landmarks, then. -Landmarks. OK. | 0:15:42 | 0:15:44 | |
Here's your question on landmarks. | 0:15:44 | 0:15:47 | |
Bankside Power Station became which London gallery? | 0:15:47 | 0:15:52 | |
-The Tate Modern. -Correct! | 0:15:52 | 0:15:54 | |
-The clock is yours. -Yes! -There it goes off into your collection. | 0:15:54 | 0:15:59 | |
It's as easy as that, Graham and Chris, OK? | 0:15:59 | 0:16:01 | |
-Hmm. -Chris, what is your lot? | 0:16:01 | 0:16:03 | |
-I'll go for the lace. -The lace. OK. | 0:16:03 | 0:16:06 | |
Graham, what do you fancy then? Landmarks? | 0:16:06 | 0:16:09 | |
It'll be the landmarks as picked for me by Christine, please. | 0:16:09 | 0:16:11 | |
Landmarks for you, Graham. | 0:16:11 | 0:16:13 | |
Which building claimed the title as the world's tallest in 2010? | 0:16:13 | 0:16:18 | |
-Burj Khalifa. -Correct. | 0:16:19 | 0:16:21 | |
It's yours and the lace is yours. | 0:16:21 | 0:16:23 | |
-Very well done, Graham. -Yeah, lovely that. | 0:16:23 | 0:16:26 | |
-Mike, what's your lot? -Erm, can I go for the planters, please? | 0:16:26 | 0:16:31 | |
The planters. OK. | 0:16:31 | 0:16:33 | |
John, what would you like, celebrity gossip or animals? | 0:16:33 | 0:16:37 | |
-It'll have to be animals, please, Fern. -Animals. Here we go. | 0:16:37 | 0:16:40 | |
What girl's name is also used to describe a female donkey? | 0:16:40 | 0:16:45 | |
Julie. Mary. Holly. Anne. | 0:16:45 | 0:16:48 | |
-Struggling with this one, Fern. -You're struggling. | 0:16:48 | 0:16:50 | |
-No, sorry, can't... -Oh, did anyone else know? | 0:16:50 | 0:16:53 | |
-Yes. -Jenny. -Jenny it is. Yes, a Jenny. | 0:16:53 | 0:16:56 | |
OK, well, the planters stay on the grid. | 0:16:56 | 0:17:00 | |
Back to Greg and Nicole. Nicole, what's your lot? | 0:17:00 | 0:17:03 | |
Erm, we'll go for the planters. | 0:17:03 | 0:17:05 | |
-Oh, the planters? -Yeah. | 0:17:05 | 0:17:07 | |
Greg, celebrity gossip or animals? | 0:17:07 | 0:17:09 | |
-We'll go with celebrity gossip. -Celebrity gossip. | 0:17:12 | 0:17:15 | |
And your question is... | 0:17:15 | 0:17:17 | |
which country music star is the godmother of Miley Cyrus? | 0:17:17 | 0:17:21 | |
-Dolly Parton. -It is Dolly Parton. | 0:17:21 | 0:17:25 | |
She is THE country music star, isn't she? | 0:17:25 | 0:17:28 | |
The planters are on their way to your collection. | 0:17:28 | 0:17:31 | |
Graham and Chris. Chris, what's your lot? | 0:17:31 | 0:17:33 | |
Erm, I will go for the rug, please. | 0:17:33 | 0:17:37 | |
The rug. Desserts or Oscar winners, Graham? | 0:17:37 | 0:17:42 | |
Oh, now if it was Christine answering, it would be desserts, | 0:17:42 | 0:17:44 | |
-but for me it'll have to be Oscar winners, please. -Oscar winners. | 0:17:44 | 0:17:47 | |
OK, here we go. | 0:17:47 | 0:17:49 | |
Which 1939 film was the first in colour | 0:17:49 | 0:17:53 | |
to win the Oscar for Best Picture? | 0:17:53 | 0:17:55 | |
I'm going to have to say Gone With The Wind. | 0:17:55 | 0:17:58 | |
And you are going to be right. That's perfect. Well done. | 0:17:58 | 0:18:01 | |
-I didn't know you'd know that one. -Oh, yeah, he's cleverer than you thought, you see. | 0:18:01 | 0:18:05 | |
-Yeah. I usually know that one. -Did you know that one? -Yes, I did. -Well done. | 0:18:05 | 0:18:08 | |
-That's the rug in your collection. -Thank you. | 0:18:08 | 0:18:11 | |
And the last pick here goes to you, Mike. What's your lot? | 0:18:11 | 0:18:14 | |
-I'm going to have to go for the chocolate box, please. -The chocolate box. | 0:18:14 | 0:18:18 | |
Animals or landmarks, John? | 0:18:18 | 0:18:20 | |
-I'm going to go for animals again, Fern. -Animals. | 0:18:20 | 0:18:24 | |
Here's your question, John. | 0:18:24 | 0:18:26 | |
Aardvarks are natives to which continent? | 0:18:26 | 0:18:29 | |
Aardvarks are native to... | 0:18:29 | 0:18:31 | |
South America, I believe. | 0:18:31 | 0:18:34 | |
You believe incorrectly, it's Africa. | 0:18:34 | 0:18:37 | |
-It's Africa. -Africa. | 0:18:37 | 0:18:38 | |
John, that means that the chocolate box is safe and still on the grid. | 0:18:38 | 0:18:42 | |
Right, let's sum up here. | 0:18:42 | 0:18:44 | |
Well, Nicole and Greg, to the bowl | 0:18:44 | 0:18:46 | |
you have now added the planters and the clock. | 0:18:46 | 0:18:49 | |
Chris and Graham, you have the scent bottle, the lace and the rug. | 0:18:49 | 0:18:52 | |
Mike and John, your collection is unchanged with the top hat, | 0:18:52 | 0:18:56 | |
the painting, the vase and the bust. | 0:18:56 | 0:18:58 | |
And I wonder where the top lot is? | 0:18:58 | 0:19:00 | |
Is it still on the grid or is it somewhere in your collections? | 0:19:00 | 0:19:04 | |
And where's the worthless lot as well? | 0:19:04 | 0:19:06 | |
Teams, your collections are growing, | 0:19:06 | 0:19:08 | |
but remember at the end of this round the pair with the least valuable collection will be leaving us. | 0:19:08 | 0:19:14 | |
So, have you missed out? | 0:19:14 | 0:19:16 | |
There is one last lot available to each team | 0:19:16 | 0:19:19 | |
and this time you can either go for what's left on the grid, | 0:19:19 | 0:19:23 | |
or you could try to steal an antique that is in a rival team's collection. | 0:19:23 | 0:19:28 | |
But, pickers, be warned, | 0:19:28 | 0:19:31 | |
if you choose to steal from another team, | 0:19:31 | 0:19:34 | |
their quizzer will get to decide your quizzer's category. | 0:19:34 | 0:19:39 | |
Right, Nicole, do you want to target a lot from the grid, | 0:19:39 | 0:19:43 | |
or have you got your eye on something in another collection? | 0:19:43 | 0:19:45 | |
Erm, I really like the top hat. | 0:19:45 | 0:19:48 | |
-Do you? -Yeah. -Which is in John and Mike's collection. -It is. | 0:19:48 | 0:19:52 | |
Which means that John chooses a category for Greg to answer. | 0:19:52 | 0:19:57 | |
This time you can choose any one of those categories. | 0:19:57 | 0:19:59 | |
-Well, Fern, I think boxing would be a suitable one. -OK. | 0:19:59 | 0:20:04 | |
This is your question on boxing, Greg. | 0:20:04 | 0:20:06 | |
What name is commonly given to a fighter who favours their left hand? | 0:20:06 | 0:20:11 | |
-Left hook. I don't know. -Ah, it's southpaw. | 0:20:12 | 0:20:15 | |
-Well defended, John. Very, very good. -Thank you. | 0:20:15 | 0:20:18 | |
So the top hat stays in your collection. Graham and Chris. | 0:20:18 | 0:20:22 | |
Chris, what have you got your eye on, | 0:20:22 | 0:20:24 | |
something on the grid or something somewhere else? | 0:20:24 | 0:20:27 | |
I'd like the vase, please. | 0:20:27 | 0:20:29 | |
-The vase? -Yes. -All right. | 0:20:29 | 0:20:32 | |
John, you've got to defend again, so you must pick a question for Graham. | 0:20:32 | 0:20:36 | |
I'm going to go with...girl bands. | 0:20:36 | 0:20:38 | |
FERN LAUGHS | 0:20:38 | 0:20:40 | |
LAUGHTER | 0:20:40 | 0:20:42 | |
If he does know, he shouldn't. | 0:20:42 | 0:20:44 | |
LAUGHTER | 0:20:44 | 0:20:46 | |
He's done a PhD in them. He's got it. | 0:20:46 | 0:20:48 | |
OK, girl bands question for you, Graham. | 0:20:48 | 0:20:51 | |
Which all-girl group had a 1989 UK number one hit with Eternal Flame? | 0:20:51 | 0:20:57 | |
-The Bangles. -Correct! | 0:20:59 | 0:21:02 | |
-Oh, fabulous! -Well done! -A good subject you picked there. | 0:21:02 | 0:21:04 | |
-The vase is on its way to you. Oh, John! -Gutted! | 0:21:04 | 0:21:08 | |
You see, you just can't... Would you know the answer was Bangles? | 0:21:08 | 0:21:12 | |
-Yeah, I did know that. -Did you? -Yeah. -OK, Mike, this is your chance. | 0:21:12 | 0:21:15 | |
Do you want to take something from the grid | 0:21:15 | 0:21:17 | |
-or do you want to steal that vase back? -Payback time, I think. | 0:21:17 | 0:21:21 | |
-LAUGHTER -And, do you know what, you can have my vase, I want your scent bottle. | 0:21:21 | 0:21:25 | |
-Oh, no! -LAUGHTER | 0:21:25 | 0:21:27 | |
-Nice one! -Oh! -Right, Graham, your chance to defend. | 0:21:27 | 0:21:31 | |
What do you think John should answer a question on? | 0:21:31 | 0:21:34 | |
Let's try famous dates. | 0:21:34 | 0:21:37 | |
All right, John, here's the question. | 0:21:37 | 0:21:39 | |
Who became Lord Protector on 16th December, 1653? | 0:21:39 | 0:21:46 | |
-Er, Cromwell. -Correct. | 0:21:46 | 0:21:48 | |
-Boom! -Well done. -High five, cowboy. -The scent bottle is on its way. | 0:21:48 | 0:21:51 | |
-I were hoping you'd do animals. -Thank you very much. | 0:21:51 | 0:21:54 | |
JOHN LAUGHS | 0:21:54 | 0:21:55 | |
Very well played, teams. Excellent. | 0:21:55 | 0:21:57 | |
OK, that is it for round two. | 0:21:57 | 0:21:59 | |
And for one team, sadly, it's the end of the road. | 0:21:59 | 0:22:02 | |
Now, we have calculated the combined value of all of your items | 0:22:02 | 0:22:05 | |
and the team with the least valuable collection will be eliminated, | 0:22:05 | 0:22:10 | |
taking their lots out of the game. | 0:22:10 | 0:22:13 | |
Charlie's been keeping tabs. So, Charlie, who is leaving us first? | 0:22:13 | 0:22:17 | |
The pair leaving us first is... | 0:22:17 | 0:22:20 | |
-..Mike and John. -No! -Oh, no! -LAUGHTER | 0:22:25 | 0:22:29 | |
It just goes to prove that even though you have | 0:22:29 | 0:22:32 | |
one more lot in your collection than the other teams, it wasn't enough. | 0:22:32 | 0:22:36 | |
-We did our best. -It is always quality, not quantity, we're looking for. | 0:22:36 | 0:22:40 | |
-It got a bit personal, I think. -LAUGHTER | 0:22:40 | 0:22:43 | |
John and Mike, you have been absolutely fantastic. | 0:22:43 | 0:22:47 | |
We're very, very sorry, honestly, to see you go. | 0:22:47 | 0:22:50 | |
But before you leave, of course, you want to find out | 0:22:50 | 0:22:53 | |
the value of the lots that are leaving the game with you. | 0:22:53 | 0:22:56 | |
So, Charlie, what do you make of their collection? | 0:22:56 | 0:22:58 | |
I thought it was a great collection, it just wasn't quite great enough, really. | 0:22:58 | 0:23:02 | |
There were some interesting comments about the hat in the room. | 0:23:02 | 0:23:05 | |
It looked very smart apparently, it looked rather Victorian. | 0:23:05 | 0:23:09 | |
The great thing about this hat is it fits, | 0:23:09 | 0:23:12 | |
and if you were to go and buy a new silk top hat today, | 0:23:12 | 0:23:16 | |
you would have to spend £750 certainly. | 0:23:16 | 0:23:21 | |
I would prefer if it had got a leather box rather than a cardboard one, but there we are. | 0:23:21 | 0:23:25 | |
£120 worth was the hat. | 0:23:25 | 0:23:29 | |
Amazing! OK, that's gone. What else? | 0:23:29 | 0:23:32 | |
Well, we've got the bust, haven't we? It's bronze. | 0:23:32 | 0:23:35 | |
I think Chris mentioned that it was spelter, worthless. | 0:23:35 | 0:23:39 | |
-I know. -But it's not spelter, which of course is zinc with impurities. -Oh, right. | 0:23:39 | 0:23:45 | |
Who's the subject? Well, I think | 0:23:45 | 0:23:48 | |
it's not named but it looks like the Virgin Mary to me. | 0:23:48 | 0:23:51 | |
And I think some of you came up with that. | 0:23:51 | 0:23:53 | |
It's well patinated, there is no signature on it, but it is bronze. | 0:23:53 | 0:24:00 | |
-So we've gone with £300 on that. -Very nice. | 0:24:00 | 0:24:04 | |
OK, next. | 0:24:04 | 0:24:06 | |
We've got the painting. | 0:24:06 | 0:24:08 | |
Painted by HB Roberts. A good artist and it's of Barnaby Rudge, | 0:24:08 | 0:24:12 | |
which was written and set against the Gordon riots of 1780. | 0:24:12 | 0:24:17 | |
So there's a lot of history there. A good name. | 0:24:17 | 0:24:20 | |
Perhaps it might have been more valuable | 0:24:20 | 0:24:24 | |
had it been a more well-known character, Fagin, Oliver. | 0:24:24 | 0:24:29 | |
You know, Barnaby Rudge isn't necessarily the most famous. | 0:24:29 | 0:24:32 | |
I think John questioned rather glibly, "Is it a Constable?" | 0:24:32 | 0:24:36 | |
-Well, no, it isn't a Constable. -LAUGHTER | 0:24:36 | 0:24:38 | |
And it's worth £400. | 0:24:38 | 0:24:42 | |
Very nice. And now the final... The scent bottle. | 0:24:42 | 0:24:46 | |
-Oh, that's my favourite. -Chris' favourite and it's gone. | 0:24:46 | 0:24:49 | |
Everybody was trying to get this scent bottle. | 0:24:49 | 0:24:51 | |
Ping-pong, ping-pong, we went with the scent bottle. | 0:24:51 | 0:24:55 | |
And I have to agree with you, it's a fabulous thing, isn't it? | 0:24:55 | 0:24:59 | |
It's... It's got its original case | 0:24:59 | 0:25:02 | |
and it's so unusual to have the two ends. | 0:25:02 | 0:25:06 | |
It's really a statement of the Victorian era, isn't it? | 0:25:06 | 0:25:11 | |
It's about 1890. I love the colour. | 0:25:11 | 0:25:14 | |
And it is the best, it is the best of its sort, and therefore... | 0:25:14 | 0:25:19 | |
£600 for this object. | 0:25:19 | 0:25:22 | |
So that gives you a total of £1,420. | 0:25:22 | 0:25:27 | |
Well, gentlemen, John and Mike, | 0:25:27 | 0:25:29 | |
you did pick some really lovely things there, so I hope that you are pleased that you had your eye in. | 0:25:29 | 0:25:35 | |
Yeah, yeah. It's Mike's fault that we lost, cos he picked the wrong items, actually. | 0:25:35 | 0:25:39 | |
I got most questions right than anyone else, | 0:25:39 | 0:25:42 | |
-so I can go home with head held high, he's a disaster. -LAUGHTER | 0:25:42 | 0:25:45 | |
-JOHN LAUGHS -But I'm not bitter, you know. | 0:25:45 | 0:25:49 | |
LAUGHTER Mike and John, it really has been a pleasure to have you here, | 0:25:49 | 0:25:53 | |
but it's now time to bring the hammer down on your lot. | 0:25:53 | 0:25:56 | |
-Thank you for playing For What It's Worth. BOTH: -Thank you. | 0:25:56 | 0:25:59 | |
Yeah, it was unlucky, you never know what these things are worth. | 0:26:01 | 0:26:04 | |
I'd probably just put for the record | 0:26:04 | 0:26:06 | |
that I personally think the clock is going to be the most expensive item, | 0:26:06 | 0:26:09 | |
which I wanted to choose and I was dismissed against. | 0:26:09 | 0:26:12 | |
But, hey-ho, you win some, you lose some, | 0:26:12 | 0:26:14 | |
-and you get three questions wrong and lose the match. -BOTH LAUGH | 0:26:14 | 0:26:18 | |
The unclaimed lots in the grid are now also leaving the game. | 0:26:20 | 0:26:24 | |
So let's quickly find there from Charlie what they were worth | 0:26:24 | 0:26:27 | |
and if the top lot is still in the game? Charlie. | 0:26:27 | 0:26:32 | |
-Chocolate box. -Hmm. -Bit of a problem with this, | 0:26:32 | 0:26:35 | |
-no chockies inside it. -FERN LAUGHS | 0:26:35 | 0:26:38 | |
-I had them earlier. -You like... Yes, you ate the lot, didn't you? -Yes. | 0:26:38 | 0:26:41 | |
-CHARLIE LAUGHS -It's rather a charming object, | 0:26:41 | 0:26:44 | |
it's really not worth anything unless, of course, it came off the Titanic. | 0:26:44 | 0:26:48 | |
-LAUGHTER -And it didn't come off the Titanic. | 0:26:48 | 0:26:51 | |
-And it's worth 25 quid. -Ah, so it's not the worthless lot? | 0:26:51 | 0:26:55 | |
-It's not worthless, no. -Hmm. | 0:26:55 | 0:26:57 | |
I don't think anybody was really taken in by the plaque. | 0:26:57 | 0:26:59 | |
This, of course, had it been an original painting by Camille Faure, | 0:26:59 | 0:27:04 | |
would have been way over the top lot. | 0:27:04 | 0:27:06 | |
He did some fantastic enamelling on vases. | 0:27:06 | 0:27:10 | |
He enamelled onto copper and his copper vases enamelled, | 0:27:10 | 0:27:14 | |
they're worth thousands and thousands. | 0:27:14 | 0:27:16 | |
This, however, is £80 worth. | 0:27:16 | 0:27:19 | |
-Ah. -So, pleased it's going out of the show, really. -Yeah, very pleased. | 0:27:19 | 0:27:23 | |
-What's next? -Well, the toy. Nobody really liked the toy. | 0:27:23 | 0:27:26 | |
Well, I think everybody was absolutely terrified! | 0:27:26 | 0:27:29 | |
The great thing about it is that it does work. | 0:27:29 | 0:27:32 | |
A, it's got its box, we like toys to have boxes, | 0:27:32 | 0:27:36 | |
and, B, it works. | 0:27:36 | 0:27:38 | |
This is worth £450. | 0:27:38 | 0:27:41 | |
-Wow! -Wow! -I'm shocked. -What's next? | 0:27:41 | 0:27:45 | |
A magician's card ladle. | 0:27:45 | 0:27:48 | |
This is a really unusual object, | 0:27:48 | 0:27:50 | |
it's for the magician to gather the cards back from the contestants | 0:27:50 | 0:27:54 | |
without getting too close and giving the game away. | 0:27:54 | 0:27:56 | |
It's actually silver plate, but it's super quality. | 0:27:56 | 0:27:59 | |
It's about 1840. | 0:27:59 | 0:28:01 | |
A member of the Magic Circle who's a collector | 0:28:01 | 0:28:04 | |
-would pay £1,000 for this. -Wow! -Wow! | 0:28:04 | 0:28:08 | |
Very good. £1,000, but that's the end of that. | 0:28:08 | 0:28:11 | |
"Oh, here comes that piece of old rubbish." I think that's what most of you said. | 0:28:11 | 0:28:15 | |
Nicole, I think you said, "Ah, this is valuable." | 0:28:15 | 0:28:18 | |
"Maybe £80." | 0:28:18 | 0:28:21 | |
BOTH LAUGH | 0:28:21 | 0:28:23 | |
-So what is this precisely? -This is a manual | 0:28:23 | 0:28:27 | |
that was used and it exploded, as you can imagine with John Cleese, | 0:28:27 | 0:28:31 | |
when it was used in one of the comedy moments of the Pierce Brosnan film. | 0:28:31 | 0:28:36 | |
And this is pricelessly collectable. | 0:28:36 | 0:28:39 | |
This was only discarded at the end of the film, | 0:28:39 | 0:28:41 | |
but, of course, some clever clogs picked it up and thought, "That might be worth something one day." | 0:28:41 | 0:28:46 | |
And it jolly well is. | 0:28:46 | 0:28:47 | |
And you all missed a trick here. | 0:28:47 | 0:28:49 | |
I have to say that I would probably be in the same boat, | 0:28:49 | 0:28:52 | |
-but it's worth £2,000! -Oh! -No! | 0:28:52 | 0:28:56 | |
-Wow! -2,000! For a moment, I thought that was the top lot. | 0:28:56 | 0:29:00 | |
-We've got one more lot, haven't we? -Oh! -Ah! | 0:29:00 | 0:29:05 | |
-Nicole, I think you said it was ordinary. -Oh! | 0:29:05 | 0:29:08 | |
OK, it's not Clichy, it's not Baccarat, it's not one of the great ones, | 0:29:08 | 0:29:12 | |
but it's a stylish object, isn't it? | 0:29:12 | 0:29:15 | |
And wouldn't you like to have it on your desk? | 0:29:15 | 0:29:18 | |
-Well, not a lot, because it's worthless. -Hurrah! -Oh! | 0:29:18 | 0:29:21 | |
-Very good. -Oh! -Phew, Fern! That was a close one. -It actually was. | 0:29:21 | 0:29:27 | |
I was beginning to think, "Are you tricking us? No? Oh, my goodness!" | 0:29:27 | 0:29:30 | |
Well, well done for avoiding that one. | 0:29:30 | 0:29:33 | |
And now we know that the top lot is out there. | 0:29:33 | 0:29:37 | |
Someone has got it in their collection. | 0:29:37 | 0:29:40 | |
So, a couple of high-value items have left the game, | 0:29:40 | 0:29:43 | |
but the bottom lot has gone. | 0:29:43 | 0:29:45 | |
And most importantly the top lot is still in play. Congratulations. | 0:29:45 | 0:29:49 | |
So, just two pairs of contestants left. Before we go any further, | 0:29:49 | 0:29:53 | |
Charlie is going to give you another fact about a lot of your choice. | 0:29:53 | 0:29:58 | |
Nicole, what lot do you need to know more about? | 0:29:58 | 0:30:01 | |
The rug. | 0:30:01 | 0:30:03 | |
The rug. It's a Heriz rug. | 0:30:03 | 0:30:05 | |
A Persian rug from the area of Heriz, East Azerbaijan. | 0:30:05 | 0:30:10 | |
Now, they're famed for being durable, hard-wearing, | 0:30:10 | 0:30:14 | |
and they can last for generations. | 0:30:14 | 0:30:16 | |
-This one dates to the first half of the 20th century. -Uh-huh. | 0:30:16 | 0:30:20 | |
Graham and Chris, what would you like to know more about? | 0:30:20 | 0:30:24 | |
I think I might stay with mine and I'll say the vase. | 0:30:24 | 0:30:28 | |
The vase, please, Charlie. | 0:30:28 | 0:30:29 | |
A vase designed by Bernard Moore, | 0:30:29 | 0:30:33 | |
who was working during the later part of the 19th century | 0:30:33 | 0:30:36 | |
into the early 20th century. | 0:30:36 | 0:30:38 | |
Attempting to capture the lustre, designs | 0:30:38 | 0:30:42 | |
and glazes of the Ming Dynasty. | 0:30:42 | 0:30:44 | |
He is a master of all the resources of the potter's craft. | 0:30:44 | 0:30:49 | |
Those are all the facts available to you. | 0:30:49 | 0:30:52 | |
So it's now time for our final round, | 0:30:52 | 0:30:54 | |
and at the end of it, we will have our winners! | 0:30:54 | 0:30:57 | |
So I'm going to give the quizzers a category | 0:30:59 | 0:31:03 | |
and they then take turns to say answers in that category. | 0:31:03 | 0:31:06 | |
For example, if I say name types of apples, | 0:31:06 | 0:31:10 | |
you might see Granny Smith, you might say Pink Lady, | 0:31:10 | 0:31:13 | |
and then Gala and so on. OK? | 0:31:13 | 0:31:16 | |
If you fail to give an answer, if you repeat an answer, | 0:31:16 | 0:31:20 | |
or you give a wrong answer, you lose that category | 0:31:20 | 0:31:23 | |
and the opponent's picker will be able to steal | 0:31:23 | 0:31:26 | |
a lot from your collection. | 0:31:26 | 0:31:28 | |
Remember, it's the total value of your collections that matter the end of this. | 0:31:28 | 0:31:32 | |
And one high-priced lot could be more valuable | 0:31:32 | 0:31:35 | |
than your opponents' entire collection. | 0:31:35 | 0:31:38 | |
There are three categories | 0:31:38 | 0:31:40 | |
and the pair were the most valuable collection at this point go first. | 0:31:40 | 0:31:43 | |
-Charlie, who is that? -I can reveal that the team | 0:31:43 | 0:31:46 | |
who currently has the most valuable collection is... | 0:31:46 | 0:31:49 | |
-..Chris and Graham. -Oh! -Oh! | 0:31:52 | 0:31:56 | |
Graham, you will start us off. | 0:31:56 | 0:31:58 | |
And the first category is... | 0:31:58 | 0:32:01 | |
We are only looking for the names of current member countries. | 0:32:05 | 0:32:09 | |
John, if you're ready, please give me an answer. | 0:32:09 | 0:32:13 | |
-Australia. -Correct. | 0:32:13 | 0:32:16 | |
-Greg? -Canada. -Correct. Graham? | 0:32:16 | 0:32:21 | |
-New Zealand. -Correct. | 0:32:21 | 0:32:23 | |
-Greg? -Jamaica. | 0:32:23 | 0:32:25 | |
Correct. Graham? | 0:32:25 | 0:32:28 | |
-Bermuda. -Incorrect. | 0:32:28 | 0:32:30 | |
I'm so sorry, Graham. You could've had...India, | 0:32:30 | 0:32:35 | |
Kenya, Malta. | 0:32:35 | 0:32:37 | |
But well done, it's a very difficult round this one. | 0:32:37 | 0:32:41 | |
But it means, Nicole, you can steal | 0:32:41 | 0:32:44 | |
something from Graham and Chris' collection. What do you want? | 0:32:44 | 0:32:47 | |
-Please, may I have the lace. -I knew she'd have that. -The lace. It is yours. | 0:32:47 | 0:32:52 | |
Greg, you can start next. Here is your category. | 0:32:52 | 0:32:55 | |
We are looking only for works of fiction | 0:32:59 | 0:33:02 | |
and will not accept short stories. | 0:33:02 | 0:33:04 | |
Greg, please, give me an answer. | 0:33:04 | 0:33:07 | |
The Spyglass. | 0:33:07 | 0:33:10 | |
It's incorrect. Greg, I'm so sorry. | 0:33:10 | 0:33:14 | |
You could have had The Client, The Last Juror, The Firm. | 0:33:14 | 0:33:19 | |
Very, very hard category. You would either know them or you don't. | 0:33:19 | 0:33:23 | |
I didn't know them either. | 0:33:23 | 0:33:24 | |
OK, Chris, you can steal from Greg and Nicole's collection. | 0:33:24 | 0:33:28 | |
-I'm going to take my lace back. -LAUGHTER | 0:33:28 | 0:33:31 | |
The lace is winging its way back. | 0:33:31 | 0:33:34 | |
-OK, Graham, this is our third and final category. Ready? -Yes. | 0:33:34 | 0:33:39 | |
We will only accept characters' first AND last names. Are you ready? | 0:33:46 | 0:33:51 | |
Graham, would you please give me an answer. | 0:33:51 | 0:33:54 | |
Angie Watts. | 0:33:54 | 0:33:56 | |
Correct. Greg? | 0:33:56 | 0:33:59 | |
Peggy Mitchell. | 0:33:59 | 0:34:00 | |
-Correct. Graham? -Dennis Watts. | 0:34:00 | 0:34:03 | |
-Correct. Greg? -Frank Butcher. | 0:34:03 | 0:34:06 | |
-Correct. Graham? -Phil Mitchell. | 0:34:06 | 0:34:09 | |
-Correct. Greg? -Pat Butcher. | 0:34:09 | 0:34:12 | |
Correct. Graham? | 0:34:12 | 0:34:14 | |
Erm, I know the real names, not the character names. | 0:34:16 | 0:34:20 | |
Oh, Graham! | 0:34:20 | 0:34:23 | |
You could have had... | 0:34:23 | 0:34:25 | |
-Sharon Watts. -Sharon! -Alfie Moon, | 0:34:25 | 0:34:28 | |
Ian Beale, Roxy Mitchell. | 0:34:28 | 0:34:31 | |
There are loads of them, but isn't this a difficult round? | 0:34:31 | 0:34:33 | |
You've done very well. | 0:34:33 | 0:34:35 | |
It means, Nicole, you can steal from Graham and Chris's collection. LAUGHTER | 0:34:35 | 0:34:39 | |
I'm going to take the lace back, please. | 0:34:39 | 0:34:42 | |
-Are you? The lace? -Yeah! -Well, there's a shock. | 0:34:42 | 0:34:45 | |
-And the lace comes back to you. -Thank you. | 0:34:45 | 0:34:47 | |
Oh, Chris is really annoyed by that, aren't you? | 0:34:47 | 0:34:50 | |
Right, that's it, your collections are now fixed and will determine which team is victorious. | 0:34:50 | 0:34:55 | |
It's time to find out who are today's winners. Charlie? | 0:34:55 | 0:34:59 | |
I can reveal that the team with the most valuable collection | 0:34:59 | 0:35:03 | |
and the winners of today's show are... | 0:35:03 | 0:35:08 | |
..Nicole and Greg. | 0:35:09 | 0:35:11 | |
-Wow! -Very well done. -Congratulations. | 0:35:11 | 0:35:13 | |
Commiserations, however, to Chris and Graham. | 0:35:13 | 0:35:16 | |
You played so well, but you didn't create a valuable enough collection. | 0:35:16 | 0:35:21 | |
But before we say goodbye, | 0:35:21 | 0:35:24 | |
let's find out what items are also leaving the game | 0:35:24 | 0:35:27 | |
and if the top lot is in your collection. | 0:35:27 | 0:35:31 | |
-Charlie? -The Heriz rug, I like. | 0:35:31 | 0:35:34 | |
It's about 1920, 1930, I think in terms of date. | 0:35:34 | 0:35:38 | |
And, as a very general rule, | 0:35:38 | 0:35:40 | |
you can value a rug by the number of knots per square inch or per centimetre. | 0:35:40 | 0:35:45 | |
It's nice quality, good, bold colours, | 0:35:45 | 0:35:48 | |
but not particularly valuable. | 0:35:48 | 0:35:51 | |
£150. | 0:35:51 | 0:35:53 | |
-Nice, though. -It is nice. -Now, the vase? | 0:35:53 | 0:35:57 | |
The Bernard Moore vase. | 0:35:57 | 0:35:59 | |
I love it, actually. I really, really do. | 0:35:59 | 0:36:02 | |
I don't think anybody quite understood the rarity, | 0:36:02 | 0:36:06 | |
the complexity of it, when you were all looking at it. | 0:36:06 | 0:36:10 | |
It's quite clever, because if you look at it from a distance, | 0:36:10 | 0:36:12 | |
you might think it was bronze, it's so cleverly glazed. | 0:36:12 | 0:36:16 | |
It's not that valuable, although it's such a charming object. | 0:36:16 | 0:36:20 | |
-It's £350 worth. -Wow! | 0:36:20 | 0:36:22 | |
Which of course gives you a total value of your collection of £500. | 0:36:22 | 0:36:27 | |
Oh, my goodness! Chris and Graham, | 0:36:27 | 0:36:30 | |
it is time to bring the hammer down on your collection, I'm afraid, | 0:36:30 | 0:36:33 | |
but thank you for playing For What It's Worth. | 0:36:33 | 0:36:36 | |
Quite shocked to get through to the second round, so quite happy about that. Very good. | 0:36:39 | 0:36:43 | |
I didn't like the lace, | 0:36:43 | 0:36:44 | |
it was just the category I needed and the lace was on it. | 0:36:44 | 0:36:48 | |
But now that's gone and knowing that the other two items are very low value, | 0:36:48 | 0:36:53 | |
-I now think it's the lace that's most valuable. -That's most valuable. | 0:36:53 | 0:36:56 | |
Well done, Nicole and Greg, you built the most valuable collection | 0:36:58 | 0:37:02 | |
and you are today's winners. | 0:37:02 | 0:37:04 | |
So all you have to do is choose a lot from your collection | 0:37:04 | 0:37:07 | |
and we will give you its value in cash. | 0:37:07 | 0:37:10 | |
So try and pick a good one. | 0:37:10 | 0:37:12 | |
Remember, of course, that top lot is in there somewhere. | 0:37:12 | 0:37:15 | |
So, what are you going to choose? | 0:37:15 | 0:37:18 | |
-I think it's going to be the lace, isn't it? -I think it is, yeah. | 0:37:18 | 0:37:22 | |
My personal favourite is the clock. | 0:37:22 | 0:37:24 | |
-But you don't get the object, Nicole. -I know. I know, we don't get it. | 0:37:24 | 0:37:28 | |
But we think possibly... | 0:37:28 | 0:37:31 | |
We think the lace is definitely the most valuable item we have up there. | 0:37:31 | 0:37:35 | |
-We've done the maths, we're going to go with the lace. -Yeah. | 0:37:35 | 0:37:38 | |
So your chosen lot is the lace? | 0:37:38 | 0:37:41 | |
But before we tell you what it's worth, | 0:37:41 | 0:37:43 | |
Charlie is the person who can give you the value | 0:37:43 | 0:37:46 | |
on the lots that you've rejected. | 0:37:46 | 0:37:47 | |
The planters. I like the planters, of course. They're Edwardian. | 0:37:47 | 0:37:51 | |
These are really rather elegant, | 0:37:51 | 0:37:54 | |
but they're good interior-decorator lots. | 0:37:54 | 0:37:57 | |
I think these would have been worth 750-plus 20 years ago. | 0:37:57 | 0:38:03 | |
-£250 worth. -No! -Yeah. | 0:38:03 | 0:38:05 | |
-And what next? -Well, next we've got the clock. | 0:38:06 | 0:38:10 | |
Nicole, you like clocks, don't you? | 0:38:10 | 0:38:12 | |
-Yeah, I do, and that's my favourite thing, yeah. -Yeah. | 0:38:12 | 0:38:15 | |
Was it the central part | 0:38:15 | 0:38:17 | |
of a three-piece clock set once upon a time? | 0:38:17 | 0:38:20 | |
Could have been, but I don't think that it matters too much | 0:38:20 | 0:38:23 | |
and we put £800 on that clock. | 0:38:23 | 0:38:26 | |
-Whoa! Not bad. -Yeah. | 0:38:26 | 0:38:29 | |
-And the last item? -The bowl. | 0:38:29 | 0:38:32 | |
The fabulous Wedgwood Fairyland Lustre bowl by Daisy Makeig-Jones. | 0:38:32 | 0:38:39 | |
Wonderful! She was very much influenced by a couple of illustrators, | 0:38:39 | 0:38:43 | |
Edmund Dulac and Arthur Rackham. | 0:38:43 | 0:38:47 | |
It's small... | 0:38:47 | 0:38:49 | |
but if it were larger, it would be worth... | 0:38:49 | 0:38:54 | |
-£6,000-8000, I think. -Whoa! | 0:38:54 | 0:38:56 | |
But it's smaller, it's worth £1,500. | 0:38:56 | 0:39:00 | |
Whoa! | 0:39:00 | 0:39:01 | |
From that I think you can make a deduction. | 0:39:01 | 0:39:05 | |
Congratulations! That piece of lace is now, as we know, the top lot. | 0:39:05 | 0:39:12 | |
It is worth £2,500. BOTH LAUGH | 0:39:12 | 0:39:15 | |
-Greg, are you proud of Nicole? -I am. -I didn't let you down, did I? -You didn't, no. | 0:39:15 | 0:39:20 | |
He said to me, "If I'm bringing it on the questions, don't let me down." | 0:39:20 | 0:39:24 | |
Would you believe a piece of lace is worth that much, Greg? | 0:39:24 | 0:39:27 | |
-Not really my taste, but I can see that it would be. -I would. | 0:39:27 | 0:39:32 | |
-Well, you can now. Funny that, isn't it? -Yeah. -LAUGHTER | 0:39:32 | 0:39:35 | |
Nicole and Greg, congratulations. | 0:39:35 | 0:39:37 | |
Come and join me to take a closer look at that piece of lace | 0:39:37 | 0:39:40 | |
and to see if we can tempt you with our mystery lot. | 0:39:40 | 0:39:43 | |
Well, we know you have the top lot. | 0:39:45 | 0:39:49 | |
You have worked very hard to get it. | 0:39:49 | 0:39:52 | |
However, let's see if we can tempt you with today's mystery lot, | 0:39:52 | 0:39:57 | |
which could be worth even more. | 0:39:57 | 0:39:59 | |
Charlie, would you like to reveal the mystery lot? | 0:40:01 | 0:40:03 | |
-What's that?! -It is a very heavy bronze rum tot. | 0:40:07 | 0:40:14 | |
Half a gill in measure, inscribed Jamaica, Hanover, 1834. | 0:40:14 | 0:40:22 | |
Hanover is a parish in Jamaica. | 0:40:22 | 0:40:25 | |
And you can just imagine a gnarly old sailor | 0:40:25 | 0:40:28 | |
knocking back Jamaican rum from this. | 0:40:28 | 0:40:31 | |
And from that you can form your valuation. | 0:40:31 | 0:40:36 | |
-Hmm. -So, all that's left is for you to decide | 0:40:36 | 0:40:40 | |
whether you stick with your lace which you know is worth £2,500, | 0:40:40 | 0:40:46 | |
or just dump it in favour of today's mystery lot. CHARLIE LAUGHS | 0:40:46 | 0:40:51 | |
-I don't like it. -I think we're quids in with the lace. | 0:40:51 | 0:40:54 | |
-I do. I like the lace. -We don't want to be greedy. | 0:40:54 | 0:40:57 | |
-I mean... -I mean, it is engraved, but it's a rum pot, really. | 0:40:57 | 0:41:02 | |
I like the lace more and, do you know what, the lace is worth a lot of money. | 0:41:02 | 0:41:06 | |
-Yeah. -So I'm happy with how much the lace is worth, yeah. | 0:41:06 | 0:41:09 | |
-Let's stick with the lace. -Yeah, I think we'll stick with the lace. -Yes? | 0:41:09 | 0:41:12 | |
-You're going to keep the bird in the hand rather than the two in the bush? -Yeah. -Yes, we will. | 0:41:12 | 0:41:17 | |
Right, they're still going with the lace. | 0:41:17 | 0:41:20 | |
That means you have won its worth in cold, hard cash. | 0:41:20 | 0:41:25 | |
Charlie, would you please tell us what they've thrown away? | 0:41:25 | 0:41:30 | |
Oh! This could be a heartbreaking moment, couldn't it? | 0:41:30 | 0:41:33 | |
Oh, don't! I hate this bit. | 0:41:33 | 0:41:35 | |
-I'm going to hang onto you. -You hang onto each other. | 0:41:35 | 0:41:39 | |
Because it's history. | 0:41:39 | 0:41:41 | |
-It's fine. -It's rum! | 0:41:41 | 0:41:44 | |
# 15 men on a dead man's chest | 0:41:44 | 0:41:47 | |
# Yo-ho-ho and a bottle of rum. # | 0:41:47 | 0:41:51 | |
What about that? | 0:41:51 | 0:41:53 | |
Well...it's a pretty exciting object, this. | 0:41:53 | 0:41:57 | |
-Ohh! -I like it. | 0:41:57 | 0:41:59 | |
I really like it. | 0:41:59 | 0:42:02 | |
I may have even gone for it. | 0:42:02 | 0:42:04 | |
-But it's worth £120. -Yes! | 0:42:06 | 0:42:10 | |
CHARLIE LAUGHS | 0:42:10 | 0:42:11 | |
-How fantastic! Oh, congratulations! -Dear, dear, dear! -That's wonderful! | 0:42:11 | 0:42:17 | |
-Wonderful. -Congratulations. -I'm so pleased for you both. -You've been absolutely wonderful. Mwah! | 0:42:17 | 0:42:21 | |
-Mwah! -What a great game we've had today. | 0:42:21 | 0:42:25 | |
Congratulations to you, Nicole, to you, Greg. | 0:42:25 | 0:42:28 | |
You are going home with £2,500 to enjoy. | 0:42:28 | 0:42:31 | |
Really enjoy it. And thank you. | 0:42:31 | 0:42:34 | |
Thank you, Charlie, for lending us, as always, your wonderful expertise. | 0:42:34 | 0:42:38 | |
-It's been such a treat! -Hasn't it? -Yeah. -I'll see you again soon. | 0:42:38 | 0:42:41 | |
And so look forward to seeing you again soon. Join us again next time | 0:42:41 | 0:42:45 | |
when three more teams will battle to pick the lot to win the lot | 0:42:45 | 0:42:48 | |
on For What It's Worth. We'll see you then. Goodbye. Well done! | 0:42:48 | 0:42:53 | |
We thought the lace was quite valuable just because it was so old | 0:42:56 | 0:43:00 | |
and how much of it there was, cos that was a huge piece of lace, | 0:43:00 | 0:43:03 | |
but then when Chris wanted it back, | 0:43:03 | 0:43:06 | |
I was like, "Oh, OK, she knows something." | 0:43:06 | 0:43:09 |