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Hello and welcome to For What It's Worth, | 0:00:14 | 0:00:16 | |
where the brightest quizzers and most discerning shoppers | 0:00:16 | 0:00:20 | |
could go home with a top cash prize. | 0:00:20 | 0:00:22 | |
Three pairs of contestants are ready to play | 0:00:22 | 0:00:24 | |
and, in each team, there's a quizzer | 0:00:24 | 0:00:26 | |
responsible for answering general knowledge questions | 0:00:26 | 0:00:29 | |
so that their partner, the picker, can choose an antique item | 0:00:29 | 0:00:33 | |
to add to their collection. | 0:00:33 | 0:00:35 | |
The aim of the game is to amass the most valuable collection. | 0:00:35 | 0:00:38 | |
First up, we have Claire and Charlotte | 0:00:38 | 0:00:40 | |
who are two sisters from Essex. | 0:00:40 | 0:00:42 | |
-Welcome to the show, girls. BOTH: -Hi, Fern. -Hello. | 0:00:42 | 0:00:44 | |
-Claire, you'll be trying to pick the top lots today. -Yeah. | 0:00:44 | 0:00:48 | |
Do you have a passion for anything in particular? | 0:00:48 | 0:00:51 | |
I just basically like one-off pieces, individual bits. | 0:00:51 | 0:00:54 | |
What are your favourite pieces at home? China? Jewellery? | 0:00:54 | 0:00:58 | |
Pictures. Basically artwork, so, yeah. | 0:00:58 | 0:01:01 | |
Well, sitting next to you is your sister, Charlotte. | 0:01:01 | 0:01:03 | |
Charlotte, you are the general knowledge quizzer, | 0:01:03 | 0:01:05 | |
the brains for your team. So, as a team, are you very competitive? | 0:01:05 | 0:01:09 | |
Yeah, we like to aim high and see how far we can go. | 0:01:09 | 0:01:12 | |
Well, well, best of luck to you. Let's see what happens. | 0:01:12 | 0:01:14 | |
Next, we have Barbara and Catherine who are from Manchester, | 0:01:14 | 0:01:18 | |
mum and daughter. Welcome, Barbara and Catherine. | 0:01:18 | 0:01:20 | |
Barbara, you are picking the antiques for the team. Are you a collector? | 0:01:20 | 0:01:24 | |
Yes, I've collected a few things over the years. | 0:01:24 | 0:01:27 | |
Silver coins and stamps. | 0:01:27 | 0:01:30 | |
I've got a few editions of those | 0:01:30 | 0:01:32 | |
and some of the silver centenary in the Queen Mother's birthday. | 0:01:32 | 0:01:35 | |
I've got a few pieces of those | 0:01:35 | 0:01:37 | |
-that are worth a bit more than what I paid for them. -Good. | 0:01:37 | 0:01:40 | |
And, Catherine, your daughter, you are the team's quizzer. | 0:01:40 | 0:01:43 | |
Welcome, Catherine. Do you and your mum agree on most things? | 0:01:43 | 0:01:47 | |
Most but we do tend to go to the local quiz | 0:01:47 | 0:01:49 | |
-and we don't always agree on the answers. -Ah-ha. | 0:01:49 | 0:01:52 | |
Who generally gets more questions right? | 0:01:52 | 0:01:55 | |
I've usually got the pen so I normally write down what I think. | 0:01:55 | 0:01:58 | |
The power of the pen! "I've got the pen and I shall write that down!" | 0:01:58 | 0:02:03 | |
That's very good. | 0:02:03 | 0:02:04 | |
Finally, we welcome Alec and Philip who are from Leamington Spa | 0:02:04 | 0:02:08 | |
who are great friends and you're at university together at Warwick. | 0:02:08 | 0:02:11 | |
-Absolutely. -And, Alec, you're the picker for your team today. | 0:02:11 | 0:02:15 | |
What sort of things take your eye? What do you like? | 0:02:15 | 0:02:18 | |
I do collect smoking jackets | 0:02:18 | 0:02:21 | |
under the delusion that it makes me look cool, | 0:02:21 | 0:02:24 | |
which my friends swiftly put a stop to and now I only wear them indoors. | 0:02:24 | 0:02:29 | |
Smoking jackets! Where do you find those? | 0:02:29 | 0:02:31 | |
Just various vintage shops, wherever my feet take me. | 0:02:31 | 0:02:35 | |
Philip, you are the quizzer. | 0:02:35 | 0:02:37 | |
What makes you such great friends with Alec? | 0:02:37 | 0:02:40 | |
That's a good question. | 0:02:40 | 0:02:42 | |
Originally, I thought that Alec was just trying | 0:02:42 | 0:02:44 | |
to discover my hair secrets. | 0:02:44 | 0:02:46 | |
I think he's always been a bit jealous of my whole look, | 0:02:46 | 0:02:48 | |
but, yeah, we've found common ground in our love of literature | 0:02:48 | 0:02:52 | |
and we're quite competitive with each other as well | 0:02:52 | 0:02:54 | |
so it's a good friendship. | 0:02:54 | 0:02:56 | |
That's going to be a good mix. I love this afro. | 0:02:56 | 0:02:58 | |
-How long has it you taken you to grow that? -Too long, Fern, I'll be honest. | 0:02:58 | 0:03:01 | |
About three years. It's been effort the whole way. | 0:03:01 | 0:03:03 | |
I wouldn't recommend it to anyone. | 0:03:03 | 0:03:05 | |
But it's looking great. | 0:03:05 | 0:03:07 | |
Right, here we go. Let's play the game. | 0:03:07 | 0:03:09 | |
Good luck, everybody, and welcome. | 0:03:09 | 0:03:11 | |
Here are today's lots for your consideration. | 0:03:11 | 0:03:14 | |
16 very different antiques and collectables. | 0:03:14 | 0:03:17 | |
We have a vase, | 0:03:17 | 0:03:19 | |
tea service, | 0:03:19 | 0:03:21 | |
a stereoscope, | 0:03:21 | 0:03:23 | |
a table, | 0:03:23 | 0:03:24 | |
a plate, | 0:03:24 | 0:03:26 | |
a clock, | 0:03:26 | 0:03:27 | |
a camera | 0:03:27 | 0:03:28 | |
and an egg, | 0:03:28 | 0:03:30 | |
a chest, | 0:03:30 | 0:03:32 | |
a helmet, | 0:03:32 | 0:03:33 | |
a toy | 0:03:33 | 0:03:35 | |
and a sample stone, | 0:03:35 | 0:03:37 | |
a chair, | 0:03:37 | 0:03:39 | |
a mould, | 0:03:39 | 0:03:40 | |
some scales | 0:03:40 | 0:03:42 | |
and a shawl. | 0:03:42 | 0:03:44 | |
All very different with very different values. | 0:03:44 | 0:03:47 | |
One is worthless, which means it's worth £10 or less, | 0:03:47 | 0:03:51 | |
and the rest increase in value up to our top lot, | 0:03:51 | 0:03:54 | |
which is worth a whopping £2,500, | 0:03:54 | 0:03:58 | |
and that is the lot to spot because, at the end of the show, | 0:03:58 | 0:04:00 | |
the winning pair will walk away with the cash equivalent | 0:04:00 | 0:04:03 | |
of one of these items. | 0:04:03 | 0:04:05 | |
Earlier, our teams inspected the lots | 0:04:05 | 0:04:08 | |
but could they separate the duds from the Dalton? | 0:04:08 | 0:04:12 | |
-Right, we've got to think about this tactically. -These are antiques. | 0:04:13 | 0:04:16 | |
Ah, look at all those. | 0:04:16 | 0:04:19 | |
It looks Tudor. That's Tudor rose. | 0:04:24 | 0:04:27 | |
Having a mouse on furniture was a sign of this famous furniture maker. | 0:04:27 | 0:04:31 | |
300, £350. | 0:04:31 | 0:04:33 | |
I don't like that. | 0:04:33 | 0:04:35 | |
See, I don't mind that. | 0:04:35 | 0:04:37 | |
And I quite like enamel. I find it pretty. | 0:04:37 | 0:04:40 | |
-Aubert & Co, have you ever heard of it? -No, I'm afraid not. | 0:04:40 | 0:04:44 | |
-That's an old Post Office... -Scale. | 0:04:45 | 0:04:48 | |
They're not in normal weight now, are they? | 0:04:48 | 0:04:50 | |
-Cameras. -Very collectable, aren't they? | 0:04:53 | 0:04:56 | |
Might be worth something, that. | 0:04:56 | 0:04:59 | |
The only ones I've ever heard of is the Box Brownie | 0:04:59 | 0:05:01 | |
and things like that. | 0:05:01 | 0:05:03 | |
That is silver. It's got PB there. | 0:05:03 | 0:05:05 | |
That could be worth 1,500. | 0:05:05 | 0:05:08 | |
It's not got much weight to it and I don't really like it. | 0:05:08 | 0:05:11 | |
-Pineapple. -Yeah. -Where's its leaves? | 0:05:11 | 0:05:14 | |
I'm going acorn. | 0:05:14 | 0:05:16 | |
Is there something in it? I just can't get it open. | 0:05:16 | 0:05:19 | |
It's plate anyway so why do we need to? | 0:05:19 | 0:05:22 | |
Oh. Oh! | 0:05:22 | 0:05:24 | |
-Gone up from £10? -Yeah, it's gone up now. | 0:05:24 | 0:05:27 | |
That's giving me the creeps. I think that's absolutely hideous. | 0:05:29 | 0:05:32 | |
Don't like it. | 0:05:32 | 0:05:33 | |
I wouldn't say it was expensive. | 0:05:33 | 0:05:36 | |
-That's got numbers so it must have some value. -Macintyre. | 0:05:36 | 0:05:39 | |
Are you getting a feel for the item there? | 0:05:42 | 0:05:44 | |
You've got to feel the magic behind the item. | 0:05:44 | 0:05:48 | |
That's a difficult one, that one. | 0:05:48 | 0:05:50 | |
Tin. Yeah. | 0:05:50 | 0:05:52 | |
I think this might be worthless. | 0:05:52 | 0:05:54 | |
I'm not a fan of dented, battered tin. | 0:05:54 | 0:05:57 | |
Ah, it's a stereoscope! | 0:06:00 | 0:06:02 | |
Oh, this has novelty value. | 0:06:02 | 0:06:05 | |
18... 1890. | 0:06:05 | 0:06:08 | |
People are going to want to be collected these. | 0:06:08 | 0:06:11 | |
I'd say maybe 100, £150. | 0:06:11 | 0:06:14 | |
I was going to say 150. | 0:06:14 | 0:06:16 | |
-That's delicate work. That's got some value. -Don't touch it, then. | 0:06:16 | 0:06:20 | |
Is that, like, just a cake tin? | 0:06:21 | 0:06:23 | |
It looks like a jelly mould. | 0:06:23 | 0:06:26 | |
They're quite a big thing | 0:06:26 | 0:06:27 | |
-but they're not usually worth a lot of money. -No. | 0:06:27 | 0:06:30 | |
This plate, almost art-deco style. | 0:06:30 | 0:06:33 | |
-Wade plate. -That's not going to be worth too much money. -No. | 0:06:33 | 0:06:36 | |
I just think that's something you can buy now. | 0:06:36 | 0:06:40 | |
It's all scratched and chipped and it's a skip find. | 0:06:40 | 0:06:43 | |
-There's no markings on it. -Alabaster. | 0:06:45 | 0:06:47 | |
There is a kind of circumference pattern at the bottom. | 0:06:47 | 0:06:50 | |
I think we should keep an eye out for that. | 0:06:50 | 0:06:52 | |
Cromwellian? | 0:06:54 | 0:06:55 | |
I don't know. I'm looking for any stamp marks on it. | 0:06:55 | 0:06:58 | |
I think this could be a toy. | 0:06:58 | 0:06:59 | |
So I would say the scales. | 0:06:59 | 0:07:01 | |
-Yep, that's my pick. The chair. -And the clock. -And the clock. | 0:07:01 | 0:07:06 | |
The egg, the silverware, the clock. | 0:07:06 | 0:07:09 | |
The chair for me, then the stereoscope | 0:07:09 | 0:07:11 | |
and then the sample stone. | 0:07:11 | 0:07:13 | |
Yeah, you sure we've made the right decision? | 0:07:13 | 0:07:17 | |
Joining me is our resident antiques expert Natasha Raskin. | 0:07:17 | 0:07:21 | |
Natasha, what do you make of these lots today? | 0:07:21 | 0:07:23 | |
A brilliant selection today, Fern, | 0:07:23 | 0:07:26 | |
and, just as we have a mixed and exciting lot of contestants | 0:07:26 | 0:07:30 | |
with all their quirks and eccentricities, | 0:07:30 | 0:07:32 | |
we have a really mixed lot of collectables and antiques. | 0:07:32 | 0:07:36 | |
And how has the valuation been arrived at? | 0:07:36 | 0:07:39 | |
Well, it's a joint valuation, really. | 0:07:39 | 0:07:40 | |
I've had a look at everything on view. | 0:07:40 | 0:07:43 | |
I've come up with my estimates and they've been verified | 0:07:43 | 0:07:45 | |
by an independent valuer, so, together, we have placed | 0:07:45 | 0:07:48 | |
what we call the hammer price. | 0:07:48 | 0:07:50 | |
Now, that's the price that a bidder would pay at an auction | 0:07:50 | 0:07:53 | |
when the hammer falls before any auction costs. | 0:07:53 | 0:07:57 | |
As well as those little treasures up there, | 0:07:57 | 0:08:00 | |
we have our mystery lot, which is hidden under the shroud of mystery, | 0:08:00 | 0:08:06 | |
poised to be uncovered at the end of the show to tempt our winners. | 0:08:06 | 0:08:10 | |
It could be priceless or it could be worth peanuts. | 0:08:10 | 0:08:13 | |
We'll be unveiling it later but, for now, it is time for round one. | 0:08:13 | 0:08:17 | |
So I'm going to ask ten general knowledge questions. | 0:08:19 | 0:08:22 | |
Quizzers, if you buzz in with a correct answer, | 0:08:22 | 0:08:25 | |
your picker gets to add a lot to your collection | 0:08:25 | 0:08:27 | |
but, beware, buzz in incorrectly | 0:08:27 | 0:08:30 | |
and you'll be frozen out of the next question. | 0:08:30 | 0:08:33 | |
Quizzers, your picker is relying on you to give them a chance | 0:08:33 | 0:08:37 | |
to grab the good stuff first. | 0:08:37 | 0:08:38 | |
So, fingers on buzzers. Question number one. | 0:08:38 | 0:08:43 | |
Paper copies of which flower are sold for Remembrance Sunday? | 0:08:43 | 0:08:47 | |
-Yes, Charlotte. -Poppies. | 0:08:47 | 0:08:49 | |
It is poppies. Right, Claire, you're first off. | 0:08:49 | 0:08:52 | |
See if you can get the big one. | 0:08:52 | 0:08:54 | |
Well, we discussed this earlier and it's quite appropriate | 0:08:54 | 0:08:57 | |
because I am a Libran, | 0:08:57 | 0:08:58 | |
so we're going to go with the scales, if possible. | 0:08:58 | 0:09:01 | |
The scales. | 0:09:01 | 0:09:03 | |
You're off the mark, well done. | 0:09:03 | 0:09:05 | |
Question number two. | 0:09:05 | 0:09:07 | |
In which fictional setting would you be if you bumped into Snuffy, | 0:09:07 | 0:09:12 | |
Elmo, Grover... | 0:09:12 | 0:09:15 | |
-Catherine. -Sesame Street. | 0:09:15 | 0:09:17 | |
Yes, it is Sesame Street. | 0:09:17 | 0:09:19 | |
The last one I was going to say was Oscar. | 0:09:19 | 0:09:21 | |
-So, Barbara... -Oh, so keen. | 0:09:21 | 0:09:24 | |
I've got my eyes on something. | 0:09:24 | 0:09:26 | |
The chest, please. | 0:09:26 | 0:09:28 | |
The chest. It's yours. | 0:09:28 | 0:09:31 | |
Question number three. | 0:09:31 | 0:09:32 | |
Idina Menzel stars as Elsa in which Disney... | 0:09:32 | 0:09:37 | |
-Yes, Charlotte. -Frozen. | 0:09:37 | 0:09:39 | |
It is Frozen. Claire, go for it. | 0:09:39 | 0:09:42 | |
We'll take the clock, please. | 0:09:42 | 0:09:44 | |
The clock is in your collection. | 0:09:44 | 0:09:47 | |
Question number four. | 0:09:47 | 0:09:48 | |
Which British fashion designer is best known | 0:09:48 | 0:09:51 | |
for popularising the miniskirt? | 0:09:51 | 0:09:53 | |
-Yes, Catherine. -Mary Quant. | 0:09:53 | 0:09:54 | |
It is Mary Quant. | 0:09:54 | 0:09:56 | |
-Barbara. -Do you know, Fern, I think I'll go for the egg. | 0:09:56 | 0:09:59 | |
The egg. | 0:09:59 | 0:10:01 | |
-That is in your collection right now. -Thank you. | 0:10:01 | 0:10:04 | |
Question five. | 0:10:04 | 0:10:05 | |
Released in 2009, which body part | 0:10:05 | 0:10:09 | |
is the title of Florence + the Machine's debut album? | 0:10:09 | 0:10:12 | |
-Yes, Philip. -Is it lungs? | 0:10:13 | 0:10:16 | |
It is lungs. Alec, your choice. | 0:10:16 | 0:10:18 | |
Yes, when we are perusing at the viewing gallery before, | 0:10:18 | 0:10:20 | |
I did see the stereoscope giving Phil the eye | 0:10:20 | 0:10:24 | |
so I think we'll get that one, please. | 0:10:24 | 0:10:25 | |
Ooh, the stereoscope kicks off your collection. | 0:10:25 | 0:10:29 | |
Question six. | 0:10:29 | 0:10:31 | |
In the Christian Bible, what is the first book of the New Testament? | 0:10:31 | 0:10:36 | |
That's time up. It's Matthew. | 0:10:38 | 0:10:41 | |
Question seven. | 0:10:41 | 0:10:42 | |
Located in Trafalgar Square, British artist Edwin Landseer | 0:10:42 | 0:10:47 | |
is well known for his bronze sculptures of which animals? | 0:10:47 | 0:10:52 | |
-Yes, Philip. -Horses. | 0:10:52 | 0:10:54 | |
Incorrect. Lions. | 0:10:54 | 0:10:56 | |
You're frozen out of this next question. | 0:10:56 | 0:10:59 | |
Question eight. | 0:10:59 | 0:11:00 | |
Salami and bratwurst are examples of which meat product? | 0:11:00 | 0:11:03 | |
BELL Yes, Charlotte? | 0:11:03 | 0:11:05 | |
They're...pork sausage. | 0:11:05 | 0:11:07 | |
Correct - sausage. | 0:11:07 | 0:11:09 | |
Claire, you can pick a lot. | 0:11:09 | 0:11:11 | |
Uh...we liked the look of the chair. | 0:11:11 | 0:11:14 | |
Yes, the chair is on its way to your collection. | 0:11:14 | 0:11:17 | |
Philip and Alec, you are now unfrozen. | 0:11:17 | 0:11:20 | |
Question nine. | 0:11:20 | 0:11:22 | |
Which British singer played Jareth, the Goblin King, | 0:11:22 | 0:11:25 | |
in the 1986 film Labyrinth? | 0:11:25 | 0:11:28 | |
BELL Yes, Catherine? | 0:11:28 | 0:11:30 | |
David Bowie. | 0:11:30 | 0:11:31 | |
It is David Bowie. Barbara, you get to choose. | 0:11:31 | 0:11:34 | |
-I'm going to have the helmet. -Yes, it's yours. It's on its way. | 0:11:34 | 0:11:39 | |
Question ten. | 0:11:39 | 0:11:40 | |
Used in computing, what is the acronym RAM short for? | 0:11:40 | 0:11:46 | |
BELL Yes, Philip? | 0:11:46 | 0:11:47 | |
Random Access Memory? | 0:11:47 | 0:11:49 | |
Correct. Alec, choose something. | 0:11:49 | 0:11:52 | |
I think the pattern on that sample stone is quite appealing. | 0:11:52 | 0:11:55 | |
The sample stone is on its way to you. | 0:11:55 | 0:11:57 | |
Cos it's a pretty pattern? That's your logic? | 0:11:57 | 0:11:59 | |
I like it... | 0:11:59 | 0:12:01 | |
-FERN LAUGHS -Sorry, Fern. | 0:12:01 | 0:12:03 | |
Oh, this is fun. OK. What have we got here? | 0:12:03 | 0:12:06 | |
Well, Charlotte and Claire in their collection have | 0:12:06 | 0:12:09 | |
the scales, a chair and a clock. | 0:12:09 | 0:12:12 | |
Catherine and Barbara have a chest, a helmet and an egg. | 0:12:12 | 0:12:17 | |
And Philip and Alec have a stereoscope and that sample stone. | 0:12:17 | 0:12:22 | |
Very good. Well, our teams have started to build their collections, | 0:12:22 | 0:12:25 | |
but before they have the chance to add to them, | 0:12:25 | 0:12:27 | |
Natasha is going to give each pair a fact about a lot of their choice. | 0:12:27 | 0:12:31 | |
Now, these snippets of information should give you vital clues | 0:12:31 | 0:12:36 | |
about what it's worth, so choose wisely. | 0:12:36 | 0:12:39 | |
You can choose one of yours, one of the other teams', | 0:12:39 | 0:12:41 | |
or something that is still up for grabs on the grid. | 0:12:41 | 0:12:44 | |
Claire, let's start with you. | 0:12:44 | 0:12:45 | |
Which lot would you like to hear about? | 0:12:45 | 0:12:47 | |
I'd like to hear more, actually, about the shawl. | 0:12:47 | 0:12:49 | |
The shawl, which is still on the grid. | 0:12:49 | 0:12:52 | |
Natasha, tell us about the shawl. | 0:12:52 | 0:12:54 | |
Yes, it's an 19th-century Honiton lace shawl | 0:12:54 | 0:12:58 | |
and as you may have noticed, it is larger than your usual shawl, | 0:12:58 | 0:13:03 | |
but it enjoyed a huge surge of popularity in the 19th century, | 0:13:03 | 0:13:08 | |
when Queen Victoria ordered that her wedding dress | 0:13:08 | 0:13:12 | |
-be made from this material. -Wow. | 0:13:12 | 0:13:15 | |
This isn't a piece, of course, from that famous garment, | 0:13:15 | 0:13:18 | |
but it's still a good example of a way of making lace | 0:13:18 | 0:13:22 | |
that was skilled and extremely intricate. | 0:13:22 | 0:13:26 | |
Has that shed any light on anything, Claire? | 0:13:26 | 0:13:28 | |
-No, I need to have a little think about that. -OK. | 0:13:28 | 0:13:31 | |
You have a little think. We'll move to Barbara - | 0:13:31 | 0:13:33 | |
Barbara, what would you like to know more about? | 0:13:33 | 0:13:35 | |
-The camera, please. -The camera is still on the grid. | 0:13:35 | 0:13:39 | |
Tell us about that, Natasha. | 0:13:39 | 0:13:40 | |
It's a Newman & Guardia Nydia. | 0:13:40 | 0:13:43 | |
Newman & Guardia was a British company, | 0:13:43 | 0:13:46 | |
a prolific producer of cameras | 0:13:46 | 0:13:48 | |
aimed at knowledgeable and demanding clientele, | 0:13:48 | 0:13:51 | |
so not any old photographers. | 0:13:51 | 0:13:53 | |
It features an unusual design for folding, | 0:13:53 | 0:13:57 | |
because the tapering bellows detach from the lens board, | 0:13:57 | 0:14:00 | |
which then swings to the end of the body, | 0:14:00 | 0:14:03 | |
which, at the time, was revolutionary. | 0:14:03 | 0:14:07 | |
Barbara, do you like it any more or any less? | 0:14:07 | 0:14:10 | |
-I like it more. -Oh, OK. And Alec? | 0:14:10 | 0:14:14 | |
The chair, Claire and Charlotte's chair. | 0:14:14 | 0:14:16 | |
I quite like the look of that. | 0:14:16 | 0:14:18 | |
Natasha, the chair. | 0:14:18 | 0:14:20 | |
Now, this chair was made | 0:14:20 | 0:14:21 | |
by Robert "Mouseman" Thompson, of course, | 0:14:21 | 0:14:25 | |
who always carved a tiny mouse onto all of his pieces, | 0:14:25 | 0:14:29 | |
and if you look carefully, | 0:14:29 | 0:14:31 | |
you will see one scampering up the front leg. | 0:14:31 | 0:14:34 | |
The first mouse appeared around 1920 and it was subsequently modified, | 0:14:34 | 0:14:40 | |
this mouse, in the 1930s or so, to remove the front legs, | 0:14:40 | 0:14:44 | |
because they were prone to breaking off of the wee mousey. | 0:14:44 | 0:14:47 | |
So the symbol is an important identifier | 0:14:47 | 0:14:50 | |
in assessing the age of the piece. | 0:14:50 | 0:14:52 | |
This one dates to around the 1930s, when Mouseman was prolific | 0:14:52 | 0:14:57 | |
and in great demand. | 0:14:57 | 0:14:59 | |
But, intrigued as you are, | 0:14:59 | 0:15:01 | |
can you figure out what the value is? | 0:15:01 | 0:15:03 | |
The value does still remain somewhat a mystery. | 0:15:05 | 0:15:08 | |
However, it's nice to have a bit of clarification on the mouse. | 0:15:08 | 0:15:11 | |
Well, now that you are a bit more knowledgeable about today's lots, | 0:15:11 | 0:15:14 | |
let's give you the chance to add more of them to your collections, | 0:15:14 | 0:15:17 | |
bearing in mind that, at the end of this round, | 0:15:17 | 0:15:20 | |
the team with the least valuable collection will be eliminated. | 0:15:20 | 0:15:24 | |
Three more lots are now available to each pair. | 0:15:27 | 0:15:30 | |
This time, pickers, you target a lot | 0:15:30 | 0:15:33 | |
and then quizzers, you try to secure them | 0:15:33 | 0:15:36 | |
by answering a question correctly, but in this round, | 0:15:36 | 0:15:39 | |
the lots come with their own question categories. | 0:15:39 | 0:15:41 | |
So, for example, if you targeted the toy down there in the middle, | 0:15:41 | 0:15:45 | |
you would be asked to answer a question | 0:15:45 | 0:15:48 | |
either on sporting venues or UK number ones. | 0:15:48 | 0:15:51 | |
Claire and Charlotte, you are up first. | 0:15:51 | 0:15:53 | |
So, Claire, what's your lot? | 0:15:53 | 0:15:56 | |
I'm going to go with the shawl, please. | 0:15:56 | 0:15:58 | |
The shawl. Charlotte, how are you on physics or celebrity gossip? | 0:15:58 | 0:16:02 | |
-I will have a good go at the celebrity gossip, please, Fern. -OK. | 0:16:02 | 0:16:05 | |
Here is your question. | 0:16:05 | 0:16:06 | |
Rosie Huntington-Whiteley and Kelly Brook | 0:16:06 | 0:16:10 | |
have both dated which British actor? | 0:16:10 | 0:16:13 | |
I don't know. I'm sorry, Fern. | 0:16:14 | 0:16:16 | |
Jason Statham. | 0:16:16 | 0:16:18 | |
So, the shawl stays on the grid. | 0:16:18 | 0:16:20 | |
Catherine and Barbara - | 0:16:21 | 0:16:24 | |
Barbara, what would you like to target? | 0:16:24 | 0:16:26 | |
-Em...the vase, please. -The vase. Here we go. | 0:16:26 | 0:16:30 | |
Desserts or US sitcoms, Catherine? | 0:16:30 | 0:16:33 | |
-I'll go with US sitcoms. -US sitcoms. -Yeah. | 0:16:33 | 0:16:36 | |
Here's your question. | 0:16:36 | 0:16:37 | |
Which psychiatrist hosted his own radio show | 0:16:37 | 0:16:40 | |
on the fictional Seattle radio station KACL? | 0:16:40 | 0:16:44 | |
Frasier. | 0:16:44 | 0:16:45 | |
It was, Frasier Crane. Well done. | 0:16:45 | 0:16:48 | |
Barbara, that vase is yours. | 0:16:48 | 0:16:50 | |
Alec, what would you like to go for? | 0:16:51 | 0:16:53 | |
-I think I'll go for the camera, please. -The camera. | 0:16:53 | 0:16:56 | |
Definitions or UK number ones, Philip? | 0:16:56 | 0:16:59 | |
Definitions, I think, please. | 0:16:59 | 0:17:00 | |
Yes - as an English student, I think you should. | 0:17:00 | 0:17:03 | |
A septet is a group of how many? | 0:17:03 | 0:17:06 | |
I'm going to go for seven. Sept is French for "seven", so... | 0:17:07 | 0:17:11 | |
It's a guess. | 0:17:11 | 0:17:12 | |
-It's correct. -Wahey! -It's correct. Well done. | 0:17:12 | 0:17:15 | |
Alec, the camera is in your collection. | 0:17:15 | 0:17:18 | |
Claire, your go again. What would you like? | 0:17:18 | 0:17:20 | |
Putting Charlotte through the same pain again, | 0:17:20 | 0:17:23 | |
I'd like to go for the shawl, please. | 0:17:23 | 0:17:25 | |
Oh, how lovely! Charlotte, physics or celebrity gossip? | 0:17:25 | 0:17:28 | |
We'll have another go at the celebrity gossip. | 0:17:28 | 0:17:30 | |
Of course. Here we go. | 0:17:30 | 0:17:32 | |
Which former Doctor Who assistant | 0:17:32 | 0:17:34 | |
married Lewis actor Laurence Fox in 2007? | 0:17:34 | 0:17:39 | |
Is it Billie Piper? | 0:17:39 | 0:17:40 | |
It is Billie Piper, correct. | 0:17:40 | 0:17:42 | |
The shawl is yours at last! | 0:17:42 | 0:17:44 | |
Barbara, what would you like? | 0:17:46 | 0:17:48 | |
I'm going to for the tea service, please. | 0:17:48 | 0:17:51 | |
The tea service. Catherine, desserts or landmarks? | 0:17:51 | 0:17:54 | |
It'll have to be desserts, this time. | 0:17:54 | 0:17:56 | |
Here we go - desserts. | 0:17:56 | 0:17:59 | |
Sugar and what else are the two main ingredients | 0:17:59 | 0:18:02 | |
in a British meringue? | 0:18:02 | 0:18:04 | |
Egg white. | 0:18:04 | 0:18:05 | |
Correct. Barbara, the tea service is yours. | 0:18:05 | 0:18:08 | |
Thank you. | 0:18:08 | 0:18:10 | |
Alec, final pick. What would you like? | 0:18:10 | 0:18:12 | |
Philip professed to me earlier that he was scared of that toy. | 0:18:12 | 0:18:16 | |
FERN LAUGHS | 0:18:16 | 0:18:18 | |
So I'm going to go for the toy. | 0:18:18 | 0:18:19 | |
Sporting venues or UK number ones, Philip? | 0:18:21 | 0:18:24 | |
I'm going to go UK number ones. | 0:18:24 | 0:18:25 | |
OK. UK number ones. Here's your question. | 0:18:25 | 0:18:27 | |
Which novelty song by Joe Dolce kept Ultravox's Vienna | 0:18:27 | 0:18:32 | |
from being a number one single? | 0:18:32 | 0:18:34 | |
I'm going to say... | 0:18:35 | 0:18:36 | |
..I Love You. | 0:18:38 | 0:18:39 | |
Well, thank you... LAUGHTER | 0:18:39 | 0:18:42 | |
It's actually Shaddap You Face. | 0:18:42 | 0:18:45 | |
LAUGHTER | 0:18:45 | 0:18:47 | |
So that is incorrect. | 0:18:47 | 0:18:49 | |
Very good. Let's have a look at the situation here. | 0:18:49 | 0:18:52 | |
Charlotte and Claire, you have the scales, the chair, | 0:18:52 | 0:18:56 | |
the shawl and the clock. | 0:18:56 | 0:18:58 | |
Catherine and Barbara, you have the chest, the egg, | 0:18:58 | 0:19:01 | |
the helmet, the vase and the tea service. | 0:19:01 | 0:19:04 | |
Philip and Alec, you have the stereoscope, the camera | 0:19:04 | 0:19:07 | |
and the sample stone with the very pretty pattern on the top. | 0:19:07 | 0:19:11 | |
OK, teams. Your collections are growing. | 0:19:11 | 0:19:13 | |
Now, remember, at the end of this round, | 0:19:13 | 0:19:16 | |
the pair with the least valuable collection will be leaving us. | 0:19:16 | 0:19:19 | |
So, have you missed out on that one item that you want above all else? | 0:19:19 | 0:19:24 | |
If so, here is your chance to secure it. | 0:19:24 | 0:19:27 | |
There is one last lot available to each team. | 0:19:27 | 0:19:30 | |
This time, you can either go for what's left on the grid | 0:19:30 | 0:19:33 | |
or you can steal an antique that is in a rival team's collection. | 0:19:33 | 0:19:39 | |
Pickers, be warned - if you choose to steal from another team, | 0:19:39 | 0:19:43 | |
their quizzer will get to decide your quizzer's category. | 0:19:43 | 0:19:48 | |
Ooh... | 0:19:48 | 0:19:49 | |
Right, Claire, do you want to target a lot from the grid? | 0:19:49 | 0:19:52 | |
Or have you got your eye on something in another collection? | 0:19:52 | 0:19:56 | |
I'll go on the grid, please, and I'll look at the table. | 0:19:56 | 0:20:00 | |
Celebrity gossip or desserts? Charlotte? | 0:20:00 | 0:20:04 | |
-Celebrity gossip. -Of course. | 0:20:04 | 0:20:05 | |
In 2002, which star of Heathers was found guilty of stealing | 0:20:05 | 0:20:10 | |
over 5,000 worth of goods from a designer store? | 0:20:10 | 0:20:14 | |
I can see her face. Um... | 0:20:16 | 0:20:17 | |
Winona Ryder. | 0:20:17 | 0:20:18 | |
Winona Ryder is correct. The table is yours. | 0:20:18 | 0:20:23 | |
Barbara, would you like to steal | 0:20:23 | 0:20:25 | |
or are you going to take something from the grid? | 0:20:25 | 0:20:27 | |
Um...I'll go for the grid, please. The toy. | 0:20:27 | 0:20:31 | |
Sporting venues or UK number ones, Catherine? | 0:20:31 | 0:20:34 | |
Oh... Neither are really great for me. | 0:20:34 | 0:20:36 | |
I'll have to go with UK number ones. | 0:20:36 | 0:20:38 | |
UK number ones. | 0:20:38 | 0:20:40 | |
In 1984, which band had UK number one hits with Two Tribes and Relax? | 0:20:40 | 0:20:45 | |
Frankie Goes To Hollywood. | 0:20:45 | 0:20:47 | |
Correct. | 0:20:47 | 0:20:48 | |
The toy is in your collection. | 0:20:48 | 0:20:51 | |
THEY LAUGH | 0:20:51 | 0:20:53 | |
Thank you. | 0:20:53 | 0:20:54 | |
Alec, are you going to steal or go the something on the grid? | 0:20:54 | 0:20:57 | |
I'll go for the plate, please. | 0:20:57 | 0:20:58 | |
The plate. Definitions or US sitcoms, Philip? | 0:20:58 | 0:21:02 | |
Definitions has been kind to me. I think I'll stick. | 0:21:02 | 0:21:04 | |
OK, definitions. Here's your question. | 0:21:04 | 0:21:07 | |
According to the Oxford English Dictionary, | 0:21:07 | 0:21:10 | |
the word "bumfluff" is an informal term | 0:21:10 | 0:21:13 | |
referring to hair growing on which part of an adolescent male's body? | 0:21:13 | 0:21:19 | |
Um... I'm hoping it's chin. | 0:21:19 | 0:21:23 | |
It is the chin, of course it's the chin! | 0:21:23 | 0:21:26 | |
Good. Alec, you get that plate. It's in your collection. | 0:21:26 | 0:21:31 | |
OK, that's it for round two | 0:21:31 | 0:21:32 | |
and for one team, it's the end of the road. | 0:21:32 | 0:21:35 | |
we have calculated the combined value of your items | 0:21:35 | 0:21:37 | |
and the team with the least valuable collection will be eliminated, | 0:21:37 | 0:21:41 | |
taking their lots out of the game with them. | 0:21:41 | 0:21:44 | |
Well, Natasha has been keeping tabs. Natasha, who is leaving us first? | 0:21:44 | 0:21:49 | |
Let me tell you. The first team leaving us today... | 0:21:49 | 0:21:52 | |
..is our gentlemen, our young gentlemen, | 0:21:52 | 0:21:55 | |
-Alec and Philip. -Oh! You've been so lovely. | 0:21:55 | 0:21:58 | |
But I tell you what, before you leave, | 0:21:58 | 0:22:00 | |
-shall we find out the value of each of those lots? -Yes, please. | 0:22:00 | 0:22:03 | |
Yes, I think so. Natasha? | 0:22:03 | 0:22:05 | |
Yeah, well, this one, you loved it, didn't you? | 0:22:05 | 0:22:08 | |
It's got that real tactile appeal - | 0:22:08 | 0:22:10 | |
you just want to pick up the cards, pop them in the viewer | 0:22:10 | 0:22:13 | |
and look at them, because they are an ingenious bit of engineering. | 0:22:13 | 0:22:18 | |
Double lens technology meant that cards, | 0:22:18 | 0:22:22 | |
when viewed through the lenses, became three-dimensional. | 0:22:22 | 0:22:25 | |
This was a real bit of Victorian fun. | 0:22:25 | 0:22:28 | |
They went wild for these stereoscopes. | 0:22:28 | 0:22:31 | |
You know, unusual slide, | 0:22:31 | 0:22:33 | |
but not an unusual item, really, we would say. | 0:22:33 | 0:22:36 | |
Therefore, although it's from 1896, | 0:22:36 | 0:22:39 | |
it is only worth 20 quid. | 0:22:39 | 0:22:41 | |
Well, I'm sorry to see that go. | 0:22:41 | 0:22:43 | |
-What else do we have? -Then, we move on to the plate. | 0:22:43 | 0:22:47 | |
Now, you thought it was maybe Art Deco, Philip, | 0:22:47 | 0:22:49 | |
but it is a little later than that. | 0:22:49 | 0:22:51 | |
It's more modern in its style and palette. | 0:22:51 | 0:22:54 | |
It's Wade - 1950s, 1960s Wade - | 0:22:54 | 0:22:57 | |
and you know, actually, even though it is more modern, | 0:22:57 | 0:22:59 | |
it's maybe a little bit more valuable | 0:22:59 | 0:23:02 | |
than some early Wade pieces. | 0:23:02 | 0:23:03 | |
It's worth £80. | 0:23:03 | 0:23:05 | |
So, you know, for a plate, I think you picked quite well. | 0:23:05 | 0:23:07 | |
-What next? -Then, we went on to the camera. | 0:23:07 | 0:23:11 | |
An interesting bit of design at the time. | 0:23:11 | 0:23:13 | |
This one, it's a bit of a palaver to actually take a photograph | 0:23:13 | 0:23:17 | |
and get it developed, so not much use. | 0:23:17 | 0:23:19 | |
But it has a bit of a high-end price. | 0:23:19 | 0:23:21 | |
Believe it or not, the camera is worth... | 0:23:21 | 0:23:25 | |
£550. | 0:23:25 | 0:23:26 | |
So, a good spot. Well done. | 0:23:26 | 0:23:29 | |
Now, let's go on to this, | 0:23:29 | 0:23:31 | |
because I am quite intrigued by Alec's description. | 0:23:31 | 0:23:35 | |
You just thought it was so pretty and so sweet. | 0:23:35 | 0:23:38 | |
You thought it might be granite, maybe, Philip, on the top there. | 0:23:38 | 0:23:41 | |
But let me tell you, it's actually a mix of marble and mother of pearl. | 0:23:41 | 0:23:46 | |
It's something that the Victorians would use | 0:23:46 | 0:23:48 | |
to sample ointments and treatments and things like that | 0:23:48 | 0:23:51 | |
and it's a real piece of social history | 0:23:51 | 0:23:53 | |
so, Alec, let me tell you what you've spotted today. | 0:23:53 | 0:23:58 | |
Today's worthless lot. | 0:23:58 | 0:23:59 | |
No! LAUGHTER | 0:23:59 | 0:24:00 | |
Less than a tenner and worthless, I'm afraid. | 0:24:00 | 0:24:04 | |
Well, you've done everyone a favour for finding it getting it out of the game. | 0:24:04 | 0:24:07 | |
-Thank you very much indeed. CLAIRE: -Thank you! | 0:24:07 | 0:24:09 | |
So, what's the total value of the boys' collection? | 0:24:09 | 0:24:12 | |
-Altogether, the four lots add up to £650. -Oh! | 0:24:12 | 0:24:18 | |
But Alec and Philip, it has been wonderful | 0:24:18 | 0:24:20 | |
having you playing the game. | 0:24:20 | 0:24:22 | |
I'm so sorry that you are going home so soon. | 0:24:22 | 0:24:24 | |
You've been thoroughly entertaining. | 0:24:24 | 0:24:26 | |
But I'm afraid it's time to bring down the hammer on your collection. | 0:24:26 | 0:24:29 | |
Thank you for playing For What It's Worth. | 0:24:29 | 0:24:31 | |
-Thank you very much. -Thank you. | 0:24:31 | 0:24:32 | |
Choosing the sample stone was indeed my fault | 0:24:34 | 0:24:37 | |
and I placed it in our top three, foolishly. | 0:24:37 | 0:24:39 | |
In fairness to Alec, I didn't say anything against it. | 0:24:39 | 0:24:41 | |
I thought it could be worth something, | 0:24:41 | 0:24:43 | |
so I'll take part of the blame on that. | 0:24:43 | 0:24:45 | |
Don't follow the patterns, I suppose, is the lesson. | 0:24:45 | 0:24:47 | |
PHILIP LAUGHS | 0:24:47 | 0:24:48 | |
Yeah - just because it's a pretty colour | 0:24:48 | 0:24:50 | |
doesn't mean it's worth anything. | 0:24:50 | 0:24:51 | |
The unclaimed lots in the grid are now also leaving the game, | 0:24:54 | 0:24:57 | |
so let's quickly find out from Natasha | 0:24:57 | 0:25:00 | |
what they were worth | 0:25:00 | 0:25:01 | |
and if the top lot is still in the game. | 0:25:01 | 0:25:03 | |
Now, we only have this one thing left. | 0:25:03 | 0:25:06 | |
Tell me about this pussycat mould. | 0:25:06 | 0:25:07 | |
This is not just any old mould. It's a bit of kitchenalia. | 0:25:07 | 0:25:12 | |
It's the spin you put on it, isn't it, | 0:25:12 | 0:25:14 | |
that really makes the difference. | 0:25:14 | 0:25:16 | |
It's a thing or it's part of a genre. | 0:25:16 | 0:25:18 | |
And, you know, yes, it's brass, but it's 19th century, | 0:25:18 | 0:25:22 | |
so this has real appeal. | 0:25:22 | 0:25:25 | |
But does it have real value? Well... | 0:25:25 | 0:25:27 | |
£65 is what it would knock you back in an auction, | 0:25:27 | 0:25:30 | |
so you've done very well to leave it on the grid. | 0:25:30 | 0:25:33 | |
Excellent. | 0:25:33 | 0:25:34 | |
It seems that the high-value items are still in play and, | 0:25:34 | 0:25:38 | |
most importantly, the top lot is in one of your collections. | 0:25:38 | 0:25:42 | |
The bottom lot has gone - thank goodness. | 0:25:42 | 0:25:46 | |
So, just two pairs of contestants left. | 0:25:46 | 0:25:48 | |
Before we go any further, Natasha is going to give you each | 0:25:48 | 0:25:51 | |
another fact about a lot of your choice. | 0:25:51 | 0:25:53 | |
Claire, what lot do you really need to know more about? | 0:25:53 | 0:25:57 | |
I'd like to know more about the egg, please. | 0:25:57 | 0:26:00 | |
This one is a Russian white metal piece | 0:26:00 | 0:26:03 | |
made around 1900. | 0:26:03 | 0:26:05 | |
So we know the date. | 0:26:05 | 0:26:07 | |
It's decorated with filigree work to the exterior | 0:26:07 | 0:26:10 | |
and it sits on a nice spreading circular foot which, | 0:26:10 | 0:26:14 | |
as you figured out, is the opening mechanism. | 0:26:14 | 0:26:17 | |
The whole thing unscrews, therefore, | 0:26:17 | 0:26:19 | |
to reveal another, smaller egg inside | 0:26:19 | 0:26:22 | |
which, in turn, contains a small model of a church. | 0:26:22 | 0:26:27 | |
It's an unmarked, so not an undiscovered Faberge | 0:26:27 | 0:26:31 | |
or anything like that - don't get too hot under the collar. | 0:26:31 | 0:26:34 | |
But the work is undeniably elegant | 0:26:34 | 0:26:37 | |
and so is this egg going to help you win this competition? | 0:26:37 | 0:26:43 | |
Do you like it a bit more, Claire, or not? | 0:26:43 | 0:26:45 | |
Yeah. Yeah, I do, cos initially, we didn't really like it, but... | 0:26:45 | 0:26:49 | |
It's quite intriguing. | 0:26:49 | 0:26:50 | |
-Barbara, what you like to know more about? -The clock, please. | 0:26:50 | 0:26:55 | |
-The clock, please, Natasha. -Yes, by all means. | 0:26:55 | 0:26:57 | |
This clock is a 19th-century gilt metal and porcelain mantel clock. | 0:26:57 | 0:27:04 | |
It is marked not Hubert & Co, | 0:27:04 | 0:27:07 | |
but Aubert & Co, London. | 0:27:07 | 0:27:10 | |
It's quite something, isn't it? | 0:27:10 | 0:27:12 | |
Swags, cherub-like putti, | 0:27:12 | 0:27:14 | |
all topped off with an interesting finial | 0:27:14 | 0:27:18 | |
in the form of a pineapple, | 0:27:18 | 0:27:19 | |
the symbol of warm welcome and hospitality. | 0:27:19 | 0:27:24 | |
But the pineapple also represented wealth, of course - | 0:27:24 | 0:27:28 | |
in larger, well-to-do homes, | 0:27:28 | 0:27:30 | |
pineapples were used as a central focus | 0:27:30 | 0:27:33 | |
to lavish displays of food. | 0:27:33 | 0:27:36 | |
But, the question is, | 0:27:36 | 0:27:37 | |
does this clock come with a juicy price tag these days? | 0:27:37 | 0:27:42 | |
Hm... Has that answered any questions at all, Barbara? | 0:27:42 | 0:27:47 | |
No. | 0:27:47 | 0:27:48 | |
LAUGHTER OK - well, you're honest! | 0:27:48 | 0:27:51 | |
Very good. OK - those are all the facts available to you, | 0:27:51 | 0:27:55 | |
so it's now time for our final round and, at the end of it, | 0:27:55 | 0:27:57 | |
we will have our winners. | 0:27:57 | 0:27:59 | |
Now, I'm going to give the quizzers a category | 0:28:01 | 0:28:04 | |
and they then take turns to say answers in that category. | 0:28:04 | 0:28:08 | |
For example, if I say, "Name me some precious stones", | 0:28:08 | 0:28:12 | |
Charlotte, you might say diamond, Catherine, you might say sapphire, | 0:28:12 | 0:28:15 | |
and then ruby and so on. | 0:28:15 | 0:28:18 | |
If you fail to give an answer, if you repeat an answer | 0:28:18 | 0:28:20 | |
or you give a wrong answer, | 0:28:20 | 0:28:22 | |
you lose that category and the opponents' picker | 0:28:22 | 0:28:25 | |
will be able to steal a lot from your collection. | 0:28:25 | 0:28:29 | |
But remember, it is the total value of your collections | 0:28:29 | 0:28:32 | |
that matter at the end of this round. | 0:28:32 | 0:28:34 | |
One high-price lot could be more valuable | 0:28:34 | 0:28:37 | |
than your opponents' entire collection, | 0:28:37 | 0:28:40 | |
so this round is all about defending what you've got, | 0:28:40 | 0:28:43 | |
as well as pilfering your opponents' lots. | 0:28:43 | 0:28:46 | |
There are three categories | 0:28:46 | 0:28:47 | |
and the pair with the most valuable collection at this point | 0:28:47 | 0:28:50 | |
will go first - so, Natasha, who is that? | 0:28:50 | 0:28:53 | |
Well, I can reveal to you that the team who currently has | 0:28:53 | 0:28:57 | |
the more valuable collection is... | 0:28:57 | 0:29:01 | |
..Barbara and Catherine for now. | 0:29:04 | 0:29:06 | |
Oh...! | 0:29:06 | 0:29:07 | |
But, in this round, everything can change. | 0:29:08 | 0:29:11 | |
OK, Catherine, you will start us off and the first category is this. | 0:29:11 | 0:29:16 | |
Catherine, please give me an answer. | 0:29:20 | 0:29:22 | |
France. | 0:29:22 | 0:29:23 | |
Correct. Charlotte. | 0:29:23 | 0:29:25 | |
Germany. | 0:29:25 | 0:29:26 | |
Correct. Catherine. | 0:29:26 | 0:29:28 | |
Ireland. | 0:29:28 | 0:29:30 | |
Correct. Charlotte. | 0:29:30 | 0:29:31 | |
Portugal. | 0:29:31 | 0:29:32 | |
Correct. Catherine. | 0:29:32 | 0:29:34 | |
Sweden. | 0:29:34 | 0:29:35 | |
Correct. Charlotte. | 0:29:35 | 0:29:37 | |
Norway. | 0:29:37 | 0:29:39 | |
Incorrect. Norway is not a member of the EU. | 0:29:39 | 0:29:44 | |
You could have had United Kingdom, Malta, | 0:29:44 | 0:29:47 | |
the Netherlands... | 0:29:47 | 0:29:48 | |
-Anywhere! But not Norway. -..Cyprus... | 0:29:48 | 0:29:50 | |
OK, Barbara. You can steal. | 0:29:50 | 0:29:54 | |
I'd like the chair, please. | 0:29:54 | 0:29:56 | |
-The chair. -Yes. | 0:29:56 | 0:29:58 | |
The chair is on its way to you. | 0:29:58 | 0:30:00 | |
Charlotte, you're going to start first with this category. | 0:30:00 | 0:30:03 | |
Here is the question category. | 0:30:03 | 0:30:04 | |
Charlotte, give me an answer. | 0:30:08 | 0:30:10 | |
Sir Anthony Hopkins. | 0:30:10 | 0:30:12 | |
Correct. Catherine. | 0:30:12 | 0:30:14 | |
I'll say Tom Cruise. | 0:30:14 | 0:30:15 | |
Incorrect! Oh... | 0:30:15 | 0:30:18 | |
You could have had Colin Firth, Hugh Grant, | 0:30:18 | 0:30:22 | |
Jack Nicholson, Jamie Bell... | 0:30:22 | 0:30:24 | |
Any of those. | 0:30:24 | 0:30:26 | |
Oh, Barbara's hands are clenched. | 0:30:26 | 0:30:28 | |
There is something she doesn't want to leave her collection. | 0:30:28 | 0:30:31 | |
Claire, what are you going to nick? | 0:30:31 | 0:30:33 | |
I'm going to take our chair back, please. | 0:30:33 | 0:30:35 | |
-Take YOUR chair back? -Yes, thank you very much! | 0:30:35 | 0:30:37 | |
Here it comes - into your collection. | 0:30:37 | 0:30:40 | |
Third and final category question and Catherine will start this one. | 0:30:40 | 0:30:45 | |
..as reported during the 2015 RSPB Big Garden Birdwatch Survey. | 0:30:49 | 0:30:56 | |
Catherine, please give me an answer. | 0:30:56 | 0:30:57 | |
A blue tit. | 0:30:57 | 0:30:59 | |
Correct. Charlotte. | 0:30:59 | 0:31:00 | |
A starling. | 0:31:00 | 0:31:02 | |
Correct. Catherine. | 0:31:02 | 0:31:03 | |
Robin red breast. | 0:31:03 | 0:31:05 | |
Correct. Charlotte. | 0:31:05 | 0:31:06 | |
A magpie. | 0:31:06 | 0:31:08 | |
Correct. Catherine. | 0:31:08 | 0:31:09 | |
A pigeon. | 0:31:09 | 0:31:10 | |
Pigeon is correct. Charlotte. | 0:31:10 | 0:31:14 | |
A crow. | 0:31:14 | 0:31:16 | |
Can you elaborate on the name? | 0:31:16 | 0:31:18 | |
Just a black crow. | 0:31:19 | 0:31:20 | |
I don't know what they are called. | 0:31:20 | 0:31:22 | |
Charlotte, I'm so sorry, | 0:31:22 | 0:31:23 | |
that's incorrect. | 0:31:23 | 0:31:24 | |
I cannot accept crow. | 0:31:24 | 0:31:26 | |
I could accept carrion crow, | 0:31:26 | 0:31:28 | |
because that is the name on the RSPB list. | 0:31:28 | 0:31:32 | |
OK - you could have had the blackbird, the common gull, | 0:31:32 | 0:31:36 | |
the goldfinch and the pheasant. | 0:31:36 | 0:31:39 | |
So, Barbara, you can steal. | 0:31:39 | 0:31:43 | |
I have the chair back, please! | 0:31:43 | 0:31:45 | |
LAUGHTER | 0:31:45 | 0:31:47 | |
-Musical chairs, it is! -Sorry. -It's all right! | 0:31:47 | 0:31:51 | |
That's it - your collections are now fixed | 0:31:51 | 0:31:53 | |
and will determine which team is victorious. | 0:31:53 | 0:31:56 | |
It's time to find out who are today's winners. Natasha? | 0:31:56 | 0:32:00 | |
I can reveal that the team with the more valuable collection, | 0:32:00 | 0:32:04 | |
and therefore, our winning team today, is... | 0:32:04 | 0:32:08 | |
It's mother and daughter, Barbara and Catherine. | 0:32:09 | 0:32:12 | |
Well done! Very well done. | 0:32:12 | 0:32:14 | |
Congratulations to you! | 0:32:14 | 0:32:15 | |
Was it that chair, ping-ponging backwards and forwards? | 0:32:15 | 0:32:18 | |
Well, commiserations to Claire and Charlotte. | 0:32:18 | 0:32:21 | |
You didn't create a valuable enough collection, | 0:32:21 | 0:32:23 | |
but before we say goodbye, | 0:32:23 | 0:32:25 | |
let's find out what items are also leaving the game and their value. | 0:32:25 | 0:32:30 | |
Natasha, let's start with the scales. | 0:32:30 | 0:32:32 | |
We've got the small travelling set to go with them | 0:32:32 | 0:32:35 | |
and we have got the larger set. | 0:32:35 | 0:32:37 | |
They are not postal, as somebody thought - | 0:32:37 | 0:32:39 | |
they are jewellers' scales, | 0:32:39 | 0:32:40 | |
which is why the weights are so small, | 0:32:40 | 0:32:42 | |
keeping those tiny little measurements. | 0:32:42 | 0:32:44 | |
They are not hugely valuable | 0:32:44 | 0:32:46 | |
and when we weigh it up, | 0:32:46 | 0:32:48 | |
they would weigh in at auction | 0:32:48 | 0:32:50 | |
at £195. | 0:32:50 | 0:32:52 | |
So, you know, not cheap, but not hugely valuable. | 0:32:52 | 0:32:55 | |
And next? | 0:32:55 | 0:32:57 | |
Now, Barbara and Catherine dismissed this table as worthless. | 0:32:57 | 0:33:00 | |
They said, "Absolute tat!" | 0:33:00 | 0:33:02 | |
And Charlotte, "a skip find" is how you described it, | 0:33:02 | 0:33:05 | |
"a skip find" | 0:33:05 | 0:33:07 | |
This is an ebonised coffee table | 0:33:07 | 0:33:08 | |
and the Aesthetic Movement was all about art for art's sake. | 0:33:08 | 0:33:13 | |
So, this coffee table sits a little bit uncomfortably there, | 0:33:13 | 0:33:17 | |
because it's not art for art's sake - | 0:33:17 | 0:33:19 | |
it's actually a wee bit functional. | 0:33:19 | 0:33:21 | |
It's got all the hallmarks of the Aesthetic Movement | 0:33:21 | 0:33:23 | |
and it is after a design by EW Godwin, | 0:33:23 | 0:33:27 | |
but...is it valuable? | 0:33:27 | 0:33:29 | |
Is it to your taste? Clearly not. | 0:33:29 | 0:33:31 | |
What if I told you it was worth... | 0:33:33 | 0:33:35 | |
£220? | 0:33:35 | 0:33:37 | |
Not too bad for something you'd find in a skip, all right? | 0:33:37 | 0:33:40 | |
Then it was this rather fabulous clock. | 0:33:40 | 0:33:44 | |
We discussed it earlier and it has everything going for it - | 0:33:44 | 0:33:49 | |
swags and putti and brilliantly, that pineapple finial. | 0:33:49 | 0:33:54 | |
If one of these were to turn up in an auction house, | 0:33:54 | 0:33:57 | |
you would have to pay... | 0:33:57 | 0:33:58 | |
..£700 for this clock. | 0:33:59 | 0:34:02 | |
So, you knew it was of good quality, and I commend you for that. | 0:34:02 | 0:34:05 | |
-It's so feminine, as well, isn't it? -So feminine. -Very pretty. | 0:34:05 | 0:34:08 | |
Oh...swish. | 0:34:08 | 0:34:09 | |
And their final lot? | 0:34:09 | 0:34:11 | |
Now, this is one that could be either/or. | 0:34:11 | 0:34:15 | |
This is that Honiton lace, as discussed - | 0:34:15 | 0:34:17 | |
it has that royal feel to it, | 0:34:17 | 0:34:19 | |
but we know it's not part of a royal garment. | 0:34:19 | 0:34:22 | |
It's so delicate - the size is extremely large. | 0:34:22 | 0:34:26 | |
So, it is of high value. | 0:34:26 | 0:34:29 | |
-You picked a four-figure lot. -Wow. | 0:34:29 | 0:34:32 | |
This shawl would knock you back | 0:34:32 | 0:34:34 | |
£1,250, believe it or not. | 0:34:34 | 0:34:39 | |
-Wow. -And you believe it, because you loved the quality. | 0:34:39 | 0:34:43 | |
So, it's not our winning collection today, | 0:34:43 | 0:34:45 | |
but let me tell you, your collection came to quite a staggering total. | 0:34:45 | 0:34:50 | |
Your parents will be proud of your expensive taste - | 0:34:50 | 0:34:52 | |
£2,365. Well done. | 0:34:52 | 0:34:56 | |
That was very well played. | 0:34:56 | 0:34:58 | |
Well done, Charlotte and Claire, | 0:34:58 | 0:35:00 | |
but it is time now to bring the hammer down on your collection. | 0:35:00 | 0:35:04 | |
But thank you for playing For What It's Worth. | 0:35:04 | 0:35:06 | |
Thank you. | 0:35:06 | 0:35:07 | |
Well, literally, once they got the question right, that was it - | 0:35:09 | 0:35:13 | |
we had no chance. | 0:35:13 | 0:35:14 | |
They took the chair back and that was it, game over. | 0:35:14 | 0:35:17 | |
They pilfered it from us. But never mind. | 0:35:17 | 0:35:19 | |
Good for them - you know, it is all a game. | 0:35:19 | 0:35:21 | |
We hope they get the top object. We'll see what happens. | 0:35:21 | 0:35:23 | |
Yeah - they're really nice girls. | 0:35:23 | 0:35:25 | |
Well done, Barbara and Catherine. | 0:35:27 | 0:35:29 | |
You did build the most valuable collection | 0:35:29 | 0:35:31 | |
and you are today's winners. | 0:35:31 | 0:35:33 | |
And now, all that remains is for you to claim your prize. | 0:35:33 | 0:35:36 | |
Hm - all you have to do is pick a lot from your collection | 0:35:36 | 0:35:40 | |
and we will give you its value in cash. | 0:35:40 | 0:35:43 | |
As you will have deduced, | 0:35:43 | 0:35:45 | |
that top lot is hiding somewhere in your collection. | 0:35:45 | 0:35:49 | |
But can you spot it? | 0:35:49 | 0:35:51 | |
Have a chat and decide which one you would like to choose. | 0:35:51 | 0:35:55 | |
-Oh... -Well, the chair goes, for a start. | 0:35:55 | 0:35:58 | |
We'll get rid of the chair, | 0:35:58 | 0:35:59 | |
cos the other two had the chair originally, | 0:35:59 | 0:36:01 | |
and their lots weren't to our value. | 0:36:01 | 0:36:03 | |
So the chair is definitely gone. | 0:36:03 | 0:36:06 | |
-The toy. -The toy. The toy can go. | 0:36:06 | 0:36:09 | |
-It looks about...1940s. -The tea service... | 0:36:09 | 0:36:13 | |
-Yeah. -Don't know what year it is. It could be Georgian, I don't know. | 0:36:13 | 0:36:17 | |
I know we are not going to agree. Um... | 0:36:17 | 0:36:19 | |
I'd personally go for the egg, but... | 0:36:19 | 0:36:22 | |
I'll go with what my mother says. The expert. | 0:36:22 | 0:36:24 | |
-It's 1800s, isn't it? 1800s. -The egg. | 0:36:24 | 0:36:28 | |
It's either the vase or the chest. | 0:36:28 | 0:36:30 | |
I've got to go with that Japanese chest, to be honest. | 0:36:30 | 0:36:33 | |
I just...think it's unusual. | 0:36:33 | 0:36:36 | |
So, you've chosen the chest. | 0:36:36 | 0:36:38 | |
Well, before we tell you what it is worth, | 0:36:38 | 0:36:40 | |
Natasha is going to tell you | 0:36:40 | 0:36:42 | |
the value of the lots you've rejected. | 0:36:42 | 0:36:44 | |
Natasha? | 0:36:44 | 0:36:45 | |
Yes - will you regret anything, ladies? | 0:36:45 | 0:36:48 | |
Well, let's start off with the toy. | 0:36:48 | 0:36:50 | |
Japanese, 1960s, | 0:36:50 | 0:36:53 | |
it's a mad mother bear who sits and rocks and knits. | 0:36:53 | 0:36:57 | |
Japanese design in general is very collectable | 0:36:57 | 0:37:02 | |
and this one is quite rare. | 0:37:02 | 0:37:04 | |
And so, it is worth... | 0:37:04 | 0:37:06 | |
£200. | 0:37:06 | 0:37:07 | |
So, you did not get rid of the most valuable lot | 0:37:07 | 0:37:11 | |
in the form of the toy, so don't worry about that. | 0:37:11 | 0:37:13 | |
Now, let's move on to our vase. | 0:37:13 | 0:37:16 | |
Now, Barbara, you know your antiques | 0:37:16 | 0:37:18 | |
and this really has style, doesn't it? | 0:37:18 | 0:37:21 | |
-It does. -It's Moorcroft. | 0:37:21 | 0:37:23 | |
It's Aurelian ware, | 0:37:23 | 0:37:24 | |
so when Moorcroft branched off from Macintyre | 0:37:24 | 0:37:27 | |
and started his own factory, | 0:37:27 | 0:37:29 | |
this was one of his first ranges. | 0:37:29 | 0:37:31 | |
It's quite an interesting piece - small, unassuming, pretty... | 0:37:31 | 0:37:35 | |
Valuable? Well, if you consider | 0:37:35 | 0:37:39 | |
£300 valuable, then yes, it is. | 0:37:39 | 0:37:42 | |
-Yes, so... -Next? | 0:37:42 | 0:37:43 | |
Then we move on to the chair, and Barbara, | 0:37:43 | 0:37:46 | |
you identified the fact that there was that rose element to it, | 0:37:46 | 0:37:49 | |
so you know, it's a nice piece, | 0:37:49 | 0:37:51 | |
and we all know that anything Mouseman carries a value. | 0:37:51 | 0:37:55 | |
And it's a four-figure lot. | 0:37:55 | 0:37:57 | |
SIGHING Oh, no. | 0:37:57 | 0:37:59 | |
The Mouseman chair is worth... | 0:37:59 | 0:38:01 | |
..£1,000. So, again... | 0:38:02 | 0:38:06 | |
NATASHA LAUGHS | 0:38:06 | 0:38:07 | |
..not today's top lot. | 0:38:07 | 0:38:10 | |
Then we move on to something | 0:38:10 | 0:38:12 | |
that was pretty much dismissed as silver plate. | 0:38:12 | 0:38:15 | |
But it's George III silver. | 0:38:15 | 0:38:17 | |
-I heard you say... -Yes, I just knew! | 0:38:17 | 0:38:19 | |
You thought it might be Georgian. | 0:38:19 | 0:38:21 | |
In fact, it's dated - from its Edinburgh hallmark, | 0:38:21 | 0:38:24 | |
we can see it's from 1794. | 0:38:24 | 0:38:27 | |
You'd have to be prepared to pay a hammer price | 0:38:27 | 0:38:30 | |
of £1,750. | 0:38:30 | 0:38:32 | |
So, now we're on to Catherine's egg - | 0:38:32 | 0:38:35 | |
here it is, we discussed it earlier. | 0:38:35 | 0:38:38 | |
We know it's Russian, we know it's filigree. | 0:38:38 | 0:38:41 | |
It's unmarked, but it's not an undiscovered Faberge. | 0:38:41 | 0:38:44 | |
All that, we've discussed. | 0:38:44 | 0:38:46 | |
But just at the last minute there, | 0:38:46 | 0:38:47 | |
you said, "Mum, I want to go with the egg." | 0:38:47 | 0:38:50 | |
And Mum said no. | 0:38:50 | 0:38:52 | |
We know that you always do as you're told, Catherine, | 0:38:52 | 0:38:54 | |
but will you regret that? | 0:38:54 | 0:38:56 | |
Ladies, let me tell you how much this is worth. | 0:38:56 | 0:38:58 | |
It pains me to say it... | 0:38:58 | 0:39:00 | |
You're killing me! | 0:39:00 | 0:39:01 | |
..but the egg, Catherine, Barbara - | 0:39:01 | 0:39:04 | |
£450. | 0:39:04 | 0:39:05 | |
LAUGHTER Oh, my goodness! | 0:39:05 | 0:39:08 | |
-I know! Well spotted. It's a nice thing. -See? | 0:39:08 | 0:39:10 | |
-But not the top lot. -I know, my mother... | 0:39:10 | 0:39:13 | |
Hey, Mum, this is looking good. | 0:39:13 | 0:39:15 | |
Here we are - on to the helmet. | 0:39:15 | 0:39:17 | |
It's a helmet called a morion helmet. | 0:39:17 | 0:39:20 | |
It's period - probably 17th, 18th century. | 0:39:20 | 0:39:24 | |
It's got that Cromwellian appeal. | 0:39:24 | 0:39:26 | |
And...the market for militaria is booming. | 0:39:26 | 0:39:32 | |
Let me tell you that the morion helmet... | 0:39:32 | 0:39:35 | |
..was today's top lot. | 0:39:36 | 0:39:37 | |
-GASPING -£2,500 in the pikeman's pot. | 0:39:37 | 0:39:43 | |
Can you believe it? Oh... | 0:39:43 | 0:39:45 | |
OK - Barbara and Catherine, there is your chest, so, | 0:39:45 | 0:39:50 | |
come and take a closer look at it | 0:39:50 | 0:39:53 | |
and see if we can tempt you with our mystery lot, | 0:39:53 | 0:39:56 | |
which may be worth more. | 0:39:56 | 0:39:58 | |
You may be confident that your lot is worth a pretty penny, | 0:40:01 | 0:40:04 | |
but before we tell you its value, | 0:40:04 | 0:40:07 | |
we are going to tempt you with today's mystery lot. | 0:40:07 | 0:40:10 | |
Now, it's very delicate - | 0:40:10 | 0:40:12 | |
an original match day programme | 0:40:12 | 0:40:14 | |
from the 1966 World Cup final between England and Germany. | 0:40:14 | 0:40:20 | |
A huge event, as we all know. | 0:40:20 | 0:40:22 | |
But England went on to win 4-2 after extra time. | 0:40:22 | 0:40:26 | |
But how many of these were printed? That's the question. | 0:40:26 | 0:40:29 | |
And how many survived the glorious celebrations in England on that day? | 0:40:29 | 0:40:34 | |
Would you like to look and have a handle? | 0:40:34 | 0:40:36 | |
-Sporting memorabilia is quite collectable. -Mm-hm. | 0:40:36 | 0:40:40 | |
How many there are still out there? | 0:40:40 | 0:40:42 | |
Because programmes, of course, aren't made of a precious material. | 0:40:42 | 0:40:46 | |
Be very, very careful with it. | 0:40:46 | 0:40:47 | |
-I'd possibly go with it. -Would you? -It's in pristine condition. | 0:40:47 | 0:40:52 | |
It's how many there are... | 0:40:52 | 0:40:53 | |
I know - sporting memorabilia is collectable, but... | 0:40:53 | 0:40:56 | |
-People want it, don't they? -Yeah. | 0:40:56 | 0:40:58 | |
We are going with the World Cup book. | 0:40:58 | 0:41:00 | |
We'll go with the World Cup book. | 0:41:00 | 0:41:02 | |
It was the first item you chose and you are dumping it in favour | 0:41:02 | 0:41:08 | |
of the 1966 World Cup souvenir programme. | 0:41:08 | 0:41:14 | |
-Yeah. -Yes. -OK. | 0:41:14 | 0:41:15 | |
We'd better hear how much this chest is worth. | 0:41:15 | 0:41:18 | |
Now, you thought this had good age to it | 0:41:18 | 0:41:21 | |
and, you know, the front doesn't really belie that, does it? | 0:41:21 | 0:41:24 | |
Especially that lid, | 0:41:24 | 0:41:25 | |
because all those bashes and dents in the wiring... | 0:41:25 | 0:41:28 | |
Barbara was right, it does have good age to it. | 0:41:28 | 0:41:31 | |
1820 is the date of this chest. | 0:41:31 | 0:41:35 | |
And, the thing is, if you tap it, we can see it's not wood. | 0:41:35 | 0:41:37 | |
It looks like papier mache with lacquer, | 0:41:37 | 0:41:40 | |
but in fact, it is tin, and painting on tin in this manner | 0:41:40 | 0:41:43 | |
is known as toleware, so it's a piece of toleware. | 0:41:43 | 0:41:47 | |
We know what it is. We know when it's from | 0:41:47 | 0:41:50 | |
and what is depicted - is a real chinoiserie scene | 0:41:50 | 0:41:53 | |
which was just the height of fashion in Regency England. | 0:41:53 | 0:41:57 | |
And, the thing is, it's actually survived very well. | 0:41:57 | 0:42:00 | |
Let me tell you, the chest that Mum loved so dearly... | 0:42:00 | 0:42:05 | |
It's worth £500. | 0:42:05 | 0:42:07 | |
GASPING | 0:42:07 | 0:42:08 | |
-Was it? -£500. | 0:42:08 | 0:42:12 | |
This is it, then - this is it, Barbara and Catherine. | 0:42:12 | 0:42:15 | |
What is the value, Natasha, of the 1966 World Cup souvenir programme? | 0:42:15 | 0:42:22 | |
Keeping it in this fantastic condition, | 0:42:22 | 0:42:24 | |
as this collector has done, means that today... | 0:42:24 | 0:42:28 | |
..it's worth £300. | 0:42:30 | 0:42:32 | |
-Oh! -Slightly less than the chest. | 0:42:32 | 0:42:34 | |
-It was worth a go, though, wasn't it? -Yeah, it was worth a go. | 0:42:34 | 0:42:37 | |
Today, Barbara and Catherine are going home with £300. | 0:42:37 | 0:42:41 | |
You have played this game so well | 0:42:41 | 0:42:44 | |
and you had seven things in your collection to choose from. | 0:42:44 | 0:42:48 | |
Went with the bloomin' old tin. | 0:42:48 | 0:42:49 | |
LAUGHTER | 0:42:49 | 0:42:51 | |
That's it for today's programme. | 0:42:51 | 0:42:53 | |
Join us next time, when three new teams | 0:42:53 | 0:42:55 | |
try to spot the lot to win the lot on For What It's Worth. | 0:42:55 | 0:42:57 | |
We'll see you then. Bye-bye. | 0:42:57 | 0:42:59 | |
Very, very nice... | 0:42:59 | 0:43:02 | |
I was surprised to learn that the helmet was the top lot. | 0:43:04 | 0:43:07 | |
I knew it was Cromwellian and I had a feeling it was the real McCoy, | 0:43:07 | 0:43:11 | |
but I wouldn't have put a price of £2,500 on it. | 0:43:11 | 0:43:14 | |
We did pick the right ones, | 0:43:14 | 0:43:16 | |
we just didn't pick one at the right time. | 0:43:16 | 0:43:18 |