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Hello and welcome to For What It's Worth, | 0:00:14 | 0:00:16 | |
where a cash prize waits for the smartest quizzers | 0:00:16 | 0:00:19 | |
and the sharpest antique shoppers. | 0:00:19 | 0:00:21 | |
We have three pairs of contestants, they are ready to play, | 0:00:21 | 0:00:24 | |
and in each team is a quizzer, | 0:00:24 | 0:00:25 | |
who is responsible for answering general knowledge questions | 0:00:25 | 0:00:28 | |
so that their partner, the picker, | 0:00:28 | 0:00:30 | |
can choose an antique item to add to their collection. | 0:00:30 | 0:00:33 | |
The aim of the game is to amass the most valuable collection. | 0:00:33 | 0:00:37 | |
So first up, we have Bill and Edward, | 0:00:37 | 0:00:40 | |
who are friends from Lancashire. Welcome, Bill and Edward. | 0:00:40 | 0:00:43 | |
Bill, you are the antiques picker for your team. | 0:00:43 | 0:00:46 | |
So how did you and Edward meet? | 0:00:46 | 0:00:48 | |
Well, I had a restaurant, he tipped up and wanted to wash pots. | 0:00:48 | 0:00:51 | |
-It was a mistake, mind you. -He couldn't do it? | 0:00:51 | 0:00:53 | |
Well, he used to break a lot of them. | 0:00:53 | 0:00:56 | |
Well, that's a good way of not having to wash up so many. | 0:00:56 | 0:00:59 | |
And, Edward, you have got the job of, of course, answering | 0:00:59 | 0:01:01 | |
the questions for your team. Are you confident in your general knowledge? | 0:01:01 | 0:01:05 | |
Generally speaking, yes, | 0:01:05 | 0:01:07 | |
because my only knowledge of antiques | 0:01:07 | 0:01:08 | |
comes from watching Lovejoy, | 0:01:08 | 0:01:10 | |
and generally speaking I am right on everything, | 0:01:10 | 0:01:12 | |
unless I'm talking to my wife, in which case she is always right. | 0:01:12 | 0:01:15 | |
Sensible man. | 0:01:15 | 0:01:16 | |
OK, and next up we have Rachel and Simon, | 0:01:16 | 0:01:19 | |
who are friends from Newcastle. | 0:01:19 | 0:01:21 | |
Rachel, you're going to be picking the antiques for your team. | 0:01:21 | 0:01:24 | |
Where did your interest in antiques come from? | 0:01:24 | 0:01:26 | |
My great uncle Les was a manager in a pottery factory, | 0:01:26 | 0:01:30 | |
and so I would go round to his house for family occasions | 0:01:30 | 0:01:33 | |
and they would be all around. And I would want to touch them, | 0:01:33 | 0:01:36 | |
and my little sausage fingers were slapped away really quickly. | 0:01:36 | 0:01:40 | |
And it just kind of stemmed from there, really. | 0:01:40 | 0:01:42 | |
Well, Simon, you're going to be answering the quiz questions | 0:01:42 | 0:01:45 | |
for your team, so do you guys make a good partnership? | 0:01:45 | 0:01:47 | |
Yeah, we bicker a lot. | 0:01:47 | 0:01:50 | |
No! | 0:01:50 | 0:01:51 | |
I guess there's only one to find out if we'll make a good team, | 0:01:51 | 0:01:54 | |
and that's...see if Rachel makes good decisions. | 0:01:54 | 0:01:57 | |
-And you answer the questions. -Exactly. | 0:01:57 | 0:02:00 | |
And finally we have Smita and Shrikant, | 0:02:00 | 0:02:03 | |
husband and wife from Birmingham. | 0:02:03 | 0:02:05 | |
Welcome both of you. | 0:02:05 | 0:02:06 | |
Now, Smita, you are picking the antiques for your team. | 0:02:06 | 0:02:09 | |
Is there anything that you especially enjoy collecting? | 0:02:09 | 0:02:12 | |
Yes, I do, I have got a collection of saris and Indian jewelleries. | 0:02:12 | 0:02:16 | |
Unfortunately, there's not a lot of occasions in the UK to wear them, | 0:02:16 | 0:02:19 | |
so I have a subdued collection of 100. | 0:02:19 | 0:02:22 | |
If given a choice, I would love to have many more, and obviously | 0:02:22 | 0:02:25 | |
the house space is also quite restricted to have more than 100. | 0:02:25 | 0:02:29 | |
Beautiful. The one you are wearing now, tell me about it. | 0:02:29 | 0:02:32 | |
Shrikant always likes the blue colour, but I prefer green. | 0:02:32 | 0:02:36 | |
So when I had bought this sari, he was not with me, so I got to choose. | 0:02:36 | 0:02:40 | |
Absolutely beautiful. Lovely. Thank you. | 0:02:40 | 0:02:42 | |
And Shrikant, you will be answering all the questions | 0:02:42 | 0:02:45 | |
on behalf of your team, of course. | 0:02:45 | 0:02:47 | |
And being married to an antiques fan, | 0:02:47 | 0:02:49 | |
you must get some pretty good birthday presents and things. | 0:02:49 | 0:02:52 | |
Yes - I think we'd just got married, | 0:02:52 | 0:02:54 | |
and she bought me from what can only be described | 0:02:54 | 0:02:57 | |
as a Mumbai flea market, if that is, a little box | 0:02:57 | 0:03:00 | |
which she didn't particularly think was very valuable. | 0:03:00 | 0:03:04 | |
It was lovely. So when she gave it to me, I started examining it. | 0:03:04 | 0:03:07 | |
It actually opens up, and it's the way that the British | 0:03:07 | 0:03:10 | |
used to give cigars in India, or cigarettes. | 0:03:10 | 0:03:12 | |
As you lift the box up, the cigar or the cigarette comes rolling out. | 0:03:12 | 0:03:16 | |
It is a little magic box. And she bought it for about 1,000 rupees. | 0:03:16 | 0:03:19 | |
Three or four pounds. | 0:03:19 | 0:03:21 | |
Three or four pounds. Incredible. | 0:03:21 | 0:03:23 | |
So you can forgive her for the green sari. | 0:03:23 | 0:03:25 | |
I can forgive her the green sari. | 0:03:25 | 0:03:26 | |
I can also forgive her the fact that I have no wardrobe space | 0:03:26 | 0:03:29 | |
because she has 100 saris. | 0:03:29 | 0:03:30 | |
Don't even go there. | 0:03:30 | 0:03:32 | |
So here are today's lots for your consideration. | 0:03:32 | 0:03:35 | |
There are 16 different antiques and collectables. | 0:03:35 | 0:03:39 | |
We have a banknote, cigarette holder, | 0:03:39 | 0:03:42 | |
teapot and plate, | 0:03:42 | 0:03:45 | |
a stole or flounce, a clock, | 0:03:45 | 0:03:48 | |
a painting, a paperweight, | 0:03:48 | 0:03:51 | |
a jigsaw, a goddess, | 0:03:51 | 0:03:55 | |
a map, a boar, | 0:03:55 | 0:03:58 | |
a figurine, a plaque, | 0:03:58 | 0:04:01 | |
red slippers, a vase, and a box. | 0:04:01 | 0:04:06 | |
They are all very different, these lots, with very different values. | 0:04:06 | 0:04:09 | |
One is worthless, it's worth only about £10 or less. | 0:04:09 | 0:04:13 | |
And the rest increase in value up to our top lot, | 0:04:13 | 0:04:16 | |
which is worth a whopping £2,500. | 0:04:16 | 0:04:19 | |
That is the lot to spot, because, at the end of the show, | 0:04:19 | 0:04:22 | |
the winning pair will walk away | 0:04:22 | 0:04:24 | |
with the cash equivalent of one of these items. | 0:04:24 | 0:04:27 | |
Now earlier, our teams inspected the lots, | 0:04:27 | 0:04:30 | |
but could they separate the relics from the rubbish? | 0:04:30 | 0:04:33 | |
Oh, look at this, Bill. | 0:04:35 | 0:04:37 | |
Oh, snazzy. | 0:04:37 | 0:04:39 | |
I think that's just a load of junk, isn't it? That's a fiver, that. | 0:04:42 | 0:04:45 | |
-It looks hand-blown. -Probably by Poundland. | 0:04:45 | 0:04:48 | |
This would be beautiful on a mantelpiece. | 0:04:48 | 0:04:50 | |
-Nice, isn't it? -It is modern. | 0:04:50 | 0:04:52 | |
-Oh, hello. -CLOCK CHIMES, THEY LAUGH | 0:04:52 | 0:04:55 | |
I don't think this is worth anything. | 0:04:55 | 0:04:58 | |
-Might be worth a bit. -1871. | 0:04:58 | 0:05:02 | |
What is it supposed to be? | 0:05:02 | 0:05:03 | |
-Tea caddy. -No, it's not, it's one of those boxes Tommy Cooper had. | 0:05:05 | 0:05:07 | |
-Here you are, Bill, where's the red box? -So this looks Victorian to me. | 0:05:07 | 0:05:11 | |
Look at it, it is beautiful. Almost looks like William Morris. | 0:05:11 | 0:05:15 | |
It looks new to me, doesn't look very used. | 0:05:15 | 0:05:18 | |
It is sort of mass-produced, really, to be honest. | 0:05:20 | 0:05:23 | |
This looks like a Lladro. | 0:05:23 | 0:05:26 | |
-Definitely wouldn't have it in my house. -No, that is nothing, that. | 0:05:26 | 0:05:30 | |
When you go into Chinese supermarkets, | 0:05:30 | 0:05:32 | |
they have things like this. | 0:05:32 | 0:05:33 | |
Yes, true. | 0:05:33 | 0:05:34 | |
Coloured birds. This will be valuable. | 0:05:34 | 0:05:37 | |
This is just a bit of terracotta, | 0:05:39 | 0:05:41 | |
-isn't it? -It's kind of weatherworn. | 0:05:41 | 0:05:43 | |
-It wouldn't go anywhere nicely, even in a garden. -This is beautiful. | 0:05:43 | 0:05:47 | |
-My auntie would go mad for that. -It is one of the ones we go for... | 0:05:47 | 0:05:51 | |
Yes, definitely. | 0:05:51 | 0:05:53 | |
Silver on the bottom, it says "argent". | 0:05:53 | 0:05:55 | |
-OK, I want to earmark this one, Simon. -What, to take home? -Yes. | 0:05:55 | 0:06:00 | |
THEY LAUGH | 0:06:00 | 0:06:01 | |
-Where did they come from? -Christchurch Road, Bournemouth. | 0:06:03 | 0:06:06 | |
What do we think, in terms of value? I think these are very collectable. | 0:06:06 | 0:06:10 | |
-Goddess of what? -Has the head come off as well? | 0:06:12 | 0:06:15 | |
It looks like it has been stuck on with chewing gum. | 0:06:15 | 0:06:18 | |
THEY LAUGH | 0:06:18 | 0:06:19 | |
That would have been quite a lot of money in 1932. | 0:06:21 | 0:06:24 | |
-Do we want to earmark this one? -Yes, definitely. | 0:06:24 | 0:06:27 | |
I think it's worth quite a bit. | 0:06:27 | 0:06:30 | |
I would pay good money to buy that. | 0:06:30 | 0:06:32 | |
I think the condition is so bad, Simon, so it is not that desirable. | 0:06:32 | 0:06:36 | |
This is copied from, I think it is | 0:06:37 | 0:06:39 | |
called The Porchetta or something, in Florence. | 0:06:39 | 0:06:42 | |
Why would you have a bowl in your hands? | 0:06:42 | 0:06:45 | |
-We've got... -Tea towel. | 0:06:46 | 0:06:48 | |
SHE LAUGHS | 0:06:48 | 0:06:50 | |
Is it made of silk? | 0:06:50 | 0:06:51 | |
I wonder whether this came out of the Second World War. | 0:06:51 | 0:06:55 | |
So I think the painting, I think the shoes, Bill. | 0:06:55 | 0:06:58 | |
-We'll take cigarette holder, painting. -Yeah. -banknotes. | 0:06:58 | 0:07:02 | |
The vase, definitely, I think that's got some value. And the statuette. | 0:07:02 | 0:07:06 | |
-I want to go for the map. -Are you sure about the map? | 0:07:06 | 0:07:09 | |
Well, I don't know. | 0:07:09 | 0:07:11 | |
And, of course, joining us is our resident antiques expert, | 0:07:11 | 0:07:14 | |
-the lovely Charles Hanson. -Hello, Fern, hello, all. | 0:07:14 | 0:07:17 | |
How has the valuation been arrived at? | 0:07:17 | 0:07:19 | |
Because you could just pluck any figure out of the air. | 0:07:19 | 0:07:22 | |
All the values for each lot, Fern, have been agreed by me, OK? I know. | 0:07:22 | 0:07:27 | |
Thank you very much. | 0:07:27 | 0:07:29 | |
But also an independent valuer | 0:07:29 | 0:07:33 | |
has verified those figures as well, based on the hammer price. | 0:07:33 | 0:07:37 | |
So that essentially means a mid-auction estimate. | 0:07:37 | 0:07:41 | |
And you both agree on it? | 0:07:41 | 0:07:43 | |
-110%. -Well, as well as those little treasures, | 0:07:43 | 0:07:46 | |
we have our mystery lot, | 0:07:46 | 0:07:48 | |
hidden under the shroud of mystery, | 0:07:48 | 0:07:51 | |
and poised to be uncovered at the end of the show to tempt our winners. | 0:07:51 | 0:07:55 | |
But for now, it's time for Round 1. | 0:07:55 | 0:07:59 | |
Now, I'm going to ask you ten general knowledge questions, quizzers. | 0:08:01 | 0:08:05 | |
And if you buzz in with a correct answer, | 0:08:05 | 0:08:07 | |
your picker will get to add a lot to your collection. But beware, | 0:08:07 | 0:08:11 | |
if you buzz in incorrectly, you will be frozen out from the next question. | 0:08:11 | 0:08:16 | |
Quizzers, your job is to give your picker the chance to bag | 0:08:16 | 0:08:20 | |
the top lots first. All understood? Excellent. | 0:08:20 | 0:08:23 | |
Fingers on buzzers, question number one. | 0:08:23 | 0:08:26 | |
Which fruit is usually found in an Eton mess? | 0:08:26 | 0:08:30 | |
-BUZZER Yes, Simon. -Strawberries. | 0:08:30 | 0:08:33 | |
Correct. Rachel, what would you like to pick? | 0:08:33 | 0:08:36 | |
I'd like the cigarette holder, please. | 0:08:36 | 0:08:38 | |
Question two. | 0:08:40 | 0:08:42 | |
In 1968, which famous civil rights activist was assassinated in... | 0:08:42 | 0:08:46 | |
BUZZER Shrikant. | 0:08:46 | 0:08:48 | |
-It was Martin Luther King. -That is correct. | 0:08:48 | 0:08:51 | |
Assassinated in Memphis, Tennessee, the answer is Martin Luther King Jr. | 0:08:51 | 0:08:55 | |
-Smita, your choice. -I want to collect the vase, please. | 0:08:55 | 0:08:58 | |
It is going to your collection. | 0:08:58 | 0:09:00 | |
Question three. | 0:09:02 | 0:09:03 | |
Which famous rock and blues guitarist | 0:09:03 | 0:09:06 | |
is also known as Slowhand? | 0:09:06 | 0:09:09 | |
BUZZER Shrikant. | 0:09:09 | 0:09:12 | |
I think that's BB King. | 0:09:12 | 0:09:13 | |
I'm sorry, you are wrong. It is Eric Clapton. | 0:09:13 | 0:09:17 | |
You are frozen out of the next question, Shrikant. | 0:09:17 | 0:09:20 | |
Question number four. | 0:09:20 | 0:09:22 | |
What is the most south-westerly point of mainland Britain? | 0:09:22 | 0:09:26 | |
BUZZER | 0:09:26 | 0:09:27 | |
-Simon. -Penzance. | 0:09:27 | 0:09:29 | |
-No. It is Land's End. -Of course! | 0:09:29 | 0:09:32 | |
You're frozen out, but Shrikant and Smita, | 0:09:32 | 0:09:35 | |
you are back in. Question five. | 0:09:35 | 0:09:38 | |
Who played Ripley in the 1979 film Alien? | 0:09:38 | 0:09:41 | |
BUZZER Yes, Shrikant. | 0:09:41 | 0:09:43 | |
-That was Sigourney Weaver. -It was Sigourney Weaver, well done. Smita. | 0:09:43 | 0:09:47 | |
-I think I want to go for the jigsaw. -The jigsaw. | 0:09:47 | 0:09:51 | |
It's going towards your collection. | 0:09:51 | 0:09:53 | |
Simon and Rachel, you are back in the game. Question six. | 0:09:53 | 0:09:56 | |
Of the eight major planets in our solar system, which is | 0:09:56 | 0:09:59 | |
furthest from the sun? | 0:09:59 | 0:10:02 | |
BUZZER | 0:10:02 | 0:10:03 | |
-Yes, Simon. -Neptune. -It is correct, well done. | 0:10:03 | 0:10:07 | |
-Oh, I thought I had got it wrong. -Rachel, your pick. | 0:10:07 | 0:10:09 | |
I'm going to have to go for the stole | 0:10:09 | 0:10:11 | |
to go with my cigarette holder. | 0:10:11 | 0:10:12 | |
-The stole is coming to your collection. -Thank you. | 0:10:12 | 0:10:14 | |
And you'll be sitting, looking gorgeous on a chaise longue | 0:10:14 | 0:10:17 | |
-with your cigarette holder. -Exactly. -Fabulous. Question seven. | 0:10:17 | 0:10:20 | |
Simon Templar was the lead... BUZZER | 0:10:20 | 0:10:22 | |
-Oh! -Shrikant. -I believe it was a series called The Saint. | 0:10:22 | 0:10:26 | |
The full question was, Simon Templar was the lead character of which | 0:10:26 | 0:10:29 | |
television series that first aired in 1962? | 0:10:29 | 0:10:31 | |
It was The Saint. Smita, your choice. | 0:10:31 | 0:10:34 | |
-The clock, please. -The clock. It is zooming its way to your collection. | 0:10:34 | 0:10:38 | |
Question eight. In which bay is Alcatraz prison? | 0:10:38 | 0:10:41 | |
-BUZZER Edward. -Do you know what, I was... | 0:10:41 | 0:10:44 | |
-San Francisco, yeah? -Correct. | 0:10:44 | 0:10:47 | |
Bill, your chance to choose from the grid. | 0:10:47 | 0:10:50 | |
I'll have the painting, please. | 0:10:50 | 0:10:53 | |
Congratulations, you are off the mark. Good. Question nine. | 0:10:53 | 0:10:56 | |
On an archery target, what colour is the bull's-eye? | 0:10:56 | 0:10:59 | |
BUZZER Yes, Shrikant. | 0:10:59 | 0:11:01 | |
I believe it's...red. | 0:11:01 | 0:11:04 | |
I'm afraid it's not, you are frozen out of the next question. It is gold. | 0:11:04 | 0:11:08 | |
Question ten. | 0:11:08 | 0:11:10 | |
The Old Man And The Sea was written by which American novelist? | 0:11:10 | 0:11:13 | |
BUZZER Simon. | 0:11:13 | 0:11:15 | |
-Is it Ernest Hemingway? -It is Ernest Hemingway, well done. | 0:11:15 | 0:11:18 | |
-Rachel, what do you want? -I would like the banknote, please. | 0:11:18 | 0:11:21 | |
It is in your collection. | 0:11:21 | 0:11:23 | |
At the end of Round 1, let's see how you've all done. | 0:11:23 | 0:11:26 | |
Bill and Edward, you have the painting. | 0:11:26 | 0:11:29 | |
Simon and Rachel, you have the cigarette holder, | 0:11:29 | 0:11:31 | |
the stole and the banknote. | 0:11:31 | 0:11:34 | |
And Shrikant and Smita, | 0:11:34 | 0:11:35 | |
you have managed to collect the vase, the jigsaw | 0:11:35 | 0:11:38 | |
and the clock. | 0:11:38 | 0:11:40 | |
Our teams have started to build their collections, | 0:11:40 | 0:11:42 | |
but before they have the chance to add to them, | 0:11:42 | 0:11:45 | |
Charles is going to give each pair a fact about a lot of their choice. | 0:11:45 | 0:11:49 | |
Now, these snippets of information should give you all vital | 0:11:49 | 0:11:53 | |
clues about what it's worth, so choose wisely. | 0:11:53 | 0:11:57 | |
It could be something that you have got in your own collection, | 0:11:57 | 0:12:00 | |
it could be something that your opponents have in their collection, | 0:12:00 | 0:12:03 | |
or it could be something that's still up on the grid. | 0:12:03 | 0:12:06 | |
Bill, let's start with you. Which lot would you like to hear about? | 0:12:06 | 0:12:09 | |
-I'd like to hear about the plaque. -Charles. | 0:12:09 | 0:12:12 | |
It is a mid-19th century terracotta plaque, moulded with the heads | 0:12:12 | 0:12:17 | |
of three Italian figures, depicted as these chubby sort of boys. | 0:12:17 | 0:12:22 | |
-Little cherubs, aren't they? -They are. Yes, they are. | 0:12:22 | 0:12:25 | |
At some stage during its life, it's been restored. | 0:12:25 | 0:12:29 | |
-Did that give you any clues at all, Bill? -Sort of. -Good. | 0:12:29 | 0:12:33 | |
Simon and Rachel, your choice next. | 0:12:33 | 0:12:35 | |
Rachel, what would you like to hear more about? | 0:12:35 | 0:12:38 | |
-I'd like to learn about the vase, thank you. -Smita's vase. Charles? | 0:12:38 | 0:12:44 | |
This is a first period Worcester porcelain vase. | 0:12:44 | 0:12:46 | |
It's sort of neo-rococo, fanciful fashions, | 0:12:46 | 0:12:50 | |
takes it back to the day of Mad King George III, around 1760. | 0:12:50 | 0:12:55 | |
The way you can tell if it's real or not is the body is a soapstone. | 0:12:55 | 0:12:59 | |
So when you shine a light through the base of it, | 0:12:59 | 0:13:02 | |
it's got this greenish tinge. | 0:13:02 | 0:13:03 | |
And that's a true sign of its factory origin. | 0:13:03 | 0:13:07 | |
But how important today is it in the antiques world? | 0:13:07 | 0:13:11 | |
Rachel, you understand your pots, | 0:13:11 | 0:13:14 | |
so depending on what you think of that, are you happy with the answer? | 0:13:14 | 0:13:17 | |
I am, it's actually turned everything that I thought | 0:13:17 | 0:13:20 | |
-on its head. -SHE LAUGHS | 0:13:20 | 0:13:23 | |
You're not going to tell us what that was, obviously. | 0:13:23 | 0:13:26 | |
No, cards to chest, thank you. | 0:13:26 | 0:13:27 | |
Shrikant and Smita? | 0:13:27 | 0:13:29 | |
-I want to find out about that map, please. -The map. | 0:13:29 | 0:13:31 | |
I almost wonder if this could be an escape to victory. | 0:13:31 | 0:13:34 | |
This is a military issue map of Europe, printed on silk. | 0:13:34 | 0:13:39 | |
You might say, why would a map be on silk? | 0:13:39 | 0:13:42 | |
Well, it could be easily secreted about your person, | 0:13:42 | 0:13:45 | |
and accessed if you ever find yourself requiring escape routes | 0:13:45 | 0:13:49 | |
from behind enemy lines. | 0:13:49 | 0:13:51 | |
And soldiers and spies, Fern, | 0:13:51 | 0:13:53 | |
they were often equipped with these during World War II. | 0:13:53 | 0:13:55 | |
Of course, will it command huge sums in terms of value? | 0:13:55 | 0:13:59 | |
Smita, you've picked an interesting lot there, | 0:13:59 | 0:14:01 | |
why did you decide on that one? | 0:14:01 | 0:14:02 | |
I was very intrigued at why the map was on silk. | 0:14:02 | 0:14:05 | |
Because most maps were usually on paper, that's why I wanted to know. | 0:14:05 | 0:14:09 | |
OK. Now that they are all | 0:14:09 | 0:14:10 | |
a little bit more knowledgeable on today's lots, | 0:14:10 | 0:14:13 | |
let's give them the chance | 0:14:13 | 0:14:15 | |
to add some more of them to their collections. | 0:14:15 | 0:14:17 | |
Bear in mind that at the end of this round, teams, | 0:14:20 | 0:14:23 | |
it is the team with the least valuable collection | 0:14:23 | 0:14:25 | |
that will be eliminated. | 0:14:25 | 0:14:27 | |
Three more lots are now available to each pair and this time, | 0:14:27 | 0:14:31 | |
pickers, you target a lot, | 0:14:31 | 0:14:33 | |
and quizzers, you then try and secure it by answering a question correctly. | 0:14:33 | 0:14:39 | |
But in this round, the lots come with their own question categories. | 0:14:39 | 0:14:43 | |
So, for instance, if you were to ask for the figurine, | 0:14:43 | 0:14:48 | |
I would have to ask you a question on either soap operas or Shakespeare. | 0:14:48 | 0:14:53 | |
All right, let's start with Edward and Bill. | 0:14:53 | 0:14:56 | |
You are up first, so Bill... | 0:14:56 | 0:14:58 | |
-Uh-huh? -What is your lot? -Well, I... Oooh. | 0:14:58 | 0:15:03 | |
-Slippers. -All right. Edward. | 0:15:03 | 0:15:06 | |
You can pick to answer a question on sporting venues or the Beatles. | 0:15:06 | 0:15:11 | |
I've got to go sporting venues, | 0:15:11 | 0:15:12 | |
because I know nothing about the Beatles. | 0:15:12 | 0:15:15 | |
OK. What sport is famously played at Roland Garros in Paris? | 0:15:15 | 0:15:21 | |
I don't know. I'm going to take a punt at tennis. | 0:15:21 | 0:15:25 | |
You are right. | 0:15:25 | 0:15:26 | |
-I knew it, I knew it! -Congratulations. -It was all a bluff! | 0:15:26 | 0:15:30 | |
-Well done, Edward. -Well done, Bill. It was a bluff. | 0:15:30 | 0:15:33 | |
-Bill, you've got your red slippers, they are coming to you. -Excellent. | 0:15:33 | 0:15:36 | |
You did well. Right, Simon and Rachel. What would you like to pick? | 0:15:36 | 0:15:40 | |
It's going to be the map, Fern, thank you. | 0:15:40 | 0:15:42 | |
OK, so Simon, Shakespeare or Beatles? | 0:15:42 | 0:15:44 | |
-Um... I think I'm going to go for the Beatles, please. -The Beatles. | 0:15:44 | 0:15:49 | |
In which 1968 Beatles film do the Blue Meanies appear? | 0:15:49 | 0:15:55 | |
I think it is Help. | 0:15:55 | 0:15:59 | |
-Oh, Rachel knew it! -Is it Yellow Submarine? | 0:15:59 | 0:16:03 | |
-It was Yellow Submarine. -Oh, sorry, Rachel! | 0:16:03 | 0:16:05 | |
That's unfortunate. | 0:16:05 | 0:16:06 | |
Yellow Submarine is the answer. The map stays on the grid. | 0:16:06 | 0:16:09 | |
Smita, it's your choice. | 0:16:09 | 0:16:11 | |
Shakespeare and the Beatles, both are my husband's favourite | 0:16:11 | 0:16:14 | |
-so obvious choice would be the map. -OK, here we go. | 0:16:14 | 0:16:17 | |
Beatles or Shakespeare, which one do you want, Shrikant? | 0:16:17 | 0:16:19 | |
-I'll take Shakespeare. -Shakespeare. | 0:16:19 | 0:16:21 | |
Who utters the soliloquy which begins, "To be or not to be"? | 0:16:21 | 0:16:26 | |
That is Hamlet, the Prince of Denmark. | 0:16:26 | 0:16:28 | |
Ohhh! Very, very good. The map is yours. | 0:16:28 | 0:16:32 | |
The teams are building their collections. | 0:16:32 | 0:16:34 | |
-Right, Bill, are you ready? What would you like to take? -Boar. | 0:16:34 | 0:16:39 | |
Edward, are you good on Shakespeare or inventors? | 0:16:39 | 0:16:42 | |
Well, we had an easy Shakespeare question | 0:16:42 | 0:16:43 | |
so I'll go for inventors and hope it's something easier. | 0:16:43 | 0:16:47 | |
Here we go. | 0:16:47 | 0:16:48 | |
Which US founding father | 0:16:48 | 0:16:50 | |
is famous for the invention of the lightning rod? | 0:16:50 | 0:16:53 | |
I don't know. | 0:16:53 | 0:16:54 | |
What's that guy called? Emmett Brown. | 0:16:54 | 0:16:57 | |
It was Benjamin Franklin. | 0:16:57 | 0:16:58 | |
The boar stays on the board. Rachel, what would you like there? | 0:16:58 | 0:17:02 | |
I'm going to take a punt and that's going to be the goddess, Simon. | 0:17:02 | 0:17:06 | |
-I apologise in advance! -OK. -Thanks(!) -You're welcome. | 0:17:06 | 0:17:09 | |
Well, Simon, what would you prefer questions on, | 0:17:09 | 0:17:12 | |
Shakespeare or celebrity gossip? | 0:17:12 | 0:17:14 | |
Let's see how much I've learnt from my wife, | 0:17:14 | 0:17:16 | |
-I'll go for celebrity gossip. -OK, here we go. | 0:17:16 | 0:17:19 | |
In 2011, comedian Russell Brand divorced which US pop star? | 0:17:19 | 0:17:24 | |
That is Katy Perry. | 0:17:24 | 0:17:26 | |
It is and the goddess is yours. | 0:17:26 | 0:17:28 | |
-Smita, what would you like to play for next? -I might go for the boar. | 0:17:28 | 0:17:33 | |
Shakespeare or inventors, Shrikant? | 0:17:33 | 0:17:36 | |
It's got to be Shakespeare again, please, Fern. | 0:17:36 | 0:17:38 | |
OK. Which Shakespeare play inspired Cole Porter's Kiss Me Kate | 0:17:38 | 0:17:43 | |
and the 1999 film, 10 Things I Hate About You? | 0:17:43 | 0:17:47 | |
-That was The Taming Of The Shrew. -Yes, it is The Taming Of The Shrew. | 0:17:47 | 0:17:51 | |
And the boar is going towards your collection. | 0:17:51 | 0:17:54 | |
Bill and Edward, you now have the painting and the slippers. | 0:17:54 | 0:17:58 | |
Simon and Rachel, you have managed to add the goddess | 0:17:58 | 0:18:02 | |
to your collection of the cigarette holder, the stole and the banknote. | 0:18:02 | 0:18:06 | |
And Shrikant and Smita, to the vase, the jigsaw and the clock, | 0:18:06 | 0:18:11 | |
you have added the map and the boar. | 0:18:11 | 0:18:14 | |
I wonder if the top lot has left the grid | 0:18:14 | 0:18:16 | |
and is sitting in one of your collections? | 0:18:16 | 0:18:19 | |
Or whether the worthless one is sitting amongst you | 0:18:19 | 0:18:22 | |
like a cuckoo in the nest? | 0:18:22 | 0:18:24 | |
Now, remember, at the end of this round, | 0:18:24 | 0:18:27 | |
the pair with the least valuable collection will be leaving us. | 0:18:27 | 0:18:31 | |
So, have you missed out on that one item | 0:18:31 | 0:18:34 | |
that you treasure above all else? | 0:18:34 | 0:18:36 | |
If so, here's your chance to grab it. | 0:18:36 | 0:18:39 | |
There is one last lot available to each team and this time, | 0:18:39 | 0:18:44 | |
you can either go for what's left on the grid | 0:18:44 | 0:18:46 | |
or you can steal an antique that's in a rival team's collection. | 0:18:46 | 0:18:50 | |
Pickers, be warned, if you choose to steal from another team, | 0:18:50 | 0:18:54 | |
their quizzer will get to decide your quizzer's category. Right, Bill. | 0:18:54 | 0:18:59 | |
Do you want to target a lot from the grid | 0:18:59 | 0:19:02 | |
or have you got your eye on something in another collection? | 0:19:02 | 0:19:05 | |
Let's go for the plaque. | 0:19:05 | 0:19:08 | |
So, you have to answer questions on sporting venues | 0:19:08 | 0:19:11 | |
or celebrity gossip, please, Edward. | 0:19:11 | 0:19:13 | |
-Celebrity gossip, please. -Celebrity gossip. | 0:19:13 | 0:19:15 | |
Which celebrity was presented with the Transgender Champion Award | 0:19:15 | 0:19:20 | |
at the 2015 Glamour Awards ceremony? | 0:19:20 | 0:19:23 | |
-Ohhh, what was his name? -I'm saying nothing. I'm the sphinx. | 0:19:23 | 0:19:27 | |
In the absence of knowing his name, I'll have to say RuPaul. | 0:19:27 | 0:19:30 | |
Good answer, but it isn't. It's Caitlyn Jenner. | 0:19:30 | 0:19:33 | |
-Sorry, Bill, I let you down there, mate. -Simon and Rachel. | 0:19:33 | 0:19:37 | |
Rachel, would you like to take from the grid or nick from someone else? | 0:19:37 | 0:19:40 | |
I'm going to take from the grid. The teapot and plate. | 0:19:40 | 0:19:45 | |
Dinosaurs and inventors. Which would you like a question on, Simon? | 0:19:45 | 0:19:49 | |
I love Jurassic Park but that means nothing. | 0:19:49 | 0:19:52 | |
-So I'm going to go for inventors, please. -Here is your question. | 0:19:52 | 0:19:56 | |
Brought into production by Henry Ford in 1908, | 0:19:56 | 0:19:59 | |
what name was given to the first mass-produced automobile? | 0:19:59 | 0:20:03 | |
-It's the Model T car. -It is the Model T car. | 0:20:03 | 0:20:06 | |
The teapot and plate are yours. | 0:20:06 | 0:20:08 | |
OK! Shrikant and Smita. Smita, what do you want to do? | 0:20:11 | 0:20:15 | |
Nick from someone else or take from the grid? | 0:20:15 | 0:20:17 | |
I think I'll take from the grid. | 0:20:17 | 0:20:19 | |
I might go for the paperweight. | 0:20:19 | 0:20:21 | |
Capital cities or inventors, Shrikant? | 0:20:21 | 0:20:25 | |
Let's go capital cities, Fern, I'll try that. | 0:20:25 | 0:20:27 | |
What is the capital city of Austria? | 0:20:27 | 0:20:30 | |
That would be Vienna. | 0:20:30 | 0:20:31 | |
It is Vienna. The paperweight is yours. | 0:20:31 | 0:20:35 | |
There it is in your collection. Well done, teams. | 0:20:35 | 0:20:38 | |
That's the end of Round Two and for one team, | 0:20:38 | 0:20:41 | |
it will be the end of the road. | 0:20:41 | 0:20:43 | |
And the team with the least valuable collection will be eliminated, | 0:20:43 | 0:20:47 | |
taking their lots out of the game as well. | 0:20:47 | 0:20:50 | |
Bill and Edward, you still have the painting and the slippers. | 0:20:50 | 0:20:54 | |
Simon and Rachel, the cigarette holder, the stole, | 0:20:54 | 0:20:57 | |
the banknote, the goddess and finally, the teapot and plate. | 0:20:57 | 0:21:01 | |
And Shrikant and Smita, along with the vase, jigsaw, the clock, | 0:21:01 | 0:21:05 | |
the map and the boar, you now also have the paperweight. | 0:21:05 | 0:21:10 | |
So, Charles, you'd been busy calculating, keeping tabs. | 0:21:10 | 0:21:14 | |
Who is leaving us first? | 0:21:14 | 0:21:15 | |
With a total collection value of £350, | 0:21:17 | 0:21:24 | |
the pair leaving us first is... | 0:21:24 | 0:21:27 | |
-..Edward and Bill. -He was the picker, I blame the picker. | 0:21:31 | 0:21:34 | |
Well, I'm so sorry that that is the case, | 0:21:34 | 0:21:37 | |
but shall we have a look at what you have got and what they're worth? | 0:21:37 | 0:21:40 | |
Because that's all we want to know, isn't it? | 0:21:40 | 0:21:42 | |
-So what do you want to start with, Charles? -We'll start with the shoes. | 0:21:42 | 0:21:45 | |
-Would you wear them? -Yes! -They're gorgeous, aren't they? | 0:21:45 | 0:21:48 | |
They are striking, they're 130 years old. | 0:21:48 | 0:21:51 | |
Rachel, you hope they may fit you. They really are your style. | 0:21:51 | 0:21:56 | |
Their value was £100. | 0:21:56 | 0:22:00 | |
-Wow. -Yeah. -I'm amazed. | 0:22:00 | 0:22:03 | |
The next object in your collection was | 0:22:03 | 0:22:05 | |
that really delightful picture of a great Lancashire pedigree. | 0:22:05 | 0:22:10 | |
By an artist who is still rising up the chain in value. | 0:22:10 | 0:22:15 | |
And its value, £250. | 0:22:15 | 0:22:18 | |
No mean sum, but not quite a show stopper. | 0:22:18 | 0:22:22 | |
-But you picked things that you liked, didn't you? -Yes, of course. | 0:22:22 | 0:22:25 | |
Yes, and that's the important thing. And we have loved having you here. | 0:22:25 | 0:22:29 | |
Thank you both very much indeed. | 0:22:29 | 0:22:30 | |
It is time to bring the hammer down on your appearance here. | 0:22:30 | 0:22:33 | |
-Thank you for being with us. -Thanks for having us. -Edward and Bill. | 0:22:33 | 0:22:37 | |
I think that the worthless lot is the paperweight, | 0:22:38 | 0:22:41 | |
and when Smita asked for it, I was nearly laughing my head off | 0:22:41 | 0:22:43 | |
and fell out of my chair because I thought, | 0:22:43 | 0:22:45 | |
this is our chance, we're back in play. We'll soon find out, anyway. | 0:22:45 | 0:22:48 | |
The unclaimed lots in the grid are now also leaving the game, | 0:22:51 | 0:22:55 | |
so let's quickly find out from Charles what they were worth | 0:22:55 | 0:22:59 | |
and if the top lot is still in the game. Charles? | 0:22:59 | 0:23:03 | |
I mean, to some people, this red earthenware plaque, | 0:23:03 | 0:23:06 | |
it's what we call terracotta, | 0:23:06 | 0:23:08 | |
it looks quite spurious, quite speculative. | 0:23:08 | 0:23:12 | |
It is Victorian, it is 1860, 1870. | 0:23:12 | 0:23:15 | |
But it isn't overly rare. | 0:23:15 | 0:23:17 | |
-It's worth £350. -Is it? -It is indeed, yeah. | 0:23:17 | 0:23:21 | |
-So still worth something but it's not the top lot. -Absolutely. | 0:23:21 | 0:23:25 | |
What else are you going to tell us? | 0:23:25 | 0:23:26 | |
Now I'm going to go to this very nice | 0:23:26 | 0:23:28 | |
what we would call a Royal Dux group. | 0:23:28 | 0:23:31 | |
Rachel, you thought it looked like Lladro, | 0:23:31 | 0:23:34 | |
which of course, has that great Spanish hit, but this is Austrian. | 0:23:34 | 0:23:39 | |
I quite like it, it's slightly undervalued at the moment. | 0:23:39 | 0:23:42 | |
-£500. -Really? | 0:23:42 | 0:23:44 | |
-Wow. -I wouldn't pay it. -No. I never thought it. -Oh, no. | 0:23:44 | 0:23:49 | |
So that's the figurine. | 0:23:49 | 0:23:50 | |
And then, to many of you, it's a bit mundane, doesn't look a lot | 0:23:50 | 0:23:54 | |
but then you've got to think, provenance, pedigree. | 0:23:54 | 0:23:57 | |
What could be its story? | 0:23:57 | 0:23:59 | |
It's quite invisible to you but this is a dice box from around 1860. | 0:23:59 | 0:24:03 | |
Importantly, it was a dice box | 0:24:03 | 0:24:05 | |
used at a Christmas party held by Queen Alexandria... | 0:24:05 | 0:24:10 | |
-Ohhh! -..for the then Prince of Wales, Edward VII. Wow! | 0:24:10 | 0:24:14 | |
-Smita, you noted here, why would you put a box in a box? -I did. | 0:24:14 | 0:24:20 | |
-And of course, it's a kind of magic. -Yeah. -It's a kind of magic. | 0:24:20 | 0:24:23 | |
Saying that, it's a wow factor, Fern. | 0:24:23 | 0:24:26 | |
Value, hold tight, | 0:24:26 | 0:24:28 | |
£1,500. | 0:24:28 | 0:24:30 | |
-But it is not the top lot. -It's not. | 0:24:30 | 0:24:34 | |
So we know that the top lot and the most worthless lot are in play, | 0:24:34 | 0:24:40 | |
and are somewhere abiding in your collection. | 0:24:40 | 0:24:44 | |
Before we go any further, Charles is going to give you all another fact | 0:24:44 | 0:24:48 | |
about a lot of your choice. | 0:24:48 | 0:24:50 | |
Picker Rachel, what lot do you really need to know more about? | 0:24:50 | 0:24:54 | |
I'd actually like to know about the clock, please. | 0:24:54 | 0:24:57 | |
The clock, which is right there in the centre of Smita's collection. | 0:24:57 | 0:25:01 | |
Rachel, this is a German Ting Tang bracket clock, | 0:25:01 | 0:25:05 | |
made by renowned maker Winterhalder & Hofmeier. | 0:25:05 | 0:25:10 | |
They did go out of business as a direct result | 0:25:10 | 0:25:14 | |
of the aftermath of the Wall Street crash in 1929. | 0:25:14 | 0:25:19 | |
This is exquisite German engineering of a very high quality. | 0:25:19 | 0:25:23 | |
-Rachel, does that help you? -It does, yeah. | 0:25:23 | 0:25:27 | |
I feel a bit ticked off with myself. | 0:25:27 | 0:25:29 | |
Oh! THEY LAUGH | 0:25:29 | 0:25:31 | |
Very good. Smita, what would you like to know more about? | 0:25:31 | 0:25:35 | |
About the cigarette holder, please. | 0:25:35 | 0:25:37 | |
It's a French enamelled ladies silver cigarette holder, | 0:25:37 | 0:25:41 | |
in its original box and it's hallmarked. | 0:25:41 | 0:25:44 | |
With that combination of silver and champleve enamel, | 0:25:44 | 0:25:48 | |
it's a timeless one. Very much in that tradition of Faberge. | 0:25:48 | 0:25:53 | |
This isn't Faberge, and of course, it is smoking memorabilia. | 0:25:53 | 0:25:59 | |
Touch of glamour, however, is always popular, isn't it, Fern? | 0:25:59 | 0:26:02 | |
-Always popular. Does that help, Smita? -It does, yes. | 0:26:02 | 0:26:06 | |
-A little bit? -Absolutely. I did want it but Rachel got it first. -Ahh! | 0:26:06 | 0:26:11 | |
OK. Well, it might start changing hands, you never know. | 0:26:11 | 0:26:14 | |
Those are all the facts available to you | 0:26:14 | 0:26:16 | |
so it's now time for our final round. | 0:26:16 | 0:26:18 | |
I'm going to give the quizzers a category | 0:26:21 | 0:26:24 | |
and then they take turns to say answers in that category. | 0:26:24 | 0:26:27 | |
For example, if I say, American Cities. | 0:26:27 | 0:26:30 | |
We start it with you, Simon, you would say New York, and you, | 0:26:30 | 0:26:34 | |
Shrikant, you might say Chicago, and then Seattle, and then, so on. | 0:26:34 | 0:26:38 | |
So if you fail to give an answer or if you repeat an answer, | 0:26:38 | 0:26:43 | |
or you give a wrong answer, you lose that category | 0:26:43 | 0:26:46 | |
and the opponents' picker will be able to steal a lot | 0:26:46 | 0:26:50 | |
from your collection. | 0:26:50 | 0:26:51 | |
Remember, it's the total value of your collections that matter | 0:26:51 | 0:26:55 | |
at the end of this round, | 0:26:55 | 0:26:56 | |
and one high-priced lot could be more valuable | 0:26:56 | 0:26:59 | |
than your opponent's entire collection. | 0:26:59 | 0:27:02 | |
There are three categories. | 0:27:02 | 0:27:03 | |
The pair with the most valuable collection at this point go first, | 0:27:03 | 0:27:07 | |
so Charles, who is that? | 0:27:07 | 0:27:09 | |
Fern, I can reveal... | 0:27:09 | 0:27:11 | |
the team who currently have the most valuable collection are... | 0:27:11 | 0:27:16 | |
-..Shrikant and Smita. -Whoa! | 0:27:19 | 0:27:22 | |
Shrikant and Smita, is that because you have got more lots, | 0:27:22 | 0:27:25 | |
one more, you've got six lots in your collection, | 0:27:25 | 0:27:27 | |
whereas Simon and Rachel have only five, | 0:27:27 | 0:27:30 | |
or have you got the top lot? We don't know. | 0:27:30 | 0:27:32 | |
Quizzer Shrikant, you're going to start us off | 0:27:32 | 0:27:35 | |
and the first category is... | 0:27:35 | 0:27:37 | |
Now, this is according to the Society of London Theatre. | 0:27:42 | 0:27:46 | |
-Are you ready? -Yes. | 0:27:46 | 0:27:48 | |
Shrikant, I'm going to ask you first, give me an answer. | 0:27:48 | 0:27:51 | |
I'm going to start with West Side Story. | 0:27:51 | 0:27:53 | |
No! | 0:27:55 | 0:27:56 | |
West Side Story is not on the list of the top 20 longest running | 0:27:56 | 0:28:00 | |
West End plays and musicals. | 0:28:00 | 0:28:02 | |
Les Mis, The Mousetrap, Phantom Of The Opera, Blood Brothers, | 0:28:02 | 0:28:06 | |
Starlight Express, Mamma Mia!, but not blooming West Side Story. | 0:28:06 | 0:28:11 | |
-Would you have been all right with that one, Simon? -Yes. | 0:28:11 | 0:28:14 | |
-What did you have? -Les Mis was my first but I was going to... | 0:28:14 | 0:28:18 | |
Cats was a safe bet. | 0:28:18 | 0:28:20 | |
Cats is on the list. | 0:28:20 | 0:28:21 | |
Shrikant, I'm so sorry, you're going to lose one of your lots. Rachel? | 0:28:21 | 0:28:26 | |
-Yeah? -What would you like to pinch? | 0:28:26 | 0:28:28 | |
It's going to have to be the clock. Ding-dong! | 0:28:28 | 0:28:32 | |
THEY LAUGH | 0:28:32 | 0:28:35 | |
The clock is on its way. | 0:28:35 | 0:28:38 | |
Now, it's down to Simon to start for the next category. Which is... | 0:28:38 | 0:28:42 | |
-Simon, are you feeling happy? -I hate sports, but, yes. -OK. | 0:28:48 | 0:28:52 | |
Good luck, both of you. Simon, give me an answer. | 0:28:54 | 0:28:56 | |
-Andy Murray. -Correct. | 0:28:56 | 0:28:59 | |
Shrikant. | 0:28:59 | 0:29:01 | |
The king of ice cool, Bjorn Borg. | 0:29:01 | 0:29:04 | |
Correct. Simon. | 0:29:04 | 0:29:06 | |
I'm not sure if he's very good on grass, but Rafael Nadal? | 0:29:08 | 0:29:11 | |
Correct. Shrikant. | 0:29:13 | 0:29:15 | |
OK, um... | 0:29:15 | 0:29:16 | |
The American tennis player Lindsay Davenport. | 0:29:19 | 0:29:22 | |
Correct. Simon. | 0:29:22 | 0:29:24 | |
Um... Lleyton Hewitt? | 0:29:24 | 0:29:26 | |
Correct. | 0:29:28 | 0:29:30 | |
Shrikant. | 0:29:31 | 0:29:33 | |
Um, Boris Becker. | 0:29:33 | 0:29:35 | |
Correct. Ooh, Simon, did you have him lined up next? | 0:29:35 | 0:29:38 | |
-Yeah, he was my next one. -Come on, think. | 0:29:38 | 0:29:40 | |
Um, I'll go for Martina Hingis. | 0:29:40 | 0:29:44 | |
Correct. Shrikant. | 0:29:46 | 0:29:47 | |
My favourite, grace on court, Chris Evert-Lloyd. | 0:29:47 | 0:29:52 | |
Correct. Simon. | 0:29:52 | 0:29:53 | |
Uh... | 0:29:53 | 0:29:55 | |
I'm going to go, Jo-Wilfried Tsonga. | 0:29:55 | 0:29:57 | |
Incorrect, | 0:29:57 | 0:29:59 | |
but that was a damn good rally. | 0:29:59 | 0:30:02 | |
So, Smita, you can steal from Rachel and Simon. | 0:30:02 | 0:30:06 | |
-I want my clock back, please! -Yes, I thought you might. | 0:30:06 | 0:30:09 | |
That clock is zooming over. | 0:30:09 | 0:30:10 | |
Right, one last category. Which is... | 0:30:12 | 0:30:14 | |
Good category! | 0:30:21 | 0:30:23 | |
We are referring to the standard classic UK version of the game, | 0:30:23 | 0:30:28 | |
launched in 1949. | 0:30:28 | 0:30:29 | |
OK, Shrikant, you go first, please give me a word. | 0:30:29 | 0:30:33 | |
Professor Plum. | 0:30:34 | 0:30:35 | |
Yes. Simon. | 0:30:35 | 0:30:37 | |
Colonel Mustard. | 0:30:37 | 0:30:40 | |
Yes. Shrikant. | 0:30:40 | 0:30:41 | |
I think it's Miss Scarlet. | 0:30:44 | 0:30:45 | |
Correct. Simon. | 0:30:48 | 0:30:49 | |
The revolver. | 0:30:49 | 0:30:51 | |
Correct. Shrikant. | 0:30:51 | 0:30:53 | |
Reverend Green. | 0:30:55 | 0:30:57 | |
Correct. Simon. | 0:30:57 | 0:30:59 | |
Rope. | 0:30:59 | 0:31:00 | |
Correct. Shrikant. | 0:31:00 | 0:31:02 | |
Trying to remember the name of the cook. | 0:31:02 | 0:31:04 | |
Rope. | 0:31:06 | 0:31:07 | |
We have already had the rope from Simon. | 0:31:07 | 0:31:11 | |
And because you've repeated, it means that Rachel can steal from you. | 0:31:11 | 0:31:16 | |
Any clues that you might have there, Rachel, | 0:31:16 | 0:31:18 | |
what you might be stealing from Shrikant and Smita? | 0:31:18 | 0:31:21 | |
I'm very sorry, Smita, but it has to be that clock. It's got to be mine. | 0:31:21 | 0:31:25 | |
OK. The clock is on its way over to you. | 0:31:25 | 0:31:29 | |
Oh, Shrikant, you were struggling over the cook's name, | 0:31:29 | 0:31:32 | |
it was Mrs White. | 0:31:32 | 0:31:34 | |
Mrs White. You could have also had the dagger, the kitchen, | 0:31:34 | 0:31:38 | |
-the conservatory, the ballroom, the hallway. Candlestick. -Yes. | 0:31:38 | 0:31:43 | |
Mrs Peacock. | 0:31:43 | 0:31:45 | |
-They were all there. Is it a long time since you played Cluedo? -Yeah. | 0:31:45 | 0:31:48 | |
-Long, long time ago. -I played it too much as a child. | 0:31:48 | 0:31:51 | |
Simon and Rachel, congratulations, you stole the clock. | 0:31:51 | 0:31:54 | |
Your collections are now fixed | 0:31:54 | 0:31:56 | |
and will determine which team is victorious. | 0:31:56 | 0:31:59 | |
It's time to find out who are today's winners, Charles? | 0:31:59 | 0:32:04 | |
I can reveal the team with the most valuable collection, | 0:32:04 | 0:32:09 | |
and the winners of today's show, are... | 0:32:09 | 0:32:12 | |
-..Shrikant and Smita. -Wow! -Well done. | 0:32:15 | 0:32:18 | |
You see, that was very... Watching your faces was so interesting. | 0:32:18 | 0:32:22 | |
I have a feeling that Simon and Rachel felt that | 0:32:22 | 0:32:25 | |
they were going to get there. | 0:32:25 | 0:32:27 | |
-Has that taken you by surprise? -Yes, it has. -Really, shock. | 0:32:27 | 0:32:31 | |
I can't believe, looking at that collection, | 0:32:31 | 0:32:34 | |
how you have not won it. Guys, you played really well. | 0:32:34 | 0:32:36 | |
Simon and Rachel, commiserations. | 0:32:36 | 0:32:38 | |
You played so beautifully, | 0:32:38 | 0:32:40 | |
but you didn't create a valuable enough collection. | 0:32:40 | 0:32:43 | |
Simon and Rachel, it was a really good collection. | 0:32:43 | 0:32:45 | |
Your haul totalled over £4,000. | 0:32:45 | 0:32:48 | |
-Wow! -4,035. So it was a really good go. | 0:32:48 | 0:32:52 | |
And of course, we began with that teapot, the Eric Ravilious design. | 0:32:52 | 0:32:57 | |
Great designer, and that was worth £200. | 0:32:57 | 0:33:01 | |
Then we moved on to...really quite eastern, exotic, attractive, | 0:33:01 | 0:33:07 | |
model of the Hindu goddess Parvati. | 0:33:07 | 0:33:09 | |
Rachel, you thought you were that goddess | 0:33:09 | 0:33:11 | |
when you looked at her, I think. | 0:33:11 | 0:33:13 | |
And I can understand why. | 0:33:13 | 0:33:15 | |
You thought the head had been stuck on with chewing gum. | 0:33:15 | 0:33:18 | |
I mean, come on! This is restoration of yesteryear, not quite of today. | 0:33:18 | 0:33:24 | |
But it was still worth £300. | 0:33:24 | 0:33:27 | |
And our next lot? The stole. | 0:33:27 | 0:33:30 | |
Simon, I was a bit concerned you didn't know what a stole was. | 0:33:30 | 0:33:33 | |
-Not a clue. -Doesn't matter. -I would have called it a scarf. | 0:33:33 | 0:33:36 | |
A scarf, that's a real man. | 0:33:36 | 0:33:38 | |
I love this stole because you just wonder, | 0:33:38 | 0:33:41 | |
if it could talk, what could it tell us, Fern? | 0:33:41 | 0:33:43 | |
Well, I'll tell you exactly what it told me. It was worth £700. | 0:33:43 | 0:33:48 | |
-Wow! -Absolutely. | 0:33:48 | 0:33:49 | |
The next item was this banknote, | 0:33:49 | 0:33:51 | |
and clearly it's a £50 note in your pocket. | 0:33:51 | 0:33:54 | |
They began to print these as early as 1725, | 0:33:54 | 0:33:58 | |
when a note back then for £50 | 0:33:58 | 0:34:01 | |
was worth about £30,000. So it wasn't bad. | 0:34:01 | 0:34:04 | |
Shrikant, you thought it was valuable, quite right. | 0:34:04 | 0:34:07 | |
It's worth £2,000. | 0:34:07 | 0:34:10 | |
-Told you, yeah. -Wow! But it's still not the top lot. | 0:34:10 | 0:34:15 | |
-Not the top one, Fern. -Not quite. | 0:34:15 | 0:34:17 | |
And then, of course, this really, really super object. | 0:34:17 | 0:34:21 | |
And in fact, Rachel, you said it was quite all reet, I think? | 0:34:21 | 0:34:24 | |
-Oh, all reet. -What does that mean? | 0:34:24 | 0:34:27 | |
It's Geordie for, "That's gorgeous, darling." | 0:34:27 | 0:34:30 | |
FERN LAUGHS | 0:34:30 | 0:34:32 | |
You never stop learning, Fern, wherever you are. | 0:34:32 | 0:34:34 | |
But only worth £35. | 0:34:34 | 0:34:36 | |
-THEY GASP -I know. Surprise, surprise. | 0:34:36 | 0:34:39 | |
And finally, the lot that spun from one to another to another to another. | 0:34:39 | 0:34:43 | |
It was a ding-dong for you, Rachel. | 0:34:43 | 0:34:45 | |
In fact, it is late 19th-century, really stylish, so gracious, Rachel. | 0:34:45 | 0:34:50 | |
You were right to go for it, Simon. | 0:34:50 | 0:34:52 | |
-£800 is market value. -Beautiful. | 0:34:52 | 0:34:55 | |
Well, we have to say commiserations to Simon and Rachel. | 0:34:55 | 0:34:58 | |
You did so well, but unfortunately, it is time to bring the hammer down, | 0:34:58 | 0:35:02 | |
but thank you for playing For What It's Worth. | 0:35:02 | 0:35:05 | |
-Thank you. -Thank you. | 0:35:05 | 0:35:06 | |
I think the top lot was probably the vase. | 0:35:07 | 0:35:10 | |
I thought it was the dud at first | 0:35:10 | 0:35:12 | |
but after listening to Charles's explanation, | 0:35:12 | 0:35:14 | |
I probably should have gone for that one in the end. | 0:35:14 | 0:35:17 | |
Well done, Shrikant and Smita. | 0:35:21 | 0:35:23 | |
Absolutely brilliant, you did build the most valuable collection | 0:35:23 | 0:35:27 | |
and you are today's winners. | 0:35:27 | 0:35:29 | |
Now, all that remains is for you to claim your prize. | 0:35:29 | 0:35:33 | |
All we want you to do is pick one lot from your collection | 0:35:33 | 0:35:37 | |
and we will give you its value in cash. | 0:35:37 | 0:35:40 | |
And now we know that not only do you have the top lot | 0:35:40 | 0:35:44 | |
in your collection, but you also have the worthless one. | 0:35:44 | 0:35:48 | |
So be very careful as you pick. | 0:35:48 | 0:35:51 | |
It's a very, very tough decision, Fern. | 0:35:51 | 0:35:53 | |
-I think, shall we exclude the paperweight? -Yeah, and the boar. | 0:35:55 | 0:36:00 | |
-And the boar. -It's amongst the vase, the jigsaw and the map. | 0:36:00 | 0:36:03 | |
I love that jigsaw. I'd probably buy that, but I don't want to... | 0:36:03 | 0:36:09 | |
-I'm torn between the map and the vase. -What do you think, Smita? | 0:36:09 | 0:36:13 | |
I'm not sure, I'm pulled towards the map. | 0:36:13 | 0:36:15 | |
He said that that could be kept discreetly on a British soldier, | 0:36:15 | 0:36:18 | |
-that's 1945. -I'm not sure whether... | 0:36:18 | 0:36:21 | |
And that is absolutely beautiful. | 0:36:21 | 0:36:24 | |
Even if it's worth nothing, I'd have that on my mantelpiece. | 0:36:24 | 0:36:28 | |
Are you still hovering over that map? | 0:36:28 | 0:36:30 | |
I am, I'm torn between the map and the vase. | 0:36:30 | 0:36:33 | |
OK, against all of the odds, Fern, | 0:36:33 | 0:36:35 | |
we're going to go for the vase. That's it. Decision made. | 0:36:35 | 0:36:38 | |
The vase, decision made. OK. Well done. | 0:36:38 | 0:36:41 | |
-Wow, what a decision. -It's pushing up your blood pressure here. | 0:36:41 | 0:36:45 | |
Now before we tell you what it's actually worth, Charles, | 0:36:45 | 0:36:49 | |
please can you tell us the value of the lots they have rejected? | 0:36:49 | 0:36:52 | |
Of course. You were quite quick to reject this boar. | 0:36:52 | 0:36:56 | |
I quite like it but in fact, this is a later, unmarked example, | 0:36:56 | 0:37:00 | |
copying the great baroque sculptor Pietro Tacca of 1634. | 0:37:00 | 0:37:06 | |
The real McCoy, worth a fortune. | 0:37:06 | 0:37:08 | |
This, however, is worth £60. | 0:37:08 | 0:37:11 | |
-So, well done. -The jigsaw? | 0:37:11 | 0:37:14 | |
The jigsaw, what a puzzle you had with this. | 0:37:14 | 0:37:16 | |
It's a very old jigsaw, 1930. | 0:37:16 | 0:37:18 | |
Importantly, has a great railwayana interest | 0:37:18 | 0:37:21 | |
and depicts that great London scene of Piccadilly Circus. | 0:37:21 | 0:37:25 | |
Quite rare, complete, in particularly good condition. | 0:37:25 | 0:37:29 | |
But many, many were made. | 0:37:29 | 0:37:31 | |
Shrikant, you earlier mentioned, you'd pay good money for this. | 0:37:31 | 0:37:34 | |
I think it's got, for me, more of an aesthetic value. | 0:37:34 | 0:37:39 | |
I'm a fan of the old Great Western Railway trains. | 0:37:39 | 0:37:43 | |
I would never sell it | 0:37:43 | 0:37:45 | |
and I would buy it for whatever price it was, purely for pleasure. | 0:37:45 | 0:37:48 | |
You missed out on it. But it was worthless. | 0:37:48 | 0:37:51 | |
-Really? -That's under £10? | 0:37:51 | 0:37:53 | |
-Under -£10. Good heavens. | 0:37:53 | 0:37:56 | |
I'd buy that for £10. I will buy it, I will buy it! | 0:37:56 | 0:37:59 | |
The paperweight is next. | 0:37:59 | 0:38:01 | |
Paperweights really came into vogue, | 0:38:01 | 0:38:04 | |
they really became high society from 1843 | 0:38:04 | 0:38:08 | |
with these great French factories or glasshouses making them. | 0:38:08 | 0:38:12 | |
The biggest name in paperweights is Baccarat. | 0:38:12 | 0:38:15 | |
Collectors really rate St Louis as well. This one is St Louis. | 0:38:15 | 0:38:20 | |
OK. Look at it one more time. | 0:38:20 | 0:38:22 | |
I'm going to say, going, going, gone | 0:38:22 | 0:38:24 | |
-at £2,500. -No! | 0:38:24 | 0:38:26 | |
-Sorry! -That was the top lot! | 0:38:26 | 0:38:28 | |
-Yes, it was. -The paperweight. Wow. -It looks very ordinary. | 0:38:28 | 0:38:33 | |
It does, but it was very special. | 0:38:33 | 0:38:35 | |
£2,500, so you've lost the top lot, you've lost the worthless lot. | 0:38:35 | 0:38:39 | |
What have we got in the middle? There's got to be something. | 0:38:39 | 0:38:42 | |
World War II, silk, importantly in mighty fine condition. | 0:38:42 | 0:38:46 | |
Didn't see so much action. However, it was a valuable map at £650. | 0:38:46 | 0:38:51 | |
650. | 0:38:51 | 0:38:53 | |
OK, Shrikant and Smita, come and join us and your chosen lot. | 0:38:53 | 0:38:59 | |
OK, so after quite a deliberation, you did choose the vase. | 0:39:01 | 0:39:06 | |
But before we tell you its value, | 0:39:06 | 0:39:07 | |
we are going to tempt you with today's mystery lot. | 0:39:07 | 0:39:12 | |
And here it is. | 0:39:12 | 0:39:13 | |
-Oh! -There you go. | 0:39:15 | 0:39:18 | |
"Britons rejoice, cheer up and sing, | 0:39:18 | 0:39:21 | |
"and drink in health, long live the King." | 0:39:21 | 0:39:25 | |
Which king are we talking about? | 0:39:25 | 0:39:27 | |
Long live the King George III. This was his return to wellbeing. | 0:39:27 | 0:39:32 | |
Good health, the King is better, | 0:39:32 | 0:39:35 | |
and let's toast him in this wee creamware mug. OK? | 0:39:35 | 0:39:41 | |
It dates to around 1790, | 0:39:41 | 0:39:42 | |
it's going back to that time of the French Revolution, | 0:39:42 | 0:39:46 | |
it's that period, they were made in fairly limited numbers. | 0:39:46 | 0:39:50 | |
The market for King George III memorabilia, collectables, | 0:39:50 | 0:39:55 | |
is a very strong market. | 0:39:55 | 0:39:58 | |
What you'll love about this is that lovely intertwined handle. | 0:39:58 | 0:40:03 | |
-That lattice type of... -I noticed that. | 0:40:03 | 0:40:05 | |
Beautifully made, and don't forget, that's brittle | 0:40:05 | 0:40:07 | |
and it's survived over 230 years. | 0:40:07 | 0:40:10 | |
A Yorkshire creamware body, | 0:40:10 | 0:40:14 | |
which was actually invented as a material by Josiah Wedgwood. | 0:40:14 | 0:40:20 | |
Oh, dear, I can hear Shrikant's mind going there. | 0:40:20 | 0:40:24 | |
So, all that is left, all that's left for you to decide, | 0:40:24 | 0:40:28 | |
is whether to stick with your vase | 0:40:28 | 0:40:31 | |
or dump it in favour of today's tiny, | 0:40:31 | 0:40:36 | |
but very interesting, mystery lot. | 0:40:36 | 0:40:39 | |
I wonder what that's worth? | 0:40:39 | 0:40:42 | |
What would you like to do? | 0:40:42 | 0:40:44 | |
What is it saying to you, Shrikant? | 0:40:54 | 0:40:56 | |
This is so tough, Fern, because both are valuable. | 0:40:56 | 0:40:59 | |
-My head is telling me that, and my heart is telling me that. -I see. | 0:41:02 | 0:41:06 | |
-What about you, Smita? -I'm blank at the moment, I'm really blank. | 0:41:06 | 0:41:10 | |
You know, sometimes in life, you... | 0:41:10 | 0:41:13 | |
-you just have to go with your gut instinct. -Yes, you do. | 0:41:13 | 0:41:16 | |
That's really pulling me now, Smita, honestly. | 0:41:16 | 0:41:18 | |
Especially George III, madness of King George. Limited edition. | 0:41:18 | 0:41:23 | |
-Shall we go with our heads, just for a change? -I'll leave it to you. | 0:41:24 | 0:41:28 | |
I'll get you one of those vases from somewhere. | 0:41:28 | 0:41:30 | |
-OK, he said it, it's happening, that's a contract! -Let's go with it. | 0:41:30 | 0:41:35 | |
I'm really, there's just something pulling me towards that. | 0:41:35 | 0:41:38 | |
Right, you're going to go with this little mug, | 0:41:38 | 0:41:41 | |
this little George III mug. | 0:41:41 | 0:41:42 | |
Charles, first of all, take them out of their misery, | 0:41:42 | 0:41:45 | |
tell them what the vase is worth. | 0:41:45 | 0:41:47 | |
It's full of rococo joy, it is in great condition. | 0:41:47 | 0:41:50 | |
It's that early Worcester body, 1770, don't forget. | 0:41:50 | 0:41:54 | |
You've just turned away a vase and cover | 0:41:54 | 0:41:57 | |
which at auction would make £1,000. | 0:41:57 | 0:41:59 | |
-Oof! -Sorry. | 0:41:59 | 0:42:01 | |
-£1,000. -That's more valuable. That is more valuable. | 0:42:03 | 0:42:07 | |
Right, you are going to go with this little mug, | 0:42:07 | 0:42:10 | |
this little George III mug. | 0:42:10 | 0:42:12 | |
That means you have won its worth in cold, hard cash. | 0:42:12 | 0:42:16 | |
Charles, give us the good news, please, what is it worth? | 0:42:16 | 0:42:20 | |
It is rough and ready, but it's a survivor. | 0:42:20 | 0:42:23 | |
It's worth at auction... | 0:42:25 | 0:42:27 | |
Hold tight. | 0:42:28 | 0:42:30 | |
£120. | 0:42:30 | 0:42:32 | |
I'm sorry, guys. | 0:42:34 | 0:42:35 | |
You know what, you've played that game with head and heart | 0:42:36 | 0:42:39 | |
and you were wonderful at it. And it was so lovely to meet you both. | 0:42:39 | 0:42:43 | |
-And hey, guess what? You get £120. -Thank you. | 0:42:43 | 0:42:47 | |
-Shrikant, it's been lovely to meet you. -Lovely to meet you. | 0:42:47 | 0:42:49 | |
-Smita, thank you so much. -Thank you. | 0:42:49 | 0:42:51 | |
Charles, thank you very much for lending us your expertise. | 0:42:51 | 0:42:56 | |
Join us next time, please, to see three more teams | 0:42:56 | 0:42:58 | |
pit their wits to win the cash on For What It's Worth. | 0:42:58 | 0:43:01 | |
But from all of us, goodbye. | 0:43:01 | 0:43:03 | |
Oh, I'm so sorry! | 0:43:03 | 0:43:05 | |
You win some, you lose some. It's part and parcel of the game, so... | 0:43:09 | 0:43:13 | |
Be happy with whatever you've got. | 0:43:13 | 0:43:14 |