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Hello and welcome to For What It's Worth. | 0:00:14 | 0:00:16 | |
Now, if you know what aglet is, | 0:00:16 | 0:00:18 | |
and you can separate your antique treasure from the tat, | 0:00:18 | 0:00:21 | |
then this is the show for you. | 0:00:21 | 0:00:24 | |
Three pairs of contestants are ready to play | 0:00:24 | 0:00:26 | |
and in each team is a quizzer, | 0:00:26 | 0:00:28 | |
responsible for answering the general knowledge questions, | 0:00:28 | 0:00:31 | |
so that their partner, the picker, | 0:00:31 | 0:00:33 | |
can choose an antique item to add to their collection. | 0:00:33 | 0:00:36 | |
Now, the aim of the game is to amass the most valuable collection. | 0:00:36 | 0:00:40 | |
So, first up, we have Janelle and Annette. | 0:00:40 | 0:00:43 | |
A mother and daughter team from London. Welcome. | 0:00:43 | 0:00:46 | |
Now, Janelle, you are the picker. | 0:00:46 | 0:00:48 | |
What started off your love of antiques? | 0:00:48 | 0:00:50 | |
I think, growing up in a household where Mum and Dad collected a lot. | 0:00:50 | 0:00:55 | |
Who agreed that you were going to be the picker today, | 0:00:55 | 0:00:58 | |
rather than the quizzer? | 0:00:58 | 0:00:59 | |
Well, I wanted to do the picking, but I beat her at the quiz. | 0:00:59 | 0:01:03 | |
Oh, did you have a quiz at home, then, | 0:01:03 | 0:01:05 | |
to decide who was going to be the quizzer? | 0:01:05 | 0:01:07 | |
-Yes. -Oh, Annette, how funny. And do you two have a good relationship? | 0:01:07 | 0:01:11 | |
Yes, we do. | 0:01:11 | 0:01:12 | |
-Very competitive. -Yes, very. | 0:01:12 | 0:01:14 | |
-Between each other, or as a team? -Between each other. | 0:01:14 | 0:01:17 | |
-Between each other. -THEY LAUGH | 0:01:17 | 0:01:20 | |
Today, it will be as a team. | 0:01:20 | 0:01:22 | |
-Well, welcome to the show. It's lovely to have you. -Thank you. | 0:01:22 | 0:01:25 | |
-Thank you. -And sitting next to you, we have team two. | 0:01:25 | 0:01:28 | |
Will and Nina, who are friends from Anglesey in Wales and Cambridge. | 0:01:28 | 0:01:32 | |
It's lovely to have you both here. So how did you two meet? | 0:01:32 | 0:01:35 | |
Well, we got a self-catering farm cottage, | 0:01:35 | 0:01:37 | |
and Richard and Nina came to stay about 12 years ago. | 0:01:37 | 0:01:41 | |
We were the first people in and we've just got to know them. | 0:01:41 | 0:01:45 | |
How lovely. How would you describe him, Nina? | 0:01:45 | 0:01:47 | |
A bit of a wily old fox. | 0:01:47 | 0:01:48 | |
I think you two ladies had better watch out. | 0:01:48 | 0:01:51 | |
We are more than capable of handling ourselves over here. | 0:01:51 | 0:01:54 | |
That's what do you think! | 0:01:54 | 0:01:56 | |
Don't you worry about that. | 0:01:56 | 0:01:57 | |
SHE LAUGHS | 0:01:57 | 0:01:58 | |
And our third today are Janine and Paul. | 0:01:58 | 0:02:03 | |
Now, they are a married couple from Northampton. Welcome to the show. | 0:02:03 | 0:02:06 | |
You did everything in threes before you got married, I think? | 0:02:06 | 0:02:09 | |
We did, yes. We met on the internet. We met after three months. | 0:02:09 | 0:02:13 | |
He moved in after three weeks, | 0:02:13 | 0:02:15 | |
we got engaged three months after that | 0:02:15 | 0:02:18 | |
and we got married three years after that. | 0:02:18 | 0:02:20 | |
-Well, congratulations. And how long have you been married now? -Er... | 0:02:20 | 0:02:24 | |
-BOTH: -Seven years. | 0:02:24 | 0:02:25 | |
And, Paul, you are the quizzer. | 0:02:25 | 0:02:27 | |
Are you much of an antique expert yourself? | 0:02:27 | 0:02:30 | |
I like a few bits and pieces. Furniture, I like art. | 0:02:30 | 0:02:34 | |
You bought a pencil sketch for a fiver and it's worth how much? | 0:02:34 | 0:02:38 | |
-About £1,500. -That is a bargain. | 0:02:38 | 0:02:41 | |
OK, well, jolly good luck to you. | 0:02:41 | 0:02:43 | |
So, here are today's lots for your consideration. | 0:02:43 | 0:02:45 | |
16 different antiques and collectables. We have... | 0:02:45 | 0:02:49 | |
a paperweight, | 0:02:49 | 0:02:50 | |
some books, | 0:02:50 | 0:02:51 | |
a cup holder, | 0:02:51 | 0:02:53 | |
a temple, | 0:02:53 | 0:02:54 | |
some handcuffs, | 0:02:54 | 0:02:56 | |
a stole, | 0:02:56 | 0:02:57 | |
a dish, | 0:02:57 | 0:02:58 | |
a bust, | 0:02:58 | 0:03:00 | |
a coffee cup, | 0:03:00 | 0:03:01 | |
a bottle, | 0:03:01 | 0:03:02 | |
a spoon, | 0:03:02 | 0:03:03 | |
a sauce boat, | 0:03:03 | 0:03:05 | |
some paintings, | 0:03:05 | 0:03:06 | |
hammer and chisel, | 0:03:06 | 0:03:08 | |
a necklace | 0:03:08 | 0:03:09 | |
and a picture. | 0:03:09 | 0:03:11 | |
Now, they are all very different, with very different values. | 0:03:11 | 0:03:14 | |
One is worthless, worth £10 or less and the rest increase in value | 0:03:14 | 0:03:18 | |
up to our top lot, which is worth a whopping £2,500. | 0:03:18 | 0:03:23 | |
That, of course, is the lot to spot because at the end of the show, | 0:03:23 | 0:03:26 | |
the winning pair will walk away | 0:03:26 | 0:03:28 | |
with the cash equivalent of one of these items. | 0:03:28 | 0:03:30 | |
Earlier, our teams inspected the lots, | 0:03:30 | 0:03:33 | |
but could they separate the relics from the rubbish? | 0:03:33 | 0:03:36 | |
-Oh, wow! -Oh, wow! | 0:03:37 | 0:03:39 | |
Right. | 0:03:41 | 0:03:42 | |
-It's a bit holiday souvenir-ish. -It is, a bit. | 0:03:43 | 0:03:46 | |
That's Gwrych Castle. | 0:03:46 | 0:03:47 | |
Welsh, what would a Welshman put in there? | 0:03:47 | 0:03:50 | |
THEY LAUGH | 0:03:50 | 0:03:52 | |
That's definitely hand-blown. | 0:03:52 | 0:03:54 | |
It doesn't look that old, actually. | 0:03:58 | 0:04:00 | |
Got no discolouration or anything. | 0:04:00 | 0:04:02 | |
That's catching my eye. | 0:04:05 | 0:04:07 | |
It's beautiful. | 0:04:07 | 0:04:09 | |
It's mounted on chip wood. | 0:04:09 | 0:04:10 | |
It doesn't mean to say that it's not something really fantastic. | 0:04:10 | 0:04:15 | |
Handcuffs. | 0:04:15 | 0:04:17 | |
I think they're pretty bog-standard, sort of, police... | 0:04:17 | 0:04:19 | |
-British-made. -They could be cowboy ones. | 0:04:19 | 0:04:23 | |
I don't think they're worth anything. | 0:04:23 | 0:04:24 | |
-It looks like painted enamel. -It looks like silver. | 0:04:24 | 0:04:27 | |
Do you think obsidian? | 0:04:27 | 0:04:29 | |
-I think they're Victorian. -Yes. | 0:04:30 | 0:04:32 | |
It doesn't look like paint. | 0:04:32 | 0:04:33 | |
That looks like chalk. | 0:04:33 | 0:04:35 | |
They have got some age to them. | 0:04:35 | 0:04:36 | |
Reminds me a bit of my old geology hammer, that. | 0:04:39 | 0:04:41 | |
Looks like something that someone's made in their garden shed. | 0:04:41 | 0:04:45 | |
-Are they real? -They could be just beads. | 0:04:47 | 0:04:49 | |
I don't even think that's gold, actually. | 0:04:49 | 0:04:51 | |
I do like a bit of bling, though. | 0:04:51 | 0:04:53 | |
Ah, silver. | 0:04:56 | 0:04:58 | |
Capital R. | 0:04:58 | 0:05:00 | |
So that's not massively old, is it? | 0:05:00 | 0:05:02 | |
Maybe '40s, '50s. | 0:05:02 | 0:05:03 | |
-Crown. -W and H. W and H. | 0:05:03 | 0:05:05 | |
-That's... This is EPNS. -Do you reckon? | 0:05:07 | 0:05:10 | |
That, I think, is old, because these are all over the place, | 0:05:10 | 0:05:13 | |
-these, aren't they? -Yeah. | 0:05:13 | 0:05:15 | |
It hasn't got EPNS on it. | 0:05:15 | 0:05:17 | |
Coffee cup. | 0:05:19 | 0:05:21 | |
It's rubbed like mad. | 0:05:21 | 0:05:23 | |
Yeah, I don't think that will take a great deal of value off. | 0:05:23 | 0:05:25 | |
I'd take one look at that in the auction | 0:05:25 | 0:05:27 | |
and put it straight back down again. | 0:05:27 | 0:05:30 | |
There has some age to that, actually. | 0:05:30 | 0:05:32 | |
-It's not highly decorative, though, is it? -No. | 0:05:32 | 0:05:35 | |
Oh, look at the little books. | 0:05:35 | 0:05:37 | |
They're so sweet. | 0:05:37 | 0:05:38 | |
-Shakespeare. -Oh, that is beautiful. | 0:05:38 | 0:05:42 | |
-I reckon these are worth a bit. -Yeah. | 0:05:42 | 0:05:44 | |
That's the sort of thing I would buy. | 0:05:44 | 0:05:46 | |
I think this is some sort of bronze on the top, isn't it? | 0:05:46 | 0:05:49 | |
I don't think that's brass, though, is it? | 0:05:49 | 0:05:52 | |
Iron. | 0:05:52 | 0:05:53 | |
Paperweights. These are always good. | 0:05:54 | 0:05:57 | |
They're millefiori, though, aren't they? | 0:05:57 | 0:05:59 | |
-Has it got a marking? -No. | 0:05:59 | 0:06:00 | |
Top three. | 0:06:00 | 0:06:02 | |
The bust, the picture and the books. | 0:06:02 | 0:06:07 | |
-The books. -Right. -The bottle. -Yes. -The pictures. -Yes. | 0:06:07 | 0:06:09 | |
-Top three. -Yes. -That's it, we're done. -That's it. | 0:06:09 | 0:06:12 | |
Books, picture, painting. | 0:06:12 | 0:06:15 | |
May change, though. | 0:06:15 | 0:06:17 | |
Joining me is our resident antiques expert, Kate Bliss. | 0:06:19 | 0:06:23 | |
Kate, what do you make of those lots? | 0:06:23 | 0:06:25 | |
Well, it's a great mixture of items | 0:06:25 | 0:06:28 | |
and I'm just going to say to you, teams, just remember, | 0:06:28 | 0:06:31 | |
you've got to think about the value, | 0:06:31 | 0:06:33 | |
but that could depend on a whole load of factors. | 0:06:33 | 0:06:36 | |
It could be the intrinsic material of the piece, | 0:06:36 | 0:06:38 | |
it could be how rare an object is, it could be the provenance | 0:06:38 | 0:06:42 | |
or it could be a combination of these factors. | 0:06:42 | 0:06:45 | |
So just have a think about that. | 0:06:45 | 0:06:47 | |
They do, of course, range hugely in values | 0:06:47 | 0:06:51 | |
and the values are based on a hammer price at an open market auction. | 0:06:51 | 0:06:56 | |
That's the prize a bidder would pay after the hammer falls, | 0:06:56 | 0:07:00 | |
not including any costs. | 0:07:00 | 0:07:02 | |
OK. Well, as well as those little treasures there, | 0:07:02 | 0:07:05 | |
we have our mystery lot, | 0:07:05 | 0:07:07 | |
poised to be uncovered at the end of the show to tempt our winners. | 0:07:07 | 0:07:11 | |
Kate, tell us about today's mystery lot. | 0:07:11 | 0:07:14 | |
Well, there it is, sitting tantalising there for you, teams. | 0:07:14 | 0:07:19 | |
My lips are sealed, | 0:07:19 | 0:07:20 | |
but one of you lucky teams will get to see it later on. | 0:07:20 | 0:07:24 | |
It could be priceless or worth a few pennies. | 0:07:24 | 0:07:26 | |
We'll be unveiling it later. | 0:07:26 | 0:07:28 | |
But, for now, it's time for Round One. | 0:07:28 | 0:07:30 | |
I'm going to ask ten general knowledge questions | 0:07:33 | 0:07:35 | |
and, quizzers, if you buzz in with the correct answer, | 0:07:35 | 0:07:37 | |
your picker gets to add a lot to your collection. | 0:07:37 | 0:07:40 | |
But beware - if you buzz in incorrectly, | 0:07:40 | 0:07:43 | |
you'll be frozen out of the next question. | 0:07:43 | 0:07:45 | |
Quizzers, remember, if you get the questions right, | 0:07:45 | 0:07:48 | |
your picker can get the best pick of the lots first. | 0:07:48 | 0:07:51 | |
So fingers on buzzers. Question number one. | 0:07:51 | 0:07:54 | |
Which country unveiled the fastest train in the world in...? | 0:07:54 | 0:07:58 | |
BELL | 0:07:58 | 0:07:59 | |
-Paul? -Japan. | 0:07:59 | 0:08:00 | |
It is Japan. | 0:08:00 | 0:08:02 | |
The rest of the question is, | 0:08:02 | 0:08:03 | |
the fastest train in the world in 2015? Japan is correct. | 0:08:03 | 0:08:06 | |
Janine, first pick. | 0:08:06 | 0:08:08 | |
Can I take the picture, please? | 0:08:09 | 0:08:11 | |
The picture is yours | 0:08:11 | 0:08:13 | |
and it's on its way into your collection. | 0:08:13 | 0:08:16 | |
Well done. | 0:08:16 | 0:08:17 | |
Question two. Which TV series, set in Boston, | 0:08:17 | 0:08:20 | |
was named after the bar in...? BELL | 0:08:20 | 0:08:23 | |
-Yes, Paul? -Cheers. | 0:08:23 | 0:08:24 | |
Cheers is correct. | 0:08:24 | 0:08:26 | |
..set in Boston was named after the bar | 0:08:26 | 0:08:28 | |
in which most of the action happened? | 0:08:28 | 0:08:31 | |
So, Janine? | 0:08:31 | 0:08:32 | |
Can I have the books, please? | 0:08:32 | 0:08:35 | |
The books. | 0:08:35 | 0:08:36 | |
They're yours. | 0:08:36 | 0:08:37 | |
Question three. Ne represents which noble... | 0:08:37 | 0:08:43 | |
BELL | 0:08:43 | 0:08:44 | |
-Yes, Paul? -Neon. | 0:08:44 | 0:08:46 | |
..represents which noble gas? It is neon. Janine? | 0:08:46 | 0:08:49 | |
Um...the bust, please. | 0:08:49 | 0:08:52 | |
The bust is in your collection. | 0:08:52 | 0:08:53 | |
Question four. What type of winged animal was the mythical Pegasus? | 0:08:55 | 0:08:59 | |
BELL | 0:08:59 | 0:09:00 | |
Yes, Annette? | 0:09:00 | 0:09:02 | |
-Horse. -It is a horse. Correct. | 0:09:02 | 0:09:04 | |
Janelle, you have a pick, please. | 0:09:04 | 0:09:06 | |
-Can we get the paintings, please? -The paintings, yes. | 0:09:06 | 0:09:10 | |
They're going to start off your collection. | 0:09:10 | 0:09:12 | |
Question five. | 0:09:12 | 0:09:14 | |
Kimberly Wyatt and Ashley Roberts were both members of which US group? | 0:09:14 | 0:09:19 | |
BELL | 0:09:19 | 0:09:20 | |
-Yes, Annette? -Girls Aloud? | 0:09:20 | 0:09:22 | |
Oh! Incorrect. Pussycat Dolls. | 0:09:22 | 0:09:24 | |
You're now frozen out of the next question. | 0:09:24 | 0:09:27 | |
Question six. | 0:09:27 | 0:09:28 | |
Which squash is traditionally used to make jack-o'-lanterns? | 0:09:28 | 0:09:33 | |
BELL | 0:09:33 | 0:09:35 | |
-Nina? -Pumpkin. | 0:09:35 | 0:09:36 | |
It is a pumpkin. | 0:09:36 | 0:09:37 | |
Will, take a pick. | 0:09:37 | 0:09:39 | |
-Um...go for the necklace. -The necklace. | 0:09:39 | 0:09:42 | |
There it is. | 0:09:42 | 0:09:44 | |
And it's started off your collection. | 0:09:44 | 0:09:46 | |
Annette and Janelle, you're back in now. Question seven. | 0:09:46 | 0:09:49 | |
Long Walk To Freedom is an autobiography | 0:09:49 | 0:09:52 | |
by which civil rights...? BELL | 0:09:52 | 0:09:54 | |
-Yes, Nina? -Nelson Mandela. | 0:09:54 | 0:09:55 | |
..it's an autobiography by which civil rights activist? | 0:09:55 | 0:09:58 | |
And it is Nelson Mandela. Will, pick, please. | 0:09:58 | 0:10:02 | |
-The bottle. -The bottle. | 0:10:02 | 0:10:04 | |
It's yours. | 0:10:05 | 0:10:06 | |
Question eight. | 0:10:06 | 0:10:08 | |
In which sport can you play a cuppy lie? | 0:10:08 | 0:10:13 | |
BELL | 0:10:13 | 0:10:14 | |
-Annette? -Hockey. | 0:10:14 | 0:10:15 | |
Oh, incorrect. Golf. You're frozen out. | 0:10:15 | 0:10:18 | |
Question nine. How many chambers does a human heart have? | 0:10:19 | 0:10:23 | |
-BELL Paul? -Four. | 0:10:23 | 0:10:25 | |
Correct. Janine, you pick. | 0:10:25 | 0:10:27 | |
The dish, please. | 0:10:27 | 0:10:28 | |
The dish is yours. | 0:10:30 | 0:10:32 | |
Annette and Janelle, you're now unfrozen. | 0:10:32 | 0:10:35 | |
The final question, question ten. | 0:10:35 | 0:10:37 | |
For his role in Forrest Gump, who collected the Best...? | 0:10:37 | 0:10:40 | |
BELL | 0:10:40 | 0:10:41 | |
-Paul? -Tom Hanks. | 0:10:41 | 0:10:43 | |
Tom Hanks is correct. | 0:10:43 | 0:10:44 | |
..who collected the Best Actor award in 1995? Janine? | 0:10:44 | 0:10:47 | |
-The hammer and chisel, please. -Hammer and chisel. | 0:10:47 | 0:10:50 | |
It's in your collection. | 0:10:50 | 0:10:52 | |
Let's see where we stand at the end of Round One. | 0:10:52 | 0:10:55 | |
Annette and Janelle, you've got the paintings. | 0:10:55 | 0:10:58 | |
Nina and Will, you have the necklace and the bottle. | 0:10:58 | 0:11:02 | |
And Paul and Janine, you have the picture, the books, the bust, | 0:11:02 | 0:11:07 | |
the dish and the hammer and chisel. Very good. | 0:11:07 | 0:11:10 | |
Well, our teams have started to build their collections | 0:11:10 | 0:11:13 | |
but, before they have the chance to add to them, | 0:11:13 | 0:11:15 | |
Kate is going to give each pair a fact about a lot of their choice. | 0:11:15 | 0:11:19 | |
Now, these snippets of information should give you vital clues | 0:11:19 | 0:11:23 | |
about what it's worth, so choose wisely. | 0:11:23 | 0:11:26 | |
You can choose one of yours, | 0:11:26 | 0:11:27 | |
one of an opponent's, | 0:11:27 | 0:11:29 | |
or something that's still up for grabs on the grid. | 0:11:29 | 0:11:31 | |
Janelle, let's start with you. | 0:11:31 | 0:11:33 | |
Which lot would you like to hear more about? | 0:11:33 | 0:11:35 | |
Can I hear a bit about the picture, please? | 0:11:35 | 0:11:37 | |
-The picture that is in Paul and Janine's collection? -Yes. | 0:11:37 | 0:11:42 | |
Kate, the picture. | 0:11:42 | 0:11:43 | |
Giovanni Schoeman enjoys a quiet renown and a substantial | 0:11:44 | 0:11:50 | |
and very loyal following among private collectors. | 0:11:50 | 0:11:54 | |
This piece is called Coq D'Or | 0:11:54 | 0:11:58 | |
but is Schoeman an artist | 0:11:58 | 0:12:00 | |
that commands big money at auction now, | 0:12:00 | 0:12:04 | |
or is he an investment for the future? | 0:12:04 | 0:12:07 | |
Ooh! | 0:12:07 | 0:12:09 | |
Janelle, do you think that's going to be something to CROW about? | 0:12:09 | 0:12:13 | |
SHE CHUCKLES | 0:12:13 | 0:12:14 | |
I'm not going to say anything at the moment. | 0:12:14 | 0:12:17 | |
-Play those cards close to your chest, girl. -That's it, that's it. -OK. | 0:12:17 | 0:12:20 | |
Will, what would you like to know more about? | 0:12:20 | 0:12:22 | |
I'd like to know a bit more about the necklace. | 0:12:22 | 0:12:25 | |
So, Kate, the necklace, please. | 0:12:25 | 0:12:27 | |
The most valuable pearls occur spontaneously in the wild | 0:12:27 | 0:12:31 | |
but are extremely rare. | 0:12:31 | 0:12:33 | |
Cultured pearls are farmed from pearl oysters and freshwater mussels | 0:12:33 | 0:12:39 | |
and these make up the majority of those currently sold. | 0:12:39 | 0:12:42 | |
This necklace is made from cultured pearls - | 0:12:44 | 0:12:48 | |
a double row of them, no less, | 0:12:48 | 0:12:51 | |
all mounted on a nine-carat yellow gold, | 0:12:51 | 0:12:54 | |
oval, smoky quartz set clasp. | 0:12:54 | 0:12:59 | |
So that gives you all the information you need | 0:12:59 | 0:13:02 | |
to work out what it's worth. | 0:13:02 | 0:13:04 | |
-Does it, though, Will? -You'll see. -Ah! | 0:13:04 | 0:13:08 | |
They're playing their cards very close to their chest today. | 0:13:08 | 0:13:11 | |
Janine, what would you like to know more about? | 0:13:11 | 0:13:14 | |
The bust, please. | 0:13:14 | 0:13:15 | |
The bust in your own collection. Kate. | 0:13:15 | 0:13:19 | |
They were originally intended to recreate | 0:13:19 | 0:13:21 | |
the likeness of a specific individual. | 0:13:21 | 0:13:24 | |
Clearly, this one is slightly different. | 0:13:24 | 0:13:27 | |
It's from the Art Deco period. | 0:13:27 | 0:13:31 | |
Design has loosened a bit by then, | 0:13:31 | 0:13:33 | |
and pieces attempted to evoke a feeling or impression | 0:13:33 | 0:13:37 | |
rather than to represent the actual physical likeness of something. | 0:13:37 | 0:13:42 | |
Janine, that was really rather enticing, wasn't it? | 0:13:42 | 0:13:46 | |
-I'm actually more confused now than I was to start with! -OK. | 0:13:46 | 0:13:51 | |
Now that you are a little bit, perhaps, | 0:13:51 | 0:13:53 | |
more clued up on today's lots, | 0:13:53 | 0:13:55 | |
let's give you the chance to add more of them to your collections, | 0:13:55 | 0:13:58 | |
bearing in mind that, at the end of this round, | 0:13:58 | 0:14:00 | |
the team with the least valuable collection will be eliminated. | 0:14:00 | 0:14:04 | |
Three more lots are now available to each pair and, this time, pickers, | 0:14:07 | 0:14:12 | |
you target a lot, and quizzers, you then try to secure it | 0:14:12 | 0:14:16 | |
by answering a question correctly. | 0:14:16 | 0:14:18 | |
But, in this round, the lots come with their own question categories. | 0:14:18 | 0:14:22 | |
So, for example, you might target the sauce boat | 0:14:22 | 0:14:25 | |
and I would ask your quizzer to answer a question | 0:14:25 | 0:14:28 | |
either from the Cake category or the Insects category. | 0:14:28 | 0:14:31 | |
Right, Janelle and Annette, you are up first. | 0:14:31 | 0:14:34 | |
So, Janelle, what's your lot? | 0:14:34 | 0:14:36 | |
Um... | 0:14:38 | 0:14:40 | |
-The stole. -The stole. OK. | 0:14:40 | 0:14:42 | |
Annette, Classical Music or Ancient Egypt? | 0:14:42 | 0:14:46 | |
Really? | 0:14:46 | 0:14:47 | |
JANELLE LAUGHS | 0:14:47 | 0:14:48 | |
Ancient Egypt, please. | 0:14:48 | 0:14:50 | |
Ancient Egypt. Here's your question. | 0:14:50 | 0:14:52 | |
Which artefact famously became the key to decoding | 0:14:52 | 0:14:56 | |
the Ancient Egyptian language of hieroglyphs? | 0:14:56 | 0:14:59 | |
Ooh! Er... | 0:15:01 | 0:15:02 | |
-OK. I'm going to have to tell you. It's the Rosetta Stone. -Ah! | 0:15:06 | 0:15:11 | |
Will, what would you like to choose? | 0:15:11 | 0:15:14 | |
-Let's go for the spoon. -The spoon. | 0:15:14 | 0:15:16 | |
OK, Nina, Cakes or Sci-fi Films? | 0:15:16 | 0:15:19 | |
I'll risk Sci-fi Films. | 0:15:19 | 0:15:21 | |
OK, here you go. | 0:15:21 | 0:15:23 | |
Which 2007 Michael Bay film features alien robots | 0:15:23 | 0:15:28 | |
who disguise themselves as vehicles? | 0:15:28 | 0:15:31 | |
Transformers? | 0:15:31 | 0:15:32 | |
-Yes! -Oh, my God! | 0:15:32 | 0:15:34 | |
-Transformers: Robots In Disguise. -Who knew? -Will? -Go for it! | 0:15:34 | 0:15:37 | |
You've got the spoon. It's coming into your collection. | 0:15:37 | 0:15:41 | |
My son'll be pleased! | 0:15:41 | 0:15:43 | |
Janine, what would you like? | 0:15:43 | 0:15:44 | |
Oh, God, don't hate me, Paul! | 0:15:44 | 0:15:47 | |
-Sauce boat, please. -Sauce boat. | 0:15:47 | 0:15:50 | |
Paul, Cakes or Insects? | 0:15:50 | 0:15:53 | |
Which I prefer to eat most? | 0:15:53 | 0:15:55 | |
It's got to be Cakes, innit! | 0:15:55 | 0:15:56 | |
SHE LAUGHS | 0:15:56 | 0:15:58 | |
Good man! OK. Here's your question. | 0:15:58 | 0:16:01 | |
The sponge in a Battenberg cake is traditionally yellow | 0:16:01 | 0:16:05 | |
and what other colour? | 0:16:05 | 0:16:06 | |
Pink. | 0:16:06 | 0:16:07 | |
-It is. -Oh, that's your favourite! -I love Battenberg! | 0:16:07 | 0:16:10 | |
THEY LAUGH | 0:16:10 | 0:16:11 | |
Janine, you get that sauce boat. | 0:16:11 | 0:16:13 | |
It's in your collection now. | 0:16:13 | 0:16:15 | |
-Janelle? -Um... | 0:16:15 | 0:16:18 | |
Oh, dear! I don't want to get in trouble with my mum! | 0:16:18 | 0:16:22 | |
Don't worry about her. Let her sort that out. | 0:16:22 | 0:16:24 | |
-What do you want in your collection? -OK. | 0:16:24 | 0:16:27 | |
We're going to go for the temple. | 0:16:27 | 0:16:30 | |
The temple. | 0:16:30 | 0:16:31 | |
UK Geography or Insects, Annette? | 0:16:31 | 0:16:34 | |
-I'm going to go for the Insects. -Insects. Here you go. | 0:16:34 | 0:16:37 | |
What chemicals do ants emit in order to communicate? | 0:16:37 | 0:16:42 | |
Formic acid. | 0:16:42 | 0:16:44 | |
The answer I have here is pheromones, | 0:16:44 | 0:16:46 | |
but formic acid IS a pheromone, so we can accept the answer. | 0:16:46 | 0:16:51 | |
The temple is on its way to your collection. Well done. | 0:16:51 | 0:16:54 | |
Will, your choice. What would you like? | 0:16:55 | 0:16:57 | |
-Paperweight. -The paperweight. | 0:16:57 | 0:16:59 | |
Nina, UK Geography or Football? | 0:16:59 | 0:17:02 | |
-Geography, please. -Geography. Here we go. | 0:17:02 | 0:17:05 | |
Which island is separated from mainland Britain by the Solent? | 0:17:05 | 0:17:08 | |
Isle Of Wight. | 0:17:09 | 0:17:10 | |
It is the Isle of Wight. Correct. | 0:17:10 | 0:17:12 | |
Will, the paperweight is on its way. | 0:17:12 | 0:17:14 | |
-Give it up! -Well done. | 0:17:14 | 0:17:17 | |
Janine, what would you like? | 0:17:17 | 0:17:19 | |
-The...stole, please. -The stole. | 0:17:19 | 0:17:23 | |
Classical Music or Ancient Egypt, Paul? | 0:17:23 | 0:17:26 | |
Ancient Egypt, please. | 0:17:26 | 0:17:27 | |
Here we go. | 0:17:27 | 0:17:28 | |
Which Egyptian ruler was the last of the Ptolemaic dynasty? | 0:17:28 | 0:17:33 | |
Tutankhamen. | 0:17:34 | 0:17:36 | |
Incorrect. Cleopatra. | 0:17:36 | 0:17:38 | |
So the stole stays on the board. | 0:17:38 | 0:17:40 | |
Janelle and Annette, you have the paintings and you added the temple. | 0:17:40 | 0:17:45 | |
Nina and Will, you have the necklace, the bottle | 0:17:45 | 0:17:49 | |
and you've managed to add the spoon and the paperweight. | 0:17:49 | 0:17:52 | |
Janine and Paul, you have the picture, the books, the bust, | 0:17:52 | 0:17:57 | |
the dish, hammer and chisel and you've got the sauce boat, too. | 0:17:57 | 0:18:01 | |
OK, teams, your collections are growing nicely | 0:18:01 | 0:18:03 | |
but remember, at the end of this round, | 0:18:03 | 0:18:05 | |
the pair with the least valuable collection will be leaving us. | 0:18:05 | 0:18:08 | |
So, if you have missed out on that one item | 0:18:08 | 0:18:11 | |
that you want above all else, here's your chance to secure it. | 0:18:11 | 0:18:15 | |
There's one last lot available to each team and this time, | 0:18:15 | 0:18:19 | |
you can either go for what's left on the grid | 0:18:19 | 0:18:21 | |
or you can steal an antique that is in a rival team's collection. | 0:18:21 | 0:18:26 | |
But pickers be warned - | 0:18:26 | 0:18:28 | |
if you choose to steal from another team, | 0:18:28 | 0:18:30 | |
their quizzer will get to decide your quizzer's category. | 0:18:30 | 0:18:34 | |
Right, Janelle, do you want to target a lot from the grid | 0:18:34 | 0:18:38 | |
or have you got your eye on something in another collection? | 0:18:38 | 0:18:41 | |
I'm going to go for... | 0:18:41 | 0:18:44 | |
-the picture. -JANINE GASPS | 0:18:44 | 0:18:46 | |
-The picture that is in Paul and Janine's collection? -Yeah. | 0:18:46 | 0:18:50 | |
How rude! | 0:18:50 | 0:18:51 | |
THEY LAUGH | 0:18:51 | 0:18:53 | |
Now, Paul, to defend this one, | 0:18:53 | 0:18:56 | |
you can choose a question from any of those categories | 0:18:56 | 0:18:59 | |
for Annette to answer. | 0:18:59 | 0:19:01 | |
-Classical Music. -Classical Music. Annette, here we go. | 0:19:01 | 0:19:05 | |
In Prokofiev's Peter And The Wolf, | 0:19:05 | 0:19:08 | |
what instrument is used to represent the wolf? | 0:19:08 | 0:19:11 | |
Violin? | 0:19:12 | 0:19:14 | |
-The French horn. -Oh! -Well defended, Paul. Excellent. | 0:19:14 | 0:19:18 | |
-The picture stays in your collection. -Oh, that's charming(!) | 0:19:18 | 0:19:21 | |
And what I love is the maturity of our contestants(!) | 0:19:21 | 0:19:24 | |
LAUGHTER | 0:19:24 | 0:19:25 | |
Will, would you like something on the grid | 0:19:25 | 0:19:27 | |
or are you going to steal from someone else? | 0:19:27 | 0:19:29 | |
We're going to go for the books. | 0:19:29 | 0:19:30 | |
JANINE GASPS | 0:19:30 | 0:19:31 | |
Ooh! Also in Paul and Janine's collection. | 0:19:31 | 0:19:35 | |
Paul, defend again, please. | 0:19:35 | 0:19:37 | |
-Fashion. -Fashion. | 0:19:37 | 0:19:40 | |
Nina, what type of clothing are Daisy Dukes? | 0:19:40 | 0:19:43 | |
Shoes. | 0:19:45 | 0:19:46 | |
-No. Incorrect. It's shorts. -Oh, no! | 0:19:46 | 0:19:49 | |
Janine, do you want to have something from the grid | 0:19:49 | 0:19:51 | |
or are you prepared to steal something from an opponent? | 0:19:51 | 0:19:54 | |
I'm not that horrible. | 0:19:54 | 0:19:55 | |
Only because he'll get a choice of questions. | 0:19:55 | 0:19:58 | |
-I'm going to go for the handcuffs, please. -The handcuffs. | 0:19:58 | 0:20:01 | |
OK, Paul, Classical Music or Football? | 0:20:01 | 0:20:04 | |
-Football, please. -Football. Here's your question. | 0:20:04 | 0:20:07 | |
Which football team are nicknamed the Baggies? | 0:20:07 | 0:20:10 | |
West Bromwich Albion. | 0:20:10 | 0:20:12 | |
Correct. The handcuffs are yours. | 0:20:12 | 0:20:16 | |
That is it for Round Two and for one team, sadly, | 0:20:16 | 0:20:19 | |
it's going to be the end of the road. | 0:20:19 | 0:20:20 | |
We have calculated the combined value of your items | 0:20:20 | 0:20:23 | |
and the team with the least valuable collection will be eliminated, | 0:20:23 | 0:20:26 | |
taking their lots out of the game. | 0:20:26 | 0:20:29 | |
Janelle and Annette, you have the paintings and the temple. | 0:20:29 | 0:20:34 | |
Will and Nina, you have the necklace, the spoon, | 0:20:34 | 0:20:38 | |
the paperweight and the bottle. | 0:20:38 | 0:20:39 | |
And Paul and Janine, you have the picture, the sauce boat, | 0:20:39 | 0:20:43 | |
the books, the bust, the dish, hammer and chisel. | 0:20:43 | 0:20:46 | |
And you were the only people to get something in that section, | 0:20:46 | 0:20:48 | |
so you chose the handcuffs. | 0:20:48 | 0:20:50 | |
Kate has been keeping tabs. | 0:20:50 | 0:20:52 | |
And, Kate, who is leaving us first? | 0:20:52 | 0:20:56 | |
I now can reveal that the pair leaving us first is... | 0:20:56 | 0:21:00 | |
-..Will and Nina. -I knew it would be. -Oh! -I knew it would be. | 0:21:03 | 0:21:07 | |
Before you leave, we want to have a look at what those are worth, | 0:21:07 | 0:21:11 | |
-don't we? So let's start with the spoon. Kate? -The lovely spoon. | 0:21:11 | 0:21:16 | |
And actually, Nina, you were really impressed by the marks on this, | 0:21:16 | 0:21:18 | |
weren't you? You had a good look. | 0:21:18 | 0:21:21 | |
Yes, you thought the marks were significant. | 0:21:21 | 0:21:23 | |
You were absolutely right. Really clear. | 0:21:23 | 0:21:25 | |
They're known as bottom marks, actually, | 0:21:25 | 0:21:27 | |
cos they're marked very near the bowl of the spoon. | 0:21:27 | 0:21:30 | |
And yes, you thought it was old. It's Georgian, so you were right. | 0:21:30 | 0:21:34 | |
It's got significant age. It's actually in lovely condition. | 0:21:34 | 0:21:37 | |
Known as Hanoverian pattern, | 0:21:37 | 0:21:39 | |
because the end of the stem just tips up at the end. | 0:21:39 | 0:21:44 | |
But, actually, very affordable. | 0:21:44 | 0:21:47 | |
-£30. -Oh, God! -Good heavens! | 0:21:47 | 0:21:49 | |
Next was the bottle. | 0:21:49 | 0:21:52 | |
You had a good look at this. | 0:21:52 | 0:21:54 | |
This has got age, as you quite rightly thought. It was hand-blown. | 0:21:54 | 0:22:00 | |
-You had a good look underneath, didn't you? -Mm. | 0:22:00 | 0:22:02 | |
Very well done because with glass and a bottle like this, | 0:22:02 | 0:22:05 | |
that's the first thing I would do. | 0:22:05 | 0:22:08 | |
This has a lovely patination to the glass. It's a super colour. | 0:22:08 | 0:22:12 | |
It's got that slightly aged look to it. It's in great condition. | 0:22:12 | 0:22:18 | |
The ones that make the top money are what's known as onion-shaped | 0:22:18 | 0:22:22 | |
and they're pretty rare. | 0:22:22 | 0:22:24 | |
This one isn't onion-shaped. | 0:22:24 | 0:22:26 | |
It's worth £50. | 0:22:26 | 0:22:27 | |
-Ah, the necklace, Kate? -Well, this caused a stir. | 0:22:29 | 0:22:32 | |
A lot of you thought these are fake. | 0:22:32 | 0:22:35 | |
It's absolutely the real thing. | 0:22:35 | 0:22:38 | |
-Would you wear these, Fern? -Um... | 0:22:38 | 0:22:40 | |
I actually do like them and I love smoky quartz, | 0:22:40 | 0:22:42 | |
so I think they'd be very pretty in the evening | 0:22:42 | 0:22:45 | |
or just with a shirt and jeans, you know. That would be lovely. | 0:22:45 | 0:22:48 | |
They are coming back, pearls. | 0:22:48 | 0:22:49 | |
They are rising in popularity. | 0:22:49 | 0:22:52 | |
Double row, it's a lovely choker, nine-carat gold clasp. | 0:22:52 | 0:22:56 | |
They are worth... | 0:22:56 | 0:22:58 | |
-£600. -Are they? | 0:22:58 | 0:23:01 | |
Much more than we thought. | 0:23:01 | 0:23:02 | |
And the final lot that's leaving us | 0:23:02 | 0:23:05 | |
with Nina and Will's collection is the paperweight. | 0:23:05 | 0:23:09 | |
Now, this was your last addition and a very good one. | 0:23:09 | 0:23:12 | |
Nina, you mentioned millefiori. | 0:23:12 | 0:23:15 | |
We like it! | 0:23:15 | 0:23:16 | |
Literally meaning 1,000 flowers, that's the term to conjure with | 0:23:16 | 0:23:20 | |
when it comes to paperweights, so very well done. | 0:23:20 | 0:23:23 | |
This one is very much in the tradition | 0:23:23 | 0:23:25 | |
of the French paperweights of Baccarat, you think of Clichy. | 0:23:25 | 0:23:29 | |
But this is by George Bacchus & Sons, an English manufacturer. | 0:23:29 | 0:23:35 | |
It's lovely. It's quite rare | 0:23:35 | 0:23:38 | |
-and it's worth £800. -Wow! | 0:23:38 | 0:23:40 | |
Not a bad call, then. | 0:23:41 | 0:23:43 | |
SHE LAUGHS | 0:23:43 | 0:23:44 | |
Well, some good choices in there. And the total value comes to | 0:23:44 | 0:23:47 | |
£1,480 - a sizeable amount. | 0:23:47 | 0:23:52 | |
-But not sizeable enough. -But not quite sizeable enough. | 0:23:52 | 0:23:55 | |
-Not good enough. -Well done. -But impressive nonetheless. | 0:23:55 | 0:23:57 | |
So, Will and Nina, it's been wonderful to have you | 0:23:57 | 0:24:00 | |
but it is time now to bring the hammer down on your collection | 0:24:00 | 0:24:02 | |
and thank you for playing For What It's Worth. | 0:24:02 | 0:24:05 | |
-Thank you very much. -Thank you. -Thank you. | 0:24:05 | 0:24:07 | |
I think the top lot might be the books, | 0:24:08 | 0:24:12 | |
but I'm undecided totally about the picture, | 0:24:12 | 0:24:15 | |
-because I don't know enough about it, to be quite honest. -Mm. | 0:24:15 | 0:24:19 | |
-I'm going to agree with him. -Well, that makes a change! | 0:24:19 | 0:24:22 | |
SHE LAUGHS | 0:24:22 | 0:24:23 | |
And now, the unclaimed lots in the grid are also leaving the game. | 0:24:25 | 0:24:29 | |
So let's quickly find out from Kate what they were worth | 0:24:29 | 0:24:32 | |
and if the top lot is still in the game. Kate. | 0:24:32 | 0:24:36 | |
Well, let's start with the coffee cup. | 0:24:36 | 0:24:39 | |
You were so underwhelmed by this coffee cup! | 0:24:39 | 0:24:42 | |
Janine, you looked at it. No marks. No! You didn't like this. | 0:24:43 | 0:24:48 | |
I LOVE the coffee cup! | 0:24:48 | 0:24:50 | |
I was dying for you to ask me about the coffee cup! | 0:24:50 | 0:24:53 | |
This is quite tiny. | 0:24:53 | 0:24:54 | |
You wouldn't get much coffee in it but, of course, | 0:24:54 | 0:24:57 | |
in the 18th century, coffee was quite a luxury. | 0:24:57 | 0:25:02 | |
So, although it's small and hand-painted, | 0:25:02 | 0:25:04 | |
it commands a pretty chunky price | 0:25:04 | 0:25:07 | |
-of £450. -Wow! -OK! | 0:25:07 | 0:25:11 | |
Let's move on to the stole - the piece of lace. | 0:25:11 | 0:25:16 | |
Now, Janine, you looked at this quite carefully and you said, | 0:25:16 | 0:25:19 | |
"Well, no, it's not old because it's not discoloured." | 0:25:19 | 0:25:22 | |
This is 17th-century. | 0:25:22 | 0:25:24 | |
-ANNETTE: -Wow! | 0:25:24 | 0:25:25 | |
It's French, it's in gorgeous condition. | 0:25:25 | 0:25:29 | |
Even if you don't like it as a piece of textile, | 0:25:29 | 0:25:31 | |
you cannot deny the intricate craftsmanship and the age | 0:25:31 | 0:25:36 | |
and that gives it a hefty price | 0:25:36 | 0:25:39 | |
of £700. | 0:25:39 | 0:25:40 | |
Well, we've lost the stole. | 0:25:40 | 0:25:42 | |
And the last lot that's leaving the game is the cup holder. | 0:25:42 | 0:25:46 | |
Well, it's a lovely piece of Mauchline ware. | 0:25:46 | 0:25:49 | |
Now, Mauchline ware stopped being produced in the 1930s, | 0:25:49 | 0:25:53 | |
when the last factory that produced it was burnt down. | 0:25:53 | 0:25:57 | |
Paul and Janine, you said it's a little holiday souvenir! | 0:25:57 | 0:26:00 | |
Annette, you noticed the Welsh on it | 0:26:00 | 0:26:02 | |
but you didn't really know what it was for. | 0:26:02 | 0:26:06 | |
Well, it IS a tourist piece, but it's incomplete. | 0:26:06 | 0:26:10 | |
It's lost its cup inside and here, | 0:26:10 | 0:26:13 | |
it is the lot which is worthless. | 0:26:13 | 0:26:16 | |
-Oh! -So well done. | 0:26:16 | 0:26:18 | |
-You all steered clear. -Congratulations. | 0:26:18 | 0:26:21 | |
That's a good thing to have out of the game. | 0:26:21 | 0:26:23 | |
Well, quite a number of interesting lots have left the game | 0:26:23 | 0:26:26 | |
but, as I'm sure you've gathered, the bottom lot has gone, too, | 0:26:26 | 0:26:30 | |
but more importantly, the top lot is still in play. | 0:26:30 | 0:26:35 | |
But whose collection is it lurking in? | 0:26:35 | 0:26:38 | |
Before we go any further, | 0:26:38 | 0:26:40 | |
Kate is going to give you another fact about a lot of your choice. | 0:26:40 | 0:26:43 | |
So, Janelle, what lot do you need to know more about? | 0:26:43 | 0:26:46 | |
-The books, please. -The books, Kate. | 0:26:46 | 0:26:50 | |
English publisher William Pickering published this miniature | 0:26:50 | 0:26:53 | |
Complete Works Of Shakespeare in 1825. | 0:26:53 | 0:26:58 | |
They were the first publisher's bindings in cloth - | 0:26:58 | 0:27:02 | |
an innovation which had a rapid and profound impact | 0:27:02 | 0:27:07 | |
on the publishing industry. | 0:27:07 | 0:27:09 | |
This is the Diamond Edition, nine volumes in total, | 0:27:09 | 0:27:13 | |
that were issued with or without illustrations. This set is without. | 0:27:13 | 0:27:18 | |
So top lot or not top lot? | 0:27:18 | 0:27:22 | |
That is the question. | 0:27:22 | 0:27:25 | |
Janelle, does that give you anything at all? | 0:27:25 | 0:27:28 | |
They're interesting and it's something, personally, | 0:27:28 | 0:27:31 | |
-that I would like, regardless of cost. -OK. We'll see. | 0:27:31 | 0:27:35 | |
Janine, what would you like to know more about? | 0:27:35 | 0:27:38 | |
The paintings, please. | 0:27:38 | 0:27:41 | |
The paintings that are in Annette and Janelle's collection. | 0:27:41 | 0:27:44 | |
Paul Jourdy was a French painter who was born in Dijon, 1805 | 0:27:44 | 0:27:50 | |
and studied under the influential artist | 0:27:50 | 0:27:53 | |
Guillaume Guillon Lethiere. | 0:27:53 | 0:27:56 | |
This is a pair of oval portraits done, unusually, in pastels. | 0:27:56 | 0:28:03 | |
They are signed and are still in period gilt frames. | 0:28:03 | 0:28:08 | |
Hmm! Janine, is your instinct talking to you? | 0:28:08 | 0:28:12 | |
Yes, it is. | 0:28:12 | 0:28:13 | |
Interesting. Kate, thank you very much indeed. | 0:28:13 | 0:28:16 | |
Right, those are all the facts available to you, | 0:28:16 | 0:28:18 | |
so it's now time for our final round. | 0:28:18 | 0:28:20 | |
I'm going to give the quizzers a category. | 0:28:23 | 0:28:25 | |
They then take turns to say answers in that category. | 0:28:25 | 0:28:29 | |
For example, if I say, "Name me characters from Happy Days," | 0:28:29 | 0:28:33 | |
you might say Fonzie, Paul, | 0:28:33 | 0:28:36 | |
then you might say Richie Cunningham, Annette, | 0:28:36 | 0:28:39 | |
then you might say Chachi and so on. | 0:28:39 | 0:28:42 | |
If you fail to give an answer, or if you repeat an answer, | 0:28:42 | 0:28:45 | |
or give a wrong answer, you lose that category and the opponent's picker | 0:28:45 | 0:28:50 | |
will be able to steal a lot from your collection. | 0:28:50 | 0:28:54 | |
Remember, it's the total value of your collections | 0:28:54 | 0:28:57 | |
that matter at the end of this round. | 0:28:57 | 0:28:59 | |
One high-priced lot could be more valuable | 0:28:59 | 0:29:01 | |
than your opponent's entire collection. | 0:29:01 | 0:29:05 | |
So, this round is all about defending what you've got, | 0:29:05 | 0:29:08 | |
as well as pilfering your opponent's lots. | 0:29:08 | 0:29:11 | |
There are three categories. | 0:29:11 | 0:29:12 | |
The pair with the most valuable collection at this point go first. | 0:29:12 | 0:29:16 | |
So, Kate, who is that? | 0:29:16 | 0:29:18 | |
Well, I can reveal | 0:29:18 | 0:29:20 | |
the team who currently has the most valuable collection is... | 0:29:20 | 0:29:24 | |
..Janine and Paul. | 0:29:27 | 0:29:29 | |
Aah! OK, Paul, you will start us off, and the first category is... | 0:29:29 | 0:29:35 | |
We are looking for any first name or middle name of the Queen, | 0:29:42 | 0:29:47 | |
her husband and their children. So, Paul, can you give me an answer? | 0:29:47 | 0:29:53 | |
Elizabeth. | 0:29:53 | 0:29:54 | |
Correct. Annette? | 0:29:54 | 0:29:55 | |
Andrew. | 0:29:55 | 0:29:57 | |
Correct. Paul? | 0:29:57 | 0:29:58 | |
Anne. | 0:30:00 | 0:30:01 | |
Correct. Annette? | 0:30:01 | 0:30:02 | |
Edward. | 0:30:04 | 0:30:05 | |
Correct. Paul? | 0:30:05 | 0:30:06 | |
Victoria. | 0:30:08 | 0:30:09 | |
-Incorrect. -Argh. | 0:30:10 | 0:30:12 | |
You could have had Alexandra, | 0:30:12 | 0:30:15 | |
Mary, George, Arthur or Louis. | 0:30:15 | 0:30:19 | |
Phew! It's tough. | 0:30:19 | 0:30:22 | |
Janelle, get ready to steal from Paul and Janine's collection. | 0:30:22 | 0:30:25 | |
-I'm sorry, guys... -No, you're not! | 0:30:25 | 0:30:28 | |
THEY LAUGH | 0:30:28 | 0:30:29 | |
Um, I'm going to go for the books, please. | 0:30:29 | 0:30:33 | |
The collection of books is on its way. | 0:30:33 | 0:30:35 | |
Annette, your turn next, and the category is... | 0:30:35 | 0:30:38 | |
Annette, can you give me an answer? | 0:30:46 | 0:30:48 | |
Australia. | 0:30:48 | 0:30:50 | |
Correct. Paul? | 0:30:51 | 0:30:52 | |
England. | 0:30:52 | 0:30:53 | |
Correct. Annette? | 0:30:53 | 0:30:55 | |
India. | 0:30:55 | 0:30:56 | |
Correct. Paul? | 0:30:56 | 0:30:58 | |
South Africa. | 0:30:58 | 0:30:59 | |
Correct. Annette? | 0:30:59 | 0:31:01 | |
France. | 0:31:01 | 0:31:02 | |
Incorrect. | 0:31:02 | 0:31:04 | |
Janine, what would you like to steal | 0:31:04 | 0:31:06 | |
from Janelle and Annette's collection? | 0:31:06 | 0:31:08 | |
-I'm going to take my books back, please. -Are you? | 0:31:08 | 0:31:12 | |
Ugh! | 0:31:12 | 0:31:13 | |
Final category question. | 0:31:15 | 0:31:17 | |
..from Rolling Stone Magazine's 500 Greatest Albums list. | 0:31:20 | 0:31:24 | |
Paul, can you give me an answer? | 0:31:24 | 0:31:26 | |
The Wall. | 0:31:27 | 0:31:28 | |
Paul, that is incorrect. | 0:31:30 | 0:31:31 | |
The Wall is on the list, | 0:31:31 | 0:31:34 | |
but it's at number 87. | 0:31:34 | 0:31:36 | |
If you'd had Dark Side of the Moon, also Pink Floyd, | 0:31:36 | 0:31:39 | |
that is within the top 50. I'm so sorry! | 0:31:39 | 0:31:43 | |
Oh, Janelle and Annette, are you going to steal those books back, | 0:31:44 | 0:31:48 | |
or go for something else? | 0:31:48 | 0:31:50 | |
I think I'm going to stick with the books. | 0:31:50 | 0:31:52 | |
That lovely little collection of Shakespeare books | 0:31:52 | 0:31:55 | |
is going back to you. | 0:31:55 | 0:31:58 | |
That's it, your collections are now fixed | 0:31:58 | 0:32:00 | |
and will determine which team is victorious. | 0:32:00 | 0:32:02 | |
It's time to find out who are today's winners. Kate? | 0:32:02 | 0:32:06 | |
What a nail-biting round! Well, I can reveal, after that, | 0:32:06 | 0:32:11 | |
the team with the most valuable collection | 0:32:11 | 0:32:13 | |
and the winners of today's show are... | 0:32:13 | 0:32:16 | |
..Janine and Paul. | 0:32:20 | 0:32:22 | |
Annette and Janelle, you have played so well, | 0:32:22 | 0:32:26 | |
our huge commiserations to you. | 0:32:26 | 0:32:29 | |
-But you want to know, don't you, how much... -Yes! -Yes! | 0:32:29 | 0:32:32 | |
..how much are your lots worth? So, Kate? | 0:32:32 | 0:32:36 | |
Let's start with the temple. | 0:32:36 | 0:32:37 | |
This was a good spot and, actually, | 0:32:37 | 0:32:39 | |
it's a model of the Temple of Venus, which is in Rome. | 0:32:39 | 0:32:43 | |
It's sadly in ruins now. | 0:32:43 | 0:32:45 | |
It's made of bronze and it's got that lovely patination | 0:32:45 | 0:32:48 | |
where you can see a little brass colour coming through. | 0:32:48 | 0:32:51 | |
It's not signed, | 0:32:51 | 0:32:52 | |
but it has a value of £200. | 0:32:52 | 0:32:55 | |
Wow! | 0:32:56 | 0:32:57 | |
On to your pair of pictures. | 0:32:57 | 0:33:00 | |
Now, you went straight in and bagged these very early on, | 0:33:00 | 0:33:04 | |
which was very smart. | 0:33:04 | 0:33:06 | |
When it comes to the most commercial subject in pictures, | 0:33:06 | 0:33:10 | |
children are about as good as it gets. | 0:33:10 | 0:33:12 | |
They are beautifully done and Jourdy is well recognised | 0:33:12 | 0:33:16 | |
in Art Sales Index, so these have a very hefty price | 0:33:16 | 0:33:21 | |
of £1,750. | 0:33:21 | 0:33:24 | |
Wow! Well spotted, girls. Well spotted. | 0:33:24 | 0:33:27 | |
And now, finally, | 0:33:27 | 0:33:29 | |
these hotly-contested miniature Shakespeare books. | 0:33:29 | 0:33:32 | |
The books! They went backwards and forwards and back again, | 0:33:32 | 0:33:36 | |
everybody wanted the books! They are cute, aren't they? | 0:33:36 | 0:33:40 | |
Their miniature size, their excellent condition | 0:33:40 | 0:33:44 | |
make them highly collectable. | 0:33:44 | 0:33:46 | |
They have a price tag at auction | 0:33:46 | 0:33:48 | |
of £1,250. | 0:33:48 | 0:33:51 | |
Wow! You did pick well. | 0:33:51 | 0:33:55 | |
So the total value, Kate, is...? | 0:33:55 | 0:33:57 | |
So, the total value... You did extremely well. | 0:33:57 | 0:34:00 | |
Your total value is £3,200. | 0:34:00 | 0:34:03 | |
Pleased with the day's work? | 0:34:03 | 0:34:04 | |
-Even though you can't go home with the money! -Yes. | 0:34:04 | 0:34:07 | |
I'm pleased, definitely. | 0:34:07 | 0:34:08 | |
Janelle and Annette, it is time | 0:34:08 | 0:34:10 | |
to bring the hammer down on your collection, I'm afraid. | 0:34:10 | 0:34:13 | |
Thank you so much for playing For What It's Worth. | 0:34:13 | 0:34:15 | |
-BOTH: -Thank you. | 0:34:15 | 0:34:16 | |
I don't think much actually went wrong for us. | 0:34:18 | 0:34:21 | |
You answered fantastically. | 0:34:21 | 0:34:23 | |
Um, we just didn't get the top lot - that's it, really. | 0:34:23 | 0:34:28 | |
Well, congratulations, Paul and Janine, you played a blinder. | 0:34:31 | 0:34:35 | |
You have built the most valuable collection | 0:34:35 | 0:34:37 | |
and you are today's winners, | 0:34:37 | 0:34:39 | |
and now all that remains is for you to claim your prize. | 0:34:39 | 0:34:41 | |
All you have to do is pick a lot from your collection | 0:34:41 | 0:34:45 | |
and we will give you its value in cash. | 0:34:45 | 0:34:47 | |
As you will have deduced, | 0:34:49 | 0:34:50 | |
the top lot is hiding somewhere in your collection, but can you spot it? | 0:34:50 | 0:34:56 | |
Have a chat and decide which one you'd like to choose. | 0:34:56 | 0:35:00 | |
-I think it's either... -The picture or the bust? | 0:35:00 | 0:35:02 | |
Between the picture or the bust, yeah, | 0:35:02 | 0:35:04 | |
we can get rid of everything else. | 0:35:04 | 0:35:06 | |
I... I was... | 0:35:06 | 0:35:08 | |
That picture, although I don't like it, | 0:35:08 | 0:35:10 | |
I do think... | 0:35:10 | 0:35:12 | |
..from word go, I thought that's been the one. | 0:35:13 | 0:35:17 | |
I must admit, if it looks horrible, it's usually worth money! | 0:35:18 | 0:35:22 | |
But if it's the bust, I'll be gutted. | 0:35:22 | 0:35:24 | |
But I'm going to go with my instincts. | 0:35:26 | 0:35:28 | |
-And I'm not listening to you this time! -OK. -OK. | 0:35:28 | 0:35:32 | |
-Have you decided? -We have. Well, -I -have! -Yeah. | 0:35:32 | 0:35:35 | |
And, Paul, are you agreeing with her? | 0:35:35 | 0:35:37 | |
Well...if not, it's going to be an interesting train journey! | 0:35:37 | 0:35:41 | |
THEY LAUGH | 0:35:41 | 0:35:42 | |
-No, I agree as well. -OK, Janine, tell me what lot you're picking. | 0:35:42 | 0:35:46 | |
We're going to pick the picture. | 0:35:46 | 0:35:48 | |
The Coq d'Or. Now, before we tell you what it's worth, | 0:35:48 | 0:35:51 | |
Kate, please can you tell us the value of the lots they have rejected? | 0:35:51 | 0:35:55 | |
Yes, let's have a look. | 0:35:55 | 0:35:57 | |
The tools, the hammer and chisel. | 0:35:57 | 0:35:58 | |
They are old, they're 18th-century. | 0:35:58 | 0:36:01 | |
But does the age mean a hefty price? | 0:36:01 | 0:36:04 | |
Not that rare. | 0:36:04 | 0:36:06 | |
Actually, only worth £80. | 0:36:06 | 0:36:09 | |
Hmm! | 0:36:09 | 0:36:11 | |
Next, you had your eye on this, Paul. | 0:36:11 | 0:36:14 | |
You were right about that date letter. | 0:36:14 | 0:36:16 | |
Bang on, it's Elizabeth II in date. | 0:36:16 | 0:36:20 | |
Look at that lovely cast fruiting vine round the edge. | 0:36:20 | 0:36:23 | |
That should give you an eye for quality. | 0:36:23 | 0:36:26 | |
It's worth £350. | 0:36:26 | 0:36:29 | |
-Mm! -Next, it's the sauce boat. | 0:36:29 | 0:36:32 | |
Now, this is my idea of a good lump of silver. | 0:36:32 | 0:36:36 | |
This shouts rococo, it's 18th-century. | 0:36:36 | 0:36:40 | |
Look at that C-scroll handle. That's what you look for in rococo. | 0:36:40 | 0:36:44 | |
Look for the wavy edge, | 0:36:44 | 0:36:46 | |
the lovely hoof feet, which gives it a hammer price | 0:36:46 | 0:36:49 | |
of £500. | 0:36:49 | 0:36:51 | |
-OK, it's gone. -The bust... | 0:36:51 | 0:36:54 | |
Look at the style of it! It is oozing Art Deco. | 0:36:54 | 0:36:59 | |
But it's quite small, isn't it? | 0:36:59 | 0:37:01 | |
And it's not signed. So, it is just Art Deco in style. | 0:37:01 | 0:37:07 | |
Price tag... | 0:37:07 | 0:37:08 | |
£100. | 0:37:08 | 0:37:10 | |
-Oh! Do you feel relieved, Janine? -Yeah! | 0:37:10 | 0:37:12 | |
You were worried about that one. OK. | 0:37:12 | 0:37:15 | |
And the final lot that's gone must be the... | 0:37:15 | 0:37:18 | |
handcuffs, which was the last thing you took from the grid, isn't it? | 0:37:18 | 0:37:21 | |
Yeah. | 0:37:21 | 0:37:22 | |
They look like your average pair of early 20th-century handcuffs. | 0:37:22 | 0:37:27 | |
But there are various factors that can affect the value of an antique. | 0:37:27 | 0:37:32 | |
Mm! | 0:37:32 | 0:37:33 | |
And provenance is one of them. | 0:37:33 | 0:37:36 | |
And I was DYING for you to ask me about these handcuffs. | 0:37:36 | 0:37:42 | |
But who did they belong to? | 0:37:42 | 0:37:43 | |
The famous escape artist... | 0:37:46 | 0:37:48 | |
-Houdini. -..Houdini. | 0:37:48 | 0:37:50 | |
He did have more than one pair, | 0:37:52 | 0:37:53 | |
but they do not come to auction very often. | 0:37:53 | 0:37:57 | |
And the Houdini factor gives them a price tag | 0:37:57 | 0:38:02 | |
of £2,500, which is our top lot today! | 0:38:02 | 0:38:08 | |
How extraordinary! | 0:38:08 | 0:38:09 | |
Nobody asked about them, nobody was bothered. | 0:38:11 | 0:38:15 | |
The one and only reason that I picked them was | 0:38:15 | 0:38:17 | |
because of categories that they linked to, | 0:38:17 | 0:38:21 | |
cos I was just looking for questions that I knew he'd be able to answer! | 0:38:21 | 0:38:24 | |
Whoa! And there they were. | 0:38:24 | 0:38:27 | |
Well, they've gone, Houdini's handcuffs have escaped. | 0:38:27 | 0:38:30 | |
But we have got the picture of the golden cockerel. | 0:38:30 | 0:38:34 | |
So, Janine and Paul, would you come and join me | 0:38:34 | 0:38:37 | |
to take a closer look at your chosen lot? | 0:38:37 | 0:38:39 | |
It's a funny thing, isn't it? | 0:38:41 | 0:38:43 | |
You may think that you've got something | 0:38:43 | 0:38:46 | |
worth perhaps a small fortune, but before we tell you its value, | 0:38:46 | 0:38:50 | |
we are going to tempt you with today's mystery lot. | 0:38:50 | 0:38:54 | |
-Kate, would you like to reveal? -Shall we have a look? | 0:38:54 | 0:38:58 | |
I'm going to very carefully... | 0:38:58 | 0:39:00 | |
..reveal it for you. | 0:39:01 | 0:39:03 | |
Tell us about it. | 0:39:03 | 0:39:05 | |
In 1899, Queen Victoria decided to send a gift, | 0:39:05 | 0:39:09 | |
a tin of boxed chocolates, | 0:39:09 | 0:39:12 | |
to her troops serving in South Africa in the Boer War. | 0:39:12 | 0:39:16 | |
It was intended that every soldier and officer should get a box, | 0:39:16 | 0:39:21 | |
for what amounted by the end of 1900 to 123,000 tins. | 0:39:21 | 0:39:28 | |
This is an original one and, unbelievably, | 0:39:30 | 0:39:34 | |
it still has the chocolate, untouched, inside. | 0:39:34 | 0:39:40 | |
That changes it! That's incredible. | 0:39:40 | 0:39:42 | |
And actually, in the antiques business, | 0:39:42 | 0:39:45 | |
that's what we call good condition, because it is untouched. | 0:39:45 | 0:39:49 | |
-It still smells chocolaty! -Does it? -Yeah. | 0:39:49 | 0:39:52 | |
With a hint of mould! | 0:39:52 | 0:39:54 | |
Yeah, you can get the cocoa in there! | 0:39:54 | 0:39:57 | |
All that's left for you to decide is whether to stick | 0:39:58 | 0:40:01 | |
with your picture, or to dump it in favour of today's mystery lot. | 0:40:01 | 0:40:06 | |
What is your gut telling you this time? | 0:40:08 | 0:40:11 | |
Talk us through what you're thinking. | 0:40:13 | 0:40:15 | |
-You like social history. -I do like social history. | 0:40:15 | 0:40:18 | |
But it is still only a tin... | 0:40:18 | 0:40:21 | |
..which was given to thousands... | 0:40:23 | 0:40:25 | |
How many would be left with the chocolate in, though? | 0:40:25 | 0:40:27 | |
Yeah, but how would that make it...? | 0:40:27 | 0:40:29 | |
I know a lot of people would keep them, | 0:40:29 | 0:40:31 | |
but I mean, it's 115 years old. | 0:40:31 | 0:40:33 | |
Oh, shall we just go with the mystery lot? | 0:40:37 | 0:40:39 | |
-I do like social history. We'll go with the mystery lot. -Definitely? | 0:40:39 | 0:40:43 | |
Definitely. Yeah. | 0:40:43 | 0:40:45 | |
-You're both agreed? -Yes. | 0:40:45 | 0:40:46 | |
You have chosen today's mystery lot. Let me pop it back there. | 0:40:46 | 0:40:51 | |
Now, Kate, just to prolong the agony, | 0:40:51 | 0:40:56 | |
please talk us through the value of the Coq d'Or. | 0:40:56 | 0:40:59 | |
Well, it does have a certain appeal to it, doesn't it? | 0:40:59 | 0:41:02 | |
I mean, you said you actually really don't like it, | 0:41:02 | 0:41:05 | |
but there's something about it. | 0:41:05 | 0:41:06 | |
It LOOKS like metal. | 0:41:06 | 0:41:08 | |
It could be bronze, it could be brass. | 0:41:08 | 0:41:10 | |
Well, Schumann contributed to the development of a technique | 0:41:10 | 0:41:14 | |
called cold-cast resin. | 0:41:14 | 0:41:17 | |
He took powdered metal | 0:41:17 | 0:41:19 | |
and mixed it with resin to give the appearance of a metal. | 0:41:19 | 0:41:23 | |
-And that's what we've got here. -Oh, OK. -So, it's worth... | 0:41:23 | 0:41:30 | |
-£150. -Ohhh! | 0:41:30 | 0:41:32 | |
Phew! | 0:41:32 | 0:41:34 | |
Oh, right. OK. | 0:41:34 | 0:41:35 | |
But you're right, it could have been 1,500, who knows? | 0:41:35 | 0:41:38 | |
It could have been. | 0:41:38 | 0:41:40 | |
Right, so you're quite relieved you've now chosen the chocolate tin. | 0:41:40 | 0:41:44 | |
-Yeah. -All right, Kate... -I hope! | 0:41:44 | 0:41:46 | |
..what about the value of the lot they have chosen? | 0:41:46 | 0:41:50 | |
Well, who wouldn't like a tin of chocolate, hey? | 0:41:52 | 0:41:57 | |
It's pretty incredible the chocolate's still in it. | 0:41:57 | 0:41:59 | |
But how many were made? | 0:41:59 | 0:42:02 | |
123,000. | 0:42:03 | 0:42:06 | |
That's quite a lot. | 0:42:06 | 0:42:08 | |
And they do appear fairly regularly at auction. | 0:42:08 | 0:42:13 | |
Unusually with the chocolate still in it, | 0:42:13 | 0:42:16 | |
but that still gives it a value... | 0:42:16 | 0:42:19 | |
of £125. | 0:42:19 | 0:42:20 | |
THEY GASP | 0:42:20 | 0:42:22 | |
Unbelievable! | 0:42:22 | 0:42:24 | |
-Oh, well. -Oh, well. | 0:42:24 | 0:42:25 | |
You know, I would go with chocolate every time! | 0:42:25 | 0:42:28 | |
Janine and Paul, you've been so good and you've played so well. | 0:42:28 | 0:42:32 | |
-I hope you have had a good time. -We've had a brilliant time, yeah. | 0:42:32 | 0:42:35 | |
Well, you are going to go home with £125, which is a lot of chocolate! | 0:42:35 | 0:42:39 | |
It's been lovely to have you. | 0:42:39 | 0:42:41 | |
And, Kate, thank you very much for lending us your expertise | 0:42:41 | 0:42:44 | |
and we look forward to seeing you again soon. | 0:42:44 | 0:42:46 | |
And we very much look forward to seeing YOU again soon, | 0:42:46 | 0:42:49 | |
when we see three more teams pit their wits | 0:42:49 | 0:42:51 | |
to win the cash on For What It's Worth. | 0:42:51 | 0:42:54 | |
We'll see you then, bye-bye. | 0:42:54 | 0:42:56 | |
Oh, that was unbelievable! | 0:42:56 | 0:42:58 | |
Houdini's handcuffs, who would have thought it? Really! | 0:43:00 | 0:43:03 | |
They were tiny! | 0:43:03 | 0:43:05 | |
I thought they were going to be a child's prison or something! | 0:43:05 | 0:43:08 | |
SHE LAUGHS | 0:43:08 | 0:43:09 | |
-We've learnt something new. -Houdini's handcuffs! -Yeah. | 0:43:09 | 0:43:13 |