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Hello, and welcome to For What It's Worth, | 0:00:15 | 0:00:18 | |
the quiz show where it's not enough to simply know the answers, | 0:00:18 | 0:00:21 | |
you need a nose for antiques, too. | 0:00:21 | 0:00:23 | |
Three pairs of contestants are ready to play. | 0:00:23 | 0:00:26 | |
In each team is a quizzer, | 0:00:26 | 0:00:27 | |
responsible for answering general knowledge questions, | 0:00:27 | 0:00:30 | |
so that their partner, the picker, | 0:00:30 | 0:00:32 | |
can choose an antique item to add to their collection. | 0:00:32 | 0:00:36 | |
The aim of the game is to amass the most valuable collection. | 0:00:36 | 0:00:39 | |
So, here are today's lots for your consideration - | 0:00:39 | 0:00:42 | |
16 different antiques and collectibles. We have... | 0:00:42 | 0:00:47 | |
lace, | 0:00:47 | 0:00:49 | |
a spoon, | 0:00:49 | 0:00:50 | |
a plaque, | 0:00:50 | 0:00:52 | |
a catalogue, | 0:00:52 | 0:00:54 | |
a stamp book, | 0:00:54 | 0:00:56 | |
a bowl, | 0:00:56 | 0:00:57 | |
a coin, | 0:00:57 | 0:00:59 | |
a picture, | 0:00:59 | 0:01:00 | |
a typewriter, | 0:01:00 | 0:01:03 | |
a puppet, | 0:01:03 | 0:01:04 | |
a decanter, | 0:01:04 | 0:01:06 | |
a box, | 0:01:06 | 0:01:07 | |
a wool maker, | 0:01:07 | 0:01:09 | |
a spanner, | 0:01:09 | 0:01:11 | |
a statue, | 0:01:11 | 0:01:13 | |
and a jug. | 0:01:13 | 0:01:15 | |
All very different with very different values. | 0:01:15 | 0:01:18 | |
One is worthless, worth £10 or less. | 0:01:18 | 0:01:20 | |
And the rest increase in value | 0:01:20 | 0:01:22 | |
up to our top lot which is worth a whopping £2,500. | 0:01:22 | 0:01:26 | |
That is the lot to spot because at the end of the show the winning pair | 0:01:26 | 0:01:30 | |
will walk away with the cash equivalent of one of these items. | 0:01:30 | 0:01:34 | |
First up, we have Noran and Katie | 0:01:34 | 0:01:36 | |
who are partners from Slough in Berkshire. | 0:01:36 | 0:01:39 | |
Hello, and welcome to the show. | 0:01:39 | 0:01:41 | |
Noran, you are the team's picker. | 0:01:41 | 0:01:44 | |
I know you have a good collection of coins, don't you? | 0:01:44 | 0:01:47 | |
Yes, I have some... | 0:01:47 | 0:01:49 | |
Quite a few collection of coins. | 0:01:49 | 0:01:53 | |
British coins, Spanish coins and American. | 0:01:53 | 0:01:57 | |
How did you two meet? | 0:01:57 | 0:01:59 | |
We first dated about 34 years ago and we were together two years | 0:01:59 | 0:02:04 | |
and then we split up and we met again 34 years later | 0:02:04 | 0:02:09 | |
and we've been together ever since. That's eight years now. | 0:02:09 | 0:02:13 | |
Good heavens. | 0:02:13 | 0:02:14 | |
Yeah, did a big circle and found that what I threw away | 0:02:14 | 0:02:18 | |
I found in the lost property box. | 0:02:18 | 0:02:20 | |
LAUGHTER | 0:02:20 | 0:02:23 | |
That's almost a headline for the show, actually. | 0:02:23 | 0:02:26 | |
Yeah. It's very nice to have you here, thank you very much indeed. | 0:02:26 | 0:02:30 | |
And next we have Joan and David who are a married couple from Devon. | 0:02:30 | 0:02:34 | |
-Hello. -Hello. -Hello. | 0:02:34 | 0:02:36 | |
Joan, you are the team's picker, | 0:02:36 | 0:02:38 | |
have you any specific collections of your own? | 0:02:38 | 0:02:40 | |
I've got some green glassware. | 0:02:40 | 0:02:43 | |
-Green glass? -Yes. -Like wine bottles? | 0:02:43 | 0:02:45 | |
-I can collect those myself. -I've got a few of those! | 0:02:45 | 0:02:47 | |
I don't know, I'm just attracted to the colour green, I think, in glass. | 0:02:47 | 0:02:52 | |
I've got some quite nice pieces. | 0:02:52 | 0:02:54 | |
David, you're answering the questions for the team | 0:02:54 | 0:02:57 | |
so how would you rate yourself as a quizzer? | 0:02:57 | 0:03:00 | |
-I would say reasonably good. -Do you share Joan's interest in antiques? | 0:03:00 | 0:03:05 | |
Not to the same level but I like medals and things like that, | 0:03:05 | 0:03:09 | |
that interests me quite a lot. | 0:03:09 | 0:03:12 | |
Lovely to have you here. | 0:03:12 | 0:03:13 | |
And our final team is Em and Lizzy who are work colleagues from Norwich. | 0:03:13 | 0:03:19 | |
Welcome to the show. | 0:03:19 | 0:03:21 | |
-You are both doctors. -Yes. -Em, you are the team picker. -Yes. | 0:03:21 | 0:03:25 | |
What has been your proudest purchase to date? | 0:03:25 | 0:03:28 | |
My proudest purchase was when I found a watch in a car-boot sale | 0:03:28 | 0:03:34 | |
and I had a funny feeling it was worth a bit of money | 0:03:34 | 0:03:38 | |
and it turned out to be a Rolex and it was valued at about five grand. | 0:03:38 | 0:03:42 | |
-How much did you pay for it? -£2.50. -Excellent. | 0:03:42 | 0:03:46 | |
Lizzy, you're the team's quizzer and you've known each other a long time | 0:03:46 | 0:03:49 | |
-and been through everything together, I think. -Yes, front-line on the NHS. | 0:03:49 | 0:03:54 | |
We're know as the Dream Team on the wards but some people call us | 0:03:54 | 0:03:57 | |
the Mad Doctors. | 0:03:57 | 0:03:58 | |
-Do you share Em's love of antiques? -I do, yes. | 0:03:58 | 0:04:01 | |
My grandparents used to take me antiquing when I was a toddler. | 0:04:01 | 0:04:04 | |
They used to have an antiques shop | 0:04:04 | 0:04:06 | |
so from the age of about four my grandma was teaching me | 0:04:06 | 0:04:09 | |
the difference between, "No, that's a replica, put it down," | 0:04:09 | 0:04:12 | |
so she's trying to develop an expensive taste in me | 0:04:12 | 0:04:15 | |
-from a young age. -Which she's done. -Yeah. | 0:04:15 | 0:04:18 | |
Well done, OK. | 0:04:18 | 0:04:20 | |
Earlier our teams inspected the lots | 0:04:20 | 0:04:22 | |
but could they separate the class from the brass? | 0:04:22 | 0:04:25 | |
-OK, wow. -OK. | 0:04:26 | 0:04:28 | |
-Oh. -OK. | 0:04:30 | 0:04:33 | |
We'll start here. | 0:04:33 | 0:04:34 | |
-Statue. -How old do we think that is? -'40s? | 0:04:34 | 0:04:38 | |
I don't think that's worth much. | 0:04:38 | 0:04:40 | |
And it's broken. | 0:04:40 | 0:04:42 | |
I'd say that's probably worth about 100. | 0:04:43 | 0:04:46 | |
I love that. | 0:04:46 | 0:04:49 | |
Your dad's got loads of tools - or did have. | 0:04:49 | 0:04:51 | |
That's probably come out of his set. | 0:04:51 | 0:04:53 | |
It's actually...a tap. | 0:04:53 | 0:04:56 | |
-OK. -And cutting threads. | 0:04:56 | 0:04:59 | |
"English branch of the Hammond typewriter, London." | 0:04:59 | 0:05:04 | |
And it's not a two-tone tape so we know it's old. | 0:05:04 | 0:05:08 | |
-I really have got no idea on that. -No. | 0:05:08 | 0:05:11 | |
"Nicol." | 0:05:11 | 0:05:12 | |
-I really like that. -It's really nice, isn't it? -Yeah. | 0:05:12 | 0:05:16 | |
-"Goodbrand and Co." -"Makers Manchester." | 0:05:17 | 0:05:21 | |
-It's early '20s. -Yeah? | 0:05:21 | 0:05:23 | |
I'm thinking a few thousand for that. | 0:05:23 | 0:05:26 | |
-Battle of Trafalgar was obviously 1805. -It'll be a catalogue. | 0:05:26 | 0:05:28 | |
-Catalogue of the paintings. -And that's handwritten by the artist. | 0:05:28 | 0:05:32 | |
-That's going to be worth quite a lot. -Yes, I think so. | 0:05:32 | 0:05:35 | |
I think it's quite a pleasant piece. Definitely silver. | 0:05:37 | 0:05:40 | |
You can see the old mark. | 0:05:40 | 0:05:41 | |
-Where do I see...? -There. | 0:05:41 | 0:05:44 | |
-Hallmarked silver. -100 quid on that? -Yeah. | 0:05:46 | 0:05:50 | |
I'd say it's probably around the Victorian times. | 0:05:50 | 0:05:53 | |
-I know you like coins. -I've seen nothing like that before, though. | 0:05:53 | 0:05:58 | |
Could be Roman, actually. | 0:05:58 | 0:06:00 | |
Is that a Caesar coin? | 0:06:00 | 0:06:03 | |
-It's a tile with a wooden... -I like it. -I do. -I do like that. | 0:06:03 | 0:06:06 | |
It's probably the most expensive thing in the room! | 0:06:06 | 0:06:10 | |
Now, you're always telling me | 0:06:10 | 0:06:12 | |
if you got something in a box it puts added value on it. | 0:06:12 | 0:06:16 | |
That may be worth more than what we think. | 0:06:16 | 0:06:18 | |
Well, it's a talking one so it's a bit different. | 0:06:18 | 0:06:21 | |
My grandma used to show me so many jugs. | 0:06:21 | 0:06:24 | |
400 to 500? | 0:06:24 | 0:06:26 | |
-No, I don't think it's worth that much. -You're the expert. | 0:06:26 | 0:06:29 | |
Book of stamps, two shillings, Daily Bovril. | 0:06:31 | 0:06:33 | |
-It's going to be one of the most expensive. -Yeah? -Yeah. | 0:06:35 | 0:06:38 | |
Yeah, it's Lalique. That's worth a fortune. | 0:06:38 | 0:06:41 | |
-I've a suspicion this may be English. -It's definitely up there. | 0:06:43 | 0:06:47 | |
-OK, Lalique bowl. -Lalique bowl. | 0:06:47 | 0:06:49 | |
-Catalogue. -Catalogue. -The plaque. -The plaque. | 0:06:49 | 0:06:52 | |
And worthless item, the statue. | 0:06:52 | 0:06:55 | |
-Catalogue is one of the top ones. -Top ones. -The wool maker. | 0:06:55 | 0:06:58 | |
-And the... -Typewriter. -..typewriter. | 0:06:58 | 0:07:01 | |
-The bowl. -Right. | 0:07:01 | 0:07:03 | |
-The wool machine, the decanter. -OK. | 0:07:03 | 0:07:06 | |
And joining me today is our resident antiques expert David Harper. | 0:07:10 | 0:07:13 | |
David, how do you arrive at those valuations? | 0:07:13 | 0:07:17 | |
It's me and an independent valuer, | 0:07:17 | 0:07:19 | |
we look at them and agree a hammer price. | 0:07:19 | 0:07:21 | |
A hammer price, guys, is something that something would likely sell for | 0:07:21 | 0:07:26 | |
in auction on the hammer but doesn't include the auction costs. | 0:07:26 | 0:07:31 | |
Excellent. Well, as well as those little treasures on the grid, | 0:07:31 | 0:07:34 | |
we have our Mystery Lot hidden under the shroud of mystery, | 0:07:34 | 0:07:38 | |
poised to be uncovered at the end of the show to tempt our winners. | 0:07:38 | 0:07:42 | |
Now, it could be worth thousands or just pennies. | 0:07:42 | 0:07:45 | |
We will be unveiling it later but for now it's time for round one. | 0:07:45 | 0:07:50 | |
I'm going to ask ten general knowledge questions. | 0:07:52 | 0:07:55 | |
Quizzers, if you buzz in with a correct answer | 0:07:55 | 0:07:58 | |
your picker gets to add a lot to your collection but beware, | 0:07:58 | 0:08:01 | |
buzz in incorrectly and you'll be frozen out of the next question. | 0:08:01 | 0:08:06 | |
So fingers on buzzers, question number one. | 0:08:06 | 0:08:08 | |
Which US sport features a quarterback? | 0:08:08 | 0:08:12 | |
-David. -American football. -It is right, well done. | 0:08:12 | 0:08:15 | |
Joan, you are first off the mark. | 0:08:15 | 0:08:17 | |
See if you can find a really valuable lot. | 0:08:17 | 0:08:20 | |
-Typewriter. -That's into your collection right now. | 0:08:20 | 0:08:25 | |
Question number two. The Raven is a poem by which American...? | 0:08:25 | 0:08:30 | |
-David. -Edgar Allan Poe. | 0:08:30 | 0:08:32 | |
Is it Edgar Allan Poe. | 0:08:32 | 0:08:34 | |
The full question is The Raven is a poem by which American horror writer? | 0:08:34 | 0:08:39 | |
And the answer is Edgar Allan Poe. Joan. | 0:08:39 | 0:08:42 | |
-The puppet, please. -It's on its way to add to your collection. | 0:08:42 | 0:08:46 | |
Question three. | 0:08:46 | 0:08:48 | |
A very rare find, how many leaves is a lucky clover said to have? | 0:08:48 | 0:08:55 | |
-Lizzy. -Four. -Correct. | 0:08:55 | 0:08:57 | |
Em, you can have a choice now. What do you want? | 0:08:57 | 0:09:00 | |
-Can we have the catalogue, please? -The catalogue, it's yours. | 0:09:00 | 0:09:03 | |
Starting off your collection nicely. Question four. | 0:09:03 | 0:09:07 | |
How is the coccyx more commonly known? | 0:09:07 | 0:09:11 | |
Lizzy. | 0:09:11 | 0:09:13 | |
-LAUGHING: -Sorry. Tail bone. | 0:09:13 | 0:09:15 | |
You're correct. Em, what would you like? | 0:09:15 | 0:09:18 | |
Can we have the bowl, please? | 0:09:18 | 0:09:19 | |
The bowl, yep, that's going into your collection now. | 0:09:19 | 0:09:23 | |
Number five. What is the capital city of Portugal? | 0:09:23 | 0:09:28 | |
-Yes, Katie. -Lisbon. -It is. Noran, what do you want? | 0:09:28 | 0:09:32 | |
I'll have the lace, please. | 0:09:32 | 0:09:35 | |
That's going to start your collection. | 0:09:35 | 0:09:37 | |
Well done, everybody's off the mark. | 0:09:37 | 0:09:39 | |
Question six. | 0:09:39 | 0:09:41 | |
The 1999 Sam Mendes film American Beauty | 0:09:41 | 0:09:46 | |
starred which Oscar-winning actor? | 0:09:46 | 0:09:49 | |
-David? -Kevin Spacey. | 0:09:49 | 0:09:51 | |
-Correct. Joan, what would you like? -The wool maker. | 0:09:51 | 0:09:54 | |
It is yours. | 0:09:54 | 0:09:57 | |
There you go. | 0:09:57 | 0:09:59 | |
Question seven. The Hay Wain is a painting by which...? | 0:09:59 | 0:10:03 | |
-David. -John Constable. | 0:10:03 | 0:10:04 | |
The Hay Wain is a painting by which famous landscape artist? Constable. | 0:10:04 | 0:10:09 | |
Joan, what would you like? | 0:10:09 | 0:10:11 | |
-The box. -It's going to you now. | 0:10:11 | 0:10:16 | |
Question eight. What was pop singer Madonna's maiden name? | 0:10:16 | 0:10:22 | |
BELL DINGS | 0:10:22 | 0:10:23 | |
-Oh, Katie, you're just in. -Ciccone. -Correct, it is Ciccone, well done. | 0:10:23 | 0:10:29 | |
Noran, what would you like? | 0:10:29 | 0:10:31 | |
-We'd like the decanter, please. -It's yours. | 0:10:31 | 0:10:35 | |
Question nine. | 0:10:37 | 0:10:38 | |
Vishnu and Hanuman are primarily deities from which religion? | 0:10:38 | 0:10:44 | |
-Yes, Katie. -Hindu. -Hinduism, yes. | 0:10:44 | 0:10:47 | |
Noran, your choice. | 0:10:47 | 0:10:50 | |
We'd like the statue, please, Fern. | 0:10:50 | 0:10:54 | |
It's winging its way to you. | 0:10:54 | 0:10:57 | |
Final question, question ten. | 0:10:57 | 0:10:59 | |
Used in baking, royal, fondant and...? | 0:10:59 | 0:11:03 | |
Yes, Katie. | 0:11:03 | 0:11:05 | |
-Icing? -It is icing. Used in baking, royal, fondant and buttercream | 0:11:05 | 0:11:09 | |
are all types of what, was the full question. | 0:11:09 | 0:11:12 | |
So, Noran, pick again. | 0:11:12 | 0:11:15 | |
I'll go for the coin this time, thank you. | 0:11:15 | 0:11:17 | |
Oh, yes, you're the coin man. Here it comes. | 0:11:17 | 0:11:20 | |
That's the end of that round. Let's see what everybody's got, | 0:11:20 | 0:11:23 | |
starting with Katie and Noran. You have the lace, the statue, | 0:11:23 | 0:11:28 | |
the coin and the decanter. | 0:11:28 | 0:11:31 | |
David and Joan, you have the typewriter, the wool maker, | 0:11:31 | 0:11:35 | |
the box and the puppet. | 0:11:35 | 0:11:38 | |
And Lizzy and Em, you have the catalogue and the bowl. | 0:11:38 | 0:11:42 | |
Our teams have started to build their collections | 0:11:42 | 0:11:44 | |
but before they have the chance to add to them, | 0:11:44 | 0:11:46 | |
David is going to give each pair a fact about a lot of their choice. | 0:11:46 | 0:11:51 | |
These snippets of information should give you vital clues | 0:11:51 | 0:11:55 | |
about what it's worth, so choose wisely. | 0:11:55 | 0:11:58 | |
You can choose one of yours, | 0:11:58 | 0:11:59 | |
one of the other teams' or something that's still up on the grid. | 0:11:59 | 0:12:03 | |
Noran, let's start with you. Which lot would you like to hear about? | 0:12:03 | 0:12:06 | |
-About the bowl, please. -David, the bowl, please. | 0:12:06 | 0:12:10 | |
Well, Noran, this is a Rene Lalique bowl, | 0:12:10 | 0:12:13 | |
one of the great names in glass design. | 0:12:13 | 0:12:17 | |
This bowl is a pattern called Roscoff. | 0:12:17 | 0:12:20 | |
It is made in blue glass, | 0:12:20 | 0:12:22 | |
designed in 1932 | 0:12:22 | 0:12:24 | |
and decorated with opalescent fish and bubbles. | 0:12:24 | 0:12:29 | |
Lalique didn't sign all his work | 0:12:29 | 0:12:31 | |
but this one bears his mark right in the centre | 0:12:31 | 0:12:35 | |
and that's all you need to know now | 0:12:35 | 0:12:37 | |
to work out what it's worth. | 0:12:37 | 0:12:40 | |
-Mm. Noran, is it speaking to you? -Interesting. | 0:12:40 | 0:12:45 | |
Maybe it's something Lizzy and Em will have to hang on to. | 0:12:45 | 0:12:47 | |
-We don't know. -Don't touch my bowl. | 0:12:47 | 0:12:50 | |
LAUGHTER | 0:12:50 | 0:12:51 | |
We can't help it, it's winking at us. | 0:12:51 | 0:12:55 | |
Right, David and Joan. Joan, what would you like to know more about? | 0:12:55 | 0:12:59 | |
-The statue. -David, the statue, which is in Noran's collection. | 0:12:59 | 0:13:04 | |
Joan, this is brass. It's not bronze as you might have suspected. | 0:13:04 | 0:13:07 | |
It's hard to tell because it's been patternated, a process that requires | 0:13:07 | 0:13:11 | |
the underlying metal to be coated in various chemicals to create | 0:13:11 | 0:13:15 | |
the look of age which, actually, it does have. | 0:13:15 | 0:13:20 | |
It dates from the late 19th century and it shows two children playing | 0:13:20 | 0:13:24 | |
with a dog, an endearing, timeless image...but what's it worth? | 0:13:24 | 0:13:29 | |
-Has that helped you at all, Joan? -Yes. -Oh, good. | 0:13:29 | 0:13:33 | |
Em, what would you like to know more about? | 0:13:33 | 0:13:36 | |
I'd like to know more about the plaque, please. | 0:13:36 | 0:13:38 | |
David, Em would like to know about that plaque. | 0:13:38 | 0:13:40 | |
It's a Chinese porcelain plaque. | 0:13:40 | 0:13:43 | |
It combines two areas of iconic Chinese design | 0:13:43 | 0:13:47 | |
which is the prune tree on the back and calligraphy on the front. | 0:13:47 | 0:13:52 | |
In China calligraphy is considered | 0:13:52 | 0:13:54 | |
one of the highest forms of Chinese art | 0:13:54 | 0:13:57 | |
but, clearly, these iconic artistic devices don't have much power | 0:13:57 | 0:14:02 | |
here in British auctions, as they might have in a Chinese one. | 0:14:02 | 0:14:06 | |
So what does that do to the value of this plaque? It's over to you. | 0:14:06 | 0:14:11 | |
Work it out. What's it worth? | 0:14:11 | 0:14:15 | |
Now that you're a bit more knowledgeable about today's lots, | 0:14:15 | 0:14:17 | |
let's give you the chance to add more of them to your collections. | 0:14:17 | 0:14:21 | |
Remember, at the end of this round | 0:14:21 | 0:14:23 | |
the team with the least valuable collection will be eliminated. | 0:14:23 | 0:14:27 | |
Three more lots are now available to each pair. | 0:14:30 | 0:14:33 | |
This time, pickers, you target a lot | 0:14:33 | 0:14:35 | |
and, quizzers, you then try and secure it by answering correctly. | 0:14:35 | 0:14:40 | |
But in this round the lots come with their own question categories. | 0:14:40 | 0:14:44 | |
So, for example, if you targeted the picture there, | 0:14:44 | 0:14:47 | |
I would say to the quizzer, | 0:14:47 | 0:14:49 | |
would you like to answer a question about the weather or Elton John? | 0:14:49 | 0:14:52 | |
All clear? Good. Noran and Katie, you go first. Noran, what's your lot? | 0:14:52 | 0:14:58 | |
Um...I'll take a chance on the jug. | 0:14:58 | 0:15:02 | |
OK, Katie, would you like a question on Hitchcock or the weather? | 0:15:02 | 0:15:08 | |
Let's try the weather. | 0:15:08 | 0:15:11 | |
And your question is which phenomenon is created | 0:15:11 | 0:15:15 | |
when refracted light forms a cone | 0:15:15 | 0:15:18 | |
with an angular radius of 42 degrees? | 0:15:18 | 0:15:22 | |
-Uh... -SHE LAUGHS | 0:15:22 | 0:15:24 | |
-Um, a rainbow. -Correct. | 0:15:24 | 0:15:27 | |
Wahey! That was a guess! | 0:15:27 | 0:15:31 | |
That means the jug is yours and it's on its way to your collection. | 0:15:31 | 0:15:35 | |
-Thank you. -There it is. | 0:15:35 | 0:15:37 | |
Joan, what would you like to target? | 0:15:37 | 0:15:40 | |
The plaque. | 0:15:40 | 0:15:42 | |
OK, David, football or Shakespeare? | 0:15:42 | 0:15:45 | |
-Not great on Shakespeare, I think I'll go for football. -Here we go. | 0:15:45 | 0:15:49 | |
For which club did David Beckham play immediately prior to retiring | 0:15:49 | 0:15:53 | |
from professional football? | 0:15:53 | 0:15:55 | |
LA Galaxy. | 0:15:55 | 0:15:57 | |
That's incorrect. It's Paris Saint-Germain. | 0:15:57 | 0:16:01 | |
So the plaque stays on the board. | 0:16:01 | 0:16:04 | |
Em, what would you like? | 0:16:04 | 0:16:06 | |
The stamp book. | 0:16:06 | 0:16:09 | |
Lizzy, Elton John or Italian food? | 0:16:09 | 0:16:11 | |
-Italian food, please. -OK. | 0:16:11 | 0:16:14 | |
Here's your question. | 0:16:14 | 0:16:16 | |
Pesto is traditionally made with pine nuts, Parmesan and which herb? | 0:16:16 | 0:16:21 | |
-Basil. -Correct. | 0:16:21 | 0:16:23 | |
Em, the stamp book is yours. | 0:16:23 | 0:16:27 | |
-Noran, what would you like? -The plaque, please. | 0:16:27 | 0:16:30 | |
Football or Shakespeare, Katie? | 0:16:30 | 0:16:34 | |
-Football. -OK, here we go. | 0:16:34 | 0:16:37 | |
In the 1992-93 season | 0:16:37 | 0:16:40 | |
which football club became the first Premier League Champions? | 0:16:40 | 0:16:45 | |
Oh, uh, Manchester City. | 0:16:45 | 0:16:48 | |
So close - Manchester United! | 0:16:48 | 0:16:52 | |
-Oh! -So the plaque is really stubbornly sticking up there. | 0:16:52 | 0:16:56 | |
-OK, Joan, what would you like? -I'll give him another shout - the plaque. | 0:16:56 | 0:17:00 | |
Go for it again. Football or Shakespeare, David? | 0:17:00 | 0:17:03 | |
I'll have a go at football. | 0:17:03 | 0:17:05 | |
Wayne Rooney beat which celebrated footballer's record | 0:17:05 | 0:17:09 | |
to become England's all-time leading goal scorer in 2015? | 0:17:09 | 0:17:14 | |
-Bobby Charlton. -It was, correct. There you are, Joan, | 0:17:14 | 0:17:17 | |
the plaque is in your collection. | 0:17:17 | 0:17:19 | |
Em, what do you want? | 0:17:19 | 0:17:21 | |
-I think I'm going to go for... the picture. -Mm-hm. | 0:17:21 | 0:17:26 | |
-Elton John or the weather, Lizzy? -The weather, please. | 0:17:26 | 0:17:31 | |
Altitude is the measurement of an object or point | 0:17:31 | 0:17:34 | |
in relation to which level? | 0:17:34 | 0:17:36 | |
Like, height? | 0:17:38 | 0:17:40 | |
-Height is incorrect. -Sorry. -It is sea levels. | 0:17:40 | 0:17:43 | |
You're all right. | 0:17:43 | 0:17:45 | |
The picture stays on the grid. | 0:17:45 | 0:17:47 | |
OK, teams, your collections are growing nicely. | 0:17:47 | 0:17:49 | |
Remember, at the end of this round, | 0:17:49 | 0:17:51 | |
the pair with the least valuable collection will be leaving us, | 0:17:51 | 0:17:54 | |
so have you missed out on that one item you want above all else? | 0:17:54 | 0:17:59 | |
If so, here's your chance to secure it. | 0:17:59 | 0:18:02 | |
There is one last lot available to each team | 0:18:02 | 0:18:05 | |
and this time you can either go for what's left on the grid or you can | 0:18:05 | 0:18:10 | |
try to steal an antique that's in a rival team's collection. | 0:18:10 | 0:18:14 | |
But, pickers, beware - if you chose to steal from another team, | 0:18:14 | 0:18:19 | |
THEIR quizzer will get to decide your quizzer's category. | 0:18:19 | 0:18:23 | |
Right, Noran, do you want to target a lot from the grid | 0:18:23 | 0:18:26 | |
or have you got your eye on something in another collection? | 0:18:26 | 0:18:29 | |
Yeah, got my eye on that bowl. | 0:18:29 | 0:18:32 | |
You leave my bowl alone. | 0:18:32 | 0:18:34 | |
I'd like to have that bowl. | 0:18:34 | 0:18:36 | |
Lizzy and Em, this bowl is in your collection so, Lizzy, | 0:18:36 | 0:18:40 | |
it means you can choose any of the categories on the board now | 0:18:40 | 0:18:43 | |
to give a question to Katie. | 0:18:43 | 0:18:46 | |
Elton John. | 0:18:47 | 0:18:50 | |
Katie, here's your question. | 0:18:50 | 0:18:53 | |
Which Disney animated movie did Elton work on with Tim Rice, | 0:18:53 | 0:18:57 | |
writing its songs? | 0:18:57 | 0:18:58 | |
Oh, gosh, I can't think of any. | 0:18:58 | 0:19:00 | |
I don't know - Frozen. | 0:19:00 | 0:19:02 | |
Frozen is incorrect, it's The Lion King. | 0:19:02 | 0:19:06 | |
Well defended. OK, Joan. | 0:19:06 | 0:19:09 | |
Would you like to go for something in someone else's collection | 0:19:09 | 0:19:12 | |
or something from the grid? | 0:19:12 | 0:19:13 | |
-Something in someone else's collection. -What is it? | 0:19:13 | 0:19:16 | |
-Sorry, girls. -The bowl. -Oh! | 0:19:16 | 0:19:19 | |
OK. Lizzy, find something fiendish for David. | 0:19:19 | 0:19:25 | |
British sitcoms. | 0:19:25 | 0:19:27 | |
David, here's your question. | 0:19:27 | 0:19:30 | |
In Porridge what is the name of the prison | 0:19:30 | 0:19:33 | |
in which Norman Fletcher is incarcerated? | 0:19:33 | 0:19:37 | |
-Slade. -Acceptable. | 0:19:37 | 0:19:39 | |
The full answer would be HMP Prison Slade | 0:19:39 | 0:19:43 | |
but we will give you that, the bowl is yours. | 0:19:43 | 0:19:46 | |
Oh, but hang on. Em, it's your chance. | 0:19:46 | 0:19:50 | |
-LAUGHTER NORAN: -Take the bowl back! | 0:19:50 | 0:19:52 | |
Would you like something from the grid or perhaps is there anything | 0:19:52 | 0:19:55 | |
else in anyone else's collection you'd like? | 0:19:55 | 0:19:58 | |
Weirdly, there is. It's the bowl, please. | 0:19:58 | 0:20:01 | |
-I'd like my bowl back. -I'm not sure the bowl is actually that nice. | 0:20:01 | 0:20:04 | |
David, would you pick a question, please, for Lizzy? | 0:20:04 | 0:20:07 | |
Let's go for civil rights. | 0:20:07 | 0:20:10 | |
How could you do that to her? | 0:20:10 | 0:20:12 | |
Lizzy, here we go. In 1955 which famous civil rights activist | 0:20:12 | 0:20:19 | |
refused to give up her seat on a bus? | 0:20:19 | 0:20:23 | |
I have no idea. | 0:20:25 | 0:20:27 | |
It's Rosa Parks. | 0:20:28 | 0:20:31 | |
And your bowl stays with David and Joan. It is theirs. | 0:20:31 | 0:20:37 | |
So, at the end of round two, Katie and Noran have the lace, | 0:20:37 | 0:20:41 | |
the decanter, the statue, the coin and the jug. | 0:20:41 | 0:20:46 | |
David and Joan have the typewriter, that bowl... | 0:20:46 | 0:20:49 | |
LAUGHTER | 0:20:49 | 0:20:51 | |
..a puppet, wool maker, | 0:20:51 | 0:20:53 | |
box and plaque. | 0:20:53 | 0:20:56 | |
And Lizzy and Em, you have the catalogue and the stamp book. | 0:20:56 | 0:21:00 | |
That's it for round two and for one team it is the end of the road. | 0:21:00 | 0:21:04 | |
We've calculated the combined value of your items | 0:21:04 | 0:21:07 | |
and the team with the least valuable collection will be eliminated, | 0:21:07 | 0:21:11 | |
taking their lots out of the game with them. | 0:21:11 | 0:21:14 | |
So, David, who is leaving us first? | 0:21:14 | 0:21:17 | |
I can reveal, Fern, the pair leaving us first is... | 0:21:17 | 0:21:21 | |
..Em and Lizzy. | 0:21:25 | 0:21:27 | |
Oh, no! | 0:21:27 | 0:21:28 | |
-Sorry, girls. -That bowl! -It was my bowl. | 0:21:28 | 0:21:32 | |
OK, before you leave - and I'm very sorry to say that you are going - | 0:21:32 | 0:21:37 | |
shall we find out about the lots you're leaving behind | 0:21:37 | 0:21:39 | |
-and their value? -Yes, please. -Let's start with the stamp book, David. | 0:21:39 | 0:21:42 | |
It's an interesting little thing. | 0:21:42 | 0:21:44 | |
The advertising stamp books were introduced in 1909 | 0:21:44 | 0:21:49 | |
and only a few hand-chosen companies were allowed to advertise | 0:21:49 | 0:21:54 | |
on these little booklets. | 0:21:54 | 0:21:56 | |
Of course, most of them have been lost. | 0:21:56 | 0:21:58 | |
They've been used and destroyed and disappeared. | 0:21:58 | 0:22:00 | |
So produced in probably multi-millions but not many left. | 0:22:00 | 0:22:05 | |
This one dates from 1936 and actually worth pretty good money - | 0:22:05 | 0:22:11 | |
-£140. Quite a lot of money for a little booklet of stamps. -Yes. | 0:22:11 | 0:22:15 | |
That's really increased in value. | 0:22:15 | 0:22:18 | |
Now the catalogue, David. | 0:22:18 | 0:22:21 | |
This is the first and only edition of this publication | 0:22:21 | 0:22:24 | |
which is simply a catalogue of the work that the naval artist | 0:22:24 | 0:22:28 | |
William John Huggins painted for King William IV. | 0:22:28 | 0:22:32 | |
So this catalogue doesn't actually contain any of Huggins' work | 0:22:32 | 0:22:37 | |
but it does contain a brief memoir of the Battle of Trafalgar, | 0:22:37 | 0:22:43 | |
a descriptive catalogue of the two canvases that were hanging | 0:22:43 | 0:22:47 | |
in the Exeter Hall and an extract from the log of HMS Victory. | 0:22:47 | 0:22:52 | |
There is also a signed note by Huggins | 0:22:52 | 0:22:56 | |
which gives a wonderful flavour of the man. | 0:22:56 | 0:22:59 | |
It says, "On Monday, I sent up my boy with the painting to Mr Albano. | 0:22:59 | 0:23:05 | |
"He abused him most shameably and made him | 0:23:05 | 0:23:08 | |
"take the picture home again. | 0:23:08 | 0:23:10 | |
"In the afternoon, he sent his clerk down to find fault with the picture. | 0:23:10 | 0:23:14 | |
"I served him out the same way as he served my boy." | 0:23:14 | 0:23:17 | |
This is a powerful painter. And what's it worth? | 0:23:17 | 0:23:21 | |
Unfortunately, the first team that are leaving today chose the top lot, | 0:23:22 | 0:23:28 | |
£2,500. | 0:23:28 | 0:23:31 | |
-Oh, my goodness. -Unbelievable. | 0:23:31 | 0:23:33 | |
So, Em and Lizzy, I'm afraid it is time to bring the hammer down | 0:23:33 | 0:23:38 | |
on your collection and to say thank you for playing | 0:23:38 | 0:23:41 | |
For What It's Worth, you've been great. | 0:23:41 | 0:23:43 | |
-Thank you very much. -Thank you. | 0:23:43 | 0:23:45 | |
We knew the manuscript was worth a lot of money which is why | 0:23:47 | 0:23:50 | |
I picked it first. But I liked the bowl and I knew the bowl | 0:23:50 | 0:23:53 | |
-was Lalique, I knew it was valuable. -We'd spotted it had Lalique | 0:23:53 | 0:23:56 | |
written on it. I don't think anyone else did | 0:23:56 | 0:23:59 | |
cos nobody else picked it for a while. | 0:23:59 | 0:24:01 | |
As soon as he said that my heart sank cos I thought everyone's | 0:24:01 | 0:24:04 | |
just going to go for it now cos it's such a well-known name. | 0:24:04 | 0:24:07 | |
The unclaimed lots in the grid are now also leaving the game | 0:24:09 | 0:24:12 | |
so let's quickly find out from David what they were worth. | 0:24:12 | 0:24:15 | |
-Where would you like to start, David? -Let's start with the spanner. | 0:24:15 | 0:24:19 | |
Now, Noran, I think, described this as a tap. | 0:24:19 | 0:24:24 | |
Noran, it's a spanner. | 0:24:24 | 0:24:26 | |
It's for fixing studs | 0:24:26 | 0:24:28 | |
on the base of a horse's foot in icy weather. | 0:24:28 | 0:24:34 | |
French, early 20th-century, it's worth £45. | 0:24:34 | 0:24:37 | |
-So not a bad one to lose. -Good. What's next? | 0:24:37 | 0:24:40 | |
Let's go with the little painting, the little picture here. | 0:24:40 | 0:24:44 | |
Very small but we know who painted it, | 0:24:44 | 0:24:46 | |
a chap called Erskine Nicol, in about 1852. | 0:24:46 | 0:24:49 | |
He's a Scottish painter and we think, possibly, | 0:24:49 | 0:24:53 | |
this is depicting an Irish peasant of the time. | 0:24:53 | 0:24:57 | |
So it's quite emotive, an interesting picture. | 0:24:57 | 0:25:00 | |
We know who painted it, we know when it was drawn, | 0:25:00 | 0:25:04 | |
so that gives it some value. | 0:25:04 | 0:25:06 | |
And it's worth £165. | 0:25:06 | 0:25:08 | |
-Mm. -OK, what's next? -It's a marrow spoon. | 0:25:08 | 0:25:13 | |
-This is not for the vegetable, this is for bone marrow. -Oh. -Oh. | 0:25:13 | 0:25:18 | |
-Yes, now I've got you hungry. -LAUGHTER | 0:25:18 | 0:25:21 | |
This is something that we'd love to enjoy if we were rich | 0:25:21 | 0:25:25 | |
during the 17th and 18th century and they made these spoons | 0:25:25 | 0:25:28 | |
specifically for scooping out the marrow, it just came out cleanly. | 0:25:28 | 0:25:32 | |
But this was made about 100 years after the fashion waned for marrow, | 0:25:32 | 0:25:37 | |
so made in the late 19th century. But it is silver. | 0:25:37 | 0:25:42 | |
And, interestingly, it is worth its weight in silver, | 0:25:42 | 0:25:47 | |
making it our under £10 - it's worthless. | 0:25:47 | 0:25:52 | |
-No! -Yes. Remarkable. Worthless. | 0:25:52 | 0:25:56 | |
So we know now that the bottom lot and the top lot are out of the game, | 0:25:56 | 0:26:01 | |
however there are still some very interesting lots in play. | 0:26:01 | 0:26:06 | |
We have just two pairs of contestants left and before we go any further, | 0:26:06 | 0:26:09 | |
David is going to give you another fact about a lot of your choice, | 0:26:09 | 0:26:14 | |
in your collection or their collection, it's OK. | 0:26:14 | 0:26:17 | |
Noran, what lot do you need to know more about? | 0:26:17 | 0:26:21 | |
-Decanter, please. -Your decanter. | 0:26:21 | 0:26:23 | |
-David, the decanter, please. -Mm, this is a crow's foot decanter, | 0:26:23 | 0:26:27 | |
named for the shape of the silver foot it stands on | 0:26:27 | 0:26:31 | |
and designed by Christopher Dresser - | 0:26:31 | 0:26:34 | |
remember that name - around 1879. | 0:26:34 | 0:26:37 | |
Dresser was a designer who is now widely regarded as one of the first | 0:26:37 | 0:26:40 | |
and most important independent designers in the aesthetic movement. | 0:26:40 | 0:26:45 | |
This decanter is not actually silver. | 0:26:45 | 0:26:49 | |
It's only electroplate and glass. | 0:26:49 | 0:26:52 | |
Joan, what would you like to know about? | 0:26:52 | 0:26:54 | |
The lace. | 0:26:54 | 0:26:56 | |
The lace which is in Noran and Katie's collection. | 0:26:56 | 0:27:00 | |
-Right, David? -Right, Joan and David, this is Brussels lace. | 0:27:00 | 0:27:04 | |
It's well-known for its delicacy and its beauty. | 0:27:04 | 0:27:07 | |
Originally it was only made from the finest-spun linen thread and it was | 0:27:07 | 0:27:11 | |
spun in dark and damp rooms, keeping the thread from becoming brittle, | 0:27:11 | 0:27:17 | |
so great working conditions there(!) | 0:27:17 | 0:27:20 | |
This fine thread is one of the reasons this process of making | 0:27:20 | 0:27:24 | |
Brussels lace could not be handled by machines - key point. | 0:27:24 | 0:27:28 | |
It's also what made it so expensive. | 0:27:28 | 0:27:32 | |
But this lace dates to the late 19th century | 0:27:32 | 0:27:36 | |
and was originally part of a wedding shawl. | 0:27:36 | 0:27:39 | |
OK, those are all the facts available to you so it's now time for | 0:27:39 | 0:27:43 | |
our final round and at the end of it we'll have our winners. | 0:27:43 | 0:27:47 | |
I'm going to give the quizzers a category. | 0:27:49 | 0:27:52 | |
They then take turns to say answers in that category. | 0:27:52 | 0:27:55 | |
For example, if I say Songs by Beyonce, | 0:27:55 | 0:27:57 | |
you're definitely going to say, David, Crazy In Love | 0:27:57 | 0:28:00 | |
and Katie will say Single Ladies then Halo and so on. | 0:28:00 | 0:28:05 | |
If you fail to give an answer, repeat an answer or give a wrong answer, | 0:28:05 | 0:28:09 | |
you lose that category and the opponents' picker will be | 0:28:09 | 0:28:13 | |
able to steal a lot from your collection. Remember, it is | 0:28:13 | 0:28:17 | |
the total value of your collections that matter at the end of this round. | 0:28:17 | 0:28:21 | |
One high-priced lot could be more valuable than your opponents' | 0:28:21 | 0:28:25 | |
entire collection. There are three categories. | 0:28:25 | 0:28:28 | |
The pair with the most valuable collection at this point go first. | 0:28:28 | 0:28:32 | |
David, who is that? | 0:28:32 | 0:28:34 | |
I can reveal that the team who currently has the most | 0:28:34 | 0:28:38 | |
valuable collection is... | 0:28:38 | 0:28:40 | |
-..Joan and David. -Oohhh. | 0:28:44 | 0:28:47 | |
OK, David, you'll start us off and the first category is... | 0:28:47 | 0:28:52 | |
These were chosen for The Independent who asked 100 best-selling authors | 0:28:59 | 0:29:03 | |
and respected figures in literature | 0:29:03 | 0:29:05 | |
which characters gave them the greatest reading pleasure. | 0:29:05 | 0:29:09 | |
David, would you please give me an answer? | 0:29:09 | 0:29:12 | |
Sherlock Holmes. | 0:29:12 | 0:29:13 | |
Correct. Katie. | 0:29:13 | 0:29:15 | |
Paddington Bear. | 0:29:15 | 0:29:16 | |
Correct. David. | 0:29:16 | 0:29:18 | |
Hercule Poirot. | 0:29:18 | 0:29:21 | |
David, that's incorrect. It is not on the list. | 0:29:21 | 0:29:24 | |
Noran, what would you like to steal from Joan and David's collection? | 0:29:24 | 0:29:29 | |
Ooh... | 0:29:29 | 0:29:31 | |
Would be that bowl, I think. | 0:29:31 | 0:29:33 | |
# Go darling, go darling. # | 0:29:33 | 0:29:36 | |
This bowl is yours, it's coming to your collection now. | 0:29:36 | 0:29:41 | |
Katie, it's your turn to start next. And the category is... | 0:29:41 | 0:29:45 | |
-Katie, please give me an answer. -Oh, gosh. | 0:29:50 | 0:29:53 | |
Erm...oh, I don't know. Ottawa. | 0:29:53 | 0:29:57 | |
In Canada. | 0:29:57 | 0:29:59 | |
Katie, I'm so sorry, that is incorrect. | 0:29:59 | 0:30:02 | |
-You could have had Salt Lake City, Sochi, Vancouver... -OK. | 0:30:02 | 0:30:09 | |
..amongst that list. | 0:30:09 | 0:30:11 | |
Joan, what would you like from Noran and Katie's collection? | 0:30:11 | 0:30:15 | |
I think it's a case of come home, Rene. | 0:30:15 | 0:30:18 | |
Ah, Rene. | 0:30:18 | 0:30:19 | |
The bowl is coming straight back to you | 0:30:19 | 0:30:22 | |
from Katie and Noran's collection. | 0:30:22 | 0:30:25 | |
This is now our third and final category in this round and, David, | 0:30:25 | 0:30:29 | |
you are to go first. The category is... | 0:30:29 | 0:30:32 | |
People magazine has awarded Sexiest Man | 0:30:37 | 0:30:40 | |
annually from 1985 up to the present day. | 0:30:40 | 0:30:43 | |
David, give me an answer. | 0:30:43 | 0:30:45 | |
David Beckham. | 0:30:45 | 0:30:47 | |
Correct. Katie. | 0:30:47 | 0:30:49 | |
Brad Pitt. | 0:30:49 | 0:30:50 | |
Correct. David. | 0:30:50 | 0:30:52 | |
Richard Gere. | 0:30:52 | 0:30:53 | |
Correct. Katie. | 0:30:53 | 0:30:57 | |
Steve McQueen? | 0:30:57 | 0:30:58 | |
Incorrect. | 0:30:58 | 0:31:00 | |
He should have made that list. You could have had Matt Damon, | 0:31:00 | 0:31:05 | |
-Mel Gibson, George Clooney. -Oh, yeah. | 0:31:05 | 0:31:09 | |
Joan, what would you like to steal from Katie and Noran? | 0:31:09 | 0:31:12 | |
-The decanter, please. -The decanter. | 0:31:12 | 0:31:15 | |
It's going into your collection now and that is it, your collections | 0:31:15 | 0:31:19 | |
are now fixed and will determine which team is victorious. | 0:31:19 | 0:31:22 | |
It's time to find out who are today's winners. | 0:31:22 | 0:31:26 | |
David, who has got the most valuable collection? | 0:31:26 | 0:31:29 | |
My goodness me, what a battle, but I can reveal that the team | 0:31:29 | 0:31:33 | |
with the most valuable collection | 0:31:33 | 0:31:35 | |
and therefore the winners of today's show are... | 0:31:35 | 0:31:41 | |
Joan and David! | 0:31:41 | 0:31:43 | |
-Ooh! -Well done. -Congratulations. | 0:31:43 | 0:31:45 | |
Well done. | 0:31:45 | 0:31:47 | |
Very well done. But huge commiserations to Katie and Noran. | 0:31:47 | 0:31:51 | |
You've played so well, but before we say goodbye to you | 0:31:51 | 0:31:54 | |
let's find out what items are also leaving the game with you. | 0:31:54 | 0:31:58 | |
-David, what do you make of their jug? -I really liked it. | 0:31:58 | 0:32:03 | |
It's unusual because of the character there. | 0:32:03 | 0:32:05 | |
This is Joseph Grimaldi, one of the world's most famous clowns. | 0:32:05 | 0:32:11 | |
It's a mid-19th century jug of great form. Animals are always good. | 0:32:11 | 0:32:15 | |
There's a zebra there. Think 1850, who'd ever seen a zebra? | 0:32:15 | 0:32:18 | |
That was a real little rarity. | 0:32:18 | 0:32:21 | |
As an ordinary jug, probably worth nothing, but because of him | 0:32:21 | 0:32:25 | |
-and the zebra, £150. -Wow. | 0:32:25 | 0:32:28 | |
-What's next? -Well, we have the brass sculpture that looks like bronze. | 0:32:28 | 0:32:35 | |
We've talked about it. If it was bronze, it would have a mighty value | 0:32:35 | 0:32:40 | |
but you've got to remember that brass is much cheaper. | 0:32:40 | 0:32:43 | |
It's the poor man's bronze. | 0:32:43 | 0:32:45 | |
And as such - it's a good size as well - it's worth £350. | 0:32:45 | 0:32:50 | |
-Wow. OK. What's next? -I think we're going to go with the Brussels lace, | 0:32:50 | 0:32:55 | |
aren't we? Because of its quality and its condition, | 0:32:55 | 0:33:00 | |
it's a rare thing and as such it has a mighty value - £550. | 0:33:00 | 0:33:05 | |
-Wow. -I said a bit, didn't I? -Yeah. | 0:33:05 | 0:33:07 | |
-Very nice. And the final lot of their collection? -Well, it's the coin. | 0:33:07 | 0:33:13 | |
This is more of a special coin. | 0:33:13 | 0:33:15 | |
It's ancient, it dates to about 2,500 years ago, 449BC to 415BC. | 0:33:15 | 0:33:23 | |
This is a direct connection with the past and it features two characters. | 0:33:23 | 0:33:28 | |
One, we have the goddess Athena and on the reverse we've got the owl. | 0:33:28 | 0:33:34 | |
The owl in Greek mythology represents wisdom, vigilance | 0:33:34 | 0:33:40 | |
and intelligence. | 0:33:40 | 0:33:42 | |
-Ah. -And what a choice that was. | 0:33:42 | 0:33:45 | |
A cracking value, worth £1,450. | 0:33:45 | 0:33:51 | |
-Well done. -Wow, so the total value of Katie and Noran's collection is... | 0:33:51 | 0:33:56 | |
I can't believe it. | 0:33:56 | 0:33:58 | |
We refer to them as the losers, but the losers actually amounted | 0:33:58 | 0:34:02 | |
a total valuation of £2,500. | 0:34:02 | 0:34:07 | |
Well done. | 0:34:07 | 0:34:08 | |
Noran and Katie, it is sadly time to bring the hammer down | 0:34:08 | 0:34:11 | |
on your collection, I'm afraid, | 0:34:11 | 0:34:13 | |
-but thank you for playing For What It's Worth. -Thank you. -Thank you. | 0:34:13 | 0:34:17 | |
There's no way I would have believed that was worth as much as it was. | 0:34:20 | 0:34:24 | |
Yeah, as a coin collector, I thought the coin stood out very well. | 0:34:24 | 0:34:29 | |
The wise old owl, just a bit like me - a wise old owl. | 0:34:29 | 0:34:33 | |
THEY LAUGH | 0:34:33 | 0:34:35 | |
Well done, Joan and David, you have built the most valuable collection | 0:34:37 | 0:34:42 | |
and you are today's winners. Well done. | 0:34:42 | 0:34:45 | |
All that remains is for you to claim your prize. | 0:34:45 | 0:34:48 | |
All you have to do is pick a lot from your collection | 0:34:48 | 0:34:51 | |
and we will give you its value in cash. | 0:34:51 | 0:34:54 | |
So, try and find the one of high value. | 0:34:54 | 0:35:00 | |
Well...the typewriter's something quite unique. | 0:35:00 | 0:35:04 | |
-Yeah, haven't seen that one before. -No. -So... | 0:35:04 | 0:35:08 | |
-But then again, is it valuable? Who knows? -Who knows, yeah. | 0:35:08 | 0:35:11 | |
-The puppet I was interested in. -I know you were. | 0:35:11 | 0:35:13 | |
-Yeah. Is the bowl worth what we're thinking? -That's the other thing. | 0:35:13 | 0:35:17 | |
Now, the plaque. | 0:35:17 | 0:35:19 | |
The Chinese are reclaiming all the stuff in this country, aren't they? | 0:35:19 | 0:35:22 | |
There must be a reason. | 0:35:22 | 0:35:24 | |
-Don't know about the wool maker. -No. | 0:35:24 | 0:35:26 | |
-We originally put a high value on that. -I'm not so sure now. | 0:35:26 | 0:35:29 | |
-No. So what do you want to do? Go with the bowl? -Go with the bowl. | 0:35:29 | 0:35:32 | |
-We'll go with the bowl. -Yeah. -Your final decision is...? | 0:35:32 | 0:35:36 | |
We're going with the bowl. | 0:35:36 | 0:35:38 | |
The bowl. Right, David and Joan have chosen the bowl. | 0:35:38 | 0:35:42 | |
Before we tell you what it's actually worth, David, | 0:35:42 | 0:35:45 | |
please can you tell us the value of the lots they've rejected? | 0:35:45 | 0:35:48 | |
My gosh, this is going to take all day. They've got so many things. | 0:35:48 | 0:35:52 | |
They're real collectors, these two. First of all we've got the puppet. | 0:35:52 | 0:35:55 | |
David, you were really drawn to this. This dates to the 1960s, | 0:35:55 | 0:35:59 | |
but an interesting firm set up in 1932 by a lady called | 0:35:59 | 0:36:03 | |
Hazelle Hedges Rollins and the company is called Hazelle. | 0:36:03 | 0:36:08 | |
-They ended up being the world's biggest maker of puppets. -Wow. | 0:36:08 | 0:36:13 | |
This one's unusual. Got its original box, | 0:36:13 | 0:36:16 | |
but remember they were mass-produced | 0:36:16 | 0:36:18 | |
so it has a value of about £75. | 0:36:18 | 0:36:22 | |
-So well done for not choosing that one. -What's next? | 0:36:22 | 0:36:25 | |
Well, that is a devastatingly pretty little box. | 0:36:25 | 0:36:30 | |
Arts and crafts dating to 1880, 1910. | 0:36:30 | 0:36:33 | |
I can tell you that box was made by an artisan by hand. | 0:36:33 | 0:36:39 | |
Screamingly good, made from copper, | 0:36:39 | 0:36:41 | |
with a lovely blue enamel centrepiece. | 0:36:41 | 0:36:45 | |
Worth 250. | 0:36:45 | 0:36:47 | |
-Really? -So... -Next? -Next one. | 0:36:47 | 0:36:50 | |
This is an interesting wool maker with a great name. | 0:36:50 | 0:36:53 | |
The manufacturers called Goodbrand and Company. What a great name. | 0:36:53 | 0:36:58 | |
That's confidence for you! | 0:36:58 | 0:37:00 | |
It's a funky thing, it's industrial art now. | 0:37:00 | 0:37:04 | |
These things were made really well and made to last forever | 0:37:04 | 0:37:07 | |
and it's been around since about the 1920s. | 0:37:07 | 0:37:11 | |
It would work as well today as it did then. In remarkable condition, | 0:37:11 | 0:37:16 | |
cracking size and worth £400. | 0:37:16 | 0:37:19 | |
-Wow. Slowly the numbers are going up. What's next? -Well, look at that, | 0:37:19 | 0:37:23 | |
a typewriter. | 0:37:23 | 0:37:25 | |
This is the Hammond typewriter, designed by James B Hammond | 0:37:25 | 0:37:30 | |
and first appeared on the market in 1884. | 0:37:30 | 0:37:34 | |
You know what? There are collectors in this business for everything | 0:37:34 | 0:37:38 | |
and I think this just reminds us don't throw away old computers | 0:37:38 | 0:37:42 | |
because one day they will end up like something like this | 0:37:42 | 0:37:46 | |
Hammond typewriter. | 0:37:46 | 0:37:48 | |
You would have to pay £800. | 0:37:48 | 0:37:51 | |
Good heavens. OK, next. | 0:37:51 | 0:37:54 | |
This is an iconic designer, an iconic shape. | 0:37:54 | 0:37:59 | |
It is so devastatingly good in its design it's painful. | 0:37:59 | 0:38:03 | |
This looks so modern, yet it was made in the 19th century | 0:38:03 | 0:38:08 | |
and designed by the iconic Christopher Dresser. | 0:38:08 | 0:38:11 | |
It's worth a whopping £1,000. | 0:38:11 | 0:38:17 | |
-OK, right. -Next. | 0:38:17 | 0:38:18 | |
The Chinese market, I can tell you, | 0:38:18 | 0:38:20 | |
I have Chinese buyers clambering at my door for anything Chinese. | 0:38:20 | 0:38:27 | |
Shanghai is absolutely red-hot to buy back its Chinese pieces. | 0:38:27 | 0:38:33 | |
-Exactly what Joan said. -You did say that, Joan, you know the market. | 0:38:33 | 0:38:37 | |
-Mm. -But I can tell you that anything Chinese, particularly with | 0:38:37 | 0:38:41 | |
calligraphy, this is poetry, this means an awful lot to the Chinese. | 0:38:41 | 0:38:46 | |
This is their culture. They want to buy their culture back. | 0:38:46 | 0:38:50 | |
These are things that they have lost during the 19th century. | 0:38:50 | 0:38:54 | |
And as such we think if that Chinese plaque went into auction, | 0:38:54 | 0:39:00 | |
you would have to pay on the hammer £1,800. | 0:39:00 | 0:39:05 | |
-Oh. -It's a lot of money. | 0:39:05 | 0:39:08 | |
Joan and David, you chose the bowl and I want you to come and take | 0:39:08 | 0:39:12 | |
a closer look at it and see if we can tempt you with the Mystery Lot. | 0:39:12 | 0:39:17 | |
You may be confident that you picked something worth a small fortune, | 0:39:20 | 0:39:24 | |
but before we tell you its value we are going to tempt you | 0:39:24 | 0:39:27 | |
with today's Mystery Lot. | 0:39:27 | 0:39:29 | |
And the man who knows all about it is David. | 0:39:29 | 0:39:32 | |
OK, this is going to send shivers up the back of my spine | 0:39:32 | 0:39:36 | |
and you could not get two more opposing objects. OK? | 0:39:36 | 0:39:41 | |
-Ooh. -Let me tell you all about it. | 0:39:42 | 0:39:44 | |
This is a unique World War I metal water bottle. | 0:39:44 | 0:39:50 | |
When I say unique, | 0:39:50 | 0:39:52 | |
the fact is, it's one of 1.25 million | 0:39:52 | 0:39:56 | |
water bottles that were produced | 0:39:56 | 0:39:58 | |
by a company for the soldiers in the trenches during the First World War. | 0:39:58 | 0:40:05 | |
So why on Earth is it here? Well, look at the inscription. | 0:40:05 | 0:40:10 | |
It confirms that this one was actually | 0:40:10 | 0:40:13 | |
the last of the 1.25 million to be produced. | 0:40:13 | 0:40:18 | |
But does that mean it represents high value? | 0:40:18 | 0:40:22 | |
Wow. So, all that's left for you two to decide, Joan and David, | 0:40:22 | 0:40:27 | |
is whether to stick with your bowl, which you fought hard for, | 0:40:27 | 0:40:32 | |
or callously dump it in favour of today's Mystery Lot, | 0:40:32 | 0:40:37 | |
this World War I water bottle, the last one ever made. | 0:40:37 | 0:40:42 | |
Have a little chat amongst yourselves. | 0:40:42 | 0:40:44 | |
What would you like to do? | 0:40:44 | 0:40:46 | |
Well, my first instinct... | 0:40:46 | 0:40:47 | |
-My instinct is to stick with the Lalique. -That's mine as well. | 0:40:47 | 0:40:51 | |
There's loads of those out there and I know it might be the last one... | 0:40:51 | 0:40:54 | |
-There's still lots of them out there. -There are. | 0:40:54 | 0:40:56 | |
-My first thought... -Might not necessarily be worth a lot of money | 0:40:56 | 0:40:59 | |
but it's got his signature on it. I like it and that's good enough | 0:40:59 | 0:41:02 | |
-for me. -Yes. Good enough for me as well. | 0:41:02 | 0:41:05 | |
Great, OK, so you're going to stick with the bowl | 0:41:05 | 0:41:08 | |
-and get rid of the water can. -Yes. | 0:41:08 | 0:41:12 | |
David... THEY LAUGH | 0:41:12 | 0:41:14 | |
-David, tell us the worth of this bottle. -Right, OK. | 0:41:14 | 0:41:19 | |
You two hit the nail on the head. | 0:41:19 | 0:41:21 | |
There are lots of these things - 1.25 million - | 0:41:21 | 0:41:23 | |
and you can buy them for five or ten quid. | 0:41:23 | 0:41:26 | |
But it is incredibly rare and because it is incredibly rare | 0:41:26 | 0:41:30 | |
-it's worth £300. -Right. -Ahh... | 0:41:30 | 0:41:35 | |
Are you feeling a little more uplifted? | 0:41:35 | 0:41:38 | |
Well, I think so! | 0:41:38 | 0:41:41 | |
A little more confident in your choice? | 0:41:41 | 0:41:43 | |
Until he says that's worth 299! | 0:41:43 | 0:41:47 | |
Well, I haven't a clue so, David, | 0:41:47 | 0:41:50 | |
what about the value of this wonderful Lalique bowl? | 0:41:50 | 0:41:54 | |
Well, I think we can safely say we all desperately covet this | 0:41:54 | 0:41:58 | |
Lalique bowl and it is signed "R Lalique" | 0:41:58 | 0:42:02 | |
meaning it was made during the lifetime of Rene Lalique. | 0:42:02 | 0:42:05 | |
He died in 1945 so we can categorically tell you this | 0:42:05 | 0:42:09 | |
predates 1945 - it's vital - | 0:42:09 | 0:42:14 | |
so its value today... | 0:42:14 | 0:42:18 | |
-£700. -I said 800, didn't I? | 0:42:18 | 0:42:21 | |
I actually said £800 so we should have gone with something else, | 0:42:21 | 0:42:24 | |
but nevertheless it's still worth more than that. | 0:42:24 | 0:42:27 | |
But this is what you liked and you went with your head and your heart - | 0:42:27 | 0:42:31 | |
although he tried to pull our strings with this... | 0:42:31 | 0:42:34 | |
-Many congratulations... -Thank you very much. -Thank you. | 0:42:34 | 0:42:36 | |
..you've played the game brilliantly. | 0:42:36 | 0:42:38 | |
-Today Joan and David are going home with £700. -Thank you. -Thank you. | 0:42:38 | 0:42:42 | |
-David, what a great game that was. Did you enjoy it? -Fantastic, | 0:42:42 | 0:42:45 | |
I loved it. It really was the battle of the bowl. | 0:42:45 | 0:42:47 | |
And thank you so much for lending us all your expertise. | 0:42:47 | 0:42:50 | |
We look forward to seeing you again soon | 0:42:50 | 0:42:52 | |
and we certainly look forward to seeing you again soon | 0:42:52 | 0:42:55 | |
when three more teams will battle it out to pick the lot to win the lot on | 0:42:55 | 0:42:59 | |
For What It's Worth. We'll see you then. Goodbye. | 0:42:59 | 0:43:02 | |
Congratulations, you did the right thing. | 0:43:02 | 0:43:05 | |
Everybody wanted the bowl mainly because, I think, | 0:43:07 | 0:43:10 | |
because it was Lalique. | 0:43:10 | 0:43:11 | |
I think if everybody's honest nobody really knew the value of it, | 0:43:11 | 0:43:14 | |
-we just had to have it in the collection. We won. -Yeah. | 0:43:14 | 0:43:17 | |
So there you go, that's good. | 0:43:17 | 0:43:19 |