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Hello and welcome to For What It's Worth, | 0:00:14 | 0:00:17 | |
where a cash prize waits for the cleverest quizzers | 0:00:17 | 0:00:20 | |
and the savviest antique shoppers. | 0:00:20 | 0:00:22 | |
We have three pairs of contestants who are ready to play, | 0:00:22 | 0:00:25 | |
and in each team is a quizzer, | 0:00:25 | 0:00:26 | |
responsible for answering general knowledge questions, | 0:00:26 | 0:00:29 | |
so that their partner, the picker, | 0:00:29 | 0:00:31 | |
can choose an antique item to add to their collection. | 0:00:31 | 0:00:35 | |
Here are today's lots for your consideration. | 0:00:35 | 0:00:38 | |
16 different antiques and collectables. | 0:00:38 | 0:00:41 | |
We have Roman coins, | 0:00:41 | 0:00:44 | |
a table, some tiles, | 0:00:44 | 0:00:47 | |
candlesticks and clock, | 0:00:47 | 0:00:49 | |
tobacco jars, fob, | 0:00:49 | 0:00:52 | |
pigeon, jewellery, stamps, | 0:00:52 | 0:00:56 | |
a vesta case, | 0:00:56 | 0:00:58 | |
paperweight, painting, | 0:00:58 | 0:01:01 | |
stockings, | 0:01:01 | 0:01:02 | |
a bust, firing glass | 0:01:02 | 0:01:05 | |
and...a toy. | 0:01:05 | 0:01:08 | |
All very different, with very different values. | 0:01:08 | 0:01:11 | |
At the end of the show, the winning pair will walk away | 0:01:11 | 0:01:13 | |
with the cash equivalent of one of these items. | 0:01:13 | 0:01:17 | |
The aim of the game is to amass the most valuable collection | 0:01:17 | 0:01:20 | |
and first up, we have Audrey and Avril, sisters from Durham. | 0:01:20 | 0:01:24 | |
Avril, you are the team's quizzer. Yes. | 0:01:24 | 0:01:26 | |
Do you reckon you and your sister will make a winning team today? | 0:01:26 | 0:01:30 | |
Oh, definitely. | 0:01:30 | 0:01:31 | |
We're really clued in with each other, we bounce off each other. | 0:01:31 | 0:01:34 | |
Are you good at the general knowledge questions? | 0:01:34 | 0:01:37 | |
No. LAUGHTER | 0:01:37 | 0:01:39 | |
There's been a mistake already! | 0:01:39 | 0:01:41 | |
Now, Audrey, you are the antiques expert on the team. | 0:01:41 | 0:01:44 | |
Do you think you've got a good eye for a bargain? | 0:01:44 | 0:01:46 | |
Yes, I would like to think so. I've made one or two decent buys. | 0:01:46 | 0:01:50 | |
Tell us. I bought a Masonic ball, | 0:01:50 | 0:01:53 | |
which I paid five or ten pound for, can't remember. | 0:01:53 | 0:01:56 | |
And I sold that. | 0:01:56 | 0:01:57 | |
What did you sell it for? I think ?80. | 0:01:57 | 0:02:00 | |
Well done. Yes. | 0:02:00 | 0:02:01 | |
That's very good, that's a huge percentage, isn't it, mark-up. | 0:02:01 | 0:02:04 | |
Next we have Jan and Carl, who are a married couple from Wiltshire. | 0:02:04 | 0:02:09 | |
Now, Carl, you are the questions person today on the team. | 0:02:09 | 0:02:12 | |
When did you and Jan meet and how would you describe your relationship? | 0:02:12 | 0:02:16 | |
We met at school. | 0:02:16 | 0:02:18 | |
Jan was the little sister of my best friend, | 0:02:18 | 0:02:21 | |
who ceased to be my best friend when I went out with her. Oh. | 0:02:21 | 0:02:24 | |
And became my best friend again when we got married. | 0:02:24 | 0:02:26 | |
Phew. So, er, relationship, | 0:02:26 | 0:02:28 | |
a marriage of opposites, yin and yang, | 0:02:28 | 0:02:32 | |
but we fit together very well, | 0:02:32 | 0:02:33 | |
we play to each others' strengths and weaknesses. | 0:02:33 | 0:02:36 | |
Jan, you are the antiques picker for your team. | 0:02:36 | 0:02:38 | |
What do you like to seek out in antique shops and fairs? | 0:02:38 | 0:02:41 | |
I'm very drawn to things that are useful. | 0:02:41 | 0:02:43 | |
I like, if I'm going to buy something, | 0:02:43 | 0:02:45 | |
I can take it home and use it. | 0:02:45 | 0:02:46 | |
If I can't use it, I like it to be very beautiful | 0:02:46 | 0:02:49 | |
so I can put it on a shelf and admire it and look at it. | 0:02:49 | 0:02:51 | |
Yes, well, I think that's a good criteria, don't you? Perfect. Yes. | 0:02:51 | 0:02:55 | |
And finally, we have Russell and Mark from Essex, who are work colleagues. | 0:02:55 | 0:03:00 | |
Hello and welcome, gentlemen. | 0:03:00 | 0:03:01 | |
Russell, you will be trying to pick those lots today, | 0:03:01 | 0:03:05 | |
the top lots, I hope. | 0:03:05 | 0:03:06 | |
When did your passion for collectables and antiques begin? | 0:03:06 | 0:03:09 | |
Probably from the first Star Wars film in 1977. | 0:03:09 | 0:03:13 | |
I got bought for me loads and loads of figures | 0:03:13 | 0:03:15 | |
and I've collected them ever since. | 0:03:15 | 0:03:17 | |
Every now and again I set them all up and just look at them | 0:03:17 | 0:03:20 | |
and put them all away again. | 0:03:20 | 0:03:22 | |
Tell me about your favourite Star Wars item, or person, character. | 0:03:22 | 0:03:26 | |
The favourite Star Wars item is the Slave I, | 0:03:26 | 0:03:28 | |
which is Boba Fett's ship, | 0:03:28 | 0:03:29 | |
and it also comes with it, the cryogenics box | 0:03:29 | 0:03:33 | |
that Han Solo was frozen in. | 0:03:33 | 0:03:35 | |
So, yes, that's pride of place on top of the wardrobe. | 0:03:35 | 0:03:39 | |
SHE LAUGHS Aw! | 0:03:39 | 0:03:41 | |
Mark, you are the quizzer for the team. | 0:03:41 | 0:03:44 | |
Tell us what makes your friendship with Russell tick. | 0:03:44 | 0:03:46 | |
Do you trust his judgment? I do. | 0:03:46 | 0:03:48 | |
And...yes, we share common love of music, | 0:03:48 | 0:03:53 | |
quite eclectic, and we share a similar sense of humour. | 0:03:53 | 0:03:58 | |
We make each other laugh and bounce each other, off each other. | 0:03:58 | 0:04:01 | |
We'll see how it goes today, eh? | 0:04:01 | 0:04:03 | |
Now, earlier our teams inspected the lots, | 0:04:03 | 0:04:06 | |
but could they separate the valuable from the valueless? | 0:04:06 | 0:04:09 | |
Ooh, which way round do you want to go? | 0:04:10 | 0:04:14 | |
Wow. | 0:04:14 | 0:04:15 | |
Where shall we start? | 0:04:15 | 0:04:17 | |
I'm not keen on that. | 0:04:20 | 0:04:21 | |
What? A Victorian gentleman, would you say? | 0:04:21 | 0:04:24 | |
That's a shotgun, isn't it, hunting? | 0:04:24 | 0:04:26 | |
It's been repaired. Depends how old it is. 1920. | 0:04:26 | 0:04:29 | |
I just don't think it's worth money. | 0:04:29 | 0:04:32 | |
I like this. | 0:04:33 | 0:04:35 | |
I think this is only maybe early '50s, with the style. | 0:04:35 | 0:04:39 | |
I like it. It is good. | 0:04:39 | 0:04:41 | |
Plaster. Plaster, yes. | 0:04:41 | 0:04:43 | |
Candlesticks and clock. | 0:04:45 | 0:04:47 | |
Arts and Crafts, maybe. | 0:04:47 | 0:04:48 | |
It's poor quality, isn't it? | 0:04:48 | 0:04:50 | |
Quite like that. | 0:04:50 | 0:04:52 | |
I think the jewellery... | 0:04:52 | 0:04:54 | |
No, I don't, because I think it's only worth what it weighs. | 0:04:54 | 0:04:57 | |
I would say this was '50s, what do you reckon? | 0:04:57 | 0:04:59 | |
Norwegian steel. Norwegian steel? Silver. | 0:04:59 | 0:05:03 | |
FB. | 0:05:03 | 0:05:05 | |
FB. Frank Butcher? THEY LAUGH | 0:05:05 | 0:05:07 | |
Doesn't look anything like him, does it? Ugly, ugly things. | 0:05:07 | 0:05:11 | |
What about the Roman coin? | 0:05:11 | 0:05:13 | |
They're not going to be worthless, but they're not worth an awful lot. | 0:05:13 | 0:05:16 | |
They're still digging them up in fields by the millions now, | 0:05:16 | 0:05:19 | |
aren't they? Again, I don't know anything. | 0:05:19 | 0:05:22 | |
If it's the right one, this will be the expensive... | 0:05:22 | 0:05:25 | |
There was a mark inside, I can't remember what it was. | 0:05:25 | 0:05:29 | |
I'd have it. Would you? Yeah, I would. I'll get you one. | 0:05:29 | 0:05:32 | |
SHE LAUGHS | 0:05:34 | 0:05:35 | |
Tin car. This is fantastic condition. | 0:05:35 | 0:05:38 | |
But you normally have to have the box. That's pretty worthless. | 0:05:38 | 0:05:41 | |
What's that? Commemorating stamps at some castle, or castles. | 0:05:43 | 0:05:47 | |
I think they're a red herring. | 0:05:47 | 0:05:50 | |
These are flapper stockings, aren't they? | 0:05:50 | 0:05:53 | |
For robbing antique banks. | 0:05:53 | 0:05:55 | |
It's all together in a funny sort of way. | 0:05:55 | 0:05:57 | |
It looks very like Art Deco to me. | 0:05:59 | 0:06:01 | |
1930. No, 1980. | 0:06:01 | 0:06:04 | |
No. Put the glasses on again! | 0:06:04 | 0:06:06 | |
Moroccan. WD Morgan. | 0:06:08 | 0:06:10 | |
It's not Moroccan. | 0:06:10 | 0:06:11 | |
That says William D Morgan, so they're going to be worth a bit. | 0:06:11 | 0:06:15 | |
That's from the railways. | 0:06:17 | 0:06:18 | |
Lovely, isn't it? | 0:06:18 | 0:06:20 | |
Liverpool to Doncaster. | 0:06:20 | 0:06:22 | |
My old stamping ground, Doncaster. | 0:06:22 | 0:06:24 | |
It's like a man's version of a charm bracelet, I think. | 0:06:25 | 0:06:28 | |
There's a mason's fob, Audrey. | 0:06:28 | 0:06:30 | |
It'll be 80 to 100 quid. | 0:06:30 | 0:06:32 | |
What's this? Firing glass, it says. | 0:06:33 | 0:06:36 | |
That's what was a ceremonial thing, is it? | 0:06:36 | 0:06:38 | |
Right, top three, Avril, the bust... | 0:06:38 | 0:06:41 | |
BOTH: The Toby jugs. | 0:06:41 | 0:06:43 | |
And the paperweight. Right. | 0:06:43 | 0:06:45 | |
BOTH: The pigeon, the bust. | 0:06:45 | 0:06:46 | |
And the... OK. The rolled up... We'll go with that. | 0:06:46 | 0:06:49 | |
The glass, the fob and the horrible tobacco jars. | 0:06:49 | 0:06:53 | |
That was tough. That's easy. | 0:06:53 | 0:06:55 | |
Joining me is our resident antiques expert, Charlie Ross. | 0:06:58 | 0:07:01 | |
Charlie, what do you make of these lots? | 0:07:01 | 0:07:03 | |
Actually, there's a lot of things there | 0:07:03 | 0:07:05 | |
I would like to be able to put under my gavel when I'm auctioning. | 0:07:05 | 0:07:09 | |
And they range from worthless - | 0:07:09 | 0:07:11 | |
what we in the antiques trade say is worthless | 0:07:11 | 0:07:14 | |
is something less than a tenner - | 0:07:14 | 0:07:16 | |
right up to our top lot | 0:07:16 | 0:07:19 | |
of ?2,500! | 0:07:19 | 0:07:23 | |
How has that valuation been done, then? | 0:07:23 | 0:07:25 | |
All the values for each lot have been agreed by... | 0:07:25 | 0:07:29 | |
myself. THEY LAUGH | 0:07:29 | 0:07:31 | |
And... An independent valuer based on hammer price. | 0:07:31 | 0:07:36 | |
That means the price that a bidder would pay | 0:07:36 | 0:07:38 | |
when the auctioneer's gavel comes down, | 0:07:38 | 0:07:41 | |
not including any costs. | 0:07:41 | 0:07:43 | |
OK, well, as well as these little treasures, | 0:07:43 | 0:07:46 | |
we have our mystery lot, hidden under the shroud of mystery, | 0:07:46 | 0:07:49 | |
poised to be uncovered at the end of the show to tempt our winners. | 0:07:49 | 0:07:55 | |
Charlie, ooh, it's a little one today. | 0:07:55 | 0:07:58 | |
It's a little one today. | 0:07:58 | 0:08:00 | |
But might it be hugely valuable later? | 0:08:00 | 0:08:03 | |
Is that all you're going to tempt us with? | 0:08:03 | 0:08:06 | |
I'm saying nothing more, Fern, about that. | 0:08:06 | 0:08:08 | |
OK. It could be priceless, or it could be worth tuppence. | 0:08:08 | 0:08:11 | |
We'll be unveiling it later, but for now it is time for Round One. | 0:08:11 | 0:08:16 | |
I'm going to ask ten general knowledge questions. | 0:08:18 | 0:08:21 | |
So, quizzers, if you buzz in with a correct answer, | 0:08:21 | 0:08:24 | |
your picker gets to add a lot to your collection. | 0:08:24 | 0:08:27 | |
But beware, buzz in incorrectly | 0:08:27 | 0:08:29 | |
and you'll be frozen out of the next question. | 0:08:29 | 0:08:32 | |
Quizzers, get the question right | 0:08:32 | 0:08:35 | |
and your picker will have the chance to bag the top lots first. | 0:08:35 | 0:08:39 | |
Fingers on buzzers. Question number one. | 0:08:40 | 0:08:43 | |
The adrenal glands are situated above which organs of the human body? | 0:08:43 | 0:08:48 | |
Carl? Kidneys. It is the kidneys, correct. | 0:08:51 | 0:08:54 | |
Jan, you are first off the mark. Delightful! What would you like? | 0:08:54 | 0:08:59 | |
I think I would quite like to go for... | 0:08:59 | 0:09:02 | |
the fob. | 0:09:02 | 0:09:04 | |
The fob. | 0:09:04 | 0:09:05 | |
OK, it is yours, that starts your collection. | 0:09:05 | 0:09:09 | |
Question two. | 0:09:09 | 0:09:10 | |
In the sport of fencing, what is the name of the manoeuvre intended | 0:09:10 | 0:09:14 | |
to deflect or block an incoming... | 0:09:14 | 0:09:17 | |
Mark? Parry? | 0:09:17 | 0:09:19 | |
It is a parry, to deflect an incoming attack. | 0:09:19 | 0:09:23 | |
Russell, your chance to choose. Looking delighted. | 0:09:23 | 0:09:26 | |
I was delighted, yeah. | 0:09:26 | 0:09:27 | |
I think I'll go for the pigeon. | 0:09:27 | 0:09:29 | |
The pigeon, it's yours. | 0:09:29 | 0:09:31 | |
Question number three. | 0:09:31 | 0:09:33 | |
The fictional seven kingdoms of Westeros | 0:09:33 | 0:09:38 | |
Yes, Carl? Game Of Thrones. It is Game Of Thrones. Correct. | 0:09:38 | 0:09:42 | |
Jan, your second pick. | 0:09:42 | 0:09:47 | |
I don't know what it is, but I love glass and I think it's lovely. | 0:09:47 | 0:09:52 | |
Question four. | 0:09:52 | 0:09:54 | |
In November 1992, a fire broke out in which British... | 0:09:54 | 0:09:59 | |
Mark? | 0:09:59 | 0:10:00 | |
Windsor Castle? It is Windsor Castle. I was going to say, | 0:10:00 | 0:10:16 | |
Why's your head in your hands there, Mark? | 0:10:16 | 0:10:16 | |
Well, the jewellery is in your collection. | 0:10:23 | 0:10:24 | |
Right, come on, Avril and Audrey. I know! You're going to be fine. | 0:10:24 | 0:10:28 | |
Here we go, question five. | 0:10:28 | 0:10:30 | |
Quasimodo was crowned as | 0:10:30 | 0:10:33 | |
the Pope of Fools | 0:10:33 | 0:10:36 | |
in which 1831 novel? | 0:10:36 | 0:10:39 | |
Yes, Avril. The Hunchback Of Notre Dame. You are correct. Well done. | 0:10:39 | 0:10:43 | |
Right, Audrey. What would you like? | 0:10:43 | 0:10:46 | |
I really like the tobacco jars, so I'm going to go for them. | 0:10:46 | 0:10:49 | |
Lovely, tobacco jars are yours. You're off the mark. | 0:10:49 | 0:10:53 | |
Question six. | 0:10:53 | 0:10:54 | |
Stay With Me and Money On My Mind... | 0:10:54 | 0:10:57 | |
Yes, Avril? | 0:10:57 | 0:10:59 | |
Is...erm... | 0:10:59 | 0:11:01 | |
Sam Smith. | 0:11:01 | 0:11:03 | |
Correct. I was going to say, "Stay With Me and Money On My Mind | 0:11:03 | 0:11:07 | |
"were UK number ones for which singer?" It is Sam Smith. | 0:11:07 | 0:11:10 | |
Panicking there! There's no stopping her now. Right, Audrey, your pick. | 0:11:10 | 0:11:14 | |
Now I'm lost, cos the other one has gone I fancied. Erm... | 0:11:14 | 0:11:18 | |
I think I'll go for the candlesticks. | 0:11:18 | 0:11:22 | |
They're in your collection. | 0:11:22 | 0:11:25 | |
Question seven. | 0:11:25 | 0:11:26 | |
What is the largest of the English Isles? | 0:11:26 | 0:11:29 | |
Yes, Mark? | 0:11:29 | 0:11:31 | |
Ireland. | 0:11:31 | 0:11:32 | |
No, I'm afraid not. You're frozen out. | 0:11:32 | 0:11:35 | |
The largest of the English Isles is the Isle of Wight. | 0:11:35 | 0:11:38 | |
You cannot answer this next question. | 0:11:38 | 0:11:41 | |
Question eight. | 0:11:41 | 0:11:42 | |
Of what are Bonhams and Christie's notable examples? | 0:11:42 | 0:11:46 | |
Yes, Avril? Auction houses. Absolutely correct. | 0:11:46 | 0:11:49 | |
Audrey, go for it. | 0:11:49 | 0:11:51 | |
Um... | 0:11:51 | 0:11:53 | |
I think I'll have the paperweight, please. Excellent. | 0:11:53 | 0:11:56 | |
The paperweight is yours. | 0:11:56 | 0:11:58 | |
Mark and Russell, you're now back in the game. | 0:11:58 | 0:12:00 | |
Question nine. Decommissioned in 2003, | 0:12:00 | 0:12:04 | |
what was the world's only supersonic passenger jet? | 0:12:04 | 0:12:07 | |
Mark? Concorde. | 0:12:07 | 0:12:08 | |
Correct. Russell, go for it. | 0:12:08 | 0:12:11 | |
I'd better stick to the plan again. | 0:12:11 | 0:12:13 | |
LAUGHTER We'll go for the bust. | 0:12:13 | 0:12:16 | |
Go for bust. Go for bust, yes. | 0:12:16 | 0:12:18 | |
That's in your collection. | 0:12:18 | 0:12:20 | |
Final question, question ten. | 0:12:20 | 0:12:22 | |
Who played Edward Cullen | 0:12:22 | 0:12:24 | |
in the Twilight film series? | 0:12:24 | 0:12:27 | |
Yes, Carl? Robert Pattinson? It is Robert Pattinson. Correct. | 0:12:29 | 0:12:32 | |
Jan, this is your chance to make it all even, | 0:12:32 | 0:12:34 | |
you would all have three each. Oh, yes. Go for it. | 0:12:34 | 0:12:37 | |
OK, I think I'm going to go for the tiles this time, | 0:12:37 | 0:12:39 | |
cos I really do like them. | 0:12:39 | 0:12:41 | |
Good woman. Can't win them all. | 0:12:41 | 0:12:43 | |
Here's how the collections stand at the end of that round. | 0:12:43 | 0:12:46 | |
Audrey and Avril, you have the tobacco jars, the candlesticks, | 0:12:46 | 0:12:50 | |
and the paperweight. | 0:12:50 | 0:12:51 | |
Jan and Carl, you have managed to collect the fob, | 0:12:51 | 0:12:54 | |
the firing glass, and the tiles. | 0:12:54 | 0:12:57 | |
Last, but by no means least, Russell and Mark, you have the pigeon, | 0:12:57 | 0:13:01 | |
the jewellery and the bust. | 0:13:01 | 0:13:03 | |
Well, our teams have started to build their collections, | 0:13:03 | 0:13:06 | |
but before they have the chance to add to them, | 0:13:06 | 0:13:08 | |
Charlie is going to give each pair a fact about a lot of their choice. | 0:13:08 | 0:13:12 | |
These snippets of information should give you vital clues | 0:13:12 | 0:13:16 | |
about what it's worth. So, choose wisely. | 0:13:16 | 0:13:19 | |
Audrey, what would you like to find out about? | 0:13:19 | 0:13:22 | |
Erm, I think the tobacco jars, please. | 0:13:22 | 0:13:25 | |
In your own collection. Right, Charlie. | 0:13:25 | 0:13:27 | |
This is a pair of Victorian, English, salt-glazed tobacco jars | 0:13:27 | 0:13:32 | |
in the form of Jack Tar. | 0:13:32 | 0:13:34 | |
A common English term, | 0:13:34 | 0:13:36 | |
originally used to refer to seamen of the merchant or the Royal Navy. | 0:13:36 | 0:13:40 | |
AVRIL: Mmm. | 0:13:40 | 0:13:41 | |
CHARLIE: Figures like this were very popular. | 0:13:41 | 0:13:45 | |
But has it increased their worth? | 0:13:45 | 0:13:46 | |
Carl and Jan, what would you like to know about? | 0:13:48 | 0:13:51 | |
I'd quite like to know a bit more about the painting, please. | 0:13:51 | 0:13:54 | |
Right, this is a 19th-century oval portrait of a huntsman, | 0:13:54 | 0:13:58 | |
oil on board, in a carved gilt wood frame. | 0:13:58 | 0:14:02 | |
It is a gorgeous example of a Victorian portrait, | 0:14:03 | 0:14:07 | |
painted in the style of the great continental artists of the time. | 0:14:07 | 0:14:11 | |
There's no way of knowing who this person is, | 0:14:11 | 0:14:14 | |
or any signature to identify the artist, so what does quality | 0:14:14 | 0:14:18 | |
without provenance do to its value at auction? | 0:14:18 | 0:14:24 | |
Mark and Russell. Russell, what have you got your eye on | 0:14:24 | 0:14:27 | |
that you'd like to know more about? | 0:14:27 | 0:14:29 | |
I would like to know a little bit more about the vesta case. | 0:14:29 | 0:14:32 | |
Vesta cases, or vesta boxes were small, portable boxes | 0:14:32 | 0:14:36 | |
made in a great variety of forms | 0:14:36 | 0:14:38 | |
with snapshot covers to contain vestas - | 0:14:38 | 0:14:42 | |
short matches - and keep them dry. | 0:14:42 | 0:14:45 | |
Named after the goddess Vesta, the Roman deity of fire, | 0:14:45 | 0:14:50 | |
they came into use around the 1830s | 0:14:50 | 0:14:53 | |
and were produced extensively between 1890 and 1920. | 0:14:53 | 0:14:58 | |
This one dates to London, 1890, | 0:14:58 | 0:15:02 | |
and was made by Samson Mordan, in a way that is now very collectable. | 0:15:02 | 0:15:08 | |
OK, now that | 0:15:09 | 0:15:10 | |
you are a bit more knowledgeable about some of today's lots, | 0:15:10 | 0:15:13 | |
let's give you the chance to add more of them to your collections. | 0:15:13 | 0:15:16 | |
Bear in mind that at the end of this round, | 0:15:16 | 0:15:19 | |
the team with the least valuable collection will be eliminated. | 0:15:19 | 0:15:23 | |
So, three more lots are now available to each pair, | 0:15:25 | 0:15:28 | |
and this time the lots come with their own question categories. | 0:15:28 | 0:15:31 | |
And here they are. | 0:15:31 | 0:15:33 | |
So if you went for the vesta case, for instance, | 0:15:34 | 0:15:38 | |
I would offer you a question between fruit and veg or Meryl Streep. | 0:15:38 | 0:15:42 | |
It's a bit like Battleships. Audrey and Avril, you are up first. | 0:15:42 | 0:15:45 | |
So, Audrey, what's your lot? | 0:15:45 | 0:15:48 | |
I'm going to go for the painting, please. The painting. | 0:15:48 | 0:15:51 | |
Right, Avril, how are you on fruit and veg or soap operas? | 0:15:51 | 0:15:56 | |
Um, I'll go for soap operas. Soap operas it is. | 0:15:56 | 0:15:59 | |
Tamwar and Shabnam are members of which EastEnders family? Um... | 0:15:59 | 0:16:04 | |
Kapoor. Ah! | 0:16:05 | 0:16:08 | |
It is the Masoods. Of course. Of course it is the Masoods. Oh! | 0:16:08 | 0:16:12 | |
The painting stays on the grid. Carl and Jan. Jan, what would you like? | 0:16:12 | 0:16:18 | |
I'm going to go for the vesta case. What question would you like, Carl? | 0:16:18 | 0:16:21 | |
Fruit and veg or Meryl Streep? I think I'll go with fruit and veg. | 0:16:21 | 0:16:25 | |
OK. Fruit and veg. | 0:16:25 | 0:16:27 | |
What is the Indian word for cauliflower? | 0:16:27 | 0:16:29 | |
Saag aloo? I think that is spinach. This is gobhi. | 0:16:31 | 0:16:34 | |
So, incorrect answer, I'm afraid. | 0:16:34 | 0:16:36 | |
Well, the vesta case stays where it is. | 0:16:36 | 0:16:39 | |
Mark and Russell, can you at least get one of them? We'll try. | 0:16:39 | 0:16:43 | |
Russell, what would you like? | 0:16:43 | 0:16:45 | |
After Charlie's great advice, I'll go for the vesta case. | 0:16:45 | 0:16:48 | |
The vesta case. Right, Mark. Fruit and veg, Meryl Streep? | 0:16:48 | 0:16:53 | |
Ah. Fruit and veg, please. Fruit and veg. | 0:16:53 | 0:16:57 | |
Which poison can be extracted from apple pips? | 0:16:57 | 0:17:00 | |
Arsenic. Incorrect. | 0:17:04 | 0:17:06 | |
It is not arsenic, it is the other one, cyanide. | 0:17:06 | 0:17:08 | |
But there is only a very, very, very small trace of cyanide in any pips, | 0:17:08 | 0:17:13 | |
so no-one can go around, really, | 0:17:13 | 0:17:14 | |
doing anything too terrible with that one. | 0:17:14 | 0:17:17 | |
Here's the second pass. Are you ready, Audrey and Avril? | 0:17:17 | 0:17:20 | |
Audrey, what would you like to have a go at? | 0:17:20 | 0:17:22 | |
I think we are going to go with the painting again, please. | 0:17:22 | 0:17:25 | |
The painting again. Fruit and veg or soap operas? | 0:17:25 | 0:17:28 | |
Avril, what would you like? We'll try soap operas again. | 0:17:28 | 0:17:31 | |
Soap operas again. | 0:17:31 | 0:17:32 | |
Which Australian soap opera character has been played by veteran | 0:17:32 | 0:17:36 | |
actor Ray Meagher since 1988? | 0:17:36 | 0:17:40 | |
Ray Meagher? Mm-hm. | 0:17:40 | 0:17:42 | |
I can't think of any soap opera characters in Australia. | 0:17:45 | 0:17:50 | |
The answer is Alf Stewart from Home And Away. Yeah. | 0:17:50 | 0:17:54 | |
Right, Carl and Jan. | 0:17:54 | 0:17:56 | |
Jan, what are you going for? I'm going for the vesta case once again. | 0:17:56 | 0:17:59 | |
Vesta case. Fruit and veg or Meryl Streep? Meryl, you've got your way. | 0:17:59 | 0:18:04 | |
OK. Here is your Meryl Streep question. | 0:18:04 | 0:18:07 | |
For which film did Meryl Streep receive her first | 0:18:07 | 0:18:10 | |
Academy Award nomination? | 0:18:10 | 0:18:13 | |
Kramer vs. Kramer? No. The Deer Hunter. | 0:18:13 | 0:18:17 | |
A long time ago now. Sorry, dear. Russell. You've got carte blanche. | 0:18:17 | 0:18:22 | |
Choose what you want. | 0:18:22 | 0:18:23 | |
I want the vesta case, but nobody seems to know anything about | 0:18:23 | 0:18:26 | |
fruit and veg or Meryl Streep. LAUGHTER | 0:18:26 | 0:18:28 | |
But I will go for the vesta case again. OK. | 0:18:30 | 0:18:33 | |
Mark... Oh, you're cruel. | 0:18:33 | 0:18:35 | |
..Meryl Streep or fruit and veg? Oh! | 0:18:35 | 0:18:38 | |
Fruit and veg, please. Fruit and veg. | 0:18:40 | 0:18:42 | |
Which fruit is used as the base for guacamole? | 0:18:42 | 0:18:46 | |
Avocado. It is avocado. Yes! | 0:18:46 | 0:18:50 | |
Oh, well done. The vesta case held out for you, I think. | 0:18:50 | 0:18:54 | |
And it is now coming to your collection. | 0:18:54 | 0:18:57 | |
So, there's one last lot available to each team, | 0:18:57 | 0:19:01 | |
and this time you can either go for what's left on the grid | 0:19:01 | 0:19:04 | |
or you can try to steal an antique that is in a rival team's collection. | 0:19:04 | 0:19:09 | |
But, pickers, be warned. | 0:19:09 | 0:19:12 | |
If you choose to steal from another team, | 0:19:12 | 0:19:14 | |
their quizzer will get to decide your quizzer's category. | 0:19:14 | 0:19:19 | |
Audrey, do you want to target a lot from the grid, | 0:19:19 | 0:19:23 | |
or have you got your eye on something in another collection? | 0:19:23 | 0:19:26 | |
No, I'm going to target a lot from the grid. Go for it. | 0:19:26 | 0:19:29 | |
I'm going to go for the stamps. The stamps. | 0:19:29 | 0:19:32 | |
Fruit and veg or outer space? Well... | 0:19:32 | 0:19:37 | |
I'm going to go for fruit and veg. | 0:19:37 | 0:19:39 | |
THEY LAUGH | 0:19:39 | 0:19:41 | |
In the USA, what is the official state fruit of Georgia? | 0:19:41 | 0:19:46 | |
Melon. Incorrect. It is the peach. | 0:19:49 | 0:19:53 | |
Oh, dear, the stamps stay on the grid. | 0:19:53 | 0:19:56 | |
Jan, what would you like? | 0:19:56 | 0:19:59 | |
I'm going to be a little devil, | 0:19:59 | 0:20:00 | |
and I'm going to try and steal something from someone else. | 0:20:00 | 0:20:03 | |
With Carl's help, of course. And he liked the bust. | 0:20:03 | 0:20:08 | |
A-ha. And I like it, as well. The bust is with Mark and Russell. | 0:20:08 | 0:20:12 | |
So I think we are going to go for that. | 0:20:12 | 0:20:14 | |
Which means that Mark, you pick a category - | 0:20:14 | 0:20:18 | |
any one of these now for Carl. | 0:20:18 | 0:20:21 | |
I'm going to go with soap operas. | 0:20:21 | 0:20:25 | |
Soap operas. Carl, brace yourself. | 0:20:25 | 0:20:27 | |
Which British soap was set in a Midlands motel? | 0:20:27 | 0:20:31 | |
Crossroads. Correct. | 0:20:31 | 0:20:34 | |
The bust is yours. Got it at last? | 0:20:34 | 0:20:36 | |
THEY LAUGH | 0:20:36 | 0:20:38 | |
Benny. Benny, I'm channelling Benny. FERN LAUGHS | 0:20:38 | 0:20:42 | |
Very good. | 0:20:42 | 0:20:43 | |
Mark and Russell, what are you going to do? | 0:20:43 | 0:20:45 | |
Take something from the grid or steal something from your opponent? | 0:20:45 | 0:20:48 | |
I'm going to take something from the grid, | 0:20:48 | 0:20:50 | |
because I thought that was quite cruel. | 0:20:50 | 0:20:53 | |
LAUGHTER | 0:20:53 | 0:20:55 | |
That won't win you the game. It was terrible. It was cruel. | 0:20:55 | 0:20:57 | |
You can play to take it back. No, I think I'll go for the stamps. | 0:20:57 | 0:21:01 | |
Going for the stamps. Fruit and veg or outer space, Mark? | 0:21:01 | 0:21:06 | |
Oh, I've had enough of fruit and veg. | 0:21:06 | 0:21:08 | |
I'm going to go outer space, please. | 0:21:08 | 0:21:10 | |
Outer space. | 0:21:10 | 0:21:12 | |
Which planet in our solar system is closest to the sun? | 0:21:12 | 0:21:16 | |
Mercury. | 0:21:16 | 0:21:17 | |
It is, correct! | 0:21:17 | 0:21:19 | |
The stamps are yours and are on their way to your collection. | 0:21:19 | 0:21:23 | |
OK, that's it for Round Two, and for one team it is the end of the road. | 0:21:23 | 0:21:27 | |
We've calculated the combined value of your items. | 0:21:27 | 0:21:30 | |
And the team with the least valuable collection will be eliminated, | 0:21:30 | 0:21:34 | |
taking your lots out of the game, too. | 0:21:34 | 0:21:37 | |
Charlie has been keeping tabs, so, Charlie, who is leaving us first? | 0:21:37 | 0:21:41 | |
I don't want anybody to go... Never. ..Fern. | 0:21:41 | 0:21:44 | |
But I can reveal that the pair leaving us first is... | 0:21:44 | 0:21:48 | |
..Jan and Carl. Oh, dear. | 0:21:54 | 0:21:57 | |
Oh, I'm so sorry. | 0:21:57 | 0:21:59 | |
You've played brilliantly, and thank you for being here. | 0:21:59 | 0:22:02 | |
But before you leave, we need to find out about the lots | 0:22:02 | 0:22:06 | |
that are leaving the game with you. How much is each lot worth? | 0:22:06 | 0:22:09 | |
Where are we starting, Charlie? | 0:22:09 | 0:22:11 | |
We are going to start with the firing glass. | 0:22:11 | 0:22:14 | |
Interesting how it got its name, isn't it, firing glass? | 0:22:14 | 0:22:17 | |
You'd toast it and then you banged it down on the table, | 0:22:17 | 0:22:21 | |
and if you all did it together, | 0:22:21 | 0:22:22 | |
it sounded like a volley of muskets going. Hence the "firing glass". | 0:22:22 | 0:22:26 | |
They are sometimes called shot glasses. | 0:22:26 | 0:22:29 | |
But it has got a crack, someone has done... | 0:22:29 | 0:22:31 | |
HE BANGS ON DESK .."cheers" a bit too hard, | 0:22:31 | 0:22:33 | |
and there is a crack running through it, which has affected the value. | 0:22:33 | 0:22:37 | |
It's a nice object, it is late 19th century. | 0:22:37 | 0:22:40 | |
And we've put a value of ?100 on it. | 0:22:40 | 0:22:42 | |
Oh. Not bad. That's more than I thought. | 0:22:42 | 0:22:46 | |
What about the fob? | 0:22:46 | 0:22:48 | |
It's 19th-century, it is gold and white gold. | 0:22:48 | 0:22:51 | |
And white gold is gold with a bit of nickel in it, | 0:22:51 | 0:22:54 | |
or a bit of platinum in it. And it gives it a different texture. | 0:22:54 | 0:22:57 | |
And because it is gold content, it is | 0:22:57 | 0:22:59 | |
limited in terms of value as to who would buy it, being Masonic. | 0:22:59 | 0:23:04 | |
But ?200. Wow. | 0:23:04 | 0:23:07 | |
What's next? Well, we've got some tiles. | 0:23:07 | 0:23:11 | |
Carl, I think you knew the name, didn't you? William De Morgan. | 0:23:11 | 0:23:14 | |
William De Morgan. | 0:23:14 | 0:23:15 | |
And you might think that unless you've got a whole packet to | 0:23:15 | 0:23:18 | |
do your bathroom, or your kitchen, they wouldn't be worth a great deal. | 0:23:18 | 0:23:22 | |
But because they are William De Morgan, they are indeed. | 0:23:22 | 0:23:25 | |
We only have two tiles, but we have a value of ?400 on these tiles. | 0:23:25 | 0:23:30 | |
Good heavens. | 0:23:30 | 0:23:31 | |
They've gone. And we've got one more item, haven't we? | 0:23:31 | 0:23:34 | |
Oh, I love this little girl. | 0:23:34 | 0:23:36 | |
Comments about the hairstyle being perhaps early '50s. | 0:23:36 | 0:23:39 | |
Well, this is quite possibly '50s. | 0:23:39 | 0:23:43 | |
It's by Benno Schotz, | 0:23:43 | 0:23:45 | |
an amazing sculptor. | 0:23:45 | 0:23:47 | |
He was influenced by Rodin, influenced by Epstein. | 0:23:47 | 0:23:51 | |
A lot of his works are in museums. This is top stuff. | 0:23:51 | 0:23:56 | |
You did very well to get this lot and to steal it back. | 0:23:56 | 0:23:59 | |
Sadly, it didn't give you quite enough, but it's still worth ?1,000. | 0:23:59 | 0:24:05 | |
So, well done. Not too shabby. Not too shabby. | 0:24:05 | 0:24:08 | |
Which brought your collection up to ?1,700, which is laudable. | 0:24:08 | 0:24:14 | |
Mmm. Jan and Carl, it is time to | 0:24:14 | 0:24:15 | |
bring the hammer down on your collection, I'm afraid. | 0:24:15 | 0:24:19 | |
But thank you for playing For What It's Worth. Thank you. Thank you. | 0:24:19 | 0:24:22 | |
I don't know what happened, really. I think it was the fatal flaw. | 0:24:24 | 0:24:27 | |
We chose the things we like the look of, | 0:24:27 | 0:24:29 | |
rather than the things of great value. | 0:24:29 | 0:24:32 | |
We all swear at home we won't do that, but we did. | 0:24:32 | 0:24:35 | |
The unclaimed lots in the grid are now also leaving the game. | 0:24:39 | 0:24:44 | |
So let's quickly find out from Charlie what they were worth, | 0:24:44 | 0:24:47 | |
and if the top lot is there or still in the game somewhere. | 0:24:47 | 0:24:52 | |
Stockings. | 0:24:52 | 0:24:54 | |
Russell, we liked your comment... "for robbing antique banks." | 0:24:54 | 0:24:58 | |
LAUGHTER | 0:24:58 | 0:25:00 | |
They were made by George Brettle. What a stocking-maker was he. | 0:25:01 | 0:25:06 | |
He made stockings for Queen Victoria. Oh! Oh! | 0:25:06 | 0:25:10 | |
Were these worn by Queen Victoria? | 0:25:10 | 0:25:13 | |
No. | 0:25:13 | 0:25:15 | |
And therefore we are missing that word, aren't we? Provenance. | 0:25:15 | 0:25:19 | |
And without provenance, these stockings are worth ?25. | 0:25:19 | 0:25:24 | |
Ah. Now the toy. | 0:25:24 | 0:25:26 | |
Avril. Yes. I think you said it would be worthless | 0:25:26 | 0:25:29 | |
without the box. Yes. Good point! | 0:25:29 | 0:25:32 | |
Not worthless... No, but. ..but it's the Louis Marx USA tin plate | 0:25:32 | 0:25:37 | |
clockwork car. | 0:25:37 | 0:25:39 | |
This is a model of the car that won Indianapolis, | 0:25:39 | 0:25:41 | |
probably the most famous American race, in 1948. Wow. | 0:25:41 | 0:25:46 | |
It works. | 0:25:46 | 0:25:48 | |
It's in good condition, but you are right. No box. | 0:25:48 | 0:25:52 | |
But it's still worth ?250. | 0:25:52 | 0:25:57 | |
Never! Blimey. Now, the painting. The painting. | 0:25:57 | 0:26:01 | |
Audrey, not keen on the painting, were we? I wasn't a lover of it. | 0:26:01 | 0:26:05 | |
Mark, well painted, the Victorian gent. | 0:26:05 | 0:26:09 | |
But there again, provenance. | 0:26:09 | 0:26:12 | |
Who painted it? Haven't got a clue. | 0:26:12 | 0:26:15 | |
Who's it of? Haven't got a clue. | 0:26:15 | 0:26:18 | |
So as a nice, attractive decorator's painting, | 0:26:18 | 0:26:22 | |
?300. Really? Next. | 0:26:22 | 0:26:26 | |
I love this. You might just call it a tripod table. | 0:26:26 | 0:26:30 | |
Audrey, you thought Victorian, Georgian. | 0:26:30 | 0:26:32 | |
No, it is earlier than that. | 0:26:32 | 0:26:33 | |
Look at those slender lines. I think, Russell, | 0:26:33 | 0:26:36 | |
you thought '20s or '30s. Yes, but 1820s, | 0:26:36 | 0:26:40 | |
not 1920s. Actually a little bit earlier. | 0:26:40 | 0:26:43 | |
I think we can go back to 1800. | 0:26:43 | 0:26:45 | |
I love this table. ?350. Oh! | 0:26:45 | 0:26:49 | |
Were you all thinking, "Uh-oh"? THEY LAUGH | 0:26:49 | 0:26:52 | |
Very clever. OK. | 0:26:52 | 0:26:54 | |
What a beautiful table, but no, thank you. What's next? | 0:26:54 | 0:26:57 | |
We finish up with a rather interesting collection of coins. | 0:26:57 | 0:27:02 | |
I don't think any of you knew what these coins were, did you? No. | 0:27:02 | 0:27:07 | |
No. I think Audrey spotted that thousands were found. | 0:27:07 | 0:27:10 | |
Well... | 0:27:10 | 0:27:13 | |
history...Roman... | 0:27:13 | 0:27:16 | |
2,000 years old! | 0:27:16 | 0:27:20 | |
Come on, team! | 0:27:20 | 0:27:22 | |
They're worthless! Oh! Yay! | 0:27:22 | 0:27:26 | |
Yay! That's simply because there are so many of them? Exactly, Fern. | 0:27:26 | 0:27:30 | |
Well done, teams, | 0:27:30 | 0:27:32 | |
you did not fall into the trap of picking up the worthless lot. | 0:27:32 | 0:27:36 | |
Very good. Well, those are some very interesting and valuable lots | 0:27:36 | 0:27:40 | |
that are leaving the game, but, as you've seen, | 0:27:40 | 0:27:42 | |
and much to your relief, the bottom lot is now out of the game, | 0:27:42 | 0:27:45 | |
but thankfully the top lot is still in play. | 0:27:45 | 0:27:50 | |
Oh! Who's got it? | 0:27:50 | 0:27:53 | |
So just two pairs of contestants left. | 0:27:53 | 0:27:55 | |
Before we go any further, though, | 0:27:55 | 0:27:57 | |
Charlie is going to give you another fact about a lot of your choice. | 0:27:57 | 0:28:01 | |
Audrey, what lot do you need to know more about? The pigeon. | 0:28:01 | 0:28:06 | |
Charlie, the pigeon, please. | 0:28:06 | 0:28:08 | |
This pigeon is an early work by Arnold Machin, | 0:28:08 | 0:28:11 | |
made in 1937. | 0:28:11 | 0:28:14 | |
Machin was a British artist, sculptor, coin- and stamp-designer. | 0:28:14 | 0:28:20 | |
In 1964, he was chosen to create a bust of the Queen | 0:28:20 | 0:28:24 | |
that was to appear on coins until 1984. | 0:28:24 | 0:28:29 | |
Animals particularly interested him, | 0:28:29 | 0:28:31 | |
and he produced quite a few single studies of animals. | 0:28:31 | 0:28:35 | |
So where does this all leave our pigeon? | 0:28:35 | 0:28:38 | |
A one-off piece by an influential British sculptor, | 0:28:38 | 0:28:42 | |
but not created during his peak, | 0:28:42 | 0:28:45 | |
but as part of his studies. | 0:28:45 | 0:28:48 | |
What does this mean for the value? | 0:28:48 | 0:28:51 | |
Hmm. That was a good story, Audrey, wasn't it? Yes, very interesting. | 0:28:51 | 0:28:55 | |
But has it been helpful? Yes, I think so. Oh. Yes. | 0:28:55 | 0:28:59 | |
Russell, what would you like to know more about? | 0:28:59 | 0:29:02 | |
I'd like to know a little bit more about the paperweight, | 0:29:02 | 0:29:04 | |
please, Charlie. It's a Clichy paperweight. | 0:29:04 | 0:29:09 | |
Made between 1850 and 1860. | 0:29:09 | 0:29:14 | |
And Clichy was the third of the principal French | 0:29:14 | 0:29:16 | |
glassworks in the mid-19th century. | 0:29:16 | 0:29:20 | |
Very few Clichy weights are signed. | 0:29:20 | 0:29:23 | |
This one has no signature... and doesn't feature any roses. | 0:29:23 | 0:29:28 | |
But it is full of millefiori. | 0:29:28 | 0:29:32 | |
OK, thank you very much, Charlie. | 0:29:32 | 0:29:34 | |
Russell, has that given you any idea what it's worth? None whatsoever. | 0:29:34 | 0:29:38 | |
LAUGHTER No. | 0:29:38 | 0:29:40 | |
Those are all the facts available to you, so now it's | 0:29:40 | 0:29:43 | |
time for our final round, and at the end of it | 0:29:43 | 0:29:46 | |
we will have our winners. | 0:29:46 | 0:29:47 | |
Concentrate on this one. | 0:29:50 | 0:29:51 | |
I'm going to give the quizzers a category, | 0:29:51 | 0:29:53 | |
and then they take turns to say answers in that category. | 0:29:53 | 0:29:57 | |
For example, if I say, "Famous people called Jane," Avril, | 0:29:57 | 0:30:01 | |
you might say Jane Austen. | 0:30:01 | 0:30:03 | |
Mark, you might say Jane Fonda, and then Jane Seymour and so one. | 0:30:03 | 0:30:07 | |
All right. | 0:30:07 | 0:30:08 | |
If you fail to give an answer, if you repeat an answer, | 0:30:08 | 0:30:11 | |
or you give a wrong answer, you lose that category. | 0:30:11 | 0:30:14 | |
And the opponents' picker will be able to steal | 0:30:14 | 0:30:17 | |
a lot from your collection. Mmm. | 0:30:17 | 0:30:20 | |
Remember, it's the | 0:30:20 | 0:30:21 | |
total value of your collections that matter at the end of this round. | 0:30:21 | 0:30:26 | |
One high-priced lot could be more valuable than your opponents' | 0:30:26 | 0:30:29 | |
entire collection. There are three categories. | 0:30:29 | 0:30:32 | |
The pair with the most valuable collection at this point goes | 0:30:32 | 0:30:35 | |
first, so, Charlie, who is that? | 0:30:35 | 0:30:37 | |
The team who currently has the most viable collection is... | 0:30:37 | 0:30:41 | |
..Russell and Mark. Oh. Really? | 0:30:45 | 0:30:50 | |
OK, Mark, you will be going first. OK. | 0:30:50 | 0:30:53 | |
The first category is Acts That Have Headlined On The Pyramid Stage | 0:30:53 | 0:30:59 | |
At Glastonbury Festival Since 2002. | 0:30:59 | 0:31:03 | |
That is when the term headline act became an official | 0:31:03 | 0:31:08 | |
feature at the Glastonbury Festival. Here we go. | 0:31:08 | 0:31:11 | |
Mark, would you please give me your first answer? | 0:31:11 | 0:31:15 | |
The Rolling Stones. | 0:31:15 | 0:31:17 | |
Correct. Avril? | 0:31:17 | 0:31:19 | |
Lady Gaga. | 0:31:19 | 0:31:22 | |
Incorrect. Oh! | 0:31:22 | 0:31:23 | |
Of all the people, you'd have thought she would have, | 0:31:23 | 0:31:27 | |
but she hasn't yet. | 0:31:27 | 0:31:28 | |
You could have had Beyonce, Dolly Parton, Kanye West, | 0:31:28 | 0:31:34 | |
The White Stripes or U2, amongst many others. OK. | 0:31:34 | 0:31:39 | |
Russell, you can steal from Avril and Audrey's collection. | 0:31:39 | 0:31:43 | |
What would you like? I think I'll take the tobacco jars. | 0:31:45 | 0:31:49 | |
The tobacco jars. They're yours. | 0:31:49 | 0:31:52 | |
Avril and Audrey, here's your category. | 0:31:52 | 0:31:54 | |
English Cities That Have Church Of England Cathedrals. | 0:31:54 | 0:31:59 | |
Here we go, Avril. Please give me an answer. | 0:31:59 | 0:32:02 | |
Durham. | 0:32:02 | 0:32:03 | |
Correct. Mark? | 0:32:03 | 0:32:04 | |
Winchester. | 0:32:06 | 0:32:07 | |
Correct. Avril? | 0:32:07 | 0:32:09 | |
York. | 0:32:09 | 0:32:11 | |
Correct. Mark? | 0:32:11 | 0:32:12 | |
Chelmsford. | 0:32:13 | 0:32:14 | |
Correct. Avril? | 0:32:14 | 0:32:16 | |
Westminster. | 0:32:16 | 0:32:17 | |
I'm afraid we can't accept Westminster. | 0:32:19 | 0:32:21 | |
We've obviously all heard of the City of Westminster and there is | 0:32:21 | 0:32:25 | |
a cathedral there, but I'm afraid it is not Church of England. | 0:32:25 | 0:32:29 | |
Oh, dear! Never mind. I am sorry. | 0:32:30 | 0:32:34 | |
Russell, prepare to steal. | 0:32:34 | 0:32:37 | |
What do you want? I think I will take the candlesticks. The candlesticks? | 0:32:37 | 0:32:41 | |
They are coming to you. Avril and Audrey, don't worry. Here we go. | 0:32:41 | 0:32:45 | |
Third question. | 0:32:45 | 0:32:46 | |
Official James Bond Movies. | 0:32:48 | 0:32:50 | |
We will only accept films made by Eon Productions | 0:32:50 | 0:32:54 | |
and will not accept, for instance, | 0:32:54 | 0:32:55 | |
Never Say Never Again, as this is not an official James Bond film. | 0:32:55 | 0:32:59 | |
Mark, give me an answer. | 0:32:59 | 0:33:01 | |
From Russia With Love. | 0:33:02 | 0:33:05 | |
Correct. Avril? | 0:33:05 | 0:33:06 | |
Goldfinger. | 0:33:06 | 0:33:08 | |
Correct. Mark? | 0:33:08 | 0:33:10 | |
Man With The Golden Gun. | 0:33:10 | 0:33:12 | |
Correct. Avril? | 0:33:12 | 0:33:13 | |
GoldenEye. | 0:33:16 | 0:33:18 | |
Correct. Well done. Mark? | 0:33:18 | 0:33:21 | |
Well done. | 0:33:21 | 0:33:22 | |
Thunderball. | 0:33:23 | 0:33:24 | |
Correct. Avril? | 0:33:24 | 0:33:26 | |
Diamonds Are Forever. | 0:33:28 | 0:33:29 | |
Correct. Mark? | 0:33:29 | 0:33:32 | |
You Only Live Twice. | 0:33:32 | 0:33:34 | |
Correct. Avril? | 0:33:34 | 0:33:36 | |
Stargate. | 0:33:38 | 0:33:41 | |
Incorrect. I'm so sorry, Avril. | 0:33:41 | 0:33:44 | |
You could have had Spectre, Skyfall... Skyfall. | 0:33:44 | 0:33:48 | |
..On Her Majesty's Secret Service, For Your Eyes Only, etc, etc. Yeah. | 0:33:48 | 0:33:54 | |
Well done, Mark and Russell. | 0:33:54 | 0:33:56 | |
I wonder what you might have your eye on over in Avril and Audrey's corner. | 0:33:56 | 0:34:02 | |
I think I need some paperweights, please. | 0:34:02 | 0:34:04 | |
The paperweight is coming over to your collection right now. | 0:34:04 | 0:34:09 | |
Well, teams, it's obviously very clear who are our winners today. | 0:34:09 | 0:34:12 | |
Congratulations, Russell and Mark. | 0:34:12 | 0:34:16 | |
Audrey and Avril, we are so sorry to be losing you, | 0:34:16 | 0:34:19 | |
but, unfortunately, the questions just didn't fall your way | 0:34:19 | 0:34:21 | |
at the crucial moment, but thank you for playing For What It's Worth. | 0:34:21 | 0:34:26 | |
Thank you. Thank you. | 0:34:26 | 0:34:28 | |
To be honest, the candlesticks, I just picked them | 0:34:28 | 0:34:30 | |
cos they were really ugly. And the clock. | 0:34:30 | 0:34:33 | |
And I thought, God, they've got to | 0:34:33 | 0:34:34 | |
be worth something or they wouldn't be here cos they're so ugly! | 0:34:34 | 0:34:37 | |
Well done, Russell and Mark. | 0:34:42 | 0:34:43 | |
You built the most valuable collection | 0:34:43 | 0:34:45 | |
and you are today's winners. | 0:34:45 | 0:34:47 | |
And now, all that remains is for you to claim your prize. | 0:34:47 | 0:34:50 | |
All you have to do - simple - is pick a lot from your collection | 0:34:50 | 0:34:54 | |
and we will give you its value in cash. OK. | 0:34:54 | 0:34:57 | |
As you will have deduced, | 0:34:57 | 0:34:59 | |
that top lot is hiding somewhere in your collection, but can you spot it? | 0:34:59 | 0:35:05 | |
Have a little chat and decide which you'd like to choose. | 0:35:05 | 0:35:09 | |
Come on, then, Chewbacca! You choose. | 0:35:09 | 0:35:12 | |
You choose - what do you think it is? | 0:35:12 | 0:35:13 | |
I'll back you all the way, until you're wrong. | 0:35:13 | 0:35:17 | |
When we looked around, the pigeon interested us, didn't it? | 0:35:17 | 0:35:19 | |
I think, as you can tell, it's quality. It is quality. | 0:35:19 | 0:35:22 | |
I do like it. | 0:35:22 | 0:35:23 | |
If I had to break it down, I'd say pigeon and the paperweight | 0:35:23 | 0:35:27 | |
and the Vesta case are the three. The others I would get rid of. | 0:35:27 | 0:35:30 | |
But you liked the jewellery? | 0:35:30 | 0:35:31 | |
I did like the jewellery, so I'd put that instead of the paperweight, | 0:35:31 | 0:35:34 | |
but I think the pigeon is what we've both been saying we went for. | 0:35:34 | 0:35:37 | |
Are we going to stick with that? | 0:35:37 | 0:35:38 | |
I think we're going to stick with the pigeon. | 0:35:38 | 0:35:40 | |
You're going to stick with the pigeon? Catch the pigeon. | 0:35:40 | 0:35:43 | |
So they have chosen the pigeon. | 0:35:43 | 0:35:44 | |
Before we tell you what it's worth, Charlie, | 0:35:44 | 0:35:46 | |
please can you tell us the value of the lots the boys have rejected? | 0:35:46 | 0:35:51 | |
I love your jewellery. I think it's splendid. | 0:35:51 | 0:35:54 | |
It is Norwegian, David Andersen. Wonderful, wonderful silversmith. | 0:35:54 | 0:35:58 | |
Silver and enamel. | 0:35:58 | 0:35:59 | |
?450 worth. Wowee! The excitement! Good. | 0:35:59 | 0:36:05 | |
You quite liked those clumpy tobacco jars, didn't you? | 0:36:05 | 0:36:09 | |
I think if you had one of them, | 0:36:09 | 0:36:11 | |
they really wouldn't be worth much at all. | 0:36:11 | 0:36:13 | |
To get a pair of this size in that condition is really quite rare. | 0:36:13 | 0:36:17 | |
And they're quite fun. | 0:36:17 | 0:36:19 | |
And they're ?600 worth. | 0:36:19 | 0:36:20 | |
THEY SIGH WITH RELIEF | 0:36:20 | 0:36:21 | |
Good. Sigh of relief. | 0:36:21 | 0:36:24 | |
What's next? Trench art. Oh! Yeah. | 0:36:24 | 0:36:28 | |
A lot of trench art is simply getting an old shell | 0:36:28 | 0:36:31 | |
and embossing it crudely. | 0:36:31 | 0:36:34 | |
This is extremely well done | 0:36:34 | 0:36:36 | |
and it is a signed piece of trench art, hence the price. | 0:36:36 | 0:36:39 | |
?700. Mm! | 0:36:39 | 0:36:42 | |
We're glad it's gone, though. OK. Next. | 0:36:42 | 0:36:45 | |
There was a bit of banter, wasn't there, about this paperweight? Yeah. | 0:36:45 | 0:36:49 | |
Well, it's Clichy. Only just behind Baccarat as a top brand. | 0:36:49 | 0:36:54 | |
But I can't afford it because it's ?900 worth. Ooh! OK. | 0:36:54 | 0:36:58 | |
Well done, boys. We're getting closer. Oh, we're climbing now. | 0:36:58 | 0:37:01 | |
Well done. What's next? Well, the Vesta box, Sampson Mordan. | 0:37:01 | 0:37:06 | |
You liked that, too, didn't you, chaps? Yeah. | 0:37:06 | 0:37:08 | |
And to think that this was probably a personal | 0:37:08 | 0:37:11 | |
commission by Sampson Mordan and the quality of the enamelling. | 0:37:11 | 0:37:16 | |
Anyway, it's 1890, so it's got age, it's got everything we need, | 0:37:16 | 0:37:21 | |
hasn't it? And it's 1,250 smackers' worth! | 0:37:21 | 0:37:25 | |
Excellent. Now... Beautiful piece. | 0:37:25 | 0:37:28 | |
OK, where are we going? Stamps or pigeon? Are you a philatelist? | 0:37:28 | 0:37:32 | |
Stamp collector. Philately will get you nowhere. | 0:37:32 | 0:37:36 | |
But this will because this is quite a valuable collection of stamps. | 0:37:36 | 0:37:41 | |
Do you know why? No. | 0:37:41 | 0:37:43 | |
I think it's the investiture of Prince Charles | 0:37:43 | 0:37:46 | |
as the Prince of Wales. That's exactly right. | 0:37:46 | 0:37:49 | |
And which castle is that? Um... | 0:37:49 | 0:37:51 | |
Caernarfon. Spot on. 1969. | 0:37:51 | 0:37:53 | |
That is not why they're valuable, chaps. Have another look at them. | 0:37:53 | 0:37:58 | |
Something missing? | 0:37:58 | 0:38:00 | |
Price? There's no price on them! | 0:38:00 | 0:38:02 | |
There's always a price on a stamp | 0:38:02 | 0:38:03 | |
unless it says first or second class. | 0:38:03 | 0:38:05 | |
We did notice that, but... You did, but you thought that was irrelevant? | 0:38:05 | 0:38:09 | |
Well, that makes them... I was going to say priceless. Oh! | 0:38:09 | 0:38:13 | |
These are seriously valuable. | 0:38:13 | 0:38:15 | |
These are worth over ?1,000. | 0:38:15 | 0:38:17 | |
These are worth over ?1,500. | 0:38:17 | 0:38:19 | |
These are worth over ?2,000. No! | 0:38:19 | 0:38:22 | |
These are, in fact, worth 2,250. | 0:38:23 | 0:38:29 | |
THEY EXCLAIM | 0:38:29 | 0:38:30 | |
Get in there! | 0:38:30 | 0:38:32 | |
What a tense moment! Can you draw a conclusion from that, chaps? | 0:38:34 | 0:38:38 | |
I have done, yes. Yes. OK. You have won the top lot. | 0:38:38 | 0:38:44 | |
The pigeon is the thing. | 0:38:44 | 0:38:47 | |
So, Russell and Mark, come and join me to take a closer | 0:38:47 | 0:38:50 | |
look at your chosen lot and see if we can tempt you with our mystery lot. | 0:38:50 | 0:38:55 | |
There is that beautiful pigeon. | 0:38:58 | 0:39:00 | |
You won him as your first lot and defended him | 0:39:00 | 0:39:04 | |
cos no-one was interested. You just hid him away somehow. Yup. | 0:39:04 | 0:39:08 | |
A bit lucky there, I think. But we know how much he's worth. | 0:39:08 | 0:39:11 | |
You already have ?2,500 on the table for you. | 0:39:11 | 0:39:15 | |
However, let's see if we can tempt you with today's mystery lot | 0:39:15 | 0:39:18 | |
which, as I said, could be worth even more than the value of the pigeon. | 0:39:18 | 0:39:23 | |
Charlie? I'm going to reveal it. | 0:39:23 | 0:39:25 | |
Oh. A letter. | 0:39:27 | 0:39:28 | |
There we are, Fern. Open that envelope. OK. | 0:39:32 | 0:39:35 | |
And it says "Private Confidential" | 0:39:37 | 0:39:41 | |
from 10 Downing Street, Whitehall. | 0:39:41 | 0:39:42 | |
31st of October, 1931. | 0:39:42 | 0:39:45 | |
And it finishes, "I am yours, always sincerely..." | 0:39:45 | 0:39:48 | |
Is that Ramsay MacDonald? It is. Oh, my goodness! | 0:39:48 | 0:39:52 | |
Tell us about this letter. | 0:39:53 | 0:39:55 | |
This is a letter from the former | 0:39:55 | 0:39:57 | |
Prime Minister Ramsay MacDonald on Number 10 Downing Street | 0:39:57 | 0:40:01 | |
headed paper, dated just four days after the general election of 1931. | 0:40:01 | 0:40:07 | |
The election was a landslide victory for the national government | 0:40:09 | 0:40:14 | |
after the collapse of MacDonald's previous Labour government. | 0:40:14 | 0:40:19 | |
The letter, addressed to one of MacDonald's friends, | 0:40:19 | 0:40:22 | |
berates the Labour Party in passionate language. | 0:40:22 | 0:40:26 | |
So, interesting, political, but is it collectable? Wow. | 0:40:27 | 0:40:33 | |
That's difficult. | 0:40:33 | 0:40:34 | |
So, all that's left for you to decide is whether to stick | 0:40:35 | 0:40:39 | |
with your pigeon, or to dump it in favour of today's mystery lot. | 0:40:39 | 0:40:44 | |
Have a little chat and then tell us what you'd like to do. | 0:40:45 | 0:40:49 | |
I'll be honest. | 0:40:51 | 0:40:52 | |
They are really collectable, but I don't ever remember | 0:40:52 | 0:40:55 | |
hearing, on any of the programmes I've seen, letters with value. | 0:40:55 | 0:40:59 | |
It might be, though, because the rarity of its content. | 0:41:00 | 0:41:05 | |
You happy with the pigeon, then? I'm happy with the pigeon. | 0:41:05 | 0:41:07 | |
I'll stick with the pigeon. I'll have to go with what you say. | 0:41:07 | 0:41:10 | |
Er... Oh! We're going to stick with the pigeon, then, in that case. | 0:41:10 | 0:41:14 | |
Absolutely sure? Absolutely sure. OK. | 0:41:14 | 0:41:17 | |
So they're going to stick with the pigeon, | 0:41:17 | 0:41:20 | |
and that means you have won its worth in cold, hard cash. | 0:41:20 | 0:41:23 | |
But, Charlie, please tell us what | 0:41:23 | 0:41:25 | |
they have thrown away with your letter. | 0:41:25 | 0:41:28 | |
To have a letter like this, that is so personal... | 0:41:28 | 0:41:32 | |
..addressed to a great friend of his... | 0:41:33 | 0:41:35 | |
Can you imagine if the newspapers of the day had got hold | 0:41:36 | 0:41:40 | |
of something like that, berating his own party and all they stood for? | 0:41:40 | 0:41:46 | |
And, of course, this makes it so interesting, so collectable. | 0:41:46 | 0:41:51 | |
Have people that collect political memorabilia got money? | 0:41:51 | 0:41:56 | |
Well, of course they've got money! Oh, dear. | 0:41:56 | 0:41:58 | |
Do they spend their money? And if so, how much do they spend? | 0:41:58 | 0:42:02 | |
I'm going to need a lie-down in a minute. Like me. | 0:42:02 | 0:42:04 | |
On this, they would spend, in the right sale to the right person... | 0:42:04 | 0:42:10 | |
Don't! | 0:42:10 | 0:42:11 | |
..?400. Oh, yes! Oh! | 0:42:11 | 0:42:14 | |
Oh! Thank you, Fern. Well done, lads! | 0:42:14 | 0:42:18 | |
Well done, guys. Well done, well done! Well done, sir. | 0:42:18 | 0:42:21 | |
Thank you. Well done. Thank you so much. Tremendous! Congratulations! | 0:42:21 | 0:42:25 | |
Thank you. You've done so well today. | 0:42:25 | 0:42:27 | |
Russell and Mark, they're going home with ?2,500. | 0:42:27 | 0:42:31 | |
Charlie, you've given us such shots of adrenaline, fear, | 0:42:31 | 0:42:33 | |
excitement and everything else. Thank you, Fern. | 0:42:33 | 0:42:36 | |
I'm looking forward to seeing you next time. Thank you so much. | 0:42:36 | 0:42:38 | |
So looking forward to seeing you again next time | 0:42:38 | 0:42:40 | |
when three new teams join us to play For What It's Worth. | 0:42:40 | 0:42:44 | |
We'll see you then. Goodbye. | 0:42:44 | 0:42:46 | |
Mark's knowledge in the show... I thought he nailed it. | 0:42:50 | 0:42:53 | |
I mean, when he said that Ireland was one of the biggest... | 0:42:53 | 0:42:57 | |
..British Isles, I thought I was in trouble here! | 0:42:57 | 0:43:03 | |
But he picked up at the end with the James Bond. | 0:43:03 | 0:43:10 |