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Hello, and welcome to For What It's Worth, | 0:00:15 | 0:00:17 | |
the show where a top cash prize waits for the cleverest quizzers | 0:00:17 | 0:00:21 | |
and the sassiest shoppers. | 0:00:21 | 0:00:23 | |
Three pairs of contestants are ready to play. | 0:00:23 | 0:00:26 | |
In each team is a quizzer, responsible for answering | 0:00:26 | 0:00:28 | |
general knowledge questions, so that their partner, the picker, | 0:00:28 | 0:00:32 | |
can choose an antique item to add to their collection. | 0:00:32 | 0:00:35 | |
So here are today's lots for your consideration. | 0:00:35 | 0:00:37 | |
16 different antiques and collectables, | 0:00:37 | 0:00:41 | |
and we have... | 0:00:41 | 0:00:42 | |
a cabinet, | 0:00:42 | 0:00:44 | |
a statue, | 0:00:44 | 0:00:45 | |
a cigarette case, | 0:00:45 | 0:00:46 | |
a glass bird, | 0:00:46 | 0:00:48 | |
a paperweight, | 0:00:48 | 0:00:49 | |
a carved figure, | 0:00:49 | 0:00:51 | |
a wand, | 0:00:51 | 0:00:52 | |
some pictures, | 0:00:52 | 0:00:54 | |
whist markers, | 0:00:54 | 0:00:55 | |
a bowl, | 0:00:55 | 0:00:57 | |
a teapot, | 0:00:57 | 0:00:58 | |
a terrine, | 0:00:58 | 0:01:00 | |
a sign, | 0:01:00 | 0:01:01 | |
a fire screen, | 0:01:01 | 0:01:03 | |
a brooch, | 0:01:03 | 0:01:04 | |
and a tea caddy. | 0:01:04 | 0:01:06 | |
All very different, with very different values. | 0:01:06 | 0:01:09 | |
One is worthless, worth £10 or less. | 0:01:09 | 0:01:11 | |
And the rest increase in value up to our top lot, | 0:01:11 | 0:01:14 | |
which is worth a whopping £2,500. | 0:01:14 | 0:01:18 | |
The aim of the game is to amass the most valuable collection. | 0:01:18 | 0:01:22 | |
First up, we have Elaine and Elaine. | 0:01:22 | 0:01:24 | |
That's Elaine Barrett and Elaine Berry, | 0:01:24 | 0:01:27 | |
who are sisters-in-law from West Yorkshire and Sutton Coldfield. | 0:01:27 | 0:01:31 | |
A warm welcome to you, ladies. | 0:01:31 | 0:01:33 | |
So who married whose twin brother? | 0:01:33 | 0:01:35 | |
-I married Elaine's twin brother. -How extraordinary. | 0:01:35 | 0:01:38 | |
-How long ago was that? -27 years ago. | 0:01:38 | 0:01:41 | |
Elaine left, you are the team picker. | 0:01:41 | 0:01:44 | |
-Yeah. -Have you got confidence in your sister-in-law | 0:01:44 | 0:01:46 | |
to get the questions right? | 0:01:46 | 0:01:49 | |
Absolutely. Every time we ring Elaine up, she's off to a quiz. | 0:01:49 | 0:01:52 | |
Every time we go on holiday, we have to go to a quiz, | 0:01:52 | 0:01:55 | |
all organised by Elaine. And she does well, and we just follow along. | 0:01:55 | 0:01:59 | |
Excellent. And what sort of collectables do you like, Elaine? | 0:01:59 | 0:02:03 | |
We tend to collect ceramics or glass. | 0:02:03 | 0:02:06 | |
I've got quite a good collection of Whitefriars glass now. | 0:02:06 | 0:02:09 | |
Everyone likes the '60s stuff at the moment, | 0:02:09 | 0:02:12 | |
but I like the earlier stuff. | 0:02:12 | 0:02:14 | |
-It's a bit finer and a bit nicer, in my opinion. -Ah, interesting. | 0:02:14 | 0:02:18 | |
And Elaine on the right, | 0:02:18 | 0:02:20 | |
how confident are you that Elaine left will make the right choices? | 0:02:20 | 0:02:24 | |
Absolutely confident. | 0:02:24 | 0:02:25 | |
-Because whenever I phone Elaine up, she's going to an antiques fair. -THEY LAUGH | 0:02:25 | 0:02:29 | |
Well, this sounds like the ideal partnership. | 0:02:29 | 0:02:32 | |
Elaine and Elaine, thank you very much indeed. | 0:02:32 | 0:02:34 | |
And next to you, we have Graham and Mike | 0:02:34 | 0:02:36 | |
from Stockport, who are father and son. | 0:02:36 | 0:02:39 | |
Lovely to have you here, chaps, as well. | 0:02:39 | 0:02:41 | |
Graham, you are the picker for your team. | 0:02:41 | 0:02:43 | |
What started your interest in antiques? | 0:02:43 | 0:02:46 | |
When we first moved up to the north in the '70s, | 0:02:46 | 0:02:50 | |
my wife wanted a jewel box. | 0:02:50 | 0:02:51 | |
We didn't have much money, so I went to the local junk shop | 0:02:51 | 0:02:54 | |
and picked a box out, which was filthy, | 0:02:54 | 0:02:56 | |
and got it home and found it was a brass band writing box, | 0:02:56 | 0:02:59 | |
which was in walnut. | 0:02:59 | 0:03:01 | |
A really nice box - when it was cleaned up, it looked lovely. | 0:03:01 | 0:03:04 | |
And that started me off collecting boxes, | 0:03:04 | 0:03:06 | |
and then into antiques and so on. | 0:03:06 | 0:03:08 | |
So, Mike, you're going to be answering the questions. | 0:03:08 | 0:03:10 | |
Has Dad leant on you, given you a pep talk? | 0:03:10 | 0:03:12 | |
Yeah. He said something along the lines of, "Don't fail." | 0:03:12 | 0:03:15 | |
You know, that was pretty much... It was quite short. | 0:03:15 | 0:03:17 | |
-Are you a good quizzer, though? -Yeah, on my day. | 0:03:17 | 0:03:20 | |
-It's all about the questions, isn't it, Fern? -It is. | 0:03:20 | 0:03:23 | |
-But your general knowledge is broad? -Yeah. -Very good. | 0:03:23 | 0:03:26 | |
OK, moving on to the couple next to you - Yvonne and Andy. | 0:03:26 | 0:03:30 | |
-Welcome, both of you. -Hello. | 0:03:30 | 0:03:31 | |
Now, Yvonne and Andy are a married couple from London. | 0:03:31 | 0:03:35 | |
Welcome to the show. | 0:03:35 | 0:03:36 | |
Andy, you're picking the antiques for your team today, | 0:03:36 | 0:03:39 | |
so do you have any specific areas of interest? | 0:03:39 | 0:03:41 | |
I quite like the Art Deco period, | 0:03:41 | 0:03:44 | |
and I've honed in recently on Hagenauer Austrian bronzes, | 0:03:44 | 0:03:49 | |
which I find rather nice for the period | 0:03:49 | 0:03:52 | |
and small and quite desirable | 0:03:52 | 0:03:55 | |
to build up a few of them. | 0:03:55 | 0:03:56 | |
There's a sophisticated collector here, chaps. | 0:03:56 | 0:03:59 | |
Yvonne, you're the team quizzer. | 0:03:59 | 0:04:02 | |
Just tell me how you and Andy met - the first time. | 0:04:02 | 0:04:06 | |
Well, we met 35 years ago in Israel. | 0:04:06 | 0:04:10 | |
Andy was my boss. We became very close friends. | 0:04:10 | 0:04:14 | |
But unfortunately, Andy broke my heart | 0:04:14 | 0:04:16 | |
when he dumped me for a tall, leggy blonde. | 0:04:16 | 0:04:19 | |
35 years later, | 0:04:21 | 0:04:23 | |
we bumped into each other in a bagel shop in north London, | 0:04:23 | 0:04:27 | |
and we've been together ever since, | 0:04:27 | 0:04:29 | |
-and now married for four years. -Ah, congratulations. -Very happily. | 0:04:29 | 0:04:32 | |
What happened to the leggy blonde? | 0:04:32 | 0:04:35 | |
I can't even remember her name. | 0:04:35 | 0:04:37 | |
LAUGHTER | 0:04:37 | 0:04:38 | |
-Shocking. -Shameless! | 0:04:38 | 0:04:40 | |
Shocking. | 0:04:40 | 0:04:42 | |
It's very nice to have you here, and good luck in the game. | 0:04:42 | 0:04:44 | |
Welcome, everybody. | 0:04:44 | 0:04:46 | |
Earlier our teams inspected the lots, | 0:04:46 | 0:04:48 | |
but could they separate the show stoppers from the doorstoppers? | 0:04:48 | 0:04:52 | |
-Blimey. Looks like a museum. -It does, yeah. | 0:04:54 | 0:04:58 | |
-Wow-ee! -Oh, wow! | 0:04:58 | 0:04:59 | |
We'll start here, I think. | 0:04:59 | 0:05:02 | |
That's rather nice, isn't it? | 0:05:02 | 0:05:04 | |
It's got big feet! | 0:05:04 | 0:05:06 | |
-It's not resin. -No. | 0:05:06 | 0:05:08 | |
A copper fire screen. | 0:05:09 | 0:05:11 | |
This is an arts and crafts movement type piece. | 0:05:11 | 0:05:14 | |
A bit arts and crafts, yeah. | 0:05:14 | 0:05:16 | |
Might be a good sign. People like signs, don't they? | 0:05:16 | 0:05:19 | |
It's the kind of thing people collect nowadays, | 0:05:19 | 0:05:22 | |
-not worth an awful lot. -Is that a brand name? -Never heard of it. | 0:05:22 | 0:05:26 | |
Tea caddies always have a value. | 0:05:26 | 0:05:28 | |
Tins became quite popular, didn't they? Late Victorian? | 0:05:28 | 0:05:31 | |
It's painted tin, late 18th century. | 0:05:31 | 0:05:35 | |
Oh, don't like that very much. | 0:05:35 | 0:05:37 | |
-Do you think she looks English? -No, Continental. | 0:05:37 | 0:05:40 | |
She's got beautiful eyes. | 0:05:40 | 0:05:42 | |
The tureen, you can look at, it's nice, but it's broken. | 0:05:43 | 0:05:46 | |
We didn't do it. | 0:05:46 | 0:05:47 | |
Mid 19th century, do you think? | 0:05:47 | 0:05:49 | |
Can't see any signature on it, though. | 0:05:49 | 0:05:51 | |
That's absolutely foul. | 0:05:51 | 0:05:53 | |
This is the kind of thing you'd have to put your curios in. | 0:05:55 | 0:05:57 | |
This could be beginning of last century. | 0:05:57 | 0:06:00 | |
Just trying to work out what it's made of. | 0:06:00 | 0:06:02 | |
These are whist markers for playing whist. | 0:06:04 | 0:06:07 | |
No-one plays the game any more. | 0:06:07 | 0:06:09 | |
I know how you play whist, but I can't work out how the markers work! | 0:06:09 | 0:06:12 | |
-What's it for? -I don't know. | 0:06:14 | 0:06:17 | |
-Magic wand? -I hope so. -Show you who the winner is. | 0:06:17 | 0:06:20 | |
-Do you think it was used on the stage? -It could have been. | 0:06:20 | 0:06:23 | |
I think they're pretty ugly. | 0:06:25 | 0:06:26 | |
It's mirrored, isn't it? Is it only painted on the mirror? | 0:06:26 | 0:06:29 | |
Victorian, I would think. | 0:06:29 | 0:06:30 | |
Windsor Castle. | 0:06:30 | 0:06:32 | |
Looks like Lalique. | 0:06:34 | 0:06:35 | |
-It looks like Lalique. -Lalique was an art glass maker | 0:06:35 | 0:06:38 | |
throughout the early part of the 20th century. | 0:06:38 | 0:06:41 | |
That's a silver-plated teapot, Victorian. | 0:06:41 | 0:06:44 | |
Over polished and it's over here. | 0:06:44 | 0:06:46 | |
-A bit like you, really. -Oh! | 0:06:46 | 0:06:47 | |
It's an oriental bowl. | 0:06:50 | 0:06:51 | |
What the heck is that? | 0:06:51 | 0:06:53 | |
-I think it means long life and happiness. -Does it? -Yeah. | 0:06:53 | 0:06:56 | |
-Are you sure? -No! | 0:06:56 | 0:06:57 | |
THEY LAUGH | 0:06:57 | 0:06:59 | |
I think this enamel case is beautiful. | 0:06:59 | 0:07:01 | |
That's what they call cloisonne. | 0:07:01 | 0:07:04 | |
-Quite like that. -Yeah. | 0:07:04 | 0:07:06 | |
Central motif, that little rose in the centre there | 0:07:06 | 0:07:09 | |
tends to suggest it's Clichy. | 0:07:09 | 0:07:10 | |
Only thing about this is it's not Whitefriars. | 0:07:10 | 0:07:13 | |
THEY LAUGH | 0:07:13 | 0:07:14 | |
That's like one of my auntie's brooches. | 0:07:14 | 0:07:17 | |
There's a nice big diamond in the middle, so that would make it quite valuable. | 0:07:17 | 0:07:20 | |
-I'd like it, it would match my... -If nothing else. | 0:07:20 | 0:07:23 | |
It's the cigarette case, the brooch... | 0:07:23 | 0:07:26 | |
And the tea caddy. | 0:07:26 | 0:07:27 | |
Wooden lady, cigarette case, and the wand. | 0:07:27 | 0:07:32 | |
-Tureen, the Clichy paperweight... -Yeah. -..and the Worcester bowl. | 0:07:32 | 0:07:36 | |
Just having a modest look at the jewellery. | 0:07:36 | 0:07:39 | |
Joining me is our resident antiques expert, Natasha Raskin. | 0:07:40 | 0:07:43 | |
Natasha, what do you make of these lots? | 0:07:43 | 0:07:45 | |
I think that today's selection is fantastic. | 0:07:45 | 0:07:48 | |
Some genuine antiques in there. | 0:07:48 | 0:07:50 | |
Not a lot of vintage, genuine antiques with history | 0:07:50 | 0:07:54 | |
and provenance, and that's all provenance is, really, isn't it? | 0:07:54 | 0:07:57 | |
Just a fancy word for history. Where have they come from? | 0:07:57 | 0:08:00 | |
Well, we'll find out later on. | 0:08:00 | 0:08:02 | |
And how has the valuation been arrived at? | 0:08:02 | 0:08:05 | |
Well, I had a good look at today's item and came up with my values, | 0:08:05 | 0:08:09 | |
and of course they were verified by an independent valuer too, | 0:08:09 | 0:08:13 | |
so together we've come up with a hammer price and that is the price | 0:08:13 | 0:08:17 | |
when the hammer falls before any auction commission is added. | 0:08:17 | 0:08:21 | |
Perfect. Well, as well as those little treasures, | 0:08:21 | 0:08:24 | |
we have our mystery lot hidden under the shroud of mystery, | 0:08:24 | 0:08:27 | |
poised to be uncovered at the end of the show to tempt our winners. | 0:08:27 | 0:08:31 | |
It could be pricey or it could be priceless. | 0:08:31 | 0:08:33 | |
We'll be unveiling it later. But for now, it is time for Round 1. | 0:08:33 | 0:08:37 | |
I'm going to ask you ten general knowledge questions, quizzers. | 0:08:40 | 0:08:43 | |
If you buzz in with a correct answer, | 0:08:43 | 0:08:45 | |
your picker gets to add a lot to your collection, but beware, | 0:08:45 | 0:08:49 | |
buzz in incorrectly and you'll be frozen out of the next question. | 0:08:49 | 0:08:53 | |
Quizzers, get the questions right and your picker can collect | 0:08:53 | 0:08:56 | |
the best lots first, so fingers on buzzers, question number one. | 0:08:56 | 0:09:01 | |
Which word represents the letter F in the NATO phonetic alphabet? | 0:09:01 | 0:09:07 | |
BELL | 0:09:07 | 0:09:08 | |
-Elaine. -Foxtrot. | 0:09:08 | 0:09:09 | |
Correct. Well done. | 0:09:09 | 0:09:11 | |
Elaine, you get a chance for first pick. What are you going for? | 0:09:11 | 0:09:15 | |
-Can I have the cigarette case, please? -The cigarette case is yours. | 0:09:15 | 0:09:18 | |
Here it comes. And there it is. | 0:09:18 | 0:09:21 | |
Well done. Question number two. | 0:09:21 | 0:09:23 | |
What famous historical document was sealed by King John... | 0:09:23 | 0:09:26 | |
BELL Elaine. | 0:09:26 | 0:09:28 | |
-The Magna Carta. -..was sealed by King John in 1215? | 0:09:28 | 0:09:32 | |
It was the Magna Carta. | 0:09:32 | 0:09:34 | |
OK, Elaine, go for another. | 0:09:34 | 0:09:36 | |
I'll go with the carved figure. | 0:09:36 | 0:09:38 | |
The carved figure? It's yours. | 0:09:38 | 0:09:40 | |
And there it is in your collection. | 0:09:41 | 0:09:43 | |
Question three. | 0:09:43 | 0:09:44 | |
Who played the title role in the US TV show The Fresh Prince of Bel Air? | 0:09:44 | 0:09:49 | |
BELL Yes, Mike. | 0:09:49 | 0:09:51 | |
I'm sorry, I'm going to have to say it for you. | 0:09:54 | 0:09:57 | |
-It was Will Smith. -Sorry. -Of course it was Will Smith. | 0:09:57 | 0:09:59 | |
-It was there, wasn't it? -Yeah. -Just couldn't connect. OK. | 0:09:59 | 0:10:02 | |
You are now frozen out of the next question. | 0:10:02 | 0:10:05 | |
Question four. | 0:10:05 | 0:10:06 | |
In Hindu mythology, Ganesha, the god of wisdom, | 0:10:06 | 0:10:10 | |
has the head of which animal? | 0:10:10 | 0:10:12 | |
-BELL Yes, Yvonne. -An elephant. | 0:10:12 | 0:10:13 | |
It is an elephant. Well done. | 0:10:13 | 0:10:15 | |
Andy, what do you fancy? | 0:10:15 | 0:10:18 | |
I want to continue the magic. I'll take that wand. | 0:10:18 | 0:10:21 | |
The wand. It is yours. | 0:10:21 | 0:10:23 | |
Well, let's hope that adds some more magic to your collection. | 0:10:23 | 0:10:27 | |
Mike and Graham, you're now back in the game. | 0:10:27 | 0:10:30 | |
Question five. Blue Mountain coffee beans originate from which country? | 0:10:30 | 0:10:34 | |
BELL | 0:10:34 | 0:10:35 | |
-Yes, Mike. -United States? | 0:10:35 | 0:10:37 | |
No. You're frozen out. It's Jamaica. | 0:10:37 | 0:10:40 | |
Question six. Which Hitchcock film character stated, | 0:10:40 | 0:10:45 | |
"A boy's best friend is his mother"? | 0:10:45 | 0:10:48 | |
BELL | 0:10:48 | 0:10:49 | |
-Yes, Yvonne. -Oh... | 0:10:49 | 0:10:50 | |
The man from Psycho. | 0:10:50 | 0:10:51 | |
SHE LAUGHS | 0:10:51 | 0:10:52 | |
I've forgotten his name. | 0:10:52 | 0:10:54 | |
I'm going to have to say incorrect. I'm so sorry. You are right. | 0:10:54 | 0:10:57 | |
-The man from Psycho is called Norman Bates. -Norman Bates. -Norman Bates. | 0:10:57 | 0:11:01 | |
You're frozen out, but Mike and Graham, you're back in. | 0:11:01 | 0:11:04 | |
The mandible bone forms what part of the human body? | 0:11:04 | 0:11:08 | |
BELL | 0:11:08 | 0:11:09 | |
-Yes, Mike. -The jaw. | 0:11:09 | 0:11:10 | |
It is the jaw. Graham, you're off the mark. What would you like? | 0:11:10 | 0:11:13 | |
We'll take the paperweight, please. | 0:11:13 | 0:11:15 | |
The paperweight? It's yours. | 0:11:15 | 0:11:17 | |
And it's in your collection. | 0:11:17 | 0:11:19 | |
Yvonne and Andy, you're back in the game. Question eight. | 0:11:19 | 0:11:22 | |
El Pais is a national daily newspaper published in which European country? | 0:11:22 | 0:11:28 | |
BELL | 0:11:28 | 0:11:29 | |
-Yes, Yvonne. -Spain? | 0:11:29 | 0:11:30 | |
It is Spain. Good. | 0:11:30 | 0:11:31 | |
Andy, what do you fancy? | 0:11:31 | 0:11:33 | |
I'm going to go for the brooch. | 0:11:33 | 0:11:36 | |
The brooch? It's going to your collection right now. | 0:11:36 | 0:11:40 | |
Question nine. Which Swedish act won the 1974... | 0:11:40 | 0:11:44 | |
BELL | 0:11:44 | 0:11:45 | |
-Yes, Elaine? -ABBA. | 0:11:45 | 0:11:47 | |
It was ABBA. ..1974 Eurovision Song Contest? ABBA is correct. | 0:11:47 | 0:11:50 | |
Elaine, what would you like? | 0:11:50 | 0:11:52 | |
I've taken a shine to the tea caddy, so I'll go with the tea caddy. | 0:11:52 | 0:11:56 | |
The tea caddy is yours. There you go. | 0:11:56 | 0:11:58 | |
Final question. | 0:11:58 | 0:12:00 | |
In chess, what is the name of the smallest playing peace? | 0:12:00 | 0:12:04 | |
BELL Yvonne. | 0:12:04 | 0:12:05 | |
-A pawn. -It is the pawn. | 0:12:05 | 0:12:07 | |
Andy, what do you want? | 0:12:07 | 0:12:09 | |
The tureen, please. | 0:12:09 | 0:12:10 | |
The tureen? It's coming your way. | 0:12:10 | 0:12:13 | |
All right, let's have a look. | 0:12:13 | 0:12:15 | |
Elaine and Elaine, you have the cigarette case, | 0:12:15 | 0:12:18 | |
the carved figure and the tea caddy. | 0:12:18 | 0:12:20 | |
Graham and Mike, you have the paperweight, | 0:12:20 | 0:12:23 | |
whilst Andy and Yvonne, you have collected the wand, | 0:12:23 | 0:12:27 | |
the brooch and the tureen. | 0:12:27 | 0:12:29 | |
So our teams have started to build their collections, | 0:12:29 | 0:12:31 | |
but before they have the chance to add to them, | 0:12:31 | 0:12:34 | |
Natasha is going to give each of you a fact about a lot of your choice. | 0:12:34 | 0:12:39 | |
Now, you can choose from one of your collection, | 0:12:39 | 0:12:41 | |
one of your opponents' collections | 0:12:41 | 0:12:43 | |
or something that's still up on the grid. | 0:12:43 | 0:12:45 | |
Elaine, let's start with you. Which lot would you like to hear about? | 0:12:45 | 0:12:49 | |
I think I'd quite like to hear a bit more about that tureen. | 0:12:49 | 0:12:52 | |
The tureen that Andy has just added to his collection. | 0:12:52 | 0:12:55 | |
-Natasha, the tureen. -Intriguing, isn't it? | 0:12:55 | 0:12:58 | |
Well, it's a Meissen tureen, | 0:12:58 | 0:13:00 | |
modelled as a recumbent white stag, | 0:13:00 | 0:13:03 | |
designed by a chap called J Kandler. | 0:13:03 | 0:13:06 | |
Now, Meissen's a German manufacturer, as you'll all know, | 0:13:06 | 0:13:09 | |
who started making this stuff in 1710. | 0:13:09 | 0:13:13 | |
But this one was created in the 19th century | 0:13:13 | 0:13:16 | |
and it's very handily numbered, like all things Meissen. | 0:13:16 | 0:13:19 | |
On the base it's numbered "E50" - | 0:13:19 | 0:13:22 | |
now, that's German efficiency for you, is it not? | 0:13:22 | 0:13:25 | |
Meissen pottery can sell for wildly different sums, | 0:13:25 | 0:13:29 | |
all over the spectrum, | 0:13:29 | 0:13:30 | |
and all are marked with their distinctive crossed blue swords, | 0:13:30 | 0:13:35 | |
but with its broken leg, | 0:13:35 | 0:13:37 | |
as I'm sure you all noticed, | 0:13:37 | 0:13:39 | |
where does our tureen rank? I'm not going to tell you. | 0:13:39 | 0:13:43 | |
I'm going to leave it to you ladies to figure it out for yourself. | 0:13:43 | 0:13:46 | |
Mike and Graham, your chance to have a pick. Graham, what would you like? | 0:13:46 | 0:13:50 | |
I think I'd like the diamond brooch. | 0:13:50 | 0:13:52 | |
Which is also in Andy and Yvonne's collection. | 0:13:52 | 0:13:55 | |
The diamond brooch, Natasha. | 0:13:55 | 0:13:57 | |
It's a French Art Deco diamond-set bar brooch. | 0:13:57 | 0:14:01 | |
The diamonds are a combination of brilliant cut, meaning | 0:14:01 | 0:14:04 | |
the stone was cut several times in order to maximise its appearance | 0:14:04 | 0:14:08 | |
and shine, which we all love, | 0:14:08 | 0:14:09 | |
and rose cut, which is a cut | 0:14:09 | 0:14:11 | |
that tries to mirror the tapering of rose petals, very feminine. | 0:14:11 | 0:14:15 | |
They're all set in white gold, which is 18-carat, | 0:14:15 | 0:14:19 | |
and the diamonds themselves weigh in it 1.5 carats overall. | 0:14:19 | 0:14:24 | |
So, are diamonds always a girl's or a man's best friend? | 0:14:24 | 0:14:28 | |
-I'll leave you to decide what it's worth. -Hmm. | 0:14:28 | 0:14:31 | |
Yvonne and Andy? Andy, this is your chance to pick something. | 0:14:31 | 0:14:35 | |
The cigarette case, please. | 0:14:35 | 0:14:37 | |
The cigarette case, which is in the Elaines' collection. | 0:14:37 | 0:14:40 | |
Yes, indeed, a very beautiful cigarette case indeed. | 0:14:40 | 0:14:43 | |
A little cigarette case, as you noticed, | 0:14:43 | 0:14:45 | |
made in Russia by - let's get this right - Pavel Ovchinnikov. | 0:14:45 | 0:14:49 | |
This case is classic Russian design, as I'm sure you've noticed. | 0:14:49 | 0:14:53 | |
Silver and enamel in bright colours, polychroming, as it's called. | 0:14:53 | 0:14:58 | |
So, what does that mean for the value of the cigarette case? | 0:14:58 | 0:15:01 | |
Well, you decide. | 0:15:01 | 0:15:03 | |
Now that you are all a little bit more knowledgeable about today's lots | 0:15:03 | 0:15:07 | |
let's give you the chance to add more of them to your collections. | 0:15:07 | 0:15:10 | |
Bear in mind that at the end of this round, | 0:15:10 | 0:15:13 | |
the team with the least valuable collection will be eliminated. | 0:15:13 | 0:15:17 | |
So, three more lots are now available to each pair. | 0:15:19 | 0:15:23 | |
This time, pickers, you target a lot, | 0:15:23 | 0:15:26 | |
and quizzers, you then try to secure it by answering a question correctly, | 0:15:26 | 0:15:30 | |
but in this round, the lots come with their own question categories. | 0:15:30 | 0:15:34 | |
Let's have a look at those. | 0:15:34 | 0:15:36 | |
So for example, if you targeted the pictures, | 0:15:37 | 0:15:41 | |
your quizzer would have to answer | 0:15:41 | 0:15:43 | |
questions in the categories Oscar Winners or Astronomy, | 0:15:43 | 0:15:46 | |
so, Elaine and Elaine, | 0:15:46 | 0:15:48 | |
you are up first, so, Elaine picker, what is your lot? | 0:15:48 | 0:15:52 | |
I think we'll go with the statue. | 0:15:52 | 0:15:54 | |
OK, Elaine quizzer, The Olympics or Musicals? | 0:15:54 | 0:15:57 | |
-Musicals. -Musicals? Here we go. | 0:15:57 | 0:16:00 | |
If which musical has it become traditional for a male actor to play Tracy Turnblad's mother? | 0:16:00 | 0:16:06 | |
-Hairspray. -It is Hairspray. | 0:16:06 | 0:16:09 | |
Congratulations. Elaine, the statue is yours. | 0:16:09 | 0:16:12 | |
Graham, your chance to pick now, what would you like? | 0:16:13 | 0:16:16 | |
Um... | 0:16:16 | 0:16:18 | |
The teapot. | 0:16:18 | 0:16:19 | |
The teapot. So, Mike, US Geography or Cartoon Characters? | 0:16:19 | 0:16:24 | |
Go on. US Geography. | 0:16:24 | 0:16:26 | |
OK, here we go. What is the state capital of Florida? | 0:16:26 | 0:16:30 | |
Um... Miami. | 0:16:32 | 0:16:33 | |
Tallahassee. I'm so sorry, Miami is incorrect. | 0:16:33 | 0:16:37 | |
Teapot stays on the grid. So, Andy, what would you like to choose? | 0:16:37 | 0:16:42 | |
-Let's go for the cabinet. -The cabinet? | 0:16:42 | 0:16:45 | |
Yvonne, The Olympics or Cocktails? | 0:16:45 | 0:16:47 | |
Thanks, darling(!) | 0:16:48 | 0:16:50 | |
THEY LAUGH | 0:16:50 | 0:16:52 | |
Oh, I... | 0:16:52 | 0:16:54 | |
-Cocktails. -Yes! Absolutely. -Why not? | 0:16:54 | 0:16:57 | |
OK, what is the primary alcoholic ingredient in a Tom Collins? | 0:16:57 | 0:17:01 | |
Is that gin? | 0:17:01 | 0:17:02 | |
-It is gin. The cabinet is yours. -I guessed. | 0:17:02 | 0:17:05 | |
-If you've never had them, you know... -You guessed well. | 0:17:05 | 0:17:09 | |
Elaine picker, what would you like? | 0:17:09 | 0:17:12 | |
We'll try the bowl. | 0:17:13 | 0:17:15 | |
Elaine quizzer, US Geography or Musicals? | 0:17:15 | 0:17:18 | |
-Musicals. -Yes! Musicals. Here's your question. | 0:17:18 | 0:17:22 | |
Which Andrew Lloyd Webber musical is based on a book by TS Eliot? | 0:17:22 | 0:17:26 | |
-Cats. -It is Cats. | 0:17:26 | 0:17:28 | |
Good, the bowl is yours. | 0:17:28 | 0:17:30 | |
Graham, what would you like? | 0:17:30 | 0:17:32 | |
Um... | 0:17:32 | 0:17:34 | |
-The glass bird. -The glass bird. | 0:17:34 | 0:17:36 | |
So, Mike, The Olympics or Oscar Winners? | 0:17:36 | 0:17:39 | |
-Oscar Winners. -OK, here's your question. | 0:17:39 | 0:17:42 | |
At the 1982 Academy Awards, | 0:17:42 | 0:17:45 | |
which actress received her fourth Oscar for her role in On Golden Pond? | 0:17:45 | 0:17:51 | |
Oh, it was the daughter of Henry Fonda. Jane Fonda. | 0:17:51 | 0:17:55 | |
No, Henry Fonda was in it but he was starring opposite Katharine Hepburn. | 0:17:55 | 0:17:59 | |
OK, the glass bird stays there. Andy, what would you like? | 0:17:59 | 0:18:03 | |
We'll go for the teapot. | 0:18:03 | 0:18:05 | |
Teapot. US Geography or Cartoon Characters, Yvonne? | 0:18:05 | 0:18:08 | |
I will try Cartoon Characters. | 0:18:08 | 0:18:13 | |
In the classic animated TV series The Magic Roundabout, | 0:18:13 | 0:18:17 | |
what type of animal was Ermintrude? | 0:18:17 | 0:18:19 | |
Ermintrude was a cow. | 0:18:19 | 0:18:20 | |
She was! With a little hat on and a daisy, didn't she? | 0:18:20 | 0:18:24 | |
So the teapot is yours. | 0:18:24 | 0:18:27 | |
OK, teams, your collections are growing. | 0:18:27 | 0:18:29 | |
Remember, at the end of this round | 0:18:29 | 0:18:31 | |
the pair with the least valuable collection will be leaving us. | 0:18:31 | 0:18:34 | |
There is one last lot available to each team | 0:18:34 | 0:18:37 | |
and this time you can either go for what's left on the grid | 0:18:37 | 0:18:41 | |
or you can try to steal an antique that's in a rival team's collection, | 0:18:41 | 0:18:45 | |
but pickers, be warned, if you choose to steal from another team, | 0:18:45 | 0:18:50 | |
their quizzer will get to decide your quizzer's category. | 0:18:50 | 0:18:54 | |
Just one rule here - | 0:18:54 | 0:18:55 | |
you cannot steal from a team who has just one lot in their collection. | 0:18:55 | 0:19:00 | |
So, Mike and Graham, you are secure at the moment. | 0:19:00 | 0:19:04 | |
Right, Elaine, do you want to target a lot from the grid | 0:19:04 | 0:19:08 | |
or have you got your eye on something in another collection? | 0:19:08 | 0:19:11 | |
I think I'm going to go with the Nectar Tea sign, | 0:19:11 | 0:19:13 | |
because I just really liked that all the way through. | 0:19:13 | 0:19:16 | |
Elaine quizzer, do you want Shakespeare or Cocktails? | 0:19:16 | 0:19:19 | |
-Shakespeare. -Shakespeare it is. | 0:19:19 | 0:19:21 | |
In Romeo And Juliet, what is Juliet's family name? | 0:19:21 | 0:19:25 | |
Capulet. | 0:19:26 | 0:19:28 | |
It is Capulet. The Nectar Tea sign is yours. | 0:19:28 | 0:19:32 | |
I'll take that home with me! | 0:19:32 | 0:19:34 | |
Mike and Graham - Graham, what did you like? | 0:19:34 | 0:19:36 | |
Well, I'll go for someone else's collection. I'd like the... | 0:19:38 | 0:19:41 | |
-the bowl. -You want to steal from the Elaines, | 0:19:41 | 0:19:44 | |
which means that Elaine quizzer is now going to pick the category | 0:19:44 | 0:19:48 | |
for Mike to answer. | 0:19:48 | 0:19:49 | |
You can go for any category on the board now, Elaine. | 0:19:49 | 0:19:52 | |
-Musicals. -Musicals? | 0:19:52 | 0:19:55 | |
-That was nasty, but... -Ooh! OK. | 0:19:55 | 0:19:57 | |
Elliott Kennedy and Gary Barlow wrote the score for which stage musical about Peter Pan? | 0:19:57 | 0:20:05 | |
Hook. | 0:20:05 | 0:20:06 | |
Incorrect. Finding Neverland. | 0:20:06 | 0:20:09 | |
Well defended, Elaine. The bowl stays with you. | 0:20:09 | 0:20:12 | |
Andy, would you like to steal or go for something on the grid? | 0:20:12 | 0:20:16 | |
I'm sorry, dear, I know you've given up smoking | 0:20:16 | 0:20:19 | |
but I'd like that cigarette case! | 0:20:19 | 0:20:22 | |
So the cigarette case, please. | 0:20:22 | 0:20:25 | |
From Elaine and Elaine. | 0:20:25 | 0:20:27 | |
OK, Elaine quizzer, you choose a category for Yvonne to answer. | 0:20:27 | 0:20:32 | |
Be nice. | 0:20:32 | 0:20:33 | |
-Astronomy. -The question is Astronomy. | 0:20:34 | 0:20:38 | |
Lasting approximately 9.9 Earth hours, | 0:20:38 | 0:20:41 | |
which planet in our solar system has the shortest day? | 0:20:41 | 0:20:45 | |
Saturn. | 0:20:45 | 0:20:46 | |
It's Jupiter. | 0:20:46 | 0:20:48 | |
Incorrect. It is Jupiter. | 0:20:48 | 0:20:50 | |
Elaine, you have defended two of your lots. Congratulations. Well done. | 0:20:50 | 0:20:54 | |
Now, let's take a look at our team's collections at the end of that round. | 0:20:54 | 0:20:58 | |
The Nectar sign has been added to Elaine and Elaine's growing collection, | 0:20:58 | 0:21:02 | |
joining the statue, the bowl, | 0:21:02 | 0:21:04 | |
the cigarette case, the carved figure and the tea caddy. | 0:21:04 | 0:21:07 | |
Graham and Mike, you still have the paperweight | 0:21:07 | 0:21:10 | |
and Andy and Yvonne, the wand, | 0:21:10 | 0:21:12 | |
the brooch and the tureen are still sitting in your collection | 0:21:12 | 0:21:16 | |
with the cabinet and the teapot. | 0:21:16 | 0:21:18 | |
So we have calculated the combined value of your items, | 0:21:18 | 0:21:21 | |
and the team with the least valuable collection will be eliminated, | 0:21:21 | 0:21:25 | |
taking their lots out of the game with them. | 0:21:25 | 0:21:28 | |
So, Natasha, who is leaving us first? | 0:21:28 | 0:21:30 | |
I can tell you, Fern, that the pair leaving us first is... | 0:21:30 | 0:21:35 | |
Slap bang in the middle, it's Graham and Mike. | 0:21:39 | 0:21:41 | |
I'm so sorry. My goodness. | 0:21:41 | 0:21:43 | |
I'm so sorry, but it's been wonderful to have you play the game. | 0:21:43 | 0:21:46 | |
Shall we find out how much that paperweight is worth? | 0:21:46 | 0:21:49 | |
Well, before I reveal its value, let me just say, well done, Graham, | 0:21:49 | 0:21:53 | |
because you seemed to know a lot about it. | 0:21:53 | 0:21:55 | |
You recognised instantly that it was French, did you not? | 0:21:55 | 0:21:58 | |
You knew it was Clichy, which it is, | 0:21:58 | 0:22:01 | |
and you knew all about those floral motifs, | 0:22:01 | 0:22:04 | |
and it's such a beautiful thing. | 0:22:04 | 0:22:06 | |
In the 19th century, the French glass industry exploded | 0:22:06 | 0:22:10 | |
and they really used these paperweights | 0:22:10 | 0:22:12 | |
to show off their techniques. | 0:22:12 | 0:22:14 | |
It really is a cracking thing, in beautiful condition, | 0:22:14 | 0:22:17 | |
and because of its condition | 0:22:17 | 0:22:19 | |
and because of its quality, you picked a good lot. | 0:22:19 | 0:22:23 | |
It is worth £850, believe it or not, | 0:22:23 | 0:22:26 | |
so I think you knew quality straightaway, Graham, | 0:22:26 | 0:22:29 | |
so very well done. Unfortunately, not enough to keep you in the game. | 0:22:29 | 0:22:32 | |
Graham and Mike, it is time to bring the hammer down on your collection, | 0:22:32 | 0:22:36 | |
I'm afraid, but thank you both very much for playing For What It's Worth. | 0:22:36 | 0:22:40 | |
-Thank you. -Thank you. | 0:22:40 | 0:22:42 | |
I think what's most disappointing for me is that I'm going to get | 0:22:42 | 0:22:45 | |
a lot of stick from the rest of my family for this, | 0:22:45 | 0:22:47 | |
that my dad chose the wrong kid to bring. | 0:22:47 | 0:22:50 | |
The questions didn't come our way. They weren't to our tastes, | 0:22:50 | 0:22:53 | |
so that's the way it goes. | 0:22:53 | 0:22:55 | |
So the unclaimed lots in the grid are now also leaving the game. | 0:22:57 | 0:23:01 | |
Let's quickly find out from Natasha what they were worth | 0:23:01 | 0:23:04 | |
and if the top lot is still in the game. Natasha. | 0:23:04 | 0:23:07 | |
Let's start with the whist markers. | 0:23:07 | 0:23:09 | |
They're likely made out of rosewood and satinwood, | 0:23:09 | 0:23:11 | |
and they're actually really nicely done. | 0:23:11 | 0:23:14 | |
Simple, unassuming things can often have a little value, can't they? | 0:23:14 | 0:23:18 | |
But maybe they are a wee bit simple | 0:23:18 | 0:23:19 | |
cos they're not inlaid and mother-of-pearl, | 0:23:19 | 0:23:21 | |
they don't have a fancy ivory design or anything like that. | 0:23:21 | 0:23:25 | |
The combination of woods makes them decorative | 0:23:25 | 0:23:28 | |
but does it make them valuable? | 0:23:28 | 0:23:30 | |
Well, they come in at £20, | 0:23:30 | 0:23:32 | |
so you've done well to leave it on the board. | 0:23:32 | 0:23:35 | |
Natasha, the pictures. | 0:23:35 | 0:23:37 | |
These are quite interesting, always nice to have a pair of anything, | 0:23:37 | 0:23:40 | |
and here we have a pair of tinselled pictures. | 0:23:40 | 0:23:44 | |
These are pictures made up generally by people in the home, | 0:23:44 | 0:23:47 | |
it was a very popular pastime, | 0:23:47 | 0:23:50 | |
and they were made up of fabric and foils and very highly detailed | 0:23:50 | 0:23:54 | |
to make up these scenes. | 0:23:54 | 0:23:56 | |
I love them, but in today's market | 0:23:56 | 0:23:58 | |
they're really only worth £35, | 0:23:58 | 0:24:01 | |
so another one you were really right to leave on the board. | 0:24:01 | 0:24:04 | |
Well, that's gone, still two lots, very low value. How interesting. | 0:24:04 | 0:24:08 | |
-What's the next lot? The glass bird. -Yes, now, I think that | 0:24:08 | 0:24:12 | |
everybody recognised straightaway this is Lalique, | 0:24:12 | 0:24:15 | |
so the design of Rene Lalique, and Lalique is always moulded glass, | 0:24:15 | 0:24:20 | |
so it's not hand-blown, but it's beautifully formed, is it not? | 0:24:20 | 0:24:24 | |
And birds are a signature style. | 0:24:24 | 0:24:26 | |
Now, it's not signed. We know it's Lalique but it's not signed. | 0:24:26 | 0:24:29 | |
If it had been signed by Rene Lalique, it would have been worth | 0:24:29 | 0:24:32 | |
-a lot more than a mere £80. -No! | 0:24:32 | 0:24:36 | |
Yes, £80 for a beautiful bit of genuine Lalique. | 0:24:36 | 0:24:40 | |
And our final lot? | 0:24:40 | 0:24:42 | |
This is Newlyn School copper | 0:24:42 | 0:24:44 | |
and it's repousse copper, but who was making it? | 0:24:44 | 0:24:47 | |
Well, in the early 19th century in Cornwall, | 0:24:47 | 0:24:49 | |
the fishing industry took a bit of a dip | 0:24:49 | 0:24:51 | |
and the fisherman didn't really know what to do with themselves, | 0:24:51 | 0:24:54 | |
and so they were taught these new skills, | 0:24:54 | 0:24:56 | |
and specifically they were taught to work with metal. | 0:24:56 | 0:24:59 | |
This one has a galleon as its motif | 0:24:59 | 0:25:02 | |
and of course that's because they were all fishermen, | 0:25:02 | 0:25:04 | |
they all loved it. When did this come into fashion? | 0:25:04 | 0:25:07 | |
Early 20th century around the 1900s, | 0:25:07 | 0:25:10 | |
but these have become quite sought after because they were only | 0:25:10 | 0:25:13 | |
making these items in the Newlyn School for about 30 years. | 0:25:13 | 0:25:17 | |
So what does that mean it's worth? | 0:25:17 | 0:25:19 | |
It's worth £160. | 0:25:19 | 0:25:21 | |
-So you've done well again. -You have. | 0:25:21 | 0:25:23 | |
Some pretty low-value items leaving the game there, | 0:25:23 | 0:25:26 | |
but the bad news is that the bottom lot is still in play. | 0:25:26 | 0:25:30 | |
However, the good news is that the top lot is still in the game. | 0:25:30 | 0:25:35 | |
Before we go any further, | 0:25:35 | 0:25:37 | |
Natasha is going to give you another fact about a lot of your choice, | 0:25:37 | 0:25:41 | |
so, Elaine, what lot do you need to know more about? | 0:25:41 | 0:25:45 | |
Can I know a bit more about the statue, please? | 0:25:45 | 0:25:47 | |
This is a large bronze statue, modelled as Dionysus, | 0:25:47 | 0:25:52 | |
who I'm sure you'll all know | 0:25:52 | 0:25:54 | |
was the Roman god of the harvest and grapes, and there he is, | 0:25:54 | 0:25:58 | |
staggering around in a drunken stupor. | 0:25:58 | 0:26:01 | |
Now, bronze can get huge sums at auction, it really can, | 0:26:01 | 0:26:04 | |
normally dependent on who the maker or sculptor is, | 0:26:04 | 0:26:08 | |
and this one, I'm afraid, is unmarked. | 0:26:08 | 0:26:11 | |
We don't know who the maker is, | 0:26:11 | 0:26:13 | |
but it's size that really counts in this instance, | 0:26:13 | 0:26:16 | |
so what does that do to its value? I'll leave you to decide, ladies. | 0:26:16 | 0:26:20 | |
Andy, what would you like to know more about? | 0:26:20 | 0:26:23 | |
I'd like to know a bit more about that carved figure. | 0:26:23 | 0:26:26 | |
Natasha, the carved figure of this woman. | 0:26:26 | 0:26:29 | |
It's one of those antiques that comes along every now and again, | 0:26:29 | 0:26:32 | |
no particular use, really, | 0:26:32 | 0:26:35 | |
probably once attached to a stonking great wooden chandelier | 0:26:35 | 0:26:39 | |
somewhere in the Black Forest. It's Continental anyway, mid-European. | 0:26:39 | 0:26:44 | |
It's up to 300 years old and it looks like it was painted yesterday. | 0:26:44 | 0:26:49 | |
It's clearly charmed a lot of people over the years. | 0:26:49 | 0:26:52 | |
Well, she has, but would it charm bidders at auction? | 0:26:52 | 0:26:55 | |
That's what you need to consider, Andy and Yvonne. | 0:26:55 | 0:26:57 | |
I'll leave you to think about what it's worth. | 0:26:57 | 0:27:00 | |
Right, those are all the facts that are available to you, so it is now | 0:27:00 | 0:27:03 | |
time for our final round, and at the end of it we will have our winners. | 0:27:03 | 0:27:07 | |
I am going to give the quizzers a category. | 0:27:10 | 0:27:13 | |
They then take turns to say answers in that category. | 0:27:13 | 0:27:16 | |
For example, if I say, "Name me cities of the UK," | 0:27:16 | 0:27:20 | |
Elaine, you might say Glasgow, Yvonne, you might say London | 0:27:20 | 0:27:24 | |
and then Manchester and so on. | 0:27:24 | 0:27:27 | |
If you fail to give me an answer, or if you repeat an answer, | 0:27:27 | 0:27:30 | |
or if you give a wrong answer, you lose that category | 0:27:30 | 0:27:34 | |
and the opponent's picker will be able to steal a lot from your collection. | 0:27:34 | 0:27:38 | |
There are three categories. | 0:27:38 | 0:27:39 | |
The pair with the most valuable collection at this point go first. | 0:27:39 | 0:27:43 | |
Natasha, who is that? | 0:27:43 | 0:27:44 | |
I can reveal that the team who has | 0:27:44 | 0:27:47 | |
the most valuable collection, Fern, is... | 0:27:47 | 0:27:49 | |
Quality not quantity. It's Andy and Yvonne | 0:27:54 | 0:27:57 | |
-with their five versus your six, Elaine and Elaine. -Impressive. | 0:27:57 | 0:28:01 | |
OK, Yvonne, you're going to start us off, and the first category is... | 0:28:01 | 0:28:05 | |
Yvonne, would you please give me an answer? | 0:28:12 | 0:28:15 | |
Theresa May. | 0:28:16 | 0:28:18 | |
Correct. Elaine. | 0:28:18 | 0:28:19 | |
David Cameron. | 0:28:19 | 0:28:21 | |
Correct. Yvonne. | 0:28:21 | 0:28:22 | |
George Osborne. | 0:28:22 | 0:28:24 | |
Correct. Elaine. | 0:28:24 | 0:28:25 | |
-Nick Clegg. -Correct. Yvonne. | 0:28:25 | 0:28:28 | |
I can't think of anybody! | 0:28:30 | 0:28:32 | |
I was going to say Jack Straw but that's wrong. | 0:28:33 | 0:28:35 | |
Incorrect. | 0:28:35 | 0:28:37 | |
Sorry, Yvonne. | 0:28:37 | 0:28:39 | |
You could have had Boris Johnson, Harriet Harman or Diane Abbott, | 0:28:39 | 0:28:44 | |
so many of them. So, Elaine picker, get ready to steal. | 0:28:44 | 0:28:49 | |
What would you like? | 0:28:49 | 0:28:52 | |
Oh, I'll have to go with the diamonds, I think. | 0:28:52 | 0:28:55 | |
The diamond bar brooch is coming to your collection right now. | 0:28:55 | 0:28:59 | |
Elaine quizzer, this is your category and you'll be going first. | 0:29:00 | 0:29:04 | |
Elaine, please may I have an answer? | 0:29:09 | 0:29:12 | |
Monkey. | 0:29:12 | 0:29:13 | |
Correct. Yvonne. | 0:29:13 | 0:29:15 | |
-Rat. -Correct. Elaine. | 0:29:15 | 0:29:17 | |
Horse. | 0:29:17 | 0:29:18 | |
-Correct. Yvonne. -Uh... | 0:29:18 | 0:29:21 | |
Goat. | 0:29:22 | 0:29:23 | |
Correct. Elaine. | 0:29:23 | 0:29:25 | |
-Pig. -Correct. Yvonne. | 0:29:25 | 0:29:27 | |
Lion? | 0:29:28 | 0:29:29 | |
Incorrect. | 0:29:29 | 0:29:31 | |
Ooh! | 0:29:31 | 0:29:34 | |
You could have had tiger, ox, | 0:29:34 | 0:29:39 | |
rabbit, rooster or snake. | 0:29:39 | 0:29:43 | |
Elaine picker, what are you going to steal from Yvonne and Andy? | 0:29:43 | 0:29:47 | |
Because it's a Meissen, I'll go with the Meissen. | 0:29:47 | 0:29:50 | |
That is heading towards your collection. | 0:29:50 | 0:29:53 | |
It may limp a little with its broken leg but it's coming. There you go. | 0:29:53 | 0:29:58 | |
Final category, the question is... | 0:29:58 | 0:30:00 | |
Yvonne, please give me an answer. | 0:30:03 | 0:30:05 | |
-Holiday. -Correct. Elaine? | 0:30:06 | 0:30:09 | |
-Material Girl. -Correct. Yvonne? | 0:30:09 | 0:30:11 | |
-Papa Don't Preach. -Correct. Elaine? | 0:30:11 | 0:30:14 | |
-Into The Groove. -Correct! Yvonne? | 0:30:14 | 0:30:17 | |
-American Pie. -Correct! Elaine? | 0:30:17 | 0:30:20 | |
Sex! | 0:30:20 | 0:30:21 | |
Incorrect! Unfortunately, | 0:30:21 | 0:30:24 | |
that was the name of her book, but it has not been a name of her single. | 0:30:24 | 0:30:29 | |
You could've had Fever, Express Yourself, Crazy For You. | 0:30:29 | 0:30:34 | |
Yvonne, you played very well there, so, Andy, | 0:30:34 | 0:30:37 | |
what would you like to steal from the Elaines? | 0:30:37 | 0:30:41 | |
As much as diamonds are a girl's best friend, | 0:30:41 | 0:30:45 | |
I'm going to... You have enough. | 0:30:45 | 0:30:48 | |
-We'll get the cigarette case... -Oh, you never have enough diamonds! | 0:30:48 | 0:30:51 | |
-Never enough! -Sorry, there are never enough diamonds. -For today. | 0:30:51 | 0:30:53 | |
-So you are picking the...? -Cigarette case, please. -The cigarette case. | 0:30:53 | 0:30:57 | |
It's yours! And here it comes. | 0:30:57 | 0:30:59 | |
-Ooh! And it fits in nicely in your collection. -Thank you. | 0:30:59 | 0:31:03 | |
That's it - your collections are now fixed | 0:31:03 | 0:31:05 | |
and will determine which team is victorious. | 0:31:05 | 0:31:08 | |
Oh, so now, it's time to find out who are today's winners. Natasha? | 0:31:08 | 0:31:13 | |
Let me reveal to you that the team with the less valuable collection, | 0:31:13 | 0:31:17 | |
and leaving the show at this point, is... | 0:31:17 | 0:31:21 | |
-It's double trouble - it's Elaine and Elaine! -Oh! -I'm so sorry! | 0:31:23 | 0:31:26 | |
-My goodness! -Wow! -Extraordinary! With seven lots in your collection. | 0:31:26 | 0:31:30 | |
Commiserations to Elaine and Elaine. | 0:31:30 | 0:31:32 | |
-Mwah! -You didn't create a valuable enough collection, | 0:31:32 | 0:31:35 | |
but before we say goodbye to you, | 0:31:35 | 0:31:37 | |
let's find out what the items also leaving the game are worth. | 0:31:37 | 0:31:41 | |
-Tell me about the bowl, Natasha. -The bowl is first-period Worcester, | 0:31:41 | 0:31:46 | |
so it's from the 18th century, early 1700s. | 0:31:46 | 0:31:50 | |
We know so much about Worcester | 0:31:50 | 0:31:52 | |
and how it can vary in value dramatically. | 0:31:52 | 0:31:55 | |
This is not one of those lustrous fruity bowls and, as a result, | 0:31:55 | 0:31:59 | |
despite its age, it's only worth | 0:31:59 | 0:32:01 | |
-£250. Amazing! -No?! -For a piece of first-period Worcester. | 0:32:01 | 0:32:04 | |
Well, there we go. The bowl is gone. What's next? | 0:32:04 | 0:32:08 | |
Next up, well, you said this appealed. | 0:32:08 | 0:32:11 | |
-You liked it all the way through, Elaine. -I did. | 0:32:11 | 0:32:14 | |
Yes, but it's one of these things, like you said, you spotted... | 0:32:14 | 0:32:17 | |
-When you had a look, you didn't recognise the name of the tea... -No. | 0:32:17 | 0:32:20 | |
..so perhaps it's not as ubiquitous as others. | 0:32:20 | 0:32:23 | |
Now, when it comes to enamelled signs, | 0:32:23 | 0:32:25 | |
you did know there's a good market for enamelled signs, | 0:32:25 | 0:32:27 | |
and you're quite right, cos memorabilia is hot right now, | 0:32:27 | 0:32:31 | |
but it's got to be the car signs, really, doesn't it... | 0:32:31 | 0:32:34 | |
-Yeah. -..to get the bidders really going. | 0:32:34 | 0:32:36 | |
So a tea sign is a bit of kitsch, maybe, and this one weighs in... | 0:32:36 | 0:32:40 | |
-Not too bad. ..at £300. -Goodness! OK, next? | 0:32:40 | 0:32:44 | |
-The statue. -Yeah, here he is, staggering around. | 0:32:44 | 0:32:47 | |
Now, Andy, bronze is your thing, but he was not for you. | 0:32:47 | 0:32:50 | |
As I revealed, it's bronze and marble, so great material worth. | 0:32:50 | 0:32:54 | |
We already discussed we don't know who it's by, but you know, | 0:32:54 | 0:32:57 | |
for a big bronze figure, you don't have to dish out a lot of money. | 0:32:57 | 0:33:01 | |
£450 is what he'd knock you back. | 0:33:01 | 0:33:04 | |
-Andy's saying, "I knew that." -NATASHA LAUGHS | 0:33:04 | 0:33:08 | |
Ah, the tea caddy. | 0:33:08 | 0:33:09 | |
Now, you loved this, didn't you, Elaine, from the start? | 0:33:09 | 0:33:12 | |
Tell us about the tea caddy. | 0:33:12 | 0:33:14 | |
Well, this is actually 18th century. | 0:33:14 | 0:33:16 | |
-We're in the Regency period here. -Ooh, gosh! | 0:33:16 | 0:33:19 | |
Now, toleware is the description of this tea caddy. | 0:33:19 | 0:33:22 | |
It is painted on tin, | 0:33:22 | 0:33:23 | |
so, perhaps the material itself doesn't cost a lot, | 0:33:23 | 0:33:28 | |
but the fact it has survived in this condition, | 0:33:28 | 0:33:30 | |
with such a pretty, pretty design - | 0:33:30 | 0:33:33 | |
and it was Yvonne who said that tea caddies are always worth something - | 0:33:33 | 0:33:36 | |
and you're right, because - believe it or not, ladies - | 0:33:36 | 0:33:39 | |
this is worth £500! | 0:33:39 | 0:33:42 | |
Wow. What's next? | 0:33:42 | 0:33:44 | |
Next up, now, brooches are coming back into fashion, ladies, | 0:33:44 | 0:33:49 | |
believe it or not, and this one is particularly swish. | 0:33:49 | 0:33:53 | |
It's got the precious metal, 18-carat white gold, got the look, | 0:33:53 | 0:33:57 | |
it's got the carat weight, as we discussed - 1.5 carats - | 0:33:57 | 0:34:00 | |
and £650, | 0:34:00 | 0:34:02 | |
although it's a lot of money, doesn't seem a lot, does it? | 0:34:02 | 0:34:05 | |
-What else have we got? -Here she is again. This card figure. | 0:34:05 | 0:34:09 | |
She just keeps cropping up. Now, we discussed that she had age, | 0:34:09 | 0:34:12 | |
we discussed that she was broken, but someone keeping it | 0:34:12 | 0:34:15 | |
in such good nick means that, today, it's worth... | 0:34:15 | 0:34:17 | |
£750. | 0:34:17 | 0:34:19 | |
And the final lot from the Elaines' collection? | 0:34:19 | 0:34:23 | |
Well, here is this Meissen tureen, and could it be more exquisite? | 0:34:23 | 0:34:27 | |
It's got good age to it, it's hand-painted, | 0:34:27 | 0:34:30 | |
it's beautifully modelled, it's after a very well-known design | 0:34:30 | 0:34:34 | |
and, ladies, its value is £2,000! | 0:34:34 | 0:34:38 | |
It was the highest-valued lot in your collection | 0:34:38 | 0:34:40 | |
-and you did well to get it. -Even with a broken foot?! | 0:34:40 | 0:34:44 | |
Even with a broken foot! | 0:34:44 | 0:34:45 | |
And can you imagine what it would be worth with a clean foot? | 0:34:45 | 0:34:49 | |
So what was the total value of their collection? | 0:34:49 | 0:34:52 | |
-Well, the total value - believe it or not - was £4,900. -Whoa! | 0:34:52 | 0:34:58 | |
That is incredible! I mean, that would normally win the game! | 0:34:58 | 0:35:02 | |
-Don't tell us that! -LAUGHTER | 0:35:02 | 0:35:04 | |
It is time to bring the hammer down on your collection, I'm afraid, | 0:35:04 | 0:35:07 | |
but thank you so much for playing For What It's Worth! | 0:35:07 | 0:35:10 | |
I thought we did brilliantly. I mean, I couldn't have expected | 0:35:12 | 0:35:15 | |
-to do that well. -I'm never going to watch Madonna | 0:35:15 | 0:35:17 | |
-or listen to Madonna ever again! -LAUGHTER | 0:35:17 | 0:35:20 | |
I think the worthless lot will be the wand. | 0:35:20 | 0:35:22 | |
-I think somebody's made that. -Yeah, it looks made. -Yeah. -And I did say | 0:35:22 | 0:35:26 | |
-I thought it looked like a drumstick. -Yeah. -Yeah, so the wand. | 0:35:26 | 0:35:29 | |
So, well done, Andy and Yvonne. | 0:35:31 | 0:35:33 | |
-Thank you. -Thank you very much. -Fantastic! | 0:35:33 | 0:35:35 | |
You built the most valuable collection and are today's winners. | 0:35:35 | 0:35:38 | |
-Well done! -And now, all that remains is for you to claim your prize. | 0:35:38 | 0:35:42 | |
We know that, in your collection, there is the top lot, | 0:35:42 | 0:35:46 | |
-but there is also the bottom lot. -Yes! | 0:35:46 | 0:35:48 | |
Which one are you going to go for? | 0:35:48 | 0:35:50 | |
-I know which one's the bottom lot. -Do you now? | 0:35:50 | 0:35:53 | |
I would suggest the teapot. | 0:35:53 | 0:35:54 | |
No, it's worth more than that, I would think. | 0:35:54 | 0:35:57 | |
I'm wondering if the wand is the bottom lot. No-one talked about it. | 0:35:57 | 0:36:00 | |
-It's different, well used... -We like it. -We do like it. | 0:36:00 | 0:36:04 | |
The cabinet has age, has repair, has stain... | 0:36:04 | 0:36:08 | |
See, you use the word "repair" and I say it's broken. | 0:36:08 | 0:36:12 | |
-OK. -But, er... | 0:36:12 | 0:36:13 | |
I think we're agreed on what we think is the top lot. | 0:36:13 | 0:36:17 | |
-It is really a nice piece. -I'd love it going into my collection. | 0:36:17 | 0:36:20 | |
-That's beautiful. -Yeah. We can't take it home. | 0:36:20 | 0:36:23 | |
We can only select it. | 0:36:23 | 0:36:26 | |
-Yes, I would agree. -The cigarette case, we think, is the top lot. | 0:36:26 | 0:36:31 | |
So you've chosen the cigarette case. Oh! | 0:36:31 | 0:36:33 | |
But before we tell you what it's worth, | 0:36:33 | 0:36:35 | |
Natasha's going to tell you the value of the lots you rejected! | 0:36:35 | 0:36:39 | |
Well, let's start with the teapot. | 0:36:39 | 0:36:41 | |
-Yvonne said... And you must always listen to your wife, Andy. -Always! | 0:36:41 | 0:36:44 | |
She said it's the worthless lot. | 0:36:44 | 0:36:47 | |
It's pewter. Pewter's been used since the Egyptian times. | 0:36:47 | 0:36:51 | |
But this, of course, is a more early 20th-century English pewter teapot. | 0:36:51 | 0:36:56 | |
As per always, your wife was right. This is today's worthless lot. | 0:36:56 | 0:37:00 | |
Less than a tenner. Probably two or three quid! | 0:37:00 | 0:37:02 | |
-Well done, dear! -Well spotted, Yvonne. -Thank you. | 0:37:02 | 0:37:04 | |
OK, and the next lot is the wand. | 0:37:04 | 0:37:08 | |
Yes! Now, let me tell you that magic memorabilia is hot right now! | 0:37:08 | 0:37:13 | |
It's good! And what people like to see is a magical proper item - | 0:37:13 | 0:37:18 | |
a wand like this - that they can connect to a famous magician | 0:37:18 | 0:37:22 | |
and this wand belonged to none other than Chung Ling Soo! | 0:37:22 | 0:37:28 | |
Believe it or not! A very famous American magician. | 0:37:28 | 0:37:33 | |
Also known as William Ellsworth Robinson - | 0:37:33 | 0:37:35 | |
not such an exciting name! - but he took on Chung Ling Soo. | 0:37:35 | 0:37:39 | |
Now, it wasn't particularly magical for Chung Ling Soo, | 0:37:39 | 0:37:43 | |
because, in 1918, he was shot by a flying bullet | 0:37:43 | 0:37:47 | |
that he was meant to catch during a show in London! | 0:37:47 | 0:37:50 | |
So a bit of a sticky end, but what did we say at the top of the show? | 0:37:50 | 0:37:56 | |
Provenance! And the provenance and history behind this wand | 0:37:56 | 0:38:00 | |
is an exciting one, and the value's big! | 0:38:00 | 0:38:03 | |
This wand, Fern, Andy, Yvonne... | 0:38:03 | 0:38:06 | |
It's worth £1,000! Ha-ha! | 0:38:06 | 0:38:09 | |
-Ooh! -OK. So, still not the top lot. Well done! | 0:38:09 | 0:38:12 | |
Now, the cabinet is next. | 0:38:12 | 0:38:14 | |
Yvonne, you thought this was from the turn of the last century, | 0:38:14 | 0:38:18 | |
but you didn't clock that it was 18th century, in fact, not 19th. | 0:38:18 | 0:38:23 | |
-Hmm! -And, unusually, it's ebony, and the reason why I say that's unusual | 0:38:23 | 0:38:28 | |
is cos it was so popular in that Victorian era, | 0:38:28 | 0:38:31 | |
but less so in the 18th century, | 0:38:31 | 0:38:34 | |
so quite rare material at that point. | 0:38:34 | 0:38:36 | |
And unusual again, because this is Portuguese and it is very rare | 0:38:36 | 0:38:42 | |
to see fine Portuguese furniture coming up to auction. | 0:38:42 | 0:38:46 | |
Now, as you noted, the hinges on the door are a wee bit slack, | 0:38:46 | 0:38:50 | |
so, some say damage, some say a sign of a really old antique... | 0:38:50 | 0:38:57 | |
-Oh! -..that no-one has repaired, cos they didn't want to tinker with it | 0:38:57 | 0:39:02 | |
and, because it is in its original state, | 0:39:02 | 0:39:05 | |
it's worth £1,500! Ha-ha! | 0:39:05 | 0:39:08 | |
-GASPS -Four figures, but not our top lot! | 0:39:08 | 0:39:11 | |
-Wow! -Ha-ha! -The cigarette case is your top lot! Wow! | 0:39:11 | 0:39:15 | |
So come and join me to take a closer look at your chosen lot | 0:39:15 | 0:39:19 | |
and also see if we can tempt you with our mystery lot, | 0:39:19 | 0:39:23 | |
which may be worth even more. | 0:39:23 | 0:39:25 | |
And there it is in all its glory. | 0:39:28 | 0:39:30 | |
-It's beautiful. -Mm-hm. -Isn't it beautiful? -I love that. | 0:39:30 | 0:39:34 | |
But can we tempt you with our mystery lot, which might be | 0:39:34 | 0:39:38 | |
-of an even higher value? Natasha, do some tempting. -Hmm. | 0:39:38 | 0:39:43 | |
We are just about to travel, Andy and Yvonne, | 0:39:43 | 0:39:46 | |
from the elegance of enamel to the brutality of the battlefield. | 0:39:46 | 0:39:52 | |
-Ooh! -It's been a real theme running through the show today - | 0:39:52 | 0:39:56 | |
provenance, history - and this item is steeped in it. | 0:39:56 | 0:40:01 | |
It's a large military shell, | 0:40:01 | 0:40:03 | |
of course, but apparently, it had a second life, | 0:40:03 | 0:40:06 | |
being used as none other than a dinner gong, so quite a bit of fun. | 0:40:06 | 0:40:11 | |
-Ha! -You can see from the inscription that it was presented by | 0:40:11 | 0:40:15 | |
-Wing Commander AT Harris in October 1927... -Oh! | 0:40:15 | 0:40:20 | |
-That's "Bomber" Harris! -Yes, it is. | 0:40:20 | 0:40:22 | |
..to EW Norton and officers of the 58 Bombing Squadron! | 0:40:22 | 0:40:25 | |
I was just about to ask you, is it becoming a little clearer? | 0:40:25 | 0:40:28 | |
AT Harris was none other than Sir Arthur Travers Harris! | 0:40:28 | 0:40:32 | |
-Of course, "Bomber" Harris, as you said, Yvonne. -Yeah. | 0:40:32 | 0:40:35 | |
The commander-in-chief of the RAF Bombing Squadron | 0:40:35 | 0:40:38 | |
during the latter part of the Second World War. | 0:40:38 | 0:40:41 | |
So what does provenance lend to an otherwise low-value lot? | 0:40:41 | 0:40:48 | |
-It's got great provenance, but this is money in the bank. -Yes. | 0:40:48 | 0:40:54 | |
That is history, it's significant, | 0:40:54 | 0:40:57 | |
but actually, even with the provenance, | 0:40:57 | 0:41:01 | |
I don't know how many presentations the man had. | 0:41:01 | 0:41:04 | |
-And... -He was rather famous. He could've had 100 of those. | 0:41:04 | 0:41:07 | |
-He could've had, and I... -And he didn't make 1,000 of these | 0:41:07 | 0:41:11 | |
and there must've been 1,000 of those made. | 0:41:11 | 0:41:14 | |
And the interesting thing is, it's the last lot that you collected | 0:41:14 | 0:41:18 | |
-when you stole it... -Yes! -..from the two Elaines! | 0:41:18 | 0:41:20 | |
It was the first on our list. | 0:41:20 | 0:41:23 | |
So, let's make this very clear - you are choosing...? | 0:41:23 | 0:41:27 | |
-The cigarette case. -The cigarette case it is! | 0:41:27 | 0:41:30 | |
Which means you have won its worth in cold, hard cash, | 0:41:30 | 0:41:33 | |
-which you know is £2,500. -Yay! | 0:41:33 | 0:41:36 | |
But, Natasha, now would you break their hearts, or not, | 0:41:36 | 0:41:39 | |
-by telling them what the shell case is worth? -Yeah, the shell case... | 0:41:39 | 0:41:42 | |
You've gone with your hearts, I think, | 0:41:42 | 0:41:44 | |
because you've gone for the Russian glamour | 0:41:44 | 0:41:47 | |
and the exquisite work on the cigarette case. | 0:41:47 | 0:41:49 | |
-Exquisite work, as it may be... -Oh! | 0:41:49 | 0:41:52 | |
..it's the "Bomber" Harris who has that real provenance! | 0:41:52 | 0:41:56 | |
But does the glamour of this brass | 0:41:56 | 0:41:58 | |
outweigh the glamour of the cigarette case? Let me tell you. | 0:41:58 | 0:42:03 | |
It doesn't. | 0:42:05 | 0:42:06 | |
-THEY LAUGH Woo-hoo! -It's worth £500! | 0:42:06 | 0:42:10 | |
-Which still is a lot of money for what it is. -Yes, it is. | 0:42:10 | 0:42:12 | |
-But not as valuable... -Excellent! -..as the cigarette case you loved. | 0:42:12 | 0:42:15 | |
-Well done! -Excellent. -Thank you. -Well done, congratulations! | 0:42:15 | 0:42:18 | |
-Instinct all the way... -Thank you! | 0:42:18 | 0:42:20 | |
..took you right through to this terrific finale! | 0:42:20 | 0:42:23 | |
Fantastic! So today, Andy and Yvonne, you are going home with £2,500! | 0:42:23 | 0:42:28 | |
-Whoopee! -Fantastic! -Natasha, thank you for lending us your expertise. | 0:42:28 | 0:42:32 | |
-Thank you. -You're a terrible tease! Expert-tease(!) | 0:42:32 | 0:42:36 | |
Um, that's it for today, but join us again, when three new teams try | 0:42:36 | 0:42:40 | |
to spot the lot to win the lot on For What It's Worth. | 0:42:40 | 0:42:43 | |
We'll see you then. Bye-bye. | 0:42:43 | 0:42:45 | |
-Well done! -Thank you! -That was absolutely amazing! | 0:42:45 | 0:42:48 | |
We had both picked the top lot from... | 0:42:49 | 0:42:52 | |
really from when we walked into the room. | 0:42:52 | 0:42:55 | |
It shone out amongst everything else. | 0:42:55 | 0:42:57 | |
Beautiful workmanship. Couldn't quite read all that... | 0:42:57 | 0:43:00 | |
I guess it was Cyrillic. | 0:43:00 | 0:43:01 | |
Maybe that's why one couldn't read the markings on it, but, er... | 0:43:01 | 0:43:04 | |
-But it didn't really matter in the long run. -No. | 0:43:04 | 0:43:07 | |
-We did it! -We chose it anyway. | 0:43:07 | 0:43:08 |