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Hello and welcome to For What It's Worth, | 0:00:14 | 0:00:17 | |
the show that combines quizzing with the very best bit of any show | 0:00:17 | 0:00:21 | |
about antiques, which is, "How much is it worth?" | 0:00:21 | 0:00:24 | |
Three pairs of contestants are ready to play | 0:00:24 | 0:00:27 | |
and in each team is a quizzer, | 0:00:27 | 0:00:29 | |
who is responsible for answering general knowledge questions, | 0:00:29 | 0:00:32 | |
so that their partner, the picker, | 0:00:32 | 0:00:34 | |
can choose an antique item to add to their collection. | 0:00:34 | 0:00:38 | |
The aim of the game is to amass the most valuable collection. | 0:00:38 | 0:00:42 | |
Here are today's lots for your consideration. | 0:00:42 | 0:00:45 | |
We have 16 different antiques and collectables | 0:00:45 | 0:00:48 | |
and we have medals, | 0:00:48 | 0:00:51 | |
a chair, | 0:00:51 | 0:00:52 | |
a hachoir, | 0:00:52 | 0:00:55 | |
a bowl, | 0:00:55 | 0:00:57 | |
a carved bird, | 0:00:57 | 0:00:59 | |
a cap, | 0:00:59 | 0:01:01 | |
a basket, | 0:01:01 | 0:01:02 | |
a script, | 0:01:02 | 0:01:04 | |
a cabinet, | 0:01:04 | 0:01:05 | |
tea set, | 0:01:05 | 0:01:07 | |
paperclip, | 0:01:07 | 0:01:08 | |
watercolour, | 0:01:08 | 0:01:10 | |
sovereign case, | 0:01:10 | 0:01:12 | |
an urn, | 0:01:12 | 0:01:14 | |
a ball gown | 0:01:14 | 0:01:15 | |
and a Roman die. | 0:01:15 | 0:01:18 | |
All very different with very different values. | 0:01:18 | 0:01:21 | |
One is virtually worthless, less than £10. | 0:01:21 | 0:01:23 | |
The rest increase in value up to our top lot, | 0:01:24 | 0:01:28 | |
which is worth a whopping £2,500. | 0:01:28 | 0:01:32 | |
That is the lot to spot, teams, | 0:01:32 | 0:01:35 | |
because, at the end of the show, | 0:01:35 | 0:01:36 | |
the winning pair will walk away with the cash equivalent | 0:01:36 | 0:01:40 | |
of one of those items. | 0:01:40 | 0:01:42 | |
First up are Ken and Julie. | 0:01:42 | 0:01:44 | |
Welcome, both of you. | 0:01:44 | 0:01:46 | |
Julie, what area of antiques interests you the most? | 0:01:46 | 0:01:49 | |
I like silver and jewellery. | 0:01:49 | 0:01:51 | |
-The bigger the diamonds, the better. -Absolutely. -Yeah. | 0:01:53 | 0:01:56 | |
And what about you, Ken? What do you like to collect? | 0:01:56 | 0:01:59 | |
I have a collection of wartime brass aeroplanes | 0:01:59 | 0:02:03 | |
that started with one that my father made during World War II | 0:02:03 | 0:02:06 | |
and that started my collection off. | 0:02:06 | 0:02:08 | |
Well, Julie and Ken, you are very welcome to the show. | 0:02:08 | 0:02:10 | |
Thank you very much indeed. | 0:02:10 | 0:02:12 | |
Now, team two are Hems and Gerry. | 0:02:12 | 0:02:15 | |
Very nice to meet you, gentlemen. | 0:02:15 | 0:02:17 | |
Now, you call yourselves polar opposites | 0:02:17 | 0:02:19 | |
and yet you are best friends. | 0:02:19 | 0:02:21 | |
So why are you so opposite? | 0:02:21 | 0:02:23 | |
I used to own a coffee shop in Leicester. | 0:02:23 | 0:02:25 | |
Gerry had a picture framing shop down the road | 0:02:25 | 0:02:30 | |
and he had this globe, which turned into a decanter holder. | 0:02:30 | 0:02:35 | |
I said, how much is it worth? | 0:02:35 | 0:02:36 | |
It said 75 and he said, "Well, that's what it's worth then, isn't it?" | 0:02:36 | 0:02:39 | |
And I said, "Well, I'm offering you 25" and he goes, | 0:02:39 | 0:02:42 | |
"If I wanted 25, I would have put 25 on it." | 0:02:42 | 0:02:46 | |
So, a few days later I went into his shop, ordered a bacon sandwich | 0:02:46 | 0:02:50 | |
and I think it was £2.90 | 0:02:50 | 0:02:52 | |
and I offered him a pound coin. I said, "There you are." | 0:02:52 | 0:02:57 | |
And it just developed from that. | 0:02:57 | 0:02:59 | |
It's lovely to have you here, Gerry and Hems. | 0:02:59 | 0:03:02 | |
Thank you both very much indeed. And our final couple are Ian and Zia. | 0:03:02 | 0:03:06 | |
Now, you have a family relationship - brother and sister. | 0:03:06 | 0:03:09 | |
Yep, this is my brother. | 0:03:09 | 0:03:10 | |
And Zia, you are very good at car-booting, aren't you? | 0:03:10 | 0:03:13 | |
-I've got a bit of a car boot habit. -Yes. | 0:03:13 | 0:03:15 | |
I do enjoy going and sniffing out a bargain. | 0:03:15 | 0:03:18 | |
Have you got some good treasures? | 0:03:18 | 0:03:20 | |
I bought a hamper, and I got a knock-down price, | 0:03:20 | 0:03:24 | |
it was £3. | 0:03:24 | 0:03:25 | |
-One sold recently for about £90. -Wow. Well, that's pretty good. | 0:03:25 | 0:03:30 | |
-£3 hamper worth 90 quid. -Yeah. | 0:03:30 | 0:03:33 | |
OK, so will your instincts, all three of you, all three teams, | 0:03:33 | 0:03:36 | |
get you through the game? | 0:03:36 | 0:03:37 | |
Well, earlier, our teams inspected the lots, | 0:03:37 | 0:03:40 | |
but could they separate the treasure from the trash? | 0:03:40 | 0:03:43 | |
Wow. | 0:03:44 | 0:03:46 | |
My giddy aunt. Where do we start? | 0:03:47 | 0:03:50 | |
-Ooh. -Wow. | 0:03:50 | 0:03:53 | |
It's got a signature on the back of there. | 0:03:53 | 0:03:55 | |
Walter Langley. | 0:03:55 | 0:03:56 | |
I think he founded the Newlyn School. | 0:03:56 | 0:03:59 | |
This ball gown - Victorian? Older? | 0:03:59 | 0:04:03 | |
That's probably 1920s. | 0:04:03 | 0:04:04 | |
-JULIE: -There is no zip, is there? | 0:04:04 | 0:04:06 | |
-IAN: -Can you see what is written on there? Should have had my glasses. | 0:04:06 | 0:04:09 | |
"The Great Lafayette. | 0:04:09 | 0:04:11 | |
"To Walter E Scott. 5th of August, 1909." | 0:04:11 | 0:04:15 | |
-GERRY: -What date is it? -HEMS: -1937 on that. | 0:04:17 | 0:04:20 | |
Royal Doulton is ten a penny. | 0:04:20 | 0:04:22 | |
It will hold a lot of flowers! | 0:04:22 | 0:04:23 | |
JULIE LAUGHS | 0:04:23 | 0:04:25 | |
-KEN: -I really just don't know what to make of this. | 0:04:26 | 0:04:28 | |
It smells. | 0:04:28 | 0:04:29 | |
SHE LAUGHS | 0:04:29 | 0:04:30 | |
-Ooh, apothecary, isn't it? -That is one to keep in mind. | 0:04:33 | 0:04:36 | |
This is absolutely super, I would have this at home. | 0:04:36 | 0:04:39 | |
In my opinion, it is just a decorative object. | 0:04:39 | 0:04:43 | |
Just be a keepsake, wouldn't it? | 0:04:43 | 0:04:44 | |
-KEN: -Handy to stick on the fridge! -HE LAUGHS | 0:04:44 | 0:04:47 | |
Not being the sporting type, it is obviously a rugby or rowing cap. | 0:04:48 | 0:04:52 | |
That'll be football. | 0:04:52 | 0:04:54 | |
-1921, '22... -Can you think back that far? | 0:04:54 | 0:04:57 | |
HEMS LAUGHS | 0:04:57 | 0:04:58 | |
Roman dice, that is just a few thousand years old, isn't it? | 0:05:00 | 0:05:03 | |
Yeah. But it might not be worth very much. | 0:05:03 | 0:05:06 | |
-See the face. -Oh, yes, you can see the face in it. | 0:05:08 | 0:05:10 | |
She looks Japanese. | 0:05:10 | 0:05:13 | |
I tell you what, that has seen some action in its time, | 0:05:13 | 0:05:15 | |
look at the blade. | 0:05:15 | 0:05:16 | |
So what is it, some sort of weapon? | 0:05:16 | 0:05:19 | |
No weight to that at all. I don't think it's even silver. | 0:05:20 | 0:05:24 | |
It is all the signs of the Zodiac. | 0:05:24 | 0:05:26 | |
-HEMS: -Is that what they call electroplated? | 0:05:26 | 0:05:28 | |
I think that's probably up the top for me. | 0:05:30 | 0:05:32 | |
It's 1830, 1840. | 0:05:32 | 0:05:34 | |
KEN READS ALOUD | 0:05:38 | 0:05:41 | |
Roger Moore, Christopher Lee. | 0:05:41 | 0:05:43 | |
That's the one with the little... | 0:05:43 | 0:05:45 | |
-MIMICS HERVE VILLECHAIZE: -"Plane, boss, plane!" | 0:05:45 | 0:05:48 | |
Nice little glass bowl, but nothing extraordinary. | 0:05:50 | 0:05:53 | |
Blue John, mined in Derbyshire, very, very expensive. | 0:05:53 | 0:05:57 | |
Sevastopol, 1854. | 0:05:59 | 0:06:02 | |
That's a Crimean War medal. | 0:06:02 | 0:06:04 | |
That and the basket... | 0:06:04 | 0:06:05 | |
This could actually be folk art built in trenches. | 0:06:05 | 0:06:09 | |
-This is nothing. -I don't like that. | 0:06:09 | 0:06:12 | |
I think the sovereign case, the chair... | 0:06:12 | 0:06:15 | |
-The picture... -Yep. -..Blue John, medals. | 0:06:15 | 0:06:18 | |
The painting, the chair and the boxes. | 0:06:18 | 0:06:21 | |
I think that is what we will go for. | 0:06:21 | 0:06:23 | |
-Have we seen everything? -Yeah, that is it. | 0:06:23 | 0:06:25 | |
Interesting. Well, joining me | 0:06:29 | 0:06:31 | |
is our resident antiques expert Charles Hanson. | 0:06:31 | 0:06:34 | |
-Charles, lovely to see you. -Fern, delighted to be here. | 0:06:34 | 0:06:37 | |
How do you think they did as they were going around? | 0:06:37 | 0:06:39 | |
I think it is really invigorating, | 0:06:39 | 0:06:41 | |
there are some great things behind me, | 0:06:41 | 0:06:44 | |
there is also some not so great things, | 0:06:44 | 0:06:46 | |
but I think, having watched you on your journey in that gallery, | 0:06:46 | 0:06:50 | |
certainly from your time, I was impressed by your passion, | 0:06:50 | 0:06:54 | |
your dedication to try to unravel | 0:06:54 | 0:06:56 | |
the antiques journey we are about to be on. | 0:06:56 | 0:06:58 | |
How do we know that what they are valued at is the right amount? | 0:06:58 | 0:07:02 | |
All the values for each lot have been agreed by myself | 0:07:02 | 0:07:07 | |
and an independent valuer, based on their hammer auction price. | 0:07:07 | 0:07:12 | |
As well as those little treasures, | 0:07:12 | 0:07:14 | |
we have our mystery lot, which is hidden under the shroud of mystery. | 0:07:14 | 0:07:20 | |
Poised to be uncovered at the end of the show to tempt our winners, | 0:07:20 | 0:07:24 | |
but for now, it is time for Round 1. | 0:07:24 | 0:07:27 | |
I am going to ask ten general knowledge questions. | 0:07:29 | 0:07:32 | |
Quizzers, if you buzz in with the correct answer, | 0:07:32 | 0:07:35 | |
your picker gets to add a lot from the board to your collection. | 0:07:35 | 0:07:39 | |
But beware, because, if you buzz in incorrectly, | 0:07:39 | 0:07:42 | |
you will be frozen out of the next question. | 0:07:42 | 0:07:44 | |
All clear? | 0:07:44 | 0:07:46 | |
Quizzers, your picker is relying on you to give them | 0:07:46 | 0:07:50 | |
the chance to grab the good stuff first - whatever the good stuff is. | 0:07:50 | 0:07:54 | |
Fingers on buzzers. Question number one. | 0:07:54 | 0:07:58 | |
From what source do solar panels generate electricity? | 0:07:58 | 0:08:02 | |
-Hems. -Sun. | 0:08:02 | 0:08:04 | |
Correct. | 0:08:04 | 0:08:06 | |
OK, Gerry, you can make the first pick. | 0:08:06 | 0:08:08 | |
Could I have the watercolour, please? | 0:08:08 | 0:08:12 | |
-The watercolour. -The watercolour. | 0:08:12 | 0:08:14 | |
OK, the picture framer has the watercolour. Very good. | 0:08:14 | 0:08:17 | |
Question number two. | 0:08:17 | 0:08:19 | |
Ice cream, sponge cake | 0:08:19 | 0:08:21 | |
and what other ingredient are the main components of a baked...? | 0:08:21 | 0:08:25 | |
-Ken? -Baked Alaska. | 0:08:25 | 0:08:27 | |
That is incorrect, which means you are frozen out of this next question. | 0:08:27 | 0:08:31 | |
The answer was... | 0:08:31 | 0:08:33 | |
meringue. You anticipated the baked Alaska. | 0:08:33 | 0:08:36 | |
Question three. | 0:08:36 | 0:08:38 | |
In the film The Theory of Everything, Eddie Redmayne plays which...? | 0:08:38 | 0:08:43 | |
-Hems. -Stephen Hawkings. | 0:08:43 | 0:08:45 | |
-Correct, it's Hawking, but I'm going to give you that. -Thank you. | 0:08:46 | 0:08:49 | |
So, Gerry, you get to pick again. | 0:08:49 | 0:08:53 | |
I think we are going to go for the script. | 0:08:53 | 0:08:55 | |
It's on its way to you. | 0:08:55 | 0:08:57 | |
Ken and Julie, you are back in for this question. | 0:08:57 | 0:08:59 | |
-You are no longer frozen out. -OK. -Question four. | 0:08:59 | 0:09:03 | |
From what country does Pope Francis I...? | 0:09:03 | 0:09:06 | |
Hems! | 0:09:06 | 0:09:07 | |
-Mexico. -Let me finish the question. | 0:09:07 | 0:09:10 | |
I was going to say "originate", | 0:09:10 | 0:09:13 | |
you said Mexico... | 0:09:13 | 0:09:14 | |
incorrect, I am afraid it is Argentina. | 0:09:14 | 0:09:16 | |
HE SIGHS | 0:09:16 | 0:09:18 | |
You are frozen out for the next question, which gives | 0:09:18 | 0:09:20 | |
Ken and Ian a good chance. OK, are you ready? | 0:09:20 | 0:09:23 | |
Question five. | 0:09:23 | 0:09:25 | |
Which Briton won the Wimbledon Men's Singles Championship in 1936? | 0:09:25 | 0:09:30 | |
-Yes, Ian? -Fred Perry. | 0:09:30 | 0:09:32 | |
Correct, well done. | 0:09:32 | 0:09:34 | |
Zia, what are you going to take from the board? | 0:09:34 | 0:09:37 | |
I think I am going to take | 0:09:37 | 0:09:40 | |
the Roman dice. | 0:09:40 | 0:09:41 | |
The Roman dice. | 0:09:41 | 0:09:43 | |
That is the first thing in your collection, | 0:09:43 | 0:09:45 | |
Zia and Ian, well done. | 0:09:45 | 0:09:47 | |
Hems and Gerry, you are now unfrozen, | 0:09:47 | 0:09:49 | |
you are back in for the next question. | 0:09:49 | 0:09:51 | |
On which continent is the South Pole located? | 0:09:51 | 0:09:54 | |
-Yes, Ken? -Antarctica. | 0:09:54 | 0:09:56 | |
Hurray! Good. | 0:09:56 | 0:09:57 | |
-OK. -We're off! -OK, Julie, what have you got your eye on there? | 0:09:57 | 0:10:00 | |
-The chair, please. -The chair. | 0:10:00 | 0:10:03 | |
-That is starting your collection. -Yay. -Good. Next question. | 0:10:04 | 0:10:10 | |
Which iconic performing arts centre is located on Bennelong Point | 0:10:11 | 0:10:16 | |
in Port Jackson, Australia? | 0:10:16 | 0:10:18 | |
-Ken. -It's the Sydney Opera House. | 0:10:18 | 0:10:20 | |
It is the Sydney Opera House. | 0:10:20 | 0:10:22 | |
Ooh, and there's no stopping you now. Julie, what would you like to choose? | 0:10:22 | 0:10:25 | |
-Can I have the cabinet, please? -You may. | 0:10:25 | 0:10:28 | |
Fingers on buzzers. | 0:10:31 | 0:10:33 | |
Robert Galbraith is the pen name of which well-known author? | 0:10:33 | 0:10:36 | |
-Hems. -Ronald Dahl. | 0:10:38 | 0:10:41 | |
No, good call, but it's not. It is JK Rowling. You are frozen out. | 0:10:41 | 0:10:46 | |
Question nine. In which martial art can you score | 0:10:46 | 0:10:50 | |
a waza-ari, an ippon...? | 0:10:50 | 0:10:53 | |
-Yes, Ian? -Judo. | 0:10:53 | 0:10:55 | |
I'm going to finish the question. | 0:10:55 | 0:10:58 | |
..ippon and yuko. You said judo. | 0:10:58 | 0:11:00 | |
The answer is... | 0:11:00 | 0:11:02 | |
judo. Congratulations! | 0:11:02 | 0:11:04 | |
OK, Zia, would you like to choose something? | 0:11:04 | 0:11:07 | |
Yes, I would like to take | 0:11:07 | 0:11:08 | |
the sovereign case, please. | 0:11:08 | 0:11:10 | |
The sovereign case. | 0:11:10 | 0:11:11 | |
OK. Hems and Gerry, you are back in. This is the final question. | 0:11:12 | 0:11:18 | |
In the Noddy stories, what is the name of the policeman? | 0:11:18 | 0:11:21 | |
-Ken. -Mr Plod. | 0:11:21 | 0:11:23 | |
It IS Mr Plod. | 0:11:23 | 0:11:25 | |
Oh, Julie, what are you going to choose now? | 0:11:25 | 0:11:28 | |
Erm... | 0:11:28 | 0:11:30 | |
I think I will have | 0:11:30 | 0:11:32 | |
-the medals, please. -They are yours. | 0:11:32 | 0:11:35 | |
Right on, sister. | 0:11:35 | 0:11:36 | |
FERN LAUGHS | 0:11:36 | 0:11:38 | |
She's not your sister, you are married to her! | 0:11:38 | 0:11:40 | |
These two are brother and sister. | 0:11:40 | 0:11:42 | |
And at the end of that round, Ken and Julie, you have the chair, | 0:11:42 | 0:11:46 | |
the cabinet and the medals. | 0:11:46 | 0:11:47 | |
Hems and Gerry, | 0:11:47 | 0:11:49 | |
you have managed to get your hands on the watercolour and the script. | 0:11:49 | 0:11:53 | |
Ian and Zia, you have opted for the Roman dice | 0:11:53 | 0:11:57 | |
and the sovereign case. | 0:11:57 | 0:11:59 | |
So, our teams have started to build their collections, | 0:11:59 | 0:12:02 | |
but before they have the chance to add to them, Charles is going to give | 0:12:02 | 0:12:06 | |
each pair a fact about a lot of their choice. | 0:12:06 | 0:12:10 | |
These little snippets of information should just give you | 0:12:10 | 0:12:13 | |
a vital feel, a clue, about what it might be worth. | 0:12:13 | 0:12:17 | |
So listen carefully and choose wisely. | 0:12:17 | 0:12:21 | |
It could be one of yours or one of theirs, or something | 0:12:21 | 0:12:27 | |
still up for grabs on the grid that you can ask Charles about. | 0:12:27 | 0:12:31 | |
Julie, let's start with you. | 0:12:31 | 0:12:33 | |
Which lot would you like to hear more about? | 0:12:33 | 0:12:35 | |
I would like to go for the basket, please, first. | 0:12:35 | 0:12:38 | |
The basket? No-one has chosen the basket yet. | 0:12:38 | 0:12:40 | |
Charles, what do you think? | 0:12:40 | 0:12:42 | |
A Kuba basket, Julie, is from the Kuba people of the Congo. | 0:12:42 | 0:12:46 | |
Made during the first half of the 20th century. | 0:12:46 | 0:12:49 | |
Although this example is relatively modern, the techniques used | 0:12:49 | 0:12:53 | |
span centuries, and even appear in their own creative stories, Fern. | 0:12:53 | 0:12:59 | |
The mark of how important they are in everyday Kuba life, | 0:12:59 | 0:13:03 | |
they are used for all sorts of practical purposes. | 0:13:03 | 0:13:06 | |
Storing precious things, carrying food, eating from, | 0:13:06 | 0:13:11 | |
so this one has done well to survive. | 0:13:11 | 0:13:14 | |
Julie, has that given you any kind of information that is useful? | 0:13:14 | 0:13:18 | |
I kind of think that it's worthless, really. | 0:13:18 | 0:13:21 | |
-Do you?! That's your instinct, is it? -Yeah! -Interesting. | 0:13:21 | 0:13:25 | |
Right, let's come to couple number two. Hems and Gerry. | 0:13:25 | 0:13:29 | |
Gerry, you are the picker. | 0:13:29 | 0:13:31 | |
Which one would you like to know more about? | 0:13:31 | 0:13:34 | |
I'm intrigued to know something about the cap. | 0:13:34 | 0:13:37 | |
Let's ask Charles what he can tell you. | 0:13:37 | 0:13:39 | |
Gerry, I can tell you this is an English international cap, | 0:13:39 | 0:13:42 | |
but not one that was awarded for | 0:13:42 | 0:13:44 | |
playing in an actual international game. | 0:13:44 | 0:13:49 | |
Until the 1920s, potential England players had to | 0:13:49 | 0:13:52 | |
earn their place in the national team by playing each other | 0:13:52 | 0:13:56 | |
in special trial games. | 0:13:56 | 0:13:58 | |
They were awarded a special cap like this one for doing so. | 0:13:58 | 0:14:02 | |
So they are very different to the ones received | 0:14:02 | 0:14:04 | |
when selected for the full team. | 0:14:04 | 0:14:06 | |
This one belonged to Sam Chedgzoy. | 0:14:06 | 0:14:09 | |
He played for Everton, the Toffees, | 0:14:09 | 0:14:12 | |
from 1910 and represented England on eight occasions. | 0:14:12 | 0:14:15 | |
-It's a long time ago, isn't it? Just after the First World War. -Indeed. | 0:14:15 | 0:14:19 | |
So a very interesting piece of history, | 0:14:19 | 0:14:21 | |
but we don't know how much it is worth. | 0:14:21 | 0:14:24 | |
Ian and Zia. | 0:14:24 | 0:14:26 | |
Zia, you are the person who can decide | 0:14:26 | 0:14:28 | |
what you would like to hear more about. | 0:14:28 | 0:14:30 | |
I would really like to hear a little bit more about | 0:14:30 | 0:14:32 | |
the carved bird, please. | 0:14:32 | 0:14:34 | |
The carved bird. | 0:14:34 | 0:14:35 | |
It's late 19th century, it's unmarked, | 0:14:35 | 0:14:38 | |
although it has this polychrome hand-carved finish | 0:14:38 | 0:14:41 | |
to its parrot features. | 0:14:41 | 0:14:43 | |
The trend for polychroming objects, or basically, | 0:14:43 | 0:14:47 | |
colouring them in, it stemmed from the 19th-century Gothic Revival, | 0:14:47 | 0:14:52 | |
and led to the colourful trends of the Art Nouveau period. | 0:14:52 | 0:14:57 | |
The style of this particular wooden parrot is very much in keeping | 0:14:57 | 0:15:01 | |
with the array of quaint | 0:15:01 | 0:15:03 | |
and colourful objects of art produced at this time. | 0:15:03 | 0:15:08 | |
Now that you are a little bit more clued up on today's lots, | 0:15:08 | 0:15:11 | |
let's give you the chance to add some more of them to your collections, | 0:15:11 | 0:15:15 | |
bearing in mind that, at the end of this round, | 0:15:15 | 0:15:18 | |
the team with the least valuable collection will be eliminated. | 0:15:18 | 0:15:22 | |
Three more lots are now available to each pair. | 0:15:24 | 0:15:27 | |
This time, pickers, you target the lot, and quizzers, | 0:15:27 | 0:15:32 | |
you then try to secure it by answering the question correctly. | 0:15:32 | 0:15:36 | |
But in this round, the lots come with their own question categories. | 0:15:36 | 0:15:42 | |
And here they are. | 0:15:42 | 0:15:44 | |
OK, for instance, if you are going to | 0:15:46 | 0:15:48 | |
go for paperclip... | 0:15:48 | 0:15:49 | |
the question categories | 0:15:49 | 0:15:50 | |
you can choose between are, | 0:15:50 | 0:15:52 | |
to the left, football... | 0:15:52 | 0:15:54 | |
and above, fruit and veg. | 0:15:54 | 0:15:57 | |
Right, Ken and Julie, you are first. So, Julie, what's your lot? | 0:15:57 | 0:16:01 | |
I think I might go for the hachoir, please. | 0:16:01 | 0:16:05 | |
The hachoir. OK. | 0:16:05 | 0:16:07 | |
Which means, Ken, you have | 0:16:07 | 0:16:09 | |
to pick the category between | 0:16:09 | 0:16:11 | |
fruit and veg or the human body. | 0:16:11 | 0:16:13 | |
I will go for the human body, | 0:16:13 | 0:16:14 | |
because there is a 50% chance I know what it is, because I am one. | 0:16:14 | 0:16:17 | |
FERN LAUGHS | 0:16:17 | 0:16:19 | |
OK, the human body. Here is your question. | 0:16:19 | 0:16:23 | |
What name is given to the part of the eye through which | 0:16:23 | 0:16:25 | |
light passes to the pupil? | 0:16:25 | 0:16:27 | |
The iris. | 0:16:27 | 0:16:28 | |
Correct, well done, and the hachoir is yours. | 0:16:28 | 0:16:33 | |
You now have four things in your collection. | 0:16:33 | 0:16:36 | |
Couple number two, Hems and Gerry. | 0:16:36 | 0:16:38 | |
Gerry, this is your chance, have a look at the board, | 0:16:38 | 0:16:41 | |
what would you like? | 0:16:41 | 0:16:43 | |
I think I will go for the bowl, please. | 0:16:43 | 0:16:46 | |
The bowl. | 0:16:46 | 0:16:47 | |
Hems, what are you going to go for? The EU or the human body? | 0:16:47 | 0:16:50 | |
Dickens, please. | 0:16:50 | 0:16:51 | |
LAUGHTER | 0:16:51 | 0:16:53 | |
-Human body. -OK, here we go, | 0:16:53 | 0:16:55 | |
here is your question. | 0:16:55 | 0:16:57 | |
What fluid does a phlebotomist extract from the human body? | 0:16:58 | 0:17:02 | |
Blood. | 0:17:02 | 0:17:03 | |
Hems, it is indeed blood! | 0:17:03 | 0:17:06 | |
-Well done, and the bowl is yours. -Thank you. | 0:17:06 | 0:17:09 | |
You now have three in your collection. | 0:17:09 | 0:17:11 | |
Ian and Zia, have a little look. | 0:17:11 | 0:17:15 | |
I would like to go for the cap, please. | 0:17:17 | 0:17:19 | |
The cap? Mmm, OK. | 0:17:19 | 0:17:22 | |
Ian, you are going now for Dickens or the Romans. | 0:17:22 | 0:17:25 | |
-Does that sound good to you? -I see you're laughing as well. | 0:17:25 | 0:17:28 | |
-How many Dickens novels have you read? -None. -Good(!) | 0:17:28 | 0:17:32 | |
No, me neither. | 0:17:32 | 0:17:34 | |
-So, Dickens or the Romans, I guess you're going Romans. -Romans. | 0:17:34 | 0:17:38 | |
What was the name of the Roman god of war? | 0:17:38 | 0:17:42 | |
Mars. | 0:17:42 | 0:17:43 | |
Well done, that is correct. The cap is now in your collection. | 0:17:43 | 0:17:47 | |
Thank you. | 0:17:47 | 0:17:48 | |
Ken and Julie. Julie, you can pick whatever you like from the board. | 0:17:49 | 0:17:54 | |
I think I will go for the urn, please. | 0:17:54 | 0:17:57 | |
The urn. | 0:17:57 | 0:17:58 | |
OK, how is your knowledge on | 0:17:58 | 0:18:00 | |
horror films, Ken, and the Romans? | 0:18:00 | 0:18:02 | |
Oh, that is a good question. | 0:18:02 | 0:18:04 | |
I was always banned from going to the horror films, because they | 0:18:04 | 0:18:07 | |
were in the naughty cinema in Waterloo and I wasn't allowed there. | 0:18:07 | 0:18:10 | |
-So I think I will go for the Romans again, please. -Romans again? | 0:18:10 | 0:18:13 | |
OK, here we go. | 0:18:13 | 0:18:15 | |
Leodis is the Roman name for which British city? | 0:18:16 | 0:18:19 | |
Leeds. | 0:18:20 | 0:18:21 | |
It is Leeds. Correct. | 0:18:21 | 0:18:23 | |
The urn is yours. | 0:18:23 | 0:18:26 | |
Hems and Gerry, your chance to pick now, | 0:18:26 | 0:18:28 | |
so Gerry, what are you going to go for? | 0:18:28 | 0:18:30 | |
I will go for the tea set, please. | 0:18:30 | 0:18:34 | |
So, your question categories are football or the Romans. | 0:18:34 | 0:18:38 | |
What would you like, Hems? | 0:18:38 | 0:18:39 | |
-Go with football. -OK. | 0:18:39 | 0:18:42 | |
Who won the 2015 FIFA Women's World Cup? | 0:18:42 | 0:18:46 | |
Was it Germany? | 0:18:46 | 0:18:48 | |
Hems, I'm sorry, that is incorrect, it was actually Team USA. | 0:18:48 | 0:18:51 | |
-USA. -So it means the tea set that you wanted stays on the board. | 0:18:51 | 0:18:56 | |
SIGHING: I wonder who else wants that one. | 0:18:57 | 0:18:59 | |
OK, we will find out. Ian and Zia. Zia, your choice. | 0:18:59 | 0:19:02 | |
-What do you want? -I would like to take the tea set, please. | 0:19:02 | 0:19:06 | |
Would you? Interesting. | 0:19:06 | 0:19:08 | |
What do you think you know that we don't, eh? | 0:19:08 | 0:19:11 | |
OK, the question categories, as you know, football or the Romans. | 0:19:11 | 0:19:14 | |
-Ian, what do you want? -Done the Romans. | 0:19:14 | 0:19:16 | |
COCKNEY ACCENT: "Done the Romans, love." | 0:19:16 | 0:19:18 | |
-Let's have a go at football. -"Let's do football." | 0:19:18 | 0:19:21 | |
-Let's have a go. -ACCENT CONTINUES: OK. | 0:19:21 | 0:19:23 | |
I don't know why I'm speaking like that, I am so sorry. | 0:19:23 | 0:19:27 | |
Which midfielder scored over 200 goals for Southampton | 0:19:27 | 0:19:32 | |
between 1986 and 2002? | 0:19:32 | 0:19:34 | |
Matthew Le Tissier. | 0:19:35 | 0:19:37 | |
Correct! Congratulations. | 0:19:37 | 0:19:40 | |
OK, Ian and Zia, the tea set is yours. | 0:19:40 | 0:19:44 | |
OK, teams, your collections are growing, | 0:19:44 | 0:19:46 | |
but remember, at the end of this round, | 0:19:46 | 0:19:48 | |
the pair with the least valuable collection will be leaving us. | 0:19:48 | 0:19:53 | |
So, there is one last lot available to each team, | 0:19:53 | 0:19:57 | |
and, this time, you can either go for what is left on the grid, | 0:19:57 | 0:20:01 | |
or you can try to steal an antique | 0:20:01 | 0:20:04 | |
that is in your rival team's collection. | 0:20:04 | 0:20:08 | |
Pickers, be warned, if you choose to steal from another team, | 0:20:08 | 0:20:13 | |
it will be THEIR quizzer who will get to decide YOUR quizzer's category. | 0:20:13 | 0:20:17 | |
Right, Julie, do you want to target a lot from the grid or have | 0:20:18 | 0:20:23 | |
you got your eye on something in another person's collection? | 0:20:23 | 0:20:27 | |
I think I will go for the ball gown. | 0:20:27 | 0:20:30 | |
The ball gown on the grid? | 0:20:31 | 0:20:32 | |
-Mm-hm. -OK. | 0:20:32 | 0:20:34 | |
Ken, you have to answer questions | 0:20:34 | 0:20:36 | |
on horror films or fruit and veg. | 0:20:36 | 0:20:38 | |
I know that you don't see horror films, do you eat fruit and veg? | 0:20:38 | 0:20:42 | |
-Yes. -Good. What will you be going for? -Horror films. -Excellent! | 0:20:42 | 0:20:45 | |
LAUGHTER | 0:20:45 | 0:20:47 | |
-Why not? -Get in there! OK, are you ready? -Yes. | 0:20:48 | 0:20:52 | |
Which iconic horror actor starred in the Theatre of Blood | 0:20:52 | 0:20:56 | |
and the House of Wax? | 0:20:56 | 0:20:57 | |
Argh! | 0:20:58 | 0:21:00 | |
-I'm going to have to hurry you. -Oh, yeah, Christopher... | 0:21:01 | 0:21:04 | |
It is not Christopher Lee, I knew that you were | 0:21:04 | 0:21:06 | |
thinking that, it is not. | 0:21:06 | 0:21:08 | |
-It is Vincent Price. -Oh, right. | 0:21:08 | 0:21:10 | |
Hems and Gerry... | 0:21:10 | 0:21:12 | |
Gerry, what would you like to do - | 0:21:13 | 0:21:15 | |
take something from the grid or nick something from someone else? | 0:21:15 | 0:21:18 | |
I would like to nick the medals, please. | 0:21:18 | 0:21:21 | |
Nick the medals in the collection belonging to Ken and Julie. | 0:21:21 | 0:21:26 | |
Ken, you now have to decide any of the categories on the board | 0:21:26 | 0:21:31 | |
that you would like Hems to answer. | 0:21:31 | 0:21:33 | |
Dickens. | 0:21:33 | 0:21:35 | |
Hems, here is your question. | 0:21:35 | 0:21:37 | |
Uriah Heep is a character in which Dickens novel? | 0:21:37 | 0:21:42 | |
Oliver Twist. | 0:21:42 | 0:21:43 | |
Ohh, David Copperfield. | 0:21:43 | 0:21:46 | |
-OK, well done. -Sock it to them. -Ken, you defended that. | 0:21:46 | 0:21:49 | |
Well done, you have kept your medals. | 0:21:49 | 0:21:52 | |
Now we are going to move on to team three, Ian and Zia. | 0:21:52 | 0:21:55 | |
Zia, something from the board or something from the other teams? | 0:21:55 | 0:21:58 | |
I would like to attempt to steal the watercolour | 0:21:58 | 0:22:01 | |
-from Hems and Gerry. -Ohh. | 0:22:01 | 0:22:03 | |
Gerry and Hems, your lovely watercolour looks pretty, | 0:22:03 | 0:22:07 | |
is it worth anything at all? | 0:22:07 | 0:22:09 | |
Hems, it's your chance, though, to pick a category for Ian. | 0:22:09 | 0:22:12 | |
-Modern art. -Modern art, excellent. | 0:22:14 | 0:22:17 | |
-OK, Ian, here you go. -OK. | 0:22:17 | 0:22:19 | |
What was the name of Banksy's 2015 | 0:22:21 | 0:22:23 | |
temporary theme park in Weston-super-Mare? | 0:22:23 | 0:22:26 | |
Pleasure dome. | 0:22:28 | 0:22:29 | |
No, the opposite - Dismaland. | 0:22:29 | 0:22:32 | |
Phew! Well done, Hems, you have defended your watercolour. | 0:22:32 | 0:22:36 | |
OK, teams, well done. That is it for Round 2. | 0:22:36 | 0:22:39 | |
Ken and Julie, you now have the hachoir and the urn, | 0:22:39 | 0:22:43 | |
as well as the chair, cabinet and the medal. | 0:22:43 | 0:22:45 | |
Hems and Gerry, you have now got the bowl, | 0:22:45 | 0:22:48 | |
along with the watercolour and the script. | 0:22:48 | 0:22:50 | |
Ian and Zia, your collection is now made up of the Roman dice, | 0:22:50 | 0:22:53 | |
the sovereign case, the cap and the tea set. | 0:22:53 | 0:22:57 | |
Now, we have calculated the combined value of all of your items, | 0:22:57 | 0:23:01 | |
and the team with the least valuable collection will have to be | 0:23:01 | 0:23:05 | |
eliminated, taking their lots out of the game as well. | 0:23:05 | 0:23:10 | |
Charles, who is leaving us first? | 0:23:10 | 0:23:13 | |
Leaving us first, but please take a bow... | 0:23:13 | 0:23:16 | |
..it's Ken and Julie. | 0:23:19 | 0:23:20 | |
-No! -Wow. -My goodness, you played so brilliantly. | 0:23:20 | 0:23:24 | |
It is all to do with what you have chosen and the price of what it is. | 0:23:24 | 0:23:27 | |
Well, we bought with our hearts. | 0:23:27 | 0:23:30 | |
Perhaps not with our brains. What the heck, it has been great fun. | 0:23:30 | 0:23:35 | |
Well, it has been fantastic to have you, | 0:23:35 | 0:23:36 | |
and you obviously want to know before you go | 0:23:36 | 0:23:39 | |
the value of each of those lots, so, Charles, can you tell us? | 0:23:39 | 0:23:41 | |
Let me start from the beginning. The Royal Doulton coronation urn. | 0:23:41 | 0:23:45 | |
A loving cup, lovely object, not really touched by royalty, | 0:23:45 | 0:23:49 | |
limited edition, one or two thousand. | 0:23:49 | 0:23:51 | |
Made in 1937 for the coronation of George VI and Elizabeth. | 0:23:51 | 0:23:57 | |
Its value? | 0:23:57 | 0:23:58 | |
Then we have that lovely William IV mahogany library armchair | 0:24:00 | 0:24:03 | |
right behind me. | 0:24:03 | 0:24:05 | |
Great object, made in a certain period, it is 1830s, | 0:24:05 | 0:24:09 | |
so it is from a really desirable period, it is worth... | 0:24:09 | 0:24:14 | |
-No! -Then we talk about colour and patination, | 0:24:17 | 0:24:20 | |
that doctor and that cabinet. | 0:24:20 | 0:24:23 | |
Of course, it is a wonderful travelling medicinal cabinet. | 0:24:23 | 0:24:26 | |
If you look at the brass corners, | 0:24:26 | 0:24:28 | |
they would suggest not only is it Anglo-Chinese, | 0:24:28 | 0:24:31 | |
it has that great exotic, Oriental value, it is almost 300 years old. | 0:24:31 | 0:24:38 | |
So, to survive, it is quite remarkable. But its value... | 0:24:38 | 0:24:42 | |
Wow. The next one, Charles? | 0:24:43 | 0:24:46 | |
Sentimentality you can't buy, | 0:24:46 | 0:24:48 | |
but you did with your Crimean War medals, | 0:24:48 | 0:24:52 | |
which belonged to one person. | 0:24:52 | 0:24:54 | |
They are unique for what they represent in history. | 0:24:54 | 0:24:58 | |
Of course, there was a Crimea Medal, 1854-56, | 0:24:58 | 0:25:01 | |
the Turkish Crimea Medal | 0:25:01 | 0:25:03 | |
and the army Long Service and Good Conduct Medal. | 0:25:03 | 0:25:07 | |
OK, the metalware is a bit bent, but generally, | 0:25:07 | 0:25:10 | |
they are in good condition bearing in mind their age. | 0:25:10 | 0:25:14 | |
It is a great lot. | 0:25:14 | 0:25:16 | |
FERN GASPS | 0:25:18 | 0:25:19 | |
OK, and...? | 0:25:19 | 0:25:20 | |
Then we have that lovely hachoir as well, which I love, | 0:25:20 | 0:25:23 | |
because it is novelty, | 0:25:23 | 0:25:25 | |
and anything novel in the auction market today is always so buoyant. | 0:25:25 | 0:25:30 | |
This is a 19th-century French example, | 0:25:30 | 0:25:32 | |
more commonly known by the Italian name, | 0:25:32 | 0:25:34 | |
mezzaluna, meaning "half moon", | 0:25:34 | 0:25:36 | |
and the curved blade has been used for chopping herbs for centuries. | 0:25:36 | 0:25:40 | |
I love this, because it was made in Brittany, and the stripes, | 0:25:40 | 0:25:45 | |
female stockings. High value, because it's novel. | 0:25:45 | 0:25:49 | |
-So the final value of the collection is? -£2,540. | 0:25:52 | 0:25:58 | |
-You're kidding! -Really?! -It's unbelievable. -That's amazing. | 0:25:58 | 0:26:03 | |
You've been a fantastic picker, Julie. | 0:26:03 | 0:26:05 | |
Julie and Ken, you've been amazing. | 0:26:05 | 0:26:07 | |
-Thank you very much for playing For What It's Worth. -Thank you. | 0:26:07 | 0:26:10 | |
It went well, we got five items, more than anybody else, | 0:26:11 | 0:26:15 | |
but it just shows, it's not quantity, it's quality in antiques. | 0:26:15 | 0:26:19 | |
Correct. | 0:26:19 | 0:26:21 | |
Now, the unclaimed lots in the grid are now also leaving the game. | 0:26:25 | 0:26:30 | |
There they are, let's quickly find out from Charles what | 0:26:30 | 0:26:33 | |
they were worth and if the top lot | 0:26:33 | 0:26:35 | |
is still in the game. | 0:26:35 | 0:26:37 | |
Is it on the board? | 0:26:37 | 0:26:38 | |
Well, this bird clearly ruffled no feathers. | 0:26:38 | 0:26:42 | |
If it had been medieval, coloured in Europe in the 16th century, | 0:26:42 | 0:26:47 | |
it would have flown away, but in fact, | 0:26:47 | 0:26:49 | |
this is more of a tourist market Germanic or French thing, | 0:26:49 | 0:26:53 | |
and it's worth... | 0:26:53 | 0:26:56 | |
-No? -Yes. -Well avoided, teams. | 0:26:56 | 0:26:58 | |
CHARLES LAUGHS | 0:26:58 | 0:26:59 | |
And of course, a really booming market at the moment is | 0:26:59 | 0:27:02 | |
the tribal market, and what was left without a home was that | 0:27:02 | 0:27:06 | |
quite interesting basket, which is tiny to the eye. | 0:27:06 | 0:27:10 | |
Made from raffia palms, a really powerful material made to last, | 0:27:10 | 0:27:14 | |
and in fact, they began making these way back in the early 17th century. | 0:27:14 | 0:27:18 | |
Worth only... | 0:27:18 | 0:27:20 | |
Good. Another one well left. What else have we got? | 0:27:20 | 0:27:23 | |
Then we have that very elaborate paperclip I thought | 0:27:23 | 0:27:25 | |
you may have taken on board. | 0:27:25 | 0:27:28 | |
Uniquely Victorian, it's a lovely object, it would | 0:27:28 | 0:27:31 | |
date to around 1910, but it's of no precious material. | 0:27:31 | 0:27:36 | |
Its auction value? | 0:27:36 | 0:27:38 | |
Wow. And the last thing is the ball gown. | 0:27:38 | 0:27:42 | |
Ian, you thought it was Victorian. Gerry, you thought 1920s. | 0:27:42 | 0:27:46 | |
Well, let's go down the middle, | 0:27:46 | 0:27:48 | |
it is 1906, thereabouts. | 0:27:48 | 0:27:50 | |
It's made from embossed brocade, it's gorgeous, the bodice is bones, | 0:27:50 | 0:27:54 | |
so it keeps its shape. | 0:27:54 | 0:27:56 | |
It's a top-notch example, but not made by any great designer. | 0:27:56 | 0:28:01 | |
And vintage is the word, | 0:28:01 | 0:28:03 | |
it's all the rage in the vintage costume market today. | 0:28:03 | 0:28:08 | |
Made around the time of the suffragettes, girl power, worth... | 0:28:08 | 0:28:12 | |
This still means the top lot | 0:28:14 | 0:28:17 | |
and the worthless lot are still here somewhere. | 0:28:17 | 0:28:20 | |
They are in play. | 0:28:20 | 0:28:22 | |
So, just two pairs of contestants left and, before we go any further, | 0:28:22 | 0:28:26 | |
Charles is going to give you another fact about a lot of your choice. | 0:28:26 | 0:28:30 | |
So, picker Gerry, your turn. What lot do you want to know more about? | 0:28:30 | 0:28:36 | |
I would like to know a little bit more about the script. | 0:28:36 | 0:28:40 | |
Charles, the script. | 0:28:40 | 0:28:42 | |
-Gerry, are you feeling shaken and stirred yet? -Very. | 0:28:42 | 0:28:46 | |
It's a script used, of course, in the production of James Bond. | 0:28:46 | 0:28:48 | |
That classic The Man With The Golden Gun. | 0:28:48 | 0:28:51 | |
It is bound by a script clip at the top, | 0:28:51 | 0:28:55 | |
with a pink card cover on the front and rear. | 0:28:55 | 0:28:58 | |
It is a production scripts, it is not Roger Moore's, | 0:28:58 | 0:29:01 | |
it is not one used by an actor, | 0:29:01 | 0:29:03 | |
in fact, it does show credits to producers, | 0:29:03 | 0:29:06 | |
including Harry Saltzman and Albert R Broccoli. | 0:29:06 | 0:29:10 | |
Interesting, because the latter is misspelt. | 0:29:10 | 0:29:15 | |
-Oh, so Cubby Broccoli is misspelt "Cubby Boccoli." -Exactly. | 0:29:15 | 0:29:19 | |
Ohh. All right, Ian and Zia, what would you like to know more about? | 0:29:19 | 0:29:25 | |
I think I'm going to ask a little bit more... | 0:29:25 | 0:29:28 | |
..about the watercolour, please. | 0:29:29 | 0:29:31 | |
The watercolour that belongs to Gerry and Hems. Charles? | 0:29:31 | 0:29:35 | |
Dare I say, Zia, you're a realist, | 0:29:35 | 0:29:37 | |
because this is The Stonebreaker by Walter Langley, and he is | 0:29:37 | 0:29:41 | |
regarded as a pioneer of a group of artists called the Newlyn School. | 0:29:41 | 0:29:47 | |
This picture he painted whilst travelling through Holland in 1906. | 0:29:47 | 0:29:54 | |
He would have likely drawn and coloured it as a reference | 0:29:54 | 0:29:58 | |
for a larger work he would have completed on his return. | 0:29:58 | 0:30:04 | |
And of course, the Newlyn School remains a hugely popular | 0:30:04 | 0:30:08 | |
group of artists, but this is Langley working in the rough. | 0:30:08 | 0:30:13 | |
OK, those are all the facts available to you, | 0:30:14 | 0:30:17 | |
so it is now time for our final round. | 0:30:17 | 0:30:20 | |
At the end of it, we will have our winners. | 0:30:20 | 0:30:23 | |
So, I am going to give the quizzers a category that they then | 0:30:25 | 0:30:29 | |
take turns to say the answers to in that category. | 0:30:29 | 0:30:33 | |
For example, if I say, "colours of the rainbow", you might say, Hems, | 0:30:33 | 0:30:38 | |
"red", you might say, Ian, "orange", | 0:30:38 | 0:30:40 | |
you might say, "yellow", and so on. | 0:30:40 | 0:30:43 | |
Now, if you fail to get an answer, | 0:30:43 | 0:30:45 | |
if you repeat an answer or you give a wrong answer, | 0:30:45 | 0:30:49 | |
you lose that category, and the opponent's picker will be able | 0:30:49 | 0:30:53 | |
to steal a lot from you and your collection. | 0:30:53 | 0:30:55 | |
Remember, it is the total value of your collections that matter. | 0:30:55 | 0:30:59 | |
At the end of this round, one high-priced lot could be more | 0:30:59 | 0:31:03 | |
valuable than your opponent's entire collection. | 0:31:03 | 0:31:07 | |
So, there are three categories and the pair | 0:31:07 | 0:31:10 | |
with the most valuable collection at this point go first. | 0:31:10 | 0:31:14 | |
Charles, who is that? | 0:31:14 | 0:31:15 | |
I can reveal, Fern, | 0:31:15 | 0:31:17 | |
the team who currently has the most valuable collection is... | 0:31:17 | 0:31:22 | |
..Ian and Zia. | 0:31:23 | 0:31:25 | |
Quizzer Ian, you are going to start us off, and the first category is... | 0:31:25 | 0:31:30 | |
Ian, you are first. | 0:31:37 | 0:31:38 | |
Old Kent Road. | 0:31:38 | 0:31:39 | |
Correct. | 0:31:39 | 0:31:41 | |
Park Lane. | 0:31:41 | 0:31:42 | |
Correct. | 0:31:42 | 0:31:43 | |
Whitechapel. | 0:31:43 | 0:31:44 | |
FERN GASPS | 0:31:44 | 0:31:45 | |
-I need a bit more. -Erm... | 0:31:45 | 0:31:46 | |
-Don't look at me. -Whitechapel... | 0:31:48 | 0:31:50 | |
Whitechapel...Street. | 0:31:50 | 0:31:52 | |
No. It's Whitechapel Road. | 0:31:52 | 0:31:55 | |
Oh, you see, it is so easy to fall at these ones, isn't it? | 0:31:55 | 0:31:59 | |
OK, Gerry, you can steal something from their collection. | 0:31:59 | 0:32:02 | |
What do you want? | 0:32:02 | 0:32:03 | |
The tea set, please. | 0:32:03 | 0:32:05 | |
The silver tea set is yours. | 0:32:05 | 0:32:08 | |
You now have four lots as opposed to Ian and Zia's three. | 0:32:08 | 0:32:11 | |
Are you ready? | 0:32:11 | 0:32:13 | |
Hems, go. | 0:32:18 | 0:32:20 | |
Jessica Hennis. | 0:32:20 | 0:32:23 | |
I am so sorry, I can't accept it. | 0:32:23 | 0:32:25 | |
It is Jessica Ennis. | 0:32:25 | 0:32:27 | |
Zia, you can steal either the tea set back or whatever | 0:32:28 | 0:32:31 | |
you want from their collection. | 0:32:31 | 0:32:33 | |
-I would like to steal the watercolour, please. -It is yours. | 0:32:33 | 0:32:37 | |
Thank you very much. | 0:32:37 | 0:32:39 | |
Here it is, the final category is... | 0:32:39 | 0:32:41 | |
Ian to start. | 0:32:48 | 0:32:50 | |
Elephant. | 0:32:50 | 0:32:52 | |
There are no elephants on that list. | 0:32:52 | 0:32:55 | |
I am sorry, that is incorrect, Ian. | 0:32:55 | 0:32:57 | |
You could have had giraffe, rabbit, tiger, wallaby, zebra... | 0:32:57 | 0:33:02 | |
I could go on. Gerry... | 0:33:02 | 0:33:05 | |
are you thrilled to hear that you can steal something from Zia and Ian? | 0:33:05 | 0:33:08 | |
I will definitely have the watercolour back, thank you. | 0:33:08 | 0:33:11 | |
Watercolour is flying its way back to where it belongs with | 0:33:11 | 0:33:14 | |
-the picture framer Gerry. -Exactly. | 0:33:14 | 0:33:17 | |
OK, that's it, well done. | 0:33:17 | 0:33:18 | |
Your collections are now fixed | 0:33:18 | 0:33:20 | |
and will determine which team is victorious. | 0:33:20 | 0:33:23 | |
Hems and Gerry, your final collection is made up of the script, | 0:33:23 | 0:33:26 | |
the bowl, the tea set and the watercolour. | 0:33:26 | 0:33:30 | |
Ian and Zia, you have the Roman dice, the sovereign case and the cap. | 0:33:30 | 0:33:34 | |
Right, Charles, who has got the most valuable collection? | 0:33:34 | 0:33:38 | |
I can reveal the team who has the most valuable collection... | 0:33:38 | 0:33:43 | |
..is Ian and Zia. | 0:33:45 | 0:33:46 | |
Congratulations! | 0:33:46 | 0:33:50 | |
-Wow. -Absolutely. -Oh, my goodness. | 0:33:50 | 0:33:53 | |
Gerry and Hems, you kept stealing, you did very well, | 0:33:53 | 0:33:57 | |
you have four lots in your collection. | 0:33:57 | 0:33:59 | |
You obviously want to know before you go home what the collection | 0:33:59 | 0:34:02 | |
was worth, what those lots were worth. | 0:34:02 | 0:34:04 | |
-I'm intrigued. -OK, Charles. | 0:34:04 | 0:34:05 | |
Well, I think one of my favourite objects was that | 0:34:05 | 0:34:09 | |
tiny decorative bowl, and that Blue John bowl is unique to Derbyshire, | 0:34:09 | 0:34:13 | |
to the Castleton mines, and I love it. | 0:34:13 | 0:34:16 | |
Most Blue John was mined and carved into ornamental shapes | 0:34:16 | 0:34:20 | |
and objects in the 18th and 19th centuries. | 0:34:20 | 0:34:23 | |
Your bowl dates to around 1800. What's it worth? | 0:34:23 | 0:34:27 | |
Wow. What's next? | 0:34:28 | 0:34:30 | |
And then they moved on to that script. | 0:34:30 | 0:34:33 | |
That was shaken and stirred, slightly. | 0:34:33 | 0:34:36 | |
That 1974 favourite starring Roger Moore. | 0:34:36 | 0:34:40 | |
It had a budget of 7 million, | 0:34:40 | 0:34:42 | |
it hit the box office finally at 100 million. | 0:34:42 | 0:34:46 | |
It is a great lot, it is worth... | 0:34:46 | 0:34:49 | |
Wow. The next one, Charles. | 0:34:52 | 0:34:54 | |
Then we sort of rounded off with all things shiny. | 0:34:54 | 0:34:57 | |
It is Scottish, it's got that great weight, 1874, | 0:34:57 | 0:35:03 | |
that colonial style made popular in the late 19th century. | 0:35:03 | 0:35:07 | |
The silver market is good, but not that good, and it is worth... | 0:35:07 | 0:35:13 | |
Charles, the final lot? | 0:35:16 | 0:35:17 | |
And finally, it was that infamous watercolour. | 0:35:17 | 0:35:20 | |
Gerry, you noted in the gallery, founder of the Newlyn School - | 0:35:20 | 0:35:25 | |
quite right - was that man Walter Langley. | 0:35:25 | 0:35:28 | |
He is a wonderful artist, | 0:35:28 | 0:35:30 | |
he hung in his lifetime in the Uffizi in Italy alongside | 0:35:30 | 0:35:34 | |
those Renaissance greats Raphael and Rembrandt, | 0:35:34 | 0:35:38 | |
and that social realist portrayal really is so obvious in this | 0:35:38 | 0:35:44 | |
delightful working-class fisherman, plein-air, really painted from life. | 0:35:44 | 0:35:49 | |
What's it worth? Well... | 0:35:49 | 0:35:51 | |
Wow. So the final value of the collection is? | 0:35:54 | 0:35:57 | |
It was a whopping £3,475. | 0:35:57 | 0:36:03 | |
Gerry and Hems, you can go home with your heads held high, | 0:36:03 | 0:36:06 | |
because you did some very good picking | 0:36:06 | 0:36:08 | |
and some very good quizzing to get those lots. | 0:36:08 | 0:36:11 | |
-Thank you so much for playing! -Thank you. | 0:36:11 | 0:36:14 | |
I had my money on either that script or the watercolour, | 0:36:15 | 0:36:19 | |
-and I thought we had it! -We had both, didn't we? | 0:36:19 | 0:36:22 | |
And then when Charles Hanson just announced the final result, | 0:36:22 | 0:36:25 | |
-it blew me away. -It did. I was in shock. | 0:36:25 | 0:36:29 | |
It was a like a 91st-minute goal for the opposite team. | 0:36:29 | 0:36:33 | |
Well done, Ian and Zia, you have built the most valuable collection. | 0:36:38 | 0:36:41 | |
All you have do is pick a lot from your collection | 0:36:41 | 0:36:44 | |
and we will give you its value in cash. | 0:36:44 | 0:36:47 | |
So, try and pick a good one and, remember, | 0:36:47 | 0:36:51 | |
you have got the top lot in your collection | 0:36:51 | 0:36:54 | |
and you have got the most worthless lot in your collection. | 0:36:54 | 0:36:57 | |
SHE GASPS | 0:36:57 | 0:37:00 | |
So, which are you going to choose? You can discuss. | 0:37:00 | 0:37:05 | |
You won't have as many Roman dice as a cap, but then again, | 0:37:07 | 0:37:10 | |
you won't have a silver sovereign case that has got Lafayette | 0:37:10 | 0:37:14 | |
mentioned on there, Walter Scott and 1909. | 0:37:14 | 0:37:18 | |
-I think it would be the sovereign case. -OK. | 0:37:18 | 0:37:23 | |
My instinct, I'd go with the Roman dice. | 0:37:23 | 0:37:26 | |
But my brother is the boss, so we're going to go with the sovereign case. | 0:37:26 | 0:37:29 | |
So your final decision is that you're going to take | 0:37:29 | 0:37:32 | |
-the sovereign silver case? BOTH: -Yes. | 0:37:32 | 0:37:35 | |
Charles, can you please tell me the value of the lots they have rejected? | 0:37:35 | 0:37:38 | |
Which one will you start with? | 0:37:38 | 0:37:40 | |
I shall start off with the cap. | 0:37:40 | 0:37:42 | |
Ian and Zia, you both spotted its association to the FA, | 0:37:42 | 0:37:47 | |
going back to the very early days. | 0:37:47 | 0:37:49 | |
Anything pre-World War II is very important | 0:37:49 | 0:37:53 | |
when it comes to the footballing world, amongst collectors. | 0:37:53 | 0:37:56 | |
Value? | 0:37:56 | 0:37:57 | |
But we know that is not the top lot. | 0:38:01 | 0:38:04 | |
THEY GIGGLE | 0:38:07 | 0:38:08 | |
It is not the worthless item either. | 0:38:08 | 0:38:11 | |
Zia was feeling her gut instinct was going for the Roman dice. | 0:38:13 | 0:38:17 | |
This dice is almost 2,000 years old. | 0:38:17 | 0:38:19 | |
It is Roman, and playing dice was a very popular pastime with | 0:38:19 | 0:38:23 | |
the Romans, based around betting on numbers that would come up. | 0:38:23 | 0:38:28 | |
It was played all over the Empire. | 0:38:28 | 0:38:30 | |
They're often made of wood or bone, but quite unusually, | 0:38:30 | 0:38:35 | |
this one is marble. | 0:38:35 | 0:38:37 | |
But they are regularly found in archaeological digs, | 0:38:38 | 0:38:43 | |
it is frightening to say... | 0:38:43 | 0:38:45 | |
it is almost worthless. | 0:38:45 | 0:38:47 | |
FERN GASPS DRAMATICALLY | 0:38:47 | 0:38:48 | |
Ohh! | 0:38:48 | 0:38:50 | |
That is the bottom lot that you have eliminated, well done, well played! | 0:38:50 | 0:38:54 | |
It means that you have got the top lot in your collection. | 0:38:54 | 0:39:01 | |
Ian and Zia, you must come and join me now | 0:39:01 | 0:39:04 | |
with your chosen lots, | 0:39:04 | 0:39:06 | |
because we have a further twist of the screw. | 0:39:06 | 0:39:08 | |
There it is, that beautiful silver sovereign case. | 0:39:11 | 0:39:14 | |
You have chosen the top lot, you know already that that is worth | 0:39:14 | 0:39:18 | |
£2,500. But... | 0:39:18 | 0:39:22 | |
we can't do that without giving him an extra thing, can we? | 0:39:22 | 0:39:25 | |
We're going to tempt you with today's mystery lot. | 0:39:25 | 0:39:29 | |
-Charles, would you like to reveal it? -Pleasure. | 0:39:29 | 0:39:32 | |
Aha. | 0:39:33 | 0:39:34 | |
-Look at that. -What is it? -Let me tell you about this. | 0:39:34 | 0:39:38 | |
This is an original foldout pocket Tube guide. | 0:39:38 | 0:39:43 | |
And it goes back to 1933, | 0:39:43 | 0:39:46 | |
when a fairly humble London Underground employee, | 0:39:46 | 0:39:49 | |
called Harry Beck, | 0:39:49 | 0:39:50 | |
he revolutionised travel in London by redesigning the Tube map. | 0:39:50 | 0:39:56 | |
His stroke of genius came after he realised that, | 0:39:56 | 0:39:59 | |
because travel on the tube was underground, relative time | 0:39:59 | 0:40:02 | |
and distance can be played with to create a far clearer map. | 0:40:02 | 0:40:07 | |
This is for 1933, at a time | 0:40:08 | 0:40:14 | |
when London's population had exploded to about eight million | 0:40:14 | 0:40:19 | |
by the mid-1930s. | 0:40:19 | 0:40:21 | |
These maps were printed so every Londoner could have one, | 0:40:21 | 0:40:26 | |
this is numbered...one. | 0:40:26 | 0:40:30 | |
-Erm... -It is a huge temptation, isn't it? -It is. | 0:40:32 | 0:40:34 | |
You know you have got £2,500 there. | 0:40:34 | 0:40:37 | |
I think I'm going to go safe. | 0:40:37 | 0:40:40 | |
Because, although it is a really nice, | 0:40:40 | 0:40:42 | |
and it is a first, it's the first... | 0:40:42 | 0:40:44 | |
It's the first! | 0:40:44 | 0:40:46 | |
It's the first. | 0:40:46 | 0:40:47 | |
ZIA EXHALES | 0:40:47 | 0:40:48 | |
Are you prepared to gamble a guaranteed £2,500 | 0:40:48 | 0:40:51 | |
for this mystery lot? | 0:40:51 | 0:40:54 | |
Because, I don't know if you've mentioned, this is number one(!) | 0:40:54 | 0:40:57 | |
I believe it's number one, isn't it(?) | 0:40:57 | 0:40:58 | |
-In 1933. -Number one. | 0:40:58 | 0:41:00 | |
-What's your instinct? -My instinct is, I think that is actually worth more. | 0:41:00 | 0:41:06 | |
So Ian's instinct is map, your instinct is...silver. | 0:41:06 | 0:41:10 | |
I will go with... If you... Yeah, OK. | 0:41:10 | 0:41:14 | |
-We have to take that. -Let's go for that. -Silver. | 0:41:14 | 0:41:18 | |
The silver sovereign case... is your choice. | 0:41:18 | 0:41:23 | |
No surprises, we know it is worth £2,500. | 0:41:23 | 0:41:26 | |
And you have won that in cold, hard cash. | 0:41:26 | 0:41:30 | |
Now, the big question to be answered is - what is that worth?! | 0:41:30 | 0:41:34 | |
-Charles. -I like your style, because it has great style. | 0:41:34 | 0:41:38 | |
Probably the most important, influential | 0:41:38 | 0:41:40 | |
graphic designer of the 20th century for what this represents. | 0:41:40 | 0:41:45 | |
It set the standard. | 0:41:45 | 0:41:47 | |
Paris followed suit, maps all over the world followed that line. | 0:41:47 | 0:41:52 | |
You will see the slight difference of yesterday | 0:41:52 | 0:41:57 | |
in the triangular Tube stops. Now they're circular. | 0:41:57 | 0:42:01 | |
-It's so iconic of that Deco age. -How much is it?! | 0:42:01 | 0:42:05 | |
Oh, you... It's worth, today, | 0:42:05 | 0:42:09 | |
£3,000, Fern. | 0:42:09 | 0:42:12 | |
-That's good. OK. -That's all right. | 0:42:12 | 0:42:14 | |
-It's a beautiful thing. -It is an amazing thing. | 0:42:14 | 0:42:18 | |
But this is what you are going to take home, for £2,500, | 0:42:18 | 0:42:22 | |
this beautiful silver sovereign case | 0:42:22 | 0:42:24 | |
is worth, can you tell us the history? | 0:42:24 | 0:42:27 | |
It's really wonderful. | 0:42:27 | 0:42:28 | |
Silver sovereign holder without the inscription is worth maybe £100. | 0:42:28 | 0:42:32 | |
But of course, this has an engraving going back to | 0:42:32 | 0:42:35 | |
the 5th of August, 1909. | 0:42:35 | 0:42:36 | |
It was given by The Great Lafayette | 0:42:36 | 0:42:38 | |
to the musical director Walter E Scott. | 0:42:38 | 0:42:41 | |
To magic collectors, The Great Lafayette is up there. | 0:42:41 | 0:42:45 | |
He was one of the highest-paid magicians of his time, | 0:42:45 | 0:42:48 | |
he died on stage doing what he loved, | 0:42:48 | 0:42:51 | |
and, of course, we know it is worth, quite wonderfully, £2,500. | 0:42:51 | 0:42:55 | |
-So well done. -How fantastic. | 0:42:55 | 0:42:58 | |
Many congratulations, you got the top lot, you stuck with it, | 0:42:58 | 0:43:02 | |
and you did the right thing. | 0:43:02 | 0:43:04 | |
Join us again next time | 0:43:04 | 0:43:05 | |
when more teams will be playing For What It's Worth. | 0:43:05 | 0:43:08 | |
We'll see you then. Bye-bye! | 0:43:08 | 0:43:10 | |
That was really very good... | 0:43:10 | 0:43:12 | |
I can't believe we ended up with the most expensive lot | 0:43:15 | 0:43:17 | |
and the worthless lot, | 0:43:17 | 0:43:19 | |
in the same choice, that was a bit too close to call. | 0:43:19 | 0:43:23 | |
-It was, yeah, tight. -Absolutely. | 0:43:23 | 0:43:26 |