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Hello and welcome to For What It's Worth, | 0:00:14 | 0:00:17 | |
the quiz where it's not enough to simply know the answers - | 0:00:17 | 0:00:20 | |
you need a nose for antiques as well. | 0:00:20 | 0:00:23 | |
Three pairs of contestants are ready to play | 0:00:23 | 0:00:25 | |
and in each team is a quizzer, responsible for answering | 0:00:25 | 0:00:29 | |
general knowledge questions so that their partner, the picker, | 0:00:29 | 0:00:33 | |
can choose an antique or collectable item to add to their collection. | 0:00:33 | 0:00:38 | |
The aim of the game is to amass the most valuable collection. | 0:00:38 | 0:00:40 | |
So, here are today's lots for your consideration. | 0:00:40 | 0:00:43 | |
16 different antiques and collectables. | 0:00:43 | 0:00:46 | |
We have a jug, | 0:00:46 | 0:00:49 | |
jewellery, | 0:00:49 | 0:00:51 | |
an axe, | 0:00:51 | 0:00:52 | |
some spoons, | 0:00:52 | 0:00:54 | |
a football, | 0:00:54 | 0:00:55 | |
a belt, | 0:00:55 | 0:00:57 | |
a painting, | 0:00:57 | 0:00:58 | |
a vase, | 0:00:58 | 0:01:00 | |
a cutter, | 0:01:00 | 0:01:02 | |
some walking sticks, | 0:01:02 | 0:01:04 | |
a book, | 0:01:04 | 0:01:05 | |
a sculpture, | 0:01:05 | 0:01:07 | |
a toilet lock, | 0:01:07 | 0:01:09 | |
lithophanes, | 0:01:09 | 0:01:11 | |
a tankard | 0:01:11 | 0:01:13 | |
and a coin. | 0:01:13 | 0:01:15 | |
All very different with very different values. | 0:01:15 | 0:01:18 | |
One is worthless, worth £10 or less, | 0:01:18 | 0:01:21 | |
but the rest increase in value up to our top lot, | 0:01:21 | 0:01:25 | |
which is worth a whopping £2,500. | 0:01:25 | 0:01:28 | |
That is the lot to spot because at the end of the show | 0:01:28 | 0:01:32 | |
the winning pair will walk away with the cash equivalent | 0:01:32 | 0:01:34 | |
of one of these items. | 0:01:34 | 0:01:36 | |
Well, first up, we have Julie and Victor, | 0:01:36 | 0:01:39 | |
a married couple from Castleford. | 0:01:39 | 0:01:41 | |
-A very warm welcome to you both. -Thank you. | 0:01:41 | 0:01:43 | |
-Julie, you are picking the antiques for the team. -I am. | 0:01:43 | 0:01:46 | |
When you search for items, what sort of things really get your attention? | 0:01:46 | 0:01:49 | |
I like jewellery. I like pottery. I just know what I like. | 0:01:49 | 0:01:53 | |
When I see something, I know what I like, but it's not always a theme. | 0:01:53 | 0:01:56 | |
And sitting next to you is Victor. You have a bit of a nice love story. | 0:01:56 | 0:02:00 | |
Picture this. | 0:02:00 | 0:02:01 | |
1977, Cinderella's disco | 0:02:01 | 0:02:05 | |
and you, Victor, barge in front of a fantastic-looking girl | 0:02:05 | 0:02:09 | |
to get to the bar before you. | 0:02:09 | 0:02:10 | |
I did. I thought she was going to beat me to the bar. Yeah. | 0:02:10 | 0:02:13 | |
-It was love at first sight. -Well, welcome to the show. | 0:02:13 | 0:02:16 | |
-Lovely to have you here. -Thank you. | 0:02:16 | 0:02:17 | |
Next up, we have Sarah and Cherry, from Northampton and Leicester, | 0:02:17 | 0:02:21 | |
-who are best friends. Welcome to the show. -Hello. -Thank you. | 0:02:21 | 0:02:24 | |
-Now, Sarah, you are the picker for the team today. -I am. Yes. | 0:02:24 | 0:02:27 | |
Do you have any collections? | 0:02:27 | 0:02:28 | |
I collect TG Green Cornishware, | 0:02:28 | 0:02:30 | |
-so I have got a large collection of that at home. -I do. -Do you? | 0:02:30 | 0:02:32 | |
-This is the lovely blue... -It is, yeah. -..China plates, mugs, cups. | 0:02:32 | 0:02:36 | |
Sometimes they are in stripes, | 0:02:36 | 0:02:38 | |
sometimes it's spots, sometimes it's... | 0:02:38 | 0:02:40 | |
-Oh, I love it. -Thank you. -Good. | 0:02:40 | 0:02:42 | |
And, Cherry, how did you both meet? | 0:02:42 | 0:02:44 | |
Vintage fairs, really. | 0:02:44 | 0:02:45 | |
We used to bump into each other and then we got talking | 0:02:45 | 0:02:48 | |
and we found out we've got lots of things in common | 0:02:48 | 0:02:50 | |
and now I have things that I sell in Sarah's shop. | 0:02:50 | 0:02:53 | |
-Oh, she's one of your suppliers now? -Yes. A win-win for me. | 0:02:53 | 0:02:56 | |
That's very clever. | 0:02:56 | 0:02:58 | |
And, last but not least, we have Qin-him, | 0:02:58 | 0:03:00 | |
originally from Hong Kong, now from Doncaster, | 0:03:00 | 0:03:02 | |
and Joe from Sheffield. | 0:03:02 | 0:03:04 | |
-Yeah, that's right. -Qin-him, you are the team's picker. -That's right. | 0:03:04 | 0:03:08 | |
And I hear you have a very good eye for Chinese porcelain. | 0:03:08 | 0:03:11 | |
You have four very special pieces at home that could make you a fortune. | 0:03:11 | 0:03:15 | |
Yes, I bought these at auction. | 0:03:15 | 0:03:17 | |
They are four, what I think is finely-painted plaques. | 0:03:17 | 0:03:21 | |
They are Chinese. I am hoping that they are barely 20th century | 0:03:21 | 0:03:25 | |
and if I can show that they are painted by a master painter | 0:03:25 | 0:03:29 | |
then I'm in the money, hopefully. | 0:03:29 | 0:03:30 | |
They could be worth quite a bit. | 0:03:30 | 0:03:32 | |
-They could be tens of thousands if they are real. -Tens of thousands? | 0:03:32 | 0:03:36 | |
-Wow. Qin-him, good luck. -Fingers crossed. -Yeah, absolutely. | 0:03:36 | 0:03:39 | |
Fingers crossed. | 0:03:39 | 0:03:40 | |
And sitting next to you is Joe. | 0:03:40 | 0:03:42 | |
You are quizzer for the team. | 0:03:42 | 0:03:43 | |
How do you and Qin-him know each other? | 0:03:43 | 0:03:46 | |
-This is my girlfriend's dad. -Oh. | 0:03:46 | 0:03:48 | |
-You've got to charm the pants off him? -Yeah, that's right. | 0:03:48 | 0:03:51 | |
Well, welcome, all of you. | 0:03:51 | 0:03:52 | |
We are looking forward to this game very much indeed. | 0:03:52 | 0:03:55 | |
Earlier, our teams inspected the lots, | 0:03:55 | 0:03:57 | |
but could they separate the show stoppers from the door stoppers? | 0:03:57 | 0:04:01 | |
-Right. -Oh, it's not what I expected. | 0:04:03 | 0:04:05 | |
There's a range of stuff. | 0:04:07 | 0:04:08 | |
-Ooh. Where shall we look first? -Oh, my goodness. | 0:04:08 | 0:04:12 | |
Watercolour. Is it signed? Has it got any signature on it? No. | 0:04:12 | 0:04:15 | |
So, you can't make a judgment, can you, without a signature? | 0:04:15 | 0:04:18 | |
-Pigskin maybe? -I'm guessing leather. | 0:04:18 | 0:04:20 | |
Pre-Stanley Matthews, I think. It's beautiful. | 0:04:20 | 0:04:23 | |
Not my thing, football. | 0:04:23 | 0:04:24 | |
I've never seen anything like that. | 0:04:26 | 0:04:28 | |
They kind of look like scenes from Dickens or something, don't they? | 0:04:28 | 0:04:31 | |
It's meant to be viewed with the light from the back | 0:04:31 | 0:04:34 | |
and there is the picture. | 0:04:34 | 0:04:35 | |
-Could be brass. No, copper. -Could be bronze. | 0:04:37 | 0:04:39 | |
Are they usually hollow? | 0:04:39 | 0:04:41 | |
-Is it a pen or a pipe? -A pen, I think. | 0:04:41 | 0:04:43 | |
These look like they've got new heads on them, don't they? | 0:04:45 | 0:04:48 | |
Looks like it was made yesterday. | 0:04:48 | 0:04:50 | |
They're bonny things if you are into that. | 0:04:50 | 0:04:52 | |
If you like that sort of thing. | 0:04:52 | 0:04:54 | |
-The Laws Of Cricket. -Nice drawings, aren't they? | 0:04:54 | 0:04:56 | |
Aye, that's interesting. | 0:04:56 | 0:04:58 | |
-Has it got any addition in the front? Has it got anything? -No dates in it. | 0:04:58 | 0:05:01 | |
It looks like it might be fairly new. | 0:05:01 | 0:05:04 | |
I like the spoons because they are from Sheffield. | 0:05:04 | 0:05:06 | |
Yes. Sterling silver. | 0:05:06 | 0:05:07 | |
-Mappin and Webb, so, nice. -Yeah, nice. Not worth a lot, though. | 0:05:07 | 0:05:11 | |
-I think these are probably worth a tenner. -There're nice. | 0:05:11 | 0:05:14 | |
-Something Britton. -Yes. | 0:05:14 | 0:05:17 | |
Fern Britton's tankard. | 0:05:17 | 0:05:18 | |
SHE LAUGHS | 0:05:18 | 0:05:19 | |
-Pewter. -Yes, certainly pewter. | 0:05:19 | 0:05:21 | |
-What is it? A type of metal? -Type of metal. | 0:05:21 | 0:05:23 | |
There's no hallmarks on it. | 0:05:23 | 0:05:25 | |
-An axe. Ooh. -But it's beautifully done and that's all inlaid. | 0:05:25 | 0:05:29 | |
And I wonder if that is either ivory, or is it whalebone? | 0:05:29 | 0:05:33 | |
It could be ceremonial. | 0:05:33 | 0:05:34 | |
Military belt. This is the Cross of Malta, isn't it? | 0:05:36 | 0:05:39 | |
Is it a policeman's belt? | 0:05:39 | 0:05:40 | |
Is it something that a policeman would wear? | 0:05:40 | 0:05:43 | |
-A bit like a pastry cutter. -I think that's a pastry cutter. | 0:05:43 | 0:05:46 | |
And this is old. You can see the patination on the handle here. | 0:05:46 | 0:05:49 | |
Let's see what marking's on the back. | 0:05:51 | 0:05:53 | |
I think it looks like a piece of Lalique. | 0:05:53 | 0:05:55 | |
-Not Lalee. It's Lalique. -Oh, Lalique? | 0:05:55 | 0:05:58 | |
Stoneware jug. Nice pattern. Salt glaze. | 0:06:01 | 0:06:05 | |
I don't think much of this, to be honest. | 0:06:05 | 0:06:07 | |
It's just a utilitarian jug. | 0:06:07 | 0:06:08 | |
That's an old toilet lock, isn't it? | 0:06:10 | 0:06:12 | |
It's the one you put a penny in the top here. | 0:06:12 | 0:06:14 | |
-No. It's not. -No. | 0:06:14 | 0:06:17 | |
-Regent Street, Piccadilly. -Oh, that's nice, isn't it? | 0:06:17 | 0:06:20 | |
-Are there any marks on it? -Diamonds, do you think? | 0:06:20 | 0:06:23 | |
That'll be worth a few bob. | 0:06:23 | 0:06:25 | |
This is a Persian coin. | 0:06:26 | 0:06:28 | |
Is that Arabic or something? Or is it...? | 0:06:28 | 0:06:30 | |
-Hieroglyphics? -Yeah. -I don't know. | 0:06:30 | 0:06:32 | |
-Brooch. -Brooch. | 0:06:32 | 0:06:33 | |
Sculpture. | 0:06:33 | 0:06:35 | |
-Axe. -Yeah. | 0:06:35 | 0:06:36 | |
-Jewellery. -Jewellery. | 0:06:36 | 0:06:38 | |
-Sculpture. -Axe. | 0:06:38 | 0:06:40 | |
Diamond brooch from Harrods. | 0:06:40 | 0:06:43 | |
Medieval axe. Lithophanes. | 0:06:43 | 0:06:45 | |
-I think we are done. -Yeah. -This way. | 0:06:45 | 0:06:47 | |
Joining me is our resident antiques expert, Kate Bliss. | 0:06:50 | 0:06:54 | |
Kate, what do you make of these lots? | 0:06:54 | 0:06:56 | |
Well, teams, we have some treats in store for you today | 0:06:56 | 0:06:59 | |
amongst this collection behind me. | 0:06:59 | 0:07:02 | |
But if I was in your shoes, I'd be looking at the detail of things. | 0:07:02 | 0:07:06 | |
I'd be looking at condition. | 0:07:06 | 0:07:08 | |
I'd be thinking about age, | 0:07:08 | 0:07:09 | |
but I'd also be thinking about provenance and rarity. | 0:07:09 | 0:07:14 | |
How do you arrive at the valuation on things? | 0:07:14 | 0:07:16 | |
Well, Fern, myself and the independent valuer | 0:07:16 | 0:07:19 | |
have looked at these items | 0:07:19 | 0:07:20 | |
and we've agreed that they are based on a hammer price. | 0:07:20 | 0:07:23 | |
That means the price that a bidder would pay at the fall of a hammer | 0:07:23 | 0:07:27 | |
and not including any auction costs. | 0:07:27 | 0:07:30 | |
As well as those little treasures, | 0:07:30 | 0:07:32 | |
we have our mystery lot hidden under the shroud of mystery, | 0:07:32 | 0:07:37 | |
poised to be uncovered at the end of the show to tempt our winners. | 0:07:37 | 0:07:41 | |
But for now, it is time for Round One. | 0:07:41 | 0:07:44 | |
I'm going to ask ten general knowledge questions. | 0:07:46 | 0:07:49 | |
Quizzers, if you buzz in with the correct answer, | 0:07:49 | 0:07:51 | |
your picker gets to add a lot to your collection. | 0:07:51 | 0:07:54 | |
But beware, | 0:07:54 | 0:07:56 | |
buzz in incorrectly and you'll be frozen out of the next question. | 0:07:56 | 0:07:59 | |
Quizzers, your job is to give the picker the chance | 0:07:59 | 0:08:03 | |
to bag the top lots first. | 0:08:03 | 0:08:05 | |
Fingers on buzzers. | 0:08:05 | 0:08:06 | |
Question number one. | 0:08:06 | 0:08:08 | |
Which legendary British comedy duo had the catchphrase, | 0:08:08 | 0:08:11 | |
"So, it's goodnight from me, and it's..." | 0:08:11 | 0:08:14 | |
-Cherry. -The Two Ronnies. | 0:08:14 | 0:08:15 | |
It is The Two Ronnies. | 0:08:15 | 0:08:17 | |
"So, it's goodnight from me, and it's goodnight from him." | 0:08:17 | 0:08:20 | |
-Sarah, you get first pick. -Ooh, lovely. | 0:08:20 | 0:08:23 | |
I'm going to pick the axe, please. | 0:08:23 | 0:08:26 | |
The axe. There you go. | 0:08:26 | 0:08:29 | |
Question number two. | 0:08:29 | 0:08:31 | |
Who composed the music for the opera, The Marriage Of Figaro? | 0:08:31 | 0:08:34 | |
-Yes, Cherry. -Mozart. | 0:08:36 | 0:08:38 | |
It is Mozart. Sarah, you get to pick. | 0:08:38 | 0:08:40 | |
Wow. It's me again, yes. I'm going to go for the jewellery, please. | 0:08:40 | 0:08:43 | |
-The jewellery. -Thank you. | 0:08:43 | 0:08:45 | |
The jewellery has gone into your collection. | 0:08:45 | 0:08:47 | |
Question three. | 0:08:48 | 0:08:49 | |
At which university did Prime Minister David Cameron | 0:08:49 | 0:08:52 | |
study for his Philosophy, Politics and Economics degree? | 0:08:52 | 0:08:55 | |
-Yes, Joe. -Cambridge. | 0:08:56 | 0:08:58 | |
Oh, incorrect. It was the other one. | 0:08:58 | 0:09:00 | |
Oxford. | 0:09:00 | 0:09:01 | |
You are frozen out of the next question. | 0:09:01 | 0:09:03 | |
Question four. | 0:09:03 | 0:09:04 | |
Papaw is another name for which fruit? | 0:09:04 | 0:09:07 | |
-Yes, Cherry. -Prickly pear. | 0:09:08 | 0:09:10 | |
Incorrect. | 0:09:10 | 0:09:12 | |
I'm sorry, it's papaya. | 0:09:12 | 0:09:14 | |
So, Cherry and Sarah, you are now frozen out of the next question. | 0:09:14 | 0:09:17 | |
Joe and Qin-him, you are back in. | 0:09:17 | 0:09:19 | |
Question five. | 0:09:19 | 0:09:21 | |
Opposite which acclaimed English actor | 0:09:21 | 0:09:24 | |
did Marilyn Monroe star in The Prince And The Showgirl? | 0:09:24 | 0:09:28 | |
Time up. Laurence Olivier. | 0:09:30 | 0:09:32 | |
Cherry is going, "Yes, I knew that." | 0:09:32 | 0:09:34 | |
But you were frozen out. You are now back in the game. | 0:09:34 | 0:09:37 | |
Question six. | 0:09:37 | 0:09:38 | |
Which artist created The Angel Of The North? | 0:09:38 | 0:09:41 | |
-Yes, Cherry. -Antony Gormley. | 0:09:42 | 0:09:44 | |
Antony Gormley. Correct. | 0:09:44 | 0:09:46 | |
-Sarah, have a pick. -I'll have the sculpture, please. | 0:09:46 | 0:09:49 | |
-The sculpture is yours. -Thank you. | 0:09:49 | 0:09:51 | |
Question seven. | 0:09:52 | 0:09:53 | |
What is the name of the highest mountain in Africa? | 0:09:53 | 0:09:57 | |
-Yes, Joe. -Kilimanjaro. | 0:09:57 | 0:09:58 | |
It is Kilimanjaro. Have you climbed it? | 0:09:58 | 0:10:01 | |
No. I've seen a lot of famous people that have, though, | 0:10:01 | 0:10:03 | |
so I think that's where it comes from. | 0:10:03 | 0:10:05 | |
Qin-him, your choice. | 0:10:05 | 0:10:07 | |
We'll take the lithophanes, please. | 0:10:07 | 0:10:09 | |
The lithophanes. That is joining your collection. | 0:10:09 | 0:10:12 | |
Question eight. Come on, Victor. | 0:10:12 | 0:10:15 | |
Which Iceni warrior queen battled to drive the Romans from...? | 0:10:15 | 0:10:21 | |
-Cherry. -Boudicca. | 0:10:21 | 0:10:22 | |
Boudicca it is. Sarah, your choice. | 0:10:22 | 0:10:25 | |
The football, please. | 0:10:25 | 0:10:27 | |
The football. It's yours. | 0:10:27 | 0:10:30 | |
Question nine. | 0:10:30 | 0:10:31 | |
What was the name of the first man in space? | 0:10:31 | 0:10:35 | |
Yes, Joe. | 0:10:35 | 0:10:36 | |
Oh, it's not the one that I'm thinking of. | 0:10:36 | 0:10:38 | |
-I think I've pressed it too quick but I'll go with... -I need an answer. | 0:10:38 | 0:10:41 | |
-..Lance Armstrong. -No. The correct answer is Yuri Gagarin. | 0:10:41 | 0:10:45 | |
You are frozen out of the last question. | 0:10:45 | 0:10:47 | |
Question ten. | 0:10:47 | 0:10:49 | |
Victor. | 0:10:50 | 0:10:51 | |
LAUGHTER | 0:10:51 | 0:10:53 | |
Which English scientist is credited as the creator of the World Wide Web? | 0:10:53 | 0:10:58 | |
Time up. | 0:11:02 | 0:11:03 | |
Sir Tim Berners-Lee. | 0:11:03 | 0:11:06 | |
Yeah. At the end of that round, let's see where we stand. | 0:11:06 | 0:11:09 | |
Oh, well. See you later. | 0:11:09 | 0:11:11 | |
Victor and Julie haven't spoiled their cabinet yet with any lots. | 0:11:11 | 0:11:14 | |
Cherry and Sarah, you have the axe, the sculpture, the football | 0:11:14 | 0:11:19 | |
and the jewellery. | 0:11:19 | 0:11:20 | |
Joe and Qin-him, you have the lithophanes. | 0:11:20 | 0:11:24 | |
Well, our teams have started to build their collections | 0:11:24 | 0:11:27 | |
but before we have a chance to add to them, | 0:11:27 | 0:11:29 | |
Kate is going to give each pair a fact about a lot of their choice. | 0:11:29 | 0:11:34 | |
These snippets of information should give you vital clues | 0:11:34 | 0:11:37 | |
about what it is worth, so choose wisely. | 0:11:37 | 0:11:40 | |
You can choose one of yours or one from anyone else's collection | 0:11:40 | 0:11:45 | |
or something that is still up for grabs on the grid. | 0:11:45 | 0:11:47 | |
So, Julie, let's start with you. | 0:11:47 | 0:11:49 | |
Which lot would you like to hear about? | 0:11:49 | 0:11:52 | |
-I would like to hear about the jewellery. -The jewellery, | 0:11:52 | 0:11:55 | |
which is in Cherry and Sarah's collection. | 0:11:55 | 0:11:58 | |
Kate, the jewellery, please. | 0:11:58 | 0:12:00 | |
The jewellery. | 0:12:00 | 0:12:01 | |
This piece of jewellery is typical of a Victorian diamond brooch | 0:12:01 | 0:12:07 | |
of late 19th century. | 0:12:07 | 0:12:09 | |
It may be worn as a pendant, | 0:12:09 | 0:12:11 | |
which is more commercial in today's market, | 0:12:11 | 0:12:15 | |
as well as a brooch. | 0:12:15 | 0:12:17 | |
It has an approximate total diamond weight of five carats, | 0:12:17 | 0:12:24 | |
made up of approximately 61 old-cut diamonds | 0:12:24 | 0:12:28 | |
with little smaller rose-cut stones to the points. | 0:12:28 | 0:12:32 | |
And they give a lovely sparkle or twinkle, | 0:12:32 | 0:12:35 | |
which on a showy piece like this, | 0:12:35 | 0:12:38 | |
intended for evening wear, | 0:12:38 | 0:12:40 | |
would be captured in candlelight. | 0:12:40 | 0:12:43 | |
The piece isn't signed so the maker is unknown. | 0:12:43 | 0:12:48 | |
Well, you made it sound very interesting indeed. | 0:12:48 | 0:12:51 | |
Sarah, what would you like to know more about? | 0:12:51 | 0:12:53 | |
I'd like to know about the axe, please, Fern. | 0:12:53 | 0:12:55 | |
The axe. Certainly. | 0:12:55 | 0:12:57 | |
This is a late 17th century | 0:12:57 | 0:13:01 | |
Saxon miner's axe. | 0:13:01 | 0:13:04 | |
This type of axe is called a bergbarte | 0:13:04 | 0:13:08 | |
and while it is derived from the tool used for mining, | 0:13:08 | 0:13:11 | |
it evolved into a ceremonial accessory during the 17th century. | 0:13:11 | 0:13:15 | |
This one is made from a fruitwood shaft | 0:13:15 | 0:13:19 | |
which has been inlaid with cartouches - | 0:13:19 | 0:13:22 | |
panels intended to hold decoration. | 0:13:22 | 0:13:25 | |
The steel blade is pierced with dots and another cross motif | 0:13:25 | 0:13:30 | |
and carved into the butt of the handle is the date, | 0:13:30 | 0:13:34 | |
1666. | 0:13:34 | 0:13:36 | |
Hmm. Sarah, has that whet your appetite? | 0:13:37 | 0:13:41 | |
Yes, I'm glad it's in my patch. That's fine. | 0:13:41 | 0:13:44 | |
Qin-him, your choice. | 0:13:44 | 0:13:46 | |
Yes, I would like to know something about the sculpture, please. | 0:13:46 | 0:13:49 | |
The sculpture, which again is in the girls' collection. | 0:13:49 | 0:13:53 | |
The famous French sculptor Ernest Rancoulet | 0:13:53 | 0:13:57 | |
crafted in many different materials. | 0:13:57 | 0:13:59 | |
His bronze pieces can fetch eye-watering sums at auction. | 0:13:59 | 0:14:04 | |
This piece is late 19th century | 0:14:04 | 0:14:07 | |
and it is actually made of spelter, | 0:14:07 | 0:14:11 | |
which is crudely-smelted zinc. | 0:14:11 | 0:14:14 | |
And you can tell it is spelter because of three main features - | 0:14:14 | 0:14:17 | |
there are pittings on the surface, | 0:14:17 | 0:14:20 | |
it isn't cold to touch like bronze | 0:14:20 | 0:14:23 | |
and it cracks quite easily, it is quite brittle. | 0:14:23 | 0:14:27 | |
But it is signed Rancoulet | 0:14:27 | 0:14:29 | |
and is ultimately an original piece by a great sculptor. | 0:14:29 | 0:14:34 | |
Qin-him, does that interest you? | 0:14:34 | 0:14:36 | |
Yes, very much so. | 0:14:36 | 0:14:38 | |
Now that you are all a little more clued up on today's lots, | 0:14:38 | 0:14:42 | |
let's give you the chance to add more of them to your collections. | 0:14:42 | 0:14:45 | |
Bear in mind that at the end of this round the team with the least | 0:14:45 | 0:14:48 | |
valuable collection will be eliminated. | 0:14:48 | 0:14:51 | |
Three more lots are now available to each pair. | 0:14:54 | 0:14:57 | |
This time, pickers, you target a lot | 0:14:57 | 0:15:00 | |
and, quizzers, you then try to secure it by answering a question correctly. | 0:15:00 | 0:15:05 | |
But in this round the lots come with their own question categories | 0:15:05 | 0:15:08 | |
and here they are. | 0:15:08 | 0:15:09 | |
So, for example, if you were to target the vase, | 0:15:09 | 0:15:12 | |
you would be given the opportunity to choose between a question | 0:15:12 | 0:15:15 | |
on Children's Literature or '80s Music. | 0:15:15 | 0:15:19 | |
Julie and Victor, you are up first, so, Julie, | 0:15:19 | 0:15:22 | |
what is the lot you want? | 0:15:22 | 0:15:25 | |
I think I'll go with the book. | 0:15:25 | 0:15:28 | |
Victor, Physical Geography or Explorers? | 0:15:28 | 0:15:32 | |
-Physical Geography, I think. -Physical Geography. Here we go. | 0:15:32 | 0:15:36 | |
What material can be classed as metamorphic, sedimentary or igneous? | 0:15:36 | 0:15:41 | |
-Rocks. -Yes, correct. -Wey! | 0:15:41 | 0:15:44 | |
Julie, the book is yours, | 0:15:44 | 0:15:47 | |
and your collection is off the mark. | 0:15:47 | 0:15:49 | |
Excellent. JULIE LAUGHS | 0:15:49 | 0:15:51 | |
-Sarah, what would you like to target? -I'd like the painting, please. | 0:15:51 | 0:15:55 | |
The painting. So, Cherry, Children's Literature or Explorers? | 0:15:55 | 0:15:59 | |
Children's Literature, please. | 0:15:59 | 0:16:02 | |
Which author wrote The Lorax? | 0:16:02 | 0:16:05 | |
A total guess, Michael Morpurgo. | 0:16:08 | 0:16:10 | |
Incorrect. Dr Seuss. | 0:16:10 | 0:16:12 | |
The painting stays on the grid. Qin-him, | 0:16:12 | 0:16:16 | |
-what do you want? -The vase, please. | 0:16:16 | 0:16:18 | |
The vase. OK, Joe, Children's Literature or '80s Music? | 0:16:18 | 0:16:23 | |
It is a bit before my time, but I will go '80s Music. | 0:16:23 | 0:16:26 | |
I hate it when they say that. It shouldn't be allowed. LAUGHTER | 0:16:26 | 0:16:30 | |
'80s Music it is. Who had a 1984 UK hit | 0:16:30 | 0:16:34 | |
with Holding Out For A Hero? | 0:16:34 | 0:16:37 | |
-You are singing it. Can you see... -It is going through my head. | 0:16:39 | 0:16:41 | |
Can you see the person? | 0:16:41 | 0:16:43 | |
Roxette. | 0:16:43 | 0:16:44 | |
Roxette is incorrect. | 0:16:44 | 0:16:46 | |
It is Bonnie Tyler. Julie, back to you. What would you like? | 0:16:46 | 0:16:50 | |
-The tankard, please. -The tankard. | 0:16:50 | 0:16:53 | |
Physics or Explorers, Victor? | 0:16:53 | 0:16:56 | |
-Physics, I think. -Physics. Here we go. | 0:16:56 | 0:16:59 | |
Which famous scientist proposed the theory of special relativity? | 0:16:59 | 0:17:04 | |
Oh, that is Einstein. | 0:17:04 | 0:17:06 | |
-It is correct, well done. -Yes! | 0:17:06 | 0:17:08 | |
-Julie, the tankard is yours. -Oh, wow. | 0:17:08 | 0:17:12 | |
I love it, you're so excited. Sarah, what would you like? | 0:17:12 | 0:17:16 | |
Well, I'm still going to try for the painting again, | 0:17:16 | 0:17:18 | |
-so good luck, Cherry. -Children's Literature, I think, please. | 0:17:18 | 0:17:21 | |
OK, Children's Literature. | 0:17:21 | 0:17:23 | |
Instead of humans, what does the BFG eat? | 0:17:23 | 0:17:27 | |
Um... Big Friendly Giant eats... | 0:17:27 | 0:17:31 | |
..fruit. | 0:17:32 | 0:17:33 | |
I need you to be a little more specific. | 0:17:33 | 0:17:36 | |
-Peaches. -Incorrect. | 0:17:37 | 0:17:39 | |
-It is the snozzcumber, of course. -Of course. -Yes. | 0:17:39 | 0:17:43 | |
BFG eats snozzcumbers. | 0:17:43 | 0:17:45 | |
The painting stays on the grid. Qin-him, what would you like? | 0:17:45 | 0:17:49 | |
-Toilet lock, please. -The toilet lock. Physics or Formula One, Joe? | 0:17:49 | 0:17:53 | |
-I'll go Physics. -Physics. | 0:17:53 | 0:17:56 | |
Radio detection and ranging is better known by what acronym? | 0:17:56 | 0:18:00 | |
Radar. | 0:18:02 | 0:18:03 | |
Correct, well done, Joe. Qin-him, you've got the toilet lock. | 0:18:03 | 0:18:08 | |
I don't know what we're going to do with that. | 0:18:08 | 0:18:10 | |
Where do we stand halfway through Round Two? | 0:18:10 | 0:18:14 | |
Victor and Julie, you've stormed it in this round. | 0:18:14 | 0:18:17 | |
You added the book and the tankard. | 0:18:17 | 0:18:19 | |
Cherry and Sarah, you have the axe, the sculpture, the football | 0:18:19 | 0:18:24 | |
and the jewellery. | 0:18:24 | 0:18:25 | |
And Qin-him and Joe, you have the lithophanes, and you added the toilet | 0:18:25 | 0:18:30 | |
lock to your collection right at the end, well done. | 0:18:30 | 0:18:33 | |
OK, teams, your collections are growing. | 0:18:33 | 0:18:35 | |
Now, remember, at the end of this round, | 0:18:35 | 0:18:37 | |
the pair with the least valuable collection will be leaving us, | 0:18:37 | 0:18:40 | |
so there is one last lot available to each team. | 0:18:40 | 0:18:43 | |
And this time you can either go for what's left on the grid | 0:18:43 | 0:18:47 | |
or you can try to steal an antique that is in a rival team's collection. | 0:18:47 | 0:18:52 | |
But, pickers, be warned, if you choose to steal from another team, | 0:18:52 | 0:18:57 | |
their quizzer will get to decide your quizzer's category. | 0:18:57 | 0:19:02 | |
Just one rule here. | 0:19:02 | 0:19:04 | |
You can't steal from a team who has just one lot left in their collection. | 0:19:04 | 0:19:09 | |
Right, Julie, do you want to target a lot from the grid | 0:19:09 | 0:19:12 | |
or have you got your eye on something in another collection? | 0:19:12 | 0:19:15 | |
-Oh, I'm going to steal. -Good. SHE LAUGHS | 0:19:15 | 0:19:18 | |
Who are you stealing from, and what? | 0:19:18 | 0:19:20 | |
I'm stealing from Cherry. | 0:19:20 | 0:19:22 | |
-From Cherry, yes. -Thank you(!) | 0:19:22 | 0:19:24 | |
And I think I'd like to steal the sculpture | 0:19:24 | 0:19:27 | |
-because Victor wanted that. -The sculpture. OK. | 0:19:27 | 0:19:29 | |
Well, Cherry, you now have to pick a category for Victor to answer. | 0:19:29 | 0:19:34 | |
So find a difficult one and defend your sculpture. | 0:19:34 | 0:19:38 | |
-Bollywood. -Bollywood. | 0:19:38 | 0:19:40 | |
-I knew that was going to come up. -LAUGHTER | 0:19:40 | 0:19:43 | |
Here we go, Victor. | 0:19:43 | 0:19:44 | |
The term Bollywood combines Hollywood | 0:19:44 | 0:19:48 | |
with which other historic place team? | 0:19:48 | 0:19:50 | |
-Is at Bombay? -Correct! | 0:19:53 | 0:19:55 | |
-Wow! -Correct. | 0:19:55 | 0:19:58 | |
I thought it was obvious, but I thought, "It can't be that obvious." | 0:19:58 | 0:20:01 | |
The sculpture is yours. Sorry, Cherry | 0:20:01 | 0:20:04 | |
-and Sarah, you lose it. -That's OK. | 0:20:04 | 0:20:07 | |
Do you want to pick something from the grid | 0:20:07 | 0:20:09 | |
or would you like to steal from someone else? | 0:20:09 | 0:20:11 | |
I'd like to pick the lithophanes, please, Fern. | 0:20:11 | 0:20:13 | |
-You're going to steal from Qin-him and Joe, if you can. -Yes. | 0:20:13 | 0:20:16 | |
Joe, you pick a category, please, for Cherry. | 0:20:16 | 0:20:20 | |
I think the best one would be Formula One. | 0:20:20 | 0:20:23 | |
-OK, Cherry. -Great(!) | 0:20:23 | 0:20:25 | |
THEY LAUGH | 0:20:25 | 0:20:27 | |
How many drivers are awarded points | 0:20:27 | 0:20:29 | |
at the end of a Formula One Grand Prix race? | 0:20:29 | 0:20:33 | |
Three. | 0:20:33 | 0:20:34 | |
No, incorrect. It is the first ten. | 0:20:34 | 0:20:37 | |
-Oh, OK. -Very well defended, Joe. | 0:20:37 | 0:20:39 | |
The lithophanes remain in your collection. | 0:20:39 | 0:20:43 | |
Qin-him, would you like to take from the grid | 0:20:43 | 0:20:45 | |
or nick from someone else? | 0:20:45 | 0:20:47 | |
I would like to steal the sculpture. | 0:20:47 | 0:20:49 | |
-Oh! -No! -The sculpture, OK. | 0:20:49 | 0:20:53 | |
Victor, would you like to choose a category for Joe to answer? | 0:20:53 | 0:20:58 | |
Formula One. I think he might struggle with that. | 0:20:58 | 0:21:01 | |
What nationality is driver Sebastian Vettel? | 0:21:01 | 0:21:05 | |
I know he is a champion. | 0:21:05 | 0:21:06 | |
Sebastian Vettel, I think he is German. | 0:21:08 | 0:21:11 | |
Correct, he is German. | 0:21:11 | 0:21:12 | |
My goodness, this sculpture is dizzy. | 0:21:12 | 0:21:14 | |
He's going over to your collection right now. | 0:21:14 | 0:21:19 | |
OK, let's have a look at how we stand at the end of that round. | 0:21:19 | 0:21:22 | |
Victor and Julie, you have the book and the tankard. | 0:21:22 | 0:21:26 | |
Cherry and Sarah, you have the axe, the football and the jewellery. | 0:21:26 | 0:21:31 | |
And Joe and Qin-him, you have the lithophanes, which you defended, | 0:21:31 | 0:21:36 | |
the toilet lock, and you've stolen the sculpture. | 0:21:36 | 0:21:40 | |
That's it for Round Two. And for one team it is the end of the road. | 0:21:40 | 0:21:44 | |
We've calculated the combined value of your items | 0:21:44 | 0:21:47 | |
and the team with the least valuable collection will be eliminated, | 0:21:47 | 0:21:51 | |
taking their lots out of the game with them. | 0:21:51 | 0:21:54 | |
So, Kate has been keeping tabs. | 0:21:54 | 0:21:57 | |
Who is leaving us first? | 0:21:57 | 0:21:59 | |
The pair leaving us first... | 0:21:59 | 0:22:01 | |
-..is Julie and Victor. -Oh! | 0:22:04 | 0:22:07 | |
-I'm so sorry. -Never mind. -Never mind. | 0:22:07 | 0:22:10 | |
It's been wonderful to have you here, but before you leave, | 0:22:10 | 0:22:13 | |
let's find out about the lots leaving the game with you. | 0:22:13 | 0:22:16 | |
Well, let's have a little look. You went straight in with the book. | 0:22:16 | 0:22:19 | |
-Are you a cricketing fan? -Not really, no. | 0:22:19 | 0:22:22 | |
I just like the pictures themselves | 0:22:22 | 0:22:24 | |
and could probably see them in a frame, maybe. | 0:22:24 | 0:22:27 | |
Actually, it's those prints which are really interesting to collectors. | 0:22:27 | 0:22:32 | |
And the book is signed on the front, Chas Crombie. | 0:22:32 | 0:22:35 | |
And Chas Crombie, of course, was Charles Exeter Devereux Crombie, | 0:22:35 | 0:22:40 | |
an early 20th-century cartoonist. | 0:22:40 | 0:22:43 | |
So they're great fun and they were very popular in their day. | 0:22:43 | 0:22:47 | |
Now, I've seen loads of copies of the Laws Of Cricket coming | 0:22:47 | 0:22:50 | |
up at auction, but they are usually the later editions. | 0:22:50 | 0:22:55 | |
This is an original, | 0:22:55 | 0:22:57 | |
-which makes it worth £400. -Wow! | 0:22:57 | 0:23:01 | |
-That's... -Didn't expect that. | 0:23:01 | 0:23:02 | |
And now the tankard, Kate. | 0:23:02 | 0:23:04 | |
Now, the tankard, you all had a good look at this. | 0:23:04 | 0:23:07 | |
Victor, you noticed on the bottom that it says "Britton, Battersea". | 0:23:07 | 0:23:13 | |
And you thought this was Fern's, didn't you? | 0:23:13 | 0:23:15 | |
-You thought this had come out of Fern's cupboard. -I did. | 0:23:15 | 0:23:18 | |
It dates back to the 18th century. | 0:23:18 | 0:23:22 | |
And if you wanted to have some beer from your local pub, | 0:23:22 | 0:23:26 | |
you'd send for your servant and he would come | 0:23:26 | 0:23:30 | |
and collect your mug, hence the initials on the front - | 0:23:30 | 0:23:33 | |
so you would know that it was yours. | 0:23:33 | 0:23:36 | |
It's also got the "VR" on it, | 0:23:36 | 0:23:39 | |
which is a touchmark for pewter. | 0:23:39 | 0:23:42 | |
You all knew that it was pewter, | 0:23:42 | 0:23:45 | |
but pewter, unfortunately, is very out of fashion. | 0:23:45 | 0:23:49 | |
This is today's worthless lot. | 0:23:49 | 0:23:52 | |
-Oh. -Oh! | 0:23:52 | 0:23:54 | |
-Who picked that? I didn't! -Wow. | 0:23:54 | 0:23:57 | |
-So the total value of your collection is £400. -OK. | 0:23:57 | 0:24:02 | |
Julie and Victor, it has been lovely to have you, | 0:24:02 | 0:24:04 | |
but it is now time to bring the hammer down on your collection | 0:24:04 | 0:24:07 | |
and say thank you for playing For What It's Worth. | 0:24:07 | 0:24:10 | |
Thank you. | 0:24:10 | 0:24:11 | |
Surprised to find that the book was worth so much. I didn't... | 0:24:12 | 0:24:16 | |
Didn't expect it to be as much as that. | 0:24:16 | 0:24:18 | |
I think the top lot might be the diamonds. | 0:24:18 | 0:24:21 | |
In a jewellery shop you would have paid £2,000 for an item like that. | 0:24:21 | 0:24:24 | |
The unclaimed lots in the grid are now also leaving the game, | 0:24:26 | 0:24:30 | |
so let's quickly find out from Kate what they were worth | 0:24:30 | 0:24:33 | |
and if the top lot is still in the game. | 0:24:33 | 0:24:37 | |
So, let's start with the spoons. | 0:24:37 | 0:24:39 | |
They are silver, they are hallmarked for Sheffield. Joe, your hometown. | 0:24:39 | 0:24:44 | |
And you noticed that, didn't you? | 0:24:44 | 0:24:46 | |
Yes, I saw them and I thought, "There's so many of them | 0:24:46 | 0:24:48 | |
"around Sheffield, maybe they're not worth that much." | 0:24:48 | 0:24:51 | |
Well, I think you're definitely along the right lines. | 0:24:51 | 0:24:53 | |
You see these little bean-finialed coffee spoons | 0:24:53 | 0:24:56 | |
all the time in the saleroom. | 0:24:56 | 0:24:58 | |
-Value, £25. -Oh. | 0:24:58 | 0:25:01 | |
Now, the coin. | 0:25:01 | 0:25:03 | |
You all had a really good look at this, | 0:25:03 | 0:25:06 | |
and you puzzled over the language on it. | 0:25:06 | 0:25:08 | |
-It is in fact Indian and it is a silver rupee. -Oh! | 0:25:08 | 0:25:12 | |
And it dates from the very early part of the 18th century. | 0:25:12 | 0:25:17 | |
The East India Company had settlements on the coast of India | 0:25:17 | 0:25:22 | |
and they started making their own coins. | 0:25:22 | 0:25:25 | |
And this comes from that particular period. | 0:25:25 | 0:25:28 | |
But thousands of them were produced, | 0:25:28 | 0:25:31 | |
so the value is quite low - £35. | 0:25:31 | 0:25:34 | |
-OK, £35, that's gone. -Next we have the jug. | 0:25:36 | 0:25:40 | |
It's really a sort of very traditional English antique. | 0:25:40 | 0:25:45 | |
Cherry, straight in there. It is salt glazed, you said. | 0:25:45 | 0:25:48 | |
Go to the top of the class. It's got that lovely | 0:25:48 | 0:25:52 | |
dark brown colour to it. | 0:25:52 | 0:25:54 | |
You liked the wavy, simple decoration on it. | 0:25:54 | 0:25:58 | |
And this is produced just by throwing common | 0:25:58 | 0:26:00 | |
salt into the kiln, and the reaction happens to make that lovely glaze. | 0:26:00 | 0:26:05 | |
-And the value, £50. -Really? | 0:26:05 | 0:26:08 | |
-OK, what's next? -Next we have the cutter. | 0:26:08 | 0:26:13 | |
Now, I think both teams thought that this was a culinary item, | 0:26:13 | 0:26:18 | |
and actually you are on the right track, | 0:26:18 | 0:26:20 | |
but there is also an ecclesiastical element. | 0:26:20 | 0:26:24 | |
Because despite looking like a fantastic scone cutter... | 0:26:24 | 0:26:27 | |
-Wouldn't you say, Fern? -Absolutely. | 0:26:27 | 0:26:30 | |
..this is actually a French, 18th-century | 0:26:30 | 0:26:33 | |
communion wafer cutter. | 0:26:33 | 0:26:36 | |
There is a collector's market for tools, so the value | 0:26:36 | 0:26:40 | |
-is £100. -Ah! | 0:26:40 | 0:26:43 | |
Next we have the vase. | 0:26:43 | 0:26:46 | |
Teams, you both said Lalique, but then you said, | 0:26:46 | 0:26:49 | |
"But actually, I don't think it is." | 0:26:49 | 0:26:51 | |
-And I was dying for you to ask me about it, but nobody did. -Oh. | 0:26:51 | 0:26:55 | |
So is it, or is it not, Lalique? | 0:26:55 | 0:26:58 | |
-It is. -Oh. | 0:26:59 | 0:27:01 | |
It is signed, and he is a pioneering name | 0:27:01 | 0:27:05 | |
when we talk about glassware that's spanned the Art Nouveau period, | 0:27:05 | 0:27:09 | |
right through to the Art Deco period. | 0:27:09 | 0:27:11 | |
With that big name, of course, you do get very big prices. | 0:27:11 | 0:27:16 | |
But the value, with that little chip in it on the base, | 0:27:16 | 0:27:21 | |
-if you noticed that, is £150. -Oh. -Phew! | 0:27:21 | 0:27:26 | |
SHE LAUGHS | 0:27:26 | 0:27:27 | |
-I'd still like it, wouldn't you? -It's lovely, isn't it? -It is. | 0:27:27 | 0:27:30 | |
-I didn't like it. -We haven't hit any big numbers yet. -The belt. | 0:27:30 | 0:27:34 | |
-Now, Qin-him, you really homed in on this, didn't you? -I liked it a lot. | 0:27:36 | 0:27:40 | |
It's an officer's cross belt. Called a cross belt | 0:27:40 | 0:27:44 | |
because it would be worn across and it would have held a sword. | 0:27:44 | 0:27:47 | |
Perhaps an ammunition pouch as well. | 0:27:47 | 0:27:49 | |
And of course it has that whistle. | 0:27:49 | 0:27:51 | |
This belonged to an officer in one of the most important | 0:27:51 | 0:27:55 | |
regiments in the Indian Army, the Rajputana Rifles. | 0:27:55 | 0:28:00 | |
-Mmm. -And this belt is actually dating from 1903, | 0:28:00 | 0:28:06 | |
when Lord Kitchener had a massive reshuffle of the Indian Army, | 0:28:06 | 0:28:10 | |
so it is a very interesting period for that regiment. | 0:28:10 | 0:28:14 | |
-These don't come up very often at auction. -No. | 0:28:14 | 0:28:18 | |
£700. | 0:28:18 | 0:28:20 | |
Now, the painting. | 0:28:20 | 0:28:23 | |
-Cherry, Sarah, you went for it twice. -We did, I liked it. | 0:28:23 | 0:28:27 | |
Well, I can tell you that it's a watercolour. | 0:28:27 | 0:28:31 | |
It's a lovely composition. | 0:28:31 | 0:28:33 | |
But with watercolours like this, | 0:28:33 | 0:28:34 | |
we have to look at the quality of the work | 0:28:34 | 0:28:37 | |
and the detail on it is superb. | 0:28:37 | 0:28:40 | |
Which brings me to tell you that it is actually by one of the chief | 0:28:40 | 0:28:45 | |
English watercolourists, a man called Peter De Wint. | 0:28:45 | 0:28:49 | |
-And you recognised that it wasn't signed. -No. | 0:28:49 | 0:28:52 | |
But this has been authenticated as an actual Peter De Wint. | 0:28:52 | 0:28:57 | |
-Sarah and Cherry... -Oh, no. | 0:28:57 | 0:28:59 | |
-..£1,000. -OK. | 0:28:59 | 0:29:03 | |
So that's a big lot, but it's not the top lot. | 0:29:03 | 0:29:06 | |
So, Kate, this is the final lot leaving the game. | 0:29:06 | 0:29:09 | |
-I thought these were charming. -Did you, Fern? | 0:29:09 | 0:29:12 | |
-But actually, teams, you didn't like them, did you? -No. | 0:29:12 | 0:29:15 | |
Didn't feel like they were old pieces. | 0:29:15 | 0:29:18 | |
You are absolutely right, they're not old. | 0:29:18 | 0:29:21 | |
But it doesn't have to be old to be valuable. | 0:29:21 | 0:29:23 | |
It's all about the quality. The salmon is my favourite. | 0:29:23 | 0:29:27 | |
You can see the glistening of the scales on it. | 0:29:27 | 0:29:31 | |
They are beautifully made... | 0:29:31 | 0:29:33 | |
by one of the most highly respected walking stick makers of today. | 0:29:33 | 0:29:37 | |
His name is Ian Taylor. | 0:29:37 | 0:29:39 | |
In fact, he does special commissions for celebrities | 0:29:39 | 0:29:42 | |
-and Her Majesty the Queen. -And there's five. | 0:29:42 | 0:29:46 | |
The five walking sticks have a cumulative value | 0:29:46 | 0:29:50 | |
-of £2,500... -Oh! -Oh, crikey. | 0:29:50 | 0:29:53 | |
..which makes them today's top lot. | 0:29:53 | 0:29:56 | |
Well, who would have known they would be £500 each? | 0:29:56 | 0:29:59 | |
But now we know the bottom lot and the top lot have left the game. | 0:29:59 | 0:30:04 | |
Just two pairs of contestants left, and before we go any further, | 0:30:04 | 0:30:07 | |
Kate is going to give you another fact about a lot of your choice. | 0:30:07 | 0:30:11 | |
So, Sarah, what lot do you need to know more about? | 0:30:11 | 0:30:14 | |
The football, please. | 0:30:14 | 0:30:16 | |
The first footballs were made of natural materials, | 0:30:16 | 0:30:19 | |
such as inflated pigs' bladders, | 0:30:19 | 0:30:21 | |
that were later put inside a leather cover. | 0:30:21 | 0:30:24 | |
And the oldest football still in existence, which is | 0:30:24 | 0:30:27 | |
thought to have been made around 1550, was discovered in the roof | 0:30:27 | 0:30:32 | |
of Stirling Castle in Scotland, in 1981. | 0:30:32 | 0:30:36 | |
This one isn't quite so old, | 0:30:36 | 0:30:39 | |
but it still dates to the late 19th century. | 0:30:39 | 0:30:42 | |
You can see that it comes from the period | 0:30:42 | 0:30:45 | |
when balls were still being laced up. | 0:30:45 | 0:30:48 | |
Football memorabilia is obviously big business | 0:30:48 | 0:30:52 | |
-and this one survived in incredible condition. -Mmm. | 0:30:52 | 0:30:56 | |
-Qin-him, what would you like to know more about? -The lithophanes, please. | 0:30:56 | 0:31:01 | |
So, let me tell you about the lithophanes, or lithopanes, | 0:31:01 | 0:31:04 | |
as they are sometimes called. | 0:31:04 | 0:31:06 | |
Victorian lithophanes are etched or moulded artwork in very thin, | 0:31:06 | 0:31:11 | |
translucent porcelain that can only be seen clearly | 0:31:11 | 0:31:15 | |
when backlit with a light source. | 0:31:15 | 0:31:18 | |
They feature designs or scenes pressed into the surface | 0:31:18 | 0:31:22 | |
so that when the light is shining behind them, | 0:31:22 | 0:31:25 | |
the image appears in what's called "en grisaille", | 0:31:25 | 0:31:28 | |
which is literally "in grey". | 0:31:28 | 0:31:30 | |
This process basically creates a three-dimensional image. | 0:31:30 | 0:31:34 | |
Did you know exactly what they were? | 0:31:34 | 0:31:36 | |
I held them up to a light source | 0:31:36 | 0:31:39 | |
and I knew you could see a picture in there. Interesting. | 0:31:39 | 0:31:43 | |
Well, those are all the facts available to you, | 0:31:43 | 0:31:46 | |
so it is now time for our final round. | 0:31:46 | 0:31:48 | |
I'm going to give the quizzers a category. | 0:31:50 | 0:31:53 | |
They then take turns to say answers in that category. | 0:31:53 | 0:31:56 | |
For example, if I say most common UK surnames, Joe, you might say Smith. | 0:31:56 | 0:32:01 | |
Cherry, you might say Jones, and then Evans and so on. | 0:32:01 | 0:32:05 | |
If you fail to give an answer, if you repeat an answer | 0:32:05 | 0:32:09 | |
or you give a wrong answer, you lose that category | 0:32:09 | 0:32:12 | |
and the opponents' picker will be able to steal a lot from your collection. | 0:32:12 | 0:32:17 | |
Remember, it's the total value of your collections that matter at the end of this round. | 0:32:17 | 0:32:22 | |
One high-priced lot could be more valuable than your opponents' | 0:32:22 | 0:32:26 | |
entire collection. | 0:32:26 | 0:32:28 | |
You can steal the last item in your opponents' collection, | 0:32:28 | 0:32:32 | |
so this round is all about defending what you've got | 0:32:32 | 0:32:36 | |
as well as pilfering your opponents' lots. | 0:32:36 | 0:32:39 | |
There are three categories. | 0:32:39 | 0:32:40 | |
The pair with the most valuable collection at this point go first. | 0:32:40 | 0:32:44 | |
So, Kate, who is that? | 0:32:44 | 0:32:46 | |
I can reveal that the team who currently has the most | 0:32:46 | 0:32:49 | |
valuable collection... | 0:32:49 | 0:32:50 | |
-..is Sarah and Cherry. -Oh, OK. | 0:32:54 | 0:32:58 | |
Cherry, you will start us off, and the first category is... | 0:32:58 | 0:33:02 | |
Cherry, please give me an answer. | 0:33:07 | 0:33:09 | |
The franc from France. | 0:33:09 | 0:33:12 | |
The French franc. | 0:33:12 | 0:33:14 | |
-The French franc. -Correct. Joe. | 0:33:14 | 0:33:17 | |
That's one I was going to go for. Um... | 0:33:17 | 0:33:19 | |
The Swiss franc. | 0:33:22 | 0:33:24 | |
That is incorrect. | 0:33:24 | 0:33:26 | |
There is a currency called the Swiss franc, | 0:33:26 | 0:33:29 | |
but the Swiss did not adopt the euro. | 0:33:29 | 0:33:32 | |
You could have had the Dutch guilder, the Irish pound, | 0:33:32 | 0:33:37 | |
the Spanish peseta and so on. | 0:33:37 | 0:33:41 | |
OK, Sarah, what would you like to pinch from Qin-him's collection? | 0:33:41 | 0:33:45 | |
-Well, I would like the sculpture back, please. -The sculpture. | 0:33:45 | 0:33:49 | |
-OK, that is back into your collection. -Thank you. | 0:33:49 | 0:33:52 | |
Now, Joe, here comes your category. | 0:33:52 | 0:33:54 | |
Joe, can have an answer, please? | 0:33:59 | 0:34:02 | |
-Dover. -Correct. Cherry. | 0:34:02 | 0:34:04 | |
-Fastnet. -Correct. Joe. | 0:34:04 | 0:34:08 | |
-King's Lynn. -Incorrect, Joe. I'm so sorry. | 0:34:08 | 0:34:11 | |
Now, you could have had Dogger, | 0:34:11 | 0:34:14 | |
Lundy, Thames and many others. | 0:34:14 | 0:34:18 | |
I'm so sorry, Joe. But, Sarah, are you rubbing your hands with glee? | 0:34:18 | 0:34:22 | |
I'm trying not to look too pleased. | 0:34:22 | 0:34:25 | |
What have you got your eye on in that collection? | 0:34:25 | 0:34:27 | |
-I'd like the lithophanes, please. -They are coming to you. -Thank you. | 0:34:27 | 0:34:31 | |
One last category. It's Cherry to start. | 0:34:31 | 0:34:34 | |
Joe, if you get this, you can nick something back, OK? Here we go. | 0:34:34 | 0:34:38 | |
Here's the category. | 0:34:38 | 0:34:39 | |
-Cherry, please give me an answer. -Alpha. | 0:34:42 | 0:34:44 | |
Correct. Joe. | 0:34:44 | 0:34:47 | |
-Beta. -Correct. | 0:34:47 | 0:34:49 | |
-Cherry. -Gamma. | 0:34:49 | 0:34:50 | |
Correct. Joe. | 0:34:50 | 0:34:52 | |
Kappa. | 0:34:54 | 0:34:56 | |
Correct. Cherry. | 0:34:56 | 0:34:59 | |
Epsilon. | 0:34:59 | 0:35:00 | |
Correct. Joe. | 0:35:00 | 0:35:02 | |
Papa. | 0:35:05 | 0:35:06 | |
Jo, that's incorrect. | 0:35:06 | 0:35:08 | |
I think you were thinking of the Nato alphabet, | 0:35:08 | 0:35:11 | |
-where P is for "papa". -Oh! Yeah. | 0:35:11 | 0:35:14 | |
Well done. You could have had | 0:35:14 | 0:35:17 | |
delta, lambda, sigma, etc, etc. | 0:35:17 | 0:35:21 | |
So, Cherry, have you got a penny for the toilet lock? | 0:35:21 | 0:35:25 | |
THEY LAUGH | 0:35:25 | 0:35:26 | |
There you are, it is in your collection. | 0:35:26 | 0:35:29 | |
That's it. Your collections are now fixed, | 0:35:29 | 0:35:32 | |
and it goes without saying that with Joe and Qin-him having nothing | 0:35:32 | 0:35:36 | |
left in their collection, today's winners are Sarah and Cherry. | 0:35:36 | 0:35:41 | |
Commiserations to you, Qin-him and Joe, | 0:35:44 | 0:35:47 | |
but thank you so much for playing For What It's Worth. | 0:35:47 | 0:35:50 | |
I think we picked a decent basket, really, | 0:35:51 | 0:35:53 | |
but again it comes down to luck on the day. | 0:35:53 | 0:35:56 | |
I thought the top lots were the diamond and the axe | 0:35:56 | 0:36:00 | |
and I had just no idea about the walking sticks - | 0:36:00 | 0:36:03 | |
I'd dismissed them as being too modern to be worth much. | 0:36:03 | 0:36:07 | |
Well done, Sarah and Cherry. | 0:36:08 | 0:36:10 | |
You built the most valuable collection | 0:36:10 | 0:36:13 | |
and you are today's winners, | 0:36:13 | 0:36:14 | |
and now all that remains is for you to claim your prize. | 0:36:14 | 0:36:17 | |
All you have to do is pick a lot from your collection | 0:36:17 | 0:36:21 | |
and we will give you its value in cash. So... | 0:36:21 | 0:36:23 | |
Oh, my goodness. I'm not sure about this sculpture now | 0:36:23 | 0:36:27 | |
-that it's not a bronze one. -It's spelter. | 0:36:27 | 0:36:31 | |
I still like the diamonds. | 0:36:31 | 0:36:32 | |
Yes, we're keen on the diamonds. | 0:36:32 | 0:36:34 | |
But as Kate said there is nothing signed on the back of the diamonds. | 0:36:34 | 0:36:39 | |
The axe I still think is quite a valuable piece, quite an old piece. | 0:36:39 | 0:36:43 | |
-Football. -I like the diamonds or the axe. | 0:36:43 | 0:36:47 | |
-Go with the diamonds. -Let's go diamonds. | 0:36:47 | 0:36:49 | |
Diamonds are a girl's best friend. | 0:36:49 | 0:36:51 | |
So you've chosen the diamond brooch, | 0:36:51 | 0:36:53 | |
but before we tell you what it's worth, Kate, | 0:36:53 | 0:36:55 | |
please could you tell us the value of the lots they have rejected? | 0:36:55 | 0:36:59 | |
Let's get to the bottom of this sculpture | 0:36:59 | 0:37:01 | |
because this sculpture has zipped around and it's come back to you. | 0:37:01 | 0:37:05 | |
So we know it's by Rancoulet | 0:37:05 | 0:37:08 | |
and we know it's spelter, not bronze. | 0:37:08 | 0:37:12 | |
If it was bronze it would be in the thousands, but it isn't, | 0:37:12 | 0:37:16 | |
so it's £200. | 0:37:16 | 0:37:17 | |
Oh! | 0:37:17 | 0:37:19 | |
On we go, the lithophanes, or lithopanes. | 0:37:19 | 0:37:22 | |
The Victorians had a craze for them | 0:37:22 | 0:37:25 | |
but they've gone in and out of fashion. | 0:37:25 | 0:37:28 | |
In the current market, not particularly in vogue. | 0:37:28 | 0:37:32 | |
There are three of them and the cumulative value of the three | 0:37:32 | 0:37:36 | |
is £300. | 0:37:36 | 0:37:39 | |
So, next we have this very intriguing toilet lock. | 0:37:39 | 0:37:44 | |
You thought this was quite quirky. | 0:37:44 | 0:37:46 | |
I like it, I think they're worth quite a bit of money now, actually. | 0:37:46 | 0:37:49 | |
This is a Maskelyne toilet door lock. | 0:37:49 | 0:37:52 | |
John Maskelyne trained as a watchmaker | 0:37:52 | 0:37:55 | |
but became interested in magic, and he wanted to dispel | 0:37:55 | 0:37:59 | |
the myth of supernatural powers being used in magic. | 0:37:59 | 0:38:03 | |
He actually exposed a pair of fraudulent magicians | 0:38:03 | 0:38:06 | |
called the Davenport Brothers, | 0:38:06 | 0:38:09 | |
but he also was an inventor of quirky things like this. | 0:38:09 | 0:38:12 | |
But this you would have seen on lavatories in London | 0:38:12 | 0:38:18 | |
in the late 19th century, 1892, | 0:38:18 | 0:38:21 | |
and of course you put a penny in the slot. | 0:38:21 | 0:38:25 | |
It didn't actually lock until that penny went into it, | 0:38:25 | 0:38:29 | |
hence the term "to spend a penny". | 0:38:29 | 0:38:32 | |
£500 worth. | 0:38:32 | 0:38:34 | |
Good heavens. | 0:38:34 | 0:38:35 | |
Nice little thing. | 0:38:35 | 0:38:36 | |
Where are we going next? | 0:38:36 | 0:38:38 | |
Next we have the football. | 0:38:38 | 0:38:40 | |
The age actually is really important | 0:38:40 | 0:38:43 | |
because that dictates how rare it is. | 0:38:43 | 0:38:46 | |
If this was pre-1920s, '30s, this could be quite special. | 0:38:46 | 0:38:50 | |
It's an early piece, they don't come up very often in that condition. | 0:38:50 | 0:38:55 | |
£650. | 0:38:56 | 0:38:58 | |
-Oh. -Really? | 0:38:58 | 0:38:59 | |
What's the last thing we are looking at? | 0:38:59 | 0:39:03 | |
The last thing we are looking at is the axe. | 0:39:03 | 0:39:06 | |
It's 17th century, it's a Saxon miner's axe | 0:39:06 | 0:39:11 | |
but used mostly for ceremonial purposes in that form. | 0:39:11 | 0:39:15 | |
Highly decorative, very rare, | 0:39:15 | 0:39:18 | |
with a mighty price tag | 0:39:18 | 0:39:21 | |
of £1,200. | 0:39:21 | 0:39:23 | |
Whoa! | 0:39:23 | 0:39:24 | |
But those lots have all gone, | 0:39:24 | 0:39:26 | |
so Sarah and Cherry, come and join me to take a closer look | 0:39:26 | 0:39:29 | |
at your diamond brooch and see if we can tempt you | 0:39:29 | 0:39:32 | |
with our mystery lot, which may be worth even more. | 0:39:32 | 0:39:35 | |
Well, you may be confident that your choice is worth a small fortune, | 0:39:38 | 0:39:42 | |
but before we tell you its value | 0:39:42 | 0:39:44 | |
we are going to tempt you with today's mystery lot. | 0:39:44 | 0:39:48 | |
Kate is going to reveal and tell all. | 0:39:48 | 0:39:51 | |
Here we go. | 0:39:51 | 0:39:52 | |
This is the Nuremberg Lady, or Princess, toy sewing machine. | 0:39:53 | 0:40:01 | |
Toy is actually a bit misleading because this machine | 0:40:01 | 0:40:05 | |
falls somewhere between the two. | 0:40:05 | 0:40:06 | |
It was marketed originally in 1894 | 0:40:06 | 0:40:10 | |
as the best present for a girl. | 0:40:10 | 0:40:13 | |
It was also a perfect chain stitch sewing machine in miniature, | 0:40:14 | 0:40:19 | |
producing just as good sewing as a full-size machine. | 0:40:19 | 0:40:24 | |
It's made of cast iron and has been found in the past painted | 0:40:24 | 0:40:28 | |
both in pink and blue, and it's probably the most desirable | 0:40:28 | 0:40:32 | |
toy sewing machine ever made and is extremely rare. | 0:40:32 | 0:40:38 | |
-Interesting. -Interesting, yes. | 0:40:38 | 0:40:40 | |
Sarah and Cherry, all that's left to decide is which one to go for. | 0:40:40 | 0:40:44 | |
Do you stick with your diamond brooch | 0:40:44 | 0:40:48 | |
or do you just dump it in favour of the sewing machine? | 0:40:48 | 0:40:50 | |
-I don't know. -I like the diamonds. | 0:40:50 | 0:40:54 | |
She's not as pretty as the diamonds. | 0:40:55 | 0:40:57 | |
-She's quite rare, though. -A child's toy, though. | 0:40:57 | 0:41:01 | |
-Sewing machine. -I don't know. | 0:41:01 | 0:41:03 | |
-I think we'll stick with our diamonds. -The diamonds. | 0:41:03 | 0:41:08 | |
So you're going with the diamond brooch. | 0:41:08 | 0:41:10 | |
That means you have won its worth in cold, hard cash. | 0:41:10 | 0:41:15 | |
But Kate, first of all, | 0:41:15 | 0:41:17 | |
please would you tell us what they have thrown away? | 0:41:17 | 0:41:19 | |
The Nuremberg, as the name implies, | 0:41:19 | 0:41:22 | |
is a German manufacturer's Princess sewing machine. | 0:41:22 | 0:41:27 | |
The manufacturer was Steinfeldt and Blasberg, based in Hanover. | 0:41:27 | 0:41:32 | |
But I did say right at the beginning of the show, one of the things | 0:41:32 | 0:41:36 | |
to think about was rarity | 0:41:36 | 0:41:38 | |
and only a very few of these are known to exist. | 0:41:38 | 0:41:43 | |
That gives it a value... | 0:41:43 | 0:41:46 | |
..of £3,500! | 0:41:47 | 0:41:51 | |
Oh, my goodness! | 0:41:51 | 0:41:53 | |
It's a super thing. | 0:41:53 | 0:41:55 | |
-It's lovely. -Yeah. | 0:41:55 | 0:41:56 | |
So, Kate, please tell us the value of the lot that they have chosen, | 0:41:56 | 0:42:01 | |
this beautiful diamond brooch. | 0:42:01 | 0:42:03 | |
You went with your gut feelings and what is not to love about it? | 0:42:03 | 0:42:07 | |
Total weight of five carats in diamonds, | 0:42:07 | 0:42:10 | |
but you did worry about the fact that it wasn't signed, | 0:42:10 | 0:42:13 | |
it didn't have a maker's name attached to it. | 0:42:13 | 0:42:16 | |
The hammer price today would be... | 0:42:16 | 0:42:20 | |
around £2,000. | 0:42:20 | 0:42:21 | |
Whoa! | 0:42:21 | 0:42:23 | |
Oh, thank goodness, well done! | 0:42:25 | 0:42:28 | |
So today, Sarah and Cherry, you are going home with £2,000. | 0:42:28 | 0:42:33 | |
It's been wonderful to have you on the show, thank you so much. | 0:42:33 | 0:42:36 | |
-Thank you. -Lovely. -You were really good. | 0:42:36 | 0:42:38 | |
Kate, you have been fantastic, thank you so much for all your expertise. | 0:42:38 | 0:42:42 | |
-See you next time. -Great. | 0:42:42 | 0:42:44 | |
And we look forward very much to seeing you again next time | 0:42:44 | 0:42:46 | |
when three more teams will join me to play For What It's Worth. | 0:42:46 | 0:42:49 | |
We'll see you then, goodbye. | 0:42:49 | 0:42:51 | |
Well done! | 0:42:51 | 0:42:53 | |
I'm very happy that we stuck with the diamonds | 0:42:56 | 0:42:58 | |
and went with our gut feeling. | 0:42:58 | 0:43:00 | |
-£2,000, Cherry. -To win was fantastic, | 0:43:00 | 0:43:02 | |
to win £2,000 is even better, thank you very much. | 0:43:02 | 0:43:05 |