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Hello and welcome to For What It's Worth. | 0:00:13 | 0:00:16 | |
The show that combines quizzing with the best bit of any show | 0:00:16 | 0:00:19 | |
about antiques which is, how much is it worth? | 0:00:19 | 0:00:23 | |
Three pairs of contestants are ready to play. | 0:00:23 | 0:00:25 | |
In each team is a quizzer, responsible for answering | 0:00:25 | 0:00:28 | |
general knowledge questions so that their partner - the picker - | 0:00:28 | 0:00:31 | |
can choose an antique item to add to their collection. | 0:00:31 | 0:00:35 | |
Here are today's lots for your consideration. | 0:00:35 | 0:00:37 | |
We have 16 different antiques and collectables. | 0:00:37 | 0:00:41 | |
We have a sash, | 0:00:41 | 0:00:43 | |
a bell box, | 0:00:43 | 0:00:44 | |
paintings, | 0:00:44 | 0:00:45 | |
bracelets, | 0:00:45 | 0:00:46 | |
a medal, a fan, | 0:00:46 | 0:00:49 | |
a casket, | 0:00:49 | 0:00:50 | |
a table, | 0:00:50 | 0:00:52 | |
a music box, | 0:00:52 | 0:00:53 | |
a hat, | 0:00:53 | 0:00:54 | |
a vase, | 0:00:54 | 0:00:55 | |
artist's set, | 0:00:55 | 0:00:57 | |
a toy, | 0:00:57 | 0:00:59 | |
an inkwell, | 0:00:59 | 0:01:00 | |
a balloon mould | 0:01:00 | 0:01:02 | |
and a camera. | 0:01:02 | 0:01:04 | |
All very different | 0:01:04 | 0:01:05 | |
with very different values. | 0:01:05 | 0:01:07 | |
One is worthless - worth £10 or less - and the rest increase in value | 0:01:07 | 0:01:12 | |
up to our top lot which is worth a whopping £2,500. | 0:01:12 | 0:01:16 | |
And that, of course, is the lot to spot because at the end of the show, | 0:01:16 | 0:01:20 | |
the winning pair will walk away | 0:01:20 | 0:01:22 | |
with the cash equivalent of one of these items. | 0:01:22 | 0:01:26 | |
The aim of the game is to amass the most valuable collection. | 0:01:26 | 0:01:30 | |
First up, we have Judith and Mel, a married couple from Caister-on-Sea. | 0:01:30 | 0:01:34 | |
A warm welcome to the both of you. | 0:01:34 | 0:01:36 | |
Judith, you are picking the lots today. | 0:01:36 | 0:01:38 | |
What sort of antiques and collectables whet your appetite? | 0:01:38 | 0:01:41 | |
Well, anything sparkly, Fern, especially diamonds. | 0:01:41 | 0:01:45 | |
And I really like antique glass and as Mel will tell you, I've got | 0:01:45 | 0:01:50 | |
quite a lot of various different Victorian pieces of rosewood | 0:01:50 | 0:01:54 | |
and mahogany furniture. | 0:01:54 | 0:01:55 | |
Very nice. And how would you describe your new husband? | 0:01:55 | 0:01:59 | |
You've only been married a few years, haven't you? | 0:01:59 | 0:02:02 | |
Well, crazy cos he asked me to marry him the day after I met him, ha! | 0:02:02 | 0:02:07 | |
We've been married for five years and we got married a month and a day | 0:02:07 | 0:02:09 | |
-after we met each other. -How fantastic! | 0:02:09 | 0:02:12 | |
So how would you describe him? Is he everything you hoped he'd be? | 0:02:12 | 0:02:16 | |
Um, on a good day, he's everything more than I hoped he'd be | 0:02:16 | 0:02:20 | |
and on a bad day, he's a bit grumpy. | 0:02:20 | 0:02:22 | |
FERN SNIGGERS | 0:02:22 | 0:02:24 | |
Grumpy Mel. Welcome to the show. | 0:02:24 | 0:02:27 | |
You're going to try and get the questions right so that | 0:02:27 | 0:02:30 | |
Judith can pick the best items. | 0:02:30 | 0:02:31 | |
So can Judith trust your general knowledge to do the job? | 0:02:31 | 0:02:35 | |
She does say that I'm a know-it-all, so, yes. | 0:02:35 | 0:02:38 | |
-Well, it's lovely to have you both, Mel and Judith. -Thank you. | 0:02:38 | 0:02:41 | |
And next up we have Steve and Barry, who are friends from Hampshire. | 0:02:41 | 0:02:45 | |
-Welcome to the show. -Thank you. -Hello. | 0:02:45 | 0:02:47 | |
Steve, you are the picker today. | 0:02:47 | 0:02:49 | |
And what spurred your interest in antiques and collectables? | 0:02:49 | 0:02:53 | |
Well, when I was a boy, my mum used to have a bit of an antique hand. | 0:02:53 | 0:02:57 | |
Like, it was half actual junk, shall we say, and half antique. | 0:02:57 | 0:03:01 | |
And I'd go in there and pick up bits and Mum would shout at me, | 0:03:01 | 0:03:04 | |
"Put that down, that's worth a lot." Why? | 0:03:04 | 0:03:06 | |
And then I'd learn because if you look on the bottom, it's got a | 0:03:06 | 0:03:09 | |
back stamp and that actually tells you its age and so-and-so. | 0:03:09 | 0:03:13 | |
And then we'd go to auctions together and I'd pick up information | 0:03:13 | 0:03:16 | |
and just loved it from then on. | 0:03:16 | 0:03:17 | |
-Ah, very nice. And your quizzer today is Barry. -Hello. | 0:03:17 | 0:03:22 | |
What do you and Steve get up to in your spare time together? | 0:03:22 | 0:03:25 | |
We used to run together. Did The Great South Run a few years ago. | 0:03:25 | 0:03:28 | |
-Did you? -As you can see, I need to get a bit more into training but... | 0:03:28 | 0:03:32 | |
We also go fishing and Steve also does drag me round antiques fairs | 0:03:32 | 0:03:36 | |
and the shops from time to time, trying to teach me a bit more | 0:03:36 | 0:03:39 | |
-about antiques. -Welcome, both of you. -Thank you. | 0:03:39 | 0:03:42 | |
And last but not least, we have Tabitha and Anne. | 0:03:42 | 0:03:44 | |
Mother and daughter team from Kildary and Inverness, in Scotland. | 0:03:44 | 0:03:49 | |
Anne, you're picking the antiques for the team. | 0:03:49 | 0:03:52 | |
How would you describe your daughter? | 0:03:52 | 0:03:54 | |
Wherever you go, there's always something disastrous happens. | 0:03:54 | 0:03:58 | |
-Is that true, Tabitha? -Yeah, probably. Yes. | 0:03:58 | 0:04:02 | |
What's the biggest disaster that's happened | 0:04:02 | 0:04:04 | |
-while you've been out with her? -We nearly never made it. | 0:04:04 | 0:04:07 | |
We nearly ended up in Bristol today. | 0:04:07 | 0:04:09 | |
A kind lady in front of us told us | 0:04:09 | 0:04:11 | |
we were in the wrong queue and we were going to Manchester. | 0:04:11 | 0:04:13 | |
We got here eventually | 0:04:13 | 0:04:15 | |
and knocked over an old lady in Marks & Spencer's. | 0:04:15 | 0:04:18 | |
It wasn't my fault. | 0:04:20 | 0:04:22 | |
It's never her fault, no. It just happens. | 0:04:22 | 0:04:25 | |
She has this big cloud that follows her around | 0:04:25 | 0:04:27 | |
-and it rains on her all the time. -The lady was fine, by the way. | 0:04:27 | 0:04:30 | |
-She was absolutely fine. -Lovely. | 0:04:30 | 0:04:32 | |
But can I just say, she's a very sunny person | 0:04:32 | 0:04:35 | |
so it doesn't matter about the rain. | 0:04:35 | 0:04:36 | |
Aw! I can see that you both have a very good sense of humour as well. | 0:04:36 | 0:04:40 | |
Very good. Lovely to have you here. | 0:04:40 | 0:04:42 | |
Now, earlier, our teams inspected the lots but could they separate | 0:04:42 | 0:04:45 | |
the guilt from the silt? | 0:04:45 | 0:04:47 | |
Oh, gosh, Mel! Ooh! | 0:04:48 | 0:04:51 | |
OK, what have we got? | 0:04:51 | 0:04:52 | |
Oh, my word. | 0:04:52 | 0:04:54 | |
I think that's probably quite expensive. | 0:04:55 | 0:04:58 | |
-Is it ivory? -No. | 0:04:58 | 0:05:00 | |
That's mother-of-pearl. Is the top original? | 0:05:00 | 0:05:04 | |
You mean, is it a marriage? I wouldn't give it house room. | 0:05:04 | 0:05:07 | |
It's got rusty screws in it. | 0:05:07 | 0:05:09 | |
Can I pick it up, it's glass? | 0:05:11 | 0:05:13 | |
No, darling, don't touch it cos you'll break it. | 0:05:13 | 0:05:16 | |
130, 120? | 0:05:16 | 0:05:18 | |
No, no, no. More than that. | 0:05:18 | 0:05:20 | |
-This is a bit odd. -A sash. | 0:05:22 | 0:05:24 | |
-BOTH: -As in a Harry Potter sash! | 0:05:24 | 0:05:26 | |
Could be Russian or something, I don't know. | 0:05:26 | 0:05:29 | |
-Oh, wow, look. -Isn't that amazing? | 0:05:31 | 0:05:34 | |
Do you recognise any of the tunes? | 0:05:34 | 0:05:36 | |
-It's nice, isn't it? -I can't stop it now. | 0:05:37 | 0:05:40 | |
Inkwell. What do you think that might be worth, sweetie? | 0:05:41 | 0:05:45 | |
-These can go for a lot of money now. -It's not an inkwell though, is it? | 0:05:45 | 0:05:48 | |
-It's an artist's set. -I thought they were playing cards. | 0:05:49 | 0:05:53 | |
Mordan and Sampson. They used to make lovely, lovely jewellery. | 0:05:53 | 0:05:56 | |
Not fussed with that. | 0:05:58 | 0:05:59 | |
Sweetie, this is made in China. | 0:05:59 | 0:06:01 | |
-Does it really? -Yeah. | 0:06:01 | 0:06:03 | |
-You reckon this is quite modern? -Put it down. | 0:06:03 | 0:06:05 | |
-I don't think that's so valuable. -What is it, a cigar box? | 0:06:07 | 0:06:10 | |
It looks cheap and nasty to me. | 0:06:10 | 0:06:12 | |
-It doesn't mean that the box came with it. -No. | 0:06:12 | 0:06:15 | |
Just cos it's in it but... | 0:06:15 | 0:06:16 | |
I really like the hat. Go on, then. | 0:06:18 | 0:06:20 | |
No, I don't know whose head's been in it. | 0:06:20 | 0:06:23 | |
They look really nice but it looks like it's plastic. | 0:06:26 | 0:06:28 | |
I think that's the worthless one. | 0:06:28 | 0:06:30 | |
Gosh, it's hard to tell. | 0:06:30 | 0:06:31 | |
They're quite pretty, aren't they? | 0:06:31 | 0:06:34 | |
Now, is he Japanese? | 0:06:34 | 0:06:37 | |
Oh! | 0:06:37 | 0:06:38 | |
-Stop. -He's like something out of Doctor Who. | 0:06:38 | 0:06:41 | |
The Zenith camera - Minitar. | 0:06:43 | 0:06:45 | |
I think they've got a market but | 0:06:45 | 0:06:46 | |
I think there's still plenty of them out there. | 0:06:46 | 0:06:49 | |
It's a collectable rather than an antique, isn't it? | 0:06:49 | 0:06:51 | |
What on earth is this? | 0:06:52 | 0:06:54 | |
I don't know what it is but I like it. Is it a game? | 0:06:54 | 0:06:56 | |
Balloon mould. Ah, wow! | 0:06:56 | 0:06:59 | |
Oh, a medal. They're always worth a fortune. | 0:07:00 | 0:07:03 | |
I couldn't even tell you what date it's from or, you know, what war. | 0:07:03 | 0:07:07 | |
-What possesses you to paint fruit? -£400 for the pair. | 0:07:08 | 0:07:12 | |
-400 to 600, yeah. -We have to choose the robot? -Definitely. | 0:07:12 | 0:07:15 | |
-The balloon mould. -Yes. -And the hat. | 0:07:15 | 0:07:18 | |
Hat, fan and music box. | 0:07:18 | 0:07:22 | |
-Music box. -Yeah. -Inkwell. -Yeah, good. -Vase. | 0:07:22 | 0:07:25 | |
-And the worthless item, the bell. -The bell. | 0:07:25 | 0:07:27 | |
I think the camera. | 0:07:27 | 0:07:29 | |
-The bracelet. -It's the bracelet, yes. | 0:07:29 | 0:07:30 | |
-How do you think we did then? -I don't know. | 0:07:30 | 0:07:33 | |
Joining me is our resident antiques expert Natasha Raskin. | 0:07:34 | 0:07:38 | |
Natasha, what do you make of those lots? | 0:07:38 | 0:07:40 | |
Our teams are really going to have to know their stuff. | 0:07:40 | 0:07:43 | |
Serious variety and serious age to some of these lots. | 0:07:43 | 0:07:48 | |
But if you go around showrooms and antiques fairs as we know you do, | 0:07:48 | 0:07:51 | |
these are just the sorts of things that you're likely to have seen. | 0:07:51 | 0:07:54 | |
You'll have seen them going under the hammer at any reputable | 0:07:54 | 0:07:57 | |
auction house. | 0:07:57 | 0:07:59 | |
And how has the valuation been arrived at, Natasha? | 0:07:59 | 0:08:01 | |
Well, it's been a joint decision. | 0:08:01 | 0:08:03 | |
I've had a look at everything and placed my value on it | 0:08:03 | 0:08:05 | |
and that's been agreed by an independent valuer too. | 0:08:05 | 0:08:08 | |
And we've based that value on hammer price. | 0:08:08 | 0:08:11 | |
So at an auction, the price that would be paid by a bidder | 0:08:11 | 0:08:13 | |
when the hammer falls, not including any auction costs. | 0:08:13 | 0:08:19 | |
Well, as well as those little treasures, we have | 0:08:19 | 0:08:21 | |
our mystery lot hidden under the shroud of mystery, | 0:08:21 | 0:08:24 | |
poised to be uncovered at the end of the show to tempt our winners. | 0:08:24 | 0:08:29 | |
We will be unveiling it later but for now, it's time for Round One. | 0:08:29 | 0:08:33 | |
So I'm going to ask you ten general knowledge questions. | 0:08:35 | 0:08:38 | |
Quizzers, if you buzz in with a correct answer, | 0:08:38 | 0:08:40 | |
your picker gets to add a lot to your collection. | 0:08:40 | 0:08:43 | |
But beware, buzz in incorrectly | 0:08:43 | 0:08:46 | |
and you'll be frozen out of the next question. | 0:08:46 | 0:08:48 | |
-Fingers on buzzers. -Go on, son. -Question number one. | 0:08:48 | 0:08:52 | |
Which superhero was raised in a town called Smallville? | 0:08:52 | 0:08:55 | |
Tabitha. | 0:08:55 | 0:08:57 | |
Superman. | 0:08:57 | 0:08:58 | |
It was Superman, right. Anne, what would you like from the grid? | 0:08:58 | 0:09:01 | |
-I think I'd like the music box, please. -Yes, the music box is yours. | 0:09:01 | 0:09:06 | |
And that's your collection started, well done. Question two. | 0:09:06 | 0:09:10 | |
What is the name of the largest lake in Africa? | 0:09:10 | 0:09:13 | |
Time up. It is Lake Victoria. Question three. | 0:09:16 | 0:09:20 | |
The name of which Mexican food | 0:09:21 | 0:09:24 | |
translates into English as "little donkey"? | 0:09:24 | 0:09:27 | |
-Time up. Burrito. -Oh! | 0:09:32 | 0:09:35 | |
Of course it's burrito. | 0:09:35 | 0:09:37 | |
See if you can do this one. SHE CLEARS HER THROAT | 0:09:37 | 0:09:39 | |
The acorn is the nut of which tree? | 0:09:39 | 0:09:42 | |
Tabitha. | 0:09:42 | 0:09:43 | |
-Oak tree. -The oak tree. Anne, go for it. | 0:09:43 | 0:09:46 | |
I would like the fan, please. | 0:09:46 | 0:09:48 | |
The fan is yours. | 0:09:48 | 0:09:50 | |
Question five, what is the name of Postman Pat's cat? | 0:09:51 | 0:09:54 | |
Yes, Barry. | 0:09:54 | 0:09:56 | |
Jess. | 0:09:56 | 0:09:57 | |
-Yes! -Oh, good one! | 0:09:57 | 0:09:59 | |
-Nice one. -OK, Steve, what would you like? | 0:09:59 | 0:10:02 | |
I would like the inkwell, please. | 0:10:02 | 0:10:04 | |
-The inkwell is yours. There it is. -Yes. Nice one, mate. | 0:10:04 | 0:10:08 | |
Question six. | 0:10:08 | 0:10:10 | |
Which boy band's second album was titled Everything Changes? | 0:10:10 | 0:10:14 | |
-Yes, Tabitha? -Take That. | 0:10:14 | 0:10:16 | |
Of course it was Take That. | 0:10:16 | 0:10:18 | |
-Anne, what would you like? -I'd like to take the hat, please. | 0:10:18 | 0:10:21 | |
The hat is yours. There we go. | 0:10:21 | 0:10:23 | |
-Thank you. -Question seven. | 0:10:23 | 0:10:25 | |
Created by Roy Plomley in 1942, | 0:10:25 | 0:10:29 | |
which BBC radio programme introduces a new castaway every week? | 0:10:29 | 0:10:32 | |
-Mel. -Desert Island Discs. | 0:10:32 | 0:10:34 | |
Hurray! OK, Judith, what would you like? | 0:10:34 | 0:10:38 | |
I would like the robot toy, please. | 0:10:38 | 0:10:40 | |
-The robot toy is yours. -Thank you. | 0:10:40 | 0:10:43 | |
Question eight. | 0:10:43 | 0:10:45 | |
Which visionary designer revolutionised modern fashion | 0:10:45 | 0:10:49 | |
in 1926 with her little black... | 0:10:49 | 0:10:52 | |
Mel. | 0:10:52 | 0:10:53 | |
Mary Quant. | 0:10:53 | 0:10:54 | |
Oh. 1926?! | 0:10:54 | 0:10:57 | |
No, the full question - who modernised fashion in 1926 | 0:10:57 | 0:11:01 | |
with her little black dress? | 0:11:01 | 0:11:02 | |
-It was Coco Chanel. -Oh. | 0:11:02 | 0:11:04 | |
I'm sorry, Mel, you are frozen out of the next question. | 0:11:04 | 0:11:07 | |
Question nine. | 0:11:07 | 0:11:09 | |
Which 1959 film starring Charlton Heston won 11 Oscars? | 0:11:09 | 0:11:14 | |
-Yes, Barry. -Ben-Hur. | 0:11:14 | 0:11:16 | |
-It is Ben-Hur. Steve, what would you like? -Good boy! | 0:11:16 | 0:11:19 | |
-I would like the vase. -The vase. | 0:11:19 | 0:11:22 | |
Please, thank you. | 0:11:22 | 0:11:23 | |
Very good. Mel, you're now unfrozen. Question 10. | 0:11:24 | 0:11:29 | |
Which sport is chiefly played in Dallas' Cotton Bowl Stadium? | 0:11:29 | 0:11:33 | |
-Yes, Barry. -Baseball. | 0:11:33 | 0:11:35 | |
No, incorrect. American football. That is the end of Round One. | 0:11:35 | 0:11:41 | |
Mel and Judith, you have the robot toy in your collection. | 0:11:41 | 0:11:44 | |
Barry and Steve, you have the inkwell and the vase. | 0:11:44 | 0:11:47 | |
And, Tabitha and Anne, you have the music box, the hat and the fan. | 0:11:47 | 0:11:52 | |
You're all off the mark. Are you ready for Round Two? | 0:11:52 | 0:11:55 | |
Because our teams have started to build their collections | 0:11:55 | 0:11:57 | |
but before they have the chance to add to them, | 0:11:57 | 0:12:00 | |
Natasha is going to give each team a fact about a lot of their choice. | 0:12:00 | 0:12:06 | |
Now these snippets of information should give you vital clues about | 0:12:06 | 0:12:08 | |
what it's worth, so choose wisely. | 0:12:08 | 0:12:12 | |
You can choose one of yours in your collection or something | 0:12:12 | 0:12:15 | |
from an opponent's collection | 0:12:15 | 0:12:17 | |
or instead, something that's still up there on the grid. | 0:12:17 | 0:12:20 | |
So, Judith, let's start with you. | 0:12:20 | 0:12:22 | |
-Which lot would you like to hear about? -The balloon mould, please. | 0:12:22 | 0:12:25 | |
Natasha, the balloon mould. | 0:12:25 | 0:12:27 | |
As you've seen, it's an all wooden antique balloon mould. | 0:12:27 | 0:12:30 | |
And what's lovely is that it still has remnants of all the different | 0:12:30 | 0:12:34 | |
colours that were used over the years. | 0:12:34 | 0:12:36 | |
Now a rubber balloon, as we know it, was invented by Michael Faraday | 0:12:36 | 0:12:41 | |
for use in his experiments with hydrogen. | 0:12:41 | 0:12:45 | |
But toy balloons were introduced by pioneer rubber manufacturer | 0:12:45 | 0:12:50 | |
Thomas Hancock in 1825. | 0:12:50 | 0:12:53 | |
And they were soon being mass-produced by dipping a mould | 0:12:53 | 0:12:57 | |
just like this one into the rubber liquid until each prong was coated. | 0:12:57 | 0:13:02 | |
And then simply, you peeled them off once they were dry. | 0:13:02 | 0:13:05 | |
It has that industrial quality that buyers are so into at the moment. | 0:13:05 | 0:13:11 | |
-But what's it worth? -Steve, what would you like to know more about? | 0:13:11 | 0:13:16 | |
-The casket, please. -The casket. | 0:13:16 | 0:13:19 | |
It is a William IV silver-gilt casket so perhaps older | 0:13:19 | 0:13:25 | |
than it first appears. Not solid silver. | 0:13:25 | 0:13:28 | |
That silver-gilt is a thin layer of silver that's often | 0:13:28 | 0:13:31 | |
painted on to another less valuable metal underneath. It is dated 1836. | 0:13:31 | 0:13:37 | |
On top are two inset porcelain panels, | 0:13:37 | 0:13:41 | |
one depicting garden tools and the other showing musical instruments. | 0:13:41 | 0:13:46 | |
It's very pretty. | 0:13:46 | 0:13:47 | |
The dimensions in the keyhole | 0:13:47 | 0:13:48 | |
suggest it could have been a dressing table box but there | 0:13:48 | 0:13:52 | |
aren't really any other dressing table boxes like it that we know. | 0:13:52 | 0:13:57 | |
But is does still have its box, as you see, proudly showing the name | 0:13:57 | 0:14:00 | |
of the London retailer Partridge Fine Arts of Bond Street. | 0:14:00 | 0:14:06 | |
So I wonder if you can guess what it's worth. | 0:14:06 | 0:14:08 | |
All right, we'll get you just having a cogitate about that while we ask | 0:14:08 | 0:14:12 | |
Anne, what is there that you would like to know more about? | 0:14:12 | 0:14:16 | |
Well, I'm quite curious about the sash because it looks kind of like | 0:14:16 | 0:14:20 | |
-a magician's thing, doesn't it? -Yes. | 0:14:20 | 0:14:22 | |
Natasha, the sash. | 0:14:22 | 0:14:24 | |
This is a sash that belonged to Professor Norris, | 0:14:24 | 0:14:28 | |
the famous Victorian magician! And he was known as the Royal Wizard. | 0:14:28 | 0:14:34 | |
As well as magician, inventor, | 0:14:34 | 0:14:36 | |
craftsman and often salesman as well. | 0:14:36 | 0:14:39 | |
A real jack of all trades. | 0:14:39 | 0:14:41 | |
He performed in a little magic theatre at Crystal Palace in London | 0:14:41 | 0:14:44 | |
between the dates of 1868 and 1885, so we can date this piece. | 0:14:44 | 0:14:51 | |
And he was one the last performers in Britain to wear the traditional | 0:14:51 | 0:14:55 | |
flowing robes of old-time mythical wizards. | 0:14:55 | 0:14:59 | |
So what price, I ask you? | 0:14:59 | 0:15:01 | |
So, now that you all know a little bit more about some of today's lots, | 0:15:01 | 0:15:05 | |
let's give you the chance to add more of them to your collections. | 0:15:05 | 0:15:08 | |
Please remember that at the end of this round, the team with | 0:15:11 | 0:15:14 | |
the least valuable collection will be eliminated. | 0:15:14 | 0:15:18 | |
But three more lots are now available to each pair | 0:15:18 | 0:15:21 | |
and this time, pickers, you target a lot and quizzers, you then try | 0:15:21 | 0:15:26 | |
and secure it by answering a question correctly. | 0:15:26 | 0:15:29 | |
But in this round, the lots come with their own question categories. | 0:15:29 | 0:15:33 | |
So for instance, if you wanted that table here, | 0:15:33 | 0:15:36 | |
the picker would say, "I'd like the table." The quizzer has to decide | 0:15:36 | 0:15:40 | |
to answer a question either about Tennis or Kings & Queens. | 0:15:40 | 0:15:44 | |
Judith and Mel, you're up first. So, Judith, what's your lot? | 0:15:44 | 0:15:48 | |
-The balloon mould, please, Fern, thank you. -The balloon mould. | 0:15:48 | 0:15:52 | |
Mel, what would you like? Arnold Schwarzenegger or The Weather? | 0:15:52 | 0:15:56 | |
-Oh, well, I'm English so I'll choose The Weather, please. -Here we go. | 0:15:56 | 0:16:00 | |
Here's your question. | 0:16:00 | 0:16:01 | |
What name is given to the ribbons of strong wind that move weather | 0:16:01 | 0:16:06 | |
systems around the globe? | 0:16:06 | 0:16:08 | |
It's not the trade winds, is it? | 0:16:08 | 0:16:10 | |
I'm sorry, I have to take that answer. It's incorrect. | 0:16:10 | 0:16:14 | |
The correct answer is the jet stream. | 0:16:14 | 0:16:16 | |
OK, the balloon mould stays on the board. | 0:16:16 | 0:16:19 | |
-Steve, what would you like to target? -The casket, please. -The casket. | 0:16:19 | 0:16:24 | |
OK, Barry, Kings & Queens or The Weather? | 0:16:24 | 0:16:27 | |
-I'm going to try The Weather, please. -The Weather. | 0:16:27 | 0:16:29 | |
Here's your question. | 0:16:29 | 0:16:30 | |
What is the scientific name for a thundercloud? | 0:16:30 | 0:16:33 | |
Cumulonimbus. | 0:16:35 | 0:16:36 | |
-Cumulonimbus is correct. -Good man! | 0:16:36 | 0:16:38 | |
-The casket is yours. -Yes. Good lad. | 0:16:38 | 0:16:41 | |
-Anne, what would you like to pick? -I think I'll go for the sash, please. | 0:16:42 | 0:16:47 | |
The sash. All right, Tabitha, British Television Drama or Insects? | 0:16:47 | 0:16:53 | |
British Television Drama. | 0:16:53 | 0:16:55 | |
British Television Drama, here's your question. | 0:16:55 | 0:16:57 | |
In which 2015 period drama did Mark Rylance play Thomas Cromwell? | 0:16:57 | 0:17:04 | |
Downton Abbey. | 0:17:04 | 0:17:05 | |
Incorrect, it was Wolf Hall. The sash stays on the board. | 0:17:05 | 0:17:10 | |
-Judith, what would you like? -I'd like the sash. | 0:17:10 | 0:17:13 | |
British Television Drama or Insects, Mel? | 0:17:13 | 0:17:16 | |
-I'll have to try Insects, please. -Insects, here we go. | 0:17:16 | 0:17:20 | |
Witchetty grubs eventually transform into what type of insect? | 0:17:20 | 0:17:25 | |
A moth. | 0:17:25 | 0:17:26 | |
-It is a moth. Congratulations. -Well done, sweetheart. | 0:17:26 | 0:17:29 | |
Judith, the sash is yours. | 0:17:29 | 0:17:32 | |
-Steve, what would you like to go for? -The medal, please. -The medal. | 0:17:35 | 0:17:40 | |
-Barry, Kings & Queens or Insects? -Come on. -OK. | 0:17:40 | 0:17:44 | |
-Can I go for Kings & Queens, please, Fern? -Of course you may. | 0:17:44 | 0:17:47 | |
Here's your question. | 0:17:47 | 0:17:49 | |
What first name did all Lancastrian kings share? | 0:17:49 | 0:17:54 | |
James. | 0:17:56 | 0:17:57 | |
-Ooh, Henry! -Ah! | 0:17:57 | 0:17:58 | |
James is incorrect. It's Henry. | 0:17:58 | 0:18:01 | |
-So... So the medal stays on the board. -Never mind. | 0:18:01 | 0:18:04 | |
Anne, what would you like? | 0:18:04 | 0:18:06 | |
-I think I'll go for the balloon mould, please. -Balloon mould. | 0:18:06 | 0:18:10 | |
Tabitha, Arnold Schwarzenegger or the Weather? | 0:18:10 | 0:18:14 | |
-We'll have a bit of Arnie, please. -OK, a bit of Arnie. Here we go. | 0:18:14 | 0:18:17 | |
Which 1994 film saw Schwarzenegger's character become pregnant? | 0:18:17 | 0:18:22 | |
I don't know... I'm going to have... | 0:18:23 | 0:18:25 | |
-No idea? -Daddy Mum, I don't know, sorry! | 0:18:25 | 0:18:28 | |
-Daddy Mum, no. Good guess but it was Junior. -Junior, that's it. | 0:18:28 | 0:18:32 | |
OK, the balloon mould stays on the board. | 0:18:32 | 0:18:35 | |
OK, teams, your collections are growing. | 0:18:35 | 0:18:38 | |
Now remember, at the end of this round, the pair with the least | 0:18:38 | 0:18:41 | |
valuable collection will be leaving us. | 0:18:41 | 0:18:43 | |
So, have you missed out on that one item that you desire above all else? | 0:18:43 | 0:18:47 | |
If so, here's your chance to secure it because there's | 0:18:47 | 0:18:50 | |
one last lot available to each team | 0:18:50 | 0:18:53 | |
and this time you can either go for what's left on the grid | 0:18:53 | 0:18:57 | |
or you can try to steal an antique that's in a rival team's collection. | 0:18:57 | 0:19:02 | |
But, pickers, be warned. If you choose to steal from another team, | 0:19:02 | 0:19:06 | |
their quizzer will get to decide your quizzer's category. | 0:19:06 | 0:19:11 | |
Right, Judith, do you want to target a lot from the grid or have you got | 0:19:11 | 0:19:15 | |
your eye on something in another collection? | 0:19:15 | 0:19:17 | |
Well, I would like, please, to steal from Anne and Tabitha | 0:19:17 | 0:19:21 | |
-the music box, please. -OK. | 0:19:21 | 0:19:24 | |
Tabitha, I'd like you to choose any of the categories available now | 0:19:24 | 0:19:30 | |
-for Mel to answer. -Arnold Schwarzenegger, please. | 0:19:30 | 0:19:34 | |
-Mel, Arnold Schwarzenegger. Are you ready? -Yes. | 0:19:34 | 0:19:39 | |
In which 1993 film does Schwarzenegger play a character | 0:19:39 | 0:19:43 | |
who steps out of a blockbuster film and into the real world? | 0:19:43 | 0:19:47 | |
Was that True Lies? | 0:19:49 | 0:19:51 | |
Incorrect. It's Last Action Hero. | 0:19:51 | 0:19:54 | |
So well defended. You've kept the music box, Tabitha. Well done. | 0:19:54 | 0:19:58 | |
Steve, have you got your eye on someone else's lot | 0:19:58 | 0:20:01 | |
or something from the grid? | 0:20:01 | 0:20:03 | |
I'm afraid it's on Anne and Tabitha's collection, please. | 0:20:03 | 0:20:08 | |
-You're picking on me. -I'm not! It's the game. The music box, please. -OK. | 0:20:08 | 0:20:13 | |
-Tabitha, choose a question for Barry, please. -I'm going to go with... | 0:20:13 | 0:20:18 | |
-..classical music. -Classical music. Barry, here's your question. | 0:20:20 | 0:20:25 | |
Who composed the music for the 1816 opera The Barber Of Seville? | 0:20:25 | 0:20:30 | |
Yes! | 0:20:32 | 0:20:33 | |
I'm going to be really silly and say Rigatello but I know it's wrong. | 0:20:35 | 0:20:38 | |
-It is wrong. It's Rossini. -Oh! | 0:20:38 | 0:20:41 | |
Rossini. Another good defending, Tabitha. Well done! | 0:20:41 | 0:20:45 | |
-I knew it started with an R. -Woof! OK. | 0:20:45 | 0:20:47 | |
Anne, what would you like to choose? | 0:20:47 | 0:20:50 | |
-I'd like to steal the sash. -From Judith and Mel's collection. -Mm. | 0:20:50 | 0:20:56 | |
-They worked hard to get that. -I know but it was always mine. -Oh, really? | 0:20:56 | 0:21:00 | |
THEY LAUGH | 0:21:00 | 0:21:03 | |
Mel, I would like you to defend this and pick a category for Tabitha. | 0:21:03 | 0:21:09 | |
-I think I'll choose Tennis, please. -Tennis. | 0:21:09 | 0:21:13 | |
Tabitha, what name is given to a legal serve that the receiving | 0:21:13 | 0:21:17 | |
player fails to reach? | 0:21:17 | 0:21:19 | |
An ace. | 0:21:20 | 0:21:21 | |
-Correct! The sash is yours. -Sorry, guys. -Good one. | 0:21:21 | 0:21:26 | |
Here it comes. | 0:21:26 | 0:21:28 | |
Tabitha and Anne, you have played that round very well. | 0:21:28 | 0:21:30 | |
You've defended well and you've stolen well. | 0:21:30 | 0:21:34 | |
OK, that's it for Round Two. | 0:21:34 | 0:21:35 | |
And for one team, sadly it's the end of the road. | 0:21:35 | 0:21:38 | |
We've calculated the combined value of your items and the team | 0:21:38 | 0:21:42 | |
with the least valuable collection will be eliminated, | 0:21:42 | 0:21:44 | |
taking your lots out of the game with you. | 0:21:44 | 0:21:48 | |
So, Natasha, who is leaving us first? | 0:21:48 | 0:21:51 | |
Sometimes quality can outweigh quantity. | 0:21:51 | 0:21:55 | |
But not today. And I'm afraid | 0:21:57 | 0:21:59 | |
the first pair leaving us is Judith and Mel. Thank you so much. | 0:21:59 | 0:22:03 | |
I'm afraid the robot was not enough to keep you in the game. | 0:22:03 | 0:22:06 | |
-Let me tell you a wee bit more about it. -Yes, please. | 0:22:06 | 0:22:09 | |
Of course, it's Japanese from around the 1960s. | 0:22:09 | 0:22:12 | |
Now, Judy, you were frightened out of your life when this robot | 0:22:12 | 0:22:15 | |
snapped into action earlier. | 0:22:15 | 0:22:18 | |
But a few of you spotted that it was Japanese and, of course, it's really | 0:22:18 | 0:22:21 | |
got to do with that space race, moon landing time. | 0:22:21 | 0:22:25 | |
All things space and robotic just exploded | 0:22:25 | 0:22:28 | |
and this Japanese firm, Horikawa, just maximised on that. | 0:22:28 | 0:22:33 | |
It's battery-operated, | 0:22:33 | 0:22:34 | |
which means we can date it to around the 1950s, '60s | 0:22:34 | 0:22:37 | |
cos the earlier ones were of course wind-up, spring and motor. | 0:22:37 | 0:22:42 | |
But it weighs in at £150 so, you know, an expensive toy, nonetheless. | 0:22:42 | 0:22:48 | |
Judith and Mel, it is time to bring the hammer down on your collection. | 0:22:48 | 0:22:52 | |
-So, thank you for playing For What It's Worth. -Thank you. | 0:22:52 | 0:22:56 | |
I think the top lot might be the enamelled casket. | 0:22:58 | 0:23:01 | |
The enamel and everything was in really good condition and I would | 0:23:01 | 0:23:04 | |
think for it to have survived all those years in that pristine | 0:23:04 | 0:23:06 | |
condition, probably, that makes it the top lot. | 0:23:06 | 0:23:09 | |
I think the top lot is the music box. | 0:23:09 | 0:23:13 | |
And I definitely disagree with that. | 0:23:13 | 0:23:15 | |
Well, there are eight unclaimed lots in the grid. | 0:23:19 | 0:23:23 | |
And Natasha is now going to tell us their worth because | 0:23:23 | 0:23:25 | |
they have to leave the game as well. | 0:23:25 | 0:23:29 | |
-So where are we starting, Natasha? -Let's start with the middle. | 0:23:29 | 0:23:31 | |
There it is. It's a Primrose League medal. | 0:23:31 | 0:23:34 | |
And that's a league that spread the conservative values throughout | 0:23:34 | 0:23:38 | |
the United Kingdom from the Victorian period | 0:23:38 | 0:23:41 | |
until the early 21st-century. | 0:23:41 | 0:23:44 | |
2004 was the last meeting of the Primrose League. | 0:23:44 | 0:23:48 | |
So it endured for 121 years and, you know, this medal is quite | 0:23:48 | 0:23:52 | |
an early example and that enamelling is in lovely condition. | 0:23:52 | 0:23:55 | |
But it's not a medal that was awarded for valour or anything | 0:23:55 | 0:23:59 | |
-so 25 quid, so don't worry. -OK. -Let's move on. | 0:23:59 | 0:24:03 | |
Look at this lovely Scottish silver and agate pair of bracelets. | 0:24:03 | 0:24:09 | |
But they're beautiful. Scottish silver can be provincial. | 0:24:09 | 0:24:11 | |
Beautiful agate, of course from the Volvic stones. | 0:24:11 | 0:24:14 | |
Traditional jewellery is on the rise. | 0:24:14 | 0:24:16 | |
You know, the rise of patriotism and Scotland. | 0:24:16 | 0:24:19 | |
Wear your Scottish jewellery. | 0:24:19 | 0:24:21 | |
It's £240, believe it or not. | 0:24:21 | 0:24:25 | |
You look amazed. You thought that was a worthless lot, I reckon. | 0:24:25 | 0:24:28 | |
-I did, yes. -A bit of tat. -Oh, no. -I take real offence to that. | 0:24:28 | 0:24:33 | |
-Now the paintings. -The paintings, yes. | 0:24:35 | 0:24:37 | |
These are typically Victorian still-life paintings. | 0:24:37 | 0:24:41 | |
And are they a bit dated to our modern eyes? Yes, a little. | 0:24:41 | 0:24:45 | |
But are they in good condition? Yes. Are they signed? Yes. | 0:24:45 | 0:24:48 | |
And, in fact, the artist, Edwin Steele, | 0:24:48 | 0:24:51 | |
not only do they bear his signature, | 0:24:51 | 0:24:53 | |
but his signature style because he was known for his fruit. | 0:24:53 | 0:24:56 | |
We've got a pair. | 0:24:56 | 0:24:57 | |
He was known for his ripe fruits and we know that a pair | 0:24:57 | 0:25:00 | |
in the antiques trade is better | 0:25:00 | 0:25:02 | |
sometimes than a single item. | 0:25:02 | 0:25:04 | |
But how much would it cost you at auction? | 0:25:04 | 0:25:06 | |
£350. | 0:25:06 | 0:25:07 | |
So not worthless again, you know. | 0:25:07 | 0:25:11 | |
-The bell box. -Now, Steve, made yesterday, was it? | 0:25:11 | 0:25:16 | |
-Made yesterday. -Made yesterday? -I don't know! | 0:25:16 | 0:25:18 | |
-Came over in a container, did it? -I don't know. | 0:25:18 | 0:25:20 | |
That's why I am not sitting there. | 0:25:20 | 0:25:22 | |
You know, it's Chinese. I'm sure you noticed that straightaway. | 0:25:22 | 0:25:24 | |
In fact, it's branded, "Made in China." | 0:25:24 | 0:25:27 | |
But, you know, it does have a wee bit of age to it, this. | 0:25:27 | 0:25:29 | |
What I think it probably is, because it has no real use, | 0:25:29 | 0:25:32 | |
is kind of a rich person's plaything. | 0:25:32 | 0:25:35 | |
But not really serious in its use. | 0:25:35 | 0:25:38 | |
-But quite serious money. -Really? | 0:25:38 | 0:25:41 | |
Steve, your mother used to drag you around these antiques fairs | 0:25:41 | 0:25:45 | |
and she'd be saying, "Don't pick that up, it's valuable." | 0:25:45 | 0:25:49 | |
It's worth £700, believe it or not. | 0:25:49 | 0:25:52 | |
-So you let it go. -No! | 0:25:52 | 0:25:54 | |
Now, the artist's set. | 0:25:54 | 0:25:56 | |
This is Sampson Mordan - THE name | 0:25:56 | 0:25:59 | |
in one particular type of pencil | 0:25:59 | 0:26:01 | |
and I think, Steve, you knew this, the propelling pencil. | 0:26:01 | 0:26:04 | |
And that's exactly what you have here. But not one. | 0:26:04 | 0:26:07 | |
You've got a beautiful set specifically made for artists | 0:26:07 | 0:26:09 | |
on the move so it's just a lovely thing. | 0:26:09 | 0:26:12 | |
And to have that original leather outer case in such nice condition, | 0:26:12 | 0:26:17 | |
well, it's a rare thing. | 0:26:17 | 0:26:19 | |
And you've just let go of a £900 lot. | 0:26:19 | 0:26:22 | |
-OK, next. -Now this is a Lomo Zenith camera. | 0:26:22 | 0:26:27 | |
But this is an exciting camera. | 0:26:27 | 0:26:29 | |
Not only because all things photography have just exploded | 0:26:29 | 0:26:33 | |
in the younger market and it's younger people coming to auctions | 0:26:33 | 0:26:37 | |
looking for vintage cameras. | 0:26:37 | 0:26:39 | |
And a bit of a story to these cameras. | 0:26:39 | 0:26:41 | |
So small and compact they were, | 0:26:41 | 0:26:43 | |
-the Russian spies during the Cold War... -Oh, no. -..used to | 0:26:43 | 0:26:46 | |
tuck these into their coats and take little cheeky pictures. | 0:26:46 | 0:26:49 | |
-So it's got that real provenance to it. -Wow. | 0:26:49 | 0:26:53 | |
This one's got a broken winder so not in perfect condition. | 0:26:53 | 0:26:57 | |
Oh, imagine if it were in perfect condition. | 0:26:57 | 0:26:59 | |
NATASHA CHUCKLES | 0:26:59 | 0:27:01 | |
-This is today's worthless item. -Yes! -No. -You were right. | 0:27:01 | 0:27:05 | |
-Of course you were. -Anne knew that. Well done, Anne. | 0:27:05 | 0:27:08 | |
-The balloon mould. -Yes, very interesting. | 0:27:08 | 0:27:11 | |
We went through its history before but it is all wooden | 0:27:11 | 0:27:14 | |
and beautifully crafted. | 0:27:14 | 0:27:16 | |
And now a real conversation piece because what a cool thing to have. | 0:27:16 | 0:27:21 | |
It looks like a game perhaps at first. It looks almost torturous. | 0:27:21 | 0:27:25 | |
But it's got this lovely frivolous element to it, a balloon maker. | 0:27:25 | 0:27:29 | |
-It's worth £50. Don't worry! -I was getting really, really worried. | 0:27:30 | 0:27:34 | |
-Nice. -But that means we've got one left. -Ah! | 0:27:34 | 0:27:37 | |
And it's our table. It was by a designer called Robert Gillows. | 0:27:37 | 0:27:41 | |
What if I told you that Robert Gillows is credited for | 0:27:41 | 0:27:45 | |
bringing mahogany over from Jamaica to Britain for the very first time? | 0:27:45 | 0:27:51 | |
And here we have an 18th-century mahogany table, finished with a | 0:27:51 | 0:27:57 | |
chinoiserie decoration on top and an item like this in today's market... | 0:27:57 | 0:28:02 | |
Anne says it's not worth very much. Is that what you just mouthed to me? | 0:28:02 | 0:28:07 | |
Well, Anne, it's today's top lot. | 0:28:07 | 0:28:09 | |
-It's worth £2,500. -Wow! | 0:28:09 | 0:28:13 | |
-No? -Yes, it is, this wee table here, a wee tripod table. | 0:28:13 | 0:28:18 | |
Well, that is extraordinary, isn't it? | 0:28:18 | 0:28:20 | |
So the bottom lot and the top lot have left the game. | 0:28:20 | 0:28:23 | |
However, there are still some very interesting items still in play. | 0:28:23 | 0:28:27 | |
So, just two pairs of contestants left and before we go any further, | 0:28:27 | 0:28:32 | |
Natasha is going to give you one more fact about a lot of your choice. | 0:28:32 | 0:28:36 | |
Steve, what lot do you really need to know more about? | 0:28:36 | 0:28:40 | |
I would like to know more, please, about the fan. | 0:28:40 | 0:28:43 | |
It dates to the 18th century, the 1700s, in fact. Probably French. | 0:28:43 | 0:28:49 | |
And the sticks are made from nacre, better known as mother-of-pearl. | 0:28:49 | 0:28:53 | |
You all clocked that. | 0:28:53 | 0:28:54 | |
The panels on this example actually show hand-painted romantic mythical | 0:28:54 | 0:28:58 | |
scenes, also a popular choice. | 0:28:58 | 0:29:01 | |
But there is some minor staining to the back so what has it done | 0:29:01 | 0:29:05 | |
-to its value? -Hm, thank you. -Anne, this is your chance. | 0:29:05 | 0:29:10 | |
What would you like to know more about? | 0:29:10 | 0:29:12 | |
I think I'd like to know more about the hat, please. | 0:29:12 | 0:29:15 | |
The hat, please, Natasha. | 0:29:15 | 0:29:17 | |
The hat proved popular on the views so let me tell you more about it. | 0:29:17 | 0:29:21 | |
Hat dates to the very early 20th century. | 0:29:21 | 0:29:25 | |
20th century, around 1900, 1910. A classic design from the period. | 0:29:25 | 0:29:30 | |
Think of images you know of the time and you can almost picture it | 0:29:30 | 0:29:34 | |
on those suffragettes' heads. | 0:29:34 | 0:29:36 | |
In fact, the suffragettes even published adverts giving suggestions | 0:29:36 | 0:29:41 | |
of charming hats to wear during certain demonstrations. | 0:29:41 | 0:29:45 | |
How lovely is that? | 0:29:45 | 0:29:46 | |
So this represents a monumental period in history and fashion. | 0:29:46 | 0:29:51 | |
But is this reflected in its value? | 0:29:51 | 0:29:54 | |
Those are all the facts available to you | 0:29:54 | 0:29:56 | |
so it's now time for our final round. | 0:29:56 | 0:29:58 | |
And at the end of it, we will have our winners. | 0:29:58 | 0:30:01 | |
I'm going to give the quizzers a category. | 0:30:03 | 0:30:07 | |
They then take turns to say answers in that category. | 0:30:07 | 0:30:10 | |
For instance, if I say types of sandwiches, you might say BLT, Barry. | 0:30:10 | 0:30:16 | |
Tabitha, you might say cheese ploughman and then ham and so on, OK? | 0:30:16 | 0:30:21 | |
If you fail to give an answer, if you repeat an answer or give | 0:30:21 | 0:30:24 | |
a wrong answer, you lose that category and the opponent's picker | 0:30:24 | 0:30:28 | |
will be able to steal a lot from your collection. | 0:30:28 | 0:30:32 | |
Remember, it's the total value of your collections that matter | 0:30:32 | 0:30:35 | |
at the end of this round. | 0:30:35 | 0:30:36 | |
One high-priced lot could be more valuable than your opponent's | 0:30:36 | 0:30:40 | |
entire collection. There are three categories. | 0:30:40 | 0:30:43 | |
The pair with the most valuable collection at this point go first. | 0:30:43 | 0:30:47 | |
Natasha, who is that? | 0:30:47 | 0:30:48 | |
At the moment I can reveal that the team who has the more valuable | 0:30:48 | 0:30:52 | |
collection is... | 0:30:52 | 0:30:55 | |
Anne and Tabitha. Our ladies are in front. | 0:30:55 | 0:30:59 | |
-Not for long. -Oh! -Fighting talk. -Fighting talk, absolutely. | 0:30:59 | 0:31:04 | |
Let's go for it. | 0:31:04 | 0:31:05 | |
-Tabitha, you will kick us off. -OK. -The category is... | 0:31:05 | 0:31:10 | |
There are two notable exceptions where English is spoken | 0:31:15 | 0:31:18 | |
but not listed as an official language, therefore we will not | 0:31:18 | 0:31:22 | |
accept the USA or Australia. | 0:31:22 | 0:31:26 | |
Tabitha, give me an answer. | 0:31:26 | 0:31:28 | |
Ireland. | 0:31:29 | 0:31:31 | |
Correct. Barry. | 0:31:31 | 0:31:32 | |
United Kingdom. | 0:31:32 | 0:31:33 | |
Correct. Tabitha. | 0:31:33 | 0:31:35 | |
South Africa. | 0:31:37 | 0:31:38 | |
Correct. Barry. | 0:31:38 | 0:31:41 | |
I don't know if it is right. | 0:31:41 | 0:31:43 | |
Barbados and Jamaica. | 0:31:43 | 0:31:45 | |
-One or the other. -Ooh! | 0:31:45 | 0:31:47 | |
Barbados. | 0:31:49 | 0:31:51 | |
Correct. Tabitha. | 0:31:51 | 0:31:52 | |
I'm going to steal his answer | 0:31:54 | 0:31:55 | |
and go for Jamaica. | 0:31:55 | 0:31:56 | |
Correct. Barry. | 0:31:57 | 0:31:59 | |
Rhodesia. | 0:32:03 | 0:32:05 | |
-Barry, incorrect. -Oh! | 0:32:05 | 0:32:08 | |
Rhodesia is now Zimbabwe | 0:32:08 | 0:32:09 | |
-and that is on the list. -That is | 0:32:09 | 0:32:11 | |
what I was trying to think of. The name, it was just not coming. | 0:32:11 | 0:32:15 | |
I'm so sorry. You could have had Gibraltar, Cameroon, Kenya, Malta. | 0:32:15 | 0:32:22 | |
Anne's looking really quite... | 0:32:22 | 0:32:23 | |
Oh, well, what do you want from their collection then, Anne? | 0:32:23 | 0:32:27 | |
-The casket, please. -The casket, it's yours. Well done. | 0:32:27 | 0:32:33 | |
-Barry. -OK. -Second category of three. This is yours to start. | 0:32:33 | 0:32:38 | |
So that is characters mentioned by name ten times or more. | 0:32:40 | 0:32:45 | |
Barry, give me an answer. | 0:32:45 | 0:32:47 | |
Gandalf. | 0:32:47 | 0:32:49 | |
Correct. Tabitha. | 0:32:49 | 0:32:50 | |
Bilbo Baggins. | 0:32:52 | 0:32:53 | |
Correct. Barry. | 0:32:53 | 0:32:55 | |
Gollum. | 0:32:55 | 0:32:57 | |
Correct. Tabitha. | 0:32:57 | 0:32:59 | |
Sam. | 0:32:59 | 0:33:01 | |
Incorrect. Sam is in the Lord Of The Rings, | 0:33:01 | 0:33:04 | |
not The Hobbit. | 0:33:04 | 0:33:05 | |
You could have had Bard, Nori, William, so many. | 0:33:05 | 0:33:11 | |
Steve, what are you going to steal? | 0:33:11 | 0:33:14 | |
-The music box, please. -The music box. And here it comes. | 0:33:14 | 0:33:18 | |
-Anne, does that hurt? -No. -Oh! -Get it back in a minute. | 0:33:18 | 0:33:22 | |
THEY LAUGH | 0:33:22 | 0:33:25 | |
-I like it. -Good answer. | 0:33:25 | 0:33:27 | |
All right, this is our third and final category question. | 0:33:27 | 0:33:31 | |
It is Tabitha to go first and here it is. | 0:33:31 | 0:33:34 | |
Between 1952 and 2014. | 0:33:39 | 0:33:43 | |
Tabitha, would you give me an answer, please? | 0:33:43 | 0:33:45 | |
Wizard. | 0:33:47 | 0:33:49 | |
Incorrect, Tabitha. | 0:33:49 | 0:33:51 | |
Are you thinking of I Wish It Could Be Christmas Every Day? | 0:33:51 | 0:33:55 | |
-I was, yes. -Unbelievably, that was released five times in five different | 0:33:55 | 0:34:01 | |
Christmases and it never got to number one. | 0:34:01 | 0:34:04 | |
You could have had The Beatles, Slade, West Life. | 0:34:04 | 0:34:09 | |
Steve doesn't care. LAUGHTER | 0:34:09 | 0:34:13 | |
What would you like, Steve? | 0:34:13 | 0:34:15 | |
-I'd like to have, please, back the casket. -It's yours. -Yes. | 0:34:15 | 0:34:21 | |
That is it. Your collections are now fixed and will determine | 0:34:21 | 0:34:24 | |
which team is victorious. | 0:34:24 | 0:34:26 | |
It's time to find out who are today's winners. | 0:34:26 | 0:34:29 | |
Natasha, who has got the most valuable collection? | 0:34:29 | 0:34:32 | |
The team with a more valuable collection | 0:34:32 | 0:34:35 | |
and therefore the winners... | 0:34:35 | 0:34:37 | |
It's Steve and Barry. | 0:34:42 | 0:34:43 | |
-Well done. Commiserations, Anne and Tabitha. -Many congratulations. | 0:34:46 | 0:34:51 | |
Commiserations, however, to Anne and Tabitha. | 0:34:51 | 0:34:54 | |
But before we say goodbye to you, let's find out what items | 0:34:54 | 0:34:57 | |
are also leaving the game and how much they are worth. | 0:34:57 | 0:35:00 | |
So, Natasha, what did you make of their hat? | 0:35:00 | 0:35:03 | |
Oh, I love the hat, it's so stylish. | 0:35:03 | 0:35:05 | |
It's not just for dressing up, it's a bit of history too | 0:35:05 | 0:35:09 | |
so quite exciting. | 0:35:09 | 0:35:10 | |
And to have that suffragette association at this time, | 0:35:10 | 0:35:14 | |
-a century on... -120 quid. | 0:35:14 | 0:35:17 | |
£125, Steve, well done. | 0:35:17 | 0:35:20 | |
Yes, he knows his stuff. And then we talked about that delicious fan. | 0:35:20 | 0:35:25 | |
It's beautiful. It's sturdy yet alluring and fragile. | 0:35:25 | 0:35:30 | |
Now, who could resist the allure of a fan? | 0:35:30 | 0:35:32 | |
It just does wonders for a look. It does a lot to your bank balance too. | 0:35:32 | 0:35:38 | |
It makes a huge dent. | 0:35:38 | 0:35:40 | |
£1,200. | 0:35:40 | 0:35:41 | |
-Ta-da! -Well spotted. -Well done. -Well spotted. | 0:35:41 | 0:35:44 | |
And the final lot in there is the magician's sash. | 0:35:44 | 0:35:48 | |
Yeah, the magician's sash with the paste on the front, | 0:35:48 | 0:35:51 | |
it really added that dazzle. | 0:35:51 | 0:35:53 | |
We know that all things magical have real value | 0:35:53 | 0:35:56 | |
if we can relate them to a specific magician and here we can. | 0:35:56 | 0:36:00 | |
£500. £500, that's the price. | 0:36:00 | 0:36:04 | |
So the total value of Tabitha and Anne's collection was... | 0:36:04 | 0:36:08 | |
£1,825. | 0:36:08 | 0:36:11 | |
-Well done, ladies. -Very good. That's excellent. -Yeah. | 0:36:11 | 0:36:15 | |
Tabitha and Anne, thank you so much. | 0:36:15 | 0:36:17 | |
It is however time to bring the hammer down on your collection, | 0:36:17 | 0:36:20 | |
I'm afraid, but thank you for playing For What It's Worth. | 0:36:20 | 0:36:22 | |
-BOTH: -Thank you. | 0:36:22 | 0:36:24 | |
We didn't expect to get this far though, did we? | 0:36:25 | 0:36:27 | |
No, I'm not disappointed at all. | 0:36:27 | 0:36:29 | |
-I'm absolutely delighted we made it through. -Yeah. | 0:36:29 | 0:36:32 | |
It just goes to show really my mum is always right and I'm not | 0:36:32 | 0:36:36 | |
and I should listen to her more often. And she'll probably agree. | 0:36:36 | 0:36:39 | |
-Can I get that in writing? -No. | 0:36:39 | 0:36:41 | |
Well done, Barry and Steve. | 0:36:44 | 0:36:46 | |
You did a good job there and you built the most valuable collection. | 0:36:46 | 0:36:49 | |
You are today's winners. | 0:36:49 | 0:36:51 | |
But now, all that remains is for you to pick one lot | 0:36:51 | 0:36:54 | |
from your collection and we will give you its value in cash. | 0:36:54 | 0:36:58 | |
So, you know you've got to try and find the one that is most valuable. | 0:36:58 | 0:37:03 | |
I like the casket after hearing all the information about it. | 0:37:03 | 0:37:06 | |
-I think the casket is quite lovely. -That may be worth... | 0:37:06 | 0:37:09 | |
-Cos that cold painted bronze... -Is very lovely. -..but I don't think | 0:37:09 | 0:37:13 | |
it's worth as much as the casket. | 0:37:13 | 0:37:15 | |
There's only 12 hours on the music box and I know | 0:37:15 | 0:37:17 | |
that the music box is more valuable, the more hours. | 0:37:17 | 0:37:19 | |
Yes, it is. But the actual music box is worth between 600 and 800. | 0:37:19 | 0:37:26 | |
-Yeah. -I'm going to go with the casket. | 0:37:26 | 0:37:28 | |
Cos the vase is only worth £250-£300. | 0:37:28 | 0:37:34 | |
-Happy? -Casket. Done? -Sorted. | 0:37:34 | 0:37:36 | |
So your chosen lot is...the casket. And there it is. | 0:37:39 | 0:37:45 | |
Right, before we tell you what that's worth, | 0:37:45 | 0:37:48 | |
Natasha's going to tell us the value of the lots you've rejected. Natasha. | 0:37:48 | 0:37:52 | |
-You particularly liked this one, Steve, didn't you? -I did. | 0:37:52 | 0:37:55 | |
It's an inkwell and it's got that real novel factor. | 0:37:55 | 0:37:57 | |
It's cold painted, it's Austrian, it's late 19th-century | 0:37:57 | 0:38:02 | |
-but it's only worth £180. -Is that all? | 0:38:02 | 0:38:04 | |
-So you weren't too far off. -Wow. -OK. The vase. | 0:38:04 | 0:38:09 | |
-Come on, Steve, tell us, who's the designer? -It's Geoffrey Baxter. | 0:38:09 | 0:38:14 | |
Yes, absolutely. | 0:38:14 | 0:38:16 | |
This is from the Texture range of 1969 | 0:38:16 | 0:38:19 | |
and texture is what Geoffrey Baxter added to these moulds by adding | 0:38:19 | 0:38:23 | |
things like nails and bark and wire, | 0:38:23 | 0:38:25 | |
and not knowing what the finished look would be. | 0:38:25 | 0:38:29 | |
But it was so popular and these were so collected. | 0:38:29 | 0:38:32 | |
And Geoffrey Baxter is a name that has a place in history | 0:38:32 | 0:38:36 | |
and you can't put a price on that. | 0:38:36 | 0:38:38 | |
But we did. | 0:38:38 | 0:38:39 | |
£400. | 0:38:39 | 0:38:40 | |
-I said that, didn't I? 3 to 5. -Absolutely right. | 0:38:40 | 0:38:44 | |
-The music box. -Yes. And this is a lovely music box. | 0:38:44 | 0:38:48 | |
This is a branded one, we know who the maker was. | 0:38:48 | 0:38:50 | |
Swiss made around 1890. So not British Victorian but from that era. | 0:38:50 | 0:38:56 | |
It's got those lovely tuned steel comb teeth. | 0:38:56 | 0:39:00 | |
And those are what are plucked by the cylinders when they turn, | 0:39:00 | 0:39:04 | |
creating that lovely musical sound. | 0:39:04 | 0:39:06 | |
It's a Victorian diversion at its peak, really. | 0:39:06 | 0:39:09 | |
It's in nice condition too. | 0:39:09 | 0:39:11 | |
£600 is what we said, so very well done. | 0:39:11 | 0:39:15 | |
-Nice one. -Very good. | 0:39:15 | 0:39:16 | |
Steve and Barry, I want you to come and join me now | 0:39:16 | 0:39:19 | |
to take a closer look at your casket | 0:39:19 | 0:39:23 | |
and see if we can tempt you with the mystery lot which may be worth more. | 0:39:23 | 0:39:27 | |
-Now, is that looking even more beautiful to you now? -It is. | 0:39:29 | 0:39:32 | |
-It is now that I've had all the extra info, it's lovely. -Mm. | 0:39:32 | 0:39:37 | |
But before we tell you its value, we are going to tempt you | 0:39:37 | 0:39:40 | |
with today's mystery lot. | 0:39:40 | 0:39:43 | |
-OK, gentlemen, cast your eyes on this. -Oh. | 0:39:43 | 0:39:47 | |
OK. So, this is a 19th-century wooden beaker. | 0:39:47 | 0:39:51 | |
We know that because it says 1855 on | 0:39:51 | 0:39:53 | |
the front and it's a wooden beaker. | 0:39:53 | 0:39:56 | |
It's from Scutari Military Hospital. | 0:39:56 | 0:39:59 | |
That's in the Crimea. | 0:39:59 | 0:40:00 | |
And it is inscribed and dated 1855 | 0:40:02 | 0:40:05 | |
by one of the patients of the hospital. | 0:40:05 | 0:40:07 | |
Now, the Scutari Hospital is famous for one nurse in the Crimean War. | 0:40:08 | 0:40:15 | |
The lady with the lamp, Florence Nightingale. | 0:40:15 | 0:40:18 | |
This did not belong to Florence Nightingale | 0:40:18 | 0:40:21 | |
but it was a personal beaker of a resident of the hospital at the time | 0:40:21 | 0:40:25 | |
when Florence Nightingale did work there. | 0:40:25 | 0:40:28 | |
But still, does that fact elevate this simple little beaker into | 0:40:28 | 0:40:33 | |
something of historical significance and therefore historical value? | 0:40:33 | 0:40:40 | |
See now, with this, right, they say about provenance is everything. | 0:40:41 | 0:40:47 | |
-Yeah. -But that hasn't got anything to back it up. | 0:40:47 | 0:40:50 | |
And who would it appeal to? Not many collectors. | 0:40:50 | 0:40:54 | |
Collectors of militaria. | 0:40:54 | 0:40:56 | |
People are into the Crimea and I know there are a lot of collectors | 0:40:56 | 0:40:59 | |
of Crimea artefacts and that is a very big thing. | 0:40:59 | 0:41:02 | |
My dad was quite into it, I seem to remember. | 0:41:02 | 0:41:04 | |
If it's worth a lot and I...and we pick that, not I... WE pick that. | 0:41:04 | 0:41:09 | |
-..you can... -OK. -..give me a kick. | 0:41:10 | 0:41:12 | |
Well, boys, all that's left is for you to make your final decision, | 0:41:12 | 0:41:16 | |
whether to stick with the casket or dump it in favour of today's | 0:41:16 | 0:41:20 | |
-mystery lot. What would you like to do? -We'll go for the casket. Agreed? | 0:41:20 | 0:41:26 | |
-Casket is done. -Casket, it is. -You won't hurt me? | 0:41:26 | 0:41:29 | |
That means you have won it's worth in cold hard cash. | 0:41:29 | 0:41:33 | |
-So, Natasha, please tell us what they have thrown away. -I am amazed. | 0:41:33 | 0:41:38 | |
-I told you exactly where this came from. -Oh, no. | 0:41:38 | 0:41:41 | |
I can't tell you exactly to whom it belonged | 0:41:41 | 0:41:43 | |
but I can tell you who was around when it was inscribed. | 0:41:43 | 0:41:47 | |
Something that may even have been topped up by Florence Nightingale. | 0:41:47 | 0:41:52 | |
-You're just making that bit up! -Yeah, she is but it's good. | 0:41:52 | 0:41:55 | |
-Carry on, yes. -You've given away the beaker. | 0:41:55 | 0:41:59 | |
-Oh, no, mate. -And the beaker was worth... | 0:41:59 | 0:42:02 | |
£1,000. | 0:42:02 | 0:42:04 | |
-Wow. -Sorry, mate. Sorry. | 0:42:04 | 0:42:07 | |
-That would have been £500 each! -Doesn't totally surprise me. | 0:42:07 | 0:42:11 | |
Barry knew it and your dad was into this stuff. | 0:42:11 | 0:42:13 | |
Oh, maybe you should have gone with your gut. | 0:42:13 | 0:42:15 | |
-Should have gone with my heart. -Uh, not yet. | 0:42:15 | 0:42:17 | |
We need to find out. He doesn't give you a kick up the pants | 0:42:17 | 0:42:20 | |
until we know what this is worth. Natasha. | 0:42:20 | 0:42:22 | |
Well, that kick might be coming, Fern. Deep breaths, deep breaths. | 0:42:22 | 0:42:25 | |
I've described it you, I've teased you with it. | 0:42:25 | 0:42:29 | |
You've won the cash equivalent of this casket. | 0:42:29 | 0:42:32 | |
And it might not be a precious metal but it weighs in at... | 0:42:32 | 0:42:37 | |
£1,800! | 0:42:37 | 0:42:38 | |
CHEERING | 0:42:38 | 0:42:40 | |
Whoo! | 0:42:40 | 0:42:41 | |
Congratulations. So, today, | 0:42:43 | 0:42:45 | |
Steve and Barry, you are going home with £1,800. | 0:42:45 | 0:42:49 | |
-Wow! -Not a bad day's work. -Nice one, son. | 0:42:49 | 0:42:52 | |
-Thank you so much for lending us your expertise, Natasha. -Pleasure. | 0:42:52 | 0:42:55 | |
And we look forward to seeing you again soon. | 0:42:55 | 0:42:57 | |
Join us again soon when more teams will be playing For What It's Worth. | 0:42:57 | 0:43:01 | |
We will see you then. Bye-bye. | 0:43:01 | 0:43:02 | |
Congratulations. That was superb. | 0:43:02 | 0:43:05 | |
Yeah, I did give him, like, as in a kiss on the head at one point | 0:43:07 | 0:43:11 | |
but he also got a slap so it was a bit of a, like, 50-50 thing. | 0:43:11 | 0:43:14 | |
But, overall, I was ever so chuffed with him. He did a good job. | 0:43:14 | 0:43:19 | |
We both went with our guts and it completely worked out | 0:43:19 | 0:43:21 | |
for the pair of us and I'm really happy with that. | 0:43:21 | 0:43:23 | |
-Yeah, we did well, didn't we? -We did. -A good job. | 0:43:23 | 0:43:25 | |
Well done, mate. Nice one. | 0:43:25 | 0:43:26 |