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Hello and welcome to For What It's Worth - | 0:00:15 | 0:00:18 | |
the show that brings new meaning to Q and A - | 0:00:18 | 0:00:21 | |
quiz and antiques. | 0:00:21 | 0:00:22 | |
We have three pairs of contestants and they're ready to play. | 0:00:22 | 0:00:26 | |
In each team, there's a quizzer, | 0:00:26 | 0:00:27 | |
responsible for answering general knowledge questions, | 0:00:27 | 0:00:30 | |
so that their partner, the picker, can choose an antique item | 0:00:30 | 0:00:33 | |
to add to their collection. | 0:00:33 | 0:00:35 | |
We have 16 different antiques and collectables, | 0:00:35 | 0:00:38 | |
and here they are. | 0:00:38 | 0:00:40 | |
We have... | 0:00:40 | 0:00:42 | |
a sack... | 0:00:42 | 0:00:43 | |
a fan... | 0:00:43 | 0:00:45 | |
a chair... | 0:00:45 | 0:00:47 | |
a toy... | 0:00:47 | 0:00:49 | |
a sauce boat... | 0:00:49 | 0:00:51 | |
a coin... | 0:00:51 | 0:00:53 | |
a tool... | 0:00:53 | 0:00:54 | |
a penwiper... | 0:00:54 | 0:00:56 | |
a brooch... | 0:00:57 | 0:00:58 | |
a case... | 0:00:58 | 0:01:00 | |
a statue... | 0:01:00 | 0:01:01 | |
a postcard... | 0:01:01 | 0:01:03 | |
a cabinet... | 0:01:04 | 0:01:06 | |
a stamped envelope... | 0:01:06 | 0:01:07 | |
a pocket watch... | 0:01:08 | 0:01:09 | |
and a bat. | 0:01:10 | 0:01:12 | |
They're all very different things | 0:01:12 | 0:01:13 | |
with very different values. | 0:01:13 | 0:01:15 | |
One is worthless, it's worth less than £10, or so. | 0:01:15 | 0:01:18 | |
And the rest increase in value up to our top lot, | 0:01:18 | 0:01:21 | |
which is worth a whopping £2,500. | 0:01:21 | 0:01:24 | |
And that is a lot to spot because at the end of the show, | 0:01:24 | 0:01:28 | |
the winning pair will walk away with the cash equivalent | 0:01:28 | 0:01:31 | |
of one of these items. | 0:01:31 | 0:01:32 | |
The aim of the game is to amass the most valuable collection. | 0:01:32 | 0:01:36 | |
First up today, we meet Patsy and Mandy, | 0:01:36 | 0:01:40 | |
stepmum and stepdaughter from Stockport. | 0:01:40 | 0:01:42 | |
Welcome to the show, Patsy and Mandy. | 0:01:42 | 0:01:45 | |
Patsy, you will be doing the antiques picking on behalf of your team today. | 0:01:45 | 0:01:50 | |
Do you have any particular areas of expertise? | 0:01:50 | 0:01:53 | |
I do like Art Deco and I particularly like | 0:01:53 | 0:01:55 | |
the perfume bottles from that period, the glass ones. | 0:01:55 | 0:01:59 | |
I tend to drift to that period, yeah. | 0:01:59 | 0:02:01 | |
Very nice. | 0:02:01 | 0:02:02 | |
Well, you're next to your stepdaughter, Mandy. Hello, Mandy. | 0:02:02 | 0:02:05 | |
-Hello. -So, what's your best find? | 0:02:05 | 0:02:07 | |
Quite an interesting find. It was a coin that I came across. | 0:02:07 | 0:02:11 | |
I can't remember the date of it. | 0:02:11 | 0:02:13 | |
1897 or 1907, but it was a certificate of an examination board | 0:02:13 | 0:02:18 | |
for cotton-spinning and it was awarded to a particular gentleman | 0:02:18 | 0:02:22 | |
and it's engraved around the coin. | 0:02:22 | 0:02:25 | |
I've never got it valued. | 0:02:25 | 0:02:26 | |
It's probably nothing, but it's quite an interesting little find. | 0:02:26 | 0:02:29 | |
Well, I think you should get that valued. It does sound good. | 0:02:29 | 0:02:32 | |
-Well, welcome to the show, ladies. -Thank you. -Thank you very much indeed. | 0:02:32 | 0:02:35 | |
Now, next to you we have team number two, Nina and Jeremy, | 0:02:35 | 0:02:38 | |
husband and wife from Kent. Lovely to have you here. | 0:02:38 | 0:02:41 | |
Now, Nina, you are the picker. | 0:02:41 | 0:02:43 | |
What has been your proudest antique purchase to date? | 0:02:43 | 0:02:47 | |
A black leather handbag. | 0:02:47 | 0:02:49 | |
We went to Bromley Antiques Market and it just caught my eye | 0:02:49 | 0:02:56 | |
and when we asked the lady how old it was, | 0:02:56 | 0:03:00 | |
-she said, 20 years...then. -Yeah, yeah. | 0:03:00 | 0:03:02 | |
Oh, right. So, is it a sort of 1970s bag? | 0:03:02 | 0:03:06 | |
'60s, '50s. | 0:03:06 | 0:03:07 | |
-But I've kept it. -Yes, exactly. | 0:03:07 | 0:03:09 | |
And next to you is your husband Jeremy. | 0:03:09 | 0:03:11 | |
Jeremy, you're going to be the quizzer on your team. | 0:03:11 | 0:03:14 | |
So, have you got faith in Nina's ability to make | 0:03:14 | 0:03:17 | |
some very good decisions? SHE LAUGHS | 0:03:17 | 0:03:19 | |
Maybe not? | 0:03:19 | 0:03:20 | |
Oh, yes, yes. Most definitely, most definitely. | 0:03:20 | 0:03:24 | |
I always bow to her superior knowledge. | 0:03:24 | 0:03:27 | |
No, you don't. | 0:03:27 | 0:03:29 | |
SHE LAUGHS | 0:03:29 | 0:03:31 | |
OK, and last but not least, we have brothers, Jonathan and Adam. | 0:03:31 | 0:03:35 | |
Welcome to the show, gentlemen. | 0:03:35 | 0:03:37 | |
Jonathan, you're the picker, and I hear you have a bit of a thing | 0:03:37 | 0:03:40 | |
for the 1940s. | 0:03:40 | 0:03:41 | |
Yes, that's correct, Fern. | 0:03:41 | 0:03:43 | |
Me and my wife like to go to 1940s dances with the big bands. | 0:03:43 | 0:03:46 | |
Do you jitterbug and all that? | 0:03:46 | 0:03:48 | |
I've got two left feet, so I need to go to dancing lessons really. | 0:03:48 | 0:03:51 | |
Wow, how lovely. Well, next to you is your brother who thinks he's | 0:03:51 | 0:03:54 | |
a bit of a Justin Bieber lookalike, I think. | 0:03:54 | 0:03:57 | |
This is Adam. Adam will be doing the quizzing for your team today. | 0:03:57 | 0:04:00 | |
So, has your big brother given you a team talk? | 0:04:00 | 0:04:03 | |
We're often really competitive at home | 0:04:03 | 0:04:05 | |
and we like to test each other's knowledge, | 0:04:05 | 0:04:07 | |
give each other little facts and stuff, so we've imparted quite a lot | 0:04:07 | 0:04:10 | |
of knowledge on each other over the years. | 0:04:10 | 0:04:12 | |
He's also just said, "Trust my knowledge, | 0:04:12 | 0:04:15 | |
I've got a degree behind me, so I should be all right." | 0:04:15 | 0:04:17 | |
Very good. Well, welcome, all three teams. | 0:04:17 | 0:04:19 | |
We're looking forward to playing the game, so... | 0:04:19 | 0:04:22 | |
Earlier, our teams inspected the lots, | 0:04:22 | 0:04:24 | |
but could they separate the gems from the junk? | 0:04:24 | 0:04:27 | |
Oh, look at it! | 0:04:30 | 0:04:32 | |
Wow. | 0:04:32 | 0:04:34 | |
Which way? | 0:04:34 | 0:04:35 | |
-Right, shall we start over here? -Yep, that's fine. | 0:04:35 | 0:04:37 | |
Looks really delicate, doesn't it? | 0:04:37 | 0:04:39 | |
It's a beautiful picture that. | 0:04:39 | 0:04:41 | |
Is that Mother of Pearl? | 0:04:41 | 0:04:42 | |
18th or 19th century? | 0:04:43 | 0:04:45 | |
No, I hate that sort of thing. | 0:04:45 | 0:04:47 | |
-This we don't think's worth a lot at all, do we? -No, no. | 0:04:47 | 0:04:51 | |
-I think the coin... Potentially top five. -Yep. | 0:04:51 | 0:04:54 | |
1642... 49. | 0:04:54 | 0:04:56 | |
I think Newark was part of the civil war. | 0:04:56 | 0:04:59 | |
What a strange thing. | 0:05:01 | 0:05:02 | |
It's hard to gauge, isn't it, the bat? | 0:05:02 | 0:05:04 | |
It says a bat. What sort of bat would that have been? | 0:05:04 | 0:05:07 | |
Probably a shuttlecock. | 0:05:07 | 0:05:08 | |
It looks like something that may have been done | 0:05:09 | 0:05:11 | |
as a comical postcard. | 0:05:11 | 0:05:13 | |
I like the subject. | 0:05:13 | 0:05:15 | |
-It's not heavy. -No, it's not heavy, is it? | 0:05:17 | 0:05:19 | |
-It's going to be silver, isn't it? -Yeah. | 0:05:19 | 0:05:21 | |
Bet it's heavy as well. | 0:05:21 | 0:05:23 | |
He's nice, but I don't think he's worth loads of money. | 0:05:24 | 0:05:28 | |
I mean, that kind of thing, they were using 100... 150 years ago. | 0:05:28 | 0:05:32 | |
People probably would like one of these in their office these days. | 0:05:32 | 0:05:37 | |
It looks like it might have been produced to show what | 0:05:37 | 0:05:39 | |
the sacks look like. | 0:05:39 | 0:05:40 | |
So, more of an ornament than it would have been used. | 0:05:40 | 0:05:43 | |
It would have been on a wall hanging. | 0:05:43 | 0:05:46 | |
If it was really, really valuable, | 0:05:46 | 0:05:48 | |
I would've thought it would've had a safety chain. | 0:05:48 | 0:05:51 | |
-This is the tricky one. -Yeah. It's hard to value, isn't it? | 0:05:51 | 0:05:54 | |
I think it's gold-plated. | 0:05:54 | 0:05:56 | |
You put your coins in there. | 0:05:56 | 0:05:58 | |
-Coins. -Coin case. | 0:05:58 | 0:06:00 | |
-Solid silver. -Yeah. | 0:06:00 | 0:06:01 | |
Oh, I know nothing about watches! | 0:06:03 | 0:06:05 | |
They're quite collectable now as well, aren't they? | 0:06:05 | 0:06:08 | |
It's inscribed... Latin. | 0:06:08 | 0:06:10 | |
-I thought you knew Latin? -Yes, yes, but I failed my O-level. | 0:06:10 | 0:06:13 | |
SHE LAUGHS | 0:06:13 | 0:06:15 | |
And is it teeth or nails? | 0:06:15 | 0:06:18 | |
-Oh, look at those! -False teeth! -Oh! | 0:06:18 | 0:06:20 | |
SHE LAUGHS | 0:06:20 | 0:06:23 | |
I'm just wondering if it was a real stamp or just a stamp. | 0:06:24 | 0:06:28 | |
It's a one penny stamp, so it's going to be, you know, old. | 0:06:28 | 0:06:32 | |
My dad would like these. He collects his little toys, doesn't he? | 0:06:34 | 0:06:37 | |
It's not in bad condition. | 0:06:37 | 0:06:39 | |
I wouldn't have thought that was worth a lot of money. | 0:06:39 | 0:06:43 | |
It's all engraved here, so it's nice. | 0:06:43 | 0:06:46 | |
I think, again, that's probably your everyday, sort of, generic item. | 0:06:46 | 0:06:49 | |
It's oak. | 0:06:51 | 0:06:52 | |
It's almost like a child's chair, isn't it? | 0:06:52 | 0:06:54 | |
This is quite good condition considering it could be | 0:06:54 | 0:06:57 | |
potentially quite old. | 0:06:57 | 0:06:58 | |
I'll try the stamp. | 0:06:58 | 0:07:00 | |
The Penny Black. | 0:07:00 | 0:07:01 | |
Silver sovereign box. | 0:07:01 | 0:07:03 | |
Civil war coin. | 0:07:03 | 0:07:04 | |
-BOTH: -The coin. -Yep. | 0:07:04 | 0:07:06 | |
-Probably the fan. -The fan. | 0:07:06 | 0:07:08 | |
The money case. | 0:07:08 | 0:07:10 | |
And the case. | 0:07:10 | 0:07:11 | |
-Very interesting. -It is. -Very interesting stuff. | 0:07:11 | 0:07:15 | |
Nina, that was quite a reaction when you pulled out that drawer | 0:07:17 | 0:07:21 | |
and saw the false teeth. | 0:07:21 | 0:07:22 | |
Have you got a thing about false teeth? | 0:07:22 | 0:07:24 | |
SHE LAUGHS | 0:07:24 | 0:07:26 | |
I was thinking to myself, "What on earth is that?" | 0:07:26 | 0:07:28 | |
THEY LAUGH | 0:07:28 | 0:07:30 | |
Oh, we're going to have fun today, aren't we? | 0:07:30 | 0:07:33 | |
Well, joining us is our resident antiques expert Charles. | 0:07:33 | 0:07:36 | |
Charles, a lot of people want to know how we arrive | 0:07:36 | 0:07:38 | |
at the value of these lots. So, how do you work that out? | 0:07:38 | 0:07:41 | |
The values, Fern, have been agreed by me | 0:07:41 | 0:07:43 | |
and an independent valuer based on their hammer auction price. | 0:07:43 | 0:07:48 | |
Excellent, OK. That sounds fair enough. | 0:07:48 | 0:07:50 | |
Well, as well as those little treasures, we have our | 0:07:50 | 0:07:53 | |
mystery lot which is hidden under | 0:07:53 | 0:07:55 | |
the shroud of mystery. | 0:07:55 | 0:07:57 | |
That mystery lot could be worth thousands or it could be worth... | 0:07:57 | 0:08:00 | |
-Well, just a few pence really. -Absolutely. | 0:08:00 | 0:08:02 | |
But we will unveil it later, but for now it is time for Round One. | 0:08:02 | 0:08:06 | |
I'm going to ask you ten general knowledge questions. | 0:08:09 | 0:08:11 | |
Quizzers, if you buzz in with a correct answer, | 0:08:11 | 0:08:13 | |
your picker will get to add a lot to your collection. | 0:08:13 | 0:08:17 | |
But beware, because if you buzz in incorrectly, | 0:08:17 | 0:08:19 | |
you'll be frozen out of the next question. | 0:08:19 | 0:08:22 | |
Quizzers, it's up to you to give your team a chance to pick | 0:08:22 | 0:08:25 | |
the good stuff first. | 0:08:25 | 0:08:27 | |
So, fingers on buzzers and question number one. | 0:08:27 | 0:08:30 | |
Which presenting duo first appeared on screen together | 0:08:30 | 0:08:33 | |
in Byker Grove? | 0:08:33 | 0:08:34 | |
Yes, Mandy? | 0:08:34 | 0:08:35 | |
Ant and Dec? | 0:08:35 | 0:08:36 | |
It was Ant and Dec. Correct. | 0:08:36 | 0:08:38 | |
Patsy, what would you like from the board? | 0:08:38 | 0:08:42 | |
I'd like the stamped envelope, please. | 0:08:42 | 0:08:44 | |
The stamped envelope. | 0:08:44 | 0:08:45 | |
That is whizzing over to your collection. | 0:08:45 | 0:08:48 | |
Question number two. | 0:08:48 | 0:08:49 | |
Who won a Best Actress Academy Award for her performance | 0:08:49 | 0:08:53 | |
in Roman Holiday? | 0:08:53 | 0:08:54 | |
Yes, Jeremy? | 0:08:56 | 0:08:58 | |
Audrey Hepburn. | 0:08:58 | 0:09:00 | |
It was Audrey Hepburn. Excellent. Nina, your chance to pick something. | 0:09:00 | 0:09:04 | |
-The coin. -The coin. | 0:09:04 | 0:09:07 | |
OK, it's coming over to your collection. | 0:09:07 | 0:09:09 | |
Question number three. | 0:09:11 | 0:09:12 | |
Which US mountain famously features carvings | 0:09:12 | 0:09:16 | |
of four US presidents? | 0:09:16 | 0:09:18 | |
Yes, Adam? | 0:09:18 | 0:09:19 | |
Mount Rushmore. | 0:09:19 | 0:09:21 | |
Correct, it is Mount Rushmore. | 0:09:21 | 0:09:22 | |
Jonathan, what are you going to choose? | 0:09:22 | 0:09:24 | |
-Could we have the fan, please? -The fan. | 0:09:24 | 0:09:26 | |
It's yours. | 0:09:26 | 0:09:28 | |
Question number four. | 0:09:28 | 0:09:29 | |
In 2013, which singer had a UK number one with Happy? | 0:09:29 | 0:09:35 | |
-Yes, Adam? -Pharrell Williams. | 0:09:35 | 0:09:37 | |
It was Pharrell Williams. Good. | 0:09:37 | 0:09:38 | |
-Jonathan, what are you going to pick? -Could we have the case, please? | 0:09:38 | 0:09:42 | |
The case. It's yours. | 0:09:42 | 0:09:45 | |
Question number five. | 0:09:45 | 0:09:47 | |
In the 1980s, which player won six consecutive Wimbledon singles titles? | 0:09:47 | 0:09:52 | |
Yes, Adam? | 0:09:52 | 0:09:53 | |
Bjorn Borg. | 0:09:53 | 0:09:55 | |
No! You're frozen out of the next question. | 0:09:55 | 0:09:58 | |
It is Martina Navratilova. | 0:09:58 | 0:10:00 | |
In fact, she won nine titles altogether, I think, | 0:10:00 | 0:10:02 | |
but six consecutively. | 0:10:02 | 0:10:04 | |
Question number six. | 0:10:04 | 0:10:05 | |
First appearing in | 0:10:05 | 0:10:07 | |
Twenty Thousand Leagues Under The Sea, | 0:10:07 | 0:10:08 | |
who captained the fictional submarine, the Nautilus? | 0:10:08 | 0:10:11 | |
Ooh, they're looking puzzled. | 0:10:14 | 0:10:16 | |
I need to press for an answer. | 0:10:16 | 0:10:18 | |
Nope? It's Captain Nemo. | 0:10:18 | 0:10:20 | |
You are now back in play, Jonathan and Adam. | 0:10:21 | 0:10:23 | |
Question number seven. | 0:10:23 | 0:10:25 | |
Which meat is usually used to make a cottage pie? | 0:10:25 | 0:10:29 | |
Yes, Mandy? | 0:10:29 | 0:10:30 | |
-Minced beef. -It is beef, well done. | 0:10:30 | 0:10:32 | |
Right, Patsy, your go. | 0:10:32 | 0:10:34 | |
The pocket watch, please. | 0:10:34 | 0:10:36 | |
The pocket watch, it's yours. | 0:10:36 | 0:10:38 | |
Question eight. | 0:10:38 | 0:10:40 | |
The Water Lily Pond is a famous work by... | 0:10:40 | 0:10:42 | |
Adam? | 0:10:42 | 0:10:43 | |
Claude Monet. | 0:10:43 | 0:10:45 | |
Correct, well done. | 0:10:45 | 0:10:46 | |
Yes, the full question is - | 0:10:46 | 0:10:47 | |
The Water Lily Pond is a famous work by which artist? | 0:10:47 | 0:10:49 | |
You said Claude Monet. Absolutely correct. | 0:10:49 | 0:10:51 | |
-Jonathan, what would you like? -Could we have the bat, please? | 0:10:51 | 0:10:54 | |
The bat. | 0:10:54 | 0:10:55 | |
Question number nine. | 0:10:56 | 0:10:58 | |
Who was elected as the first president of the Soviet Union | 0:10:58 | 0:11:01 | |
in March 1990? | 0:11:01 | 0:11:03 | |
Jeremy? | 0:11:05 | 0:11:06 | |
-Gorbachev. -Can you give me his full name? | 0:11:06 | 0:11:09 | |
Erm... | 0:11:09 | 0:11:10 | |
-Mikhail. -Correct! I would have accepted Gorbachev, | 0:11:11 | 0:11:14 | |
but I was just testing you. | 0:11:14 | 0:11:15 | |
It is Mikhail Gorbachev. | 0:11:15 | 0:11:17 | |
OK, Nina. Pick, please. | 0:11:17 | 0:11:20 | |
-The cabinet. -The cabinet. | 0:11:20 | 0:11:22 | |
The cabinet of teeth. | 0:11:22 | 0:11:24 | |
THEY LAUGH | 0:11:24 | 0:11:26 | |
Look out, Jeremy... | 0:11:26 | 0:11:28 | |
OK. SHE LAUGHS | 0:11:28 | 0:11:29 | |
And the final question, question ten. | 0:11:29 | 0:11:32 | |
".ie" is the internet domain code for... | 0:11:32 | 0:11:36 | |
Adam? | 0:11:36 | 0:11:37 | |
Ireland. | 0:11:37 | 0:11:38 | |
".ie" is the internet domain code for which country? And the answer is | 0:11:38 | 0:11:41 | |
Ireland. | 0:11:41 | 0:11:42 | |
-Jonathan, pick. -Can we have the sauce boat, please, Fern? | 0:11:42 | 0:11:45 | |
The sauce boat is on its way. | 0:11:45 | 0:11:47 | |
Let's take a look at how our teams' collections are looking | 0:11:48 | 0:11:51 | |
at the end of that round. | 0:11:51 | 0:11:52 | |
Well, Mandy and Patsy, you have the stamped envelope | 0:11:52 | 0:11:55 | |
and the pocket watch. | 0:11:55 | 0:11:57 | |
Jeremy and Nina, you have claimed the coin and the cabinet. | 0:11:57 | 0:12:01 | |
And finally, Adam and Jonathan, you've got the fan, the case, | 0:12:01 | 0:12:05 | |
the bat and the sauce boat. | 0:12:05 | 0:12:07 | |
Well, our teams have started to build their collections, | 0:12:07 | 0:12:10 | |
but before they have the chance to add to them, | 0:12:10 | 0:12:13 | |
Charles is going to give you each a fact about a lot of your choice. | 0:12:13 | 0:12:19 | |
Now, these snippets of information should give you vital clues | 0:12:19 | 0:12:21 | |
about what it's worth. | 0:12:21 | 0:12:23 | |
So, choose wisely. | 0:12:23 | 0:12:25 | |
You could choose one of your own, | 0:12:25 | 0:12:27 | |
one of your opponent's or something that's still up for grabs. | 0:12:27 | 0:12:31 | |
Patsy, let's start with you. | 0:12:31 | 0:12:33 | |
Which lot would you like to hear more about? | 0:12:33 | 0:12:35 | |
-The letter. -The letter in your own collection. | 0:12:35 | 0:12:39 | |
This is an envelope, Patsy, | 0:12:39 | 0:12:41 | |
which contained a letter sent from Wisbech in Cambridgeshire. | 0:12:41 | 0:12:46 | |
It goes all the way back to London, sent on 23 September, 1840, Fern. | 0:12:46 | 0:12:53 | |
Interesting in itself, but made more so by the stamp. | 0:12:53 | 0:12:57 | |
It's a Penny Black - the first stamp every seen in postal history. | 0:12:57 | 0:13:03 | |
And stamps, they tend to, Patsy, fall into three categories. | 0:13:03 | 0:13:06 | |
The most valuable, being unused examples. | 0:13:06 | 0:13:09 | |
Next, then come the used ones that may still | 0:13:09 | 0:13:13 | |
be attached to an envelope. | 0:13:13 | 0:13:15 | |
And, lastly, those used stamps which are just floating | 0:13:15 | 0:13:20 | |
and not on that envelope. | 0:13:20 | 0:13:22 | |
For stamps still on envelopes, | 0:13:22 | 0:13:24 | |
it can matter who the sender or the recipient was. | 0:13:24 | 0:13:28 | |
This one wasn't sent to or by anyone notable. | 0:13:28 | 0:13:33 | |
FERN SIGHS | 0:13:33 | 0:13:34 | |
Nina, what lot would you like to know more about? | 0:13:34 | 0:13:38 | |
The case. | 0:13:38 | 0:13:39 | |
-The silver case that is in Jonathan and Adam's collection. -Yes. | 0:13:39 | 0:13:43 | |
Absolutely, Nina. | 0:13:43 | 0:13:44 | |
This, I suppose, is the evergreen antique. | 0:13:44 | 0:13:47 | |
It's a late Victorian silver sovereign | 0:13:47 | 0:13:51 | |
and half-sovereign holder case. | 0:13:51 | 0:13:55 | |
Made in Birmingham at the turn of the century, | 0:13:55 | 0:13:58 | |
they were incredibly common items. | 0:13:58 | 0:14:01 | |
Although you, of course, needed to be a little wealthy to own one | 0:14:01 | 0:14:05 | |
and, I suppose, back then, it was the modern day wallet or purse. | 0:14:05 | 0:14:11 | |
And they do vary greatly in quality. | 0:14:11 | 0:14:14 | |
This one bears no maker's mark, but it is solid silver, | 0:14:14 | 0:14:17 | |
very neat and compact. | 0:14:17 | 0:14:20 | |
OK, Jonathan, your chance to pick something you would like to | 0:14:21 | 0:14:24 | |
hear more about. | 0:14:24 | 0:14:25 | |
Could we select the coin in Nina and Jeremy's collection, please? | 0:14:25 | 0:14:30 | |
This is almost my namesake. | 0:14:30 | 0:14:32 | |
-Charles Hanson? -Charles I. -Oh. | 0:14:32 | 0:14:34 | |
I wish I was. | 0:14:34 | 0:14:36 | |
He was beheaded, of course, 1649. | 0:14:36 | 0:14:38 | |
Ruled from 1625. | 0:14:38 | 0:14:41 | |
And this is a ninepence piece from that very reign. | 0:14:41 | 0:14:46 | |
It goes back to that turbulent time, the English Civil War. | 0:14:46 | 0:14:50 | |
Parliament was in control of the Tower Mint | 0:14:50 | 0:14:53 | |
and Charles's forces had to set up a number of emergency Mints. | 0:14:53 | 0:14:58 | |
This comes from one that was set up in that besieged town | 0:14:58 | 0:15:02 | |
of Newark, Nottinghamshire, which surrendered just a year | 0:15:02 | 0:15:05 | |
after this very coin was produced. | 0:15:05 | 0:15:09 | |
The quality isn't great and this one does have flaws, but does the | 0:15:09 | 0:15:14 | |
fact it's unofficial, or indeed its condition, | 0:15:14 | 0:15:17 | |
decrease the value of it? | 0:15:17 | 0:15:20 | |
Now that you are a bit more clued up on your lots, | 0:15:21 | 0:15:25 | |
let's give you the chance to add more of them to your collections, | 0:15:25 | 0:15:28 | |
bearing in mind that at the end of this round, | 0:15:28 | 0:15:31 | |
the team with the least valuable collection, will be eliminated. | 0:15:31 | 0:15:34 | |
So, three more lots are now available to each pair and, this time, | 0:15:37 | 0:15:40 | |
pickers, you must target a lot and, quizzers, you then try | 0:15:40 | 0:15:44 | |
and secure it by answering a question correctly. | 0:15:44 | 0:15:47 | |
But in this round, the lots come with their own question categories. | 0:15:47 | 0:15:52 | |
And here they are. | 0:15:52 | 0:15:53 | |
So, if you targeted the tool there in the middle, I would say to you, | 0:15:55 | 0:16:00 | |
"You can choose a question about Marilyn Monroe or the Olympics. | 0:16:00 | 0:16:04 | |
Mandy and Patsy, you are up first. | 0:16:04 | 0:16:06 | |
So, Patsy, what is your lot? | 0:16:06 | 0:16:09 | |
The flour sack. | 0:16:11 | 0:16:12 | |
The flour sack. | 0:16:12 | 0:16:14 | |
Right, that means that, Mandy, you have to answer questions | 0:16:14 | 0:16:17 | |
on either Astronomy or Oceans And Seas. | 0:16:17 | 0:16:20 | |
Which would you like? | 0:16:20 | 0:16:21 | |
-Astronomy, please. -Astronomy, OK. Here you go. | 0:16:21 | 0:16:25 | |
In astronomy, "dwarf", "red" and "giant", | 0:16:25 | 0:16:29 | |
are all types of what? | 0:16:29 | 0:16:30 | |
Planets. | 0:16:31 | 0:16:33 | |
It's a star. I'm so sorry. | 0:16:33 | 0:16:35 | |
The sack stays on the grid. | 0:16:35 | 0:16:37 | |
OK, Jeremy and Nina. Nina, what lot would you like to choose? | 0:16:37 | 0:16:42 | |
I'll choose the postcard. | 0:16:42 | 0:16:43 | |
Jeremy, how strong are you on cheeses and poetry? | 0:16:45 | 0:16:47 | |
-Cheeses, preferably. -Yes, of course. | 0:16:47 | 0:16:50 | |
Cheeses, and your question - | 0:16:50 | 0:16:51 | |
which high-fat Italian cheese is an essential ingredient | 0:16:51 | 0:16:55 | |
in a traditional tiramisu? | 0:16:55 | 0:16:58 | |
Tiramisu, heavens. | 0:16:58 | 0:17:00 | |
Um.. | 0:17:00 | 0:17:02 | |
Gorgonzola? | 0:17:02 | 0:17:03 | |
THEY LAUGH | 0:17:03 | 0:17:05 | |
No! Actually, that would be a little bit too strong. | 0:17:06 | 0:17:09 | |
This is the soft cheese mascarpone. | 0:17:09 | 0:17:11 | |
-That's the answer. -Oh. | 0:17:11 | 0:17:13 | |
So, the postcard stays on the grid as well. | 0:17:13 | 0:17:15 | |
Right, Adam and Jonathan. | 0:17:15 | 0:17:17 | |
Jonathan, what lot would you like to choose? | 0:17:17 | 0:17:20 | |
Could I also select the sack, please, Fern? | 0:17:20 | 0:17:22 | |
The sack, OK - | 0:17:22 | 0:17:23 | |
which means Oceans and Seas or Astronomy for you, Adam. | 0:17:23 | 0:17:27 | |
Could I have Oceans and Seas, please? | 0:17:27 | 0:17:29 | |
Oceans and Seas, you certainly can. | 0:17:29 | 0:17:30 | |
Which country is bordered by both the Atlantic and Indian oceans? | 0:17:30 | 0:17:35 | |
South Africa. | 0:17:35 | 0:17:36 | |
Correct, well done, Adam. | 0:17:36 | 0:17:38 | |
OK, the sack is yours. It's on its way. | 0:17:38 | 0:17:41 | |
And now it's Mandy and Patsy's go. | 0:17:41 | 0:17:43 | |
Patsy, what do you fancy from the grid there? | 0:17:43 | 0:17:45 | |
-The postcard. -The postcard. | 0:17:45 | 0:17:47 | |
Mandy, you must answer questions on Cheeses or Poetry. | 0:17:47 | 0:17:50 | |
-Cheeses, please. -Cheeses, please. | 0:17:50 | 0:17:53 | |
Which cheese shares its name with a Welsh town | 0:17:53 | 0:17:56 | |
famous for the largest castle in Wales? | 0:17:56 | 0:17:59 | |
I'm guessing Caerphilly. | 0:17:59 | 0:18:01 | |
You are right! | 0:18:01 | 0:18:02 | |
Congratulations, the postcard is coming straight to you. | 0:18:02 | 0:18:05 | |
Jeremy and Nina. Nina, what would you like to choose? | 0:18:05 | 0:18:08 | |
-The chair. -The chair. | 0:18:09 | 0:18:11 | |
Olympics or Oceans and Seas, please, Jeremy. | 0:18:11 | 0:18:14 | |
-Oceans and Seas, please. -Oceans and Seas. | 0:18:14 | 0:18:16 | |
Here comes your question. | 0:18:16 | 0:18:18 | |
What is the principal river that flows into the Dead Sea? | 0:18:18 | 0:18:22 | |
The Jordan. | 0:18:22 | 0:18:23 | |
It is the Jordan! The chair is yours. | 0:18:23 | 0:18:25 | |
Well done. | 0:18:25 | 0:18:27 | |
Adam and Jonathan, your turn. Jonathan, what do you want? | 0:18:27 | 0:18:29 | |
Could I have the tool, please? | 0:18:29 | 0:18:31 | |
The tool, yes. | 0:18:31 | 0:18:32 | |
Marilyn Monroe or the Olympics, Adam? | 0:18:32 | 0:18:35 | |
-The Olympics please. -Olympics. | 0:18:35 | 0:18:37 | |
Before the 2012 games, | 0:18:37 | 0:18:39 | |
in which year were the modern Olympics last held in London? | 0:18:39 | 0:18:43 | |
1958? | 0:18:43 | 0:18:45 | |
Ooh, so close. | 0:18:45 | 0:18:46 | |
1948. | 0:18:46 | 0:18:48 | |
So, the tool stays on the board. | 0:18:48 | 0:18:50 | |
OK, teams, your collections are growing, | 0:18:50 | 0:18:52 | |
but now remember, at the end of this round, | 0:18:52 | 0:18:54 | |
the pair with the least valuable collection will be leaving us. | 0:18:54 | 0:18:58 | |
There's one last lot available to each team | 0:18:58 | 0:19:01 | |
and this time you can either go for what's left on the grid, | 0:19:01 | 0:19:05 | |
or you can steal from your opponents. | 0:19:05 | 0:19:09 | |
But pickers, be warned - if you choose to steal from another team, | 0:19:09 | 0:19:13 | |
their quizzer will get to decide your quizzer's category. | 0:19:13 | 0:19:18 | |
Patsy, do you want to target a lot from the grid, | 0:19:18 | 0:19:23 | |
or have you got your eye on something in another collection? | 0:19:23 | 0:19:27 | |
I'll take the coin, please. | 0:19:27 | 0:19:29 | |
The coin from Jeremy and Nina's collection. | 0:19:29 | 0:19:32 | |
Jeremy, you've got to defend the coin. Pick her a stinker. | 0:19:32 | 0:19:35 | |
Defend the coin. | 0:19:35 | 0:19:37 | |
I think... | 0:19:37 | 0:19:39 | |
Boy Bands. | 0:19:39 | 0:19:40 | |
Ooh! | 0:19:40 | 0:19:41 | |
-Yeah. -Here's your question, ready? | 0:19:41 | 0:19:43 | |
Which boy band came third in the 2010 series of the X Factor? | 0:19:43 | 0:19:48 | |
One Direction. | 0:19:50 | 0:19:52 | |
Correct, well done! | 0:19:52 | 0:19:54 | |
You've stolen the coin from Nina. | 0:19:54 | 0:19:57 | |
Nina's not looking happy about that. | 0:19:57 | 0:19:59 | |
SHE CHUCKLES | 0:19:59 | 0:20:00 | |
Nina, would you like to steal the coin back, | 0:20:00 | 0:20:03 | |
would you like to steal something else from the opponents, | 0:20:03 | 0:20:06 | |
or would you like to pick something new from the grid? | 0:20:06 | 0:20:08 | |
I'll have the coin back. | 0:20:08 | 0:20:10 | |
All right, you want the coin back. | 0:20:10 | 0:20:12 | |
Mandy, you can now pick a category for Jeremy to answer. | 0:20:12 | 0:20:16 | |
Marilyn Monroe. | 0:20:16 | 0:20:18 | |
All right, Jeremy. | 0:20:18 | 0:20:20 | |
Marilyn sang Diamonds Are A Girl's Best Friend | 0:20:20 | 0:20:23 | |
in which movie musical? | 0:20:23 | 0:20:24 | |
The only one I can think of is Some Like It Hot. | 0:20:29 | 0:20:31 | |
Oh! | 0:20:31 | 0:20:33 | |
It was Gentlemen Prefer Blondes. | 0:20:33 | 0:20:34 | |
I'm sorry you don't get the coin back. | 0:20:34 | 0:20:36 | |
Mandy, well defended. | 0:20:36 | 0:20:38 | |
Adam and Jonathan, what would you like to do? | 0:20:38 | 0:20:40 | |
Nick something, or have something new from the grid? | 0:20:40 | 0:20:42 | |
I think we'll steal the coin. | 0:20:42 | 0:20:44 | |
FERN GASPS | 0:20:44 | 0:20:46 | |
That coin. | 0:20:46 | 0:20:48 | |
OK, Mandy, you must choose a category for Adam to answer. | 0:20:48 | 0:20:54 | |
-Poetry. -Poetry. | 0:20:56 | 0:20:58 | |
Oh, Adam's face fell a little bit there, or was it glee? | 0:20:58 | 0:21:02 | |
I'm not sure. | 0:21:02 | 0:21:03 | |
This is your question, Adam. | 0:21:03 | 0:21:04 | |
Who wrote, | 0:21:04 | 0:21:05 | |
"Tyger, tyger, burning bright, In the forests of the night"? | 0:21:05 | 0:21:09 | |
Edgar Allan Poe? | 0:21:09 | 0:21:11 | |
No, it was William Blake. Again, well defended, Mandy. | 0:21:11 | 0:21:15 | |
Very well defended. | 0:21:15 | 0:21:16 | |
OK, let's have a look at how we stand at the end of that round. | 0:21:16 | 0:21:19 | |
Mandy and Patsy, you have the stamped envelope, | 0:21:19 | 0:21:22 | |
the pocket watch, the postcard and the coin. | 0:21:22 | 0:21:24 | |
Jeremy and Nina, the cabinet and the chair. | 0:21:24 | 0:21:28 | |
Adam and Jonathan, you still have the fan, the case, the bat, | 0:21:28 | 0:21:31 | |
the sauce boat and the sack. | 0:21:31 | 0:21:34 | |
OK, that is it for Round Two and for one team, | 0:21:34 | 0:21:37 | |
it's going to be the end of the road. | 0:21:37 | 0:21:39 | |
We have calculated the combined value of your items | 0:21:39 | 0:21:43 | |
and the team with the least valuable collection will be eliminated, | 0:21:43 | 0:21:47 | |
taking their lots out of the game with them. | 0:21:47 | 0:21:50 | |
Well, Charles has been keeping tabs. | 0:21:50 | 0:21:51 | |
So, Charles, who is leaving us first? | 0:21:51 | 0:21:55 | |
Fern, the pair leaving us first... | 0:21:55 | 0:21:58 | |
I'm sorry. | 0:21:58 | 0:22:00 | |
It's Jeremy and Nina. | 0:22:00 | 0:22:01 | |
Aww. | 0:22:01 | 0:22:03 | |
I'm so sorry! | 0:22:03 | 0:22:04 | |
THEY LAUGH | 0:22:04 | 0:22:06 | |
Bless you, Nina, you're so lovely. | 0:22:06 | 0:22:08 | |
Thank you very much. | 0:22:08 | 0:22:09 | |
It's been fantastic to have you. | 0:22:09 | 0:22:11 | |
So, Charles, please tell us what each of their lots was worth. | 0:22:11 | 0:22:15 | |
You were inspiring the way you take your time in choosing | 0:22:15 | 0:22:18 | |
and you were quite right. | 0:22:18 | 0:22:19 | |
The Liberty Anglo oak-framed Morris armchair is a delight. | 0:22:19 | 0:22:25 | |
It's full of Eastern promise with those wonderful, old | 0:22:25 | 0:22:28 | |
mashrabiya panels. | 0:22:28 | 0:22:30 | |
A sort of oriental inspired material that found its way into London | 0:22:30 | 0:22:36 | |
in the late 19th century. | 0:22:36 | 0:22:39 | |
So, we know it's around 1895. | 0:22:39 | 0:22:42 | |
Patsy, you thought it was oak. | 0:22:42 | 0:22:45 | |
Jeremy, you thought it was a child's chair. | 0:22:45 | 0:22:47 | |
It's just a really inspiring eastern delight | 0:22:47 | 0:22:51 | |
from that period. | 0:22:51 | 0:22:53 | |
And a hammer price of this item would be £400. | 0:22:53 | 0:22:56 | |
OK, the cabinet of teeth. | 0:22:58 | 0:23:00 | |
I just loved this 1920s Bakelite bioform | 0:23:00 | 0:23:02 | |
dentist teeth display cabinet. | 0:23:02 | 0:23:06 | |
With nine drawers, it's complete with hundreds of original | 0:23:06 | 0:23:10 | |
porcelain teeth. Just amazing. | 0:23:10 | 0:23:12 | |
Made by the Dental Supply Company of New York. | 0:23:12 | 0:23:16 | |
But of course, is it more academic, or is it a valuable antique? | 0:23:16 | 0:23:21 | |
The hammer price of this item... | 0:23:21 | 0:23:23 | |
It's £500. | 0:23:23 | 0:23:25 | |
SHE LAUGHS | 0:23:25 | 0:23:26 | |
Well, you haven't chosen badly, there, Nina. You did very well. | 0:23:26 | 0:23:29 | |
But sadly, Jeremy and Nina, it is time to bring the hammer down | 0:23:29 | 0:23:34 | |
on your collection. | 0:23:34 | 0:23:36 | |
-But thank you very much for playing... -Thank you. | 0:23:36 | 0:23:38 | |
..For What It's Worth. Nina and Jeremy, thank you. | 0:23:38 | 0:23:40 | |
Thank you. | 0:23:40 | 0:23:41 | |
I was dreading being asked a question on boy bands | 0:23:42 | 0:23:45 | |
-and I thought, "Marilyn Monroe - great!" -That will be easy! | 0:23:45 | 0:23:48 | |
"That'd be easy!" And I got it wrong. | 0:23:48 | 0:23:50 | |
He knows Marilyn Monroe! | 0:23:50 | 0:23:52 | |
His brain went dead! | 0:23:52 | 0:23:54 | |
I knew it'd be my fault. | 0:23:54 | 0:23:55 | |
It always is. | 0:23:55 | 0:23:56 | |
The unclaimed lots in the grid are now also leaving the game. | 0:24:00 | 0:24:03 | |
So, let's quickly find out from Charles what they were worth | 0:24:03 | 0:24:06 | |
and if the top lot is still in the game. | 0:24:06 | 0:24:11 | |
OK, Charles, where are you going to start? | 0:24:11 | 0:24:13 | |
I'm quite surprised, Fern. | 0:24:13 | 0:24:14 | |
You left what, to me, is the epitome of a classic antique | 0:24:14 | 0:24:19 | |
and there she is, Fern. | 0:24:19 | 0:24:21 | |
-The statue. -Isn't she lovely? | 0:24:21 | 0:24:22 | |
This depicts Ariadne And The Panther. | 0:24:22 | 0:24:24 | |
Base on a wonderful marble original of 1816. | 0:24:24 | 0:24:28 | |
This is a piece of classical revived Parian ware. | 0:24:28 | 0:24:32 | |
Unglazed bisque porcelain made to imitate | 0:24:32 | 0:24:35 | |
those wonderful Grand Tour finds in the mid-Victorian times | 0:24:35 | 0:24:39 | |
by a chap called John Bell in Staffordshire. | 0:24:39 | 0:24:42 | |
And Patsy, I quote you and I can't believe it, | 0:24:42 | 0:24:46 | |
"I hate this sort of thing." | 0:24:46 | 0:24:47 | |
-Well, that's reasonable. -I do! | 0:24:49 | 0:24:51 | |
I like it a lot, but, again, the market's gone off the boil. | 0:24:51 | 0:24:54 | |
For what it's worth, it's £150. | 0:24:54 | 0:24:57 | |
Well left, Patsy. Right, what's next? | 0:24:57 | 0:24:59 | |
The other item... | 0:24:59 | 0:25:00 | |
It's got a great look about it. | 0:25:00 | 0:25:02 | |
It's Christian Dior. | 0:25:02 | 0:25:03 | |
Marked on the back, it is 1960s. | 0:25:03 | 0:25:06 | |
At the time, they were using rhinestones to simulate diamonds | 0:25:06 | 0:25:10 | |
to create that wealthy, glamorous look. | 0:25:10 | 0:25:13 | |
It looks the part, but it's costume. | 0:25:13 | 0:25:15 | |
Patsy, I note, "If it was valuable, it should've had a safety chain." | 0:25:15 | 0:25:20 | |
You could buy this today at auction... | 0:25:20 | 0:25:23 | |
For £50. | 0:25:25 | 0:25:26 | |
-No? -All it's worth. | 0:25:26 | 0:25:28 | |
The next item, again, we're talking about novelty value. | 0:25:28 | 0:25:32 | |
One of my more favourite items which, again, you all left, | 0:25:32 | 0:25:35 | |
despite the fact that you all liked it. | 0:25:35 | 0:25:38 | |
It's a coal-painted penwipe modelled as a parrot. | 0:25:38 | 0:25:42 | |
And the key fact here is it is a base metal spelter | 0:25:42 | 0:25:47 | |
rather than being bronze. | 0:25:47 | 0:25:49 | |
It will date to around 1900 and, being spelter, it's less desirable. | 0:25:49 | 0:25:54 | |
But parrots are exotic | 0:25:54 | 0:25:56 | |
and they were fashionable in the late Victorian times. | 0:25:56 | 0:25:59 | |
Is it fanciful? | 0:25:59 | 0:26:00 | |
Is it tropical in value? | 0:26:00 | 0:26:02 | |
Let me tell you. | 0:26:02 | 0:26:03 | |
Good, OK, 80 quid. | 0:26:04 | 0:26:05 | |
Again, well left. | 0:26:05 | 0:26:07 | |
And the last item which doesn't perhaps look a lot. | 0:26:07 | 0:26:10 | |
It's a small bench vice. | 0:26:10 | 0:26:13 | |
As an object, intrinsically, it's not overly exciting. | 0:26:13 | 0:26:16 | |
Importantly, it's inscribed with a name and this is no short name. | 0:26:16 | 0:26:22 | |
It belonged to | 0:26:22 | 0:26:23 | |
Joseph Francois Felix de Brion de Laizer de Siougeat. | 0:26:23 | 0:26:27 | |
He was the priest of Siougeat, born in the year 1722 | 0:26:27 | 0:26:31 | |
and he came from a very noble family. | 0:26:31 | 0:26:34 | |
He was also chaplain to Madame la Dauphine - | 0:26:34 | 0:26:37 | |
better known as Marie Antoinette. | 0:26:37 | 0:26:41 | |
Wowza. | 0:26:41 | 0:26:43 | |
It has provenance, it has pedigree | 0:26:43 | 0:26:45 | |
and that's one of the most important factors. | 0:26:45 | 0:26:48 | |
Its auction value is £600. | 0:26:48 | 0:26:52 | |
Wow. Did any of you think that was worth that much? | 0:26:52 | 0:26:55 | |
No, no. | 0:26:55 | 0:26:56 | |
And the final lot, which did surprise me. | 0:26:56 | 0:26:59 | |
This is a Matchbox Lesney number 23 Barclay Cavalier caravan | 0:26:59 | 0:27:04 | |
in metallic green. Importantly, that's a rare colour. | 0:27:04 | 0:27:07 | |
-Mostly produced in pale blue. Also, Fern... -Yes? | 0:27:07 | 0:27:10 | |
..it was only produced by 1957 and 1960. | 0:27:10 | 0:27:14 | |
It's an original box. It does have some damage, but the box | 0:27:14 | 0:27:18 | |
is only play-worn. | 0:27:18 | 0:27:20 | |
Hold tight. | 0:27:20 | 0:27:21 | |
£1,500. | 0:27:21 | 0:27:23 | |
That's its worth. | 0:27:23 | 0:27:25 | |
Well, the interesting thing about this is | 0:27:25 | 0:27:29 | |
I didn't see the worthless lot come up | 0:27:29 | 0:27:32 | |
and I did not see the top lot come up | 0:27:32 | 0:27:34 | |
which means they are here in someone's collection. | 0:27:34 | 0:27:39 | |
OK, so just two pairs of contestants left. | 0:27:39 | 0:27:42 | |
Before we go any further, | 0:27:42 | 0:27:43 | |
Charles is going to give you another fact about a lot of your choice. | 0:27:43 | 0:27:48 | |
It can be yours, it can be theirs, OK? | 0:27:48 | 0:27:51 | |
Picker Patsy, what lot do you really need to know more about? | 0:27:51 | 0:27:55 | |
I just think I'd like to know about the fan, please. | 0:27:55 | 0:27:58 | |
The fan in Jonathan and Adam's collection. | 0:27:58 | 0:28:01 | |
This is a nineteenth-century Mother of Pearl fan. | 0:28:01 | 0:28:06 | |
Very visible to the eye, this one's hand-painted | 0:28:06 | 0:28:09 | |
with a romantic country scene | 0:28:09 | 0:28:12 | |
by a well-known colourist. | 0:28:12 | 0:28:14 | |
And the Mother of Pearl sticks on this one, Fern, | 0:28:14 | 0:28:17 | |
are hand-carved as well. | 0:28:17 | 0:28:19 | |
But there is, of course, some damage. | 0:28:19 | 0:28:21 | |
It happens over time. | 0:28:21 | 0:28:22 | |
It's clearly a gorgeous thing, | 0:28:22 | 0:28:24 | |
but how much does that add to value and how is the market for this fan? | 0:28:24 | 0:28:30 | |
Right, Adam and Jonathan. | 0:28:30 | 0:28:32 | |
What would you like to know more about, Jonathan? | 0:28:32 | 0:28:34 | |
Could you please tell us a bit more about the pocket watch, please? | 0:28:34 | 0:28:37 | |
The gold pocket watch | 0:28:37 | 0:28:39 | |
which is in Mandy and Patsy's collection. | 0:28:39 | 0:28:42 | |
This is a gent's gold pocket watch | 0:28:42 | 0:28:45 | |
with a mechanism made by JG Graves. | 0:28:45 | 0:28:49 | |
Interestingly, the manufacturers Edmund Johnson Limited, | 0:28:49 | 0:28:53 | |
established in Dublin way back in 1826... | 0:28:53 | 0:28:57 | |
They were the makers of the king and jeweller to the Irish court. | 0:28:57 | 0:29:01 | |
The watch is also back engraved with the Filgate family crest | 0:29:01 | 0:29:06 | |
who were important Irish landowners. | 0:29:06 | 0:29:09 | |
But of course, engravings can, however, increase or decrease | 0:29:09 | 0:29:13 | |
the value of an object depending on the notability of the family. | 0:29:13 | 0:29:19 | |
Those are all the facts available to you, | 0:29:19 | 0:29:21 | |
so it's now time for our final round | 0:29:21 | 0:29:23 | |
and at the end of this one, we will have our winners. | 0:29:23 | 0:29:26 | |
Now, I'm going to give the quizzers a category. | 0:29:29 | 0:29:32 | |
They then take turns to say answers in that category. | 0:29:32 | 0:29:36 | |
For example, if I said, | 0:29:36 | 0:29:38 | |
"Countries beginning with the letter C," | 0:29:38 | 0:29:41 | |
you might say China, | 0:29:41 | 0:29:43 | |
and you might say Chile, and then Canada and so on. | 0:29:43 | 0:29:47 | |
Now, if you fail to give an answer or if you repeat an answer, | 0:29:47 | 0:29:51 | |
or give a wrong answer, you lose that category | 0:29:51 | 0:29:55 | |
and the opponent's picker will be able to steal a lot from you. | 0:29:55 | 0:29:59 | |
OK, remember, it is the total value of your collections | 0:29:59 | 0:30:02 | |
that matter at the end of this round. | 0:30:02 | 0:30:04 | |
One high-priced lot could be worth much more than your opponents' | 0:30:04 | 0:30:08 | |
entire collection. | 0:30:08 | 0:30:09 | |
There are three categories. The pair with the most valuable collection | 0:30:09 | 0:30:13 | |
at this point go first. | 0:30:13 | 0:30:14 | |
And, Charles, who is the pair with the most valuable collection | 0:30:14 | 0:30:18 | |
at this point? | 0:30:18 | 0:30:20 | |
I can reveal the team who currently has | 0:30:20 | 0:30:23 | |
the most valuable collection are... | 0:30:23 | 0:30:27 | |
Mandy and Patsy. | 0:30:27 | 0:30:29 | |
-Wow! -Sorry, guys. | 0:30:29 | 0:30:32 | |
OK, quizzer Mandy, this means you will start us off. | 0:30:32 | 0:30:35 | |
And the first category is... | 0:30:35 | 0:30:37 | |
Mandy, please give me an answer. | 0:30:42 | 0:30:44 | |
Tower Bridge, London. | 0:30:46 | 0:30:49 | |
Yes. | 0:30:49 | 0:30:50 | |
Adam? | 0:30:50 | 0:30:51 | |
Stonehenge. | 0:30:51 | 0:30:53 | |
Yes. | 0:30:53 | 0:30:55 | |
Mandy? | 0:30:55 | 0:30:56 | |
I'm sorry, I must press you. | 0:31:00 | 0:31:02 | |
Alton Towers. | 0:31:04 | 0:31:05 | |
Sadly not. That is not on the list. | 0:31:07 | 0:31:10 | |
OK, Mandy, unfortunately you and Patsy are going to lose | 0:31:10 | 0:31:13 | |
one of your lots. | 0:31:13 | 0:31:15 | |
Jonathan, what do you want to steal? | 0:31:15 | 0:31:18 | |
Could we take the coin, please? | 0:31:18 | 0:31:20 | |
The coin, it's in your collection. | 0:31:20 | 0:31:22 | |
OK. | 0:31:23 | 0:31:25 | |
The second category of question is for Adam and Jonathan and it is... | 0:31:25 | 0:31:29 | |
And we will start with Adam, give me an answer. | 0:31:32 | 0:31:35 | |
OK, the first team I'm going for is the team that me and John support. | 0:31:35 | 0:31:38 | |
We're going for Liverpool FC. | 0:31:38 | 0:31:40 | |
Correct. | 0:31:40 | 0:31:41 | |
Mandy? | 0:31:41 | 0:31:43 | |
Real Madrid? | 0:31:43 | 0:31:45 | |
Correct. | 0:31:45 | 0:31:46 | |
-Adam? -Chelsea FC. | 0:31:46 | 0:31:48 | |
Correct. Mandy? | 0:31:48 | 0:31:49 | |
Bayern Munich. | 0:31:50 | 0:31:52 | |
Correct. Adam? | 0:31:52 | 0:31:54 | |
Manchester United. | 0:31:54 | 0:31:56 | |
Correct. Mandy? | 0:31:56 | 0:31:57 | |
Manchester City. | 0:31:59 | 0:32:01 | |
Oh, that's not correct! | 0:32:01 | 0:32:04 | |
A spirited fight, Mandy. Well done. | 0:32:04 | 0:32:07 | |
Jonathan, you can steal. | 0:32:07 | 0:32:09 | |
Could we have the pocket watch, please, Fern? | 0:32:09 | 0:32:11 | |
FERN GASPS | 0:32:11 | 0:32:12 | |
They're without mercy, these boys. The pocket watch is yours. | 0:32:12 | 0:32:15 | |
This is the third and final category. Mandy, you will go first. | 0:32:16 | 0:32:19 | |
Let's have a look at what it is. | 0:32:19 | 0:32:21 | |
It is... | 0:32:21 | 0:32:22 | |
Mandy, you're first. | 0:32:25 | 0:32:28 | |
Mr Nosy. | 0:32:28 | 0:32:29 | |
Correct. Adam? | 0:32:29 | 0:32:31 | |
Mr Tickle. | 0:32:31 | 0:32:32 | |
Correct. Mandy? | 0:32:32 | 0:32:34 | |
Mr Happy. | 0:32:34 | 0:32:35 | |
Correct. Adam? | 0:32:35 | 0:32:37 | |
Mr Bump. | 0:32:37 | 0:32:38 | |
Yes. Mandy? | 0:32:38 | 0:32:40 | |
Mr Sneezy. | 0:32:40 | 0:32:42 | |
I'm so sorry. There is no Mr Sneezy. | 0:32:42 | 0:32:45 | |
There is Mr Sneeze. | 0:32:45 | 0:32:47 | |
And at this point, I have to be very strict. | 0:32:47 | 0:32:49 | |
I'm so sorry. Adam and Jonathan, well done. | 0:32:49 | 0:32:52 | |
Jonathan, what are you going to steal? | 0:32:52 | 0:32:54 | |
I'll steal the stamped envelope, please. | 0:32:54 | 0:32:56 | |
The stamped envelope... | 0:32:56 | 0:32:58 | |
is coming to you. | 0:32:58 | 0:32:59 | |
Patsy's looking in pain. That really hurt you, didn't it? | 0:32:59 | 0:33:02 | |
Yeah! I'm crying! | 0:33:02 | 0:33:05 | |
She's crying! | 0:33:05 | 0:33:06 | |
Sorry, ladies. | 0:33:06 | 0:33:08 | |
Well, you have lost quite a few items there. | 0:33:08 | 0:33:10 | |
Let's take one last look at our team's collections. | 0:33:10 | 0:33:13 | |
Mandy and Patsy, you have kindly been left with the postcard, | 0:33:13 | 0:33:17 | |
whilst Adam and Jonathan, you have managed to get your hands on | 0:33:17 | 0:33:20 | |
the coin, the pocket watch, the stamped envelope, | 0:33:20 | 0:33:23 | |
as well as holding on to the fan, the case, the bat, the sauce boat | 0:33:23 | 0:33:26 | |
and the sack. | 0:33:26 | 0:33:28 | |
But that is it. That is your collections now fixed | 0:33:28 | 0:33:31 | |
and they will determine which team is victorious. | 0:33:31 | 0:33:34 | |
It is time to find out who are today's winners. Charles... | 0:33:34 | 0:33:38 | |
It's interesting that Mandy and Patsy came into this round leading | 0:33:38 | 0:33:42 | |
and now they have one lot left. | 0:33:42 | 0:33:44 | |
But one treasure can be all the difference. | 0:33:44 | 0:33:47 | |
Charles, who has got the most valuable collection? | 0:33:47 | 0:33:50 | |
Well, I can reveal | 0:33:50 | 0:33:52 | |
that the team with the most valuable collection | 0:33:52 | 0:33:55 | |
and the winners of today's show are... | 0:33:55 | 0:33:57 | |
Adam and Jonathan. Well done. | 0:33:59 | 0:34:02 | |
Oh! Congratulations, boys! | 0:34:02 | 0:34:04 | |
That was very well played. The brothers did it. | 0:34:04 | 0:34:06 | |
-They did indeed. -Oh, but Mandy and Patsy. | 0:34:06 | 0:34:09 | |
It's been wonderful to have you here, but before we say goodbye to you, | 0:34:09 | 0:34:12 | |
we're going to find out how much that postcard is worth. | 0:34:12 | 0:34:17 | |
It is an original postcard image from the Bramber Museum, | 0:34:17 | 0:34:20 | |
showing that very famous taxidermy scene, | 0:34:20 | 0:34:23 | |
"It's The Rat's Den When The Police Arrive." | 0:34:23 | 0:34:25 | |
And the photo was taken by the founder, Walter Potter, | 0:34:25 | 0:34:28 | |
who was one of the fathers of English taxidermy | 0:34:28 | 0:34:32 | |
in the late 19th century. | 0:34:32 | 0:34:34 | |
He staged various scenes like this, always using stuffed animals. | 0:34:34 | 0:34:38 | |
In fact, even as a young boy, he stuffed his only yellow canary | 0:34:38 | 0:34:42 | |
when it died. | 0:34:42 | 0:34:44 | |
The market for taxidermy has surged in popularity. | 0:34:44 | 0:34:47 | |
That sort of Victorian curio. | 0:34:47 | 0:34:49 | |
However, what's its value? | 0:34:49 | 0:34:51 | |
Dare I say, it's almost absolutely... | 0:34:52 | 0:34:55 | |
worthless. | 0:34:55 | 0:34:57 | |
-FERN GASPS -Sorry. -No! | 0:34:57 | 0:34:59 | |
Well, Mandy and Patsy, you've been wonderful to have | 0:34:59 | 0:35:02 | |
and thank you very much for playing For What It's Worth. | 0:35:02 | 0:35:05 | |
Thank you. | 0:35:05 | 0:35:06 | |
We don't have any regrets, I think it's just the luck of the draw. | 0:35:07 | 0:35:11 | |
We think the top lot might be the fan. | 0:35:11 | 0:35:14 | |
Everyone seems to be going for the coin, | 0:35:14 | 0:35:16 | |
but at the back of my mind, | 0:35:16 | 0:35:18 | |
I've got an inkling thinking the fan. | 0:35:18 | 0:35:20 | |
Well done, boys, you played extremely well. | 0:35:24 | 0:35:28 | |
You've built the most valuable collection, you are today's winners | 0:35:28 | 0:35:31 | |
and now all that remains is for you to claim your prize. | 0:35:31 | 0:35:34 | |
So, all you have to do is pick one of your lots from your collection | 0:35:34 | 0:35:37 | |
and we will give you the value in cash. | 0:35:37 | 0:35:41 | |
So, obviously, try and pick the top lot | 0:35:41 | 0:35:44 | |
which, now we must assume, is in your collection somewhere. | 0:35:44 | 0:35:47 | |
What are you going to choose? | 0:35:47 | 0:35:50 | |
It's a bit of a tricky one, really, because we thought | 0:35:50 | 0:35:52 | |
-the fan was possibly the top lot. -Originally, yeah. | 0:35:52 | 0:35:55 | |
But being as we weren't winning going into the final round, | 0:35:55 | 0:35:57 | |
we think that they possibly had the top lot. | 0:35:57 | 0:36:00 | |
We think the coin's devalued a bit. | 0:36:00 | 0:36:02 | |
It wasn't the actual official Mint | 0:36:02 | 0:36:04 | |
and I think there may be a lot of them. | 0:36:04 | 0:36:06 | |
I think that kind of devalues the coin and it's damaged. | 0:36:06 | 0:36:08 | |
And the letter, it's not anyone really famous that's wrote | 0:36:08 | 0:36:11 | |
the letter to or from necessarily. | 0:36:11 | 0:36:13 | |
Pocket watch... | 0:36:13 | 0:36:15 | |
The Trotter Brothers became rich through a pocket watch. | 0:36:15 | 0:36:18 | |
This time next year, boys, we could all be millionaires! | 0:36:18 | 0:36:22 | |
Where is your heart leading you? | 0:36:22 | 0:36:23 | |
What do you think - the pocket watch? | 0:36:23 | 0:36:25 | |
I think the pocket watch. | 0:36:25 | 0:36:26 | |
Yep. I think we're going to go for the pocket watch. | 0:36:26 | 0:36:29 | |
-Are you? -Yep. -The pocket watch, it's now locked in. | 0:36:29 | 0:36:31 | |
That is your prize. | 0:36:31 | 0:36:32 | |
But before we tell you what it's worth... | 0:36:32 | 0:36:34 | |
Charles, please can you tell us the value of the lots | 0:36:34 | 0:36:37 | |
-that the boys have rejected? -Absolutely. | 0:36:37 | 0:36:38 | |
I think we'll start with your sporting interest in soccer, | 0:36:38 | 0:36:41 | |
but of course, this isn't soccer, Fern. | 0:36:41 | 0:36:44 | |
This is table tennis. | 0:36:44 | 0:36:45 | |
-Aah! -This is late Victorian. | 0:36:45 | 0:36:47 | |
It's novel. | 0:36:47 | 0:36:49 | |
Importantly, condition is so good | 0:36:49 | 0:36:51 | |
and it's quite interesting, those light, celluloid balls. | 0:36:51 | 0:36:54 | |
They came in a bit later in around 1901, so this is | 0:36:54 | 0:36:57 | |
about 1890. | 0:36:57 | 0:36:59 | |
What's it worth? | 0:36:59 | 0:37:01 | |
The next lot, we see very frequently on the auction market. | 0:37:04 | 0:37:08 | |
This lovely, but fairly standard silver sovereign case. | 0:37:08 | 0:37:12 | |
Birmingham, 1900, quite late, nothing overly spectacular, | 0:37:12 | 0:37:15 | |
it's plain. | 0:37:15 | 0:37:17 | |
Value? | 0:37:17 | 0:37:18 | |
-So, well done. -Good heavens. | 0:37:20 | 0:37:21 | |
Then we went on to a bit of a, I suppose, | 0:37:21 | 0:37:23 | |
mysterious object which could go either way. | 0:37:23 | 0:37:27 | |
It has that World War I memorabilia interest. | 0:37:27 | 0:37:30 | |
It supported the troops with flour in the early 20th century | 0:37:30 | 0:37:35 | |
and look at the colours. | 0:37:35 | 0:37:36 | |
They're so vibrant from 101, 102 years ago. | 0:37:36 | 0:37:41 | |
And it's rare. | 0:37:41 | 0:37:43 | |
Value? | 0:37:43 | 0:37:44 | |
You were right to leave it. | 0:37:47 | 0:37:49 | |
OK, the fan is next. | 0:37:49 | 0:37:51 | |
The boys fancied this fan. | 0:37:51 | 0:37:52 | |
Oh, fine. It's French, it's Parisian, it's sexy. | 0:37:52 | 0:37:56 | |
But their fashion and their value | 0:37:56 | 0:37:58 | |
and their importance rose in the 18th century. | 0:37:58 | 0:38:01 | |
This one's slightly over the hill in being 19th century. | 0:38:01 | 0:38:05 | |
Often women, they blushed behind their large fans. | 0:38:05 | 0:38:08 | |
It's so good because it's by a great name in artistic merit. | 0:38:08 | 0:38:13 | |
Hold tight, guys. Its value... | 0:38:13 | 0:38:15 | |
£1,850! | 0:38:15 | 0:38:19 | |
Aah! You had a good nose for that, though. | 0:38:19 | 0:38:21 | |
You thought that was a lot of money, but it's not the top lot! | 0:38:21 | 0:38:25 | |
Then we go onto this very elegant sauce boat. | 0:38:25 | 0:38:29 | |
This is silver! It's heavy. | 0:38:29 | 0:38:31 | |
It's made by James Dixon who's a really important maker. | 0:38:31 | 0:38:35 | |
It's twentieth-century and the value... | 0:38:35 | 0:38:37 | |
Wow! | 0:38:39 | 0:38:41 | |
-So, again, you were right to leave it. -Good. | 0:38:41 | 0:38:43 | |
We then, obviously, came to what is an iconic stamp. | 0:38:43 | 0:38:48 | |
It's a stamp which really represents the birth of the postage stamp | 0:38:48 | 0:38:52 | |
in that great man Sir Rowland Hill | 0:38:52 | 0:38:55 | |
which came in on the 1st May 1840. | 0:38:55 | 0:38:58 | |
It's complete on its envelope. | 0:38:58 | 0:39:01 | |
Value? | 0:39:01 | 0:39:03 | |
Whoa! | 0:39:03 | 0:39:04 | |
OK. | 0:39:04 | 0:39:05 | |
-What have we got left? -This coin. | 0:39:05 | 0:39:07 | |
This is an exceedingly rare coin. | 0:39:07 | 0:39:11 | |
And this object breathes a very important period of history. | 0:39:11 | 0:39:15 | |
It has rarity. | 0:39:15 | 0:39:17 | |
Although condition's tired, it's extremely good | 0:39:17 | 0:39:21 | |
for what was being produced in that underground currency development. | 0:39:21 | 0:39:26 | |
Hold tight, because today... | 0:39:26 | 0:39:28 | |
there is no change, Fern. | 0:39:28 | 0:39:30 | |
-Oh! -I'm sorry, gents. | 0:39:33 | 0:39:35 | |
Well, you've missed the top lot. | 0:39:35 | 0:39:37 | |
Jonathan and Adam, come and join me to take a closer look | 0:39:37 | 0:39:39 | |
at your pocket watch and see if we can tempt you | 0:39:39 | 0:39:42 | |
with our mystery lot, which may be worth even more. | 0:39:42 | 0:39:45 | |
So, you have the pocket watch. | 0:39:47 | 0:39:50 | |
But before we tell you its value, we're going to tempt you | 0:39:50 | 0:39:53 | |
with today's mystery lot. | 0:39:53 | 0:39:55 | |
Now, what's that? | 0:39:57 | 0:39:59 | |
What we have here is something which | 0:39:59 | 0:40:01 | |
would have been made for a marriage. | 0:40:01 | 0:40:03 | |
It's a delightful lot - a wedding present given to a happy couple. | 0:40:03 | 0:40:07 | |
It's dated with contemporary inscriptions | 0:40:07 | 0:40:10 | |
and a date of 1644. | 0:40:10 | 0:40:13 | |
It comes from Sweden and it dates from a time, really, | 0:40:13 | 0:40:16 | |
when hallmarking was far from widespread. | 0:40:16 | 0:40:19 | |
Of course, we know that the best silver in purity | 0:40:19 | 0:40:23 | |
comes from England. | 0:40:23 | 0:40:25 | |
Look at the etchings and engravings. It's beautifully chaste | 0:40:25 | 0:40:30 | |
with various things in happy unison. | 0:40:30 | 0:40:31 | |
Just gorgeous. | 0:40:31 | 0:40:33 | |
So, a Charles I spoon, which is similar period to the coin | 0:40:34 | 0:40:39 | |
that you rejected - our top lot today. | 0:40:39 | 0:40:42 | |
Or, the gold pocket watch you stole and has been sitting quietly | 0:40:42 | 0:40:46 | |
in your collection. | 0:40:46 | 0:40:48 | |
Jonathan, Adam - what would you like to do? | 0:40:48 | 0:40:50 | |
It's a nice piece and, you know, for the right person it would be | 0:40:50 | 0:40:53 | |
collectable, but I think, it's not hallmarked because hallmarking wasn't done. | 0:40:53 | 0:40:57 | |
And not the top quality silver at the time. | 0:40:57 | 0:40:58 | |
-Yeah, we don't know the quality of the silver. -Yep. -So... | 0:40:58 | 0:41:01 | |
-The pocket watch... -Yeah, I'm happy. | 0:41:01 | 0:41:03 | |
..would fetch more than that at auction, | 0:41:03 | 0:41:05 | |
so I think that'd be the more valuable item. | 0:41:05 | 0:41:07 | |
-You're sticking with the pocket watch. -Yes, please. -OK. | 0:41:07 | 0:41:10 | |
It's absolutely gorgeous. You know that you are going home | 0:41:10 | 0:41:12 | |
with whatever that's worth in cold hard cash. | 0:41:12 | 0:41:15 | |
But, Charles, please tell us what they've rejected. | 0:41:15 | 0:41:18 | |
It's a typical, I suppose in English terms, | 0:41:18 | 0:41:21 | |
it's almost like an apostle spoon. It's in great condition. | 0:41:21 | 0:41:24 | |
The gilding is original still. We look at the wear around the bowl... | 0:41:24 | 0:41:28 | |
It's all so clean. | 0:41:28 | 0:41:30 | |
The gauge is good throughout, the thickness... | 0:41:30 | 0:41:32 | |
There's no alterations, no losses, no re-soldering, | 0:41:32 | 0:41:35 | |
it's completely original and I think the great passage of time... | 0:41:35 | 0:41:39 | |
We wonder who's held it over those years. | 0:41:39 | 0:41:42 | |
And today... | 0:41:42 | 0:41:44 | |
at auction, we would estimate this to fetch... | 0:41:44 | 0:41:47 | |
around £250. | 0:41:47 | 0:41:50 | |
Oh! | 0:41:50 | 0:41:52 | |
Oh, my, goodness. I thought you were going to say £250,000! | 0:41:52 | 0:41:56 | |
All right, so, Charles, here we go, then. | 0:41:56 | 0:41:58 | |
Deep breath. Are you both all right? | 0:41:58 | 0:42:00 | |
What is the value of the lot that they have chosen? | 0:42:00 | 0:42:02 | |
We must remember, Fern, you know, gold need not mean | 0:42:02 | 0:42:05 | |
just gold and, I'm hoping, gents, you picked up | 0:42:05 | 0:42:08 | |
that all-important carat of the gold. | 0:42:08 | 0:42:11 | |
I'm looking for nods now because if you did, | 0:42:11 | 0:42:13 | |
you will have noted... | 0:42:13 | 0:42:15 | |
it's 18-carat. | 0:42:15 | 0:42:17 | |
So, 18 parts of 24 has a really high purity. | 0:42:17 | 0:42:20 | |
We know it's a half-hunter. You've got the visible dial. | 0:42:20 | 0:42:24 | |
The full-hunter's more valuable for the gold content. | 0:42:24 | 0:42:26 | |
It's a lovely object. Of course, these have great sentiment. | 0:42:26 | 0:42:30 | |
It's worth... | 0:42:30 | 0:42:32 | |
£1,000! | 0:42:32 | 0:42:34 | |
-Oh, well done! -Congratulations! -Congratulations! -Thank you. | 0:42:34 | 0:42:37 | |
-Well chosen. -Thank you. -Thank you. | 0:42:37 | 0:42:39 | |
So, £1,000. Very well played. You have done so well! | 0:42:39 | 0:42:44 | |
Charles, thank you very much indeed. | 0:42:44 | 0:42:46 | |
And thank you for watching. Join us again next time | 0:42:46 | 0:42:48 | |
when more teams will be playing | 0:42:48 | 0:42:50 | |
For What It's Worth. See you then! | 0:42:50 | 0:42:52 | |
Well done. That was absolutely brilliant. | 0:42:52 | 0:42:56 | |
We're brothers and I think we've worked well as a team. | 0:42:57 | 0:42:59 | |
When we were behind, we knew that we were going to have to have | 0:42:59 | 0:43:02 | |
-a big final round. -We kept just thinking what we needed to | 0:43:02 | 0:43:04 | |
take next, what we needed to do and executed it quite well. | 0:43:04 | 0:43:07 |