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Hello and welcome to For What It's Worth, | 0:00:15 | 0:00:17 | |
where the brightest quizzers and most discerning antique | 0:00:17 | 0:00:20 | |
and collectable shoppers can go home with a whole load of cash. | 0:00:20 | 0:00:25 | |
Now, three pairs of contestants are ready to play. | 0:00:25 | 0:00:28 | |
In each team is a quizzer, responsible for answering general | 0:00:28 | 0:00:32 | |
knowledge questions so that their partner, the picker, | 0:00:32 | 0:00:35 | |
can choose an antique or collectable item to add to their collection. | 0:00:35 | 0:00:39 | |
The aim of the game is to amass the most valuable collection. | 0:00:39 | 0:00:42 | |
Here are today's lots for your consideration. | 0:00:42 | 0:00:45 | |
16 different antiques and collectables. | 0:00:45 | 0:00:48 | |
We have vases, | 0:00:48 | 0:00:51 | |
a book, | 0:00:51 | 0:00:52 | |
plaques, | 0:00:52 | 0:00:54 | |
a brooch, | 0:00:54 | 0:00:55 | |
a fruit bowl, | 0:00:55 | 0:00:57 | |
an inkwell, | 0:00:57 | 0:00:59 | |
a pharmacy jar, | 0:00:59 | 0:01:01 | |
a clock, | 0:01:01 | 0:01:02 | |
a pincushion, | 0:01:02 | 0:01:04 | |
an oil painting, | 0:01:04 | 0:01:05 | |
a plate, | 0:01:05 | 0:01:07 | |
a carving, | 0:01:07 | 0:01:08 | |
a chess box, | 0:01:08 | 0:01:10 | |
a teapot, a figure, | 0:01:10 | 0:01:13 | |
and an ambrotype. | 0:01:13 | 0:01:15 | |
All very different lots with very different values. | 0:01:15 | 0:01:19 | |
One is worthless, worth £10 or less, but the rest increase in value | 0:01:19 | 0:01:23 | |
up to our top lot, which is worth a whopping £2,500. | 0:01:23 | 0:01:27 | |
That is the lot to spot because, at the end of the show, the | 0:01:27 | 0:01:31 | |
winning pair will walk away with the cash equivalent of one these items. | 0:01:31 | 0:01:35 | |
First up, we have Dee and Christian from the Isle of Wight, | 0:01:35 | 0:01:39 | |
who are mother and son. Lovely to have you here. | 0:01:39 | 0:01:42 | |
Dee, you are the antiques picker, | 0:01:42 | 0:01:45 | |
and I understand you are very good at spotting a bargain. | 0:01:45 | 0:01:48 | |
-At times I can be. -You found a Lalique, I think, piece of glass. | 0:01:48 | 0:01:52 | |
I did. That was on the internet. And...very bad picture. | 0:01:52 | 0:01:56 | |
Nobody else bid on it, and I think I got it for 99p. | 0:01:56 | 0:02:01 | |
And it came through in a jiffy bag, and it was a Lalique glass bird. | 0:02:01 | 0:02:06 | |
Wow. Dee, we wish you luck in spotting our things here. | 0:02:06 | 0:02:10 | |
And sitting next to you is your son, Christian. | 0:02:10 | 0:02:12 | |
-You are a primary school teacher. -That's right. | 0:02:12 | 0:02:14 | |
And you like old photographs and slides. | 0:02:14 | 0:02:17 | |
Yes, old slides and negatives. | 0:02:17 | 0:02:19 | |
Especially those from post-war, up to about the 1980s. | 0:02:19 | 0:02:23 | |
Things that are quite often within living memory, | 0:02:23 | 0:02:27 | |
but in many cases have already changed and things have disappeared. | 0:02:27 | 0:02:31 | |
We've lost three piers on the Isle of Wight since the Second World War. | 0:02:31 | 0:02:35 | |
And they quickly fade from memory, | 0:02:35 | 0:02:37 | |
so it is trying to find the images before they've gone completely. | 0:02:37 | 0:02:40 | |
OK. Well, good luck indeed. | 0:02:40 | 0:02:42 | |
And next you, we have Danuta and Stevie, | 0:02:42 | 0:02:45 | |
who are friends from Leicestershire. | 0:02:45 | 0:02:47 | |
Danuta, you like reupholstering bits of furniture. | 0:02:47 | 0:02:51 | |
And also collecting picnic sets. That's interesting. | 0:02:51 | 0:02:54 | |
What have you found? | 0:02:54 | 0:02:56 | |
The best find was on a car boot, | 0:02:56 | 0:02:59 | |
and it was a 1950s Brexton four-person picnic set. | 0:02:59 | 0:03:04 | |
Immaculate condition, never been used, all the original stuff, | 0:03:04 | 0:03:07 | |
-and I bought it for £2. -How much is it worth? | 0:03:07 | 0:03:10 | |
-At least 75. -Well, that's a very good bargain. | 0:03:10 | 0:03:15 | |
-And, Stevie, you love Arnold Schwarzenegger films. -Oh, yes. | 0:03:15 | 0:03:19 | |
-Because? -He's my ideal man. Sort of from the neck down. -Oh. | 0:03:19 | 0:03:25 | |
He would be even more ideal if he was a bit more intellectual, | 0:03:25 | 0:03:29 | |
but I love that sort of action hero, beefy sort of man's man. | 0:03:29 | 0:03:35 | |
Very nice to have you here today, Danuta and Stevie. | 0:03:35 | 0:03:38 | |
And last but not least, we have Sarah and Mark from Kent, | 0:03:38 | 0:03:41 | |
who are father and daughter. Lovely to have you here, too. | 0:03:41 | 0:03:45 | |
Now, Sarah, you are the picker for the team. | 0:03:45 | 0:03:47 | |
What do you like collecting? | 0:03:47 | 0:03:49 | |
Because I travel so much, I like exploring little markets | 0:03:49 | 0:03:52 | |
and seeing what kind of antiques they have, like brooches and jewellery. | 0:03:52 | 0:03:56 | |
-Oh, anything shiny and sparkly? -Yes. -I'm the same. | 0:03:56 | 0:04:00 | |
And Mark, your father, you design fountains. | 0:04:00 | 0:04:04 | |
Yes, we do large water features all over the country, | 0:04:04 | 0:04:08 | |
and sometimes abroad. | 0:04:08 | 0:04:10 | |
So it is lighting it, it is the stone it is created in, | 0:04:10 | 0:04:13 | |
-or the metal. -It is everything. | 0:04:13 | 0:04:16 | |
We've got a large one at the arts university at the old Granary Building, | 0:04:16 | 0:04:20 | |
down at St Pancras. And there's 1,200 jets in that one. | 0:04:20 | 0:04:24 | |
Each one can be programmed with a lighting system, | 0:04:24 | 0:04:28 | |
so you can do all sorts of patterns, set up anything on it. | 0:04:28 | 0:04:31 | |
How beautiful. Well, welcome, all three teams. | 0:04:31 | 0:04:34 | |
We're looking forward to playing the game. | 0:04:34 | 0:04:36 | |
So, earlier, our teams inspected the lots. | 0:04:36 | 0:04:39 | |
But could they separate duds from the Daltons? | 0:04:39 | 0:04:42 | |
-Wow. -Yes. -Right, what have we got here? | 0:04:44 | 0:04:47 | |
Oh, wow! | 0:04:47 | 0:04:50 | |
-That looks very expensive. -English carriage clock. | 0:04:50 | 0:04:54 | |
It's got...two strike. | 0:04:54 | 0:04:57 | |
I don't know, £600, £700? | 0:04:57 | 0:04:59 | |
-Stephen King, Carrie. -It's signed. | 0:04:59 | 0:05:03 | |
79. It could be a first copy, then. | 0:05:03 | 0:05:06 | |
I haven't a clue what an ambrotype is. | 0:05:06 | 0:05:08 | |
-And that does look really old. -The actual painting. | 0:05:08 | 0:05:13 | |
I can see gold inside. | 0:05:13 | 0:05:16 | |
It's not a proper chess piece, | 0:05:16 | 0:05:18 | |
this is just something to sit at the end of a chessboard. | 0:05:18 | 0:05:21 | |
That's the least valuable one. | 0:05:21 | 0:05:24 | |
Some marks there, but I'm not sure. | 0:05:25 | 0:05:27 | |
If that's silver, that's worth quite a bit. | 0:05:27 | 0:05:30 | |
-Is it a hat? -Yeah. | 0:05:30 | 0:05:32 | |
-I think that's got the silver mark. -Yeah. | 0:05:33 | 0:05:36 | |
What do you think of the value, then? | 0:05:36 | 0:05:37 | |
-Well, it is one of the higher value ones. -I'm saying mediocre. | 0:05:37 | 0:05:43 | |
What flag is that? Is that the flag of the Netherlands? | 0:05:43 | 0:05:46 | |
It hasn't been taken care of properly, the paint is chipping. | 0:05:46 | 0:05:49 | |
I would say that is quite expensive. | 0:05:49 | 0:05:52 | |
-There's nothing to indicate anything on these at all. -They are quality. | 0:05:55 | 0:05:59 | |
-Well painted. -It's not ceramic, though. | 0:05:59 | 0:06:02 | |
Oh, that is bronze. | 0:06:04 | 0:06:06 | |
-Is it French, do you think? -Absolutely beautiful. | 0:06:06 | 0:06:10 | |
-Yes, he's lovely. -Yeah, really lovely. | 0:06:10 | 0:06:12 | |
Pharmacy jar. Right, I think that's probably quite expensive. | 0:06:12 | 0:06:16 | |
-Has it been made to look old? -Yes. | 0:06:16 | 0:06:18 | |
That could be Aphrodite or something, a Greek goddess. | 0:06:18 | 0:06:22 | |
It looks foreign, like Turkish or something. I don't know. | 0:06:22 | 0:06:25 | |
-Quite pretty, isn't it? -Yes. -You like old, retro things, and I don't. | 0:06:25 | 0:06:29 | |
SHE LAUGHS | 0:06:29 | 0:06:31 | |
-Is this marble? -No. | 0:06:31 | 0:06:32 | |
97. Is that 1997? | 0:06:32 | 0:06:37 | |
Hand painted, do we think? Is it like a transfer? | 0:06:37 | 0:06:40 | |
-John Gilbert & Co, London. -Oh, right, OK, then. Down he goes. | 0:06:40 | 0:06:44 | |
I don't think it's worth anything. | 0:06:44 | 0:06:47 | |
I'd say this is tat. | 0:06:47 | 0:06:49 | |
Japanese, foreign, Chinese markings. Yes, same on this one. | 0:06:49 | 0:06:52 | |
They are heavy. | 0:06:52 | 0:06:54 | |
-This is an inkwell. -What's an inkwell? | 0:06:54 | 0:06:58 | |
Is that like a beehive? | 0:06:58 | 0:07:00 | |
-A meat plate, yeah. -Only rich people can have gold-plated things. | 0:07:01 | 0:07:06 | |
I think the most valuable is the figure. | 0:07:06 | 0:07:10 | |
Silver teapot, and the oil painting. | 0:07:10 | 0:07:12 | |
The clock, the pharmacy jar, | 0:07:12 | 0:07:15 | |
-the oil painting, and the worthless is the brooch. -The brooch. | 0:07:15 | 0:07:18 | |
The figure, the plate and the teapot. | 0:07:18 | 0:07:22 | |
-The worthless item is the pharmacy jar. -Well, that was really good fun. | 0:07:22 | 0:07:26 | |
I enjoyed that, yeah. | 0:07:26 | 0:07:29 | |
Well, joining me is our resident antiques expert, Kate Bliss. | 0:07:29 | 0:07:32 | |
Kate, what do you make of those lots? | 0:07:32 | 0:07:35 | |
Yes, I can tell you, teams, that there | 0:07:35 | 0:07:37 | |
are some certain items in there you will love to bag for your collection. | 0:07:37 | 0:07:41 | |
There are others that you won't. | 0:07:41 | 0:07:43 | |
And what we've got for you today is certainly variety. | 0:07:43 | 0:07:46 | |
Variety in materials, variety in age, | 0:07:46 | 0:07:50 | |
variety in quality. | 0:07:50 | 0:07:53 | |
But variety in all those things does of course mean variety in value. | 0:07:53 | 0:07:58 | |
And how do you settle on that valuation price? | 0:07:58 | 0:08:01 | |
Well, each lot has been valued by an independent valuer and myself, | 0:08:01 | 0:08:06 | |
and we have agreed that the value is based on a hammer price, | 0:08:06 | 0:08:10 | |
at an open market auction. | 0:08:10 | 0:08:12 | |
And that means it is the price when the hammer falls, | 0:08:12 | 0:08:15 | |
-and it doesn't include any auction costs. -Well. | 0:08:15 | 0:08:19 | |
As well as those little treasures, we also have | 0:08:19 | 0:08:21 | |
our mystery lot, which is hidden under the shroud of mystery and | 0:08:21 | 0:08:26 | |
is poised to be uncovered at the end of the show to tempt our winners. | 0:08:26 | 0:08:31 | |
It could be priceless, or it could be worth pennies. | 0:08:31 | 0:08:34 | |
We will be unveiling it later, but for now, it is | 0:08:34 | 0:08:36 | |
time to play round one. | 0:08:36 | 0:08:38 | |
Now, I'm going to ask ten general knowledge questions. | 0:08:40 | 0:08:43 | |
Quizzers, if you buzz in with a correct answer, | 0:08:43 | 0:08:46 | |
your picker gets to add a lot to your collection. | 0:08:46 | 0:08:50 | |
But beware, buzz in incorrectly | 0:08:50 | 0:08:52 | |
and you'll be frozen out of the next question. | 0:08:52 | 0:08:54 | |
So, quizzers, it is up to you to get the questions right | 0:08:54 | 0:08:57 | |
so that your picker can choose the best lots first. | 0:08:57 | 0:09:01 | |
Fingers on buzzers, question number one. | 0:09:01 | 0:09:04 | |
In which decade did the Channel Tunnel open between England | 0:09:04 | 0:09:08 | |
and France? | 0:09:08 | 0:09:09 | |
-Stevie. -'80s. | 0:09:09 | 0:09:11 | |
Incorrect. 1990s, I'm afraid. | 0:09:11 | 0:09:15 | |
You are frozen out of the next question. | 0:09:15 | 0:09:17 | |
The Persistence Of Memory by Salvador Dali famously | 0:09:17 | 0:09:22 | |
features what melting object? | 0:09:22 | 0:09:25 | |
-Yes, Mark. -A watch. | 0:09:25 | 0:09:27 | |
Correct. Sarah, you get first pick. | 0:09:27 | 0:09:30 | |
-Could I pick the ambrotype, please? -The ambrotype. Yes. | 0:09:30 | 0:09:35 | |
It is starting off your collection now. | 0:09:35 | 0:09:38 | |
Stevie and Danuta, you are now unfrozen. | 0:09:38 | 0:09:40 | |
Question three. On 13 July 1985, | 0:09:40 | 0:09:45 | |
what major charitable... | 0:09:45 | 0:09:47 | |
-Yes, Christian. -Live Aid. | 0:09:47 | 0:09:49 | |
Correct. What major charitable musical event took place at Wembley Stadium? | 0:09:49 | 0:09:54 | |
It was indeed Live Aid, which means, Dee, | 0:09:54 | 0:09:57 | |
-you get to choose something. -The figure, please. -The figure. | 0:09:57 | 0:10:01 | |
That's on its way to your collection. Question four. | 0:10:01 | 0:10:05 | |
Who reached the summit of Mount Everest with Tenzing Norgay in... | 0:10:05 | 0:10:10 | |
-Christian? -Edmund Hillary. | 0:10:10 | 0:10:13 | |
It was Edmund Hillary, with Tenzing Norgay, in 1953. | 0:10:13 | 0:10:18 | |
-Dee, what would you like? -The teapot, please. | 0:10:18 | 0:10:21 | |
The teapot. It is yours. | 0:10:21 | 0:10:24 | |
Question five. | 0:10:24 | 0:10:25 | |
Sean Rad and Justin Mateen are | 0:10:25 | 0:10:29 | |
credited with inventing which popular dating app? | 0:10:29 | 0:10:33 | |
Time up. It is Tinder. | 0:10:36 | 0:10:39 | |
Question six. | 0:10:39 | 0:10:41 | |
"It was the best of times, it was the worst of times." | 0:10:41 | 0:10:44 | |
They are the opening words of which Dickens novel? | 0:10:44 | 0:10:47 | |
-Yes, Stevie. -A Tale Of Two Cities. | 0:10:47 | 0:10:50 | |
Correct. Danuta, you can start your collection off. | 0:10:50 | 0:10:54 | |
-The oil painting, please. -The oil painting. It's yours. | 0:10:54 | 0:10:59 | |
Question seven. | 0:10:59 | 0:11:00 | |
In which US TV series does Andrew Lincoln play a character | 0:11:00 | 0:11:04 | |
called Rick Grimes? | 0:11:04 | 0:11:07 | |
Time up. The Walking Dead. Question eight. | 0:11:10 | 0:11:13 | |
Football teams from which UK city would take part in | 0:11:13 | 0:11:18 | |
the Steel City derby? | 0:11:18 | 0:11:21 | |
-Yes, Christian. -Sheffield. | 0:11:21 | 0:11:23 | |
Correct. Dee, have a pick. | 0:11:23 | 0:11:26 | |
-The plaques, please. -The plaques. They're yours. | 0:11:26 | 0:11:30 | |
Question nine. | 0:11:30 | 0:11:32 | |
Morpheus, Trinity | 0:11:32 | 0:11:34 | |
and Neo are all characters in which 1999 action film? | 0:11:34 | 0:11:39 | |
-Mark. -The Matrix. | 0:11:39 | 0:11:40 | |
-The Matrix it is. Sarah, take a pick. -The clock, please. | 0:11:40 | 0:11:44 | |
The clock, there you go, it is yours. In your collection. | 0:11:44 | 0:11:48 | |
And the final question, number ten. | 0:11:48 | 0:11:50 | |
Which zodiac constellation is represented by a bull? | 0:11:50 | 0:11:56 | |
-Yes, Mark. -Taurus. | 0:11:56 | 0:11:57 | |
It is Taurus, well done. Sarah, take a pick. | 0:11:57 | 0:12:00 | |
-The plate, please. -The plate. It is on its way to your collection. | 0:12:00 | 0:12:05 | |
OK, let's see where we stand with the teams. | 0:12:05 | 0:12:07 | |
Christian and Dee, you have the figure, the plaques and the teapot. | 0:12:07 | 0:12:12 | |
Stevie and Danuta, you have the oil painting. | 0:12:12 | 0:12:16 | |
Mark and Sarah, you have the ambrotype, the plate | 0:12:16 | 0:12:21 | |
and the clock. | 0:12:21 | 0:12:23 | |
Well, our teams have started to build their collections, | 0:12:23 | 0:12:25 | |
but before they have the chance to add to them, | 0:12:25 | 0:12:27 | |
Kate is going to give each team a fact about a lot of their choice. | 0:12:27 | 0:12:33 | |
Now, these snippets of information should give you vital | 0:12:33 | 0:12:35 | |
clues about what it's worth. | 0:12:35 | 0:12:38 | |
You can choose one of yours or one from one of the other teams, | 0:12:38 | 0:12:42 | |
or something that is still up for grabs here on the grid. | 0:12:42 | 0:12:45 | |
-So, Dee, what would you like to know about? -The carving, please. | 0:12:45 | 0:12:49 | |
The carving, which is still on the grid. | 0:12:49 | 0:12:52 | |
Kate, tell me about the carving. | 0:12:52 | 0:12:55 | |
This is a Zimbabwean Shona carving, | 0:12:55 | 0:12:59 | |
signed "Willy, 97". | 0:12:59 | 0:13:01 | |
Now, these African stone sculptures are known as Shona sculptures | 0:13:01 | 0:13:05 | |
because they are hand-carved by the Shona people of Zimbabwe, | 0:13:05 | 0:13:10 | |
who have been hand sculpting stone into works of art for nearly | 0:13:10 | 0:13:13 | |
1,000 years. The stone is called serpentine. | 0:13:13 | 0:13:18 | |
-Willy is a well-known Shona carver. -Thank you, Kate. | 0:13:18 | 0:13:23 | |
Danuta, what would you like to know about? | 0:13:23 | 0:13:26 | |
I'd like to know about the figure, please. | 0:13:26 | 0:13:28 | |
The figure, which is in Dee and Christian's collection. Kate. | 0:13:28 | 0:13:33 | |
Louis Riche, who lived between 1877 and 1949, | 0:13:33 | 0:13:38 | |
was a French sculptor who worked mainly in bronze. | 0:13:38 | 0:13:43 | |
And this is one of his sculptures. | 0:13:43 | 0:13:46 | |
He mainly sculpted animal subjects, | 0:13:46 | 0:13:49 | |
but by far his favourite models were German Shepherd dogs, | 0:13:49 | 0:13:53 | |
at which he is considered the master at reproducing them. | 0:13:53 | 0:13:58 | |
It's on a green marble base and is signed. | 0:13:58 | 0:14:02 | |
-Sarah, what would you like to know about? -The brooch. -Kate, the brooch. | 0:14:02 | 0:14:07 | |
The mark of the Bergen-based Marius Hammer, | 0:14:07 | 0:14:11 | |
who was working between 1847 | 0:14:11 | 0:14:14 | |
and 1927, is on this pretty little brooch. | 0:14:14 | 0:14:18 | |
Norway, as a country of artists, distinguished itself | 0:14:18 | 0:14:23 | |
in the enamelled metal arts towards the turn of the 19th century. | 0:14:23 | 0:14:28 | |
And firms like Marius Hammer adapted traditional techniques | 0:14:28 | 0:14:32 | |
for jewellery production. | 0:14:32 | 0:14:35 | |
This piece dates to around 1910. | 0:14:35 | 0:14:39 | |
Well, now that you are a bit more clued up on today's lots, | 0:14:39 | 0:14:43 | |
let's give you the chance to add more of them to your collections. | 0:14:43 | 0:14:46 | |
Bear in mind that at the end of this round, | 0:14:46 | 0:14:49 | |
the team with the least valuable collection will be eliminated. | 0:14:49 | 0:14:52 | |
So, three more lots are now available to each pair. | 0:14:54 | 0:14:57 | |
This time, pickers, you target a lot, and quizzers, | 0:14:57 | 0:15:02 | |
you then try and secure it by answering a question correctly. | 0:15:02 | 0:15:06 | |
But in this round, the lots come with their own question categories. | 0:15:06 | 0:15:10 | |
And here they are. | 0:15:10 | 0:15:11 | |
So, for example, if you were to target the brooch, | 0:15:13 | 0:15:16 | |
you would be offered questions on either jazz music or the human body. | 0:15:16 | 0:15:21 | |
Dee and Christian, you are up first. So, Dee, what is your lot? | 0:15:21 | 0:15:26 | |
-The brooch, please. -The brooch, OK. | 0:15:26 | 0:15:28 | |
Christian, the human body or jazz music? | 0:15:28 | 0:15:31 | |
-Feeling more confident with the human body, please. -The human body. | 0:15:31 | 0:15:35 | |
Here we go. | 0:15:35 | 0:15:36 | |
The outer layer of which organ of the body has the medical name | 0:15:36 | 0:15:41 | |
epidermis? | 0:15:41 | 0:15:42 | |
-Skin. -Correct. -Well done. -Dee, the brooch is yours. | 0:15:42 | 0:15:46 | |
-Danuta, what would you like? -The pharmacy jar, please. | 0:15:48 | 0:15:53 | |
-Stevie, rivers or kings and queens? -Kings and queens, please. | 0:15:53 | 0:15:57 | |
Yeah, here you go. | 0:15:57 | 0:15:59 | |
Nicknamed the "May King", | 0:15:59 | 0:16:02 | |
Umberto II was the last king of which European country? | 0:16:02 | 0:16:08 | |
Holland. | 0:16:08 | 0:16:09 | |
Incorrect, I'm sorry, Stevie. It is Italy. | 0:16:09 | 0:16:12 | |
So the pharmacy jar stays on the grid. | 0:16:12 | 0:16:15 | |
-Sarah, what would you like to go for? -For the book, please. -OK. | 0:16:15 | 0:16:19 | |
-Mark, the human body or celebrity gossip? -Human body, please. | 0:16:19 | 0:16:24 | |
Human body. Here's your question. | 0:16:24 | 0:16:26 | |
A patella is more commonly known by what name? | 0:16:26 | 0:16:30 | |
-Rib. -Oh, incorrect. | 0:16:30 | 0:16:32 | |
-Kneecap. -Oh! -So the book stays on the grid. | 0:16:32 | 0:16:36 | |
Dee, your choice again. | 0:16:36 | 0:16:38 | |
-The pincushion, please. -The pincushion. | 0:16:38 | 0:16:41 | |
Christian, desserts or festivals and holidays? | 0:16:41 | 0:16:45 | |
-I've got a sweet tooth, I'll go with desserts, please. -OK. | 0:16:45 | 0:16:49 | |
Which British dessert is traditionally made by leaving | 0:16:49 | 0:16:53 | |
sliced white bread, berries and fruit juice in a bowl overnight? | 0:16:53 | 0:16:58 | |
-I'm going to have to guess. Bread pudding. -Incorrect. | 0:16:58 | 0:17:01 | |
-It is summer pudding. Danuta, your choice. -I'll go for the book. | 0:17:01 | 0:17:06 | |
The book. Human body or celebrity gossip, Stevie? | 0:17:06 | 0:17:10 | |
-Oh, let's try celebrity gossip. -Celebrity gossip. | 0:17:10 | 0:17:14 | |
In 2015, the family of which American singer successfully | 0:17:14 | 0:17:18 | |
sued Pharrell Williams | 0:17:18 | 0:17:20 | |
and Robin Thicke for copyright infringement of the song Blurred Lines? | 0:17:20 | 0:17:25 | |
-Was it Barry White? -Incorrect. Marvin Gaye. | 0:17:25 | 0:17:29 | |
Sarah, your choice. | 0:17:29 | 0:17:31 | |
-The pincushion. -The pincushion. | 0:17:31 | 0:17:33 | |
-Mark, desserts or festivals and holidays? -Festivals and holidays. | 0:17:33 | 0:17:38 | |
OK. Which feast marks the end of the Muslim festival Ramadan? | 0:17:38 | 0:17:43 | |
Uh, E-Eib. I... | 0:17:46 | 0:17:48 | |
So close. Unfortunately, that's incorrect | 0:17:48 | 0:17:52 | |
-because it is Eid. -Yeah. | 0:17:52 | 0:17:54 | |
So, teams, your collections are growing. | 0:17:54 | 0:17:57 | |
Now, remember, at the end of this round, | 0:17:57 | 0:17:59 | |
the pair with the least valuable collection will be leaving us. | 0:17:59 | 0:18:02 | |
So have you missed out on the one item you covet above all else? | 0:18:02 | 0:18:07 | |
If so, here is your chance to secure it. | 0:18:07 | 0:18:10 | |
There's one last lot available to each team, | 0:18:10 | 0:18:13 | |
and this time you can either go for what's left on the grid or you can | 0:18:13 | 0:18:17 | |
try to steal an antique that is in a rival team's collection. | 0:18:17 | 0:18:22 | |
But pickers, be warned, if you choose to steal from another | 0:18:22 | 0:18:26 | |
team, their quizzer will get to decide your quizzer's category. | 0:18:26 | 0:18:31 | |
Just one rule here, | 0:18:31 | 0:18:33 | |
you cannot steal from a team who has just one lot in their collection. | 0:18:33 | 0:18:37 | |
Right. Dee, do you want to target a lot from the grid, | 0:18:38 | 0:18:41 | |
or have you got your eye on something in another collection? | 0:18:41 | 0:18:44 | |
-The book, please. -The book. | 0:18:44 | 0:18:46 | |
This is about third time lucky, I think, isn't it? OK. | 0:18:46 | 0:18:49 | |
Human body or celebrity gossip, Christian? | 0:18:49 | 0:18:51 | |
-I'll stick with the human body, please. -The human body, here we go. | 0:18:51 | 0:18:55 | |
What is the name of the light sensitive layer of tissue | 0:18:55 | 0:18:58 | |
containing rods and cones that is located in the back of the eye? | 0:18:58 | 0:19:03 | |
-Retina. -Correct. The book is yours, Dee. -Thank you. | 0:19:03 | 0:19:07 | |
There it goes, into the collection. | 0:19:07 | 0:19:10 | |
Danuta, would you like to go for the grid or steal something? | 0:19:10 | 0:19:13 | |
I'd like to steal the figure. | 0:19:13 | 0:19:15 | |
Christian and Dee, this is in your collection. | 0:19:15 | 0:19:17 | |
So, Christian, I want you to choose any | 0:19:17 | 0:19:19 | |
category of question up there for Stevie. | 0:19:19 | 0:19:23 | |
-Boxing, Fern. -Boxing. | 0:19:23 | 0:19:25 | |
-I knew it. That's mean. -CHRISTIAN: -Sorry. | 0:19:25 | 0:19:28 | |
THEY LAUGH | 0:19:28 | 0:19:29 | |
Which British boxer won an Olympic gold medal in the 2012 women's | 0:19:31 | 0:19:36 | |
flyweight category? | 0:19:36 | 0:19:37 | |
-Oh, Julie Floyd. I can't remember her name. -Incorrect. | 0:19:41 | 0:19:44 | |
-It is of course Nicola Adams. -Yeah. | 0:19:44 | 0:19:47 | |
-Well defended, Christian. -(I hate you.) | 0:19:47 | 0:19:50 | |
-Sarah, what would you like? -I would like to steal the figure, please. | 0:19:50 | 0:19:54 | |
Oh! OK, Christian, | 0:19:54 | 0:19:57 | |
pick a category for Mark to answer. | 0:19:57 | 0:20:00 | |
-Jazz music, please, Fern. -Jazz music. OK. | 0:20:00 | 0:20:04 | |
Which jazz trumpeter and singer was nicknamed Satchmo? | 0:20:04 | 0:20:08 | |
-Louis Armstrong. -Correct. The figure is yours. Well won. | 0:20:08 | 0:20:14 | |
At the end of the round, Christian and Dee have the teapot, | 0:20:14 | 0:20:20 | |
the brooch, the plaque, and they added the book. | 0:20:20 | 0:20:24 | |
Stevie and Danuta, you have your oil painting. | 0:20:24 | 0:20:28 | |
Mark and Sarah, you have the ambrotype, the plate, the clock, | 0:20:28 | 0:20:33 | |
and you stole the figure. | 0:20:33 | 0:20:36 | |
OK, that's it for round two, and for one team it is the end of the road. | 0:20:36 | 0:20:40 | |
Now, we have calculated the combined value of your items, | 0:20:40 | 0:20:43 | |
and the team with the least valuable collection will be eliminated, | 0:20:43 | 0:20:47 | |
taking their lots with them out of the game. | 0:20:47 | 0:20:50 | |
So, Kate has been keeping tabs. Kate, who is leaving us first? | 0:20:50 | 0:20:55 | |
I can reveal that the pair leaving us first... | 0:20:55 | 0:20:59 | |
..is Sarah and Mark. | 0:21:01 | 0:21:03 | |
-Oh! -Oh, my goodness. That's incredible. | 0:21:03 | 0:21:08 | |
But before you leave, | 0:21:08 | 0:21:09 | |
let's find out about the lots that are leaving the game with you. | 0:21:09 | 0:21:13 | |
Kate, what do you make of their collection? | 0:21:13 | 0:21:15 | |
Well, I think you've got a great collection. | 0:21:15 | 0:21:17 | |
You were very quick off the mark there, | 0:21:17 | 0:21:19 | |
and of course you stole that figure right at the end. | 0:21:19 | 0:21:22 | |
Was it worth the steal? Well, let's start with the meat plate. | 0:21:22 | 0:21:27 | |
When I started in the auction business, | 0:21:27 | 0:21:29 | |
these were highly sought-after by the American market, | 0:21:29 | 0:21:33 | |
particularly blue and white examples. | 0:21:33 | 0:21:35 | |
But this one is printed sepia decoration, it is | 0:21:35 | 0:21:39 | |
then over painted in an iron red. Not the most commercial colour, | 0:21:39 | 0:21:43 | |
and I have to say, in about 15 years, | 0:21:43 | 0:21:46 | |
they have plummeted in value and have become really out of fashion, | 0:21:46 | 0:21:51 | |
despite their very practical use, | 0:21:51 | 0:21:53 | |
with that lovely well and grooves to collect the juices from the meat. | 0:21:53 | 0:21:57 | |
-The value, £30. -No! Wow. | 0:21:57 | 0:22:03 | |
-OK. The ambrotype. -The ambrotype, basically, | 0:22:03 | 0:22:08 | |
is a Victorian photograph on glass. | 0:22:08 | 0:22:11 | |
It was done by coating one side of a clean glass plate | 0:22:11 | 0:22:15 | |
with a thin layer of iodised collodion. | 0:22:15 | 0:22:19 | |
And then that was dipped in silver nitrate to form the picture. | 0:22:19 | 0:22:24 | |
This one dates from the late Victorian period, I would say. | 0:22:24 | 0:22:29 | |
It isn't of anybody very notable, so it hasn't got that | 0:22:29 | 0:22:34 | |
as a pull to increase the value. So a little bit out of fashion, | 0:22:34 | 0:22:39 | |
I'm afraid, these days. And the value is £225. | 0:22:39 | 0:22:45 | |
Hmm. Next. | 0:22:45 | 0:22:47 | |
Next we have the bracket clock. | 0:22:47 | 0:22:51 | |
It is actually a thing of beauty, just look at the case. | 0:22:51 | 0:22:54 | |
It is a beautiful architectural form with a domed arch | 0:22:54 | 0:22:59 | |
and those lovely little gilt finials. | 0:22:59 | 0:23:01 | |
It is a silver dial, which of course is signed. | 0:23:01 | 0:23:04 | |
It is by Eardley Norton, and dates | 0:23:04 | 0:23:07 | |
from the Georgian period, 1770. | 0:23:07 | 0:23:11 | |
Called a bracket clock, not a carriage clock, Mark. | 0:23:11 | 0:23:16 | |
You were close, but a little bit too big for you to take with | 0:23:16 | 0:23:19 | |
you in your carriage in the 18th century. | 0:23:19 | 0:23:22 | |
So, super quality, in working order. | 0:23:22 | 0:23:26 | |
£1,200. | 0:23:26 | 0:23:29 | |
Mmm. | 0:23:29 | 0:23:31 | |
And finally, this super figure. | 0:23:31 | 0:23:34 | |
Well, we know it's by the French sculptor Riche. | 0:23:34 | 0:23:37 | |
The condition is excellent. | 0:23:37 | 0:23:39 | |
It's signed, and in terms of an Art Deco subject, | 0:23:39 | 0:23:43 | |
it's really got everything going for it. They loved this in the 1930s. | 0:23:43 | 0:23:48 | |
So it looks like a hefty lump of bronze, | 0:23:48 | 0:23:50 | |
but does it have a hefty price? | 0:23:50 | 0:23:53 | |
Fairly hefty. £800. | 0:23:53 | 0:23:56 | |
So, Sarah and Mark, it is | 0:23:56 | 0:23:58 | |
sadly time to bring the hammer down on your collection. | 0:23:58 | 0:24:01 | |
Thank you so much for playing For What It's Worth. | 0:24:01 | 0:24:04 | |
Thank you, it's been a pleasure. | 0:24:04 | 0:24:05 | |
I didn't think we would be the first ones out. | 0:24:06 | 0:24:09 | |
But, to be fair, you did say that | 0:24:09 | 0:24:10 | |
that oil painting was worth something. | 0:24:10 | 0:24:13 | |
-It wasn't a bad thing, the 2,200... -Yeah, very good. | 0:24:13 | 0:24:16 | |
-..so, not too bad at all, really. -I'm so proud of you. | 0:24:16 | 0:24:19 | |
And now, the unclaimed lots in the grid are also leaving the game, | 0:24:22 | 0:24:26 | |
so let's quickly find out from Kate what they were worth | 0:24:26 | 0:24:29 | |
and if the top lot is still in the game. | 0:24:29 | 0:24:32 | |
Kate. | 0:24:32 | 0:24:33 | |
Let's start with the little box in the form of a chess piece. | 0:24:33 | 0:24:37 | |
This is a lovely little item of treen, | 0:24:37 | 0:24:40 | |
but Dee and Christian, you thought it was worthless. | 0:24:40 | 0:24:44 | |
It's very small. | 0:24:44 | 0:24:45 | |
It is a nice item of treen but the value is £25. | 0:24:45 | 0:24:49 | |
Oh... | 0:24:49 | 0:24:51 | |
What's next? | 0:24:51 | 0:24:52 | |
On we go to another little item of treen - | 0:24:52 | 0:24:55 | |
the inkwell - and what shape is it, Stevie? | 0:24:55 | 0:24:58 | |
-It's a beehive shape. -It is a beehive | 0:24:58 | 0:25:01 | |
and beehive shapes are actually collectable in themselves. | 0:25:01 | 0:25:05 | |
The fact that it's a lovely little item of treen is also nice. | 0:25:05 | 0:25:08 | |
It's also an inkwell, | 0:25:08 | 0:25:10 | |
so, a number of things that would appeal to a collector, but price, | 0:25:10 | 0:25:15 | |
-just £60. -Oh... | 0:25:15 | 0:25:17 | |
What's the next piece? | 0:25:17 | 0:25:19 | |
Let's look at the pair of vases. | 0:25:19 | 0:25:22 | |
Danuta, you said it how you thought it. | 0:25:22 | 0:25:25 | |
-What did you think of these? -They were horrendous. | 0:25:25 | 0:25:28 | |
"Horrendous tat", I think, were the words that you used. | 0:25:28 | 0:25:32 | |
-Yeah. -Christian, you thought they were Japanese or Chinese. | 0:25:32 | 0:25:36 | |
Yeah, they're marked on the bottom and the decoration | 0:25:36 | 0:25:40 | |
sort of lent itself very much to that part of the world. | 0:25:40 | 0:25:43 | |
You are absolutely spot on, although the mark on the bottom | 0:25:43 | 0:25:46 | |
isn't really of any great significance - | 0:25:46 | 0:25:48 | |
it doesn't add any major value. | 0:25:48 | 0:25:50 | |
So, they are colourful. They are bright. | 0:25:50 | 0:25:52 | |
Some people would like them, Danuta, | 0:25:52 | 0:25:55 | |
but they are decorative, really, and worth... | 0:25:55 | 0:25:57 | |
-£170. -Oh, good heavens! -Well done. | 0:25:57 | 0:26:00 | |
What's next? | 0:26:00 | 0:26:02 | |
Well, let's look at this lovely, tactile carving. | 0:26:02 | 0:26:06 | |
Now, this is a really interesting South African market in art, | 0:26:06 | 0:26:09 | |
which is still developing. | 0:26:09 | 0:26:11 | |
Collectors are starting to be really interested in this area, | 0:26:11 | 0:26:17 | |
so, it's signed, it's a growing market, | 0:26:17 | 0:26:20 | |
but how big has the price grown to? | 0:26:20 | 0:26:23 | |
£300. | 0:26:23 | 0:26:25 | |
What's next? | 0:26:25 | 0:26:27 | |
Well, let's look at this little pincushion. | 0:26:27 | 0:26:29 | |
This is Victorian. | 0:26:29 | 0:26:32 | |
Novelty pincushions have great appeal | 0:26:32 | 0:26:35 | |
and, not only is it appealing to pincushion collectors, | 0:26:35 | 0:26:39 | |
it's appealing to the militaria market. | 0:26:39 | 0:26:42 | |
But it's also appealing to people who just like little bits of silver, | 0:26:42 | 0:26:46 | |
so lots going on there for collectors. | 0:26:46 | 0:26:49 | |
What about the value? | 0:26:49 | 0:26:52 | |
£350. | 0:26:52 | 0:26:53 | |
Wow, that's good. | 0:26:53 | 0:26:55 | |
OK, that's gone. What's next? | 0:26:55 | 0:26:57 | |
Next, we have the pharmacy jar. | 0:26:57 | 0:27:01 | |
This is a lovely example of Italian maiolica, | 0:27:01 | 0:27:05 | |
and actually, this dates to the 17th century. | 0:27:05 | 0:27:11 | |
Now, maiolica, not to be confused with majolica, | 0:27:11 | 0:27:14 | |
which is a completely different earthenware substance | 0:27:14 | 0:27:17 | |
with bright glazes. | 0:27:17 | 0:27:18 | |
This is actually with a tin glaze, | 0:27:18 | 0:27:21 | |
but the condition is against it, a little bit, | 0:27:21 | 0:27:24 | |
so this one would have a price tag... | 0:27:24 | 0:27:26 | |
of £600. | 0:27:26 | 0:27:28 | |
Wow. | 0:27:28 | 0:27:30 | |
Right, what more have we got? | 0:27:30 | 0:27:33 | |
Well, our last lot that we're saying goodbye to, and there it is. | 0:27:33 | 0:27:37 | |
It's known as chinoiserie decoration, | 0:27:37 | 0:27:40 | |
which the Victorians absolutely loved. | 0:27:40 | 0:27:44 | |
The mark underneath reads, "John Gilbert & Company in London". | 0:27:44 | 0:27:49 | |
It's a very little-known factory. | 0:27:49 | 0:27:52 | |
It's not in the best condition, | 0:27:52 | 0:27:55 | |
and that means, for that reason, it is today's... | 0:27:55 | 0:27:59 | |
worthless lot. | 0:27:59 | 0:28:00 | |
-Wow. -Wahey. -Oh, God. | 0:28:00 | 0:28:03 | |
Wow, well left alone, there, teams. | 0:28:03 | 0:28:07 | |
Well, a lot of items have left the game, | 0:28:07 | 0:28:09 | |
but you now know that the bottom lot is no longer in play, | 0:28:09 | 0:28:14 | |
and, much more importantly, the top lot is still in the game. | 0:28:14 | 0:28:19 | |
So, just two pairs of contestants left, | 0:28:19 | 0:28:21 | |
and before we go any further, | 0:28:21 | 0:28:23 | |
Kate is going to give you another fact about a lot of your choice, | 0:28:23 | 0:28:26 | |
so, Dee, what lot do you need to know more about? | 0:28:26 | 0:28:30 | |
The oil painting, please. | 0:28:30 | 0:28:32 | |
Stevie and Danuta's oil painting, Kate. | 0:28:32 | 0:28:35 | |
This oil is entitled A Calm Estuary. | 0:28:35 | 0:28:39 | |
It was painted by the Dutch artist Johannes Hermanus Koekkoek, | 0:28:39 | 0:28:44 | |
who was primarily a marine painter, | 0:28:44 | 0:28:47 | |
and was active between 1793 and 1851. | 0:28:47 | 0:28:51 | |
By the 18th and 19th centuries, | 0:28:51 | 0:28:54 | |
the Dutch Golden Age of painting - | 0:28:54 | 0:28:56 | |
with Vermeer and Rembrandt - was over, | 0:28:56 | 0:29:00 | |
but a strong tradition had been laid down for painters in Holland, | 0:29:00 | 0:29:04 | |
and so, it's an area that collectors are still keen to invest in, | 0:29:04 | 0:29:09 | |
and that should tell you all you need to know | 0:29:09 | 0:29:12 | |
to decide what it's worth. | 0:29:12 | 0:29:14 | |
OK. Danuta, what would you like to know more about? | 0:29:14 | 0:29:19 | |
The book, please. | 0:29:19 | 0:29:20 | |
The book, Kate. | 0:29:20 | 0:29:22 | |
In 1973, Stephen King's first novel, Carrie, | 0:29:22 | 0:29:27 | |
was accepted by publishing house Doubleday. | 0:29:27 | 0:29:30 | |
King had thrown an early draft of the novel away, | 0:29:30 | 0:29:34 | |
after becoming discouraged with his progress, | 0:29:34 | 0:29:37 | |
but his wife retrieved the manuscript | 0:29:37 | 0:29:40 | |
and encouraged him to finish it. | 0:29:40 | 0:29:43 | |
When it was released, the hardback sold a mere 13,000 copies, | 0:29:43 | 0:29:48 | |
but the paperback, released a year later, | 0:29:48 | 0:29:51 | |
sold over one million copies in its first year. | 0:29:51 | 0:29:56 | |
This is a first edition, | 0:29:56 | 0:29:59 | |
signed by the author. | 0:29:59 | 0:30:01 | |
And that's all you need to know | 0:30:02 | 0:30:04 | |
to decide what it's worth. | 0:30:04 | 0:30:07 | |
Those are all the facts available to you, | 0:30:07 | 0:30:09 | |
so it's now time for our final round, | 0:30:09 | 0:30:11 | |
and at the end of it, we will have our winners. | 0:30:11 | 0:30:14 | |
Now, I'm going to give the quizzes a category. | 0:30:16 | 0:30:19 | |
They then take in turns to say answers in that category. | 0:30:19 | 0:30:23 | |
For example, if I say, "Name me Norse gods." | 0:30:23 | 0:30:26 | |
Christian, you might say Loki, | 0:30:26 | 0:30:28 | |
and then, Stevie, you might say Odin, | 0:30:28 | 0:30:30 | |
and then Thor and then so on. | 0:30:30 | 0:30:33 | |
If you fail to give an answer, | 0:30:33 | 0:30:34 | |
if you repeat an answer or you give a wrong answer, | 0:30:34 | 0:30:37 | |
you lose that category, | 0:30:37 | 0:30:39 | |
and the opponent's picker | 0:30:39 | 0:30:40 | |
will be able to steal a lot from your collection. | 0:30:40 | 0:30:44 | |
You can steal the last item in your opponent's collection, | 0:30:44 | 0:30:48 | |
so this round is all about defending what you've got, | 0:30:48 | 0:30:52 | |
as well as pilfering your opponents' lots. | 0:30:52 | 0:30:55 | |
There are three categories. | 0:30:55 | 0:30:57 | |
The pair with the most valuable collection at this point go first, | 0:30:57 | 0:31:00 | |
so, Kate, who is that? | 0:31:00 | 0:31:01 | |
Well, I can reveal, Fern, | 0:31:01 | 0:31:03 | |
that the team who currently has the most valuable collection... | 0:31:03 | 0:31:06 | |
..is Dee and Christian. | 0:31:09 | 0:31:10 | |
-Ooh. -Ooh! | 0:31:10 | 0:31:13 | |
OK, Christian, you will start us off, | 0:31:13 | 0:31:15 | |
and the first category is... | 0:31:15 | 0:31:17 | |
Christian, give me an answer. | 0:31:22 | 0:31:25 | |
United Kingdom. | 0:31:25 | 0:31:26 | |
Correct. Stevie? | 0:31:26 | 0:31:28 | |
Ireland. | 0:31:28 | 0:31:29 | |
Correct. Christian? | 0:31:29 | 0:31:30 | |
Germany. | 0:31:30 | 0:31:31 | |
Correct. Stevie? | 0:31:31 | 0:31:33 | |
Sweden. | 0:31:33 | 0:31:34 | |
Correct. Christian? | 0:31:34 | 0:31:35 | |
Israel. | 0:31:35 | 0:31:36 | |
Correct. Stevie? | 0:31:36 | 0:31:37 | |
Azerbaijan. | 0:31:37 | 0:31:39 | |
Correct. Christian? | 0:31:39 | 0:31:40 | |
Russia. | 0:31:40 | 0:31:41 | |
Correct. Stevie? | 0:31:41 | 0:31:42 | |
Greece. | 0:31:42 | 0:31:43 | |
Correct. Christian? | 0:31:43 | 0:31:45 | |
Italy. | 0:31:45 | 0:31:46 | |
Correct. Stevie? | 0:31:46 | 0:31:48 | |
Portugal? | 0:31:48 | 0:31:49 | |
Incorrect. | 0:31:49 | 0:31:51 | |
Dee, you can steal from Stevie and Danuta. | 0:31:51 | 0:31:55 | |
-I hate to do it. -But you would like...? -The oil painting. | 0:31:55 | 0:31:58 | |
The oil painting, please. | 0:31:58 | 0:32:00 | |
It'll be back. | 0:32:00 | 0:32:03 | |
-Sorry. -It's going into your collection now. | 0:32:03 | 0:32:06 | |
Stevie, this is your turn, now, to go first, | 0:32:06 | 0:32:08 | |
and here's your category... | 0:32:08 | 0:32:10 | |
Stevie, give me an answer. | 0:32:13 | 0:32:15 | |
Lance Corporal. | 0:32:15 | 0:32:17 | |
Correct. Christian? | 0:32:17 | 0:32:18 | |
Sergeant. | 0:32:18 | 0:32:19 | |
Correct. Stevie? | 0:32:19 | 0:32:21 | |
Colonel. | 0:32:21 | 0:32:22 | |
Correct. Christian? | 0:32:22 | 0:32:24 | |
Staff Sergeant. | 0:32:24 | 0:32:25 | |
Correct. Stevie? | 0:32:25 | 0:32:27 | |
Chief Petty Officer. | 0:32:27 | 0:32:28 | |
That is incorrect. | 0:32:28 | 0:32:30 | |
Chief Petty Officer is a rank | 0:32:30 | 0:32:32 | |
but it is in the Royal Navy. | 0:32:32 | 0:32:35 | |
I'm so sorry. | 0:32:35 | 0:32:37 | |
-Hey-ho. -So, there's nothing to steal, | 0:32:37 | 0:32:39 | |
but it is the total value of your collections that matter | 0:32:39 | 0:32:42 | |
at the end of this round. | 0:32:42 | 0:32:43 | |
We have one category left. | 0:32:43 | 0:32:45 | |
One higher-priced lot could be more valuable | 0:32:45 | 0:32:48 | |
than your opponent's entire collection. | 0:32:48 | 0:32:51 | |
Christian, this is your turn, and here is the category. | 0:32:51 | 0:32:55 | |
Christian, give me an answer. | 0:32:58 | 0:33:00 | |
Top Gun. | 0:33:00 | 0:33:02 | |
Correct. Stevie? | 0:33:02 | 0:33:03 | |
"Mission: Impossible". | 0:33:03 | 0:33:04 | |
Correct. Christian? | 0:33:04 | 0:33:05 | |
"Mission: Impossible II". | 0:33:05 | 0:33:07 | |
Correct. Stevie? | 0:33:07 | 0:33:08 | |
Interview With The Vampire. | 0:33:08 | 0:33:10 | |
Correct. Christian? | 0:33:10 | 0:33:11 | |
Cocktail. | 0:33:11 | 0:33:13 | |
Correct. Stevie? | 0:33:13 | 0:33:14 | |
Far And Away. | 0:33:14 | 0:33:15 | |
Correct. Christian? | 0:33:15 | 0:33:17 | |
The Colour Of Money. | 0:33:17 | 0:33:18 | |
Correct. Stevie? | 0:33:18 | 0:33:19 | |
"Mission: Impossible III"? | 0:33:19 | 0:33:21 | |
Correct. Christian? | 0:33:21 | 0:33:24 | |
"Mission: Impossible IV". | 0:33:24 | 0:33:25 | |
Incorrect, Christian. | 0:33:25 | 0:33:27 | |
It was not called "Mission: Impossible IV". | 0:33:27 | 0:33:30 | |
The next one was | 0:33:30 | 0:33:31 | |
"Mission: Impossible - The Ghost Protocol". | 0:33:31 | 0:33:35 | |
Danuta, you may steal a lot from Christian and Dee. | 0:33:35 | 0:33:40 | |
What are you going for? | 0:33:40 | 0:33:41 | |
We'll have our oil painting back, please. | 0:33:41 | 0:33:44 | |
That has been your one and only lot through the entire game. | 0:33:44 | 0:33:48 | |
We're faithful to the painting. | 0:33:48 | 0:33:51 | |
That's it. Your collections are now fixed | 0:33:51 | 0:33:53 | |
and will determine which team is victorious. | 0:33:53 | 0:33:56 | |
Kate, who got the most valuable collection in the end? | 0:33:56 | 0:34:01 | |
The winners of today's show are... | 0:34:01 | 0:34:05 | |
Dee and Christian. | 0:34:05 | 0:34:07 | |
Whoa! | 0:34:07 | 0:34:10 | |
Congratulations, | 0:34:10 | 0:34:12 | |
but commiserations to Danuta and Stevie. | 0:34:12 | 0:34:16 | |
You didn't create a valuable enough collection, | 0:34:16 | 0:34:20 | |
but before we say goodbye, | 0:34:20 | 0:34:22 | |
let's find out what your oil painting is worth. | 0:34:22 | 0:34:26 | |
Kate, what did you make of this beautiful painting? | 0:34:26 | 0:34:30 | |
Well, Stevie and Danuta, you wanted this. | 0:34:30 | 0:34:34 | |
You had it right from the outset | 0:34:34 | 0:34:36 | |
and, by and large, you've held on to it. | 0:34:36 | 0:34:40 | |
Well, the thing about marine art is to look at the details, | 0:34:40 | 0:34:46 | |
and the marine art which is the most desirable | 0:34:46 | 0:34:50 | |
has a detail which you can pinpoint it in history, | 0:34:50 | 0:34:55 | |
but, actually, this doesn't have an important historical subject. | 0:34:55 | 0:35:01 | |
We don't know exactly what the boats are, | 0:35:01 | 0:35:04 | |
but the artist, Koekkoek, | 0:35:04 | 0:35:07 | |
now, he has a very good track record at auction. | 0:35:07 | 0:35:11 | |
This painting, if it was to come up at auction, | 0:35:12 | 0:35:15 | |
would have a value... | 0:35:15 | 0:35:18 | |
of £2,500, | 0:35:18 | 0:35:22 | |
which makes it today's top lot. | 0:35:22 | 0:35:24 | |
Oh, my goodness. | 0:35:24 | 0:35:26 | |
So, you can have the top lot | 0:35:26 | 0:35:29 | |
and still not win the game. STEVIE LAUGHS | 0:35:29 | 0:35:32 | |
Well, Stevie and Danuta, it's been wonderful to have you here | 0:35:32 | 0:35:36 | |
but, sadly, it is time to bring the hammer down on your collection, | 0:35:36 | 0:35:39 | |
and say thank you for playing For What It's Worth. | 0:35:39 | 0:35:42 | |
-Thank you. -Thank you. | 0:35:42 | 0:35:44 | |
I didn't realise the painting was the top lot. | 0:35:45 | 0:35:48 | |
I just wanted it back and I did like it. | 0:35:48 | 0:35:51 | |
With hindsight, we did pick the top-priced lot, | 0:35:51 | 0:35:53 | |
so we've not done too bad. | 0:35:53 | 0:35:55 | |
Well done, Dee and Christian. | 0:36:00 | 0:36:01 | |
You did build the most valuable collection and you are today's | 0:36:01 | 0:36:04 | |
winners, and now all that remains is for you to claim your prize. | 0:36:04 | 0:36:09 | |
All you have to do is pick a lot from your collection | 0:36:09 | 0:36:11 | |
and we will give you its value in cash. | 0:36:11 | 0:36:14 | |
So, you know the bottom lot went | 0:36:14 | 0:36:16 | |
and the top lot has just gone. | 0:36:16 | 0:36:19 | |
However, there are some very interesting items | 0:36:19 | 0:36:21 | |
in your collection, so all you have to do is pick a good one. | 0:36:21 | 0:36:26 | |
I like the teapot. I think the teapot is a really nice item. | 0:36:26 | 0:36:30 | |
It is. I like the book, | 0:36:30 | 0:36:32 | |
and I'd go for the book, because, erm, | 0:36:32 | 0:36:35 | |
what the Harry Potter ones go for - | 0:36:35 | 0:36:36 | |
the signed first edition, limited run. | 0:36:36 | 0:36:40 | |
Teapot, I'd do second. | 0:36:40 | 0:36:42 | |
You can choose. | 0:36:42 | 0:36:44 | |
-Really? -Yeah, yeah. -No, you're the expert? -No, no. | 0:36:44 | 0:36:46 | |
-No, you're the picker. -I know nothing about books, seriously. | 0:36:46 | 0:36:49 | |
You choose, | 0:36:49 | 0:36:50 | |
-then, if it's wrong, I can blame you. -Thanks(!) | 0:36:50 | 0:36:53 | |
-No, you choose. -Erm... | 0:36:53 | 0:36:55 | |
The book, please, Fern. | 0:36:55 | 0:36:56 | |
The book it is. | 0:36:56 | 0:36:57 | |
You have chosen the book, but before we tell you what it's worth, | 0:36:57 | 0:37:01 | |
Kate is going to give us the value of the lots you have rejected. | 0:37:01 | 0:37:06 | |
-Let's start with the brooch. -Oh, yes. | 0:37:06 | 0:37:08 | |
It's in lovely condition, and, of course, | 0:37:08 | 0:37:11 | |
you've got the Marius Hammer stamp on the back, there, | 0:37:11 | 0:37:14 | |
so we know it is by hammer. | 0:37:14 | 0:37:17 | |
Very delicate, but does it have a delicate price? | 0:37:18 | 0:37:21 | |
Well, this, under the hammer, would fetch around... | 0:37:21 | 0:37:24 | |
£140. | 0:37:24 | 0:37:25 | |
Oh, is that all? | 0:37:25 | 0:37:27 | |
OK, what's next? | 0:37:27 | 0:37:29 | |
Well, let's move on to the plaques - | 0:37:29 | 0:37:32 | |
-all hand-painted, it is on Derby porcelain... -Oh. | 0:37:32 | 0:37:37 | |
..and these date from the very early part of the 19th century. | 0:37:37 | 0:37:41 | |
How do we know it's early 19th century? | 0:37:41 | 0:37:43 | |
Because they're by Thomas Steele, | 0:37:43 | 0:37:46 | |
one of the leading painters at the factory, | 0:37:46 | 0:37:48 | |
who was very well known for producing fruit and flowers, | 0:37:48 | 0:37:52 | |
but he went to Minton in the 1830s, | 0:37:52 | 0:37:55 | |
so we know it's pre- that move, | 0:37:55 | 0:37:58 | |
but it might surprise you to know that the value is | 0:37:58 | 0:38:01 | |
just £500 for the pair. | 0:38:01 | 0:38:03 | |
Good, we've avoided those. | 0:38:03 | 0:38:05 | |
What's next? | 0:38:05 | 0:38:07 | |
So, we come to the teapot. | 0:38:07 | 0:38:09 | |
This teapot is silver. | 0:38:09 | 0:38:11 | |
It's beautifully hallmarked, as you would expect. | 0:38:11 | 0:38:13 | |
It dates from the George II period. | 0:38:13 | 0:38:16 | |
It's quite early and it's known as pear-shaped, | 0:38:16 | 0:38:20 | |
but this is a collectors item, | 0:38:20 | 0:38:22 | |
and somebody would love to snap this up... | 0:38:22 | 0:38:26 | |
for £750. | 0:38:26 | 0:38:28 | |
OK, Dee and Christian, | 0:38:28 | 0:38:31 | |
come and join me to take a closer look at your chosen lot - | 0:38:31 | 0:38:34 | |
the book - and see if we can tempt you with our mystery lot, | 0:38:34 | 0:38:39 | |
which may be worth more. | 0:38:39 | 0:38:41 | |
Now, you may be confident that you have something worth | 0:38:43 | 0:38:46 | |
a small fortune, but before we tell you its value, | 0:38:46 | 0:38:50 | |
we're going to tempt you with today's mystery lot, | 0:38:50 | 0:38:53 | |
and Kate is going to reveal it to us. | 0:38:53 | 0:38:56 | |
And she's going to try and do it very carefully, | 0:38:56 | 0:38:59 | |
-because, underneath... -Oh. | 0:38:59 | 0:39:03 | |
..we have that. | 0:39:03 | 0:39:05 | |
There's probably no more famous a British monarch | 0:39:05 | 0:39:08 | |
than King Henry VIII and his six wives. | 0:39:08 | 0:39:12 | |
This is a complete set, | 0:39:12 | 0:39:15 | |
made in limited numbers by Royal Doulton. | 0:39:15 | 0:39:19 | |
The royal connection has always served Doulton well, | 0:39:19 | 0:39:23 | |
and any royal figures prove amazingly popular. | 0:39:23 | 0:39:27 | |
These ones were no exception, | 0:39:27 | 0:39:29 | |
but due to their limited numbers, | 0:39:29 | 0:39:32 | |
only 9,500 were produced. | 0:39:32 | 0:39:35 | |
Copies began to emerge. | 0:39:35 | 0:39:39 | |
These are originals by Doulton and they are a complete set. | 0:39:39 | 0:39:44 | |
First impressions? | 0:39:45 | 0:39:47 | |
I think they're really nice | 0:39:49 | 0:39:51 | |
but I still think 9,000 were produced. It's still... | 0:39:51 | 0:39:55 | |
It's quite a lot, | 0:39:55 | 0:39:56 | |
but then, I know nothing about the book. | 0:39:56 | 0:39:58 | |
All we know about the book, sorry, is that the... | 0:39:58 | 0:40:01 | |
the Harry Potter ones, how much they're worth. | 0:40:01 | 0:40:03 | |
My knowledge of Doulton? | 0:40:03 | 0:40:05 | |
Very, very little. | 0:40:05 | 0:40:08 | |
How much do you think the book might be worth? | 0:40:08 | 0:40:10 | |
I'm guesstimating the book anywhere from £1,500-£1,000. | 0:40:10 | 0:40:14 | |
Somewhere about that. I don't know. | 0:40:14 | 0:40:17 | |
What are your thoughts on the Doulton? | 0:40:17 | 0:40:19 | |
About the same. That's not very good, is it? | 0:40:19 | 0:40:22 | |
-Erm... -Erm, I think we'll stay with the book. | 0:40:22 | 0:40:25 | |
-Honestly? -Yeah. | 0:40:25 | 0:40:27 | |
-That's what I would have done. -We'll stay with the book. | 0:40:27 | 0:40:29 | |
That means you have won its value in cold, hard cash, | 0:40:29 | 0:40:34 | |
but Kate's now going to tell us | 0:40:34 | 0:40:36 | |
how much these Doulton figures are that you have rejected. | 0:40:36 | 0:40:40 | |
They are very popular, | 0:40:40 | 0:40:43 | |
but there are Doulton figures and there are Doulton figures. | 0:40:43 | 0:40:46 | |
These ones date from the 1990s, so they are quite late, | 0:40:46 | 0:40:52 | |
but I can tell you, this collection, | 0:40:52 | 0:40:54 | |
it is complete, and it's in very good condition, of course. | 0:40:54 | 0:40:58 | |
We've got Anne Boleyn and Catherine Howard - still with their heads. | 0:40:58 | 0:41:02 | |
So, the collection together is worth at auction... | 0:41:02 | 0:41:06 | |
..£550. | 0:41:08 | 0:41:10 | |
Wow. | 0:41:10 | 0:41:11 | |
Tell us a bit about the value of the lot they HAVE chosen, | 0:41:13 | 0:41:16 | |
the Stephen King book. | 0:41:16 | 0:41:18 | |
The book - you were really rooting for this, Christian, | 0:41:18 | 0:41:21 | |
-weren't you? -Yes. | 0:41:21 | 0:41:22 | |
And, Dee, you were persuaded into it. | 0:41:22 | 0:41:24 | |
Well, let's have another look at it, | 0:41:24 | 0:41:26 | |
-and excuse me, Fern. -Oh, no, do. -I'm going to pop these gloves on, | 0:41:26 | 0:41:28 | |
because it is in fantastic condition. | 0:41:28 | 0:41:32 | |
So, it is a hardback. | 0:41:32 | 0:41:34 | |
It's got its dust jacket, which is very important | 0:41:34 | 0:41:37 | |
for when we're looking at collectable books, | 0:41:37 | 0:41:40 | |
and, inside, | 0:41:40 | 0:41:42 | |
we have the signature of the author Stephen King, | 0:41:42 | 0:41:46 | |
but, of course, we have a date, as well, and this is particularly nice, | 0:41:46 | 0:41:50 | |
so that all helps to add to the value. | 0:41:50 | 0:41:54 | |
He has a massive following | 0:41:54 | 0:41:56 | |
and I can tell you the value of this book... | 0:41:56 | 0:42:00 | |
-..is £1,750. -Whoa! | 0:42:02 | 0:42:06 | |
-Well done. -Oh, that's marvellous. -That's fantastic. | 0:42:06 | 0:42:09 | |
Fantastic. | 0:42:09 | 0:42:10 | |
-Congratulations, Dee... -Thank you very much. | 0:42:10 | 0:42:12 | |
-..and Christian. -Thank you very much. -That was... -Fantastic. | 0:42:12 | 0:42:15 | |
And you went for it straight away. | 0:42:15 | 0:42:16 | |
You truly had belief in that book and it's come through for you, | 0:42:16 | 0:42:20 | |
so, today, Dee and Christian, | 0:42:20 | 0:42:22 | |
you are going home with £1,750. | 0:42:22 | 0:42:27 | |
-Amazing, thank you. -Well done. -Whoa. | 0:42:27 | 0:42:29 | |
Kate, thank you so much for all your expertise. | 0:42:29 | 0:42:32 | |
You were brilliant at that. Thank you, of course, for watching. | 0:42:32 | 0:42:35 | |
We look forward to you joining us again next time, when we have three | 0:42:35 | 0:42:38 | |
new teams trying to spot the lot to win the lot on For What It's Worth. | 0:42:38 | 0:42:42 | |
We'll see you then. Goodbye. | 0:42:42 | 0:42:44 | |
-Brilliant. Absolutely brilliant. -Thank you so much. | 0:42:44 | 0:42:47 | |
-Absolutely amazed. -Yeah, amazed. -Absolutely, we didn't expect to win, | 0:42:50 | 0:42:53 | |
so it was great, absolutely great. | 0:42:53 | 0:42:55 | |
No expectations. Just turning up would have been good enough, | 0:42:55 | 0:42:57 | |
-but to win - wow. -It was a bonus. Yeah, absolute bonus. | 0:42:57 | 0:43:00 |