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Hello and welcome to For What It's Worth, the show that brings | 0:00:15 | 0:00:18 | |
a whole new meaning to the phrase Q&A - quiz and antiques. | 0:00:18 | 0:00:23 | |
Three pairs of contestants are ready to play | 0:00:23 | 0:00:25 | |
and in each team is a quizzer, | 0:00:25 | 0:00:26 | |
responsible for answering general knowledge questions | 0:00:26 | 0:00:29 | |
so that their partner, the picker, | 0:00:29 | 0:00:31 | |
can choose an antique item to add to their collection. | 0:00:31 | 0:00:34 | |
The aim of the game is to amass the most valuable collection. | 0:00:34 | 0:00:38 | |
And here are today's lots for your consideration. | 0:00:38 | 0:00:41 | |
We have 16 different antiques and collectables. | 0:00:41 | 0:00:44 | |
We have a clock, | 0:00:44 | 0:00:47 | |
a gladiator prop, | 0:00:47 | 0:00:49 | |
microscope, | 0:00:49 | 0:00:50 | |
a corkscrew, | 0:00:50 | 0:00:53 | |
an automaton, | 0:00:53 | 0:00:55 | |
toy car, | 0:00:55 | 0:00:56 | |
camera, | 0:00:56 | 0:00:58 | |
book, | 0:00:58 | 0:00:59 | |
watercolours, | 0:00:59 | 0:01:01 | |
bracelet, | 0:01:01 | 0:01:03 | |
bottle of wine, | 0:01:03 | 0:01:04 | |
cream jug, | 0:01:04 | 0:01:06 | |
a football card, | 0:01:06 | 0:01:08 | |
umbrella, | 0:01:08 | 0:01:10 | |
porcelain trio | 0:01:10 | 0:01:12 | |
and a chair. | 0:01:12 | 0:01:14 | |
Mm. All very different with very different values. One is worthless. | 0:01:14 | 0:01:19 | |
It's worth £10 or less. | 0:01:19 | 0:01:21 | |
And the rest increase in value up to our top lot, which is | 0:01:21 | 0:01:24 | |
worth a whopping £2,500. | 0:01:24 | 0:01:28 | |
Now, that is the lot to spot because, | 0:01:28 | 0:01:30 | |
at the end of the show, the winning pair will walk away with | 0:01:30 | 0:01:32 | |
the cash equivalent of one of these items. | 0:01:32 | 0:01:35 | |
So first up, we have Peter and Nick, | 0:01:35 | 0:01:37 | |
who are work colleagues from Shropshire. | 0:01:37 | 0:01:39 | |
Welcome to the show, the pair of you. | 0:01:39 | 0:01:42 | |
Now, Peter, you are picking the lots today. | 0:01:42 | 0:01:44 | |
So when you go round the car-boot sales, Peter, | 0:01:44 | 0:01:47 | |
and the antique shops and things, what do you look for? | 0:01:47 | 0:01:49 | |
What's your technique? | 0:01:49 | 0:01:51 | |
Well, I'm not sure if I'm just tight, but I like a bargain, | 0:01:51 | 0:01:54 | |
anything under a fiver. | 0:01:54 | 0:01:55 | |
I go normally looking for Marvel stuff, really. I love Marvel. | 0:01:55 | 0:01:59 | |
I have a quick whizz round the car boots, normally. | 0:01:59 | 0:02:01 | |
If I can't find anything, | 0:02:01 | 0:02:02 | |
I'll just buy anything cheap that I think I'll make a bit of money on. | 0:02:02 | 0:02:06 | |
Your colleague next to you is Nick, who is the team's quizzer. | 0:02:06 | 0:02:09 | |
Now, why do you and Peter get on so well? | 0:02:09 | 0:02:12 | |
Well, there's only four of us on a shift - me, Pete, Mark and Steve. | 0:02:12 | 0:02:17 | |
And we all have a good laugh. | 0:02:17 | 0:02:19 | |
So when this goes out, I think we're really going to get some stick! | 0:02:19 | 0:02:23 | |
FERN LAUGHS | 0:02:23 | 0:02:24 | |
Welcome to For What It's Worth. That's Peter and Nick. | 0:02:24 | 0:02:26 | |
And next to you is Carolyn and Viv. | 0:02:26 | 0:02:28 | |
Now, they are mother and daughter, a team from Guildford in Surrey. | 0:02:28 | 0:02:32 | |
Welcome to the show, the both of you. | 0:02:32 | 0:02:34 | |
Viv, you are the team picker, so where does your interest lie | 0:02:34 | 0:02:38 | |
when it comes to antiques and collectables? | 0:02:38 | 0:02:41 | |
Well, I've been passed down some Lambeth Doulton, a tea set, | 0:02:41 | 0:02:45 | |
which I like. And I've also got some china of my grandmother's. | 0:02:45 | 0:02:49 | |
And I just love watching Antiques Roadshow. | 0:02:49 | 0:02:51 | |
Any of the shows on television I watch. | 0:02:51 | 0:02:53 | |
And sitting next to you is your daughter, Carolyn, | 0:02:53 | 0:02:56 | |
-the quizzer for your team. Are you competitive, the pair of you? -Um... | 0:02:56 | 0:02:59 | |
Yeah. We're very competitive, yeah. | 0:02:59 | 0:03:01 | |
I mean, I'd like to say, I'm not a bad loser | 0:03:01 | 0:03:03 | |
but I've got three broth... No, I'm not! | 0:03:03 | 0:03:05 | |
But I've got three brothers. I like to win. | 0:03:05 | 0:03:07 | |
Let's put it that way! | 0:03:07 | 0:03:08 | |
-OK. So would you play family games at Christmas? -Oh, yes. Oh, yeah. | 0:03:08 | 0:03:12 | |
-It's quite brutal, it can be. -Well, look out, opponents! | 0:03:12 | 0:03:16 | |
Sitting next to you is Ron and Howard. Welcome, the pair of you. | 0:03:16 | 0:03:20 | |
Ron and Howard are friends from Stockport. Lovely to meet you. | 0:03:20 | 0:03:24 | |
So, Ron, you are the picker for the team today. | 0:03:24 | 0:03:27 | |
And now, you have been friends for 30 years, | 0:03:27 | 0:03:29 | |
so you must know each other pretty well. | 0:03:29 | 0:03:32 | |
-Time flies, doesn't it? -How did you meet? | 0:03:32 | 0:03:34 | |
That's when you're enjoying yourself! Um... | 0:03:34 | 0:03:36 | |
We met at our local church. Our wives were friends. | 0:03:36 | 0:03:39 | |
It sort of blossomed from there. | 0:03:39 | 0:03:41 | |
So, Howard, you are the quizzer for your team. | 0:03:41 | 0:03:43 | |
Do you reckon that Ron's got what it takes to make the right decisions? | 0:03:43 | 0:03:48 | |
Till we turned up today, I thought he had, yeah! | 0:03:48 | 0:03:51 | |
He has his moments. He's quite strong-minded, Ron. | 0:03:51 | 0:03:54 | |
Senior moments, yes. Senior moments. | 0:03:54 | 0:03:56 | |
If he can keep quiet for a minute, yeah! | 0:03:56 | 0:03:58 | |
FERN LAUGHS | 0:03:58 | 0:04:00 | |
-He's OK, really. -You have obviously a very close friendship | 0:04:00 | 0:04:03 | |
-and it's lovely to have you here as well. -Thank you. | 0:04:03 | 0:04:06 | |
So, earlier, our teams inspected the lots | 0:04:06 | 0:04:08 | |
but could they separate the glitz from the glum? | 0:04:08 | 0:04:11 | |
Right. Where do you want to start? | 0:04:13 | 0:04:14 | |
Oh, wow! OK. | 0:04:14 | 0:04:17 | |
-Where are we going to start? -Where do you want start, mate? | 0:04:17 | 0:04:20 | |
James Bond Aston Martin. Got a price tag on it. 6. | 0:04:20 | 0:04:23 | |
That's a nice car and it's got... | 0:04:23 | 0:04:24 | |
Oh, and it's got all the instructions. | 0:04:24 | 0:04:27 | |
-If it was a first edition, it's got to be... -£500. | 0:04:27 | 0:04:31 | |
-What's the name on it? -The Theory Of Relativity, Einstein. | 0:04:31 | 0:04:34 | |
1962, Chateau Lafite-Rothschild. | 0:04:36 | 0:04:39 | |
-Ring any bells? -No. | 0:04:39 | 0:04:43 | |
-It's not terribly old. -No. | 0:04:43 | 0:04:45 | |
1916. That's got to be First World War, something that went on there. | 0:04:46 | 0:04:50 | |
-Probably oak. -And with the carving, it's not bad, is it? | 0:04:50 | 0:04:53 | |
-Hughes-Stanton. -Hughes-Stanton. | 0:04:55 | 0:04:58 | |
Well, this is Greece. | 0:04:58 | 0:05:00 | |
Couple of hundred pound apiece. | 0:05:00 | 0:05:02 | |
Gladiator prop. Something that's worth less than a tenner. | 0:05:03 | 0:05:06 | |
You've got to pick that one out as well. | 0:05:06 | 0:05:08 | |
So I would say that that's probably not going to be worth very much. | 0:05:08 | 0:05:11 | |
If Russell Crowe had wielded it... | 0:05:11 | 0:05:13 | |
Do you think that's a prop as well? Mary Poppins? | 0:05:13 | 0:05:17 | |
-Would you give that house room? -Not really. | 0:05:17 | 0:05:19 | |
-Henry Crouch. -I've sold one of these before. Maybe not by him. | 0:05:21 | 0:05:25 | |
Look. It's got farthings here. 1940. | 0:05:25 | 0:05:28 | |
People do collect corkscrews. | 0:05:30 | 0:05:32 | |
-They're quite a popular item. -I wouldn't say that's worth anything. | 0:05:32 | 0:05:35 | |
Bit random. | 0:05:35 | 0:05:36 | |
I'd be thinking 1900s for that. | 0:05:36 | 0:05:38 | |
It's an automaton. | 0:05:40 | 0:05:41 | |
-I don't like it but they can actually be worth quite a lot. -Yeah. | 0:05:41 | 0:05:44 | |
Even the glass dome, they're expensive without anything in it, | 0:05:44 | 0:05:47 | |
to be honest, aren't they? | 0:05:47 | 0:05:48 | |
I'm going to say I don't think this is worth much | 0:05:48 | 0:05:50 | |
and then find it's probably the one. | 0:05:50 | 0:05:53 | |
The Blue John is local. | 0:05:53 | 0:05:55 | |
Although Blue John's worth good money sometimes. | 0:05:55 | 0:05:58 | |
-Yeah, that's silver. -It's quite heavy, isn't it? | 0:05:58 | 0:06:01 | |
-300 quid, something like that. -I think that's a couple of hundred. | 0:06:01 | 0:06:05 | |
-Do you know anything about clocks? Do you recognise the movement? -No. | 0:06:05 | 0:06:10 | |
Hawkins Compton. | 0:06:10 | 0:06:11 | |
-It has got a maker's mark. -But you don't know what that is? | 0:06:13 | 0:06:16 | |
I don't recognise it. | 0:06:16 | 0:06:17 | |
-Is that a crossed swords? -Yeah, it is. | 0:06:17 | 0:06:19 | |
The crossed swords are Meissen. | 0:06:19 | 0:06:22 | |
-Very technical bit of kit. -It's German. | 0:06:22 | 0:06:25 | |
"Hasselbar"? Hasselblad? | 0:06:25 | 0:06:27 | |
-300? -I don't know if it's that much. | 0:06:27 | 0:06:29 | |
-Football card. -Newton Heath used to be the old City ground, didn't it? | 0:06:31 | 0:06:34 | |
No, United, Man United. | 0:06:34 | 0:06:36 | |
Most expensive, automaton, cup and saucer, silver cream jug. | 0:06:36 | 0:06:42 | |
-The automaton. -The bottle of wine. -And let's try the camera, then. | 0:06:42 | 0:06:45 | |
OK. The camera. | 0:06:45 | 0:06:47 | |
-Automaton. -That's number one. -Yeah. | 0:06:47 | 0:06:48 | |
-We're going to go for the wine. -Wine for number two. | 0:06:48 | 0:06:50 | |
-You want to go for the book? -Yeah, I want to go for the book. | 0:06:50 | 0:06:53 | |
-Worthless item? -Corkscrew. | 0:06:53 | 0:06:55 | |
-Very interesting. -It is. I enjoyed that. | 0:06:55 | 0:06:57 | |
And joining me is our resident antiques expert. It's David Harper. | 0:07:01 | 0:07:05 | |
-David, what do you make of today's lots? -Oh, my gosh, Fern! | 0:07:05 | 0:07:08 | |
-This is me in heaven! -Are you? -Yes. | 0:07:08 | 0:07:11 | |
There is one item behind me. | 0:07:11 | 0:07:13 | |
I daren't turn round because I will be focused in on it | 0:07:13 | 0:07:16 | |
and I'll give it away. | 0:07:16 | 0:07:18 | |
This is an item I have coveted all my life and I want it desperately! | 0:07:18 | 0:07:23 | |
And how do you arrive at the valuation? | 0:07:23 | 0:07:25 | |
Well, I study and examine the objects with another | 0:07:25 | 0:07:28 | |
independent valuer, and we agree on a hammer price. | 0:07:28 | 0:07:33 | |
Now, guys, the hammer price is something that we would expect | 0:07:33 | 0:07:36 | |
something to sell for in auction on the hammer, as the hammer goes down. | 0:07:36 | 0:07:41 | |
-But it doesn't include auction costs. -Thank you, David. | 0:07:41 | 0:07:46 | |
Well, as well as those little treasures, | 0:07:46 | 0:07:48 | |
we have our mystery lot hidden under the shroud of mystery and it's | 0:07:48 | 0:07:52 | |
poised to be uncovered at the end of the show to tempt our winners. | 0:07:52 | 0:07:56 | |
It could be priceless or it could be worth peanuts. | 0:07:56 | 0:07:59 | |
We'll be unveiling it later. But for now, it is time for round one. | 0:07:59 | 0:08:02 | |
I am going to ask ten general knowledge questions, quizzers, | 0:08:05 | 0:08:09 | |
so if you buzz in with the correct answer, | 0:08:09 | 0:08:11 | |
your picker gets to add a lot to your collection. | 0:08:11 | 0:08:14 | |
But, beware, if you buzz in incorrectly | 0:08:14 | 0:08:16 | |
you will be frozen out of the next question. OK? | 0:08:16 | 0:08:19 | |
Quizzers, get the questions right and your picker will have the chance | 0:08:19 | 0:08:23 | |
to collect the best antiques first. | 0:08:23 | 0:08:25 | |
And that's the aim of the game. | 0:08:25 | 0:08:26 | |
So, fingers on buzzers. Question one. | 0:08:26 | 0:08:29 | |
With which mode of transport would you associate Chris Froome | 0:08:30 | 0:08:33 | |
and Bradley Wiggins? | 0:08:33 | 0:08:35 | |
Carolyn. | 0:08:35 | 0:08:36 | |
-Bicycles. -Bicycle is right. | 0:08:36 | 0:08:38 | |
Chris Froome and Bradley Wiggins. Well done. | 0:08:38 | 0:08:40 | |
Viv, this is your chance. What do you really fancy on there? | 0:08:40 | 0:08:45 | |
I really fancy the automaton. | 0:08:45 | 0:08:48 | |
-The automaton. -The automaton, please. | 0:08:48 | 0:08:50 | |
It's coming to you now. | 0:08:50 | 0:08:53 | |
-That starts your collection off nicely. -I think so. | 0:08:53 | 0:08:55 | |
Question two. | 0:08:56 | 0:08:58 | |
What is the scientific name for the windpipe? | 0:08:58 | 0:09:02 | |
Carolyn. | 0:09:02 | 0:09:03 | |
-Trachea. -It is. | 0:09:03 | 0:09:05 | |
Viv, pick again. | 0:09:05 | 0:09:07 | |
I think the camera, please. | 0:09:07 | 0:09:11 | |
We thought that was quite interesting. | 0:09:11 | 0:09:13 | |
The interesting camera is coming to you. There you go. | 0:09:13 | 0:09:16 | |
In your collection. | 0:09:16 | 0:09:18 | |
Question three. | 0:09:18 | 0:09:20 | |
In which European city are the NATO headquarters located? | 0:09:20 | 0:09:24 | |
Howard. | 0:09:24 | 0:09:26 | |
-Brussels. -Correct. | 0:09:26 | 0:09:27 | |
Ron, your choice. | 0:09:27 | 0:09:30 | |
About time I got a shot at this. | 0:09:30 | 0:09:32 | |
We're going for the little bottle of wine. | 0:09:32 | 0:09:35 | |
Yes, but what would you like from the board? | 0:09:35 | 0:09:37 | |
LAUGHTER | 0:09:37 | 0:09:39 | |
-The little bottle of wine is yours. -Thank you very much. | 0:09:39 | 0:09:42 | |
That's a good way to start collection too. Cheers! | 0:09:42 | 0:09:45 | |
Question four. | 0:09:45 | 0:09:47 | |
In which decade was Queen Elizabeth II born? | 0:09:47 | 0:09:51 | |
Yes, Nick? | 0:09:53 | 0:09:55 | |
1910. | 0:09:55 | 0:09:57 | |
Unfortunately incorrect. It is the 1920s. | 0:09:57 | 0:10:01 | |
You're frozen out of the next question. Question five. | 0:10:02 | 0:10:07 | |
Which French word describes slicing vegetables into short, thin strips. | 0:10:07 | 0:10:12 | |
Yes, Carolyn? | 0:10:14 | 0:10:15 | |
-Is it julienne? -It is julienne. | 0:10:15 | 0:10:17 | |
Viv, go for it. | 0:10:17 | 0:10:18 | |
Well, I think I would like the cream jug, please. | 0:10:18 | 0:10:22 | |
-The silver cream jug is coming towards you. -Good choice. | 0:10:22 | 0:10:26 | |
Nick and Peter, you're back in play. Question six. | 0:10:26 | 0:10:30 | |
Ode To Joy and Fur Elise, are works by which... | 0:10:30 | 0:10:34 | |
Yes, Howard. | 0:10:34 | 0:10:36 | |
-Mozart. -Incorrect. | 0:10:36 | 0:10:37 | |
You are frozen out. | 0:10:37 | 0:10:39 | |
The full question is Ode To Joy and Fur Elise are works | 0:10:39 | 0:10:41 | |
by which famous composer? | 0:10:41 | 0:10:43 | |
The answer is Ludwig van Beethoven. | 0:10:43 | 0:10:46 | |
Question seven. | 0:10:47 | 0:10:48 | |
An invincible Armada, launched by the king of which country, | 0:10:48 | 0:10:52 | |
was defeated in 1588 by English... | 0:10:52 | 0:10:55 | |
Yes, Nick. | 0:10:55 | 0:10:56 | |
-Spain. -It is Spain. Good. | 0:10:56 | 0:10:58 | |
-Peter, your choice. -Oh, thanks. | 0:10:58 | 0:11:01 | |
-I think we'll go for the watercolour paintings. -Yep. | 0:11:01 | 0:11:04 | |
The watercolour paintings. They're coming into your collection now. | 0:11:04 | 0:11:07 | |
Howard and Ron, you are now back in. Question eight. | 0:11:09 | 0:11:12 | |
In the Teletubbies, what colour is Laa-Laa? | 0:11:12 | 0:11:16 | |
Yes, Carolyn? | 0:11:16 | 0:11:17 | |
-Yellow. -Yes, yellow. | 0:11:17 | 0:11:19 | |
Do you have young children? Viv, your pick. | 0:11:19 | 0:11:22 | |
Well, Carolyn particularly wanted the toy car, | 0:11:22 | 0:11:24 | |
so we'll have a toy car, please. | 0:11:24 | 0:11:26 | |
-The toy car? -Yes, please. -It's yours. | 0:11:26 | 0:11:29 | |
And there it goes. | 0:11:29 | 0:11:30 | |
Question nine. | 0:11:31 | 0:11:33 | |
In which country of the UK is the University of St Andrews. | 0:11:33 | 0:11:37 | |
Yes, Nick. | 0:11:37 | 0:11:39 | |
-Scotland. -Yes. Peter, your pick. | 0:11:39 | 0:11:42 | |
Um, we'll try something different, | 0:11:42 | 0:11:43 | |
we'll go for porcelain trio, I think. | 0:11:43 | 0:11:45 | |
-Porcelain trio, it's on its way to your collection. -Thank you. | 0:11:45 | 0:11:50 | |
Final question in this round. Question ten. | 0:11:51 | 0:11:54 | |
In the 1992 movie Sister Act, which actress plays... | 0:11:54 | 0:11:59 | |
Carolyn. | 0:11:59 | 0:12:00 | |
-Whoopi Goldberg. -It is Whoopi Goldberg. | 0:12:00 | 0:12:02 | |
The full question was, in the 1992 movie Sister Act, | 0:12:02 | 0:12:06 | |
which actress plays lounge singer Dolores, and it is Whoopi Goldberg. | 0:12:06 | 0:12:11 | |
What would you like, Viv? | 0:12:11 | 0:12:12 | |
I think we'll go for the microscope. | 0:12:12 | 0:12:16 | |
-Microscope. -Yes. -That's yours. | 0:12:16 | 0:12:19 | |
Right. Let's have a look at your collections so far. | 0:12:20 | 0:12:23 | |
Nick and Peter, you have the watercolours and the porcelain trio. | 0:12:23 | 0:12:28 | |
Carolyn and Viv have the automaton, the camera, the cream jug, | 0:12:29 | 0:12:33 | |
the toy car and the microscope. | 0:12:33 | 0:12:36 | |
-Howard and Ron, you have... -A bottle of wine! -A bottle of wine. | 0:12:36 | 0:12:40 | |
LAUGHTER | 0:12:40 | 0:12:41 | |
So, our teams have started to build their collections, | 0:12:41 | 0:12:44 | |
but before they have the chance to add to them, | 0:12:44 | 0:12:46 | |
David is going to give each pair a fact about a lot of your choice. | 0:12:46 | 0:12:51 | |
You can choose one of yours, one of the other team's or something | 0:12:51 | 0:12:54 | |
that's still up for grabs on the grid. | 0:12:54 | 0:12:56 | |
So, Peter, let's start with you. | 0:12:56 | 0:12:58 | |
-Which lot would you like to hear about? -The bracelet, please, David. | 0:12:58 | 0:13:02 | |
Mm, interesting. Peter, I think this would suit you very well. | 0:13:02 | 0:13:05 | |
OK, so what is it? | 0:13:05 | 0:13:06 | |
This is a bracelet made from Blue John, | 0:13:06 | 0:13:09 | |
a semi-precious mineral only found at the Blue John Cavern | 0:13:09 | 0:13:13 | |
and Treak Cliff Cavern, in Castleton in Derbyshire. | 0:13:13 | 0:13:18 | |
So this bracelet is 19th century, | 0:13:18 | 0:13:21 | |
it's set in gold | 0:13:21 | 0:13:23 | |
and it displays the clear veining in the stone itself, | 0:13:23 | 0:13:27 | |
which is everything a collector is looking for, | 0:13:27 | 0:13:31 | |
but is it fashionable today? | 0:13:31 | 0:13:34 | |
Would you buy it to wear it, Peter? | 0:13:34 | 0:13:36 | |
What's it worth? | 0:13:36 | 0:13:38 | |
Mmm. Viv. What would you like to know more about? | 0:13:39 | 0:13:42 | |
I think I would like to know more about the umbrella. | 0:13:44 | 0:13:47 | |
The umbrella, Viv, OK. | 0:13:47 | 0:13:49 | |
Now, the very first reference to a folding umbrella like this | 0:13:49 | 0:13:52 | |
date right back to ancient China, | 0:13:52 | 0:13:55 | |
but this one was made in 1918 to commemorate a big world event | 0:13:55 | 0:14:01 | |
the end of the First World War. | 0:14:01 | 0:14:03 | |
It is nearly 100 years old, but, Viv, who's going to buy it? | 0:14:03 | 0:14:09 | |
-So therefore, what's it worth? -Gosh. | 0:14:09 | 0:14:11 | |
-Thank you. -Ron, what would you like to know more about? | 0:14:11 | 0:14:14 | |
The watercolours, the artist? | 0:14:14 | 0:14:16 | |
The watercolours which are in Peter and Nick's collection. OK. | 0:14:16 | 0:14:20 | |
David, the watercolours. | 0:14:20 | 0:14:22 | |
Right, a pair of watercolours, chaps, showing views of Athens | 0:14:22 | 0:14:26 | |
painted by Herbert Hughes-Stanton. | 0:14:26 | 0:14:29 | |
He exhibited at the Grosvenor Gallery from 1887 | 0:14:29 | 0:14:33 | |
and at the Royal Academy from 1897, | 0:14:33 | 0:14:36 | |
winning all sorts of awards. | 0:14:36 | 0:14:39 | |
He was even knighted in 1923. | 0:14:39 | 0:14:43 | |
What are they worth? | 0:14:43 | 0:14:45 | |
Right, now that you are all a little bit more clued up on today's lots, | 0:14:45 | 0:14:49 | |
let's give you the chance to add more of them to your collections. | 0:14:49 | 0:14:53 | |
Bear in mind that at the end of this round the team | 0:14:53 | 0:14:56 | |
with the least valuable collection will be eliminated. | 0:14:56 | 0:14:59 | |
So, three more lots are now available to each pair. | 0:15:02 | 0:15:04 | |
This time, pickers, you target the lot and, quizzers, | 0:15:04 | 0:15:08 | |
you then try and secure it by answering a question correctly, | 0:15:08 | 0:15:12 | |
but in this round, the lots come with their own question categories, | 0:15:12 | 0:15:16 | |
and here they are. | 0:15:16 | 0:15:18 | |
So, for instance, if you went for the corkscrew here, | 0:15:18 | 0:15:22 | |
I would ask your quizzer to choose a question | 0:15:22 | 0:15:24 | |
between the categories Tennis and US Geography. | 0:15:24 | 0:15:28 | |
OK? Good. | 0:15:28 | 0:15:29 | |
Right, Peter and Nick, you are up first. | 0:15:29 | 0:15:32 | |
So, Peter, what is the lot you want? | 0:15:32 | 0:15:34 | |
Well, thanks to David's advice, I think I'm going to try the bracelet. | 0:15:34 | 0:15:38 | |
The bracelet. The Blue John bracelet. | 0:15:38 | 0:15:41 | |
Nick, you have a choice, Animals or Children's Literature. | 0:15:41 | 0:15:45 | |
-Animals, please. -Animals, here we go. | 0:15:45 | 0:15:48 | |
Which invasive species of rodent was first released | 0:15:49 | 0:15:53 | |
in Henbury Park, Cheshire in 1876? | 0:15:53 | 0:15:57 | |
Grey squirrel. | 0:15:59 | 0:16:00 | |
Correct. Peter, that bracelet is coming to you. | 0:16:00 | 0:16:04 | |
Viv, what is your lot? | 0:16:04 | 0:16:07 | |
Looking at the other subjects, I think | 0:16:07 | 0:16:10 | |
-I'd better go for the umbrella. -OK. | 0:16:10 | 0:16:14 | |
Carolyn, would you like to answer a question on | 0:16:15 | 0:16:18 | |
British Prime Ministers or Children's Literature? | 0:16:18 | 0:16:20 | |
-Children's Literature, please. -Here we go. | 0:16:20 | 0:16:22 | |
Roberta, Peter and Phyllis wave to the old gentleman, on a train, | 0:16:24 | 0:16:29 | |
in which novel by E Nesbit? | 0:16:29 | 0:16:31 | |
-Oh, look, Viv's bursting. -Oh, don't. | 0:16:34 | 0:16:36 | |
Mum knows. | 0:16:36 | 0:16:37 | |
Railway Children. | 0:16:38 | 0:16:40 | |
Correct! | 0:16:40 | 0:16:41 | |
At the last moment. Well done, Carolyn. | 0:16:41 | 0:16:44 | |
It's a favourite film! | 0:16:44 | 0:16:46 | |
-Viv, the umbrella is coming to your collection. -Thank you. | 0:16:46 | 0:16:49 | |
-Ron, what's your lot? -We'll have a go at the book, please. -The book. | 0:16:51 | 0:16:55 | |
So, Howard, Tennis or Art Movements? | 0:16:55 | 0:16:59 | |
I'll try Art Movements, please. | 0:17:00 | 0:17:02 | |
Art Movements. OK, here we go. | 0:17:02 | 0:17:04 | |
What ancient form of street art | 0:17:04 | 0:17:06 | |
takes its name from the Italian for "to scratch"? | 0:17:06 | 0:17:10 | |
Etching? | 0:17:14 | 0:17:15 | |
-No, graffiti. -Oh. -Wow. | 0:17:15 | 0:17:18 | |
Yes. | 0:17:18 | 0:17:19 | |
The book stays on the grid and we come back to Nick and Peter. | 0:17:19 | 0:17:23 | |
Peter, what's your lot? | 0:17:23 | 0:17:25 | |
I think, sorry, Nick, I'm going to go for chair. | 0:17:25 | 0:17:29 | |
-The chair. -We'll try the chair, yes. | 0:17:29 | 0:17:31 | |
Nick, British Prime Ministers or Tennis? | 0:17:31 | 0:17:34 | |
-It's going to have to be Tennis, I think. -Tennis. Here we go. | 0:17:34 | 0:17:37 | |
What name is given to the lines on a tennis court | 0:17:39 | 0:17:42 | |
furthest away from the net, from which players serve? | 0:17:42 | 0:17:46 | |
-Baseline. -Correct. | 0:17:46 | 0:17:48 | |
Peter, the chair is coming to your collection. | 0:17:48 | 0:17:52 | |
Viv, what's your lot? | 0:17:52 | 0:17:54 | |
Sorry, Carolyn, book. | 0:17:55 | 0:17:57 | |
The book. Art Movements and Tennis, Carolyn. | 0:17:57 | 0:18:01 | |
-What would you like? -I'll go for Tennis. -Tennis. | 0:18:01 | 0:18:03 | |
Which female tennis player did Bobby Riggs play | 0:18:04 | 0:18:08 | |
in an exhibition match dubbed The Battle Of The Sexes? | 0:18:08 | 0:18:12 | |
Was it Jo Durie? | 0:18:13 | 0:18:15 | |
No, incorrect. Billie Jean King. | 0:18:15 | 0:18:17 | |
The book stays on the board. | 0:18:18 | 0:18:20 | |
Ron, What's your lot? | 0:18:20 | 0:18:22 | |
-The book again, please. -The book again. | 0:18:22 | 0:18:24 | |
Art Movements or Tennis, Howard? | 0:18:24 | 0:18:26 | |
-Oh, I'll have a go at Tennis this time. -Tennis. Here we go. | 0:18:26 | 0:18:29 | |
Born in Florida, which female player won 18 Grand Slam singles titles | 0:18:30 | 0:18:35 | |
between 1974 and 1989? | 0:18:35 | 0:18:38 | |
I would think that's Billie Jean King. | 0:18:40 | 0:18:42 | |
Incorrect. | 0:18:42 | 0:18:44 | |
-It was Chris Evert. -Oh. | 0:18:44 | 0:18:45 | |
Oh, that book is not wanting to get out of there, is it? | 0:18:45 | 0:18:48 | |
OK, teams, at the end of this round, | 0:18:48 | 0:18:51 | |
the pair with the least valuable collection will be leaving us, | 0:18:51 | 0:18:54 | |
so, if you feel you have missed out on that one item | 0:18:54 | 0:18:59 | |
that you covet above all else, here's your chance to secure it. | 0:18:59 | 0:19:03 | |
There is one last lot available to each team | 0:19:03 | 0:19:06 | |
and this time you can either go for what's left on the grid | 0:19:06 | 0:19:09 | |
or you can try to steal an antique that is in a rival team's | 0:19:09 | 0:19:13 | |
collection, but, pickers, be warned - | 0:19:13 | 0:19:17 | |
if you choose to steal from another team, | 0:19:17 | 0:19:19 | |
their quizzer will get to decide your quizzer's category. | 0:19:19 | 0:19:22 | |
Peter, do you want to target a lot from the grid, | 0:19:22 | 0:19:26 | |
or have you got your eye on something in another collection? | 0:19:26 | 0:19:29 | |
-Um, I think I'll go with the grid. -Yes. | 0:19:29 | 0:19:33 | |
-And I think I'll go with the trend and go with the book. -The book. | 0:19:33 | 0:19:38 | |
Right, Nick, Art Movements and Tennis, which would you like? | 0:19:38 | 0:19:42 | |
-Tennis, please. -Tennis. Here we go. | 0:19:43 | 0:19:46 | |
Which player won three of the four women's tennis Grand Slams in 2015? | 0:19:46 | 0:19:53 | |
Sharapova, Maria Sharapova. | 0:19:54 | 0:19:56 | |
Incorrect. | 0:19:56 | 0:19:57 | |
Serena Williams. | 0:19:57 | 0:19:59 | |
That book has a little curse on it, doesn't it? | 0:19:59 | 0:20:01 | |
Viv, would you like to go for something on the grid, or | 0:20:01 | 0:20:04 | |
have you got your eye on something in Nick and Peter's collection? | 0:20:04 | 0:20:08 | |
I'm afraid I've got my eye on something in | 0:20:08 | 0:20:10 | |
Nick and Peter's, and that would be the bracelet. | 0:20:10 | 0:20:13 | |
So, you want Peter and Nick's bracelet, which means that, Nick, | 0:20:13 | 0:20:17 | |
you choose the question category for Carolyn to answer. | 0:20:17 | 0:20:21 | |
Art Movements. | 0:20:22 | 0:20:24 | |
Art Movements. Here we go, Carolyn. | 0:20:24 | 0:20:27 | |
Georges Braque and Pablo Picasso were the creators of what art style? | 0:20:29 | 0:20:35 | |
I want to say Revisionist, | 0:20:38 | 0:20:40 | |
but I don't even know if that's an art style, but Revisionist. | 0:20:40 | 0:20:42 | |
Revisionist is incorrect. | 0:20:42 | 0:20:44 | |
-It is Cubism. -Cubism. -Well defended, Nick. | 0:20:44 | 0:20:48 | |
Very well defended. | 0:20:48 | 0:20:50 | |
Ron, what would you like? | 0:20:50 | 0:20:52 | |
I'm going to try and nick something. | 0:20:52 | 0:20:54 | |
We're surrounded by cameras, I'm going to try and go for one. | 0:20:54 | 0:20:56 | |
The camera, which is in Carolyn and Viv's collection. | 0:20:56 | 0:21:00 | |
OK, so Carolyn, this time you pick a category question for Howard. | 0:21:00 | 0:21:06 | |
I think I'm going to go for Boy Bands. | 0:21:06 | 0:21:11 | |
-Good choice! -LAUGHTER | 0:21:11 | 0:21:13 | |
You're naughty. OK, here we go. | 0:21:13 | 0:21:15 | |
Howard, which boy band had a 1967 UK number one single | 0:21:15 | 0:21:20 | |
with I'm A Believer. | 0:21:20 | 0:21:23 | |
The Monkees. | 0:21:23 | 0:21:24 | |
It was The Monkees. Yes! | 0:21:24 | 0:21:26 | |
-Oh, well done! -Thank you! | 0:21:26 | 0:21:28 | |
The camera is leaving Viv and Carolyn's collection | 0:21:28 | 0:21:30 | |
-and is coming to join your bottle of wine. -Sorry, ladies. -Very good. | 0:21:30 | 0:21:34 | |
Well done. | 0:21:34 | 0:21:35 | |
OK, that's it for round two. | 0:21:35 | 0:21:37 | |
Nick and Peter, let's see what you've got. | 0:21:37 | 0:21:40 | |
You've got the watercolours, the defended bracelet, | 0:21:40 | 0:21:42 | |
the chair and the porcelain trio. | 0:21:42 | 0:21:45 | |
Carolyn and Viv, you've got the automaton, the cream jug, | 0:21:45 | 0:21:50 | |
the toy car, microscope and umbrella. | 0:21:50 | 0:21:54 | |
And Howard and Ron, you have your bottle of wine... | 0:21:54 | 0:21:58 | |
-..and now you have the camera too. -Worth a fortune. | 0:21:59 | 0:22:02 | |
OK, that's it for round two and for one team, sadly, | 0:22:03 | 0:22:06 | |
it's going to be the end of the road. | 0:22:06 | 0:22:08 | |
We have calculated the combined value of your items | 0:22:08 | 0:22:11 | |
and the team with the least valuable collection will be eliminated, | 0:22:11 | 0:22:15 | |
taking their lots out of the game with them. | 0:22:15 | 0:22:17 | |
David has been keeping tabs, so, David, who is leaving us first? | 0:22:18 | 0:22:23 | |
I can reveal that the first pair leaving us today is... | 0:22:23 | 0:22:29 | |
..surprisingly, Peter and Nick. | 0:22:35 | 0:22:37 | |
-Oh, no! -Yes. | 0:22:37 | 0:22:38 | |
That's extraordinary. | 0:22:38 | 0:22:41 | |
Well, before you leave, let's find out about the lots that are leaving | 0:22:41 | 0:22:45 | |
the game with you because we want to know what they are worth, don't we? | 0:22:45 | 0:22:48 | |
-David, what did you make of their collection? -A good collection, | 0:22:48 | 0:22:51 | |
and it's a shame because you did put a good collection together. | 0:22:51 | 0:22:54 | |
The bracelet, it was much contended, | 0:22:54 | 0:22:56 | |
and, Peter, you really did like this. | 0:22:56 | 0:22:58 | |
Blue John, it's not mined that much, is that because | 0:22:58 | 0:23:01 | |
it's not that popular any more? | 0:23:01 | 0:23:04 | |
But it's just not bang on trend. | 0:23:04 | 0:23:07 | |
Worth £125. Still not bad. | 0:23:07 | 0:23:10 | |
Next, the chair. | 0:23:12 | 0:23:13 | |
Nobody really spoke about the chair but it's commemorating a date, | 0:23:13 | 0:23:17 | |
1916, it's a little milking chair or a spinning chair. | 0:23:17 | 0:23:21 | |
It's hand-carved, but it's carved by a soldier from the First World War - | 0:23:21 | 0:23:25 | |
a wounded soldier, so it sends shivers up the back of your spine. | 0:23:25 | 0:23:29 | |
A lovely little object, | 0:23:29 | 0:23:31 | |
worth £165. | 0:23:31 | 0:23:32 | |
-Is that all? -Yes. It should be worth more, shouldn't it? | 0:23:32 | 0:23:36 | |
Now, the pictures. | 0:23:36 | 0:23:39 | |
Interesting things, good quality. | 0:23:39 | 0:23:41 | |
ten or 15 years ago they would have been worth substantially more, | 0:23:41 | 0:23:45 | |
so they're not as popular as they once were, but still worth £400. | 0:23:45 | 0:23:51 | |
Oh, wow. And the final item? | 0:23:51 | 0:23:53 | |
The final item, again, | 0:23:53 | 0:23:55 | |
not one that we spoke about but this is a real antique, | 0:23:55 | 0:23:58 | |
this dates back to 1795 or thereabouts, | 0:23:58 | 0:24:02 | |
from the famous Derby factory, | 0:24:02 | 0:24:05 | |
and painted by a chap called George Robertson, | 0:24:05 | 0:24:08 | |
a very well regarded painter. | 0:24:08 | 0:24:10 | |
It's not quite what collectors are searching for today. | 0:24:10 | 0:24:13 | |
They used to be worth a lot of money, | 0:24:13 | 0:24:16 | |
but I can tell you it still does have a mighty value, | 0:24:16 | 0:24:19 | |
£1,250. | 0:24:19 | 0:24:22 | |
-Good heavens. -Yes. | 0:24:22 | 0:24:25 | |
So the total value of Nick and Peter's collection is how much? | 0:24:25 | 0:24:29 | |
-£1,940. -Wow. | 0:24:29 | 0:24:31 | |
Nothing to be ashamed of. | 0:24:31 | 0:24:33 | |
Peter and Nick, it's been fantastic to have you and | 0:24:33 | 0:24:36 | |
thank you so much for playing, | 0:24:36 | 0:24:38 | |
but now it is time to bring the hammer down on your collection | 0:24:38 | 0:24:41 | |
and say thank you for playing For What It's Worth. | 0:24:41 | 0:24:43 | |
-Thank you. -Thank you. | 0:24:43 | 0:24:45 | |
Well, I think you done what you needed to do I think it's just... | 0:24:46 | 0:24:49 | |
-We just picked the wrong items, didn't we, basically? -Yeah, yeah. | 0:24:49 | 0:24:52 | |
-So, yeah, shame, but what would we do different? -Pick different... | 0:24:52 | 0:24:57 | |
Pick different ones! Probably the wine or the automaton is... | 0:24:57 | 0:25:01 | |
Yeah, I think we just... | 0:25:01 | 0:25:03 | |
I went with my heart rather than my head, to be honest. | 0:25:03 | 0:25:06 | |
With the other two lads just having the two items, | 0:25:06 | 0:25:08 | |
it's either the camera or the wine that's pipped us | 0:25:08 | 0:25:11 | |
and I think the wine is a bit more valuable than the camera. | 0:25:11 | 0:25:14 | |
The unclaimed lots in the grid are now also leaving the game, | 0:25:16 | 0:25:20 | |
so let's quickly find out from David what they were worth | 0:25:20 | 0:25:22 | |
and if the top lot is still in the game. | 0:25:22 | 0:25:25 | |
David, let's start with the clock. | 0:25:25 | 0:25:27 | |
I know, look at that, I'm so surprised that no team went for it. | 0:25:27 | 0:25:30 | |
It's a late 19th-century mahogany case, | 0:25:30 | 0:25:33 | |
it's got a bit of a Gothic kind of ornamental look to it. | 0:25:33 | 0:25:36 | |
A little bit of Art Nouveau going on there. | 0:25:36 | 0:25:38 | |
We've got a marquetry panel. | 0:25:38 | 0:25:40 | |
It's pretty lovely, but there you go, | 0:25:40 | 0:25:43 | |
you've missed out on £250. | 0:25:43 | 0:25:45 | |
Wow. | 0:25:45 | 0:25:47 | |
-It's gone. What's next? -It's gone. | 0:25:47 | 0:25:49 | |
Next, right, well, we have the football card. | 0:25:49 | 0:25:51 | |
Now, chaps, I thought you might have had a go at this. | 0:25:51 | 0:25:53 | |
This one was produced by a company called Baines. | 0:25:53 | 0:25:56 | |
They started making these things in 1887. | 0:25:56 | 0:25:58 | |
They proved to be remarkably popular. | 0:25:58 | 0:26:01 | |
This one is quite interesting | 0:26:01 | 0:26:03 | |
and it celebrates a football team called Newton. | 0:26:03 | 0:26:08 | |
-Do we know who Newton converted to in 1902? -I think we do, yes. -Who? | 0:26:08 | 0:26:12 | |
-Man United. -Man United, that's the key. | 0:26:12 | 0:26:15 | |
-Really? -Man United. | 0:26:15 | 0:26:17 | |
Therefore its value, you've missed it, | 0:26:17 | 0:26:19 | |
-£300. -Wow. Next. | 0:26:19 | 0:26:22 | |
Another one. I'm really surprised nobody went for this. | 0:26:22 | 0:26:26 | |
This is a movie prop. | 0:26:26 | 0:26:28 | |
It is the gladius, obviously it's not a real one, | 0:26:28 | 0:26:31 | |
it's rubber with a metal rod going through there, | 0:26:31 | 0:26:35 | |
but it's pretty authentic | 0:26:35 | 0:26:36 | |
and it certainly appeared in the film by Ridley Scott - Gladiator. | 0:26:36 | 0:26:41 | |
It wasn't used by any of the principal actors, however, | 0:26:41 | 0:26:45 | |
that would have given it absolutely skyrocket value, | 0:26:45 | 0:26:49 | |
but it's still worth £495. | 0:26:49 | 0:26:52 | |
-Surprising, isn't it? -Surprising. Yeah. -Amazing. | 0:26:52 | 0:26:56 | |
What else have we got? | 0:26:56 | 0:26:57 | |
Well, chaps, you need this one, you really do need this one. | 0:26:57 | 0:27:01 | |
The corkscrew, nobody took any interest in this thing whatsoever. | 0:27:01 | 0:27:05 | |
It's lovely. There are corkscrew collectors all over the world, | 0:27:05 | 0:27:09 | |
but this is a standard kind of late 19th century plain metal one, | 0:27:09 | 0:27:13 | |
although it's got the thumb grips there which is quite nice. | 0:27:13 | 0:27:16 | |
However, you got rid of the item you needed to get rid of. | 0:27:16 | 0:27:21 | |
It's worthless. Well done. | 0:27:21 | 0:27:23 | |
-Oh, good. -Yeah, very good. | 0:27:23 | 0:27:25 | |
And, now then, finally the contended book. | 0:27:25 | 0:27:29 | |
This is The Theory Of Relativity by Albert Einstein. | 0:27:29 | 0:27:34 | |
It is the first English language edition, | 0:27:34 | 0:27:37 | |
first impression, | 0:27:37 | 0:27:39 | |
first print run. | 0:27:39 | 0:27:41 | |
Even bearing in mind it has some use and wear, | 0:27:42 | 0:27:46 | |
you have just thrown away | 0:27:46 | 0:27:49 | |
£750. | 0:27:49 | 0:27:51 | |
Whoa! | 0:27:51 | 0:27:52 | |
-If that had been signed by Einstein himself... -Oh, my gosh, yes. | 0:27:52 | 0:27:56 | |
That would have been something, wouldn't it? | 0:27:56 | 0:27:58 | |
Thank you very much indeed. Well, some very interesting | 0:27:58 | 0:28:01 | |
and valuable lots have left the game, but as you've seen, | 0:28:01 | 0:28:05 | |
and much to your relief, the bottom lot has gone. | 0:28:05 | 0:28:08 | |
It's out of the game, and more importantly, | 0:28:08 | 0:28:11 | |
the top lot is still in play. | 0:28:11 | 0:28:15 | |
But who's got it? | 0:28:15 | 0:28:16 | |
So, just two pairs of contestants left, and before we go any further, | 0:28:16 | 0:28:20 | |
David is going to give you another fact about a lot of your choice. | 0:28:20 | 0:28:25 | |
Viv, what lot would you like to know a little bit more about? | 0:28:25 | 0:28:29 | |
-Er, could I have a fact about the bottle of wine, please? -Oh! | 0:28:29 | 0:28:34 | |
The bottle of wine, David. | 0:28:34 | 0:28:35 | |
This is a bottle of Chateau Lafite Rothschild, | 0:28:35 | 0:28:38 | |
made in the Medoc, Bordeaux France. | 0:28:38 | 0:28:41 | |
Now, remember, age and vintage are the things to look out for | 0:28:41 | 0:28:45 | |
when considering the value of wine. | 0:28:45 | 0:28:49 | |
Now, Robert Parker, the influential wine critic, | 0:28:49 | 0:28:52 | |
who scores all wines out of 100 | 0:28:52 | 0:28:55 | |
gave this 1962 vintage a score of 62, | 0:28:55 | 0:29:01 | |
so it isn't one of the vineyard's best vintages, | 0:29:01 | 0:29:04 | |
but I can tell you, in 1985, | 0:29:04 | 0:29:08 | |
a bottle of Lafite, dating to 1787, | 0:29:08 | 0:29:13 | |
was sold at Christie's for a staggering - get this - | 0:29:13 | 0:29:18 | |
£105,000. | 0:29:18 | 0:29:22 | |
-A lot of information there, Viv. -Thank you. | 0:29:24 | 0:29:27 | |
OK, Ron, what would you like to know more about? | 0:29:28 | 0:29:31 | |
-I'd like to know more about the automaton, please. -The automaton. | 0:29:31 | 0:29:36 | |
There was a time when automatons like this were the mystery, | 0:29:36 | 0:29:39 | |
mind-boggling technology of their times. | 0:29:39 | 0:29:43 | |
This is French. | 0:29:43 | 0:29:45 | |
It dates to around 1880. | 0:29:45 | 0:29:47 | |
One quick turn of the key and the lady begins to sew | 0:29:47 | 0:29:50 | |
in time with the music that plays. | 0:29:50 | 0:29:52 | |
It's fantastic, it's a little snapshot of time. | 0:29:52 | 0:29:55 | |
The work is undeniably intricate, but do people really want something | 0:29:55 | 0:30:01 | |
like this on their mantelpiece today? | 0:30:01 | 0:30:05 | |
OK, those are all the facts available to you, so it's now time | 0:30:05 | 0:30:08 | |
for our final round, and at the end of it we will have our winners. | 0:30:08 | 0:30:12 | |
I'm going to give the quizzers a category. | 0:30:15 | 0:30:17 | |
They then take turns to say answers in that category. | 0:30:17 | 0:30:20 | |
For example, if I say, "Name me trees that grow in the UK," | 0:30:20 | 0:30:24 | |
Carolyn, you might say, "Sycamore," Howard, you might say, "Ash," | 0:30:24 | 0:30:28 | |
Carolyn you might say, "Beech," and so on, backwards and forwards. | 0:30:28 | 0:30:31 | |
If you fail to give an answer, or if you repeat an answer, | 0:30:31 | 0:30:34 | |
or if you give a wrong answer, you lose that category and the | 0:30:34 | 0:30:38 | |
opponent's picker will be able to steal a lot from your collection. | 0:30:38 | 0:30:43 | |
There are three categories. | 0:30:43 | 0:30:45 | |
The pair with the most valuable collection at this point go first. | 0:30:45 | 0:30:49 | |
David, who is that? | 0:30:49 | 0:30:51 | |
I can reveal that the team who currently has | 0:30:51 | 0:30:54 | |
the most valuable collection is... | 0:30:54 | 0:30:56 | |
-Viv and Carolyn. -Oh! -Oh! | 0:30:59 | 0:31:01 | |
Quantity! Interesting. | 0:31:01 | 0:31:04 | |
Carolyn, you will start us off, and the first category is... | 0:31:04 | 0:31:08 | |
So, that is based on numbers of people arriving in these cities | 0:31:13 | 0:31:18 | |
in 2015. | 0:31:18 | 0:31:20 | |
Carolyn, can I have an answer? | 0:31:20 | 0:31:22 | |
London. | 0:31:22 | 0:31:24 | |
Correct. Howard. | 0:31:24 | 0:31:26 | |
New York. | 0:31:26 | 0:31:27 | |
Correct. Carolyn. | 0:31:27 | 0:31:29 | |
Paris. | 0:31:29 | 0:31:30 | |
Correct. Howard. | 0:31:30 | 0:31:31 | |
Bangkok. | 0:31:31 | 0:31:33 | |
Correct. Carolyn. | 0:31:33 | 0:31:34 | |
Beijing. | 0:31:35 | 0:31:37 | |
Incorrect. | 0:31:37 | 0:31:39 | |
You could have had Amsterdam, Hong Kong, | 0:31:41 | 0:31:44 | |
Los Angeles, Tokyo or Prague. | 0:31:44 | 0:31:48 | |
Ron, what you want from Viv and Carolyn's collection. | 0:31:48 | 0:31:52 | |
-I'm going to make a move on the automaton. -The automaton is yours. | 0:31:52 | 0:31:56 | |
-Thank you. -Well done, pal. | 0:31:56 | 0:31:59 | |
Howard, your turn to start, and this is the category... | 0:32:00 | 0:32:03 | |
We are looking for any of the 38 colleges | 0:32:07 | 0:32:10 | |
at the University of Oxford. | 0:32:10 | 0:32:12 | |
Howard, can I have an answer, please? | 0:32:12 | 0:32:15 | |
Christ's College, Oxford. | 0:32:15 | 0:32:17 | |
Howard, that's incorrect. I cannot accept it. | 0:32:17 | 0:32:21 | |
-It's Christ Church College. -OK. | 0:32:21 | 0:32:24 | |
You could've had Jesus College, Brasenose, Merton. | 0:32:24 | 0:32:28 | |
-Oriel and Trinity, amongst others. -I should have known Trinity. | 0:32:28 | 0:32:32 | |
This is a hard round, isn't it? OK. | 0:32:32 | 0:32:35 | |
Viv, got your eye on anything over there | 0:32:35 | 0:32:38 | |
in Howard and Ron's collection? | 0:32:38 | 0:32:40 | |
Yes, I'd like my automaton back, please. | 0:32:40 | 0:32:42 | |
LAUGHTER | 0:32:42 | 0:32:44 | |
-The automaton is coming back to you. -Thank you. | 0:32:44 | 0:32:47 | |
Right, we're back to square one, | 0:32:47 | 0:32:49 | |
and, Carolyn, this is the final question. | 0:32:49 | 0:32:52 | |
Carolyn, can I have an answer? | 0:32:56 | 0:32:58 | |
Mamma Mia. | 0:32:58 | 0:33:00 | |
Correct. Howard. | 0:33:00 | 0:33:01 | |
I Have A Dream. | 0:33:01 | 0:33:03 | |
Correct. Carolyn. | 0:33:03 | 0:33:05 | |
Does Your Momma Know? | 0:33:05 | 0:33:07 | |
Carolyn, I am so sorry, we cannot accept that. | 0:33:07 | 0:33:10 | |
We have to be strict. | 0:33:10 | 0:33:12 | |
It is actually called Does Your MOTHER Know? | 0:33:12 | 0:33:15 | |
You could have had Dancing Queen, Money, Money, Money, | 0:33:16 | 0:33:20 | |
Super Trouper, Waterloo, The Winner Takes It All. | 0:33:20 | 0:33:24 | |
-Oh! -There we go. | 0:33:24 | 0:33:26 | |
Ron, ready to steal? | 0:33:26 | 0:33:30 | |
-Guess what. -What would you like? | 0:33:30 | 0:33:32 | |
Can I take my dolly back? | 0:33:32 | 0:33:35 | |
-You want the... -Automaton. -The automaton. | 0:33:35 | 0:33:38 | |
-She's going to be dizzy, that poor woman. -Thank you. | 0:33:38 | 0:33:40 | |
Right, that's it, your collections are now fixed. | 0:33:40 | 0:33:43 | |
Let's have a look at what Viv and Carolyn have. | 0:33:43 | 0:33:46 | |
You have the cream jug, the microscope, | 0:33:46 | 0:33:49 | |
the umbrella and the toy car. | 0:33:49 | 0:33:52 | |
Howard and Ron have that bottle of wine, | 0:33:52 | 0:33:56 | |
the automaton and the camera. | 0:33:56 | 0:33:59 | |
David, who's got the most valuable collection and is today's winners? | 0:34:00 | 0:34:04 | |
Fern, teams, I can reveal that the team | 0:34:04 | 0:34:08 | |
with the most valuable collection, | 0:34:08 | 0:34:10 | |
and the winners of today's show are... | 0:34:10 | 0:34:14 | |
Ron and Howard. | 0:34:16 | 0:34:17 | |
High five. | 0:34:18 | 0:34:20 | |
Congratulations, but many commiserations | 0:34:20 | 0:34:23 | |
to Viv and Carolyn because you were building a fantastic collection | 0:34:23 | 0:34:28 | |
until some pirates came and raided it. | 0:34:28 | 0:34:30 | |
In the end your collection was not valuable enough. | 0:34:30 | 0:34:33 | |
But, before we say goodbye, let's find out what the items | 0:34:33 | 0:34:37 | |
also leaving the game are, and their worth. David. | 0:34:37 | 0:34:41 | |
OK, first up, it's the microscope. | 0:34:41 | 0:34:44 | |
This is a 19th century Henry Crouch microscope, | 0:34:44 | 0:34:47 | |
particularly designed for medical students. | 0:34:47 | 0:34:50 | |
This is just a basic model, yeah, | 0:34:50 | 0:34:53 | |
and, as such, was never worth a fortune in its day. | 0:34:53 | 0:34:56 | |
Collectable but only at £40. | 0:34:56 | 0:34:59 | |
Good heavens! | 0:34:59 | 0:35:01 | |
Bargain! | 0:35:01 | 0:35:03 | |
Next, Viv, you really loved this. This is the umbrella. | 0:35:03 | 0:35:07 | |
I love the colours, it's a real snapshot to 1918, | 0:35:07 | 0:35:11 | |
a time of celebration, of hope, at the end of the First World War, | 0:35:11 | 0:35:15 | |
and it commemorates all of that. | 0:35:15 | 0:35:16 | |
-Because of that connection it's worth £70. -Is it? | 0:35:16 | 0:35:21 | |
And then next, this is a George III, Dublin, really rare, | 0:35:21 | 0:35:26 | |
being an Irish piece of silver, dated 1769. It's a cream jug. | 0:35:26 | 0:35:31 | |
Now, of course, it would have been part of a much bigger set. | 0:35:31 | 0:35:35 | |
It's drop-dead gorgeous and, | 0:35:35 | 0:35:37 | |
-as such, it's worth £200. -Wow. | 0:35:37 | 0:35:39 | |
And then, finally, I can't believe nobody talked about this. | 0:35:41 | 0:35:47 | |
This is the object that I covet above everything else in this room. | 0:35:47 | 0:35:53 | |
This is an Aston Martin DB5, mid-60s James Bond car. In the right colour. | 0:35:53 | 0:36:00 | |
This is fantastic and whoever owned this when new was a very good child | 0:36:00 | 0:36:05 | |
because they kept all the box, all the paperwork. | 0:36:05 | 0:36:08 | |
They obviously had no fun with it whatsoever, | 0:36:08 | 0:36:10 | |
which means someone like me, if he could afford it would have | 0:36:10 | 0:36:14 | |
endless amounts of fun just admiring that. | 0:36:14 | 0:36:17 | |
-£900, so a great find. -Wow. -A great find. | 0:36:17 | 0:36:21 | |
A total - you've amassed £1,210. | 0:36:21 | 0:36:25 | |
Well done. | 0:36:25 | 0:36:26 | |
Viv and Carolyn, we salute you. You DID have a valuable collection. | 0:36:26 | 0:36:30 | |
-We did. -We did, yes. | 0:36:30 | 0:36:32 | |
LAUGHTER | 0:36:32 | 0:36:33 | |
But it is time now, sadly, to bring the hammer down | 0:36:33 | 0:36:36 | |
and say thank you for playing For What It's Worth. | 0:36:36 | 0:36:39 | |
Viv and Carolyn. | 0:36:39 | 0:36:40 | |
Yes, I thought, "We've got Mamma Mia. Great, she knows all those!" | 0:36:42 | 0:36:45 | |
It's just one of those things. | 0:36:45 | 0:36:46 | |
It was very tense, wasn't it, at the end? Yes, it's a very tense show. | 0:36:46 | 0:36:50 | |
I think the automaton is the top lot. | 0:36:50 | 0:36:53 | |
Yes, I mean, I agree that's... Now I think that is the top lot, | 0:36:53 | 0:36:56 | |
given that we had the highest collection and then they managed | 0:36:56 | 0:36:59 | |
to get it off us. I think it must be the top lot. | 0:36:59 | 0:37:01 | |
Well done, Ron and Howard. | 0:37:03 | 0:37:05 | |
You did build the most valuable collection | 0:37:05 | 0:37:08 | |
and now all that remains is for you to claim your prize. | 0:37:08 | 0:37:11 | |
All you've got to do now is pick a lot from your collection | 0:37:11 | 0:37:15 | |
and we will give you its value in cash. | 0:37:15 | 0:37:18 | |
As you will have no doubt deduced, that top lot | 0:37:18 | 0:37:21 | |
is hiding somewhere in your collection, but can you spot it? | 0:37:21 | 0:37:25 | |
Have a chat amongst yourselves | 0:37:25 | 0:37:27 | |
and decide which one you would like to choose? | 0:37:27 | 0:37:30 | |
All right, from the word go you've had your eyes on | 0:37:30 | 0:37:33 | |
-that bottle of wine. -I have had my eyes on the bottle of wine. | 0:37:33 | 0:37:36 | |
-And I fancied the automaton. -Yes. | 0:37:36 | 0:37:38 | |
So we had quite a debate about which we thought was... | 0:37:38 | 0:37:41 | |
And in the spanner in the works was the camera, obviously | 0:37:41 | 0:37:45 | |
Even though we think it's an old camera - | 0:37:45 | 0:37:47 | |
'50s, or something like that. But little bottle of wine, why not? | 0:37:47 | 0:37:51 | |
-Yes. You're going for the wine? -We're going for the wine. | 0:37:51 | 0:37:54 | |
Right, it is the bottle of wine. | 0:37:54 | 0:37:56 | |
It was your first lot, and you've stuck with it, and no-one tried | 0:37:56 | 0:38:00 | |
to nick it from you, but before we tell you what it is worth, David, | 0:38:00 | 0:38:03 | |
please can you tell us the value of the lots they've rejected? | 0:38:03 | 0:38:06 | |
Right, OK, chaps. | 0:38:06 | 0:38:07 | |
First of all we are going to start with the vintage camera. | 0:38:07 | 0:38:11 | |
It is a Hasselblad camera. The company is best known for the | 0:38:11 | 0:38:14 | |
medium format cameras it produced during the Second World War. | 0:38:14 | 0:38:17 | |
Perhaps the most famous use of the Hasselblad, though, | 0:38:17 | 0:38:20 | |
was during the Apollo programme missions | 0:38:20 | 0:38:23 | |
when humans first landed on the moon. | 0:38:23 | 0:38:26 | |
I have got to tell you this particular camera | 0:38:26 | 0:38:28 | |
has never left Earth. It didn't go to the moon. | 0:38:28 | 0:38:31 | |
But you are going to be surprised anyway. | 0:38:31 | 0:38:34 | |
That camera, chaps, is worth | 0:38:34 | 0:38:36 | |
£1,500. | 0:38:36 | 0:38:40 | |
-Is that right? -Yeah. | 0:38:40 | 0:38:42 | |
And the final item. | 0:38:42 | 0:38:43 | |
The final item, everybody loves the automaton. | 0:38:43 | 0:38:46 | |
It was going backwards and forwards, and she is really quite stunning | 0:38:46 | 0:38:52 | |
and a big size, so in 1880 this was a lot of money. | 0:38:52 | 0:38:56 | |
It's possibly even gone up in value, relatively speaking, | 0:38:56 | 0:39:02 | |
because you gave away | 0:39:02 | 0:39:06 | |
today's star lot. | 0:39:06 | 0:39:08 | |
-£2,500. -What can you say? | 0:39:08 | 0:39:11 | |
Oh, my gosh. | 0:39:11 | 0:39:13 | |
Well, never mind. | 0:39:13 | 0:39:16 | |
Let's just put all our hopes now on the bottle of wine. | 0:39:16 | 0:39:19 | |
Ron and Howard, come with me now, | 0:39:19 | 0:39:21 | |
take a closer look at your bottle of wine, and see | 0:39:21 | 0:39:24 | |
if we can tempt you with our mystery lot, which may be worth more. | 0:39:24 | 0:39:28 | |
Now, you may be confident that your lot is worth, | 0:39:30 | 0:39:33 | |
you know, a pretty penny, but before we tell you its value, | 0:39:33 | 0:39:36 | |
we are going to tempt you with today's mystery lot, | 0:39:36 | 0:39:40 | |
and the man who knows all about that is, of course, David Harper. | 0:39:40 | 0:39:43 | |
-OK. -David, reveal. | 0:39:43 | 0:39:44 | |
-I will reveal. Are you ready, chaps? -Yes. -OK. | 0:39:44 | 0:39:48 | |
-Oh! -We have a collection of six pewter tankards | 0:39:48 | 0:39:51 | |
that were presented by the Oxford University Yacht Club in 1898. | 0:39:51 | 0:39:57 | |
They're all hand engraved with the club flag | 0:39:57 | 0:40:00 | |
and with the winner's details, which tells us that they were all | 0:40:00 | 0:40:04 | |
won by the same yacht, Audrey. | 0:40:04 | 0:40:07 | |
And not much is known about the Audrey, | 0:40:07 | 0:40:10 | |
although it was clearly dominant in 1898. | 0:40:10 | 0:40:14 | |
But names don't get much bigger than the Oxford University Yacht Club. | 0:40:14 | 0:40:20 | |
So, how much is this pewter set of trophy tankards worth? | 0:40:20 | 0:40:27 | |
All that is left for you to decide now is | 0:40:27 | 0:40:29 | |
whether to stick with your bottle of wine that you loved | 0:40:29 | 0:40:33 | |
from the first moment, or dump it in favour of six historic tankards. | 0:40:33 | 0:40:39 | |
Have a little chat amongst yourselves? | 0:40:39 | 0:40:42 | |
Six tankards. | 0:40:42 | 0:40:44 | |
It's obviously worth more as a set than it is individually, | 0:40:44 | 0:40:47 | |
but, on the other hand, even if that was worth, say, 2,000, | 0:40:47 | 0:40:52 | |
we're figuring this is anything between a grand and 1,500. | 0:40:52 | 0:40:56 | |
-I think so, yeah. -And we know that that's that. | 0:40:56 | 0:40:58 | |
-And we like a drink, don't we? -We do. | 0:40:58 | 0:41:00 | |
So we're going to stick with that one. We're sorted. | 0:41:00 | 0:41:03 | |
We're going to stick with the wine. | 0:41:03 | 0:41:05 | |
Oh, that was very good thinking. | 0:41:05 | 0:41:07 | |
"They're all right, but we like a drink." | 0:41:07 | 0:41:10 | |
-So, your heart is telling you this is the one. -Yes. | 0:41:10 | 0:41:13 | |
The bottle of wine. | 0:41:13 | 0:41:15 | |
That means you have won its worth in cold, hard cash. | 0:41:15 | 0:41:18 | |
But, David, please first of all tell us, what were the tankards worth? | 0:41:18 | 0:41:22 | |
Right, guys, do we need some chairs here? | 0:41:22 | 0:41:26 | |
OK. | 0:41:26 | 0:41:28 | |
What you've got to take into account is the fact | 0:41:28 | 0:41:30 | |
you've got this connection to Oxford | 0:41:30 | 0:41:33 | |
and inscribed with the boat, | 0:41:33 | 0:41:35 | |
so you've got that historical connection | 0:41:35 | 0:41:37 | |
which is absolutely fascinating and collectors love. | 0:41:37 | 0:41:39 | |
Then you've got to look at the material and the tankards themselves. | 0:41:39 | 0:41:42 | |
They're made from pewter which is no special precious metal. | 0:41:42 | 0:41:46 | |
They are mass-produced tankards that somebody has bought | 0:41:46 | 0:41:49 | |
and then had engraved. | 0:41:49 | 0:41:52 | |
They're not high, precious individual items. | 0:41:52 | 0:41:55 | |
You're buying into the Oxford connection, and for that | 0:41:55 | 0:42:00 | |
you would have to pay... | 0:42:00 | 0:42:02 | |
-£140. Well done. -Oh, well done! Very good. | 0:42:02 | 0:42:07 | |
So, David, it's a 1962 bottle of Chateau Lafite. | 0:42:07 | 0:42:12 | |
Rothschild. Very interesting thing. | 0:42:12 | 0:42:15 | |
And you guys were drawn to it all the way, and you stuck with it, | 0:42:15 | 0:42:19 | |
and this is the amount of money you stuck with. | 0:42:19 | 0:42:22 | |
The bottle of wine is worth... | 0:42:22 | 0:42:25 | |
-£800. -Oh! | 0:42:26 | 0:42:28 | |
Marvellous. | 0:42:28 | 0:42:30 | |
Well, you've done really well. | 0:42:30 | 0:42:32 | |
-£400 each. -Great. | 0:42:32 | 0:42:35 | |
David, did you enjoy this game? | 0:42:35 | 0:42:36 | |
Absolutely marvellous, and I'm so surprised to see them standing here. | 0:42:36 | 0:42:40 | |
-I thought they were going first! -I know. | 0:42:40 | 0:42:42 | |
That's what made it so exciting. | 0:42:42 | 0:42:44 | |
Well, thank you for lending us your expertise, of course, David, | 0:42:44 | 0:42:47 | |
and we look forward to seeing you soon. | 0:42:47 | 0:42:49 | |
And I hope that you enjoyed it, and that we will see you next time | 0:42:49 | 0:42:52 | |
as well, when three more teams will be playing For What It's Worth. | 0:42:52 | 0:42:55 | |
We'll see you then. Bye-bye. | 0:42:55 | 0:42:57 | |
Well done. £800. | 0:42:57 | 0:42:59 | |
We were never tempted by the mystery lot. | 0:43:00 | 0:43:02 | |
Pewter, it's not terribly valuable, | 0:43:02 | 0:43:05 | |
-and that's really what swayed our decision-making. -It was. -Yes. | 0:43:05 | 0:43:10 | |
And the fact that we like a drink, wasn't it? | 0:43:10 | 0:43:12 | |
-Not cracking that wine though, are we? -Oh, no. | 0:43:12 | 0:43:14 |