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Hello and welcome to For What It's Worth | 0:00:15 | 0:00:17 | |
where winning means knowing a lot and knowing your lots. | 0:00:17 | 0:00:22 | |
Get the right answers and pick the best antiques | 0:00:22 | 0:00:24 | |
and you could be going home with a top cash prize. | 0:00:24 | 0:00:28 | |
Three pairs of contestants are ready to play. | 0:00:28 | 0:00:30 | |
In each team is a Quizzer responsible for answering | 0:00:30 | 0:00:33 | |
general knowledge questions so that their partner, the Picker, | 0:00:33 | 0:00:36 | |
can choose an antique item to add to their collection. | 0:00:36 | 0:00:39 | |
So, here are today's lots for your consideration. | 0:00:39 | 0:00:42 | |
16 different antiques and collectables. | 0:00:42 | 0:00:47 | |
We have some medicine bottles, | 0:00:47 | 0:00:49 | |
a book, | 0:00:49 | 0:00:50 | |
a jelly mould, | 0:00:50 | 0:00:52 | |
a table, | 0:00:52 | 0:00:53 | |
a candlestick, | 0:00:53 | 0:00:55 | |
a pistol, | 0:00:55 | 0:00:57 | |
The Goonies prop, | 0:00:57 | 0:00:58 | |
a bust, | 0:00:58 | 0:01:00 | |
a sugar castor, | 0:01:00 | 0:01:02 | |
cloth cutter, | 0:01:02 | 0:01:03 | |
a clock, | 0:01:03 | 0:01:05 | |
a writing slope, | 0:01:05 | 0:01:07 | |
a jug, | 0:01:07 | 0:01:08 | |
a toy, | 0:01:08 | 0:01:10 | |
some boot formers, | 0:01:10 | 0:01:12 | |
and documents. | 0:01:12 | 0:01:15 | |
All very different with very different values. | 0:01:15 | 0:01:17 | |
One is worthless, worth £10 or less, and the rest | 0:01:17 | 0:01:21 | |
increase in value up to our top lot, which is worth a whopping £2,500. | 0:01:21 | 0:01:26 | |
That is the lot to spot because at the end of the show, | 0:01:26 | 0:01:29 | |
the winning pair walk away with the cash equivalent | 0:01:29 | 0:01:32 | |
of one of these items. | 0:01:32 | 0:01:33 | |
First up, we have Anne and Brian from Barnoldswick in Lancashire, | 0:01:33 | 0:01:37 | |
who are siblings. | 0:01:37 | 0:01:38 | |
Welcome to you both. | 0:01:38 | 0:01:40 | |
Anne, you are the Picker, do you think Brian has the knowledge | 0:01:40 | 0:01:44 | |
and expertise to be on the winning team? | 0:01:44 | 0:01:46 | |
Oh, definitely. | 0:01:46 | 0:01:48 | |
He's my hero big brother | 0:01:48 | 0:01:50 | |
and he never lets me down. | 0:01:50 | 0:01:52 | |
That's quite an endorsement from a little sister, Brian. | 0:01:52 | 0:01:55 | |
-Isn't that wonderful? -No pressure, then! | 0:01:55 | 0:01:58 | |
You are the Quizzer, Brian. | 0:01:58 | 0:01:59 | |
Do you have any interest in antiques yourself? | 0:01:59 | 0:02:02 | |
I like anything that is well made and functional. | 0:02:02 | 0:02:05 | |
Something that has its own beauty because it works well. | 0:02:05 | 0:02:09 | |
Well, welcome. Very nice to see you, Brian and Anne. | 0:02:09 | 0:02:12 | |
And next are Michel and Harry, who are great friends from London. | 0:02:12 | 0:02:16 | |
Lovely to have you both here. | 0:02:16 | 0:02:18 | |
Michel, you'll be picking the antiques today. | 0:02:18 | 0:02:20 | |
What has been your proudest purchase to date? | 0:02:20 | 0:02:23 | |
I like bargain hunts, car-boot sales, | 0:02:23 | 0:02:25 | |
and I try to find something very rare, very precious. | 0:02:25 | 0:02:28 | |
So far, the best I could find was three Greek plates for £10 | 0:02:28 | 0:02:32 | |
and I think they are worth £100 each. | 0:02:32 | 0:02:34 | |
Ah, so you've got a good eye, have you? | 0:02:34 | 0:02:36 | |
Yeah, my father was an architect and he then became an antique dealer. | 0:02:36 | 0:02:39 | |
When I was a child, he used to take me to car-boot sales | 0:02:39 | 0:02:42 | |
and things, so for me it's quite sentimental as well. | 0:02:42 | 0:02:44 | |
And your friend is Harry, who is next to you. | 0:02:44 | 0:02:46 | |
-You're the team's Quizzer, Harry. -I am. | 0:02:46 | 0:02:48 | |
How would you describe your friendship with Michel? | 0:02:48 | 0:02:50 | |
Well, we're colleagues. We're scientists. | 0:02:50 | 0:02:52 | |
We're looking at the frozen oceans, the Arctic and Antarctic seas, | 0:02:52 | 0:02:56 | |
looking how the sea freezes. | 0:02:56 | 0:02:57 | |
I'm not sure we have a category on sea ice today, unfortunately. | 0:02:57 | 0:03:01 | |
-Oh, no! -I know. I'm sorry! | 0:03:01 | 0:03:02 | |
But anyway, it's lovely to have you here, Harry and Michel. | 0:03:02 | 0:03:06 | |
Finally, let's meet Rita and Jenny, who are also great friends | 0:03:06 | 0:03:09 | |
from Stockport and Northern Ireland. | 0:03:09 | 0:03:11 | |
-Hello to you both. -Hello. | 0:03:11 | 0:03:13 | |
Now, Rita, you are your team's Picker | 0:03:13 | 0:03:15 | |
so what sort of interests do you share in your friendship with Jenny? | 0:03:15 | 0:03:19 | |
Well, Jenny and I go to the same quiz. | 0:03:19 | 0:03:21 | |
We go to a local quiz at a tennis evening but we do have a lot | 0:03:21 | 0:03:25 | |
in common and we always confer and come to an agreement on the answers. | 0:03:25 | 0:03:30 | |
Are you generally right when you confer? | 0:03:30 | 0:03:32 | |
I would say Jenny might have the edge. | 0:03:32 | 0:03:35 | |
So, Jenny, thank goodness you are the Quizzer today | 0:03:35 | 0:03:37 | |
-and I understand you are a retired headteacher? -Yes, that's right. | 0:03:37 | 0:03:41 | |
So I'm presuming you will be getting all the answers right. | 0:03:41 | 0:03:43 | |
If it was on phonics and early reading, then, yes, I would. | 0:03:43 | 0:03:47 | |
Phonics and early reading... | 0:03:47 | 0:03:49 | |
No. No sea ice either, so that's not so good. | 0:03:49 | 0:03:52 | |
But that's looking good for Brian and Anne. Well done! | 0:03:52 | 0:03:55 | |
Welcome, all of you. | 0:03:55 | 0:03:56 | |
The aim of the game is to amass the most valuable collection. | 0:03:56 | 0:04:00 | |
Earlier, our teams inspected the lots, | 0:04:00 | 0:04:03 | |
but could they separate the chipboard from the Chippendale? | 0:04:03 | 0:04:06 | |
-Right. Wow! -Oh, gosh. -Quite a lot, yeah. | 0:04:08 | 0:04:11 | |
-What have we got? Ooh, lovely space! -So... | 0:04:11 | 0:04:14 | |
-A table. -I think it's Indian and I think it's a tourist piece. | 0:04:16 | 0:04:20 | |
Oriental Islamic stuff, so I like that. | 0:04:20 | 0:04:23 | |
The carriage clock... Paris. Paris, Paris. French. | 0:04:23 | 0:04:26 | |
-Do you think that's a modern face or not? -It could be. | 0:04:26 | 0:04:29 | |
-I quite like that. What do you think? -I quite like that. | 0:04:30 | 0:04:33 | |
Why have you just done that? | 0:04:33 | 0:04:35 | |
I think easily 500. | 0:04:35 | 0:04:37 | |
It should have holes in the top like a salt pot. | 0:04:37 | 0:04:40 | |
I think that's silver plate, if it's silver at all. | 0:04:41 | 0:04:44 | |
This one is marked. | 0:04:44 | 0:04:45 | |
If we could get that, great! | 0:04:45 | 0:04:46 | |
Writing slope. I mean, it's been used. This velvet's worn. | 0:04:48 | 0:04:52 | |
It's quite bling-bling! | 0:04:52 | 0:04:53 | |
I don't think it's St Michael's Mount. | 0:04:53 | 0:04:55 | |
I would say it's Mont Saint-Michel, then. | 0:04:55 | 0:04:57 | |
-And the jelly mould? -Hmm. | 0:04:57 | 0:05:00 | |
-Not sure about that. -No. | 0:05:00 | 0:05:02 | |
People love to collect these. | 0:05:02 | 0:05:03 | |
It's got an interesting letter L, W. | 0:05:03 | 0:05:06 | |
Out of all the pieces here, I like that the most. | 0:05:07 | 0:05:10 | |
Yes. It's Doulton. It's Lambeth. | 0:05:10 | 0:05:13 | |
-It was 80 years old? -Listen, listen! | 0:05:13 | 0:05:15 | |
-PING -Perfect. | 0:05:15 | 0:05:16 | |
It's the first edition of something. | 0:05:16 | 0:05:18 | |
People are very sentimental about these things. | 0:05:18 | 0:05:20 | |
-It's in very poor condition. -No. | 0:05:20 | 0:05:22 | |
Would it matter if it's a first edition? | 0:05:22 | 0:05:25 | |
Mechanical toys can bring a lot these days. | 0:05:25 | 0:05:27 | |
The box is about a third of the value. | 0:05:27 | 0:05:29 | |
I would guess it's a copy of an Italian with a name like that. | 0:05:29 | 0:05:34 | |
-Flintlock. 18... -That's quite old. -..50s. | 0:05:34 | 0:05:37 | |
I don't know if it's a flintlock or what. | 0:05:37 | 0:05:40 | |
I like these. I do like them. | 0:05:40 | 0:05:43 | |
These things, you see them hanging round in pubs, in the corner. | 0:05:43 | 0:05:47 | |
-Very handsome. -Beautiful hair. | 0:05:47 | 0:05:51 | |
-So it must be metal. -RINGING KNOCK | 0:05:51 | 0:05:53 | |
Plaster. | 0:05:53 | 0:05:55 | |
I definitely don't like the bottles. | 0:05:55 | 0:05:57 | |
Are these not usually blue in colour? | 0:05:57 | 0:05:59 | |
They're moulded. They've got joins on them. | 0:05:59 | 0:06:01 | |
They actually look quite new. | 0:06:01 | 0:06:03 | |
Documents. Wow! | 0:06:04 | 0:06:06 | |
1856. Receipt. | 0:06:06 | 0:06:08 | |
His Grace, the Duke of Sutherland. | 0:06:08 | 0:06:11 | |
Industrial scissors. You go...zzzsh! Cut the lock. | 0:06:13 | 0:06:15 | |
Wear chainmail when you're operating it. | 0:06:15 | 0:06:17 | |
-I like this. -You do? -Yes, I like this piece of machinery. | 0:06:17 | 0:06:20 | |
The Goonies prop? What's The Goonies prop? | 0:06:20 | 0:06:23 | |
Weighty, though, isn't it? Surprising for a prop. | 0:06:23 | 0:06:25 | |
It's always lead washers. | 0:06:25 | 0:06:27 | |
The best three are the jug, the pistol, and the sugar caster. | 0:06:27 | 0:06:31 | |
The cloth cutter, the bust, and the documents. | 0:06:31 | 0:06:35 | |
The cloth cutter, that's one. The jug. The sugar shaker over there? | 0:06:35 | 0:06:38 | |
And we're both agreed that the bottles are the worthless item. | 0:06:38 | 0:06:42 | |
The chemical bottles. | 0:06:42 | 0:06:44 | |
The bottles! | 0:06:44 | 0:06:45 | |
-OK? -OK. | 0:06:45 | 0:06:46 | |
And joining me is our resident antiques expert, Natasha Raskin. | 0:06:51 | 0:06:55 | |
Natasha, what do you make of today's lots? | 0:06:55 | 0:06:57 | |
As per usual, Fern, they are varied, they are from all different periods. | 0:06:57 | 0:07:01 | |
And, do you know what? It's just like the current market. | 0:07:01 | 0:07:05 | |
You walk into an antiques shop today, into any auction house, | 0:07:05 | 0:07:08 | |
and you'll see all the different eras represented. | 0:07:08 | 0:07:11 | |
But how is the valuation arrived at? | 0:07:11 | 0:07:14 | |
Well, I placed my professional opinion on them. | 0:07:14 | 0:07:17 | |
And then, of course, that was verified by an independent valuer. | 0:07:17 | 0:07:20 | |
Together, we've come up with what we call the hammer price. | 0:07:20 | 0:07:23 | |
So, that's the price that a bidder would pay | 0:07:23 | 0:07:26 | |
when the hammer would drop at auction | 0:07:26 | 0:07:27 | |
-before any buyer's premium would be added. -OK. | 0:07:27 | 0:07:31 | |
So, as well as those lovely little treasures up there, | 0:07:31 | 0:07:33 | |
we have our mystery lot hidden under the shroud of mystery. | 0:07:33 | 0:07:37 | |
And it's poised to be uncovered at the end of the show | 0:07:37 | 0:07:40 | |
to tempt our winners. | 0:07:40 | 0:07:41 | |
It could be valuable, or valueless. | 0:07:41 | 0:07:44 | |
We will be unveiling it later, but, for now, it's time for round one. | 0:07:44 | 0:07:48 | |
I'm going to ask ten general knowledge questions. | 0:07:51 | 0:07:54 | |
Quizzers, if you buzz in with a correct answer, | 0:07:54 | 0:07:57 | |
your Picker gets to add a lot to your collection. | 0:07:57 | 0:07:59 | |
Buzz in incorrectly and you'll be frozen out of the next question. | 0:07:59 | 0:08:03 | |
Quizzers, your task is to get the questions right, | 0:08:03 | 0:08:07 | |
so your Picker can select the most valuable items first. | 0:08:07 | 0:08:11 | |
Fingers on buzzers, question number one. | 0:08:11 | 0:08:14 | |
On a European vehicle licence plate, | 0:08:14 | 0:08:16 | |
which country is represented by the letter E? | 0:08:16 | 0:08:20 | |
Yes, Brian? | 0:08:20 | 0:08:22 | |
-Germany. -No. Incorrect. It is Spain. | 0:08:22 | 0:08:25 | |
You are frozen out of the next question. | 0:08:25 | 0:08:27 | |
Here comes question two. | 0:08:27 | 0:08:29 | |
The song Luck Be A Lady features in which musical? | 0:08:29 | 0:08:33 | |
Yes, Harry? | 0:08:33 | 0:08:35 | |
-Is it Guys And Dolls? -It is Guys And Dolls. | 0:08:35 | 0:08:38 | |
The full question is, the song Luck Be A Lady | 0:08:38 | 0:08:41 | |
features in which musical that made its Broadway debut in 1950? | 0:08:41 | 0:08:45 | |
Michel, you can select your first lot. | 0:08:45 | 0:08:49 | |
I will go for the table. | 0:08:49 | 0:08:52 | |
The table is yours | 0:08:52 | 0:08:53 | |
and it's winging its way into your collection. | 0:08:53 | 0:08:56 | |
Brian and Anne, you are now unfrozen. | 0:08:56 | 0:08:59 | |
Question three. | 0:08:59 | 0:09:00 | |
In Western astrology, which is the only star sign | 0:09:00 | 0:09:03 | |
not represented by either a human or an animal? | 0:09:03 | 0:09:08 | |
-Yes, Brian. -Libra. | 0:09:08 | 0:09:10 | |
It is Libra, well done. | 0:09:10 | 0:09:12 | |
Anne, your chance to pick something really good from the grid. | 0:09:12 | 0:09:16 | |
The jug, please. | 0:09:16 | 0:09:17 | |
The jug is yours. There we go. | 0:09:17 | 0:09:20 | |
It's in your collection. | 0:09:20 | 0:09:21 | |
Question four. | 0:09:21 | 0:09:23 | |
What was the name of the record company founded by the Beatles? | 0:09:23 | 0:09:26 | |
-Yes, Harry? -Apple. | 0:09:26 | 0:09:28 | |
It is Apple Records. | 0:09:28 | 0:09:30 | |
-Michel? -I think, the sugar caster. | 0:09:30 | 0:09:32 | |
The sugar caster is yours. Question five. | 0:09:32 | 0:09:36 | |
In French, which room is the salle de bain? | 0:09:36 | 0:09:40 | |
Yes, Jenny? | 0:09:40 | 0:09:41 | |
-Bathroom. -Yes! | 0:09:41 | 0:09:42 | |
Well done, Jenny. Rita, what do you want? | 0:09:42 | 0:09:44 | |
I think I want to go for the bust. I really liked it. | 0:09:44 | 0:09:48 | |
There we go. Good. | 0:09:48 | 0:09:50 | |
Question six. | 0:09:50 | 0:09:52 | |
What is the name of the convenience store that Apu runs in The Simpsons? | 0:09:52 | 0:09:56 | |
-Yes, Harry. -Kwik-E-Mart. -It is the Kwik-E-Mart. | 0:09:56 | 0:09:59 | |
-Michel. -I'm going to go for the candlestick. | 0:09:59 | 0:10:02 | |
OK. The candlestick is yours. | 0:10:02 | 0:10:04 | |
Question seven. | 0:10:04 | 0:10:06 | |
Which author created Sherlock Holmes? | 0:10:06 | 0:10:09 | |
-Yes, Jenny. -Arthur Conan Doyle. -It is Arthur Conan Doyle. | 0:10:09 | 0:10:13 | |
Rita, what would you like? | 0:10:13 | 0:10:15 | |
I think I'm going to go for the cloth cutter. | 0:10:15 | 0:10:17 | |
OK. The cloth cutter is yours. | 0:10:17 | 0:10:19 | |
Very good. Question eight. | 0:10:20 | 0:10:23 | |
In which month does the US celebrate Thanksgiving? | 0:10:23 | 0:10:26 | |
-Yes, Jenny? -That's in November. | 0:10:26 | 0:10:29 | |
It is November. Rita, have another pick. | 0:10:29 | 0:10:32 | |
I am going to go for the writing slope. | 0:10:32 | 0:10:37 | |
It's yours. | 0:10:37 | 0:10:39 | |
Question nine. A leveret is the young of... | 0:10:39 | 0:10:43 | |
-Yes, Jenny? -A hare. | 0:10:43 | 0:10:45 | |
Correct. A leveret is the young of which animal? The answer is hare. | 0:10:45 | 0:10:49 | |
Rita, pick again. | 0:10:49 | 0:10:51 | |
-I'm going to go for the pistol. -OK. | 0:10:51 | 0:10:53 | |
Pop it in your collection. | 0:10:53 | 0:10:54 | |
Question ten. | 0:10:54 | 0:10:56 | |
In bowls, what name is given to the ball that players... | 0:10:57 | 0:11:00 | |
-Yes, Brian? -Jack. | 0:11:00 | 0:11:02 | |
In bowls, what name is given to the ball | 0:11:02 | 0:11:04 | |
that players are trying to get close to with their woods? | 0:11:04 | 0:11:07 | |
The jack, of course. | 0:11:07 | 0:11:09 | |
Anne, what would you like? | 0:11:09 | 0:11:10 | |
I'd like the book, please. | 0:11:10 | 0:11:13 | |
Oh, interesting. All right. The book is yours. | 0:11:13 | 0:11:16 | |
Well done, everybody. That's the end of round one. | 0:11:16 | 0:11:18 | |
Let's see how the team's collections are progressing. | 0:11:18 | 0:11:21 | |
Anne and Brian have collected the jug and the book. | 0:11:21 | 0:11:24 | |
Michel and Harry have the table, | 0:11:24 | 0:11:27 | |
the sugar caster, and the candlestick. | 0:11:27 | 0:11:30 | |
Whilst Rita and Jenny have acquired the bust, | 0:11:30 | 0:11:32 | |
the cloth cutter, the writing slope, and the pistol for their collection. | 0:11:32 | 0:11:37 | |
So, our teams have started to build their collections, | 0:11:37 | 0:11:40 | |
but before they have a chance to add to them, | 0:11:40 | 0:11:42 | |
Natasha is going to give each pair a fact about a lot of your choice. | 0:11:42 | 0:11:47 | |
So, these snippets of information should give you | 0:11:47 | 0:11:49 | |
vital clues about what it's worth. | 0:11:49 | 0:11:52 | |
So, choose wisely. | 0:11:52 | 0:11:53 | |
It could be something in your collection. | 0:11:53 | 0:11:55 | |
It could be in an opponent's collection, | 0:11:55 | 0:11:57 | |
or it could be something that's still up for grabs on the grid. | 0:11:57 | 0:12:00 | |
So, Anne, let's start with you. | 0:12:00 | 0:12:02 | |
Which lot would you like to hear about? | 0:12:02 | 0:12:04 | |
Please could you tell me a bit more about the book? | 0:12:04 | 0:12:06 | |
Natasha, the book. | 0:12:06 | 0:12:08 | |
Enid Blyton was one of the 20th century's most prolific | 0:12:08 | 0:12:12 | |
and successful children's authors | 0:12:12 | 0:12:14 | |
and the creator of The Famous Five series. | 0:12:14 | 0:12:17 | |
And interestingly, this is a first edition | 0:12:17 | 0:12:20 | |
of the very first adventure that The Five enjoyed together. | 0:12:20 | 0:12:24 | |
Five On A Treasure Island. | 0:12:24 | 0:12:26 | |
Now, the Famous Five would star in an additional 20 books, | 0:12:26 | 0:12:30 | |
believe it or not, that were adapted for radio, theatre, | 0:12:30 | 0:12:32 | |
television and, of course, translated into numerous languages. | 0:12:32 | 0:12:36 | |
Thank you. | 0:12:36 | 0:12:37 | |
Michel, what would you like to know more about? | 0:12:37 | 0:12:40 | |
-I'm curious to know a bit more about the candlestick. -The candlestick. | 0:12:40 | 0:12:43 | |
It's a single silver candlestick. | 0:12:43 | 0:12:46 | |
It's in a lily pattern by William Cafe of London | 0:12:46 | 0:12:50 | |
and, believe it or not, it's from 1763. | 0:12:50 | 0:12:53 | |
William was the brother of John Cafe, | 0:12:53 | 0:12:56 | |
a silversmith who specialised in these candlesticks. | 0:12:56 | 0:12:59 | |
He died in 1757, and so William took on the business. | 0:12:59 | 0:13:03 | |
This example is cast silver | 0:13:03 | 0:13:05 | |
and, aside from a very few exceptions, | 0:13:05 | 0:13:08 | |
cast silver is recognised as the best investment. | 0:13:08 | 0:13:12 | |
It means they've been turned on a lathe. | 0:13:12 | 0:13:14 | |
Obviously, it's better to have a pair. | 0:13:14 | 0:13:17 | |
They can make up to three times as much at auction, if they are a pair. | 0:13:18 | 0:13:22 | |
It doesn't double the price, it triples it. | 0:13:22 | 0:13:25 | |
So, bear that in mind as you sit and reflect upon its value. | 0:13:25 | 0:13:28 | |
Jenny and Rita. Rita, what would you like to know more about? | 0:13:29 | 0:13:32 | |
I would like to know more about the bust. | 0:13:32 | 0:13:35 | |
Natasha, the bust. It is very handsome. | 0:13:35 | 0:13:37 | |
Mmm. He cuts quite a shape, doesn't he? | 0:13:37 | 0:13:39 | |
Now, the bust hails from the Art Deco period. | 0:13:39 | 0:13:42 | |
So, a design style, first appeared in France just before World War I. | 0:13:42 | 0:13:47 | |
Began flourishing internationally in the 1920s, continued into the '40s. | 0:13:47 | 0:13:52 | |
Influential pieces by well-established designers, | 0:13:52 | 0:13:56 | |
artists, sculptors, can change hands for millions, sometimes. | 0:13:56 | 0:14:00 | |
So, where does that leave our young man? Unsigned. Unknown. | 0:14:00 | 0:14:05 | |
Ooh. Now, that you're a bit more clued up | 0:14:05 | 0:14:08 | |
and knowledgeable about today's lots, | 0:14:08 | 0:14:10 | |
let's give you the chance to add more of them to your collections. | 0:14:10 | 0:14:13 | |
Bear in mind that, at the end of this round, | 0:14:13 | 0:14:15 | |
the team with the least valuable collection will be eliminated. | 0:14:15 | 0:14:19 | |
Three more lots are now available to our each pair. | 0:14:22 | 0:14:25 | |
This time, Pickers, you target a lot | 0:14:25 | 0:14:27 | |
and, Quizzers, you then try and secure it | 0:14:27 | 0:14:30 | |
by answering a question correctly. | 0:14:30 | 0:14:33 | |
But, in this round, the lots come with their own question categories. | 0:14:33 | 0:14:37 | |
And here they are. | 0:14:37 | 0:14:38 | |
If, for instance, you were going to go for that carriage clock, | 0:14:40 | 0:14:43 | |
I would ask the Quizzers | 0:14:43 | 0:14:44 | |
if they wanted a question from the Queen category | 0:14:44 | 0:14:47 | |
or the Periodic Table category. | 0:14:47 | 0:14:49 | |
And, by the way, we mean Queen the band, not Her Majesty The Queen. | 0:14:49 | 0:14:54 | |
Oh, dear. | 0:14:54 | 0:14:55 | |
-Anne and Brian, you're up first. -Yes. | 0:14:55 | 0:14:58 | |
-What's your lot? -The boot former, please. | 0:14:58 | 0:15:01 | |
The boot former. | 0:15:01 | 0:15:03 | |
Now, Brian, you must answer something about Dickens, | 0:15:03 | 0:15:06 | |
or the Periodic Table. | 0:15:06 | 0:15:08 | |
-Thank you. -It's a pleasure. | 0:15:08 | 0:15:09 | |
-Dickens, please. -Dickens. Dickens it is. | 0:15:11 | 0:15:14 | |
The Muppets appear in a 1992 movie adaptation of which Dickens novel? | 0:15:14 | 0:15:21 | |
-A Christmas Carol. -It is a Christmas Carol, well done. | 0:15:21 | 0:15:24 | |
-Anne, the boot formers are yours. -Thank you. | 0:15:24 | 0:15:27 | |
Michel, what would you like? | 0:15:27 | 0:15:29 | |
You took my boot formers. How dare you? | 0:15:29 | 0:15:33 | |
I'll try the jelly mould. It's, maybe, a very rare jelly mould. | 0:15:33 | 0:15:36 | |
Harry, would you like a question on The Periodic Table or Famous Dates? | 0:15:36 | 0:15:40 | |
I would like The Periodic Table. | 0:15:40 | 0:15:43 | |
Which chemical element has the symbol Fe? | 0:15:43 | 0:15:47 | |
-Iron. -Iron it is. | 0:15:47 | 0:15:48 | |
Michel, the jelly mould is yours. | 0:15:48 | 0:15:51 | |
If the scientists hadn't got that, that would be trouble. | 0:15:51 | 0:15:55 | |
Rita, what would you Like to target? | 0:15:55 | 0:15:57 | |
I'm going to target the toy. | 0:15:57 | 0:15:59 | |
The toy. | 0:15:59 | 0:16:01 | |
Would you like to answer a question on Dickens or Fashion, Jenny? | 0:16:01 | 0:16:04 | |
-I think I'll go for Fashion. -Fashion. Here we go. | 0:16:04 | 0:16:08 | |
Named after a Spanish city, | 0:16:08 | 0:16:10 | |
a cordwainer makes what item of clothing? | 0:16:10 | 0:16:14 | |
-Boots. -Correct. I could accept footwear, or shoes, or boots. | 0:16:14 | 0:16:19 | |
Well done. The toy car is yours and it's on its way. | 0:16:19 | 0:16:23 | |
-Anne, what would you like to go for next? -The documents, please. | 0:16:23 | 0:16:27 | |
The documents. | 0:16:27 | 0:16:29 | |
Brian, Dickens or Action Films. | 0:16:29 | 0:16:31 | |
-Dickens. -Dickens. | 0:16:31 | 0:16:34 | |
Charles Darnay | 0:16:34 | 0:16:35 | |
and Sydney Carton are characters in which Dickens novel? | 0:16:35 | 0:16:39 | |
-A Tale Of Two Cities. -Correct. | 0:16:42 | 0:16:45 | |
Anne, the documents are yours. | 0:16:45 | 0:16:46 | |
Michel, what would you like to go for? | 0:16:48 | 0:16:50 | |
The clock is French, so I'll have to get the clock, I think. | 0:16:50 | 0:16:54 | |
The clock it is. | 0:16:54 | 0:16:55 | |
Queen, the band, or The Periodic Table, Harry? | 0:16:55 | 0:16:58 | |
I think I might stay safe and go back to The Periodic Table. | 0:16:58 | 0:17:02 | |
Which element on the periodic table has the atomic number one? | 0:17:02 | 0:17:06 | |
-Hydrogen. -It is hydrogen. Good. The clock is yours. | 0:17:06 | 0:17:11 | |
We've almost got a clean sweep of the board here. | 0:17:11 | 0:17:13 | |
There won't be anything left in the grid. | 0:17:13 | 0:17:15 | |
Rita, what would you like to choose between The Goonies prop | 0:17:15 | 0:17:18 | |
and the medicine bottles? | 0:17:18 | 0:17:20 | |
-I'm going to go for The Goonies prop. -OK. | 0:17:20 | 0:17:23 | |
UK Geography or The Periodic Table? | 0:17:23 | 0:17:26 | |
-I will try UK Geography, please. -OK. | 0:17:26 | 0:17:29 | |
Here's your question. | 0:17:29 | 0:17:30 | |
Coton in the Elms, | 0:17:30 | 0:17:32 | |
the furthest point from the sea in Britain, is in which county? | 0:17:32 | 0:17:36 | |
Ooh, um... | 0:17:39 | 0:17:41 | |
Cornwall. | 0:17:41 | 0:17:42 | |
Incorrect. It's Derbyshire. | 0:17:42 | 0:17:44 | |
Oh, that was a tough one. | 0:17:44 | 0:17:46 | |
So, The Goonies prop stays on the board. | 0:17:46 | 0:17:49 | |
OK, teams, your collections are growing. | 0:17:49 | 0:17:51 | |
But now, remember, at the end of this round, | 0:17:51 | 0:17:53 | |
the pair with the least valuable collection will be leaving us. | 0:17:53 | 0:17:56 | |
So, there's one last lot available to each team. | 0:17:56 | 0:18:01 | |
And this time, you can either go for what's left on the grid, | 0:18:01 | 0:18:04 | |
or you can try to steal an antique that's in a rival team's collection. | 0:18:04 | 0:18:09 | |
But, Pickers, be warned. | 0:18:09 | 0:18:11 | |
If you choose to steal from another team, their Quizzer | 0:18:11 | 0:18:14 | |
will get to decide your Quizzer's category. | 0:18:14 | 0:18:18 | |
Anne, do you want to target a lot from the grid, | 0:18:18 | 0:18:21 | |
or have you got your eye on something in another collection? | 0:18:21 | 0:18:24 | |
-I have my eye on the pistol, please. -The pistol. | 0:18:24 | 0:18:29 | |
And that is in Rita and Jenny's collection. | 0:18:29 | 0:18:33 | |
You can now pick any category you see on the board | 0:18:33 | 0:18:36 | |
for Brian to answer. | 0:18:36 | 0:18:37 | |
Remember, you're defending your pistol. | 0:18:37 | 0:18:41 | |
-I'd like Brian to answer a question on The Periodic Table. -Oh-ho! | 0:18:41 | 0:18:45 | |
OK, here we go. The chemical symbol K refers to which element? | 0:18:45 | 0:18:51 | |
-Potassium. -Correct. | 0:18:51 | 0:18:53 | |
Oh! The pistol is yours. | 0:18:53 | 0:18:56 | |
Michel, what would you like? | 0:18:56 | 0:18:58 | |
Something on the grid, or pinching something from someone else? | 0:18:58 | 0:19:01 | |
Pinching something. Definitely. So, I think I will go for the book. | 0:19:01 | 0:19:05 | |
That's in Anne and Brian's collection. | 0:19:05 | 0:19:07 | |
Brian, would you like to pick a category | 0:19:07 | 0:19:09 | |
you think that Harry would have difficulty in answering? | 0:19:09 | 0:19:13 | |
-Dickens. -Dickens. | 0:19:14 | 0:19:16 | |
It's not looking good. It's not looking good. | 0:19:18 | 0:19:20 | |
Harry, here's your question. | 0:19:21 | 0:19:23 | |
In Oliver Twist, what is the name of Bill Sykes's dog? | 0:19:23 | 0:19:26 | |
Michel has his head in his hands. | 0:19:32 | 0:19:34 | |
I might put mine in my hands, too. | 0:19:34 | 0:19:36 | |
Um... | 0:19:36 | 0:19:37 | |
I'm going to go completely out of the blue and say, | 0:19:39 | 0:19:42 | |
I don't know, Badger. | 0:19:42 | 0:19:44 | |
Oh! Incorrect. | 0:19:44 | 0:19:46 | |
-It starts with a B. Bullseye. -Ugh! | 0:19:46 | 0:19:49 | |
OK. Well done, Brian. | 0:19:49 | 0:19:52 | |
Very well defended and the book stays in your collection. | 0:19:52 | 0:19:57 | |
Rita, what would you like? | 0:19:57 | 0:19:59 | |
I think I would like to pinch the silver candlestick. | 0:19:59 | 0:20:02 | |
Which is in Harry and Michel's collection, I believe. | 0:20:02 | 0:20:06 | |
OK. Go for it, Harry. | 0:20:06 | 0:20:08 | |
What would you think Jenny is going to find hard in those categories? | 0:20:08 | 0:20:13 | |
-Maybe Action Films. -Action Films. | 0:20:13 | 0:20:15 | |
Jenny, here's your question. | 0:20:17 | 0:20:19 | |
Matt Damon plays a secret agent suffering from amnesia | 0:20:19 | 0:20:23 | |
in which 2002 action film? | 0:20:23 | 0:20:26 | |
Um... | 0:20:26 | 0:20:27 | |
The Bourne Ultimatum. | 0:20:29 | 0:20:30 | |
Oh! Incorrect. | 0:20:30 | 0:20:32 | |
-Oh! -Oh! -The Bourne Identity! | 0:20:32 | 0:20:35 | |
Wow! Well defended, Harry. Excellent. | 0:20:35 | 0:20:39 | |
The candlestick stays with you. | 0:20:39 | 0:20:42 | |
OK. That is it for round two. | 0:20:42 | 0:20:44 | |
Anne and Brian, you successfully stole the pistol | 0:20:44 | 0:20:47 | |
and this has been added to your collection, alongside the jug, | 0:20:47 | 0:20:51 | |
the book, the boot formers, and the documents. | 0:20:51 | 0:20:54 | |
Michel and Harry, you've not collected any other new items | 0:20:54 | 0:20:58 | |
but you do still have the table, the sugar caster, the candlestick, | 0:20:58 | 0:21:01 | |
the jelly mould and the clock. | 0:21:01 | 0:21:03 | |
Rita and Jenny, you said goodbye to your pistol but you have managed | 0:21:03 | 0:21:07 | |
to keep the bust, the cloth cutter, the writing slope, and the toy. | 0:21:07 | 0:21:12 | |
And for one team, it's the end of the road. | 0:21:12 | 0:21:15 | |
We've calculated the combined value of your items | 0:21:15 | 0:21:19 | |
and the team with the least valuable collection will be eliminated. | 0:21:19 | 0:21:23 | |
Natasha has been keeping tabs. | 0:21:23 | 0:21:25 | |
So, Natasha, who's leaving us first? | 0:21:25 | 0:21:28 | |
The pair leaving us first today is, Fern... | 0:21:28 | 0:21:32 | |
..Jenny and Rita. Ladies, I'm so sorry. | 0:21:35 | 0:21:39 | |
-We thought so. -Well, I am so sorry, Jenny and Rita. | 0:21:39 | 0:21:42 | |
You have four very good lots in your collection | 0:21:42 | 0:21:46 | |
but, before we let you go, we've got to find out | 0:21:46 | 0:21:48 | |
about those lots that are leaving the game with you. | 0:21:48 | 0:21:51 | |
So, Natasha, what do you make of their collection? | 0:21:51 | 0:21:53 | |
Let's go through the bust first. | 0:21:53 | 0:21:55 | |
Yeah, well, I loved this lot, as well. | 0:21:55 | 0:21:57 | |
And you just were taken by him, as soon as you saw him, weren't you? | 0:21:57 | 0:22:01 | |
-Yeah. -He's got that real Art Deco angular appeal. | 0:22:01 | 0:22:05 | |
Brian, you spotted that the material was likely plaster. | 0:22:05 | 0:22:08 | |
So, it's not really a bronze, or a precious metal, or anything. | 0:22:08 | 0:22:12 | |
-What it's got going for it is style. -Yeah. | 0:22:12 | 0:22:15 | |
But its value is only £150. | 0:22:15 | 0:22:18 | |
-Good heavens! -So not hugely valuable. | 0:22:18 | 0:22:21 | |
-OK, he's gone, what's next? -Next up is a writing slope. | 0:22:21 | 0:22:24 | |
Michel, you described it as bling, didn't you? | 0:22:24 | 0:22:27 | |
You know, it's really high Victorian. | 0:22:27 | 0:22:30 | |
It's gilded, it's illustrated and signed. | 0:22:30 | 0:22:33 | |
We have the original bottles for the ink, which is lovely. | 0:22:33 | 0:22:36 | |
And there was a bit of a toss-up between you | 0:22:36 | 0:22:38 | |
because none of you could decide if it was Mont Saint-Michel, | 0:22:38 | 0:22:41 | |
or St Michael's Mount. | 0:22:41 | 0:22:43 | |
So, let me tell you, it's St Michael's Mount. | 0:22:43 | 0:22:46 | |
So, it's a Cornish scene but all this, | 0:22:46 | 0:22:48 | |
does it add up to a highly valued lot? | 0:22:48 | 0:22:52 | |
-£300 it would cost you at auction today. -Really! | 0:22:52 | 0:22:55 | |
Next up, look at this toy. | 0:22:55 | 0:22:57 | |
It's interesting, this one, because just like the actual car itself, | 0:22:57 | 0:23:00 | |
this model is powered by a rear mounted engine. So it's quite fun. | 0:23:00 | 0:23:05 | |
So it zips along, just like the real car. | 0:23:05 | 0:23:08 | |
Now, one third of the value, really, is the box. | 0:23:08 | 0:23:12 | |
I think, Jenny, you said you thought it was very valuable | 0:23:12 | 0:23:15 | |
because of the box. | 0:23:15 | 0:23:16 | |
It's more than you would imagine. | 0:23:16 | 0:23:19 | |
£400. | 0:23:19 | 0:23:20 | |
Rita, you've done very well, so far, picking these lots. | 0:23:20 | 0:23:23 | |
The last one is the cloth cutter. | 0:23:23 | 0:23:25 | |
Yes, and this had everyone going when you all looked at it. | 0:23:25 | 0:23:29 | |
This really revolutionised cloth making, tailoring, | 0:23:29 | 0:23:33 | |
suit making, in particular. | 0:23:33 | 0:23:35 | |
Because this machine | 0:23:35 | 0:23:37 | |
could really get through 20 layers, or so, of material. | 0:23:37 | 0:23:40 | |
You can see this in a dressmaker's shop window. | 0:23:40 | 0:23:43 | |
You can see it in a photo shoot, something like that. | 0:23:43 | 0:23:45 | |
It's now a fancy prop but does it have a fancy price? | 0:23:45 | 0:23:50 | |
-Not much more than the car. £450. -OK. | 0:23:50 | 0:23:54 | |
Well, the total value of Jenny and Rita's collection was what? | 0:23:54 | 0:23:58 | |
The losing value today was £1,300. | 0:23:58 | 0:24:02 | |
You were spotting good things but, Rita and Jenny, | 0:24:02 | 0:24:05 | |
it is time to say goodbye to you | 0:24:05 | 0:24:07 | |
and bring the hammer down on your time here. | 0:24:07 | 0:24:10 | |
But thank you so much for playing For What It's Worth. | 0:24:10 | 0:24:13 | |
-Thank you. -Thank you. | 0:24:13 | 0:24:14 | |
I think the top lot might be the candlestick. | 0:24:16 | 0:24:19 | |
It's quite early but there is only one of it. | 0:24:19 | 0:24:22 | |
Yeah, I'd go for the candlestick. | 0:24:22 | 0:24:24 | |
The two unclaimed lots in the grid are now also leaving the game. | 0:24:28 | 0:24:31 | |
So let's quickly find out from Natasha what they were worth | 0:24:31 | 0:24:34 | |
and if the top lot is still in the game? | 0:24:34 | 0:24:37 | |
Well, here we go. | 0:24:37 | 0:24:38 | |
Medicine bottles. Here they are. | 0:24:38 | 0:24:40 | |
Now, these were widely disregarded | 0:24:40 | 0:24:42 | |
but they are genuine 1930s chemist's bottles. | 0:24:42 | 0:24:45 | |
It's not the condition of the bottle, | 0:24:45 | 0:24:47 | |
it's not the colour of the bottle, but it's what's on the label | 0:24:47 | 0:24:51 | |
because, here, we've got soothing ointments | 0:24:51 | 0:24:54 | |
and what you really want on valuable bottles is poison! | 0:24:54 | 0:24:58 | |
You want the real dastardly stuff. | 0:24:58 | 0:25:01 | |
£80. | 0:25:01 | 0:25:02 | |
£80. Still not the bottom lot, though. | 0:25:02 | 0:25:04 | |
No. Far from it. | 0:25:04 | 0:25:06 | |
And the final lot on the grid is The Goonies prop. | 0:25:06 | 0:25:11 | |
Movie memorabilia is pretty big at auction. | 0:25:11 | 0:25:15 | |
We can tell you exactly when it was made, | 0:25:15 | 0:25:18 | |
for what it was made, by whom it was, you know, felt. | 0:25:18 | 0:25:22 | |
And, of course, The Goonies is all about finding treasure on a ship | 0:25:22 | 0:25:26 | |
and here you've got something that's made to look like a doubloon, | 0:25:26 | 0:25:30 | |
which is, of course, a bit of treasure. | 0:25:30 | 0:25:32 | |
-Now, it's just a bit of gilded metal but with that provenance... -Oh, no. | 0:25:32 | 0:25:37 | |
-What? -It's getting towards four figures. | 0:25:37 | 0:25:42 | |
It's worth £750. | 0:25:42 | 0:25:44 | |
-Good heavens! -I'm amazed. | 0:25:44 | 0:25:46 | |
We now know that the bottom lot and the top lot are still in the game. | 0:25:46 | 0:25:51 | |
Just two pairs of contestants left before we go any further. | 0:25:51 | 0:25:55 | |
So Natasha is going to give you another fact | 0:25:55 | 0:25:58 | |
about a lot of your choice. | 0:25:58 | 0:26:00 | |
Anne, what lot do you need to know about? | 0:26:00 | 0:26:02 | |
Well, I do like the look of the sugar caster | 0:26:02 | 0:26:05 | |
and I would love to know a bit more about its history. | 0:26:05 | 0:26:08 | |
The sugar caster, Natasha. | 0:26:08 | 0:26:10 | |
Now, the hallmarks on this are a little rubbed, | 0:26:10 | 0:26:13 | |
so, although it is hard to tell exactly, | 0:26:13 | 0:26:17 | |
this unusually large sugar caster seems to date from 1930. | 0:26:17 | 0:26:21 | |
The city marks are for London | 0:26:21 | 0:26:23 | |
and it's actually a copy of an 18th-century design. | 0:26:23 | 0:26:27 | |
So, although it is 20th century, | 0:26:27 | 0:26:28 | |
that large size is an 18th-century model. | 0:26:28 | 0:26:31 | |
And large it is, and also solid silver. | 0:26:32 | 0:26:37 | |
We all know that when it comes to precious metal, size matters. | 0:26:37 | 0:26:41 | |
-Oh! -Thank you. | 0:26:41 | 0:26:43 | |
Michel, what would you like to know more about? | 0:26:43 | 0:26:45 | |
I'm going to ask about the jug with the cyclist. | 0:26:45 | 0:26:49 | |
Yes, Michel, Harry, where sport meets art. | 0:26:49 | 0:26:53 | |
It's an Art Nouveau Royal Doulton Lambeth stoneware lemonade jug. | 0:26:53 | 0:26:58 | |
It's decorated in relief with three different cycling scenes. | 0:26:58 | 0:27:03 | |
That's what makes it special. | 0:27:03 | 0:27:05 | |
Road, military, and path cycling. | 0:27:05 | 0:27:08 | |
It's made around 1900. So, Art Nouveau period. | 0:27:08 | 0:27:11 | |
It's also got borders of classic tube-lined Art Nouveau flowers | 0:27:11 | 0:27:15 | |
and foliage. | 0:27:15 | 0:27:17 | |
A combination of two very collectable things, | 0:27:17 | 0:27:20 | |
Doulton and sport. | 0:27:20 | 0:27:22 | |
And, more specifically, it's that cycling that has really | 0:27:22 | 0:27:26 | |
surged in popularity in recent years. | 0:27:26 | 0:27:29 | |
So, cycling, lemonade, Doulton, | 0:27:29 | 0:27:32 | |
what could that do to the value? You decide. | 0:27:32 | 0:27:34 | |
Very good. Well, those are all the facts available to you. | 0:27:34 | 0:27:37 | |
It's now time for our final round. | 0:27:37 | 0:27:39 | |
And at the end of it, we will have our winners. | 0:27:39 | 0:27:42 | |
I'm going to give the Quizzers a category. | 0:27:44 | 0:27:47 | |
They then take turns to say answers in that category. | 0:27:47 | 0:27:50 | |
For example, if I say, "Films starring Jennifer Lawrence" | 0:27:50 | 0:27:53 | |
you might say, Brian, Winter's Bone. | 0:27:53 | 0:27:56 | |
You might say, Harry, American Hustle, | 0:27:56 | 0:27:59 | |
and then Hunger Games and so on. | 0:27:59 | 0:28:01 | |
Now, if you fail to give an answer | 0:28:01 | 0:28:03 | |
or if you repeat an answer, or you give a wrong answer, | 0:28:03 | 0:28:07 | |
you lose that category and the opponent's Picker | 0:28:07 | 0:28:10 | |
will be able to steal a lot from your collection. | 0:28:10 | 0:28:13 | |
Remember, it's the total value of your collections | 0:28:13 | 0:28:16 | |
that matter at the end of this round. | 0:28:16 | 0:28:18 | |
One high-priced lot could be more valuable | 0:28:18 | 0:28:21 | |
than your opponent's entire collection. | 0:28:21 | 0:28:23 | |
There are three categories. | 0:28:23 | 0:28:25 | |
The pair with the most valuable collection at this point go first. | 0:28:25 | 0:28:29 | |
Natasha, who has the most valuable collection at the moment? | 0:28:29 | 0:28:31 | |
I can reveal to you that the team that currently has | 0:28:31 | 0:28:35 | |
the more valuable collection is... | 0:28:35 | 0:28:37 | |
-..Anne and Brian. Well done! -Whoa! | 0:28:39 | 0:28:42 | |
Congratulations. | 0:28:42 | 0:28:44 | |
OK, Brian, you will start us off and the first category is... | 0:28:44 | 0:28:47 | |
Brian, can I have an answer, please? | 0:28:55 | 0:28:57 | |
Maine Road. | 0:28:58 | 0:29:00 | |
Brian, that's incorrect. | 0:29:00 | 0:29:03 | |
Man City were at Maine Road, now they are at the Etihad. | 0:29:03 | 0:29:07 | |
So, you could have had Carrow Road, | 0:29:07 | 0:29:10 | |
Liberty Stadium, Vicarage Road, | 0:29:10 | 0:29:13 | |
Stadium Of Light, etc, etc. | 0:29:13 | 0:29:16 | |
Michel, your chance to steal. | 0:29:16 | 0:29:19 | |
I'm going to go for the book. | 0:29:19 | 0:29:21 | |
Michel, the book is yours. Stolen from Anne and Brian's collection. | 0:29:21 | 0:29:26 | |
Harry, here's your category. | 0:29:26 | 0:29:28 | |
Harry, can I have an answer? | 0:29:31 | 0:29:33 | |
The Ukraine. | 0:29:33 | 0:29:34 | |
Correct. Brian. | 0:29:34 | 0:29:36 | |
-Georgia. -Correct. | 0:29:36 | 0:29:38 | |
-Harry. -Belorussia. -Correct. | 0:29:38 | 0:29:41 | |
It's an alternative name for Belarus. Well done. | 0:29:41 | 0:29:45 | |
Brian. | 0:29:45 | 0:29:46 | |
-Kazakhstan. -Correct. | 0:29:46 | 0:29:48 | |
-Harry. -Tajikistan. | 0:29:48 | 0:29:50 | |
Correct. Brian. | 0:29:50 | 0:29:52 | |
Turkistan. | 0:29:52 | 0:29:54 | |
Brian, I'm so sorry. Incorrect. We can't except that. | 0:29:54 | 0:29:57 | |
Did you mean Turkmenistan? | 0:29:57 | 0:29:59 | |
-I did. -I'm so sorry. | 0:29:59 | 0:30:02 | |
You could have had Estonia, Latvia, Moldova! | 0:30:02 | 0:30:07 | |
So, Michel, you can steal from Anne and Brian again. | 0:30:07 | 0:30:12 | |
OK. I like the jug. | 0:30:12 | 0:30:15 | |
The jug is yours. | 0:30:15 | 0:30:16 | |
Anne, that's painful, isn't it? | 0:30:16 | 0:30:18 | |
You liked the jug, didn't you? | 0:30:18 | 0:30:20 | |
I liked that jug! | 0:30:20 | 0:30:22 | |
One last category to answer and, Brian, you go first. | 0:30:22 | 0:30:26 | |
Play this well and you could snatch something back, OK? | 0:30:26 | 0:30:29 | |
The category is... | 0:30:29 | 0:30:31 | |
Are you a Downton fan, Brian? | 0:30:36 | 0:30:39 | |
-No. -Harry, are you? | 0:30:39 | 0:30:42 | |
-No. -This is going to be great! -This is going to be good! | 0:30:42 | 0:30:46 | |
All right, Brian, you go first. | 0:30:46 | 0:30:49 | |
Can you give me an answer? | 0:30:49 | 0:30:51 | |
Bates. | 0:30:51 | 0:30:53 | |
Correct. | 0:30:54 | 0:30:56 | |
Harry? | 0:30:56 | 0:30:58 | |
Mrs Bates? That's the best thing I've got to go for. | 0:30:58 | 0:31:01 | |
Correct! | 0:31:02 | 0:31:03 | |
Anna Bates. | 0:31:03 | 0:31:06 | |
Brian. | 0:31:06 | 0:31:07 | |
Anna. | 0:31:10 | 0:31:11 | |
I'm so sorry, I can't accept that. | 0:31:11 | 0:31:14 | |
There is an Anna but she is Mrs Bates. | 0:31:14 | 0:31:17 | |
She's Anna Bates, so actually you have repeated an answer. | 0:31:17 | 0:31:21 | |
You could have had Baxter, Daisy, Mr Carson! | 0:31:25 | 0:31:29 | |
So, Michel. | 0:31:30 | 0:31:32 | |
We're going to go with the boot formers. | 0:31:32 | 0:31:34 | |
The boot formers, they are yours. | 0:31:34 | 0:31:38 | |
That's it, your collections are now fixed | 0:31:38 | 0:31:40 | |
and will determine which team is victorious. | 0:31:40 | 0:31:43 | |
It's time to find out who are today's winners. | 0:31:43 | 0:31:46 | |
Natasha, who's got the most valuable collection? | 0:31:46 | 0:31:49 | |
I can reveal now the team with the more valuable collection, | 0:31:49 | 0:31:54 | |
and therefore the winners of today's show... | 0:31:54 | 0:31:57 | |
Michel and Harry, you are today's winners. | 0:31:59 | 0:32:02 | |
-You're in front. -Congratulations. -Well done. | 0:32:02 | 0:32:05 | |
Well done, with a whopping eight lots in your collection, | 0:32:06 | 0:32:10 | |
congratulations, but commiserations to Anne and Brian. | 0:32:10 | 0:32:14 | |
You didn't create the more valuable collection, but before we say | 0:32:14 | 0:32:17 | |
goodbye to you, shall we find out what the lots you have are worth? | 0:32:17 | 0:32:21 | |
Starting with the documents, | 0:32:21 | 0:32:23 | |
I'm rather hoping this is Cold War spy stuff. | 0:32:23 | 0:32:27 | |
Earlier than that, actually. | 0:32:27 | 0:32:29 | |
First of all, there's a sort of noble connection | 0:32:29 | 0:32:31 | |
that I'm sure most of you spotted. | 0:32:31 | 0:32:33 | |
These are all filled with bank documents relating | 0:32:33 | 0:32:36 | |
to the first Duke of Sutherland, | 0:32:36 | 0:32:38 | |
so we're in the late Victorian period, around the 1880s or so. | 0:32:38 | 0:32:42 | |
It's not very exciting ephemera - | 0:32:42 | 0:32:46 | |
bank receipts, lists, all things like that. | 0:32:46 | 0:32:49 | |
Now, the state of the briefcase really belies the fact | 0:32:49 | 0:32:52 | |
that the first Duke of Sutherland and his family in the 1880s | 0:32:52 | 0:32:57 | |
were one of the richest landowners in the whole of the United Kingdom. | 0:32:57 | 0:33:02 | |
Was this one of today's richest lots? | 0:33:02 | 0:33:05 | |
Let me tell you, it was almost the richest lot. | 0:33:05 | 0:33:09 | |
It is worth £1,500, | 0:33:09 | 0:33:12 | |
this attache of documents, so well done for choosing that, | 0:33:12 | 0:33:15 | |
you knew it had a good value, I guess. | 0:33:15 | 0:33:18 | |
And the second lot is the pistol? | 0:33:18 | 0:33:21 | |
You did spot that it's a flintlock pistol | 0:33:21 | 0:33:24 | |
and you thought, Anne, probably about the 1850s or so. | 0:33:24 | 0:33:27 | |
Well, you're right that it's 19th century. | 0:33:27 | 0:33:30 | |
Of course, the flintlock pistol's from the 17th century, | 0:33:30 | 0:33:33 | |
it was designed in the 1600s by Marin le Bourgeoys, | 0:33:33 | 0:33:37 | |
probably terrible pronunciation, Michel, I hope that's OK. | 0:33:37 | 0:33:40 | |
-Yeah. -But, you know, all sorts of armoury and weaponry | 0:33:40 | 0:33:44 | |
is very saleable at auction. | 0:33:44 | 0:33:46 | |
-Again, we are in four figures. -Wow! | 0:33:46 | 0:33:50 | |
This pistol is worth £2,000. | 0:33:50 | 0:33:54 | |
£2,000, so a grand total of 3,500 for a losing lot. | 0:33:54 | 0:34:00 | |
It's not so bad, is it, Fern? | 0:34:00 | 0:34:03 | |
That is incredible but it is time to bring the hammer down | 0:34:03 | 0:34:07 | |
on your collection, I'm afraid, | 0:34:07 | 0:34:09 | |
but thank you for playing For What It's Worth. | 0:34:09 | 0:34:12 | |
Downton Abbey I know, from my sister-in-law's point of view, | 0:34:14 | 0:34:18 | |
it's one of her favourite programmes, | 0:34:18 | 0:34:20 | |
but I think Brian takes the opportunity to go out when it's on. | 0:34:20 | 0:34:24 | |
But never mind! | 0:34:24 | 0:34:25 | |
Well done, Michel and Harry. | 0:34:28 | 0:34:29 | |
You built the most valuable collection | 0:34:29 | 0:34:31 | |
and you are today's winners. | 0:34:31 | 0:34:33 | |
And now all that remains is for you to claim your prize. | 0:34:33 | 0:34:36 | |
All you have to do is choose one of your items | 0:34:36 | 0:34:40 | |
and we'll give you its value in cash. | 0:34:40 | 0:34:43 | |
You may have gathered that in your collection you have the top lot | 0:34:43 | 0:34:47 | |
and the bottom lot, so pick carefully. | 0:34:47 | 0:34:50 | |
I think the jelly mould could be worthless, what do you think? | 0:34:50 | 0:34:53 | |
Yeah, I'm happy with that, I think we should not pick the clock either. | 0:34:53 | 0:34:56 | |
The book is a first edition, it's high on my list. | 0:34:56 | 0:34:59 | |
-Yeah. -The table I know is nice, it's decorative, | 0:34:59 | 0:35:01 | |
but I don't think it's top notch Ottoman stuff. | 0:35:01 | 0:35:03 | |
The sugar caster is too recent, | 0:35:03 | 0:35:05 | |
the candlestick is 1700s and it's the best kind of silver. | 0:35:05 | 0:35:10 | |
The boot formers, I think I will leave them. | 0:35:10 | 0:35:12 | |
The jug is very nice | 0:35:12 | 0:35:13 | |
but it's not nice enough to put in your living room. | 0:35:13 | 0:35:16 | |
So top three are for me the middle column. | 0:35:16 | 0:35:18 | |
What does your gut say, Michel? | 0:35:18 | 0:35:20 | |
-I'm going to say candlestick. -Candlestick. | 0:35:20 | 0:35:22 | |
OK, before we tell you what it's worth, Natasha, | 0:35:22 | 0:35:25 | |
please can you tell us the value of the lots they have rejected? | 0:35:25 | 0:35:29 | |
We'll start with our boot formers. | 0:35:29 | 0:35:32 | |
They're late Victorian, of course, they're wooden, as we can see. | 0:35:32 | 0:35:35 | |
They kept your riding boots shapely | 0:35:35 | 0:35:37 | |
and the reason why you wanted to do that is | 0:35:37 | 0:35:40 | |
because leather was so expensive in the Victorian era, | 0:35:40 | 0:35:44 | |
but leather boots, boot formers, which has the higher value? | 0:35:44 | 0:35:48 | |
Probably the leather boots because these were only worth 40 quid. | 0:35:48 | 0:35:52 | |
And next up we have our table. | 0:35:52 | 0:35:54 | |
Michel, you were quite insistent this was an Ottoman item | 0:35:54 | 0:35:58 | |
but in fact it's 19th-century Indian. | 0:35:58 | 0:36:00 | |
It's a folding table, of course, | 0:36:00 | 0:36:02 | |
and wood is a bit of a perishable material | 0:36:02 | 0:36:05 | |
but this is an Indian hardwood, | 0:36:05 | 0:36:07 | |
so its durability is really tied up with its appeal here, | 0:36:07 | 0:36:10 | |
but the prices go up and down with these things | 0:36:10 | 0:36:13 | |
and at the moment it's on a bit of a downer, | 0:36:13 | 0:36:15 | |
-£120. -Gosh, amazing. | 0:36:15 | 0:36:18 | |
And next we have the sugar caster. | 0:36:18 | 0:36:22 | |
Now, Fern, this caught everyone's eye. | 0:36:22 | 0:36:25 | |
The size does help it because it's a precious metal | 0:36:25 | 0:36:28 | |
but it doesn't really elevate it to that 18th-century echelon. | 0:36:28 | 0:36:34 | |
So, a nice big lump of silver, | 0:36:34 | 0:36:36 | |
250 quid. | 0:36:36 | 0:36:38 | |
-Next? -Next up is this jug. | 0:36:38 | 0:36:41 | |
Poor Anne, you broke her heart when you stole this jug from her. | 0:36:41 | 0:36:46 | |
Do you know what? I love Lambeth. | 0:36:46 | 0:36:48 | |
Those cycling motifs, how unusual! | 0:36:48 | 0:36:50 | |
It's for lemonade, but believe me, it's a pretty valuable lot, | 0:36:50 | 0:36:55 | |
-£375. -Well done. | 0:36:55 | 0:36:58 | |
OK, the next lot is the clock. | 0:36:58 | 0:37:01 | |
How can a Frenchman turn down a French carriage clock? | 0:37:01 | 0:37:04 | |
It's a 19th-century brass carriage clock. | 0:37:04 | 0:37:07 | |
It's got that typical handle on the top, the swan-shaped handle. | 0:37:07 | 0:37:11 | |
It's a striking carriage clock but not a repeater | 0:37:11 | 0:37:14 | |
and it's the repeaters that tend to make a little bit more money. | 0:37:14 | 0:37:18 | |
But, boys, this is still a four-figure lot. | 0:37:18 | 0:37:20 | |
-It's actually worth £1,000. -Oh! | 0:37:22 | 0:37:25 | |
Still not the top lot. | 0:37:25 | 0:37:27 | |
OK, the jelly mould. | 0:37:27 | 0:37:30 | |
Kitchenalia has had a bit of a boom, | 0:37:30 | 0:37:32 | |
but if you wanted a really valuable one, you'd be looking for a maker, | 0:37:32 | 0:37:36 | |
and that maker would be Benham and Froud, | 0:37:36 | 0:37:39 | |
and thankfully, this was not by that maker | 0:37:39 | 0:37:43 | |
and well spotted. | 0:37:43 | 0:37:44 | |
-Today's worthless lot. -Oh! | 0:37:44 | 0:37:46 | |
Well done! The bottom lot has gone. | 0:37:46 | 0:37:49 | |
This is the last lot. | 0:37:49 | 0:37:51 | |
The Enid Blyton first edition. | 0:37:51 | 0:37:54 | |
And you really thought over this one. | 0:37:54 | 0:37:57 | |
However, the condition is not great | 0:37:57 | 0:38:00 | |
and when you want a first edition book, you want perfect condition, | 0:38:00 | 0:38:04 | |
but these are rare beasts | 0:38:04 | 0:38:07 | |
and people love Enid Blyton. | 0:38:07 | 0:38:09 | |
There is a huge surge in the nostalgia market. | 0:38:09 | 0:38:12 | |
Just look at that picture on the front, it could not be | 0:38:12 | 0:38:16 | |
more nostalgic, it could not be more idyllic, and it conjures up | 0:38:16 | 0:38:20 | |
a time when everything was just picture perfect. | 0:38:20 | 0:38:24 | |
And even in this imperfect condition... | 0:38:24 | 0:38:27 | |
No. | 0:38:27 | 0:38:29 | |
It's our top lot. | 0:38:29 | 0:38:31 | |
£2,500, and you dismissed it, | 0:38:31 | 0:38:35 | |
as a tatty old reed, but you did have an inkling, didn't you? | 0:38:35 | 0:38:38 | |
You thought it might be. | 0:38:38 | 0:38:40 | |
-I didn't want it as the top lot, my choice. -You did, you chose. | 0:38:40 | 0:38:43 | |
-I didn't want it. -You'll roll with the punches, will you? | 0:38:43 | 0:38:46 | |
Michel and Harry, you picked the candlestick | 0:38:46 | 0:38:49 | |
and it's time for you both to join me | 0:38:49 | 0:38:51 | |
to take a closer look at your candlestick and see | 0:38:51 | 0:38:53 | |
if we can tempt you with our mystery lot, | 0:38:53 | 0:38:56 | |
which may be worth a lot of money. | 0:38:56 | 0:38:58 | |
So, you may be confident that you have chosen a good lot, | 0:39:00 | 0:39:04 | |
a lot of great worth, but before we tell you its value | 0:39:04 | 0:39:07 | |
we are going to tempt you with the mystery lot. | 0:39:07 | 0:39:10 | |
Natasha. | 0:39:10 | 0:39:11 | |
Would you please reveal? | 0:39:11 | 0:39:13 | |
Let me show you. | 0:39:13 | 0:39:15 | |
-Ooh. OK. -Lovely needlework, wouldn't you say? | 0:39:15 | 0:39:19 | |
But what exactly was it used for? | 0:39:19 | 0:39:21 | |
Is it an oversized pincushion? | 0:39:21 | 0:39:24 | |
Is it a kneeler, for saying your prayers in church? | 0:39:24 | 0:39:26 | |
And more importantly, does it even matter? | 0:39:26 | 0:39:29 | |
It's beautifully inlaid in the wood there. | 0:39:29 | 0:39:31 | |
Most likely, although we can't say 100% for sure, | 0:39:31 | 0:39:36 | |
it's most likely designed by the great avant-garde Georgian | 0:39:36 | 0:39:39 | |
furniture designer, George Bullock, | 0:39:39 | 0:39:41 | |
who frustratingly never signed his work, | 0:39:41 | 0:39:44 | |
but just having the association with that name | 0:39:44 | 0:39:48 | |
is what gives it its value. | 0:39:48 | 0:39:50 | |
1804, George went into business with a looking-glass maker | 0:39:50 | 0:39:54 | |
by the name of William Stokes. | 0:39:54 | 0:39:57 | |
The success of the business meant that he could move to London | 0:39:57 | 0:40:00 | |
and he even exhibited at the Royal Academy at Somerset House, | 0:40:00 | 0:40:04 | |
and he even undertook furniture commissions from Sir Walter Scott | 0:40:04 | 0:40:09 | |
and for the Government, | 0:40:09 | 0:40:10 | |
interestingly, perhaps for you, Michel, | 0:40:10 | 0:40:13 | |
to provide furnishings for Napoleon's exile to St Helena. | 0:40:13 | 0:40:17 | |
But let's come back to our little mystery right here. | 0:40:17 | 0:40:20 | |
What is it and therefore what is it worth? | 0:40:20 | 0:40:23 | |
You must decide. | 0:40:23 | 0:40:26 | |
They are of similar age. | 0:40:26 | 0:40:28 | |
-Yes. -This one's precious metal. -Can I touch? | 0:40:28 | 0:40:31 | |
By all means you can touch. | 0:40:31 | 0:40:33 | |
I now regret not listening to you a bit more. | 0:40:33 | 0:40:36 | |
I never listen. You said one of a pair. | 0:40:36 | 0:40:40 | |
I think you said three times, "Cheaper than the pair." | 0:40:40 | 0:40:43 | |
-That's a shame. -It's not in perfect condition. | 0:40:43 | 0:40:45 | |
There's this moulding here that doesn't go all the way round. | 0:40:45 | 0:40:48 | |
-It's cracked. -It's dull. | 0:40:48 | 0:40:50 | |
-It's dull. -We don't know what for. -OK. | 0:40:50 | 0:40:52 | |
Marquetry looks reasonably nice but too much damage. | 0:40:52 | 0:40:56 | |
So all that's left is for you to decide whether to stick with | 0:40:56 | 0:41:00 | |
the candlestick or dump it in favour of the mystery lot. | 0:41:00 | 0:41:04 | |
What would you like to do? | 0:41:04 | 0:41:06 | |
Really? | 0:41:06 | 0:41:07 | |
I'll stick with the candlestick. | 0:41:07 | 0:41:09 | |
Harry, do you agree? | 0:41:09 | 0:41:11 | |
-I'm happy to listen to Michel. -Happy? OK. | 0:41:11 | 0:41:15 | |
You're going with the candlestick | 0:41:15 | 0:41:17 | |
but how much have you rejected in the mystery lot? | 0:41:17 | 0:41:21 | |
-Natasha. -All the mystery that shrouds this, | 0:41:21 | 0:41:24 | |
I can't believe you didn't walk dangerously. | 0:41:24 | 0:41:26 | |
Take a little walk on the wild side | 0:41:26 | 0:41:28 | |
and think this could be special. | 0:41:28 | 0:41:30 | |
I couldn't convince you. | 0:41:30 | 0:41:32 | |
The Royal Academy connection, | 0:41:32 | 0:41:35 | |
it's got real history. | 0:41:35 | 0:41:37 | |
I love it! We just don't know what it is | 0:41:37 | 0:41:40 | |
but I do know what it's worth. | 0:41:40 | 0:41:42 | |
The mystery lot is worth... | 0:41:42 | 0:41:45 | |
..£600. | 0:41:46 | 0:41:48 | |
Oh! OK. | 0:41:48 | 0:41:50 | |
So, Natasha, what about the value of the lot they have chosen, | 0:41:50 | 0:41:56 | |
this beautiful candlestick? | 0:41:56 | 0:41:58 | |
Beautiful indeed, designed by Cafe, | 0:41:58 | 0:42:00 | |
but I've really got to emphasise the fact that of all those lots | 0:42:00 | 0:42:05 | |
you had in your collection, you chose one single candlestick. | 0:42:05 | 0:42:10 | |
Let me put you out of your misery. | 0:42:10 | 0:42:12 | |
You're rubbing this in, come on, let's do it! | 0:42:12 | 0:42:14 | |
You threw away £600... | 0:42:14 | 0:42:17 | |
..but, gents, you're taking home... | 0:42:19 | 0:42:22 | |
£500! | 0:42:22 | 0:42:23 | |
£500, not too bad. | 0:42:24 | 0:42:26 | |
Enid Blyton is laughing, isn't she? | 0:42:26 | 0:42:29 | |
She is! Congratulations, the pair of you. | 0:42:29 | 0:42:32 | |
You've been fantastic contestants, | 0:42:32 | 0:42:33 | |
so, today, Michel and Harry are going home with £500, | 0:42:33 | 0:42:37 | |
which I hope you'll enjoy. | 0:42:37 | 0:42:39 | |
Natasha, wonderful as ever and I look forward very much | 0:42:39 | 0:42:42 | |
to seeing you again next time | 0:42:42 | 0:42:44 | |
when three more teams will be playing For What It's Worth. | 0:42:44 | 0:42:48 | |
We'll see you then. Goodbye. | 0:42:48 | 0:42:50 | |
Excellent. | 0:42:50 | 0:42:51 | |
The book. I'm afraid I will never read this author! | 0:42:53 | 0:42:57 | |
But it was nice. | 0:42:57 | 0:42:58 | |
We had it in our top two, but... | 0:42:58 | 0:43:00 | |
-Sorry, Harry. -Fine. -I owe you two grand! | 0:43:00 | 0:43:02 |