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Hello and welcome to For What It's Worth. | 0:00:15 | 0:00:18 | |
Now, if you know the meaning of tittle and you can separate | 0:00:18 | 0:00:21 | |
the antique tat from the treasure, then this is the show for you. | 0:00:21 | 0:00:26 | |
We have three pairs of contestants who are ready to play | 0:00:26 | 0:00:28 | |
and in each team, there's a quizzer | 0:00:28 | 0:00:30 | |
responsible for answering general knowledge questions | 0:00:30 | 0:00:33 | |
so that their partner, the picker, | 0:00:33 | 0:00:35 | |
can choose an antique item to add to their collection. | 0:00:35 | 0:00:38 | |
The aim of the game is to amass the most valuable collection. | 0:00:38 | 0:00:41 | |
Today's lots for your consideration | 0:00:41 | 0:00:44 | |
are 16 different antiques and collectables. | 0:00:44 | 0:00:47 | |
We have... | 0:00:48 | 0:00:49 | |
A bowl... | 0:00:50 | 0:00:52 | |
A bottle of beer... | 0:00:52 | 0:00:54 | |
A baton... | 0:00:54 | 0:00:56 | |
A clock... | 0:00:56 | 0:00:57 | |
A statue... | 0:00:57 | 0:00:59 | |
A sewing machine... | 0:00:59 | 0:01:01 | |
A letter opener... | 0:01:01 | 0:01:03 | |
A golf club... | 0:01:03 | 0:01:04 | |
Stamps... | 0:01:04 | 0:01:06 | |
A pipe... | 0:01:06 | 0:01:08 | |
A model... | 0:01:08 | 0:01:10 | |
Some screens... | 0:01:10 | 0:01:12 | |
A tapestry... | 0:01:12 | 0:01:14 | |
A shell... | 0:01:14 | 0:01:16 | |
Spoons and forks... | 0:01:16 | 0:01:18 | |
And a pair of vases. | 0:01:18 | 0:01:21 | |
They are all very different with very different values. | 0:01:21 | 0:01:24 | |
One is worthless, worth only £10 or less, | 0:01:24 | 0:01:27 | |
and the rest increase in value to our top lot which is worth | 0:01:27 | 0:01:30 | |
a whopping £2,500. | 0:01:30 | 0:01:32 | |
That's the lot to spot, because at the end of the show, the winning | 0:01:32 | 0:01:36 | |
pair will walk away with the cash equivalent of one of these items. | 0:01:36 | 0:01:41 | |
First up we have David and Simon, who are friends. | 0:01:41 | 0:01:43 | |
-They live in London and David, you are today's picker. -Yes. | 0:01:43 | 0:01:46 | |
So, when did your interest in antiques and collectables really begin? | 0:01:46 | 0:01:50 | |
Well, I grew up in the States | 0:01:50 | 0:01:51 | |
and both my parents were avid collectors | 0:01:51 | 0:01:53 | |
and so as kids we used to load in the car every weekend and go | 0:01:53 | 0:01:57 | |
to flea markets, antique shops and I sort of learnt it from my parents. | 0:01:57 | 0:02:00 | |
And sitting next to you is your friend Simon. Hello, Simon. | 0:02:00 | 0:02:03 | |
Simon is responsible for answering the questions today. | 0:02:03 | 0:02:06 | |
So, are you feeling pressure? | 0:02:06 | 0:02:09 | |
-I mean, has David giving you a bit of a pep talk? -He has. | 0:02:09 | 0:02:12 | |
He's certainly given me a bit of a confidence boost. | 0:02:12 | 0:02:14 | |
We were actually joking earlier | 0:02:14 | 0:02:16 | |
that you sort of mentally prepare yourself for this kind of thing | 0:02:16 | 0:02:19 | |
and you think of all the questions that could come your way, | 0:02:19 | 0:02:22 | |
but then when you actually get in the situation in the hot seat, | 0:02:22 | 0:02:25 | |
things start to sort of slip from your memory. | 0:02:25 | 0:02:27 | |
Right, you'd better get these questions right then, Simon, you are under pressure. | 0:02:27 | 0:02:30 | |
Sitting next to you are Cathy and Margaret. | 0:02:30 | 0:02:33 | |
They are aunt and niece from the Wirral. | 0:02:33 | 0:02:35 | |
Welcome to the show, ladies. | 0:02:35 | 0:02:37 | |
Now, Margaret, you're going to be picking the antiques to target today, | 0:02:37 | 0:02:40 | |
-so do you reckon you've got a nose for a bargain? -Yes. | 0:02:40 | 0:02:45 | |
-I've found a few in my time. -Have you? What was the best one? | 0:02:45 | 0:02:48 | |
We were in an auction house and my thing is ceramics, but I saw | 0:02:48 | 0:02:51 | |
this clock and I thought, "Oh, I love that, I've got to have it." | 0:02:51 | 0:02:54 | |
And I paid about £100 for it. | 0:02:54 | 0:02:58 | |
Went home, researched it on the internet | 0:02:58 | 0:03:01 | |
and found it was by a very well-known French maker. | 0:03:01 | 0:03:05 | |
Anyway, I eventually sold it, well, quickly sold it, for £650. | 0:03:05 | 0:03:11 | |
Oh, so your love for it... you're fickle. | 0:03:11 | 0:03:13 | |
You loved it, "Oh, it's worth money, goodbye." | 0:03:13 | 0:03:15 | |
Yeah, didn't love it that much! Love the money more. | 0:03:15 | 0:03:18 | |
Yeah, well, fair enough. | 0:03:18 | 0:03:19 | |
And Cathy, you are the quizzer. | 0:03:19 | 0:03:21 | |
How would you describe your relationship with your aunt here, Cathy? | 0:03:21 | 0:03:25 | |
THEY LAUGH | 0:03:25 | 0:03:27 | |
Undescribable. | 0:03:27 | 0:03:29 | |
THEY LAUGH | 0:03:29 | 0:03:31 | |
I don't know, we're just...mad. | 0:03:31 | 0:03:34 | |
We just talk all the time and just laugh. | 0:03:34 | 0:03:37 | |
-Do you generally agree on most things? -Yeah. | 0:03:37 | 0:03:40 | |
-Yeah, we do, yeah. -No! | 0:03:41 | 0:03:42 | |
THEY LAUGH | 0:03:42 | 0:03:44 | |
Uh-oh, it could be trouble. | 0:03:44 | 0:03:46 | |
And finally, we have husband and wife team Brendan and Lynne | 0:03:46 | 0:03:50 | |
from the West Midlands. Welcome. | 0:03:50 | 0:03:52 | |
Now, Brendan, you are the picker for your team. | 0:03:52 | 0:03:55 | |
How long have you and Lynne been married? | 0:03:55 | 0:03:57 | |
We've just celebrated 30 years and, erm...we actually met... | 0:03:57 | 0:04:02 | |
at a New Year's party | 0:04:02 | 0:04:05 | |
in 1978 going into 1979. | 0:04:05 | 0:04:09 | |
How lovely. Lynne, that sounds marvellous. | 0:04:09 | 0:04:11 | |
Do you remember any of his chat-up lines? | 0:04:11 | 0:04:14 | |
-"Come and have a look at my fossils" was one of them. -Yeah. | 0:04:14 | 0:04:17 | |
-Well, who could resist that? -Absolutely! | 0:04:17 | 0:04:20 | |
It was a really good fossil collection. | 0:04:20 | 0:04:22 | |
LAUGHTER | 0:04:22 | 0:04:23 | |
It must have been! | 0:04:23 | 0:04:25 | |
Lynne, you're going to be answering the questions for your team | 0:04:25 | 0:04:28 | |
today, so are you feeling confident? | 0:04:28 | 0:04:31 | |
I am only competitive when it comes to quizzes, | 0:04:31 | 0:04:34 | |
so that's where my competitive streak comes out, | 0:04:34 | 0:04:36 | |
so...I'm pretty confident, yes. | 0:04:36 | 0:04:39 | |
Well, welcome, all three teams. | 0:04:39 | 0:04:41 | |
We're looking forward to playing the game, so... | 0:04:41 | 0:04:43 | |
Earlier our teams inspected the lots, | 0:04:43 | 0:04:46 | |
but could they separate the lovely loot from the car boot? | 0:04:46 | 0:04:50 | |
-Ooh. -Wow. | 0:04:52 | 0:04:54 | |
Wow, ooh! | 0:04:54 | 0:04:56 | |
OK, so where shall we start? | 0:04:56 | 0:04:59 | |
I think it's from a school. | 0:04:59 | 0:05:00 | |
It's like something I'd see in the physiotherapist's. | 0:05:00 | 0:05:02 | |
I think it's ugly. | 0:05:02 | 0:05:04 | |
You bought the tobacco and you got the pipes free. | 0:05:05 | 0:05:07 | |
-Uh-oh. -Hmm. | 0:05:07 | 0:05:09 | |
-That belonged to George Best. -SHE LAUGHS | 0:05:09 | 0:05:12 | |
It looks like E Ward. | 0:05:13 | 0:05:15 | |
So, not Singer that you'd expect. | 0:05:15 | 0:05:17 | |
Although it's quite interesting, with their trademark look, | 0:05:17 | 0:05:20 | |
it's a Staffordshire Knot. | 0:05:20 | 0:05:21 | |
-What is this, a letter opener? -A letter opener, yeah. | 0:05:23 | 0:05:25 | |
Cheap, plastic. | 0:05:25 | 0:05:26 | |
-You wouldn't open any bills with that, would you? -No. | 0:05:26 | 0:05:29 | |
-It's a bit over the top, isn't it, really? -HE LAUGHS | 0:05:29 | 0:05:31 | |
Hey, a bottle of beer, it might be something we know about. | 0:05:33 | 0:05:35 | |
Oh, the Royal Wedding. | 0:05:35 | 0:05:36 | |
-Well, put it this way, if the coins and things from then aren't worth anything, then... -No. | 0:05:36 | 0:05:40 | |
Spalding Gold Medal, it's a big sports company. | 0:05:41 | 0:05:44 | |
They might even be American. | 0:05:44 | 0:05:45 | |
-I'm with Mark Twain about golf. -OK. | 0:05:45 | 0:05:47 | |
It's a good walk spoilt. | 0:05:47 | 0:05:49 | |
Ansini, so... Italian? | 0:05:50 | 0:05:53 | |
It has had cypress trees as well, | 0:05:53 | 0:05:56 | |
so could this be something to do with Italy? | 0:05:56 | 0:05:57 | |
Wife number one, wife number two, no! | 0:05:57 | 0:05:59 | |
1933. WA, Women's Artillery, | 0:06:01 | 0:06:04 | |
I still haven't seen anything yet that I think, "Wow." | 0:06:04 | 0:06:07 | |
This is one of these companies that put out like an annual issue | 0:06:09 | 0:06:11 | |
and then people would buy them each year. | 0:06:11 | 0:06:13 | |
Do you think this looks Scandinavian to you? | 0:06:13 | 0:06:15 | |
They have a real Scandi feel to me. | 0:06:15 | 0:06:17 | |
I think it's mass produced. And the detail is really good. | 0:06:18 | 0:06:22 | |
-I feel they're worthless! -Yeah. | 0:06:22 | 0:06:23 | |
The Pharisee and the Publican. 1877. | 0:06:26 | 0:06:29 | |
It's the kind of thing you'd imagine in a stately home. | 0:06:29 | 0:06:32 | |
-That hideous clock. Tell me that's hideous. -You don't like the clock? | 0:06:33 | 0:06:36 | |
There's no markings to the inside of the clock or anything. | 0:06:36 | 0:06:39 | |
-It has a German feel, doesn't it? -Yeah. | 0:06:39 | 0:06:41 | |
She's definitely young there. | 0:06:42 | 0:06:44 | |
-It's the Queen? -Yeah. | 0:06:44 | 0:06:46 | |
And they are fully perforated, aren't they? | 0:06:46 | 0:06:48 | |
They're not perforated at the sides. | 0:06:48 | 0:06:50 | |
What do you think? It's not very heavy! | 0:06:52 | 0:06:53 | |
It's very lightweight, that's the only thing that worries me. | 0:06:53 | 0:06:56 | |
I think it's silver plate. | 0:06:56 | 0:06:57 | |
It's probably a famous statue. Someone made copies | 0:06:58 | 0:07:01 | |
that people bought so they could have it in their home. | 0:07:01 | 0:07:03 | |
For the Art Union of London, 1842. | 0:07:03 | 0:07:05 | |
Victorian ladies, if they were sat by the fire, they'd turn that | 0:07:06 | 0:07:09 | |
so it didn't melt the make-up. | 0:07:09 | 0:07:11 | |
Does the needlework look lighter to you? | 0:07:11 | 0:07:13 | |
-So, what are you top three, do you think? -The two screens. | 0:07:13 | 0:07:16 | |
-The bronze statue. -I think I'd go for the spoons. -The spoons. | 0:07:16 | 0:07:20 | |
-Definitely the silver, definitely the bronze. And... -And you're going to go for the golf club. | 0:07:20 | 0:07:24 | |
-The cutlery. -Cutlery. | 0:07:24 | 0:07:26 | |
-Clock. And I'm going for the stamps. -OK. | 0:07:26 | 0:07:28 | |
The least valuable... | 0:07:28 | 0:07:29 | |
I would agree with you. The bottle of beer. | 0:07:29 | 0:07:32 | |
The two vases. | 0:07:32 | 0:07:33 | |
The commemorative beer. | 0:07:33 | 0:07:34 | |
Go on! CATHY LAUGHS | 0:07:34 | 0:07:35 | |
Joining me is our resident antiques expert Charles Hanson. | 0:07:36 | 0:07:40 | |
Hello, Fern. Hello, all. | 0:07:40 | 0:07:42 | |
Oh, what did you think of their knowledge as they walked around the viewing room? | 0:07:42 | 0:07:45 | |
Knowledge, I think I can see it growing already, quite organically. | 0:07:45 | 0:07:48 | |
If I said to you, "Fern, what's an antique?" what would you say to me? | 0:07:48 | 0:07:52 | |
I'd probably says something over 100 years. | 0:07:53 | 0:07:56 | |
Exactly, because you're the collectable, | 0:07:56 | 0:07:58 | |
you get all evocative over that decade. | 0:07:58 | 0:08:00 | |
You've got that certain style... | 0:08:00 | 0:08:01 | |
-Are you saying I'm over 100? -Far from it, you look radiant as ever! | 0:08:01 | 0:08:05 | |
That's better. THEY LAUGH | 0:08:05 | 0:08:07 | |
Behind me are a really intriguing bunch of items. | 0:08:07 | 0:08:10 | |
They do have years of experience. Are they evocative? Are they unique? | 0:08:10 | 0:08:15 | |
Are they battered or bruised | 0:08:15 | 0:08:16 | |
-or have they got that all-important pedigree? -Mmm-mmm! | 0:08:16 | 0:08:20 | |
And as always, we need to know | 0:08:20 | 0:08:22 | |
how you get to the valuation you've put on these things. | 0:08:22 | 0:08:25 | |
That's so important, because value can be so subjective. | 0:08:25 | 0:08:29 | |
What is it worth? | 0:08:29 | 0:08:30 | |
Well, importantly, all the values for each lot have been | 0:08:30 | 0:08:33 | |
agreed by an independent valuer based on hammer price. | 0:08:33 | 0:08:38 | |
That's that mid-auction estimate, so we take it down the middle. | 0:08:38 | 0:08:42 | |
OK. Well, as well as those little treasures, | 0:08:43 | 0:08:46 | |
we have our mystery lot hidden under the shroud of mystery. | 0:08:46 | 0:08:50 | |
Poised to be uncovered at the end of the show to tempt our winners, | 0:08:50 | 0:08:54 | |
it could be priceless, it could be worth nothing at all, | 0:08:54 | 0:08:56 | |
we're going to be unveiling it later. | 0:08:56 | 0:08:58 | |
But for now, it is time for round one. | 0:08:58 | 0:09:01 | |
OK, everybody, I'm going to ask you ten general knowledge questions. | 0:09:04 | 0:09:08 | |
Quizzers, if you buzz in with a correct answer, | 0:09:08 | 0:09:10 | |
your picker gets to add a lot to your collection, but beware, | 0:09:10 | 0:09:13 | |
buzz in incorrectly and you will be frozen out of the next question. | 0:09:13 | 0:09:17 | |
OK, fingers on buzzers. Here comes question number one. | 0:09:17 | 0:09:20 | |
Who played the title role in the 1996 film The English Patient? | 0:09:22 | 0:09:26 | |
BUZZER Lynne. | 0:09:26 | 0:09:28 | |
Ralph Fiennes. | 0:09:28 | 0:09:29 | |
It was Ralph Fiennes, well done. | 0:09:29 | 0:09:32 | |
Brendan, your turn. | 0:09:32 | 0:09:33 | |
I think, Fern, I'm going to go for the statue. | 0:09:33 | 0:09:36 | |
It is yours. It's going into your collection. | 0:09:36 | 0:09:39 | |
Here comes question number two. | 0:09:39 | 0:09:41 | |
What animal appears on the flag of California? | 0:09:41 | 0:09:44 | |
BUZZER Cathy. | 0:09:44 | 0:09:46 | |
-Eagle. -No. | 0:09:46 | 0:09:48 | |
It's the brown bear. | 0:09:48 | 0:09:49 | |
Cathy and Margaret, I'm so sorry. You're frozen out. | 0:09:49 | 0:09:52 | |
Number three. | 0:09:52 | 0:09:53 | |
Sarah Burton, who designed Kate Middleton's wedding dress, | 0:09:53 | 0:09:57 | |
became creative director of which fashion...? BUZZER | 0:09:57 | 0:10:00 | |
-Yes, Simon. -Alexander McQueen. | 0:10:00 | 0:10:02 | |
Yes. | 0:10:02 | 0:10:03 | |
..creative director of which fashion brand in 2010? | 0:10:03 | 0:10:05 | |
It is Alexander McQueen. | 0:10:05 | 0:10:07 | |
Well done. David, would you like to choose something? | 0:10:07 | 0:10:09 | |
I think I will go for the stamps. | 0:10:09 | 0:10:12 | |
Stamps. They're on their way. | 0:10:12 | 0:10:14 | |
Cathy and Margaret, you're now back in the game. Question number four. | 0:10:15 | 0:10:19 | |
Gunnersaurus Rex is the mascot of which English football club? | 0:10:19 | 0:10:23 | |
BUZZER Yes, Lynne. | 0:10:23 | 0:10:25 | |
-Arsenal. -It is Arsenal, well done. | 0:10:25 | 0:10:27 | |
Brendan... | 0:10:27 | 0:10:28 | |
I think I'm going to go for the bowl, Fern. | 0:10:28 | 0:10:30 | |
The bowl. It's yours. | 0:10:30 | 0:10:32 | |
Question number five. | 0:10:33 | 0:10:35 | |
In Greek mythology, everything King Midas touches... BUZZER | 0:10:35 | 0:10:39 | |
-Cathy. -Gold. -Well done, yes, it is. | 0:10:39 | 0:10:42 | |
Everything King Midas touches becomes what precious metal? | 0:10:42 | 0:10:46 | |
The answer of course is gold. | 0:10:46 | 0:10:47 | |
Margaret, what do you fancy up there? | 0:10:47 | 0:10:50 | |
The spoons and forks, please. | 0:10:50 | 0:10:52 | |
The spoons and forks. Well done. | 0:10:52 | 0:10:54 | |
Question number six. | 0:10:54 | 0:10:56 | |
In 2000, comedian Larry David created which US television sitcom | 0:10:56 | 0:11:01 | |
in which he plays a semi-fictionalised version of himself? | 0:11:01 | 0:11:05 | |
BUZZER Yes, Lynne. | 0:11:05 | 0:11:07 | |
Family Guy. | 0:11:07 | 0:11:08 | |
Ahh, you're frozen out. | 0:11:08 | 0:11:10 | |
No, the answer is Curb Your Enthusiasm. | 0:11:10 | 0:11:13 | |
Question seven. | 0:11:13 | 0:11:14 | |
Who wrote the 1979 novel The Hitchhiker's Guide To The Galaxy? | 0:11:14 | 0:11:18 | |
Nope? OK, it's Douglas Adams. | 0:11:21 | 0:11:23 | |
Lynne and Brendan, you're back in the game. Question eight. | 0:11:23 | 0:11:26 | |
What is the anatomical name for the voice box? | 0:11:26 | 0:11:30 | |
BUZZER Yes, Simon. | 0:11:30 | 0:11:31 | |
-Larynx? -It is the larynx, good. | 0:11:31 | 0:11:33 | |
-David, what do you want? -I will go for the screens. | 0:11:33 | 0:11:36 | |
The screens. | 0:11:36 | 0:11:38 | |
Building your collections very nicely. | 0:11:38 | 0:11:41 | |
Question number nine. Super Trouper was the last UK number one... | 0:11:41 | 0:11:45 | |
BUZZER Cathy. | 0:11:45 | 0:11:46 | |
-Abba. -You are correct. | 0:11:46 | 0:11:48 | |
The full question is, "..the last UK number one hit single | 0:11:48 | 0:11:50 | |
"for which Swedish group?" | 0:11:50 | 0:11:52 | |
And it was of course Abba. | 0:11:52 | 0:11:53 | |
Margaret, pick something. | 0:11:53 | 0:11:55 | |
I'll go for the golf club. | 0:11:55 | 0:11:58 | |
The golf club. Mmm! | 0:11:58 | 0:12:00 | |
Final question here, question ten. | 0:12:01 | 0:12:03 | |
Which American pop artist is best known for paintings inspired by comic strips? | 0:12:03 | 0:12:09 | |
BUZZER Yes, Simon. | 0:12:09 | 0:12:10 | |
Warhol? | 0:12:10 | 0:12:12 | |
No, good go, but it was actually Roy Lichtenstein. | 0:12:12 | 0:12:15 | |
So, at the end of that round, David and Simon, | 0:12:15 | 0:12:17 | |
you have collected the stamps and the screens. | 0:12:17 | 0:12:20 | |
Margaret and Cathy, you have added the spoons and forks | 0:12:20 | 0:12:24 | |
and the golf club to your collection. | 0:12:24 | 0:12:26 | |
Whilst Brendan and Lynne have managed to collect the statue and the bowl. | 0:12:26 | 0:12:31 | |
Very well matched. Excellent. | 0:12:31 | 0:12:33 | |
Our teams have started to build their collections, | 0:12:33 | 0:12:35 | |
but before they have the chance to add to them, | 0:12:35 | 0:12:37 | |
Charles is going to give each of you a fact about a lot of your choice. | 0:12:37 | 0:12:43 | |
Now, these snippets of information should give you vital | 0:12:43 | 0:12:46 | |
clues about what it's worth, so choose wisely and listen carefully. | 0:12:46 | 0:12:50 | |
You can choose a lot that is one of yours, | 0:12:50 | 0:12:52 | |
one of another opponent's or something from the grid, OK? | 0:12:52 | 0:12:56 | |
So, David, which lot would you like to hear more about? | 0:12:56 | 0:12:59 | |
Could you tell me more about the clock, please? | 0:12:59 | 0:13:02 | |
This is a real Doulton Lambeth Ware clock, | 0:13:02 | 0:13:05 | |
designed by a gent called George Tinworth in around 1880. | 0:13:05 | 0:13:10 | |
Tinworth was given free rein to create pieces | 0:13:10 | 0:13:14 | |
featuring things he loved, | 0:13:14 | 0:13:16 | |
and George just happened to love mice. | 0:13:16 | 0:13:20 | |
This clock only came in brown. | 0:13:20 | 0:13:23 | |
Not a colour people rushed out to buy. | 0:13:23 | 0:13:26 | |
So, are these mice? Is the clock playing sweet music to you? | 0:13:26 | 0:13:32 | |
Margaret, what would you like to know more about? | 0:13:33 | 0:13:36 | |
The statue, please, Fern. Thank you. | 0:13:36 | 0:13:38 | |
Well, this one is by a gentleman called Edward William Wyon. | 0:13:38 | 0:13:43 | |
He was an English sculptor from 1811 and died 1885. | 0:13:43 | 0:13:47 | |
He created this bronze model of St Michael overcoming the devil | 0:13:47 | 0:13:52 | |
from a version by John Flaxman for the Art Union Of London in 1842. | 0:13:52 | 0:13:58 | |
This bronze is one of many models produced by the Art Union. | 0:13:58 | 0:14:05 | |
It was used as an example of the attempt to improve | 0:14:05 | 0:14:09 | |
the status and quality of English bronze sculpture. | 0:14:09 | 0:14:15 | |
Oh...interesting! OK. | 0:14:15 | 0:14:17 | |
Now, Brendan, what would you like to hear more about? | 0:14:17 | 0:14:19 | |
I like to hear more about the stamps, please. | 0:14:19 | 0:14:21 | |
Ah, that Simon and David have over there. | 0:14:21 | 0:14:24 | |
Unused stamps. | 0:14:24 | 0:14:26 | |
These are issued in 1958 | 0:14:26 | 0:14:29 | |
in this ultramarine blue. | 0:14:29 | 0:14:31 | |
And of course, when you collect stamps that are still connected, | 0:14:31 | 0:14:34 | |
there can be a lot that affects value. | 0:14:34 | 0:14:37 | |
These ones are still joined vertically, which is more unusual. | 0:14:37 | 0:14:42 | |
You may have noticed that the perforations are imperfect, though. | 0:14:42 | 0:14:48 | |
The top one actually has three smooth sides, do note. | 0:14:48 | 0:14:54 | |
Originally, also, these would have come as a set of six. | 0:14:54 | 0:14:59 | |
OK, now that you are all a bit more knowledgeable about today's lots, | 0:14:59 | 0:15:03 | |
let's give you the chance to add more of them to your collections. | 0:15:03 | 0:15:07 | |
Bear in mind that at the end of this round, | 0:15:07 | 0:15:09 | |
the team with the least valuable collection will be eliminated. | 0:15:09 | 0:15:13 | |
Three more lots are now available to each pair. | 0:15:15 | 0:15:17 | |
This time, pickers, you will target a lot, | 0:15:17 | 0:15:20 | |
and quizzers, you then have to secure it | 0:15:20 | 0:15:23 | |
by answering a question correctly. | 0:15:23 | 0:15:25 | |
But in this round, the lots come with their own categories. | 0:15:25 | 0:15:30 | |
OK, let's start with Simon and David. | 0:15:30 | 0:15:34 | |
Let's go for the vases. | 0:15:34 | 0:15:36 | |
Vases. Simon. | 0:15:37 | 0:15:39 | |
'80s Cinema or Bestselling Books? | 0:15:39 | 0:15:41 | |
'80s Cinema. | 0:15:41 | 0:15:43 | |
Here's your question. | 0:15:43 | 0:15:44 | |
In which 1984 film did the protagonists drive the Ecto-1? | 0:15:44 | 0:15:49 | |
Back To The Future. | 0:15:49 | 0:15:51 | |
Simon, I'm so sorry, the answer actually is Ghostbusters. | 0:15:51 | 0:15:53 | |
So the vases will stay on the grid. | 0:15:53 | 0:15:56 | |
Next up, Cathy and Margaret. | 0:15:56 | 0:15:58 | |
Margaret, what would you like? | 0:15:58 | 0:15:59 | |
I'll try the vases. | 0:15:59 | 0:16:01 | |
OK, Cathy, '80s Cinema or Bestselling Books? | 0:16:01 | 0:16:05 | |
-'80s Cinema. -'80s Cinema. | 0:16:05 | 0:16:07 | |
What was the name of the pirate in The Goonies? | 0:16:08 | 0:16:11 | |
One-Eyed Willy. | 0:16:11 | 0:16:12 | |
It is One-Eyed Willy, congratulations. | 0:16:12 | 0:16:14 | |
-The vases are yours. -I love that film. -Do you? | 0:16:14 | 0:16:17 | |
You love it? Best film... | 0:16:17 | 0:16:18 | |
Lynne and Brendan. Brendan, what would you like? | 0:16:18 | 0:16:20 | |
I think we'll go for the baton. | 0:16:20 | 0:16:23 | |
All right. Lynne, Kings And Queens or Opera? | 0:16:23 | 0:16:27 | |
Oh, I'll go Kings And Queens. | 0:16:27 | 0:16:29 | |
Yes, OK, your question is... | 0:16:29 | 0:16:31 | |
What was the maiden name of Henry VIII's last wife? | 0:16:31 | 0:16:35 | |
-Parr. -It was. | 0:16:35 | 0:16:37 | |
Catherine Parr. | 0:16:37 | 0:16:38 | |
David, your turn again, what would you like? | 0:16:38 | 0:16:41 | |
-The model. -The model. | 0:16:42 | 0:16:45 | |
Simon, Opera or UK Geography? | 0:16:45 | 0:16:47 | |
I think I'll go for UK Geography. | 0:16:47 | 0:16:49 | |
In which country of the UK is the Cairngorms National Park? | 0:16:50 | 0:16:55 | |
Scotland. | 0:16:55 | 0:16:56 | |
It is Scotland. The model is yours. | 0:16:56 | 0:17:00 | |
Cathy and Margaret. | 0:17:00 | 0:17:01 | |
Margaret, what do you want? | 0:17:01 | 0:17:02 | |
The shell, please. | 0:17:02 | 0:17:04 | |
The shell. | 0:17:04 | 0:17:05 | |
Cathy. '80s Cinema or Celebrity Chefs? | 0:17:05 | 0:17:07 | |
'80s Cinema! | 0:17:07 | 0:17:09 | |
Oh, yes, she's on it, isn't she? | 0:17:09 | 0:17:11 | |
In the John Hughes film, Claire, John, Andrew, Brian and Alison | 0:17:11 | 0:17:16 | |
are collectively known by what name? | 0:17:16 | 0:17:18 | |
Breakfast Club. | 0:17:21 | 0:17:23 | |
Correct! Well done! THEY LAUGH | 0:17:23 | 0:17:25 | |
The shell is yours. | 0:17:25 | 0:17:28 | |
Brendan, what would you like to pick? | 0:17:28 | 0:17:30 | |
I'm going to go for the clock. | 0:17:30 | 0:17:32 | |
The clock. | 0:17:32 | 0:17:33 | |
Kings And Queens or Bestselling Books, Lynne? | 0:17:33 | 0:17:35 | |
-Kings And Queens, please. -OK, here we go. | 0:17:35 | 0:17:38 | |
Who succeeded Queen Victoria to the throne in 1901? | 0:17:38 | 0:17:42 | |
Edward VII. | 0:17:42 | 0:17:43 | |
It was Edward VII. | 0:17:43 | 0:17:45 | |
The clock is yours. | 0:17:45 | 0:17:47 | |
So, teams, your collections are growing. | 0:17:47 | 0:17:50 | |
But now, remember, at the end of this round, | 0:17:50 | 0:17:52 | |
the pair with the least valuable collection will be leaving us. | 0:17:52 | 0:17:55 | |
So, have you missed out on that one item you want above all else? | 0:17:55 | 0:18:00 | |
If so, here is your chance to secure it. | 0:18:00 | 0:18:02 | |
There's one last lot available to each team | 0:18:02 | 0:18:05 | |
and this time you can either go for what's left on the grid | 0:18:05 | 0:18:08 | |
or you can try to steal an antique | 0:18:08 | 0:18:11 | |
that is in someone else's collection. | 0:18:11 | 0:18:13 | |
But pickers, be warned, | 0:18:13 | 0:18:15 | |
because if you choose to steal from another team, | 0:18:15 | 0:18:18 | |
it's their quizzer who will get to decide your quizzer's category. | 0:18:18 | 0:18:23 | |
Right, David, do you want to target a lot from the grid | 0:18:23 | 0:18:27 | |
or have you got your eye on something in another collection? | 0:18:27 | 0:18:30 | |
I think I would like the statue. | 0:18:30 | 0:18:32 | |
The statue, that is in Lynne and Brendan's collection. | 0:18:32 | 0:18:36 | |
Lynne, I want you to choose any category | 0:18:36 | 0:18:38 | |
of question up there for Simon. | 0:18:38 | 0:18:41 | |
Let's go rugby union. | 0:18:41 | 0:18:43 | |
Oh... | 0:18:43 | 0:18:44 | |
OK, Simon, the Brumbies are a professional rugby team in which country? | 0:18:46 | 0:18:51 | |
New Zealand. | 0:18:51 | 0:18:53 | |
-Oh, you were so close, it was Australia. -Oh... | 0:18:53 | 0:18:55 | |
Lynne, you've defended that statue very well indeed. | 0:18:55 | 0:18:59 | |
Cathy and Margaret. | 0:18:59 | 0:19:00 | |
Margaret, would you like something from the grid | 0:19:00 | 0:19:02 | |
or something from someone else's collection? | 0:19:02 | 0:19:05 | |
The bowl, please. | 0:19:05 | 0:19:07 | |
The silver bowl. | 0:19:07 | 0:19:08 | |
That is in Lynne and Brendan's collection. | 0:19:08 | 0:19:11 | |
And Lynne... | 0:19:11 | 0:19:13 | |
What question category would you like to give to Cathy? | 0:19:13 | 0:19:16 | |
I haven't heard anything about Plant Life yet, | 0:19:16 | 0:19:18 | |
so let's go for that. | 0:19:18 | 0:19:20 | |
OK, Plant Life. | 0:19:20 | 0:19:22 | |
Which fossilised yellow resin comes from tree sap? | 0:19:22 | 0:19:26 | |
-Amber. -It is amber. | 0:19:26 | 0:19:29 | |
Oh, you've stolen the silver bowl! | 0:19:29 | 0:19:32 | |
And there it is, in its new home. | 0:19:32 | 0:19:34 | |
Lynne and Brendan, Brendan? | 0:19:34 | 0:19:36 | |
What would you like? | 0:19:36 | 0:19:38 | |
-I think we'll have a go at stealing the bowl back. -LAUGHTER | 0:19:38 | 0:19:41 | |
Stealing the bowl back, fair enough. | 0:19:41 | 0:19:43 | |
All right, Cathy, you pick a category for Lynne, please. | 0:19:43 | 0:19:46 | |
-Opera. -Opera. | 0:19:48 | 0:19:49 | |
The aria Nessun Dorma is from which opera? | 0:19:50 | 0:19:53 | |
Turandot. | 0:19:54 | 0:19:56 | |
It is, it is, correct. | 0:19:56 | 0:19:58 | |
-Well done. -Welcome back that bowl. | 0:19:58 | 0:19:59 | |
Well, it wasn't there for very long. | 0:19:59 | 0:20:01 | |
Let's see how the collections stand at the end of that round. | 0:20:01 | 0:20:05 | |
David and Simon, you still have the model, the stamps and the screens. | 0:20:05 | 0:20:09 | |
Margaret and Kathy, you have the vases, the shell, the spoons | 0:20:09 | 0:20:13 | |
and forks, and the golf club. | 0:20:13 | 0:20:15 | |
Brendan and Lynne, you've defended the bowl. It sits proudly | 0:20:15 | 0:20:19 | |
in your collection alongside the statue, the baton and the clock. | 0:20:19 | 0:20:23 | |
OK, that is it for round two, | 0:20:23 | 0:20:25 | |
and for one team, it is now the end of the road. Who's it going to be? | 0:20:25 | 0:20:28 | |
Well, we've calculated the combined value of your items, and the team | 0:20:28 | 0:20:32 | |
with the least valuable collection will be eliminated, taking their | 0:20:32 | 0:20:35 | |
lots out of the game. So, Charles has been keeping a tab on things. | 0:20:35 | 0:20:40 | |
Charles, who is going to be the first to leave us today? | 0:20:40 | 0:20:43 | |
The pair leaving us first today... | 0:20:43 | 0:20:47 | |
..is Margaret and Kathy. I'm sorry. | 0:20:49 | 0:20:50 | |
No! | 0:20:50 | 0:20:52 | |
You've built a nice collection there as well, I'm so sorry to lose you. | 0:20:52 | 0:20:56 | |
Never mind. Listen, you want to know, before you go, | 0:20:56 | 0:20:59 | |
how much each of the lots are worth, don't you? Yes. Charles. | 0:20:59 | 0:21:03 | |
You built a lovely collection, you had four items. | 0:21:03 | 0:21:06 | |
We talk about quality, don't we? And quantity. | 0:21:06 | 0:21:08 | |
You had the quantity and, in my opinion, quality as well. | 0:21:08 | 0:21:11 | |
We will start with the pair of Japanese vases. | 0:21:11 | 0:21:15 | |
These are late Satsuma. | 0:21:15 | 0:21:17 | |
What we look for in Satsuma pottery, not the squeezy variety, | 0:21:17 | 0:21:20 | |
but the region of Japan where these were made, | 0:21:20 | 0:21:23 | |
is a tightly knit form of decoration. | 0:21:23 | 0:21:25 | |
These are quite loose and quite late, | 0:21:25 | 0:21:27 | |
made for the western souvenir market. I think they are great. | 0:21:27 | 0:21:31 | |
-They weren't worthless, their value was £130. -Wow. | 0:21:31 | 0:21:35 | |
OK. So, not a bad start. | 0:21:35 | 0:21:38 | |
We then teed off with a delightfully, quite rare | 0:21:38 | 0:21:43 | |
Cran Cleek, wood face, Spalding, | 0:21:43 | 0:21:47 | |
gold-medal golf club, which is here. | 0:21:47 | 0:21:50 | |
Delightful object, very late, | 0:21:50 | 0:21:51 | |
made in the same year as the Diamond Jubilee, 1897. | 0:21:51 | 0:21:54 | |
The grip isn't original, | 0:21:54 | 0:21:56 | |
but the golfing memorabilia department is huge across salerooms. | 0:21:56 | 0:22:00 | |
It is worth £200. | 0:22:00 | 0:22:03 | |
OK, what's next? | 0:22:03 | 0:22:04 | |
These spoons are really well enamelled, they have a quality. | 0:22:04 | 0:22:08 | |
They are silver gilt, they are delightful, Danish, Scandinavian, | 0:22:08 | 0:22:12 | |
that was the vogue in that middle part of the last century. | 0:22:12 | 0:22:16 | |
By a great man called Anton Michelsen. | 0:22:16 | 0:22:19 | |
There they are. Although they were made in large quantities, | 0:22:19 | 0:22:23 | |
their quality is improving in value all the time. | 0:22:23 | 0:22:27 | |
They are worth £350. | 0:22:27 | 0:22:31 | |
And finally, the shell case. | 0:22:31 | 0:22:34 | |
This shell case, of course, this is trench art. | 0:22:34 | 0:22:37 | |
Made from cast-offs, particularly shells. | 0:22:37 | 0:22:39 | |
This is an older World War I shell. | 0:22:39 | 0:22:42 | |
Really interestingly, it's been inlaid when it's been sent to | 0:22:42 | 0:22:46 | |
an arts school in Jerusalem, so that lovely silver and copper wire work | 0:22:46 | 0:22:51 | |
gives it quite a rare artistry. | 0:22:51 | 0:22:54 | |
We see lots of shell cases, they can make £30. | 0:22:54 | 0:22:57 | |
This one, though, is particularly unique. | 0:22:57 | 0:23:01 | |
-And it's worth £1,000. -Wow! | 0:23:01 | 0:23:04 | |
-Absolutely. -That was a very good spot. | 0:23:04 | 0:23:07 | |
Margaret and Kathy, it is | 0:23:07 | 0:23:09 | |
time to bring the hammer down on your collection, I'm afraid, | 0:23:09 | 0:23:12 | |
but thank you so much for playing For What It's Worth. | 0:23:12 | 0:23:15 | |
Thank you for having us. | 0:23:15 | 0:23:18 | |
We were beaten by a better team. | 0:23:18 | 0:23:21 | |
They stole the bowl off me. When I think we would have been OK. | 0:23:21 | 0:23:25 | |
At one point we had five items, | 0:23:26 | 0:23:29 | |
-which is more than anyone else. -Yeah. | 0:23:29 | 0:23:32 | |
I think we did quite well. | 0:23:32 | 0:23:33 | |
It was just luck on the questions, but sadly, the bowl did it. | 0:23:33 | 0:23:38 | |
SHE LAUGHS | 0:23:38 | 0:23:39 | |
Now, the unclaimed lots in the grid are also leaving the game, | 0:23:41 | 0:23:46 | |
so let's quickly find out from Charles what they were worth | 0:23:46 | 0:23:49 | |
and if the top lot is still in the game. OK, Charles, tapestry. | 0:23:49 | 0:23:53 | |
Yes, Fern, we talk about pedigree and provenance, | 0:23:53 | 0:23:56 | |
and, Simon, I was so impressed. | 0:23:56 | 0:23:58 | |
I think your comment was the best comment I heard | 0:23:58 | 0:24:00 | |
in that viewing room. | 0:24:00 | 0:24:02 | |
You quoted, "It would look good in a stately home." | 0:24:02 | 0:24:05 | |
Well, hello, this tapestry came from Chatsworth. | 0:24:05 | 0:24:09 | |
-Wow. -That jewel in Derbyshire's crown. | 0:24:09 | 0:24:12 | |
However, it is quite a mundane subject. It's religious. | 0:24:12 | 0:24:15 | |
We look for the more sentimental, more invigorating Victorian scenes. | 0:24:15 | 0:24:20 | |
It is 19th-century, it's not earlier, and | 0:24:20 | 0:24:23 | |
-although it came from Chatsworth, it's only worth about £80. -Amazing. | 0:24:23 | 0:24:27 | |
It is fairly out of fashion in the current market. | 0:24:27 | 0:24:30 | |
Well, he's gone, we don't care. Next. | 0:24:30 | 0:24:32 | |
And then, and then it may have not blown your mind away, | 0:24:32 | 0:24:36 | |
but this was this interesting-looking clay pipe, | 0:24:36 | 0:24:40 | |
and, really, they were mass-produced in the late 19th century. | 0:24:40 | 0:24:43 | |
Not overly clever but for one thing. | 0:24:43 | 0:24:46 | |
Look at the ball and the boot. | 0:24:46 | 0:24:48 | |
It's got this early rugby association, | 0:24:48 | 0:24:52 | |
and you'll see the figures holding the balls in their hands. | 0:24:52 | 0:24:55 | |
Rugby union goes back to 1845. | 0:24:55 | 0:24:57 | |
This is very early in the founding of rugby, circa 1818. | 0:24:57 | 0:25:02 | |
-What's it worth? £100. -There you go. | 0:25:02 | 0:25:05 | |
-£100. -What's the next one? | 0:25:05 | 0:25:08 | |
The next item on the board now, you'll see, | 0:25:08 | 0:25:11 | |
and again, Lynne, you were quite right in its practical purpose. | 0:25:11 | 0:25:16 | |
You said you would use it to open bills. Quite right. | 0:25:16 | 0:25:19 | |
It is a letter opener. | 0:25:19 | 0:25:21 | |
It's a gorgeous object, and it's based, in style, | 0:25:21 | 0:25:24 | |
on a 17th-century Scottish basket hilt sword. | 0:25:24 | 0:25:28 | |
Importantly, hallmarked for Edinburgh, | 0:25:28 | 0:25:31 | |
so with Scottish love, 1880s. | 0:25:31 | 0:25:34 | |
And these small collectables are so good today. | 0:25:34 | 0:25:38 | |
What's it worth? £250. | 0:25:38 | 0:25:41 | |
Is it? It's lovely, it's got charm, hasn't it? | 0:25:41 | 0:25:44 | |
It has got charm. Real charm. | 0:25:44 | 0:25:47 | |
-OK, what's next? -This is by a fairly important name. | 0:25:47 | 0:25:50 | |
It is an Edward Ward Arm & Platform sewing machine, | 0:25:50 | 0:25:54 | |
made in around 1875. | 0:25:54 | 0:25:57 | |
Important for its mechanics within, it was innovative, | 0:25:57 | 0:26:01 | |
it was revolutionary. | 0:26:01 | 0:26:03 | |
Brendan, you said it was interesting, | 0:26:03 | 0:26:05 | |
it bore the Staffordshire knot, you're quite right. | 0:26:05 | 0:26:07 | |
Midlands-made, but with a London retailer attached to it. | 0:26:07 | 0:26:12 | |
Importantly, made by Edwards with this Arm & Platform device, | 0:26:12 | 0:26:17 | |
which was so invigorating to a market. | 0:26:17 | 0:26:20 | |
Hold tight, this is expensive. | 0:26:20 | 0:26:22 | |
-£1,800. -Oh! -Wow. | 0:26:22 | 0:26:26 | |
Wow. But it's still not the top lot. So that's good. | 0:26:26 | 0:26:30 | |
Top lot, as far as we know, is still there. | 0:26:30 | 0:26:32 | |
But there's one more for you to come. | 0:26:32 | 0:26:33 | |
Yes, one more. Is this it? I'll tell you. | 0:26:33 | 0:26:35 | |
This, again, bottle of beer, | 0:26:35 | 0:26:38 | |
was made for that wedding of July 1981. | 0:26:38 | 0:26:42 | |
-Where were you, Fern? -I was working on television, reporting on it. | 0:26:42 | 0:26:45 | |
-There we are, hey. History. -Charles and Diana's wedding. | 0:26:45 | 0:26:48 | |
-This, luckily, Fern, never opened and drank... -Oh. | 0:26:48 | 0:26:51 | |
..on the day in celebration of that day. This is a bottle of beer | 0:26:51 | 0:26:55 | |
celebrating that great wedding day of '81. | 0:26:55 | 0:26:58 | |
It hasn't been touched by royalty. | 0:26:58 | 0:27:00 | |
They were made in their hundreds of thousands. | 0:27:00 | 0:27:03 | |
Many are still in chests of drawers, | 0:27:03 | 0:27:06 | |
because we tend to keep raw commemoratives for what they are. | 0:27:06 | 0:27:10 | |
As a memory. | 0:27:10 | 0:27:11 | |
You wouldn't drink it now. What's it worth, Fern? | 0:27:13 | 0:27:15 | |
What would you pay for it? | 0:27:15 | 0:27:17 | |
It's either the top lot, or I would say it's the worthless one. | 0:27:17 | 0:27:21 | |
It is absolutely worthless. On a good day, £10. | 0:27:21 | 0:27:24 | |
-Well done. -Very good. | 0:27:24 | 0:27:27 | |
So, now we know that the top lot, worth £2,500, | 0:27:27 | 0:27:31 | |
is sitting somewhere in your collections right here, | 0:27:31 | 0:27:35 | |
and you've got rid of the bottom lot, which is even better. | 0:27:35 | 0:27:38 | |
OK, just two pairs of contestants left, but before we go any further, | 0:27:38 | 0:27:42 | |
Charles is going to give you another fact about a lot of your choice. | 0:27:42 | 0:27:46 | |
It could be yours, it could be theirs. David, you can go first. | 0:27:46 | 0:27:50 | |
What lot do you really need to know more about? | 0:27:50 | 0:27:53 | |
I think I'd like to know a little bit more about the bowl, | 0:27:53 | 0:27:56 | |
since everyone was so eager to get it but me. | 0:27:56 | 0:27:58 | |
OK, let's have a look at the bowl. | 0:27:58 | 0:28:00 | |
It's a silver punchbowl. | 0:28:00 | 0:28:02 | |
The decoration, you'll see, is very neoclassic, | 0:28:02 | 0:28:05 | |
harking back to the great Grecian designs. | 0:28:05 | 0:28:08 | |
With the acanthus, very stiff leaf side handles. | 0:28:08 | 0:28:12 | |
Made by Elkington & Co in Birmingham, in the year 1919. | 0:28:12 | 0:28:17 | |
This company also invented the process of electroplating. | 0:28:17 | 0:28:21 | |
Very interesting. It's solid sterling silver. | 0:28:21 | 0:28:25 | |
All the hallmarks are present. | 0:28:25 | 0:28:26 | |
But the question is, is it packing a punch to you? | 0:28:26 | 0:28:30 | |
Or is it bittersweet? | 0:28:30 | 0:28:33 | |
-I just don't know. -Brendan and Lynne. | 0:28:33 | 0:28:35 | |
Brendan, what would you like to know more about? | 0:28:35 | 0:28:37 | |
-I'd like to know a little bit more about the screens. -The screens. | 0:28:37 | 0:28:41 | |
Brendan, these are pole screens. | 0:28:41 | 0:28:43 | |
They were screens used by Victorian ladies in the day | 0:28:43 | 0:28:46 | |
to ensure they didn't get too flushed whilst | 0:28:46 | 0:28:49 | |
sitting in front of a hot, warming fire. | 0:28:49 | 0:28:53 | |
They were able to move them easily around the room. | 0:28:53 | 0:28:56 | |
Although the market for things like this has plummeted over the last | 0:28:56 | 0:29:01 | |
few years, it's always important and attractive to have a pair. | 0:29:01 | 0:29:05 | |
And this pair, a particularly | 0:29:07 | 0:29:09 | |
fine example in mahogany. | 0:29:09 | 0:29:14 | |
Are they en garde for you? | 0:29:14 | 0:29:16 | |
So, those are all the facts that are available to you. | 0:29:16 | 0:29:19 | |
It's now time for our final round, | 0:29:19 | 0:29:21 | |
and at the end of it we will have our winners. | 0:29:21 | 0:29:24 | |
I'm going to give the quizzers a category, | 0:29:26 | 0:29:29 | |
and then they have to take turns to say answers in that category. | 0:29:29 | 0:29:33 | |
For example, if I said "types of pasta", you might say | 0:29:33 | 0:29:37 | |
fettuccine, you might say spaghetti, you might say fusilli, and so on. | 0:29:37 | 0:29:42 | |
If you fail to give an answer, or if you repeat an answer, | 0:29:42 | 0:29:46 | |
or you give a wrong answer, you lose that category. | 0:29:46 | 0:29:49 | |
And the opponents' picker will be able to steal | 0:29:49 | 0:29:52 | |
a lot from your collection. | 0:29:52 | 0:29:55 | |
OK, there are three categories of questions. | 0:29:55 | 0:29:57 | |
And the pair with the most valuable collection at this point goes first. | 0:29:57 | 0:30:01 | |
Charles, who is that? | 0:30:01 | 0:30:03 | |
I can reveal that the team who currently has | 0:30:03 | 0:30:07 | |
the most valuable collection is... | 0:30:07 | 0:30:09 | |
-..Brendan and Lynne. -Oh. OK. | 0:30:11 | 0:30:15 | |
Quizzer Lynne, you will start us off, and the first category is... | 0:30:15 | 0:30:20 | |
According to the 2015-16 QS World University Rankings, this is. | 0:30:26 | 0:30:31 | |
Lynne, give me an answer. | 0:30:31 | 0:30:35 | |
-Oxford. -Correct. | 0:30:35 | 0:30:36 | |
-Simon? -Cambridge. | 0:30:36 | 0:30:38 | |
-Correct. Lynne. -Harvard. | 0:30:38 | 0:30:41 | |
Correct. Simon. | 0:30:41 | 0:30:42 | |
-Imperial. -Correct. | 0:30:42 | 0:30:44 | |
-Lynne. -Durham. | 0:30:44 | 0:30:45 | |
Incorrect, Lynne. Durham is not on the list. | 0:30:47 | 0:30:50 | |
David, get ready to steal. | 0:30:50 | 0:30:52 | |
What do you want? | 0:30:52 | 0:30:53 | |
I think, based on what I've learned, | 0:30:53 | 0:30:56 | |
I think I'm going to go for the bowl. | 0:30:56 | 0:30:58 | |
-Everybody loves that bowl. -They do. -The bowl. It is yours. | 0:30:58 | 0:31:03 | |
Simon, this is your chance now, and the next question is... | 0:31:03 | 0:31:06 | |
Simon, please give me an answer. | 0:31:11 | 0:31:15 | |
-Genesis. -Correct. Lynne. | 0:31:15 | 0:31:17 | |
-Job. -Correct. Simon. | 0:31:17 | 0:31:19 | |
-Luke. -That is incorrect. | 0:31:25 | 0:31:28 | |
That is a book from the New Testament. | 0:31:28 | 0:31:30 | |
Well, Brendan, is there anything in that collection over there you | 0:31:30 | 0:31:34 | |
-might be interested in? -I think I might be interested in the bowl. | 0:31:34 | 0:31:39 | |
The bowl. You surprise me. | 0:31:39 | 0:31:40 | |
OK, well, that is going back to your collection. | 0:31:40 | 0:31:43 | |
-THEY LAUGH -Got to get it back. | 0:31:43 | 0:31:44 | |
And we have one last question left, | 0:31:44 | 0:31:47 | |
so get ready to do some more stealing. | 0:31:47 | 0:31:49 | |
And, Lynne, can you give me an answer? | 0:31:57 | 0:32:00 | |
-Adele. -Correct. Simon. | 0:32:00 | 0:32:03 | |
-Whitney Houston. -Correct. Lynne. | 0:32:03 | 0:32:05 | |
Paloma Faith. | 0:32:07 | 0:32:08 | |
Paloma Faith is not on the list. | 0:32:10 | 0:32:12 | |
But here are some of the people you could have had. | 0:32:12 | 0:32:15 | |
Gloria Gaynor, Celine Dion, | 0:32:15 | 0:32:18 | |
Britney Spears, it goes on and on and on. | 0:32:18 | 0:32:21 | |
But for Simon and David, this is a lifeline you've grabbed, Simon. | 0:32:21 | 0:32:25 | |
Congratulations. | 0:32:25 | 0:32:27 | |
David, is there anything you've got your eye on in Lynne | 0:32:27 | 0:32:30 | |
and Brendan's collection? | 0:32:30 | 0:32:32 | |
I'm going to go with my instinct and I'm going to go with the bowl. | 0:32:32 | 0:32:35 | |
The silver bowl is yours, David. | 0:32:35 | 0:32:37 | |
It's going straight into your collection. | 0:32:37 | 0:32:39 | |
-Oh, Lynne and Brendan, that really hurts? -It does. -It really does. | 0:32:39 | 0:32:44 | |
Now, let's take another look at our teams' | 0:32:44 | 0:32:46 | |
collections at the end of that round. | 0:32:46 | 0:32:48 | |
David and Simon, your attempts to steal the coveted bowl | 0:32:48 | 0:32:51 | |
have paid off. It has now joined the stamps, the screens | 0:32:51 | 0:32:55 | |
and the model in your collection. | 0:32:55 | 0:32:57 | |
Brendan and Lynne, you've managed to hang onto the statute, | 0:32:57 | 0:33:00 | |
the baton and the clock. | 0:33:00 | 0:33:02 | |
Well, that's it, your collections are now fixed | 0:33:02 | 0:33:05 | |
and will determine which of you is the victorious team. | 0:33:05 | 0:33:09 | |
Charles, who's got the most valuable collection? | 0:33:09 | 0:33:12 | |
I can reveal that the team with the most voluble collection, | 0:33:12 | 0:33:16 | |
and the winners of today's show, are... | 0:33:16 | 0:33:19 | |
..Brendan and Lynne! | 0:33:21 | 0:33:22 | |
-Well done. -Fantastic. -Congratulations. -Thank you. | 0:33:22 | 0:33:25 | |
With the silver bowl. | 0:33:25 | 0:33:27 | |
Well, commiserations to you, David and Simon. | 0:33:27 | 0:33:30 | |
My goodness, you did your best. | 0:33:30 | 0:33:32 | |
You didn't create the most valuable collection, but before we say | 0:33:32 | 0:33:35 | |
goodbye, let's find out what items are also leaving the game. | 0:33:35 | 0:33:40 | |
Charles, what did you make of their collection? | 0:33:40 | 0:33:43 | |
It all began with that male model with muscles. | 0:33:43 | 0:33:47 | |
Made by the German company SOMSO, and Adam, Rouilly, | 0:33:47 | 0:33:51 | |
he distributed this figure around many a retailer. | 0:33:51 | 0:33:56 | |
It was quite amusing. David, you thought it was ugly. | 0:33:56 | 0:33:59 | |
Not quite the David of Michelangelo, but David over there. | 0:33:59 | 0:34:04 | |
Lynne, you thought it would be used by physiotherapists. | 0:34:04 | 0:34:08 | |
Very well done in that regard, it clearly is a teaching aid. | 0:34:08 | 0:34:12 | |
This market of scientific research and the body is all the rage | 0:34:12 | 0:34:16 | |
now amongst a certain pool of collectors. | 0:34:16 | 0:34:19 | |
Fern, it is worth £550. | 0:34:19 | 0:34:22 | |
-Oh! What's next? -Absolutely right. | 0:34:22 | 0:34:24 | |
The evergreen antique, which was all the rage back in the '80s. | 0:34:24 | 0:34:29 | |
And I love these, these are a fine pair of pole screens. | 0:34:29 | 0:34:32 | |
What's interesting, they are, | 0:34:32 | 0:34:34 | |
and we mentioned Victorians enjoyed them, but they are slightly earlier, | 0:34:34 | 0:34:38 | |
or early Victorian, circa 1814. | 0:34:38 | 0:34:40 | |
Importantly, their finish was so good. | 0:34:40 | 0:34:43 | |
They are in that Gillows manner, | 0:34:43 | 0:34:46 | |
rich regency style. | 0:34:46 | 0:34:49 | |
-Value, £800 was their market value. -No! | 0:34:49 | 0:34:52 | |
So, great choice. | 0:34:52 | 0:34:54 | |
-Right, what's it going to be? Stamps or bowl? -Yeah. | 0:34:54 | 0:34:57 | |
They weren't sticky, they weren't flat...this lot. | 0:34:57 | 0:35:00 | |
Again, we had some very amusing comments. | 0:35:00 | 0:35:03 | |
Simon, you thought the Queen looked young. | 0:35:03 | 0:35:06 | |
Well, you're quite right, certainly we are going back to the late | 0:35:06 | 0:35:09 | |
'50s, five years into her great coronation. | 0:35:09 | 0:35:13 | |
And this is quite a rare, unused stamp, | 0:35:13 | 0:35:17 | |
issued in '58 in this quite, | 0:35:17 | 0:35:18 | |
again, unusual ultra marine blue. | 0:35:18 | 0:35:22 | |
Of course, the world record for a stamp | 0:35:22 | 0:35:24 | |
was set only a couple of years ago when a British Guiana stamp | 0:35:24 | 0:35:27 | |
made £5.6 million in New York. | 0:35:27 | 0:35:30 | |
Not this... Not this collection but, even so, | 0:35:30 | 0:35:33 | |
these two are still worth - | 0:35:33 | 0:35:35 | |
hold tight, Fern - | 0:35:35 | 0:35:37 | |
£1,250. | 0:35:37 | 0:35:40 | |
Oh, now, this bowl, it's got to be up there, surely? | 0:35:40 | 0:35:43 | |
Oh, absolutely, and I can see... | 0:35:43 | 0:35:44 | |
It's like a trophy, isn't it? | 0:35:44 | 0:35:46 | |
It's a trophy cup, almost like a... | 0:35:46 | 0:35:48 | |
It is for us. We've enjoyed it. | 0:35:48 | 0:35:50 | |
Yeah, like an FA Cup, | 0:35:50 | 0:35:51 | |
and I thought, at the end, | 0:35:51 | 0:35:52 | |
you were going to fill it with champagne and salute, | 0:35:52 | 0:35:55 | |
thinking the deed was done for the day. | 0:35:55 | 0:35:58 | |
This is the finest quality of silver you will see, | 0:35:58 | 0:36:02 | |
by Elkington's most important manufacturer | 0:36:02 | 0:36:05 | |
in a really important time, | 0:36:05 | 0:36:07 | |
reviving a very desirable style, | 0:36:07 | 0:36:10 | |
but what was it worth? How near were you to taking the game? | 0:36:10 | 0:36:14 | |
You weren't far at all, | 0:36:14 | 0:36:16 | |
because it had a handsome price, Fern... | 0:36:16 | 0:36:19 | |
of £600. | 0:36:19 | 0:36:21 | |
-Is that it? -Yeah. | 0:36:21 | 0:36:23 | |
-Your collection totalled £3,200... -Wow. | 0:36:23 | 0:36:28 | |
..so, it was no mean sum. | 0:36:28 | 0:36:31 | |
Simon and David, thank you so much. | 0:36:31 | 0:36:33 | |
-You've been wonderful contestants... -Thank you. | 0:36:33 | 0:36:35 | |
..and thank you for playing For What It's Worth, | 0:36:35 | 0:36:37 | |
Simon and David. | 0:36:37 | 0:36:39 | |
I think we... We gave it a good shot. | 0:36:40 | 0:36:42 | |
It's amazing, when you're out there, you get the easiest question | 0:36:42 | 0:36:45 | |
and you just freeze or you think about it too much, | 0:36:45 | 0:36:47 | |
and before you know it, someone's beat you to the buzzer. | 0:36:47 | 0:36:50 | |
Simon set us up in a great position. | 0:36:50 | 0:36:53 | |
He answered the questions. | 0:36:53 | 0:36:54 | |
He gave me the chance, at the end, to steal the game, | 0:36:54 | 0:36:56 | |
but I was distracted by everyone's love of that bowl. | 0:36:56 | 0:36:59 | |
-Well done, Brendan and Lynne. -Thank you. | 0:37:01 | 0:37:03 | |
My goodness, they have built the most valuable collection, | 0:37:03 | 0:37:06 | |
and you are today's winners. | 0:37:06 | 0:37:08 | |
Now, all that remains is for you to claim your prize. | 0:37:08 | 0:37:13 | |
All you have to do is pick a lot from your collection, | 0:37:13 | 0:37:16 | |
and we will give you its value in cash. | 0:37:16 | 0:37:19 | |
We know that you do have the top lot in there, | 0:37:19 | 0:37:23 | |
but can you find it? | 0:37:23 | 0:37:26 | |
The clock is unusual, in that, I've seen a lot of Doulton, | 0:37:26 | 0:37:29 | |
but I've never seen that clock, but it is damaged. | 0:37:29 | 0:37:32 | |
And then we go to the statue, | 0:37:32 | 0:37:34 | |
which I've felt, all the way through, | 0:37:34 | 0:37:37 | |
has got something about it, | 0:37:37 | 0:37:39 | |
and then, we've got the baton. | 0:37:39 | 0:37:41 | |
-It's a nice lot but I don't think it's the most valuable. -Yeah, OK. | 0:37:41 | 0:37:44 | |
-So we're up to the clock and the statue. -Mm-hmm. | 0:37:44 | 0:37:49 | |
Erm, I'm going to have to go with my gut instinct | 0:37:49 | 0:37:53 | |
and stay with the statue. | 0:37:53 | 0:37:55 | |
The statue. | 0:37:55 | 0:37:57 | |
So, you've chosen the statue, very good, | 0:37:57 | 0:37:59 | |
but before we tell you what it's worth, Charles, can you please | 0:37:59 | 0:38:03 | |
tell us the value of the rejected lots, starting with the baton? | 0:38:03 | 0:38:07 | |
I can, indeed. What was interesting, Brendan and Lynne, | 0:38:07 | 0:38:09 | |
you thought this may have been a swagger stick at first - | 0:38:09 | 0:38:12 | |
of militaria interest - | 0:38:12 | 0:38:14 | |
but you're quite right, a baton is what it is. | 0:38:14 | 0:38:16 | |
Lynne, you mentioned that all-important inscription, | 0:38:16 | 0:38:20 | |
"Mrs VE Smith, take a bow." | 0:38:20 | 0:38:23 | |
How important was she in 1933? | 0:38:23 | 0:38:27 | |
We don't know. | 0:38:27 | 0:38:28 | |
-Oh... -So she has no pedigree. | 0:38:28 | 0:38:31 | |
It's a fairly standard baton without a box. | 0:38:31 | 0:38:35 | |
Lovely object, full of the thrills and spills of the theatre, | 0:38:35 | 0:38:39 | |
but it's worth £50. | 0:38:39 | 0:38:41 | |
-Good heavens. -So, well done. | 0:38:41 | 0:38:43 | |
Now, the clock? | 0:38:43 | 0:38:45 | |
Lynne, you're quite right. It had its condition issues. | 0:38:45 | 0:38:48 | |
That delightful little mouse is missing its instrument, | 0:38:48 | 0:38:52 | |
so he's not blowing a horn, is he? | 0:38:52 | 0:38:54 | |
But, don't forget, this goes back to the all-important "A" in antique. | 0:38:54 | 0:38:58 | |
Tinworth was the most important designer at Doulton. | 0:38:58 | 0:39:03 | |
He was famed for his humorous types of figures. | 0:39:03 | 0:39:07 | |
He was given free rein to take the Doulton factory on this journey. | 0:39:07 | 0:39:12 | |
It was, Fern, our top lot, at £2,500. | 0:39:12 | 0:39:15 | |
-Sorry. -Oh, my goodness. -Oh... | 0:39:15 | 0:39:18 | |
-That's unbelievable. -It's sad, but... | 0:39:18 | 0:39:21 | |
-I did describe it as hideous. -You did, yeah. | 0:39:21 | 0:39:24 | |
-Well, there you go. -Brendan and Lynne, come and join me, | 0:39:24 | 0:39:26 | |
to take a closer look at your chosen lot, | 0:39:26 | 0:39:29 | |
this beautiful statue, | 0:39:29 | 0:39:31 | |
and see if we can tempt you with our mystery lot, | 0:39:31 | 0:39:34 | |
which may be worth more. | 0:39:34 | 0:39:37 | |
There is that beautiful statue. | 0:39:38 | 0:39:40 | |
You may be very confident that you have something that is | 0:39:40 | 0:39:43 | |
worth a small fortune, but before we tell you its value, | 0:39:43 | 0:39:46 | |
we are going to tempt you with today's mystery lot. | 0:39:46 | 0:39:50 | |
Charles, would you like to reveal? | 0:39:50 | 0:39:52 | |
-Ah, what do we have here? -There we go. | 0:39:54 | 0:39:57 | |
This, before me, is a signed WG Grace note. | 0:39:57 | 0:40:02 | |
You'll see his signature, all-important, | 0:40:04 | 0:40:06 | |
on London County Cricket Club paper, | 0:40:06 | 0:40:09 | |
dated June 26, 1908, | 0:40:09 | 0:40:13 | |
seven years before he died, | 0:40:13 | 0:40:16 | |
and what price would you pay for a signature by such a founding father? | 0:40:16 | 0:40:22 | |
The content of the letter isn't overly invigorating, Fern, | 0:40:22 | 0:40:27 | |
but the signature is so important. | 0:40:27 | 0:40:30 | |
You must remember, | 0:40:30 | 0:40:31 | |
when it comes to this great market for sporting ephemera, | 0:40:31 | 0:40:35 | |
a shirt worn by a 1926 New York Yankees pitcher - | 0:40:35 | 0:40:42 | |
someone called Babe Ruth - made 4.4 million. | 0:40:42 | 0:40:45 | |
Frightening, but this goes back. This is earlier - | 0:40:45 | 0:40:48 | |
in period and, hopefully, charm. | 0:40:48 | 0:40:51 | |
So, all that's left now is for you to decide | 0:40:51 | 0:40:55 | |
whether to stick to your guns, | 0:40:55 | 0:40:57 | |
keep to the statue, | 0:40:57 | 0:40:59 | |
or simply dump it in favour of | 0:40:59 | 0:41:03 | |
what looks like the most fantastic letter, | 0:41:03 | 0:41:06 | |
from the very famous WG Grace, the cricketer. | 0:41:06 | 0:41:09 | |
We've stayed with the statue | 0:41:09 | 0:41:11 | |
all the way through. We've had belief in it. | 0:41:11 | 0:41:13 | |
-Sporting memorabilia, we know fetches a high price... -Yeah. | 0:41:13 | 0:41:17 | |
..but, in terms of worldwide, | 0:41:17 | 0:41:20 | |
-is WG Grace known outside of...? -It's global. -It is, do you think? | 0:41:20 | 0:41:24 | |
I think this was close on, value-wise, to the top item. | 0:41:24 | 0:41:29 | |
I think I'm going to stick with the statue. | 0:41:29 | 0:41:31 | |
-Are we coming down to this? Yes. -You both feel that, don't you? OK. | 0:41:31 | 0:41:34 | |
Well, the WG Grace letter has been rejected. | 0:41:34 | 0:41:38 | |
You're sticking with the statue. | 0:41:38 | 0:41:40 | |
Whoa, that means you have won its worth in cold, hard cash. | 0:41:40 | 0:41:44 | |
Charles, will you please tell us | 0:41:44 | 0:41:46 | |
the value of the letter they've rejected? | 0:41:46 | 0:41:49 | |
You turned down the man with the greatest hand | 0:41:49 | 0:41:52 | |
who penned that letter | 0:41:52 | 0:41:53 | |
but even so, you went with your heart, | 0:41:53 | 0:41:56 | |
and the letter, today, | 0:41:56 | 0:41:59 | |
on the open auction market, Fern, | 0:41:59 | 0:42:02 | |
would sell for... | 0:42:02 | 0:42:05 | |
-£350. -Oh, whoa! -Oh! All right. | 0:42:05 | 0:42:09 | |
All right, so, now, Charles, | 0:42:09 | 0:42:10 | |
what is the value of the lot that they have chosen, | 0:42:10 | 0:42:13 | |
this beautiful statue? | 0:42:13 | 0:42:15 | |
It is a wonderful bronze. | 0:42:15 | 0:42:16 | |
It is beautifully patinated. | 0:42:16 | 0:42:19 | |
It has an all-over rich patination. | 0:42:19 | 0:42:21 | |
It's no base metal. It's a true bronze. | 0:42:21 | 0:42:24 | |
A really, really nice item, | 0:42:24 | 0:42:27 | |
and you stuck with it, | 0:42:27 | 0:42:30 | |
and it's worth... | 0:42:30 | 0:42:32 | |
and I can tell you... | 0:42:32 | 0:42:34 | |
we can double up to £700. | 0:42:34 | 0:42:36 | |
-Congratulations. -Oh, wonderful. | 0:42:36 | 0:42:38 | |
Fantastic. Fantastic. Phew! | 0:42:38 | 0:42:40 | |
Congratulations, so, today, you go home with £700. | 0:42:40 | 0:42:42 | |
-Fantastic. -Oh. | 0:42:42 | 0:42:44 | |
And you've played so well and you've been such lovely contestants. | 0:42:44 | 0:42:47 | |
-Thank you. -Thank you very much. | 0:42:47 | 0:42:48 | |
-Thank you very much, indeed. Fantastic. -Thank you. | 0:42:48 | 0:42:50 | |
Charles, thank you so much for lending us your expertise... | 0:42:50 | 0:42:54 | |
-Thank you. -..and also, thank you so much for being here. | 0:42:54 | 0:42:57 | |
Join us next time, when three new teams try to spot the lot to | 0:42:57 | 0:43:00 | |
win the lot on For What It's Worth. | 0:43:00 | 0:43:02 | |
We'll see you then. Bye-bye. | 0:43:02 | 0:43:04 | |
Really well done. | 0:43:04 | 0:43:05 | |
That's lovely... | 0:43:05 | 0:43:07 | |
We were one step away, weren't we? | 0:43:09 | 0:43:11 | |
From the big money, but we're happy where we are. | 0:43:11 | 0:43:14 | |
No regrets about the clock. | 0:43:14 | 0:43:15 | |
Yeah, we stayed with what we felt was right all the way through | 0:43:15 | 0:43:18 | |
and, yeah, fantastic experience. | 0:43:18 | 0:43:21 | |
Yes, we've really enjoyed today. | 0:43:21 | 0:43:23 |