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Hello and welcome to For What It's Worth, | 0:00:14 | 0:00:16 | |
where a top cash prize waits for the smartest quizzers | 0:00:16 | 0:00:20 | |
and the sharpest shoppers. | 0:00:20 | 0:00:22 | |
Three pairs of contestants are ready to play, | 0:00:22 | 0:00:24 | |
and in each team is a quizzer, | 0:00:24 | 0:00:26 | |
responsible for answering general knowledge questions, | 0:00:26 | 0:00:29 | |
so that their partner, the picker, | 0:00:29 | 0:00:31 | |
can choose an antique or collectable item to add to their collection. | 0:00:31 | 0:00:35 | |
So, here are today's lots for your consideration. | 0:00:35 | 0:00:38 | |
16 different antiques and collectables, | 0:00:38 | 0:00:42 | |
and we have vases, | 0:00:42 | 0:00:44 | |
a camera, a relic, a jug, | 0:00:44 | 0:00:48 | |
a dove, some spoons, paintings, | 0:00:48 | 0:00:51 | |
a sword, decorative glass, a pen box, | 0:00:51 | 0:00:56 | |
a poster, some jewellery, a military shell, | 0:00:56 | 0:01:00 | |
a pole screen, a censer and a medicine chest. | 0:01:00 | 0:01:05 | |
All very different with very different values. | 0:01:05 | 0:01:08 | |
One is worthless - worth £10 or less - | 0:01:08 | 0:01:10 | |
and the rest increase in value | 0:01:10 | 0:01:12 | |
up to our top lot | 0:01:12 | 0:01:14 | |
which is worth a whopping £2,500. | 0:01:14 | 0:01:18 | |
And that is the lot to spot, because at the end of the show, | 0:01:18 | 0:01:21 | |
the winning pair will walk away with | 0:01:21 | 0:01:23 | |
the cash equivalent of one of these items. | 0:01:23 | 0:01:26 | |
Now, the aim of the game is to amass the most valuable collection. | 0:01:26 | 0:01:29 | |
So, first up, we have Sharman and Sue | 0:01:29 | 0:01:31 | |
who are friends from Lincolnshire. | 0:01:31 | 0:01:33 | |
Welcome to the show. | 0:01:33 | 0:01:35 | |
Sharman, I know you're an amateur painter, | 0:01:35 | 0:01:37 | |
but you also collect compacts... | 0:01:37 | 0:01:39 | |
-Yes, that's right. -..with a particular motif on them. | 0:01:39 | 0:01:42 | |
Well, I used to collect them all, | 0:01:42 | 0:01:44 | |
and then I decided I couldn't buy every compact in the world, | 0:01:44 | 0:01:48 | |
so I decided to collect compacts with ships on. | 0:01:48 | 0:01:50 | |
-Well, Sharman, you're welcome. -Thank you. | 0:01:50 | 0:01:52 | |
And next you is your friend Sue, | 0:01:52 | 0:01:54 | |
who is the quizzer, and you are a keen pop quizzer. | 0:01:54 | 0:01:57 | |
We go to one or two local village quizzes. | 0:01:57 | 0:02:01 | |
Do you win when you play? | 0:02:01 | 0:02:03 | |
-We have won - put it that way. Not always. -Very good. | 0:02:03 | 0:02:05 | |
Oh, this is a team to watch, isn't it? | 0:02:05 | 0:02:07 | |
-No, no, no, no. -FERN CHUCKLES | 0:02:07 | 0:02:09 | |
It's only a small village - don't forget. | 0:02:09 | 0:02:11 | |
Sharman and Sue, you're very welcome. | 0:02:11 | 0:02:13 | |
And next we have Natasha and Leon, | 0:02:13 | 0:02:15 | |
who are also friends, from Manchester. | 0:02:15 | 0:02:17 | |
Lovely to have you on the show as well. | 0:02:17 | 0:02:19 | |
Now, Natasha, you are picking the antiques for the team, | 0:02:19 | 0:02:22 | |
so what whets your appetite | 0:02:22 | 0:02:24 | |
in the world of antiques and collectables? | 0:02:24 | 0:02:26 | |
-Well, I'd have to say timepieces. -So watches and clocks? | 0:02:26 | 0:02:29 | |
I've got a beautiful 1920s Cartier watch | 0:02:29 | 0:02:33 | |
which was a present bought for me at auction. | 0:02:33 | 0:02:36 | |
Wow. And sitting next you is Leon. You go to car-boot sales together? | 0:02:36 | 0:02:41 | |
-Yeah. -So who ends up carrying all the goodies home? | 0:02:41 | 0:02:45 | |
That would be Leon, the strong one out of us both. | 0:02:45 | 0:02:49 | |
I do all the purchasing, Leon does all the carrying. | 0:02:49 | 0:02:52 | |
Yeah, sadly. I mean, yeah. | 0:02:52 | 0:02:53 | |
You're doing all the carrying of the general knowledge today. | 0:02:53 | 0:02:57 | |
-Yes, I am. -Are you a good quizzer? | 0:02:57 | 0:02:58 | |
-I'd like to think of myself as a good quizzer. -Good. OK. | 0:02:58 | 0:03:03 | |
-Thank you. Lovely to have you both here. -Thank you. | 0:03:03 | 0:03:05 | |
And last but not least, | 0:03:05 | 0:03:06 | |
we have Dan and Jim, who are also friends, from Bristol. | 0:03:06 | 0:03:10 | |
Hello to you both. | 0:03:10 | 0:03:12 | |
Now, Dan, you are the team's picker today. | 0:03:12 | 0:03:14 | |
How did your interest in antiques begin? | 0:03:14 | 0:03:17 | |
It started through my mum and my nan from when I was younger. | 0:03:17 | 0:03:20 | |
Just going round charity shops and car-boot sales and the jumble sales. | 0:03:20 | 0:03:24 | |
-I found a Clarice Cliff sugar shaker... -Yeah? | 0:03:24 | 0:03:29 | |
-..at a car-boot sale. -FERN GASPS | 0:03:29 | 0:03:31 | |
-How much did you pay for that? -It was about £3. | 0:03:31 | 0:03:33 | |
Wow. Good spot. | 0:03:33 | 0:03:36 | |
-And next to you is Jim. Welcome, Jim. -All right, Fern? | 0:03:36 | 0:03:39 | |
You've been friends for a long time, haven't you? | 0:03:39 | 0:03:41 | |
Yeah, we have. For about 20 years. We first met at the rugby club | 0:03:41 | 0:03:44 | |
and then later on we happened to be in the same tutor group, | 0:03:44 | 0:03:46 | |
and we've been friends since then. | 0:03:46 | 0:03:48 | |
And you are, or were, a music student. | 0:03:48 | 0:03:50 | |
Yeah, I did, I studied music. | 0:03:50 | 0:03:52 | |
So, obviously you're collecting music paraphernalia? | 0:03:52 | 0:03:54 | |
I collect vinyl. Yeah, I've got some quite rare vinyls. | 0:03:54 | 0:03:57 | |
I've got a first edition Stone Roses, | 0:03:57 | 0:03:58 | |
I've got some quite early Beatles albums, | 0:03:58 | 0:04:01 | |
-I've got the first press of Rubber Soul. -Good. | 0:04:01 | 0:04:03 | |
-Welcome, the pair of you. -Thank you. -Lovely. | 0:04:03 | 0:04:05 | |
We've got three great teams playing today. | 0:04:05 | 0:04:08 | |
Now, earlier, our teams inspected the lots, | 0:04:08 | 0:04:10 | |
but could they separate the chipboard from the Chippendale? | 0:04:10 | 0:04:14 | |
-Ooh! -Ooh! -Wow. | 0:04:16 | 0:04:18 | |
Right, where shall we start? | 0:04:18 | 0:04:21 | |
Let's see. | 0:04:21 | 0:04:22 | |
Posters aren't my bag. | 0:04:24 | 0:04:26 | |
About '30s, it looks. | 0:04:26 | 0:04:28 | |
It's for the days of the musical, I think. | 0:04:28 | 0:04:30 | |
-NATASHA: -Pen box. This is beautiful. | 0:04:31 | 0:04:33 | |
This is silver. | 0:04:33 | 0:04:35 | |
Royal Crown on there. | 0:04:35 | 0:04:36 | |
-SHARMAN: -I've always wanted to see one of these. | 0:04:37 | 0:04:40 | |
Medicine chest. This is beautiful. This is something that I would have. | 0:04:40 | 0:04:43 | |
And they're all, like, hand-blown as well. You can see from the bottom. | 0:04:43 | 0:04:46 | |
Onto the vases. Now, these look not very old at all. | 0:04:47 | 0:04:50 | |
These look like... Yes, Royal Crown Derby. | 0:04:50 | 0:04:53 | |
I think that's something that you wouldn't see a lot of. | 0:04:54 | 0:04:57 | |
Well, it depends. If we were at your house, then yeah. | 0:04:57 | 0:05:00 | |
So, that'd be a screen for in front of a fire. | 0:05:00 | 0:05:03 | |
Who has a set of three glasses? You know, it's usually six. | 0:05:05 | 0:05:08 | |
What would you say they'd be used for? | 0:05:08 | 0:05:09 | |
Drinking out of, cocktails, shots? | 0:05:09 | 0:05:11 | |
Personally, I'm not too keen on that style. | 0:05:11 | 0:05:13 | |
Peter W Cushing. Dartmouth Castle Does it ring a bell, the name? | 0:05:15 | 0:05:19 | |
I've been there, been there. | 0:05:19 | 0:05:20 | |
Original casing. Beautiful red velvet. | 0:05:22 | 0:05:25 | |
It's definitely got age to it. | 0:05:25 | 0:05:27 | |
Zeiss does very good lenses. | 0:05:27 | 0:05:29 | |
-DAN: -Not probably worth that much, is it? | 0:05:29 | 0:05:31 | |
-"A relic of the standard taken from Richard III..." -Oh! | 0:05:31 | 0:05:34 | |
This is more you. | 0:05:34 | 0:05:36 | |
That is quite an interesting item, isn't it? | 0:05:36 | 0:05:38 | |
-SUE: -I think I've been in Stanton Harcourt church. | 0:05:38 | 0:05:41 | |
A jug. Now, this is your territory. | 0:05:42 | 0:05:44 | |
-The mark on the bottom, it says EP, so that's electroplated. -OK. | 0:05:44 | 0:05:48 | |
It looks it from its appearance. | 0:05:48 | 0:05:49 | |
This reminds me a little of Lalique. | 0:05:51 | 0:05:54 | |
And if that's Lalique, then that's an incredible piece of glass. | 0:05:54 | 0:05:56 | |
That's the lion. That tells you it's silver. | 0:05:58 | 0:06:01 | |
I reckon these are... | 0:06:01 | 0:06:02 | |
These are pretty old. That's hand-hammered as well. | 0:06:02 | 0:06:05 | |
-DAN: -Is something glued together? It's been broken at the top? | 0:06:07 | 0:06:09 | |
I don't think that's a modern glue. | 0:06:09 | 0:06:11 | |
Doesn't look like a dragon or anything, does it? | 0:06:11 | 0:06:13 | |
It's some sort of onyx or something like that. | 0:06:13 | 0:06:16 | |
By the power of Grayskull, Dan. It's a sword. | 0:06:16 | 0:06:19 | |
It's got some lovely engraving, and it's got that blue look. | 0:06:19 | 0:06:22 | |
-NATASHA: -Now, as for jewellery... -LEON: -Yeah, this is you, this. | 0:06:23 | 0:06:27 | |
Do you reckon that's gold? | 0:06:27 | 0:06:28 | |
That's a World War I shell. | 0:06:31 | 0:06:33 | |
It's a beautiful design. I mean, it's absolutely stunning. | 0:06:33 | 0:06:36 | |
Top three is vases, pole screen and the dove. | 0:06:36 | 0:06:40 | |
-The relic... -The relic, definitely. | 0:06:40 | 0:06:43 | |
-..the censer... -Censer. -..and the dove. | 0:06:43 | 0:06:46 | |
-The pair of vases, the medicine chest... -OK. | 0:06:46 | 0:06:49 | |
..and probably the censer. | 0:06:49 | 0:06:51 | |
-Worthless item. -The camera. | 0:06:51 | 0:06:53 | |
-The poster. -The poster. | 0:06:53 | 0:06:54 | |
The decorative glass. | 0:06:54 | 0:06:56 | |
Joining me is our resident antiques expert, Kate Bliss. | 0:07:02 | 0:07:05 | |
Kate, what do you make of the lots we've got today? | 0:07:05 | 0:07:08 | |
Well, Fern, certainly we have a huge variety for you, teams. | 0:07:08 | 0:07:13 | |
There may be some things amongst the collection | 0:07:13 | 0:07:16 | |
that you find very eye-catching, | 0:07:16 | 0:07:18 | |
but do they have an eye-catching price tag? | 0:07:18 | 0:07:22 | |
Equally, there may be some things which you have completely dismissed | 0:07:22 | 0:07:26 | |
which are very unimpressive - | 0:07:26 | 0:07:28 | |
do they have an unimpressive value? | 0:07:28 | 0:07:31 | |
And how do you arrive at the valuations? | 0:07:31 | 0:07:33 | |
You can't just pluck it out of the air, can you? | 0:07:33 | 0:07:35 | |
Well, the value of each lot has been agreed | 0:07:35 | 0:07:38 | |
by myself and an independent valuer, | 0:07:38 | 0:07:40 | |
and this is based on the hammer price at auction, | 0:07:40 | 0:07:44 | |
and that is the price when the hammer falls, | 0:07:44 | 0:07:48 | |
-and it does not include any extra auction costs. -OK. | 0:07:48 | 0:07:53 | |
Well, as well as those little treasures, | 0:07:53 | 0:07:55 | |
we have our Mystery Lot | 0:07:55 | 0:07:57 | |
which is hidden under the shroud of mystery | 0:07:57 | 0:08:00 | |
and poised to be uncovered at the end of the show | 0:08:00 | 0:08:03 | |
to tempt our winners. | 0:08:03 | 0:08:05 | |
Well, it could be worth a lot or not a lot. | 0:08:05 | 0:08:08 | |
We'll be unveiling it later. | 0:08:08 | 0:08:09 | |
But for now, it is time for Round 1. | 0:08:09 | 0:08:11 | |
So, I'm going to ask ten general knowledge questions, | 0:08:14 | 0:08:18 | |
and quizzers, if you buzz in with the correct answer, | 0:08:18 | 0:08:20 | |
your picker gets to add a lot to your collection. | 0:08:20 | 0:08:24 | |
But beware - buzz in incorrectly | 0:08:24 | 0:08:27 | |
and you will be frozen out of the next question. | 0:08:27 | 0:08:30 | |
Quizzers, get the questions right | 0:08:30 | 0:08:31 | |
and your picker will have the chance to collect the best lots first. | 0:08:31 | 0:08:35 | |
So, fingers on buzzers. Here comes question one. | 0:08:35 | 0:08:39 | |
Upon his retirement in 2013, | 0:08:39 | 0:08:42 | |
which British athlete had six Olympic gold medals | 0:08:42 | 0:08:46 | |
in track cycling? | 0:08:46 | 0:08:48 | |
-BELL RINGS Yes, Jim? -Sir Chris Hoy. | 0:08:48 | 0:08:50 | |
It is Sir Chris Hoy. Well done. | 0:08:50 | 0:08:52 | |
Dan, you get first pick. | 0:08:52 | 0:08:54 | |
-The...censer. -The censer. | 0:08:54 | 0:08:57 | |
That'll start your collection off. | 0:08:57 | 0:08:59 | |
-And there it goes. -Thank you very much. | 0:08:59 | 0:09:02 | |
Question two - during his time as Home Secretary, | 0:09:02 | 0:09:05 | |
Sir Robert Peel formed which London...? | 0:09:05 | 0:09:08 | |
BELL RINGS Sue? | 0:09:08 | 0:09:10 | |
The police, the Metropolitan Police. | 0:09:10 | 0:09:12 | |
-Correct. -Well done. | 0:09:12 | 0:09:14 | |
The full question is during his time as Home Secretary, | 0:09:14 | 0:09:17 | |
Sir Robert Peel formed which London public service? | 0:09:17 | 0:09:20 | |
And it was the Metropolitan Police. | 0:09:20 | 0:09:22 | |
Sharman, your pick. | 0:09:22 | 0:09:24 | |
The vases, please. | 0:09:24 | 0:09:26 | |
The vases - they're yours, | 0:09:26 | 0:09:28 | |
and they have started your collection off. | 0:09:28 | 0:09:30 | |
Question three - in June 2012, | 0:09:30 | 0:09:34 | |
pop band Madness performed live from the roof of which famous landmark? | 0:09:34 | 0:09:40 | |
BELL RINGS Yes, Sue? | 0:09:40 | 0:09:42 | |
I'm guessing Buckingham Palace. | 0:09:42 | 0:09:44 | |
-It is correct. Well done. Good guess. -Gosh, well done. | 0:09:44 | 0:09:47 | |
Sharman, choose. | 0:09:47 | 0:09:48 | |
Ooh, I think I'm going to go for the pen box, thank you. | 0:09:48 | 0:09:52 | |
The pen box - it's yours. | 0:09:52 | 0:09:54 | |
Question four - | 0:09:54 | 0:09:55 | |
which Florida National Park is famed for its wetlands and...? | 0:09:55 | 0:10:00 | |
-BELL RINGS Sue? -The Everglades. | 0:10:00 | 0:10:02 | |
Correct! I'll just finish the question. | 0:10:02 | 0:10:05 | |
Which Florida National Park is famed for its wetlands and alligators? | 0:10:05 | 0:10:10 | |
And the correct answer is Everglades, as you said, Sue. | 0:10:10 | 0:10:13 | |
-Sharman, what would you like? -Oh, gosh, erm, the medicine chest. | 0:10:13 | 0:10:18 | |
The medicine chest is the third lot in your collection. | 0:10:18 | 0:10:22 | |
Question five of ten - | 0:10:22 | 0:10:24 | |
in which South Yorkshire city was The Full Monty filmed and set? | 0:10:24 | 0:10:29 | |
BELL RINGS Sue. | 0:10:29 | 0:10:31 | |
-Sheffield. -Sheffield is correct. | 0:10:31 | 0:10:33 | |
Sharman, pick again. | 0:10:33 | 0:10:35 | |
You're just amazing, aren't you, Sue? | 0:10:35 | 0:10:37 | |
-Erm, the spoons. -The spoons... -Thank you. -..are yours. | 0:10:37 | 0:10:41 | |
Question six of ten - | 0:10:41 | 0:10:43 | |
in 2010, Franc Fernandez designed a dress designed entirely of meat | 0:10:43 | 0:10:48 | |
for which pop star? | 0:10:48 | 0:10:50 | |
-BELL RINGS Yes, Jim? -Lady Gaga. | 0:10:50 | 0:10:52 | |
Lady Gaga, it is. Dan, what do you want? | 0:10:52 | 0:10:55 | |
-I'll take the dove. -The dove. | 0:10:55 | 0:10:57 | |
It's flying into your collection now. | 0:10:57 | 0:11:00 | |
Question seven of ten - | 0:11:00 | 0:11:02 | |
in the human body, | 0:11:02 | 0:11:03 | |
the small bones that make up the spinal column are called what? | 0:11:03 | 0:11:07 | |
-BELL RINGS Yes, Jim? -Vertebrae. | 0:11:07 | 0:11:09 | |
Correct. Well done. | 0:11:09 | 0:11:11 | |
Dan, take a pick. | 0:11:11 | 0:11:13 | |
I would like to take the relic, please. | 0:11:13 | 0:11:14 | |
The relic - it's coming towards you. | 0:11:14 | 0:11:17 | |
Question eight - | 0:11:17 | 0:11:19 | |
which Italian Renaissance artist | 0:11:19 | 0:11:21 | |
famously created a large marble statue of David? | 0:11:21 | 0:11:25 | |
Time's up. | 0:11:29 | 0:11:31 | |
-Michelangelo. -I knew that! | 0:11:31 | 0:11:33 | |
Question nine - | 0:11:33 | 0:11:35 | |
in the US drama series Mad Men, | 0:11:35 | 0:11:37 | |
what is the full name of the character played by Jon Hamm? | 0:11:37 | 0:11:41 | |
Time up. | 0:11:45 | 0:11:47 | |
-Don Draper. Of course it is. -Never seen it. | 0:11:47 | 0:11:50 | |
Final question - | 0:11:50 | 0:11:51 | |
which pudding is made by caramelising sugar | 0:11:51 | 0:11:55 | |
on top of a set...? | 0:11:55 | 0:11:56 | |
-BELL RINGS Jim? -Creme brulee. | 0:11:56 | 0:11:58 | |
Creme brulee is correct. Well done. | 0:11:58 | 0:12:00 | |
Which pudding is made by caramelising sugar | 0:12:00 | 0:12:02 | |
on top of a set custard? Creme brulee. | 0:12:02 | 0:12:05 | |
Dan, what would you like? | 0:12:05 | 0:12:06 | |
I will go with the pole screen, please. | 0:12:06 | 0:12:09 | |
-The pole screen. It's yours. -Thank you very much. | 0:12:09 | 0:12:12 | |
Right, let's see where we stand at the end of Round 1. | 0:12:12 | 0:12:15 | |
Sue and Sharman, you have the vases, the medicine chest, | 0:12:15 | 0:12:20 | |
the spoons and the pen box. | 0:12:20 | 0:12:23 | |
Leon and Natasha, still to get your first item, but there's time. | 0:12:23 | 0:12:28 | |
Jim and Dan, you have the censer, the relic, | 0:12:28 | 0:12:32 | |
the pole screen and the dove. | 0:12:32 | 0:12:35 | |
Well done. Our teams have started to build their collections, | 0:12:35 | 0:12:38 | |
but before they have the chance to add to them, | 0:12:38 | 0:12:40 | |
Kate is going to give each pair a fact about a lot of their choice. | 0:12:40 | 0:12:44 | |
Now, these snippets of information should give you | 0:12:44 | 0:12:47 | |
vital clues about what it's worth, | 0:12:47 | 0:12:49 | |
so choose wisely. | 0:12:49 | 0:12:51 | |
You can choose one of yours | 0:12:51 | 0:12:52 | |
or one from somebody else's collection | 0:12:52 | 0:12:55 | |
or something that is still up for grabs on the grid. | 0:12:55 | 0:12:57 | |
Sharman, let's start with you. | 0:12:57 | 0:12:59 | |
Which lot would you like to hear about? | 0:12:59 | 0:13:01 | |
I'd like to hear about the censer, please, Kate. | 0:13:01 | 0:13:03 | |
The censer, which is in Jim and Dan's collection. | 0:13:03 | 0:13:07 | |
The censer, please, Kate. | 0:13:07 | 0:13:08 | |
Censers are any type of vessels made for burning incense, | 0:13:08 | 0:13:13 | |
and they can vary greatly in size, form and material. | 0:13:13 | 0:13:18 | |
This one is made of jade, | 0:13:18 | 0:13:23 | |
a hard stone that's been used for carving for centuries. | 0:13:23 | 0:13:27 | |
It's raised on paw feet with carved dragon ring handles. | 0:13:27 | 0:13:32 | |
And that should give you all the clues you need | 0:13:33 | 0:13:36 | |
to decide what it's worth. | 0:13:36 | 0:13:38 | |
Natasha, is there a lot in someone else's collection or on the grid | 0:13:38 | 0:13:42 | |
that you would like to hear more about? | 0:13:42 | 0:13:45 | |
Yes, I think I would like to hear more about the dove. | 0:13:45 | 0:13:48 | |
The dove, which is, again, in Jim and Dan's collection. | 0:13:48 | 0:13:52 | |
Well, this is a glass sculpture of a peace dove, as you can see, | 0:13:52 | 0:13:57 | |
-made by Waterford Crystal. -Ah. | 0:13:57 | 0:14:00 | |
And this was made as a special commission | 0:14:00 | 0:14:02 | |
for a Nobel Peace Prize winner. | 0:14:02 | 0:14:05 | |
Very apt, and obviously some provenance there. | 0:14:05 | 0:14:09 | |
But this one isn't the actual one that was presented - | 0:14:09 | 0:14:14 | |
it's actually the reserve copy. | 0:14:14 | 0:14:18 | |
Hm. OK. | 0:14:18 | 0:14:20 | |
-Dan, your chance. -I would like to know... | 0:14:20 | 0:14:23 | |
-..a little bit more about the sword, if I could, please. -Certainly. | 0:14:24 | 0:14:27 | |
Kate, the sword. | 0:14:27 | 0:14:29 | |
This George III officer's sword is in cracking condition. | 0:14:29 | 0:14:36 | |
George III became King on 25 October 1760, | 0:14:36 | 0:14:41 | |
and his life and reign, | 0:14:41 | 0:14:42 | |
which were longer than any other British monarch before him, | 0:14:42 | 0:14:46 | |
were marked by a series of military conflicts. | 0:14:46 | 0:14:50 | |
Now, regular wars often mean an advancement in military technology, | 0:14:50 | 0:14:56 | |
and this sword represents just exactly that. | 0:14:56 | 0:15:01 | |
Well, now that you are all a bit more clued up on today's lots, | 0:15:01 | 0:15:05 | |
let's give you the chance to add more of them to your collections. | 0:15:05 | 0:15:08 | |
Bear in mind, though, that at the end of this round, | 0:15:08 | 0:15:11 | |
the team with the least valuable collection will be eliminated. | 0:15:11 | 0:15:14 | |
Three more lots are available to each pair. | 0:15:18 | 0:15:20 | |
This time, pickers, you target a lot, | 0:15:20 | 0:15:24 | |
and, quizzers, you then try and secure it | 0:15:24 | 0:15:26 | |
by answering the question correctly. | 0:15:26 | 0:15:28 | |
But in this round, the lots come with their own question categories, | 0:15:28 | 0:15:32 | |
and here they are. | 0:15:32 | 0:15:34 | |
So, for example, if you want to target the jug, | 0:15:34 | 0:15:37 | |
I would offer you the chance | 0:15:37 | 0:15:39 | |
to answer a question on Indian Food or Definitions. | 0:15:39 | 0:15:42 | |
Sharman and Sue, you're up first, so, Sharman, what's your lot? | 0:15:42 | 0:15:46 | |
Well, I hope Sue doesn't mind, but I'm going to go for the sword. | 0:15:46 | 0:15:51 | |
The sword. | 0:15:51 | 0:15:53 | |
British Sitcoms or Definitions, Sue? | 0:15:53 | 0:15:55 | |
-Right, well, I'll try Definitions, please. -Definitions. | 0:15:55 | 0:15:59 | |
Here's your question - | 0:15:59 | 0:16:00 | |
which English word can mean a layer of fat found on a whale | 0:16:00 | 0:16:05 | |
and to cry uncontrollably? | 0:16:05 | 0:16:07 | |
Blubber. | 0:16:08 | 0:16:10 | |
Is correct. Well done. | 0:16:10 | 0:16:11 | |
-Sharman, the sword is coming into your collection. -Thank you. | 0:16:11 | 0:16:16 | |
Natasha, what would you like? | 0:16:16 | 0:16:19 | |
-I think I'm going to go with paintings. -The paintings. | 0:16:19 | 0:16:24 | |
OK, Leon, British Sitcoms or Golf? | 0:16:24 | 0:16:28 | |
-British Sitcoms. -OK. | 0:16:28 | 0:16:30 | |
Here's your question - | 0:16:30 | 0:16:31 | |
in Only Fools and Horses, what is the name of Del Boy's wife? | 0:16:31 | 0:16:35 | |
Margaret? | 0:16:36 | 0:16:38 | |
-Oh! It's Rachel. -OK. | 0:16:38 | 0:16:40 | |
-And she used to love to pronounce it Raquel. -Raquel. Oh. | 0:16:40 | 0:16:44 | |
The painting stays on the grid. | 0:16:44 | 0:16:46 | |
Dan, what would you like? | 0:16:46 | 0:16:48 | |
-I'd like the paintings, please. -The paintings. | 0:16:48 | 0:16:50 | |
-OK, Jim, British Sitcoms or Golf? -British Sitcoms, please, Fern. | 0:16:50 | 0:16:53 | |
British Sitcoms, it is. | 0:16:53 | 0:16:55 | |
Which character does James Corden play in the sitcom Gavin and Stacey? | 0:16:55 | 0:17:00 | |
Smithy. | 0:17:00 | 0:17:02 | |
Is correct. Well done. Dan, the paintings are yours. | 0:17:02 | 0:17:05 | |
-Thank you very much, Fern. -There we go. | 0:17:05 | 0:17:07 | |
Sharman, what would you like? | 0:17:07 | 0:17:09 | |
-I think I'll have to go for the jug, please, Fern. -The jug. | 0:17:09 | 0:17:12 | |
Sue, Indian Food or Definitions? | 0:17:12 | 0:17:15 | |
-I'll try Definitions again, please, Fern. -Here we go. | 0:17:15 | 0:17:18 | |
In Cockney rhyming slang, what is a Ruby Murray? | 0:17:18 | 0:17:21 | |
Hurry? | 0:17:25 | 0:17:27 | |
-Incorrect. -Oh. -It is a curry. | 0:17:27 | 0:17:29 | |
-Oh, yes. Yes, of course. -Going for a Ruby. | 0:17:29 | 0:17:32 | |
OK, the jug stays on the board. | 0:17:32 | 0:17:35 | |
Natasha, what would you like? | 0:17:35 | 0:17:37 | |
-I'd like the jug, please, Fern. -The jug. | 0:17:37 | 0:17:39 | |
OK, Leon, Indian Food or Definitions? | 0:17:39 | 0:17:41 | |
-I'm going to go for Indian Food. -Indian Food. | 0:17:41 | 0:17:45 | |
What pulse is used in the dish chana masala? | 0:17:45 | 0:17:49 | |
Ooh, dear Lord. | 0:17:49 | 0:17:51 | |
Erm, I'm going to say beans. | 0:17:51 | 0:17:54 | |
-Beans! Well, pulses are beans, but it's chickpeas. -OK. | 0:17:54 | 0:17:58 | |
OK, the jug stays on the board. | 0:17:58 | 0:18:00 | |
Dan, what would you like? | 0:18:00 | 0:18:02 | |
-The jewellery, please, Fern. -The jewellery. | 0:18:02 | 0:18:04 | |
OK, Jim, Politics or Definitions? | 0:18:04 | 0:18:06 | |
-It's going to have to be Politics, I think, Fern. -Politics. | 0:18:06 | 0:18:09 | |
Who was elected as the first female Speaker | 0:18:09 | 0:18:12 | |
of the House of Commons in 1992? | 0:18:12 | 0:18:14 | |
Oh... | 0:18:14 | 0:18:16 | |
I am going to guess...June Green. | 0:18:16 | 0:18:21 | |
-Incorrect. Betty Boothroyd. -I've got no idea. | 0:18:21 | 0:18:24 | |
-OK... -No idea. -..so the jug stays on the board. | 0:18:24 | 0:18:27 | |
OK, teams, your collections are growing. | 0:18:27 | 0:18:30 | |
So, have you missed out on that one item | 0:18:30 | 0:18:33 | |
you covet above all else? | 0:18:33 | 0:18:35 | |
Because, if so, here's your chance to secure it. | 0:18:35 | 0:18:38 | |
There is one last lot available to each team, | 0:18:38 | 0:18:42 | |
and this time you can either go for what's left on the grid | 0:18:42 | 0:18:45 | |
or you can try to steal an antique | 0:18:45 | 0:18:48 | |
that is in a rival team's collection. | 0:18:48 | 0:18:50 | |
But, pickers, be warned - | 0:18:50 | 0:18:52 | |
if you choose to steal from another team, | 0:18:52 | 0:18:55 | |
their quizzer will get to decide your quizzer's category. | 0:18:55 | 0:18:59 | |
Right, Sharman, do you want to target a lot from the grid | 0:18:59 | 0:19:02 | |
or have you got your eye on something in another collection? | 0:19:02 | 0:19:04 | |
I think I'm going to go for the censer, thank you. | 0:19:04 | 0:19:07 | |
The censer, in Jim and Dan's collection. | 0:19:07 | 0:19:10 | |
That means, Jim, you can choose | 0:19:10 | 0:19:12 | |
any of these categories to give Sue a question. | 0:19:12 | 0:19:15 | |
Yeah, sorry, Sue, but I think your rap music knowledge | 0:19:15 | 0:19:17 | |
is probably the least on there, so that's what I'm giving you. | 0:19:17 | 0:19:20 | |
Well, I'm not sure it's the least, | 0:19:20 | 0:19:22 | |
-but, you know, it's not good. -Oh, we'll see. | 0:19:22 | 0:19:24 | |
OK. Here we go. | 0:19:24 | 0:19:26 | |
Shawn Corey Carter is the real name of which rapper? | 0:19:26 | 0:19:29 | |
I know I don't know that, so I'll just say...Eminem. | 0:19:29 | 0:19:34 | |
Ah. Jay-Z. | 0:19:34 | 0:19:35 | |
-Oh, right! -So, well defended, Jim. -I've heard of him. | 0:19:35 | 0:19:38 | |
The censer stays in your collection. | 0:19:38 | 0:19:40 | |
Natasha. | 0:19:40 | 0:19:42 | |
-I think I'd like to try for the censer, Fern. -OK. | 0:19:42 | 0:19:46 | |
Jim, please think of a category that Leon might find difficult to answer. | 0:19:46 | 0:19:51 | |
I'm going to go for Golf, Leon. I don't know how your knowledge is on | 0:19:51 | 0:19:54 | |
-golf, but that's what I'm giving you. -Yeah, I'll go for that. | 0:19:54 | 0:19:57 | |
-Golf. OK. Here we go. -Hit me with it. | 0:19:57 | 0:19:59 | |
In the UK, which bird's name is used for the term of three under par? | 0:19:59 | 0:20:06 | |
Is that an eagle? | 0:20:06 | 0:20:08 | |
-Oh! It's an albatross. -Oh, man. | 0:20:08 | 0:20:12 | |
You've successfully defended the censer, Jim. Well done. | 0:20:12 | 0:20:15 | |
Dan, what would you like to do? | 0:20:15 | 0:20:17 | |
-Probably go for jewellery again. -The jewellery? -Yes. -OK. | 0:20:17 | 0:20:20 | |
Politics or Definitions, Jim? | 0:20:20 | 0:20:22 | |
-I'm going to go for Politics again, please, Fern. -Politics. | 0:20:22 | 0:20:24 | |
I'm going to have a bash at that. | 0:20:24 | 0:20:26 | |
In May 2010, who became Chancellor of the Exchequer? | 0:20:26 | 0:20:30 | |
George Osborne. | 0:20:30 | 0:20:31 | |
Correct. The jewellery is yours. | 0:20:31 | 0:20:35 | |
OK, that's it for Round 2, | 0:20:35 | 0:20:37 | |
and for one team, it is the end of the road. | 0:20:37 | 0:20:39 | |
Now, at this stage it in the game, | 0:20:39 | 0:20:41 | |
I would usually go to Kate, who's been doing her sums | 0:20:41 | 0:20:43 | |
so she can tell us who has got the lowest value collection | 0:20:43 | 0:20:46 | |
and is therefore leaving the game. | 0:20:46 | 0:20:48 | |
But today, I think I might have already worked it out. | 0:20:48 | 0:20:52 | |
Leon and Natasha, it has been a pleasure to have you here. | 0:20:52 | 0:20:55 | |
-Thank you. -I'm sorry we haven't got to know you better, | 0:20:55 | 0:20:57 | |
but thank you for playing For What It's Worth. | 0:20:57 | 0:21:00 | |
-Thank you. -Thank you. | 0:21:00 | 0:21:01 | |
All right, I take full responsibility. | 0:21:03 | 0:21:05 | |
-I've got both hands up. -No, we're a team. | 0:21:05 | 0:21:06 | |
Both hands up. It's all right. | 0:21:06 | 0:21:08 | |
He usually has a lot of knowledge when you need it. | 0:21:08 | 0:21:11 | |
Unfortunately, it didn't come out today when I needed it. | 0:21:11 | 0:21:15 | |
My money's on the girls. | 0:21:15 | 0:21:17 | |
Sue, definitely - she's very sharp. | 0:21:17 | 0:21:19 | |
Now, the unclaimed lots in the grid are also leaving the game, | 0:21:23 | 0:21:26 | |
so let's quickly find out from Kate what they were worth | 0:21:26 | 0:21:29 | |
and if the top lot is still in the game. | 0:21:29 | 0:21:33 | |
Kate. | 0:21:33 | 0:21:34 | |
Let's start with this jug. | 0:21:34 | 0:21:37 | |
There's some really lovely details - | 0:21:37 | 0:21:39 | |
little Rococo scrolls, | 0:21:39 | 0:21:41 | |
there's a pretty little inscription on it which is quite endearing, | 0:21:41 | 0:21:44 | |
and it's quite a weighty piece. | 0:21:44 | 0:21:47 | |
Look for the gilt interior - that's a real sign of quality. | 0:21:47 | 0:21:51 | |
They've gone to the bother of gilding the inside. | 0:21:51 | 0:21:54 | |
So, a nice thing, a good weight, it's 19th century. | 0:21:54 | 0:21:58 | |
Value...£150. | 0:21:58 | 0:22:01 | |
What else have we got? | 0:22:01 | 0:22:02 | |
Let's look at the camera. | 0:22:04 | 0:22:05 | |
It's called the Contarex, and it's made by Zeiss. | 0:22:05 | 0:22:09 | |
It dates from 1960 - that's when it hit the market, | 0:22:09 | 0:22:14 | |
but it's a very large case for it, isn't it? | 0:22:14 | 0:22:17 | |
And that's because it comes with 1,100 parts, | 0:22:17 | 0:22:20 | |
so it's a really complicated thing. | 0:22:20 | 0:22:23 | |
But there are some vintage cameras, if you like, | 0:22:23 | 0:22:26 | |
which are highly collectable. | 0:22:26 | 0:22:29 | |
Is this one of them? | 0:22:29 | 0:22:30 | |
The price tag today would be £250. | 0:22:30 | 0:22:34 | |
Hm. | 0:22:34 | 0:22:35 | |
Let's look at the military shell. | 0:22:35 | 0:22:37 | |
After the First World War, when this shell was used, | 0:22:37 | 0:22:41 | |
the Chinese Labour Corps were brought in | 0:22:41 | 0:22:44 | |
to basically clear the battlefields, | 0:22:44 | 0:22:48 | |
and it was a Chinese labourer that picked this up | 0:22:48 | 0:22:51 | |
and that's where the Chinese decoration comes from. | 0:22:51 | 0:22:54 | |
So, a really interesting piece of social history. | 0:22:54 | 0:22:57 | |
£300. | 0:22:57 | 0:22:59 | |
Wow. | 0:22:59 | 0:23:00 | |
It's gone. It's left the game. What else? | 0:23:00 | 0:23:03 | |
I was dying for you to ask me about the poster. | 0:23:03 | 0:23:08 | |
Who was Servais Le Roy? | 0:23:08 | 0:23:11 | |
Le Roy was a very important illusionist | 0:23:11 | 0:23:15 | |
who was working on stage in the early part of the 20th century. | 0:23:15 | 0:23:20 | |
You do see this poster coming up at auction fairly regularly, | 0:23:20 | 0:23:24 | |
but it's a much later copy. | 0:23:24 | 0:23:27 | |
But this one is a period one. | 0:23:27 | 0:23:30 | |
Therefore the price tag is £1,700. | 0:23:30 | 0:23:36 | |
Wow. | 0:23:36 | 0:23:38 | |
Well, unfortunately, that has gone out of the game. | 0:23:38 | 0:23:41 | |
So, this is the last lot to go - the trio of pretty little vases. | 0:23:41 | 0:23:46 | |
They shout Art Deco, do they not? That lovely fan shape. | 0:23:46 | 0:23:51 | |
The manufacturer is a firm called Bagley. | 0:23:51 | 0:23:53 | |
They were making pieces for the affordable market, | 0:23:53 | 0:23:56 | |
and that's exactly what this little trio is. | 0:23:56 | 0:23:59 | |
-Actually, it is our worthless lot today. -Oh! -Well done. | 0:23:59 | 0:24:03 | |
Well, well done. | 0:24:03 | 0:24:05 | |
You have avoided the bottom lot, | 0:24:05 | 0:24:07 | |
but more importantly, | 0:24:07 | 0:24:10 | |
the top lot is still in play. | 0:24:10 | 0:24:13 | |
So, just two pairs of contestants left. | 0:24:13 | 0:24:15 | |
Before we go any further, | 0:24:15 | 0:24:16 | |
Kate is going to give you another fact about a lot of your choice. | 0:24:16 | 0:24:20 | |
Sharman, what lot do you really need to know more about? | 0:24:20 | 0:24:24 | |
Probably the relic. | 0:24:24 | 0:24:26 | |
The relic, please, Kate. | 0:24:26 | 0:24:29 | |
Well, this is a relic of the standard taken from Richard III. | 0:24:29 | 0:24:36 | |
It's framed and glazed and has that provenance inscribed below it. | 0:24:36 | 0:24:42 | |
The Battle of Bosworth, or Bosworth Field, | 0:24:42 | 0:24:45 | |
was the last significant battle of the War of the Roses. | 0:24:45 | 0:24:49 | |
The Civil War between the Houses of Lancaster and York | 0:24:49 | 0:24:53 | |
that razed across England in the latter half of the 15th century. | 0:24:53 | 0:24:58 | |
Richard III, the last king of the House of York, | 0:24:58 | 0:25:01 | |
was killed in the battle. | 0:25:01 | 0:25:03 | |
But what of the value of the scrap of material? | 0:25:03 | 0:25:08 | |
We have no evidence to doubt the provenance, | 0:25:08 | 0:25:13 | |
so...what's it worth? | 0:25:13 | 0:25:16 | |
OK. Dan, what would you like to know more about? | 0:25:16 | 0:25:19 | |
More about our paintings, if I could, please? | 0:25:19 | 0:25:21 | |
Kate, the paintings. | 0:25:21 | 0:25:23 | |
This is a pair of paintings by Peter Cushing, | 0:25:23 | 0:25:26 | |
the famous British actor. | 0:25:26 | 0:25:29 | |
One is called Dartmouth Castle and the other Alfriston. | 0:25:29 | 0:25:33 | |
Now, Cushing was a major film star, of course, | 0:25:33 | 0:25:36 | |
on both sides of the Atlantic, | 0:25:36 | 0:25:38 | |
and is best known for the numerous roles in Hammer horror films | 0:25:38 | 0:25:42 | |
from the 1950s to the 1970s. | 0:25:42 | 0:25:45 | |
What is less well-known is that Cushing was an amateur artist. | 0:25:45 | 0:25:50 | |
These watercolours were gifted by Mr Cushing | 0:25:50 | 0:25:52 | |
to a friend he worked with | 0:25:52 | 0:25:54 | |
in the drawing office of Purley Council | 0:25:54 | 0:25:57 | |
between 1929 and 1930. | 0:25:57 | 0:26:00 | |
And that should be all the information you need | 0:26:00 | 0:26:03 | |
to make a judgment about what they're worth. | 0:26:03 | 0:26:06 | |
OK. Those are all the facts available to you, | 0:26:06 | 0:26:09 | |
so it's now time for our final round, | 0:26:09 | 0:26:11 | |
and at the end of it, we will have our winners. | 0:26:11 | 0:26:13 | |
I'm going to give the quizzers a category. | 0:26:16 | 0:26:19 | |
They then take turns to say answers in that category. | 0:26:19 | 0:26:22 | |
For example, if I say, | 0:26:22 | 0:26:25 | |
"Name me Alice in Wonderland characters," | 0:26:25 | 0:26:27 | |
Jim, you might say, "The White Rabbit", | 0:26:27 | 0:26:29 | |
and then, Sue, you might say, "The Mad Hatter," | 0:26:29 | 0:26:32 | |
and the Queen of Hearts and so on. | 0:26:32 | 0:26:34 | |
If you fail to give me an answer, if you repeat an answer | 0:26:34 | 0:26:38 | |
or if you give a wrong answer, | 0:26:38 | 0:26:40 | |
you lose that category, | 0:26:40 | 0:26:41 | |
and the opponent's picker will be able to steal | 0:26:41 | 0:26:44 | |
a lot from your collection. | 0:26:44 | 0:26:47 | |
Remember, it is the total value of your collections | 0:26:47 | 0:26:49 | |
that matter at the end of this round, | 0:26:49 | 0:26:51 | |
and one high-priced lot could be more valuable | 0:26:51 | 0:26:54 | |
than your opponent's entire collection. | 0:26:54 | 0:26:57 | |
There are three categories, | 0:26:57 | 0:26:59 | |
and the pair with the most valuable collection at this point go first, | 0:26:59 | 0:27:02 | |
so, Kate, who is that? | 0:27:02 | 0:27:04 | |
Well, Fern, I can reveal that | 0:27:04 | 0:27:06 | |
the team who currently has the most valuable collection... | 0:27:06 | 0:27:10 | |
-..is Dan and Jim. -Ooh! | 0:27:12 | 0:27:14 | |
OK, Jim, you will start us off, | 0:27:14 | 0:27:16 | |
and the first category is... | 0:27:16 | 0:27:18 | |
We will only accept real people | 0:27:24 | 0:27:27 | |
rather than fictional characters or deities. | 0:27:27 | 0:27:30 | |
Jim, can I have an answer? | 0:27:30 | 0:27:32 | |
-Bob Dylan. -Correct. | 0:27:32 | 0:27:34 | |
Sue. | 0:27:34 | 0:27:35 | |
Gandhi? | 0:27:35 | 0:27:36 | |
Sue... | 0:27:37 | 0:27:39 | |
that's incorrect. | 0:27:39 | 0:27:41 | |
They were going to put him on the original cover, | 0:27:41 | 0:27:44 | |
but decided against it | 0:27:44 | 0:27:45 | |
because they felt the album wouldn't sell well in India | 0:27:45 | 0:27:49 | |
if he was on the cover. | 0:27:49 | 0:27:51 | |
You could've had Diana Dors, Karl Marx, Mae West, | 0:27:51 | 0:27:57 | |
TE Lawrence, etc, etc. | 0:27:57 | 0:27:59 | |
Dan, what would you like from Sharman and Sue's collection? | 0:27:59 | 0:28:03 | |
The medicine chest, please. | 0:28:03 | 0:28:06 | |
-The medicine chest is yours. -Thank you. | 0:28:06 | 0:28:09 | |
And there it goes in your collection. | 0:28:09 | 0:28:10 | |
Sue, it's your turn to go first now, | 0:28:10 | 0:28:12 | |
so let's look have a look at the category. It is... | 0:28:12 | 0:28:15 | |
We are only looking for people who have won since 1999, | 0:28:17 | 0:28:21 | |
when it ceased to be Man of the Year. | 0:28:21 | 0:28:24 | |
Sue, please may have an answer? | 0:28:24 | 0:28:27 | |
Erm, well, I'll go with Tony Blair. | 0:28:27 | 0:28:30 | |
Sue, that's incorrect. | 0:28:31 | 0:28:33 | |
Ah... Oh, dear. | 0:28:33 | 0:28:35 | |
But you could've had... | 0:28:35 | 0:28:37 | |
Barack Obama, Mark Zuckerberg, | 0:28:37 | 0:28:41 | |
Bill Gates or many others. | 0:28:41 | 0:28:43 | |
Dan! What would you like to take from Sue and Sharman's collection? | 0:28:43 | 0:28:49 | |
-I'm sorry... -That's OK. -..but it's going to have to be the sword. | 0:28:49 | 0:28:52 | |
That was very gentlemanly of you. Normally people go, | 0:28:52 | 0:28:55 | |
DAN AND JIM LAUGH "Right!" | 0:28:55 | 0:28:57 | |
-The sword is yours. -Thank you. | 0:28:57 | 0:29:01 | |
Jim, this is the last category in this round, and it is... | 0:29:01 | 0:29:06 | |
We are looking for novels published by Stephen King under his own name. | 0:29:09 | 0:29:14 | |
Jim, can I have an answer? | 0:29:14 | 0:29:15 | |
The Shawshank Redemption, Fern. | 0:29:15 | 0:29:17 | |
Jim, that's incorrect. | 0:29:18 | 0:29:21 | |
It was a short story, | 0:29:21 | 0:29:23 | |
but, in any case, it was called | 0:29:23 | 0:29:25 | |
Rita Hayworth and Shawshank Redemption. | 0:29:25 | 0:29:29 | |
-You could've had... -Oh, there's so many. | 0:29:29 | 0:29:30 | |
..Salem's Lot, Christine, The Green Mile, etc. | 0:29:30 | 0:29:36 | |
-Well, Sharman... -Oh! | 0:29:36 | 0:29:39 | |
..what would you like to pinch from Dan and Jim's collection? | 0:29:39 | 0:29:42 | |
Well, this is one of about three I don't know enough about, | 0:29:42 | 0:29:47 | |
but I'm going to go with what I thought in the first place - | 0:29:47 | 0:29:51 | |
the censer. | 0:29:51 | 0:29:52 | |
The censer. | 0:29:52 | 0:29:53 | |
OK, it's leaving Jim and Dan's collection, | 0:29:53 | 0:29:56 | |
and it's winging its way to you. | 0:29:56 | 0:29:58 | |
Let's see where we're standing at the end of that round. | 0:29:58 | 0:30:01 | |
Sue and Sharman, you have the vases, the spoons, the pen box | 0:30:01 | 0:30:07 | |
and you just stole the censer. | 0:30:07 | 0:30:09 | |
Jim and Dan, you have the dove, the medicine chest, the relic, | 0:30:09 | 0:30:14 | |
the pole screen, the paintings, the sword and the jewellery. | 0:30:14 | 0:30:20 | |
That's it. Your collections are now fixed | 0:30:20 | 0:30:22 | |
and will determine which team is victorious. | 0:30:22 | 0:30:24 | |
It's time to find out who are today's winners. | 0:30:24 | 0:30:27 | |
Kate, who's got the most valuable collection? | 0:30:27 | 0:30:30 | |
I can reveal, Fern, that the team with the most valuable collection | 0:30:30 | 0:30:34 | |
and, of course, the winners of today's show are... | 0:30:34 | 0:30:37 | |
-..Dan and Jim. -Oh! Well done. -Right on, man. | 0:30:39 | 0:30:42 | |
Oh, commiserations, Sharman and Sue. | 0:30:42 | 0:30:46 | |
You didn't create a valuable enough collection, | 0:30:46 | 0:30:49 | |
but before we say goodbye, we need to find out, don't we, | 0:30:49 | 0:30:52 | |
the value of the items that are leaving the game with you. | 0:30:52 | 0:30:56 | |
So, Kate, what did you make of their choices? | 0:30:56 | 0:30:59 | |
Well, Sharman, see, you've made some great choices along the way. | 0:30:59 | 0:31:02 | |
A few things have slipped through your fingers, sadly. | 0:31:02 | 0:31:06 | |
But let's have a look - let's go with the pen box first. | 0:31:06 | 0:31:09 | |
Now, the pencil case, | 0:31:09 | 0:31:10 | |
the modern-day pencil case, as we know it, | 0:31:10 | 0:31:13 | |
really emerged in the 1940s - | 0:31:13 | 0:31:15 | |
this is the Victorian equivalent, if you like. | 0:31:15 | 0:31:18 | |
Overlaid with silver, of course, in beautiful leafage scrolls, | 0:31:18 | 0:31:22 | |
which helps to give it a value of £350. | 0:31:22 | 0:31:25 | |
Good heavens. | 0:31:25 | 0:31:27 | |
So, next we have the spoons. | 0:31:27 | 0:31:29 | |
You did very well to bag these. | 0:31:29 | 0:31:32 | |
I LOVE the spoons - these are really my sort of thing. | 0:31:32 | 0:31:36 | |
And, Jim, you noticed the hammered decoration on them, | 0:31:36 | 0:31:40 | |
and this is representative of exactly what they are. | 0:31:40 | 0:31:44 | |
They are typical of the Arts and Crafts movement. | 0:31:44 | 0:31:47 | |
They also have a big name associated with them, | 0:31:47 | 0:31:50 | |
and that is Archibald Knox, | 0:31:50 | 0:31:53 | |
who designed them for Liberty in 1900. | 0:31:53 | 0:31:57 | |
And Knox was very much concerned with Celtic motifs, | 0:31:57 | 0:32:01 | |
which you can see in these gorgeous strapwork handles, | 0:32:01 | 0:32:05 | |
and the pair have a value of £500. | 0:32:05 | 0:32:09 | |
-Wow. -Oh, gosh, that's lovely. -Lovely. | 0:32:09 | 0:32:12 | |
Next we have your pair of vases. | 0:32:12 | 0:32:14 | |
Now, these to me are | 0:32:14 | 0:32:16 | |
really representative of a traditional antique. | 0:32:16 | 0:32:19 | |
There they are - they're hand-painted flowers, | 0:32:19 | 0:32:22 | |
they're Royal Crown Derby, | 0:32:22 | 0:32:25 | |
in great condition, and, of course, we do have the pair. | 0:32:25 | 0:32:29 | |
Now, Royal Crown Derby has a very loyal following, | 0:32:29 | 0:32:32 | |
and the pair would command £800. | 0:32:32 | 0:32:37 | |
Good again. Lovely. | 0:32:37 | 0:32:38 | |
Next we have the censer. | 0:32:38 | 0:32:40 | |
Sharman, you really liked this, didn't you? | 0:32:40 | 0:32:43 | |
Well, it was a punt, really. | 0:32:43 | 0:32:45 | |
-Well, I think you heard the word jade... -Hm... | 0:32:45 | 0:32:48 | |
..and that made you have a really good punt, | 0:32:48 | 0:32:50 | |
and you really fought for this, | 0:32:50 | 0:32:53 | |
but there's jade and there's jade. | 0:32:53 | 0:32:56 | |
The most highly prized is known as spinach jade, | 0:32:56 | 0:32:59 | |
which has a beautiful translucent green. | 0:32:59 | 0:33:03 | |
This is a bit muddy, perhaps, in colour. | 0:33:03 | 0:33:06 | |
You've got the mottled vein of browns going through it. | 0:33:06 | 0:33:09 | |
The carving isn't brilliant quality, but it is 19th-century, | 0:33:09 | 0:33:13 | |
and you noticed, yes, it's got some damage - | 0:33:13 | 0:33:16 | |
the lid has a big crack through it on the top. | 0:33:16 | 0:33:19 | |
So, the value, actually, of the censer is just £50. | 0:33:19 | 0:33:24 | |
-Oh! -£50! SHARMAN AND SUE CHUCKLE | 0:33:24 | 0:33:26 | |
So, the total value of Sharman and Sue's collection is... | 0:33:27 | 0:33:33 | |
£1,700. | 0:33:33 | 0:33:35 | |
-Thank you. -Well done. Not bad. | 0:33:35 | 0:33:38 | |
So, Sharman and Sue, it is time | 0:33:38 | 0:33:40 | |
to bring the hammer down on your collection | 0:33:40 | 0:33:42 | |
and to say thank you so much for playing For What It's Worth. | 0:33:42 | 0:33:45 | |
Thank you. | 0:33:45 | 0:33:46 | |
Oh, Sue did incredibly well. | 0:33:48 | 0:33:50 | |
I mean, I could never have done a lot of the answers that you did - | 0:33:50 | 0:33:55 | |
it would've been impossible for me. | 0:33:55 | 0:33:57 | |
So, yeah, well done. | 0:33:57 | 0:33:59 | |
That's right - we each did our bit. | 0:33:59 | 0:34:01 | |
It was a difficult thing to call, | 0:34:01 | 0:34:04 | |
and I respect anything that she chose. | 0:34:04 | 0:34:06 | |
Well done, Dan and Jim - | 0:34:09 | 0:34:11 | |
you've built the most valuable collection. | 0:34:11 | 0:34:13 | |
You are today's winner, | 0:34:13 | 0:34:14 | |
and now all that remains is for you to claim your prize. | 0:34:14 | 0:34:18 | |
All you have to do is pick a lot from your collection, | 0:34:18 | 0:34:21 | |
and we will give you its value in cash. | 0:34:21 | 0:34:24 | |
Now, as you will have deduced, | 0:34:24 | 0:34:26 | |
that top lot is hiding somewhere in your collection. | 0:34:26 | 0:34:30 | |
Have a chat and decide which one you'd like to choose. | 0:34:30 | 0:34:34 | |
My instinct's going probably with the sword. | 0:34:34 | 0:34:37 | |
I don't know why. | 0:34:37 | 0:34:39 | |
I think we both like that. I both quite like militaria. | 0:34:39 | 0:34:41 | |
That's something I would like to own. | 0:34:41 | 0:34:43 | |
But then...I like history as well, | 0:34:43 | 0:34:45 | |
and the relic, that really interests, that really interests me. | 0:34:45 | 0:34:48 | |
-The pole screen - is that significant? No? -Yeah, but... | 0:34:48 | 0:34:51 | |
-The dove? -Oh, yeah... | 0:34:51 | 0:34:53 | |
Handmade bottles in the medicine chest? | 0:34:53 | 0:34:55 | |
-We'll got with the sword if you're happy... -Go with the sword. | 0:34:56 | 0:34:59 | |
-Or the relic, mate. -The sword. -Flip a coin. | 0:34:59 | 0:35:01 | |
The sword. The sword. | 0:35:01 | 0:35:02 | |
So, just to confirm, you are choosing... | 0:35:02 | 0:35:05 | |
-The sword. -The sword. | 0:35:05 | 0:35:07 | |
Before we tell you what it's worth, | 0:35:07 | 0:35:10 | |
Kate, can you please tell us | 0:35:10 | 0:35:12 | |
the value of the lots they have rejected. | 0:35:12 | 0:35:15 | |
Let's look at the pole screen first. | 0:35:15 | 0:35:17 | |
I mean, this is a really lovely beautifully carved thing, isn't it? | 0:35:17 | 0:35:22 | |
And did you see those feet? Those gorgeous paw feet. | 0:35:22 | 0:35:26 | |
But pole screens, of course, were made to shield ladies' faces | 0:35:26 | 0:35:30 | |
from the hot fire so they didn't turn pink. | 0:35:30 | 0:35:33 | |
Not very fashionable today. | 0:35:33 | 0:35:35 | |
Price tag - £65. | 0:35:35 | 0:35:37 | |
Oh. Well rejected. | 0:35:37 | 0:35:40 | |
Next, we have the medicine chest. | 0:35:40 | 0:35:42 | |
It's a gorgeous piece of 19th-century mahogany, | 0:35:42 | 0:35:46 | |
and this, of course, was made for travelling. | 0:35:46 | 0:35:48 | |
It would've had potions and medicines inside those bottles. | 0:35:48 | 0:35:53 | |
Again, it has gone down in value in recent years. | 0:35:53 | 0:35:57 | |
£100 would be today's price tag. | 0:35:57 | 0:36:00 | |
-Goodness me. -That's good, that's good. | 0:36:00 | 0:36:02 | |
Now, the jewellery. Is it gold? | 0:36:02 | 0:36:05 | |
Dan, could it be gold? | 0:36:05 | 0:36:07 | |
You were you a umming and ahing there. | 0:36:07 | 0:36:09 | |
But if you had a close look at the back, | 0:36:09 | 0:36:11 | |
you would see the word sterling, | 0:36:11 | 0:36:14 | |
and that denotes the fact that it is sterling silver and gilded, | 0:36:14 | 0:36:19 | |
so it's silver-gilt. | 0:36:19 | 0:36:21 | |
It's combined with beautiful enamelwork, | 0:36:21 | 0:36:24 | |
which, of course, Norwegian jewellers were very good at, | 0:36:24 | 0:36:28 | |
and this jeweller in particular was very, very good at. | 0:36:28 | 0:36:32 | |
Her name is Greta Kittelsen, | 0:36:32 | 0:36:35 | |
and this jewellery dates from 1953. | 0:36:35 | 0:36:39 | |
It's typical of mid-century Norwegian jewellery, | 0:36:39 | 0:36:42 | |
which is going really well at the moment, | 0:36:42 | 0:36:44 | |
and this little brooch and earrings would have a hammer price of £400. | 0:36:44 | 0:36:50 | |
-We don't mind that, do we? -Not too bad. | 0:36:50 | 0:36:51 | |
-No, we'll take that. -Not too bad. -That's OK at the moment. | 0:36:51 | 0:36:54 | |
What's next? | 0:36:54 | 0:36:55 | |
So, next we come to this little pair of watercolours. | 0:36:55 | 0:36:58 | |
Well, I have to tell you that the amateur watercolour market | 0:36:58 | 0:37:01 | |
is struggling at the moment. | 0:37:01 | 0:37:04 | |
I think these are actually quite pretty. | 0:37:04 | 0:37:06 | |
What would they make with the Cushing element, though? | 0:37:06 | 0:37:11 | |
Because, of course, we have the famous actor. | 0:37:11 | 0:37:14 | |
With that Cushing factor... | 0:37:14 | 0:37:16 | |
..£600. | 0:37:17 | 0:37:19 | |
-But that's OK. -That's OK, yeah. -What's next? | 0:37:19 | 0:37:23 | |
Well, on we go to the glass dove. | 0:37:23 | 0:37:26 | |
It's relatively modern, but it is very decorative. | 0:37:26 | 0:37:30 | |
It has association with the Nobel Peace Prize, of course, | 0:37:30 | 0:37:34 | |
but it wasn't the piece that was presented - | 0:37:34 | 0:37:36 | |
it was the piece in reserve. | 0:37:36 | 0:37:38 | |
£700. | 0:37:39 | 0:37:42 | |
-Phew! -Phwoar. | 0:37:42 | 0:37:45 | |
So, the last piece you have rejected is the relic. | 0:37:45 | 0:37:48 | |
We're talking about a date of 1485, | 0:37:48 | 0:37:51 | |
and if you look closely, you could see the traces of yellow on the flag | 0:37:51 | 0:37:55 | |
just beginning to peel there. | 0:37:55 | 0:37:57 | |
So, it's 15th-century, it has that incredible provenance, | 0:37:57 | 0:38:02 | |
it was on the battlefield at the time, | 0:38:02 | 0:38:05 | |
and for historians, for lovers of Richard III | 0:38:05 | 0:38:09 | |
and all the Royal-associated memorabilia, | 0:38:09 | 0:38:11 | |
this is a fantastic piece. | 0:38:11 | 0:38:14 | |
It's spine-tinglingly good, | 0:38:14 | 0:38:17 | |
-and it has a price tag of £2,500... -Oh! | 0:38:17 | 0:38:21 | |
-..and is our top lot today. -Oh! | 0:38:21 | 0:38:24 | |
Your instincts were so good - you just couldn't decide. | 0:38:25 | 0:38:29 | |
We almost got it. | 0:38:29 | 0:38:31 | |
But, Dan and Jim, why don't you come and join me | 0:38:31 | 0:38:35 | |
to take a closer look at your chosen lot, the sword, | 0:38:35 | 0:38:39 | |
and also see if we can tempt you with our Mystery Lot, | 0:38:39 | 0:38:43 | |
which may be worth more? | 0:38:43 | 0:38:44 | |
Now, we know that the top lot has gone, | 0:38:47 | 0:38:49 | |
but you may still be confident that | 0:38:49 | 0:38:51 | |
you have chosen something of high value here. | 0:38:51 | 0:38:55 | |
But before we tell you what the value is, | 0:38:55 | 0:38:58 | |
we are going to tempt you with our Mystery Lot. | 0:38:58 | 0:39:01 | |
-Are you excited, boys? -Absolutely. -We are. Very. | 0:39:01 | 0:39:04 | |
OK. | 0:39:04 | 0:39:06 | |
Oh, wow. | 0:39:06 | 0:39:07 | |
The Tale of Jemima Puddle-Duck. | 0:39:07 | 0:39:10 | |
It's a children's book written and illustrated by Beatrix Potter. | 0:39:10 | 0:39:14 | |
It was first published by Frederick Warne & Co in July 1908. | 0:39:14 | 0:39:20 | |
Now, Potter composed the book at Hill Top, | 0:39:20 | 0:39:23 | |
a working farm in the Lake District which she bought in 1905. | 0:39:23 | 0:39:28 | |
Jemima Puddle-Duck was the first of her books set wholly at the farm, | 0:39:28 | 0:39:34 | |
with background illustrations based on the farm buildings and yard | 0:39:34 | 0:39:38 | |
and nearby localities. | 0:39:38 | 0:39:41 | |
-This one is a first edition. -Ooh. | 0:39:41 | 0:39:45 | |
So, all that is left for you to decide | 0:39:45 | 0:39:48 | |
is whether to stick with the sword | 0:39:48 | 0:39:51 | |
or dump it in favour of today's Mystery Lot, | 0:39:51 | 0:39:54 | |
this first edition Jemima Puddle-Duck story | 0:39:54 | 0:39:58 | |
by Beatrix Potter. | 0:39:58 | 0:40:00 | |
-It's got to be worth something, absolutely. -Got to be. | 0:40:00 | 0:40:03 | |
-But... -Is it worth more than the sword? -First edition books... | 0:40:03 | 0:40:05 | |
First editions are always worth... That's Beatrix Potter. | 0:40:05 | 0:40:08 | |
Super popular at the moment. Film came out not that long ago. | 0:40:08 | 0:40:11 | |
I'm going to stick with the sword. | 0:40:12 | 0:40:14 | |
-Do you both feel the same way? -No, I'm going to go with him - | 0:40:15 | 0:40:17 | |
I'm happy to go with Dan's choice. | 0:40:17 | 0:40:19 | |
We said this at the start - if we got down to this point, | 0:40:19 | 0:40:21 | |
Dan would make the call...and he has, so... | 0:40:21 | 0:40:24 | |
And you think he's made the right call? | 0:40:24 | 0:40:25 | |
I hope he has. I hope he has. | 0:40:25 | 0:40:28 | |
Ooh! OK. That's it. You are going for the sword. | 0:40:28 | 0:40:32 | |
That means you have won its worth in cold, hard cash. | 0:40:32 | 0:40:36 | |
So, now Kate is going to tell you | 0:40:36 | 0:40:38 | |
the value of this beautiful little book. | 0:40:38 | 0:40:41 | |
-You struggled, boys, didn't you? -We did, didn't we? | 0:40:41 | 0:40:43 | |
Let me tell you, with first editions, | 0:40:43 | 0:40:47 | |
of course, it's all about condition - | 0:40:47 | 0:40:50 | |
that is a huge factor. | 0:40:50 | 0:40:52 | |
We've got a lovely little leather spine here | 0:40:52 | 0:40:54 | |
with gilt lettering down it, all in really nice order. | 0:40:54 | 0:40:57 | |
Little leather corners to the front. | 0:40:57 | 0:41:01 | |
It was one in a series. | 0:41:01 | 0:41:03 | |
The fact that it was the first set on the farm | 0:41:04 | 0:41:07 | |
doesn't really add a huge amount of value, | 0:41:07 | 0:41:10 | |
and quite a few of them were produced for the first edition, | 0:41:10 | 0:41:14 | |
which gives a hammer price... | 0:41:14 | 0:41:16 | |
-..of £495. -Oh! | 0:41:18 | 0:41:20 | |
That's all right. | 0:41:21 | 0:41:22 | |
That's got to be worth more than 495 quid. | 0:41:22 | 0:41:25 | |
Feeling a little bit more comfortable about the sword? | 0:41:25 | 0:41:28 | |
-Yeah. -Yeah, yeah. -OK, look, fingers crossed. | 0:41:28 | 0:41:31 | |
Kate, could you please reveal the value of this lot, the sword, | 0:41:31 | 0:41:35 | |
that the boys have stuck with all the way? | 0:41:35 | 0:41:38 | |
Well, we know it's a George III officer's sword, | 0:41:40 | 0:41:43 | |
we know it's in cracking condition. | 0:41:43 | 0:41:45 | |
You're quite right - look at the beautiful detail on the blade. | 0:41:45 | 0:41:50 | |
But the crucial thing is - | 0:41:50 | 0:41:52 | |
where does it fit in to the history of swords? | 0:41:52 | 0:41:56 | |
And, actually, the history of swords begins with the George III period. | 0:41:56 | 0:42:00 | |
Very rare at auction. | 0:42:02 | 0:42:05 | |
Highly sought-after, because it is the first, really, of its type... | 0:42:05 | 0:42:09 | |
..and I know several militaria collectors | 0:42:10 | 0:42:13 | |
who would die to have this. | 0:42:13 | 0:42:15 | |
The hammer price of the sword... | 0:42:15 | 0:42:17 | |
is £1,000. | 0:42:17 | 0:42:19 | |
-Well done. -Oh, well done. | 0:42:19 | 0:42:21 | |
-That's all right, isn't it? -Well done. | 0:42:21 | 0:42:23 | |
-Well done, mate. Excellent news. -Fantastic. | 0:42:23 | 0:42:25 | |
-Are you happy with that? -Yeah, absolutely. -I should think so. | 0:42:25 | 0:42:28 | |
You've played the game really well, stuck to your guns, | 0:42:28 | 0:42:32 | |
built a fantastic collection, | 0:42:32 | 0:42:35 | |
and you're going home with £1,000. | 0:42:35 | 0:42:38 | |
Absolutely fantastic. | 0:42:38 | 0:42:40 | |
-Kate, thank you so much. -My pleasure. | 0:42:40 | 0:42:42 | |
You've been amazing, as always. | 0:42:42 | 0:42:44 | |
Your expertise, your knowledge is incredible. | 0:42:44 | 0:42:47 | |
And thank you very much indeed for watching us. | 0:42:47 | 0:42:50 | |
We look forward very much to seeing you next time | 0:42:50 | 0:42:52 | |
when more teams will be playing For What It's Worth. | 0:42:52 | 0:42:55 | |
We'll see you then. Goodbye. | 0:42:55 | 0:42:56 | |
-Well, congratulations. Well done. -Thank you very much. | 0:42:56 | 0:43:01 | |
-I've never won anything in my 30 years. -I'm happy for you, mate. | 0:43:04 | 0:43:07 | |
-I'm happy for you. -Thank you, thank you. | 0:43:07 | 0:43:08 | |
To go for the sword was a great move, | 0:43:08 | 0:43:10 | |
cos I would've, potentially, had we not agreed beforehand, | 0:43:10 | 0:43:13 | |
-gone with the book, so... -Yeah. | 0:43:13 | 0:43:14 | |
-You know, you've done your research. Well done, mate. -No probs. | 0:43:14 | 0:43:18 |