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Hello, and welcome to For What It's Worth, | 0:00:15 | 0:00:18 | |
the show that gives your brain a mental workout | 0:00:18 | 0:00:21 | |
and your eyes a treat with antiques. | 0:00:21 | 0:00:23 | |
Three pairs of contestants are ready to play. | 0:00:23 | 0:00:26 | |
Each team has a quizzer, | 0:00:26 | 0:00:27 | |
who has to answer a general knowledge question correctly | 0:00:27 | 0:00:30 | |
so that their partner, the picker, | 0:00:30 | 0:00:32 | |
has a chance to choose an antique or collectable and build a collection. | 0:00:32 | 0:00:36 | |
And the aim of the game is to amass the most valuable collection. | 0:00:36 | 0:00:39 | |
Joining us today, we have a man who can spin a Ming vase on one finger. | 0:00:39 | 0:00:44 | |
Would you please welcome David Harper. | 0:00:44 | 0:00:46 | |
-Lovely to have you here. -Great to be here. | 0:00:48 | 0:00:50 | |
Tell me what we have on offer today. | 0:00:50 | 0:00:53 | |
OK, certainly. Teams, for your consideration today, we have... | 0:00:53 | 0:00:56 | |
a ring... | 0:00:56 | 0:00:57 | |
..a jar... | 0:00:59 | 0:01:01 | |
a bureau... | 0:01:01 | 0:01:03 | |
a book... | 0:01:03 | 0:01:05 | |
a fairground car... | 0:01:05 | 0:01:07 | |
a sampler... | 0:01:07 | 0:01:09 | |
a case... | 0:01:09 | 0:01:11 | |
a medallion... | 0:01:11 | 0:01:13 | |
a figure... | 0:01:13 | 0:01:15 | |
a clock and candlesticks... | 0:01:15 | 0:01:18 | |
a centrepiece... | 0:01:18 | 0:01:19 | |
and an envelope. | 0:01:19 | 0:01:21 | |
Now, one of these items is our top lot, | 0:01:23 | 0:01:26 | |
which is worth a whopping £2,500, | 0:01:26 | 0:01:28 | |
and that is the lot to spot because, at the end of the show, | 0:01:28 | 0:01:32 | |
the winning pair will walk away | 0:01:32 | 0:01:34 | |
with the cash equivalent of one of their items. | 0:01:34 | 0:01:37 | |
But beware, because the lots decrease in value | 0:01:37 | 0:01:40 | |
right down to our worthless lot, which is less than a tenner. | 0:01:40 | 0:01:44 | |
That, of course, is the lot to avoid. | 0:01:44 | 0:01:47 | |
So, who's playing today? Let's meet our teams. | 0:01:47 | 0:01:49 | |
Team one, who are you? | 0:01:49 | 0:01:51 | |
I'm Christine, and next to me is my son, Neil. | 0:01:51 | 0:01:54 | |
And I collect records and my mother is a doll collector. | 0:01:54 | 0:01:59 | |
Very nice to have you here. | 0:01:59 | 0:02:01 | |
Team two. Who are you? | 0:02:01 | 0:02:02 | |
I'm Chris, and this is my gorgeous wife and director, Jay. | 0:02:02 | 0:02:07 | |
Yeah. We met through our love of theatre. | 0:02:07 | 0:02:10 | |
Great. I'll here more about that later. | 0:02:10 | 0:02:12 | |
Team three. Who are you? | 0:02:12 | 0:02:13 | |
I'm Jenny, and this is my boyfriend, Peter. | 0:02:13 | 0:02:16 | |
Hi. We go around the world | 0:02:16 | 0:02:18 | |
and we try to hunt down vintage pocket watches. | 0:02:18 | 0:02:21 | |
Exciting. Well, welcome, all of you, and jolly good luck. | 0:02:21 | 0:02:25 | |
Now, earlier, our teams got to inspect our lots, | 0:02:25 | 0:02:28 | |
watched over by David. | 0:02:28 | 0:02:30 | |
Could they separate the pricey from the dicey? | 0:02:30 | 0:02:33 | |
Let's see. | 0:02:33 | 0:02:34 | |
Right, let's see what we've got. | 0:02:36 | 0:02:37 | |
Whoo. Oh, that's an interesting array, isn't it? | 0:02:37 | 0:02:41 | |
Oh, yes. | 0:02:41 | 0:02:42 | |
Wow. OK. | 0:02:43 | 0:02:44 | |
Look at this. | 0:02:44 | 0:02:45 | |
-Garniture. -Quite nice. -But damaged. | 0:02:47 | 0:02:49 | |
Potentially, that could be worth quite a lot of money. | 0:02:49 | 0:02:55 | |
Could it really? Brilliant, Jay, I like you. | 0:02:55 | 0:02:58 | |
-I really like the detail. -Yeah, the detail is really cool, yeah. | 0:02:58 | 0:03:02 | |
-It's lovely, actually, that. -Yes. It's a choice piece. | 0:03:02 | 0:03:05 | |
Do you think that's like Murano glass type of thing? | 0:03:07 | 0:03:10 | |
Spotted it immediately. | 0:03:10 | 0:03:12 | |
With Murano, size is important. | 0:03:12 | 0:03:14 | |
-It's quite big. -Yeah, it's a sizeable piece, isn't it? | 0:03:14 | 0:03:17 | |
That's a Vesta case, isn't it? | 0:03:18 | 0:03:19 | |
Cos that's got the striker on the bottom. | 0:03:19 | 0:03:22 | |
-Common St Leger 1891. -Mm. | 0:03:22 | 0:03:24 | |
Marcasite. I don't think that's got a value. | 0:03:27 | 0:03:29 | |
-Is that a V? -It is a V. | 0:03:29 | 0:03:32 | |
Rossini. Composer. | 0:03:33 | 0:03:35 | |
-Oh, right. -Some kind of commemorative medal. | 0:03:35 | 0:03:38 | |
This has got washed up from somewhere. | 0:03:40 | 0:03:41 | |
Oh, no, it's a fairground car. | 0:03:41 | 0:03:43 | |
-Oh. -Conversation piece more than item of great value. | 0:03:43 | 0:03:47 | |
-Yes. That's right. -Ha-ha. | 0:03:47 | 0:03:48 | |
You don't like it - just say it! | 0:03:48 | 0:03:51 | |
-Useless ephemera. -This would look absolutely great in our garden. | 0:03:51 | 0:03:53 | |
-Yes. -And I would love to have it. | 0:03:53 | 0:03:55 | |
It's something commemorative. It's something relatively important. | 0:03:58 | 0:04:01 | |
-Yes. -Clever boy, Neil. | 0:04:01 | 0:04:03 | |
So if somebody actually drew that envelope, do you know what I mean, | 0:04:03 | 0:04:07 | |
rather than it being a print? | 0:04:07 | 0:04:09 | |
This is hard, isn't it? | 0:04:09 | 0:04:10 | |
-That looks to be sort of '50s, mid, early '60s. -Mm. | 0:04:12 | 0:04:15 | |
It would be interesting for a collector. | 0:04:15 | 0:04:18 | |
It's only going to be worth something | 0:04:18 | 0:04:19 | |
if it's some kind of first edition. | 0:04:19 | 0:04:21 | |
The colours are nice. It's quite plain. | 0:04:22 | 0:04:24 | |
Floral designs, obviously, are always popular. | 0:04:24 | 0:04:27 | |
-Italian. -It's majolica, isn't it? | 0:04:27 | 0:04:29 | |
You two know your stuff. | 0:04:29 | 0:04:32 | |
Now, I love samplers, | 0:04:33 | 0:04:35 | |
but I know that they're not valuable | 0:04:35 | 0:04:37 | |
unless there's something very particular about it. | 0:04:37 | 0:04:40 | |
It's not the most attractive. | 0:04:40 | 0:04:42 | |
Centrepiece. So this is for, like, the top of a fireplace or a table? | 0:04:43 | 0:04:48 | |
Wine cooler of some description. | 0:04:48 | 0:04:51 | |
And it's silver. | 0:04:51 | 0:04:53 | |
It could be a silver alloy, but I don't think it's pure silver. | 0:04:53 | 0:04:56 | |
Double-check if I were you. | 0:04:56 | 0:04:58 | |
I disagree. I like it. | 0:04:58 | 0:05:00 | |
You like it? Well, I mean, I like it too. | 0:05:00 | 0:05:03 | |
But that doesn't make it silver. | 0:05:03 | 0:05:04 | |
-So, we think the top lot is probably the bureau. -Yes. | 0:05:04 | 0:05:08 | |
-The bureau. -I think the figure. The horse. | 0:05:08 | 0:05:12 | |
The bottom lot is almost certainly that Beano annual. | 0:05:12 | 0:05:15 | |
Bottom lot is going to be the Beano. | 0:05:15 | 0:05:17 | |
Unless it belonged to Queen Victoria, the ring. | 0:05:17 | 0:05:20 | |
I have to see how it goes. | 0:05:20 | 0:05:22 | |
-OK. -Well, competition's on, let's see. | 0:05:22 | 0:05:25 | |
So, David, what did you make of their knowledge | 0:05:27 | 0:05:30 | |
as they looked at these lots? | 0:05:30 | 0:05:32 | |
Fascinating, is one way of describing it. | 0:05:32 | 0:05:34 | |
Very distinctly different teams. | 0:05:34 | 0:05:37 | |
Now, tell me, how do you arrive at the value of these lots? | 0:05:37 | 0:05:40 | |
OK, well, very simply, teams, | 0:05:40 | 0:05:42 | |
the values of each lot have been agreed between myself | 0:05:42 | 0:05:46 | |
and an independent valuer. | 0:05:46 | 0:05:47 | |
Now, they're based on the hammer price, | 0:05:47 | 0:05:50 | |
this is the price we'd expect each item to make in auction, | 0:05:50 | 0:05:54 | |
but we don't include the auction costs or fees. | 0:05:54 | 0:05:57 | |
And just to add an extra twist, | 0:05:57 | 0:06:00 | |
we have our mystery lot. | 0:06:00 | 0:06:01 | |
Now, this could be worth thousands of pounds | 0:06:01 | 0:06:03 | |
or it could be worth peanuts. | 0:06:03 | 0:06:05 | |
That is for our winners to decide a bit later. | 0:06:05 | 0:06:07 | |
But, for now, it's time for Round One. | 0:06:07 | 0:06:10 | |
Now, I'm going to ask eight general knowledge questions. | 0:06:12 | 0:06:15 | |
Pickers, before each one, | 0:06:15 | 0:06:17 | |
I will ask you to select which lot you'd like to play for. | 0:06:17 | 0:06:20 | |
And, quizzers, if you buzz in with the correct answer, | 0:06:20 | 0:06:22 | |
you'll get to add it to your collection. | 0:06:22 | 0:06:24 | |
But beware, if you buzz in incorrectly, | 0:06:24 | 0:06:27 | |
you will be frozen out of the next question. | 0:06:27 | 0:06:29 | |
So, pickers, please, would you make your first pick. | 0:06:29 | 0:06:31 | |
Let's see what you wanted. | 0:06:35 | 0:06:37 | |
Neil and Christine have gone with the bureau. | 0:06:38 | 0:06:40 | |
Chris and Jay with the figure. | 0:06:40 | 0:06:42 | |
And Peter and Jenny also want the bureau. | 0:06:42 | 0:06:46 | |
OK, quizzers, fingers on buzzers. Here comes question one. | 0:06:46 | 0:06:49 | |
Which South American revolutionary | 0:06:49 | 0:06:52 | |
was the subject of a two-part 2008 biopic | 0:06:52 | 0:06:55 | |
starring Benicio del Toro? | 0:06:55 | 0:06:57 | |
-Yes, Neil. -Che Guevara. | 0:06:57 | 0:06:58 | |
Che Guevara is the correct answer. | 0:06:58 | 0:07:00 | |
The bureau is yours. | 0:07:00 | 0:07:02 | |
Very well done. | 0:07:02 | 0:07:03 | |
Pickers, make a pick. | 0:07:03 | 0:07:05 | |
Neil and Christine want the jar. | 0:07:07 | 0:07:10 | |
Chris and Jay are sticking with the figure. | 0:07:10 | 0:07:12 | |
Peter and Jenny now want the centrepiece. | 0:07:12 | 0:07:15 | |
Here comes question two. | 0:07:15 | 0:07:17 | |
What prestigious annual British prize for architecture | 0:07:17 | 0:07:20 | |
shares its name with a Scottish city? | 0:07:20 | 0:07:22 | |
Out of time. It's Stirling. | 0:07:27 | 0:07:29 | |
The Stirling Prize for architecture. | 0:07:29 | 0:07:32 | |
OK, pickers, make a pick. | 0:07:32 | 0:07:33 | |
Neil and Christine want that jar. | 0:07:37 | 0:07:39 | |
Chris and Jay still want that figure. | 0:07:39 | 0:07:42 | |
And Peter and Jenny want that centrepiece. | 0:07:42 | 0:07:44 | |
OK, question three. | 0:07:44 | 0:07:45 | |
Anna Mae Bullock is the real name of which US singer? | 0:07:45 | 0:07:49 | |
-Yes, Neil. -Tina Turner. | 0:07:49 | 0:07:50 | |
It is Tina Turner, correct. | 0:07:50 | 0:07:52 | |
The jar is yours. | 0:07:52 | 0:07:54 | |
Pickers, make a pick. | 0:07:55 | 0:07:57 | |
Neil and Christine want that figure. | 0:07:59 | 0:08:01 | |
Chris and Jay want the figure. | 0:08:01 | 0:08:03 | |
Peter and Jenny still want the centrepiece. | 0:08:03 | 0:08:06 | |
Question four. In Doctor Who, | 0:08:06 | 0:08:07 | |
the actress Freema Agyeman played which of the...? | 0:08:07 | 0:08:11 | |
-Peter. -Martha Jones. | 0:08:11 | 0:08:12 | |
The full question is, in Doctor Who, the actress Freema Agyeman played | 0:08:12 | 0:08:16 | |
which of the Doctor's companions? And it is Martha Jones. | 0:08:16 | 0:08:19 | |
Peter, Jenny, you've got the centrepiece. | 0:08:19 | 0:08:22 | |
Pickers, make a pick. | 0:08:24 | 0:08:25 | |
Neil and Christine, the figure. | 0:08:27 | 0:08:29 | |
Chris and Jane want the figure. | 0:08:29 | 0:08:31 | |
Peter and Jenny want the clock and candlesticks. | 0:08:31 | 0:08:35 | |
Question five, quizzers. | 0:08:35 | 0:08:36 | |
The first British convicts arrived in Australia in which century? | 0:08:36 | 0:08:40 | |
Out of time. | 0:08:42 | 0:08:44 | |
It was the 18th century that they arrived in Australia. | 0:08:44 | 0:08:48 | |
OK, pickers, make a pick. | 0:08:48 | 0:08:49 | |
Neil and Christine want that figure. | 0:08:52 | 0:08:54 | |
Chris and Jay really want the figure. | 0:08:54 | 0:08:56 | |
Peter and Jenny, the clock and the candlesticks. | 0:08:56 | 0:08:59 | |
Question six. What name is given to the edge of a piece of cloth | 0:08:59 | 0:09:03 | |
that has been turned under and sewn to prevent fraying? | 0:09:03 | 0:09:06 | |
-Yes, Chris. -Seam. | 0:09:06 | 0:09:08 | |
Ooh. No, incorrect. | 0:09:08 | 0:09:10 | |
It's the hem. | 0:09:10 | 0:09:11 | |
Chris and Jay, you are now frozen out of the next question. | 0:09:11 | 0:09:15 | |
Christine and Jenny, make a pick. | 0:09:15 | 0:09:16 | |
Neil and Christine really want the figure still, | 0:09:21 | 0:09:24 | |
and Peter and Jenny still want the clock and the candlesticks. | 0:09:24 | 0:09:27 | |
Question seven. Which Irish author's reputed last words were, | 0:09:27 | 0:09:32 | |
"Either that wallpaper goes..."? | 0:09:32 | 0:09:33 | |
-Peter. -Oscar Wilde. | 0:09:33 | 0:09:34 | |
The full question is, which Irish author's reputed last words were, | 0:09:34 | 0:09:38 | |
"Either that wallpaper goes or I do"? And it is Oscar Wilde. | 0:09:38 | 0:09:42 | |
Do you know what? The clock and the candlesticks are yours! | 0:09:42 | 0:09:45 | |
Chris and Jay, you're now back in the game. | 0:09:47 | 0:09:50 | |
This is our final question of this round, | 0:09:50 | 0:09:52 | |
so, pickers, make a pick. | 0:09:52 | 0:09:54 | |
LAUGHTER | 0:09:57 | 0:09:59 | |
What is it about that figure? | 0:09:59 | 0:10:02 | |
Chris and Jay, I think you've picked it every time. | 0:10:02 | 0:10:05 | |
You're all going to fight over this one... | 0:10:05 | 0:10:07 | |
Well, we haven't won anything yet, | 0:10:07 | 0:10:09 | |
-so I've just kept with the same one. -OK, all right. | 0:10:09 | 0:10:11 | |
Chris, concentrate on this question. OK, here we go. Question eight. | 0:10:11 | 0:10:15 | |
According to the nursery rhyme, | 0:10:15 | 0:10:16 | |
the grand old Duke of York marched up and down a hill | 0:10:16 | 0:10:20 | |
with how many men? | 0:10:20 | 0:10:21 | |
Yes, Peter. | 0:10:21 | 0:10:22 | |
-10,000. -10,000 is correct. | 0:10:22 | 0:10:25 | |
Oh, the figure is yours. | 0:10:25 | 0:10:26 | |
Shucks. Swooped in at the last moment. | 0:10:28 | 0:10:30 | |
It did. It's gone in there. | 0:10:30 | 0:10:32 | |
Right, let's have a look at your collections at the end of Round One. | 0:10:32 | 0:10:37 | |
Neil and Christine, you have the bureau and the jar. | 0:10:37 | 0:10:39 | |
Chris and Jay, you have yet to build your collection. | 0:10:39 | 0:10:43 | |
There's plenty of time, don't worry. | 0:10:43 | 0:10:45 | |
Peter and Jenny, you have the centrepiece, | 0:10:45 | 0:10:48 | |
the figure, and the clock and the candlesticks. | 0:10:48 | 0:10:50 | |
Now, our teams have started to build their collections, | 0:10:50 | 0:10:53 | |
but have they chosen wisely? | 0:10:53 | 0:10:55 | |
Well, before they have the chance to add more of them, | 0:10:55 | 0:10:58 | |
David is going to give each pair a fact about a lot of their choice. | 0:10:58 | 0:11:03 | |
So, team one, let's find out a bit more about you. | 0:11:03 | 0:11:05 | |
-Neil, what do you do? -I'm working in publishing at the moment. | 0:11:05 | 0:11:08 | |
-What do you do in publishing? -Copy-editing and proofreading. | 0:11:08 | 0:11:12 | |
How exciting. Have you ever read one that you know | 0:11:12 | 0:11:15 | |
is going to be a bestseller, and it is? | 0:11:15 | 0:11:17 | |
Not yet. | 0:11:17 | 0:11:18 | |
Oh, dear! And sitting next to you is your mum, Christine. | 0:11:18 | 0:11:21 | |
Christine, you mentioned that you like collecting dolls. | 0:11:21 | 0:11:24 | |
Yeah, well, I collected dolls, and because I like them so much | 0:11:24 | 0:11:27 | |
it inspired me to make my own. | 0:11:27 | 0:11:29 | |
-And you sold them? -I did. | 0:11:29 | 0:11:31 | |
Have they grown in value? | 0:11:31 | 0:11:32 | |
Well, we saw one on the internet the other day that was 1,500. | 0:11:32 | 0:11:35 | |
Well done. Is there anything you see in our lots today - | 0:11:37 | 0:11:41 | |
in your collection, someone else's collection, or on the grid - | 0:11:41 | 0:11:44 | |
that you would like to know more about? | 0:11:44 | 0:11:46 | |
I'd like to know a little bit about the ring. | 0:11:46 | 0:11:48 | |
The ring. | 0:11:48 | 0:11:49 | |
The ring, OK. | 0:11:49 | 0:11:51 | |
All right, you two. Now, this is a marcasite ring, | 0:11:51 | 0:11:55 | |
typical of the Art Deco period. | 0:11:55 | 0:11:58 | |
And this little monogrammed ring | 0:11:58 | 0:12:00 | |
was made for an elegant lady. | 0:12:00 | 0:12:03 | |
Now, marcasite jewellery has a fascinating history, | 0:12:03 | 0:12:06 | |
as the majority of it is not actually made of marcasite, | 0:12:06 | 0:12:10 | |
it's actually made from pyrite, or fool's gold. | 0:12:10 | 0:12:15 | |
But would only a fool | 0:12:15 | 0:12:18 | |
leave this lovely ring out of their collection? | 0:12:18 | 0:12:22 | |
-Your decision. -Good, I'm sure that's given you a lot to think about, | 0:12:22 | 0:12:25 | |
-Neil and Christine. -Right, thank you. | 0:12:25 | 0:12:27 | |
And Chris and Jay. | 0:12:27 | 0:12:30 | |
Chris, you introduced Jay as your director. | 0:12:30 | 0:12:33 | |
Yes, we kind of met because I gave her a job | 0:12:33 | 0:12:35 | |
to direct for the operatic society that I was chairman of at the time, | 0:12:35 | 0:12:39 | |
and we've kind of... | 0:12:39 | 0:12:40 | |
Gradually she's come to be my director, ultimately. | 0:12:40 | 0:12:45 | |
I remember one rehearsal we were at | 0:12:45 | 0:12:46 | |
and a chap in the pub afterwards said, | 0:12:46 | 0:12:48 | |
"I'm not going back to that rehearsal again. | 0:12:48 | 0:12:50 | |
"The way she tracked that bloke was terrible." | 0:12:50 | 0:12:53 | |
Until a fella said, "That's her husband. | 0:12:53 | 0:12:56 | |
"It's OK." | 0:12:56 | 0:12:58 | |
Well, I have to make an example of him, you know, | 0:12:58 | 0:13:00 | |
when you want everyone else to behave, | 0:13:00 | 0:13:02 | |
you've got to make an example of somebody, | 0:13:02 | 0:13:04 | |
so he's a bit like the whipping boy, really. | 0:13:04 | 0:13:06 | |
What are you very keen to know about today? | 0:13:06 | 0:13:09 | |
Well, I'd like to know a little bit more about the Beano book, please. | 0:13:09 | 0:13:12 | |
Ooh, the Beano book, Jay. | 0:13:12 | 0:13:14 | |
OK. This is an original 1957 Beano book, | 0:13:14 | 0:13:19 | |
published by DC Thomson & Co. | 0:13:19 | 0:13:22 | |
The Beano is still going strong almost 80 years after it started, | 0:13:22 | 0:13:28 | |
and that appeal makes this a real gem | 0:13:28 | 0:13:31 | |
to the collectables market. | 0:13:31 | 0:13:33 | |
Now, this particular cover is a celebrated one, | 0:13:33 | 0:13:37 | |
drawn by one of the Beano's greatest artists, James Crichton. | 0:13:37 | 0:13:43 | |
It's one any true Beano fan will know well. | 0:13:43 | 0:13:47 | |
Lovely. And Peter and Jenny. | 0:13:47 | 0:13:50 | |
Jenny, where did you meet Peter? | 0:13:50 | 0:13:52 | |
I met him in Ireland when we were both studying at university. | 0:13:52 | 0:13:56 | |
I can hear, obviously, you have an accent. | 0:13:56 | 0:13:59 | |
Yeah, I'm originally from Rome, | 0:13:59 | 0:14:01 | |
so my father is Italian and my mum is from Ukraine. | 0:14:01 | 0:14:05 | |
Brilliant. And, Peter, what do you do? | 0:14:05 | 0:14:07 | |
I'm a musician. And journalist, part-time. | 0:14:07 | 0:14:10 | |
Are you? You're working with a band of your own? | 0:14:10 | 0:14:12 | |
Yes, yeah, we're gigging at the moment. | 0:14:12 | 0:14:15 | |
We've just finished a number of nights in Camden | 0:14:15 | 0:14:19 | |
and we're doing some festivals in the summer. | 0:14:19 | 0:14:22 | |
So it's really cool, because we're doing our own original music. | 0:14:22 | 0:14:25 | |
-And what's the band called? -It's called Peter And The Empty Cages. | 0:14:25 | 0:14:28 | |
Welcome. Good luck to you. | 0:14:28 | 0:14:30 | |
Which lot would you like to know more about? | 0:14:30 | 0:14:32 | |
I would like to know more about the bureau. | 0:14:33 | 0:14:36 | |
-The bureau? -This is a solid oak bureau from the 1800s, | 0:14:36 | 0:14:41 | |
with a later carved detailed design throughout. | 0:14:41 | 0:14:45 | |
Antique bureaus are essentially a fusion | 0:14:45 | 0:14:48 | |
of two different types of furniture. | 0:14:48 | 0:14:50 | |
So we have a writing desk and a chest of drawers. | 0:14:50 | 0:14:54 | |
This bureau is not in perfect condition. | 0:14:54 | 0:14:57 | |
I think you might have noticed that. | 0:14:57 | 0:14:59 | |
One of the lock plates is hanging off, | 0:14:59 | 0:15:02 | |
it has some wood damage and it has definitely, | 0:15:02 | 0:15:05 | |
positively, seen better days. | 0:15:05 | 0:15:08 | |
I hope that's giving you something to think about | 0:15:08 | 0:15:11 | |
as we go to play Round Two. | 0:15:11 | 0:15:13 | |
Now, in this round, the pickers will select a lot to play for | 0:15:17 | 0:15:20 | |
and the quizzers will again try and secure it | 0:15:20 | 0:15:22 | |
by answering correctly. | 0:15:22 | 0:15:23 | |
But this time around, the lots come with their own question categories, | 0:15:23 | 0:15:27 | |
and here they are... | 0:15:27 | 0:15:28 | |
So, for example, if you targeted the ring, | 0:15:31 | 0:15:33 | |
I would ask your quizzer if he'd like a choice | 0:15:33 | 0:15:37 | |
between Outer Space or Shakespeare. | 0:15:37 | 0:15:39 | |
Now, at the end of this round, | 0:15:39 | 0:15:41 | |
the team with the least valuable collection will be eliminated, | 0:15:41 | 0:15:46 | |
so choose very wisely. | 0:15:46 | 0:15:47 | |
Neil and Christine, you're up first, so what's your lot? | 0:15:47 | 0:15:51 | |
I think... | 0:15:52 | 0:15:53 | |
-..the case. -The case. | 0:15:55 | 0:15:57 | |
France or Rugby Union, Neil? | 0:15:57 | 0:15:59 | |
-France, please, Fern. -France. | 0:15:59 | 0:16:01 | |
How many countries share land borders with mainland France? | 0:16:02 | 0:16:06 | |
Three. | 0:16:08 | 0:16:09 | |
Incorrect. It's eight. | 0:16:09 | 0:16:11 | |
Amazingly. | 0:16:11 | 0:16:13 | |
So, I'm so sorry, the case stays on the board. | 0:16:13 | 0:16:16 | |
Jay, what would you like to go for? | 0:16:16 | 0:16:18 | |
Well, I'm going to go for the envelope. | 0:16:18 | 0:16:22 | |
The envelope, OK. | 0:16:22 | 0:16:24 | |
Chris, the Romans or British Films? | 0:16:24 | 0:16:26 | |
-British Films. -British Films. | 0:16:28 | 0:16:29 | |
Which 1996 film starring Ewan McGregor | 0:16:31 | 0:16:33 | |
was based on a book by Irvine Welsh? | 0:16:33 | 0:16:36 | |
I love this. | 0:16:39 | 0:16:41 | |
When the picker knows the answer. | 0:16:41 | 0:16:43 | |
Yes. | 0:16:43 | 0:16:44 | |
No, I can't even think of one, I'm afraid. | 0:16:46 | 0:16:48 | |
OK. It's... | 0:16:48 | 0:16:49 | |
Trainspotting! | 0:16:49 | 0:16:51 | |
Thank you, Jay. Yes, it's Trainspotting. | 0:16:51 | 0:16:54 | |
Never mind. The envelope's there for another day. | 0:16:54 | 0:16:58 | |
Jenny, what would you like to pick? | 0:16:58 | 0:17:00 | |
Oh, the ring. | 0:17:00 | 0:17:03 | |
The ring. Shakespeare or Outer Space, Peter? | 0:17:03 | 0:17:06 | |
-I'll have a go at Shakespeare, please. -Here we go. | 0:17:06 | 0:17:09 | |
Oberon, Puck, and Demetrius | 0:17:09 | 0:17:11 | |
are characters in which Shakespeare comedy? | 0:17:11 | 0:17:13 | |
-The Taming Of The Shrew. -Ooh. | 0:17:15 | 0:17:17 | |
It's A Midsummer Night's Dream. | 0:17:17 | 0:17:19 | |
So the ring stays on the board. | 0:17:19 | 0:17:21 | |
Well, that was a jolly good round. | 0:17:21 | 0:17:23 | |
LAUGHTER | 0:17:23 | 0:17:24 | |
Love it. OK, teams. | 0:17:24 | 0:17:26 | |
Have you missed out on that one thing that you really wanted? | 0:17:26 | 0:17:30 | |
Because, if so, here is your chance to grab it. | 0:17:30 | 0:17:33 | |
From now on, you can either go for what's left on the grid, | 0:17:33 | 0:17:36 | |
or you can try and steal something | 0:17:36 | 0:17:38 | |
that is in a rival team's collection. | 0:17:38 | 0:17:40 | |
Pickers, though, be warned - | 0:17:40 | 0:17:42 | |
if you choose to steal from another team, | 0:17:42 | 0:17:44 | |
they will get to choose which category your quizzer must face. | 0:17:44 | 0:17:49 | |
And just one thing here - | 0:17:49 | 0:17:50 | |
you cannot steal from a team who has only one lot in their collection. | 0:17:50 | 0:17:56 | |
And you certainly can't steal anything from Chris and Jay either! | 0:17:56 | 0:18:00 | |
However, team one. | 0:18:00 | 0:18:02 | |
Tell me, would you like to pick or steal? | 0:18:02 | 0:18:04 | |
I think I'll go for the case again. | 0:18:04 | 0:18:06 | |
Yes, go for the case again. | 0:18:06 | 0:18:08 | |
France or Rugby Union, Neil? | 0:18:08 | 0:18:09 | |
-I'll try France again. -France again. | 0:18:09 | 0:18:12 | |
The Channel Islands lie closest | 0:18:12 | 0:18:14 | |
to which historic region of northern France? | 0:18:14 | 0:18:18 | |
-Brittany. -Oh. | 0:18:18 | 0:18:20 | |
Normandy. Oh, that was unlucky. | 0:18:20 | 0:18:23 | |
-I knew it was Normandy. -The case stays on the board. | 0:18:23 | 0:18:26 | |
Jay, pick or steal? | 0:18:26 | 0:18:27 | |
Well, considering I picked it about six times in the first round, | 0:18:27 | 0:18:30 | |
I'm going to steal the figure. | 0:18:30 | 0:18:32 | |
Oh, in Peter and Jenny's collection? | 0:18:32 | 0:18:35 | |
-Yes. -Peter and Jenny, what category would you like to give Chris? | 0:18:35 | 0:18:39 | |
Celebrity Gossip, please. | 0:18:41 | 0:18:43 | |
Chris, piece of cake. | 0:18:43 | 0:18:45 | |
Born in 2014, | 0:18:45 | 0:18:47 | |
what is the first name of Simon Cowell and Lauren Silverman's son? | 0:18:47 | 0:18:52 | |
You're playing with us, Chris. | 0:18:55 | 0:18:57 | |
Come on, you know. | 0:18:57 | 0:18:59 | |
Oh. Algernon. | 0:18:59 | 0:19:00 | |
-I have no idea. -Ha-ha. | 0:19:00 | 0:19:02 | |
Algernon. Incorrect. | 0:19:02 | 0:19:04 | |
-Surprisingly. -It's Eric. | 0:19:04 | 0:19:06 | |
-It's Eric. -Eric. I know, it was the name of his father. | 0:19:06 | 0:19:09 | |
He gave him his father's name. | 0:19:09 | 0:19:11 | |
Jenny, pick or steel? | 0:19:11 | 0:19:13 | |
I would like to steal. | 0:19:13 | 0:19:14 | |
What are you stealing? I want to steal the bureau. | 0:19:14 | 0:19:17 | |
The bureau. | 0:19:17 | 0:19:19 | |
Neil and Christine, think of a category, please, for Peter. | 0:19:19 | 0:19:22 | |
-Shakespeare. -Shakespeare. | 0:19:22 | 0:19:24 | |
Here we go, Peter. In the title of a Shakespeare play, | 0:19:24 | 0:19:28 | |
Valentine and Proteus are referred to | 0:19:28 | 0:19:31 | |
as the two gentlemen of which city? | 0:19:31 | 0:19:33 | |
-Verona. -Verona is correct. | 0:19:33 | 0:19:36 | |
Peter and Jenny, you have got the bureau. | 0:19:36 | 0:19:40 | |
And there it goes, into your collection. | 0:19:42 | 0:19:44 | |
Christine, pick or steal? | 0:19:44 | 0:19:46 | |
I think I'll steal, actually. | 0:19:46 | 0:19:48 | |
I'm going to have the bureau, please, if I may. | 0:19:48 | 0:19:50 | |
Stealing the bureau back, you hope. | 0:19:50 | 0:19:52 | |
Yes, I think so. | 0:19:52 | 0:19:53 | |
Peter and Jenny, what category are you going to give Neil? | 0:19:53 | 0:19:56 | |
It definitely has to be Rugby Union. He's avoided it so far. | 0:19:56 | 0:20:00 | |
Rugby Union. In 2015, Eddie Jones was appointed as head coach | 0:20:00 | 0:20:04 | |
of which national rugby union team? | 0:20:04 | 0:20:07 | |
England. | 0:20:07 | 0:20:08 | |
Get in. | 0:20:09 | 0:20:11 | |
-Yes. -I say. | 0:20:11 | 0:20:13 | |
Very good. The bureau is now back with Neil and Christine. | 0:20:13 | 0:20:17 | |
Well played. Chris and Jay, pick or steal? | 0:20:17 | 0:20:21 | |
I'm sticking with stealing that figure! | 0:20:21 | 0:20:23 | |
Peter and Jenny, just be kind to Chris. | 0:20:23 | 0:20:27 | |
We have to go for Celebrity Gossip once again. | 0:20:29 | 0:20:31 | |
Yes. He's red-hot. | 0:20:31 | 0:20:33 | |
It seems a mastermind topic. | 0:20:33 | 0:20:34 | |
Human rights lawyer Amal Alamuddin | 0:20:36 | 0:20:39 | |
is married to which Hollywood actor? | 0:20:39 | 0:20:41 | |
-George Clooney. -Whoo! Yes. | 0:20:41 | 0:20:45 | |
LAUGHTER | 0:20:45 | 0:20:46 | |
The figure is yours. | 0:20:46 | 0:20:49 | |
Well done. | 0:20:49 | 0:20:50 | |
Sorry, Peter and Jenny, but that's the way it goes. | 0:20:50 | 0:20:53 | |
All right. Peter and Jenny, pick or steal? | 0:20:53 | 0:20:56 | |
I think I would like the bureau. | 0:20:56 | 0:20:59 | |
-You'd like the bureau back? -Yeah. | 0:20:59 | 0:21:02 | |
Neil and Christine, a category for Peter, please. | 0:21:02 | 0:21:05 | |
Rugby Union? | 0:21:05 | 0:21:07 | |
-We'll try Rugby Union. -Rugby Union. -Rugby Union. | 0:21:07 | 0:21:10 | |
How many points does a team receive for a drop goal? | 0:21:11 | 0:21:14 | |
Three. | 0:21:14 | 0:21:15 | |
It's correct. The bureau is back with you. | 0:21:15 | 0:21:18 | |
Thank you. | 0:21:18 | 0:21:19 | |
My goodness. Quite a battle, really, isn't it? | 0:21:20 | 0:21:24 | |
That is the end of this round, | 0:21:24 | 0:21:25 | |
so let's see how the collections are looking. | 0:21:25 | 0:21:29 | |
Neil and Christine have the jar. | 0:21:29 | 0:21:31 | |
Chris and Jay have the figure! | 0:21:31 | 0:21:34 | |
Peter and Jenny, you have the centrepiece, | 0:21:34 | 0:21:39 | |
the bureau, and the clock and the candlesticks. | 0:21:39 | 0:21:42 | |
Well done. OK, for one team, it is now the end of the road, | 0:21:42 | 0:21:46 | |
and the team with the least valuable collection will now be eliminated. | 0:21:46 | 0:21:50 | |
So, David, who is leaving us first? | 0:21:50 | 0:21:53 | |
Fern, the pair leaving us first today is... | 0:21:53 | 0:21:56 | |
-..Chris and Jay. -No! | 0:22:02 | 0:22:05 | |
Oh, so sorry, you tried so hard. | 0:22:05 | 0:22:07 | |
APPLAUSE DROWNS SPEECH | 0:22:07 | 0:22:08 | |
Oh. | 0:22:08 | 0:22:10 | |
It's been so lovely to have you here, | 0:22:10 | 0:22:12 | |
but not only are you leaving the game, | 0:22:12 | 0:22:14 | |
but also your fabulous collection of the figure is also leaving. | 0:22:14 | 0:22:18 | |
So you want to know how much it's worth. | 0:22:18 | 0:22:20 | |
Of course, yes. | 0:22:20 | 0:22:22 | |
Everybody wanted the figure, | 0:22:22 | 0:22:24 | |
and let's try and work out why. | 0:22:24 | 0:22:27 | |
If this striking glass sculpture of a horse's head | 0:22:27 | 0:22:31 | |
could only speak, it would say one word. | 0:22:31 | 0:22:35 | |
What word is that? | 0:22:35 | 0:22:36 | |
-Jay? -Murano. | 0:22:36 | 0:22:38 | |
Murano, absolutely. | 0:22:38 | 0:22:40 | |
The tiny, Venetian island of Murano. | 0:22:40 | 0:22:44 | |
And this sculpture is brazen in its colouring, | 0:22:44 | 0:22:48 | |
and dates to around 1920. | 0:22:48 | 0:22:51 | |
But it is somewhat of an acquired taste. | 0:22:51 | 0:22:54 | |
But, obviously, you lot have acquired the taste, | 0:22:54 | 0:22:57 | |
because you all wanted it. | 0:22:57 | 0:22:59 | |
And that taste would cost you today... | 0:22:59 | 0:23:02 | |
-Wow. -In other words, your total collection | 0:23:05 | 0:23:08 | |
-amounted to £400. -400 quid, yeah. | 0:23:08 | 0:23:10 | |
Well done. | 0:23:10 | 0:23:11 | |
Chris and Jay, thank you so much for playing | 0:23:11 | 0:23:13 | |
For What It's Worth. | 0:23:13 | 0:23:15 | |
-Thank you. -Thank you. Thank you. -APPLAUSE | 0:23:15 | 0:23:17 | |
Thank you. | 0:23:17 | 0:23:18 | |
And also the unclaimed items in the grid | 0:23:21 | 0:23:24 | |
are now leaving the game. | 0:23:24 | 0:23:25 | |
So let's quickly find out from David what they're worth, | 0:23:25 | 0:23:28 | |
and if the top lot is still in the game. | 0:23:28 | 0:23:31 | |
So, first of all, let's look at the medallion. | 0:23:31 | 0:23:35 | |
Guys, this is a bronze medallion. | 0:23:35 | 0:23:38 | |
A medallion often commemorates the life and the work of someone. | 0:23:38 | 0:23:43 | |
Now, in this case, the celebrated composer Rossini. | 0:23:43 | 0:23:47 | |
And the medallion was cast in August 1869, | 0:23:47 | 0:23:52 | |
the year after Rossini's death, | 0:23:52 | 0:23:54 | |
by the smith Andre Perroni of Lucca. | 0:23:54 | 0:23:59 | |
Nobody chose it. | 0:23:59 | 0:24:01 | |
Teams, you have just disposed of... | 0:24:01 | 0:24:04 | |
Oh! | 0:24:04 | 0:24:06 | |
-Oh. -Right, the Beano. | 0:24:07 | 0:24:10 | |
I absolutely love this, | 0:24:10 | 0:24:12 | |
and the market is awash with buyers out there | 0:24:12 | 0:24:15 | |
who want to buy back a bit of their childhood. | 0:24:15 | 0:24:18 | |
This is perfect, | 0:24:18 | 0:24:21 | |
cos it's worth... | 0:24:21 | 0:24:23 | |
Wow. | 0:24:23 | 0:24:24 | |
The sampler. | 0:24:25 | 0:24:27 | |
This is a lovingly woven needlepoint sampler | 0:24:27 | 0:24:30 | |
dating back to 1893. | 0:24:30 | 0:24:33 | |
Samplers did not sustain their role | 0:24:33 | 0:24:35 | |
much beyond the middle of the 19th century | 0:24:35 | 0:24:38 | |
in the education of girls for whom embroidery would be a pastime, | 0:24:38 | 0:24:41 | |
or housekeeping ritual in adult life, | 0:24:41 | 0:24:44 | |
rather, I suppose, than a livelihood. | 0:24:44 | 0:24:47 | |
So have we unearthed a needle in a haystack? | 0:24:47 | 0:24:52 | |
Or is it merely a piece of child's play? | 0:24:52 | 0:24:55 | |
Who cares? Cos it's all going, | 0:24:56 | 0:24:58 | |
and you have just given away... | 0:24:58 | 0:25:00 | |
only £80. | 0:25:00 | 0:25:02 | |
-Wow. -Well done. | 0:25:02 | 0:25:04 | |
The fairground car. | 0:25:04 | 0:25:05 | |
Now, this ride is a swing boat | 0:25:05 | 0:25:07 | |
hailing from the Victorian era. | 0:25:07 | 0:25:10 | |
The popularity of fairground memorabilia | 0:25:10 | 0:25:13 | |
has absolutely exploded, | 0:25:13 | 0:25:15 | |
because they evoke memories | 0:25:15 | 0:25:18 | |
of the sights, the smells and the sounds of the fair. | 0:25:18 | 0:25:22 | |
It's a bit bashed, it's a bit dented, | 0:25:22 | 0:25:25 | |
but every scratch tells a story. | 0:25:25 | 0:25:28 | |
And that story... | 0:25:28 | 0:25:29 | |
..is worth... | 0:25:30 | 0:25:34 | |
-Wow. -Ooh. | 0:25:34 | 0:25:35 | |
Moving on to the case. | 0:25:35 | 0:25:37 | |
Now, Neil, you got your eyeglass out on this, | 0:25:37 | 0:25:41 | |
so let's find out if you missed anything. | 0:25:41 | 0:25:44 | |
So here, guys, we have | 0:25:44 | 0:25:46 | |
a silver enamel hunting case. | 0:25:46 | 0:25:49 | |
Now, they were produced extensively | 0:25:49 | 0:25:52 | |
between 1890 and 1920, particularly. | 0:25:52 | 0:25:55 | |
Vestas, as they were known, | 0:25:55 | 0:25:57 | |
were small, portable boxes to contain matches, | 0:25:57 | 0:26:01 | |
keeping them dry. | 0:26:01 | 0:26:03 | |
A popular item with the landed gentry. | 0:26:03 | 0:26:07 | |
What's it worth? It's a big one... | 0:26:07 | 0:26:09 | |
£1,500. | 0:26:09 | 0:26:11 | |
GROANING | 0:26:11 | 0:26:12 | |
-I told you... -Well, we did try. -Sorry. -We tried. | 0:26:12 | 0:26:15 | |
Sorry, you did. | 0:26:15 | 0:26:16 | |
Well, the ring. | 0:26:16 | 0:26:17 | |
It's funky, it's Art Deco, it's very stylish. | 0:26:17 | 0:26:21 | |
So, what do you pay for a cool ring | 0:26:21 | 0:26:24 | |
from the Art Deco period? | 0:26:24 | 0:26:26 | |
Nothing - it's the worthless object. | 0:26:26 | 0:26:29 | |
It's gone. Well done. | 0:26:29 | 0:26:31 | |
Now, the envelope is an 1840 Mulready envelope. | 0:26:32 | 0:26:38 | |
This was introduced at the same time | 0:26:38 | 0:26:40 | |
as the famous Penny Black in 1840, | 0:26:40 | 0:26:44 | |
and this was a pre-paid envelope | 0:26:44 | 0:26:47 | |
to complement the new adhesive stamp. | 0:26:47 | 0:26:49 | |
Now, the Mulready name arises | 0:26:49 | 0:26:51 | |
because a well-known artist of the time, William Mulready, | 0:26:51 | 0:26:55 | |
was commissioned to illustrate these envelopes. | 0:26:55 | 0:26:58 | |
Now, this thing is in fine condition. | 0:26:58 | 0:27:02 | |
However, they became very unpopular at the time | 0:27:02 | 0:27:06 | |
and were soon replaced. | 0:27:06 | 0:27:09 | |
And those that were left were mainly destroyed, | 0:27:09 | 0:27:12 | |
so what is left today in such condition | 0:27:12 | 0:27:15 | |
has, shall we say, a reasonable value, Fern. | 0:27:15 | 0:27:19 | |
FERN SIGHS | 0:27:19 | 0:27:20 | |
Guys, you have given away... | 0:27:20 | 0:27:23 | |
the top lot. | 0:27:23 | 0:27:24 | |
GROANING | 0:27:24 | 0:27:26 | |
Yeah. Yeah. | 0:27:26 | 0:27:28 | |
I'm so sorry. | 0:27:28 | 0:27:29 | |
-It's gone. -Oh! | 0:27:29 | 0:27:31 | |
So we've lost the bottom lot. Yay! | 0:27:31 | 0:27:35 | |
-Yes. -We've lost the top lot. Oh. | 0:27:35 | 0:27:37 | |
LAUGHTER | 0:27:37 | 0:27:38 | |
So, teams, congratulations on getting this far. | 0:27:38 | 0:27:41 | |
You now have one last chance to pick our expert's brains. | 0:27:41 | 0:27:44 | |
Which lot do you really need to know more about? | 0:27:44 | 0:27:48 | |
Neil and Christine? | 0:27:48 | 0:27:50 | |
Can we ask about the jar, please? | 0:27:50 | 0:27:51 | |
Well, you already have the jar. | 0:27:51 | 0:27:53 | |
And, Neil, you came up with the correct pronunciation. | 0:27:53 | 0:27:56 | |
This is a majolica jar, | 0:27:56 | 0:27:59 | |
originally used by pharmacists | 0:27:59 | 0:28:01 | |
to store their ointments and dry drugs. | 0:28:01 | 0:28:04 | |
Now, majolica is Italian for tin-glazed pottery | 0:28:04 | 0:28:07 | |
dating from the Renaissance period. | 0:28:07 | 0:28:10 | |
However, this piece is far from the oldest example, | 0:28:10 | 0:28:15 | |
dating to the late 1800s. | 0:28:15 | 0:28:18 | |
It's in pretty good condition | 0:28:18 | 0:28:20 | |
and it's kept the vibrancy, which is absolutely important, | 0:28:20 | 0:28:24 | |
and the colouring is all there. | 0:28:24 | 0:28:26 | |
Interesting, huh? | 0:28:28 | 0:28:29 | |
Peter and Jenny, what would you like to know more about? | 0:28:29 | 0:28:32 | |
I think I would like to know more about... | 0:28:32 | 0:28:35 | |
the clock and the candlesticks. | 0:28:35 | 0:28:38 | |
OK. Well, here, guys, | 0:28:38 | 0:28:40 | |
we have a French Rococo Revival | 0:28:40 | 0:28:43 | |
mantel clock and candelabra set. | 0:28:43 | 0:28:46 | |
As you can see, one of the candelabras has snapped, | 0:28:46 | 0:28:50 | |
and there is a deep cracking in the other. | 0:28:50 | 0:28:53 | |
You all spotted that. | 0:28:53 | 0:28:54 | |
But the clock has survived reasonably well | 0:28:54 | 0:28:57 | |
and is in good working order. | 0:28:57 | 0:28:59 | |
Now, as the clock was made between circa 1870 and 1890, | 0:28:59 | 0:29:04 | |
following the French defeat in the Franco-Prussian War, | 0:29:04 | 0:29:07 | |
the quaint-yet-aggressive decorations make sense. | 0:29:07 | 0:29:11 | |
Now, at the base of the clock, | 0:29:11 | 0:29:13 | |
two swords cross over a sceptre mounted with a crown, | 0:29:13 | 0:29:17 | |
alluding to the defence of the kingdom. | 0:29:17 | 0:29:20 | |
What do you think it's worth, guys? | 0:29:20 | 0:29:23 | |
OK, it's now time for our final round. | 0:29:23 | 0:29:25 | |
And at the end of this, we will have our winners. | 0:29:25 | 0:29:28 | |
Good luck, guys. | 0:29:28 | 0:29:29 | |
APPLAUSE | 0:29:29 | 0:29:30 | |
In this round, I'm going to show you a category and 12 possible answers. | 0:29:32 | 0:29:36 | |
Nine of these answers are correct, three of them are not. | 0:29:36 | 0:29:40 | |
Now, each of you will then take turns | 0:29:40 | 0:29:42 | |
to choose an answer that you think IS correct. | 0:29:42 | 0:29:44 | |
And as it's the final round, both quizzers and pickers will play. | 0:29:44 | 0:29:48 | |
Now, if you pick a wrong answer, | 0:29:48 | 0:29:50 | |
your opponents will be able to steal a lot from your collection. | 0:29:50 | 0:29:53 | |
We'll play three questions in total. | 0:29:53 | 0:29:55 | |
The pair with the most valuable collection | 0:29:55 | 0:29:58 | |
can choose to go first or second. | 0:29:58 | 0:29:59 | |
David, who is that at the moment? | 0:29:59 | 0:30:01 | |
Right, at the moment, Fern, | 0:30:01 | 0:30:03 | |
I can reveal that the team who currently | 0:30:03 | 0:30:06 | |
has the most valuable collection...is... | 0:30:06 | 0:30:10 | |
It's Peter and Jenny. Well done. | 0:30:12 | 0:30:14 | |
Peter and Jenny. | 0:30:14 | 0:30:16 | |
Your first question is... | 0:30:16 | 0:30:18 | |
..Varieties Of Potato. | 0:30:19 | 0:30:22 | |
So which of these are names commonly used | 0:30:22 | 0:30:24 | |
to describe varieties of potato? | 0:30:24 | 0:30:26 | |
Would you like to go first or second in this round? | 0:30:26 | 0:30:29 | |
We'll go first, please. | 0:30:29 | 0:30:30 | |
Go first? Here are the answers. | 0:30:30 | 0:30:32 | |
Peter, give me an answer. | 0:30:36 | 0:30:37 | |
-Violetta. -Violetta? | 0:30:37 | 0:30:39 | |
Oh, well done. | 0:30:42 | 0:30:43 | |
It is almost violet in colour. | 0:30:43 | 0:30:46 | |
Neil, give me an answer. | 0:30:46 | 0:30:47 | |
-Desiree. -Desiree? | 0:30:47 | 0:30:49 | |
Yes, it's a creamy potato, very good for mash, apparently. | 0:30:51 | 0:30:54 | |
Jenny? | 0:30:54 | 0:30:55 | |
Mayan Gold? | 0:30:57 | 0:30:59 | |
Mayan Gold? | 0:30:59 | 0:31:00 | |
Yes, and it does originate from Peru. | 0:31:01 | 0:31:04 | |
Christine? | 0:31:04 | 0:31:05 | |
Purple Majesty? | 0:31:05 | 0:31:07 | |
Purple Majesty? | 0:31:07 | 0:31:08 | |
Yes, it's another purple potato. | 0:31:09 | 0:31:12 | |
Peter? | 0:31:12 | 0:31:14 | |
It's getting tough now. | 0:31:14 | 0:31:16 | |
Let's go for Lady Balfour. | 0:31:16 | 0:31:18 | |
Lady Balfour? | 0:31:18 | 0:31:19 | |
Yes, it's named after a farmer who pioneered organic farming. | 0:31:21 | 0:31:25 | |
Neil? | 0:31:26 | 0:31:27 | |
I'll pick Vivaldi. | 0:31:27 | 0:31:29 | |
Vivaldi? | 0:31:29 | 0:31:30 | |
Yes, a sweet taste and creamy texture, apparently. | 0:31:32 | 0:31:36 | |
Jenny? | 0:31:36 | 0:31:37 | |
Dervish? | 0:31:39 | 0:31:40 | |
Dervish? | 0:31:40 | 0:31:41 | |
Oh! | 0:31:44 | 0:31:46 | |
Peter, do you know who Dervish is? | 0:31:46 | 0:31:49 | |
-It's an Irish singer? -It's a Eurovision act. -Yeah. | 0:31:49 | 0:31:52 | |
And Irish, yes, absolutely right. | 0:31:52 | 0:31:54 | |
Let's have a look where the other wrong answers are. | 0:31:54 | 0:31:57 | |
Orinoco Flow was a hit for Enya in 1998, | 0:31:59 | 0:32:03 | |
and Marsala is a wine. | 0:32:03 | 0:32:05 | |
There you go. | 0:32:06 | 0:32:07 | |
Well, this means, Peter and Jenny, | 0:32:07 | 0:32:10 | |
you're going to have something stolen by Neil and Christine. | 0:32:10 | 0:32:13 | |
What would you like? A strategic think here. | 0:32:13 | 0:32:15 | |
We'd like the bureau back. | 0:32:15 | 0:32:16 | |
-We'll have the bureau. -The bureau? -Mm-hm. | 0:32:16 | 0:32:19 | |
-OK, it was no messing about there, was it? -No. | 0:32:19 | 0:32:21 | |
"We'll have the bureau." Well done. | 0:32:21 | 0:32:24 | |
Neil and Christine, this is your question. | 0:32:24 | 0:32:26 | |
Cats. | 0:32:27 | 0:32:28 | |
Can you spot the real names for members of the Felidae family, | 0:32:28 | 0:32:32 | |
also known as the cat family? | 0:32:32 | 0:32:35 | |
Now, these are wild animals, rather than breeds of domesticated cat. | 0:32:35 | 0:32:38 | |
Would you like to go first or second? | 0:32:38 | 0:32:40 | |
-First, please. -First? | 0:32:40 | 0:32:42 | |
Here are the answers. | 0:32:42 | 0:32:43 | |
Neil, give me an answer. | 0:32:45 | 0:32:47 | |
-Lion. -Lion? | 0:32:47 | 0:32:48 | |
Yes. The largest member of the cat family. | 0:32:51 | 0:32:54 | |
-Peter? -Cheetah. | 0:32:54 | 0:32:55 | |
Cheetah? | 0:32:55 | 0:32:56 | |
The fastest land mammal in the world. | 0:32:59 | 0:33:03 | |
-Christine? -Jaguar. | 0:33:03 | 0:33:04 | |
Jaguar? | 0:33:04 | 0:33:05 | |
Yes, the large spotted cat. | 0:33:08 | 0:33:11 | |
Jenny? | 0:33:11 | 0:33:12 | |
-Ocelot. -Ocelot? | 0:33:12 | 0:33:14 | |
Yes, mainly found in South America. | 0:33:16 | 0:33:19 | |
Neil? | 0:33:19 | 0:33:20 | |
-Tiger? -Tiger. | 0:33:23 | 0:33:24 | |
Yes, Tiger. | 0:33:27 | 0:33:29 | |
-Peter? -Leopard. | 0:33:29 | 0:33:31 | |
Leopard? | 0:33:31 | 0:33:32 | |
Correct. Do you know, originally it was just called a pard? | 0:33:35 | 0:33:37 | |
Starting to get a bit harder now. | 0:33:37 | 0:33:40 | |
-Christine? -Serval? | 0:33:40 | 0:33:42 | |
Serval? | 0:33:42 | 0:33:43 | |
That likes to live in sub-Saharan Africa. | 0:33:47 | 0:33:50 | |
Jenny? | 0:33:50 | 0:33:51 | |
Um...Comoros? | 0:33:51 | 0:33:54 | |
Comoros? | 0:33:54 | 0:33:55 | |
-Oh. -Sorry. | 0:33:58 | 0:34:00 | |
It's a small African country, actually. | 0:34:00 | 0:34:04 | |
Let's have a look at the other wrong answers. | 0:34:04 | 0:34:06 | |
Kryten was a character from the sitcom Red Dwarf, | 0:34:06 | 0:34:09 | |
and Itadaki was a Japanese music festival. | 0:34:09 | 0:34:13 | |
Oh, Peter and Jenny, I'm so sorry. | 0:34:13 | 0:34:15 | |
Neil and Christine, go ahead and steal. | 0:34:15 | 0:34:18 | |
Do you want the centrepiece, or the clock and the candlesticks? | 0:34:18 | 0:34:21 | |
-Clock, I think. -Yes. -Not the other. Clock. | 0:34:21 | 0:34:24 | |
The clock and candlesticks, | 0:34:24 | 0:34:26 | |
they're coming to your collection now. | 0:34:26 | 0:34:28 | |
Peter and Jenny, this is the final question, and it's yours. | 0:34:28 | 0:34:32 | |
The question is Flags With Stars. | 0:34:32 | 0:34:35 | |
So you need to find the countries whose national flag | 0:34:35 | 0:34:37 | |
features one or more stars in its design. | 0:34:37 | 0:34:40 | |
Would you like to go first or second? | 0:34:40 | 0:34:42 | |
-We'll go first, please. -First? OK. | 0:34:42 | 0:34:43 | |
Here are the answers. | 0:34:43 | 0:34:44 | |
Peter, give me an answer. | 0:34:47 | 0:34:49 | |
-New Zealand. -New Zealand? | 0:34:49 | 0:34:51 | |
Correct. It has four stars. | 0:34:53 | 0:34:54 | |
Neil? | 0:34:54 | 0:34:56 | |
USA. | 0:34:56 | 0:34:57 | |
50 stars for the 50 States. | 0:34:59 | 0:35:01 | |
Jenny? | 0:35:01 | 0:35:03 | |
China? | 0:35:03 | 0:35:04 | |
Five yellow stars. | 0:35:07 | 0:35:08 | |
-Christine? -Oh, dear. | 0:35:08 | 0:35:10 | |
I'll say...Togo. | 0:35:10 | 0:35:13 | |
Togo? | 0:35:13 | 0:35:14 | |
One star. Peter? | 0:35:16 | 0:35:18 | |
Vietnam. | 0:35:18 | 0:35:19 | |
Yes, a single yellow star on a red background. | 0:35:22 | 0:35:26 | |
Neil? | 0:35:26 | 0:35:27 | |
-Indonesia. -Indonesia? | 0:35:28 | 0:35:30 | |
Ooh! It's just red and white horizontal stripes. | 0:35:33 | 0:35:38 | |
Let's have a look at the other wrong answers. | 0:35:38 | 0:35:41 | |
Belgium is of course black, yellow and red vertical stripes. | 0:35:43 | 0:35:47 | |
Italy - green, white and red vertical stripes. | 0:35:47 | 0:35:51 | |
This could be the decider of the game. | 0:35:51 | 0:35:54 | |
Peter and Jenny, you can now steal from Neil and Christine. | 0:35:54 | 0:35:58 | |
What are you going to have? | 0:35:58 | 0:35:59 | |
Let's go for the jar. | 0:36:00 | 0:36:02 | |
OK. We'll take a punt on the jar. | 0:36:02 | 0:36:05 | |
You're going to take the jar, | 0:36:05 | 0:36:07 | |
and the jar is coming to your collection. | 0:36:07 | 0:36:10 | |
That is it - your collections are now complete, | 0:36:10 | 0:36:13 | |
and will determine which team is victorious. | 0:36:13 | 0:36:15 | |
David, who are today's winners? | 0:36:15 | 0:36:18 | |
Fern, twists and turns galore. | 0:36:18 | 0:36:21 | |
What a fight. | 0:36:21 | 0:36:22 | |
The team with the most valuable collection, | 0:36:22 | 0:36:26 | |
and therefore the winners of today's show are... | 0:36:26 | 0:36:30 | |
It's Peter and Jenny. | 0:36:36 | 0:36:38 | |
APPLAUSE | 0:36:38 | 0:36:39 | |
Well done. Well done. | 0:36:39 | 0:36:40 | |
Congratulations, Peter and Jenny. | 0:36:44 | 0:36:47 | |
But major commiserations to you, | 0:36:47 | 0:36:50 | |
Neil and Christine. But before we say goodbye, | 0:36:50 | 0:36:52 | |
you want to know how much your collection's worth, don't you? | 0:36:52 | 0:36:55 | |
-Yes, please. -Yes, you do. David? -Let's look at the garniture set. | 0:36:55 | 0:36:59 | |
Neil, you picked up on the true description - | 0:36:59 | 0:37:01 | |
it is a garniture set. | 0:37:01 | 0:37:03 | |
Damaged state, | 0:37:03 | 0:37:05 | |
needing restoration, | 0:37:05 | 0:37:07 | |
it's still worth £600, | 0:37:07 | 0:37:10 | |
so very well done. | 0:37:10 | 0:37:11 | |
Shall we talk about the bureau? | 0:37:12 | 0:37:14 | |
That has gone from pillar to post all day. | 0:37:15 | 0:37:19 | |
British handmade furniture. | 0:37:19 | 0:37:21 | |
I would have been crawling all over that. | 0:37:21 | 0:37:23 | |
I certainly would have opened it up and had a look on the inside. | 0:37:23 | 0:37:27 | |
Guess what it's worth? | 0:37:27 | 0:37:28 | |
-That was my fault, wasn't it? -And you all fought over it like crazy. | 0:37:32 | 0:37:36 | |
So, a total value - well done, guys - of £720. | 0:37:36 | 0:37:40 | |
It's been lovely to have you, | 0:37:40 | 0:37:42 | |
and thank you so much for playing For What It's Worth. | 0:37:42 | 0:37:45 | |
APPLAUSE | 0:37:45 | 0:37:46 | |
Well done, Peter and Jenny - you are today's winners, | 0:37:51 | 0:37:53 | |
and now all that remains is for you to claim your prize. | 0:37:53 | 0:37:56 | |
All you have to do is pick one of the two lots in your collection | 0:37:56 | 0:38:00 | |
and we will give you its value in cash. | 0:38:00 | 0:38:03 | |
So which one do you want to choose? | 0:38:03 | 0:38:05 | |
It's a tough one. | 0:38:05 | 0:38:07 | |
I think the jar might be quite valuable, because... | 0:38:07 | 0:38:09 | |
..I thought about at the last minute... | 0:38:11 | 0:38:13 | |
Yeah, it kind of came to you. | 0:38:13 | 0:38:14 | |
-Yeah. -It has a kind of Italian connection, too. | 0:38:14 | 0:38:18 | |
We still haven't quite worked out | 0:38:18 | 0:38:19 | |
what the centrepiece would have been used for. | 0:38:19 | 0:38:21 | |
We don't have any information about it. | 0:38:21 | 0:38:23 | |
-Yeah, we have no information about it either. -It's probably silver. | 0:38:23 | 0:38:26 | |
Or silver-plated, I'm not sure. | 0:38:26 | 0:38:28 | |
But, yeah, I think the jar's got us here to the final, I think, | 0:38:28 | 0:38:33 | |
from what we had. If you compare what we had | 0:38:33 | 0:38:35 | |
-to what we have now. -Yeah. -So what do you think? | 0:38:35 | 0:38:38 | |
-Yeah, I think the jar's more valuable. -OK, fine. | 0:38:38 | 0:38:40 | |
We'd like to go for the jar, please. | 0:38:40 | 0:38:42 | |
Final decision is the jar? | 0:38:42 | 0:38:44 | |
-Yes. -But before we tell you how much it's worth, | 0:38:44 | 0:38:47 | |
and how much you could be taking home with you, | 0:38:47 | 0:38:50 | |
we must find out what you haven't won. | 0:38:50 | 0:38:53 | |
This is a late-Victorian | 0:38:53 | 0:38:56 | |
SILVER centrepiece | 0:38:56 | 0:38:58 | |
with exquisite decoration. | 0:38:58 | 0:39:01 | |
Now, Peter, you had it down as silver-plated, did you not? | 0:39:01 | 0:39:04 | |
-Jenny, did you agree with him? -No, I thought it was silver. | 0:39:04 | 0:39:07 | |
Well, OK, it is solid silver, | 0:39:07 | 0:39:09 | |
and it's possible that it could have been intended | 0:39:09 | 0:39:13 | |
for use as what we call a jardiniere, | 0:39:13 | 0:39:15 | |
which is a receptacle for a plant. | 0:39:15 | 0:39:18 | |
Perhaps that gives you a clue to its value. | 0:39:18 | 0:39:22 | |
Because if you're wealthy enough to have ornate silverware, | 0:39:22 | 0:39:27 | |
even for your plants, | 0:39:27 | 0:39:30 | |
well, you must have money growing on your trees. | 0:39:30 | 0:39:34 | |
£900. | 0:39:35 | 0:39:38 | |
Gone. | 0:39:38 | 0:39:40 | |
OK. Peter and Jenny, you have won the value of the jar. | 0:39:40 | 0:39:45 | |
Well, before we tell you what it's worth, | 0:39:45 | 0:39:47 | |
can we tempt you with our mystery lot? | 0:39:47 | 0:39:50 | |
It might be worth even more - or not. | 0:39:50 | 0:39:53 | |
Come and join me. | 0:39:53 | 0:39:54 | |
APPLAUSE | 0:39:54 | 0:39:56 | |
Peter and Jenny, here you are. | 0:39:59 | 0:40:00 | |
This is your chosen lot, this gorgeous vase. | 0:40:00 | 0:40:03 | |
As things stand, you've won its value in cash. | 0:40:03 | 0:40:07 | |
But before we tell you it's value, David is going to tempt you | 0:40:07 | 0:40:10 | |
-with today's mystery lot. -OK. | 0:40:10 | 0:40:12 | |
-David, what have you got for them? -Right. OK. | 0:40:12 | 0:40:14 | |
Something altogether different. | 0:40:14 | 0:40:17 | |
You will never guess what this is. | 0:40:17 | 0:40:20 | |
A cricket bat. | 0:40:21 | 0:40:23 | |
-Now... -Wow(!) -..but it's no ordinary piece of sports equipment. | 0:40:23 | 0:40:27 | |
It's all to do with the provenance. | 0:40:27 | 0:40:30 | |
This bat is signed by both the English and the Australian sides | 0:40:30 | 0:40:35 | |
playing in the 1936 Ashes series. | 0:40:35 | 0:40:38 | |
Every player has signed this bat, | 0:40:41 | 0:40:44 | |
and the two most distinguished players | 0:40:44 | 0:40:47 | |
were Englishman Walter Hammond | 0:40:47 | 0:40:49 | |
and Australian Donald Bradman. | 0:40:49 | 0:40:52 | |
Now, Bradman, the Australian captain, | 0:40:53 | 0:40:55 | |
is the man who is widely acknowledged | 0:40:55 | 0:40:58 | |
to be the greatest player to have ever wielded the willow. | 0:40:58 | 0:41:02 | |
And he single-handedly buried the English | 0:41:03 | 0:41:08 | |
in the deluge of runs in 1936. | 0:41:08 | 0:41:12 | |
So, Jenny and Peter, over to you. | 0:41:13 | 0:41:16 | |
-OK. -PETER LAUGHS | 0:41:16 | 0:41:18 | |
I don't know very much about cricket, so I... | 0:41:19 | 0:41:23 | |
Neither do I. This is a one-of-a-kind piece. | 0:41:23 | 0:41:26 | |
Then, on the other hand, you did take kind of a fancy to this. | 0:41:26 | 0:41:30 | |
I think I like the jar more. | 0:41:30 | 0:41:32 | |
OK, look, you came into this as the picker. | 0:41:33 | 0:41:35 | |
-I'm going to let the final choice up to you. -Oh, OK. | 0:41:35 | 0:41:38 | |
You've been doing so well so far. | 0:41:38 | 0:41:39 | |
I think the cricket bat might be worth more... | 0:41:41 | 0:41:44 | |
..but as I don't know very much about cricket, | 0:41:46 | 0:41:48 | |
I'm going to go with the jar. | 0:41:48 | 0:41:50 | |
OK. We're going to go with the jar, please. | 0:41:50 | 0:41:52 | |
The jar? | 0:41:52 | 0:41:54 | |
Which means you have won its worth in cash. | 0:41:54 | 0:41:57 | |
But before we tell you its value, | 0:41:57 | 0:41:59 | |
David, please tell us what they have rejected. | 0:41:59 | 0:42:03 | |
Sport is massive... | 0:42:03 | 0:42:05 | |
-Yeah. -..and sports memorabilia is huge. | 0:42:05 | 0:42:08 | |
And it gets bigger and bigger, | 0:42:08 | 0:42:11 | |
the bigger the names. | 0:42:11 | 0:42:13 | |
And in the world of cricket from this period, | 0:42:13 | 0:42:16 | |
in the early to mid-20th century, | 0:42:16 | 0:42:18 | |
you can't get much bigger names than those guys. | 0:42:18 | 0:42:21 | |
That, in an auction, today, | 0:42:21 | 0:42:24 | |
I would fully expect a collector | 0:42:24 | 0:42:27 | |
to dip into his pocket and pull out... | 0:42:27 | 0:42:30 | |
£1,000. | 0:42:30 | 0:42:32 | |
-PETER EXHALES -Wow. | 0:42:32 | 0:42:33 | |
-Really? -That's what you've given away. | 0:42:35 | 0:42:38 | |
-£1,000 was on the table and it's gone. -It's gone. | 0:42:39 | 0:42:43 | |
OK, David, please tell us how much they HAVE won with the jar. | 0:42:43 | 0:42:47 | |
No, you went with your heart, | 0:42:47 | 0:42:49 | |
and this business is all about passion, instinct | 0:42:49 | 0:42:53 | |
and going with your heart, | 0:42:53 | 0:42:55 | |
and that today has won you... | 0:42:55 | 0:42:57 | |
..£500. | 0:42:57 | 0:42:59 | |
Sorry. | 0:43:01 | 0:43:02 | |
Congratulations. You're going home with £500. | 0:43:04 | 0:43:06 | |
-Thank you. -David, thank you very much, of course, | 0:43:06 | 0:43:08 | |
for lending us all your expertise. | 0:43:08 | 0:43:10 | |
-Hope we see you again soon. -Thank you. | 0:43:10 | 0:43:12 | |
And I'm looking forward to seeing you next time, | 0:43:12 | 0:43:14 | |
when more teams will be trying to spot the lot to win the lot | 0:43:14 | 0:43:16 | |
on For What It's Worth. Goodbye for now. Bye. | 0:43:16 | 0:43:19 | |
APPLAUSE | 0:43:19 | 0:43:20 |