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Hello and welcome to For What It's Worth, | 0:00:14 | 0:00:17 | |
the show that offers a fabulous mix | 0:00:17 | 0:00:19 | |
of quiz questioning and antique analysis. | 0:00:19 | 0:00:21 | |
Three pairs of contestants are ready to play. | 0:00:21 | 0:00:24 | |
Each team has a quizzer who has to answer | 0:00:24 | 0:00:26 | |
a general knowledge question correctly | 0:00:26 | 0:00:28 | |
so that their partner, the picker, has a chance to choose an antique | 0:00:28 | 0:00:31 | |
or collectable and build a collection. | 0:00:31 | 0:00:34 | |
So, the aim of the game is to amass the most valuable collection. | 0:00:34 | 0:00:38 | |
Now, an antique must be well-loved and have a patina of age. | 0:00:38 | 0:00:42 | |
Talking of which, our expert today is David Harper. | 0:00:42 | 0:00:45 | |
Oh, very amusing! | 0:00:45 | 0:00:47 | |
-Some things get better with age, Fern. -Apparently. | 0:00:50 | 0:00:53 | |
-Yeah, so they say. -I'm waiting. | 0:00:53 | 0:00:54 | |
David, please tell us what lots we're playing for today. | 0:00:54 | 0:00:58 | |
Teams, today for your consideration, | 0:00:58 | 0:01:01 | |
we have a watch and lighter, | 0:01:01 | 0:01:05 | |
a bowl, | 0:01:05 | 0:01:06 | |
a pendant, | 0:01:06 | 0:01:08 | |
a gravy boat, | 0:01:08 | 0:01:10 | |
a toy car, | 0:01:10 | 0:01:13 | |
some figures, | 0:01:13 | 0:01:14 | |
a book, | 0:01:14 | 0:01:16 | |
a writing slope, | 0:01:16 | 0:01:18 | |
a shotgun, | 0:01:18 | 0:01:20 | |
a necklace, | 0:01:20 | 0:01:23 | |
a lithograph, | 0:01:23 | 0:01:24 | |
and then finally, a coin. | 0:01:24 | 0:01:26 | |
What a collection! | 0:01:26 | 0:01:28 | |
OK, now one of those items is our top lot, | 0:01:28 | 0:01:31 | |
which is worth a whopping £2,500. | 0:01:31 | 0:01:34 | |
That of course is the lot to spot because at the end of the show, | 0:01:34 | 0:01:38 | |
the winning pair will walk away with the cash equivalent | 0:01:38 | 0:01:41 | |
of one of their chosen items. | 0:01:41 | 0:01:43 | |
But beware, because the lots decrease in value right down | 0:01:43 | 0:01:48 | |
to our worthless lot, which is the lot to avoid. | 0:01:48 | 0:01:51 | |
So, let's meet our teams. | 0:01:51 | 0:01:53 | |
Team one, who are you? | 0:01:53 | 0:01:55 | |
I'm Ian and this is my darling wife, Vicky. | 0:01:55 | 0:01:58 | |
And we met 25 years ago through the personal ads in the newspaper | 0:01:58 | 0:02:04 | |
and we've been together ever since. | 0:02:04 | 0:02:05 | |
Oh, a lovely happy ending. | 0:02:05 | 0:02:07 | |
We'll find out a bit more about you later on. Welcome though, team one. | 0:02:07 | 0:02:11 | |
Team two, who are you? | 0:02:11 | 0:02:12 | |
Hello, I'm James and this is my father, Nigel. | 0:02:12 | 0:02:15 | |
We're from West Sussex and we love haggling at boot sales. | 0:02:15 | 0:02:19 | |
Oh, I like that too! Welcome, team two. | 0:02:19 | 0:02:22 | |
And team three, who are you? | 0:02:22 | 0:02:23 | |
I'm Rachel and this is my friend Kirsten. | 0:02:23 | 0:02:26 | |
-And we like travelling the country looking for antiques. -Do you? | 0:02:26 | 0:02:29 | |
-Are you successful? -Sometimes. -Mostly, yes. | 0:02:29 | 0:02:32 | |
Welcome, team three. | 0:02:32 | 0:02:34 | |
OK, earlier, our teams got to inspect our lots | 0:02:34 | 0:02:37 | |
watched over by David. | 0:02:37 | 0:02:39 | |
But could they are separate antique from shabby chic? Let's see. | 0:02:39 | 0:02:43 | |
-Oh, wow! -Whoa! -Look at this, an Aladdin's cave. | 0:02:45 | 0:02:49 | |
This is nice. | 0:02:49 | 0:02:50 | |
There's just some really unusual things here. | 0:02:50 | 0:02:52 | |
I do like that a lot. | 0:02:56 | 0:02:58 | |
It looks like a typewriter. Shall I see if I can open it? | 0:02:58 | 0:03:00 | |
Typewriter? Never heard them described as a typewriter. | 0:03:00 | 0:03:03 | |
This is a Boulle writing desk, Boulle writing slope, | 0:03:03 | 0:03:06 | |
approximately 1860. | 0:03:06 | 0:03:08 | |
Oh! Who is this guy? | 0:03:08 | 0:03:10 | |
1950s pedal car, I remember these. | 0:03:11 | 0:03:14 | |
-I know who would like playing with that. -Yeah. -Me. -You? | 0:03:14 | 0:03:18 | |
Me too. | 0:03:18 | 0:03:19 | |
I've no idea about that, have you? | 0:03:19 | 0:03:21 | |
-Oh, wow. Lithograph! Sketches in Scotland! -Look. | 0:03:23 | 0:03:28 | |
"North entrance to Rosslyn Chapel." | 0:03:28 | 0:03:30 | |
Does that ring any bells? | 0:03:30 | 0:03:32 | |
-Oh, goodness me. -Da Vinci Code. -Yeah, Da Vinci. | 0:03:32 | 0:03:35 | |
Now I'm going to leave you this one because this is your field. | 0:03:36 | 0:03:39 | |
I really have nothing to say about the shotgun. | 0:03:39 | 0:03:41 | |
Is it a nice stock? | 0:03:41 | 0:03:43 | |
Don't look down there! | 0:03:43 | 0:03:44 | |
-Joseph Lang and Son. -Joseph Lang. -So, it's English. | 0:03:44 | 0:03:48 | |
This is plastic. | 0:03:49 | 0:03:51 | |
It's not gold, I don't think. | 0:03:51 | 0:03:54 | |
Is it gold, is it plastic? | 0:03:54 | 0:03:56 | |
It's definitely... That's costume jewellery, isn't it? | 0:03:56 | 0:03:58 | |
It's a George II crown. | 0:04:02 | 0:04:06 | |
-That's Roman. -Something the Second? -The picture's still clear, isn't it? | 0:04:06 | 0:04:09 | |
Which makes me feel as though it maybe isn't that old. | 0:04:09 | 0:04:12 | |
-Quite a fancy gravy boat, isn't it? -It is. | 0:04:13 | 0:04:15 | |
Walker & Hall, Sheffield, England, '76. | 0:04:15 | 0:04:18 | |
That's right, always have a look at the bottom. | 0:04:18 | 0:04:20 | |
Is that a watch, is it a lighter? | 0:04:21 | 0:04:24 | |
-That's handy. -It is, it's nice. | 0:04:24 | 0:04:26 | |
You would buy that if you saw it in an auction. | 0:04:26 | 0:04:28 | |
Very Deco looking, isn't it? | 0:04:28 | 0:04:30 | |
-Probably 1960s, 1970s. -I'm not a fan of that. | 0:04:32 | 0:04:35 | |
It could be Murano glass. | 0:04:35 | 0:04:37 | |
Is it Murano? | 0:04:37 | 0:04:38 | |
I thought they might know. | 0:04:38 | 0:04:40 | |
-VICKY: -Winston Churchill. | 0:04:42 | 0:04:44 | |
It's signed and it's a first addition, | 0:04:44 | 0:04:46 | |
-it might be very valuable, I would have thought. -Yeah. | 0:04:46 | 0:04:49 | |
It's not a book I've heard of. | 0:04:49 | 0:04:50 | |
I'm very surprised. | 0:04:50 | 0:04:52 | |
-That's a sort of pendant. -Mother of pearl? | 0:04:54 | 0:04:56 | |
But I think they're playing polo, which is interesting. | 0:04:56 | 0:05:00 | |
Pretty, it's quite old. Look at the filigree around the side. | 0:05:00 | 0:05:03 | |
Dangerous pair, these two. | 0:05:03 | 0:05:05 | |
These are nice, if they're genuine. | 0:05:07 | 0:05:09 | |
Do you think old or just badly made? | 0:05:09 | 0:05:11 | |
Oh, how dare you? | 0:05:11 | 0:05:13 | |
I don't think they're that valuable. | 0:05:13 | 0:05:15 | |
-For the top lot, we'll go for the writing slope or the car. -Yeah. | 0:05:16 | 0:05:21 | |
In the bottom lot, definitely the necklace. | 0:05:21 | 0:05:23 | |
The shotgun's the highest priced item. | 0:05:23 | 0:05:26 | |
And the worthless item, potentially the bowl. | 0:05:26 | 0:05:29 | |
So, we're saying, writing slope's the top item | 0:05:29 | 0:05:32 | |
and we're writing off the necklace as worthless. | 0:05:32 | 0:05:35 | |
OK, let's leave it there! | 0:05:35 | 0:05:37 | |
What did you think of their knowledge | 0:05:39 | 0:05:41 | |
as they walked around in there, David? | 0:05:41 | 0:05:43 | |
Quite surprising, actually. A lot of good knowledge. | 0:05:43 | 0:05:46 | |
Not always in the right order or on the right objects. | 0:05:46 | 0:05:48 | |
-However, the knowledge was great. -A-ha. | 0:05:48 | 0:05:50 | |
Now, how do we arrive at the valuation of the lots? | 0:05:50 | 0:05:53 | |
OK, the values for each lot have been agreed between myself | 0:05:53 | 0:05:57 | |
and an independent valuer. | 0:05:57 | 0:05:59 | |
They're based on the hammer price an item might be expected to make | 0:05:59 | 0:06:03 | |
in auction when it doesn't include the auction fees. | 0:06:03 | 0:06:07 | |
And just to add an extra twist, we have our mystery lot. | 0:06:07 | 0:06:11 | |
It could be worth thousands or it could be worth nothing at all. | 0:06:11 | 0:06:14 | |
That is for our winners to decide a little bit later. | 0:06:14 | 0:06:17 | |
But for now, it is time for round one. | 0:06:17 | 0:06:20 | |
I'm going to ask eight general knowledge questions. | 0:06:23 | 0:06:26 | |
Pickers, before each one, I'm going to ask you to select which lot | 0:06:26 | 0:06:31 | |
you would like to be playing for and then quizzers, if you buzz in | 0:06:31 | 0:06:34 | |
with the correct answer, you will get to add that lot | 0:06:34 | 0:06:37 | |
to your collection, OK? | 0:06:37 | 0:06:38 | |
But beware, because if you buzz in incorrectly, | 0:06:38 | 0:06:41 | |
you will be frozen out of the next question. | 0:06:41 | 0:06:43 | |
OK, pickers. Please make your first pick now. | 0:06:43 | 0:06:46 | |
Let's see what you've chosen. | 0:06:49 | 0:06:51 | |
Ian and Vicky, you've gone for the shotgun. | 0:06:52 | 0:06:55 | |
James and Nigel for the writing slope | 0:06:55 | 0:06:57 | |
and Rachel and Kirsten have gone for the writing slope too. | 0:06:57 | 0:07:00 | |
So, there's a battle on our hands already. | 0:07:00 | 0:07:02 | |
Quizzers, fingers on the buzzers, please. | 0:07:02 | 0:07:04 | |
Here comes question number one. | 0:07:04 | 0:07:06 | |
Which group won the Eurovision Song Contest in 1981 | 0:07:06 | 0:07:08 | |
with Making Your Mind Up? | 0:07:08 | 0:07:10 | |
Er, Bucks Fizz. | 0:07:11 | 0:07:12 | |
It is Bucks Fizz, well done. | 0:07:12 | 0:07:14 | |
The writing slope is yours. | 0:07:14 | 0:07:16 | |
-Lovely. -Here we go. | 0:07:16 | 0:07:18 | |
Pickers, would you like to choose something else, please? | 0:07:18 | 0:07:21 | |
Ian and Vicky have gone for the shotgun again. | 0:07:23 | 0:07:25 | |
James and Nigel have gone for the figures | 0:07:25 | 0:07:28 | |
and Rachel and Kirsten have gone for the toy car. | 0:07:28 | 0:07:31 | |
Question two. | 0:07:31 | 0:07:32 | |
What instrument does Marilyn Monroe's character Sugar Kane play | 0:07:32 | 0:07:35 | |
in Some Like It Hot? | 0:07:35 | 0:07:37 | |
I'm going to have to tell you. | 0:07:40 | 0:07:42 | |
It was the ukulele. | 0:07:42 | 0:07:43 | |
OK, pick again, please. | 0:07:43 | 0:07:45 | |
And let's see what you've chosen. | 0:07:47 | 0:07:49 | |
Ian and Vicky have gone for the book. | 0:07:50 | 0:07:53 | |
James and Nigel have stuck with the figures, | 0:07:53 | 0:07:56 | |
Rachel and Kirsten have stuck with the toy car. | 0:07:56 | 0:07:58 | |
Here we go, question three. | 0:07:58 | 0:07:59 | |
Sri Lanka is located off the south coast of which Asian country? | 0:07:59 | 0:08:03 | |
Africa. | 0:08:03 | 0:08:05 | |
No! It's India. | 0:08:05 | 0:08:08 | |
Oh, I'm sorry, Ian! | 0:08:08 | 0:08:10 | |
I'm sorry, you are frozen out of the next question. | 0:08:10 | 0:08:13 | |
Here we go. | 0:08:13 | 0:08:14 | |
Pickers, would you like to choose something else, please? | 0:08:14 | 0:08:17 | |
Let's see what you've chosen. | 0:08:17 | 0:08:18 | |
James and Nigel sticking with the figures. | 0:08:20 | 0:08:22 | |
Rachel and Kirsten have gone for the watch and lighter. | 0:08:22 | 0:08:25 | |
Question four. | 0:08:25 | 0:08:26 | |
In US currency, how many cents are equal to a nickel? | 0:08:26 | 0:08:29 | |
-Yes, Rachel? -16. | 0:08:31 | 0:08:33 | |
Entire guess. | 0:08:33 | 0:08:35 | |
Five. | 0:08:35 | 0:08:36 | |
But 16, why not? | 0:08:36 | 0:08:38 | |
-You are frozen out but it means that Ian and Vicky are back in. -Hurray! | 0:08:38 | 0:08:42 | |
So, Vicky and Nigel, please pick something. | 0:08:42 | 0:08:44 | |
Let's see what you've chosen. | 0:08:44 | 0:08:46 | |
Ian and Vicky, gone for the shotgun again. | 0:08:47 | 0:08:49 | |
-James and Nigel really want those figures. -Oh, yes. -Question five. | 0:08:49 | 0:08:53 | |
In astronomy, the Latin name of which constellation | 0:08:53 | 0:08:56 | |
translates as water bearer? | 0:08:56 | 0:08:58 | |
-Yes, Ian? -Aquarius. -Correct, the shotgun's finally yours. | 0:09:00 | 0:09:04 | |
Rachel and Kirsten, | 0:09:04 | 0:09:05 | |
you're now back in. | 0:09:05 | 0:09:06 | |
Pickers, please pick something else. | 0:09:06 | 0:09:08 | |
Ian and Vicky have chosen the watch and the lighter, | 0:09:11 | 0:09:13 | |
James and Nigel the silver gravy boat. | 0:09:13 | 0:09:16 | |
And Rachel and Kirsten, the pendant. | 0:09:16 | 0:09:18 | |
Question six, quizzers. | 0:09:18 | 0:09:20 | |
In The Flintstones, what is the name of Barney Rubble's wife? | 0:09:20 | 0:09:24 | |
Wilma. | 0:09:26 | 0:09:27 | |
-That's Fred's wife. -Oh! | 0:09:27 | 0:09:28 | |
-It's Betty. -Having such a bad day! -Betty Rubble. | 0:09:28 | 0:09:31 | |
Rachel, I'm sorry, you're frozen out. | 0:09:31 | 0:09:34 | |
Vicky and Nigel, your chance to pick again. | 0:09:34 | 0:09:36 | |
Let's see what you've chosen. | 0:09:37 | 0:09:39 | |
Ian and Vicky, you've gone for the figures this time. | 0:09:40 | 0:09:43 | |
James and Nigel sticking with the gravy boat. | 0:09:43 | 0:09:46 | |
Question seven, quizzers. | 0:09:46 | 0:09:48 | |
Which popular English cheese is named after the caves in Somer...? | 0:09:48 | 0:09:52 | |
-Cheddar. -It is Cheddar. | 0:09:52 | 0:09:54 | |
The full question is, which popular English cheese is named after | 0:09:54 | 0:09:57 | |
the caves in Somerset where it was originally stored to ripen? | 0:09:57 | 0:10:00 | |
Cheddar is, of course, the answer, | 0:10:00 | 0:10:02 | |
-the gravy boat is yours. -Yes! | 0:10:02 | 0:10:04 | |
Final question. You're all in this one so pickers, please pick. | 0:10:04 | 0:10:08 | |
Let's see what you've chosen. | 0:10:10 | 0:10:12 | |
Ian and Vicky have gone still with the watch and the lighter. | 0:10:13 | 0:10:17 | |
James and Nigel have gone back to the figures. | 0:10:17 | 0:10:20 | |
Rachel and Kirsten have gone back to the watch and the lighter. | 0:10:20 | 0:10:23 | |
Final question. | 0:10:23 | 0:10:24 | |
A short form of which sport is known as pitch and putt? | 0:10:24 | 0:10:28 | |
-Golf. -It is golf, | 0:10:28 | 0:10:29 | |
-the figures are yours. -Yes! -At last. | 0:10:29 | 0:10:32 | |
At the end of round one, | 0:10:32 | 0:10:33 | |
let's see how we're doing. | 0:10:33 | 0:10:35 | |
Well, Ian and Vicky have the shotgun that they really wanted. | 0:10:35 | 0:10:37 | |
James and Nigel have the writing slope, | 0:10:37 | 0:10:39 | |
the figures and the gravy boat. | 0:10:39 | 0:10:41 | |
Rachel and Kirsten, you haven't started your collection yet | 0:10:41 | 0:10:44 | |
but don't worry, there's plenty of time. | 0:10:44 | 0:10:45 | |
So, our teams are starting to build their collections | 0:10:45 | 0:10:48 | |
but have they chosen wisely? | 0:10:48 | 0:10:50 | |
Well, before they have the chance to add more of them, | 0:10:50 | 0:10:52 | |
David is going to give each pair a fact about a lot of their choice | 0:10:52 | 0:10:56 | |
which should be everything they need to know to make a valuation. | 0:10:56 | 0:11:00 | |
Ian and Vicky, tell me a bit about yourselves. | 0:11:00 | 0:11:02 | |
-You met each other through the Lonely Hearts column. -We did. | 0:11:02 | 0:11:05 | |
-And who put the advert in? -Me. | 0:11:05 | 0:11:07 | |
And what did you say? | 0:11:07 | 0:11:09 | |
"Must like children and animals." | 0:11:09 | 0:11:11 | |
Because you had both? | 0:11:11 | 0:11:13 | |
-We both have both, yes. -How fantastic. | 0:11:13 | 0:11:15 | |
So, what was it that made you fall in love with Vicky, Ian? | 0:11:15 | 0:11:18 | |
Her smile and her personality. | 0:11:18 | 0:11:21 | |
-And she laughs at my jokes. -AUDIENCE LAUGHS | 0:11:21 | 0:11:24 | |
That's it. Well, it's very, very nice to have you here. | 0:11:24 | 0:11:28 | |
So, which lot would you like to know more about? | 0:11:28 | 0:11:30 | |
It could be something in your collection, | 0:11:30 | 0:11:32 | |
someone else's collection or something still on the grid. | 0:11:32 | 0:11:35 | |
I think we'll stick with the shotgun. | 0:11:35 | 0:11:37 | |
You do like this shotgun. | 0:11:37 | 0:11:39 | |
OK, let me tell you everything I can. | 0:11:39 | 0:11:42 | |
This is a deactivated double-barrelled shotgun | 0:11:42 | 0:11:45 | |
from the early 1900s. | 0:11:45 | 0:11:47 | |
It's in good condition, there are no visible dents | 0:11:47 | 0:11:52 | |
but there are a few handling marks on the metal. | 0:11:52 | 0:11:56 | |
And although it's deactivated and perfectly safe, | 0:11:56 | 0:12:00 | |
this item would definitely add a bit of firepower to your collection. | 0:12:00 | 0:12:04 | |
It's a lot stocked with two smoking barrels, baby! | 0:12:04 | 0:12:09 | |
-Oof! -Exactly, does that help you, Ian? | 0:12:09 | 0:12:11 | |
-Yes, thank you. -HE LAUGHS | 0:12:11 | 0:12:14 | |
Now, James and Nigel, tell me something about you. | 0:12:15 | 0:12:17 | |
James, I hear you think your parents are hoarders. | 0:12:17 | 0:12:20 | |
Definitely, you go into the lounge | 0:12:20 | 0:12:22 | |
and china hutches full of absolutely everything. | 0:12:22 | 0:12:26 | |
So, I dread to think how much time I've probably spent | 0:12:26 | 0:12:29 | |
looking at antiques and everything along those lines with them. | 0:12:29 | 0:12:32 | |
But, yes, definitely. | 0:12:32 | 0:12:34 | |
And, Nigel, you started your love of antiques | 0:12:34 | 0:12:37 | |
when you were very young, working at a National Trust house. | 0:12:37 | 0:12:40 | |
I did. I started when I was 14 as a guide at our park in Sussex. | 0:12:40 | 0:12:44 | |
And James was quite right, actually. | 0:12:44 | 0:12:46 | |
I'm afraid I collected from that age. | 0:12:46 | 0:12:47 | |
But your wife is understanding, she's the same? | 0:12:47 | 0:12:50 | |
She's very understanding. | 0:12:50 | 0:12:51 | |
One has to be fair with the wives | 0:12:51 | 0:12:53 | |
and say that they don't necessarily always see what comes in the house. | 0:12:53 | 0:12:57 | |
-I'll let you into a secret. Nor do husbands. -No! | 0:12:57 | 0:12:59 | |
THEY LAUGH Now, OK. | 0:12:59 | 0:13:02 | |
What lot would you like to know more about? | 0:13:02 | 0:13:04 | |
-I think I'd like to know about the book if possible, please. -The book? | 0:13:04 | 0:13:08 | |
Chaps, this is a first edition of Step By Step, | 0:13:08 | 0:13:12 | |
1936-1939 by Winston Churchill. | 0:13:12 | 0:13:17 | |
It's an account of the events leading up to World War II. | 0:13:17 | 0:13:21 | |
It's an extremely good copy. | 0:13:22 | 0:13:25 | |
It has its original green cloth with gilt lettering, | 0:13:25 | 0:13:28 | |
although the dust jacket spine, as you can see, | 0:13:28 | 0:13:31 | |
is just slightly browned | 0:13:31 | 0:13:33 | |
with a little hole maybe halfway down. | 0:13:33 | 0:13:36 | |
Now, there were three reprints of the book | 0:13:36 | 0:13:39 | |
during the year of its publication. | 0:13:39 | 0:13:42 | |
But there have been no paperbacks produced and no reprints since 1949 | 0:13:42 | 0:13:48 | |
other than a very scarce library issue in 1971. | 0:13:48 | 0:13:55 | |
-Does that help you? -It really does. -OK. | 0:13:55 | 0:13:58 | |
Thank you, team two. | 0:13:58 | 0:13:59 | |
Team three, Rachel and Kirsten. | 0:13:59 | 0:14:01 | |
-Rachel, you say you like a flask and an adventure? -I do, yes. | 0:14:01 | 0:14:05 | |
It is one of our favourite things to do on a weekend, | 0:14:05 | 0:14:08 | |
myself and my partner, to shoot off to the coast somewhere with a flask | 0:14:08 | 0:14:11 | |
and the dog in the back. | 0:14:11 | 0:14:13 | |
Lovely. And, Kirsten, you collect Ladybird books. | 0:14:13 | 0:14:16 | |
I do, for my daughter, Eve. | 0:14:16 | 0:14:18 | |
She had all the Puddle Lane books about this wizard | 0:14:18 | 0:14:21 | |
that lives on Puddle Lane and he's got this little black cat | 0:14:21 | 0:14:24 | |
that looks like our cat Tom. | 0:14:24 | 0:14:26 | |
They help children learn how to read when they're small. | 0:14:26 | 0:14:29 | |
Lovely. Well, which lot would you like to know more about? | 0:14:29 | 0:14:32 | |
-We would like to know more about the toy car, please. -The toy car, David. | 0:14:32 | 0:14:35 | |
OK, here we have a fabulous little pedal car | 0:14:35 | 0:14:39 | |
made by the Tri-ang toy company. | 0:14:39 | 0:14:42 | |
Manufactured in the 1950s, | 0:14:42 | 0:14:44 | |
this pedal car comes from their Monte Carlo range. | 0:14:44 | 0:14:48 | |
Signed up on the side there and featuring | 0:14:48 | 0:14:51 | |
white wheels, which is actually quite rare on a little toy car. | 0:14:51 | 0:14:56 | |
The bodywork is good, it's nice and solid. | 0:14:56 | 0:14:59 | |
This is quite a rare model. | 0:14:59 | 0:15:01 | |
But will this car hold the key to a valuable collection for you two? | 0:15:01 | 0:15:08 | |
It really should do. | 0:15:08 | 0:15:10 | |
It's time now to play round two. | 0:15:10 | 0:15:12 | |
In this round, as before, | 0:15:16 | 0:15:18 | |
the pickers will select a lot to play for and the quizzers | 0:15:18 | 0:15:21 | |
will again try and secure it by answering correctly. | 0:15:21 | 0:15:24 | |
But this time around, the lots come with their own question categories. | 0:15:24 | 0:15:28 | |
And here they are. | 0:15:28 | 0:15:30 | |
So, it works like this. | 0:15:31 | 0:15:32 | |
If you wanted the toy car, for instance, you'd have to answer | 0:15:32 | 0:15:35 | |
a question either from the landmarks category or kings & queens. | 0:15:35 | 0:15:40 | |
At the end of this round, | 0:15:40 | 0:15:42 | |
the team with the least valuable collection will be eliminated. | 0:15:42 | 0:15:45 | |
So, do choose wisely. | 0:15:45 | 0:15:47 | |
Ian and Vicky, you're up first. | 0:15:47 | 0:15:49 | |
So, Vicky, what's your lot? | 0:15:49 | 0:15:52 | |
-We'll go for the book. -The book. | 0:15:52 | 0:15:54 | |
So, Ian, landmarks or celebrity gossip? | 0:15:54 | 0:15:57 | |
-We'll go landmarks, please. -Landmarks, OK. | 0:15:57 | 0:16:00 | |
The Cerne Abbas Giant is located in which UK county? | 0:16:00 | 0:16:04 | |
Cornwall. | 0:16:04 | 0:16:06 | |
West Country, yes, but it's Dorset. | 0:16:06 | 0:16:09 | |
OK, I'm so sorry, you do not get the book. | 0:16:09 | 0:16:12 | |
James and Nigel. | 0:16:12 | 0:16:14 | |
Nigel, your turn to pick. | 0:16:14 | 0:16:15 | |
-I'd like to go for the book as well please, Fern. -The book. | 0:16:15 | 0:16:18 | |
Landmarks or celebrity gossip, James? | 0:16:18 | 0:16:21 | |
Try celebrity gossip. | 0:16:21 | 0:16:22 | |
Why not? Here we go, here's the question. | 0:16:22 | 0:16:25 | |
In 2016, Jerry Hall married which media mogul? | 0:16:25 | 0:16:28 | |
It is, Jerry Hall has just married... | 0:16:29 | 0:16:32 | |
Er, erm... | 0:16:34 | 0:16:36 | |
It's not coming, is it? | 0:16:37 | 0:16:38 | |
-It's Rupert Murdoch. -Oh, yes. | 0:16:38 | 0:16:40 | |
Rachel and Kirsten. Kirsten, what would you like to pick? | 0:16:40 | 0:16:43 | |
We would like to go for the watch and lighter, please. | 0:16:43 | 0:16:46 | |
Watch and lighter. Human body or kings & queens, Rachel? | 0:16:46 | 0:16:48 | |
-Oh, tough decision. I'll stick with human body. -Human body. | 0:16:48 | 0:16:52 | |
Here's your question. | 0:16:52 | 0:16:54 | |
Which joint in the human skeleton | 0:16:54 | 0:16:56 | |
connects the humerus to the radius and ulna? | 0:16:56 | 0:17:00 | |
-The elbow. -Correct! | 0:17:00 | 0:17:02 | |
The watch and the lighter are finally yours. | 0:17:02 | 0:17:04 | |
There we go. Now, teams. | 0:17:06 | 0:17:07 | |
From now on, you can either go for what's left on the grid | 0:17:07 | 0:17:10 | |
or you can try to steal a lot that is in a rival team's collection. | 0:17:10 | 0:17:15 | |
However, pickers be warned. | 0:17:15 | 0:17:17 | |
If you choose to steal from another team, | 0:17:17 | 0:17:20 | |
they get to choose the category which your quizzer must face, OK? | 0:17:20 | 0:17:25 | |
You cannot steal from a team who has only one lot in their collection. | 0:17:25 | 0:17:29 | |
So, Ian and Vicky and Rachel and Kirsten, you're safe. | 0:17:29 | 0:17:32 | |
James and Nigel, you are not. | 0:17:32 | 0:17:34 | |
OK, here we go. | 0:17:34 | 0:17:35 | |
Ian and Vicky, do you want to pick from the grid or steal? | 0:17:35 | 0:17:39 | |
We'll pick from the grid. | 0:17:39 | 0:17:40 | |
-What would you like? -We'll have the book. | 0:17:40 | 0:17:43 | |
The book again. OK, landmarks or celebrity gossip, Ian? | 0:17:43 | 0:17:46 | |
Er, landmarks didn't work last time, so we'll go landmarks. | 0:17:47 | 0:17:52 | |
SHE LAUGHS | 0:17:52 | 0:17:54 | |
Located in Venezuela, | 0:17:54 | 0:17:55 | |
what is the name of the world's highest waterfall? | 0:17:55 | 0:17:58 | |
I can picture it. | 0:17:59 | 0:18:00 | |
-It's quite high. -THEY LAUGH | 0:18:02 | 0:18:04 | |
-Vicky knows this, I think. Yeah, she does. -No, can't think. | 0:18:05 | 0:18:09 | |
It's not coming? OK, Vicky, would you like to tell him? | 0:18:09 | 0:18:11 | |
-The Angel Falls. -It is the Angel Falls but you don't win the book. | 0:18:11 | 0:18:16 | |
OK, James and Nigel. | 0:18:16 | 0:18:17 | |
I think we'd like to pick the book please, if we may. | 0:18:17 | 0:18:20 | |
That book is really... You've set them alight with this book. | 0:18:20 | 0:18:22 | |
-I can't help it, can I? -David! | 0:18:22 | 0:18:24 | |
OK, landmarks or celebrity gossip? | 0:18:25 | 0:18:28 | |
-Let's try landmarks. -Here we go. | 0:18:28 | 0:18:30 | |
A pyramid designed by IM Pei sits outside which museum? | 0:18:31 | 0:18:36 | |
The Louvre. | 0:18:38 | 0:18:39 | |
Correct! The book is yours. | 0:18:39 | 0:18:41 | |
Well done. | 0:18:41 | 0:18:43 | |
And there it goes | 0:18:43 | 0:18:44 | |
into your collection. | 0:18:44 | 0:18:45 | |
Right, Rachel and Kirsten. | 0:18:45 | 0:18:46 | |
What do you want? Pick or steal? | 0:18:46 | 0:18:48 | |
-We'll go for the car, please. -The toy car. -Yes, please. | 0:18:48 | 0:18:51 | |
Landmarks or kings & queens? | 0:18:51 | 0:18:53 | |
I'll go with kings & queens. | 0:18:53 | 0:18:55 | |
OK, here you go, here's your question. | 0:18:55 | 0:18:57 | |
Eleanor of Aquitaine was a Queen of France and which other country? | 0:18:57 | 0:19:02 | |
England. | 0:19:02 | 0:19:03 | |
Correct! The toy car is yours. | 0:19:03 | 0:19:06 | |
Kirsten, you're very happy | 0:19:06 | 0:19:07 | |
about that, there we go. | 0:19:07 | 0:19:09 | |
Going to start with Ian and Vicky again. Pick or steal. | 0:19:09 | 0:19:12 | |
We're going to steal. | 0:19:12 | 0:19:14 | |
-Good girl. -And we're going to steal...the book. | 0:19:14 | 0:19:17 | |
THEY LAUGH | 0:19:17 | 0:19:19 | |
All right, but, James and Nigel, | 0:19:19 | 0:19:21 | |
now you have to choose the category of question | 0:19:21 | 0:19:24 | |
you'd like Ian to answer. | 0:19:24 | 0:19:26 | |
I think we'll go celebrity gossip. | 0:19:26 | 0:19:28 | |
Celebrity gossip. | 0:19:28 | 0:19:29 | |
Whose acceptance speech did Kanye West famously interrupt | 0:19:31 | 0:19:34 | |
at an awards ceremony in 2009? | 0:19:34 | 0:19:37 | |
-Elvis Presley. -THEY LAUGH | 0:19:40 | 0:19:43 | |
That's a great answer. | 0:19:43 | 0:19:46 | |
It was Taylor Swift. | 0:19:46 | 0:19:47 | |
Well done, James and Nigel. | 0:19:47 | 0:19:49 | |
You have successfully defended the book, excellent. | 0:19:49 | 0:19:51 | |
And it's your turn now. | 0:19:51 | 0:19:53 | |
Pick or now you can steel as well. | 0:19:53 | 0:19:55 | |
I think, Fern, I would like to steal the toy car, I'm afraid. | 0:19:55 | 0:19:58 | |
That's not made her happy. | 0:19:59 | 0:20:01 | |
OK, here we go. | 0:20:01 | 0:20:03 | |
But, Rachel and Kirsten, | 0:20:03 | 0:20:04 | |
what category are you going to give James? | 0:20:04 | 0:20:07 | |
-RACHEL: -Maybe landmarks? | 0:20:07 | 0:20:08 | |
-We're going to go for landmarks, please. -Landmarks. | 0:20:08 | 0:20:11 | |
James, here we go. | 0:20:11 | 0:20:12 | |
On which island are the Moai statues? | 0:20:13 | 0:20:16 | |
Easter Island. | 0:20:16 | 0:20:18 | |
Yes! The car is going | 0:20:18 | 0:20:20 | |
into your collection. | 0:20:20 | 0:20:21 | |
-Well answered. -Thank you. -Very good. | 0:20:23 | 0:20:26 | |
Rachel and Kirsten, pick or steal. | 0:20:26 | 0:20:29 | |
I think we will go for the pendant, please. | 0:20:29 | 0:20:33 | |
The pendant, OK. | 0:20:33 | 0:20:35 | |
Rachel, human body, celebrity gossip? | 0:20:35 | 0:20:37 | |
I'm going to stick with the human body | 0:20:38 | 0:20:41 | |
and hopefully not make a fool of myself. | 0:20:41 | 0:20:43 | |
No pressure! | 0:20:43 | 0:20:45 | |
Somnambulism is the formal name given to what disorder? | 0:20:45 | 0:20:50 | |
Somnambulism... | 0:20:50 | 0:20:51 | |
A burst eardrum, it's an entire guess. | 0:20:54 | 0:20:56 | |
Oh, burst eardrum? | 0:20:56 | 0:20:57 | |
That came left of field. | 0:20:57 | 0:20:59 | |
Well no, it's sleepwalking. | 0:20:59 | 0:21:00 | |
OK, the pendant is not yours. | 0:21:00 | 0:21:02 | |
It's the end of the round. | 0:21:02 | 0:21:04 | |
Let's see how the collections are looking. | 0:21:04 | 0:21:07 | |
Well, Ian and Vicky have the shotgun, | 0:21:07 | 0:21:09 | |
James and Nigel have the writing slope, the gravy boat, | 0:21:09 | 0:21:14 | |
the figures, the book and the toy car. | 0:21:14 | 0:21:18 | |
Rachel and Kirsten have the watch and lighter. | 0:21:18 | 0:21:22 | |
For one team, this is now the end of the road | 0:21:22 | 0:21:24 | |
and the team with the least valuable collection will now be eliminated. | 0:21:24 | 0:21:29 | |
So, David, which pair is leaving us first? | 0:21:29 | 0:21:31 | |
Oh, Fern, I really do hate this bit but I can announce, teams, | 0:21:31 | 0:21:35 | |
the pair leaving us first is... | 0:21:35 | 0:21:38 | |
Oh, you two, you tried so hard! | 0:21:42 | 0:21:43 | |
-It's Rachel and Kirsten, I'm so sorry. -Oh, no! | 0:21:43 | 0:21:46 | |
Not a surprise. | 0:21:46 | 0:21:48 | |
Oh, that's very, very sad. | 0:21:48 | 0:21:49 | |
Not only are you leaving the game but unfortunately, | 0:21:49 | 0:21:52 | |
the watch and the lighter leave the game too. | 0:21:52 | 0:21:54 | |
So before you go, let's find out though | 0:21:54 | 0:21:56 | |
-how much your watch and lighter are worth. -Right, you two. | 0:21:56 | 0:22:00 | |
You really did like this, particularly you, Rachel. | 0:22:00 | 0:22:03 | |
You said it was handy, I think. | 0:22:03 | 0:22:05 | |
I mean, handy? More like dangerous. | 0:22:05 | 0:22:07 | |
That thing in your pocket, | 0:22:07 | 0:22:09 | |
you check the time, you set your trousers on fire! | 0:22:09 | 0:22:11 | |
No wonder they didn't make very many of them. | 0:22:11 | 0:22:13 | |
But this thing, it's a novelty item. | 0:22:13 | 0:22:16 | |
It was an item that was produced during the 1920s in America. | 0:22:16 | 0:22:20 | |
It combines two major status symbols of the early 20th century - | 0:22:20 | 0:22:26 | |
the cigarette lighter and the pocket watch. | 0:22:26 | 0:22:30 | |
The watch face displays a square metal dial with Arabic numerals, | 0:22:30 | 0:22:36 | |
blue steel hands and a nickel-plated face. | 0:22:36 | 0:22:40 | |
It's not badly chosen. | 0:22:40 | 0:22:42 | |
-It's worth £150, so well done. -Oh, wow. | 0:22:42 | 0:22:44 | |
Rachel and Kirsten, it is time to say goodbye to you. | 0:22:44 | 0:22:47 | |
It's been a joy to meet you and have you here. | 0:22:47 | 0:22:49 | |
And thank you so much for playing For What It's Worth. | 0:22:49 | 0:22:52 | |
-Thank you. -APPLAUSE | 0:22:52 | 0:22:55 | |
And also, the unclaimed items in the grid are now leaving the game | 0:22:57 | 0:23:01 | |
so let's quickly find out from David what they are worth | 0:23:01 | 0:23:04 | |
and if the top lot is still in the game. | 0:23:04 | 0:23:07 | |
OK, right then, teams. | 0:23:07 | 0:23:08 | |
First of all, let's start with the lithograph. | 0:23:08 | 0:23:11 | |
Based on a 19th-century piece by the Scottish artist Samuel Swarbreck. | 0:23:11 | 0:23:17 | |
Now this example is well framed, it's in excellent condition | 0:23:17 | 0:23:22 | |
and just as a matter of note, | 0:23:22 | 0:23:24 | |
the artist also has works that are included in the Royal Collection. | 0:23:24 | 0:23:30 | |
The feature of this lot is Rosslyn Chapel. | 0:23:31 | 0:23:35 | |
It has featured in all sorts of theories concerning connections | 0:23:35 | 0:23:39 | |
to Freemasonry, the Knights Templar and even the Holy Grail. | 0:23:39 | 0:23:45 | |
What does that make it worth? | 0:23:45 | 0:23:47 | |
-A shocking 30 quid. Well done! -No! | 0:23:48 | 0:23:51 | |
Well done. Get rid of that one. | 0:23:51 | 0:23:54 | |
Right, next, we have the Murano bowl. | 0:23:54 | 0:23:58 | |
Well spotted, I think you all mentioned that it was a Murano. | 0:23:58 | 0:24:01 | |
Funky thing, this is a glass splash bowl dating from the 1960s. | 0:24:01 | 0:24:08 | |
Now, Murano has been producing glass for literally | 0:24:08 | 0:24:12 | |
hundreds of years and they're still producing it today. | 0:24:12 | 0:24:17 | |
It's believed that the splash style originated | 0:24:17 | 0:24:20 | |
when glass workers took the leftover molten glass | 0:24:20 | 0:24:24 | |
and played around with it. So they threw it | 0:24:24 | 0:24:26 | |
and chucked it on the floor, causing this great big splash of glass, | 0:24:26 | 0:24:31 | |
then the design, splash, was invented | 0:24:31 | 0:24:34 | |
and it became incredibly popular. | 0:24:34 | 0:24:37 | |
So, what does that make this one worth? | 0:24:37 | 0:24:40 | |
-It's 50 quid, well done. -Oh. | 0:24:40 | 0:24:42 | |
OK, we have a beautiful gold necklace | 0:24:43 | 0:24:49 | |
produced in the 1950s. | 0:24:49 | 0:24:52 | |
It's a textured gold with a braided rope design. | 0:24:52 | 0:24:56 | |
It's nine-carat gold. | 0:24:56 | 0:24:59 | |
Nobody spotted that. | 0:24:59 | 0:25:01 | |
It has a trigger catch and is in excellent condition. | 0:25:01 | 0:25:05 | |
-So, that rubbish tat of a necklace... -Uh-oh. | 0:25:06 | 0:25:11 | |
Vicky, is worth what? | 0:25:11 | 0:25:13 | |
-Hundred quid. -£700, madam! | 0:25:13 | 0:25:15 | |
-Wow. -Hmm, you've blown that one. | 0:25:15 | 0:25:19 | |
-We got that wrong. -OK, this is the pendant. | 0:25:19 | 0:25:22 | |
Of Persian origin. | 0:25:22 | 0:25:24 | |
It's a lovely design, it's been painstakingly hand-painted | 0:25:24 | 0:25:28 | |
on a mother of pearl background set in gilt. | 0:25:28 | 0:25:32 | |
Now, the maker of this one is unknown | 0:25:32 | 0:25:35 | |
but it's unlikely to be of anyone of any significance. | 0:25:35 | 0:25:39 | |
You all liked it. Nobody chose it. | 0:25:39 | 0:25:43 | |
You were right not to choose it. | 0:25:43 | 0:25:45 | |
It's the worthless lot. | 0:25:45 | 0:25:47 | |
-Well done! -Well done. | 0:25:47 | 0:25:49 | |
Got rid of the worthless one. | 0:25:49 | 0:25:52 | |
OK, finally, this is a Charles II | 0:25:52 | 0:25:56 | |
silver half-crown. | 0:25:56 | 0:25:59 | |
Now, they were produced between 1660 and 1685. | 0:25:59 | 0:26:04 | |
This is the first issue hammered coin. | 0:26:04 | 0:26:09 | |
And this particular coin was hammered in 1679. | 0:26:09 | 0:26:15 | |
Now this means, Fern, that this coin was struck by hand. | 0:26:16 | 0:26:21 | |
Just after this period, | 0:26:21 | 0:26:23 | |
mass production machine-made coins were introduced. | 0:26:23 | 0:26:27 | |
And look at it, study it. | 0:26:27 | 0:26:29 | |
This coin is fully round. | 0:26:29 | 0:26:33 | |
It's not misshapen and is considered to be rare. | 0:26:33 | 0:26:38 | |
So, what is a quite rare, very good Charles II silver coin worth? | 0:26:38 | 0:26:44 | |
James? | 0:26:46 | 0:26:47 | |
-£1,000. -It's worth more! | 0:26:48 | 0:26:50 | |
-It's the top lot, £2,500. -Oh, no! No, no! | 0:26:50 | 0:26:54 | |
-Really? -Yes! Nobody mentioned it in the game, nobody. | 0:26:54 | 0:26:58 | |
Wow, that's very bad news. | 0:26:59 | 0:27:01 | |
Good news that we lost the bottom lot | 0:27:01 | 0:27:04 | |
but not so good that we've lost the top lot. | 0:27:04 | 0:27:06 | |
So, teams, you now have one last chance to pick our expert's brains. | 0:27:06 | 0:27:11 | |
So, which lot do you need to know more about? | 0:27:11 | 0:27:14 | |
Ian and Vicky, what would you like to know about? | 0:27:14 | 0:27:16 | |
The writing slope. | 0:27:16 | 0:27:18 | |
The writing slope. | 0:27:18 | 0:27:20 | |
It's a French Boulle writing slope, you picked up on that, Nigel. | 0:27:20 | 0:27:24 | |
This slope was manufactured somewhere around the 1860s. | 0:27:24 | 0:27:28 | |
It features engraved brass on the outside edge and folds out, | 0:27:28 | 0:27:33 | |
revealing a slightly worn felt interior, | 0:27:33 | 0:27:37 | |
which I think adds a lot of character, in actual fact. | 0:27:37 | 0:27:39 | |
Now, under the lid are stationary compartments | 0:27:39 | 0:27:42 | |
and an area for storing papers. And it comes with its original inkwell. | 0:27:42 | 0:27:47 | |
-But, Vicky, does it have the charm to make it one to watch? -Hmm. | 0:27:47 | 0:27:52 | |
Maybe, maybe. | 0:27:52 | 0:27:54 | |
Right, James and Nigel? | 0:27:54 | 0:27:56 | |
Fern, could we ask more about the Walker & Hall gravy boat, please? | 0:27:56 | 0:28:00 | |
OK, this is an unusual sterling silver gravy boat. | 0:28:00 | 0:28:05 | |
It's an argyle or covered gravy holder, | 0:28:05 | 0:28:09 | |
which are usually made of silver and contain a detachable | 0:28:09 | 0:28:12 | |
central vessel which is surrounded by hot water to keep the gravy warm. | 0:28:12 | 0:28:17 | |
Now, this particular argyle is unusual | 0:28:17 | 0:28:21 | |
because of the engraved design. | 0:28:21 | 0:28:23 | |
They were usually plain, functional objects and not as highly decorated | 0:28:23 | 0:28:29 | |
as other larger silverware used on the dining table. | 0:28:29 | 0:28:33 | |
It's very, very posh. | 0:28:33 | 0:28:35 | |
-Does that help? -Yes. | 0:28:35 | 0:28:37 | |
Thank you. | 0:28:37 | 0:28:38 | |
It's now time for our final round, and at the end of it, | 0:28:38 | 0:28:41 | |
we'll have our winners. | 0:28:41 | 0:28:43 | |
In this round, I'm going to show you a category and 12 possible answers. | 0:28:46 | 0:28:51 | |
Now, nine of the answers are correct, three are not. | 0:28:51 | 0:28:54 | |
Each of you will then take turns to choose an answer | 0:28:54 | 0:28:57 | |
that you think is correct. | 0:28:57 | 0:28:58 | |
As it's the final round, both quizzers and pickers will play, | 0:28:58 | 0:29:02 | |
so there's nowhere to hide. | 0:29:02 | 0:29:04 | |
Pick a wrong answer | 0:29:04 | 0:29:05 | |
and your opponents will be able to steal a lot from your collection. | 0:29:05 | 0:29:09 | |
And if all nine correct answers are given, | 0:29:09 | 0:29:12 | |
then the team who gives the final correct answer will be the winners. | 0:29:12 | 0:29:16 | |
We're going to play three questions in total | 0:29:16 | 0:29:18 | |
and the pair with the most valuable collection | 0:29:18 | 0:29:21 | |
can choose to go first or second. | 0:29:21 | 0:29:23 | |
So, David, which pair has the most valuable collection? | 0:29:23 | 0:29:26 | |
Fern, the team who has the most valuable collection so far is... | 0:29:26 | 0:29:31 | |
-Nigel and James! -Oh. | 0:29:38 | 0:29:40 | |
Well done, Jamie. | 0:29:40 | 0:29:41 | |
OK, James and Nigel. You can go first and the question is... | 0:29:43 | 0:29:47 | |
Oh, goodness me! | 0:29:49 | 0:29:51 | |
So, can you spot the titles belonging to films | 0:29:51 | 0:29:53 | |
which were part of this classic British franchise? | 0:29:53 | 0:29:56 | |
James and Nigel, do you want to go first with this round | 0:29:56 | 0:29:59 | |
-or do you want to pass it to Ian and Vicky? -We'll go first, please. | 0:29:59 | 0:30:02 | |
First, OK. Let's have a look at the answers. | 0:30:02 | 0:30:04 | |
Nine of those are correct, three of them are wrong. | 0:30:07 | 0:30:10 | |
Obviously, you've got to avoid the wrong ones. So, James first. | 0:30:10 | 0:30:15 | |
Carry On Up The Khyber is a film. | 0:30:15 | 0:30:17 | |
Let's have a look. | 0:30:17 | 0:30:19 | |
It's green which means it's correct. Well done. | 0:30:21 | 0:30:24 | |
Ian, you choose. | 0:30:24 | 0:30:26 | |
-Carry On Cleo. -Carry On Cleo. | 0:30:26 | 0:30:29 | |
Correct! | 0:30:32 | 0:30:33 | |
-Nigel? -Carry On Jack. -Carry On Jack. | 0:30:33 | 0:30:37 | |
Correct. Well done. | 0:30:39 | 0:30:41 | |
-Vicky? -Carry On Henry. -Carry On Henry. | 0:30:41 | 0:30:44 | |
Correct. James, pick an answer. | 0:30:47 | 0:30:49 | |
-Carry On Cruising. -Carry On Cruising. | 0:30:51 | 0:30:53 | |
Is correct! Oh, it's getting harder now, isn't it? | 0:30:55 | 0:30:58 | |
-Ian. -Carry On Dick. | 0:30:58 | 0:31:00 | |
Carry On Dick. | 0:31:00 | 0:31:02 | |
Correct. Nigel, give me an answer. | 0:31:05 | 0:31:07 | |
I think Carry On Behind. | 0:31:07 | 0:31:10 | |
Carry On Behind, is that correct? | 0:31:10 | 0:31:12 | |
It is! Of course it's going to be. | 0:31:12 | 0:31:15 | |
Vicky, give me an answer. | 0:31:15 | 0:31:18 | |
-Carry On Boys. -Carry On Boys. | 0:31:18 | 0:31:20 | |
Is that correct? | 0:31:20 | 0:31:22 | |
Oh! | 0:31:23 | 0:31:25 | |
That was not correct. Let's have a look at the other wrong answers. | 0:31:25 | 0:31:29 | |
And the made-up ones are Carry On Kissing, Carry On At The Beach. | 0:31:29 | 0:31:33 | |
Well done, James and Nigel. | 0:31:33 | 0:31:35 | |
That means you can steal a lot from your opponents. | 0:31:35 | 0:31:37 | |
But what would you like? | 0:31:37 | 0:31:40 | |
I think, we're not sure, we might confer on this one, | 0:31:40 | 0:31:42 | |
but we'll go for the shotgun. | 0:31:42 | 0:31:44 | |
Oh, OK. The shotgun. | 0:31:44 | 0:31:46 | |
And there it is in your collection. | 0:31:48 | 0:31:51 | |
Now, Ian and Vicky. It's your turn now. | 0:31:51 | 0:31:53 | |
..according to the 2011 census. | 0:31:59 | 0:32:02 | |
Do you want to go first or second? | 0:32:02 | 0:32:04 | |
-We'll go first. -Go first, OK. Let's have a look at the answers. | 0:32:04 | 0:32:07 | |
Ian, you go first. Give me an answer. | 0:32:09 | 0:32:11 | |
Erm, Romanian looks possible. | 0:32:13 | 0:32:16 | |
-Romanian. -Romanian? | 0:32:16 | 0:32:17 | |
Let's have a look. | 0:32:17 | 0:32:19 | |
Correct, well done. James? | 0:32:20 | 0:32:22 | |
-Gujarati. -Gujarati. | 0:32:22 | 0:32:24 | |
That's correct. Vicky? | 0:32:26 | 0:32:28 | |
-Lithuanian. -Lithuanian. | 0:32:29 | 0:32:31 | |
It's correct. Nigel? | 0:32:33 | 0:32:35 | |
-I would say Portuguese. -Portuguese! | 0:32:35 | 0:32:37 | |
Yes, that's correct. | 0:32:40 | 0:32:41 | |
-Ian? -Tamil. -Tamil. | 0:32:41 | 0:32:44 | |
Yes, it is. James? | 0:32:48 | 0:32:50 | |
-Russian. -Russian. | 0:32:52 | 0:32:54 | |
-Aw! So sorry. -No, no worries. | 0:32:57 | 0:33:00 | |
OK, let's see where all the other wrong answers were. | 0:33:00 | 0:33:03 | |
Dutch, Swedish and Russian. | 0:33:03 | 0:33:06 | |
Well done, Ian and Vicky. | 0:33:06 | 0:33:08 | |
It means you can now steal a lot from your opponents. | 0:33:08 | 0:33:11 | |
What would you like? | 0:33:11 | 0:33:13 | |
The writing slope. | 0:33:13 | 0:33:14 | |
And there it goes | 0:33:16 | 0:33:17 | |
into your collection. | 0:33:17 | 0:33:18 | |
OK, third and final question. | 0:33:18 | 0:33:20 | |
This is for James and Nigel. | 0:33:20 | 0:33:22 | |
So, you need to find correct symbols for chemical elements | 0:33:26 | 0:33:29 | |
as they are displayed on the periodic table. | 0:33:29 | 0:33:32 | |
-Do you want to go first or second? -We'll go first, please. | 0:33:32 | 0:33:35 | |
First, OK, let's have a look at the board. | 0:33:35 | 0:33:37 | |
James, give me an answer. | 0:33:38 | 0:33:39 | |
-O. -O, is that correct? | 0:33:41 | 0:33:44 | |
Of course it is, it's oxygen. Well done. | 0:33:46 | 0:33:48 | |
-Ian? -C. | 0:33:48 | 0:33:51 | |
C, is that correct. | 0:33:51 | 0:33:52 | |
Yes, carbon. Good. | 0:33:54 | 0:33:57 | |
-Nigel? -I'm hoping that B is beryllium. -Beryllium? | 0:33:57 | 0:34:01 | |
-I'm hoping. -Let's see. | 0:34:01 | 0:34:03 | |
It is correct, well done. Vicky? | 0:34:05 | 0:34:07 | |
-Xe. -Xe. Let's have a check. | 0:34:09 | 0:34:13 | |
Good, well done. | 0:34:14 | 0:34:16 | |
That was xenon, in case you didn't know. James? | 0:34:16 | 0:34:19 | |
-Or. -Or. | 0:34:21 | 0:34:23 | |
-Oh! -No worry. | 0:34:28 | 0:34:30 | |
OK, let's see where the other false ones were. | 0:34:30 | 0:34:33 | |
The wrong answers. | 0:34:33 | 0:34:35 | |
Me, So, Or. | 0:34:35 | 0:34:38 | |
Everything else was real. | 0:34:38 | 0:34:40 | |
Well done, Ian and Vicky. | 0:34:40 | 0:34:42 | |
That means you can steal a lot from your opponents. What would you like? | 0:34:42 | 0:34:46 | |
-We'll have the book. -The book! | 0:34:46 | 0:34:49 | |
It's coming to your collection | 0:34:49 | 0:34:50 | |
right now. | 0:34:50 | 0:34:51 | |
That's it, your collections | 0:34:52 | 0:34:54 | |
are now complete and will determine | 0:34:54 | 0:34:56 | |
which team is victorious. | 0:34:56 | 0:34:57 | |
David, who are today's winners? | 0:34:57 | 0:35:00 | |
Wow, OK, Fern, teams, I can reveal | 0:35:00 | 0:35:04 | |
that the pair with the most valuable collection | 0:35:04 | 0:35:08 | |
and the winners of today's show are... | 0:35:08 | 0:35:11 | |
You might be surprised. | 0:35:13 | 0:35:15 | |
But maybe not, it's James and Nigel. | 0:35:15 | 0:35:17 | |
-Oh! -Thank God! -APPLAUSE | 0:35:17 | 0:35:19 | |
Well! | 0:35:23 | 0:35:24 | |
Ian and Vicky, fantastic game play but commiserations to you both. | 0:35:25 | 0:35:29 | |
You didn't create a valuable enough collection. | 0:35:29 | 0:35:31 | |
But before we say goodbye, David, | 0:35:31 | 0:35:33 | |
-what did you make of their collection? -Very, very good. | 0:35:33 | 0:35:37 | |
And I think everybody wanted that writing slope. | 0:35:37 | 0:35:40 | |
And Ian and Vicky, you did incredibly well to bag it | 0:35:40 | 0:35:43 | |
and it has a lovely valuation, | 0:35:43 | 0:35:46 | |
£600. | 0:35:46 | 0:35:47 | |
-Incredibly well chosen. -Wow. | 0:35:47 | 0:35:49 | |
Now, let's just have a quick look at the Winston Churchill book. | 0:35:50 | 0:35:55 | |
Everybody wanted it and again, you two, you bagged it. | 0:35:55 | 0:36:00 | |
And we know that Winston Churchill was a prolific writer. | 0:36:00 | 0:36:05 | |
This is the first edition | 0:36:05 | 0:36:06 | |
but there are quite a few out there in the market | 0:36:06 | 0:36:09 | |
and its value is actually a shockingly low £120. | 0:36:09 | 0:36:14 | |
Wow. | 0:36:14 | 0:36:15 | |
-But well fought for. -Very well fought for. | 0:36:15 | 0:36:18 | |
So, Ian and Vicky, your total value was a pretty respectable, | 0:36:18 | 0:36:23 | |
bearing in mind you only had two items, £720. | 0:36:23 | 0:36:26 | |
Well done. | 0:36:26 | 0:36:27 | |
You've played so very well. | 0:36:31 | 0:36:33 | |
Thank you so much for playing For What It's Worth! | 0:36:33 | 0:36:36 | |
-Thank you. -Thank you, we had a great time. | 0:36:36 | 0:36:39 | |
So, well done, James and Nigel, you are today's winners | 0:36:42 | 0:36:46 | |
and now all that remains is for you to claim your prize. | 0:36:46 | 0:36:49 | |
All you've got to do is pick one of the lots in your collection | 0:36:49 | 0:36:52 | |
and we will give you its value in cash. | 0:36:52 | 0:36:55 | |
So, which one do you want to choose? | 0:36:55 | 0:36:57 | |
I think we're torn between the gravy boat and the figures. | 0:36:59 | 0:37:02 | |
I said to James, Fern, I would actually buy the figures | 0:37:02 | 0:37:05 | |
because I love them. | 0:37:05 | 0:37:06 | |
But I'm not entirely sure they're the most valuable. | 0:37:06 | 0:37:08 | |
-I think we'll probably go with the gravy boat. -I think so. -Yes? -Yes. | 0:37:08 | 0:37:12 | |
So, you've chosen the gravy boat, | 0:37:12 | 0:37:14 | |
but before we tell you what it's worth, | 0:37:14 | 0:37:16 | |
David, please can you tell us what they have rejected? | 0:37:16 | 0:37:19 | |
Gosh, this is a really nerve-racking moment. | 0:37:19 | 0:37:22 | |
So, we're going to talk about the shotgun. James, you know your guns. | 0:37:22 | 0:37:27 | |
Its valuation, £250. | 0:37:27 | 0:37:30 | |
So, well gotten rid of. | 0:37:30 | 0:37:32 | |
-Really? -Yeah. | 0:37:32 | 0:37:34 | |
And next, we move on to, I think, my favourite object. | 0:37:34 | 0:37:39 | |
I just think this little car is drop-dead gorgeous. | 0:37:39 | 0:37:43 | |
You knew all about it, you knew it was popular. | 0:37:43 | 0:37:46 | |
Its value, £300. | 0:37:46 | 0:37:48 | |
-So, as nice as it is, good to get rid of it. -Yes. | 0:37:48 | 0:37:52 | |
Right, chaps. | 0:37:52 | 0:37:53 | |
Here is a gorgeous pair of porcelain figures | 0:37:53 | 0:37:57 | |
produced in 1758 | 0:37:57 | 0:38:01 | |
by the Bow Porcelain Factory. | 0:38:01 | 0:38:05 | |
Very difficult to determine, no maker's mark on the base. | 0:38:05 | 0:38:08 | |
This pair of musicians are in excellent condition | 0:38:08 | 0:38:12 | |
and wonderfully detailed. | 0:38:12 | 0:38:14 | |
So, now you know they're Bow, they are period, | 0:38:14 | 0:38:19 | |
Nigel, what can they be worth? | 0:38:19 | 0:38:21 | |
I would imagine that you'd be paying over £1,000 for them. | 0:38:21 | 0:38:24 | |
-Yeah, they are worth £1,500. -Yeah. | 0:38:24 | 0:38:29 | |
Ooh! Ouch! | 0:38:29 | 0:38:31 | |
OK, but it is the gravy boat that is your chosen lot. | 0:38:31 | 0:38:37 | |
You've won the value of this. | 0:38:37 | 0:38:38 | |
And just out of interest, what do you think it's worth? | 0:38:38 | 0:38:41 | |
I think about 600, something like that. | 0:38:41 | 0:38:44 | |
Yes, I would say about 600, something like that. | 0:38:44 | 0:38:46 | |
If it was 800, I wouldn't be surprised. | 0:38:46 | 0:38:48 | |
Before we tell you if you're right, can we tempt you to swap it | 0:38:48 | 0:38:52 | |
for our mystery lot which could be worth a lot more? | 0:38:52 | 0:38:55 | |
Or a little bit less. Come with me. | 0:38:55 | 0:38:57 | |
Here we are. | 0:39:02 | 0:39:04 | |
James, Nigel, this is your beautiful gravy boat. | 0:39:04 | 0:39:08 | |
As things stand, you have won its value in cash | 0:39:08 | 0:39:11 | |
but before we tell you its value, | 0:39:11 | 0:39:13 | |
David is going to tempt you with today's mystery lot. | 0:39:13 | 0:39:16 | |
Now, you cannot touch this item, chaps. | 0:39:18 | 0:39:22 | |
Here we have a menu, | 0:39:22 | 0:39:25 | |
-and napkin rings from British Airways' famous Concorde. -Concorde. | 0:39:25 | 0:39:31 | |
You've clocked that already, Nigel. | 0:39:31 | 0:39:33 | |
The napkin rings are in excellent condition, | 0:39:33 | 0:39:37 | |
they're boxed, they come as a pair. | 0:39:37 | 0:39:39 | |
The menu is from Concorde's first ever commercial flight. | 0:39:39 | 0:39:45 | |
Think about this. | 0:39:45 | 0:39:47 | |
It's signed by the plane's flight crew | 0:39:47 | 0:39:50 | |
and shows a little wear and tear | 0:39:50 | 0:39:52 | |
but is in general very good condition. | 0:39:52 | 0:39:57 | |
The first commercial flight of Concorde - I know it's hard, this - | 0:39:57 | 0:40:01 | |
of Concorde took place on January 21st, 1976. | 0:40:01 | 0:40:07 | |
As British Airways flew from Heathrow to Bahrain. | 0:40:07 | 0:40:11 | |
Now, the menu on this flight included Dom Perignon champagne, | 0:40:11 | 0:40:17 | |
-caviar... -Yeah. -..lobster, canapes. | 0:40:17 | 0:40:21 | |
This is the way you travel, Fern? This is normal to you. | 0:40:21 | 0:40:24 | |
It's elevenses, yeah. | 0:40:24 | 0:40:26 | |
But passengers on this flight were also, amazingly, | 0:40:26 | 0:40:30 | |
-can't imagine it today, offered Havana cigars. -Amazing. | 0:40:30 | 0:40:33 | |
That's the way to do it. | 0:40:33 | 0:40:35 | |
It's a piece of history here. | 0:40:35 | 0:40:38 | |
-But what's it worth? -SHE GASPS | 0:40:38 | 0:40:41 | |
I, I would say how many seats are there? | 0:40:41 | 0:40:44 | |
And that's how many napkin holders there are | 0:40:44 | 0:40:47 | |
and how many napkin rings there are. | 0:40:47 | 0:40:48 | |
I'm saying how many seats are there? That's how many menus there are. | 0:40:48 | 0:40:51 | |
-Yes. -And... | 0:40:51 | 0:40:53 | |
People did tend to take their menus off their first flights and also | 0:40:53 | 0:40:57 | |
off the first oceangoing voyage of a Cunard Line | 0:40:57 | 0:41:01 | |
or something like that. | 0:41:01 | 0:41:02 | |
It is an incredibly iconic piece and I think it's absolutely wonderful | 0:41:02 | 0:41:06 | |
and I know it would appeal to an awful lot of people. | 0:41:06 | 0:41:09 | |
But I think what we'll do is we'll probably stick to what | 0:41:09 | 0:41:11 | |
we actually wanted in the first place. Is that OK with you? | 0:41:11 | 0:41:14 | |
Is that a joint decision? | 0:41:14 | 0:41:15 | |
-HE LAUGHS -Yes. | 0:41:17 | 0:41:19 | |
-He'll kick me afterwards. -He said it, he says yes. | 0:41:19 | 0:41:22 | |
-Is that it? -Yes. -We might as well. -I think so, yes. -Yes, happy with that? | 0:41:22 | 0:41:26 | |
-Yes. -So, you're rejecting Concorde? -Yes. | 0:41:26 | 0:41:30 | |
Tell us what they've rejected. | 0:41:30 | 0:41:31 | |
-Oh, guys. Oh, my gosh. -Oh, no! | 0:41:31 | 0:41:33 | |
You've got to think of the market as it is today. | 0:41:33 | 0:41:37 | |
You know, it's all about 20th-century design. | 0:41:37 | 0:41:40 | |
You touched on all of the right words. Iconic, you know, Concorde. | 0:41:40 | 0:41:45 | |
This is modern history. | 0:41:45 | 0:41:48 | |
That is a rare thing. | 0:41:48 | 0:41:50 | |
-That's why we can't handle it. -Oh, no! | 0:41:50 | 0:41:54 | |
Chaps, you have just thrown away... | 0:41:54 | 0:41:57 | |
-..£130. -Oh. | 0:42:02 | 0:42:03 | |
-Whoo-wee! Goodness me! -Ooh. | 0:42:03 | 0:42:07 | |
Please don't do that to me at my age! | 0:42:07 | 0:42:09 | |
THEY LAUGH | 0:42:09 | 0:42:10 | |
Had I been on my own, I probably would have switched that | 0:42:10 | 0:42:13 | |
so thank you for being here. | 0:42:13 | 0:42:14 | |
When you said 130, I thought, | 0:42:14 | 0:42:15 | |
"He's going to follow it by the word thousand." | 0:42:15 | 0:42:17 | |
-HE LAUGHS -Something like that. | 0:42:17 | 0:42:19 | |
-Well, you've settled on the gravy boat. -We have. | 0:42:21 | 0:42:23 | |
David, let us know how much this is worth. | 0:42:23 | 0:42:25 | |
OK, well, I mean, this gravy boat has caused quite a stir. | 0:42:25 | 0:42:28 | |
I know the market isn't fabulously strong for traditional pieces | 0:42:28 | 0:42:34 | |
but I think your valuations are absolutely remarkable. | 0:42:34 | 0:42:39 | |
You said £6-800. You were bang on but at the top end of the estimate. | 0:42:39 | 0:42:43 | |
You're going home with £800. | 0:42:43 | 0:42:45 | |
-Yay! -Thank you! -Hooray! | 0:42:45 | 0:42:47 | |
APPLAUSE Oh, lovely. | 0:42:47 | 0:42:49 | |
-Thank you so much! -Well done. -You've done so well. | 0:42:50 | 0:42:53 | |
Well done! | 0:42:53 | 0:42:54 | |
-Pleasure to meet you. -So well played. -Really good, oh! | 0:42:54 | 0:42:59 | |
Well, you have given us such a nail-biting finish | 0:43:00 | 0:43:03 | |
and such a great show, thank you very much for that. | 0:43:03 | 0:43:05 | |
-Pleasure. -You go home with £800, £400 each. | 0:43:05 | 0:43:08 | |
-I hope you blow it on something fantastic. -We shall. | 0:43:08 | 0:43:10 | |
Yes, thank you, David, very much indeed for lending us | 0:43:10 | 0:43:13 | |
-all your expertise, as usual. -Wonderful. | 0:43:13 | 0:43:15 | |
We look forward to seeing you very soon | 0:43:15 | 0:43:17 | |
and we look forward to seeing you too when more teams | 0:43:17 | 0:43:20 | |
will be trying to spot the lot to win the lot on For What It's Worth. | 0:43:20 | 0:43:23 | |
See you next time. Goodbye for now. | 0:43:23 | 0:43:25 |