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APPLAUSE | 0:00:13 | 0:00:14 | |
Hello, and welcome to For What It's Worth, the show that quizzes you | 0:00:14 | 0:00:18 | |
with questions and asks you if you know the value of your vintage. | 0:00:18 | 0:00:22 | |
Three pairs of contestants are ready to play, and each team has a quizzer | 0:00:22 | 0:00:26 | |
who has to answer a general knowledge question correctly | 0:00:26 | 0:00:29 | |
so that their partner, the picker, | 0:00:29 | 0:00:31 | |
has a chance to choose an antique or collectable and build a collection. | 0:00:31 | 0:00:35 | |
Now, the aim of the game, of course, | 0:00:35 | 0:00:36 | |
is to amass the most valuable collection. | 0:00:36 | 0:00:39 | |
Now, some antiques are old and some antiques are gold. | 0:00:39 | 0:00:43 | |
So, please welcome our antiques expert and golden oldie, | 0:00:43 | 0:00:46 | |
Charlie Ross. | 0:00:46 | 0:00:47 | |
CHEERING AND APPLAUSE | 0:00:47 | 0:00:49 | |
Golden oldie? | 0:00:49 | 0:00:50 | |
-Welcome, Charlie. -Lovely to be here, Fern. | 0:00:52 | 0:00:54 | |
Tell us about some of the lots that we've got here. | 0:00:54 | 0:00:56 | |
Well, what have we got today? | 0:00:56 | 0:00:58 | |
We've got some fascinating objects. | 0:00:58 | 0:01:00 | |
We've got a watch stand... | 0:01:00 | 0:01:02 | |
..a sculpture, | 0:01:05 | 0:01:07 | |
a book, | 0:01:07 | 0:01:09 | |
a doll, | 0:01:09 | 0:01:11 | |
a diary, | 0:01:11 | 0:01:12 | |
a stove, | 0:01:12 | 0:01:15 | |
a paperweight, | 0:01:15 | 0:01:17 | |
a dish, | 0:01:17 | 0:01:19 | |
a cup, | 0:01:19 | 0:01:21 | |
a chair, | 0:01:21 | 0:01:23 | |
a pendant, | 0:01:23 | 0:01:25 | |
and a milk churn. | 0:01:25 | 0:01:28 | |
Mm, what a great mixture. | 0:01:28 | 0:01:31 | |
Now, one of these items is our top lot, | 0:01:31 | 0:01:33 | |
which is worth a whopping £2,500. | 0:01:33 | 0:01:36 | |
That is the lot to spot, because at the end of the show, | 0:01:36 | 0:01:38 | |
the winning pair will walk away with the cash equivalent | 0:01:38 | 0:01:41 | |
of one of their items. But beware, | 0:01:41 | 0:01:44 | |
because the lots decrease in value, right down to our worthless lot, | 0:01:44 | 0:01:47 | |
which is worth a tenner or less. | 0:01:47 | 0:01:49 | |
That is the lot to avoid, teams. | 0:01:49 | 0:01:52 | |
So, who's playing today? | 0:01:52 | 0:01:54 | |
Let's meet them. Team one, who are you? | 0:01:54 | 0:01:56 | |
I'm Pat, and this is my friend, Eve. | 0:01:56 | 0:02:00 | |
We met at a church about four years ago. | 0:02:00 | 0:02:02 | |
We both preach in the church as well. | 0:02:02 | 0:02:05 | |
-Welcome, ladies, and good luck today. -Thank you. | 0:02:05 | 0:02:07 | |
And team two, who are you? | 0:02:07 | 0:02:09 | |
I'm Gary. This is my wife, Silvana. | 0:02:09 | 0:02:12 | |
And Gary and I spent the first ten years of our married life | 0:02:12 | 0:02:15 | |
on board oil tankers sailing around the world. | 0:02:15 | 0:02:18 | |
Wow. Look forward to hearing more about that later. | 0:02:18 | 0:02:20 | |
Welcome, team two. | 0:02:20 | 0:02:22 | |
And, team three, who are you? | 0:02:22 | 0:02:24 | |
This is Jim, and I'm Charlie. | 0:02:24 | 0:02:25 | |
And we met through our love of antiques. | 0:02:25 | 0:02:27 | |
Very nice. Well, good luck. | 0:02:27 | 0:02:30 | |
OK, earlier, our teams got to inspect our lots, | 0:02:30 | 0:02:33 | |
watched over by our expert, Charlie. | 0:02:33 | 0:02:35 | |
But could they separate the posh from the tosh? | 0:02:35 | 0:02:38 | |
Let's see. | 0:02:38 | 0:02:39 | |
Wow. | 0:02:41 | 0:02:42 | |
Oh, Gary, look. My favourite, a chair. | 0:02:42 | 0:02:46 | |
Lovely things to look at. | 0:02:46 | 0:02:47 | |
It's a silver wedding, it says. | 0:02:50 | 0:02:52 | |
So we assume it's silver. | 0:02:52 | 0:02:54 | |
I can't see any hallmarks on it, so I think we'd probably accept | 0:02:54 | 0:02:57 | |
-the fact that it's plate. -Yeah. | 0:02:57 | 0:02:58 | |
Why are they looking at the back of it? | 0:02:58 | 0:03:00 | |
There's the hallmark across the top. | 0:03:00 | 0:03:02 | |
-It's hallmarked across the top. -Oh, that's a bit sneaky. | 0:03:02 | 0:03:05 | |
-It's well worn on these arms. -But I love the legs. | 0:03:05 | 0:03:08 | |
It's a chair. | 0:03:08 | 0:03:09 | |
LAUGHTER | 0:03:09 | 0:03:11 | |
-Yeah. -And we have a house full of them. | 0:03:11 | 0:03:13 | |
So have most houses! Otherwise you'd have to sit on the floor. | 0:03:13 | 0:03:17 | |
Sindy. Got an attic full of these. | 0:03:18 | 0:03:20 | |
Toys are very much in the offing now. | 0:03:20 | 0:03:24 | |
And the box is perfect. | 0:03:24 | 0:03:25 | |
That could be the one. | 0:03:25 | 0:03:27 | |
-Look at that. -Oh, wow. -That is beautiful. | 0:03:28 | 0:03:30 | |
Millefiori. | 0:03:30 | 0:03:31 | |
Showing a bit of knowledge here, girls. | 0:03:31 | 0:03:33 | |
Now, I've got quite a few paperweights. | 0:03:33 | 0:03:35 | |
That is quite modern. | 0:03:35 | 0:03:37 | |
It's a pretty standard piece. | 0:03:37 | 0:03:39 | |
-Willow pattern, is it? -Blue and white. It is. | 0:03:39 | 0:03:41 | |
-It's a willow pattern picture. -It's very Japanese. -It's got the bridge with the little people on it. | 0:03:41 | 0:03:45 | |
Would you say that's Japanese or Chinese? | 0:03:45 | 0:03:47 | |
I'd say it's Chinese. | 0:03:47 | 0:03:49 | |
Don't hit it too hard, you'll break it! | 0:03:49 | 0:03:51 | |
-No. -Well, there's no milk in it, for sure. | 0:03:54 | 0:03:57 | |
HE LAUGHS | 0:03:57 | 0:03:58 | |
I don't think there's much you can say about a milk churn, really. | 0:03:58 | 0:04:01 | |
-It's a very old milk churn. -It is a very old one, yeah. | 0:04:01 | 0:04:04 | |
I'm sorry, but that piggy does absolutely nothing for me. | 0:04:04 | 0:04:07 | |
-Kinsella. Now, that's a name I've heard before. -That rings a bell. | 0:04:07 | 0:04:11 | |
-It's well made. -It's very well made. -It's pewter? | 0:04:11 | 0:04:14 | |
You're not good on hallmarks, are you, guys? | 0:04:14 | 0:04:16 | |
-If he's got a hallmark, he's silver. He is heavy. -It's proper silver. | 0:04:16 | 0:04:19 | |
Yeah. He's not junk by any means. | 0:04:19 | 0:04:21 | |
First edition. That could be valuable. | 0:04:22 | 0:04:24 | |
It's presentation copy, 1854. | 0:04:24 | 0:04:28 | |
Do you know, I think that's a red herring. | 0:04:28 | 0:04:30 | |
Charles Dickens is described as a red herring. | 0:04:30 | 0:04:33 | |
-It's a war diary. -This is your area, Charlie. | 0:04:34 | 0:04:38 | |
-1916. -SHE GASPS | 0:04:38 | 0:04:40 | |
Oh, that's amazing. | 0:04:40 | 0:04:42 | |
It's a watch stand. | 0:04:43 | 0:04:44 | |
Spotted! | 0:04:44 | 0:04:46 | |
Nothing special about it. | 0:04:46 | 0:04:48 | |
I don't think they're diamonds. | 0:04:49 | 0:04:52 | |
But they might be paste as well. | 0:04:52 | 0:04:54 | |
Yeah, could be. | 0:04:54 | 0:04:55 | |
Both my aunties had them in their homes. | 0:04:59 | 0:05:01 | |
This has seen a few hot cross buns. | 0:05:01 | 0:05:04 | |
-You think Sindy is the top? -I do, yes. | 0:05:04 | 0:05:06 | |
The diary and the pig. | 0:05:06 | 0:05:09 | |
I think the pig might be worth quite a lot. | 0:05:09 | 0:05:11 | |
And I think the bottom lot will be the milk churn. | 0:05:11 | 0:05:14 | |
So, we're putting the cup at the bottom. | 0:05:14 | 0:05:15 | |
The bottom lot, I want to choose the cross. | 0:05:15 | 0:05:17 | |
I just hope you're right and that silver dish | 0:05:17 | 0:05:20 | |
is not worth a lot more than we think it is. | 0:05:20 | 0:05:23 | |
Interesting. | 0:05:23 | 0:05:24 | |
Charlie, how has the valuation on these lots been reached? | 0:05:24 | 0:05:27 | |
Well, Fern, the values for each lot have been agreed between myself | 0:05:27 | 0:05:30 | |
and an independent valuer. | 0:05:30 | 0:05:32 | |
They're based on the hammer price we would expect them to reach | 0:05:32 | 0:05:35 | |
at auction, but with no auction costs added. | 0:05:35 | 0:05:39 | |
Just to add an extra twist, we have our mystery lot. | 0:05:39 | 0:05:42 | |
Now, it could be worth thousands or it could be worth peanuts. | 0:05:42 | 0:05:45 | |
But that is for our winners to decide a little bit later. | 0:05:45 | 0:05:49 | |
But for now, it's time for round one. | 0:05:49 | 0:05:51 | |
APPLAUSE | 0:05:51 | 0:05:52 | |
I'm going to ask eight general knowledge questions. | 0:05:55 | 0:05:57 | |
Now, pickers, before each one, | 0:05:57 | 0:05:59 | |
I'll ask you to select which lot you would like to play for, | 0:05:59 | 0:06:02 | |
and quizzers, if you buzz in with the correct answer, | 0:06:02 | 0:06:05 | |
you'll get to add it to your collection. | 0:06:05 | 0:06:07 | |
But beware - buzz in incorrectly and you'll be frozen out | 0:06:07 | 0:06:10 | |
of the next question. So, pickers, please make your first pick. | 0:06:10 | 0:06:14 | |
Let's see what you've chosen. | 0:06:17 | 0:06:18 | |
Eve and Pat have gone for the sculpture. | 0:06:20 | 0:06:23 | |
Gary and Silvana have gone for the dish. | 0:06:23 | 0:06:25 | |
But Charlie and Jim have gone for the sculpture too. | 0:06:25 | 0:06:28 | |
So, quizzers, figures on buzzers. Question number one. | 0:06:28 | 0:06:31 | |
In The Wombles, the great uncle is named after which country? | 0:06:31 | 0:06:35 | |
Yes, Charlie? | 0:06:35 | 0:06:36 | |
-Bulgaria. -Correct. | 0:06:36 | 0:06:37 | |
It is Bulgaria. The sculpture is yours. | 0:06:37 | 0:06:40 | |
Pickers, pick again. | 0:06:41 | 0:06:42 | |
Eve and Pat, you've chosen the book. | 0:06:46 | 0:06:48 | |
Gary and Silvana, you've gone for the dish again. | 0:06:48 | 0:06:50 | |
Charlie and Jim have gone for the diary. | 0:06:50 | 0:06:53 | |
Question two, quizzers. | 0:06:53 | 0:06:54 | |
After nitrogen, what is the second most abundant gas | 0:06:54 | 0:06:57 | |
in the air we... | 0:06:57 | 0:06:58 | |
-Yes, Charlie? -Oxygen. | 0:06:58 | 0:07:00 | |
It is. The full question is - after nitrogen, | 0:07:00 | 0:07:03 | |
what is the second most abundant gas in the air we breathe? | 0:07:03 | 0:07:05 | |
And it is oxygen. | 0:07:05 | 0:07:07 | |
Well done. The diary is yours. | 0:07:07 | 0:07:09 | |
Pickers, make a pick. | 0:07:09 | 0:07:11 | |
Eve and Pat are sticking with the book. | 0:07:13 | 0:07:15 | |
Gary and Silvana have gone for the doll. | 0:07:15 | 0:07:18 | |
And Charlie and Jim have gone for the pendant. | 0:07:18 | 0:07:20 | |
Question three, quizzers. | 0:07:20 | 0:07:22 | |
Which US singer and actress is sometimes known | 0:07:22 | 0:07:25 | |
as the Divine Miss M? | 0:07:25 | 0:07:26 | |
It was Bette Midler. | 0:07:29 | 0:07:31 | |
Pickers, make a pick. | 0:07:31 | 0:07:32 | |
Eve and Pat are going for the dish. | 0:07:36 | 0:07:37 | |
Gary and Silvana are going for the dish. | 0:07:37 | 0:07:40 | |
Charlie and Jim are going for the book. | 0:07:40 | 0:07:42 | |
Question four, quizzers. | 0:07:42 | 0:07:44 | |
In which British port city was Charles Dickens born? | 0:07:44 | 0:07:47 | |
-Yes, Eve. -Chatham. | 0:07:48 | 0:07:50 | |
Incorrect. | 0:07:50 | 0:07:51 | |
He did live there, but he was born in Portsmouth. | 0:07:51 | 0:07:55 | |
Eve and Pat, you're frozen out of the next question. | 0:07:55 | 0:07:57 | |
Silvana and Jim, please make your pick. | 0:07:57 | 0:08:00 | |
It's a battle for the doll. | 0:08:02 | 0:08:04 | |
In ballet, a pas de deux is a dance for how many people? | 0:08:04 | 0:08:09 | |
Yes, Charlie? | 0:08:09 | 0:08:10 | |
A wild guess, two. | 0:08:10 | 0:08:12 | |
Correct. Well done, the doll is yours. | 0:08:12 | 0:08:15 | |
Eve and Pat, you're back in. | 0:08:15 | 0:08:17 | |
Pickers, make a pick. | 0:08:17 | 0:08:19 | |
Eve and Pat have gone for the book. | 0:08:20 | 0:08:22 | |
Gary and Silvana, the dish. | 0:08:22 | 0:08:23 | |
Charlie and Jim, the watch stand. | 0:08:23 | 0:08:25 | |
The question is, who was the first Norman king of England? | 0:08:25 | 0:08:29 | |
-Yes, Charlie. -William the Conqueror. | 0:08:29 | 0:08:31 | |
Yes! You're good at this. | 0:08:31 | 0:08:33 | |
OK. The watch stand is yours. | 0:08:33 | 0:08:36 | |
And into your collection. | 0:08:36 | 0:08:38 | |
We've got two more questions on this round. Pickers, make a pick. | 0:08:38 | 0:08:41 | |
Eve and Pat have chosen the book. | 0:08:44 | 0:08:45 | |
Gary and Silvana, the chair. | 0:08:45 | 0:08:47 | |
Charlie and Jim, the dish. | 0:08:47 | 0:08:48 | |
Eve and Pat, you really want that book, don't you? | 0:08:48 | 0:08:52 | |
Question seven. | 0:08:52 | 0:08:53 | |
Which 1977 Queen album | 0:08:53 | 0:08:56 | |
shares its name with a now-defunct newspaper? | 0:08:56 | 0:08:59 | |
No? | 0:09:03 | 0:09:04 | |
The answer is the News Of The World. | 0:09:04 | 0:09:06 | |
Ah! | 0:09:06 | 0:09:08 | |
1977. Gosh. | 0:09:08 | 0:09:09 | |
OK, this is the final pick and final question. | 0:09:09 | 0:09:12 | |
Pickers, make a pick. | 0:09:12 | 0:09:13 | |
Eve and Pat have gone for the book. | 0:09:15 | 0:09:17 | |
Gary and Silvana, the dish. | 0:09:17 | 0:09:19 | |
Charlie and Jim, the chair. | 0:09:19 | 0:09:21 | |
Question eight. | 0:09:21 | 0:09:23 | |
In a standard game of Twister, | 0:09:23 | 0:09:25 | |
the mat contains spots of green, red, yellow and which... | 0:09:25 | 0:09:29 | |
-Yes, Eve? -Blue. | 0:09:29 | 0:09:30 | |
Correct. | 0:09:30 | 0:09:32 | |
In a standard game of Twister, the mat contains spots of green, | 0:09:32 | 0:09:35 | |
red, yellow and which other primary colour? | 0:09:35 | 0:09:37 | |
You said blue. It's correct. | 0:09:37 | 0:09:39 | |
-The book is finally yours. -Hurray! -Hurray! | 0:09:39 | 0:09:42 | |
Let's have a look at the end of round one. | 0:09:42 | 0:09:45 | |
We have Eve and Pat with the book. | 0:09:45 | 0:09:47 | |
Gary and Silvana, still to get off the mark, | 0:09:47 | 0:09:50 | |
but you've got plenty of time. | 0:09:50 | 0:09:52 | |
Charlie and Jim, you have the sculpture, the doll, | 0:09:52 | 0:09:56 | |
the watch stand and the diary. | 0:09:56 | 0:09:59 | |
So, our teams have started to build their collections, | 0:09:59 | 0:10:01 | |
but have they chosen wisely? | 0:10:01 | 0:10:03 | |
Well, before they have the chance to add more of them, | 0:10:03 | 0:10:05 | |
Charlie is going to give each pair a fact about a lot of their choice, | 0:10:05 | 0:10:09 | |
which should be everything they need to know to make a valuation. | 0:10:09 | 0:10:12 | |
You can choose something that's in your collection, | 0:10:12 | 0:10:15 | |
in someone else's collection, or still on the grid. | 0:10:15 | 0:10:18 | |
Eve and Pat, you're up first, and let's find out more about you. | 0:10:18 | 0:10:21 | |
So Eve, you say you're a church preacher. | 0:10:21 | 0:10:24 | |
-Yes. -But is that the same as being an ordained vicar? | 0:10:24 | 0:10:27 | |
No. The church we go to | 0:10:27 | 0:10:29 | |
is sort of a nonconformist type of church, | 0:10:29 | 0:10:32 | |
and various people, laypeople, will preach in the church. | 0:10:32 | 0:10:36 | |
And Pat, you're a preacher too? | 0:10:36 | 0:10:38 | |
I'm a local preacher in the Methodist church, | 0:10:38 | 0:10:41 | |
so I go around a circuit of some 24 different little churches, | 0:10:41 | 0:10:44 | |
and I try to keep all the little village chapels open. | 0:10:44 | 0:10:47 | |
I once did a whole sermon in character as Nicodemus. | 0:10:47 | 0:10:50 | |
Oh, yes, I remember. | 0:10:50 | 0:10:52 | |
LAUGHTER | 0:10:52 | 0:10:53 | |
I'd like to see that! | 0:10:53 | 0:10:54 | |
OK, which lot would you like to know more about from Charlie? | 0:10:56 | 0:10:59 | |
I would like to know more about the sculpture, please. | 0:10:59 | 0:11:02 | |
The sculpture. | 0:11:02 | 0:11:04 | |
Well, it's a limited edition sterling silver seated pig | 0:11:04 | 0:11:09 | |
sculpted by - well spotted - Lucy Kinsella, | 0:11:09 | 0:11:15 | |
an English artist specialising in animalia. | 0:11:15 | 0:11:19 | |
The use of animals as a subject matter for silver sculptures | 0:11:19 | 0:11:23 | |
is a tradition that reaches back to the Victorian | 0:11:23 | 0:11:25 | |
and, indeed, Edwardian periods. | 0:11:25 | 0:11:28 | |
This little chap has been sculpted | 0:11:28 | 0:11:30 | |
in Kinsella's instantly recognisable style | 0:11:30 | 0:11:33 | |
and, like the rest of her work, | 0:11:33 | 0:11:36 | |
is a highly collectable item. | 0:11:36 | 0:11:39 | |
But is it worth more | 0:11:39 | 0:11:42 | |
than its weight in silver? | 0:11:42 | 0:11:44 | |
Hmm. I can see there's quite a lot of chin-rubbing there. | 0:11:45 | 0:11:48 | |
Charlie's looking at that with enormous interest. | 0:11:48 | 0:11:51 | |
Mind you, it is in his collection. | 0:11:51 | 0:11:53 | |
So we'll see what happens. | 0:11:53 | 0:11:55 | |
Thank you very much indeed, Eve and Pat. | 0:11:55 | 0:11:57 | |
Now, Gary and Silvana, lovely to meet you. | 0:11:57 | 0:12:00 | |
Gary, I understand you were at sea on and off for years? | 0:12:00 | 0:12:03 | |
Yes, I started off with a cadetship, four years, | 0:12:03 | 0:12:07 | |
and then at sea till '86. | 0:12:07 | 0:12:11 | |
Silvana, I understand YOU went to sea on and off for several years? | 0:12:11 | 0:12:15 | |
I certainly did. For my sins! | 0:12:15 | 0:12:18 | |
It was certainly exciting visiting all these countries, | 0:12:18 | 0:12:21 | |
but I have to say - you know, Fern, when you're at sea, | 0:12:21 | 0:12:24 | |
sometimes for three months, with 48 men and no sign of land, | 0:12:24 | 0:12:29 | |
-life's quite tough. -I can imagine! | 0:12:29 | 0:12:32 | |
Welcome, Gary and Silvana. | 0:12:32 | 0:12:34 | |
What would you like to know more about from Charlie? | 0:12:34 | 0:12:36 | |
I would like to know more about the dish. | 0:12:36 | 0:12:38 | |
It is an Art Nouveau dish. | 0:12:38 | 0:12:40 | |
Classically stylised by intricate linear designs and flowing curves. | 0:12:40 | 0:12:46 | |
It's made from Britannia silver, which is an alloy of silver. | 0:12:46 | 0:12:49 | |
It's actually 95.8% silver. | 0:12:49 | 0:12:52 | |
Britannia silver is a finer metal than sterling silver. | 0:12:52 | 0:12:56 | |
It's in good condition with no visible damage. | 0:12:56 | 0:12:59 | |
However, it is a large ornate piece, and although collectable, | 0:12:59 | 0:13:04 | |
it may not be to everybody's taste. | 0:13:04 | 0:13:07 | |
This piece is big and bold and certainly doesn't go unnoticed, | 0:13:07 | 0:13:11 | |
but in terms of its value, is it a case of bold is beautiful? | 0:13:11 | 0:13:15 | |
Ooh. | 0:13:16 | 0:13:17 | |
OK. Well, let's leave Gary and Silvana to think about that | 0:13:18 | 0:13:22 | |
while we meet team three. Charlie and Jim, welcome, gentleman. | 0:13:22 | 0:13:25 | |
Charlie, you work for a charity called Wings for Warriors? | 0:13:25 | 0:13:29 | |
That's correct. Wings for Warriors teaches disabled | 0:13:29 | 0:13:32 | |
and medically discharged ex-servicemen and women | 0:13:32 | 0:13:36 | |
-how to take up a new career in commercial aviation. -Amazing. | 0:13:36 | 0:13:40 | |
And Jim, you and Charlie haven't known each other very long, | 0:13:40 | 0:13:43 | |
-have you? -No, not too long. -How did you get together as a team? | 0:13:43 | 0:13:45 | |
Last December, I was doing a show on local radio, | 0:13:45 | 0:13:49 | |
and Charlie came in to look for a partner to come on this show, | 0:13:49 | 0:13:54 | |
and during the course of the conversation, | 0:13:54 | 0:13:57 | |
I happened to say to him, "I know a little bit about antiques. | 0:13:57 | 0:14:00 | |
"A very little bit. If you can't find anybody, I'll accompany you." | 0:14:00 | 0:14:04 | |
And here we are today. | 0:14:04 | 0:14:06 | |
We've become very good friends in that short time. | 0:14:06 | 0:14:08 | |
So, what would you like to know more about? | 0:14:08 | 0:14:10 | |
I'd like to know more about the diary, please. | 0:14:10 | 0:14:12 | |
This is an original World War I manuscript trench diary | 0:14:12 | 0:14:17 | |
of Lieutenant Hugh Stanley Hopcraft, | 0:14:17 | 0:14:20 | |
who lost his leg in the Somme. | 0:14:20 | 0:14:23 | |
There are daily entries from 22 December 1915 | 0:14:23 | 0:14:28 | |
until 12 July 1916. | 0:14:28 | 0:14:31 | |
The entries offer an account of the life of a junior officer, | 0:14:31 | 0:14:34 | |
including his courtship of Kitty, | 0:14:34 | 0:14:37 | |
who, in the end, despite injury and adversity, | 0:14:37 | 0:14:40 | |
he marries. | 0:14:40 | 0:14:42 | |
It's a wonderful, sentimental piece. | 0:14:42 | 0:14:45 | |
But how much is it worth? | 0:14:47 | 0:14:48 | |
I don't think a huge amount. | 0:14:48 | 0:14:50 | |
Charlie, thank you very much indeed. | 0:14:50 | 0:14:53 | |
Well, I hope that's helped a bit, | 0:14:53 | 0:14:54 | |
and that you are now ready to play round two. | 0:14:54 | 0:14:58 | |
APPLAUSE | 0:14:58 | 0:14:59 | |
In this round, the pickers will select a lot to play for | 0:15:00 | 0:15:03 | |
and the quizzers will again try and secure it by answering correctly, | 0:15:03 | 0:15:07 | |
but this time around, the lots come with their own question categories, | 0:15:07 | 0:15:10 | |
and here they are. | 0:15:10 | 0:15:12 | |
So, for instance, if you wanted the paperweight, | 0:15:12 | 0:15:15 | |
I would offer the quizzers a choice of questions on the Beatles | 0:15:15 | 0:15:18 | |
or Civil Rights. Now, at the end of this round, | 0:15:18 | 0:15:21 | |
the team with the least valuable collection will be eliminated, | 0:15:21 | 0:15:24 | |
so choose wisely. Team one, you're up first. | 0:15:24 | 0:15:28 | |
Pat, tell me, what's your lot? | 0:15:28 | 0:15:30 | |
I would like to choose the stove, please. | 0:15:30 | 0:15:33 | |
The stove. OK, Eve, | 0:15:33 | 0:15:35 | |
how are you on either Civil Rights or Festivals And Holidays? | 0:15:35 | 0:15:38 | |
Erm, I think I'll go for Festivals And Holidays. | 0:15:38 | 0:15:41 | |
OK. Your question is this - | 0:15:41 | 0:15:43 | |
what name is given to the Hindu religious holiday | 0:15:43 | 0:15:46 | |
also known as the Festival of Lights? | 0:15:46 | 0:15:48 | |
-Diwali. -Diwali it is, | 0:15:48 | 0:15:51 | |
and the stove is yours. | 0:15:51 | 0:15:53 | |
Very good. | 0:15:53 | 0:15:54 | |
Silvana, what would you like? | 0:15:54 | 0:15:56 | |
I'd like to select the dish, please. | 0:15:56 | 0:15:58 | |
The dish. Civil Rights or Flags Of The World, Gary? | 0:15:58 | 0:16:02 | |
We'll try Flags Of The World. | 0:16:02 | 0:16:03 | |
Flags Of The World. Here's your question. | 0:16:03 | 0:16:05 | |
How many stars are depicted on the flag of Australia? | 0:16:05 | 0:16:09 | |
Seven. | 0:16:09 | 0:16:11 | |
Oh! Six. | 0:16:11 | 0:16:12 | |
Unlucky, sorry. The dish is not yours. | 0:16:12 | 0:16:15 | |
It's still up for grabs. | 0:16:15 | 0:16:17 | |
Charlie and Jim. Jim, please pick a lot. | 0:16:17 | 0:16:20 | |
The pendant, please. | 0:16:20 | 0:16:22 | |
OK. Charlie, Plays or The Beatles? | 0:16:22 | 0:16:25 | |
-The Beatles. -The Beatles. | 0:16:25 | 0:16:28 | |
On the cover of their 1969 album, | 0:16:28 | 0:16:30 | |
The Beatles are pictured walking across a zebra crossing | 0:16:30 | 0:16:33 | |
on which London street? | 0:16:33 | 0:16:34 | |
-Abbey Road. -Correct. | 0:16:34 | 0:16:36 | |
The pendant is yours. | 0:16:36 | 0:16:38 | |
OK. Now, we're going to hot things up a bit. | 0:16:38 | 0:16:40 | |
Teams, have you missed out on that one item that you really wanted? | 0:16:40 | 0:16:44 | |
Because if so, here's your chance to get your hands on it. | 0:16:44 | 0:16:47 | |
From now on, you can either go for what's left on the grid, | 0:16:47 | 0:16:50 | |
or you can try to steal a lot that is in a rival team's collection. | 0:16:50 | 0:16:55 | |
If you choose to steal from another team, | 0:16:55 | 0:16:57 | |
they will get to choose which category your quizzer must face. | 0:16:57 | 0:17:01 | |
Eve and Pat, do you want to pick or do you want to steal from a rival? | 0:17:01 | 0:17:06 | |
I would like to go for the sculpture again, please, and steal that one. | 0:17:06 | 0:17:11 | |
Charlie and Jim, which category do you think | 0:17:11 | 0:17:13 | |
Eve would have most difficulty with? | 0:17:13 | 0:17:15 | |
-Rugby Union. -Rugby Union. | 0:17:15 | 0:17:17 | |
My husband is an avid follower of rugby union. | 0:17:17 | 0:17:21 | |
Get in! Right. | 0:17:21 | 0:17:23 | |
-Here we go. -I'd better get it right! | 0:17:23 | 0:17:24 | |
Right. In rugby union, loosehead and tighthead | 0:17:24 | 0:17:28 | |
are different types of what playing position? | 0:17:28 | 0:17:31 | |
Prop. | 0:17:31 | 0:17:32 | |
Oooh, that sculpture's yours! | 0:17:32 | 0:17:34 | |
LAUGHTER | 0:17:34 | 0:17:36 | |
APPLAUSE | 0:17:36 | 0:17:37 | |
Phew! | 0:17:39 | 0:17:40 | |
Ooh, well done. | 0:17:40 | 0:17:42 | |
Right, so Eve is not to be underestimated, boys. | 0:17:42 | 0:17:44 | |
You see that. LAUGHTER | 0:17:44 | 0:17:46 | |
Gary and Silvana, pick or steal? | 0:17:46 | 0:17:48 | |
I'd like to steal the doll. | 0:17:48 | 0:17:51 | |
The doll. Charlie and Jim, | 0:17:51 | 0:17:53 | |
find a category that you think Gary will have difficulty answering. | 0:17:53 | 0:17:57 | |
-Civil Rights. -Civil Rights. | 0:17:57 | 0:18:00 | |
All right, Gary, here we go. | 0:18:00 | 0:18:01 | |
The UK's Civil Partnership Act | 0:18:01 | 0:18:04 | |
was approved by Parliament in which year? | 0:18:04 | 0:18:07 | |
Was that '15? 2015? | 0:18:07 | 0:18:11 | |
-Incorrect. I'm so sorry. -Thought it would be. | 0:18:11 | 0:18:13 | |
It's actually 2004. | 0:18:13 | 0:18:16 | |
The doll stays firmly with Charlie and Jim. | 0:18:16 | 0:18:19 | |
And it's Jim's turn now - pick or steal? | 0:18:19 | 0:18:21 | |
Can we steal the sculpture back? | 0:18:21 | 0:18:23 | |
Funny that, isn't it? OK. LAUGHTER | 0:18:23 | 0:18:25 | |
Eve and Pat, what category is going to baffle Charlie? | 0:18:25 | 0:18:29 | |
I reckon Silent Films. | 0:18:29 | 0:18:31 | |
Yeah, go on. Let's try with that and go with Silent Films. | 0:18:31 | 0:18:34 | |
Silent Films. | 0:18:34 | 0:18:36 | |
Charlie, silent film star Rudolph Valentino | 0:18:36 | 0:18:40 | |
was born in which country? | 0:18:40 | 0:18:41 | |
America. | 0:18:44 | 0:18:45 | |
Incorrect. Italy. I'm sorry, | 0:18:45 | 0:18:48 | |
but for you, the sculpture doesn't come home. | 0:18:48 | 0:18:51 | |
It stays with Eve and Pat. | 0:18:51 | 0:18:53 | |
Do you want to pick from the grid, team one, or steal? | 0:18:53 | 0:18:56 | |
Erm, I think I would like to pick the paperweight, please. | 0:18:56 | 0:18:59 | |
The paperweight, yes. | 0:18:59 | 0:19:01 | |
Eve, Civil Rights or The Beatles? | 0:19:01 | 0:19:03 | |
I'll try The Beatles. It's my era. | 0:19:04 | 0:19:06 | |
Here we go. | 0:19:06 | 0:19:08 | |
Which member of the band joined The Beatles | 0:19:08 | 0:19:10 | |
when he was just 14 years old? | 0:19:10 | 0:19:12 | |
Ringo Starr. | 0:19:13 | 0:19:15 | |
Incorrect. George Harrison. | 0:19:15 | 0:19:17 | |
The paperweight stays. | 0:19:17 | 0:19:19 | |
Gary and Silvana, would you like to pick or steal? | 0:19:19 | 0:19:21 | |
I'd like to steal, please. | 0:19:21 | 0:19:23 | |
And I'd like to steal the doll. | 0:19:23 | 0:19:25 | |
The doll. OK, Charlie and Jim, | 0:19:25 | 0:19:27 | |
what category would you like to give Gary? | 0:19:27 | 0:19:29 | |
-Civil Rights. -Worked the last time. | 0:19:31 | 0:19:33 | |
Poor Gary! LAUGHTER | 0:19:33 | 0:19:35 | |
The American civil rights activist Malcolm Little | 0:19:35 | 0:19:38 | |
replaced his surname with which letter of the alphabet? | 0:19:38 | 0:19:41 | |
An X. | 0:19:41 | 0:19:43 | |
-Yes! -Hallelujah! | 0:19:43 | 0:19:46 | |
The crowd went... | 0:19:46 | 0:19:48 | |
All that for a doll. | 0:19:48 | 0:19:50 | |
Yes, all that for a doll, but she's yours. Here she comes. | 0:19:50 | 0:19:54 | |
Right. Charlie and Jim, pick or steal? | 0:19:54 | 0:19:56 | |
Steal the sculpture. | 0:19:56 | 0:19:58 | |
OK. | 0:19:58 | 0:20:00 | |
Eve and Pat, what category do you want to give Charlie? | 0:20:00 | 0:20:04 | |
Try Plays. It could be anything, couldn't it? | 0:20:04 | 0:20:06 | |
-Could be, yes. -Try Plays. -Plays. -Plays. -Yeah. | 0:20:06 | 0:20:08 | |
Charlie, how are you on plays in the theatre? | 0:20:08 | 0:20:10 | |
Aye, all the world's a stage. | 0:20:10 | 0:20:12 | |
LAUGHTER | 0:20:12 | 0:20:14 | |
I like it. OK, here we go. | 0:20:16 | 0:20:18 | |
Which play by Arthur Miller | 0:20:18 | 0:20:20 | |
is set during the Salem witch trials? | 0:20:20 | 0:20:23 | |
Erm... | 0:20:24 | 0:20:25 | |
Crucible. | 0:20:27 | 0:20:29 | |
Yes. Well done! | 0:20:29 | 0:20:31 | |
The sculpture is coming back to you. | 0:20:31 | 0:20:34 | |
Ooh. The girls are waving it goodbye. | 0:20:34 | 0:20:37 | |
Well done. That is the end of this round, so let's see | 0:20:38 | 0:20:41 | |
how the collections are looking. | 0:20:41 | 0:20:43 | |
Eve and Pat have the book and the stove. | 0:20:43 | 0:20:47 | |
Gary and Silvana have the doll. | 0:20:47 | 0:20:49 | |
Charlie and Jim have the diary, the pendant, | 0:20:49 | 0:20:53 | |
the sculpture and the watch stand. | 0:20:53 | 0:20:56 | |
OK, for one team, it is now sadly the end of the road. | 0:20:56 | 0:20:59 | |
Charlie has been keeping tabs, and the team | 0:20:59 | 0:21:01 | |
with the least valuable collection will now be eliminated. | 0:21:01 | 0:21:04 | |
So, Charlie, who are we saying goodbye to first? | 0:21:04 | 0:21:07 | |
Well, I'm afraid somebody has to leave, | 0:21:07 | 0:21:09 | |
and the pair leaving us first... | 0:21:09 | 0:21:11 | |
..is Gary and Silvana. | 0:21:15 | 0:21:17 | |
Aw. | 0:21:17 | 0:21:20 | |
ALL: Awwww. | 0:21:20 | 0:21:22 | |
APPLAUSE | 0:21:22 | 0:21:23 | |
Sorry about that. | 0:21:23 | 0:21:25 | |
Good luck. Good luck. | 0:21:26 | 0:21:28 | |
So, Gary and Silvana, we will miss you. | 0:21:30 | 0:21:33 | |
Not only are you leaving the game, but the one lot in your collection | 0:21:33 | 0:21:36 | |
is also leaving the game, and it is, of course, the Sindy doll. | 0:21:36 | 0:21:39 | |
But you want to find out how much that's worth, don't you? | 0:21:39 | 0:21:42 | |
-Yes. -Yeah. | 0:21:42 | 0:21:43 | |
This is a lovely, lively Sindy doll from 1973. | 0:21:43 | 0:21:48 | |
Sindy is a British fashion doll, a rival to Barbie. | 0:21:48 | 0:21:52 | |
Sindy was the best-selling toy in the United Kingdom in 1968, | 0:21:52 | 0:21:56 | |
and again in 1970. | 0:21:56 | 0:21:58 | |
The Sindy doll is very popular among collectors, | 0:21:58 | 0:22:01 | |
including your good self, I believe, Fern. | 0:22:01 | 0:22:04 | |
I do love a Sindy doll. Yes. | 0:22:04 | 0:22:06 | |
And naturally, mint condition dolls are the most sought after. | 0:22:06 | 0:22:10 | |
Now, this one is boxed, | 0:22:10 | 0:22:12 | |
which suggests she's never been played with. | 0:22:12 | 0:22:15 | |
And the charm bracelet is still included. | 0:22:15 | 0:22:18 | |
So she's pretty, but is she worth a pretty penny? | 0:22:18 | 0:22:21 | |
We're not looking at something that is earth-shatteringly valuable here. | 0:22:22 | 0:22:26 | |
We're looking at £80. | 0:22:26 | 0:22:29 | |
-Oh. -Aw. | 0:22:30 | 0:22:31 | |
So, Gary and Silvana, thank you for playing For What It's Worth. | 0:22:31 | 0:22:35 | |
-Thank you. -Thank you for having us. | 0:22:35 | 0:22:37 | |
APPLAUSE | 0:22:37 | 0:22:39 | |
And also, the unclaimed items in the grid are now leaving the game. | 0:22:41 | 0:22:44 | |
So let's quickly find out from Charlie what they're worth | 0:22:44 | 0:22:47 | |
and if the top lot is still in the game. | 0:22:47 | 0:22:50 | |
-Charlie? -Well, we'll find out, Fern, won't we? | 0:22:50 | 0:22:53 | |
The milk churn - this particular milk churn dates from the 1930s, | 0:22:53 | 0:22:57 | |
when the first cylindrical types were introduced. | 0:22:57 | 0:23:00 | |
With their mushroom-shaped lids, | 0:23:00 | 0:23:03 | |
they have since become an iconic design in their own modest way. | 0:23:03 | 0:23:07 | |
I'm not surprised that this churn went past-your-eyes. | 0:23:07 | 0:23:10 | |
GROANING AND LAUGHTER | 0:23:10 | 0:23:12 | |
Oh, dear. | 0:23:12 | 0:23:13 | |
I do apologise. | 0:23:14 | 0:23:16 | |
Value £30. | 0:23:16 | 0:23:18 | |
-Ah! -Ah, yes! | 0:23:18 | 0:23:19 | |
Now, the chair. | 0:23:21 | 0:23:22 | |
Here we have a Victorian wingback armchair. | 0:23:22 | 0:23:25 | |
It has a typically low seat, cabriole-style armrests and legs. | 0:23:25 | 0:23:30 | |
Traditionally found in an upper class home during the 19th century, | 0:23:30 | 0:23:33 | |
these chairs were a symbol of wealth and comfort. | 0:23:33 | 0:23:37 | |
But does this still ring true today? | 0:23:37 | 0:23:40 | |
Yes, it would have made quite a lot more money some years ago, | 0:23:40 | 0:23:44 | |
and so we've priced it at a reasonable £150, | 0:23:44 | 0:23:48 | |
so you haven't missed anything enormous. | 0:23:48 | 0:23:51 | |
Now, the paperweight. | 0:23:51 | 0:23:53 | |
It's a medium paperweight by the French glass-maker Baccarat. | 0:23:53 | 0:23:57 | |
This paperweight has a millefiori design. | 0:23:57 | 0:24:00 | |
Millefiori can loosely be translated from the Italian | 0:24:00 | 0:24:03 | |
as "a thousand flowers". | 0:24:03 | 0:24:05 | |
Pat and Eve, you liked this | 0:24:05 | 0:24:06 | |
and came up with the millefiori word, didn't you? | 0:24:06 | 0:24:09 | |
Well done. Charlie, you've got several of these at home, have you? | 0:24:09 | 0:24:13 | |
Yes, but I don't think they go back that far. | 0:24:14 | 0:24:17 | |
They're more modern ones, are they? | 0:24:17 | 0:24:18 | |
Yeah. This is a pretty good paperweight, | 0:24:18 | 0:24:21 | |
and you've passed by £800. | 0:24:21 | 0:24:23 | |
-Oh. -Ooh. | 0:24:23 | 0:24:25 | |
Another cup - this is a piece | 0:24:25 | 0:24:27 | |
of Staffordshire blue and white transfer printed earthenware. | 0:24:27 | 0:24:30 | |
This willow patterned cup is quite old, as you can see | 0:24:30 | 0:24:33 | |
from the copious cracking and yellowing of the porcelain. | 0:24:33 | 0:24:36 | |
It was made certainly no earlier than 1820. | 0:24:36 | 0:24:39 | |
The willow pattern is instantly recognisable | 0:24:39 | 0:24:42 | |
because of the popularity of the pattern | 0:24:42 | 0:24:44 | |
and the sheer quantity of objects that it adorns. | 0:24:44 | 0:24:48 | |
And value - well, let's cut to the chase. | 0:24:48 | 0:24:52 | |
This is worth the best part of nothing. | 0:24:52 | 0:24:54 | |
-Oh! -Wow. | 0:24:54 | 0:24:56 | |
Now, we have one more item left, don't we? | 0:24:56 | 0:24:59 | |
And that's this magnificent dish. | 0:24:59 | 0:25:02 | |
We talked about it already. | 0:25:02 | 0:25:03 | |
We know it's 1906. | 0:25:03 | 0:25:05 | |
It is from the Art Nouveau period of the late 19th century. | 0:25:05 | 0:25:09 | |
Yes, it wasn't that easy to find the hallmark | 0:25:09 | 0:25:12 | |
because it was right up on the top. | 0:25:12 | 0:25:14 | |
I think you spent more time looking at the back of it | 0:25:14 | 0:25:16 | |
than the front of it. It was made by Aldwinckle and Slater. | 0:25:16 | 0:25:19 | |
Design by Latino Movio, | 0:25:19 | 0:25:22 | |
another wonderful designer. | 0:25:22 | 0:25:24 | |
And if you think of that period, | 0:25:24 | 0:25:26 | |
we think of Klimt, we think of Tiffany, | 0:25:26 | 0:25:28 | |
we think of Gaudi, | 0:25:28 | 0:25:30 | |
we think of Lalique, | 0:25:30 | 0:25:32 | |
and it's a fabulous item, and it's still there. | 0:25:32 | 0:25:36 | |
And I rather wished it had been here. | 0:25:36 | 0:25:39 | |
Because it is worth £2,500. | 0:25:41 | 0:25:45 | |
Oh! | 0:25:45 | 0:25:46 | |
But it's gone. It was missed. | 0:25:48 | 0:25:50 | |
Right, teams, congratulations on getting this far. | 0:25:50 | 0:25:53 | |
You now have one last chance to pick our expert's brains, | 0:25:53 | 0:25:57 | |
so which lot do you need to know more about? | 0:25:57 | 0:25:59 | |
-Team one. -I'd like to know about the watch stand, please. | 0:25:59 | 0:26:02 | |
The watch stand. | 0:26:02 | 0:26:04 | |
Now, it's a late 19th century gilt brass watch stand, | 0:26:04 | 0:26:08 | |
designed in the Gothic Revival style, circa 1880. | 0:26:08 | 0:26:12 | |
Pocket watch stands were commonplace at the time. | 0:26:13 | 0:26:15 | |
They served a simple yet practical purpose. | 0:26:15 | 0:26:18 | |
You pop your pocket watch into the stand, and voila - | 0:26:18 | 0:26:22 | |
you've got yourself a bedside or desktop clock. | 0:26:22 | 0:26:27 | |
This is a particularly rare example, | 0:26:27 | 0:26:30 | |
designed so that the watch becomes the window | 0:26:30 | 0:26:33 | |
of a Gothic cathedral. | 0:26:33 | 0:26:35 | |
The fantasy of the knight standing guard under one's pocket watch | 0:26:35 | 0:26:39 | |
is frankly rather charming. | 0:26:39 | 0:26:41 | |
But is it valuable? | 0:26:41 | 0:26:43 | |
That's for you to think about. | 0:26:43 | 0:26:45 | |
Charlie and Jim, what would you like to know more about? | 0:26:46 | 0:26:49 | |
-The book, please. -The book. | 0:26:49 | 0:26:51 | |
Published, as I think you spotted, in 1854, | 0:26:51 | 0:26:55 | |
it's a first edition copy of Hard Times, | 0:26:55 | 0:26:59 | |
the 10th novel written by Charles Dickens, who, of course, | 0:26:59 | 0:27:02 | |
was regarded as one of the greatest novelists of the Victorian era. | 0:27:02 | 0:27:06 | |
Inside it is a portion clipped from the front of an envelope | 0:27:06 | 0:27:10 | |
signed "Charles Dickens" | 0:27:10 | 0:27:11 | |
and addressed "Mr Hicks, Mrs Bradbury and Evans." | 0:27:11 | 0:27:15 | |
Mr Hicks was Charles Hicks, | 0:27:15 | 0:27:17 | |
a foreman printer, and is mentioned in Dickens' correspondence. | 0:27:17 | 0:27:21 | |
However, the condition leaves a little to be desired, | 0:27:21 | 0:27:25 | |
as it has some fading to the spine and edges. | 0:27:25 | 0:27:28 | |
What's it worth? | 0:27:30 | 0:27:31 | |
Mm. | 0:27:31 | 0:27:32 | |
Well, it's now time for our final round, and at the end of it, | 0:27:32 | 0:27:35 | |
we will have our winners. | 0:27:35 | 0:27:36 | |
APPLAUSE | 0:27:36 | 0:27:37 | |
In this round, I'm going to show you a category | 0:27:39 | 0:27:42 | |
and 12 possible answers. | 0:27:42 | 0:27:44 | |
Nine of the answers will be correct, three are not. | 0:27:44 | 0:27:47 | |
Each of you will then take turns to choose an answer | 0:27:47 | 0:27:50 | |
you think is correct, and as it's the final round, | 0:27:50 | 0:27:52 | |
both quizzers and pickers will play, so there's nowhere to hide. | 0:27:52 | 0:27:56 | |
Pick a wrong answer and your opponents will be able | 0:27:56 | 0:27:59 | |
to steal a lot from your collection. | 0:27:59 | 0:28:01 | |
If all nine correct answers are given, | 0:28:01 | 0:28:04 | |
then the team who gives the final correct answer will be the winners. | 0:28:04 | 0:28:07 | |
We'll play three questions in total, | 0:28:07 | 0:28:10 | |
and the pair with the most valuable collection | 0:28:10 | 0:28:12 | |
can choose to go first or second on this one. | 0:28:12 | 0:28:15 | |
So, Charlie, who is that at the moment? | 0:28:15 | 0:28:17 | |
I can reveal that the team who currently | 0:28:17 | 0:28:19 | |
has the most valuable collection... | 0:28:19 | 0:28:21 | |
..is Charlie and Jim. | 0:28:26 | 0:28:29 | |
Charlie and Jim, the first question is... | 0:28:29 | 0:28:31 | |
The Simpsons Guest Stars. | 0:28:33 | 0:28:36 | |
Can you find any of the actors or public figures | 0:28:36 | 0:28:38 | |
who played themselves on the show? | 0:28:38 | 0:28:41 | |
Just to clarify, we are looking for people | 0:28:41 | 0:28:43 | |
who have specifically provided their voice, not their likeness. | 0:28:43 | 0:28:48 | |
Would you like to go first or second? | 0:28:48 | 0:28:50 | |
-We'll go first. -Let's see the answers. | 0:28:50 | 0:28:53 | |
Nine of those names will be correct answers, three of them are wrong. | 0:28:54 | 0:28:57 | |
Charlie, give me an answer. | 0:28:57 | 0:28:59 | |
Meat Loaf. | 0:28:59 | 0:29:01 | |
Meat Loaf. | 0:29:01 | 0:29:02 | |
And it's wrong. He never did. | 0:29:06 | 0:29:09 | |
Let's have a look at what the other answers are. | 0:29:09 | 0:29:12 | |
The wrong answers were Brad Pitt and Prince Charles, | 0:29:13 | 0:29:18 | |
neither of whom have lent their voice to the Simpsons. | 0:29:18 | 0:29:21 | |
Well, Eve and Pat, what are you going to steal from Charlie and Jim? | 0:29:21 | 0:29:25 | |
I guess it's no surprise - | 0:29:25 | 0:29:27 | |
please could I have my piggy sculpture back? | 0:29:27 | 0:29:29 | |
-We had it first! -The poor piggy. | 0:29:29 | 0:29:32 | |
He really is piggy in the middle, isn't he? | 0:29:32 | 0:29:34 | |
Piggy sculpture, go. Back to Eve and Pat. | 0:29:34 | 0:29:37 | |
Now, then, Eve and Pat, this is your question. | 0:29:37 | 0:29:40 | |
Have a look at this. | 0:29:40 | 0:29:41 | |
Moons Of The Solar System. | 0:29:42 | 0:29:44 | |
You need to find the moons of the planets in our solar system. | 0:29:44 | 0:29:49 | |
Would you like to go first or second? | 0:29:49 | 0:29:51 | |
-First, please. -First. | 0:29:51 | 0:29:52 | |
Here are the answers. | 0:29:52 | 0:29:53 | |
Eve, give me an answer. | 0:29:56 | 0:29:57 | |
-Phoebe. -Phoebe. | 0:29:57 | 0:29:59 | |
Yes, that's the moon of Saturn. | 0:30:01 | 0:30:03 | |
Charlie. | 0:30:03 | 0:30:04 | |
-Ganymede. -Ganymede. | 0:30:05 | 0:30:08 | |
It's correct. It's a moon of Jupiter. | 0:30:09 | 0:30:12 | |
Pat. | 0:30:12 | 0:30:13 | |
Citrine. | 0:30:13 | 0:30:15 | |
-Ah! -Oh, incorrect. It's a quartz-like stone. | 0:30:17 | 0:30:20 | |
-A yellowy colour, I think, mostly. -I know that. | 0:30:20 | 0:30:22 | |
I thought it might be a moon as well! | 0:30:22 | 0:30:24 | |
Oh, well, it's not a moon as well, sadly. | 0:30:24 | 0:30:26 | |
Let's have a look where the other wrong answers are. | 0:30:26 | 0:30:29 | |
Apollo, which was a space mission, and Esmeralda - | 0:30:29 | 0:30:32 | |
she was in The Hunchback Of Notre-Dame. | 0:30:32 | 0:30:35 | |
LAUGHTER | 0:30:35 | 0:30:36 | |
So Charlie and Jim, what are you going to steal from Eve and Pat? | 0:30:36 | 0:30:40 | |
-Gosh, that's a hard one. -That's a really hard one. | 0:30:40 | 0:30:42 | |
Can we confer? | 0:30:42 | 0:30:43 | |
LAUGHTER | 0:30:43 | 0:30:45 | |
-Oink. -Yeah. It has to be the sculpture. | 0:30:45 | 0:30:48 | |
It has to be the sculpture. This pig's grown wings. | 0:30:48 | 0:30:51 | |
Come along, piggy. | 0:30:51 | 0:30:52 | |
And he's back in your collection. | 0:30:53 | 0:30:56 | |
Final question now. | 0:30:56 | 0:30:57 | |
Team three, Charlie and Jim, here is the question. | 0:30:57 | 0:31:00 | |
British Unesco World Heritage Sites. | 0:31:02 | 0:31:05 | |
Unesco is a United Nations organisation | 0:31:05 | 0:31:08 | |
that protects and preserves cultural and national heritage sites | 0:31:08 | 0:31:11 | |
around the world that are considered | 0:31:11 | 0:31:14 | |
to be of outstanding value to humanity. | 0:31:14 | 0:31:17 | |
These heritage sites can be buildings, structures, | 0:31:17 | 0:31:20 | |
natural wonders or parks. | 0:31:20 | 0:31:22 | |
You need to find the UK sites | 0:31:22 | 0:31:25 | |
which are currently covered by Unesco listings. | 0:31:25 | 0:31:28 | |
So, Charlie and Jim, would you like to go first or second? | 0:31:28 | 0:31:31 | |
We'll go first, Fern, thank you. | 0:31:31 | 0:31:33 | |
It's all on this question. Final question. You're going first. | 0:31:33 | 0:31:36 | |
Let's have a look at the answers. | 0:31:36 | 0:31:39 | |
Charlie, give me an answer. | 0:31:39 | 0:31:41 | |
-Stonehenge. -Let's have a look. | 0:31:41 | 0:31:43 | |
Phew. Yes. | 0:31:45 | 0:31:46 | |
Stonehenge is correct. | 0:31:46 | 0:31:48 | |
Eve, give me an answer. | 0:31:48 | 0:31:49 | |
The Jurassic Coast. | 0:31:49 | 0:31:51 | |
Yes. East Devon and Dorset coastline, of course. | 0:31:54 | 0:31:58 | |
Jim. | 0:31:58 | 0:31:59 | |
White Cliffs of Dover. | 0:32:01 | 0:32:04 | |
The White Cliffs of Dover. | 0:32:04 | 0:32:06 | |
Oh! | 0:32:06 | 0:32:07 | |
Sadly not. Let's have a look at the other wrong answers. | 0:32:09 | 0:32:12 | |
Victoria and Albert Museum and Windsor Castle. | 0:32:13 | 0:32:16 | |
Uh-oh. | 0:32:16 | 0:32:17 | |
LAUGHTER | 0:32:17 | 0:32:20 | |
Eve and Pat, would you like to steal? | 0:32:20 | 0:32:22 | |
-I think we would. -You know they say pigs might fly? | 0:32:24 | 0:32:27 | |
Yes. | 0:32:27 | 0:32:28 | |
-It's coming back. -Could our pig fly, please? | 0:32:28 | 0:32:30 | |
Go on, piggy, go back to Eve and Pat. | 0:32:30 | 0:32:32 | |
-There he goes. -He's dizzy. | 0:32:32 | 0:32:34 | |
-He must be dizzy. -This is the most hotly contested pig in history. | 0:32:34 | 0:32:38 | |
LAUGHTER | 0:32:38 | 0:32:39 | |
That's it. Your collections are now complete and fixed, | 0:32:39 | 0:32:42 | |
and will determine which team is victorious. | 0:32:42 | 0:32:44 | |
Charlie, who are today's winners? | 0:32:44 | 0:32:47 | |
I can reveal that the team with the most valuable collection | 0:32:47 | 0:32:50 | |
and the winners of today's show are... | 0:32:50 | 0:32:54 | |
..Eve and Pat. | 0:32:55 | 0:32:57 | |
THEY LAUGH | 0:32:57 | 0:32:58 | |
APPLAUSE | 0:32:58 | 0:33:01 | |
Our commiserations, though, to Charlie and Jim. | 0:33:06 | 0:33:09 | |
You played sensationally. | 0:33:09 | 0:33:11 | |
Sadly, you didn't create a valuable enough collection, | 0:33:11 | 0:33:14 | |
but I'm quite sure that you would like to find out | 0:33:14 | 0:33:17 | |
how much the collection you have is worth. | 0:33:17 | 0:33:19 | |
Charlie. | 0:33:19 | 0:33:21 | |
Well, the watch stand is there, isn't it? | 0:33:21 | 0:33:24 | |
It's typical Gothic Revival, | 0:33:24 | 0:33:27 | |
but I suspect that this is getting on towards 1900. | 0:33:27 | 0:33:31 | |
The Gothic Revival, one thinks of Ruskin, Pugin, William Burges. | 0:33:31 | 0:33:35 | |
This is not without value. | 0:33:37 | 0:33:38 | |
£120. | 0:33:38 | 0:33:39 | |
There was a lot of chat with your diamond pendant. | 0:33:40 | 0:33:44 | |
It's a bit of a mysterious piece. | 0:33:44 | 0:33:47 | |
We don't know who made it, | 0:33:47 | 0:33:48 | |
we don't know exactly when, | 0:33:48 | 0:33:51 | |
but it does reflect the Victorian trend | 0:33:51 | 0:33:53 | |
for fashionable displays of remembrance for loved ones | 0:33:53 | 0:33:57 | |
that were inspired by Queen Victoria herself. | 0:33:57 | 0:34:00 | |
There was a discussion, wasn't there, | 0:34:00 | 0:34:02 | |
as to whether they were diamonds or whether they weren't. | 0:34:02 | 0:34:04 | |
Yes, they are. They're not the finest diamonds. | 0:34:04 | 0:34:06 | |
They're not the largest diamonds. | 0:34:06 | 0:34:08 | |
But, nevertheless, they are diamonds, and we have a value | 0:34:08 | 0:34:12 | |
perhaps you might think surprisingly low, but £300. | 0:34:12 | 0:34:15 | |
The final object is that remarkable diary. | 0:34:18 | 0:34:23 | |
It has the original burgundy leather, | 0:34:23 | 0:34:25 | |
which shows some wear and scuffing, not surprising. | 0:34:25 | 0:34:29 | |
There is also some cracking at the hinges | 0:34:29 | 0:34:32 | |
and the slight loss to the spine. | 0:34:32 | 0:34:34 | |
It's a wonderful sentimental piece, | 0:34:34 | 0:34:37 | |
and it's not without value, certainly. | 0:34:37 | 0:34:40 | |
£600 would be the auction value of this item. | 0:34:40 | 0:34:44 | |
So what's the total value of Charlie and Jim's collection? | 0:34:44 | 0:34:47 | |
The total value is £1,020. | 0:34:47 | 0:34:52 | |
-Not a bad sum. -Not a bad sum at all. | 0:34:52 | 0:34:55 | |
Thank you so much for playing For What It's Worth. | 0:34:55 | 0:34:58 | |
APPLAUSE | 0:34:58 | 0:34:59 | |
So, well done, Eve and Pat. | 0:35:03 | 0:35:05 | |
You are today's winners. | 0:35:05 | 0:35:06 | |
All you've got to do is pick one of the lots in your collection | 0:35:06 | 0:35:09 | |
and we will give you its value in cash. | 0:35:09 | 0:35:12 | |
So, which one do you want to choose? | 0:35:12 | 0:35:14 | |
Oh, good grief. Shall we stick with our flying pig? | 0:35:14 | 0:35:17 | |
Stick with the pig. | 0:35:17 | 0:35:18 | |
LAUGHTER | 0:35:18 | 0:35:20 | |
-Well, the book... -Although the book, yes. | 0:35:20 | 0:35:22 | |
-It was... -It's a first edition. -Yes, absolutely. | 0:35:22 | 0:35:25 | |
Presentation copy. It's got the envelope, | 0:35:25 | 0:35:29 | |
though the book's not in good condition. | 0:35:29 | 0:35:32 | |
No. Oh, let's stick... Shall we stick with the pig? | 0:35:32 | 0:35:34 | |
-Oh, let's stick with the pig. -Are you happy? -I'm happy with the pig. | 0:35:34 | 0:35:37 | |
-We will stick with our pig. -We like the pig. -We like our pig. We're going to stick with it. | 0:35:37 | 0:35:41 | |
Great. Sticking with the pig. | 0:35:41 | 0:35:42 | |
I think you should, after all of that anyway, don't you? | 0:35:42 | 0:35:45 | |
OK. We're going to stick with the pig. | 0:35:45 | 0:35:47 | |
So, before we tell you what the pig is worth, | 0:35:47 | 0:35:51 | |
Charlie, can you please tell us what Eve and Pat have not won? | 0:35:51 | 0:35:54 | |
I certainly can. They aren't taking home a stove. | 0:35:54 | 0:35:57 | |
Probably just as well, really, cos you wouldn't be able to pick it up. | 0:35:57 | 0:36:01 | |
This is a cast-iron stove. | 0:36:01 | 0:36:03 | |
Obviously it's seen better days but it's still functional, | 0:36:03 | 0:36:06 | |
if someone were to take the time to clean it and fit it properly, | 0:36:06 | 0:36:10 | |
because it's practically indestructible. | 0:36:10 | 0:36:13 | |
And isn't that part of its charm? | 0:36:13 | 0:36:15 | |
Whilst the exact age is indeterminate, | 0:36:15 | 0:36:18 | |
it's at least 100 years old. | 0:36:18 | 0:36:20 | |
And there's a massive market for kitchenalia in all its guises | 0:36:20 | 0:36:24 | |
and, let's face it, people collect weirder things | 0:36:24 | 0:36:26 | |
than cast-iron stoves. | 0:36:26 | 0:36:29 | |
Well, I don't think any of you really rated it, but of course, | 0:36:29 | 0:36:32 | |
you have ended up with it. | 0:36:32 | 0:36:33 | |
Auntie had one in her home, I think you said, Eve. | 0:36:34 | 0:36:37 | |
That's exactly what we both said, I think. | 0:36:37 | 0:36:39 | |
-Yes. -Remember it well. -It was me. | 0:36:39 | 0:36:40 | |
I remember being asked to blacklead it when I came for my holidays. | 0:36:40 | 0:36:44 | |
Oh, goodness me, they were the days! | 0:36:44 | 0:36:46 | |
Fantastically valuable, | 0:36:46 | 0:36:47 | |
because this is worth £70. | 0:36:47 | 0:36:50 | |
THEY LAUGH | 0:36:50 | 0:36:52 | |
Now, the book. We've talked about the book. | 0:36:54 | 0:36:57 | |
First edition with a signature, and a valuable item. | 0:36:57 | 0:37:01 | |
Whether it's worth more or less than the pig, | 0:37:01 | 0:37:04 | |
we will find out later, won't we, Fern? | 0:37:04 | 0:37:07 | |
But I can tell you that this splendid tome | 0:37:07 | 0:37:10 | |
is worth £800. | 0:37:10 | 0:37:12 | |
Ooh. | 0:37:12 | 0:37:13 | |
Right. Eve and Pat, | 0:37:15 | 0:37:18 | |
you have won the value of the pig sculpture. | 0:37:18 | 0:37:20 | |
And just out of interest, what do you think it's worth? | 0:37:20 | 0:37:23 | |
I would think it's probably worth over 1,000. | 0:37:23 | 0:37:27 | |
-Over 1,000? -Is what I would say, yeah. | 0:37:27 | 0:37:29 | |
Yes. Do you agree with that, Eve? | 0:37:29 | 0:37:31 | |
I'm going with Pat because she is more clued up on these than me, | 0:37:31 | 0:37:35 | |
but, yeah, I would say around 1,000. | 0:37:35 | 0:37:36 | |
OK. Well, before we tell you what it's worth, | 0:37:36 | 0:37:39 | |
I wonder if we could tempt you with our mystery lot. | 0:37:39 | 0:37:42 | |
Would you like to join me? | 0:37:42 | 0:37:43 | |
Eve and Pat, here you are. | 0:37:47 | 0:37:49 | |
Here is your beautiful piggy. | 0:37:49 | 0:37:52 | |
-Aw, he's lovely. -Now, what was it about him | 0:37:52 | 0:37:54 | |
that really made you fall in love? | 0:37:54 | 0:37:55 | |
Well, I like pigs in the first place. | 0:37:55 | 0:37:58 | |
I used to collect little pigs at one point, | 0:37:58 | 0:38:00 | |
so I sort of gravitated straight towards him, | 0:38:00 | 0:38:02 | |
but I wasn't sure because he's a bit shiny. | 0:38:02 | 0:38:04 | |
-I thought he was a bit too shiny for an antique, you see. -Mm. | 0:38:04 | 0:38:07 | |
So when I picked him up and he was such a heavy weight, | 0:38:07 | 0:38:10 | |
and I thought, there's something about this. | 0:38:10 | 0:38:12 | |
It's very heavy, it's very solid. | 0:38:12 | 0:38:13 | |
Got a gorgeous expression when you look at him face on. | 0:38:13 | 0:38:16 | |
-Yes. Very unusual. -Yeah. | 0:38:16 | 0:38:17 | |
But I think we ought to bring in the third party now. | 0:38:17 | 0:38:20 | |
So would you like to reveal the mystery lot? | 0:38:20 | 0:38:22 | |
Will I put my temptation hat on? | 0:38:22 | 0:38:24 | |
-Mm-hm. -Here we go, girls. -I don't want to be tempted. | 0:38:24 | 0:38:27 | |
-I'm no good at that. -I'm going to tempt you. | 0:38:27 | 0:38:29 | |
-Oh. -Ah. Gosh, that's pretty, isn't it? | 0:38:30 | 0:38:33 | |
-Oh, that's gorgeous. -Ooh! -I thought so. | 0:38:33 | 0:38:36 | |
"Oh, I love you, piggy, I love you, piggy - oh, hang on a minute." | 0:38:36 | 0:38:39 | |
LAUGHTER | 0:38:39 | 0:38:40 | |
How fickle you are, girls. | 0:38:40 | 0:38:42 | |
You've forgotten about your pig now, haven't you? | 0:38:42 | 0:38:44 | |
Oh, he's beautiful, but they're beautiful, aren't they? | 0:38:44 | 0:38:47 | |
They are lovely. | 0:38:47 | 0:38:48 | |
-Would you like to know something about it? -Yes, please. | 0:38:48 | 0:38:51 | |
Well, the tea service - | 0:38:51 | 0:38:54 | |
it is extremely beautiful. | 0:38:54 | 0:38:56 | |
Silver and enamel tea service. | 0:38:56 | 0:38:59 | |
It dates from around the 1920s or '30s. | 0:38:59 | 0:39:02 | |
Can't be certain, because there are no official hallmarks | 0:39:02 | 0:39:06 | |
stamped on any of the silver surfaces, | 0:39:06 | 0:39:08 | |
but there's a silver mark at the very bottom of each piece | 0:39:08 | 0:39:11 | |
inscribed into the enamel, | 0:39:11 | 0:39:13 | |
confirming that it is, indeed, proper silver. | 0:39:13 | 0:39:17 | |
Below that are two Chinese characters | 0:39:18 | 0:39:20 | |
which are the maker's mark. | 0:39:20 | 0:39:22 | |
Unfortunately, the maker cannot be traced, as the tea service was made | 0:39:22 | 0:39:26 | |
for the Chinese export market. | 0:39:26 | 0:39:28 | |
It's what's known as a cabinet piece - | 0:39:28 | 0:39:30 | |
created purely for decorative purposes. | 0:39:30 | 0:39:34 | |
As bizarre as it seems, | 0:39:34 | 0:39:35 | |
there was, and still is, a big market | 0:39:35 | 0:39:38 | |
for such non-functional ornamental pieces. | 0:39:38 | 0:39:41 | |
This service is in pristine condition. | 0:39:41 | 0:39:44 | |
It's never seen action. | 0:39:44 | 0:39:46 | |
Couple that with the recent boom in the market for Chinese objects, | 0:39:46 | 0:39:50 | |
and this could be a very exciting object indeed. | 0:39:50 | 0:39:56 | |
Having said that, | 0:39:56 | 0:39:58 | |
is it more exciting than a pig? | 0:39:58 | 0:40:00 | |
Well, we'll find out in a minute. | 0:40:01 | 0:40:03 | |
Ah, you see, all that's left for you to decide now | 0:40:03 | 0:40:06 | |
is which one to go for. | 0:40:06 | 0:40:08 | |
Tell me your immediate thoughts on this tea set. | 0:40:08 | 0:40:10 | |
Well, it is so beautiful. It's so unusual and dainty, isn't it? | 0:40:10 | 0:40:14 | |
The silver and enamel is lovely. | 0:40:14 | 0:40:17 | |
Oh, good gracious me. | 0:40:17 | 0:40:19 | |
Charlie, what have you done to us? | 0:40:19 | 0:40:21 | |
LAUGHTER | 0:40:21 | 0:40:23 | |
-Because I still love the pig. -I still love the pig. | 0:40:23 | 0:40:25 | |
Well, we were saying whatever the mystery object is, we're going to stick with our pig. | 0:40:25 | 0:40:29 | |
Whatever it is, we're going to stick with our pig, and then we looked at it, and oh, it's beautiful! | 0:40:29 | 0:40:33 | |
-It is beautiful. -It is beautiful, isn't it? -Yeah. | 0:40:33 | 0:40:36 | |
-Oh, I think I'm going to stick with the pig. -Pig. -If you're happy. | 0:40:36 | 0:40:39 | |
-Shake. -Oh, that's it. | 0:40:39 | 0:40:40 | |
That's a definite confirmation. | 0:40:40 | 0:40:42 | |
-Yep. The pig. -We're sticking with the pig. OK. | 0:40:42 | 0:40:44 | |
You've chosen the sculpture, and we know that now you have won | 0:40:44 | 0:40:48 | |
its value in cash. | 0:40:48 | 0:40:49 | |
So let's hope that's a lot. | 0:40:49 | 0:40:52 | |
Oh, but Charlie, before you reveal how much they're taking home today, | 0:40:52 | 0:40:55 | |
please could you tell us what they've thrown away? | 0:40:55 | 0:40:58 | |
I have to agree with you. | 0:40:58 | 0:40:59 | |
This is fantastic quality. | 0:40:59 | 0:41:02 | |
But, it is 20th century. | 0:41:02 | 0:41:05 | |
It's not everybody's cup of tea. | 0:41:05 | 0:41:07 | |
LAUGHTER | 0:41:07 | 0:41:08 | |
Oh, dear. I do apologise. | 0:41:10 | 0:41:12 | |
It gets worse, doesn't it? | 0:41:12 | 0:41:13 | |
The value of it. Yeah, it's pretty valuable. | 0:41:15 | 0:41:17 | |
As indeed, your breath was actually taken away when you saw this, | 0:41:17 | 0:41:20 | |
-wasn't it? -Yes, yes, yes, yes. -Yeah. | 0:41:20 | 0:41:21 | |
I think if we could attribute it to a famous maker, then frankly, | 0:41:21 | 0:41:24 | |
it would be a no-brainer, but we don't know who made it, | 0:41:24 | 0:41:27 | |
so we've put a fairly conservative price on it, | 0:41:27 | 0:41:30 | |
but nevertheless, | 0:41:30 | 0:41:32 | |
-£1,200. -Oh, wow! -Wow! | 0:41:32 | 0:41:34 | |
1,200 crispies. | 0:41:34 | 0:41:36 | |
-Right. We don't know whether piggy will be worth that, but never mind. -But we like piggy. -We like piggy. | 0:41:36 | 0:41:41 | |
-OK. The tea set has gone. -It has. -£1,200 has gone. | 0:41:41 | 0:41:44 | |
-Let's focus on the pig that you've been very loyal to. -Yes. | 0:41:44 | 0:41:48 | |
-So, will you please tell us how much this pig is worth? -I will. | 0:41:48 | 0:41:51 | |
Lucy Kinsella - very much still alive. | 0:41:51 | 0:41:54 | |
Born in 1960, but somebody that's exhibited at the Royal Academy, | 0:41:54 | 0:41:58 | |
at Olympia, the Chelsea Arts Fair. | 0:41:58 | 0:42:02 | |
And as I said earlier, if it's quality, | 0:42:02 | 0:42:04 | |
does it need to be that old? No, it doesn't, really. | 0:42:04 | 0:42:07 | |
And, of course, it's solid silver, which you spotted, | 0:42:07 | 0:42:11 | |
and the character - it's absolutely got the character. | 0:42:11 | 0:42:15 | |
-It's splendid. -It's got attitude. | 0:42:15 | 0:42:17 | |
And what was your valuation? | 0:42:17 | 0:42:18 | |
We thought it would be about... I thought about 1,000. | 0:42:18 | 0:42:21 | |
I thought it would creep into four figures. | 0:42:21 | 0:42:23 | |
Well, I think you and I should swap positions. | 0:42:23 | 0:42:26 | |
-Ooh! -Because I think you've won valuer of the year award. | 0:42:26 | 0:42:30 | |
Because it's worth £1,000! | 0:42:30 | 0:42:32 | |
Oh, well done! | 0:42:32 | 0:42:34 | |
APPLAUSE | 0:42:34 | 0:42:36 | |
Many congratulations. | 0:42:36 | 0:42:38 | |
-Well done. -Thank you, Fern. -Well done. | 0:42:38 | 0:42:40 | |
-Oh, Eve, congratulations. -Thank you very much. | 0:42:40 | 0:42:43 | |
-Thank you, Charlie. -Brilliant, girls. -Fantastic. | 0:42:43 | 0:42:45 | |
So, today, Eve and Pat, you are going home | 0:42:45 | 0:42:47 | |
with £1,000, or £500 each. | 0:42:47 | 0:42:49 | |
Which way are you going to do it? What are you going to do with it? | 0:42:49 | 0:42:52 | |
-Split it down the middle. -Oh, yes, absolutely. Split it down the middle. | 0:42:52 | 0:42:55 | |
You've been great contestants. Thank you very much. It's lovely to have you here, Charlie. | 0:42:55 | 0:42:59 | |
Thank you so much for sharing all your expertise and knowledge. | 0:42:59 | 0:43:02 | |
Thank you, girls - you've been absolutely brilliant. And thank you, too, for watching. | 0:43:02 | 0:43:05 | |
We look forward to seeing you again when more teams will be trying | 0:43:05 | 0:43:08 | |
to spot the lot to win the lot on For What It's Worth. | 0:43:08 | 0:43:10 | |
I'll see you next time. Goodbye for now. Bye! | 0:43:10 | 0:43:13 | |
Brilliant. | 0:43:13 | 0:43:14 | |
APPLAUSE | 0:43:14 | 0:43:16 |