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Hello, and welcome to For What It's Worth, | 0:00:15 | 0:00:18 | |
the show that tests | 0:00:18 | 0:00:19 | |
the old grey matter and satisfies your curiosity for antiques. | 0:00:19 | 0:00:23 | |
Three pairs of contestants are ready to play. | 0:00:23 | 0:00:25 | |
Each team has a quizzer, who has to answer a General Knowledge | 0:00:25 | 0:00:28 | |
question correctly so that their partner, the picker, has | 0:00:28 | 0:00:31 | |
a chance to choose an antique or collectable | 0:00:31 | 0:00:33 | |
and build a collection. | 0:00:33 | 0:00:34 | |
The aim of the game is to amass the most valuable collection. | 0:00:34 | 0:00:38 | |
They say you should never mix work with pleasure, | 0:00:38 | 0:00:40 | |
but this woman is simply a pleasure to work with. | 0:00:40 | 0:00:43 | |
Joining me now in the studio is our antiques expert, Kate Bliss. | 0:00:43 | 0:00:47 | |
-Hi. -Aw, Kate. | 0:00:47 | 0:00:50 | |
-Lovely to have you here. -Great to be here. -Very nice to have you. | 0:00:50 | 0:00:54 | |
Right, Kate, go through what we have on offer today. | 0:00:54 | 0:00:57 | |
So, we have a real mixture today, teams. We have... | 0:00:57 | 0:01:02 | |
a vase, | 0:01:02 | 0:01:04 | |
a purse, | 0:01:04 | 0:01:06 | |
some scales, | 0:01:06 | 0:01:08 | |
some earrings, | 0:01:08 | 0:01:10 | |
some boots, | 0:01:10 | 0:01:12 | |
some figures, | 0:01:12 | 0:01:14 | |
a stamp, | 0:01:14 | 0:01:16 | |
a dish | 0:01:16 | 0:01:18 | |
some sauce boats, | 0:01:18 | 0:01:20 | |
a table, | 0:01:20 | 0:01:22 | |
a toy, | 0:01:22 | 0:01:24 | |
and a watch. | 0:01:24 | 0:01:25 | |
One of these items is our top lot, which is worth a whopping £2,500. | 0:01:26 | 0:01:32 | |
That is the lot to spot, teams, | 0:01:32 | 0:01:34 | |
because, at the end of the show, the winning pair will walk away | 0:01:34 | 0:01:37 | |
with the cash equivalent of one of their items. | 0:01:37 | 0:01:40 | |
But beware, because the lots | 0:01:40 | 0:01:42 | |
decrease in value right down | 0:01:42 | 0:01:43 | |
to our worthless lot, which is | 0:01:43 | 0:01:45 | |
a tenner or less. | 0:01:45 | 0:01:46 | |
That is the lot to avoid. | 0:01:46 | 0:01:49 | |
So, who's playing today? Let's meet our teams. Team one, who are you? | 0:01:49 | 0:01:52 | |
Hi, Fern, my name is Dave, and this is my friend, Jed. | 0:01:52 | 0:01:57 | |
We met at our local football club, Droylsden FC, | 0:01:57 | 0:01:59 | |
-and we're both into antiques. -Very nice to meet you. | 0:01:59 | 0:02:02 | |
Welcome, team one. Team two, who are you? | 0:02:02 | 0:02:05 | |
Hello, Fern. I'm Heidi and this is my old friend, Richard. | 0:02:05 | 0:02:09 | |
We met about 30 years ago at a charity fundraising | 0:02:09 | 0:02:12 | |
organisation in West Yorkshire. | 0:02:12 | 0:02:14 | |
Lovely to have you here. And team three, who are you? | 0:02:14 | 0:02:17 | |
Hi, my name is Geoff and this is my lovely wife, Lucille. | 0:02:17 | 0:02:21 | |
And we're both from Surrey, we both like going to boot fairs | 0:02:21 | 0:02:24 | |
and we like going to antiques fairs and collecting. | 0:02:24 | 0:02:27 | |
Well, welcome all of you. And jolly good luck with today's game. | 0:02:27 | 0:02:30 | |
Now, earlier, our teams got to inspect our lots, watched over | 0:02:30 | 0:02:34 | |
by Kate, but could they separate the chipboard from the Chippendale? | 0:02:34 | 0:02:39 | |
Let's see. | 0:02:39 | 0:02:40 | |
-Not bad. -Interesting. | 0:02:43 | 0:02:45 | |
Oh, wow look at this. | 0:02:45 | 0:02:46 | |
-Ooh! -Wow. | 0:02:47 | 0:02:49 | |
If there's no markings on it, it could be very rare. | 0:02:50 | 0:02:53 | |
It could have been printed as a mistake, | 0:02:53 | 0:02:55 | |
and mistakes in stamps are worth a lot of money. | 0:02:55 | 0:02:58 | |
-You're on the button. -Don't know much about stamps. Let's move on. | 0:02:58 | 0:03:01 | |
-I reckon it's repro. -Do you? -Yeah. Oh, that bad? -Repro! | 0:03:03 | 0:03:08 | |
-Horrible. -To be honest, it looks plastic from this angle. -Plastic! | 0:03:08 | 0:03:11 | |
-Probably find out it's worth a fortune. -That's the way it goes. | 0:03:11 | 0:03:15 | |
This is my sort of thing. | 0:03:16 | 0:03:18 | |
Let's have a look underneath. | 0:03:18 | 0:03:20 | |
Do you think that's oak? Or is it mahogany? | 0:03:20 | 0:03:24 | |
Looking at the bottom a lot, but look at the top! | 0:03:24 | 0:03:27 | |
Nice marquetry. | 0:03:27 | 0:03:28 | |
It actually looks like a walnut, that top one. | 0:03:28 | 0:03:31 | |
No, there's no markings or anything like that on it. | 0:03:33 | 0:03:36 | |
-Could be Italian. -That's what I was thinking. -Murano glass, maybe. | 0:03:36 | 0:03:40 | |
Could be or could not be. | 0:03:41 | 0:03:43 | |
I don't think it's the top lot, that's for sure. | 0:03:43 | 0:03:45 | |
They've got wobbly heads. They're like nodding dogs. | 0:03:47 | 0:03:50 | |
That's 1860s. | 0:03:50 | 0:03:52 | |
They are German and they're not worth anything. | 0:03:52 | 0:03:55 | |
Well, that was very definite. | 0:03:55 | 0:03:58 | |
-50 quid, max. -All right, fine. | 0:03:58 | 0:04:00 | |
I'll go with that, yeah. | 0:04:00 | 0:04:01 | |
Oh, I love watches. | 0:04:02 | 0:04:07 | |
-Atelier, is that French? -Yes. | 0:04:07 | 0:04:08 | |
Well done, Lucille. | 0:04:08 | 0:04:10 | |
It's got a fairly heavy chain. | 0:04:10 | 0:04:12 | |
Highly desirable. | 0:04:12 | 0:04:13 | |
Has she got a loupe? | 0:04:16 | 0:04:17 | |
Definitely silver. | 0:04:18 | 0:04:20 | |
-Good girl, Heidi. -Does it make any difference if they're a pair? | 0:04:20 | 0:04:23 | |
Yes, it does. | 0:04:23 | 0:04:25 | |
-I wonder who wore these. -Yeah, a good question. | 0:04:25 | 0:04:28 | |
They're well worn. | 0:04:28 | 0:04:30 | |
They're in lovely condition, though. | 0:04:30 | 0:04:33 | |
It might only be a toy, but it's got 007 on it. | 0:04:33 | 0:04:36 | |
The Man With The Golden Gun, which was 1977. | 0:04:36 | 0:04:38 | |
Well done, there's a Bond fan there. | 0:04:38 | 0:04:41 | |
So, would it be about 1600? | 0:04:41 | 0:04:43 | |
Now, I know it's rusty, Geoff, but hang on a minute. | 0:04:43 | 0:04:46 | |
That could potentially be the | 0:04:46 | 0:04:47 | |
worthless lot. | 0:04:47 | 0:04:48 | |
'20s, '30s possibly? Or it might even be a replica. | 0:04:50 | 0:04:54 | |
But we're not seeing any silver marks on them. | 0:04:54 | 0:04:56 | |
On the purse, the purse is lovely. | 0:04:56 | 0:04:58 | |
-See any markings? -No, no markings. | 0:04:59 | 0:05:01 | |
But have a look at the back. | 0:05:01 | 0:05:03 | |
Yeah, it's 750, so that indicates that they're gold. | 0:05:03 | 0:05:07 | |
I think the scale's the bottom lot. | 0:05:07 | 0:05:09 | |
The lowest value item is the weighing scales. | 0:05:09 | 0:05:11 | |
The dish, but that's because I don't like it. | 0:05:11 | 0:05:13 | |
No, I would agree with you there. | 0:05:13 | 0:05:15 | |
Highest value is possibly the sauce boats, but it could be the vase. | 0:05:15 | 0:05:19 | |
I think it's the sauce boats. | 0:05:19 | 0:05:20 | |
And for me, the watch is the big one. | 0:05:20 | 0:05:22 | |
I knew you would get drawn in by horology. | 0:05:22 | 0:05:25 | |
It might even be those earrings. | 0:05:25 | 0:05:27 | |
Kate, what fun to be spying on them. | 0:05:29 | 0:05:31 | |
Do you know? We had such a variety of approaches | 0:05:31 | 0:05:34 | |
and a huge mixture of opinions. | 0:05:34 | 0:05:36 | |
Very good. | 0:05:36 | 0:05:38 | |
And how has the valuation on each of these lots been arrived at? | 0:05:38 | 0:05:41 | |
So, the values have been agreed between myself | 0:05:41 | 0:05:44 | |
and an independent valuer, and that value is based on the hammer price | 0:05:44 | 0:05:48 | |
that we would expect each lot to fetch at auction. | 0:05:48 | 0:05:51 | |
And that's, of course, not taking into account any auction costs. | 0:05:51 | 0:05:55 | |
And just to add an extra twist, we have our Mystery Lot. | 0:05:55 | 0:05:59 | |
Now, this could be worth thousands or it could be worth thruppence. | 0:05:59 | 0:06:04 | |
I don't know. That's for our winners to decide a little bit later. | 0:06:04 | 0:06:07 | |
But for now, it's time for Round One. | 0:06:07 | 0:06:09 | |
I'm going to ask eight General Knowledge questions | 0:06:12 | 0:06:15 | |
and, pickers, before each one I'll ask you to select | 0:06:15 | 0:06:18 | |
which lot you'd like to play for. | 0:06:18 | 0:06:19 | |
And then, quizzers, if you buzz in with a correct answer, | 0:06:19 | 0:06:22 | |
you'll get to add it to your collection. | 0:06:22 | 0:06:24 | |
But beware, if you buzz in incorrectly, | 0:06:24 | 0:06:27 | |
you will be frozen out of the next question. | 0:06:27 | 0:06:30 | |
So, pickers, please make your first pick. | 0:06:30 | 0:06:32 | |
Let's see what you want. | 0:06:34 | 0:06:36 | |
Jed and Dave want the stamp. | 0:06:36 | 0:06:39 | |
Richard and Heidi want the watch. | 0:06:39 | 0:06:41 | |
And Geoff and Lucille also want the watch. | 0:06:41 | 0:06:44 | |
OK, quizzers, fingers on buttons, first question. | 0:06:44 | 0:06:47 | |
The Art Deco Chrysler building is located in which US city? | 0:06:47 | 0:06:51 | |
Yes, Geoff. | 0:06:51 | 0:06:52 | |
New York. | 0:06:52 | 0:06:53 | |
New York is correct. | 0:06:53 | 0:06:54 | |
The watch is yours. | 0:06:54 | 0:06:55 | |
That's the way to do it, easy, huh? | 0:06:55 | 0:06:57 | |
OK, pickers, make a pick. | 0:06:57 | 0:06:59 | |
Jed and Dave still going for the stamp. | 0:07:01 | 0:07:03 | |
Richard and Heidi want the earrings. | 0:07:03 | 0:07:06 | |
Geoff and Lucille also want the stamp. | 0:07:06 | 0:07:09 | |
OK, question two. | 0:07:09 | 0:07:11 | |
Which member of the band Queen completed a PhD in astrophysics? | 0:07:11 | 0:07:15 | |
Yes, Geoff. | 0:07:15 | 0:07:16 | |
Brian May. | 0:07:16 | 0:07:17 | |
Brian May is correct. The stamp is yours. | 0:07:17 | 0:07:20 | |
They'll catch up. Don't you worry about that. Here we go. | 0:07:21 | 0:07:24 | |
Pickers, pick a lot. | 0:07:24 | 0:07:26 | |
Jed and Dave want the boots. | 0:07:28 | 0:07:30 | |
Richard and Heidi want the sauce boats. Uh-oh. | 0:07:30 | 0:07:33 | |
Geoff and Lucille want the sauce boats too. | 0:07:33 | 0:07:35 | |
Question three. | 0:07:35 | 0:07:36 | |
Which country's parliament is known as the Knesset? | 0:07:36 | 0:07:39 | |
Yes, Richard. | 0:07:39 | 0:07:41 | |
Israel. | 0:07:41 | 0:07:42 | |
Correct, it is Israel. | 0:07:42 | 0:07:43 | |
The sauce boats are yours. | 0:07:43 | 0:07:44 | |
You didn't let them fall into Geoff and Lucille's collection. | 0:07:44 | 0:07:48 | |
Pickers, make a pick. | 0:07:48 | 0:07:49 | |
Jed and Dave want the purse. | 0:07:50 | 0:07:52 | |
Richard and Heidi want the boots, | 0:07:52 | 0:07:54 | |
but Geoff and Lucille want the boots too. | 0:07:54 | 0:07:57 | |
Question four. | 0:07:57 | 0:07:58 | |
Used for riding on rough terrain, | 0:07:58 | 0:08:00 | |
which three-letter abbreviation refers to a type of bicycle? | 0:08:00 | 0:08:04 | |
Yes, Jed. | 0:08:04 | 0:08:05 | |
-Sorry, I've gone blank. -Out of time. | 0:08:09 | 0:08:11 | |
The answer is BMX. The BMX bike. | 0:08:11 | 0:08:15 | |
Jed and Dave, you are now frozen out of this next question. | 0:08:15 | 0:08:18 | |
Pickers, make a pick. | 0:08:18 | 0:08:20 | |
How strange, yes, | 0:08:20 | 0:08:22 | |
you both want the boots. | 0:08:22 | 0:08:24 | |
OK, quizzers, question five. | 0:08:24 | 0:08:26 | |
In the first film of the Back To The Future franchise, | 0:08:26 | 0:08:29 | |
what decade does Marty McFly travel to? | 0:08:29 | 0:08:32 | |
Yes, Geoff. | 0:08:34 | 0:08:36 | |
1970s? | 0:08:36 | 0:08:37 | |
Incorrect, 1950s. | 0:08:37 | 0:08:39 | |
The boots go nowhere. | 0:08:39 | 0:08:42 | |
But you are frozen out of this next question. | 0:08:42 | 0:08:44 | |
Dave and Jed, you're back in, so Dave and Heidi, please pick a lot. | 0:08:44 | 0:08:48 | |
You both want the boots. | 0:08:50 | 0:08:52 | |
The battle of the boots. | 0:08:52 | 0:08:54 | |
Question six. | 0:08:55 | 0:08:57 | |
What type of cheese is used in the classic Swiss dish in which | 0:08:57 | 0:09:00 | |
it is melted and then scraped onto the diner's plate? | 0:09:00 | 0:09:03 | |
Out of time. It's raclette. | 0:09:07 | 0:09:11 | |
Raclette. OK, Geoff and Lucille, you're back in the game. | 0:09:11 | 0:09:15 | |
Pickers, pick your lot. | 0:09:15 | 0:09:16 | |
THEY LAUGH | 0:09:18 | 0:09:19 | |
You see, it gets infectious. If somebody else wants it, | 0:09:19 | 0:09:21 | |
you think, "Perhaps they're worth having." | 0:09:21 | 0:09:23 | |
All right, this is it, battle of the boots. Question seven. | 0:09:23 | 0:09:27 | |
The zodiac signs Leo and Sagittarius | 0:09:27 | 0:09:30 | |
are associated with which classical element? | 0:09:30 | 0:09:32 | |
Out of time. | 0:09:37 | 0:09:39 | |
Fire. So they're fire signs. | 0:09:39 | 0:09:41 | |
This is the final question in this round. | 0:09:41 | 0:09:45 | |
Pickers, pick your lot. | 0:09:45 | 0:09:46 | |
THEY LAUGH | 0:09:48 | 0:09:50 | |
OK, well, here we go. | 0:09:50 | 0:09:53 | |
Last question, quizzers, in this round. | 0:09:53 | 0:09:55 | |
In the TV series, what is the name of Edmund Blackadder's manservant? | 0:09:55 | 0:10:00 | |
-Yes, Jed. -Baldrick. | 0:10:00 | 0:10:01 | |
Baldrick, it is. Correct. The boots are yours! | 0:10:01 | 0:10:05 | |
But will they be worth the battle? I don't know. | 0:10:05 | 0:10:07 | |
Let's have a look at your collections. | 0:10:07 | 0:10:09 | |
At the end of Round One, | 0:10:09 | 0:10:11 | |
Jed and Dave have the boots. | 0:10:11 | 0:10:13 | |
Richard and Heidi have the sauce boats. | 0:10:13 | 0:10:16 | |
Geoff and Lucille have the watch and the stamp. | 0:10:16 | 0:10:20 | |
So, our teams have started to build their collections, | 0:10:20 | 0:10:22 | |
but have they chosen wisely? | 0:10:22 | 0:10:24 | |
Well, before they have the chance to add more to them, | 0:10:24 | 0:10:27 | |
Kate is going to give each pair a fact about a lot of their choice, | 0:10:27 | 0:10:30 | |
which should be everything they need to know to make a valuation. | 0:10:30 | 0:10:34 | |
But before we do that, team one, let's know more about you. | 0:10:34 | 0:10:37 | |
Jed, what do you do? | 0:10:37 | 0:10:38 | |
I'm an engineer. I work in a factory, operate machinery. | 0:10:38 | 0:10:43 | |
-That's about it, really. -So, what do you make in the factory? | 0:10:43 | 0:10:45 | |
I make rotors for helicopters, for pumping oil gas. | 0:10:45 | 0:10:52 | |
Good. And Dave, you have an eye for paperweights. | 0:10:52 | 0:10:57 | |
Yes, for a number of years now, about seven years, | 0:10:57 | 0:11:00 | |
I've been collecting Royal Crown Derby Imari Paperweights. | 0:11:00 | 0:11:05 | |
-How many have you got? -I've got two so far. -Yeah. | 0:11:05 | 0:11:08 | |
SHE LAUGHS | 0:11:08 | 0:11:10 | |
I bought my first one seven years ago and one recently. | 0:11:10 | 0:11:13 | |
Well, yes, speed-collecting, isn't it? Yeah. | 0:11:13 | 0:11:16 | |
So, Jed and Dave, what would you like to know more about? | 0:11:16 | 0:11:20 | |
Kate, I would like to know more about the stamp, please. | 0:11:20 | 0:11:23 | |
Well, here we have a stamp from the | 0:11:23 | 0:11:26 | |
British Painters Special Edition booklet, | 0:11:26 | 0:11:29 | |
and this came out in 1967. | 0:11:29 | 0:11:32 | |
And it's one of a set of three, | 0:11:32 | 0:11:34 | |
and shows the work of the Master Lambton, | 0:11:34 | 0:11:38 | |
who's also known as the Red Boy. | 0:11:38 | 0:11:41 | |
And this was originally painted by Sir Thomas Lawrence in 1825. | 0:11:41 | 0:11:46 | |
Now, this celebration of British artistry was the | 0:11:46 | 0:11:50 | |
most-produced out of that set of three, | 0:11:50 | 0:11:53 | |
and to survive the years in very good condition, | 0:11:53 | 0:11:55 | |
having never been stuck on an envelope or franked in the mail. | 0:11:55 | 0:12:00 | |
It has, of course, no price mark on it, | 0:12:00 | 0:12:04 | |
and it's also missing the Queen's head. | 0:12:04 | 0:12:07 | |
And this does have quite a significant impact on its value. | 0:12:07 | 0:12:12 | |
Well, they're going to have a little think about that | 0:12:12 | 0:12:15 | |
-while we meet team two. Welcome, both of you. -Thank you. | 0:12:15 | 0:12:18 | |
Richard, you didn't have any trouble getting through our security | 0:12:18 | 0:12:21 | |
-men or anything? -No, I have had that sort of problem in the past. | 0:12:21 | 0:12:25 | |
In Switzerland last year in a hotel, | 0:12:25 | 0:12:27 | |
inadvertently, I walked across the path of the US Secretary of State | 0:12:27 | 0:12:31 | |
and immediately got put to the floor by his CIA entourage. Yes. | 0:12:31 | 0:12:34 | |
Really? | 0:12:34 | 0:12:35 | |
Yes, I was waiting for a gun to be pointed at my head, | 0:12:35 | 0:12:38 | |
-but fortunately that didn't happen. -Well, I'm glad you're here safely. | 0:12:38 | 0:12:41 | |
-Thank you. -And, Heidi, how did you meet Richard? | 0:12:41 | 0:12:43 | |
-We met about 30 years ago... -A long time, yes. | 0:12:43 | 0:12:46 | |
..at a fundraising organisation. | 0:12:46 | 0:12:48 | |
Which one of you is the bossy one? | 0:12:48 | 0:12:50 | |
-Heidi, by far. -Me. -THEY LAUGH | 0:12:50 | 0:12:53 | |
So, was it Heidi's idea to be here, Richard? | 0:12:53 | 0:12:55 | |
-No, no. -No, no, it was mine, actually. -Was it? Oh, good. | 0:12:55 | 0:12:58 | |
Well, welcome, both of you. | 0:12:58 | 0:12:59 | |
Now, what would you like to know more about? | 0:12:59 | 0:13:02 | |
I'd like to know more about the boots. | 0:13:02 | 0:13:04 | |
I can reveal that this is actually a pair of World War I field boots | 0:13:06 | 0:13:11 | |
and these simple tanned leather designs were issued to | 0:13:11 | 0:13:15 | |
field officers in the line of duty from 1914. | 0:13:15 | 0:13:19 | |
Now as you can see, they are built for practicality, | 0:13:19 | 0:13:22 | |
not fashion, of course. | 0:13:22 | 0:13:24 | |
And they were intended to last through the hardships of trench war. | 0:13:24 | 0:13:30 | |
But it's rare to find a pair like this in such good condition, | 0:13:30 | 0:13:35 | |
and especially ones which have clearly been worn. | 0:13:35 | 0:13:39 | |
Now, of course, with the recent centenary of World War I, | 0:13:39 | 0:13:43 | |
artefacts such as this have seen a general upswing in value. | 0:13:43 | 0:13:48 | |
But how much are these worth? | 0:13:49 | 0:13:51 | |
Right, team three, Geoff and Lucille. Welcome to the show. | 0:13:52 | 0:13:56 | |
-Geoff, you're a railway enthusiast. -Oh, yes. | 0:13:56 | 0:14:00 | |
I do actually put my hands up to that one. | 0:14:00 | 0:14:03 | |
-Tell me about your specific railway. -I work for the Bluebell Railway | 0:14:03 | 0:14:06 | |
down in Sussex. Of course, it's all steam trains. | 0:14:06 | 0:14:09 | |
-Are you ever allowed to drive them? -I have done in the past. | 0:14:09 | 0:14:12 | |
But you have to go there every weekend | 0:14:12 | 0:14:14 | |
and Lucille is not keen on me going there every weekend now, so... | 0:14:14 | 0:14:18 | |
-Yeah. -I can understand that, yeah. | 0:14:18 | 0:14:20 | |
And your thing is European porcelain? | 0:14:20 | 0:14:23 | |
Yes, that's my big love, European porcelain. | 0:14:23 | 0:14:25 | |
Can you tell me what falls into that category? | 0:14:25 | 0:14:27 | |
Well, we both love Copenhagen, but I like all of it, really. | 0:14:27 | 0:14:31 | |
Oh, hang on, I thought you were going to | 0:14:31 | 0:14:33 | |
say you liked Copenhagen, the city. | 0:14:33 | 0:14:34 | |
No, there's a porcelain called Copenhagen ware. | 0:14:34 | 0:14:37 | |
I like Copenhagen the city as well, though. | 0:14:37 | 0:14:39 | |
What item would you like to know more about? | 0:14:39 | 0:14:42 | |
I'd like to know a little bit about the vase, actually. | 0:14:42 | 0:14:45 | |
Now, this piece imitates the glass style championed by Salvador Ysart, | 0:14:45 | 0:14:50 | |
who, having moved to Scotland from Spain, started work as a | 0:14:50 | 0:14:54 | |
glass-blower and designed a range of art glasswares called Monart. | 0:14:54 | 0:14:59 | |
Now, many Scottish glass workers and artists became influenced | 0:14:59 | 0:15:03 | |
by his style, and this vase here is a prime example of this. | 0:15:03 | 0:15:08 | |
The designer is actually unknown, | 0:15:08 | 0:15:11 | |
but is its artistry worth as much as you'd like to think? | 0:15:11 | 0:15:16 | |
Hm. Everyone has something to think about. Thank you very much, Kate. | 0:15:16 | 0:15:22 | |
Right, teams, now you know some more about your items, | 0:15:22 | 0:15:24 | |
I hope that helps you as we play Round Two. | 0:15:24 | 0:15:27 | |
APPLAUSE | 0:15:27 | 0:15:31 | |
In this round, the pickers will select a lot to play for | 0:15:31 | 0:15:34 | |
and the quizzers will again try and secure it by answering correctly. | 0:15:34 | 0:15:37 | |
But this time around, the lots come with their own question categories | 0:15:37 | 0:15:41 | |
and here they are. | 0:15:41 | 0:15:43 | |
So for example, if you targeted the vase, I'll ask the quizzer | 0:15:43 | 0:15:47 | |
if they'd like to answer a question | 0:15:47 | 0:15:49 | |
on either the Human Body or UK Number Ones. OK? | 0:15:49 | 0:15:52 | |
At the end of this round, the team with the least valuable | 0:15:52 | 0:15:54 | |
collection will be eliminated, so choose wisely. | 0:15:54 | 0:15:57 | |
Dave, what's your lot? | 0:15:57 | 0:15:59 | |
I will choose the vase, please, Fern. | 0:15:59 | 0:16:02 | |
The vase. Human Body or UK Number Ones, Jed? | 0:16:02 | 0:16:06 | |
-Human Body, please. -Human Body. Here we go. | 0:16:06 | 0:16:08 | |
The auditory nerve links the brain with which sensory organ? | 0:16:08 | 0:16:12 | |
The ear. | 0:16:12 | 0:16:14 | |
Correct, the ear, the vase is yours. | 0:16:14 | 0:16:16 | |
Heidi, what's your lot? | 0:16:17 | 0:16:19 | |
-I'd like the earrings, please. -The earrings. | 0:16:19 | 0:16:22 | |
Human Body or Romcoms, Richard? | 0:16:22 | 0:16:25 | |
Human Body again, Fern, please. | 0:16:25 | 0:16:26 | |
Human Body. | 0:16:26 | 0:16:28 | |
What is the longest and widest nerve in the human body? | 0:16:28 | 0:16:32 | |
Spinal cord. | 0:16:32 | 0:16:33 | |
Incorrect. | 0:16:34 | 0:16:35 | |
It's the sciatic. | 0:16:35 | 0:16:36 | |
Lucille, what's your lot? | 0:16:37 | 0:16:39 | |
-The table, please. -The table. | 0:16:39 | 0:16:41 | |
Formula 1 or Africa, Geoff? | 0:16:41 | 0:16:43 | |
-Africa. -Africa. | 0:16:43 | 0:16:45 | |
Which African island is the fourth largest in the world? | 0:16:45 | 0:16:49 | |
Madagascar. | 0:16:49 | 0:16:50 | |
Madagascar's correct. The table is yours. | 0:16:50 | 0:16:53 | |
Well done. | 0:16:53 | 0:16:55 | |
Now, teams, have you missed | 0:16:55 | 0:16:57 | |
out on that one item that you really | 0:16:57 | 0:16:59 | |
wanted because if so, here's | 0:16:59 | 0:17:00 | |
your chance to get your hands on it. | 0:17:00 | 0:17:02 | |
From now on, you can either | 0:17:02 | 0:17:03 | |
go for what's left on the grid, | 0:17:03 | 0:17:05 | |
or you can try to steal a lot that | 0:17:05 | 0:17:07 | |
is in a rival team's collection. | 0:17:07 | 0:17:09 | |
But, pickers, be warned, if you | 0:17:09 | 0:17:11 | |
choose to steal from another team, | 0:17:11 | 0:17:13 | |
they will get to choose which | 0:17:13 | 0:17:14 | |
category your quizzer must face. | 0:17:14 | 0:17:17 | |
And there's just one rule here. | 0:17:17 | 0:17:19 | |
You cannot steal from a team who has only one | 0:17:19 | 0:17:21 | |
lot in their collection. | 0:17:21 | 0:17:22 | |
So, Richard and Heidi, you are safe. | 0:17:22 | 0:17:25 | |
Dave, pick or steal? | 0:17:25 | 0:17:26 | |
I'd like to go for the stamp, | 0:17:27 | 0:17:30 | |
please, Fern. | 0:17:30 | 0:17:31 | |
The stamp in Geoff and Lucille's | 0:17:31 | 0:17:32 | |
collection. | 0:17:32 | 0:17:34 | |
Right, Geoff and Lucille, | 0:17:34 | 0:17:35 | |
choose a category that's going to be difficult for Jed. | 0:17:35 | 0:17:39 | |
-Romcoms. -Romcoms. | 0:17:39 | 0:17:41 | |
Who played the British Prime Minister | 0:17:42 | 0:17:45 | |
in the 2003 film Love Actually? | 0:17:45 | 0:17:48 | |
Oh. | 0:17:48 | 0:17:49 | |
Hugh Grant. | 0:17:50 | 0:17:51 | |
Correct! The stamp is yours. | 0:17:51 | 0:17:54 | |
Well stolen. | 0:17:54 | 0:17:55 | |
Sorry about that, Geoff and Lucille. | 0:17:55 | 0:17:58 | |
-Nice one. -Heidi, pick or steal? | 0:17:58 | 0:18:00 | |
-Steal. -What would you like? | 0:18:00 | 0:18:02 | |
I'd like the watch. | 0:18:02 | 0:18:03 | |
The watch, also in | 0:18:03 | 0:18:04 | |
Geoff and Lucille's collection. | 0:18:04 | 0:18:06 | |
OK, Geoff and Lucille, | 0:18:06 | 0:18:08 | |
give Richard a category you think he's going to find difficult. | 0:18:08 | 0:18:12 | |
-Number Ones. -UK Number Ones. | 0:18:12 | 0:18:14 | |
UK Number Ones. | 0:18:14 | 0:18:16 | |
Richard, from 1996 to 1998, | 0:18:16 | 0:18:19 | |
which girl group had three consecutive Christmas number ones? | 0:18:19 | 0:18:23 | |
Spice Girls. | 0:18:23 | 0:18:25 | |
-Get in! Absolutely correct. -We've been robbed! | 0:18:25 | 0:18:28 | |
They were my favourite band at the time. | 0:18:28 | 0:18:31 | |
The watch is yours. | 0:18:31 | 0:18:33 | |
Well stolen. | 0:18:33 | 0:18:34 | |
Geoff and Lucille. | 0:18:34 | 0:18:36 | |
I'm guessing what you might answer to this, but pick or steal? | 0:18:37 | 0:18:41 | |
I want the watch back. | 0:18:41 | 0:18:42 | |
Yes, so you're going to | 0:18:42 | 0:18:43 | |
steal from Richard and Heidi. | 0:18:43 | 0:18:45 | |
Richard and Heidi, what category do you want to give Geoff? | 0:18:45 | 0:18:47 | |
-Wine. -Wine. | 0:18:47 | 0:18:50 | |
In which country is the wine-growing region of Hawke's Bay? | 0:18:51 | 0:18:54 | |
I'll have to take a little bit of a guess at this one. | 0:18:54 | 0:18:56 | |
I'm going to go for Australia. | 0:18:56 | 0:18:58 | |
-It's the other one. -Oh! -New Zealand. | 0:18:59 | 0:19:02 | |
The watch is not coming back to you this time. | 0:19:02 | 0:19:05 | |
Dave, pick or steal? | 0:19:05 | 0:19:06 | |
I'd like to pick the purse, please. | 0:19:07 | 0:19:10 | |
The purse, OK. | 0:19:10 | 0:19:11 | |
Jed, Human Body or Africa? | 0:19:11 | 0:19:14 | |
-I'll go for the Human Body again. -Human Body. | 0:19:14 | 0:19:17 | |
What is the common name given to the facial feature known medically | 0:19:17 | 0:19:20 | |
as the zygomatic bone? | 0:19:20 | 0:19:23 | |
Oh. Um... | 0:19:23 | 0:19:24 | |
Cheekbone? | 0:19:26 | 0:19:27 | |
Correct. It is the cheekbone. | 0:19:27 | 0:19:30 | |
Well done, the purse is yours. | 0:19:30 | 0:19:32 | |
-Heidi, pick or steal? -Steal. -Yeah? | 0:19:32 | 0:19:35 | |
I'd like the stamp, please. | 0:19:35 | 0:19:37 | |
OK, Jed and Dave, pick a category for Richard. | 0:19:37 | 0:19:40 | |
I'll go for UK Number Ones. | 0:19:40 | 0:19:43 | |
UK Number Ones. | 0:19:43 | 0:19:45 | |
Richard, who had two UK number one singles in November 2015 with | 0:19:45 | 0:19:50 | |
Sorry and Love Yourself? | 0:19:50 | 0:19:52 | |
I don't know, but I'll have a guess. Rihanna. | 0:19:54 | 0:19:57 | |
Incorrect. Justin Bieber. | 0:19:57 | 0:20:00 | |
Jed and Dave, well protected. | 0:20:00 | 0:20:02 | |
The stamp remains with you. | 0:20:02 | 0:20:03 | |
Lucille, pick or steal? | 0:20:03 | 0:20:05 | |
I'll go for the watch again. | 0:20:05 | 0:20:07 | |
The watch. | 0:20:07 | 0:20:08 | |
Richard and Heidi, what category are you going to give Geoff? | 0:20:08 | 0:20:11 | |
-Bestselling books. -Bestselling books. | 0:20:13 | 0:20:15 | |
Who wrote the novel Catch-22? | 0:20:17 | 0:20:18 | |
-Sorry, I don't know. -Lucille knows. | 0:20:19 | 0:20:21 | |
-Tell me. -Joseph Heller. | 0:20:21 | 0:20:23 | |
It was Joseph Heller, but unfortunately, | 0:20:23 | 0:20:26 | |
the watch is not coming to you. It's staying with Richard and Heidi. | 0:20:26 | 0:20:30 | |
Well, that's the end of the round, | 0:20:30 | 0:20:32 | |
so let's see how the collections are looking. | 0:20:32 | 0:20:34 | |
Jed and Dave have the boots, the stamp, the purse and the vase. | 0:20:34 | 0:20:39 | |
Richard and Heidi have the sauce boats and the watch | 0:20:39 | 0:20:43 | |
and Geoff and Lucille have the table. | 0:20:43 | 0:20:47 | |
OK, for one team, it is now, sadly, the end of the road. | 0:20:47 | 0:20:50 | |
Kate has been keeping tabs | 0:20:50 | 0:20:51 | |
and the team with the least valuable collection will now be eliminated. | 0:20:51 | 0:20:56 | |
Kate, who's leaving us first? | 0:20:56 | 0:20:59 | |
Well, Fern, I can tell you that the pair leaving us first is... | 0:20:59 | 0:21:04 | |
Geoff and Lucille. | 0:21:07 | 0:21:09 | |
Aw. | 0:21:09 | 0:21:11 | |
Well, I'm very sorry to be losing you. | 0:21:15 | 0:21:17 | |
And not only are we losing you, the table leaves the game | 0:21:17 | 0:21:20 | |
and comes back to us as well. | 0:21:20 | 0:21:22 | |
-But you'd like to know how much it's worth, I'm sure. -Yes, we would. | 0:21:22 | 0:21:24 | |
OK, tell us about it. | 0:21:24 | 0:21:26 | |
Well, Geoff and Lucille, this is a Victorian table. | 0:21:26 | 0:21:30 | |
It's called a Lanterloo table, or more commonly, | 0:21:30 | 0:21:32 | |
actually, just a Loo table. | 0:21:32 | 0:21:35 | |
And it's named after the card game that was played on it. | 0:21:35 | 0:21:40 | |
Made of walnut, as you quite rightly said, | 0:21:40 | 0:21:43 | |
this table has a lovely inlaid top | 0:21:43 | 0:21:46 | |
and the legs and the feet are all elegantly carved. | 0:21:46 | 0:21:50 | |
It has got some surface scratches, | 0:21:50 | 0:21:53 | |
so that would give it a value of £150. | 0:21:53 | 0:21:57 | |
Wow, for a beautiful table. | 0:21:58 | 0:22:00 | |
Well, I'm very sorry to say, Geoff and Lucille, | 0:22:00 | 0:22:03 | |
we have to say goodbye to you. I hope you've enjoyed yourselves. | 0:22:03 | 0:22:06 | |
-We have, it's been lovely. -And thank you for playing For What It's Worth. | 0:22:06 | 0:22:10 | |
And also the unclaimed items in the grid are now leaving the game, | 0:22:15 | 0:22:18 | |
so let's quickly find out from Kate what they are worth, | 0:22:18 | 0:22:21 | |
and if the top lot is still in the game. | 0:22:21 | 0:22:23 | |
Well, Fern, let's start with the pair of figures. | 0:22:23 | 0:22:27 | |
These figures are actually from the Victorian era. | 0:22:27 | 0:22:30 | |
Although popular pieces, | 0:22:30 | 0:22:31 | |
nodding figures were only manufactured | 0:22:31 | 0:22:33 | |
for a relatively short period. | 0:22:33 | 0:22:36 | |
The pieces are delicately hand-painted, | 0:22:36 | 0:22:38 | |
they're in immaculately-dressed costumes, | 0:22:38 | 0:22:42 | |
and they are also in very good condition. | 0:22:42 | 0:22:45 | |
Now, it's such a shame that Lucille has left the game because we heard | 0:22:45 | 0:22:48 | |
European ceramics were her forte and, boy, | 0:22:48 | 0:22:50 | |
did she know what these were. | 0:22:50 | 0:22:52 | |
She also had a very good idea of the value, which is £30. | 0:22:52 | 0:22:57 | |
No! | 0:22:57 | 0:22:58 | |
On we go to the toy. Now, here we have a 007 cap gun. | 0:23:00 | 0:23:05 | |
You can see the 007 clearly there on the holster. | 0:23:05 | 0:23:09 | |
It dates from the 1960s and the decade, of course, | 0:23:09 | 0:23:13 | |
which Bond became a film as well as a literary franchise. | 0:23:13 | 0:23:19 | |
But where does that leave the value? | 0:23:19 | 0:23:21 | |
Well, sadly, with the original packaging missing, | 0:23:21 | 0:23:25 | |
that gives a value of £75. | 0:23:25 | 0:23:29 | |
So what else are we losing? | 0:23:31 | 0:23:34 | |
Let's go on to the earrings. | 0:23:34 | 0:23:36 | |
This pair of earrings was designed in the 1980s | 0:23:36 | 0:23:40 | |
and they are by the Vietnamese-born Parisian-raised Jean Dinh Van. | 0:23:40 | 0:23:47 | |
These earrings are made of 18-carat yellow gold. | 0:23:47 | 0:23:51 | |
Heidi, you noticed the stamp 750, indicating | 0:23:51 | 0:23:55 | |
the grade of the gold. Well done. | 0:23:55 | 0:23:58 | |
And they do actually have an assay mark on them as well. | 0:23:58 | 0:24:01 | |
18-carat gold, an iconic designer, | 0:24:03 | 0:24:07 | |
these earrings have a whopping auction value of £600. | 0:24:07 | 0:24:13 | |
And on we go to the next piece. | 0:24:13 | 0:24:15 | |
The scales, you all had a really good look at this. | 0:24:15 | 0:24:19 | |
They are, of course, a set of cast-iron weighing scales. | 0:24:19 | 0:24:22 | |
Aside from a little bit of rust, | 0:24:22 | 0:24:24 | |
this item actually is in good working order. | 0:24:24 | 0:24:28 | |
In the London markets, these would have been staple probably | 0:24:28 | 0:24:32 | |
since the 1930s, perhaps even a little bit before. | 0:24:32 | 0:24:35 | |
They don't date from 1600, as Geoff thought they might. | 0:24:36 | 0:24:40 | |
They are 20th-century but a little bit worse for wear, | 0:24:40 | 0:24:45 | |
a little bit scruffy | 0:24:45 | 0:24:46 | |
and today's worthless lot. | 0:24:46 | 0:24:49 | |
Aw. | 0:24:49 | 0:24:51 | |
But then, of course, we come to the dish. | 0:24:52 | 0:24:54 | |
This is a Chinese dish from the Qianlong Dynasty. | 0:24:54 | 0:24:59 | |
It was created between 1735 and 1799. | 0:24:59 | 0:25:03 | |
It has an imperial mark on the base, which certifies that this | 0:25:04 | 0:25:08 | |
piece was categorically not made for the export market. | 0:25:08 | 0:25:14 | |
Let's think about the value. | 0:25:14 | 0:25:16 | |
Its imperial certification tells us that it | 0:25:16 | 0:25:19 | |
was made for the upper echelons of the Qianlong society. | 0:25:19 | 0:25:23 | |
More humble wares would never ever have borne | 0:25:23 | 0:25:26 | |
the symbol of the five-taloned dragon, let alone the imperial mark. | 0:25:26 | 0:25:31 | |
It hasn't had a mention in the game, has it? | 0:25:31 | 0:25:34 | |
Both teams had a cursory look at it and moved on. | 0:25:34 | 0:25:38 | |
But Chinese ware has had a resurgence | 0:25:38 | 0:25:41 | |
because many wealthy citizens in China are looking | 0:25:41 | 0:25:45 | |
to buy back their heritage. | 0:25:45 | 0:25:47 | |
And that has meant that the Chinese market is extremely | 0:25:47 | 0:25:51 | |
volatile at the moment and a piece like that, | 0:25:51 | 0:25:54 | |
with the symbols of good fortune, gives it a value | 0:25:54 | 0:25:59 | |
of a staggering £2,500, which means it is the top lot in this show. | 0:25:59 | 0:26:06 | |
And it's gone. | 0:26:07 | 0:26:08 | |
Well, it was good to get rid of the bottom lot with those scales, | 0:26:10 | 0:26:13 | |
but to get rid of the top lot is a setback, shall we say? | 0:26:13 | 0:26:18 | |
We do still have the Mystery Item, which could be worth a lot more | 0:26:18 | 0:26:22 | |
than £2,500 or not. | 0:26:22 | 0:26:26 | |
Teams, congratulations on getting this far. | 0:26:26 | 0:26:28 | |
You now have one last chance to pick our expert's brains, | 0:26:28 | 0:26:31 | |
so which lot do you need to know more about? | 0:26:31 | 0:26:34 | |
Team one. | 0:26:34 | 0:26:36 | |
Could I learn more about the sauce boats, please? | 0:26:36 | 0:26:40 | |
You can. Let's have a look at those gorgeous sauce boats. | 0:26:40 | 0:26:44 | |
These hallmarked silver pieces were made | 0:26:44 | 0:26:46 | |
by the well-known makers Daniel and John Welby in 1887. | 0:26:46 | 0:26:53 | |
They have heavily-cast masks, a real Baroque motif, | 0:26:53 | 0:26:58 | |
actually, in the handles and on the terminals of the feet. | 0:26:58 | 0:27:02 | |
And I think it's fair to say they are statement pieces. | 0:27:02 | 0:27:07 | |
They're in fantastic condition and will definitely have appeal for | 0:27:07 | 0:27:11 | |
collectors who especially appreciate the fact that they are a pair. | 0:27:11 | 0:27:16 | |
There are two of them. | 0:27:16 | 0:27:18 | |
But do they float your boat? | 0:27:18 | 0:27:20 | |
Hm. Heidi, what would you like to know more about? | 0:27:22 | 0:27:25 | |
I'd like to know more about the purse. | 0:27:25 | 0:27:27 | |
The purse. Well, I'm sure you will agree, Fern, | 0:27:27 | 0:27:29 | |
it does look very stylish, doesn't it? | 0:27:29 | 0:27:32 | |
It is actually hallmarked, | 0:27:32 | 0:27:34 | |
but it's teeny-weeny, so you'll be forgiven for not finding it. | 0:27:34 | 0:27:38 | |
But the hallmark tells us that it is actually very | 0:27:38 | 0:27:41 | |
early 20th-century in date | 0:27:41 | 0:27:43 | |
and it's by a renowned silversmith called William Henry Sparrow. | 0:27:43 | 0:27:48 | |
Hallmarked for Birmingham during the early 1900s. | 0:27:48 | 0:27:53 | |
The outer case is beautifully embossed silver with those | 0:27:53 | 0:27:57 | |
lovely leafage scrolls and then it has a beautiful interior. | 0:27:57 | 0:28:02 | |
If you looked inside, you would have seen the green silk, which is | 0:28:02 | 0:28:06 | |
still a superb colour and in lovely condition. | 0:28:06 | 0:28:09 | |
Well, the market in lady's purses is actually a fairly | 0:28:09 | 0:28:14 | |
booming market. | 0:28:14 | 0:28:15 | |
So, what does that do to its value? | 0:28:15 | 0:28:19 | |
Right, it's now time for our final round, and at the end of this, | 0:28:19 | 0:28:23 | |
we will have our winners. | 0:28:23 | 0:28:24 | |
In this round, I'm going to show you a category and 12 possible answers. | 0:28:27 | 0:28:32 | |
Nine of these answers are correct, three are not. | 0:28:32 | 0:28:35 | |
Each of you will then take turns to choose | 0:28:35 | 0:28:36 | |
an answer you think is correct. | 0:28:36 | 0:28:39 | |
As it's the final round, both quizzers and pickers will play. | 0:28:39 | 0:28:42 | |
Pick a wrong answer, | 0:28:42 | 0:28:44 | |
and your opponents will be able to steal a lot from your collection. | 0:28:44 | 0:28:47 | |
If all nine correct answers are given, | 0:28:47 | 0:28:50 | |
then the team who gives the final correct answer will be the winners. | 0:28:50 | 0:28:54 | |
We'll play three questions in total, | 0:28:54 | 0:28:56 | |
and the pair with the most valuable collection can choose to go | 0:28:56 | 0:28:58 | |
first or second. So, Kate, who is that at the moment? | 0:28:58 | 0:29:03 | |
At the moment, Fern, I can reveal that the team who currently | 0:29:03 | 0:29:06 | |
has the most valuable collection is... | 0:29:06 | 0:29:10 | |
..Heidi and Richard. | 0:29:13 | 0:29:15 | |
Ohh. Right, Richard and Heidi, the first question is this. | 0:29:15 | 0:29:20 | |
Animals native to Australia. | 0:29:21 | 0:29:23 | |
Can you find the creatures that are only native to Australia | 0:29:23 | 0:29:26 | |
and any of its islands? Would you like to go first or second on this? | 0:29:26 | 0:29:30 | |
-First. -First? Here are the answers. | 0:29:30 | 0:29:32 | |
-Richard, give me an answer. -Koala. | 0:29:34 | 0:29:36 | |
If it goes green, you're OK. | 0:29:38 | 0:29:40 | |
Of course. Jed, give me an answer. | 0:29:41 | 0:29:44 | |
Wombat. | 0:29:45 | 0:29:47 | |
Yes, correct. It's a small marsupial that lives in a burrow. Heidi. | 0:29:50 | 0:29:55 | |
Laughing kookaburra. | 0:29:55 | 0:29:57 | |
Yes, a bird, a member of the Kingfisher family. Dave. | 0:30:00 | 0:30:04 | |
Hemel Stag. | 0:30:08 | 0:30:09 | |
Ohh. | 0:30:14 | 0:30:15 | |
A Hemel Stag is someone who plays for the | 0:30:15 | 0:30:18 | |
Hemel Hempstead Stag rugby team. | 0:30:18 | 0:30:21 | |
Rugby league. OK, let's have a look at the other wrong answers. | 0:30:21 | 0:30:24 | |
Capotain was a popular hat in the 17th century. | 0:30:26 | 0:30:30 | |
And an Egremont Russet is a type of apple. | 0:30:30 | 0:30:34 | |
Richard and Heidi, what would you like to steal from Jed and Dave? | 0:30:34 | 0:30:37 | |
-The stamp. -The stamp. | 0:30:39 | 0:30:40 | |
It's coming to you. | 0:30:40 | 0:30:43 | |
OK. | 0:30:45 | 0:30:46 | |
No need to be despondent, though, Jed and Dave, | 0:30:46 | 0:30:48 | |
because this is your question. | 0:30:48 | 0:30:50 | |
Artists at the Tate Modern. | 0:30:51 | 0:30:53 | |
Can you find the artists who have displayed at the Tate Modern? | 0:30:53 | 0:30:57 | |
Would you like to go first or second? | 0:30:57 | 0:31:00 | |
-First. -First, please. -First. Let's have a look at the answers. | 0:31:00 | 0:31:03 | |
Jed, give me an answer. | 0:31:05 | 0:31:08 | |
Roy Lichtenstein. | 0:31:08 | 0:31:09 | |
Yes, the American pop artist. Richard. | 0:31:13 | 0:31:16 | |
Piet Mondrian. | 0:31:17 | 0:31:19 | |
Yes, the Dutch painter known for his black and white grids. Dave. | 0:31:22 | 0:31:27 | |
Henry Beauclerc. | 0:31:27 | 0:31:28 | |
Incorrect. That was the other name of Henry I, King of England. | 0:31:34 | 0:31:38 | |
Let's have a look at the other wrong answers. | 0:31:41 | 0:31:44 | |
Charlie Hunnam is a British actor. | 0:31:44 | 0:31:46 | |
And Adrian Bailey is an | 0:31:46 | 0:31:49 | |
MP for West Bromwich West. | 0:31:49 | 0:31:51 | |
Oh, Richard and Heidi, | 0:31:51 | 0:31:54 | |
what would you like to steal from Jed and Dave? | 0:31:54 | 0:31:56 | |
-The purse. -The purse. | 0:31:57 | 0:31:58 | |
The purse is coming to you. | 0:32:00 | 0:32:02 | |
All is not lost, we have one question to go. | 0:32:04 | 0:32:07 | |
Here's the question. | 0:32:07 | 0:32:09 | |
Ceilidh dances. | 0:32:09 | 0:32:11 | |
Can you spot the names of any traditional folk dances? | 0:32:11 | 0:32:15 | |
Richard and Heidi, do you want to go first or second on this? | 0:32:15 | 0:32:18 | |
-Second, please. -Second, OK. | 0:32:18 | 0:32:21 | |
Jed and Dave, here are your answers. | 0:32:21 | 0:32:23 | |
Jed, give me an answer. | 0:32:24 | 0:32:27 | |
-Strip the Willow. -Strip the Willow. | 0:32:27 | 0:32:29 | |
Correct. Scottish country dance. | 0:32:32 | 0:32:34 | |
Richard. | 0:32:34 | 0:32:35 | |
Gay Gordons. | 0:32:35 | 0:32:37 | |
Correct. It alludes to a Scottish regiment. | 0:32:39 | 0:32:42 | |
Dave. | 0:32:42 | 0:32:43 | |
The Eightsome Reel. | 0:32:45 | 0:32:46 | |
Correct! Queen Victoria, we think, really enjoyed that one. | 0:32:50 | 0:32:54 | |
Heidi. | 0:32:54 | 0:32:56 | |
Jacob's Ladder. | 0:32:58 | 0:33:01 | |
Incorrect. It's actually another name for the stairway to heaven. | 0:33:06 | 0:33:10 | |
It's from the Bible. | 0:33:10 | 0:33:11 | |
Let's see the other wrong answers. | 0:33:12 | 0:33:15 | |
Double Gloucester, a cheese, of course. | 0:33:15 | 0:33:18 | |
And the Fourth Wall is that invisible imaginary | 0:33:18 | 0:33:21 | |
wall between the stage and the audience. | 0:33:21 | 0:33:24 | |
Well, Jed and Dave, prepare to steal. What do you want? | 0:33:26 | 0:33:30 | |
-Shall we go for the watch, then? -Are you sure? | 0:33:30 | 0:33:33 | |
-Go for it. -Go. | 0:33:33 | 0:33:35 | |
Can we steal the watch, please? | 0:33:35 | 0:33:38 | |
You're going to steal the watch. | 0:33:38 | 0:33:40 | |
It's yours. | 0:33:40 | 0:33:41 | |
There we go. | 0:33:43 | 0:33:44 | |
Now, that is it, your collections are complete and fixed | 0:33:44 | 0:33:48 | |
and will determine which team is victorious. | 0:33:48 | 0:33:50 | |
So, Kate, who are today's winners? | 0:33:50 | 0:33:52 | |
Well, I can reveal that the team with the most valuable | 0:33:52 | 0:33:55 | |
collection and, of course, therefore, today's winners are... | 0:33:55 | 0:33:59 | |
-It's a close one, but it's Richard and Heidi. -Oh. | 0:34:01 | 0:34:05 | |
Congratulations, Richard and Heidi. | 0:34:12 | 0:34:14 | |
But big commiserations to Jed and Dave who played so well. | 0:34:14 | 0:34:19 | |
You didn't create a valuable enough collection | 0:34:19 | 0:34:21 | |
and before we say goodbye to you, though, you would | 0:34:21 | 0:34:24 | |
like to know, I'm sure, the value of the pieces in your collection. | 0:34:24 | 0:34:28 | |
Well, Jed and Dave, what a battle. | 0:34:28 | 0:34:30 | |
Let's have a look and start with the vase. | 0:34:30 | 0:34:33 | |
Now, you quite rightly had a look on the bottom | 0:34:33 | 0:34:36 | |
for a manufacturer's mark, and, of course, you didn't find one. | 0:34:36 | 0:34:40 | |
And you wouldn't expect to see a factory mark on an art | 0:34:40 | 0:34:44 | |
vase of this form, but I think it spoke to you a little bit. | 0:34:44 | 0:34:47 | |
Its Scottish heritage certainly speaks to me. | 0:34:47 | 0:34:50 | |
It was a speculative move for you, | 0:34:50 | 0:34:53 | |
but the value in the current market would be £50. | 0:34:53 | 0:34:57 | |
Oh. | 0:34:57 | 0:34:58 | |
Next we have the boots, | 0:34:58 | 0:34:59 | |
and that pair of First World War officer's boots. | 0:34:59 | 0:35:04 | |
These were the item of the contest, battled for, | 0:35:04 | 0:35:07 | |
it went backwards and forwards. | 0:35:07 | 0:35:09 | |
You've ended up with it, Jed and Dave, was it the right decision? | 0:35:09 | 0:35:13 | |
Well, they are unusual in that they are in super condition, | 0:35:13 | 0:35:18 | |
and so a collector at auction would pay around the £300 mark. | 0:35:18 | 0:35:23 | |
Oh. | 0:35:23 | 0:35:24 | |
But then we had the watch. And, of course, this was stolen. | 0:35:24 | 0:35:29 | |
It went back and forth. You both had your eye on it. | 0:35:29 | 0:35:32 | |
Well, I can tell you it is a beautiful hunter, 18-carat gold | 0:35:32 | 0:35:38 | |
pocket watch and it's made by Longines, as some of you noticed. | 0:35:38 | 0:35:43 | |
This watch, in particular, is from the Victorian period | 0:35:43 | 0:35:47 | |
and has a lovely enamel dial. | 0:35:47 | 0:35:50 | |
It has a subsidiary seconds dial there and, of course, the case | 0:35:50 | 0:35:55 | |
is 18-carat standard, | 0:35:55 | 0:35:57 | |
the Albert there is nine-carat gold. | 0:35:57 | 0:36:01 | |
And therefore, that gives it a value of £1,000. | 0:36:01 | 0:36:05 | |
So, Jed and Dave, the total value of your collection is £1,350. | 0:36:06 | 0:36:13 | |
-Which is not bad at all. -Not bad. | 0:36:13 | 0:36:16 | |
Jed and Dave, thank you for playing For What It's Worth. | 0:36:16 | 0:36:20 | |
Well done, Richard and Heidi. You are today's winners. | 0:36:24 | 0:36:28 | |
All that remains is for you to pick one of the lots in your collection | 0:36:28 | 0:36:31 | |
and we will give you its value in cash. | 0:36:31 | 0:36:34 | |
So, which one do you want to choose? Which ones do you want to eliminate? | 0:36:34 | 0:36:38 | |
For me, it's between the sauce boats and the stamp. | 0:36:38 | 0:36:41 | |
Yes, I agree with you. | 0:36:41 | 0:36:42 | |
Possibly the stamp because of its rarity value, because of the | 0:36:42 | 0:36:45 | |
limited run it was made, the age of it, | 0:36:45 | 0:36:47 | |
the fact that the Queen's head isn't on it, | 0:36:47 | 0:36:49 | |
the fact that it hasn't been used. | 0:36:49 | 0:36:50 | |
I don't know, I rather like the sauce boats. | 0:36:50 | 0:36:54 | |
They're in a pair, which is always better than just if it's on its own. | 0:36:54 | 0:36:58 | |
You're here as the expert, so... | 0:36:58 | 0:37:01 | |
-We have to choose one or the other. -Difficult, difficult choice. | 0:37:01 | 0:37:06 | |
-Um, stamp. -Stamp. -The stamp. | 0:37:06 | 0:37:09 | |
The stamp, you have chosen, final decision, yes? | 0:37:09 | 0:37:12 | |
THEY LAUGH | 0:37:12 | 0:37:14 | |
OK, well, before we tell you what the stamp is worth, Kate, | 0:37:14 | 0:37:18 | |
please tell us what they haven't won. | 0:37:18 | 0:37:19 | |
OK, well, let's look at the purse, which you | 0:37:19 | 0:37:22 | |
eliminated from your choices very quickly. | 0:37:22 | 0:37:24 | |
And in fact, Heidi, when you were inspecting this you thought, | 0:37:24 | 0:37:27 | |
"Actually, is it a bit of a red herring?" | 0:37:27 | 0:37:29 | |
It looks very shiny and sparkly, but actually, what is that value? | 0:37:29 | 0:37:34 | |
It's a beautiful piece of antique silver. | 0:37:34 | 0:37:36 | |
That silk is a gorgeous colour, isn't it? That bottle green. | 0:37:36 | 0:37:40 | |
But actually, from a practical point of view, | 0:37:40 | 0:37:42 | |
it's more a cabinet piece, which is going out of fashion. | 0:37:42 | 0:37:46 | |
So, value today, £150. | 0:37:46 | 0:37:49 | |
The other piece you turned down - just - | 0:37:50 | 0:37:54 | |
is, of course, the pair of sauce boats. | 0:37:54 | 0:37:57 | |
After long deliberation, these have been rejected. | 0:37:57 | 0:38:01 | |
These actually were my favourite item in the whole show. | 0:38:01 | 0:38:05 | |
I think they scream quality at you. | 0:38:05 | 0:38:09 | |
Heidi, you got your glass out, you went straight in on those hallmarks. | 0:38:09 | 0:38:12 | |
You looked at them, we know they're 1887. They are super quality. | 0:38:12 | 0:38:17 | |
They're by a very well-known silversmith. | 0:38:17 | 0:38:20 | |
Even though perhaps a buyer wouldn't use them, | 0:38:20 | 0:38:23 | |
they would be proudly on display. | 0:38:23 | 0:38:25 | |
And they would have to pay, as a collector, | 0:38:25 | 0:38:29 | |
-a price of £1,100. -Wow. | 0:38:29 | 0:38:33 | |
Hm. Richard and Heidi, so you have won the value of the stamp. | 0:38:35 | 0:38:40 | |
Before we tell you if you're right, I wonder | 0:38:40 | 0:38:42 | |
if we can tempt you with our Mystery Lot, | 0:38:42 | 0:38:45 | |
which could be worth even more. APPLAUSE | 0:38:45 | 0:38:48 | |
There you are, Richard and Heidi. There is your lot. | 0:38:51 | 0:38:54 | |
Now you're looking at it very closely and next to it, | 0:38:54 | 0:38:56 | |
are you feeling the good vibes from it? | 0:38:56 | 0:38:59 | |
-Possibly, it depends what's under there. -No, I'm mixed. | 0:38:59 | 0:39:01 | |
Well, as things stand, you have won its value in cash. | 0:39:01 | 0:39:05 | |
Now, you may be confident that you have | 0:39:05 | 0:39:07 | |
chosen something really valuable, | 0:39:07 | 0:39:09 | |
but before we tell you its value, | 0:39:09 | 0:39:11 | |
Kate is going to tempt you with today's Mystery Lot. | 0:39:11 | 0:39:15 | |
-It's so exciting. Are you ready? -Yes. | 0:39:15 | 0:39:17 | |
There it is. Have a good look. | 0:39:19 | 0:39:22 | |
This beautiful little object is, as you can see, a sugar caster. | 0:39:22 | 0:39:28 | |
And this was made in 1916 by makers Omar Ramsden and Alwyn Carr. | 0:39:28 | 0:39:35 | |
Alwyn Carr and Omar Ramsden were only in business | 0:39:35 | 0:39:39 | |
between the years 1916 and 1919. | 0:39:39 | 0:39:43 | |
There's an inscription around the top here. | 0:39:43 | 0:39:47 | |
And it reads December 31, 1891 to December 31, 1916. | 0:39:47 | 0:39:55 | |
It was a silver wedding anniversary present, | 0:39:56 | 0:40:00 | |
although for whom we can't be sure. | 0:40:00 | 0:40:03 | |
So, does it sound like a sweet deal to you, Heidi and Richard? | 0:40:04 | 0:40:11 | |
All that is left for you to decide is | 0:40:11 | 0:40:14 | |
whether to take home the value of the stamp from your collection | 0:40:14 | 0:40:18 | |
or to dump it in favour of today's Mystery Lot, the sugar caster. | 0:40:18 | 0:40:23 | |
I'm really not sure. | 0:40:23 | 0:40:24 | |
The stamp, it doesn't have a Queen's head on it, | 0:40:24 | 0:40:27 | |
-it doesn't have a price on it. -It doesn't have a date stamp on it. | 0:40:27 | 0:40:30 | |
-It doesn't have a franking mark. -I think we should stay with the stamp. | 0:40:30 | 0:40:34 | |
I don't. I don't, I think we should... | 0:40:34 | 0:40:36 | |
THEY LAUGH | 0:40:36 | 0:40:39 | |
-You've changed your mind, have you? -Hm. | 0:40:39 | 0:40:41 | |
OK, I'll... I'll... | 0:40:43 | 0:40:44 | |
-Oh, I don't know. Stay with the stamp. -Stay with the stamp. | 0:40:45 | 0:40:49 | |
Stick with the stamp. Final decision? | 0:40:49 | 0:40:52 | |
-Yes. -Yes. | 0:40:52 | 0:40:54 | |
OK, they are sticking with the stamp. | 0:40:54 | 0:40:56 | |
So, you are going to go with the stamp | 0:40:56 | 0:40:58 | |
and that means you have won its value in cash. | 0:40:58 | 0:41:02 | |
But before we reveal how much that is, Kate, tell us | 0:41:02 | 0:41:05 | |
what they are not taking home today. | 0:41:05 | 0:41:08 | |
So, it's not the day for silver for you two, is it? | 0:41:08 | 0:41:10 | |
You rejected the sauce boats... | 0:41:10 | 0:41:12 | |
-We're hoping it's not. -..we're rejecting the sugar caster. | 0:41:12 | 0:41:15 | |
Well, I think this is a gorgeous little piece. | 0:41:16 | 0:41:21 | |
This particular sugar caster has that very brief partnership of | 0:41:21 | 0:41:26 | |
Alwyn Carr and Omar Ramsden. | 0:41:26 | 0:41:28 | |
And that partnership in collecting of silver | 0:41:31 | 0:41:36 | |
is highly revered. | 0:41:36 | 0:41:37 | |
They were master craftsmen. | 0:41:40 | 0:41:41 | |
So, I can tell you this would still command a hammer price... | 0:41:43 | 0:41:48 | |
..of £1,500. | 0:41:50 | 0:41:53 | |
-ALL: -Ohh. | 0:41:53 | 0:41:54 | |
Oh, my goodness. Hey, we're not interested. No, no, no, no, no! | 0:41:54 | 0:42:00 | |
You chose the stamp. We love the stamp! | 0:42:00 | 0:42:02 | |
The stamp hasn't got stuff on it that it should have on it. | 0:42:02 | 0:42:05 | |
We've always been told that's good. | 0:42:05 | 0:42:07 | |
So, fingers crossed. Kate, please tell us how much they have won. | 0:42:07 | 0:42:12 | |
The stamp market is such a niche market, | 0:42:12 | 0:42:14 | |
and you've really got to know your stuff about stamps. | 0:42:14 | 0:42:17 | |
And I get the feeling you two | 0:42:17 | 0:42:19 | |
took a bit of a gamble on this one. | 0:42:19 | 0:42:21 | |
And really, when it comes to the value of stamps, there are two | 0:42:21 | 0:42:25 | |
major overriding factors, | 0:42:25 | 0:42:28 | |
its rarity and its condition. | 0:42:28 | 0:42:30 | |
And we can see quite clearly the condition is excellent. | 0:42:32 | 0:42:36 | |
But this particular stamp was the one that was produced the most | 0:42:37 | 0:42:43 | |
out of the set of three. | 0:42:43 | 0:42:44 | |
Therefore, it has an auction value | 0:42:45 | 0:42:50 | |
of £350. | 0:42:50 | 0:42:53 | |
THEY GROAN | 0:42:53 | 0:42:56 | |
-Oh, Richard and Heidi. -I'll blame you. -Thank you. | 0:42:56 | 0:42:58 | |
-But 350 quid is all right, isn't it? -Not bad for a day's work. | 0:42:58 | 0:43:02 | |
Richard and Heidi, you've played so well today | 0:43:02 | 0:43:04 | |
and it's been a pleasure to have you. | 0:43:04 | 0:43:06 | |
Thank you very much indeed. You ARE going home with £350. | 0:43:06 | 0:43:09 | |
APPLAUSE | 0:43:09 | 0:43:13 | |
And, Kate, thank you so much for lending us all your expertise. | 0:43:13 | 0:43:17 | |
See you again soon. | 0:43:17 | 0:43:18 | |
And we look forward to seeing YOU again soon when more teams | 0:43:18 | 0:43:21 | |
will be trying to spot the lot to win the lot on For What It's Worth. | 0:43:21 | 0:43:24 | |
Goodbye for now. Wow. | 0:43:24 | 0:43:26 |