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Hello, and welcome to For What It's Worth. | 0:00:16 | 0:00:18 | |
This is the show where you need a quizzer's brain | 0:00:18 | 0:00:21 | |
and an eye for antiques. | 0:00:21 | 0:00:23 | |
Three pairs of contestants are ready to play and each team has a quizzer, | 0:00:23 | 0:00:26 | |
who has to answer a general knowledge question correctly | 0:00:26 | 0:00:29 | |
so that their partner, the picker, has a chance to choose an antique | 0:00:29 | 0:00:32 | |
or collectable to build a collection. | 0:00:32 | 0:00:35 | |
And the aim of the game is to amass the most valuable collection. | 0:00:35 | 0:00:38 | |
So, now here in the studio we have some very quirky | 0:00:38 | 0:00:41 | |
and valuable things. | 0:00:41 | 0:00:43 | |
And joining me to make sense of them all is Mr Quirky | 0:00:43 | 0:00:45 | |
and Mr Valuable himself, David Harper. | 0:00:45 | 0:00:48 | |
-Oh! -APPLAUSE | 0:00:48 | 0:00:50 | |
-How are you? -Very well, great to be here. | 0:00:50 | 0:00:53 | |
And some good teams here as well, I've got to say. | 0:00:53 | 0:00:57 | |
Very interesting indeed. | 0:00:57 | 0:00:58 | |
-This is going to be a real scrap today, I reckon. -I hope so. | 0:00:58 | 0:01:02 | |
Tell us about some of the lots that we have today. | 0:01:02 | 0:01:05 | |
OK, first of all, | 0:01:05 | 0:01:07 | |
we have a helmet, | 0:01:07 | 0:01:09 | |
centrepiece, | 0:01:09 | 0:01:11 | |
pair of lamps, | 0:01:11 | 0:01:12 | |
inkwell, | 0:01:12 | 0:01:14 | |
bottle, | 0:01:14 | 0:01:16 | |
toy clown, | 0:01:16 | 0:01:18 | |
box, | 0:01:18 | 0:01:20 | |
dish, | 0:01:20 | 0:01:21 | |
watch, | 0:01:21 | 0:01:23 | |
brooch, | 0:01:23 | 0:01:25 | |
pot, | 0:01:25 | 0:01:27 | |
and painting. | 0:01:27 | 0:01:29 | |
One of these items is our top lot, which is worth a whopping £2,500. | 0:01:31 | 0:01:36 | |
That, of course, is the lot to spot, teams, | 0:01:36 | 0:01:39 | |
because, at the end of the show, the winning pair will walk away | 0:01:39 | 0:01:42 | |
with the cash equivalent of one of their items. | 0:01:42 | 0:01:45 | |
But beware, because the lots decrease in value | 0:01:45 | 0:01:48 | |
right down to our worthless lot, which is worth under £10. | 0:01:48 | 0:01:52 | |
That is the lot to avoid, of course. | 0:01:52 | 0:01:55 | |
So, who's playing today? | 0:01:55 | 0:01:57 | |
Let's meet our teams. Team One, who are you? | 0:01:57 | 0:02:00 | |
Hi, I'm Tom and I'm here today with my girlfriend, Sam. | 0:02:00 | 0:02:03 | |
Yeah, we are huge fans of the show. | 0:02:03 | 0:02:05 | |
So much so, we actually created our own version at home | 0:02:05 | 0:02:07 | |
while watching on TV. | 0:02:07 | 0:02:09 | |
Fantastic, you are very welcome. | 0:02:09 | 0:02:11 | |
There we are, Tom and Sam. And Team Two. | 0:02:11 | 0:02:14 | |
Hello, I'm Stuart and this is my wife, Elaine. | 0:02:14 | 0:02:17 | |
And I'm here because I was told to be here. | 0:02:17 | 0:02:19 | |
And we're both music teachers | 0:02:21 | 0:02:23 | |
and we've got over 100 violins at home. | 0:02:23 | 0:02:26 | |
Wow! Welcome, Stuart and Elaine. | 0:02:26 | 0:02:29 | |
Team Three, who are you? | 0:02:29 | 0:02:31 | |
Hello, I'm Jill and this is my daughter, Sue. | 0:02:31 | 0:02:34 | |
We're both from Rutland and we love a bargain hunt. | 0:02:34 | 0:02:37 | |
-Ooh, you're on the wrong programme. -Yes! | 0:02:37 | 0:02:39 | |
Now, earlier, our teams got to inspect our lots close up, | 0:02:39 | 0:02:42 | |
but they were watched over by our expert, David, | 0:02:42 | 0:02:45 | |
who was spying on them. | 0:02:45 | 0:02:46 | |
But could they separate the chic from the cheap? Let's see. | 0:02:46 | 0:02:49 | |
Goodness me. | 0:02:50 | 0:02:51 | |
That's a nice colour. | 0:02:51 | 0:02:53 | |
Wow. | 0:02:53 | 0:02:54 | |
I think that's Victorian. | 0:02:58 | 0:03:00 | |
It's a bit garish, actually. | 0:03:00 | 0:03:02 | |
That's not machine-made, I think that's hand. | 0:03:02 | 0:03:04 | |
Ah. | 0:03:04 | 0:03:06 | |
That says Sotheby's, I reckon. | 0:03:08 | 0:03:09 | |
And obviously, that's a very, very top auction house. | 0:03:09 | 0:03:12 | |
Can you see a name? | 0:03:12 | 0:03:13 | |
It's old, isn't it? Because the cows are old. If you see what I mean. | 0:03:15 | 0:03:18 | |
HE LAUGHS | 0:03:18 | 0:03:19 | |
Well, I hope that they're not the most expensive ones. | 0:03:22 | 0:03:25 | |
I think there probably Art Deco, but I don't really know. | 0:03:25 | 0:03:28 | |
They're lovely though, aren't they? | 0:03:28 | 0:03:29 | |
Now, military, we know is really sought after. | 0:03:31 | 0:03:35 | |
-It's got a chin strap on it, so does it mean it's a riding? -Or flying. | 0:03:35 | 0:03:39 | |
I had the conversation with your mum about bottles | 0:03:39 | 0:03:42 | |
and that's an onion-shaped bottle. | 0:03:42 | 0:03:43 | |
-Oh, yeah. -Remember? -Like it. | 0:03:43 | 0:03:45 | |
Let's see a mark in the middle. | 0:03:45 | 0:03:49 | |
Come on, find those marks. | 0:03:49 | 0:03:51 | |
It's very pretty. If they're real diamonds, it could be valuable. | 0:03:53 | 0:03:56 | |
I wouldn't know what stone it was. | 0:03:56 | 0:03:58 | |
I think it's probably got value, but it's obvious value, | 0:03:59 | 0:04:03 | |
-do you know what I mean? -Yes. | 0:04:03 | 0:04:04 | |
And is that the original box? | 0:04:04 | 0:04:06 | |
Don't know whether you know how good you are. | 0:04:06 | 0:04:08 | |
I can never understand why inkwells are worth so much | 0:04:10 | 0:04:13 | |
because they're useless now. | 0:04:13 | 0:04:15 | |
-It's got its pots, but are they original? -Well spotted. | 0:04:15 | 0:04:18 | |
No marks, no signature. | 0:04:21 | 0:04:22 | |
It's Oriental, isn't it? | 0:04:22 | 0:04:24 | |
Nothing for me. I think we can pass on that. | 0:04:24 | 0:04:26 | |
I wouldn't know what to look for because it hasn't got any marks on. | 0:04:26 | 0:04:29 | |
-JILL: -Oh, Elkington. | 0:04:30 | 0:04:32 | |
Well, that's quite a well-known good make, I think. Yeah. | 0:04:32 | 0:04:35 | |
Yeah, Jill, you know your stuff. | 0:04:35 | 0:04:36 | |
Silver plate, England. | 0:04:36 | 0:04:38 | |
-Not worth much, then? -Not worth much. | 0:04:38 | 0:04:40 | |
-Right, wooden box. -I like that. | 0:04:42 | 0:04:44 | |
-Yeah, I like that a lot. -Straight away. | 0:04:44 | 0:04:45 | |
Something you'd pick up on the market. | 0:04:45 | 0:04:48 | |
Interesting. | 0:04:48 | 0:04:49 | |
-Oh, the lighthouse. -And then a sun. -And a sun. | 0:04:51 | 0:04:54 | |
I bet it's something to do with sailing. | 0:04:54 | 0:04:56 | |
-Is it a gold? It looks as if it's gold. -Good question. | 0:04:58 | 0:05:01 | |
-That's horrendous. -I know but look, it looks so delicate. | 0:05:02 | 0:05:05 | |
I bet that's probably worth quite a bit, don't you? Toys sometimes are. | 0:05:05 | 0:05:10 | |
-So, if we target the painting, the bottle... -And the clown. | 0:05:10 | 0:05:13 | |
-Pot, jewellery... -Watch. | 0:05:13 | 0:05:16 | |
..and the inkwell. | 0:05:16 | 0:05:17 | |
-So, top the brooch? -Yes. -Then? | 0:05:17 | 0:05:20 | |
-OK. Then watch. -Then watch, then the bottle. | 0:05:20 | 0:05:24 | |
And then the worthless one, the wooden box. | 0:05:24 | 0:05:26 | |
-That's it, come on, then. That's it. -You reckon? -Fingers crossed. | 0:05:26 | 0:05:29 | |
Let's go. | 0:05:29 | 0:05:30 | |
So, David. Were they good spotters in that room? | 0:05:32 | 0:05:35 | |
Oh, it was such interesting viewing. | 0:05:35 | 0:05:38 | |
How do you arrive at the valuations that you do for these lots? | 0:05:38 | 0:05:41 | |
OK, the values for each lot have been agreed between myself | 0:05:41 | 0:05:45 | |
and another independent valuer. | 0:05:45 | 0:05:47 | |
They're based on the hammer price we would expect an item to reach | 0:05:47 | 0:05:51 | |
in auction but not including the auction fees or commissions. | 0:05:51 | 0:05:56 | |
And just to add an extra twist, we have our mystery lot. | 0:05:56 | 0:05:59 | |
Now, the mystery lot could be worth thousands | 0:05:59 | 0:06:01 | |
or it could be worth peanuts. | 0:06:01 | 0:06:03 | |
That is for our winners to decide a bit later. | 0:06:03 | 0:06:06 | |
But for now, it is time for Round One. | 0:06:06 | 0:06:08 | |
I'm going to ask eight General Knowledge questions. | 0:06:11 | 0:06:14 | |
Pickers, before each one, | 0:06:14 | 0:06:16 | |
I will ask you to select a lot that you would like to play for. | 0:06:16 | 0:06:20 | |
And, quizzers, if you buzz in with a correct answer, | 0:06:20 | 0:06:22 | |
you'll get to add it to your collection. | 0:06:22 | 0:06:25 | |
But beware, if you buzz in incorrectly, | 0:06:25 | 0:06:27 | |
you will be frozen out of the next question. | 0:06:27 | 0:06:29 | |
So, pickers, please make your first pick. | 0:06:29 | 0:06:32 | |
Let's see what you've chosen. | 0:06:34 | 0:06:35 | |
Tom and Sam have gone | 0:06:37 | 0:06:38 | |
for the toy clown. | 0:06:38 | 0:06:40 | |
Stuart and Elaine, the oil painting. | 0:06:40 | 0:06:42 | |
And Sue and Jill, the brooch. | 0:06:42 | 0:06:44 | |
OK, quizzers. Fingers on buzzers, here comes Question one. | 0:06:44 | 0:06:48 | |
The majority of the Amazon rainforest is contained | 0:06:48 | 0:06:51 | |
within which country? | 0:06:51 | 0:06:52 | |
-Yes, Tom? -Brazil. | 0:06:52 | 0:06:54 | |
It is a Brazil, well done. The toy clown is yours. | 0:06:54 | 0:06:57 | |
Pickers, make another pick. | 0:06:58 | 0:07:00 | |
Tom and Sam have now gone | 0:07:01 | 0:07:03 | |
for the watch. | 0:07:03 | 0:07:04 | |
Stuart and Elaine, the pot. | 0:07:04 | 0:07:06 | |
And Sue and Jill, have gone | 0:07:06 | 0:07:07 | |
for the watch as well. | 0:07:07 | 0:07:09 | |
Question two. | 0:07:09 | 0:07:11 | |
Which Norse God is known for wielding his mighty hammer? | 0:07:11 | 0:07:15 | |
-Yes, Tom? -Thor. | 0:07:15 | 0:07:17 | |
Correct, the watch is yours. | 0:07:17 | 0:07:19 | |
Pickers, would you like to pick again, please? | 0:07:20 | 0:07:23 | |
Tom and Sam have gone | 0:07:23 | 0:07:25 | |
for the oil painting. | 0:07:25 | 0:07:26 | |
Stuart and Elaine are sticking | 0:07:26 | 0:07:27 | |
with their oil painting. | 0:07:27 | 0:07:29 | |
Sue and Jill have gone | 0:07:29 | 0:07:30 | |
for the centrepiece. | 0:07:30 | 0:07:32 | |
Question three. | 0:07:32 | 0:07:33 | |
What is the name of the pop group | 0:07:33 | 0:07:35 | |
that comprises members of Busted and McFly? | 0:07:35 | 0:07:38 | |
McBusted. | 0:07:38 | 0:07:39 | |
It is McBusted! DAVID LAUGHS | 0:07:39 | 0:07:41 | |
-His favourite! -Well... -I'm never going to live that down. | 0:07:41 | 0:07:44 | |
You're cleaning up here at the moment, Tom. | 0:07:44 | 0:07:46 | |
That's three out of three. | 0:07:46 | 0:07:48 | |
Pickers, pick something else. | 0:07:48 | 0:07:49 | |
Tom and Sam have gone | 0:07:51 | 0:07:52 | |
for the bottle. | 0:07:52 | 0:07:53 | |
Stuart and Elaine and Sue and Jill | 0:07:53 | 0:07:55 | |
have gone for the pot. | 0:07:55 | 0:07:57 | |
Question four. | 0:07:57 | 0:07:58 | |
First published in 1891, who wrote Tess Of D'Urbevilles? | 0:07:58 | 0:08:02 | |
-Yes, Sue? -Thomas Hardy. | 0:08:03 | 0:08:04 | |
It's Thomas Hardy. | 0:08:04 | 0:08:06 | |
The pot is yours. | 0:08:06 | 0:08:08 | |
Pickers, pick again. | 0:08:08 | 0:08:10 | |
Tom and Sam stick with the bottle. | 0:08:12 | 0:08:14 | |
Stuart and Elaine have gone | 0:08:14 | 0:08:16 | |
for the brooch | 0:08:16 | 0:08:17 | |
and Sue and Jill have gone | 0:08:17 | 0:08:19 | |
for the brooch too. | 0:08:19 | 0:08:20 | |
Question five. | 0:08:20 | 0:08:21 | |
Which fruit is pureed and sieved to make passata? | 0:08:21 | 0:08:25 | |
-Yes, Tom? -Tomatoes. | 0:08:26 | 0:08:27 | |
It is tomatoes, well done. | 0:08:27 | 0:08:29 | |
The bottle is yours. | 0:08:29 | 0:08:31 | |
Pickers, pick again. | 0:08:31 | 0:08:32 | |
Ooh! | 0:08:33 | 0:08:35 | |
You have all gone for the brooch. | 0:08:35 | 0:08:37 | |
So, it'll be the fastest | 0:08:37 | 0:08:39 | |
correct answer. | 0:08:39 | 0:08:40 | |
Quizzers, question six. | 0:08:40 | 0:08:41 | |
In 2016, which star of Friends | 0:08:41 | 0:08:46 | |
became a regular presenter on Top Gear? | 0:08:46 | 0:08:48 | |
-Yes, Tom? -Matt LeBlanc. | 0:08:48 | 0:08:50 | |
It is Matt LeBlanc. The brooch is yours. | 0:08:50 | 0:08:52 | |
Would you like to pick something else, please? | 0:08:53 | 0:08:56 | |
Tom and Sam have gone for the dish, | 0:08:57 | 0:08:59 | |
Stuart and Elaine have gone | 0:08:59 | 0:09:01 | |
for the pair of lamps | 0:09:01 | 0:09:02 | |
and Jill and Sue have gone | 0:09:02 | 0:09:04 | |
for the pair of lamps too. | 0:09:04 | 0:09:05 | |
Here comes the question. | 0:09:05 | 0:09:06 | |
The Uffizi Gallery is a museum in which European city? | 0:09:06 | 0:09:09 | |
Anything coming into your heads? | 0:09:10 | 0:09:12 | |
I'll say Florence. | 0:09:15 | 0:09:17 | |
-Florence is correct. -Yeah! | 0:09:17 | 0:09:18 | |
-Yes! -APPLAUSE | 0:09:18 | 0:09:20 | |
Well, I like it, you're all of the mark. | 0:09:23 | 0:09:25 | |
And this is the final question now, so, pickers, | 0:09:25 | 0:09:27 | |
make your last choice in this round. | 0:09:27 | 0:09:29 | |
Tom and Samantha have gone | 0:09:32 | 0:09:33 | |
for the dish again. | 0:09:33 | 0:09:34 | |
Stuart and Elaine are going | 0:09:34 | 0:09:35 | |
for the helmet. | 0:09:35 | 0:09:36 | |
Sue and Jill really like | 0:09:36 | 0:09:38 | |
the centrepiece. | 0:09:38 | 0:09:39 | |
So, final question. | 0:09:39 | 0:09:40 | |
Which organisation has the slogan The High IQ Society? | 0:09:40 | 0:09:45 | |
-Yes, Tom? -Mensa. | 0:09:45 | 0:09:46 | |
Yes, it is Mensa, congratulations. | 0:09:46 | 0:09:48 | |
The dish is going into your collection. | 0:09:48 | 0:09:50 | |
Right, let's have a look at the end of Round One, | 0:09:50 | 0:09:53 | |
how our teams' collections are building. | 0:09:53 | 0:09:55 | |
Tom and Samantha have the toy clown, | 0:09:55 | 0:09:57 | |
the dish, the watch, | 0:09:57 | 0:09:59 | |
the painting, the bottle | 0:09:59 | 0:10:01 | |
and the brooch. | 0:10:01 | 0:10:02 | |
Stuart and Elaine | 0:10:02 | 0:10:03 | |
have the pair of lamps | 0:10:03 | 0:10:05 | |
and Sue and Jill have the pot. | 0:10:05 | 0:10:07 | |
Well done, everybody. | 0:10:07 | 0:10:09 | |
Well, now our teams have started to build their collections, | 0:10:09 | 0:10:11 | |
but have they chosen wisely? | 0:10:11 | 0:10:13 | |
Before they have the chance to add more of them, | 0:10:13 | 0:10:15 | |
David is going to give each pair a fact about a lot of their choice. | 0:10:15 | 0:10:19 | |
Team One, we're starting with you, Tom and Sam. | 0:10:19 | 0:10:22 | |
I know you say you've invented a game together | 0:10:22 | 0:10:24 | |
to play with this at home. | 0:10:24 | 0:10:25 | |
You even played together on Skype, is that right? | 0:10:25 | 0:10:28 | |
Yeah, we have a part-time...long-distance | 0:10:28 | 0:10:30 | |
-relationship, we spend... -A part-time relationship? | 0:10:30 | 0:10:33 | |
-A long-distance relationship. -I'm fired, right? OK. | 0:10:33 | 0:10:36 | |
During the week, we split between Reading and up north on the Wirrals, | 0:10:36 | 0:10:40 | |
so we spend three days apart a week, so we'll meet over Skype. | 0:10:40 | 0:10:43 | |
Sam, the reason why you have this long-distance relationship | 0:10:43 | 0:10:47 | |
is because you're in training? | 0:10:47 | 0:10:49 | |
You're part of Team GB, the hockey team. | 0:10:49 | 0:10:52 | |
Yes, very, very, very lucky to do what I do. | 0:10:52 | 0:10:54 | |
Absolutely love playing hockey | 0:10:54 | 0:10:56 | |
and very lucky to have such a supportive boyfriend. | 0:10:56 | 0:10:58 | |
-Why, thank you. -Who I'm in a full-time relationship with. | 0:10:58 | 0:11:01 | |
Tom and Samantha, lovely to have you here. | 0:11:01 | 0:11:03 | |
Now, which lot would you like to hear more about from David? | 0:11:03 | 0:11:06 | |
It could be in your collection, | 0:11:06 | 0:11:07 | |
someone else's or something on the grid. | 0:11:07 | 0:11:10 | |
The pot, please. | 0:11:10 | 0:11:12 | |
The pot that is in Jill and Sue's collection. | 0:11:12 | 0:11:16 | |
This is a Delftware pot, perhaps better known as a Delft Blue. | 0:11:16 | 0:11:22 | |
This piece shows a farming scene and although you'll notice | 0:11:22 | 0:11:26 | |
the figures are absolutely hand-painted, | 0:11:26 | 0:11:28 | |
they all match each other exactly, | 0:11:28 | 0:11:31 | |
so a lot of care has gone into the making of this piece. | 0:11:31 | 0:11:35 | |
Now, Delft pottery is extremely collectable | 0:11:35 | 0:11:39 | |
and therefore has good commercial value. | 0:11:39 | 0:11:42 | |
However, they are produced en masse. | 0:11:42 | 0:11:46 | |
So, does the number of items available to buy | 0:11:46 | 0:11:51 | |
do anything to the value? | 0:11:51 | 0:11:53 | |
Stuart and Elaine, Team Two. | 0:11:53 | 0:11:55 | |
So, you say you're both musicians. | 0:11:55 | 0:11:57 | |
And Stuart, you managed to play on EastEnders? | 0:11:57 | 0:12:00 | |
I got asked to be an extra on the show there | 0:12:01 | 0:12:03 | |
and I was the local village organist. | 0:12:03 | 0:12:05 | |
So, I got to play the piano. | 0:12:05 | 0:12:07 | |
All you can see is the back of my head but nevertheless... | 0:12:07 | 0:12:09 | |
-But that is the lot of an organist, isn't it? -Yeah, sadly. -Very good. | 0:12:09 | 0:12:13 | |
-Elaine, you're a violin teacher. -Yes. | 0:12:13 | 0:12:16 | |
-And you have a collection, you said, of 100 violins? -Over 100, yes. | 0:12:16 | 0:12:20 | |
And I love them because they've got history, | 0:12:20 | 0:12:22 | |
they were played by our grandfathers and great-grandfathers. | 0:12:22 | 0:12:25 | |
I've got one tiny one that was played by a famous circus clown | 0:12:25 | 0:12:30 | |
called William Wallett to Queen Victoria. | 0:12:30 | 0:12:33 | |
-Wow. -They're really special. -Lovely. | 0:12:33 | 0:12:35 | |
Well, what would you like to hear more about from David? | 0:12:35 | 0:12:38 | |
The brooch, please. | 0:12:38 | 0:12:40 | |
OK, everybody liked the brooch, | 0:12:40 | 0:12:43 | |
but nobody could get their head around what it is. | 0:12:43 | 0:12:45 | |
This item is known as a five spray brooch. | 0:12:45 | 0:12:50 | |
Brooches like this are often made of silver or gold, | 0:12:50 | 0:12:53 | |
but this little baby is made from platinum and diamonds. | 0:12:53 | 0:12:59 | |
And the total diamond weight is approximately 2.75 carats. | 0:12:59 | 0:13:06 | |
Mm! It's the style of diamonds on this brooch | 0:13:06 | 0:13:09 | |
that should actually be noted. | 0:13:09 | 0:13:11 | |
By closely setting small diamonds together with minimum visibility, | 0:13:11 | 0:13:16 | |
the effect is one of continuous sparkle. | 0:13:16 | 0:13:20 | |
Now, Elaine, we don't know the exact era this brooch originates from, | 0:13:20 | 0:13:23 | |
but I can tell you that the late 19th-century diamond brooches | 0:13:23 | 0:13:28 | |
with a similar flower spray design are extremely rare nowadays. | 0:13:28 | 0:13:33 | |
We'll let you have a think about that while we meet Sue and Jill. | 0:13:33 | 0:13:37 | |
So, Sue, you go to a quiz every week. | 0:13:37 | 0:13:39 | |
Yes, four all of us girls go every Tuesday. We're called The Dipsticks. | 0:13:39 | 0:13:43 | |
THEY LAUGH | 0:13:43 | 0:13:45 | |
-Well, that's very good. Have you ever won? -We have, actually. | 0:13:45 | 0:13:48 | |
-Twice, we've won. -Very good. | 0:13:48 | 0:13:50 | |
And Jill, you have something that's jokingly now called | 0:13:50 | 0:13:52 | |
the Family Heirloom Table. | 0:13:52 | 0:13:54 | |
Well, we often used to go to salerooms and there were two tables, | 0:13:54 | 0:13:59 | |
a Pembroke table and a kitchen table covered with Formica. | 0:13:59 | 0:14:03 | |
And I bid £4 for the Pembroke table. | 0:14:03 | 0:14:06 | |
And then when we went to collect it, I bought the kitchen table instead! | 0:14:06 | 0:14:10 | |
Our husband took the Formica off and we polished it down | 0:14:10 | 0:14:14 | |
-and sanded it and it's in Sue's kitchen now. -Lovely. | 0:14:14 | 0:14:18 | |
Well, what would you like to hear about from David? | 0:14:18 | 0:14:21 | |
-Oh, the picture, please. -Ah, the oil painting. | 0:14:21 | 0:14:24 | |
This is an oil painting of a pastoral scene. | 0:14:24 | 0:14:27 | |
Now, it's untitled, it's undated and it's unsigned. | 0:14:27 | 0:14:33 | |
You all picked up on that. | 0:14:33 | 0:14:35 | |
Now, because this painting is unsigned, | 0:14:35 | 0:14:37 | |
its attribution was in some doubt, of course. | 0:14:37 | 0:14:41 | |
Until it entered a Sotheby's auction in the 1970s, | 0:14:41 | 0:14:44 | |
who then confirmed the attribution to the celebrated English painter | 0:14:44 | 0:14:49 | |
of animals and rustic scenes, George Morland. | 0:14:49 | 0:14:54 | |
He is an artist of great repute. | 0:14:54 | 0:14:57 | |
So, there is a great history attached here. | 0:14:57 | 0:15:02 | |
But is the attribution enough to tempt you to try and bag it? | 0:15:02 | 0:15:09 | |
Thank you, David. | 0:15:09 | 0:15:10 | |
I hope that's helped. Let's play Round Two. | 0:15:10 | 0:15:13 | |
APPLAUSE | 0:15:13 | 0:15:16 | |
Now, in this round, the pickers will select a lot to play for | 0:15:16 | 0:15:19 | |
and the quizzers will again try and secure it by answering correctly. | 0:15:19 | 0:15:23 | |
But this time around, the lots come with their own question categories | 0:15:23 | 0:15:27 | |
and here they are. | 0:15:27 | 0:15:28 | |
So, if you were going for the box, | 0:15:29 | 0:15:32 | |
you'd be offered the choice of Tennis Questions or Animals. | 0:15:32 | 0:15:36 | |
At the end of this round, | 0:15:36 | 0:15:37 | |
the team with the least valuable collection will be eliminated, | 0:15:37 | 0:15:40 | |
so choose wisely. | 0:15:40 | 0:15:42 | |
Sam, what would you like to pick from the grid? | 0:15:42 | 0:15:46 | |
-I think we're going to go for the inkwell. -The inkwell, OK. | 0:15:46 | 0:15:50 | |
Tom, would you like to answer a question on The Weather | 0:15:50 | 0:15:53 | |
or Celebrity Chefs? | 0:15:53 | 0:15:55 | |
-I'll take Celebrity Chefs. -Celebrity Chefs, here we go. | 0:15:55 | 0:15:58 | |
What's the full name of the celebrity cook who published | 0:15:58 | 0:16:02 | |
How To Be A Domestic Goddess? | 0:16:02 | 0:16:04 | |
I think that's Delia Smith. | 0:16:04 | 0:16:06 | |
I think it's not. | 0:16:06 | 0:16:08 | |
It's Nigella Lawson! | 0:16:08 | 0:16:10 | |
The inkwell stays where it is. | 0:16:10 | 0:16:12 | |
Stuart and Elaine. | 0:16:12 | 0:16:13 | |
-Elaine, would you like to choose something from the grid? -The helmet. | 0:16:13 | 0:16:17 | |
The helmet? OK, The Weather or Steven Spielberg, Stuart? | 0:16:17 | 0:16:21 | |
-The Weather, please. -The Weather. | 0:16:21 | 0:16:23 | |
What scientific instrument is used to measure atmospheric pressure? | 0:16:24 | 0:16:28 | |
-A barometer. -Correct, well done. | 0:16:28 | 0:16:31 | |
The helmet is yours. | 0:16:31 | 0:16:32 | |
And is in your collection. | 0:16:33 | 0:16:35 | |
-Jill, in Team Three, what would you like? -The centrepiece, please. | 0:16:36 | 0:16:40 | |
OK, Sue. The Weather or The Romans. | 0:16:40 | 0:16:43 | |
-The Weather, I think, please. -The Weather. | 0:16:43 | 0:16:45 | |
Noctilucent, nacreous and cirriform | 0:16:47 | 0:16:51 | |
are all types of what formation? | 0:16:51 | 0:16:53 | |
-Cloud. -Correct. | 0:16:53 | 0:16:55 | |
There you go. | 0:16:56 | 0:16:57 | |
It's in your collection. | 0:16:57 | 0:16:59 | |
Now, teams, you've got the chance to collect something | 0:16:59 | 0:17:02 | |
that you may have missed out on, something that you really covet. | 0:17:02 | 0:17:06 | |
And it might be in someone else's collection. | 0:17:06 | 0:17:08 | |
So, from now on, you can either go for what's left on the grid | 0:17:08 | 0:17:11 | |
or you can steal a lot that's in a rival team's collection. | 0:17:11 | 0:17:16 | |
Use some strategy here. | 0:17:16 | 0:17:17 | |
Pickers, be warned, if you choose to steal from another team, | 0:17:17 | 0:17:21 | |
they will get to choose which question your quizzer must face. | 0:17:21 | 0:17:24 | |
Team One, do you want to pick from the grid or do you want to steal? | 0:17:24 | 0:17:27 | |
We'll steal the helmet, please. | 0:17:27 | 0:17:29 | |
Stealing the helmet from Stuart and Elaine. | 0:17:29 | 0:17:31 | |
What category do you think Tom's going to have the most trouble with? | 0:17:31 | 0:17:34 | |
-ELAINE: -The Romans. -The Romans. | 0:17:34 | 0:17:36 | |
Tom, the Pont du Gard bridge in France is an example of | 0:17:36 | 0:17:40 | |
what type of ancient Roman construction? | 0:17:40 | 0:17:43 | |
I'd guess an aqueduct. | 0:17:44 | 0:17:45 | |
Yes. So, the helmet comes out of Stuart and Elaine's | 0:17:45 | 0:17:49 | |
and goes to your collection. | 0:17:49 | 0:17:51 | |
Elaine, do you want to pick or steal? | 0:17:53 | 0:17:55 | |
I'd like to steal the brooch, please. | 0:17:55 | 0:17:57 | |
Steal the brooch from Tom and Samantha. | 0:17:57 | 0:17:59 | |
Right, Tom and Sam, you can now confer. | 0:17:59 | 0:18:01 | |
What question category would you like to give Stuart? | 0:18:01 | 0:18:04 | |
-We're going to go for The Romans. -The Romans. | 0:18:04 | 0:18:08 | |
OK, Stuart. | 0:18:08 | 0:18:09 | |
In Roman numerals, what number does L represent? | 0:18:09 | 0:18:12 | |
50. | 0:18:14 | 0:18:15 | |
It is 50, correct. | 0:18:15 | 0:18:16 | |
The diamond brooch is yours. | 0:18:16 | 0:18:18 | |
It's winging its way out of | 0:18:18 | 0:18:20 | |
Tom and Sam's collection into yours. | 0:18:20 | 0:18:22 | |
There you go. | 0:18:22 | 0:18:23 | |
Right, Jill. Are you going to pick or steal? | 0:18:23 | 0:18:28 | |
I'd like to steal the painting. | 0:18:28 | 0:18:30 | |
Steal the painting? Oh! | 0:18:30 | 0:18:33 | |
Tom and Samantha, you are under attack here. | 0:18:33 | 0:18:36 | |
OK, Tom and Sam, you can confer. | 0:18:36 | 0:18:38 | |
May as well. Definitely not animals. | 0:18:38 | 0:18:41 | |
We'll test you on The Romans as well. | 0:18:41 | 0:18:43 | |
Romans again? OK, Sue, here you go. | 0:18:43 | 0:18:45 | |
What was the Roman name for Scotland? | 0:18:45 | 0:18:47 | |
Caledonia. | 0:18:49 | 0:18:50 | |
Yes, Caledonia! | 0:18:50 | 0:18:51 | |
Tom and Sam, that's being | 0:18:51 | 0:18:53 | |
lost from your collection, | 0:18:53 | 0:18:54 | |
it's going straight into | 0:18:54 | 0:18:55 | |
Sue and Jill's collection. | 0:18:55 | 0:18:57 | |
Samantha, pick or a steal. | 0:18:57 | 0:18:59 | |
-Steal, please. -What would you like to steal? | 0:18:59 | 0:19:01 | |
Can we have the painting back, please? | 0:19:01 | 0:19:03 | |
OK, Sue and Jill. What category do you want to give poor Tom? | 0:19:03 | 0:19:07 | |
-JILL: -The Weather. -The Weather. Here's your question. | 0:19:08 | 0:19:11 | |
The Sirocco wind originates on which continent? | 0:19:11 | 0:19:15 | |
I'm going to have to guess at Africa. | 0:19:15 | 0:19:16 | |
It's correct. | 0:19:16 | 0:19:18 | |
The painting is yours again. | 0:19:18 | 0:19:21 | |
FERN LAUGHS | 0:19:22 | 0:19:25 | |
Phew! OK, Elaine, do you want to pick or steal? | 0:19:25 | 0:19:28 | |
I'd like to steal the painting! | 0:19:28 | 0:19:30 | |
Oh! OK, Tom and Sam. | 0:19:30 | 0:19:32 | |
What question would you like to give Stuart? | 0:19:32 | 0:19:35 | |
-Can we have Romans, please? -Stick with it. | 0:19:35 | 0:19:37 | |
Romans, it is. | 0:19:37 | 0:19:39 | |
Which Roman emperor threatened to appoint his horse as a counsel? | 0:19:39 | 0:19:43 | |
Nero. | 0:19:43 | 0:19:44 | |
It wasn't Nero, no. | 0:19:44 | 0:19:46 | |
-Incorrect, it's Caligula. -That's what I meant to say. | 0:19:46 | 0:19:48 | |
OK, the painting stays with you, Tom and Sam. | 0:19:49 | 0:19:52 | |
Jill, do you want to pick or steal again? | 0:19:52 | 0:19:54 | |
-I think I'd like to steal the brooch. -From Stuart and Elaine? | 0:19:54 | 0:19:58 | |
Right, Stuart and Elaine. What category would you like to give Sue? | 0:19:58 | 0:20:02 | |
-The Romans again. -The Romans! | 0:20:03 | 0:20:06 | |
Who knew they were so popular? Here we go. | 0:20:07 | 0:20:10 | |
What general name is given to open-air venues in which | 0:20:10 | 0:20:13 | |
ancient Romans would hold chariot races. | 0:20:13 | 0:20:16 | |
My mind's gone completely blank. | 0:20:16 | 0:20:19 | |
Erm, I can only think at arena. | 0:20:22 | 0:20:24 | |
Arena, I can accept. | 0:20:24 | 0:20:27 | |
The word we were looking for is circus but circus also means arena. | 0:20:27 | 0:20:31 | |
Therefore, you have won the brooch | 0:20:31 | 0:20:33 | |
from Stuart and Elaine. | 0:20:33 | 0:20:36 | |
Oh! Well, that is the end of | 0:20:36 | 0:20:38 | |
a very tricky round. | 0:20:38 | 0:20:40 | |
So, let's see how the collections are looking. | 0:20:40 | 0:20:43 | |
Tom and Sam, they have | 0:20:43 | 0:20:45 | |
the toy clown, the painting, | 0:20:45 | 0:20:47 | |
the watch, the bottle, | 0:20:47 | 0:20:48 | |
the dish and the helmet. | 0:20:48 | 0:20:50 | |
Stuart and Elaine are left | 0:20:50 | 0:20:52 | |
with the pair of lamps. | 0:20:52 | 0:20:54 | |
Sue and Jill have the pot, | 0:20:54 | 0:20:56 | |
the brooch, and the centrepiece. | 0:20:56 | 0:20:58 | |
Well, for one team, it is now the end of the road. | 0:20:58 | 0:21:01 | |
David has been keeping tabs | 0:21:01 | 0:21:03 | |
and the team with the least valuable collection will now be eliminated. | 0:21:03 | 0:21:07 | |
So, David, who's leaving us first? | 0:21:07 | 0:21:10 | |
Fern, I can reveal the pair leaving us first today is... | 0:21:10 | 0:21:13 | |
It's Stuart and Elaine. | 0:21:18 | 0:21:20 | |
-I'm so sorry, guys. -APPLAUSE | 0:21:20 | 0:21:23 | |
We are so sorry to see you go. | 0:21:28 | 0:21:30 | |
And you are not only leaving the game, | 0:21:30 | 0:21:33 | |
but so is that beautiful pair of lamps. | 0:21:33 | 0:21:36 | |
I think we need to know how much they were worth | 0:21:36 | 0:21:38 | |
-and a bit more about them please, David. -Yeah. | 0:21:38 | 0:21:40 | |
So, what we have is a very playful pair of Art Deco, | 0:21:40 | 0:21:45 | |
chrome, sea lion lamps. | 0:21:45 | 0:21:47 | |
Now, they are in good working order, in decent condition | 0:21:47 | 0:21:52 | |
and they come at a pair, | 0:21:52 | 0:21:53 | |
which always makes things much more valuable. | 0:21:53 | 0:21:56 | |
And Art Deco, in period. | 0:21:56 | 0:21:58 | |
So, from the 1920s, | 0:21:58 | 0:22:00 | |
from the boom time of the '20s to the bust of the 1930s. | 0:22:00 | 0:22:04 | |
But they're still supercool today and very much the current market | 0:22:04 | 0:22:09 | |
but not enough to keep you in the game. | 0:22:09 | 0:22:12 | |
With a remarkably low valuation, | 0:22:12 | 0:22:15 | |
£250. | 0:22:15 | 0:22:17 | |
Wow. | 0:22:17 | 0:22:18 | |
Well, they were a beautiful object and you had a very good eye. | 0:22:18 | 0:22:21 | |
You're just unfortunate, things being stolen from you. | 0:22:21 | 0:22:24 | |
But Stuart and Elaine, it's time to bring the hammer down | 0:22:24 | 0:22:27 | |
on your collection and say thank you for playing For What It's Worth. | 0:22:27 | 0:22:30 | |
-Thank you. -APPLAUSE | 0:22:30 | 0:22:32 | |
So, Stuart and Elaine have left the show | 0:22:35 | 0:22:37 | |
and also the unclaimed items in the grid are now leaving the game too. | 0:22:37 | 0:22:41 | |
So, let's quickly find out from David what they were worth | 0:22:41 | 0:22:44 | |
and if the top lot is still in the game. | 0:22:44 | 0:22:47 | |
Hmm, this is where it all hots up. | 0:22:47 | 0:22:49 | |
So, first of all, the inkwell. | 0:22:49 | 0:22:51 | |
Now, this is an interesting little item. | 0:22:51 | 0:22:53 | |
It's a brass inkwell from the 1920s. | 0:22:53 | 0:22:58 | |
Many of these items similar to this, of course, have been manufactured. | 0:22:58 | 0:23:02 | |
However, this one comes with its original copper cups. | 0:23:02 | 0:23:07 | |
Condition is super. | 0:23:07 | 0:23:09 | |
Are you going to be disappointed it's leaving? | 0:23:09 | 0:23:12 | |
I think not. £80. | 0:23:12 | 0:23:14 | |
Now, moving on to the box. | 0:23:15 | 0:23:18 | |
Now, this particular box of Persian design has been hand-painted | 0:23:18 | 0:23:23 | |
and you can see how intricately the design on the top has been applied. | 0:23:23 | 0:23:27 | |
But does its heritage increase its value? | 0:23:27 | 0:23:32 | |
Well, I think you're all going to be absolutely delighted | 0:23:32 | 0:23:34 | |
because you've just disposed of the worthless item. | 0:23:34 | 0:23:37 | |
Well done! | 0:23:37 | 0:23:39 | |
Which means, David, the top lot worth £2,500 is still in the game. | 0:23:39 | 0:23:44 | |
-It's still there. -So, it's somewhere in your collections. | 0:23:44 | 0:23:47 | |
So, teams, congratulations on getting this far. | 0:23:47 | 0:23:49 | |
You now have one last chance to pick our expert's brains. | 0:23:49 | 0:23:52 | |
Which lot do you need to know more about? | 0:23:52 | 0:23:54 | |
Team One, what would you like to hear about? | 0:23:54 | 0:23:57 | |
Can we hear about the centrepiece, please? | 0:23:57 | 0:23:59 | |
This is a Victorian, cranberry glass centrepiece. | 0:23:59 | 0:24:02 | |
Now, cranberry glass or gold ruby glass, is made by adding | 0:24:02 | 0:24:07 | |
tiny particles of gold to molten glass. | 0:24:07 | 0:24:11 | |
Meaning that more often than not, cranberry glass pieces | 0:24:11 | 0:24:15 | |
are individually handmade and not mass-produced. | 0:24:15 | 0:24:20 | |
Now, this particular piece is in good overall condition. | 0:24:20 | 0:24:24 | |
Although one of the arms doesn't quite fit, | 0:24:24 | 0:24:27 | |
so it might need a little bit of restoration. | 0:24:27 | 0:24:30 | |
However, these centrepieces retain a good commercial value. | 0:24:30 | 0:24:35 | |
But to you guys, how much is this thing worth? | 0:24:35 | 0:24:39 | |
Hmm, well, I'll leave you to cogitate on that | 0:24:39 | 0:24:42 | |
and ask Jill and Sue what they would like to hear more about. | 0:24:42 | 0:24:46 | |
-The watch, please. -OK, you two. | 0:24:46 | 0:24:48 | |
So, here we have an early 20th-century, | 0:24:48 | 0:24:52 | |
Swiss lever, Masonic watch. | 0:24:52 | 0:24:56 | |
The triangular dial is made of the mother of pearl | 0:24:56 | 0:24:58 | |
and includes Masonic symbols in place of the numerals. | 0:24:58 | 0:25:03 | |
Now, the intricacy in the detail of the dial | 0:25:03 | 0:25:05 | |
is repeated on the casing, which is decorated with a chain | 0:25:05 | 0:25:09 | |
around the bezel and a sapphire at the top. | 0:25:09 | 0:25:12 | |
Similar watches can be found in silver, | 0:25:12 | 0:25:16 | |
but this one is made of gilt metal, making it much rarer. | 0:25:16 | 0:25:21 | |
However, remember, it's not gold. | 0:25:21 | 0:25:24 | |
So, does that help you? | 0:25:24 | 0:25:26 | |
Yes, thank you. | 0:25:26 | 0:25:28 | |
-I'm not sure. -Yes! | 0:25:28 | 0:25:30 | |
It's now time for our final round and at the end of it, | 0:25:30 | 0:25:33 | |
we will have our winners. | 0:25:33 | 0:25:34 | |
APPLAUSE | 0:25:34 | 0:25:37 | |
In this round, I'll show you a category and 12 possible answers. | 0:25:37 | 0:25:41 | |
Nine of the answers are correct, three are not. | 0:25:41 | 0:25:44 | |
And each of you will then take turns | 0:25:44 | 0:25:46 | |
to choose an answer you think is correct. | 0:25:46 | 0:25:48 | |
As it's the final round, both quizzers and pickers will play, | 0:25:48 | 0:25:51 | |
so there's nowhere to hide. | 0:25:51 | 0:25:53 | |
Pick a wrong answer and your opponents will be able to | 0:25:53 | 0:25:56 | |
steal a lot from your collection. | 0:25:56 | 0:25:58 | |
If all nine correct answers are given, | 0:25:58 | 0:26:01 | |
then the team who gives the final correct answer will be the winners. | 0:26:01 | 0:26:04 | |
We'll play three questions in total | 0:26:04 | 0:26:06 | |
and the pair with the most valuable collection | 0:26:06 | 0:26:08 | |
can choose to go first or second. | 0:26:08 | 0:26:10 | |
So, David, who is that at the moment? | 0:26:10 | 0:26:12 | |
Well, I can reveal, Fern, | 0:26:12 | 0:26:14 | |
that the team who has the most valuable collection so far is... | 0:26:14 | 0:26:19 | |
-It's Tom and Samantha. -HE LAUGHS | 0:26:21 | 0:26:24 | |
Ah, Tom and Samantha. | 0:26:24 | 0:26:26 | |
Have a look at this question. | 0:26:26 | 0:26:27 | |
So, you are looking for Knights of Camelot | 0:26:30 | 0:26:33 | |
who according to legend, | 0:26:33 | 0:26:34 | |
sat at the Round Table alongside King Arthur. | 0:26:34 | 0:26:37 | |
-Now, would you like to go first with this or second? -We'll go first. | 0:26:38 | 0:26:42 | |
Here are the answers. | 0:26:42 | 0:26:44 | |
Nine of those are correct, three of them are false. | 0:26:45 | 0:26:49 | |
So here we go, Tom. Give me an answer. | 0:26:49 | 0:26:51 | |
I'll go Sir Galahad. | 0:26:51 | 0:26:54 | |
Sir Galahad. If it goes green, it's correct. | 0:26:54 | 0:26:57 | |
Correct! | 0:26:57 | 0:26:58 | |
-Sue? -Sir Bedivere. -Sir Bedivere. | 0:26:59 | 0:27:03 | |
-Yes, correct. -Phew. -Samantha? | 0:27:04 | 0:27:07 | |
-Sir Lamorak. -Sir Lamorak. | 0:27:07 | 0:27:09 | |
Correct. Jill? | 0:27:10 | 0:27:12 | |
-Sir Gareth. -Sir Gareth. | 0:27:12 | 0:27:14 | |
Correct. Tom? | 0:27:16 | 0:27:17 | |
-Sir Dagonet. -Sir Dagonet. | 0:27:18 | 0:27:21 | |
Correct! Sue? | 0:27:22 | 0:27:24 | |
-Erm, Sir Mordred. -Sir Mordred. | 0:27:25 | 0:27:27 | |
Correct. Samantha? | 0:27:30 | 0:27:32 | |
This is 50-50 now, three of those are right, three of them are wrong. | 0:27:32 | 0:27:35 | |
-Let's go for Sir Degore. -Sir Degore. | 0:27:35 | 0:27:38 | |
-Correct! -Oh, dear. | 0:27:41 | 0:27:43 | |
-Jill? -Sir Kay. -Sir Kay. | 0:27:43 | 0:27:46 | |
-Correct! -I can't stand the nerves on this! | 0:27:48 | 0:27:51 | |
Tom? Only one of those left is correct. | 0:27:51 | 0:27:55 | |
I've got absolutely no idea, so I've got a 25% chance. | 0:27:55 | 0:27:59 | |
-I think I'll go for Sir Lucan. -Sir Lucan. | 0:27:59 | 0:28:02 | |
Correct! | 0:28:05 | 0:28:07 | |
Well done, you've got all nine correct answers, | 0:28:08 | 0:28:10 | |
leaving those three. | 0:28:10 | 0:28:12 | |
Now, Sir Parry, of course, is actually a fencing move. | 0:28:12 | 0:28:16 | |
Sir Robin is from Monty Python. | 0:28:16 | 0:28:19 | |
And Sir Francis is Sir Francis Drake. | 0:28:19 | 0:28:22 | |
Tom and Samantha, because you were the last people to get | 0:28:22 | 0:28:26 | |
the last correct answer, it means you can steal from a Sue and Jill. | 0:28:26 | 0:28:29 | |
What would you like? | 0:28:29 | 0:28:31 | |
We are going to take back the brooch? The brooch, please. | 0:28:31 | 0:28:35 | |
The brooch. I'm sorry, Sue and Jill, it's leaving your collection, | 0:28:35 | 0:28:38 | |
it's flying into Tom and Sam's. | 0:28:38 | 0:28:39 | |
Plenty of time, though. | 0:28:41 | 0:28:42 | |
That was only the first question. | 0:28:42 | 0:28:44 | |
We've got another two to go. | 0:28:44 | 0:28:45 | |
OK, here comes question two and it's your turn, Sue and Jill. | 0:28:45 | 0:28:49 | |
Let's have a look at the question. | 0:28:49 | 0:28:50 | |
You need to identify the names of singles released | 0:28:54 | 0:28:57 | |
by the late great David Bowie which have charted in the UK's Top 40. | 0:28:57 | 0:29:02 | |
-Do you want to play first or second? -We'll stay first. -First. | 0:29:02 | 0:29:06 | |
Let's have a look at the answers. | 0:29:06 | 0:29:07 | |
Sue, give me an answer. | 0:29:10 | 0:29:12 | |
Erm, Space Oddity. | 0:29:13 | 0:29:15 | |
Space Oddity. | 0:29:15 | 0:29:17 | |
Correct. From 1969, extraordinary enough. | 0:29:17 | 0:29:21 | |
Tom, give me an answer. | 0:29:21 | 0:29:23 | |
-Life On Mars. -Life On Mars. | 0:29:23 | 0:29:26 | |
Yes, of course, it's correct. 1973. | 0:29:27 | 0:29:30 | |
Jill. | 0:29:30 | 0:29:31 | |
-Intergalactic. -Intergalactic. | 0:29:33 | 0:29:35 | |
Oh! | 0:29:38 | 0:29:39 | |
That was by the Beastie Boys. | 0:29:39 | 0:29:42 | |
OK, let's have a look at which ones there are real | 0:29:42 | 0:29:47 | |
and which ones are not. | 0:29:47 | 0:29:49 | |
So, Princess Of China is wrong, | 0:29:49 | 0:29:51 | |
but he did have a single called China Girl, of course. | 0:29:51 | 0:29:53 | |
Pillowtalk is Zayn Malik and Intergalactic, as we said, | 0:29:53 | 0:29:57 | |
is the Beastie Boys. | 0:29:57 | 0:29:58 | |
Tom and Sam, get ready to steal. | 0:29:58 | 0:30:00 | |
-What do you want from Sue and Jill's collection? -Centrepiece, please. | 0:30:00 | 0:30:04 | |
The beautiful centrepiece, | 0:30:04 | 0:30:06 | |
it's going to break Jill's heart, | 0:30:06 | 0:30:07 | |
is going over to your collection. | 0:30:07 | 0:30:10 | |
Final question, Team One. | 0:30:10 | 0:30:12 | |
Can you spot the real words from the NATO Phonetic Alphabet | 0:30:15 | 0:30:18 | |
used by police, military and other emergency and armed forces? | 0:30:18 | 0:30:22 | |
Tom and Samantha, first or second? | 0:30:22 | 0:30:24 | |
We'll go first. | 0:30:24 | 0:30:26 | |
First, OK, let's have a look at the answers. | 0:30:26 | 0:30:28 | |
-Tom, give me an answer. -Alpha. -Alpha. | 0:30:30 | 0:30:33 | |
Yes, A for alpha. | 0:30:36 | 0:30:38 | |
-Sue? -Golf. -Golf. | 0:30:38 | 0:30:40 | |
Yes, G for golf. | 0:30:42 | 0:30:44 | |
-Samantha? -Charlie. | 0:30:44 | 0:30:45 | |
Charlie. | 0:30:47 | 0:30:49 | |
Yes, C for Charlie. Jill? | 0:30:49 | 0:30:51 | |
-Echo. -Echo. | 0:30:51 | 0:30:53 | |
Of course, E for echo, well done. Tom? | 0:30:56 | 0:30:58 | |
-Romeo. -Romeo. | 0:30:58 | 0:31:00 | |
Yes, R for Romeo. Sue? | 0:31:02 | 0:31:04 | |
-Uniform. -Uniform. | 0:31:04 | 0:31:06 | |
Yes, uniform. | 0:31:08 | 0:31:10 | |
-Samantha? -Kilo. | 0:31:10 | 0:31:12 | |
Kilo. | 0:31:12 | 0:31:14 | |
Yes, K for kilo. Jill? | 0:31:14 | 0:31:16 | |
-Yankee. -Yankee? | 0:31:16 | 0:31:18 | |
Yes, Y for Yankee. | 0:31:20 | 0:31:23 | |
Tom, one correct on the board again. | 0:31:23 | 0:31:26 | |
-Which one are you going for? -Hotel. -Hotel. | 0:31:26 | 0:31:29 | |
Yes, of course. H for hotel. | 0:31:32 | 0:31:35 | |
Well played. | 0:31:35 | 0:31:38 | |
Let's have a look at the wrong ones. | 0:31:38 | 0:31:40 | |
Z is actually for Zulu, not zoo. | 0:31:42 | 0:31:45 | |
N would normally be November, not north. | 0:31:45 | 0:31:49 | |
And M should have been for Mike. | 0:31:49 | 0:31:52 | |
Well played, Tom and Samantha. | 0:31:52 | 0:31:56 | |
-You may as well clean Sue and Jill out while they're here. -Yes! | 0:31:56 | 0:31:59 | |
They have a pot left. Would you like it? | 0:31:59 | 0:32:02 | |
-Come on, then! -I'm not... -SHE LAUGHS | 0:32:04 | 0:32:07 | |
I'm so sorry, Sue and Jill. | 0:32:07 | 0:32:09 | |
The pot is leaving you. | 0:32:09 | 0:32:11 | |
OK, that is your collections | 0:32:11 | 0:32:14 | |
now fixed. | 0:32:14 | 0:32:15 | |
David, can you possibly tell me | 0:32:15 | 0:32:17 | |
who's got the collection that's the most valuable? | 0:32:17 | 0:32:20 | |
OK, Fern. | 0:32:20 | 0:32:21 | |
The team with the most valuable collection because they've | 0:32:21 | 0:32:24 | |
effectively plundered poor Sue and Jill is Tom and Samantha. | 0:32:24 | 0:32:30 | |
Well done! | 0:32:30 | 0:32:31 | |
Just to make it more painful! | 0:32:34 | 0:32:36 | |
At this point, | 0:32:37 | 0:32:38 | |
we would normally ask David to let you know the valuation of the things | 0:32:38 | 0:32:41 | |
-that were left in your collection, but there's nothing there. -No. | 0:32:41 | 0:32:44 | |
-But have you enjoyed it? -Very much, thank you. | 0:32:44 | 0:32:47 | |
Well, we've thoroughly enjoyed having you as well. | 0:32:47 | 0:32:49 | |
And thank you so much for playing For What It's Worth. | 0:32:49 | 0:32:52 | |
APPLAUSE | 0:32:52 | 0:32:54 | |
Well done, Tom and Sam. | 0:32:56 | 0:32:57 | |
You are today's very clear winners | 0:32:57 | 0:32:59 | |
and now all that remains is for you to claim your prize. | 0:32:59 | 0:33:02 | |
All you have to do is pick one of the lots in your collection | 0:33:02 | 0:33:05 | |
and we will give you its value in cash. | 0:33:05 | 0:33:07 | |
So, which one do you want to choose? | 0:33:07 | 0:33:10 | |
I think we're torn between the painting and the brooch. | 0:33:10 | 0:33:13 | |
I really like the painting as well. | 0:33:13 | 0:33:14 | |
When we first went in the room, the painting caught our eye. | 0:33:14 | 0:33:17 | |
Who wants to stare at a cow's behind? I'm just not convinced. | 0:33:17 | 0:33:21 | |
Well, you're the best picker. That's why. | 0:33:21 | 0:33:24 | |
We'll go with the painting. | 0:33:24 | 0:33:25 | |
-We'll go with the painting, please, Fern. -The painting? -Yes! | 0:33:25 | 0:33:28 | |
But before we tell you what it's worth, David, what haven't they won? | 0:33:28 | 0:33:31 | |
Right, OK. Well, then, you two. Let's start with the silver dish. | 0:33:31 | 0:33:36 | |
Now, you didn't like it, you pretty much rejected it from the beginning. | 0:33:36 | 0:33:41 | |
Let's see if you were right. | 0:33:41 | 0:33:42 | |
So, this is a beautifully fluted silver-plated dish | 0:33:42 | 0:33:47 | |
produced by Elkington & Co. | 0:33:47 | 0:33:50 | |
Now, Elkington & Co was a Birmingham silverware company, | 0:33:50 | 0:33:54 | |
producing fine silverware. | 0:33:54 | 0:33:56 | |
And get this, they supplied plated wares | 0:33:56 | 0:34:00 | |
to the luxury dining sections of the Titanic. | 0:34:00 | 0:34:04 | |
The dish is in very good condition, it has a domed centre. | 0:34:04 | 0:34:09 | |
It would have primarily been used as a table centrepiece, | 0:34:09 | 0:34:12 | |
probably housing fruit. | 0:34:12 | 0:34:15 | |
£30, well done. Ho-ho! | 0:34:15 | 0:34:17 | |
-You made it sound so lucrative! -Right. | 0:34:17 | 0:34:19 | |
He made it sound like two-and-a-half grand! | 0:34:19 | 0:34:21 | |
Now I'm going to move on to something, I cannot believe | 0:34:21 | 0:34:24 | |
you rejected this little fellow. | 0:34:24 | 0:34:26 | |
We're going to talk about the toy clown. | 0:34:26 | 0:34:29 | |
This, guys, is a wind-up clockwork toy | 0:34:29 | 0:34:31 | |
from the German toymakers Schuco. | 0:34:31 | 0:34:34 | |
And their early history was associated with a chap called | 0:34:34 | 0:34:37 | |
Henrich Muller, who as a 17-year-old, | 0:34:37 | 0:34:40 | |
developed all these lovely ideas for toys. | 0:34:40 | 0:34:43 | |
Now, the company's speciality was usually cars and trucks | 0:34:43 | 0:34:47 | |
in tin, plastic and diecast. | 0:34:47 | 0:34:50 | |
However, they also produced other items which were much rarer | 0:34:50 | 0:34:56 | |
such as gnomes and clowns. | 0:34:56 | 0:34:59 | |
So, have you rejected the big one? | 0:34:59 | 0:35:04 | |
£150, you haven't. | 0:35:04 | 0:35:06 | |
-Oh! -We chose that first. What were we thinking? | 0:35:07 | 0:35:10 | |
OK, now we're going to move on to the bottle. | 0:35:10 | 0:35:13 | |
Now, you both loved the bottle. | 0:35:13 | 0:35:16 | |
These were hand-blown glass bottles, which were used aboard ships | 0:35:16 | 0:35:20 | |
to hold wine or brandy. | 0:35:20 | 0:35:22 | |
On rough seas, the bottles were fashioned with | 0:35:22 | 0:35:25 | |
a very wide bottom shape to prevent toppling, | 0:35:25 | 0:35:28 | |
thus making the bottles look somewhat like an onion. | 0:35:28 | 0:35:32 | |
Now, this may look like a simple item, | 0:35:32 | 0:35:34 | |
but they are considered to be incredibly rare | 0:35:34 | 0:35:37 | |
because, as you can imagine, many of them just don't survive today. | 0:35:37 | 0:35:41 | |
You spotted it really well and it has a nice, meaty value. | 0:35:41 | 0:35:47 | |
£300. | 0:35:47 | 0:35:49 | |
-You liked that, though? -Yeah. -How are you feeling now? | 0:35:49 | 0:35:53 | |
Sam's knowledge is pretty good. All going well so far. | 0:35:53 | 0:35:55 | |
See how you get on with that painting. | 0:35:55 | 0:35:57 | |
Now we're going to move on to the centrepiece. Did you like it? | 0:35:57 | 0:36:01 | |
We didn't see any markings, | 0:36:01 | 0:36:02 | |
-so it kind of put us off really, didn't it? -Well, yeah. | 0:36:02 | 0:36:05 | |
But you picked up on a lot of good points. | 0:36:05 | 0:36:07 | |
You picked up the fact that it was blown glass, | 0:36:07 | 0:36:09 | |
they picked up on the bubbles, that it was handmade. | 0:36:09 | 0:36:11 | |
So, you had a real good feeling for it. | 0:36:11 | 0:36:13 | |
I think you're probably right | 0:36:13 | 0:36:15 | |
because even though it's cranberry, it's definitely Victorian, | 0:36:15 | 0:36:18 | |
the market has dipped quite dramatically in the last few years. | 0:36:18 | 0:36:22 | |
So, it's worth £400. | 0:36:22 | 0:36:25 | |
So next, Fern, we're going to look at the watch. | 0:36:26 | 0:36:29 | |
We've already talked about the watch. | 0:36:29 | 0:36:31 | |
We've got the Masonic connection. | 0:36:31 | 0:36:33 | |
You two I don't think picked up on that. | 0:36:33 | 0:36:36 | |
But it's very, very important. | 0:36:36 | 0:36:38 | |
Anything Masonic is highly collectable. | 0:36:38 | 0:36:41 | |
This one's quite rare and it's worth £500. | 0:36:41 | 0:36:45 | |
The helmet, you both quite liked it. | 0:36:46 | 0:36:49 | |
Now, this historical item | 0:36:49 | 0:36:51 | |
is actually a paratrooper's steel helmet. | 0:36:51 | 0:36:55 | |
Now, the owner is unknown, | 0:36:55 | 0:36:56 | |
but we know that this helmet would have been used in the majority | 0:36:56 | 0:37:00 | |
of the early to late British airborne operations in World War II. | 0:37:00 | 0:37:06 | |
Now, they saw a lot of use, chaps, on D-Day | 0:37:06 | 0:37:09 | |
with many photographs from the time showing soldiers wearing them. | 0:37:09 | 0:37:13 | |
It's clearly got lots of historical value. | 0:37:13 | 0:37:17 | |
But does it have the financial value to match it? | 0:37:17 | 0:37:21 | |
Well, I can tell you. | 0:37:21 | 0:37:23 | |
For an old helmet, it's worth £700. | 0:37:23 | 0:37:27 | |
Still in there. | 0:37:27 | 0:37:28 | |
We're going to look now at the Delftware pot. | 0:37:28 | 0:37:32 | |
You two were rejecting this in the early stages, I believe. | 0:37:32 | 0:37:35 | |
We couldn't see a mark on it, so we thought it might be | 0:37:35 | 0:37:37 | |
-a generic item rather than anything. -Sure, OK. | 0:37:37 | 0:37:39 | |
Most people felt it was Chinese. | 0:37:39 | 0:37:41 | |
Well, Delftware is pretty much a copy of Chinese pieces. | 0:37:41 | 0:37:43 | |
Because at that time, we couldn't produce the final porcelain | 0:37:43 | 0:37:46 | |
Chinese wares, so we made this Delft in Holland | 0:37:46 | 0:37:50 | |
and other places to copy it. | 0:37:50 | 0:37:51 | |
But you know what? | 0:37:51 | 0:37:52 | |
For this little pot, it has quite a decent value. | 0:37:52 | 0:37:58 | |
And you're going to be surprised when I tell you | 0:37:58 | 0:38:01 | |
it's worth £1,000. | 0:38:01 | 0:38:04 | |
OK, the final item, Fern, is the brooch. | 0:38:04 | 0:38:08 | |
I think everybody liked the brooch. | 0:38:08 | 0:38:10 | |
We couldn't get to grips with it, but then, of course, | 0:38:10 | 0:38:12 | |
once we discovered it was platinum and diamond, everybody wanted it. | 0:38:12 | 0:38:17 | |
You've rejected it. It's a cracking thing. | 0:38:17 | 0:38:20 | |
The market loves it and it loves it so much, | 0:38:20 | 0:38:24 | |
somebody would very happily pay | 0:38:24 | 0:38:27 | |
£1,500. | 0:38:27 | 0:38:29 | |
Well done, got the painting! | 0:38:29 | 0:38:30 | |
So, what does that mean? | 0:38:30 | 0:38:33 | |
-Well, I think it's pretty clear. -Yeah. | 0:38:33 | 0:38:35 | |
-That Tom and Sam have won the top lot. -They certainly have. | 0:38:35 | 0:38:39 | |
APPLAUSE | 0:38:39 | 0:38:40 | |
Amazing. | 0:38:43 | 0:38:44 | |
This painting, unsigned but attributed to George Morland | 0:38:46 | 0:38:49 | |
but unsigned is worth? | 0:38:49 | 0:38:51 | |
£2,500! | 0:38:51 | 0:38:54 | |
-Whoo! -APPLAUSE | 0:38:54 | 0:38:56 | |
You've got a very good eye, Samantha. Yes, you have. | 0:38:59 | 0:39:03 | |
But can we tempt you to swap it for the mystery lot, | 0:39:03 | 0:39:06 | |
which could be worth even more? | 0:39:06 | 0:39:08 | |
Ooh! | 0:39:12 | 0:39:14 | |
Well, Tom and Sam, here it is. | 0:39:14 | 0:39:15 | |
As things stand, you have won this painting's value in cash. | 0:39:15 | 0:39:19 | |
We know it's the top lot, we know you have won £2,500. | 0:39:19 | 0:39:22 | |
But the game is not over yet | 0:39:22 | 0:39:24 | |
because David is going to tempt you with today's mystery lot. | 0:39:24 | 0:39:28 | |
Hmm, now are you ready for this? You've played so, so well. | 0:39:28 | 0:39:32 | |
Let's see how really good you are. | 0:39:32 | 0:39:34 | |
So, let me try and tempt you, you two. | 0:39:34 | 0:39:38 | |
This is a Victorian-cased Meerschaum pipe smoking set | 0:39:38 | 0:39:45 | |
with 18-carat gold mounts. | 0:39:45 | 0:39:48 | |
Meerschaum is German for foam of the sea. | 0:39:48 | 0:39:51 | |
This particular one is marked | 0:39:51 | 0:39:54 | |
RD London, 1853. | 0:39:54 | 0:39:59 | |
And its mouthpiece and other fittings are made from real amber. | 0:39:59 | 0:40:05 | |
Now, when smoked, | 0:40:05 | 0:40:07 | |
Meerschaum pipes gradually change colour over time | 0:40:07 | 0:40:11 | |
and you'll start to get these lovely shades of yellow, of orange, | 0:40:11 | 0:40:15 | |
of red and of amber working from the base upwards. | 0:40:15 | 0:40:21 | |
Now, Tom and Sam, this is an elaborate piece | 0:40:21 | 0:40:24 | |
and harks back to the bygone age of pipe-smoking. | 0:40:24 | 0:40:29 | |
But you've got to work out does its unusual nature | 0:40:29 | 0:40:33 | |
reflect in its value? | 0:40:33 | 0:40:35 | |
-Over to you. -Wow. | 0:40:35 | 0:40:37 | |
All that's required from you now is to decide | 0:40:37 | 0:40:40 | |
whether to take home the value of the painting from your collection | 0:40:40 | 0:40:44 | |
or to dump it in favour of today's mystery lot, this pipe. | 0:40:44 | 0:40:48 | |
To be honest, I'm quite baffled and confused. | 0:40:48 | 0:40:52 | |
It sounds fabulous, what you said about it. | 0:40:52 | 0:40:54 | |
My gut instinct is to stick with the painting. | 0:40:56 | 0:40:58 | |
When I was sat back there, I thought | 0:40:58 | 0:41:01 | |
unless something like the Turin shroud comes from under that, | 0:41:01 | 0:41:04 | |
we're sticking with the painting. | 0:41:04 | 0:41:06 | |
However... | 0:41:06 | 0:41:07 | |
..it might be a bag of magic beans, I'm halfway sold, | 0:41:08 | 0:41:12 | |
but I think a bird in the hand is better than two in the bush. Agreed? | 0:41:12 | 0:41:15 | |
-I agree, I think you're right there. -Let's do it. | 0:41:15 | 0:41:19 | |
OK, that was a pretty quick deliberation. | 0:41:19 | 0:41:21 | |
So, the mystery lot is now rejected. | 0:41:21 | 0:41:23 | |
OK, David. Give them the news. | 0:41:23 | 0:41:25 | |
Right, OK. | 0:41:25 | 0:41:26 | |
When you come to value something like this, | 0:41:26 | 0:41:29 | |
you've got to think of rarity, condition and quality. | 0:41:29 | 0:41:33 | |
This is pipe-smoking, there are collectors all over the world | 0:41:33 | 0:41:36 | |
for this kind of thing and it's at the top level. | 0:41:36 | 0:41:39 | |
You've got real amber, incredible value. | 0:41:39 | 0:41:42 | |
You've got 18-carat solid gold, you've got its original box, | 0:41:42 | 0:41:46 | |
it's stamped, it's dated 1853. | 0:41:46 | 0:41:49 | |
If I'm a pipe collector, I will do anything to bag that. | 0:41:49 | 0:41:54 | |
Guys. | 0:41:54 | 0:41:56 | |
-You have just thrown away... -Oh! | 0:41:56 | 0:41:58 | |
-..£1,200. -Oh! | 0:42:00 | 0:42:02 | |
Don't do that! | 0:42:03 | 0:42:04 | |
You did really well. That was amazing. | 0:42:07 | 0:42:10 | |
-Oh, my gosh. -Wow! | 0:42:10 | 0:42:12 | |
-Put that in your pipe and smoke it. -Well, exactly. You've been amazing. | 0:42:12 | 0:42:16 | |
Because I think Sherlock Holmes smoked a Meerschaum, didn't he? | 0:42:16 | 0:42:19 | |
Even Sherlock Holmes wouldn't be able to afford that. | 0:42:19 | 0:42:21 | |
It's a stunning piece. | 0:42:21 | 0:42:22 | |
Well, you've played without fault, absolutely without fault. | 0:42:22 | 0:42:25 | |
Today, Tom and Sam are going home with a £2,500. | 0:42:25 | 0:42:29 | |
-Congratulations. -Immense. -Thank you. -It's really wonderful. | 0:42:29 | 0:42:32 | |
-Thank you so much. -Thank you. -Tom, it's just marvellous. | 0:42:32 | 0:42:37 | |
What will you do with the money? | 0:42:37 | 0:42:39 | |
We said if we were fortunate enough to get to the end, | 0:42:39 | 0:42:41 | |
we'd look to buy for when Sam goes over to the Olympics, | 0:42:41 | 0:42:44 | |
-some sticks to go and hand out, really, to the kids. -Hockey sticks? | 0:42:44 | 0:42:49 | |
That is a wonderful thing. | 0:42:49 | 0:42:50 | |
Thank you both so much and good luck with the Olympics, of course. | 0:42:50 | 0:42:54 | |
-The wonderful Tom and Sam. -Amazing. | 0:42:54 | 0:42:56 | |
Thank you very much, as always, for handing us all your expertise | 0:43:01 | 0:43:05 | |
and knowledge there. | 0:43:05 | 0:43:06 | |
-We'll see you next time. -Brilliant. | 0:43:06 | 0:43:08 | |
And very much to looking forward to seeing you next time | 0:43:08 | 0:43:11 | |
when more teams will be trying to spot the lot to win the lot | 0:43:11 | 0:43:13 | |
on For What It's Worth. | 0:43:13 | 0:43:14 | |
See you next time. Goodbye for now. | 0:43:14 | 0:43:16 | |
Really fantastic! | 0:43:16 | 0:43:18 |