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Hello, and welcome to For What It's Worth, | 0:00:15 | 0:00:18 | |
the show that quizzes you with questions | 0:00:18 | 0:00:20 | |
and tempts you with antiques. | 0:00:20 | 0:00:22 | |
We have three pairs of contestants who are ready to play | 0:00:22 | 0:00:25 | |
and each team has a quizzer who has to answer | 0:00:25 | 0:00:27 | |
a general knowledge question correctly, of course, | 0:00:27 | 0:00:29 | |
so that their partner, the picker, has a chance | 0:00:29 | 0:00:32 | |
to choose an antique or collectible and build a collection. | 0:00:32 | 0:00:35 | |
And the aim of the game is simple - | 0:00:35 | 0:00:37 | |
it's to amass the most valuable collection. | 0:00:37 | 0:00:39 | |
So, here on the show, we are all about the knowledge | 0:00:39 | 0:00:42 | |
and all about the know-how, | 0:00:42 | 0:00:44 | |
and one person who has both in abundance is our resident expert. | 0:00:44 | 0:00:47 | |
-It's the wonderful Charles Hanson. -Hello, Fern. Hello. | 0:00:47 | 0:00:50 | |
-CHEERING AND APPLAUSE -Oh, I say. Oh, don't! Hello. | 0:00:50 | 0:00:52 | |
Hello. Hello. | 0:00:52 | 0:00:54 | |
-Charles, lovely to see you. -You too, Fern. | 0:00:55 | 0:00:57 | |
Please tell us about the lots we're playing for today. | 0:00:57 | 0:01:00 | |
Fern, certainly. Teams, for your contention today, | 0:01:00 | 0:01:03 | |
we have the following - | 0:01:03 | 0:01:04 | |
a tool, | 0:01:04 | 0:01:06 | |
a vinaigrette, | 0:01:06 | 0:01:08 | |
earrings, | 0:01:08 | 0:01:10 | |
a plant pot, | 0:01:10 | 0:01:12 | |
candlesticks, | 0:01:12 | 0:01:14 | |
a coach set, | 0:01:14 | 0:01:17 | |
a salt cellar, | 0:01:17 | 0:01:18 | |
a table, | 0:01:18 | 0:01:20 | |
a coin, | 0:01:20 | 0:01:22 | |
a poster, | 0:01:22 | 0:01:24 | |
a plate, | 0:01:24 | 0:01:26 | |
and finally, a medal. | 0:01:26 | 0:01:28 | |
Mm-hm. Interesting and eclectic, yes. | 0:01:29 | 0:01:32 | |
Now, one of those items is our top lot, | 0:01:32 | 0:01:35 | |
which is worth a whopping £2,500. | 0:01:35 | 0:01:37 | |
That is, of course, the lot to spot because, at the end of the show, | 0:01:37 | 0:01:40 | |
the winning pair will walk away with the cash equivalent | 0:01:40 | 0:01:43 | |
of one of the items in their collection. | 0:01:43 | 0:01:45 | |
But beware because the lots decrease in value | 0:01:45 | 0:01:48 | |
right down to our worthless lot, which is worth a tenner or less. | 0:01:48 | 0:01:53 | |
That, of course, is the lot to avoid. | 0:01:53 | 0:01:56 | |
So, who's playing today? Let's meet our teams. | 0:01:56 | 0:01:58 | |
Team One, welcome. Who are you? | 0:01:58 | 0:02:00 | |
Hi, Fern. My name's Amanda | 0:02:00 | 0:02:02 | |
and I'm teamed today with my husband Mark. | 0:02:02 | 0:02:05 | |
We are avid antique collectors from Porthcawl in South Wales. | 0:02:05 | 0:02:09 | |
Welcome and good luck. Team Two, who are you? | 0:02:09 | 0:02:12 | |
Oh, hello, Fern. My name's Rhiannon and this is my friend Lisa. | 0:02:12 | 0:02:15 | |
We met nearly 20 years ago at antenatal classes | 0:02:15 | 0:02:18 | |
and have been really good friends ever since. | 0:02:18 | 0:02:20 | |
Good luck and welcome. Team Three, who are you? | 0:02:20 | 0:02:22 | |
Hi, Fern. My name's Michelle and this is my husband Alan. | 0:02:22 | 0:02:26 | |
And we met many, many years ago | 0:02:26 | 0:02:28 | |
when we used to work at the police station | 0:02:28 | 0:02:30 | |
and we started our relationship by flirting in the cafeteria. | 0:02:30 | 0:02:34 | |
Well, there's no better place to flirt than a police cafeteria. | 0:02:34 | 0:02:38 | |
-Absolutely. -I hope one of you wasn't | 0:02:38 | 0:02:40 | |
the arresting officer, that's all. LAUGHTER | 0:02:40 | 0:02:42 | |
Welcome, everybody, and jolly good luck. | 0:02:42 | 0:02:44 | |
Now, earlier, our teams got to inspect our lots, | 0:02:44 | 0:02:47 | |
watched over by our expert, | 0:02:47 | 0:02:49 | |
but could they separate the high-end from the high street? | 0:02:49 | 0:02:52 | |
Let's see. | 0:02:52 | 0:02:53 | |
Wow, what a lovely room. | 0:02:55 | 0:02:58 | |
Wow. | 0:02:58 | 0:02:59 | |
OK. | 0:02:59 | 0:03:01 | |
This is interesting. Pick that up and have a look at the base. | 0:03:04 | 0:03:09 | |
Handle with care. Hold on, handle with care. | 0:03:09 | 0:03:11 | |
-Clarice Cliff, Bizarre. -I like that. -Beautiful. | 0:03:11 | 0:03:13 | |
-These seem to go quite well, don't they? -Yes. | 0:03:13 | 0:03:16 | |
-LISA: -I think it looks Indian. | 0:03:17 | 0:03:19 | |
North African. | 0:03:19 | 0:03:20 | |
-Or Arabic. -Why is it Arabic? That's an interesting word. | 0:03:20 | 0:03:23 | |
The inlay is suffering, isn't it? | 0:03:23 | 0:03:26 | |
-RHIANNON: -I'm drawn to the design of that. | 0:03:27 | 0:03:29 | |
-I don't know much about that sort of thing. What about you? -No. | 0:03:29 | 0:03:32 | |
But this is a collectible area, isn't it? | 0:03:32 | 0:03:34 | |
-Do you think it's worth a bit? -It will be to the right collector. | 0:03:34 | 0:03:37 | |
The state coach. | 0:03:39 | 0:03:41 | |
-Have you seen something like that? -Aw, that's beautiful. | 0:03:41 | 0:03:44 | |
-With a box. -Yeah. | 0:03:44 | 0:03:45 | |
With a box, you're quite right. We like a completeness. | 0:03:45 | 0:03:48 | |
Well, I don't know much for this one. | 0:03:50 | 0:03:53 | |
Any marks on the back? | 0:03:53 | 0:03:54 | |
Well, it's metal, isn't it? | 0:03:54 | 0:03:56 | |
-ALAN: -It's not been finalised. | 0:03:56 | 0:03:57 | |
Somebody's taken that out and they've actually hand-painted it. | 0:03:57 | 0:04:00 | |
So, you think it's a second? It's a blank? | 0:04:00 | 0:04:03 | |
The medal. Something we know very little about. | 0:04:05 | 0:04:08 | |
What's the writing on the side there? | 0:04:08 | 0:04:10 | |
"Battalion of The Grenadier Guards." | 0:04:10 | 0:04:11 | |
Grenadier Guard, well done. | 0:04:11 | 0:04:13 | |
There won't be many of those about, that's for sure. | 0:04:13 | 0:04:15 | |
OK, let's have a look at the candlesticks. | 0:04:17 | 0:04:19 | |
-Can't see any marks. -Yeah, there is. -Is there? -Just here. Look. | 0:04:19 | 0:04:23 | |
I don't think it's a hallmark. | 0:04:23 | 0:04:24 | |
-Are they worthless? -Worthless?! | 0:04:24 | 0:04:27 | |
-Some kind of a woodworking measuring tool, isn't it? -Is it? | 0:04:29 | 0:04:32 | |
It looks like some sort of draughtsman's tool, doesn't it? | 0:04:32 | 0:04:36 | |
-Would it be very...antiquey? -Not really. | 0:04:36 | 0:04:40 | |
Some tools, Michelle, can be worth a small fortune. | 0:04:40 | 0:04:42 | |
Goodness me, the salt cellar. | 0:04:44 | 0:04:46 | |
That's very unusual, isn't it? | 0:04:46 | 0:04:48 | |
That would go well in the cottage, that would. | 0:04:48 | 0:04:51 | |
I wouldn't say that's of any great value, though. | 0:04:51 | 0:04:53 | |
-What about the coin? -Ooh, yes. -That looks really old. Is it Roman? | 0:04:55 | 0:04:59 | |
I wonder how long that'd been in the ground. | 0:04:59 | 0:05:01 | |
It looks...old, to say the least. | 0:05:01 | 0:05:04 | |
Ooh, the vinaigrette. | 0:05:06 | 0:05:07 | |
No, you can't have it. It's theirs. | 0:05:08 | 0:05:10 | |
So, look at that. That is absolutely amazing. | 0:05:10 | 0:05:13 | |
It's lovely, but...it's tiny. | 0:05:13 | 0:05:16 | |
They say small is beautiful, but is it the most valuable? | 0:05:16 | 0:05:19 | |
They look very 1960s, don't they? | 0:05:20 | 0:05:22 | |
Marina, does it say? | 0:05:22 | 0:05:24 | |
"Cartier." | 0:05:24 | 0:05:26 | |
Cart...Cartier? | 0:05:26 | 0:05:28 | |
Top lot, I would say the carriage. | 0:05:28 | 0:05:32 | |
Bottom lot, the salt cellar. | 0:05:32 | 0:05:34 | |
Top one, vinaigrette. Bottom one, the tool. | 0:05:34 | 0:05:37 | |
I think top item, medal. Bottom item, tool. | 0:05:37 | 0:05:40 | |
Yeah, OK, job done. I'm happy with that. | 0:05:40 | 0:05:43 | |
So, you were spying on them, Charles. | 0:05:45 | 0:05:48 | |
I really enjoyed it, Fern. It was wonderful to watch. | 0:05:48 | 0:05:50 | |
And how do you come to the valuation of these objects? | 0:05:50 | 0:05:53 | |
The values for each lot have been agreed between myself | 0:05:53 | 0:05:57 | |
and an independent valuer. | 0:05:57 | 0:05:59 | |
They're based on the hammer price | 0:05:59 | 0:06:01 | |
we would expect them to reach at auction, | 0:06:01 | 0:06:04 | |
but with no auction costs added. | 0:06:04 | 0:06:06 | |
So, when I say, "Sold," that's the price they would fetch. | 0:06:06 | 0:06:10 | |
OK, and just to add an extra twist, we have our mystery lot. | 0:06:10 | 0:06:14 | |
It could be worth thousands or it could be worth peanuts, | 0:06:14 | 0:06:17 | |
but that is for our winners to decide later. | 0:06:17 | 0:06:20 | |
So, for now, it's time for Round 1. | 0:06:20 | 0:06:22 | |
APPLAUSE | 0:06:22 | 0:06:26 | |
Now, I'm going to ask eight general knowledge questions. | 0:06:26 | 0:06:29 | |
Pickers, before each one, I will ask you to select which lot | 0:06:29 | 0:06:32 | |
you would like to play for. | 0:06:32 | 0:06:34 | |
And, quizzers, if you buzz in correctly, | 0:06:34 | 0:06:36 | |
you will get to add that to your collection. | 0:06:36 | 0:06:39 | |
But beware because if you buzz in incorrectly, | 0:06:39 | 0:06:41 | |
you'll be frozen out of the next question, OK? | 0:06:41 | 0:06:43 | |
So, pickers, please make your first pick. | 0:06:43 | 0:06:46 | |
Let's see what you've chosen. | 0:06:47 | 0:06:49 | |
Mark and Amanda have gone for | 0:06:50 | 0:06:52 | |
the coach set, | 0:06:52 | 0:06:53 | |
Lisa and Rhiannon, the plant pot, | 0:06:53 | 0:06:55 | |
and Alan and Michelle, | 0:06:55 | 0:06:57 | |
the vinaigrette. | 0:06:57 | 0:06:58 | |
Here we go then, quizzers. | 0:06:58 | 0:06:59 | |
Fingers on buzzers. Question number one. | 0:06:59 | 0:07:02 | |
Which name is given to both a thin Mexican flatbread | 0:07:02 | 0:07:05 | |
and a Spanish omelette? | 0:07:05 | 0:07:06 | |
-Yes, Lisa. -Tortilla. | 0:07:08 | 0:07:09 | |
It is a tortilla. The plant pot is yours. | 0:07:09 | 0:07:12 | |
Pickers, pick again. | 0:07:12 | 0:07:13 | |
Mark and Amanda sticking with the coach set. | 0:07:15 | 0:07:18 | |
Lisa and Rhiannon have now gone for the medal. | 0:07:18 | 0:07:20 | |
Alan and Michelle sticking with the vinaigrette. | 0:07:20 | 0:07:22 | |
Fingers on buzzers. Question two. | 0:07:22 | 0:07:24 | |
Tinker Tailor Soldier Spy by John le Carre | 0:07:24 | 0:07:26 | |
is a spy novel set during which era of hostility | 0:07:26 | 0:07:29 | |
between the Soviet Union and the West? | 0:07:29 | 0:07:31 | |
-Alan. -Cold War. | 0:07:31 | 0:07:32 | |
It is the Cold War. The vinaigrette's yours. | 0:07:32 | 0:07:35 | |
-WHISPERS: -Well done. -Well done. Michelle's pleased with that. | 0:07:35 | 0:07:38 | |
Pickers, pick again. | 0:07:38 | 0:07:39 | |
Mark and Amanda, no surprise, | 0:07:41 | 0:07:43 | |
the coach set again. | 0:07:43 | 0:07:44 | |
Lisa and Rhiannon, the poster. | 0:07:44 | 0:07:46 | |
Alan and Michelle, | 0:07:46 | 0:07:47 | |
the medal this time. | 0:07:47 | 0:07:48 | |
Quizzers, question three. | 0:07:48 | 0:07:50 | |
In the Bible, which prophet came down from Mount Sinai | 0:07:50 | 0:07:53 | |
with the Ten Commandments? | 0:07:53 | 0:07:55 | |
-Yes, Alan. -That was Moses. | 0:07:55 | 0:07:57 | |
It was Moses. The medal is yours. | 0:07:57 | 0:07:59 | |
Well done. | 0:07:59 | 0:08:01 | |
Pickers, make a pick. | 0:08:01 | 0:08:02 | |
Mark and Amanda, the coach set. | 0:08:04 | 0:08:06 | |
Lisa and Rhiannon, the poster. | 0:08:06 | 0:08:08 | |
Alan and Michelle, the earrings. | 0:08:08 | 0:08:10 | |
Quizzers, fingers on buzzers. Question four. | 0:08:10 | 0:08:13 | |
Whatever People Say I Am, That's What I'm Not, | 0:08:13 | 0:08:15 | |
was the debut album by which Sheffield band? | 0:08:15 | 0:08:18 | |
It was the Arctic Monkeys. | 0:08:23 | 0:08:27 | |
Pickers, pick again. | 0:08:27 | 0:08:28 | |
Mark and Amanda, the coach set. | 0:08:30 | 0:08:32 | |
Lisa and Rhiannon, the poster. | 0:08:32 | 0:08:33 | |
Alan and Michelle, the earrings. | 0:08:33 | 0:08:35 | |
Quizzers, question five. | 0:08:35 | 0:08:37 | |
In 2015, Malcolm Turnbull became prime minister of which country? | 0:08:37 | 0:08:42 | |
-Yes, Alan. -Australia. | 0:08:42 | 0:08:43 | |
Yes, Australia is correct. | 0:08:43 | 0:08:45 | |
-Well done. -The earrings are in your collection. | 0:08:45 | 0:08:47 | |
Pickers, pick again. | 0:08:47 | 0:08:49 | |
Mark and Amanda, the coach set. | 0:08:50 | 0:08:52 | |
Lisa and Rhiannon, the poster. | 0:08:52 | 0:08:54 | |
Alan and Michelle, the candlesticks. | 0:08:54 | 0:08:56 | |
Quizzers, here comes question six. | 0:08:56 | 0:08:58 | |
In the 1960s cartoon series Wacky Races, | 0:08:58 | 0:09:02 | |
which character had a sidekick called Muttley? | 0:09:02 | 0:09:05 | |
-Yes, Mark. -Dick Dastardly. | 0:09:05 | 0:09:07 | |
Correct. | 0:09:07 | 0:09:09 | |
-That coach set is finally yours. -Phew! -At last. | 0:09:09 | 0:09:12 | |
-LAUGHTER -Nice one. | 0:09:12 | 0:09:14 | |
It's just drawing up now in your collection. Very good. | 0:09:14 | 0:09:18 | |
Pickers, make another pick. | 0:09:18 | 0:09:19 | |
Mark and Amanda have gone for the poster. | 0:09:20 | 0:09:22 | |
Lisa and Rhiannon staying with the poster. | 0:09:22 | 0:09:25 | |
Alan and Michelle sticking with the candlesticks. | 0:09:25 | 0:09:27 | |
Question seven. | 0:09:27 | 0:09:28 | |
Which British comedian is famous for his Pub Landlord alter...? | 0:09:28 | 0:09:32 | |
-Yes, Mark. -Al Murray. | 0:09:32 | 0:09:34 | |
Yes, his Pub Landlord alter ego is Al Murray. | 0:09:34 | 0:09:38 | |
Congratulations, Mark. The poster is yours. | 0:09:38 | 0:09:41 | |
There's no stopping him now. Look at that. | 0:09:41 | 0:09:43 | |
Here we go. Final question. Pickers, make a pick. | 0:09:43 | 0:09:46 | |
Mark and Amanda, the candlesticks. | 0:09:47 | 0:09:49 | |
Lisa and Rhiannon, the coin. | 0:09:49 | 0:09:51 | |
Alan and Michelle, the candlesticks. | 0:09:51 | 0:09:53 | |
Quizzers, this is your final question in this round. | 0:09:53 | 0:09:57 | |
Which word is both a man's name and a woman's short hairstyle? | 0:09:57 | 0:10:01 | |
-Yes, Lisa. -Bob. | 0:10:02 | 0:10:03 | |
Bob it is. The coin is yours. | 0:10:03 | 0:10:07 | |
Right, at the end of Round 1, | 0:10:07 | 0:10:09 | |
let's have a look at what you have in your collections. | 0:10:09 | 0:10:12 | |
Mark and Amanda, you have the coach set and the poster. | 0:10:12 | 0:10:15 | |
Lisa and Rhiannon, you have the plant pot and the coin. | 0:10:15 | 0:10:19 | |
Alan and Michelle, you have the vinaigrette, | 0:10:19 | 0:10:21 | |
the earrings and the medal. | 0:10:21 | 0:10:24 | |
Well done, everybody. | 0:10:24 | 0:10:25 | |
Our teams have started to build their collections, | 0:10:25 | 0:10:27 | |
but have they chosen wisely? | 0:10:27 | 0:10:29 | |
Before they have the chance to add more of them, | 0:10:29 | 0:10:31 | |
Charles is going to give each pair a fact about a lot of their choice, | 0:10:31 | 0:10:34 | |
which should be everything they need to know to make a valuation. | 0:10:34 | 0:10:38 | |
So, Team One, we're going to start with you. | 0:10:38 | 0:10:40 | |
First of all, I want to know a bit more about you. | 0:10:40 | 0:10:43 | |
So, Mark, you're a pretty good quizzer, aren't you? | 0:10:43 | 0:10:47 | |
We enjoy going out on the occasional nights on the weekend | 0:10:47 | 0:10:50 | |
and answer the local pub quizzes. | 0:10:50 | 0:10:53 | |
Sometimes, we win and sometimes, we've... | 0:10:53 | 0:10:55 | |
Well, we've finished last as well, | 0:10:55 | 0:10:57 | |
so it can really depend on the questions. | 0:10:57 | 0:10:58 | |
Yeah, it does, absolutely. | 0:10:58 | 0:11:00 | |
-If you know it, it's easy, isn't it? -Yeah. -That's the point. | 0:11:00 | 0:11:03 | |
And, Amanda, you've taught Mark, he says, a lot about antiques. | 0:11:03 | 0:11:07 | |
Yes, I mean, when I met Mark... | 0:11:07 | 0:11:09 | |
I've always had an interest in antiques, | 0:11:09 | 0:11:11 | |
which came from my uncle, mainly, as a child, | 0:11:11 | 0:11:15 | |
taking me around fairs and auctions and boot sales. | 0:11:15 | 0:11:19 | |
And since Mark has met me, | 0:11:19 | 0:11:22 | |
he's basically had no choice but to have some involvement in it | 0:11:22 | 0:11:26 | |
because he had no interest prior to that. | 0:11:26 | 0:11:29 | |
Welcome, both of you. It's lovely to have you here. | 0:11:29 | 0:11:31 | |
What would you like to know more about? | 0:11:31 | 0:11:33 | |
I'd like to know a little bit more about the coach and horses, please. | 0:11:33 | 0:11:36 | |
It's really caught your eye, hasn't it? | 0:11:36 | 0:11:38 | |
Yeah, and I can tell you this is a wonderfully detailed piece | 0:11:38 | 0:11:42 | |
entitled Her Majesty's Stage Coach. | 0:11:42 | 0:11:45 | |
It's produced by the toy manufacturers Britains | 0:11:45 | 0:11:48 | |
in Britain around the 1950s, so mid-20th century. | 0:11:48 | 0:11:52 | |
And this set is based on the one used during the coronation | 0:11:52 | 0:11:57 | |
of that King George III in 1761. | 0:11:57 | 0:12:00 | |
Overall, it's in good condition. | 0:12:00 | 0:12:03 | |
It comes with its original box - always a bonus for buyers. | 0:12:03 | 0:12:08 | |
The all-important question - | 0:12:08 | 0:12:10 | |
so, what do you think, Amanda, it's worth? | 0:12:10 | 0:12:12 | |
Hmm. Don't say anything. Just let you think about that. | 0:12:12 | 0:12:15 | |
Lisa and Rhiannon, how did you two meet? | 0:12:15 | 0:12:18 | |
We met about 20 years ago in antenatal classes | 0:12:18 | 0:12:21 | |
when we were both pregnant with our eldest sons. | 0:12:21 | 0:12:23 | |
We were all there relaxing and all of a sudden, | 0:12:23 | 0:12:25 | |
she just got up and walked out cos she was bored. | 0:12:25 | 0:12:27 | |
So, she kind of ruined the moment slightly | 0:12:27 | 0:12:29 | |
and no-one was very relaxed after that. | 0:12:29 | 0:12:31 | |
We went for a coffee and the rest is history. | 0:12:31 | 0:12:33 | |
How lovely. You thought, "Yeah, she's for me. | 0:12:33 | 0:12:35 | |
"She's not paying any attention." | 0:12:35 | 0:12:37 | |
OK, Rhiannon, tell me, what do you collect? | 0:12:37 | 0:12:40 | |
I like glass and I like sort of mid-century design. | 0:12:40 | 0:12:43 | |
Mid-century meaning 1950s or something? | 0:12:43 | 0:12:46 | |
Yes, something like that poster, I think. | 0:12:46 | 0:12:49 | |
Ah! Ooh, you may have let something out there you shouldn't. | 0:12:49 | 0:12:52 | |
-Play strategically, remember. -Ooh! | 0:12:52 | 0:12:54 | |
Yes, but it's very nice to have you here. Good luck, girls. | 0:12:54 | 0:12:57 | |
So, what lot would you like to know more about from Charles? | 0:12:57 | 0:13:00 | |
Oh, I'd like to know more about the plate, please. | 0:13:00 | 0:13:04 | |
This plate is quite interesting | 0:13:04 | 0:13:07 | |
because it comes from the hillside town of Castelli, | 0:13:07 | 0:13:10 | |
home to one of Italy's most well-known crafts, | 0:13:10 | 0:13:13 | |
the eponymous Castelli ceramic. | 0:13:13 | 0:13:16 | |
And Castelli is one of those art forms | 0:13:16 | 0:13:18 | |
that seem to provoke conflicting reactions from people. | 0:13:18 | 0:13:23 | |
This plate was made in around 1760, | 0:13:23 | 0:13:26 | |
so it is a later example. | 0:13:26 | 0:13:30 | |
This particular plate has a provenance, Rhiannon. | 0:13:30 | 0:13:33 | |
It has a pedigree. | 0:13:33 | 0:13:35 | |
It was once owned by Earl Spencer, | 0:13:35 | 0:13:37 | |
and he auctioned it off in his attic sale of 2010 | 0:13:37 | 0:13:42 | |
-to pay for a new roof at Althorp House. -Hmm. | 0:13:42 | 0:13:48 | |
-That's an intriguing story, isn't it? -It is. | 0:13:48 | 0:13:51 | |
Well, good luck, Team Two. | 0:13:51 | 0:13:53 | |
Now, Team Three, Alan and Michelle, | 0:13:53 | 0:13:55 | |
let's find out a little bit more about you as well. | 0:13:55 | 0:13:57 | |
So, Alan, I understand you like to collect fossils, stuff like that. | 0:13:57 | 0:14:00 | |
That's right, yeah. | 0:14:00 | 0:14:01 | |
I've got one or two local fossils because we live on Wenlock Edge | 0:14:01 | 0:14:05 | |
and that's full of really old - and I mean really old - fossils. | 0:14:05 | 0:14:11 | |
Yes, and what about you, Michelle? Do you have collections at home? | 0:14:11 | 0:14:14 | |
Yes, I started off with Coalport, just green-stamped at the back, | 0:14:14 | 0:14:17 | |
which makes it very old | 0:14:17 | 0:14:19 | |
and then we went on to the smaller ones | 0:14:19 | 0:14:22 | |
because we'd got so much of it, we hadn't got any room. | 0:14:22 | 0:14:25 | |
Well, incredible. Lovely to have you here. | 0:14:25 | 0:14:27 | |
What would you like to know more about? | 0:14:27 | 0:14:29 | |
I'd like to know more about the earrings. | 0:14:29 | 0:14:32 | |
This is a pair of tricolour, long-drop earrings, | 0:14:32 | 0:14:36 | |
which are made of a rose, yellow and a white gold. | 0:14:36 | 0:14:40 | |
They were designed in around 1980 | 0:14:40 | 0:14:43 | |
and bear the signature of Marina B. | 0:14:43 | 0:14:46 | |
But what does the B stand for, you might ask? | 0:14:46 | 0:14:50 | |
Well, I can tell you it's Boulgaris. | 0:14:50 | 0:14:53 | |
Marina B is the granddaughter of Sotirios Boulgaris, | 0:14:54 | 0:14:59 | |
the founder of the highly regarded jewellers Bulgari. | 0:14:59 | 0:15:05 | |
So, there is a real pedigree. | 0:15:05 | 0:15:08 | |
These earrings are among the more timeless of those pieces | 0:15:08 | 0:15:12 | |
produced during that period | 0:15:12 | 0:15:14 | |
and could prove tempting for a modern buyer | 0:15:14 | 0:15:17 | |
wanting a bit of vintage flair. | 0:15:17 | 0:15:20 | |
Thank you, Charles. Intriguing information. | 0:15:20 | 0:15:23 | |
-I hope that's helped a bit. -It has. -But let's move on. | 0:15:23 | 0:15:26 | |
It's time to play Round 2. | 0:15:26 | 0:15:28 | |
APPLAUSE | 0:15:28 | 0:15:31 | |
In this round, the pickers will select a lot to play for | 0:15:31 | 0:15:35 | |
and the quizzers will again try to secure it by answering correctly, | 0:15:35 | 0:15:38 | |
but this time around, the lots come with their own question categories, | 0:15:38 | 0:15:42 | |
and here they are. | 0:15:42 | 0:15:43 | |
So, if you wanted that tool, for instance, | 0:15:44 | 0:15:47 | |
quizzers, I'd offer you a chance to answer a question | 0:15:47 | 0:15:49 | |
either on The Tudors or Autobiographies. | 0:15:49 | 0:15:52 | |
Very simple, really. And at the end of this round, | 0:15:52 | 0:15:55 | |
the team with the least valuable collection will be eliminated, | 0:15:55 | 0:15:58 | |
so choose wisely. | 0:15:58 | 0:16:00 | |
OK, Team One, you are up first. | 0:16:00 | 0:16:01 | |
So, Amanda, tell me what your lot is. | 0:16:01 | 0:16:04 | |
-I'd like the plate, please, Fern. -The plate. | 0:16:04 | 0:16:07 | |
OK, Physics or The Olympics, Mark? | 0:16:07 | 0:16:10 | |
-The Olympics, please, Fern. -The Olympics. Here you go. | 0:16:10 | 0:16:13 | |
A foil is a piece of equipment used in which Olympic sport? | 0:16:13 | 0:16:16 | |
Fencing. | 0:16:16 | 0:16:18 | |
Correct. The plate is yours. | 0:16:18 | 0:16:21 | |
It's as easy as that. | 0:16:21 | 0:16:22 | |
You've made that look very simple. | 0:16:22 | 0:16:23 | |
OK, Lisa and Rhiannon. | 0:16:23 | 0:16:25 | |
Rhiannon, would you like to choose something? | 0:16:25 | 0:16:27 | |
The salt cellar, please. | 0:16:27 | 0:16:29 | |
The salt cellar. | 0:16:29 | 0:16:31 | |
Lisa, UK Geography or The Olympics? | 0:16:31 | 0:16:34 | |
-I'll go for The Olympics as well, please. -OK, here we go. | 0:16:34 | 0:16:37 | |
What do the initials IOC stand for? | 0:16:38 | 0:16:40 | |
International Olympic Committee. | 0:16:40 | 0:16:43 | |
Yes. The salt cellar is yours. | 0:16:43 | 0:16:45 | |
Michelle and Alan, your turn. Michelle, what would you like? | 0:16:47 | 0:16:50 | |
-I'm going to go for the candlesticks. -I thought you would. | 0:16:50 | 0:16:53 | |
UK Geography or The Tudors, Alan? | 0:16:53 | 0:16:55 | |
UK Geography, please. | 0:16:55 | 0:16:57 | |
UK Geography. | 0:16:57 | 0:16:59 | |
By population, which is the second-largest city in the UK? | 0:16:59 | 0:17:04 | |
By population? Birmingham should be the... | 0:17:05 | 0:17:08 | |
It is. Birmingham is correct. | 0:17:08 | 0:17:11 | |
-The candlesticks are yours. -Yay! | 0:17:11 | 0:17:13 | |
Yay! Building nice collections, | 0:17:13 | 0:17:15 | |
all of you. | 0:17:15 | 0:17:17 | |
OK, from now on, you can either go for what's left on the grid | 0:17:17 | 0:17:20 | |
or you can steal from someone else's collection. | 0:17:20 | 0:17:24 | |
But pickers, be warned. | 0:17:24 | 0:17:25 | |
If you choose to steal from another team, | 0:17:25 | 0:17:28 | |
they will get to choose which category your quizzer must face. | 0:17:28 | 0:17:31 | |
OK, Team One, do you want to pick from the grid or steal? | 0:17:31 | 0:17:34 | |
I'd like to pick the table, please. | 0:17:34 | 0:17:36 | |
The table on the grid? OK. | 0:17:36 | 0:17:38 | |
UK Geography or Action Films, Mark? | 0:17:38 | 0:17:41 | |
-UK Geography, please. -UK Geography. | 0:17:41 | 0:17:44 | |
In which English county are the White Cliffs of Dover? | 0:17:44 | 0:17:48 | |
Kent. | 0:17:48 | 0:17:49 | |
It is Kent. The table is yours. | 0:17:49 | 0:17:51 | |
There we go. | 0:17:52 | 0:17:54 | |
Lisa and Rhiannon, pick or steal? | 0:17:54 | 0:17:56 | |
I'd like to steal the poster, please. | 0:17:56 | 0:17:58 | |
Steal the poster from Mark and Amanda. | 0:17:58 | 0:18:01 | |
Mark and Amanda, you can talk amongst yourselves. | 0:18:01 | 0:18:03 | |
Which question category would you like to give Lisa? | 0:18:03 | 0:18:06 | |
I would either say Physics or Action Films. | 0:18:06 | 0:18:09 | |
-Yeah, we'll pick Physics, Fern. -Physics. | 0:18:09 | 0:18:12 | |
Your Physics question is | 0:18:12 | 0:18:14 | |
what name is given to the force that attracts all objects on its surface | 0:18:14 | 0:18:17 | |
to the centre of the Earth? | 0:18:17 | 0:18:19 | |
Gravity. | 0:18:19 | 0:18:20 | |
Yes, easy. The poster is yours. | 0:18:20 | 0:18:23 | |
Alan and Michelle, pick or steal? | 0:18:23 | 0:18:25 | |
-Steal, I'm afraid. -What do you want? -The plate. | 0:18:25 | 0:18:28 | |
The plate. Poor Mark and Amanda! | 0:18:28 | 0:18:31 | |
-Oh, they're ganging up here. -Yes. | 0:18:31 | 0:18:33 | |
Sorry, guys. | 0:18:33 | 0:18:35 | |
Right, Mark and Amanda, give me a category for Alan. | 0:18:35 | 0:18:38 | |
Well, nothing to do with his style, but Fashion. | 0:18:38 | 0:18:41 | |
Fashion. OK, Alan. | 0:18:41 | 0:18:43 | |
London, Paris, New York and which other city are locations | 0:18:43 | 0:18:46 | |
for the four major biannual fashion weeks? | 0:18:46 | 0:18:49 | |
Is it Tokyo? | 0:18:51 | 0:18:52 | |
-It is not Tokyo. It's Milan. -Milan! | 0:18:52 | 0:18:56 | |
The plate is not coming to you. Well defended. | 0:18:57 | 0:19:00 | |
Mark and Amanda, what would you like to do, pick or steal? | 0:19:00 | 0:19:03 | |
I'd like to steal the vinaigrette, please. | 0:19:03 | 0:19:07 | |
The vinaigrette, which is with Alan and Michelle. | 0:19:07 | 0:19:10 | |
What category are you going to give Mark? | 0:19:10 | 0:19:13 | |
We think Autobiographies. | 0:19:13 | 0:19:14 | |
Autobiographies. Mark, here's your question. | 0:19:14 | 0:19:17 | |
What You See Is What You Get is the autobiography | 0:19:17 | 0:19:19 | |
of which businessman and media personality? | 0:19:19 | 0:19:23 | |
Alan Sugar. | 0:19:23 | 0:19:24 | |
Correct. Very good. | 0:19:24 | 0:19:26 | |
You've got the vinaigrette in your collection. | 0:19:26 | 0:19:29 | |
Lisa and Rhiannon, pick or steal? | 0:19:29 | 0:19:31 | |
Steal the medal. | 0:19:31 | 0:19:33 | |
You want the medal. | 0:19:33 | 0:19:35 | |
Alan and Michelle, to defend this, | 0:19:35 | 0:19:37 | |
what category would you like to give Lisa? | 0:19:37 | 0:19:39 | |
-Olympics, please. -Olympics. | 0:19:39 | 0:19:41 | |
Lisa, which Winter Olympic sport is played with stones and brooms? | 0:19:41 | 0:19:45 | |
Curling. | 0:19:45 | 0:19:46 | |
Curling it is. The medal is on its way to you. | 0:19:46 | 0:19:50 | |
Sorry, Alan and Michelle, but here's your chance. | 0:19:50 | 0:19:53 | |
-Pick or steal? -I think we'll steal the plate. | 0:19:53 | 0:19:57 | |
The plate in Mark and Amanda's collection. | 0:19:57 | 0:19:59 | |
Right, Mark and Amanda, please give me a category for Alan. | 0:19:59 | 0:20:03 | |
-Same again? -Yes, Fashion again. -Fashion again, please. | 0:20:03 | 0:20:06 | |
Fashion again! Kick a man when he's down. | 0:20:06 | 0:20:08 | |
Here we go, Alan. | 0:20:08 | 0:20:10 | |
Which men's dinner jacket takes its name | 0:20:10 | 0:20:12 | |
from the country club in Orange County, New York | 0:20:12 | 0:20:14 | |
where it was first worn? | 0:20:14 | 0:20:16 | |
I would imagine that's tuxedo. | 0:20:16 | 0:20:18 | |
-You would imagine correctly. -Hoorah! | 0:20:18 | 0:20:20 | |
-The plate is yours. -Thank you. | 0:20:20 | 0:20:22 | |
-Well done. -Here it comes. | 0:20:22 | 0:20:23 | |
Well, that is the end of the round, | 0:20:23 | 0:20:25 | |
so let's see how the collections are looking. | 0:20:25 | 0:20:28 | |
Mark and Amanda have the coach set, | 0:20:28 | 0:20:30 | |
the vinaigrette and the table. | 0:20:30 | 0:20:32 | |
Lisa and Rhiannon, | 0:20:32 | 0:20:33 | |
you have the plant pot, the coin, | 0:20:33 | 0:20:35 | |
the salt cellar, | 0:20:35 | 0:20:36 | |
the poster and the medal. | 0:20:36 | 0:20:38 | |
And Alan and Michelle, | 0:20:38 | 0:20:39 | |
you have the earrings, | 0:20:39 | 0:20:41 | |
the plate and the candlesticks. | 0:20:41 | 0:20:43 | |
OK, for one team, it is now the end of the road. | 0:20:43 | 0:20:47 | |
Charles has been keeping tabs | 0:20:47 | 0:20:48 | |
and the team with the least valuable collection will now be eliminated. | 0:20:48 | 0:20:52 | |
So, Charles, who is leaving us first? | 0:20:52 | 0:20:55 | |
The pair leaving us first | 0:20:55 | 0:20:57 | |
is actually the pair who I thought might be favourites. | 0:20:57 | 0:21:00 | |
But I can reveal leaving us is... | 0:21:02 | 0:21:05 | |
-..Mark and Amanda. -Oh! -I'm sorry. | 0:21:06 | 0:21:08 | |
-I'm sorry. Round of applause. -APPLAUSE | 0:21:08 | 0:21:12 | |
Mark and Amanda, we're very sorry to have to let you go, | 0:21:15 | 0:21:19 | |
but I'm sure, before you go, | 0:21:19 | 0:21:20 | |
you want to know the value of your collection. | 0:21:20 | 0:21:22 | |
Shall we go through them piece by piece before we come to the total? | 0:21:22 | 0:21:25 | |
It was the stagecoach, Amanda, that you really wanted to acquire. | 0:21:25 | 0:21:30 | |
You were quite pleased it had the box with it. | 0:21:30 | 0:21:33 | |
That was quite key. Wonderful little toy. | 0:21:33 | 0:21:36 | |
Its auction value was £200, OK? | 0:21:36 | 0:21:40 | |
So, not a huge amount. | 0:21:40 | 0:21:42 | |
And you also had the table in your collection. | 0:21:42 | 0:21:44 | |
It's a lovely example of a type of design | 0:21:44 | 0:21:47 | |
which is typical to Syrian furniture. | 0:21:47 | 0:21:50 | |
Just look at it. It's quite wonderful. | 0:21:50 | 0:21:52 | |
And to create those geometric patterns, | 0:21:52 | 0:21:55 | |
the craftsman has to painstakingly cut the designs | 0:21:55 | 0:21:58 | |
into the surface of the wood | 0:21:58 | 0:22:00 | |
and then the mother of pearl was inlaid on top. | 0:22:00 | 0:22:03 | |
It's a real skill which you just can't reproduce today | 0:22:03 | 0:22:07 | |
in mass, machine industry. | 0:22:07 | 0:22:09 | |
It's a super item. It's full of eastern promise. | 0:22:09 | 0:22:12 | |
For what it's worth, it was £250. | 0:22:12 | 0:22:16 | |
-Oh. -OK. | 0:22:16 | 0:22:18 | |
And then finally, that engraved, Victorian, silver vinaigrette. | 0:22:18 | 0:22:22 | |
Produced in Birmingham in 1846, | 0:22:22 | 0:22:25 | |
and they were used whilst travelling to give a pleasant aroma | 0:22:25 | 0:22:29 | |
as far back as Regency times - around 1800. | 0:22:29 | 0:22:33 | |
And for an item that's less than an inch tall, | 0:22:33 | 0:22:36 | |
it's covered in this really pretty, attractive, engraved design. | 0:22:36 | 0:22:40 | |
It is small, it's beautiful, | 0:22:40 | 0:22:42 | |
but its value - £60 - seems quite cheap. | 0:22:42 | 0:22:45 | |
Your final total of your three items was £510. | 0:22:46 | 0:22:51 | |
Well done. | 0:22:55 | 0:22:56 | |
Well, you did very well, but not well enough. | 0:22:58 | 0:23:01 | |
Mark and Amanda, thank you so much for playing For What It's Worth. | 0:23:01 | 0:23:05 | |
-APPLAUSE -Thank you. | 0:23:05 | 0:23:07 | |
And also the unclaimed items in the grid | 0:23:10 | 0:23:12 | |
are now having to leave the game, | 0:23:12 | 0:23:14 | |
so let's quickly find out from Charles | 0:23:14 | 0:23:16 | |
what they are worth and if the top lot is still in the game. | 0:23:16 | 0:23:19 | |
They've virtually cleaned us out today, haven't they, Charles? | 0:23:19 | 0:23:22 | |
I'm amazed. You left one item on the board | 0:23:22 | 0:23:25 | |
and, actually, this interesting-looking item | 0:23:25 | 0:23:27 | |
is a bevel stock, | 0:23:27 | 0:23:29 | |
used by joiners and carpenters, especially in the shipyard. | 0:23:29 | 0:23:34 | |
In good condition, the wood has held up really well | 0:23:34 | 0:23:37 | |
and there is a beautiful brass butterfly screw | 0:23:37 | 0:23:41 | |
holding the tool together. | 0:23:41 | 0:23:43 | |
The value? Well, if it had that Titanic romance, | 0:23:43 | 0:23:46 | |
of course, value would be huge. | 0:23:46 | 0:23:48 | |
But I can tell you, quite simply, it's virtually worthless. | 0:23:48 | 0:23:53 | |
-Oh! -Well done. | 0:23:53 | 0:23:55 | |
Very good. | 0:23:56 | 0:23:57 | |
The bottom lot is out, which means someone has got the top lot, | 0:23:57 | 0:24:02 | |
which is worth £2,500. | 0:24:02 | 0:24:05 | |
So, teams, congratulations on getting this far. | 0:24:05 | 0:24:07 | |
You now have one last chance to pick our expert's brains. | 0:24:07 | 0:24:11 | |
So, which lot do you need to know more about, Lisa and Rhiannon? | 0:24:11 | 0:24:15 | |
I'd like to know more about the poster, please. | 0:24:15 | 0:24:17 | |
Here we have a promotional airline poster from the late 1930s. | 0:24:17 | 0:24:22 | |
It was created by James Gardner, OBE, | 0:24:22 | 0:24:27 | |
who was a British museum and exhibition designer | 0:24:27 | 0:24:30 | |
who also designed the interior | 0:24:30 | 0:24:33 | |
and superstructure for the QE2. | 0:24:33 | 0:24:36 | |
The market for vintage posters, quite simply, is pretty huge | 0:24:36 | 0:24:41 | |
and travel posters, in particular, | 0:24:41 | 0:24:43 | |
are one of the largest collecting fields. | 0:24:43 | 0:24:47 | |
Nostalgia for an era | 0:24:47 | 0:24:49 | |
when travel offered excitement and glamour has fuelled this demand, | 0:24:49 | 0:24:54 | |
but the really desirable examples have to be in perfect condition. | 0:24:54 | 0:25:00 | |
This one has survived very well | 0:25:00 | 0:25:04 | |
and is only showing a little of its 80-or-so years of age. | 0:25:04 | 0:25:10 | |
But will it make your collection take off? | 0:25:10 | 0:25:13 | |
Ooh, we like that. And it could almost look | 0:25:13 | 0:25:16 | |
-as if it was made yesterday. It's so modern. -Absolutely. -Mm. | 0:25:16 | 0:25:20 | |
Right, Team Three, what would you like to know more about? | 0:25:20 | 0:25:23 | |
-I'd like to know a little bit more about the medal, please. -The medal. | 0:25:23 | 0:25:27 | |
As you have spotted already, | 0:25:27 | 0:25:29 | |
this is a medal which was awarded to a soldier | 0:25:29 | 0:25:32 | |
for service during that Battle of Waterloo | 0:25:32 | 0:25:36 | |
and was, in fact, the first campaign medal | 0:25:36 | 0:25:39 | |
to be awarded to every participant. | 0:25:39 | 0:25:43 | |
It's dated the 18th of June 1815 - | 0:25:43 | 0:25:46 | |
the date of the battle - | 0:25:46 | 0:25:47 | |
and bears a name - Wellington - | 0:25:47 | 0:25:50 | |
referring, of course, to the Duke of Wellington | 0:25:50 | 0:25:52 | |
who led Britain to that celebrated victory over Napoleon. | 0:25:52 | 0:25:56 | |
It is a pretty rare piece. | 0:25:56 | 0:25:59 | |
Condition is key with medals, | 0:25:59 | 0:26:02 | |
and this one has fared quite well. | 0:26:02 | 0:26:05 | |
So, is it an item worth battling for? | 0:26:05 | 0:26:10 | |
What's it worth? | 0:26:10 | 0:26:11 | |
It's all good, isn't it, and mysterious? | 0:26:14 | 0:26:17 | |
But it's now time for our final round, | 0:26:17 | 0:26:20 | |
and at the end of it, we will have our winners. | 0:26:20 | 0:26:23 | |
APPLAUSE | 0:26:23 | 0:26:25 | |
In this round, I'll show you a category and 12 possible answers. | 0:26:25 | 0:26:30 | |
Nine are correct, three are not. | 0:26:30 | 0:26:32 | |
Each of you will then take turns to choose an answer | 0:26:32 | 0:26:34 | |
that you think is correct. | 0:26:34 | 0:26:36 | |
As it's the final round, both quizzers and pickers will play, | 0:26:36 | 0:26:40 | |
so there's nowhere to hide. | 0:26:40 | 0:26:41 | |
Pick a wrong answer | 0:26:41 | 0:26:42 | |
and your opponents will be able to steal a lot from your collection. | 0:26:42 | 0:26:46 | |
If all nine correct answers are given, | 0:26:46 | 0:26:48 | |
then the team who gives the final correct answer will be the winners. | 0:26:48 | 0:26:53 | |
We'll play three questions in total. | 0:26:53 | 0:26:55 | |
The pair with the most valuable collection | 0:26:55 | 0:26:57 | |
can choose to go first or second. | 0:26:57 | 0:26:59 | |
So, Charles, who is that at the moment? | 0:26:59 | 0:27:01 | |
Fern, I can reveal | 0:27:01 | 0:27:03 | |
the team who has the most valuable collection so far is... | 0:27:03 | 0:27:09 | |
-..Lisa and Rhiannon. Well done. -APPLAUSE | 0:27:11 | 0:27:15 | |
Lisa and Rhiannon, I'm going to show you question one, | 0:27:18 | 0:27:21 | |
which is... | 0:27:21 | 0:27:23 | |
Caribbean Countries. | 0:27:23 | 0:27:25 | |
So, you're looking for the names of countries | 0:27:25 | 0:27:27 | |
in the geographical region known as the Caribbean. | 0:27:27 | 0:27:32 | |
Would you like to play first or second? | 0:27:32 | 0:27:34 | |
-First, please. -First. -First? OK, here we go. | 0:27:34 | 0:27:36 | |
Nine of those are correct, three of them are not. | 0:27:39 | 0:27:42 | |
Lisa, give me an answer. | 0:27:42 | 0:27:44 | |
-St Kitts and Nevis. -St Kitts and Nevis. | 0:27:44 | 0:27:47 | |
If it goes green, it's correct. | 0:27:47 | 0:27:49 | |
Course it's correct. | 0:27:51 | 0:27:52 | |
Two islands in the shape of an exclamation mark. Well done. | 0:27:52 | 0:27:55 | |
Alan, give me an answer. | 0:27:55 | 0:27:57 | |
-Haiti. -Haiti. | 0:27:57 | 0:27:59 | |
Yes, that's correct and the capital is Port-au-Prince. | 0:28:02 | 0:28:06 | |
-Rhiannon. -The Bahamas. -The Bahamas. | 0:28:06 | 0:28:09 | |
Yes, that's correct. Apparently, there's a group of 700 islands | 0:28:11 | 0:28:14 | |
making up the Bahamas. | 0:28:14 | 0:28:16 | |
Michelle. | 0:28:16 | 0:28:17 | |
-Dominican Republic. -Dominican Republic. | 0:28:17 | 0:28:20 | |
Correct. | 0:28:22 | 0:28:23 | |
Home to the Caribbean's highest mountain. | 0:28:23 | 0:28:25 | |
Lisa. | 0:28:26 | 0:28:28 | |
-Trinidad and Tobago. -Trinidad and Tobago. | 0:28:28 | 0:28:31 | |
Correct. Twin island country, that one. | 0:28:33 | 0:28:35 | |
Alan. | 0:28:35 | 0:28:36 | |
-Grenada. -Grenada. | 0:28:36 | 0:28:39 | |
Correct, also known as Spice Island. | 0:28:41 | 0:28:44 | |
Rhiannon. | 0:28:44 | 0:28:45 | |
-Saint Lucia. -Saint Lucia. | 0:28:45 | 0:28:48 | |
Yes, that's correct. Dominated by two volcanic spikes. | 0:28:50 | 0:28:55 | |
Michelle. | 0:28:55 | 0:28:56 | |
-The Seychelles. -The Seychelles. | 0:28:56 | 0:28:58 | |
-Oh! Incorrect. -Indian Ocean. -Ah. | 0:29:01 | 0:29:04 | |
Let's see all the other answers. | 0:29:04 | 0:29:06 | |
-The Seychelles is an African country. -Yeah. | 0:29:06 | 0:29:09 | |
It's Indian Ocean. | 0:29:09 | 0:29:10 | |
San Marino is European, in Italy. | 0:29:10 | 0:29:13 | |
And Saint West... | 0:29:13 | 0:29:14 | |
Anybody know Saint West? | 0:29:14 | 0:29:17 | |
It's Kim Kardashian and Kanye West's son. | 0:29:17 | 0:29:19 | |
LAUGHTER Well done, Lisa and Rhiannon. | 0:29:19 | 0:29:23 | |
That means you can steal a lot from your opponents. What would you like? | 0:29:23 | 0:29:27 | |
-The plate, do you think? -I was thinking the earrings. | 0:29:27 | 0:29:30 | |
Plate or earrings? | 0:29:30 | 0:29:31 | |
Either/or. I'll leave it to you, picker. | 0:29:32 | 0:29:35 | |
I'm going for the earrings. | 0:29:35 | 0:29:37 | |
The earrings, they're yours. | 0:29:37 | 0:29:39 | |
Here comes question two. | 0:29:42 | 0:29:43 | |
Alan and Michelle, this is for you. | 0:29:45 | 0:29:47 | |
Rabbits In Watership Down. | 0:29:47 | 0:29:49 | |
You're looking for the names of rabbits | 0:29:49 | 0:29:51 | |
from the novel Watership Down by Richard Adams. | 0:29:51 | 0:29:54 | |
Would you like to go first or second? | 0:29:54 | 0:29:57 | |
-Go first. -Yeah, OK. We'll go first. -First? -Yes, please. | 0:29:57 | 0:30:00 | |
OK, let's have a look at the answers. | 0:30:00 | 0:30:02 | |
Give me an answer, Alan. | 0:30:04 | 0:30:06 | |
-Bigwig. -Bigwig. | 0:30:06 | 0:30:08 | |
Correct. A big, tough rabbit. Lisa. | 0:30:10 | 0:30:13 | |
-Fiver. -Fiver. | 0:30:13 | 0:30:16 | |
Correct. He's psychic. Michelle. | 0:30:18 | 0:30:21 | |
-Hazel. -Hazel. | 0:30:22 | 0:30:24 | |
Correct. The main character. | 0:30:27 | 0:30:28 | |
Rhiannon. | 0:30:28 | 0:30:30 | |
-Pipkin. -Pipkin. | 0:30:30 | 0:30:32 | |
Correct. | 0:30:35 | 0:30:36 | |
Pipkin, fierce and loyal. | 0:30:36 | 0:30:39 | |
Alan. | 0:30:39 | 0:30:40 | |
-Buckthorn. -Buckthorn. | 0:30:40 | 0:30:43 | |
Yes, correct. A tough fighter. | 0:30:45 | 0:30:48 | |
Lisa. | 0:30:48 | 0:30:49 | |
-Dandelion. -Dandelion. | 0:30:49 | 0:30:52 | |
Correct. Dandelion because it was a yellow-furred rabbit. | 0:30:54 | 0:30:58 | |
Michelle. | 0:30:58 | 0:30:59 | |
-Petra. -Petra. | 0:30:59 | 0:31:01 | |
Oh. | 0:31:06 | 0:31:07 | |
Petra is the Blue Peter dog. | 0:31:07 | 0:31:10 | |
SHE LAUGHS | 0:31:10 | 0:31:12 | |
Let's have a look at the other wrong answers. | 0:31:12 | 0:31:14 | |
Pistachio, of course, a nut. | 0:31:15 | 0:31:18 | |
Crankshaft, part of a car engine. LAUGHTER | 0:31:18 | 0:31:22 | |
-But it would have been a great name for a rabbit, wouldn't it? -Yeah. | 0:31:22 | 0:31:25 | |
OK, Lisa and Rhiannon, get ready to steal. | 0:31:25 | 0:31:29 | |
What do you want? | 0:31:29 | 0:31:31 | |
-BOTH: -The plate. | 0:31:31 | 0:31:33 | |
The plate. | 0:31:33 | 0:31:34 | |
OK, the plate is yours. | 0:31:34 | 0:31:37 | |
Third and final question now. | 0:31:37 | 0:31:40 | |
Lisa and Rhiannon, this question is for you. | 0:31:40 | 0:31:43 | |
Britney Spears UK Top Ten Hits. | 0:31:44 | 0:31:47 | |
You need to identify the names of singles | 0:31:47 | 0:31:49 | |
released by Britney Spears which have charted in the UK's top ten. | 0:31:49 | 0:31:54 | |
OK, would you like to go first or second? | 0:31:54 | 0:31:57 | |
-First, please. -First? Let's have a look at the answers. | 0:31:57 | 0:32:00 | |
Lisa, give me an answer. | 0:32:02 | 0:32:04 | |
-Toxic. -Toxic. | 0:32:04 | 0:32:05 | |
Correct. Number one in 2004. Alan. | 0:32:09 | 0:32:12 | |
-Hard To Handle. -Hard To Handle. | 0:32:13 | 0:32:16 | |
Oh! | 0:32:20 | 0:32:22 | |
It's Otis Redding. | 0:32:24 | 0:32:26 | |
-Yeah. -It's just...no. -Oh! | 0:32:26 | 0:32:28 | |
Let's have a look at the other wrong answers. | 0:32:28 | 0:32:30 | |
Beautiful was Christina Aguilera | 0:32:32 | 0:32:35 | |
and Underneath Your Clothes was Shakira. | 0:32:35 | 0:32:37 | |
Everything else there, a Britney Spears top ten. | 0:32:37 | 0:32:40 | |
Alan, I guess Britney Spears is maybe not up your street. | 0:32:40 | 0:32:44 | |
-BOTH: -No. -Pink Floyd, Led Zeppelin, yes. -Yes. | 0:32:44 | 0:32:50 | |
This is a crucial moment for you | 0:32:50 | 0:32:52 | |
because Lisa and Rhiannon are going to take the last thing | 0:32:52 | 0:32:56 | |
in your collection. | 0:32:56 | 0:32:57 | |
Girls, do it quickly, like ripping off a plaster. | 0:32:57 | 0:33:00 | |
-Candlesticks. -Candlesticks! LAUGHTER | 0:33:00 | 0:33:03 | |
There we are. It's gone. | 0:33:03 | 0:33:05 | |
-Well done, girls. -Yes. -Oh, Alan and Michelle. | 0:33:05 | 0:33:08 | |
Well, you have lost, actually, very nobly. | 0:33:08 | 0:33:10 | |
Thank you for playing For What It's Worth. | 0:33:10 | 0:33:12 | |
Alan and Michelle. APPLAUSE | 0:33:12 | 0:33:15 | |
Well done, Lisa and Rhiannon. | 0:33:17 | 0:33:19 | |
You are today's winners and now all that remains - | 0:33:19 | 0:33:22 | |
simple - is for you to claim your prize. | 0:33:22 | 0:33:25 | |
All you have to do is pick one of the lots in your collection | 0:33:25 | 0:33:28 | |
and we will give you its value in cash. | 0:33:28 | 0:33:31 | |
So, which one do you want to choose? Discuss it with each other. | 0:33:31 | 0:33:35 | |
This is really hard now. We've got too much to choose from, haven't we? | 0:33:35 | 0:33:39 | |
That plate was curious, wasn't it? I don't like it, but... | 0:33:41 | 0:33:44 | |
Or the medal, or the coin that we know nothing about. | 0:33:44 | 0:33:46 | |
I don't think it's the candlesticks, I don't think it's the salt cellar | 0:33:46 | 0:33:50 | |
-and I don't think it's the earrings. -Do you know the coin? | 0:33:50 | 0:33:52 | |
Do you know anything about the coin? | 0:33:52 | 0:33:54 | |
I think coin, medal or plate. | 0:33:54 | 0:33:56 | |
I think it's one of those three, but... | 0:33:56 | 0:33:59 | |
I'm going to have to push you. | 0:34:00 | 0:34:02 | |
Do you want to choose from those three? | 0:34:03 | 0:34:05 | |
I want the poster. I'll go for the plate. | 0:34:07 | 0:34:10 | |
So, you're going with the plate. | 0:34:12 | 0:34:13 | |
Now, we need to let you know what you have said goodbye to. | 0:34:13 | 0:34:17 | |
So, Charles. | 0:34:17 | 0:34:19 | |
First of all, the salt cellar was up first. | 0:34:19 | 0:34:21 | |
Rhiannon, you said, "Not my sort of thing." | 0:34:21 | 0:34:23 | |
Lisa, you were quite intrigued by it. | 0:34:23 | 0:34:24 | |
Well, quite right. It's an early 1900s salt cellar, | 0:34:24 | 0:34:29 | |
made of oak with metal bindings. | 0:34:29 | 0:34:31 | |
It has a wooden handle. It's in great condition. | 0:34:31 | 0:34:34 | |
What was it worth? | 0:34:34 | 0:34:36 | |
It was worth £80. | 0:34:36 | 0:34:38 | |
OK? So, no huge sum. | 0:34:38 | 0:34:40 | |
We then moved on to those pair of candlesticks. | 0:34:40 | 0:34:44 | |
They feature a loaded base, | 0:34:44 | 0:34:47 | |
which basically means that the bottom of each | 0:34:47 | 0:34:49 | |
has been filled with a fairly heavy material, | 0:34:49 | 0:34:52 | |
even perhaps cement, to weigh them down | 0:34:52 | 0:34:55 | |
and stop them toppling over. | 0:34:55 | 0:34:57 | |
These were made in that great industrial town of Birmingham | 0:34:57 | 0:35:01 | |
from the very early years of the 20th century. | 0:35:01 | 0:35:04 | |
You might call them Edwardian. Circa 1910. | 0:35:04 | 0:35:08 | |
They are sterling, so they are 92.5% solid silver. | 0:35:08 | 0:35:13 | |
Naturally more valuable than silver plate, | 0:35:13 | 0:35:15 | |
and, of course, as ever, it's always good to have a pair. | 0:35:15 | 0:35:19 | |
LAUGHTER | 0:35:19 | 0:35:21 | |
Their value? They're pretty good. | 0:35:21 | 0:35:23 | |
Their value was £100. | 0:35:23 | 0:35:27 | |
-Oh! -OK, then we have those earrings, which were so 1980s. | 0:35:27 | 0:35:32 | |
Regardless of that, they have style | 0:35:32 | 0:35:35 | |
and when it comes to jewellery today, | 0:35:35 | 0:35:38 | |
that's that keyword in obtaining and adding value. | 0:35:38 | 0:35:41 | |
It's got the look. Their value - | 0:35:41 | 0:35:44 | |
£700. | 0:35:44 | 0:35:45 | |
And from the 1980s, we can move on to what really is quite jazzy. | 0:35:47 | 0:35:51 | |
What have we got here? Well, it's Clarice Cliff. | 0:35:51 | 0:35:53 | |
She was an active English artist, | 0:35:53 | 0:35:55 | |
designer on pottery from 1922 to 1963 | 0:35:55 | 0:36:00 | |
and is probably the most prolific | 0:36:00 | 0:36:02 | |
and important Art Deco designer of the 20th century. | 0:36:02 | 0:36:06 | |
This is what we call the Aurea pattern, | 0:36:06 | 0:36:09 | |
and as you can see, it's bright, it's happy, | 0:36:09 | 0:36:12 | |
it's painted with a large marigold | 0:36:12 | 0:36:14 | |
and types of flowers on sinuous stems | 0:36:14 | 0:36:17 | |
in those really almost quite gaudy tones of green, | 0:36:17 | 0:36:20 | |
browns, yellow and pinks. | 0:36:20 | 0:36:22 | |
Now, the value of this gorgeous Deco piece | 0:36:22 | 0:36:28 | |
is £500. | 0:36:28 | 0:36:29 | |
And then, moving on, this is a Henry I penny | 0:36:30 | 0:36:33 | |
from around 1123. | 0:36:33 | 0:36:35 | |
It's almost 900 years old. | 0:36:35 | 0:36:38 | |
One side of the coin shows a facing bust of the king | 0:36:38 | 0:36:42 | |
whilst the other side depicts a fleur-de-lys | 0:36:42 | 0:36:46 | |
in circles surrounding. | 0:36:46 | 0:36:48 | |
Remarkably, it's still fully round. | 0:36:48 | 0:36:50 | |
It may have had a plough go over it, | 0:36:50 | 0:36:53 | |
but it's in very fine condition and is really quite pretty rare. | 0:36:53 | 0:36:58 | |
Value? | 0:36:58 | 0:36:59 | |
They say small is beautiful and prized. | 0:36:59 | 0:37:02 | |
£1,750. | 0:37:04 | 0:37:08 | |
Oh! That's a relief, it wasn't the top lot. OK. | 0:37:09 | 0:37:13 | |
-LAUGHTER -It's tense. | 0:37:13 | 0:37:15 | |
Now, you kept bouncing this poster at the start, | 0:37:15 | 0:37:18 | |
hoping you would secure it, and you did. Well done. | 0:37:18 | 0:37:22 | |
It is Imperial Airways, | 0:37:22 | 0:37:24 | |
one early British commercial, long-range air transport company, | 0:37:24 | 0:37:28 | |
which folded in the year 1939. | 0:37:28 | 0:37:31 | |
So, we know this poster is prewar. | 0:37:31 | 0:37:34 | |
These posters are so, so desirable. | 0:37:34 | 0:37:37 | |
Yes, there are a couple of crease marks in, but come on. | 0:37:37 | 0:37:41 | |
It's been out of sunlight, it's so alive. | 0:37:41 | 0:37:44 | |
It's just a starry object, and I'm sorry... | 0:37:44 | 0:37:48 | |
..you didn't take it on board because its value is £350. | 0:37:49 | 0:37:54 | |
LAUGHTER | 0:37:54 | 0:37:56 | |
So... | 0:37:56 | 0:37:57 | |
So, it comes down to two. | 0:37:58 | 0:38:02 | |
This medal. What this is is a valuable campaign medal. | 0:38:04 | 0:38:09 | |
Only 8,000 were produced. | 0:38:10 | 0:38:14 | |
Many have got lost over the years. | 0:38:14 | 0:38:17 | |
Their values have jumped in the last 40 years. | 0:38:17 | 0:38:22 | |
If I tell you, in 1990, you could have bought this medal for £350, | 0:38:22 | 0:38:27 | |
but today's a day, I shall tell you... | 0:38:27 | 0:38:30 | |
..the value of this medal today is... | 0:38:31 | 0:38:34 | |
-..£2,500. I'm sorry. -GROANING | 0:38:36 | 0:38:39 | |
-I'm sorry. -I knew it. I knew it. | 0:38:39 | 0:38:42 | |
Ooh. OK, Lisa and Rhiannon, you have won the value of the plate | 0:38:42 | 0:38:48 | |
and just out of interest, what do you think that might be worth? | 0:38:48 | 0:38:51 | |
-Not a lot. -No, we don't even like it. | 0:38:52 | 0:38:56 | |
Well, before we tell you what it's worth, | 0:38:58 | 0:39:00 | |
can we tempt you with the mystery lot? | 0:39:00 | 0:39:03 | |
Come and join me. | 0:39:03 | 0:39:04 | |
APPLAUSE | 0:39:04 | 0:39:07 | |
Lisa and Rhiannon, here is your lot. | 0:39:09 | 0:39:12 | |
Do you like it better? | 0:39:12 | 0:39:14 | |
-BOTH: -No. -THEY LAUGH | 0:39:15 | 0:39:17 | |
Well, as things stand, you have won its value in cash. | 0:39:17 | 0:39:20 | |
You have chosen the plate, but before we tell you its value, | 0:39:20 | 0:39:23 | |
Charles is going to tempt you with today's mystery lot. | 0:39:23 | 0:39:26 | |
-Charles, what have you got? -I'll be very careful. | 0:39:26 | 0:39:28 | |
It's an object of great beauty. There we go. | 0:39:28 | 0:39:31 | |
-Any ideas yet? -Violin. -Musical. | 0:39:32 | 0:39:35 | |
-You're quite right on that note. -Ooh. | 0:39:35 | 0:39:37 | |
I'll tell you because that note is indeed... | 0:39:37 | 0:39:40 | |
If I take it out very, very carefully. | 0:39:40 | 0:39:42 | |
..is a quite lovely object here... | 0:39:42 | 0:39:46 | |
-Ooh. -..which you might say is distressed. | 0:39:46 | 0:39:51 | |
What we've got here is a very nice, late-19th-century, | 0:39:51 | 0:39:54 | |
two-piece back violin. | 0:39:54 | 0:39:57 | |
As you can see, the many years have not been kind to it | 0:39:57 | 0:40:00 | |
and it's safe to say it's not exactly in mint condition. | 0:40:00 | 0:40:04 | |
The turning pegs up here have mostly fallen out, | 0:40:04 | 0:40:07 | |
the strings are ruptured beyond repair, in many respects, | 0:40:07 | 0:40:11 | |
but you would be wrong to dismiss it | 0:40:11 | 0:40:14 | |
without giving it some proper consideration. | 0:40:14 | 0:40:17 | |
This violin has a bookmatch, | 0:40:17 | 0:40:20 | |
meaning the maker has sliced a piece of wood down the middle | 0:40:20 | 0:40:23 | |
and opened it up like a book. | 0:40:23 | 0:40:25 | |
The flames, or grain patterns, in the wood | 0:40:25 | 0:40:29 | |
therefore become opposites | 0:40:29 | 0:40:31 | |
and this has a very striking visual effect. | 0:40:31 | 0:40:35 | |
It's damaged, but it is well made | 0:40:35 | 0:40:38 | |
and could produce a lovely noise once again with a little TLC. | 0:40:38 | 0:40:43 | |
Hm. Right, your instant thoughts? | 0:40:43 | 0:40:46 | |
Sometimes, there's a paper label inside, | 0:40:46 | 0:40:48 | |
but you're supposed to look through the holes | 0:40:48 | 0:40:50 | |
and see if there's anything inside. So, it could be, it could be not. | 0:40:50 | 0:40:55 | |
-I'd say we both hated that. -The plate. | 0:40:55 | 0:40:57 | |
Why we've got it there, I'm not sure. | 0:40:57 | 0:40:59 | |
-No? -Maybe cut our losses with the plate and go for that. | 0:40:59 | 0:41:02 | |
-Stick with the plate. -I don't think so. | 0:41:02 | 0:41:04 | |
-Oh! -I say maybe cut our losses with the plate... -Oh, no! | 0:41:04 | 0:41:07 | |
-No! -..because we didn't like it. | 0:41:07 | 0:41:09 | |
I just want to confirm, double-check, | 0:41:09 | 0:41:11 | |
you're going with the plate? | 0:41:11 | 0:41:13 | |
-Yes. -Are you sure? -Yes. | 0:41:14 | 0:41:17 | |
-OK. -Plate it is. | 0:41:17 | 0:41:19 | |
Charles, tell them what they've thrown away with this violin. | 0:41:20 | 0:41:24 | |
So, this violin. | 0:41:24 | 0:41:27 | |
It's tired, but sometimes, that can be a charm in value. | 0:41:27 | 0:41:31 | |
Violins are one of the most spurious, | 0:41:31 | 0:41:33 | |
speculative high-ends of the market | 0:41:33 | 0:41:36 | |
if two buyers get behind this sort of instrument | 0:41:36 | 0:41:40 | |
and it can really play sweet music. | 0:41:40 | 0:41:43 | |
And I can tell you its auction market value is... | 0:41:43 | 0:41:48 | |
..£150. | 0:41:50 | 0:41:53 | |
-Well done. -What's that worth? | 0:41:53 | 0:41:55 | |
LAUGHTER | 0:41:55 | 0:41:58 | |
Wow. | 0:41:58 | 0:42:00 | |
-Would you mind popping him back? -Indeed, indeed. | 0:42:00 | 0:42:03 | |
-No Stradivarius. -No. -No. -No. | 0:42:03 | 0:42:05 | |
We were hoping that might have been the hidden name, but no. | 0:42:05 | 0:42:08 | |
Well, while that's put away, | 0:42:08 | 0:42:10 | |
you know that you've won the worth of this plate, | 0:42:10 | 0:42:13 | |
this poor, ugly plate that you don't like. | 0:42:13 | 0:42:16 | |
-Yes. -Charles, please tell us how much they've won. | 0:42:16 | 0:42:21 | |
It's a small plate, | 0:42:21 | 0:42:22 | |
but we always talk about small can be beautiful. | 0:42:22 | 0:42:24 | |
This is very late Renaissance. | 0:42:24 | 0:42:26 | |
This is tin-glazed earthenware, what we call maiolica. | 0:42:26 | 0:42:29 | |
And whilst this plate is tired, | 0:42:29 | 0:42:33 | |
it has a real interest amongst continental buyers, | 0:42:33 | 0:42:37 | |
and I can tell you its value today is... | 0:42:37 | 0:42:42 | |
..£1,200. You were right. | 0:42:44 | 0:42:47 | |
There we go. Lovely. | 0:42:47 | 0:42:49 | |
APPLAUSE Oh, congratulations. | 0:42:49 | 0:42:54 | |
-Thank you. -That's marvellous. That's absolutely marvellous. | 0:42:54 | 0:42:57 | |
Today, Lisa and Rhiannon, you are going home with £1,200. | 0:42:57 | 0:43:01 | |
-Thank you. -Thank you very much. | 0:43:01 | 0:43:03 | |
Wonderful. Charles, thank you so much for lending us | 0:43:03 | 0:43:05 | |
-all your expertise, as ever. -I've enjoyed it. | 0:43:05 | 0:43:07 | |
And we're very much looking forward to seeing you again next time | 0:43:07 | 0:43:10 | |
when more teams will be trying to spot the lot to win the lot | 0:43:10 | 0:43:13 | |
on For What It's Worth. See you next time. Goodbye for now. | 0:43:13 | 0:43:16 | |
APPLAUSE | 0:43:16 | 0:43:19 |