Browse content similar to Paul Hayes v John Cameron - Auction. Check below for episodes and series from the same categories and more!
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This is Put Your Money Where Your Mouth Is, | 0:00:02 | 0:00:04 | |
the show that pitches | 0:00:04 | 0:00:05 | |
TV's best-loved antiques experts | 0:00:05 | 0:00:07 | |
against each other in an all-out battle for profit. | 0:00:07 | 0:00:10 | |
I think I see a bargain! | 0:00:10 | 0:00:11 | |
Each day, one pair | 0:00:12 | 0:00:13 | |
of duelling dealers will face a mighty challenge... | 0:00:13 | 0:00:16 | |
Oh, yeah! | 0:00:16 | 0:00:18 | |
..putting their reputations | 0:00:18 | 0:00:19 | |
-on the line. -Ready for battle. | 0:00:19 | 0:00:21 | |
They'll give you the insider's view | 0:00:21 | 0:00:23 | |
-of the trade... -I'm a big boy. I'm a player. | 0:00:23 | 0:00:26 | |
..along with their top tips | 0:00:26 | 0:00:28 | |
and savvy secrets... | 0:00:28 | 0:00:29 | |
It's not all about what you spend, it's about what you made. | 0:00:29 | 0:00:32 | |
..showing you how to make the most money... | 0:00:32 | 0:00:35 | |
It really is war. | 0:00:35 | 0:00:36 | |
..from buying and selling. | 0:00:36 | 0:00:37 | |
You've got to be in there like a whippet. | 0:00:37 | 0:00:39 | |
Coming up, Paul broaches the subject of buying jewellery. | 0:00:42 | 0:00:46 | |
One little tip with cameos - always, always hold them up to the light. | 0:00:46 | 0:00:50 | |
And what I'm looking for here is to make sure there's no stress cracks. | 0:00:50 | 0:00:54 | |
John dives on a deep-sea deal-breaker. | 0:00:54 | 0:00:56 | |
If I can't sell that down on the south coast, | 0:00:56 | 0:00:58 | |
I better get out of the game. | 0:00:58 | 0:01:00 | |
And Paul gets some shock news in the selling. | 0:01:00 | 0:01:03 | |
This one is looking like it's something that it's not. | 0:01:03 | 0:01:06 | |
That's genuinely really shocked me. | 0:01:06 | 0:01:08 | |
This is Put Your Money Where Your Mouth Is. | 0:01:08 | 0:01:10 | |
Welcome, moviegoers, as you're just in time | 0:01:27 | 0:01:30 | |
to bathe in the glow of two leading lights | 0:01:30 | 0:01:33 | |
of the silver screen as they begin their bid | 0:01:33 | 0:01:36 | |
to collect a handful of antique awards and turn them into | 0:01:36 | 0:01:39 | |
-profit at the box office. -Ow! | 0:01:39 | 0:01:42 | |
And the nominations are... | 0:01:42 | 0:01:44 | |
-a blond blockbuster hero who has his script off pat... -Game on. | 0:01:44 | 0:01:48 | |
..and likes to do his own stunts... | 0:01:48 | 0:01:50 | |
I think I see my competition. | 0:01:53 | 0:01:54 | |
Aha! | 0:01:54 | 0:01:56 | |
..and a star dealer whose Technicolor talent | 0:01:56 | 0:01:59 | |
can illuminate the best bargains... | 0:01:59 | 0:02:01 | |
-Yes! -..but who can play the villain as well. | 0:02:02 | 0:02:04 | |
I think I'll go and see if Paul would like a cup of tea. | 0:02:07 | 0:02:10 | |
I can't quite remember, though, if he's one lump or two. | 0:02:10 | 0:02:13 | |
Today, they are on the red carpet at Warrington Auction | 0:02:13 | 0:02:16 | |
in Cheshire with £1,000 of their own money to spend on items to | 0:02:16 | 0:02:20 | |
sell on later, | 0:02:20 | 0:02:22 | |
with all the profits going to their chosen charities, | 0:02:22 | 0:02:24 | |
but who will walk away with a clutch of Academy Awards | 0:02:24 | 0:02:28 | |
and who will be firing their agent? | 0:02:28 | 0:02:30 | |
It's time to find out. | 0:02:30 | 0:02:32 | |
-Ah, here he is. -Good morning, Mr Hayes. -Good morning, John. | 0:02:32 | 0:02:34 | |
-How are you? -Not too bad. | 0:02:34 | 0:02:35 | |
This is a home fixture for you, isn't it? | 0:02:35 | 0:02:37 | |
This is about 45 minutes from my house, | 0:02:37 | 0:02:39 | |
but quite a long way from Portsmouth, I believe. | 0:02:39 | 0:02:41 | |
Well, it is, but the mother-in-law only lives about 20 miles | 0:02:41 | 0:02:43 | |
-up the road, so... -Oh, does she? Are you looking forward to the auction? -I am. | 0:02:43 | 0:02:46 | |
They've got about over 1,000 lots here. | 0:02:46 | 0:02:48 | |
-There's everything from plant pots to jewellery, Paul. -That's right. | 0:02:48 | 0:02:52 | |
So even you and I couldn't fail to buy some items here today. | 0:02:52 | 0:02:54 | |
You know what they say up north - | 0:02:54 | 0:02:56 | |
-where there's muck, there's brass. -OK. -Shall we crack on? | 0:02:56 | 0:02:58 | |
-Why not? Let's not waste any time. -All right, come on, then. | 0:02:58 | 0:03:01 | |
-Have you had a look already? -Online. I've had a look online. | 0:03:01 | 0:03:03 | |
Have you? | 0:03:03 | 0:03:04 | |
Both dealers seem chipper, | 0:03:04 | 0:03:07 | |
but what script is auctioneer-by-trade John | 0:03:07 | 0:03:10 | |
really sticking to today? | 0:03:10 | 0:03:12 | |
My strategy when buying at auction is to mark down as many items | 0:03:12 | 0:03:16 | |
as possible, because there's always the danger you won't get the | 0:03:16 | 0:03:20 | |
ones you really want, and then you are really up against it. | 0:03:20 | 0:03:23 | |
And I know Paul is going to be panicking as well. | 0:03:23 | 0:03:25 | |
We are already looking at one or two of the same things, | 0:03:25 | 0:03:28 | |
but I'm going to make sure I get mine. | 0:03:28 | 0:03:30 | |
I want to beat the man from Morecambe. | 0:03:30 | 0:03:32 | |
It'll be a tough fight if John wants top billing, | 0:03:32 | 0:03:35 | |
because local boy Paul has also been using his time wisely. | 0:03:35 | 0:03:39 | |
I've had a look at the catalogue last night, twice - | 0:03:39 | 0:03:41 | |
it's always good to double-check - but there's nothing better | 0:03:41 | 0:03:44 | |
than coming to have a look at the items physically. | 0:03:44 | 0:03:46 | |
So my secret is, really, do your homework. | 0:03:46 | 0:03:49 | |
So, no first-night nerves from either of our dealers as they | 0:03:50 | 0:03:54 | |
both get stuck in to the preview session. | 0:03:54 | 0:03:56 | |
And John thinks he can do something special | 0:03:56 | 0:03:59 | |
with an everyday item from the 1960s. | 0:03:59 | 0:04:01 | |
Look at this wicker basket here. | 0:04:01 | 0:04:03 | |
It's quite a nice size. | 0:04:03 | 0:04:05 | |
Condition is good. | 0:04:05 | 0:04:07 | |
And this is the sort of thing that people are upcycling these days and | 0:04:07 | 0:04:11 | |
reusing for a completely different purpose. | 0:04:11 | 0:04:14 | |
Now, I think the size and shape and height of that, this would | 0:04:14 | 0:04:17 | |
make a pretty good coffee table with a nice glass top on there. | 0:04:17 | 0:04:20 | |
Estimate on this is £30 to £50. | 0:04:20 | 0:04:22 | |
At that sort of price, I think there'd be a definite profit in that. | 0:04:22 | 0:04:26 | |
The hamper also hides some sartorial secrets. | 0:04:26 | 0:04:30 | |
Look at that. It's full of ties. | 0:04:30 | 0:04:33 | |
Here's a classic one. | 0:04:33 | 0:04:35 | |
A lot of the mods and scooterists like that sort of thing. | 0:04:35 | 0:04:37 | |
So I think I'll have a look through, | 0:04:37 | 0:04:38 | |
that could be a little bonus that's inside the wicker basket there. | 0:04:38 | 0:04:42 | |
Heart-throb Paul is tied up elsewhere toying with | 0:04:42 | 0:04:45 | |
a pink trinket from the early 20th century. | 0:04:45 | 0:04:48 | |
They say that small is beautiful, | 0:04:48 | 0:04:50 | |
but in this case, it's quite a large cameo, isn't it? It's massive. | 0:04:50 | 0:04:52 | |
It's a shell cameo and - very, very cleverly - | 0:04:52 | 0:04:55 | |
the expert carver here | 0:04:55 | 0:04:57 | |
has carved this wonderful portrait of this classical maiden. | 0:04:57 | 0:05:00 | |
But a little tip with cameos - always, always hold them up | 0:05:00 | 0:05:03 | |
to the light to make sure there's no stress cracks or heat cracks. | 0:05:03 | 0:05:06 | |
This one is in really nice condition. It's beautifully carved. | 0:05:06 | 0:05:09 | |
It's in the catalogue between £50 and £80. | 0:05:09 | 0:05:12 | |
That one is coming home with me. Sorry, John. | 0:05:12 | 0:05:14 | |
Not so fast, Paul. | 0:05:14 | 0:05:16 | |
Your arch rival has also been bedazzled by the beautiful brooch. | 0:05:16 | 0:05:20 | |
Cameos like this have been carved since Roman times, | 0:05:20 | 0:05:24 | |
and there is still a tradition of this sort of carving | 0:05:24 | 0:05:27 | |
in Italy, in places like Sorrento and Florence. | 0:05:27 | 0:05:31 | |
And I feel they are better to buy in the secondary market, | 0:05:31 | 0:05:33 | |
where you can pick them up a lot cheaper. | 0:05:33 | 0:05:35 | |
I quite like that. | 0:05:35 | 0:05:37 | |
So both our dealers are pinning their hopes on the brooch. | 0:05:37 | 0:05:40 | |
And Paul uses a variety of tactics to keep John away from other | 0:05:40 | 0:05:44 | |
potential purchases, including distraction techniques. | 0:05:44 | 0:05:47 | |
And more distraction techniques. | 0:05:49 | 0:05:51 | |
I've just seen John. I'm going to have to hide this item | 0:05:55 | 0:05:58 | |
cos I know it's something that he would like. | 0:05:58 | 0:06:00 | |
It's actually a military belt. | 0:06:00 | 0:06:01 | |
It belongs to the Cheshire Regiment, a part of the uniform. | 0:06:01 | 0:06:04 | |
And what I like about it is underneath here... | 0:06:04 | 0:06:07 | |
Don't tell John, if he's about, please. | 0:06:07 | 0:06:09 | |
..there is a gentleman's name here and his actual number, so hopefully, | 0:06:09 | 0:06:13 | |
if I do actually buy this, | 0:06:13 | 0:06:14 | |
I'd be able to trace that to the regiment to see where he was. | 0:06:14 | 0:06:17 | |
It's in at £20. | 0:06:17 | 0:06:19 | |
The only problem is, I'm a 34 waist, | 0:06:19 | 0:06:23 | |
sometimes. This one is probably about a 22, honest, you know. | 0:06:23 | 0:06:26 | |
I better get off the sticky toffee pudding. | 0:06:26 | 0:06:30 | |
And while Paul plans his health kick, | 0:06:30 | 0:06:32 | |
John's got his eye on another tasty potential lot - | 0:06:32 | 0:06:35 | |
a 1980s brooch. | 0:06:35 | 0:06:37 | |
I did have a quick look at this with the three lions, | 0:06:37 | 0:06:40 | |
which actually comes from the heraldry of William the Conqueror, | 0:06:40 | 0:06:43 | |
in fact, but it is something we now associate with this country. | 0:06:43 | 0:06:47 | |
And a few of the scooterists, | 0:06:47 | 0:06:49 | |
they do have three-lion badges on their Lambrettas. | 0:06:49 | 0:06:52 | |
That could be something I might be able to turn a quick profit. | 0:06:52 | 0:06:54 | |
Maybe not a massive profit. It is hallmarked. It is silver. | 0:06:54 | 0:06:58 | |
20 to 30 is the estimate. I think it would be... | 0:06:59 | 0:07:01 | |
I'd do very well to get that within estimate. | 0:07:01 | 0:07:03 | |
I think it's probably going to do a bit better than that. | 0:07:03 | 0:07:05 | |
So they've both learned their lines and played with the | 0:07:05 | 0:07:08 | |
profit-making props, | 0:07:08 | 0:07:09 | |
now it's time for our dashing dealers to take their place | 0:07:09 | 0:07:12 | |
in the spotlight. | 0:07:12 | 0:07:14 | |
All right. I see you've manoeuvred yourself into pole position. | 0:07:14 | 0:07:16 | |
That's it, yeah. Get as near to the rostrum as you can. | 0:07:16 | 0:07:18 | |
Are you trying to keep viewers away from the cabinets? | 0:07:18 | 0:07:21 | |
-Is that what it is? -I wouldn't do that sort of thing, | 0:07:21 | 0:07:22 | |
John. I thought that was more your type of tactic. | 0:07:22 | 0:07:25 | |
-I'm quite early on in the auction, so... -Are you? | 0:07:25 | 0:07:27 | |
-I was trying to catch a glimpse. -No, it's all right, don't worry. | 0:07:27 | 0:07:29 | |
John gets a sneaky peek at Paul's shopping list. | 0:07:29 | 0:07:33 | |
-What about you, when is your first lot? -Early. -Early? -Yeah, yeah, yeah. | 0:07:33 | 0:07:36 | |
Oh. | 0:07:36 | 0:07:37 | |
And John is about to drop a big movie spoiler. | 0:07:37 | 0:07:40 | |
Let's just say, you know, it was a cameo performance. | 0:07:40 | 0:07:42 | |
-PAUL LAUGHS FAKES SURPRISE: -Really? | 0:07:42 | 0:07:45 | |
Will John's hint that he's after the same brooch affect Paul's | 0:07:45 | 0:07:48 | |
performance? | 0:07:48 | 0:07:49 | |
-Are you all right? Are you after the same thing? -After the same thing? | 0:07:49 | 0:07:52 | |
-Yeah. -I have looked at it, yeah. | 0:07:52 | 0:07:54 | |
Are you really? | 0:07:54 | 0:07:55 | |
Desperate times call for desperate measures. | 0:07:55 | 0:07:58 | |
-There's a big crack in it, you know? -Is there really? -Yeah. -Yeah. | 0:07:58 | 0:08:01 | |
-Just near the top left-hand corner. -I didn't see that. -No. -OK. | 0:08:01 | 0:08:03 | |
Well, what do you like about it? | 0:08:03 | 0:08:05 | |
-Are you sure there is a big crack? -Well... | 0:08:05 | 0:08:06 | |
I can't lie, John. | 0:08:06 | 0:08:08 | |
And our two potential brooch buyers continue to needle each other | 0:08:08 | 0:08:12 | |
right up to the wire. | 0:08:12 | 0:08:13 | |
-Well, really good luck. -You too, mate. | 0:08:13 | 0:08:15 | |
-All right, OK. -I wish you meant it. | 0:08:15 | 0:08:17 | |
So the battle lines are drawn and lucky John's got | 0:08:17 | 0:08:20 | |
a rather special paddle. | 0:08:20 | 0:08:21 | |
I've got my bidding number, and I'm licensed to bid. | 0:08:23 | 0:08:26 | |
Let's hope he's not shaken, just stirred. | 0:08:26 | 0:08:28 | |
GAVEL BANGS And they're off! | 0:08:28 | 0:08:30 | |
The cameo brooch our boys have been fighting over | 0:08:30 | 0:08:32 | |
is up first, and with a top guide of £70, | 0:08:32 | 0:08:35 | |
which of our leading men will outperform the other? | 0:08:35 | 0:08:39 | |
I'm a bit nervous. He's definitely pulled a trick on me there. | 0:08:39 | 0:08:42 | |
If there's a beautiful photograph online, we've got no chance. | 0:08:42 | 0:08:45 | |
It is now a case of who is prepared to pay the most. | 0:08:45 | 0:08:48 | |
We all get carried away, you know. | 0:08:48 | 0:08:50 | |
-Here we go. -I'll start the bidding on this one at £70. | 0:08:50 | 0:08:55 | |
I look for 75. 75 in the room now. | 0:08:55 | 0:08:58 | |
80 online. 85? 85. | 0:08:58 | 0:09:01 | |
-It has soared past the estimates. -Would you like 120, sir? | 0:09:01 | 0:09:04 | |
-Yes, please. -120, the bid. | 0:09:04 | 0:09:06 | |
Behind you is 130. | 0:09:06 | 0:09:07 | |
-One more. -130. 140. | 0:09:07 | 0:09:09 | |
150? | 0:09:09 | 0:09:11 | |
-160, sir? -No, sir. -No. | 0:09:11 | 0:09:13 | |
-£150, the bid. 150, the bid. -He's got it. | 0:09:13 | 0:09:16 | |
Was that you? | 0:09:16 | 0:09:17 | |
It was, sir. Sorry, Paul. | 0:09:17 | 0:09:19 | |
-I'm off the mark. -Dear me! | 0:09:19 | 0:09:21 | |
Can someone remove him from the building, please? | 0:09:21 | 0:09:23 | |
John acted Paul right off the stage, | 0:09:23 | 0:09:26 | |
pinning down the cameo for £180 including fees. | 0:09:26 | 0:09:30 | |
Paul's one-nil down but hopes to coin it in with the next lot. | 0:09:30 | 0:09:34 | |
They're a collection of five Oriental coins. | 0:09:34 | 0:09:36 | |
Amongst them is a coin from 1865. | 0:09:36 | 0:09:39 | |
I'm going with my gut reaction here. The estimate was £20 to £40, | 0:09:39 | 0:09:42 | |
I'm going to have a go if it's 20 to 30 quid. | 0:09:42 | 0:09:46 | |
Five coins and tokens, £20 with me. | 0:09:46 | 0:09:48 | |
Is there 25? 25, the bid. | 0:09:48 | 0:09:50 | |
Is there £30 anywhere? 25... | 0:09:50 | 0:09:52 | |
No other bidders lurking behind? | 0:09:52 | 0:09:54 | |
-Sold. -In the excitement, I've dropped my paddle. I do apologise. | 0:09:54 | 0:09:57 | |
Number 20, I think it was. | 0:09:57 | 0:09:58 | |
020, thank you. | 0:09:58 | 0:09:59 | |
With no competition, Paul gets his coins for £30 including | 0:09:59 | 0:10:03 | |
costs, just the price he wanted, and he is out of the blocks. | 0:10:03 | 0:10:06 | |
These look like solid silver, 19th-century | 0:10:06 | 0:10:09 | |
gaming tokens used by the Chinese on board ships, | 0:10:09 | 0:10:13 | |
used to sort of play mah-jongg and various other card games. | 0:10:13 | 0:10:16 | |
On the bottom of one of them, | 0:10:16 | 0:10:18 | |
A - it's got 1865, | 0:10:18 | 0:10:20 | |
so it is a good old Victorian piece, 19th century, | 0:10:20 | 0:10:23 | |
but B - it's got the numbers .900. | 0:10:23 | 0:10:27 | |
Now, that means that they are almost pure silver. | 0:10:27 | 0:10:29 | |
Just a token there. John, just a token. | 0:10:29 | 0:10:31 | |
HE CHUCKLES | 0:10:31 | 0:10:32 | |
And, with one lot in his bag, Paul has got the wind in his sails. | 0:10:32 | 0:10:36 | |
I think someone has come to see me today. It's my biggest fan. | 0:10:36 | 0:10:40 | |
HE CHUCKLES | 0:10:40 | 0:10:42 | |
You can have that one, John. Get it? Biggest fan. | 0:10:42 | 0:10:44 | |
Yes... | 0:10:44 | 0:10:46 | |
The Hammer is also after some silver - the 1980s brooch | 0:10:46 | 0:10:49 | |
he spotted earlier with a guide of £20 to £40. | 0:10:49 | 0:10:53 | |
OK, coming up now is the little silver three-lion shield brooch. | 0:10:53 | 0:10:56 | |
-It's by Monty Don. -Monty Don? Isn't he a gardener? | 0:10:56 | 0:11:00 | |
He was a jeweller before he became a gardener. | 0:11:00 | 0:11:02 | |
Is there no end to Monty Don's talents? | 0:11:02 | 0:11:05 | |
Anyway, who's got a tenner for it? | 0:11:05 | 0:11:07 | |
Ten is bid there. | 0:11:07 | 0:11:08 | |
12. 15. 18? | 0:11:08 | 0:11:10 | |
18. I've got 20 online. 25, sir? 25. | 0:11:10 | 0:11:14 | |
25, the bid, then. | 0:11:14 | 0:11:16 | |
Yes. Yes! | 0:11:16 | 0:11:17 | |
-HE SIGHS -Oh, well. I'm behind now. | 0:11:17 | 0:11:20 | |
Even got a bit of a celebrity name on it, I am really pleased with it. | 0:11:20 | 0:11:23 | |
And brooch number two is John's for £30 including costs, | 0:11:23 | 0:11:27 | |
and he is leading two-one. | 0:11:27 | 0:11:29 | |
I can kind of rest a little bit, | 0:11:29 | 0:11:31 | |
but I don't want to do a hare and the tortoise. | 0:11:31 | 0:11:33 | |
This man should never be underrated here. | 0:11:33 | 0:11:36 | |
Wise words, as Paul is back on the attack. | 0:11:36 | 0:11:39 | |
It is a Parker fountain pen. | 0:11:39 | 0:11:41 | |
25, the bid, in the room and selling. | 0:11:41 | 0:11:44 | |
-That's 25. -There you go. -020, thank you. -Thank you very much. | 0:11:44 | 0:11:46 | |
There we are. | 0:11:46 | 0:11:48 | |
Paul gets the pen for £30 including fees and draws level with John. | 0:11:48 | 0:11:53 | |
I love a good-quality pen. There is nothing like it. | 0:11:53 | 0:11:55 | |
It makes a great present for somebody. | 0:11:55 | 0:11:57 | |
This is by one of the leading exponents of pens, Parker. | 0:11:57 | 0:12:00 | |
Sometimes they have gold nibs. This one doesn't, unfortunately. | 0:12:00 | 0:12:02 | |
You can tell a man by his pen. | 0:12:02 | 0:12:04 | |
-Look at the state of mine. -HE LAUGHS | 0:12:04 | 0:12:06 | |
Up next is the military belt with a guide price of £20 to £40, | 0:12:06 | 0:12:10 | |
which Paul hopes will make him the leading man. | 0:12:10 | 0:12:13 | |
-Here we go. -£10. | 0:12:13 | 0:12:14 | |
10 is bid in the room. Looking for 12. 12 here. 15? | 0:12:14 | 0:12:18 | |
-I'll have that. -15 in the room. -15 quid is all right with me. | 0:12:18 | 0:12:22 | |
-£15. -There you go. | 0:12:22 | 0:12:24 | |
Interesting. I didn't see that one. | 0:12:25 | 0:12:27 | |
That's because he hid it from you, John. | 0:12:27 | 0:12:29 | |
The belt is Paul's for £18 including costs, | 0:12:29 | 0:12:32 | |
and he takes the lead three-two. | 0:12:32 | 0:12:34 | |
Makes that cameo seem really expensive now, doesn't it, John? | 0:12:35 | 0:12:39 | |
And with that, we've reached the halfway point. | 0:12:39 | 0:12:42 | |
Time to find out who is a rising star | 0:12:42 | 0:12:44 | |
and who is a big-screen has-been. | 0:12:44 | 0:12:47 | |
From a £1,000 budget, Paul has so far bought three lots, | 0:12:47 | 0:12:52 | |
costing a modest £78, | 0:12:52 | 0:12:54 | |
leaving him with a healthy £922. | 0:12:54 | 0:12:58 | |
John has bought two lots for £210 | 0:12:58 | 0:13:01 | |
so has £790 left to spend. | 0:13:01 | 0:13:05 | |
Now our big-screen heroes take to the set again. | 0:13:05 | 0:13:08 | |
Their lines are learnt, the director is at the ready, | 0:13:08 | 0:13:11 | |
and the extras are standing by, so it's lights, camera, action | 0:13:11 | 0:13:15 | |
as John's got his eye on an early-20th-century novelty piece. | 0:13:15 | 0:13:19 | |
What's coming up now is a ship's telegraph cigar cutter. | 0:13:19 | 0:13:23 | |
It's only got 20 to 40 on it as an estimate. | 0:13:23 | 0:13:26 | |
So I'm hoping this might be a little bit of a bargain. | 0:13:26 | 0:13:29 | |
-Start me at £20. -Here we go. | 0:13:29 | 0:13:30 | |
-20 is bid in the room. -Shall I wind him up? | 0:13:30 | 0:13:35 | |
25 over there. 30? 35? | 0:13:35 | 0:13:38 | |
No, I won't. I couldn't do it to him. | 0:13:38 | 0:13:40 | |
You know what, I'm too gentlemanly in that way. | 0:13:40 | 0:13:42 | |
I might end up with it. | 0:13:42 | 0:13:43 | |
40. 45. | 0:13:43 | 0:13:45 | |
£45, the standing bid and selling. | 0:13:45 | 0:13:48 | |
45. Thank you. | 0:13:48 | 0:13:50 | |
Our cool character pockets his third item for £54 including fees | 0:13:50 | 0:13:55 | |
and puts himself level with Paul. | 0:13:55 | 0:13:57 | |
It's a cigar cutter and it's been modelled as | 0:13:57 | 0:14:00 | |
a ship's telegraph, which would be up on the bridge for | 0:14:00 | 0:14:03 | |
sending instructions down to the engine room and so on. | 0:14:03 | 0:14:06 | |
Fairly happy with that. | 0:14:06 | 0:14:07 | |
I would've liked to have got it at the bottom estimate of 20, | 0:14:07 | 0:14:10 | |
but, hey-ho, here we are. Nice item, | 0:14:10 | 0:14:11 | |
should be able to find a buyer for that down in Portsmouth. | 0:14:11 | 0:14:15 | |
With his radar set to detect maritime-related items, | 0:14:15 | 0:14:18 | |
will John take the plunge on another one with a guide price | 0:14:18 | 0:14:21 | |
of £130 to £150? | 0:14:21 | 0:14:24 | |
Next up is the chrome modern diver's helmet. | 0:14:24 | 0:14:27 | |
There's not great quality to it. It's purely a decorative item. | 0:14:27 | 0:14:30 | |
Got a £110 bid. Looking for 120 now. | 0:14:31 | 0:14:34 | |
120, the bid. 120 in the room. | 0:14:34 | 0:14:37 | |
He's going to buy the diver's helmet. | 0:14:37 | 0:14:40 | |
-Kept that one quiet, didn't he? -£120 in the room. | 0:14:40 | 0:14:44 | |
-Can I just say, I think you might be a bit out of your depth. -Ha, ha, ha. | 0:14:44 | 0:14:48 | |
You can have that one. | 0:14:48 | 0:14:49 | |
If I can't sell that down on the south coast, | 0:14:49 | 0:14:51 | |
-I better get out of the game, Paul. -Do you know, I'm not sure... | 0:14:51 | 0:14:53 | |
Something a bit fishy going on here. | 0:14:53 | 0:14:55 | |
John wins the helmet prop for £144 including costs, | 0:14:55 | 0:14:59 | |
but has he found underwater treasure? | 0:14:59 | 0:15:02 | |
Now, this is not a real helmet. | 0:15:02 | 0:15:04 | |
It's purely a reproduction, | 0:15:04 | 0:15:05 | |
but what is interesting about it is it | 0:15:05 | 0:15:07 | |
has been finished in this kind of chrome white metal as opposed to | 0:15:07 | 0:15:12 | |
brass and copper, as the functional helmets would be made. | 0:15:12 | 0:15:16 | |
Genuine functional Siebe Gorman helmets can make anywhere | 0:15:16 | 0:15:19 | |
from £3,000 to £6,000 or £7,000. | 0:15:19 | 0:15:22 | |
So these kind of decorative helmets are quite popular. | 0:15:22 | 0:15:25 | |
Not for everyone's taste. But the colour is very current. | 0:15:25 | 0:15:28 | |
John is leading four-three, | 0:15:28 | 0:15:30 | |
but up next is a 19th-century Arabic vase | 0:15:30 | 0:15:32 | |
with an upper guide of £120, | 0:15:32 | 0:15:35 | |
and Paul is interested. | 0:15:35 | 0:15:37 | |
You don't see a lot of this sort of stuff around. | 0:15:37 | 0:15:39 | |
I'm going to give this a go. | 0:15:39 | 0:15:41 | |
It's an unusual lot. It's the Arabic vase, Moroccan. | 0:15:41 | 0:15:44 | |
Start me at, what, £80? | 0:15:44 | 0:15:46 | |
Start me at £80. | 0:15:46 | 0:15:48 | |
Start me 50, then. | 0:15:48 | 0:15:50 | |
-50 in the room. -50 is all right with an estimate of £80. | 0:15:50 | 0:15:53 | |
-50 bid. 55. -Drop the hammer. | 0:15:53 | 0:15:55 | |
£50 in the room, is there 55 anywhere? | 0:15:55 | 0:15:58 | |
-£50 in the room. -GAVEL BANGS | 0:15:58 | 0:16:00 | |
Thank you very much. There you go. Oh, sorry, upside down. | 0:16:00 | 0:16:03 | |
-Thank you. -It's Australian. | 0:16:03 | 0:16:05 | |
That's fantastic. That is £30 under estimate. | 0:16:05 | 0:16:08 | |
Paul secures the mysterious vase for £60, costs included. | 0:16:08 | 0:16:12 | |
This is called Iznik pottery, from Turkey and that sort of region, | 0:16:13 | 0:16:17 | |
and it dates from the 1500s up until the 20th century. | 0:16:17 | 0:16:20 | |
And it is instantly recognisable by the colourway palette - | 0:16:20 | 0:16:23 | |
the use of these wonderful dark blues and the yellow. | 0:16:23 | 0:16:26 | |
If you find old pieces of this, it can be very, very valuable. | 0:16:26 | 0:16:30 | |
My gut feeling says this is 19th century. | 0:16:30 | 0:16:32 | |
The earlier pieces, believe it or not, are beautifully, | 0:16:32 | 0:16:35 | |
beautifully painted. | 0:16:35 | 0:16:36 | |
So this one has been quite quickly painted. | 0:16:36 | 0:16:38 | |
But it is still very decorative. I just think it is one of | 0:16:38 | 0:16:40 | |
those items that is a bit quirky, a bit out on a limb. | 0:16:40 | 0:16:42 | |
I think it could do quite well. | 0:16:42 | 0:16:44 | |
And continuing his search for more exotic roles, | 0:16:44 | 0:16:47 | |
Paul bids on some Indian art works... | 0:16:47 | 0:16:49 | |
Yeah. | 0:16:49 | 0:16:51 | |
I'll sell it at 60. | 0:16:51 | 0:16:52 | |
..winning them for £72 including fees. | 0:16:52 | 0:16:55 | |
These are from the Mughal Empire of India. | 0:16:57 | 0:17:00 | |
That dates from sort of...anything from the 16th century right up | 0:17:00 | 0:17:04 | |
until the 19th century. | 0:17:04 | 0:17:05 | |
They used to do these wonderful watercolour drawings as basically | 0:17:05 | 0:17:09 | |
illustrations for books. | 0:17:09 | 0:17:10 | |
And I can tell that is one of these because there's two being | 0:17:10 | 0:17:13 | |
framed together. They're both pages out of a small book. | 0:17:13 | 0:17:16 | |
And with those Indian illustrations, Paul is all bought up. | 0:17:16 | 0:17:21 | |
The secret with any good auction is knowing when to stop. | 0:17:21 | 0:17:24 | |
I've had enough. I've bought all I wanted to buy here today. | 0:17:24 | 0:17:26 | |
I can't see me buying anything else now, | 0:17:26 | 0:17:28 | |
so it is time for a well-earned rest. | 0:17:28 | 0:17:30 | |
But, Paul, you'll miss the strangest lot of the day. | 0:17:30 | 0:17:34 | |
Next up is the wicker basket, | 0:17:34 | 0:17:36 | |
which has got an estimate of £30 to £50. | 0:17:36 | 0:17:38 | |
I like the basket. I think it would make a great coffee table. | 0:17:38 | 0:17:41 | |
But there's a few ties in there as well, neckties. | 0:17:41 | 0:17:43 | |
20, then. | 0:17:44 | 0:17:46 | |
20 bid. | 0:17:46 | 0:17:47 | |
25 online. 30? You can put all your swag in it. | 0:17:47 | 0:17:51 | |
It won't get broken on the way home. | 0:17:51 | 0:17:52 | |
30 in the room now. The net is hovering. 35. 40, sir? | 0:17:52 | 0:17:57 | |
40 bid. 45 online. 50? | 0:17:57 | 0:18:00 | |
-One more. -£50. Bidder in the room. | 0:18:00 | 0:18:02 | |
-£50 it is. Bargain, sir, bargain. -No, it wasn't. | 0:18:04 | 0:18:08 | |
Oh, well. There we are. Curse that wretched internet! | 0:18:08 | 0:18:11 | |
When you are an auctioneer, the internet is your best friend, | 0:18:11 | 0:18:13 | |
but when you are a bidder down in the audience, | 0:18:13 | 0:18:15 | |
it is your enemy, and there... | 0:18:15 | 0:18:17 | |
Got in there at £20, I thought that was going to be a bargain, | 0:18:17 | 0:18:20 | |
ended up getting taken to £50. | 0:18:20 | 0:18:22 | |
The Wicker Man gets the hamper and ties for £60 including fees, | 0:18:22 | 0:18:26 | |
and the buying show is over. | 0:18:26 | 0:18:29 | |
Both our auction action heroes have armfuls of awards to light up their | 0:18:29 | 0:18:33 | |
living rooms. But will they perform as well in the selling sequel? | 0:18:33 | 0:18:37 | |
Before we find out, let's tot up the totals. | 0:18:37 | 0:18:39 | |
From a £1,000 budget, | 0:18:41 | 0:18:43 | |
Paul bought five lots and spent £210. | 0:18:43 | 0:18:47 | |
John also bought five lots | 0:18:47 | 0:18:49 | |
but spent more than twice as much, | 0:18:49 | 0:18:51 | |
splashing out £468. | 0:18:51 | 0:18:54 | |
But all that matters now is profit. | 0:18:54 | 0:18:57 | |
So, what will our suave stars make | 0:18:57 | 0:18:59 | |
of each other's cache of collectibles? | 0:18:59 | 0:19:02 | |
-It's been a long day, hasn't it? -I'm glad the auction is over, though. | 0:19:02 | 0:19:05 | |
Yeah. Do you ever get that sinking feeling? | 0:19:05 | 0:19:07 | |
-It is a bit modern for me, I must admit. -Yeah. | 0:19:07 | 0:19:09 | |
No age to it, but should be able to sell it. | 0:19:09 | 0:19:11 | |
I've got to say, my favourite item | 0:19:11 | 0:19:13 | |
has to be the little silver brooch there. | 0:19:13 | 0:19:15 | |
That was a complete surprise to me, that one. | 0:19:15 | 0:19:17 | |
-And what a bonus! It turns out it's been designed by Monty Don. -I know! | 0:19:17 | 0:19:21 | |
I need an England-supporting gardener, basically. | 0:19:21 | 0:19:24 | |
-And the cameo. -That is the one that got away from me today. | 0:19:24 | 0:19:26 | |
I really wanted to buy that. Did you find that little slight hairline crack in the top left? | 0:19:26 | 0:19:30 | |
Stop it already! | 0:19:30 | 0:19:31 | |
-I did have another look. So what about you? I mean... -This I like. | 0:19:31 | 0:19:34 | |
What did you pay for it? | 0:19:34 | 0:19:36 | |
-I think it was around £60, all in. -That's not bad. That's not... | 0:19:36 | 0:19:39 | |
Paul, that's a good item. You've got a good chance with that. | 0:19:39 | 0:19:41 | |
I think it's got a bit of age to it. And I think it was a good buy. | 0:19:41 | 0:19:44 | |
But, Paul, I've got to ask, the belt? | 0:19:44 | 0:19:47 | |
-What's going on with that? -That's my secret weapon, that belt. | 0:19:47 | 0:19:50 | |
-Go on. -Well, it is a military item. -Yeah. | 0:19:50 | 0:19:52 | |
What I like about it, actually, it comes from the Cheshire Regiment. | 0:19:52 | 0:19:55 | |
-Yeah. -But the name of the gentleman is on there. | 0:19:55 | 0:19:57 | |
-I like things with a bit of a journey, a bit of a story. -Yeah. | 0:19:57 | 0:19:59 | |
And the good thing is, none of us have got anything big and bulky | 0:19:59 | 0:20:02 | |
-to take home. -Well, good luck, Mr Bond. -Ah! | 0:20:02 | 0:20:05 | |
-OK, Blofeld. -There you go. | 0:20:05 | 0:20:08 | |
Paul, I think that's our Q. | 0:20:08 | 0:20:09 | |
Our Q, I see what you did there, actually. | 0:20:09 | 0:20:11 | |
Well, there is a lady looking for you - Miss Moneypenny. | 0:20:11 | 0:20:13 | |
-She says you owe her a tenner. -Is that right? | 0:20:13 | 0:20:15 | |
THEY LAUGH | 0:20:15 | 0:20:16 | |
Fresh from the cut and thrust of the auction house, our debonair | 0:20:18 | 0:20:21 | |
dealers head for their homes at opposite ends of the country. | 0:20:21 | 0:20:24 | |
This buying challenge was a mere hors d'oeuvre | 0:20:24 | 0:20:27 | |
before the main course - | 0:20:27 | 0:20:28 | |
the selling of their items for the most money, | 0:20:28 | 0:20:30 | |
with all their tasty profits going to the charities of their choice. | 0:20:30 | 0:20:34 | |
In Morecambe, Paul's casting his eye over his eclectic mix. | 0:20:34 | 0:20:38 | |
My favourite item has to be this wonderful Islamic-style vase. | 0:20:38 | 0:20:42 | |
What a fantastic decorative item. | 0:20:42 | 0:20:44 | |
I believe it may have actually come from a mosque, | 0:20:44 | 0:20:46 | |
and the reason I believe that is that the inscription here | 0:20:46 | 0:20:50 | |
actually translates as the opening word to the Koran. | 0:20:50 | 0:20:53 | |
I contacted the British Library, | 0:20:53 | 0:20:55 | |
and the language translates as "In the name of God". | 0:20:55 | 0:20:58 | |
I found out that this one is a stable belt, | 0:20:58 | 0:21:01 | |
and these were bought by officers to use in the stables | 0:21:01 | 0:21:04 | |
while they were looking after the horses. | 0:21:04 | 0:21:06 | |
So, the idea is, they would put these on, | 0:21:06 | 0:21:08 | |
it would protect their clothing from whatever they were doing | 0:21:08 | 0:21:10 | |
with the horses, and they were self-bought. | 0:21:10 | 0:21:12 | |
So, it's not a particularly rare thing, | 0:21:12 | 0:21:14 | |
but still a collectable item, a bit of militaria. | 0:21:14 | 0:21:16 | |
Upon researching the coins, | 0:21:16 | 0:21:18 | |
these are probably my least favourite items. | 0:21:18 | 0:21:21 | |
They're very common. | 0:21:21 | 0:21:22 | |
When we started to trade again with China and the East, | 0:21:22 | 0:21:24 | |
we used to actually make these coins from silver, | 0:21:24 | 0:21:27 | |
because that's the only coin that they would trade in, | 0:21:27 | 0:21:29 | |
so, there were lots and lots of them around, | 0:21:29 | 0:21:31 | |
so, rarity value isn't here, but they're still interesting things, | 0:21:31 | 0:21:34 | |
but they're probably my least favourite out of all of these items. | 0:21:34 | 0:21:36 | |
There's certainly variety here - | 0:21:36 | 0:21:38 | |
and variety is the spice of life, John, as you know. | 0:21:38 | 0:21:40 | |
So, Paul will also need to find buyers for his pen | 0:21:40 | 0:21:44 | |
and the 19th-century Indian art. | 0:21:44 | 0:21:46 | |
Back at his Portsmouth HQ, is John happy with his lots? | 0:21:47 | 0:21:52 | |
Well, no surprise that there is a couple of maritime pieces here. | 0:21:52 | 0:21:55 | |
I'm always going to be able to sell those. | 0:21:55 | 0:21:57 | |
My little cigar cutter - love that. | 0:21:57 | 0:21:58 | |
I wonder whether it would be good to polish this - | 0:21:58 | 0:22:01 | |
I did do a little test patch, but I actually think that the patination | 0:22:01 | 0:22:06 | |
adds to the charm and age of the thing, | 0:22:06 | 0:22:08 | |
so I'm going to leave that as it is. | 0:22:08 | 0:22:10 | |
The Monty Don silver England brooch I think was a surprise package. | 0:22:10 | 0:22:15 | |
Now, in a previous profession, Monty and his wife | 0:22:15 | 0:22:18 | |
ran a very, very successful high-end jewellery business, | 0:22:18 | 0:22:21 | |
and they only closed due to an economic slump | 0:22:21 | 0:22:24 | |
which had a knock-on effect. | 0:22:24 | 0:22:26 | |
My favourite item here is possibly the hardest one to sell, | 0:22:26 | 0:22:29 | |
and it is the one I paid the most for. £180 I paid. | 0:22:29 | 0:22:33 | |
Cameo brooches, just not so fashionable today. | 0:22:33 | 0:22:36 | |
It will take somebody like Beyonce or Victoria Beckham | 0:22:36 | 0:22:40 | |
to start being seen wearing a cameo brooch, | 0:22:40 | 0:22:43 | |
and suddenly everyone would want them, | 0:22:43 | 0:22:44 | |
but I don't think that's going to happen | 0:22:44 | 0:22:46 | |
in the window I've got to sell it. | 0:22:46 | 0:22:48 | |
John also has to find a home for his 1960s wicker basket | 0:22:48 | 0:22:51 | |
and tie collection, | 0:22:51 | 0:22:53 | |
and his modern decorative diver's helmet. | 0:22:53 | 0:22:56 | |
Now, both our savvy sellers must surf the web, | 0:22:56 | 0:22:58 | |
call their contacts and crisscross the country | 0:22:58 | 0:23:01 | |
as they track down the best sales | 0:23:01 | 0:23:02 | |
and the biggest profits for their chosen charities - | 0:23:02 | 0:23:05 | |
and remember, no deal is truly sealed | 0:23:05 | 0:23:08 | |
until a hand is shaken and the money is taken. | 0:23:08 | 0:23:11 | |
There's nothing to hamper John's start as he sets out to Southsea | 0:23:12 | 0:23:15 | |
on the trail of his first prospective sale - | 0:23:15 | 0:23:18 | |
the vintage basket and ties that cost him £60. | 0:23:18 | 0:23:21 | |
He's meeting antiques dealer Ian. | 0:23:21 | 0:23:23 | |
-Mr Parmiter. -All right, John. -How are you? -How are you? | 0:23:23 | 0:23:27 | |
-Nice to see you. -All right? | 0:23:27 | 0:23:28 | |
Now, Ian, when I saw this at auction, I thought, | 0:23:28 | 0:23:31 | |
right size, nice height, and I think, nice glass top on here, | 0:23:31 | 0:23:34 | |
it would make a good coffee table. | 0:23:34 | 0:23:36 | |
If I had it, I'd use it when I go to the fairs, | 0:23:36 | 0:23:38 | |
because these are strong, so you can put stuff inside. | 0:23:38 | 0:23:42 | |
-Do you like it? -I do, yeah. | 0:23:42 | 0:23:44 | |
How much is it? | 0:23:44 | 0:23:46 | |
I was looking for around £100 for it, Ian. I think it's a nice basket. | 0:23:46 | 0:23:49 | |
It's a bit steep, at 100. More like 80 quid. | 0:23:49 | 0:23:53 | |
How about this as a deal sweetener? | 0:23:53 | 0:23:55 | |
-Now, what came with this is a whole bunch of ties. Tootal ties. -Yeah. | 0:23:55 | 0:24:00 | |
Good old vintage '60s mod brand. | 0:24:00 | 0:24:03 | |
What about that for a nice kipper Tootal tie? | 0:24:03 | 0:24:06 | |
That's from Eric Knowles' sort of date, isn't it? | 0:24:06 | 0:24:08 | |
I'll tell Eric you said that! | 0:24:08 | 0:24:10 | |
How about the ties as well for £100? | 0:24:10 | 0:24:12 | |
-Go on, John. -Oh, good man! | 0:24:12 | 0:24:15 | |
So, John ties up the deal with a first profit of £40 - | 0:24:15 | 0:24:18 | |
and he's taken an early lead. | 0:24:18 | 0:24:21 | |
I'm sure the next time I see that basket, | 0:24:21 | 0:24:23 | |
the wicker basket will be more well travelled than Alan Whicker. | 0:24:23 | 0:24:26 | |
Better than that, he liked the ties, as well. Two deals in one. | 0:24:26 | 0:24:29 | |
Determined to strike his first deal, | 0:24:31 | 0:24:33 | |
Paul has brought his beloved 19th- century Islamic vase to Ormskirk | 0:24:33 | 0:24:37 | |
in search of antiques Mecca. | 0:24:37 | 0:24:40 | |
This gentleman here that I'm going to see collects religious artefacts, | 0:24:40 | 0:24:43 | |
and hopefully he can shed some light on this one. | 0:24:43 | 0:24:45 | |
The vase owes him £60, | 0:24:48 | 0:24:50 | |
so, will collector John put some profit in Paul's pot? | 0:24:50 | 0:24:53 | |
John, I can see you've got a wonderful collection here. | 0:24:53 | 0:24:56 | |
What was it about Islamic things that interested you at first? | 0:24:56 | 0:25:00 | |
-Well, it's not just Islamic, it's just religious artefacts. -OK. | 0:25:00 | 0:25:03 | |
They're absolutely beautiful items. | 0:25:03 | 0:25:04 | |
I've had this Islamic inscription translated here. | 0:25:04 | 0:25:07 | |
-It's the opening words to the Koran. -To the Koran, yes. | 0:25:07 | 0:25:10 | |
Is that something that you would actively look for, that? | 0:25:10 | 0:25:12 | |
Well, yes, it's hard to find things with Islamic writing on... | 0:25:12 | 0:25:16 | |
-OK. -..and that is an unusual item. | 0:25:16 | 0:25:18 | |
Do you have an idea of where this particular piece | 0:25:18 | 0:25:21 | |
-would originate from? -It looks Turkish. | 0:25:21 | 0:25:23 | |
-You can see one of the sections here... -Oh, wow. | 0:25:23 | 0:25:26 | |
It's made in the Chinese way of making pots. | 0:25:26 | 0:25:29 | |
So, what would happen there, then? So, it's made up to there...? | 0:25:29 | 0:25:32 | |
-This part was made separate to this part. -Oh, wow. | 0:25:32 | 0:25:35 | |
If you put your hand inside, you can probably feel the... | 0:25:35 | 0:25:38 | |
-Oh, the line, there. -That's it, you see. Yes. | 0:25:38 | 0:25:41 | |
-Well, it stands me at £60. -You paid 60 for it? -I paid 60 for it. -Oh, OK. | 0:25:41 | 0:25:44 | |
-Can it be £100? -It is a lovely piece. I do love it. | 0:25:44 | 0:25:48 | |
-I'll give you the hundred. -Thank you very much, John. | 0:25:50 | 0:25:54 | |
-I can't believe that you bought it for £60. -Well, there we go. | 0:25:54 | 0:25:57 | |
-You are a very good buyer. I can say that. -Thank you very much, John. | 0:25:57 | 0:26:01 | |
That Turkish delight nets Paul a starting profit of £40 - | 0:26:01 | 0:26:04 | |
and, still in a global frame of mind, | 0:26:04 | 0:26:06 | |
he sells his 19th-century Indian art to dealer Raymond in Dorset | 0:26:06 | 0:26:11 | |
for a profit of £28, putting him one deal ahead of John... | 0:26:11 | 0:26:14 | |
..but The Hammer is certainly not coasting. | 0:26:16 | 0:26:19 | |
He thinks he's found the perfect venue | 0:26:19 | 0:26:21 | |
for his early-20th-century cigar cutter. | 0:26:21 | 0:26:24 | |
I've come to the waterside village of Emsworth | 0:26:24 | 0:26:27 | |
with my novelty nautical cigar cutter - | 0:26:27 | 0:26:29 | |
now, I know smoking is very bad for you, | 0:26:29 | 0:26:31 | |
and not so in vogue as it once was, but this is a genuine antique, | 0:26:31 | 0:26:36 | |
and restaurant owner Sam has recently refurbished the place | 0:26:36 | 0:26:38 | |
and incorporated a cigar lounge type area within the restaurant, | 0:26:38 | 0:26:43 | |
so I'm hoping this is going to appeal as a decorative object. | 0:26:43 | 0:26:45 | |
Hopefully going to be full steam ahead. | 0:26:45 | 0:26:47 | |
The marine-themed trinket cost him £54... | 0:26:49 | 0:26:51 | |
-Morning, John. -Nice to see you. | 0:26:51 | 0:26:53 | |
..so, he needs to cut a good deal with dapper Sam. | 0:26:53 | 0:26:56 | |
So, this is the ship's telegraph, | 0:26:56 | 0:26:58 | |
where the captain would send his orders to the engine room. | 0:26:58 | 0:27:02 | |
They would be sort of chest height. | 0:27:02 | 0:27:04 | |
The lever is what actually operates the little guillotine, there, | 0:27:04 | 0:27:08 | |
to trim the cigars. So, what do you think? Do you like it? | 0:27:08 | 0:27:11 | |
Yeah, I can see us using it, for sure, John. | 0:27:11 | 0:27:12 | |
Perhaps practical - or even for decorative purposes, really. | 0:27:12 | 0:27:17 | |
So, yeah. What sort of asking price are you looking for it? | 0:27:17 | 0:27:20 | |
Perhaps £120, something like that. How does that sound to you? | 0:27:20 | 0:27:23 | |
-£100, John? -£100? -Yeah. -Is that a serious offer? | 0:27:23 | 0:27:27 | |
-Yeah, that's a serious offer. -OK, yeah. | 0:27:27 | 0:27:29 | |
-£100, then. -Lovely. Thank you. | 0:27:29 | 0:27:31 | |
John pockets a smoking-hot profit of £46 from his trinket, | 0:27:32 | 0:27:36 | |
and draws level with Paul at two-all... | 0:27:36 | 0:27:40 | |
..but our Mr Morecambe is looking for his third sale, | 0:27:41 | 0:27:44 | |
and he's brought his military belt | 0:27:44 | 0:27:46 | |
to show Southport vintage-store owner Susan. | 0:27:46 | 0:27:48 | |
This particular item doesn't have a lot of military interest, | 0:27:48 | 0:27:51 | |
but it has that retro look | 0:27:51 | 0:27:52 | |
for that sort of re-enactment of the 1940s look, | 0:27:52 | 0:27:55 | |
so, hopefully, it's something that she wants to buy. | 0:27:55 | 0:27:58 | |
Hello? | 0:27:59 | 0:28:01 | |
The stable belt owes Paul a modest £18, | 0:28:01 | 0:28:03 | |
so, can he secure a smart profit? | 0:28:03 | 0:28:06 | |
Hi, there. How are you? | 0:28:06 | 0:28:08 | |
-I'm absolutely fine, thanks. -Lovely to meet you. -In great company, here. | 0:28:08 | 0:28:11 | |
-Oh, yes. All the ladies. -Well, that's it! | 0:28:11 | 0:28:14 | |
But you're obviously really passionate about vintage fashion. | 0:28:14 | 0:28:17 | |
Oh, yes, I love vintage textiles, I love everything about the quality. | 0:28:17 | 0:28:21 | |
It's the individuality it affords you, really, I think. | 0:28:21 | 0:28:23 | |
I've brought you along something that really belongs to a gentleman, | 0:28:23 | 0:28:27 | |
but is there ever a crossover - | 0:28:27 | 0:28:28 | |
do ladies wear some gents' sort of military-style things? | 0:28:28 | 0:28:30 | |
-Well, absolutely, absolutely. -Yeah? -Yes. | 0:28:30 | 0:28:33 | |
I think the land-girl look, anyway, and Marlene Dietrich look, | 0:28:33 | 0:28:36 | |
where she would dress in a tux. | 0:28:36 | 0:28:37 | |
Yeah, there are a lot of women that like - hence the wide-leg trousers. | 0:28:37 | 0:28:40 | |
-Yeah. -We all like a little bit of the masculine. | 0:28:40 | 0:28:43 | |
Well, I've brought you a stable belt. | 0:28:43 | 0:28:45 | |
-It belongs to the Cheshire Regiment. -OK. | 0:28:45 | 0:28:47 | |
-Now, this is the regimental colours. -Mm-hm. | 0:28:47 | 0:28:50 | |
He would have been a gentleman that was working with horses, | 0:28:50 | 0:28:52 | |
and while he was cleaning his horses and tending to them, | 0:28:52 | 0:28:55 | |
these are the belts that they used to have, 1950s onwards. | 0:28:55 | 0:28:58 | |
Right, OK. | 0:28:58 | 0:28:59 | |
Do you think that has the look that you would go for? | 0:28:59 | 0:29:02 | |
Could I just try it and see whether it would fit my ladies? | 0:29:02 | 0:29:04 | |
Of course - first of all, it's the size that matters. Look at that. | 0:29:04 | 0:29:07 | |
Yeah. I mean, obviously, something like this would be quite stylish | 0:29:07 | 0:29:10 | |
-with a pair of wide-leg trousers. -Yeah. | 0:29:10 | 0:29:12 | |
If I was to ask you 25 quid, as that gives me a little bit of profit, | 0:29:12 | 0:29:14 | |
can you sell it, or is it too expensive for you? | 0:29:14 | 0:29:16 | |
-Please just say if it is. -Um... Possibly. | 0:29:16 | 0:29:19 | |
I mean, obviously, for me, | 0:29:19 | 0:29:20 | |
it's what would a lady spend on a belt that she would wear... | 0:29:20 | 0:29:23 | |
-Yeah, got you. -..now and again. -Yeah. | 0:29:23 | 0:29:25 | |
Er... | 0:29:25 | 0:29:27 | |
-I'll take a punt on it and see. -Yeah, are you sure? | 0:29:27 | 0:29:29 | |
I will, I'll take a punt on it. | 0:29:29 | 0:29:31 | |
I should be able to find some lady who'll like that, | 0:29:31 | 0:29:33 | |
because of its history. | 0:29:33 | 0:29:34 | |
-Do we shake on that? -It's a deal. -That's a deal. | 0:29:34 | 0:29:37 | |
Not exactly a belter, | 0:29:37 | 0:29:38 | |
but that £25 deal sees Paul pocket a profit of £7, | 0:29:38 | 0:29:43 | |
and takes us to the halfway mark. | 0:29:43 | 0:29:45 | |
So, let's find out who is fashionably in front | 0:29:45 | 0:29:48 | |
and who is behind the times. | 0:29:48 | 0:29:50 | |
Paul has sold three items, making a profit of £75. | 0:29:52 | 0:29:57 | |
John has only sold two items, but is slightly ahead with a profit of £86. | 0:29:57 | 0:30:02 | |
So, John has more dosh in his profit pot | 0:30:04 | 0:30:07 | |
and three more items left to sell - | 0:30:07 | 0:30:09 | |
so, not a bad way to storm into round two. | 0:30:09 | 0:30:12 | |
Keen to line his coffers even further, | 0:30:12 | 0:30:14 | |
he thinks he's found the perfect buyer for his unusual silver brooch. | 0:30:14 | 0:30:18 | |
I mean, Southsea, to me, collector and dealer of small artefacts, Lee, | 0:30:18 | 0:30:23 | |
who is also an England fan and a bit of a keen gardener, | 0:30:23 | 0:30:27 | |
so, I'm hoping my Monty Don silver three-lions brooch | 0:30:27 | 0:30:30 | |
is going to tick all three boxes. | 0:30:30 | 0:30:31 | |
-# Three lions on a shirt -It's coming home, it's coming | 0:30:31 | 0:30:35 | |
-# Jules Rimet still gleaming -Football's coming home... # | 0:30:35 | 0:30:39 | |
The '80s brooch cost him £30 - so, can he dig out a profit? | 0:30:39 | 0:30:43 | |
-Oh, John. -How's it going? -How you doing? | 0:30:43 | 0:30:45 | |
-Nice to see you. -Nice to see you again. | 0:30:45 | 0:30:47 | |
So, this is the nerve centre of all the artefacts. | 0:30:47 | 0:30:49 | |
This is where it all happens. | 0:30:49 | 0:30:50 | |
I picked up this little thing here. | 0:30:50 | 0:30:52 | |
-That's nice, John, yeah. -Have a look at that. Have a look. | 0:30:52 | 0:30:55 | |
-Now, I understand you're a bit of an England fan... -I am! | 0:30:55 | 0:30:57 | |
..and somebody else told me you are a bit of a keen gardener. | 0:30:57 | 0:30:59 | |
-I am a very keen gardener, John, yeah. -So, there is a link to that. | 0:30:59 | 0:31:03 | |
-Would it be Monty Don, by any chance? -It would be Monty Don. | 0:31:03 | 0:31:06 | |
His jewellery is, you know, still sought after. It's quite nice. | 0:31:06 | 0:31:09 | |
-I'd really be interested in buying this. -You like that? -Yeah. | 0:31:09 | 0:31:12 | |
I'm going to chuck a figure at you - £100. | 0:31:12 | 0:31:14 | |
I'm going to give you the full amount. | 0:31:14 | 0:31:16 | |
-I'm going to give you £100, John. -Really? -Yeah. Cos I like it. | 0:31:16 | 0:31:19 | |
Well, do you know what? | 0:31:19 | 0:31:20 | |
-That's the best deal I've done in the show... -Right. | 0:31:20 | 0:31:23 | |
-..and I'm going to shake your hand. -Thank you very much, John. | 0:31:23 | 0:31:25 | |
And a near-speechless John pins down a profit of £70 - | 0:31:25 | 0:31:30 | |
his biggest so far. | 0:31:30 | 0:31:31 | |
Lee clearly liked that, | 0:31:33 | 0:31:34 | |
and that's good evidence | 0:31:34 | 0:31:35 | |
of taking the right things to the right people. | 0:31:35 | 0:31:38 | |
I think I'll come here again. | 0:31:38 | 0:31:39 | |
Our rival dealers are now neck and neck at three sales each. | 0:31:40 | 0:31:43 | |
Determined to take the lead, Paul has travelled to Yorkshire | 0:31:43 | 0:31:46 | |
hoping to make his fortune with his Chinese silver pieces. | 0:31:46 | 0:31:50 | |
So, who'd have thought it, eh? | 0:31:51 | 0:31:53 | |
Those Chinese trade dollars have brought me here, | 0:31:53 | 0:31:55 | |
to Hornsea in the north-east, | 0:31:55 | 0:31:57 | |
to a gentleman who specialises in gold and silver - | 0:31:57 | 0:31:59 | |
and hopefully he can shed some light on these coins. | 0:31:59 | 0:32:02 | |
The five coins cost Paul £30 - | 0:32:03 | 0:32:05 | |
so, will he pocket a profit from dealer Rob? | 0:32:05 | 0:32:08 | |
-Ah, hello, Rob. -Now, then, Paul. All right? -How are you? | 0:32:08 | 0:32:11 | |
-Not bad, and yourself? -Yeah. | 0:32:11 | 0:32:13 | |
Now, you sort of specialise in coins, in gold and silver, | 0:32:13 | 0:32:15 | |
-that type of thing. -Yeah. | 0:32:15 | 0:32:16 | |
-Have you ever seen anything like these before? Like Chinese... -Yeah. | 0:32:16 | 0:32:21 | |
-Dragon dollars. -Dragon dollars. Now... -Opium trade coins. | 0:32:21 | 0:32:24 | |
-When the opium trade wars ended, China had to open the market... -OK. | 0:32:24 | 0:32:31 | |
..and these were sort of a recognised currency | 0:32:31 | 0:32:35 | |
between China and the rest of Asia. | 0:32:35 | 0:32:37 | |
Right, now, is it because China didn't really trust paper money? | 0:32:37 | 0:32:41 | |
-Yes. -They wanted to deal in material. -Silver, solid commodity. | 0:32:41 | 0:32:44 | |
What period are we looking, then, in China? | 0:32:44 | 0:32:46 | |
These are probably 1860, 1880. | 0:32:46 | 0:32:49 | |
There's a very small market for them. | 0:32:49 | 0:32:51 | |
-There is a silver content, as well, on them. -We've got five. -Yeah. | 0:32:51 | 0:32:55 | |
-What are you thinking, about a tenner each? -Tenner each, yeah. £50. | 0:32:55 | 0:32:59 | |
There's not a great deal in them. | 0:32:59 | 0:33:00 | |
-All right, OK, well, if that's the going rate for them... -Yeah. | 0:33:00 | 0:33:03 | |
-..I'm quite happy with that. Shall we shake on that? -Yeah. | 0:33:03 | 0:33:05 | |
-OK, then, Rob. -Excellent. | 0:33:05 | 0:33:06 | |
All right, so, we've done a trade, just as they did 100 years ago. | 0:33:06 | 0:33:09 | |
Well, Paul may not be minted, but he makes £20 profit | 0:33:09 | 0:33:13 | |
on his dragon dollars, and is ahead four sales to three... | 0:33:13 | 0:33:17 | |
..but now it's the turn of the early-20th-century cameo brooch - | 0:33:18 | 0:33:22 | |
the lady our dashing dealers fought over like two rival Romeos, | 0:33:22 | 0:33:26 | |
pushing up the price until John won her hand. | 0:33:26 | 0:33:28 | |
-Was that you? -It was, sir. | 0:33:29 | 0:33:31 | |
He's discovered the carved image is one of the female followers | 0:33:31 | 0:33:35 | |
of Bacchus, the Roman god of wine, | 0:33:35 | 0:33:37 | |
so he's hoping Havant-based sommelier Keith | 0:33:37 | 0:33:40 | |
will give him a return on his £180 investment. | 0:33:40 | 0:33:43 | |
Well, cameo, basically, it means carved in relief, | 0:33:44 | 0:33:47 | |
-and this, here, was carved in shell... -Mm-hm. | 0:33:47 | 0:33:49 | |
..and if you think about shells, they have natural layers, | 0:33:49 | 0:33:52 | |
and natural colour variation, | 0:33:52 | 0:33:55 | |
so, you have pinks and creams and reds and so on, | 0:33:55 | 0:33:59 | |
and what they do in carving these cameos | 0:33:59 | 0:34:01 | |
is to release those different layers and use its natural colouring | 0:34:01 | 0:34:05 | |
to kind of highlight certain areas. | 0:34:05 | 0:34:07 | |
-Mm-hm. -So, that's all one piece. -That's amazing. -What do you think? | 0:34:07 | 0:34:10 | |
-Have a look. -Yeah, it's pretty beautiful. | 0:34:10 | 0:34:12 | |
Now, I think this is a follower of Bacchus, the god of wine. | 0:34:12 | 0:34:17 | |
-We've got grapevine in her hair, there... -Yeah. | 0:34:17 | 0:34:20 | |
-..and this little staff is called the thyrsus... -OK. | 0:34:20 | 0:34:23 | |
..and that is an item, | 0:34:23 | 0:34:25 | |
-an attribute associated with Bacchus and his followers. -Yeah. | 0:34:25 | 0:34:28 | |
So, it's either Edesia or Bibesia. | 0:34:28 | 0:34:31 | |
Ah! Your knowledge is better than mine. | 0:34:31 | 0:34:33 | |
Edesia is the goddess of feast, | 0:34:33 | 0:34:36 | |
-and Bibesia is the goddess of drink. -OK. | 0:34:36 | 0:34:40 | |
-It's also set in nine-carat gold. -I think it's stunning, yeah. | 0:34:40 | 0:34:43 | |
I'm amazed by the craftsmanship... | 0:34:43 | 0:34:46 | |
-..how someone can do that. -I'm looking for, Keith, on this, about £280. | 0:34:48 | 0:34:53 | |
-How does that sound? -I was hoping for around two, to be honest. | 0:34:55 | 0:34:59 | |
I would like you to own it. Would you do 250? | 0:34:59 | 0:35:02 | |
I'd go 220. | 0:35:06 | 0:35:08 | |
220... Could you do 240? | 0:35:08 | 0:35:11 | |
-220. -220. | 0:35:11 | 0:35:13 | |
You've got yourself a deal. | 0:35:13 | 0:35:15 | |
Settling for a full-bodied profit of £40, | 0:35:15 | 0:35:18 | |
John celebrates his deal with a wine-tasting lesson from Keith. | 0:35:18 | 0:35:22 | |
-Now, what am I looking for here? -Get some air into it. | 0:35:22 | 0:35:26 | |
Open it up, and then take a really, really big sniff... | 0:35:26 | 0:35:29 | |
..and then you're getting all the fruit, | 0:35:32 | 0:35:34 | |
touch of spice, cos it's the Shiraz. | 0:35:34 | 0:35:36 | |
-Yeah. It's pretty good. -It's got good body, good depth. | 0:35:39 | 0:35:42 | |
-Well, I'll drink to that. -Cheers. | 0:35:42 | 0:35:44 | |
Mm! | 0:35:45 | 0:35:47 | |
And with one final item to sell, John's back on the south coast. | 0:35:47 | 0:35:50 | |
Hang on, what's he up to? | 0:35:50 | 0:35:52 | |
Came down to the harbour at Emsworth here | 0:35:52 | 0:35:54 | |
to try and test the helmet before I sell it. | 0:35:54 | 0:35:57 | |
Schoolboy error - should have checked the tide times. | 0:35:57 | 0:35:59 | |
I suppose I'd better change into something more appropriate. | 0:35:59 | 0:36:02 | |
Yes. | 0:36:02 | 0:36:03 | |
And, as it is only a reproduction, John's had a lucky escape. | 0:36:03 | 0:36:06 | |
In a more lucid moment, | 0:36:06 | 0:36:08 | |
John has decided to target local landlord Giles, | 0:36:08 | 0:36:11 | |
and hopes he will want to buy the modern helmet to decorate his pub. | 0:36:11 | 0:36:15 | |
Remember, it owes John £144. | 0:36:15 | 0:36:18 | |
-Giles, how are you? -Very well. -Good to see you. | 0:36:18 | 0:36:21 | |
-You all right? -I've brought something to show you. | 0:36:21 | 0:36:24 | |
-I always get a sinking feeling when you walk in, John. -Oh! Very good. | 0:36:24 | 0:36:27 | |
What do you think of this? | 0:36:27 | 0:36:28 | |
I just thought it might lend to the decor of the pub. | 0:36:28 | 0:36:31 | |
You've got a few maritime bits in here. | 0:36:31 | 0:36:32 | |
Yeah, we've got all the navy stuff and things like that | 0:36:32 | 0:36:35 | |
that we've collected over the years. No, I like it. | 0:36:35 | 0:36:37 | |
I think it would probably suit us well in here. | 0:36:37 | 0:36:40 | |
Looking for £250, Giles. | 0:36:40 | 0:36:43 | |
-I was thinking more 175. -175? | 0:36:43 | 0:36:45 | |
Cor, you've really set your stall out, there, Giles, haven't you?! | 0:36:45 | 0:36:48 | |
Could we do a bit better than that? | 0:36:48 | 0:36:50 | |
I like round figures - could we do 200? | 0:36:50 | 0:36:52 | |
It's got to be worth 200 quid, hasn't it? | 0:36:53 | 0:36:55 | |
What about 195, and I'll give you a dinner? | 0:36:55 | 0:36:59 | |
No, I tell you what, £200 and I'll polish the brass for you. | 0:36:59 | 0:37:02 | |
Yeah, brilliant. Deal. | 0:37:02 | 0:37:05 | |
So, John polishes off his selling with a profit of £56, | 0:37:05 | 0:37:08 | |
and he's all sold up. | 0:37:08 | 0:37:10 | |
Come on, John. Put some... Put some elbow grease into that. | 0:37:11 | 0:37:14 | |
-I think you missed a bit up here. -Easy - come on, Giles. | 0:37:14 | 0:37:17 | |
Well, that's me all sold up, | 0:37:17 | 0:37:19 | |
and I made more than a deep-sea diver. | 0:37:19 | 0:37:21 | |
That's a fiver, for those of you | 0:37:21 | 0:37:22 | |
that don't know cockney rhyming slang. | 0:37:22 | 0:37:24 | |
Paul Hayes, you're not the only one that likes to be beside the seaside. | 0:37:24 | 0:37:27 | |
I'll see you with your briefcase. | 0:37:27 | 0:37:29 | |
But Paul has one final deal to seal. | 0:37:29 | 0:37:33 | |
His search to find a home for his 1930s pen | 0:37:33 | 0:37:36 | |
has led him to dealer Mark in Yorkshire. | 0:37:36 | 0:37:38 | |
I think it's a wonderful-quality item, | 0:37:38 | 0:37:40 | |
but there are literally thousands of varieties. | 0:37:40 | 0:37:43 | |
So, I've brought it to a friend of mine in Hornsea | 0:37:43 | 0:37:46 | |
who specialises in all things vintage fountain pens. | 0:37:46 | 0:37:49 | |
Hopefully, he can shed some light on it. | 0:37:49 | 0:37:51 | |
The pen owes him £30. | 0:37:51 | 0:37:54 | |
-It's nice to see you, Mark. -And you, Paul. | 0:37:54 | 0:37:56 | |
-You specialise in fountain pens, is that right? -I do, yes. | 0:37:56 | 0:37:59 | |
Vintage fountain pens. | 0:37:59 | 0:38:00 | |
The golden age of fountain pens was from the 1920s through to the 1950s. | 0:38:00 | 0:38:04 | |
-Right. -After the 1950s, the fountain pen market died, | 0:38:04 | 0:38:08 | |
-because of the ball pen. -This is one I've brought along to show you. -OK. | 0:38:08 | 0:38:12 | |
As far as I'm aware, it's a Parker, and it dates sort of 1930s. | 0:38:12 | 0:38:16 | |
Other than that, really, I'm not exactly sure which model it is. | 0:38:16 | 0:38:20 | |
Can you tell straight off? | 0:38:20 | 0:38:22 | |
It certainly looks like a Parker Vacumatic. | 0:38:22 | 0:38:24 | |
They were made from celluloid, | 0:38:24 | 0:38:27 | |
and they were made from rings of celluloid | 0:38:27 | 0:38:28 | |
-that were actually glued together to create this striped effect. -OK. | 0:38:28 | 0:38:32 | |
There is a couple of things on this that are immediately concerning me. | 0:38:32 | 0:38:36 | |
-Really? -That cap band there has got a double stripe on it, | 0:38:36 | 0:38:40 | |
and Parker never did a cap band like that... | 0:38:40 | 0:38:44 | |
and also, the striping on the barrel is uneven. | 0:38:44 | 0:38:48 | |
You see it's tapered off towards the end. It's not... | 0:38:48 | 0:38:50 | |
They should have been made from concentric rings. | 0:38:50 | 0:38:53 | |
So, this one, at the moment, | 0:38:53 | 0:38:55 | |
is looking like it's something that it's not, if you see what I mean. | 0:38:55 | 0:38:59 | |
-Really? -So, I'm going to have a little look at it... | 0:38:59 | 0:39:02 | |
-Have a look at it. -..with my glass. | 0:39:02 | 0:39:03 | |
-The Vacumatic name would be, normally, on the barrel. -OK. | 0:39:03 | 0:39:06 | |
There's nothing on this one at all, so I can say, categorically, | 0:39:06 | 0:39:09 | |
without even looking at the nib, that it's not a Parker Vacumatic. | 0:39:09 | 0:39:13 | |
-Um... -Well, I'm shocked. | 0:39:13 | 0:39:15 | |
Looking at... | 0:39:15 | 0:39:17 | |
-Sorry, Paul. -No, it's all right - it's all right. | 0:39:17 | 0:39:19 | |
-Is it something that is pretending to be a Parker Vacumatic? -Yeah. | 0:39:19 | 0:39:23 | |
It's got on the nib, "special pen", | 0:39:23 | 0:39:25 | |
-which doesn't really do it any favours. -OK. | 0:39:25 | 0:39:29 | |
I am pretty sure that this is a clone pen, | 0:39:29 | 0:39:31 | |
originated, probably, from Japan or India. | 0:39:31 | 0:39:35 | |
There were thousands and thousands and thousands of these | 0:39:35 | 0:39:37 | |
clone pens made, because the Parker Vacumatic was such a successful pen. | 0:39:37 | 0:39:42 | |
-Right. -Such a desirable pen, and such an expensive pen. -Right. | 0:39:42 | 0:39:46 | |
Then there was an opportunity for - even in the 1930s - | 0:39:46 | 0:39:49 | |
for the Japanese to make copies and import them into the UK | 0:39:49 | 0:39:53 | |
and other places, and this is one of those, I'm afraid. | 0:39:53 | 0:39:56 | |
A devastating blow to Paul - | 0:39:56 | 0:39:58 | |
especially when Mark shows him the real thing. | 0:39:58 | 0:40:01 | |
Very, very similar. | 0:40:01 | 0:40:03 | |
-So, this is something that is trying to imitate this one. -That's right. | 0:40:03 | 0:40:06 | |
Well, you can see that the striations on here | 0:40:06 | 0:40:08 | |
are consistent all the way to the end, | 0:40:08 | 0:40:10 | |
because they were made from rings of celluloid that were bonded together. | 0:40:10 | 0:40:14 | |
-Got you. -And this one has just been... | 0:40:14 | 0:40:16 | |
it's actually in the plastic itself, it's made from a sheet of acetate, | 0:40:16 | 0:40:20 | |
so, you get a seam on that - you don't get a seam on this one. | 0:40:20 | 0:40:23 | |
Well, that's... That's genuinely really shocked me, actually. | 0:40:23 | 0:40:25 | |
-And the unfortunate thing, Paul, is it's virtually worthless. -Oh! | 0:40:25 | 0:40:30 | |
Well...! | 0:40:30 | 0:40:31 | |
You know, you've got to laugh sometimes - | 0:40:31 | 0:40:33 | |
even the best of us get caught out, don't we? | 0:40:33 | 0:40:35 | |
OK, well, it matches this suit very well. | 0:40:35 | 0:40:37 | |
It's been fantastic chatting to you - | 0:40:37 | 0:40:39 | |
I knew you'd be the man to help me out here, but... | 0:40:39 | 0:40:41 | |
-that's what happens in real life. So, Mark... -No problem at all. | 0:40:41 | 0:40:44 | |
I'll leave you now. I'll go and drown my sorrows somewhere. | 0:40:44 | 0:40:47 | |
-No problem. -Thank you very much! Thank you. | 0:40:47 | 0:40:50 | |
That is a terrible shock for Paul, but he's putting on a brave face. | 0:40:50 | 0:40:54 | |
Well, there we are. Do you know what? | 0:40:54 | 0:40:56 | |
That wasn't exactly what I wanted to hear. Who'd have thought it, eh? | 0:40:56 | 0:40:59 | |
It just goes to show, anyone can get caught out. | 0:40:59 | 0:41:01 | |
But there is a silver lining for Paul - | 0:41:01 | 0:41:03 | |
the auction house has agreed to give him a full refund, | 0:41:03 | 0:41:06 | |
so, although he can't make a profit, at least he doesn't make a loss. | 0:41:06 | 0:41:10 | |
That signals the end of our selling spree - | 0:41:11 | 0:41:13 | |
but who will be the victor, and who has been vanquished? | 0:41:13 | 0:41:16 | |
Before we find out, | 0:41:16 | 0:41:17 | |
here's a reminder of how much they spent at auction. | 0:41:17 | 0:41:20 | |
Having started the day with £1,000 of their own money, | 0:41:20 | 0:41:24 | |
Paul bought five lots - | 0:41:24 | 0:41:25 | |
but, after the pen was refunded, spent a total of £180. | 0:41:25 | 0:41:29 | |
John also bought five lots, spending £468 - | 0:41:29 | 0:41:34 | |
but who has made the most profit? | 0:41:34 | 0:41:37 | |
All of the money that Paul and John have made from this challenge | 0:41:37 | 0:41:39 | |
will go to the charities of their choice - | 0:41:39 | 0:41:42 | |
so, let's find out who is today's | 0:41:42 | 0:41:44 | |
Put Your Money Where Your Mouth Is champion. | 0:41:44 | 0:41:47 | |
John, how are you? | 0:41:47 | 0:41:48 | |
-All right, Paul? How are you doing? -Great to see you. -Good to see you. | 0:41:48 | 0:41:51 | |
I've got to ask you, how did you get on with that cameo? | 0:41:51 | 0:41:53 | |
-Cos I wanted that cameo! -I know! Well, do you know what? | 0:41:53 | 0:41:56 | |
It was quite tough. | 0:41:56 | 0:41:57 | |
Trying to find someone who wants a cameo these days was difficult, | 0:41:57 | 0:41:59 | |
so, I had to kind of think outside the box. | 0:41:59 | 0:42:01 | |
Really, best lot for me was that little silver | 0:42:01 | 0:42:03 | |
-Monty Don England brooch. -Oh, of course, yeah. | 0:42:03 | 0:42:06 | |
Made good profit on that - but I think, | 0:42:06 | 0:42:07 | |
really only because I bought it so cheaply. | 0:42:07 | 0:42:09 | |
-And it is Monty Don the gardener? -It is Monty Don the gardener. Yeah. | 0:42:09 | 0:42:12 | |
There's hope for me and you yet, we could go into business. | 0:42:12 | 0:42:14 | |
Could be another career for us after this. | 0:42:14 | 0:42:16 | |
The Arabic vase was my best thing out of the auction. | 0:42:16 | 0:42:18 | |
I found it quite a struggle, I must admit. | 0:42:18 | 0:42:20 | |
-Quite a difficult one, this one, wasn't it? -Yeah, it was quite tough. | 0:42:20 | 0:42:22 | |
-Shall we see how we got on? -Whew! Take a deep breath. | 0:42:22 | 0:42:24 | |
All right, after three, is it? | 0:42:24 | 0:42:27 | |
-OK. One, two... -Three. -..three. | 0:42:27 | 0:42:30 | |
-Oh, there we are, look at that! -Oh! -Massive profit. -There we are. | 0:42:30 | 0:42:33 | |
-What was your biggest profit of that, then? -It was the brooch... | 0:42:33 | 0:42:36 | |
-I don't know, I think it was about £70 or something like that. -Yeah? | 0:42:36 | 0:42:39 | |
It was a good profit, I was very happy. | 0:42:39 | 0:42:41 | |
Oh, well, I'm just glad it's not negative! | 0:42:41 | 0:42:43 | |
-There's an auction down the road, actually... -No more auctions. | 0:42:44 | 0:42:47 | |
No more auctions! | 0:42:47 | 0:42:48 | |
So, a convincing win, there, from John, | 0:42:49 | 0:42:51 | |
making money across the board, and more than doubling Paul's profits. | 0:42:51 | 0:42:55 | |
Well, I'm really happy I've won the auction challenge, | 0:42:55 | 0:42:58 | |
because, consistently, I do bad at auction. | 0:42:58 | 0:43:01 | |
Won that one, now bring on the next. | 0:43:01 | 0:43:03 | |
Do you know what? I'm kicking myself, there, actually. | 0:43:03 | 0:43:06 | |
If I'd have asked £20 more profit on each item, | 0:43:06 | 0:43:08 | |
I'd have given John a real run for his money - | 0:43:08 | 0:43:10 | |
but that's one battle down, but the war's not over yet. | 0:43:10 | 0:43:13 | |
Never fear, plucky Paul will come back fighting tomorrow | 0:43:13 | 0:43:16 | |
at an antiques fair in West Sussex. | 0:43:16 | 0:43:18 |