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We've all seen them on TV, but how will the country's favourite antiques experts fare | 0:00:02 | 0:00:06 | |
when they're challenged to make a profit with their own cash? | 0:00:06 | 0:00:09 | |
Excellent. | 0:00:09 | 0:00:11 | |
He who laughs last, laughs loudest. | 0:00:11 | 0:00:14 | |
From car-boot sales to auction houses, our experts will be recreating some of their real-life | 0:00:14 | 0:00:20 | |
deals as they go head to head and try and make the most money for their chosen charities. | 0:00:20 | 0:00:27 | |
Purchase of the week. | 0:00:27 | 0:00:28 | |
Fantastic. I'm thrilled with that. | 0:00:28 | 0:00:31 | |
The challenge to our experts is clear. | 0:00:31 | 0:00:33 | |
Dealers, put your money where your mouth is. | 0:00:33 | 0:00:36 | |
Today's experts are animal-loving auctioneer James "The Lionheart" Lewis | 0:01:05 | 0:01:10 | |
-and antiques investigator Curtis "the Detective" Dowling. -It's a fake. | 0:01:10 | 0:01:14 | |
Curtis was in his teens when he first became interested in antiques, | 0:01:14 | 0:01:18 | |
but it wasn't until a few years later, after a stint in the military police, | 0:01:18 | 0:01:22 | |
that he finally solved the mystery of antiques and collectables. | 0:01:22 | 0:01:25 | |
Stop thinking antiques are some really, really mystical thing. | 0:01:25 | 0:01:28 | |
All they are is lots of old stuff, so if you think of it like that, | 0:01:28 | 0:01:32 | |
it's lots of quite expensive second-hand stuff, | 0:01:32 | 0:01:36 | |
you've taken the madness and the pompousness out of antiques. | 0:01:36 | 0:01:39 | |
Curtis's nickname, the Detective, comes from his expertise in spotting fake antiques. | 0:01:39 | 0:01:45 | |
He's also an expert valuer and can be found hunting cash in the attic. | 0:01:45 | 0:01:49 | |
Condition, condition, condition. | 0:01:49 | 0:01:52 | |
If it's chipped, cracked or damaged, don't touch it. | 0:01:52 | 0:01:55 | |
His opponent is a seasoned auctioneer who runs his own sale room. | 0:01:56 | 0:02:00 | |
548. | 0:02:01 | 0:02:03 | |
When he's not selling from the podium, he likes to relax at home with his four-legged friends. | 0:02:03 | 0:02:08 | |
My two major loves, really, in life have been animals and antiques. | 0:02:08 | 0:02:13 | |
I always wanted to be a vet, but somehow I've fallen into this, the auctioneering. | 0:02:13 | 0:02:18 | |
James has over 20 years' experience in the antiques trade and he's a regular expert on Flog It! | 0:02:18 | 0:02:23 | |
Anything that's titled, anything that has a name... | 0:02:23 | 0:02:27 | |
has a good chance of selling. | 0:02:27 | 0:02:30 | |
So our rivals are ready, and the stakes are sky high. | 0:02:30 | 0:02:35 | |
With their reputations at risk and their own money on the line, | 0:02:35 | 0:02:38 | |
it's time for us to find out the aim of today's game. | 0:02:38 | 0:02:41 | |
Ah, Lionheart. | 0:02:43 | 0:02:44 | |
-Good to see you. -Ready to do battle again? | 0:02:44 | 0:02:46 | |
Absolutely. Shall we exchange terms? | 0:02:46 | 0:02:48 | |
Marvellous. Who's reading first? | 0:02:48 | 0:02:50 | |
-Let's have a look. Shall I? -After you. -"James and Curtis..." | 0:02:50 | 0:02:54 | |
-Most important one first! -Oh? | 0:02:54 | 0:02:57 | |
"Your challenge today is to spend £750..." | 0:02:57 | 0:03:01 | |
That's the bit I don't like... "..of your own money on antiques. | 0:03:01 | 0:03:05 | |
"You must then re-sell your purchases with the aim of making as much profit as possible. | 0:03:05 | 0:03:11 | |
"The winner is the presenter who makes most cash." | 0:03:11 | 0:03:14 | |
-Shall I read mine? -Go on. -OK. | 0:03:14 | 0:03:17 | |
"Today you must buy all your antiques from," quite logically, "an antiques fair." | 0:03:17 | 0:03:22 | |
-Fantastic! -Good luck. | 0:03:22 | 0:03:24 | |
-May the best man win. -And to you. | 0:03:24 | 0:03:26 | |
Curtis and James will be going head to head at the Swinderby | 0:03:26 | 0:03:29 | |
antiques fair in Lincolnshire, which has over 3,000 stalls. | 0:03:29 | 0:03:33 | |
Pretty much everybody that our experts | 0:03:33 | 0:03:35 | |
try to do deals with will be aware that they're on a mission to make as much money as possible for charity. | 0:03:35 | 0:03:40 | |
James and Curtis will be doing everything in their power to persuade people | 0:03:40 | 0:03:44 | |
to give them the best possible prices | 0:03:44 | 0:03:46 | |
as they buy and sell the items they hope will drive them to victory. | 0:03:46 | 0:03:50 | |
Finding the best bargains is going to be hard work, | 0:03:50 | 0:03:53 | |
so what battle plans have our intrepid experts drawn up? | 0:03:53 | 0:03:58 | |
My strategy is to buy one expensive thing and five smaller, | 0:03:58 | 0:04:02 | |
so hopefully that will spread the risk a bit. | 0:04:02 | 0:04:05 | |
What am I looking for today? | 0:04:05 | 0:04:07 | |
Well, I keep coming back to two themes for no reason... | 0:04:07 | 0:04:10 | |
maritime and Art Deco. | 0:04:10 | 0:04:12 | |
I don't know what it is, I just keep getting drawn to those items. | 0:04:12 | 0:04:15 | |
So Curtis's strategy is to home in on Art Deco and maritime items, | 0:04:15 | 0:04:21 | |
whilst James is planning to spread the risk by buying one expensive item and five cheaper ones. | 0:04:21 | 0:04:27 | |
What he didn't tell us is that this is his local market and he knows a lot of the stall-holders, | 0:04:27 | 0:04:33 | |
but always one step ahead of the game, the Detective has a secret of his own. | 0:04:33 | 0:04:38 | |
Cos I'm not from round here, James may think he's got the advantage. | 0:04:38 | 0:04:42 | |
He knows this market and he knows the people here. | 0:04:42 | 0:04:45 | |
Is that an advantage? Well, time will tell. | 0:04:45 | 0:04:48 | |
Maybe he doesn't know that I used to do this market myself as a stall-holder | 0:04:48 | 0:04:51 | |
up until about ten years ago. | 0:04:51 | 0:04:53 | |
Yes, something tells me we're in for a battle royale today. | 0:04:55 | 0:04:58 | |
There are thousands of stalls to browse in today's market, and James thinks he's found | 0:04:58 | 0:05:02 | |
something with a rich vein of potential profit running through it. | 0:05:02 | 0:05:07 | |
Now, this is an interesting object. | 0:05:07 | 0:05:09 | |
To all intents and purposes from the outside, it looks like a penknife, | 0:05:09 | 0:05:12 | |
and it is a type of knife, but not the normal. | 0:05:12 | 0:05:16 | |
If you have a look at that, it has three triangular-shaped blades, | 0:05:16 | 0:05:20 | |
and the design of those is for one particular purpose... | 0:05:20 | 0:05:24 | |
for inserting into a vein to make you bleed to release the pressure, | 0:05:24 | 0:05:28 | |
so that, if you had a nervous disease | 0:05:28 | 0:05:30 | |
or some form of infection, the idea was, by releasing the blood, you would get rid of the infection. | 0:05:30 | 0:05:36 | |
I'm very glad to say it's not being used today, | 0:05:36 | 0:05:39 | |
but it was used right the way back 3,000 years ago in Ancient Egypt and it was used throughout | 0:05:39 | 0:05:45 | |
periods of time, right the way up until the end of the 19th century. | 0:05:45 | 0:05:49 | |
This one, however, isn't for humans. | 0:05:49 | 0:05:51 | |
This is probably for horses. The name of it - a fleam. | 0:05:51 | 0:05:55 | |
Comes from phlebus which is a Latin word meaning vein. | 0:05:55 | 0:06:00 | |
So that, as a George III fleam, | 0:06:00 | 0:06:02 | |
should certainly create some interest. | 0:06:02 | 0:06:05 | |
So The Lionheart thinks there could be a profit in the antique fleam, but can he cut a deal? | 0:06:05 | 0:06:10 | |
-What are you asking for that? -Well, I'm asking £20. | 0:06:10 | 0:06:14 | |
OK. How about 15? | 0:06:14 | 0:06:15 | |
-OK, you got a deal. -We have. -Thank you, James. | 0:06:15 | 0:06:18 | |
Fantastic. Thank you. | 0:06:18 | 0:06:20 | |
Nicely done, Mr Lewis. That's a good discount and an interesting purchase. | 0:06:20 | 0:06:24 | |
Elsewhere in the market, it looks as though Curtis is hoping to climb aboard the good ship profit. | 0:06:27 | 0:06:33 | |
MUSIC: THEME TO "CAPTAIN PUGWASH" | 0:06:33 | 0:06:37 | |
Now, this is the kind of thing I've been looking for. | 0:06:37 | 0:06:40 | |
It's a mahogany and brass chapter-ringed ship's wheel. | 0:06:41 | 0:06:45 | |
Must be 100 years old and it's beautiful, | 0:06:45 | 0:06:49 | |
but it's £450. I'll just keep looking. | 0:06:49 | 0:06:53 | |
The Detective may be steering clear of that ship's wheel, | 0:06:55 | 0:06:57 | |
but there's plenty more fish in the sea, and another item has taken his fancy. | 0:06:57 | 0:07:02 | |
Now, that last ship's wheel I looked at was £450, | 0:07:02 | 0:07:07 | |
but why? | 0:07:07 | 0:07:09 | |
This one's mahogany but just painted. | 0:07:09 | 0:07:11 | |
This one's got a lovely chapter ring around it, but it's not as attractive and it's not in as good condition. | 0:07:11 | 0:07:17 | |
I tell you what I particularly like about this one, though. | 0:07:17 | 0:07:22 | |
It's £100 and not £450. | 0:07:22 | 0:07:25 | |
And another thing I like about it is I think there's profit in it. | 0:07:25 | 0:07:29 | |
But probably the best thing I like about it is I've bought it already, and it's mine. | 0:07:29 | 0:07:34 | |
Yes, well, I think he's quite happy with that purchase, don't you? | 0:07:34 | 0:07:37 | |
His rival, though, is also busy scouring the market for game-winning items | 0:07:37 | 0:07:42 | |
and has snapped up something that he thinks is a potential money-maker. | 0:07:42 | 0:07:46 | |
Whenever you're buying something to try and make a profit, the key is to who you're going to sell it to. | 0:07:46 | 0:07:51 | |
This is a classic piece for a private buyer. | 0:07:51 | 0:07:54 | |
It's ornate, it's decorative and it's a centrepiece, probably made in England or France around 1890, 1900. | 0:07:54 | 0:08:02 | |
It's what we call hobnail cut. | 0:08:02 | 0:08:04 | |
This is almost dog-tooth sharp cutting around the border. | 0:08:04 | 0:08:07 | |
It's got a star-cut base around the edge there, with that wonderful curved cutting. Not easy to do. | 0:08:07 | 0:08:14 | |
The mounts are lacquered, gold-plated brass, not ormolu. | 0:08:14 | 0:08:19 | |
Ormolu is gold-plated bronze, but that is just about second best. | 0:08:19 | 0:08:23 | |
Now, I paid £40 for this. | 0:08:23 | 0:08:25 | |
I would hope to sell it for near on 100. | 0:08:25 | 0:08:28 | |
The Lionheart is in a confident mood, | 0:08:31 | 0:08:34 | |
and he's also aiming to snap up a late 19th-century teacup and saucer. | 0:08:34 | 0:08:38 | |
Do you know, £30 and it's a deal. | 0:08:40 | 0:08:42 | |
-I can do 35. -Do you know, the thing that slightly concerns me... | 0:08:42 | 0:08:46 | |
it doesn't have a recess for the cup. | 0:08:46 | 0:08:49 | |
I'm sure it is a saucer, but it might be a side plate. | 0:08:49 | 0:08:51 | |
-That's why I'm only going to the 30. -Yeah, go on, then. -Yeah? -Go on, then. | 0:08:51 | 0:08:55 | |
Deal. Fantastic. | 0:08:55 | 0:08:56 | |
That's top haggling from James, | 0:08:58 | 0:09:00 | |
and by pointing out WHY he wanted a reduction, | 0:09:00 | 0:09:03 | |
he was able to negotiate a good price. | 0:09:03 | 0:09:05 | |
He's not the only buying ceramics, though. | 0:09:05 | 0:09:07 | |
His rival has picked up this Clarice Cliff-inspired jug for £15 | 0:09:07 | 0:09:12 | |
and he's also got his eye on another Art Deco-inspired item. | 0:09:12 | 0:09:16 | |
-Excuse me. -Hi. | 0:09:18 | 0:09:20 | |
-Lovely item. -It is, it is. | 0:09:20 | 0:09:23 | |
I know how much I want to pay for it. | 0:09:23 | 0:09:25 | |
What are you going to charge me? | 0:09:25 | 0:09:27 | |
I was offered 200 about an hour ago from a guy. | 0:09:27 | 0:09:29 | |
-He hasn't come back, so it can be 200 to you. -Well, I'm not going to argue with that, to be honest. | 0:09:29 | 0:09:34 | |
It looks like a great centrepiece, and I've got a good idea for it, | 0:09:34 | 0:09:37 | |
-so I'm going to shake on 200. -Good. Well done. -Thanks very much. | 0:09:37 | 0:09:41 | |
I'll pop back and get it later. Lovely. Thanks a lot. | 0:09:41 | 0:09:43 | |
So Curtis has bagged himself a very stylish woman, and what a fine figure of a lady she is. | 0:09:45 | 0:09:52 | |
Now, the Detective might be hoping that the 1930s style figure will help him waltz to victory, | 0:09:53 | 0:09:57 | |
but his rival, The Lionheart, is applying his ruthless business brain | 0:09:57 | 0:10:01 | |
to the job of buying at today's market. | 0:10:01 | 0:10:03 | |
About two months ago, I went on holiday to a villa in Portugal | 0:10:03 | 0:10:07 | |
with some friends, and there was a set of these around the pool. | 0:10:07 | 0:10:11 | |
One of my friends said, "If ever you see these, get me a pair." | 0:10:11 | 0:10:15 | |
As long as there's a profit in them, we've got a bit of a chance. Now, these are not old. | 0:10:15 | 0:10:20 | |
These are probably five or six years old, imported from the Far East | 0:10:20 | 0:10:25 | |
and they're imported in vast numbers, but they are solid bronze. | 0:10:25 | 0:10:28 | |
If we were talking about period ones, Meiji period, Japanese of around 1880, | 0:10:28 | 0:10:35 | |
a pair like this would be at least £1,000 to £1,500. | 0:10:35 | 0:10:39 | |
But, you know, these things have a great historical value as well. | 0:10:39 | 0:10:43 | |
The traditional crane from Japan was symbolic of long life, good fortune | 0:10:43 | 0:10:48 | |
and peace, so let's see if these bring me a bit of good fortune. | 0:10:48 | 0:10:52 | |
-How much are they? -120. -120? -It's nice bronze. -Oh, they're nice bronzes, but they're not very old. | 0:10:52 | 0:10:58 | |
-Yeah. -We've got a bit of damage on this one, so would you do a little bit off for that? | 0:10:58 | 0:11:04 | |
110? | 0:11:04 | 0:11:06 | |
Do you know, £100 and you've got a deal. | 0:11:06 | 0:11:09 | |
-You'll give me cash? -Of course it's cash. -That's OK. -Yes? -Yeah. | 0:11:09 | 0:11:12 | |
-Deal done. -Thank you. -Fantastic. | 0:11:12 | 0:11:14 | |
So, with a potential buyer in mind, James has waded in and bought the pair of cranes. | 0:11:14 | 0:11:20 | |
Curtis is also hard at work and is casting his eye over some antique taxidermy. | 0:11:22 | 0:11:28 | |
It's pre-'47, the owl... | 0:11:28 | 0:11:31 | |
-Right. -..which basically means you don't need any Article 10 or licensing from Defra. | 0:11:31 | 0:11:36 | |
-So if it had've been stuffed after 1947, I would need a special licence to sell this item? -Yes, you would. | 0:11:36 | 0:11:44 | |
-Right, I've got you. -Which is called an Article 10. | 0:11:44 | 0:11:46 | |
-But I don't need it with this little lady, cos she's Victorian. -That's correct. -How much is it? | 0:11:46 | 0:11:52 | |
It would've been £150, but you can have it for 100. | 0:11:52 | 0:11:56 | |
-Well, that's very good of you. -You're welcome. | 0:11:56 | 0:11:58 | |
I can only say thank you very much. | 0:11:58 | 0:12:00 | |
That's brilliant news. | 0:12:00 | 0:12:02 | |
So time to give you the money. | 0:12:02 | 0:12:03 | |
As Curtis is on a mission to raise as much money as possible | 0:12:03 | 0:12:06 | |
for charity, the dealer has given him the Detective a good discount. | 0:12:06 | 0:12:10 | |
Taxidermy may not be everyone's cup of tea, but this Victorian specimen is very collectable. | 0:12:10 | 0:12:16 | |
With today's contest now well under way, | 0:12:16 | 0:12:19 | |
it's time to find out who's flying high and who's having a bumpy ride. | 0:12:19 | 0:12:24 | |
Both Curtis and James started the day with up to £750 | 0:12:24 | 0:12:28 | |
of their own money in their pockets. | 0:12:28 | 0:12:31 | |
Mr Dowling has spent £415, | 0:12:31 | 0:12:34 | |
leaving him £335 in his kitty. | 0:12:34 | 0:12:38 | |
His rival, on the other hand, has parted with £185, | 0:12:39 | 0:12:44 | |
leaving him with £565 to play with. | 0:12:44 | 0:12:47 | |
With plenty of stalls still to search through and thousands of items on offer, | 0:12:51 | 0:12:56 | |
our experts are scouring the market, hunting for the pieces they hope will win them today's competition. | 0:12:56 | 0:13:01 | |
Look at him! Way-hey! | 0:13:01 | 0:13:04 | |
They're both determined to emerge victorious, | 0:13:04 | 0:13:08 | |
and, after putting in some serious leg work, James is about to make what could be a big move. | 0:13:08 | 0:13:13 | |
I said at the beginning of the day that I wanted to spend a significant amount of the budget | 0:13:15 | 0:13:20 | |
on one key item and I think I may well have found them. | 0:13:20 | 0:13:24 | |
These are fantastic ormolu candlesticks, English, around 1850. | 0:13:24 | 0:13:30 | |
You may well be thinking, "Haven't we seen these birds before?" | 0:13:30 | 0:13:34 | |
Well, yes, they are cranes, and again they're inspired | 0:13:34 | 0:13:38 | |
by the Japanese, like those big garden ones we saw earlier on. | 0:13:38 | 0:13:42 | |
But these are far better. | 0:13:42 | 0:13:44 | |
These are ormolu. These are wonderful quality and they're not reproductions, they're genuine. | 0:13:44 | 0:13:51 | |
Candlesticks are always good sellers, | 0:13:51 | 0:13:53 | |
and ormolu candlesticks go to a certain type of buyer - | 0:13:53 | 0:13:57 | |
somebody with a very glitzy interior, with gold mirrors, | 0:13:57 | 0:14:01 | |
fancy gilt carved furniture... these'll look fabulous. | 0:14:01 | 0:14:05 | |
And in this case, the dealers have actually done some research for us. | 0:14:05 | 0:14:09 | |
"Regency candlesticks, Abbot of Birmingham. | 0:14:09 | 0:14:12 | |
"£650 the pair," but there we are. | 0:14:12 | 0:14:14 | |
But Birmingham was the headquarters of the ormolu-manufacturing industry of not only the UK, | 0:14:14 | 0:14:22 | |
but the whole world, from the 18th century right the way through until the 19th century. | 0:14:22 | 0:14:27 | |
I love those. At £650, | 0:14:27 | 0:14:31 | |
I think they're a little bit steep, | 0:14:31 | 0:14:33 | |
but let's see if we can get them for a shade less. | 0:14:33 | 0:14:36 | |
Are you up for a deal on these? | 0:14:36 | 0:14:38 | |
Well, James has only got £565 left in his kitty, | 0:14:38 | 0:14:42 | |
so he's going to have to haggle hard if he wants to buy the candlesticks. | 0:14:42 | 0:14:45 | |
The best I can do these for is five and a half. | 0:14:45 | 0:14:49 | |
-Five and a half? -Yeah. | 0:14:49 | 0:14:51 | |
550 is still quite a lot. | 0:14:51 | 0:14:53 | |
How about 450? | 0:14:55 | 0:14:58 | |
No, I couldn't do them for that. | 0:14:58 | 0:15:00 | |
No, not 450. No, they're a good make, Abbot. | 0:15:00 | 0:15:04 | |
-Yeah, they are. How about a little less? -Bit more. | 0:15:04 | 0:15:07 | |
If you give me a better offer. | 0:15:07 | 0:15:09 | |
My top offer would be 490. | 0:15:09 | 0:15:11 | |
-490. Er...yeah, I could do them for that. -Yeah? | 0:15:11 | 0:15:16 | |
-Yeah, 490. -I think we've got a deal. -OK, then. -Fantastic. Thank you very much. | 0:15:16 | 0:15:20 | |
-# Gold! -Gold! -Always believe in your soul... # | 0:15:20 | 0:15:24 | |
At £490 for the ormolu candlesticks, James has really struck gold. | 0:15:24 | 0:15:29 | |
He'll also be hoping to profit from a Chinese Qing Dynasty vase | 0:15:29 | 0:15:33 | |
that cost him £40. | 0:15:33 | 0:15:35 | |
Elsewhere in the market, Detective Dowling, true to his strategy, | 0:15:35 | 0:15:39 | |
has been back on the Art Deco trail. | 0:15:39 | 0:15:42 | |
Two lovely Art Deco clocks, and there's absolutely no way | 0:15:42 | 0:15:45 | |
you could confuse it with any other period. | 0:15:45 | 0:15:47 | |
We've got this rather simple mahogany clock here | 0:15:47 | 0:15:51 | |
and then we've got this rather lovely walnut clock here. | 0:15:51 | 0:15:54 | |
Now, they both work, and that's essential, | 0:15:54 | 0:15:57 | |
obviously, if it's a clock, because not only are they very attractive, | 0:15:57 | 0:16:01 | |
they're also very useful as well. | 0:16:01 | 0:16:02 | |
I paid £50 for this clock and I think that's going | 0:16:02 | 0:16:05 | |
to go for something like 80, | 0:16:05 | 0:16:06 | |
and I paid £30 for this slightly simpler clock | 0:16:06 | 0:16:09 | |
and I think this is going to go for about £60. | 0:16:09 | 0:16:12 | |
So, between them, we've probably got £60 worth of profit. | 0:16:12 | 0:16:16 | |
Well, Curtis may be counting on his latest purchases to clock up some profit, | 0:16:18 | 0:16:22 | |
but James is a determined opponent and isn't playing games today. | 0:16:22 | 0:16:26 | |
He's buying them instead. | 0:16:26 | 0:16:28 | |
Now, that is just about the most striking colour you'll ever see, | 0:16:28 | 0:16:33 | |
and, believe it or not, that is totally natural. | 0:16:33 | 0:16:37 | |
This is made of malachite and it's a gaming board with these | 0:16:37 | 0:16:40 | |
little square inlets, probably in alabaster or white marble. | 0:16:40 | 0:16:44 | |
This is a stone that's probably mined from North Africa. | 0:16:44 | 0:16:46 | |
You see a lot of Egyptian things in malachite, and it was mainly used in the Art Deco period. | 0:16:46 | 0:16:53 | |
You can imagine cigarette boxes | 0:16:53 | 0:16:55 | |
and veneers of tables and things in malachite. | 0:16:55 | 0:16:58 | |
It really is a wonderful stone. | 0:16:58 | 0:17:01 | |
Now, it's got a mark of £45 on it. What would be your best? | 0:17:01 | 0:17:05 | |
Well, I'm looking for about 30, so... | 0:17:05 | 0:17:07 | |
-30. -..um, around that mark. -OK. | 0:17:07 | 0:17:09 | |
I'm going to offer £25. | 0:17:09 | 0:17:12 | |
-Go on, then. -Deal. -Yeah, that's fine. | 0:17:14 | 0:17:16 | |
Elsewhere in the market, the Detective has got cash burning | 0:17:19 | 0:17:22 | |
a hole in his pocket and he's hoping to seal a deal of his own. | 0:17:22 | 0:17:27 | |
You don't see Victorian road signs come up very often. Why? | 0:17:27 | 0:17:31 | |
Because when they were taken down and replaced in the '50s, '60s and '70s, | 0:17:31 | 0:17:35 | |
they were just melted down or thrown away. | 0:17:35 | 0:17:37 | |
Why would anybody ever want to buy one? | 0:17:37 | 0:17:39 | |
Which makes them now actually quite unusual, | 0:17:39 | 0:17:43 | |
so when you find one with a particularly famous name on it, | 0:17:43 | 0:17:46 | |
-you might have a buyer in mind. ..Excuse me. -Yeah? | 0:17:46 | 0:17:49 | |
It says 75. What sort of deal are you going to do on me? | 0:17:49 | 0:17:54 | |
Well, I think the best I could do is about 50. | 0:17:54 | 0:17:58 | |
It would need to be 40. | 0:17:58 | 0:18:01 | |
Well, it's the end of the day, we're all packing in, so, er... | 0:18:01 | 0:18:05 | |
it's very heavy to take home. I think, yeah, it's the end of three days. | 0:18:05 | 0:18:10 | |
So if I waved £40 at you? | 0:18:10 | 0:18:13 | |
Yeah, I think I might've paid more, but... | 0:18:13 | 0:18:15 | |
Ah, so I've done you? | 0:18:15 | 0:18:17 | |
-Or got myself a good deal. -Yeah, I think so. | 0:18:17 | 0:18:20 | |
-Let's call it a day. Super. Thanks very much. -Thank you. | 0:18:20 | 0:18:23 | |
Another heavy thing I've bought. How am I going to get this home? | 0:18:23 | 0:18:27 | |
It may be heavy, but Curtis was definitely in the right place | 0:18:27 | 0:18:30 | |
at the right time and has grabbed himself a bargain to round off his buying at today's market. | 0:18:30 | 0:18:35 | |
Our experts have done a sterling job of scouring the market, | 0:18:35 | 0:18:39 | |
but who's managed to bag the items with the most potential profit? | 0:18:39 | 0:18:43 | |
Both our experts started the day with up to £750 | 0:18:43 | 0:18:46 | |
of their own money to spend. | 0:18:46 | 0:18:49 | |
Curtis "the Detective" Dowling has spent £535. | 0:18:49 | 0:18:53 | |
James "The Lionheart" Lewis, on the other hand, | 0:18:55 | 0:18:58 | |
has splashed the cash and spent almost his entire budget. | 0:18:58 | 0:19:02 | |
After a hard day trying to seal the best deals, | 0:19:03 | 0:19:05 | |
it's time for our experts to pack up their purchases and head home. | 0:19:05 | 0:19:09 | |
But before they do, they're keen to check out each other's wares. | 0:19:09 | 0:19:13 | |
-Ah, Lionheart! -Good to see you. | 0:19:13 | 0:19:16 | |
-Have you had a good day? -It's been a long one, hasn't it? | 0:19:16 | 0:19:19 | |
Yeah, well, it's a big fair, isn't it? | 0:19:19 | 0:19:22 | |
My feet really ache, I have to say. | 0:19:22 | 0:19:23 | |
So do you like my eclectic mix of items? | 0:19:23 | 0:19:26 | |
-Well, I wouldn't exactly call it eclectic. I think they're all very much of a muchness, really. -Do you? | 0:19:26 | 0:19:31 | |
Yeah, I do, because we've got this Art Deco style figure, but very modern. | 0:19:31 | 0:19:36 | |
-Very modern. -We have this Art Dec style jug. | 0:19:36 | 0:19:38 | |
-But very modern. -But very modern. | 0:19:38 | 0:19:40 | |
I would say that the majority of this stuff belongs in Albert Square, | 0:19:40 | 0:19:44 | |
but I have to say, THAT I quite like. | 0:19:44 | 0:19:47 | |
-Let's have a look at your collection. -Have a look. | 0:19:47 | 0:19:50 | |
-I have to say, I like your ormolu candlesticks. -Ah, good. | 0:19:50 | 0:19:53 | |
I think they are really nice. | 0:19:53 | 0:19:56 | |
That's a relief! You don't know how much they cost! | 0:19:56 | 0:19:59 | |
Maybe I don't want to know, but I think they're really nice and they're definitely right. | 0:19:59 | 0:20:02 | |
-You've been round your nan's and picked up one of her cups. -Yeah! | 0:20:02 | 0:20:06 | |
And you've bought some sort of broken thing. | 0:20:06 | 0:20:08 | |
-But that I love. -Do you? -Yeah, I mean, it's Chinese, it's got a great | 0:20:08 | 0:20:12 | |
feel to it, and of all the things here, that's my favourite lot. | 0:20:12 | 0:20:15 | |
You might be in a minority of one. All I can do is wish you luck with the sale. | 0:20:15 | 0:20:18 | |
-And you. -See you soon. -Great. | 0:20:18 | 0:20:21 | |
So, as they head for home, Curtis will be aiming to cash in on... | 0:20:21 | 0:20:27 | |
a mahogany ship's wheel in need of some TLC, | 0:20:27 | 0:20:31 | |
a colourful vase in the style of Clarice Cliff, | 0:20:31 | 0:20:35 | |
an Art Deco style sculpture, | 0:20:35 | 0:20:38 | |
a pair of Art Deco clocks, | 0:20:38 | 0:20:40 | |
a Victorian street sign, | 0:20:40 | 0:20:43 | |
and of course his Victorian stuffed tawny owl. | 0:20:43 | 0:20:46 | |
James's hopes of winning today's contest rest on a George III fleam, | 0:20:46 | 0:20:51 | |
a 19th-century Royal Worcester cup and saucer, | 0:20:51 | 0:20:54 | |
a pair of reproduction bronze cranes, | 0:20:54 | 0:20:56 | |
a pair of 19th-century ormolu candlesticks, | 0:20:56 | 0:20:59 | |
a Qing dynasty Chinese vase and cover, | 0:20:59 | 0:21:02 | |
a late 19th-century glass and gold-plated centrepiece, | 0:21:02 | 0:21:05 | |
and a striking Art Deco malachite Chinese chequers game. | 0:21:05 | 0:21:10 | |
So, having bought their items, the challenge now | 0:21:11 | 0:21:14 | |
for James and Curtis is to sell their goods for the biggest possible profit. | 0:21:14 | 0:21:18 | |
They'll be working their way through their contact books, setting up deals on the phone and by email. | 0:21:18 | 0:21:22 | |
However, until they've shaken on it and the money is in their pockets, no deal is truly sealed. | 0:21:22 | 0:21:28 | |
No, of course it's not expensive. | 0:21:28 | 0:21:31 | |
Both our experts are determined to be victorious and, with plenty of items to sell, | 0:21:31 | 0:21:35 | |
this contest will have more twists and turns than a soap opera. | 0:21:35 | 0:21:40 | |
MUSIC: THEME FROM "EASTENDERS" | 0:21:40 | 0:21:44 | |
So it's only fitting that Curtis is about to try and sell his street sign at a well-known pub. | 0:21:47 | 0:21:53 | |
Nice to meet you, Curtis. Is this the sign we were talking about? | 0:21:53 | 0:21:57 | |
-It is. What do you think? -I'm pleasantly surprised, actually. | 0:21:57 | 0:22:01 | |
Although you do know, before we start talking prices, | 0:22:01 | 0:22:04 | |
I am a Coronation Street fan. | 0:22:04 | 0:22:05 | |
I had the Coronation Street one. | 0:22:05 | 0:22:07 | |
It was £450, if you want to look at that. | 0:22:07 | 0:22:10 | |
-Let's go back to this sign. -I think it's probably wisest. | 0:22:10 | 0:22:12 | |
-This one is an original Victorian street sign. -Right. | 0:22:12 | 0:22:16 | |
Now, with the Queen Vic sign up outside, you've only been here a few | 0:22:16 | 0:22:19 | |
months, I thought it's a bit of fun and it adds to the place. | 0:22:19 | 0:22:22 | |
Well, now I've actually seen it, I have got a spot for that possibly, if the price is right, of course. | 0:22:22 | 0:22:27 | |
It's going to be good. Any idea what you'd be prepared to pay for it? | 0:22:27 | 0:22:31 | |
Well, I wouldn't... About... | 0:22:33 | 0:22:36 | |
I could probably use it for about £60. | 0:22:36 | 0:22:40 | |
-I think we're a little bit out at the moment. -Are we? | 0:22:40 | 0:22:42 | |
Well, I was looking for at least double that, actually. I was looking for about 120 quid. | 0:22:42 | 0:22:47 | |
How about 100? | 0:22:47 | 0:22:50 | |
-Um...it's still a bit too high. -OK, go on. | 0:22:50 | 0:22:53 | |
What's the price you want to pay me for it? | 0:22:53 | 0:22:56 | |
-85? -Call it 90, and you've got a deal. | 0:22:56 | 0:23:00 | |
-90. -Well, let's see the colour of your money and then we'll get this thing hung up. | 0:23:00 | 0:23:04 | |
Well, that's a decent sale for the Detective, and he's come up | 0:23:04 | 0:23:09 | |
with a plan which he hopes will seal him a whole load of deals | 0:23:09 | 0:23:12 | |
in just one day. | 0:23:12 | 0:23:14 | |
He's set up a stall at the Devon County antiques fair. | 0:23:15 | 0:23:20 | |
We've only got to sell a few things to make it a very, very good fair for us. | 0:23:24 | 0:23:28 | |
Curtis sounds confident, but he's not the only one trying to sell here today. | 0:23:28 | 0:23:31 | |
There's tough competition from the other stalls, and, although there are | 0:23:31 | 0:23:34 | |
plenty of people at today's fair, no-one is actually buying anything, at least not off Curtis. | 0:23:34 | 0:23:40 | |
In Derbyshire, The Lionheart is tending to the other great passion in his life - his animals. | 0:23:46 | 0:23:53 | |
-Today, they're being checked over by the vet. -Hello, James. | 0:23:53 | 0:23:57 | |
Beating Curtis is never far from Mr Lewis's mind, | 0:23:59 | 0:24:03 | |
and he's going to try and sell the vet the fleam that set him back £15. | 0:24:03 | 0:24:06 | |
It's the antique tool that was once used to let blood in an effort to get rid of infections. | 0:24:06 | 0:24:11 | |
I've got to be honest with you, there is another reason. | 0:24:11 | 0:24:13 | |
-It's not just sheep I want you to look at today. -Right. | 0:24:13 | 0:24:14 | |
-It's this. I remember you telling me that you had... -Oh, my word! | 0:24:14 | 0:24:18 | |
I think it was a friend at college, wasn't it, who had one? | 0:24:18 | 0:24:21 | |
It was indeed. Where did you get this from?! | 0:24:21 | 0:24:24 | |
Swinderby Antiques Fair. | 0:24:24 | 0:24:26 | |
I haven't seen one of these for absolutely years. | 0:24:26 | 0:24:30 | |
-Do you know what it is? -It's called a fleam. | 0:24:30 | 0:24:32 | |
-Do you know what it was for? -For blood-letting. | 0:24:32 | 0:24:34 | |
-Do you like it? -I love it, it's absolutely brilliant. | 0:24:34 | 0:24:37 | |
So, um, is this payment for the work I've done today, then? | 0:24:37 | 0:24:41 | |
Well, it could be seen as that, but what I'd really like is a bit of the old-fashioned cash. | 0:24:41 | 0:24:47 | |
-I'll give you £20 for it. -Ah, no, that... | 0:24:47 | 0:24:49 | |
The vet sounds interested, but will he be prepared | 0:24:49 | 0:24:51 | |
to dig a little deeper and give James a decent profit? | 0:24:51 | 0:24:55 | |
Ah, no. You're so...you're so mean! | 0:24:55 | 0:24:58 | |
That's so... No, that's too low. I was thinking three figures. | 0:24:58 | 0:25:02 | |
I'll give you a tenner a blade, James. | 0:25:02 | 0:25:04 | |
OK, I'll take that. | 0:25:04 | 0:25:07 | |
Tenner a blade, but I want another 30 quid for the handle. | 0:25:07 | 0:25:09 | |
-What?! So what do you want? -60. | 0:25:09 | 0:25:13 | |
I'll meet you halfway. 40? | 0:25:13 | 0:25:15 | |
-Tell you what... -My maths isn't that great. | 0:25:15 | 0:25:18 | |
-£50, and I'll allow you to have this bit of kit back as well. -I didn't realise you still had that! | 0:25:18 | 0:25:22 | |
That's worth about the same. | 0:25:22 | 0:25:25 | |
-50? -50. | 0:25:26 | 0:25:28 | |
-Done. -Thank you. -Fantastic. | 0:25:28 | 0:25:30 | |
Nicely done, James. | 0:25:31 | 0:25:33 | |
That's a £50 sale and a beautiful £35 profit. | 0:25:33 | 0:25:37 | |
At the Devon antiques fair, after a slow start, | 0:25:42 | 0:25:45 | |
there's interest in Curtis's Art Deco style lady, | 0:25:45 | 0:25:48 | |
but can he sell it for more than the £200 he paid for it? | 0:25:48 | 0:25:51 | |
I like this. Where's this from? | 0:25:53 | 0:25:56 | |
Well, my story here is a bit sad, really, because I saw her | 0:25:56 | 0:26:00 | |
from a distance at an antiques fair and I think she's lovely. | 0:26:00 | 0:26:04 | |
-Yeah. -The guy bought six, there was one left, and he told me, | 0:26:04 | 0:26:08 | |
true or not, that a guy was coming back from Holland | 0:26:08 | 0:26:11 | |
who was going to buy it, so I had to make a decision. | 0:26:11 | 0:26:14 | |
-I bought it cos I liked it. That's it, really. -How much is it? | 0:26:14 | 0:26:17 | |
295, sir. | 0:26:17 | 0:26:19 | |
It's a bit much. 295? | 0:26:20 | 0:26:23 | |
Yes, sir. What would you do with this item if you had it? | 0:26:23 | 0:26:26 | |
I think I'd have to spray it a different colour. | 0:26:26 | 0:26:29 | |
-Oh, really? -Look at it. The silver is glowing at me. | 0:26:29 | 0:26:33 | |
-So you want a discount to buy the paint? -Well, I would think so. | 0:26:33 | 0:26:37 | |
-It's a bit bright, isn't it? -I quite like it for that reason, you know. | 0:26:37 | 0:26:40 | |
-I think it's... -I was thinking about putting it outside. | 0:26:40 | 0:26:44 | |
-It might tarnish on its own, mightn't it? -Yeah, it might do that. -It's spelter. | 0:26:44 | 0:26:47 | |
It's just a spelter - zinc alloy mix. | 0:26:47 | 0:26:50 | |
265 you said? | 0:26:50 | 0:26:51 | |
-No, I think I said 275, sir, didn't I? -I thought you did. | 0:26:51 | 0:26:54 | |
Yeah, how's that sitting with you? | 0:26:54 | 0:26:56 | |
Not bad. I'm not that comfortable with it. | 0:26:56 | 0:26:58 | |
265. What's it made of? | 0:26:58 | 0:27:00 | |
-Spelter - zinc alloy mix. -Yes, mmm... | 0:27:00 | 0:27:03 | |
-You want me to shake hands at 265, don't you? -Yeah. | 0:27:03 | 0:27:07 | |
-You've got a deal, sir. -OK, 265. -Fantastic, and it's going to look great in the garden. | 0:27:07 | 0:27:12 | |
I guess all I need to do is ask to see the colour of your money. | 0:27:12 | 0:27:15 | |
I was afraid you might. I thought you might. | 0:27:15 | 0:27:17 | |
Well, it was a long wait, but Curtis's patience finally paid off, | 0:27:17 | 0:27:20 | |
and the lady has delivered a £65 profit. | 0:27:20 | 0:27:25 | |
The Detective's stake-out at the antiques fair has been | 0:27:25 | 0:27:28 | |
a bit of a disappointment, though. | 0:27:28 | 0:27:30 | |
He hasn't secured any more sales and he's decided to call it a day. | 0:27:30 | 0:27:35 | |
In Derbyshire, The Lionheart is on the prowl for profit. | 0:27:35 | 0:27:39 | |
He's hoping to sell the brass and gold-plated centrepiece that cost him £40 to an old friend, | 0:27:39 | 0:27:43 | |
but this lady is an estate agent and is used to haggling hard, | 0:27:43 | 0:27:49 | |
so James is going to have to be on top selling form. | 0:27:49 | 0:27:53 | |
-What can you tell me about it? -It's French, it was made about 1860-1880. | 0:27:53 | 0:27:58 | |
I just love it. It's such a dressy piece as well as being great quality, and listen to that ring... | 0:27:58 | 0:28:03 | |
-Lovely quality in that. -It is super. | 0:28:05 | 0:28:07 | |
-It'll look lovely in the light, and I think it will sparkle rather nicely on the... -What do you mean "will"? | 0:28:07 | 0:28:12 | |
It already sparkles! I've been washing that especially! | 0:28:12 | 0:28:15 | |
How do I know that it's real? | 0:28:15 | 0:28:17 | |
Well, I'M selling it to you for starters, so that should be your first point. | 0:28:17 | 0:28:20 | |
Of course it's real, and if we turn it over... we'll start on the base, look. | 0:28:20 | 0:28:25 | |
This has got a wonderful raised foot rim, and do you see on the | 0:28:25 | 0:28:29 | |
pad of each one of these, you can just see little tiny scratches? | 0:28:29 | 0:28:33 | |
That is the only part you will not be able to polish, because that is | 0:28:33 | 0:28:37 | |
150 or 140 years of it doing that on a table surface, so that is something you really can't fake. | 0:28:37 | 0:28:44 | |
And if you look along the top here, it has this wonderful mellow colour. | 0:28:44 | 0:28:47 | |
It's wearing through. And the quality of the cut as well... | 0:28:47 | 0:28:50 | |
I mean, that is just great. | 0:28:50 | 0:28:51 | |
You know, if somebody was going to fake this, | 0:28:51 | 0:28:54 | |
they wouldn't be selling it for what I paid for it at an antiques fair. | 0:28:54 | 0:28:57 | |
It looks very good. | 0:28:57 | 0:28:59 | |
Well, what do you think a fantastic French centrepiece like that would be worth? | 0:28:59 | 0:29:04 | |
-Um... -It's difficult with you, because you're a mate! | 0:29:04 | 0:29:07 | |
Well, yes, and an estate agent, so... | 0:29:08 | 0:29:11 | |
Oh, yes, OK! I lose all sympathy! | 0:29:11 | 0:29:14 | |
So what do you think something like that should cost? | 0:29:14 | 0:29:17 | |
What would you pay? | 0:29:17 | 0:29:19 | |
If you were dressing a client's house, what would you spend on that? | 0:29:19 | 0:29:22 | |
-£50? -What?! | 0:29:22 | 0:29:25 | |
That's painful! You can't do that to me. | 0:29:25 | 0:29:28 | |
I'm remembering you're an estate agent now. | 0:29:28 | 0:29:31 | |
Um, well, OK. | 0:29:31 | 0:29:34 | |
-I need a profit on it. -Mm-hm. -Um... | 0:29:34 | 0:29:37 | |
I was hoping to get... | 0:29:38 | 0:29:42 | |
Well, shall we start at 180? | 0:29:42 | 0:29:44 | |
We could start at 180... and I'll start at 100. | 0:29:44 | 0:29:48 | |
And we'll finish at 170. How about that? | 0:29:48 | 0:29:50 | |
Hmm... | 0:29:50 | 0:29:52 | |
I think I'll offer you...110? | 0:29:52 | 0:29:55 | |
I think I could get more than that at auction. | 0:29:57 | 0:30:00 | |
120? | 0:30:00 | 0:30:03 | |
Go on, then. Deal. | 0:30:03 | 0:30:05 | |
That's another great deal for James, | 0:30:05 | 0:30:08 | |
and I think it's fair to say he's a happy man. | 0:30:08 | 0:30:10 | |
I bought that centrepiece for £40 and sold it for £120. | 0:30:12 | 0:30:16 | |
Look and learn, Dowling! | 0:30:16 | 0:30:18 | |
Well, The Lionheart has thrown down the gauntlet, but Curtis isn't a man that's afraid | 0:30:20 | 0:30:25 | |
of a challenge and he's hit the road to try and secure another sale. | 0:30:25 | 0:30:29 | |
# Hit the road, Jack | 0:30:29 | 0:30:30 | |
# And don't you come back no more, no more... # | 0:30:30 | 0:30:33 | |
Having consulted his little black book, | 0:30:33 | 0:30:35 | |
Curtis is visiting an old friend from his days on the set of Lovejoy. | 0:30:35 | 0:30:39 | |
He's hoping to sell him one of his Art Deco clocks. | 0:30:39 | 0:30:41 | |
Remember - he paid £80 for the pair. | 0:30:41 | 0:30:45 | |
So is this the Deco clock you're trying to flog me, then? | 0:30:45 | 0:30:49 | |
-Well, I took a bit of a flyer on it, to be fair. -Oh, yeah? Here we go. | 0:30:49 | 0:30:52 | |
Picked it up at Swinderby Antiques Fair... | 0:30:52 | 0:30:55 | |
-Yes. -But actually what happened, there was a big clock collection, and it was just one guy selling them off. | 0:30:55 | 0:30:58 | |
I can't help myself with Deco clocks - or Deco anything, to be honest. | 0:30:58 | 0:31:02 | |
I was hoping that, if we come to the right price, you could be taking this home today and not me. | 0:31:02 | 0:31:07 | |
-Yeah, well, the first question is, does it work? -It definitely works. | 0:31:07 | 0:31:11 | |
All the bits are in the back, I've tested it, and even when we were bringing it in, it was bonging. | 0:31:11 | 0:31:15 | |
-What are you looking for, then? -About 80 quid, I would think, Chris, to be fair. | 0:31:15 | 0:31:19 | |
80 quid! You're a comedian. | 0:31:19 | 0:31:22 | |
You always were a comedian. | 0:31:22 | 0:31:24 | |
80 quid. Let me have a look at it. | 0:31:24 | 0:31:26 | |
OK. You're thinking a bit more? | 0:31:26 | 0:31:28 | |
A bit more? Yeah, yeah. Oh, yeah, let's go 120... | 0:31:28 | 0:31:30 | |
Hang on, that's the wrong way to negotiate, isn't it, yeah? | 0:31:30 | 0:31:33 | |
It's nice. I like it, I like it, but...30. | 0:31:33 | 0:31:37 | |
They're going up in price all the time. We could be here all day, couldn't we? | 0:31:37 | 0:31:41 | |
Here all day with a little joke, yeah. | 0:31:41 | 0:31:43 | |
I'll tell you what, I'll go up to 45, and that's got to be the top of where I can go with this. | 0:31:43 | 0:31:50 | |
I'd rather not take it home, so can we call it 50 and then we're done? | 0:31:50 | 0:31:55 | |
-Why do I feel like I'm being done here? -No, absolutely not. | 0:31:55 | 0:31:58 | |
You're ending up with a great clock that's going to make an awful lot of money in the future. | 0:31:58 | 0:32:02 | |
-All right, 50 quid. -Fantastic. Colour of your money, sir. | 0:32:02 | 0:32:05 | |
That's a good result for the Detective, but if he wants to make a profit | 0:32:05 | 0:32:09 | |
from BOTH his Art Deco clocks, he needs to make more than £30 from the sale of the remaining one. | 0:32:09 | 0:32:15 | |
Both our experts are clocking up profitable sales, | 0:32:15 | 0:32:18 | |
but just how much cash have they got in their profit pots? | 0:32:18 | 0:32:23 | |
Curtis has racked up £405 worth of sales and banked £115 profit. | 0:32:23 | 0:32:30 | |
James, on the other hand, has made sales of £170, | 0:32:30 | 0:32:34 | |
which has also netted him a profit of £115. | 0:32:34 | 0:32:37 | |
With both our experts sealing profitable deals, today's contest is hanging in the balance. | 0:32:40 | 0:32:45 | |
James and Curtis are doing everything in their power to find the right buyers for their items, | 0:32:45 | 0:32:49 | |
and they're working their way through their little black books, putting deals together | 0:32:49 | 0:32:53 | |
on the phone and by email, but until they've shaken on it | 0:32:53 | 0:32:57 | |
and money has changed hands, no deal is done. | 0:32:57 | 0:33:00 | |
Curtis has got the wind in his sails | 0:33:00 | 0:33:03 | |
and has travelled to Rochester in Kent to try and sell his ship's wheel. | 0:33:03 | 0:33:07 | |
It's seen better days, but rather than spend money | 0:33:07 | 0:33:10 | |
restoring it, the Detective is hoping it could turn him a quick profit. | 0:33:10 | 0:33:13 | |
He bought it for £100. | 0:33:13 | 0:33:15 | |
I thought of you, because I bought this ship's wheel. | 0:33:15 | 0:33:19 | |
It's obvious what it is. What's your first impressions? | 0:33:19 | 0:33:22 | |
It's a nice wheel. I've had a look at it. I can see the potential. | 0:33:22 | 0:33:25 | |
We've got one very much like it in the club house at the moment, | 0:33:25 | 0:33:29 | |
and it would match it quite nicely. | 0:33:29 | 0:33:30 | |
What would be your best offer for it? | 0:33:30 | 0:33:33 | |
I was hoping to get about £180 for it. | 0:33:33 | 0:33:36 | |
Well, that's a bit high | 0:33:36 | 0:33:38 | |
-for what I'd like to go to. -OK. | 0:33:38 | 0:33:40 | |
I would offer £130. | 0:33:40 | 0:33:43 | |
You know, if it's more than that, I'd have to think about it. | 0:33:43 | 0:33:47 | |
Well, I don't want to carry it all the way back. | 0:33:47 | 0:33:49 | |
Would you settle on 160? | 0:33:49 | 0:33:52 | |
I'll slap hands with you for £150. | 0:33:52 | 0:33:55 | |
-And I can leave it on deck? -And you can leave it on deck. -Right, job done. Thanks ever so much. | 0:33:55 | 0:33:59 | |
Thanks very much, Curtis. | 0:33:59 | 0:34:01 | |
So that's another £50 for the Detective, | 0:34:03 | 0:34:05 | |
and the tide could be turning in his favour... | 0:34:05 | 0:34:08 | |
..because he's also sealed a deal for the Clarice Cliff style vase. | 0:34:11 | 0:34:15 | |
Another deal done, and the almost Clarice Cliff nearly doubles its money. | 0:34:17 | 0:34:23 | |
Curtis isn't the only one pulling out all the stops to make as much profit as possible. | 0:34:25 | 0:34:30 | |
James has headed to an auction house on the south coast | 0:34:30 | 0:34:34 | |
to try and sell the Chinese chequers game that he paid £25 for. | 0:34:34 | 0:34:37 | |
Chinese chequers, a nice little malachite one. | 0:34:38 | 0:34:42 | |
I've had a little bit of interest with me. | 0:34:42 | 0:34:44 | |
I've got a couple of bids very close together, so I've got to start at 24. | 0:34:44 | 0:34:48 | |
£24. | 0:34:48 | 0:34:50 | |
That's £1 loss. | 0:34:50 | 0:34:52 | |
26 is bid. | 0:34:52 | 0:34:54 | |
Oh, into profit! | 0:34:54 | 0:34:56 | |
-I'm out at 30, can I see 32? -Go on! | 0:34:56 | 0:34:59 | |
£30. Are you all done at 30? | 0:34:59 | 0:35:03 | |
Thank you. | 0:35:03 | 0:35:04 | |
Well, a fiver isn't the biggest profit | 0:35:04 | 0:35:07 | |
The Lionheart has ever made, but he's happy enough. | 0:35:07 | 0:35:10 | |
£30! That's not a massive profit, but £5 is better than nothing, | 0:35:10 | 0:35:15 | |
and the auction room have waived their commission, so that is £5 clear profit. | 0:35:15 | 0:35:18 | |
I'm happy with that. | 0:35:18 | 0:35:20 | |
In the battle to be today's | 0:35:21 | 0:35:23 | |
Put Your Money champion, every penny counts, | 0:35:23 | 0:35:26 | |
and James banks more cash from the sale of his pair of bronze cranes, | 0:35:26 | 0:35:31 | |
a bronze Chinese vase... | 0:35:31 | 0:35:33 | |
..and the Royal Worcester teacup and saucer. | 0:35:36 | 0:35:38 | |
£75. That's more than double my money. That's a great result. | 0:35:41 | 0:35:46 | |
When it comes to selling, it appears The Lionheart is the main man, and he's not done yet. | 0:35:46 | 0:35:51 | |
He's hoping to make a big profit from his most expensive purchase | 0:35:51 | 0:35:55 | |
by selling the ormolu candlesticks to a hotelier contact. | 0:35:55 | 0:35:58 | |
Remember - they cost him a whopping £490. | 0:35:58 | 0:36:02 | |
They are, in my opinion, the best thing that I've bought | 0:36:02 | 0:36:06 | |
They're 1870, they're ormolu. | 0:36:06 | 0:36:09 | |
They're English and not French, which makes them | 0:36:09 | 0:36:12 | |
a little bit better, and if you have a look under this one, look, | 0:36:12 | 0:36:15 | |
we've got a maker's name... Abbott of Birmingham. | 0:36:15 | 0:36:18 | |
-Yes. -They were well-known for doing this very model. | 0:36:18 | 0:36:22 | |
The quality of the casting is something that I love. | 0:36:22 | 0:36:26 | |
Look at the leaves. You can see every little vein in those leaves. | 0:36:26 | 0:36:29 | |
The feathers, the little coronet around there. Do you like them? | 0:36:29 | 0:36:32 | |
I think they're superb. | 0:36:32 | 0:36:34 | |
I think they're absolutely delightful. | 0:36:34 | 0:36:36 | |
-They're very you, aren't they? -Unfortunately, yes. | 0:36:36 | 0:36:39 | |
When I got back home, I looked at what they were making. | 0:36:39 | 0:36:42 | |
The cheapest pair I found were in the 400s, but they weren't marked | 0:36:42 | 0:36:47 | |
and they weren't in such good condition. | 0:36:47 | 0:36:49 | |
The ormolu had started to wear, and that was about ten years ago. | 0:36:49 | 0:36:53 | |
They go right the way through into the 900s plus 15%, sometimes plus 20% commission. | 0:36:53 | 0:36:59 | |
-Are you working up to something? -I'm working up to saying I think they're worth £2,000. | 0:36:59 | 0:37:03 | |
I... Tell you what. | 0:37:03 | 0:37:05 | |
We'll do a deal at £750. | 0:37:05 | 0:37:08 | |
You see, I feel that, if they were in a top London gallery, they'd be £2,200, something like that. | 0:37:08 | 0:37:15 | |
I tell you what I'll do. I'll give you 900 for them. | 0:37:15 | 0:37:17 | |
OK. I think they're worth a bit more than that. | 0:37:17 | 0:37:21 | |
Well, all right. | 0:37:21 | 0:37:23 | |
Just because it's you, James, 950. | 0:37:23 | 0:37:26 | |
-1,200. -950 is my last offer. | 0:37:29 | 0:37:34 | |
The Lionheart is working hard to maximise his profit here, but his | 0:37:34 | 0:37:38 | |
potential buyer clearly knows his stuff and is driving a hard bargain. | 0:37:38 | 0:37:44 | |
Oh, they're worth £1,000. They're worth it, you know it. | 0:37:44 | 0:37:46 | |
-I'll give you 975. Go on. -990. | 0:37:46 | 0:37:50 | |
-Done. -Fantastic! -Come on, let's strike the deal, then. | 0:37:50 | 0:37:53 | |
Come on, then. | 0:37:53 | 0:37:55 | |
£990 - what a fantastic result for James! | 0:37:55 | 0:37:59 | |
It gives him a fabulous £500 profit and piles the pressure on Curtis... | 0:37:59 | 0:38:04 | |
who is in London at an auction house, hoping to make enough profit to win today's competition. | 0:38:04 | 0:38:10 | |
Well, here I am at Chiswick auction rooms. We've got two fantastic lots to sell here today. | 0:38:10 | 0:38:14 | |
One of them is that stuffed owl. Let's keep our fingers crossed we've got a buyer. | 0:38:14 | 0:38:19 | |
As Curtis is raising money for charity, the auctioneer has kindly reduced his fees, | 0:38:19 | 0:38:23 | |
and the Detective needs two strong sales if he's going to win today's contest. | 0:38:23 | 0:38:28 | |
First to go before the room is the second of his Art Deco clocks. | 0:38:28 | 0:38:33 | |
He paid £80 for the pair and has already sold the first one for £50. | 0:38:33 | 0:38:38 | |
10, now 12. 12, 15? | 0:38:38 | 0:38:40 | |
15, 18, 20, 22, 25, 28, 30, | 0:38:40 | 0:38:44 | |
32... | 0:38:44 | 0:38:45 | |
This looks good for Curtis. the price is climbing. | 0:38:45 | 0:38:48 | |
32, anyone at 35? I'll come back to you, sir. | 0:38:48 | 0:38:50 | |
35, 38, 40, 42? | 0:38:50 | 0:38:53 | |
42? That's the money there, at £40. | 0:38:53 | 0:38:56 | |
At £40, all out? £40. | 0:38:56 | 0:38:58 | |
After deducting the auctioneer's reduced fees, | 0:39:01 | 0:39:03 | |
Curtis has made a profit of almost £8 on the two Art Deco clocks. | 0:39:03 | 0:39:08 | |
In order to try and maximise the profit | 0:39:08 | 0:39:10 | |
from his Victorian stuffed owl, Curtis has spent £10 and painted the case. | 0:39:10 | 0:39:16 | |
Will his feathered friend turn out to be a costly mistake or a stroke of buying genius? | 0:39:16 | 0:39:22 | |
Here comes the owl. £100 - I've spent a bit. | 0:39:22 | 0:39:26 | |
It was a bit of a chance, really. I've never bought taxidermy before, ever. | 0:39:26 | 0:39:29 | |
It's been done up a little bit since you last saw it, but, to be fair, I'm not even sure if it's going to sell. | 0:39:29 | 0:39:35 | |
It's pre-1947 - we've got the paperwork for that. | 0:39:35 | 0:39:38 | |
There's been a lot of interest here, so fingers crossed | 0:39:38 | 0:39:40 | |
that this one leaves and gives me a decent amount of profit. Here it comes. | 0:39:40 | 0:39:44 | |
Number 280 is a stuffed tawny owl in a glazed display case. Somebody, £100 for it? £100 for it? | 0:39:44 | 0:39:51 | |
Well, we'll find out very shortly if Curtis's owl sent him soaring to success, | 0:39:51 | 0:39:56 | |
because it's time to tot up the totals and reveal | 0:39:56 | 0:39:58 | |
who is today's Put Your Money Where Your Mouth Is champion. | 0:39:58 | 0:40:01 | |
Fantastic! | 0:40:01 | 0:40:03 | |
Both James and Curtis were allowed to spend up to £750 | 0:40:03 | 0:40:07 | |
of their own money at an antiques fair. | 0:40:07 | 0:40:09 | |
Mr Dowling spent £535 at the fair | 0:40:09 | 0:40:12 | |
and a further £10 painting his owl case. | 0:40:12 | 0:40:15 | |
His rival, meanwhile, managed to spend £740. | 0:40:15 | 0:40:20 | |
The all-important question, though, is who made the biggest profit? | 0:40:22 | 0:40:26 | |
It's been a no-holds-barred contest, and without further ado, | 0:40:26 | 0:40:29 | |
it's time to unlock the cash cases and reveal today's winner. | 0:40:29 | 0:40:35 | |
-The lovely Mr Lewis. -Curtis, how are you? -I'm very well. | 0:40:35 | 0:40:37 | |
-Good to see you. -Good to see you. How did the selling go, then? | 0:40:37 | 0:40:41 | |
Do you know, I really didn't find it as easy as I thought I was going to. | 0:40:41 | 0:40:45 | |
-How about you? -Same thing, really. I think this was definitely very, very hard. | 0:40:45 | 0:40:49 | |
-I've just bought the wrong things. That's what it came down to. -No! | 0:40:49 | 0:40:52 | |
I realised pretty sharpish. | 0:40:52 | 0:40:54 | |
-That Albert Square sign, how did that do? -OK. -What? -Mmm, OK. -I thought that was a fantastic lot. | 0:40:54 | 0:41:01 | |
-Mmm, yeah... -You're winding me up. -No, I'm not. No, I'm being absolutely honest with you. | 0:41:01 | 0:41:06 | |
-Those candlesticks... -I loved them, and I have to say, | 0:41:06 | 0:41:08 | |
-if I'd been allowed to keep them, I would've done. -That was the find of the day. | 0:41:08 | 0:41:11 | |
Well, shall we see how much profit we've made? | 0:41:11 | 0:41:13 | |
-Let's see. -OK. Three, two, one... | 0:41:13 | 0:41:19 | |
Ah! | 0:41:19 | 0:41:20 | |
How did that happen?! I'll tell you how. | 0:41:20 | 0:41:23 | |
-Do you remember the owl? -Yes. | 0:41:23 | 0:41:25 | |
-Lost the lot on it. -No! | 0:41:25 | 0:41:27 | |
-Absolutely. You know, I bought it, because I've never bought anything like that before. -Poor owl. | 0:41:27 | 0:41:34 | |
-I won't be doing that again either. -No. -Come and give me lessons, will you? Thanks, mate. -Oh, Curtis... | 0:41:34 | 0:41:40 | |
So it's an incredible victory for The Lionheart. | 0:41:40 | 0:41:44 | |
Sadly for Curtis, his owl failed to take off in the sale room | 0:41:44 | 0:41:48 | |
and made a loss of over £60. | 0:41:48 | 0:41:50 | |
£50 bid. At £50, take 55. | 0:41:50 | 0:41:52 | |
Bid there at £50. At £50, all done? | 0:41:52 | 0:41:54 | |
At £50... I'm going to sell at £50. | 0:41:54 | 0:41:57 | |
-It's goes at £50. -That's bad news. | 0:41:57 | 0:42:01 | |
Both our experts have worked their socks off, but it's The Lionheart who's won today's contest. | 0:42:01 | 0:42:06 | |
Over £800 profit is a great result, but the main thing was the candlesticks. | 0:42:06 | 0:42:11 | |
They really, really won it for me. | 0:42:11 | 0:42:14 | |
£500 profit in those. What a wonderful pair of sticks. | 0:42:14 | 0:42:17 | |
If I could, I'd have kept them. | 0:42:17 | 0:42:19 | |
That was a disaster for me. | 0:42:19 | 0:42:21 | |
I bought all the wrong items, and the one thing I did hang my hat on actually lost me most of my profit. | 0:42:21 | 0:42:28 | |
I'm never buying owls again. | 0:42:28 | 0:42:30 | |
James may have won, but both he and Curtis have done brilliantly, | 0:42:30 | 0:42:33 | |
and every penny of their profits will be going to two very good causes. | 0:42:33 | 0:42:38 | |
My chosen charity is ACE Africa, and over £800 is going to make such | 0:42:38 | 0:42:43 | |
an amazing difference to that orphanage. | 0:42:43 | 0:42:45 | |
Disability Challengers down in Surrey, | 0:42:45 | 0:42:48 | |
they're going to do a lot with that money to help parents with disabled children in that area. | 0:42:48 | 0:42:53 | |
So it's a triumph for James, but tomorrow Curtis will have the chance to strike back, | 0:42:55 | 0:43:00 | |
as our experts go head to head again, this time at a French antiques market. | 0:43:00 | 0:43:04 | |
Job done. Thanks ever so much. | 0:43:04 | 0:43:06 | |
Now, that's a good deal and that is coming home, and it's got some profit in it. | 0:43:06 | 0:43:10 | |
Detective Dowling... I don't think he stands a chance. | 0:43:10 | 0:43:13 | |
He's going to be whimpering into his beer when he sees what I've paid for these. | 0:43:13 | 0:43:17 | |
Subtitles by Red Bee Media Ltd | 0:43:27 | 0:43:30 | |
E-mail [email protected] | 0:43:30 | 0:43:33 |