Browse content similar to Curtis Dowling v James Lewis: Foreign Market. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
We've all seen them on TV but how will the country's favourite antique experts fare when they're challenged | 0:00:02 | 0:00:07 | |
to make a profit with their own cash? | 0:00:07 | 0:00:09 | |
Watch out. | 0:00:09 | 0:00:11 | |
Who's going to make the biggest profit of all? Me. | 0:00:11 | 0:00:14 | |
From car boot sales to auction houses, our experts will be recreating some of their real life | 0:00:14 | 0:00:19 | |
deals as they go head to head and try and make the most money for their chosen charities. | 0:00:19 | 0:00:27 | |
-Come on, Knowles. -The competition is really hot. | 0:00:27 | 0:00:31 | |
The challenge to our experts is clear. | 0:00:31 | 0:00:33 | |
Dealers, Put Your Money Where Your Mouth Is. | 0:00:33 | 0:00:36 | |
Today's experts are animal-loving auctioneer, James "the Lionheart" Lewis | 0:01:05 | 0:01:09 | |
and antiques investigator, Curtis "the Detective" Dowling. | 0:01:09 | 0:01:13 | |
It's a fake. | 0:01:13 | 0:01:15 | |
Curtis was in his teens when he first became interested in antiques and was quick to discover that if | 0:01:15 | 0:01:20 | |
you know what you're looking for, there are potentially huge profits to be made. | 0:01:20 | 0:01:24 | |
I was at a boot fair and I bought a silver specimen vase for £1. | 0:01:24 | 0:01:28 | |
I remember it particularly because the woman said, it's not silver, love. | 0:01:28 | 0:01:31 | |
Well, it was and I sold it for £600. | 0:01:31 | 0:01:33 | |
Curtis' moniker of "the Detective" comes from his expertise | 0:01:34 | 0:01:38 | |
in spotting reproductions and fake antiques. | 0:01:38 | 0:01:41 | |
His opponent is a well-respected valuer and auctioneer. | 0:01:41 | 0:01:44 | |
James Lewis has over 20 years' experience in the business | 0:01:44 | 0:01:48 | |
and just like his rival, it was as a young teenager that he first got his taste for the world of antiques. | 0:01:48 | 0:01:54 | |
The turning point for antiques and collectables for me was when I took on a stand | 0:01:54 | 0:01:59 | |
at Newark Market on a Monday. | 0:01:59 | 0:02:01 | |
I remember coming home absolutely shattered. | 0:02:01 | 0:02:03 | |
It had been a really long day. | 0:02:03 | 0:02:05 | |
But when I worked out that as a 14 year old, I'd made £180 profit, I wasn't tired any more. | 0:02:05 | 0:02:10 | |
A regular on Flog It, James can also be seen dispensing words of advice on Bargain Hunt. | 0:02:10 | 0:02:16 | |
So, we have our experts. They have the knowledge, the contacts and a fierce desire to win. | 0:02:19 | 0:02:24 | |
For the day's challenge, we're going continental. | 0:02:24 | 0:02:29 | |
We've taken our experts across the Channel to Dunkirk. | 0:02:29 | 0:02:33 | |
And with their reputations and hard-earned cash on the line, | 0:02:33 | 0:02:37 | |
it's time for us to find out the aim of today's game. | 0:02:37 | 0:02:41 | |
-Lionheart. -Bonjour. -Hello. | 0:02:43 | 0:02:46 | |
-Good to see you. -What do you think of Dunkirk, then? | 0:02:46 | 0:02:49 | |
-It's amazing. -Fantastic beach. -Not many antiques about though. | 0:02:49 | 0:02:53 | |
Well, let's hope that changes. | 0:02:53 | 0:02:55 | |
Someone gave me an envelope for you. | 0:02:55 | 0:02:57 | |
-And for you. -Wow. Shall I go first? | 0:02:57 | 0:02:59 | |
-Go on. -"Curtis and James, | 0:02:59 | 0:03:01 | |
"your challenge today is to spend up to £750 of your own money... | 0:03:01 | 0:03:06 | |
"on antiques. | 0:03:06 | 0:03:07 | |
"You must then resell your purchases with the aim of making as much profit | 0:03:07 | 0:03:11 | |
"as possible and the winner is the presenter who makes the most cash." | 0:03:11 | 0:03:16 | |
That'll be me, then. | 0:03:16 | 0:03:18 | |
And I like a man with a sense of humour. Maybe there's one here. | 0:03:18 | 0:03:21 | |
-Very good. -What have you got? | 0:03:21 | 0:03:23 | |
"Today you must buy all your antiques from a French antiques market." | 0:03:23 | 0:03:27 | |
Bonne chance, it says. | 0:03:27 | 0:03:29 | |
-Well, best we get on then. -Come on. | 0:03:29 | 0:03:31 | |
Lead the way. | 0:03:31 | 0:03:32 | |
So, Curtis and James can spend up to £750 worth of euros on antiques | 0:03:35 | 0:03:40 | |
at the annual Marche aux Puces, held in the town centre of Dunkirk. | 0:03:40 | 0:03:45 | |
In order to buy the pieces that he thinks will help him win today's | 0:03:45 | 0:03:48 | |
contest, Curtis is planning to buy items that he falls in love with. | 0:03:48 | 0:03:53 | |
Let's hope there's some good things. | 0:03:53 | 0:03:55 | |
His rival, on the other hand, has decided to try and hunt out English | 0:03:55 | 0:03:59 | |
antiques that are being sold cheaper than they would be back home. | 0:03:59 | 0:04:03 | |
Detective Dowling, I don't think he stands a chance. | 0:04:03 | 0:04:05 | |
Pretty much everybody who Curtis and James try to do deals with will be aware | 0:04:05 | 0:04:09 | |
they're on a mission to raise as much money as possible for charity. | 0:04:09 | 0:04:13 | |
And our experts will be doing everything in their power | 0:04:13 | 0:04:15 | |
to get the best prices when they buy and sell the items that they hope will drive them to victory. | 0:04:15 | 0:04:22 | |
With the starting whistle having been blown, our two | 0:04:23 | 0:04:26 | |
intrepid experts have set to work, and the Detective has been attracted by a couple of elegant ladies. | 0:04:26 | 0:04:31 | |
Now, they're bronze, on a marble base. And they're really heavy. | 0:04:31 | 0:04:36 | |
These are about 1925 in style. | 0:04:36 | 0:04:40 | |
The name on them is Chiparus | 0:04:40 | 0:04:43 | |
and he is probably one of the most famous modellers from this period. | 0:04:43 | 0:04:50 | |
Now, if we came across these items and they were real 1920s Chiparus | 0:04:50 | 0:04:54 | |
items, they'd be sitting here for something like £50,000 for the pair. | 0:04:54 | 0:05:00 | |
You've still got the style of Chiparus but what you don't have is the crispness of Chiparus. | 0:05:00 | 0:05:06 | |
Also, if you're buying reproductions, you're not getting the vibes from that period either. | 0:05:06 | 0:05:10 | |
I do only want to walk away with one of them. | 0:05:10 | 0:05:13 | |
I don't think I've got the budget for two. | 0:05:13 | 0:05:15 | |
Now, it's going to be down to which one I like the most and I'm favouring this young lady here. | 0:05:15 | 0:05:20 | |
It's just about the face. Don't think this one's too good-looking. | 0:05:20 | 0:05:24 | |
What are they worth to me? I guess one of them's going to be worth personally about £200. | 0:05:24 | 0:05:28 | |
Let's see what we can get it for. | 0:05:28 | 0:05:31 | |
So the Detective has picked out one of the ladies and when it comes to the all-important business of | 0:05:31 | 0:05:36 | |
negotiating, he's keen to make sure there aren't any misunderstandings. | 0:05:36 | 0:05:40 | |
300. A bit too much for me. | 0:05:40 | 0:05:44 | |
-Let's see if we can get away with absolutely nothing. -No. | 0:05:44 | 0:05:47 | |
No. | 0:05:47 | 0:05:49 | |
That's about 220. Right. | 0:05:49 | 0:05:52 | |
Let's see if we can get our final deal. | 0:05:52 | 0:05:55 | |
-Allez. Good. -Job done. She's going to look lovely somewhere, isn't she? | 0:05:56 | 0:06:00 | |
Just got to work out where now. | 0:06:00 | 0:06:02 | |
Well, that's a problem for another day. | 0:06:02 | 0:06:04 | |
At the prevailing exchange rate, Curtis has spent almost £210 on the bronze lady. | 0:06:04 | 0:06:09 | |
It's a big chunk of his budget | 0:06:09 | 0:06:11 | |
so he'll need to make a good profit | 0:06:11 | 0:06:13 | |
when he gets back to the UK. | 0:06:13 | 0:06:15 | |
Elsewhere in the market, Mr Dowling's rival | 0:06:15 | 0:06:17 | |
is sticking to his strategy in trying to hunt out English antiques. | 0:06:17 | 0:06:23 | |
Now this is what I've been looking for. | 0:06:23 | 0:06:26 | |
This is a little piece of English silver. | 0:06:26 | 0:06:29 | |
It is engraved and chased with these wonderful stylised daffodils | 0:06:29 | 0:06:35 | |
and it has a suspension ring there for you to put through your finger | 0:06:35 | 0:06:40 | |
or if you were a 19th century lady, going to a dance, going to a ball, this would be over the finger, you'd | 0:06:40 | 0:06:47 | |
take the gentleman's hand and you would dance with the bag in hand. | 0:06:47 | 0:06:51 | |
But what also tells us it's for a dance is this, a little aide-memoire. | 0:06:51 | 0:06:56 | |
And what you would do, you'd be sitting down waiting for your next dance and you would note | 0:06:56 | 0:06:59 | |
the next gentlemen's names that have asked you for your dance. | 0:06:59 | 0:07:03 | |
So that is a wonderful little piece of 19th century history, made in England, and the hallmarks | 0:07:03 | 0:07:09 | |
that I saw through the glass are on this side here, we have a lion which is the mark for | 0:07:09 | 0:07:13 | |
English silver, the anchor to say it was hallmarked in Birmingham, and the T, the date code for 1893. | 0:07:13 | 0:07:20 | |
And this is an altogether very saleable piece in England. | 0:07:20 | 0:07:24 | |
-Monsieur, combien pour ca? -Cent cinquante. -150 euros. | 0:07:24 | 0:07:29 | |
I think he'll come down a little bit. What is your best price, sir? | 0:07:29 | 0:07:32 | |
-Cent vingt euros. -OK. | 0:07:32 | 0:07:36 | |
120 euros. That's about £110. | 0:07:36 | 0:07:39 | |
I still think there's a profit in that. So that's bought. | 0:07:39 | 0:07:43 | |
Thank you very much. Well done. Merci. | 0:07:43 | 0:07:45 | |
So the Lionheart has snapped up a bit of Blighty in this corner of France. | 0:07:45 | 0:07:49 | |
Today's competition is all about making the most cash, though. | 0:07:51 | 0:07:55 | |
And James is determined to find items that have the biggest potential profit, even if that | 0:07:55 | 0:08:00 | |
means putting your strategy aside. He's seen the light and picked up a French 19th-century chamber stick. | 0:08:00 | 0:08:09 | |
Now, there are a few pointers here that would almost guarantee this is genuine. | 0:08:09 | 0:08:13 | |
First of all, when you look at it, there is what we call a patination. | 0:08:13 | 0:08:17 | |
Bronze, in itself, is patinated when it's made. It has a covering. | 0:08:17 | 0:08:21 | |
You can either get gold on the bronze which is called ormolu, | 0:08:21 | 0:08:24 | |
a silvered bronze, a dark patinated bronze or just a natural bronze like this. | 0:08:24 | 0:08:28 | |
And if we turn it over, look at that wonderful dark colour. That screams 19th century. | 0:08:28 | 0:08:34 | |
That's 150, or at least 130 years of age to it. | 0:08:34 | 0:08:38 | |
The other thing is its price. It's cheap. | 0:08:38 | 0:08:42 | |
Well, the chamberstick may be cheap and at just under £17 it may have | 0:08:42 | 0:08:47 | |
made James cheerful, but he'll need to sell it back in the UK. | 0:08:47 | 0:08:50 | |
Curtis is using his time here in France to try and buy things that he falls in love with. | 0:08:50 | 0:08:56 | |
He's bought a beautiful bronze woman but the item he's currently got his eye on isn't quite as attractive. | 0:08:56 | 0:09:01 | |
Chairs like this always drag me over | 0:09:03 | 0:09:07 | |
because this isn't shabby chic, this is just plain shabby, at the moment. | 0:09:07 | 0:09:10 | |
But what it is is a very tired chair that's going to need a lot of love and attention. | 0:09:10 | 0:09:15 | |
That's quite exciting, really. Excuse me. | 0:09:15 | 0:09:17 | |
-Yeah. -Oh. A nice English lady. | 0:09:17 | 0:09:20 | |
Well, look at that. I love this. | 0:09:20 | 0:09:22 | |
Think it's lovely, but it's got to be the right price for me. | 0:09:22 | 0:09:25 | |
How much is it? | 0:09:25 | 0:09:27 | |
Well, I was asking 65. | 0:09:27 | 0:09:31 | |
-I was... -My God, I am in this French market, aren't I? | 0:09:31 | 0:09:34 | |
I know it's dirty but it is quite a nice chair. | 0:09:34 | 0:09:37 | |
I'll do it for 30 and that's it. | 0:09:37 | 0:09:39 | |
I can't go any lower. | 0:09:39 | 0:09:41 | |
I wouldn't ask you to. That's good enough because it needs some restoration so let's shake on 30. | 0:09:41 | 0:09:45 | |
-It needs a lot of work. -It does need a lot of love and attention. | 0:09:45 | 0:09:48 | |
-Yeah. -But at 30, it's mine. | 0:09:48 | 0:09:50 | |
Thanks very much. Job done. | 0:09:50 | 0:09:51 | |
That's a good deal for the Detective. | 0:09:55 | 0:09:57 | |
He's picked up the chair for a little under £30 | 0:09:57 | 0:10:00 | |
and it's going to need a bit, well, actually quite a lot, of TLC to restore it to its former glory. | 0:10:00 | 0:10:05 | |
James' strategy was to try and find English | 0:10:05 | 0:10:07 | |
antiques at knock-down prices, but as any good tactician knows, the key to victory is to be flexible. | 0:10:07 | 0:10:14 | |
And the more he searches the stalls, the more James likes the look of some of the local antiques on offer. | 0:10:14 | 0:10:21 | |
I've just picked this up. It's a wonderful little corkscrew. | 0:10:21 | 0:10:24 | |
Look at that. That's 19th century. | 0:10:24 | 0:10:27 | |
That's going to be 1890. It might just creep into the '20s but that's getting on for 100 years old. | 0:10:27 | 0:10:33 | |
And it's ten euros, less than £10. | 0:10:33 | 0:10:37 | |
And I reckon there's got to be a profit in that. | 0:10:37 | 0:10:40 | |
Well, time will tell if the Lionheart is right but having paid | 0:10:40 | 0:10:44 | |
just under £10, he certainly seems happy with the antique corkscrew. | 0:10:44 | 0:10:48 | |
His expert eye is picking up piece after piece in today's market. | 0:10:48 | 0:10:52 | |
And he's using his haggling skills to try and snap up another French gem. | 0:10:52 | 0:10:56 | |
It started at 150. | 0:10:56 | 0:10:58 | |
See if we can get it down a little bit lower. Cent? | 0:10:58 | 0:11:01 | |
-Cent dix. -Cent dix is it? | 0:11:03 | 0:11:05 | |
She's sticking at £100. She's a very tough bargainer, this woman. | 0:11:05 | 0:11:10 | |
Well, the stallholder might be a tough negotiator but the Lionheart is no pushover and after a little | 0:11:10 | 0:11:15 | |
more haggling, he manages to bag the box for 105 euros, just under £100. | 0:11:15 | 0:11:20 | |
Everything about this shouts mid to late 19th century. | 0:11:20 | 0:11:25 | |
1850, 1870, somewhere around there. | 0:11:25 | 0:11:29 | |
This shape, these canted sides, rectangular form, the way the two veneers are used together, | 0:11:29 | 0:11:34 | |
the way the embosses are applied, that's all classic of its period. | 0:11:34 | 0:11:38 | |
And with the enamel, typically French. | 0:11:38 | 0:11:41 | |
Elsewhere in the market, Curtis is hunting through the stalls searching for potentially profitable pieces. | 0:11:43 | 0:11:48 | |
Yes. It looks as though the Detective is having a few problems picking | 0:11:49 | 0:11:54 | |
out pieces that he really loves. | 0:11:54 | 0:11:56 | |
Mr Lewis, though, is all fired up and he's just sealed another deal. | 0:11:56 | 0:12:01 | |
Merci. 15 euro. That's about £12. | 0:12:02 | 0:12:08 | |
They're 18.50, they've got a great deal of character and imagine those polished up in your fireplace. | 0:12:08 | 0:12:15 | |
James has bagged himself two pairs of andirons for just over £40. | 0:12:15 | 0:12:20 | |
And he's also bought a 20th century oil on canvas seascape for just over £75. | 0:12:20 | 0:12:26 | |
Curtis, on the other hand, is finding it harder to spot items that take his fancy. | 0:12:26 | 0:12:31 | |
# But I still haven't found what I'm looking for. # | 0:12:33 | 0:12:39 | |
Now, they're may be 1,000 stalls here, | 0:12:40 | 0:12:43 | |
and we may have been walking around for five hours, but what there is is an awful lot of really average stuff | 0:12:43 | 0:12:49 | |
and that really average stuff is at really high prices. | 0:12:49 | 0:12:53 | |
Curtis is putting in the legwork to find potentially profitable items. | 0:12:53 | 0:12:58 | |
And it looks as though his herdwork has finally paid off. | 0:13:02 | 0:13:05 | |
What have we got here? | 0:13:08 | 0:13:09 | |
We've got a 1920s, probably maybe a little bit earlier, | 0:13:09 | 0:13:14 | |
art nouveau coming into the art deco period, wine flagon. | 0:13:14 | 0:13:18 | |
French, says so on the bottom which is good. Lovely bit of heavy glass. | 0:13:18 | 0:13:22 | |
Lovely bit of pewter. | 0:13:22 | 0:13:23 | |
Curtis thinks it's a winner and he snaps it up for just under £17. | 0:13:23 | 0:13:29 | |
He also bags a plant stand for just over £33. | 0:13:29 | 0:13:31 | |
But before he can track down another potential purchase, his rival wants to know how he's getting on. | 0:13:31 | 0:13:38 | |
Detective Dowling, my old fruit, how you doing? | 0:13:40 | 0:13:43 | |
-It's my old friend. -Good to see you. How's the day going? | 0:13:43 | 0:13:47 | |
Well, a lot of stalls but I'm afraid I'm not over happy with the quality. | 0:13:47 | 0:13:51 | |
-Why? -Well, there's been a lot of bits here, but the prices, the prices seem to be through the roof. | 0:13:51 | 0:13:57 | |
What have you found? | 0:13:57 | 0:13:58 | |
An aide-memoire and card case. | 0:13:58 | 0:14:00 | |
-Very nice. -Silver. Birmingham. 1893. | 0:14:00 | 0:14:02 | |
-I wish you best of luck with that because I'm a bit concerned about you, that's all. -Are you? | 0:14:02 | 0:14:06 | |
I've just seen you darting all over the market. | 0:14:06 | 0:14:09 | |
I thought your strategy might be just buying rubbish. | 0:14:09 | 0:14:11 | |
Darting, me? I don't dart. | 0:14:11 | 0:14:13 | |
-I wander. -Time's pressing on. | 0:14:13 | 0:14:16 | |
-I suppose we'd better crack on. -Go on. -Best of luck. | 0:14:16 | 0:14:18 | |
-Good luck. -See you later. -Have fun. | 0:14:18 | 0:14:20 | |
Finding the right pieces at the right prices in a | 0:14:20 | 0:14:24 | |
market of this size is no easy task, but both our experts are working hard to unearth hidden gems. | 0:14:24 | 0:14:30 | |
The question is, how much of their kitties have they spent? | 0:14:30 | 0:14:35 | |
Remember that our experts could spend up to £750 of their own money. | 0:14:35 | 0:14:40 | |
Curtis has parted with a little over £285, leaving him with just under £465 still in his kitty. | 0:14:40 | 0:14:48 | |
James, on the other hand, has spent just under £355 | 0:14:49 | 0:14:54 | |
and at the prevailing exchange rate, that leaves him with nearly £400 still to spend. | 0:14:54 | 0:14:59 | |
With so many people at today's market, Curtis and James are having to call on all their expertise to | 0:15:01 | 0:15:06 | |
negotiate prices with stallholders that will give them a chance to make good profits back home. | 0:15:06 | 0:15:11 | |
James started the day looking for English antiques but he's bought lots of French items | 0:15:11 | 0:15:16 | |
and his latest find is another local collectable. | 0:15:16 | 0:15:19 | |
Whenever you're deciding what type of clock to buy, if it's in this form, the first thing is, | 0:15:19 | 0:15:25 | |
make sure you buy a decent heavy object, because if it's light it's likely to be spelter. | 0:15:25 | 0:15:30 | |
If it's heavy, you've got a good chance of it being ormolu or bronze. | 0:15:30 | 0:15:35 | |
The quality of the casting is also important. | 0:15:35 | 0:15:37 | |
Just look at these flowers on the top here. | 0:15:37 | 0:15:40 | |
You can see almost every petal and that tells you it's a good casting. | 0:15:40 | 0:15:44 | |
The mounts, themselves, these are porcelain. | 0:15:44 | 0:15:48 | |
Each panel, individual and hand painted. | 0:15:48 | 0:15:52 | |
These were contemporary with the clock, made 1870 and were inserted into that clock 130, 140 years ago. | 0:15:52 | 0:16:00 | |
And if we turn this clock around... | 0:16:00 | 0:16:02 | |
we can see, first of all, the bell in the back. | 0:16:02 | 0:16:06 | |
This means it's a clock and not a time piece. | 0:16:06 | 0:16:10 | |
A clock has a bell and strikes. | 0:16:10 | 0:16:12 | |
A time piece doesn't strike. | 0:16:12 | 0:16:14 | |
That's the difference. So if we unscrew the little nut at the end here, the bell will come off. | 0:16:14 | 0:16:21 | |
And behind it, there we are... | 0:16:21 | 0:16:24 | |
the maker's mark in the back, Japy Freres. | 0:16:24 | 0:16:27 | |
Good makers specialising in clocks of good quality, around this period. | 0:16:27 | 0:16:33 | |
So those are all the good points. | 0:16:33 | 0:16:34 | |
But there are a few bad. Here, we have some little holes in the top. | 0:16:34 | 0:16:38 | |
The other problem, if we turn it back round... | 0:16:38 | 0:16:42 | |
is there. We've got one hand. | 0:16:42 | 0:16:45 | |
But what I would suggest, two new hands, £5, absolutely job done. | 0:16:45 | 0:16:49 | |
Now, I've already asked the stallholder how much this clock is. | 0:16:49 | 0:16:52 | |
It's 150 euros. Now, to me, it's worth 120 which is about £110. | 0:16:52 | 0:16:59 | |
I'm going to offer her that and if she takes it, we've got a deal. | 0:16:59 | 0:17:02 | |
Madam, cent vingt pour ca? | 0:17:04 | 0:17:06 | |
-Oui. -Oui. -Oui. -Cent vingt. -Oui. | 0:17:06 | 0:17:09 | |
Deal. Thank you very much. Merci. | 0:17:09 | 0:17:12 | |
Now that is worth buying. | 0:17:12 | 0:17:14 | |
Nicely done, Mr Lewis. | 0:17:16 | 0:17:18 | |
He's found plenty of pieces that he seems to love in today's market. | 0:17:18 | 0:17:23 | |
Sadly, his rival is having a much tougher time finding love. | 0:17:23 | 0:17:27 | |
Everyone just seems to be selling T-shirts and pants. | 0:17:27 | 0:17:31 | |
Curtis' strategy of trying to buy things he loves is all but a distant memory. | 0:17:31 | 0:17:36 | |
Now, he's just desperate to bag himself something he can sell for a profit. | 0:17:36 | 0:17:41 | |
Now, I always stop at pieces like this because I can't help myself cos I think they're attractive. | 0:17:41 | 0:17:46 | |
It's a marble base and it's a lady made of spelter lying on top of it with her dog. | 0:17:46 | 0:17:51 | |
It's not the most fascinating item in the world, is it? | 0:17:51 | 0:17:53 | |
It's all about money. 75 euros. Well, I wouldn't mind paying that, to be fair. | 0:17:53 | 0:17:58 | |
Let's see if we can get a bit off. Let's call him over. | 0:17:58 | 0:18:01 | |
Let's hope my menu French works. Monsieur. | 0:18:01 | 0:18:03 | |
-Hello. -Hello. -Now, what's the best price you can give me on this? | 0:18:03 | 0:18:07 | |
Got 75 on there. | 0:18:07 | 0:18:10 | |
If you speak English, no, no. | 0:18:10 | 0:18:13 | |
Could go on for a long time. | 0:18:13 | 0:18:15 | |
-70? -70. | 0:18:15 | 0:18:17 | |
-70. OK. OK. -Job done. Fantastic. | 0:18:17 | 0:18:21 | |
So, even though the spelter lady isn't really Curtis' type, | 0:18:21 | 0:18:25 | |
for just over £66, he's taking her home in the hope of making a profit. | 0:18:25 | 0:18:29 | |
And he's spotted something else that he thinks he might be able to make money on. | 0:18:29 | 0:18:35 | |
Would I normally buy this? | 0:18:35 | 0:18:37 | |
Absolutely no way. | 0:18:37 | 0:18:39 | |
It's not an antique, but it is interesting. | 0:18:39 | 0:18:42 | |
It's in the shape of a Dutch wine flagon with acorn finials. | 0:18:42 | 0:18:46 | |
And it's made of pewter and it's new. | 0:18:46 | 0:18:49 | |
And I guess it's eclectic enough | 0:18:49 | 0:18:52 | |
for someone just to pick up and say, do you know, we're going to buy that, like I want to. Monsieur. | 0:18:52 | 0:18:56 | |
Lovely wine flagon. | 0:18:56 | 0:18:58 | |
How much? | 0:18:58 | 0:19:00 | |
-Cinquante pour vous. -40. -50. | 0:19:03 | 0:19:06 | |
-50. -50. | 0:19:06 | 0:19:08 | |
35. | 0:19:09 | 0:19:11 | |
-40. -Perfect. | 0:19:14 | 0:19:17 | |
Job done. Thanks ever so much. Now that's a good deal and that is coming home and it's got some profit in it. | 0:19:17 | 0:19:23 | |
And profit is the name of the game. | 0:19:23 | 0:19:26 | |
Now, Curtis might not have found too many items that he's fallen in love with but his rival | 0:19:26 | 0:19:30 | |
has had much more of a successful day | 0:19:30 | 0:19:32 | |
and he's picked up a couple of pieces from Blighty | 0:19:32 | 0:19:35 | |
that he started the day searching for. | 0:19:35 | 0:19:37 | |
These are Staffordshire. | 0:19:37 | 0:19:39 | |
They're made about 20 miles from where I live. | 0:19:39 | 0:19:43 | |
And they were made in the 1850s, 1860s. | 0:19:43 | 0:19:47 | |
And these little greyhounds resting on cushions were used as pen rests. | 0:19:47 | 0:19:51 | |
The pen goes in the little hole at the front there and they would | 0:19:51 | 0:19:54 | |
sit at the back of your desk with the gold line facing you. | 0:19:54 | 0:19:58 | |
On the back, no gold line. | 0:19:58 | 0:20:00 | |
And the dogs always face each other. | 0:20:00 | 0:20:03 | |
So if you have two dogs that face away, they're not a pair. | 0:20:03 | 0:20:07 | |
These are really good examples but you have to be careful because at the fairs at home at the moment, | 0:20:07 | 0:20:12 | |
there are hundreds of these about but most of them are fakes and they're made in China. | 0:20:12 | 0:20:16 | |
Now, since the fakes have been on the market back in the UK, | 0:20:16 | 0:20:20 | |
the price for these has actually gone down slightly. | 0:20:20 | 0:20:22 | |
But having said that, they were still cheap. | 0:20:22 | 0:20:25 | |
Hopefully, we'll nearly double the money. | 0:20:25 | 0:20:28 | |
So, James has got his paws on another English antique | 0:20:28 | 0:20:32 | |
and paid just under £50 for the Staffordshire dogs. | 0:20:32 | 0:20:36 | |
Elsewhere in the market, his rival has got his hands on a collection | 0:20:36 | 0:20:39 | |
that he thinks will pour some profit into his pot when he gets back home. | 0:20:39 | 0:20:43 | |
What we've got here is a complete set of pewter tavern measures. | 0:20:43 | 0:20:47 | |
For this set, we paid £9. | 0:20:47 | 0:20:51 | |
I wonder how that's going to make Lionheart Lewis feel. | 0:20:51 | 0:20:55 | |
He's going to be whimpering into his beer when he sees what I've paid for these. | 0:20:55 | 0:20:58 | |
Well, you can't fault the Detective's confidence. | 0:20:58 | 0:21:01 | |
But only time will tell if it's misplaced or not. | 0:21:01 | 0:21:04 | |
Our experts started the day with up to £750 worth of euros in their pockets. | 0:21:06 | 0:21:11 | |
Curtis has spent just under £400 on seven items, | 0:21:11 | 0:21:15 | |
leaving him with just over £350 in his kitty for restoration work. | 0:21:15 | 0:21:19 | |
At the prevailing exchange rate, James has spent just over £515 | 0:21:19 | 0:21:24 | |
on nine items, leaving him with just under £235 in his kitty. | 0:21:24 | 0:21:29 | |
Before the boys begin to make their way back home to Blighty, they're keen to show off their purchases | 0:21:29 | 0:21:34 | |
and more importantly, to take a look at what their opponent has bought. | 0:21:34 | 0:21:38 | |
-Well, hello, James. -Good to see you. | 0:21:39 | 0:21:42 | |
Look at this. What an array of stuff. | 0:21:42 | 0:21:44 | |
Yes. I thought you'd actually been buying stuff, not raiding the tip. | 0:21:44 | 0:21:48 | |
-How's your day been? -It's actually been very good. Enjoyed it. Had a great day. How about you? | 0:21:48 | 0:21:54 | |
-It's been a little tough but I think what I've ended with is OK. -Yeah. | 0:21:54 | 0:21:58 | |
I agree. It looks good from here. | 0:21:58 | 0:22:00 | |
What's your best thing? | 0:22:00 | 0:22:02 | |
I reckon it's going to be the aide-memoire. | 0:22:02 | 0:22:05 | |
I really like it. Fantastic quality. How about you? | 0:22:05 | 0:22:08 | |
Oddly enough, it's my chair. | 0:22:08 | 0:22:10 | |
Now, I only paid 30 euros for that. | 0:22:10 | 0:22:13 | |
What do you think of my tavern measures? | 0:22:13 | 0:22:16 | |
-They've got a great look, haven't they? -Yes, they have. | 0:22:16 | 0:22:19 | |
I have to say, I'm never sure with French pewter. | 0:22:19 | 0:22:22 | |
It always looks older than it actually is. | 0:22:22 | 0:22:23 | |
-They're not old. Course they're not. -How much? -That's the best bit. | 0:22:23 | 0:22:27 | |
I paid nine quid. | 0:22:27 | 0:22:28 | |
-£9, for these? -Yes. | 0:22:28 | 0:22:31 | |
I think they might have got the decimal place in the wrong... | 0:22:31 | 0:22:34 | |
-They might have done. So, £9 for a complete set. -Well done. They're great. | 0:22:34 | 0:22:38 | |
A bit of a bargain, I have to say, even though obviously not antique. | 0:22:38 | 0:22:41 | |
-No. Brilliant though. -It's not been a bad day, has it? | 0:22:41 | 0:22:43 | |
No. I'm very pleased with it and hopefully, there might be a profit. | 0:22:43 | 0:22:47 | |
When we get back to England, I guess that's the most important thing of all. | 0:22:47 | 0:22:50 | |
I'm not sure about that chair though. | 0:22:50 | 0:22:52 | |
You will be laughing on the other side of your face. | 0:22:52 | 0:22:54 | |
-Good luck with it. -That chair's profit. Good day. | 0:22:54 | 0:22:57 | |
And you. | 0:22:57 | 0:22:58 | |
Having made their purchases, our experts will now have to sell them for the highest prices possible. | 0:22:58 | 0:23:03 | |
Curtis will be hoping to profit from a Chiparus reproduction bronze statue, | 0:23:03 | 0:23:09 | |
a rather tired relaxer chair, an art deco marble and spelter figure, | 0:23:09 | 0:23:14 | |
an early 20th century French pewter and glass wine flagon, | 0:23:14 | 0:23:19 | |
and an even larger one, with acorn finials, | 0:23:19 | 0:23:22 | |
a garden plant stand, and a set of pewter tavern measures. | 0:23:22 | 0:23:27 | |
James will be selling an English silver aide-memoire, | 0:23:27 | 0:23:31 | |
two pairs of andirons, | 0:23:31 | 0:23:35 | |
a bronze chamberstick, | 0:23:35 | 0:23:37 | |
a 19th century corkscrew, | 0:23:37 | 0:23:39 | |
a mid to late 19th century French tea caddy with mother of pearl enamel decoration, | 0:23:39 | 0:23:44 | |
a 20th century oil on canvas seascape, a 19th century spelter clock, | 0:23:44 | 0:23:51 | |
and a pair of mid-19th century Staffordshire dogs. | 0:23:51 | 0:23:55 | |
So, after their antiques buying head-to-head in Dunkirk, the challenge now for James | 0:23:59 | 0:24:03 | |
and Curtis is to sell their wares for the biggest possible profit. | 0:24:03 | 0:24:07 | |
Hello, Tim. How are you? | 0:24:07 | 0:24:09 | |
They'll both be pulling out all the stops to find the right buyers for all of their items. | 0:24:09 | 0:24:14 | |
They're working their way through their little black books | 0:24:14 | 0:24:17 | |
putting deals together on the phone and by email. | 0:24:17 | 0:24:19 | |
But until they've shaken on it and money's changed hands, no deal is truly sealed. | 0:24:19 | 0:24:25 | |
Now, when he was in France, James' painting got | 0:24:25 | 0:24:27 | |
damaged when a freak gust of wind blew it over, ripping the canvas. | 0:24:27 | 0:24:32 | |
As it wasn't his fault, the Put Your Money games masters have decided, with the agreement | 0:24:32 | 0:24:36 | |
of his rival, to reimburse the Lionheart for the cost of the painting. | 0:24:36 | 0:24:39 | |
The bad news for Mr Lewis is that he's now got one less item to sell. | 0:24:39 | 0:24:45 | |
James isn't a man to dwell on setbacks though | 0:24:45 | 0:24:48 | |
and he's lined up a potential buyer for the tea caddy he bought in the French antiques market. | 0:24:48 | 0:24:53 | |
You definitely are trying hard, aren't you? | 0:24:53 | 0:24:57 | |
I tell you what, 250 and you'll mend that as well. | 0:24:57 | 0:25:01 | |
Oh, please, James. | 0:25:04 | 0:25:05 | |
Go on, then. | 0:25:07 | 0:25:08 | |
That's a good sale for the Lionheart and gives him a profit of over £150. | 0:25:08 | 0:25:16 | |
Unfortunatley for James, when he took the box away to get it repaired, disaster struck. | 0:25:17 | 0:25:22 | |
Whilst he was driving, an electrical fault caused his car to catch fire. | 0:25:22 | 0:25:29 | |
The tea caddy was inside and no tea caddy means no profits. | 0:25:29 | 0:25:33 | |
James' insurance claim means that he will be reimbursed for the cost of | 0:25:33 | 0:25:36 | |
the item but now he's lost two pieces from the nine he bought. | 0:25:36 | 0:25:41 | |
If he wants to win today's contest, he can't afford any more accidents. | 0:25:41 | 0:25:44 | |
In the West Country, Curtis has arranged a meeting to try and sell | 0:25:44 | 0:25:48 | |
the large flagon he bought for just under £40 in France. | 0:25:48 | 0:25:51 | |
How about 70? | 0:25:51 | 0:25:52 | |
90? | 0:25:54 | 0:25:56 | |
-I tell you what, I'll do you a deal. -Go on. -I'll split the difference. 80. | 0:25:58 | 0:26:02 | |
-Right. -And we'll give you a wine tasting at the same time. | 0:26:02 | 0:26:04 | |
Now that is well worth shaking on. | 0:26:04 | 0:26:07 | |
-Thank you very much indeed. -Done. | 0:26:07 | 0:26:08 | |
That's a good sale for Curtis. | 0:26:08 | 0:26:10 | |
The large flagon has poured over £40 into his profit pot. | 0:26:10 | 0:26:15 | |
Well, double your pleasure, double your fun. Double your money, James. | 0:26:15 | 0:26:20 | |
Well, he's a happy man. | 0:26:20 | 0:26:21 | |
But Curtis knows if he wants to win today's contest, he has to make good profits on all of his items. | 0:26:21 | 0:26:27 | |
And he's decided to sell his smaller flagon, or decanter, to a familiar face. | 0:26:27 | 0:26:31 | |
Brought that decanter in to show you. | 0:26:31 | 0:26:33 | |
I'm pretty busy at the moment. Shall we go outside and have a look? | 0:26:33 | 0:26:36 | |
Curtis bought the decanter for just under £17. | 0:26:36 | 0:26:39 | |
Look, John, I know you're busy in the kitchen but I didn't think you could resist this, for two reasons. | 0:26:39 | 0:26:44 | |
One, it's French. And two, it's got something to do with one of your passions, wine. | 0:26:44 | 0:26:49 | |
Yeah. No. Fine. So where did you pick it up? | 0:26:49 | 0:26:51 | |
I picked it up in a French market. | 0:26:51 | 0:26:53 | |
-It's made of pewter. -Yeah. -And glass, of course. | 0:26:53 | 0:26:55 | |
-It's about 100 years old so it's art nouveau. -And how do I know that? | 0:26:55 | 0:26:59 | |
Well, you can probably tell in two ways. First of all, the style. | 0:26:59 | 0:27:02 | |
The second thing is the pewter is ageing relatively well. | 0:27:02 | 0:27:06 | |
Pewter changes its consistency and its colour and its texture | 0:27:06 | 0:27:09 | |
over the years and if I stood a new piece next to you, you'd certainly know the difference. | 0:27:09 | 0:27:14 | |
How much do you want for it? | 0:27:14 | 0:27:15 | |
Well, I'm looking for about 100 quid, to be fair, John. | 0:27:15 | 0:27:18 | |
You've got no chance with me. I'm not going to pay 100 quid for this. | 0:27:18 | 0:27:21 | |
40 quid and I'm doing you a favour. | 0:27:21 | 0:27:24 | |
Look. I know you've got to get back to work. | 0:27:24 | 0:27:26 | |
I don't want to put it back in the car. | 0:27:26 | 0:27:29 | |
Come and give us the 40 quid in the place then. | 0:27:29 | 0:27:31 | |
-Let's do it. -Thanks. | 0:27:31 | 0:27:33 | |
John Burton Race isn't a man to mess around | 0:27:33 | 0:27:35 | |
and Curtis has secured another sale and banked just over £20 of profit. | 0:27:35 | 0:27:41 | |
-You drive a hard bargain, John. -I'm doing you a favour and I'm used to it, anyway. | 0:27:41 | 0:27:45 | |
Curtis' rival has made his way down to the capital to try and sell his elegant aide-memoire. | 0:27:45 | 0:27:51 | |
I'm in central London and underneath my feet are the world-famous London | 0:27:51 | 0:27:55 | |
silver vaults, a collection of over 50 dealers specialising in silver. | 0:27:55 | 0:28:01 | |
The shops here are known as vaults and they specialise in all things silver. | 0:28:01 | 0:28:06 | |
But the dealers here know their stuff. | 0:28:06 | 0:28:07 | |
So will James be able to make a profit on the aide-memoire? | 0:28:07 | 0:28:11 | |
In France, he paid just over £113 for it. | 0:28:11 | 0:28:15 | |
It's a bit smaller than the sort of thing I normally stock. | 0:28:15 | 0:28:17 | |
Great quality though. | 0:28:17 | 0:28:19 | |
Yes. It's good quality. It's in good condition. Beautifully engraved. | 0:28:19 | 0:28:24 | |
So I suppose, if the price is right, at £20, it'd be very nice. | 0:28:24 | 0:28:29 | |
Wouldn't it just. I mean, I was thinking in terms of 250. | 0:28:29 | 0:28:32 | |
My initial reaction was considerably less. | 0:28:32 | 0:28:36 | |
Right. | 0:28:36 | 0:28:38 | |
How about 220? | 0:28:38 | 0:28:39 | |
It's really got to be under 200. | 0:28:39 | 0:28:42 | |
So are you thinking 190? | 0:28:42 | 0:28:44 | |
-I'm thinking 170. -I'm still thinking nearer 200. | 0:28:45 | 0:28:50 | |
Let's toss a coin for the difference. | 0:28:50 | 0:28:51 | |
OK. Here we go. | 0:28:51 | 0:28:54 | |
Right. Which one do you want? | 0:28:55 | 0:28:57 | |
Heads. | 0:28:57 | 0:28:58 | |
-Heads... -Heads. -it's 190. | 0:29:01 | 0:29:03 | |
-Tails it's 200. -I never win. | 0:29:03 | 0:29:05 | |
£200. | 0:29:07 | 0:29:09 | |
-OK. -Well done. Thank you so much. -I keep the coin. -You do. | 0:29:09 | 0:29:12 | |
Well, it looks as though luck is on the Lionheart's side. | 0:29:12 | 0:29:15 | |
He won the coin toss and banks almost £87 worth of profit. | 0:29:15 | 0:29:19 | |
He also pockets almost £40 from his French chamberstick. | 0:29:21 | 0:29:26 | |
Both our experts are working their socks off trying to secure the deals that will win them today's contest. | 0:29:29 | 0:29:34 | |
And Curtis has taken to the high seas, well, sort of... | 0:29:36 | 0:29:39 | |
..to try and make a profitable sale. | 0:29:41 | 0:29:44 | |
My next location has played host to kings and queens, Noel Coward, Agatha Christie. | 0:29:44 | 0:29:51 | |
Now, I might not be the most the glamorous person arriving here | 0:29:51 | 0:29:55 | |
but I'm trying to win the prize for the most dramatic entrance. | 0:29:55 | 0:29:59 | |
Now, how do you land this thing? | 0:29:59 | 0:30:02 | |
Yes. I'm not sure rowing a dinghy is particularly dramatic, but you can't fault him for effort. | 0:30:02 | 0:30:07 | |
Mr Dowling has come to Burgh Island because he's hoping the hotel's art | 0:30:07 | 0:30:11 | |
deco heritage will help him sell the spelter and marble sculpture that he bought for just over £66. | 0:30:11 | 0:30:18 | |
She's lovely. | 0:30:20 | 0:30:22 | |
And what's lovely about her is I think she would really look good here. | 0:30:22 | 0:30:26 | |
The thing I always find really interesting actually about | 0:30:26 | 0:30:29 | |
the female figures in the period, and it is generally female... | 0:30:29 | 0:30:32 | |
-You're absolutely right. -..how surprisingly modern they are, in | 0:30:32 | 0:30:35 | |
terms of figure and athleticism and their appearance. | 0:30:35 | 0:30:38 | |
Maybe that's why we don't see chaps, they don't look quite as good. | 0:30:38 | 0:30:42 | |
Oh, I don't know. | 0:30:42 | 0:30:44 | |
No. She's a very, very, very fun piece. I'm very tempted, Curtis. | 0:30:44 | 0:30:47 | |
It all comes down to price in the end, doesn't it? | 0:30:47 | 0:30:49 | |
Well, I'd have to look at something like £250 for an item like this. | 0:30:49 | 0:30:52 | |
I just can't do it that high. | 0:30:52 | 0:30:54 | |
It's lovely and I don't want you to have to trek | 0:30:54 | 0:30:57 | |
back across the beach on this hot, hot, hot day with this heavy statue but I just can't go to 250. | 0:30:57 | 0:31:02 | |
-OK. Give me a figure. -I was thinking more of 175, Curtis. | 0:31:02 | 0:31:06 | |
Now, that is very low. I think that's very low, actually. | 0:31:06 | 0:31:10 | |
Would you be happy with 200? | 0:31:10 | 0:31:13 | |
I don't want to push it that far. | 0:31:13 | 0:31:15 | |
I'm going to meet you sort of in the middle and say why don't we settle on 190? | 0:31:15 | 0:31:21 | |
-Not quite the middle but I'll do it. -Fantastic. | 0:31:21 | 0:31:24 | |
Now, do you want us to put her somewhere and find a home? | 0:31:24 | 0:31:26 | |
-I think we'll check her out in reception. -See how we get on. | 0:31:26 | 0:31:29 | |
Well, Curtis' hotelier contact clearly knows her stuff | 0:31:29 | 0:31:32 | |
but the Detective has still bagged over £120 worth of profit. | 0:31:32 | 0:31:37 | |
Well, how about that. | 0:31:37 | 0:31:39 | |
More profit for my charity. | 0:31:39 | 0:31:41 | |
Fantastic. Do you know, I never leave Burgh Island disappointed. | 0:31:41 | 0:31:44 | |
It's time to go now, on a sea tractor. | 0:31:44 | 0:31:47 | |
Bet James Lewis has never been on a sea tractor. | 0:31:47 | 0:31:50 | |
Yes. I'm not sure what he's most happy about, | 0:31:50 | 0:31:52 | |
bagging a fabulous profit or taking a ride in the sea tractor. | 0:31:52 | 0:31:56 | |
and there's more joy for Curtis as he banks over £30 from his pewter tavern measures. | 0:31:56 | 0:32:01 | |
Cheers, James Lewis. | 0:32:01 | 0:32:03 | |
With both our experts sealing deal after profitable deal, | 0:32:04 | 0:32:07 | |
it's time to find out who's on the crest of a wave and who's in danger of sinking without a trace. | 0:32:07 | 0:32:14 | |
Curtis has made £350 worth of sales and banked healthy profits | 0:32:14 | 0:32:21 | |
of just under £220. | 0:32:21 | 0:32:23 | |
James' tea caddy going up in flames means | 0:32:23 | 0:32:25 | |
that despite sealing a deal for it, he's made very small profits indeed. | 0:32:25 | 0:32:30 | |
If Mr Lewis is going to win today's contest from this position, he's really got his work cut out. | 0:32:30 | 0:32:35 | |
But both he and Curtis are working hard to set up potential deals by phone and email. | 0:32:35 | 0:32:41 | |
They're talking up their items but even though they might discuss | 0:32:41 | 0:32:44 | |
figures with their prospective buyers, until money is handed over, no sale is secured. | 0:32:44 | 0:32:49 | |
Now, I think it's fair to say that when he was buying in Dunkirk, Curtis didn't fall head over heels | 0:32:49 | 0:32:55 | |
in love with many of the items he bought. | 0:32:55 | 0:32:58 | |
But one thing he was keen on was the relaxer chair that had seen better days. | 0:32:58 | 0:33:03 | |
He thought that it was packed with potential and in order to restore it | 0:33:03 | 0:33:06 | |
to its former glory, he's arranged for it to have a full makeover. | 0:33:06 | 0:33:10 | |
But this isn't just a light rubdown with some sandpaper and a damp cloth. | 0:33:10 | 0:33:16 | |
When the Detective has his furniture refurbished, he spares no expense. | 0:33:16 | 0:33:20 | |
To do the job properly, it has to be stripped, | 0:33:20 | 0:33:24 | |
reassembled | 0:33:24 | 0:33:26 | |
and finally, carefully waxed. | 0:33:26 | 0:33:29 | |
In Derbyshire, the Lionheart is on his way to try and get his paws on some more profit. | 0:33:31 | 0:33:36 | |
# You ain't nothing but a hound dog | 0:33:36 | 0:33:39 | |
# Crying all the time. # | 0:33:39 | 0:33:42 | |
James paid just over £47 for the pair of Staffordshire dogs and it's time to start selling. | 0:33:42 | 0:33:46 | |
Yeah. They're nice, presentable. | 0:33:46 | 0:33:50 | |
Yeah? Good. I love them. | 0:33:50 | 0:33:52 | |
I thought they were quite delicate. | 0:33:52 | 0:33:54 | |
I thought the necks were nice and slender and I loved the way you can actually see through the arch there. | 0:33:54 | 0:33:59 | |
-Yeah. -They're not the standard moulded model. | 0:33:59 | 0:34:01 | |
-No. -One grade up, I think. 1850, do you think? | 0:34:01 | 0:34:04 | |
1850, 1870, somewhere around there. | 0:34:04 | 0:34:07 | |
-Yeah. -Yeah. -Yeah. Do you agree on that? -Yeah. | 0:34:07 | 0:34:09 | |
Absolutely. And they're not the fakes which is the best bit. | 0:34:09 | 0:34:12 | |
You get a lot of them about but these are genuine. | 0:34:12 | 0:34:15 | |
-I was thinking around 220? -No. | 0:34:15 | 0:34:19 | |
-No? -Little bit strong for me, that. Bit strong. -What were you thinking? | 0:34:19 | 0:34:22 | |
I'd like to pay £100 for them. | 0:34:22 | 0:34:24 | |
Oh, no. 150. | 0:34:24 | 0:34:26 | |
No. 120. | 0:34:26 | 0:34:31 | |
-130. -125 and done. Deal? | 0:34:31 | 0:34:34 | |
Deal. Deal. That is fantastic. I'm happy with that. | 0:34:34 | 0:34:37 | |
Nicely done, James. | 0:34:37 | 0:34:39 | |
The dogs have added almost £80 profit to his kitty. | 0:34:39 | 0:34:44 | |
125 shows a great profit for me but also a bargain for Kevin so he's happy. | 0:34:44 | 0:34:49 | |
So it's smiles all round and there's more good news for Mr Lewis | 0:34:51 | 0:34:54 | |
as he secures good profits from the sale of his two pairs of andirons. | 0:34:54 | 0:34:59 | |
In London, Curtis is trying to sell his plant stand to another famous face. | 0:35:00 | 0:35:05 | |
Known to most of us as Keith from EastEnders, | 0:35:05 | 0:35:08 | |
not so many people know that actor Dave Spinks is also a keen gardener. | 0:35:08 | 0:35:11 | |
But will he be keen enough to give Curtis a profit on the plant stand | 0:35:11 | 0:35:16 | |
which set the Detective back just over £33 in France? | 0:35:16 | 0:35:20 | |
Well, I think it's perfect. | 0:35:20 | 0:35:21 | |
I've a feeling I'm going to put my glass terrarium on top, have some pots, bit of dangling ivy. | 0:35:21 | 0:35:27 | |
I think I'll have a quick look down here. | 0:35:27 | 0:35:29 | |
-Right. The wheels are looking dodgy but I can fix that. -A handyman as well. -Not a problem. | 0:35:29 | 0:35:36 | |
Well, the big question is, Dave, what are you prepared to pay? | 0:35:36 | 0:35:40 | |
Right. Haggle time, folks. | 0:35:40 | 0:35:43 | |
I tell you what, I was thinking maybe, what, 40 quid, | 0:35:43 | 0:35:48 | |
as a starting point. Come on. | 0:35:48 | 0:35:50 | |
OK. Well, I was thinking pretty close to 70 quid. | 0:35:50 | 0:35:54 | |
Ouch. You're robbing me. No. | 0:35:54 | 0:35:56 | |
-I tell you what, it looks like we're going to meet halfway somewhere here. -Go on. | 0:35:56 | 0:36:00 | |
So let's call it a round figure. | 0:36:00 | 0:36:04 | |
-50? -I knew that's where you were going. | 0:36:04 | 0:36:06 | |
Well, there seems nowhere else to go, was there? | 0:36:06 | 0:36:09 | |
Listen. Put it here, mate. 50 quid. 50 quid. Yeah? | 0:36:09 | 0:36:11 | |
-Are you happy with that? -Very happy. | 0:36:11 | 0:36:13 | |
Well done, Curtis. | 0:36:13 | 0:36:15 | |
Another satisfied customer and another profit. | 0:36:15 | 0:36:18 | |
James still has items left to sell though and has taken his 19th | 0:36:21 | 0:36:24 | |
century corkscrew to an auction house on the south west coast. | 0:36:24 | 0:36:28 | |
Having bought it for just under £10, he's confident this vintage will serve him well. | 0:36:28 | 0:36:35 | |
Ten is bid straightaway. Can I see 15? 15 is bid. 20. | 0:36:35 | 0:36:38 | |
25. 30. 35. 40. | 0:36:38 | 0:36:43 | |
45. 50. | 0:36:43 | 0:36:45 | |
55. 60. 65. 70. | 0:36:45 | 0:36:48 | |
65 with you, sir. | 0:36:48 | 0:36:51 | |
That's more than six times what I paid for it. | 0:36:51 | 0:36:54 | |
-Number, sir? -Fantastic. I'm thrilled with that. | 0:36:54 | 0:36:57 | |
That's a great result for the Lionheart. And as he's on a mission to raise as much money as possible | 0:36:57 | 0:37:02 | |
for charity, the auctioneer has kindly waived his fees. | 0:37:02 | 0:37:06 | |
So, the 19th century corkscrew has produced a very tasty profit of just over £55. | 0:37:06 | 0:37:12 | |
The Detective is aiming to seal a big deal by entering a dragon's den. | 0:37:12 | 0:37:18 | |
He's trying to sell his restored relaxer chair and bronze lady to | 0:37:18 | 0:37:21 | |
Joanne Bannatyne, wife of the famous businessman, Duncan Bannatyne. | 0:37:21 | 0:37:26 | |
Including £130 worth of restoration, | 0:37:26 | 0:37:30 | |
the pair cost Curtis just over £365. | 0:37:30 | 0:37:34 | |
-Here they are. -Oh, wow. | 0:37:34 | 0:37:37 | |
Well, I know you like eclectic things, you see. | 0:37:37 | 0:37:39 | |
I do. OK. Tell me about it then. | 0:37:39 | 0:37:42 | |
Well, I bought them both from a French market and this chair was in ruins when I bought it. | 0:37:42 | 0:37:48 | |
It's not massively old. | 0:37:48 | 0:37:49 | |
But what it is is it's attractive, it's well made. | 0:37:49 | 0:37:54 | |
-Yeah. I really like that. -Well, the other thing's this statue. | 0:37:54 | 0:37:56 | |
Now, it's a copy of a maker and a sculptor called Dimitri Chiparus, who was a Romanian. | 0:37:56 | 0:38:03 | |
-She's lovely. -Now, Dimitri Chiparus came into France to start sculpting in about 1915. | 0:38:03 | 0:38:09 | |
He wanted an original Dimitri Chiparus, like that. | 0:38:09 | 0:38:13 | |
Today you're probably going to pay anywhere between £15,000-£30,000. | 0:38:13 | 0:38:17 | |
Well, I love her because like the chair, I'd say she makes you smile. | 0:38:17 | 0:38:20 | |
-I love her shape and well, her position. -Do you like them both? | 0:38:20 | 0:38:25 | |
-I like them both. -If you like both of them, that brings us onto the terrible subject of money. | 0:38:25 | 0:38:29 | |
I was thinking for the pair, of about £1,000. | 0:38:29 | 0:38:32 | |
-As a pair, knock it in half. 500. -Wow. | 0:38:33 | 0:38:38 | |
Well, Curtis has started high but Joanne is going to be no pushover. | 0:38:38 | 0:38:43 | |
If he wants to win today's contest though, he needs to persuade her to | 0:38:43 | 0:38:47 | |
pay nearer the £1,000 he's asked for than the £500 she's offered. | 0:38:47 | 0:38:52 | |
His rival is also determined to win today's competition and he's hoping to seal a big deal of his own. | 0:38:52 | 0:38:58 | |
How are you? | 0:38:58 | 0:39:00 | |
He's brought his ormolu clock to a hotelier contact | 0:39:00 | 0:39:02 | |
who has a real passion for, and knowledge of, antiques. | 0:39:02 | 0:39:05 | |
If he wants to make a profit, he needs to sell it for more than £114. | 0:39:05 | 0:39:11 | |
My goodness, you're right. | 0:39:11 | 0:39:12 | |
Business must be good. This looks fantastic. | 0:39:12 | 0:39:15 | |
Superb. What have you got for me? | 0:39:15 | 0:39:18 | |
It's a French clock, made around 1870. | 0:39:18 | 0:39:21 | |
I love the quality of the ormolu. | 0:39:21 | 0:39:23 | |
That's actually what made me think of you, to be honest. | 0:39:23 | 0:39:25 | |
You're missing a hand. | 0:39:25 | 0:39:27 | |
When I was at the French market, I thought, I'll get that done but when I thought about you, | 0:39:27 | 0:39:32 | |
-I thought well, maybe you've got somebody here that can do it. -Yeah. | 0:39:32 | 0:39:36 | |
-Have you? -Well, quite possibly. Yes. | 0:39:36 | 0:39:38 | |
It's a good size. Good shape. | 0:39:38 | 0:39:40 | |
Good design. Do you like it? | 0:39:40 | 0:39:42 | |
-Oh, very good. -Yeah? Keen? | 0:39:42 | 0:39:45 | |
Well, tell me what the damage is. | 0:39:45 | 0:39:47 | |
What were you thinking? | 0:39:47 | 0:39:49 | |
I'll give you £100 for it. | 0:39:49 | 0:39:52 | |
Looking for bids, not insults. | 0:39:52 | 0:39:54 | |
That is far too low. That is less than I paid for it. | 0:39:54 | 0:39:56 | |
-You tell me. Come on. -OK. I was thinking in terms of 400. | 0:39:56 | 0:40:02 | |
It'd have to be less than that. | 0:40:02 | 0:40:04 | |
I'm a poor hotelier. | 0:40:04 | 0:40:06 | |
Well, we'll find out very shortly how much James managed to sell the clock for | 0:40:06 | 0:40:10 | |
and if Curtis was able to persuade Joanne Bannatyne to | 0:40:10 | 0:40:13 | |
pay anywhere near the £1,000 for the relaxer chair and statuette. | 0:40:13 | 0:40:18 | |
As it's time to tot up the totals and reveal who is today's | 0:40:18 | 0:40:22 | |
Put Your Money Where Your Mouth Is champion. | 0:40:22 | 0:40:26 | |
Curtis spent just under £400 at the French antiques market | 0:40:26 | 0:40:31 | |
and a further £130 renovating his chair. | 0:40:31 | 0:40:34 | |
James, on the other hand, parted with just over £515. | 0:40:34 | 0:40:40 | |
All of the profit that James and Curtis have made from today's challenge will be going to charity. | 0:40:40 | 0:40:45 | |
So, without further ado, it's time to find out which of them has made | 0:40:45 | 0:40:48 | |
-the most cash and who is today's Put Your Money Where Your Mouth Is champion. -Curtis, good to see you. | 0:40:48 | 0:40:53 | |
-James, how are you? -Very well. How are you? | 0:40:53 | 0:40:56 | |
I'm good. Ready for the magic moment. | 0:40:56 | 0:40:58 | |
-Feeling quite nervous. -Are you? | 0:40:58 | 0:41:00 | |
-You shouldn't. That beautiful aide-memoire you bought. -Well, yeah, I did OK with that. | 0:41:00 | 0:41:04 | |
I mean, I sold it to a really good dealer but you bought some great things. | 0:41:04 | 0:41:07 | |
-That spelter figure, I loved it. -Yeah. Did OK with that. | 0:41:07 | 0:41:10 | |
And do you remember that chair? | 0:41:10 | 0:41:13 | |
Talking about great things, that chair. Yes. | 0:41:13 | 0:41:15 | |
I did it up and it was OK in the end. | 0:41:15 | 0:41:19 | |
-OK? -Yeah. It worked out nicely. | 0:41:19 | 0:41:20 | |
-Stood on the floor, did it? -It's comfy. | 0:41:20 | 0:41:23 | |
Oh, yeah. I bet you were sitting in it at home. | 0:41:23 | 0:41:26 | |
You didn't actually find anyone to buy that, did you? | 0:41:26 | 0:41:28 | |
I did, actually. Yes. | 0:41:28 | 0:41:30 | |
God. Now I am nervous. | 0:41:30 | 0:41:31 | |
-Here we go. -Yes. | 0:41:31 | 0:41:33 | |
-After three. -Yes. -One. Two. Three. | 0:41:33 | 0:41:38 | |
-Congratulations. -I owe you a beer. | 0:41:41 | 0:41:44 | |
I think you did very well do. Come on. | 0:41:44 | 0:41:46 | |
So, it's a victory for James and he banked an excellent profit on the sale of his clock. | 0:41:46 | 0:41:50 | |
260, my final offer. | 0:41:50 | 0:41:53 | |
Well, you look after me. I'll look after you. Well done. Fantastic. | 0:41:53 | 0:41:56 | |
A sale of £260 gave James a profit of almost £150. | 0:41:56 | 0:42:02 | |
Curtis did manage to seal a deal on his chair and bronze lady. | 0:42:02 | 0:42:06 | |
-570? -Deal. | 0:42:06 | 0:42:10 | |
But it wasn't enough to win today's contest. | 0:42:10 | 0:42:14 | |
Bit disappointed I didn't win this one. | 0:42:14 | 0:42:16 | |
I think James was slightly a fish out of water with this because I've | 0:42:16 | 0:42:19 | |
done a lot of these French markets, but it was a fairly tight thing. | 0:42:19 | 0:42:22 | |
Where did I fall down? I bought a chair and spent an awful lot of money doing it up. | 0:42:22 | 0:42:26 | |
Maybe if I hadn't done that, I'd be winning this one today. | 0:42:26 | 0:42:29 | |
Beating Curtis, it's luck, not judgement. It's pure luck. | 0:42:29 | 0:42:34 | |
But you know, at the end of the day, I'm so pleased. | 0:42:34 | 0:42:36 | |
Well, I think the Lionheart is being a little modest. | 0:42:36 | 0:42:40 | |
But both our experts worked incredibly hard to raise hundreds of | 0:42:40 | 0:42:43 | |
pounds and every penny will be going to their chosen charities. | 0:42:43 | 0:42:48 | |
The charity I've chosen is Disability Challenges down in Surrey. | 0:42:48 | 0:42:51 | |
They're a fairly small charity and money like this will go an awfully long way. | 0:42:51 | 0:42:55 | |
It's going to mean so much to ACE Africa. | 0:42:55 | 0:42:58 | |
It is just such a wonderful charity. | 0:42:58 | 0:43:00 | |
And that will save children's lives and what can be better than that? | 0:43:00 | 0:43:04 | |
It's been a triumphant day for James but he and Curtis aren't finished, | 0:43:04 | 0:43:08 | |
because tomorrow, they'll be locking horns at an auction. | 0:43:08 | 0:43:12 | |
Lost again. | 0:43:14 | 0:43:15 | |
This is not going the way I planned it, you know. | 0:43:15 | 0:43:17 | |
That is incredible. | 0:43:17 | 0:43:20 | |
Well, we've got a bit of time left. Good luck. | 0:43:20 | 0:43:22 | |
I wish I could say the same. | 0:43:22 | 0:43:25 | |
Subtitles by Red Bee Media Ltd | 0:43:49 | 0:43:52 |