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We've all seen them on TV, but how will the country's favourite antiques experts fare | 0:00:02 | 0:00:06 | |
when they're challenged to make a profit with their own cash? | 0:00:06 | 0:00:09 | |
I'll be switching on my bargainometer. | 0:00:09 | 0:00:12 | |
Knocker Knowles, I'm right on your heels! | 0:00:12 | 0:00:15 | |
From car boot sales to auction houses, our experts will be recreating | 0:00:15 | 0:00:19 | |
some of their real-life deals as they go head-to-head | 0:00:19 | 0:00:22 | |
and try and make the most money for their chosen charities. | 0:00:22 | 0:00:27 | |
You watch out here, Miss Bliss. | 0:00:27 | 0:00:28 | |
So the pressure is really on. | 0:00:28 | 0:00:31 | |
The challenge to our experts is clear - dealers, put your money where your mouth is! | 0:00:31 | 0:00:36 | |
Battling to prove their expertise today are animal-loving auctioneer James "The Lionheart" Lewis | 0:01:05 | 0:01:10 | |
and the antiques investigator, Curtis "The Detective" Dowling. | 0:01:10 | 0:01:15 | |
The Detective has a real passion for Art Nouveau and Art Deco pieces | 0:01:15 | 0:01:20 | |
and an unquenchable thirst for antiques knowledge. | 0:01:20 | 0:01:24 | |
It's a business you always think you know nothing about | 0:01:24 | 0:01:27 | |
and the more you learn the more you want to learn. | 0:01:27 | 0:01:29 | |
His moniker of The Detective comes from his speciality of spotting fakes and forgeries. | 0:01:29 | 0:01:34 | |
So how do you tell the difference? | 0:01:36 | 0:01:38 | |
Well, after 25 years I know one thing - fakers are getting better and it's very, very difficult. | 0:01:38 | 0:01:43 | |
His opponent, James Lewis, is an auctioneer and has 20 years' experience in the antiques business. | 0:01:43 | 0:01:49 | |
That is the bargain of the sale. 20. Five. 30. | 0:01:49 | 0:01:54 | |
I had two loves, animals and antiques. | 0:01:54 | 0:01:56 | |
The animal thing didn't work out, so I went for my second love - the antiques. | 0:01:56 | 0:02:00 | |
Derbyshire's very own master of ceremonies can be seen dispensing | 0:02:00 | 0:02:04 | |
pearls of wisdom on "Flog It!" and Bargain Hunt. | 0:02:04 | 0:02:07 | |
I guess the turning point for antiques and collectables for me | 0:02:07 | 0:02:11 | |
was when I took on a stand at Ewart Market on a Monday. | 0:02:11 | 0:02:14 | |
It wasn't easy and there were lots of people doing it, | 0:02:14 | 0:02:17 | |
but I used to buy at car boot sales, jumble sales, and make whatever I could. | 0:02:17 | 0:02:21 | |
We have the experts, they have the knowledge, the contacts and an unyielding desire to win, | 0:02:21 | 0:02:27 | |
so without further ado, it's time for us to find out the aim of today's game. | 0:02:27 | 0:02:32 | |
-Lionheart, good morning. -Detective, how are you? -Very well. -Good. | 0:02:32 | 0:02:36 | |
-This is for you. -And this for you. -Let's see what's in it. | 0:02:36 | 0:02:39 | |
"Curtis and James, your challenge today is to spend up to £1,000 of your own money on antiques. | 0:02:40 | 0:02:46 | |
"You must then resell your purchases with the aim of making as much profit as possible. | 0:02:46 | 0:02:52 | |
"The winner is the expert who makes the most cash." | 0:02:52 | 0:02:56 | |
-That'll be me, then! -Probably! | 0:02:56 | 0:02:57 | |
"Today you must buy all of your antiques from... | 0:02:58 | 0:03:02 | |
"an auction house." | 0:03:02 | 0:03:04 | |
Oh, it's like eating your own, isn't it? | 0:03:04 | 0:03:06 | |
It certainly is. | 0:03:06 | 0:03:08 | |
-I don't think I'm going to enjoy this. -Good luck. | 0:03:08 | 0:03:10 | |
-Good luck, you. -I'll see you later. -I'll follow you. | 0:03:10 | 0:03:13 | |
So our antiques warriors can spend up to £1,000 of their own money | 0:03:13 | 0:03:19 | |
at Fielding's Auctioneers in the West Midlands. | 0:03:19 | 0:03:22 | |
It's the dealer versus the auctioneer, and they've both drawn up their battle plans. | 0:03:24 | 0:03:29 | |
James will be relying on his years of experience as an auctioneer to sort the wheat from the chaff. | 0:03:29 | 0:03:35 | |
Curtis is counting on his heart to lead him to the items he needs for victory. | 0:03:35 | 0:03:39 | |
There are hundreds of lots on offer at today's auction, and as they browse through the items, | 0:03:39 | 0:03:44 | |
Mr Dowling has found a striking piece of artwork that he thinks has the potential to make him a profit. | 0:03:44 | 0:03:52 | |
Now, Freitag was a fabulous German artist born in the Victorian era, | 0:03:52 | 0:03:56 | |
but the first time he put a brush on to board with oil on, | 0:03:56 | 0:04:01 | |
he was painting in a style that was already 100 years out of date. | 0:04:01 | 0:04:05 | |
He wasn't inventing anything - | 0:04:05 | 0:04:06 | |
he was just doing a really good painting, | 0:04:06 | 0:04:09 | |
because by the time his art was selling, people were buying Picasso | 0:04:09 | 0:04:12 | |
and all the Impressionist artists. | 0:04:12 | 0:04:15 | |
I love it, and at £200 to £300 someone will think it's lovely, | 0:04:15 | 0:04:19 | |
even if that starts with a five or a six or a seven, | 0:04:19 | 0:04:22 | |
so I'm going to buy it and keep my fingers crossed that people love it just as much as I do. | 0:04:22 | 0:04:27 | |
Well, it seems like Curtis is prepared to pay | 0:04:27 | 0:04:30 | |
big money to try and secure the painting when it comes up for sale. | 0:04:30 | 0:04:35 | |
With so many lots to choose from, our experts are having to use | 0:04:35 | 0:04:38 | |
all their expertise to pick pieces with the potential to win today. | 0:04:38 | 0:04:42 | |
But James thinks he's sniffed out a small item that could deliver a big profit. | 0:04:42 | 0:04:48 | |
Imagine you're an 18th-century lady or gentleman. | 0:04:48 | 0:04:51 | |
You're walking through busy streets, sometimes in the 18th century flowing with raw sewage. | 0:04:51 | 0:04:56 | |
You had to have something to take that smell away, and that something is a vinaigrette. | 0:04:56 | 0:05:02 | |
This, though, is slightly more unusual than the norm. | 0:05:02 | 0:05:04 | |
A vinaigrette that we normally see opens up and inside we have a pierced grille. | 0:05:04 | 0:05:10 | |
That pierced grille holds a sponge that's soaked in aromatic vinegar, | 0:05:10 | 0:05:14 | |
and what one would do is take it out from a pocket or the end of a watch chain... | 0:05:14 | 0:05:19 | |
waft it under the nose to remove the smell of sometimes the streets, | 0:05:19 | 0:05:23 | |
but also sometimes the people walking down the streets. | 0:05:23 | 0:05:26 | |
But what makes this different is, A, it's American, not British, but, B, | 0:05:26 | 0:05:31 | |
it has these three individual compartments | 0:05:31 | 0:05:34 | |
for a different smell for a different occasion. | 0:05:34 | 0:05:37 | |
This has an auction estimate of £50 to £60. | 0:05:37 | 0:05:41 | |
In my opinion it's cheap. | 0:05:41 | 0:05:43 | |
Well, if he can pick it up for its estimate, | 0:05:43 | 0:05:45 | |
James thinks the vinaigrette is a bit of a bargain, | 0:05:45 | 0:05:48 | |
but there are no guarantees at auction, so that's a pretty big if. | 0:05:48 | 0:05:52 | |
Spotting the items with the biggest potential profit | 0:05:52 | 0:05:55 | |
is crucial if our experts want to win today's auction challenge. | 0:05:55 | 0:05:59 | |
And Curtis has homed in on something that he not only loves, but he thinks could make a big profit. | 0:05:59 | 0:06:06 | |
If you wanted to epitomise the late '30s and the '40s, | 0:06:06 | 0:06:10 | |
you'd probably look at something like Clarice Cliff. | 0:06:10 | 0:06:13 | |
If you want to epitomise the '20s and early '30s, | 0:06:13 | 0:06:16 | |
nobody better than Rene Lalique himself. | 0:06:16 | 0:06:20 | |
Now, the one thing you've got to be careful of | 0:06:20 | 0:06:22 | |
on these fabulous iconic items is | 0:06:22 | 0:06:25 | |
because they're popular, they get copied a lot. | 0:06:25 | 0:06:28 | |
How can you tell? | 0:06:28 | 0:06:29 | |
Now, this little fella has got an E on it, and that's telling me one important thing. | 0:06:29 | 0:06:34 | |
It's telling me that this was made in 1930. | 0:06:34 | 0:06:38 | |
But one thing to remember - condition, condition, condition. | 0:06:38 | 0:06:41 | |
If it's chipped, cracked or damaged don't touch it. | 0:06:41 | 0:06:44 | |
If it's in lovely condition like this little baby, | 0:06:44 | 0:06:47 | |
try and get it as much as you possibly can. | 0:06:47 | 0:06:50 | |
So, fingers crossed, I'll be taking this home and... | 0:06:50 | 0:06:53 | |
I'm going to struggle to part with it, and struggle to make a fortune profit on it, but you know what? | 0:06:53 | 0:06:58 | |
I don't care because it's gorgeous. | 0:06:58 | 0:07:00 | |
Yes, I'm not entirely sure that's going to help him beat James, | 0:07:01 | 0:07:05 | |
but Curtis is clearly passionate about the Lalique dish, | 0:07:05 | 0:07:08 | |
and if he can get it, that passion could help him sell it for a good profit. | 0:07:08 | 0:07:13 | |
Anyone else? | 0:07:13 | 0:07:14 | |
Mr Dowling also has his eye on a modern Galle vase, and we won't have to wait long | 0:07:14 | 0:07:19 | |
to see if he gets it, as the vase is about to come up for sale. | 0:07:19 | 0:07:23 | |
If we get it for the right price, which to me is going to be about £70, which is mid estimate, | 0:07:23 | 0:07:28 | |
add 15%, we're going to make some profit. Let's see how we get on. | 0:07:28 | 0:07:31 | |
The bid's in me at 45. I look for 50. 50 with the lady first. | 0:07:31 | 0:07:34 | |
50 I have there and five standing. 55. And 60. And five. | 0:07:34 | 0:07:39 | |
70. And five? | 0:07:39 | 0:07:41 | |
Your lot, sir. 75 to 564. | 0:07:41 | 0:07:44 | |
Spot on. 75 quid, just where we wanted to be. | 0:07:44 | 0:07:48 | |
Now add that 15% commission, and that's coming in around the... | 0:07:48 | 0:07:52 | |
coming on to £90. | 0:07:52 | 0:07:53 | |
So it's strike one to The Detective. Curtis and James have to factor the auctioneer's commission | 0:07:53 | 0:07:59 | |
into everything they buy today, | 0:07:59 | 0:08:01 | |
which means the vase has cost Curtis a little under £90. | 0:08:01 | 0:08:05 | |
James' vinaigrette will be up for sale shortly, but first, | 0:08:05 | 0:08:09 | |
The Lionheart is hoping to snap up an eye-catching glass whisky barrel with an estimate of £100 to £150. | 0:08:09 | 0:08:17 | |
We've got the John Walker & Sons of Kilmarnock Old Highland Whisky. | 0:08:17 | 0:08:21 | |
A nice barrel there. Bids and interest with me. | 0:08:21 | 0:08:23 | |
-Oh, there's interest. -I'll get us under way at £85. | 0:08:23 | 0:08:26 | |
£85, below estimate. | 0:08:26 | 0:08:28 | |
-Let's see what happens in the room. -At 85, then, on a maiden bid. 85. | 0:08:28 | 0:08:32 | |
90. And five. 100? | 0:08:32 | 0:08:34 | |
100, the nod, thank you. It's out in the room at £100. | 0:08:34 | 0:08:38 | |
£100. And your number is? | 0:08:38 | 0:08:40 | |
-Thank you, sir. -Fantastic. £100, lower-end estimate. | 0:08:40 | 0:08:44 | |
That's 115 including commission, so I should think there's a good £70, £80 profit in that. | 0:08:44 | 0:08:51 | |
Let's see how we go. | 0:08:51 | 0:08:52 | |
With commission James has paid £115 for the whisky barrel, | 0:08:52 | 0:08:56 | |
and that's one item each. | 0:08:56 | 0:08:57 | |
It's going to be a fierce fight in the saleroom today, | 0:08:57 | 0:09:01 | |
but James is hoping to steal a march on his rival by buying the vinaigrette case | 0:09:01 | 0:09:05 | |
estimated at £50 to £60. | 0:09:05 | 0:09:07 | |
-Here it is. -Interesting item. Bids and interest again. | 0:09:07 | 0:09:10 | |
-140... -Oh, 140 straight in! -140 takes all the other commission bidders out. At 140. | 0:09:10 | 0:09:17 | |
150. Five? 160. Five? | 0:09:17 | 0:09:20 | |
-170. Five? -No. -He says no. | 0:09:20 | 0:09:22 | |
-170 here. 175 anywhere else? -Silver is expensive today. | 0:09:22 | 0:09:26 | |
£170 I'm selling it. Are you sure and done at 170? Are you finished? | 0:09:26 | 0:09:30 | |
So the vinaigrette case was too expensive for James. | 0:09:30 | 0:09:33 | |
Will his rival have more luck with his Freitag painting? | 0:09:33 | 0:09:37 | |
We have the Clemens Freitag oil on board. | 0:09:37 | 0:09:40 | |
170 I have, I look for 180. | 0:09:40 | 0:09:41 | |
180, thank you. Is there 190 now? | 0:09:41 | 0:09:44 | |
180, the gentleman's bid, and 180 I'll sell. | 0:09:44 | 0:09:46 | |
-All sure and done at 180? -GAVEL RAPS | 0:09:46 | 0:09:49 | |
-I think that's fantastic. -Curtis, it's a print! | 0:09:49 | 0:09:52 | |
Yes, his rival might be teasing him, but The Detective is happy with his purchase. | 0:09:52 | 0:09:57 | |
180. With buyer's premium, that's coming in just over the 200 mark. | 0:09:57 | 0:10:01 | |
I think there's another third in that from a profit point of view. | 0:10:01 | 0:10:04 | |
The painting's cost Curtis over a fifth of his budget, | 0:10:04 | 0:10:07 | |
but he seems pretty confident | 0:10:07 | 0:10:09 | |
about its potential profitability. | 0:10:09 | 0:10:11 | |
Mr Dowling also had his eye on a Lalique dish, but when it came up for sale, | 0:10:11 | 0:10:18 | |
he'd popped out of the room. | 0:10:18 | 0:10:21 | |
That's the bad news, the good news, at least for The Detective, is that there's still a chance | 0:10:21 | 0:10:26 | |
for him to take it home. | 0:10:26 | 0:10:29 | |
All will be revealed at the end of the auction. | 0:10:29 | 0:10:31 | |
With cash left in their pockets, | 0:10:35 | 0:10:37 | |
both our experts are keen to snap up more potentially profitable pieces. | 0:10:37 | 0:10:42 | |
And earlier today, they cast their eyes over the lots on offer. | 0:10:42 | 0:10:46 | |
James decided to go for gold. | 0:10:46 | 0:10:48 | |
In times when people are talking about minimalism, | 0:10:48 | 0:10:52 | |
clearing the surfaces and going for very simple lines | 0:10:52 | 0:10:55 | |
you wouldn't think that these | 0:10:55 | 0:10:57 | |
are fashionable, but they are. | 0:10:57 | 0:10:58 | |
One simple reason, they are | 0:10:58 | 0:11:00 | |
what we call Orientalist. | 0:11:00 | 0:11:02 | |
They're inspired by the Far East. | 0:11:02 | 0:11:04 | |
If we have a look at this, we've got burnished gilt, | 0:11:04 | 0:11:07 | |
matt gilt, and this is gilt on bronze, ormolu. | 0:11:07 | 0:11:12 | |
Fabulous quality casting and we do, of course, have the pair. | 0:11:12 | 0:11:16 | |
Here's the first with the gentleman, | 0:11:16 | 0:11:19 | |
the second with the lady. | 0:11:19 | 0:11:21 | |
A pair is so important. | 0:11:21 | 0:11:24 | |
Whenever we're talking about candelabrum or candlesticks, | 0:11:24 | 0:11:27 | |
a single one on its own is a little bit like a bike with one wheel, | 0:11:27 | 0:11:30 | |
nobody wants it, but a pair, fabulous. | 0:11:30 | 0:11:33 | |
I think they've got quite a realistic auction estimate. They've got 300 to 500 on them. | 0:11:33 | 0:11:38 | |
For us to stand a chance of making a good profit, | 0:11:38 | 0:11:41 | |
I'm going to go up to about 500, 550, something like that, | 0:11:41 | 0:11:46 | |
but I think we might just sell them for 1,000. | 0:11:46 | 0:11:49 | |
Well, Mr Lewis might think that the candlesticks are a potential double-your-money moment, | 0:11:49 | 0:11:54 | |
but spending £550 on just one item is a very big gamble. | 0:11:54 | 0:11:59 | |
Elsewhere in the saleroom, The Detective thinks he's found something | 0:11:59 | 0:12:04 | |
that could point him in the direction of victory. | 0:12:04 | 0:12:07 | |
The estimate on this is £100 to £150. Why is it so cheap, you think? | 0:12:07 | 0:12:12 | |
1806 map in very good condition, beautifully framed. | 0:12:12 | 0:12:16 | |
Well, look at the size of it! Where would you put it? | 0:12:16 | 0:12:20 | |
It's not going to go in your downstairs loo, at this size. | 0:12:20 | 0:12:23 | |
So, an item like this, who's going to buy it? | 0:12:23 | 0:12:26 | |
It could go in the hallway of a hotel, it could go in a public building. | 0:12:26 | 0:12:30 | |
That's the type of people that are going to buy it. | 0:12:30 | 0:12:32 | |
And if I got this for 100 quid, I think there's tons of mark-up in this. | 0:12:32 | 0:12:37 | |
So this is going to be one of the items I'm going for | 0:12:37 | 0:12:40 | |
and if I'm lucky enough to get it, this could be the real winner for me. | 0:12:40 | 0:12:44 | |
Both our experts are thinking big and with today's saleroom showdown heating up, | 0:12:45 | 0:12:51 | |
James is the expert with an item of interest up next in the auction house pressure-cooker. | 0:12:51 | 0:12:55 | |
It's a walking cane with an estimate of £40 to £60. | 0:12:55 | 0:13:01 | |
And the next lot is this walking stick. | 0:13:01 | 0:13:05 | |
Ivory hafted, silver ferial, malacca shaft, good colour, good condition. | 0:13:05 | 0:13:09 | |
Let's see if there are any walking stick collectors here. | 0:13:09 | 0:13:13 | |
21 is a malacca walking cane, lovely example. £40 on a commission. | 0:13:13 | 0:13:16 | |
And five. And 50. And five. And 60. | 0:13:16 | 0:13:19 | |
And five. And 70. And five. And 80. | 0:13:19 | 0:13:22 | |
And five. £80 on a commission. 85. | 0:13:22 | 0:13:24 | |
Fresh bid there first, 85. And 90. | 0:13:24 | 0:13:26 | |
And five. 100. 110. 120. 130? | 0:13:26 | 0:13:31 | |
130? 120 here on a commission. | 0:13:31 | 0:13:35 | |
130 anyone else. 130's back. 140. | 0:13:35 | 0:13:37 | |
130's standing. All done at £130 for the cane? | 0:13:37 | 0:13:40 | |
Oh, no, he's got that, but that's close to the edge, I tell you. | 0:13:40 | 0:13:43 | |
That's a lot of money. | 0:13:43 | 0:13:46 | |
Well, with commission James has paid almost £150 for the walking cane. | 0:13:46 | 0:13:51 | |
Rather than worrying about his opponent's recent purchase, though, | 0:13:51 | 0:13:55 | |
Mr Dowling has got other things on his mind. | 0:13:55 | 0:13:57 | |
That's a fitting number, 666. | 0:13:57 | 0:13:59 | |
I didn't notice that before! A sign of something, isn't it, or something? | 0:13:59 | 0:14:03 | |
Yes, very good, Curtis, but whilst he's cracking jokes James is making purchases. | 0:14:07 | 0:14:11 | |
All round to yours, sir. | 0:14:11 | 0:14:13 | |
Thank you! | 0:14:13 | 0:14:15 | |
Mr Dowling, though, is none too impressed. | 0:14:16 | 0:14:21 | |
Now, that smacks slightly like the signs of a desperate man. | 0:14:21 | 0:14:24 | |
Buying bottles of whisky. | 0:14:24 | 0:14:26 | |
There's no doubt it is a quirky purchase for Mr Lewis, | 0:14:26 | 0:14:29 | |
but what he's really hoping to buy are the ormolu candlesticks. | 0:14:29 | 0:14:34 | |
Remember, James is prepared to go as high as £550. | 0:14:34 | 0:14:38 | |
-£700, then? -Oh, £700! | 0:14:38 | 0:14:41 | |
720 anywhere else? | 0:14:41 | 0:14:43 | |
Last time of asking at £700. | 0:14:43 | 0:14:44 | |
All done and finished? 720 anywhere else? All done? | 0:14:44 | 0:14:47 | |
I can see those retailing at £1,200, but it just wasn't quite enough. | 0:14:49 | 0:14:53 | |
So, the candlesticks were a bit pricey for The Lionheart | 0:14:56 | 0:14:59 | |
and whilst he licks his wounds, | 0:14:59 | 0:15:01 | |
it's time for Curtis to try and secure another item. | 0:15:01 | 0:15:05 | |
The next lot for me is the map. | 0:15:05 | 0:15:07 | |
I mean, it's huge and I'm hoping because of the size people are going to say, | 0:15:07 | 0:15:12 | |
"Don't buy that, how will we get it home?" | 0:15:12 | 0:15:14 | |
867 is the map of England and Wales. The big one over there. A bit of a bruiser. | 0:15:14 | 0:15:19 | |
£100, £150, you never know your luck. Let's see. | 0:15:19 | 0:15:22 | |
Where do we start on that one? Bids with me at 90. | 0:15:22 | 0:15:24 | |
I look for £100 in the room. 100 there. It's with you at 100. Do I see 110 anywhere else? | 0:15:24 | 0:15:29 | |
-BANGS GAVEL -Yours, sir. -Hurray! I'm going to shout that loudly. Hurray! | 0:15:29 | 0:15:33 | |
-I've got something I wanted! -Well done. | 0:15:33 | 0:15:37 | |
The bidding was short and sweet and with commission the maps cost Curtis £115. | 0:15:37 | 0:15:42 | |
With his rival shouting his delight about his purchase to all and sundry... | 0:15:44 | 0:15:48 | |
-Hurray! -..James is feeling the pressure and decides to try and makean impulse buy. | 0:15:48 | 0:15:54 | |
A pair of card cases. I haven't even looked at them, but they seem cheap. | 0:15:54 | 0:15:58 | |
25 for them? Quickly, two card cases for £25. | 0:15:58 | 0:16:01 | |
-Thank you, sir. 28 anywhere else? -BANGS GAVEL | 0:16:01 | 0:16:04 | |
£25. That was cheap. | 0:16:04 | 0:16:08 | |
Hopefully there's a profit there. | 0:16:08 | 0:16:10 | |
Well, James may be upset at missing out on several of his targets, | 0:16:10 | 0:16:13 | |
but he's managed to snap up the card cases for just under £29 | 0:16:13 | 0:16:17 | |
It's time now to find out just how much he and Curtis have spent. | 0:16:17 | 0:16:21 | |
Both our experts can spend up to £1,000 of their own money. | 0:16:21 | 0:16:27 | |
Mr Dowling has spent just under £410, leaving a little over £590 in his kitty. | 0:16:27 | 0:16:34 | |
His rival has parted with just over £430, giving him almost £570 still to spend. | 0:16:37 | 0:16:44 | |
So, with over £1,000 still to spend between them | 0:16:47 | 0:16:51 | |
and the lots sliding by, the pressure's building on both our experts. | 0:16:51 | 0:16:56 | |
All is far from lost, though, and earlier today they cast their eyes over the hundreds of lots on offer | 0:16:56 | 0:17:02 | |
and The Detective spotted something he thought could turn up the heat on his rival. | 0:17:02 | 0:17:06 | |
This is interesting if you've heard of the Kelvin scale - | 0:17:06 | 0:17:09 | |
absolute temperature measurement - this is the guy | 0:17:09 | 0:17:12 | |
that started the company that made this clock. | 0:17:12 | 0:17:15 | |
Now this one is probably from the turn of the last century, | 0:17:15 | 0:17:18 | |
so about 1900, | 0:17:18 | 0:17:19 | |
and they'd been making items like this for 30 years, | 0:17:19 | 0:17:23 | |
40 years before this clock came out | 0:17:23 | 0:17:25 | |
and they're still going today as Kelvin Hughes Ltd. | 0:17:25 | 0:17:28 | |
And I think we're all slightly fascinated, aren't we, with time | 0:17:28 | 0:17:31 | |
and all slightly fascinated with travel and this ticks both boxes | 0:17:31 | 0:17:35 | |
because this would have been on a metal ship. | 0:17:35 | 0:17:37 | |
It's been round the world, so the stories this could tell. | 0:17:37 | 0:17:40 | |
It's small, so it's nice and portable, | 0:17:40 | 0:17:44 | |
it still works and on your kitchen wall, | 0:17:44 | 0:17:46 | |
well, it's better than popping down your local shops | 0:17:46 | 0:17:49 | |
and buying a new one for what's going to be about the same price. | 0:17:49 | 0:17:52 | |
Now, in the book, they're estimating this at £80 to £120. | 0:17:52 | 0:17:57 | |
If it comes in even at slightly over that, | 0:17:57 | 0:17:59 | |
I still think I've got a bargain | 0:17:59 | 0:18:01 | |
and I still think I'm going to make a hefty profit on it, | 0:18:01 | 0:18:04 | |
so we'll just have to wait and see. Well, time will tell. | 0:18:04 | 0:18:07 | |
Yes, very good, Curtis. Fortunately for him his antiques knowledge is better than his puns, | 0:18:07 | 0:18:13 | |
His rival has decided to make a move for some garden urns, | 0:18:13 | 0:18:17 | |
but before they go under the hammer, it's time for Curtis' timepiece to go before the room. | 0:18:17 | 0:18:22 | |
I've got that little brass clock coming up now. I like the movement, it's quite small, I'm hoping... | 0:18:22 | 0:18:27 | |
I mean, it says £80 to £120. I'm hoping for a bit less now. | 0:18:27 | 0:18:30 | |
80 I'm bid on a commission. And five in the room anywhere for the brass clock? 85. 90. Five. | 0:18:30 | 0:18:35 | |
-100. -No more. -95 then with you. | 0:18:35 | 0:18:37 | |
Oh, it's looking like my day. | 0:18:37 | 0:18:40 | |
-Then we are all done. -BANGS GAVEL Go on! | 0:18:40 | 0:18:42 | |
You know, the old Detective Dowling is doing well. | 0:18:42 | 0:18:45 | |
That's a good purchase, there. | 0:18:45 | 0:18:47 | |
Well, his rival thinks he's got a good buy | 0:18:47 | 0:18:49 | |
and, including comission, Curtis has picked up the clock for just under £110. | 0:18:49 | 0:18:57 | |
The competition in today's saleroom is fierce. Curtis and James have been bidding against a room | 0:18:57 | 0:19:03 | |
full of knowledgable buyers, as well as against each other. | 0:19:03 | 0:19:06 | |
But, having only bought four items each, they're desperate to bag more lots. | 0:19:06 | 0:19:11 | |
A pair of cast iron garden urns for you. | 0:19:11 | 0:19:13 | |
Now these... | 0:19:13 | 0:19:16 | |
These look OK. It's summer. | 0:19:16 | 0:19:18 | |
-130. They seem cheap... -130. | 0:19:18 | 0:19:20 | |
At 130. Absentee bids and interest. I'll come to you at 140. | 0:19:20 | 0:19:23 | |
I'm out straight away. 140. Bidding is in the room. | 0:19:23 | 0:19:26 | |
-140. 140. -150. 160. 170. 180. | 0:19:26 | 0:19:30 | |
180. | 0:19:30 | 0:19:31 | |
-190. And 200. -200. | 0:19:31 | 0:19:35 | |
-210. 220, sir? -220. -220. 230? 230. 240. | 0:19:35 | 0:19:40 | |
250. | 0:19:41 | 0:19:43 | |
260. 270. | 0:19:43 | 0:19:45 | |
280. 290. 300. | 0:19:45 | 0:19:49 | |
-£300. -300. 310. -It's too much really, but I need to buy it. | 0:19:49 | 0:19:54 | |
320, gentleman's bid. | 0:19:54 | 0:19:56 | |
Thank you. | 0:19:56 | 0:19:57 | |
666, thank you. | 0:19:57 | 0:20:00 | |
That is tough going. Whether there's a profit or not in that I really doubt it. | 0:20:00 | 0:20:05 | |
Well, James needed to buy something to sell on, but with commission, | 0:20:05 | 0:20:09 | |
he's paid a whopping £368 and he doesn't seem too happy about it. | 0:20:09 | 0:20:14 | |
His rival, on the other hand, is over the moon. | 0:20:14 | 0:20:17 | |
Earlier in the day he had his eye on the Lalique dish. | 0:20:17 | 0:20:21 | |
If it's in lovely condition like this little baby try and get it as much as you possibly can. | 0:20:21 | 0:20:27 | |
Unfortunately for Mr Dowling, he was out of the room when it came up for sale, | 0:20:27 | 0:20:31 | |
but clever Curtis has got some very good news. | 0:20:31 | 0:20:35 | |
And it's a result! | 0:20:39 | 0:20:41 | |
You may be wondering how did that happen? | 0:20:41 | 0:20:44 | |
It didn't make its reserve, so I popped my head round the door | 0:20:44 | 0:20:46 | |
and they let me have it for the lowest estimate plus commission. | 0:20:46 | 0:20:50 | |
What that means is I've just paid £230 for this beautiful Lalique bowl, which is now all mine. | 0:20:50 | 0:20:57 | |
Hurray! | 0:20:57 | 0:20:58 | |
Well, that's all perfectly standard practice in an auction house | 0:20:58 | 0:21:02 | |
and it means that both our experts have bought five items each. | 0:21:02 | 0:21:07 | |
It's time to find out just how much they've spent. | 0:21:07 | 0:21:10 | |
Both Curtis and James were allowed to spend | 0:21:10 | 0:21:13 | |
up to £1,000 of their own money in the saleroom. | 0:21:13 | 0:21:17 | |
Including commission, Curtis has parted with just under £750. | 0:21:17 | 0:21:22 | |
The Lionheart, on the other hand, has parted with almost 800. | 0:21:24 | 0:21:28 | |
It's been a tough day for both our experts, but before they head | 0:21:30 | 0:21:34 | |
for home and try to make a profit on their items, they can't resist taking a look at each other's wares. | 0:21:34 | 0:21:40 | |
This just about sums up our day, James, doesn't it? | 0:21:40 | 0:21:43 | |
I can't even see you, my glasses are so wet! | 0:21:43 | 0:21:46 | |
-Well, if you could see me, you'd be just looking at one depressed, wet auctioneer. -Yes. | 0:21:46 | 0:21:53 | |
And opposite you, | 0:21:53 | 0:21:55 | |
-a slightly depressed, wet antiques dealer. -Yeah. -What have you got? | 0:21:55 | 0:21:59 | |
Well, I started off with a barrel this morning, and that's all I got in the first stage. | 0:21:59 | 0:22:03 | |
Then I bought a walking stick and I really have no idea why I paid that much money for it, | 0:22:03 | 0:22:08 | |
and then these, three lots to go and I had no choice. | 0:22:08 | 0:22:11 | |
£150 too much, really. | 0:22:11 | 0:22:13 | |
Well, I feel slightly better than you, I have to say, | 0:22:13 | 0:22:15 | |
because I got a bit lucky towards the end of the day. | 0:22:15 | 0:22:18 | |
I got this map. | 0:22:18 | 0:22:20 | |
Yeah, I can see that's really working for you. | 0:22:20 | 0:22:23 | |
-Now, the Lalique bowl was more emotional than financial. -Was it? | 0:22:23 | 0:22:28 | |
Yeah, because I paid 230 for it. | 0:22:28 | 0:22:30 | |
-There might be a bit of profit in there. -Just a tiny little bit. | 0:22:30 | 0:22:34 | |
-Best so far, I think. -Yeah, that's a nice piece. | 0:22:34 | 0:22:36 | |
-We've had a hard day, haven't we? -It's not been an easy day. We've had everything against us today. | 0:22:36 | 0:22:41 | |
We've had the inclement weather, we've had the most expensive auction house in the world. | 0:22:41 | 0:22:47 | |
-Haven't they done well! -Good luck to them. -Absolutely. | 0:22:47 | 0:22:50 | |
They've kicked us out so they can get on and book their Caribbean cruises! Well, best of luck. | 0:22:50 | 0:22:55 | |
Great, and to you. Well, you can find your way home with that, eh? | 0:22:55 | 0:22:59 | |
-At least it's got one use. -Take care. | 0:22:59 | 0:23:01 | |
So, as they head for home, Curtis' chances of victory rest on | 0:23:01 | 0:23:06 | |
a modern Galle vase, | 0:23:06 | 0:23:08 | |
an early 20th-century brass clock, | 0:23:08 | 0:23:11 | |
a 19th-century map, | 0:23:11 | 0:23:14 | |
a Lalique glass dish | 0:23:14 | 0:23:16 | |
and an original oil painting by Clemens Freitag. | 0:23:16 | 0:23:20 | |
James is aiming to profit from a large glass whisky barrel, | 0:23:20 | 0:23:25 | |
an ivory-topped walking cane, | 0:23:25 | 0:23:27 | |
a very large bottle of whisky, | 0:23:27 | 0:23:29 | |
a pair of card cases | 0:23:29 | 0:23:32 | |
and a pair of cast iron garden urns. | 0:23:32 | 0:23:35 | |
So, having gone head to head in the auction house, | 0:23:36 | 0:23:39 | |
James and Curtis are preparing themselves for the second part of the challenge, | 0:23:39 | 0:23:43 | |
which is to sell their items and make as much profit as possible for their charities. | 0:23:43 | 0:23:48 | |
Pretty much everyone that they try to do deals with | 0:23:48 | 0:23:50 | |
will be aware that they're on a mission to raise as much money as possible for charity. | 0:23:50 | 0:23:55 | |
And our experts will be doing everything in their power | 0:23:55 | 0:23:58 | |
to get the best possible prices for everything that they sell. | 0:23:58 | 0:24:02 | |
James and Curtis are working their way through their little black books | 0:24:02 | 0:24:06 | |
putting deals together on the phone and by e-mail. | 0:24:06 | 0:24:08 | |
They may even talk figures with potential buyers, | 0:24:08 | 0:24:11 | |
but until money has changed hands no deal is truly done. | 0:24:11 | 0:24:16 | |
With just five lots to sell, James knows that he has to work hard | 0:24:16 | 0:24:20 | |
with every single sale if he's going to win today's contest. | 0:24:20 | 0:24:24 | |
The sun might not have shone on him at the auction, | 0:24:24 | 0:24:27 | |
but he's hoping that a specialist walking cane dealer will put some profit in his pockets. | 0:24:27 | 0:24:32 | |
# I'm walking on sunshine | 0:24:32 | 0:24:34 | |
# Wo-oh | 0:24:34 | 0:24:36 | |
# And don't it feel good? Hey! All right... # | 0:24:36 | 0:24:40 | |
Dominic. | 0:24:40 | 0:24:42 | |
-Yes. -James Lewis, nice to see you. -Nice to meet you. | 0:24:42 | 0:24:44 | |
Hi. The thing that I loved about it was the handle. | 0:24:44 | 0:24:47 | |
-I thought it had the most wonderful colour. -Sure. | 0:24:47 | 0:24:49 | |
-And the malacca shaft seems in good order. -That's right. | 0:24:49 | 0:24:52 | |
-And it had a little silver collar, a silver ferial. -With a hallmark there. -Birmingham hallmarked for 1895. | 0:24:52 | 0:24:57 | |
-Right. -So I thought it was great. | 0:24:57 | 0:24:59 | |
I mean, it's... It's an earlier style I thought than 1895. | 0:24:59 | 0:25:03 | |
That's... That's probably right. | 0:25:03 | 0:25:05 | |
The hallmark will tell us for sure, but I think you might have some good news here | 0:25:05 | 0:25:10 | |
because although the hallmark tells us that date, | 0:25:10 | 0:25:13 | |
I... My instant feeling | 0:25:13 | 0:25:15 | |
is that actually the handle of this cane is earlier. | 0:25:15 | 0:25:19 | |
-It has an earlier style and feel, doesn't it? -It does. | 0:25:19 | 0:25:23 | |
Also, which is particularly obvious in this case, a fantastic patina. | 0:25:23 | 0:25:26 | |
-Yeah. -A really sort of rich colour | 0:25:26 | 0:25:28 | |
-which, frankly, only comes with age. -Yeah. | 0:25:28 | 0:25:30 | |
And so my instant feeling about this cane is, believe it or not, | 0:25:30 | 0:25:36 | |
it's probably something we call a marriage, | 0:25:36 | 0:25:39 | |
whereby this handle, I would guess, | 0:25:39 | 0:25:41 | |
would be considerably earlier than the shaft and collar. | 0:25:41 | 0:25:46 | |
What period do think it is? | 0:25:46 | 0:25:47 | |
Well, I think the handle really could be as early as 1720. | 0:25:47 | 0:25:53 | |
The dealer sounds interested in the walking cane, | 0:25:53 | 0:25:56 | |
but in order to make a profit James has to sell it for at least £150. | 0:25:58 | 0:26:02 | |
I was hoping for something like 300, 310, something like that. | 0:26:02 | 0:26:06 | |
I think we can afford to be more generous with you than that. | 0:26:06 | 0:26:08 | |
-I think it's probably worth a little bit more. -Oh, fantastic. -And, well... | 0:26:08 | 0:26:12 | |
Now that is unusual for a dealer. | 0:26:12 | 0:26:14 | |
Well, I, think it's probably... | 0:26:14 | 0:26:16 | |
You know, I'm happy to give you say 350 for that as, albeit a marriage, | 0:26:16 | 0:26:21 | |
it's got a lot of interesting things going for it. | 0:26:21 | 0:26:24 | |
-That is brilliant. You've got a deal. Thank you so much. -You're welcome. -Thank you. -You're very welcome. | 0:26:24 | 0:26:29 | |
Well, that's something you don't see every day - a dealer paying more than he was asked - | 0:26:29 | 0:26:33 | |
but he's paid what he thinks the cane is worth | 0:26:33 | 0:26:36 | |
and that's a real result for The Lionheart. | 0:26:36 | 0:26:38 | |
He's banked a fantastic profit of over £200. | 0:26:38 | 0:26:42 | |
There are two runners in today's race, though, and James' rival | 0:26:42 | 0:26:46 | |
is trying to sell an item that he thinks could lead him to victory. | 0:26:46 | 0:26:50 | |
This is one of my favourite pubs in Surrey and I know the owner, who's a friend, | 0:26:50 | 0:26:54 | |
has just refurbished it and is looking for a centrepiece. Let's hope this is the one. | 0:26:54 | 0:27:00 | |
It's a cunning plan, but Curtis not only needs to convince the landlord that he wants the map, | 0:27:00 | 0:27:04 | |
but also that he wants to pay more than the £115 purchase price. | 0:27:04 | 0:27:09 | |
-Well, there we are. -Well, Curtis. | 0:27:09 | 0:27:11 | |
-What do you think of that? -I absolutely love it. | 0:27:11 | 0:27:14 | |
I think it's a fantastic piece, but what is it? | 0:27:14 | 0:27:17 | |
Basically, if you went travelling in 1806 you've got to carry a map with you to find your way. | 0:27:17 | 0:27:23 | |
-Makes sense. -Of course. But you can't carry something | 0:27:23 | 0:27:26 | |
this size, so this would have been folded up and put in your pocket. | 0:27:26 | 0:27:29 | |
-I understand. -It's amazing that it's survived if you think about it | 0:27:29 | 0:27:33 | |
because it's been unfolded and folded, unfolded and folded, in all weathers for a long time. | 0:27:33 | 0:27:38 | |
I like it. | 0:27:38 | 0:27:39 | |
It's a very interesting piece to have in the pub. | 0:27:39 | 0:27:42 | |
I think the customers will like it, but it all boils down to money. | 0:27:42 | 0:27:46 | |
A map like this is going to come in at something like £500 to you. | 0:27:46 | 0:27:49 | |
-£500! -£500. | 0:27:49 | 0:27:50 | |
-Come on, Curtis, you've got to do me a deal. -What were you thinking of? | 0:27:50 | 0:27:54 | |
I'll be happy round about the 300 mark. | 0:27:54 | 0:27:57 | |
-You'll be breaking my arm at that sort of price. -It's a nice day, summer, come on, let's do business. | 0:27:57 | 0:28:02 | |
How about 400? | 0:28:02 | 0:28:04 | |
375 and we've got a deal. | 0:28:04 | 0:28:07 | |
Well, I can shake on 375. | 0:28:07 | 0:28:08 | |
To be fair, on a hot sunny day like today and the size of this I don't | 0:28:08 | 0:28:11 | |
-want to be walking with it, so 375. -Fantastic. -It's a deal. | 0:28:11 | 0:28:15 | |
Let's see the colour of your money. | 0:28:15 | 0:28:17 | |
Look, born shopper! Always carrying that sort of money. | 0:28:17 | 0:28:20 | |
Come prepared! | 0:28:20 | 0:28:21 | |
-Wow. -375. -Lovely. Thank you very much. | 0:28:21 | 0:28:24 | |
-I'll leave you with the map and I'm going in your lovely pub. -Thank you. | 0:28:24 | 0:28:28 | |
You not going to give me a hand? What am I going to do with this? | 0:28:28 | 0:28:31 | |
Take that, Mr Lewis! A £260 profit for the map is a fantastic result. | 0:28:31 | 0:28:39 | |
The Lionheart isn't afraid of a bit of competition though | 0:28:42 | 0:28:45 | |
and he's aiming to cash in on his cast iron garden urns. | 0:28:45 | 0:28:48 | |
He's had them delivered to a friend who, as it turns out, | 0:28:48 | 0:28:52 | |
isn't exactly bowled over by them. | 0:28:52 | 0:28:54 | |
-They're not big enough. They're really... You find... -OK. -Here's a challenge for you. | 0:28:54 | 0:28:58 | |
-OK. -You find somewhere that I think they look good in this garden, I'll buy them off you. | 0:28:58 | 0:29:02 | |
How about the bandstand? | 0:29:02 | 0:29:03 | |
Go stand them at the bandstand, let's have a look at them and then we'll take it further. | 0:29:03 | 0:29:08 | |
-OK, we'll give it a go. -All right, OK. | 0:29:08 | 0:29:10 | |
So, the urns aren't right for the terrace, but James is hoping | 0:29:10 | 0:29:13 | |
that moving them to the bandstand might help him seal the deal. | 0:29:13 | 0:29:17 | |
-What do you think? -Looking better, James, looking better. | 0:29:19 | 0:29:22 | |
-How much do you want for them? -They are 600 of your finest English pounds. | 0:29:22 | 0:29:27 | |
Your car's on the front, James, put them back in the boot! | 0:29:27 | 0:29:30 | |
Or...or we can go and sit in the house and negotiate. | 0:29:30 | 0:29:33 | |
-Let's go and do a deal. -All right. | 0:29:33 | 0:29:37 | |
Well, if you don't ask, you don't get. | 0:29:37 | 0:29:38 | |
And James is doing his best to maximise a profit from his garden urns. | 0:29:38 | 0:29:42 | |
On the Essex coast, Curtis is hoping to make a profit from his brass clock. | 0:29:45 | 0:29:50 | |
When the sun's shining, England's the best place to be. This is one of the best places in England to come. | 0:29:50 | 0:29:56 | |
This is Malden and behind me is the Jolly Sailor | 0:29:56 | 0:29:58 | |
and if I remember rightly, this pub has got a maritime collection already. | 0:29:58 | 0:30:02 | |
It doesn't guarantee they'll buy it, but we might be halfway there. Let's see. | 0:30:02 | 0:30:06 | |
Well, The Detective is a man with a plan, but he needs to sell the clock for at least £110 to make a profit. | 0:30:06 | 0:30:12 | |
-Hello, Alan, how are you? -Not bad. And yourself? | 0:30:12 | 0:30:16 | |
-Yeah, nice to see you. -Good. | 0:30:16 | 0:30:18 | |
-I was happy until I saw that big clock. -It's a whopper! -Yeah! I've got another one you might like. | 0:30:18 | 0:30:23 | |
-That'd be nice. -Shall we go in the sun? -Why not? -Let's have a look. | 0:30:23 | 0:30:26 | |
Now, I know you've got quite a lot of maritime memorabilia in the pub already, | 0:30:26 | 0:30:30 | |
but I was hoping this slightly different piece might complement what you've got. | 0:30:30 | 0:30:36 | |
Curtis is giving the publican the hard sell, but I suspect | 0:30:36 | 0:30:39 | |
he's far from a pushover, so there's work to be done yet. | 0:30:39 | 0:30:42 | |
In Derbyshire, his rival is trying to pocket £600 for his garden urns. | 0:30:42 | 0:30:47 | |
I admit the ones you've got in the garden are bigger, more impressive, but these are period. | 0:30:48 | 0:30:53 | |
-They're 150 years old and they're going to be here in another 150 years, you know? -I won't. | 0:30:53 | 0:30:58 | |
No, you won't, but your family will be, your generations will be and they're a better investment. | 0:30:58 | 0:31:03 | |
I'll give you £400 for them, James. | 0:31:03 | 0:31:05 | |
400 is just no good. It doesn't do anything for me. There's no profit there. | 0:31:05 | 0:31:09 | |
-So you want £600. -I want 600. | 0:31:09 | 0:31:12 | |
Well, just like his rival, Mr Lewis is giving it the hard sell | 0:31:12 | 0:31:15 | |
and we'll find out shortly whether he gets his price. | 0:31:15 | 0:31:19 | |
Curtis might not be asking as much for his brass clock | 0:31:19 | 0:31:22 | |
that cost him almost £110, but he's working hard to secure that sale. | 0:31:22 | 0:31:26 | |
I'd be looking at something like £250. | 0:31:26 | 0:31:31 | |
It's nice, but it's not £250 worth of clock. | 0:31:31 | 0:31:34 | |
OK, well, I guess the starting point is what it's worth to you. | 0:31:34 | 0:31:37 | |
Well, I suppose the sun's shining, | 0:31:37 | 0:31:42 | |
good offer, one and a half, £150. | 0:31:42 | 0:31:45 | |
It would have to be 200 I reckon to make it worth a deal. | 0:31:46 | 0:31:50 | |
It's a bit rich for me. | 0:31:50 | 0:31:51 | |
175. | 0:31:51 | 0:31:53 | |
Can we agree on 190? | 0:31:55 | 0:31:57 | |
-You're a hard man to do business with. -It's a deal. Fantastic. | 0:31:57 | 0:32:00 | |
The Detective is on top negotiating form | 0:32:00 | 0:32:04 | |
and nets just over £80 profit for the brass clock. | 0:32:04 | 0:32:08 | |
Another lovely day, a lovely place, a lovely pub, a lovely profit of 40%. | 0:32:08 | 0:32:15 | |
James, I'd bail out if I was you. | 0:32:15 | 0:32:17 | |
So, Curtis is a happy man, but in Derbyshire, his rival has got his price for the garden urns. | 0:32:18 | 0:32:24 | |
-£600. -£600. -Deal. -It's a deal, my friend. | 0:32:24 | 0:32:28 | |
James has managed to seal a deal for his garden urns, but there's bad news, too. | 0:32:28 | 0:32:33 | |
-I would have... I would have paid more. -You wouldn't! -I would. -You swine! | 0:32:33 | 0:32:38 | |
Well, the walking cane dealer paid a little extra earlier, | 0:32:38 | 0:32:42 | |
so James will just have to call that quits. | 0:32:42 | 0:32:44 | |
£600 gives him an excellent £232 profit | 0:32:44 | 0:32:48 | |
and with both our experts sealing deals | 0:32:48 | 0:32:51 | |
it's time to see who's on course for victory and who's staring defeat in the face. | 0:32:51 | 0:32:56 | |
Curtis "The Detective" Dowling has sold £565 worth of goods | 0:32:56 | 0:33:00 | |
and made just over £340 profit. | 0:33:00 | 0:33:04 | |
James "The Lionheart" Lewis, on the other hand, | 0:33:04 | 0:33:07 | |
has made sales totalling £950 and banked profits of just over £430. | 0:33:07 | 0:33:12 | |
With everything still to play for our experts are putting together deals on the phone and by e-mail, | 0:33:15 | 0:33:20 | |
but until they've shaken on it and got the money in their pockets no deal is truly sealed. | 0:33:20 | 0:33:27 | |
In Devon, Mr Dowling is hoping to sell his Lalique dish. | 0:33:28 | 0:33:32 | |
# Seemed like the real thing, only to find | 0:33:33 | 0:33:38 | |
# Mucho mistrust, love's gone behind... # | 0:33:38 | 0:33:40 | |
My favourite item. I'm sad, but I hope it sells. | 0:33:40 | 0:33:44 | |
-Hello, Dom! -Curtis, good to see you! -How are you? -Yeah, fine. Come in. -Thanks very much. | 0:33:45 | 0:33:50 | |
He fell in love with it at the auction, | 0:33:50 | 0:33:51 | |
but if he's to make a profit, he needs to sell the dish for more than £230. | 0:33:51 | 0:33:56 | |
-A Lalique coquille plate from 1926. -Gosh. | 0:33:56 | 0:34:02 | |
It is... It does look nice. | 0:34:02 | 0:34:04 | |
-It's a bit small, isn't it? -Well... | 0:34:04 | 0:34:06 | |
But I love the colours. | 0:34:06 | 0:34:08 | |
The coquille pattern was made in small bowls, small plates, large bowls, large plates | 0:34:08 | 0:34:14 | |
and Lalique has raced up in price, | 0:34:14 | 0:34:17 | |
certainly over the last 20 years, | 0:34:17 | 0:34:19 | |
as it's become harder and harder to collect pieces with absolutely no damage. | 0:34:19 | 0:34:23 | |
So, a very large plate like this I would have probably hesitated to bring you | 0:34:23 | 0:34:28 | |
because it's going to have four figures attached to it. | 0:34:28 | 0:34:31 | |
-It wouldn't have stopped ME buying it. -So what are you asking for this? | 0:34:31 | 0:34:35 | |
Well, you'll be pleased to hear it's only going to be about 260. | 0:34:35 | 0:34:38 | |
I mean, I'm in the more of 200, really. | 0:34:38 | 0:34:43 | |
200 is less than I paid for it. | 0:34:43 | 0:34:46 | |
I'm willing to give you 225. | 0:34:46 | 0:34:48 | |
-It's your last word? -Yeah. | 0:34:48 | 0:34:50 | |
OK. | 0:34:50 | 0:34:52 | |
-225 it's going to have to be. -Deal? -At least it's going to a fantastic home. | 0:34:52 | 0:34:56 | |
Well, it's a sale, but unfortunately for Curtis not a profit. | 0:34:57 | 0:35:01 | |
He sold the dish for £5 less than he paid for it, | 0:35:01 | 0:35:04 | |
but a small loss is better than a much bigger one if he hadn't managed to sell it. | 0:35:04 | 0:35:09 | |
However, he's not the only one with problems. | 0:35:09 | 0:35:12 | |
20 years of selling, approximately 2,000 auctions | 0:35:12 | 0:35:16 | |
and two million lots later, | 0:35:16 | 0:35:18 | |
you'd think that this auctioneer might just know what he was doing, | 0:35:18 | 0:35:22 | |
but, no, even an auctioneer with that experience can make a complete mess of things | 0:35:22 | 0:35:26 | |
and that is exactly what I've done. | 0:35:26 | 0:35:28 | |
I paid £25 for them, I reckon that's about £24.50 too much. | 0:35:28 | 0:35:33 | |
They have completely had it. From the front they look pretty good, but if we turn them over... | 0:35:33 | 0:35:39 | |
a big hole in the back there where the veneer's starting to come away. | 0:35:39 | 0:35:43 | |
You know, these are a nightmare to try and sell. | 0:35:43 | 0:35:46 | |
No dealer is going to touch those with a barge pole and, do you know, I don't blame them. | 0:35:46 | 0:35:51 | |
I don't know. I'm going to try every single shop that I know and I'm not going to give up, | 0:35:51 | 0:35:57 | |
I'm going to try my hardest and maybe there will still be a profit in them. | 0:35:57 | 0:36:01 | |
# Help! I need somebody, help... # | 0:36:01 | 0:36:05 | |
That's the spirit, James. Mr Lewis is going to try and sell his card cases on London's Portobello Road. | 0:36:05 | 0:36:10 | |
Not a chance. | 0:36:10 | 0:36:12 | |
Unfortunately for him, it looks like it could be easier said than done. | 0:36:12 | 0:36:16 | |
Not interested. | 0:36:16 | 0:36:17 | |
As The Lionheart tries to seal a deal though it seems that, | 0:36:17 | 0:36:20 | |
just like his rival, he's in danger of making a loss on one of his items. | 0:36:20 | 0:36:24 | |
This is becoming a bit of a habit. | 0:36:24 | 0:36:27 | |
After a dismal start to his quest, James finally finds a specialist dealer | 0:36:27 | 0:36:31 | |
who might be interested in his card cases. | 0:36:31 | 0:36:35 | |
I'm here to sell. | 0:36:35 | 0:36:36 | |
I have this wonderful pair of card cases, have a look. | 0:36:36 | 0:36:40 | |
Damaged card cases. | 0:36:40 | 0:36:41 | |
They are damaged, yes. | 0:36:41 | 0:36:43 | |
OK, I have to think what I could do with these. | 0:36:43 | 0:36:45 | |
I think these should be made into love tokens | 0:36:45 | 0:36:49 | |
and maybe a small poetry book inserted inside or a love poem. | 0:36:49 | 0:36:54 | |
How much do you want for these? | 0:36:54 | 0:36:56 | |
-So you are interested in them. -I feel sorry for them. | 0:36:56 | 0:36:59 | |
-OK. -I'd like to give them a new lease of life. I feel sorry for things. | 0:36:59 | 0:37:03 | |
The most I'd give you for these is 40 quid. | 0:37:03 | 0:37:06 | |
That's a start. How about 60? | 0:37:06 | 0:37:08 | |
45. | 0:37:08 | 0:37:09 | |
-£50 you've got a deal. -OK, go on. -Brilliant. I'm pleased about that! | 0:37:09 | 0:37:14 | |
Oh, that's a big relief for Mr Lewis. | 0:37:14 | 0:37:17 | |
They are damaged, but thanks to the dealer's idea of turning them into love tokens, | 0:37:17 | 0:37:23 | |
he's still banked a decent profit from the card cases. | 0:37:23 | 0:37:26 | |
With their reputations and hard-earned cash on the line | 0:37:26 | 0:37:30 | |
both our experts have been working flat out to sell their items | 0:37:30 | 0:37:33 | |
and bank as much money as possible. | 0:37:33 | 0:37:35 | |
# Money, money, money | 0:37:35 | 0:37:38 | |
# Must be funny | 0:37:38 | 0:37:40 | |
# In a rich man's world... # | 0:37:40 | 0:37:42 | |
-It's a deal. Let's see the colour of your money! -Deal. Thank you so much. | 0:37:42 | 0:37:46 | |
# Always sunny... # | 0:37:46 | 0:37:48 | |
It would need to be a tad more, I think, to close it. | 0:37:48 | 0:37:51 | |
Both our experts are determined to win today's contest | 0:37:51 | 0:37:54 | |
and Curtis has banked over £110 for the sale of his Galle vase | 0:37:54 | 0:37:59 | |
and just over £50 for the original Clemens Freitag oil painting. | 0:37:59 | 0:38:05 | |
Mr Dowling has sold all his items. | 0:38:05 | 0:38:08 | |
# It's a rich man's world!" | 0:38:08 | 0:38:10 | |
If James wants to win he has to make big profits from his glass whisky barrel | 0:38:10 | 0:38:14 | |
and large bottle of whisky. | 0:38:14 | 0:38:17 | |
He's in London to meet a whisky specialist. | 0:38:17 | 0:38:19 | |
It's make or break time for The Lionheart. | 0:38:19 | 0:38:22 | |
# Show me the way to go home | 0:38:22 | 0:38:25 | |
# I'm tired and I wanna go to bed | 0:38:27 | 0:38:30 | |
# I had a little drink... # | 0:38:30 | 0:38:32 | |
Yes, don't worry, Mr Lewis wouldn't jeopardise an important deal by arriving under the influence. | 0:38:32 | 0:38:37 | |
Time to get down to business. | 0:38:37 | 0:38:40 | |
James, this I'm familiar with, | 0:38:40 | 0:38:43 | |
a very large bottle of whisky. | 0:38:43 | 0:38:45 | |
I think eight pints in there, that's about, what? Six bottles, I think. | 0:38:45 | 0:38:49 | |
But when it comes to antique glassware I'm a little bemused, | 0:38:49 | 0:38:52 | |
so perhaps you can tell me a little bit more about this. | 0:38:52 | 0:38:55 | |
Yeah, absolutely. I mean, this is the thing that I thought was wonderful. | 0:38:55 | 0:38:59 | |
A really good interior decorator's piece, really. | 0:38:59 | 0:39:03 | |
I mean, when it was made, I should think made around 1890 to 1900, this was something that you'd have seen | 0:39:03 | 0:39:09 | |
on the bars of almost every Scottish pub. | 0:39:09 | 0:39:12 | |
They were designed to hold the water and they would be turned and the little tap would overhang the bar. | 0:39:12 | 0:39:19 | |
The barman would pour you a whisky and you'd top it up to however weak or strong you'd like it. | 0:39:19 | 0:39:25 | |
I think our customers would appreciate that and the history. | 0:39:25 | 0:39:27 | |
Now then, I know this is just a bottle of Bells, but it was the size! I think it's great! | 0:39:27 | 0:39:33 | |
Yes, it's a superb fun, isn't it? | 0:39:33 | 0:39:35 | |
Very impressive, particularly the embossing on the back of the label | 0:39:35 | 0:39:38 | |
OK, let's cut to the chase, James. How much do you want for them? | 0:39:38 | 0:39:41 | |
Collectively the two whisky items cost James £153 | 0:39:41 | 0:39:45 | |
and we'll find out very shortly if he was able to make a profit | 0:39:45 | 0:39:49 | |
and which of our antiques gladiators has emerged victorious because it's time to tot up the totals. | 0:39:49 | 0:39:55 | |
Both our experts were allowed to spend | 0:39:56 | 0:39:58 | |
up to £1,000 of their own money on antiques at auction. | 0:39:58 | 0:40:01 | |
Including commission, Curtis "The Detective" Dowling | 0:40:01 | 0:40:05 | |
bought five items and spent just under £750. | 0:40:05 | 0:40:09 | |
His rival, James "The Lionheart" Lewis | 0:40:10 | 0:40:13 | |
parted with almost £800. | 0:40:13 | 0:40:16 | |
Every penny of our experts' profits will be going to charity, | 0:40:18 | 0:40:21 | |
so without further ado it's time to reveal who is today's Put Your Money Where Your Mouth Is champion. | 0:40:21 | 0:40:27 | |
Detective Dowling, how are you? | 0:40:29 | 0:40:31 | |
-Mr Lewis, I'm very well. -Me, too. Me, too. -Here we are, results day! | 0:40:31 | 0:40:35 | |
-I feel like I'm doing my A-levels again. -What did you get in your A-levels? -I'm not telling. Not good! | 0:40:35 | 0:40:41 | |
Well, I got Ds, so I'm never nervous about this sort of thing. | 0:40:41 | 0:40:44 | |
Well, I mean, how did you find it? | 0:40:44 | 0:40:46 | |
-I'm afraid heart ruled head with this a little bit, so... I did well on a couple of items. -Yeah. | 0:40:46 | 0:40:52 | |
-Lalique bowl? -Yeah? | 0:40:52 | 0:40:54 | |
-No. -Gave it away. | 0:40:54 | 0:40:56 | |
Well, I'm better on the rostrum than in the auction room, buying. | 0:40:56 | 0:40:59 | |
-I'm not going to trade positions. -But you did pretty well, did you? | 0:40:59 | 0:41:03 | |
Yeah, the best thing was the malacca cane. It turned out to be pretty good, eventually. | 0:41:03 | 0:41:07 | |
-Wow! -Yeah, so... -Learning all the time. | 0:41:07 | 0:41:09 | |
-Absolutely. So shall we? -Are you ready? | 0:41:09 | 0:41:11 | |
-Go on, then. -One, two, three! | 0:41:11 | 0:41:14 | |
-Pipped at the post! -I thought that was 50,000 at one point! -How good would that be! | 0:41:15 | 0:41:20 | |
I'm glad to see the decimal point in there. Oh, dear! | 0:41:20 | 0:41:24 | |
Well, there's always another day. | 0:41:24 | 0:41:26 | |
-There is. -Congratulations. -Let's go and fight on. | 0:41:26 | 0:41:29 | |
So, it's a victory for James | 0:41:29 | 0:41:31 | |
and a fantastic deal on the two whisky items | 0:41:31 | 0:41:34 | |
helped him secure today's Put Your Money Where Your Mouth Is Crown. | 0:41:34 | 0:41:39 | |
How about 600 for the two? | 0:41:39 | 0:41:41 | |
I think, well, we're getting closer, James. | 0:41:41 | 0:41:44 | |
I think 550's about as far as I can go for the pair. | 0:41:44 | 0:41:48 | |
-Do you know, that shows me a profit and I'm happy with that. -Excellent. Thank you very much indeed. | 0:41:48 | 0:41:52 | |
-Well done. -Thank you. Brilliant. | 0:41:52 | 0:41:55 | |
£550 gave Mr Lewis a profit of almost £300 | 0:41:55 | 0:42:00 | |
and I think it's fair to say he's a happy, or perhaps a relieved, man. | 0:42:00 | 0:42:05 | |
Do you know, I really thought Curtis was going to win this one, | 0:42:05 | 0:42:08 | |
but if I can't win in an auction room where can I win? | 0:42:08 | 0:42:12 | |
I was a bit disappointed with this one because I actually thought I would win this. | 0:42:12 | 0:42:16 | |
James is an auctioneer so he really is a fish out of water for this. | 0:42:16 | 0:42:20 | |
I think the problem is my heart ruled my head on one of the items and that was my undoing. | 0:42:20 | 0:42:25 | |
Well, Curtis might have been a bit disappointed to lose, but both our experts have made | 0:42:25 | 0:42:30 | |
fabulous amounts of money and all their profits will be going to their chosen charities. | 0:42:30 | 0:42:34 | |
But on the positive side, I did manage to raise £500 for Disability Challengers. | 0:42:34 | 0:42:39 | |
They're a centre for parents with disabled children. | 0:42:39 | 0:42:42 | |
It's a respite for them so they've got somewhere the children can be dropped off. | 0:42:42 | 0:42:46 | |
And I'm absolutely honoured to be able to give £750 to Ace Africa. | 0:42:46 | 0:42:51 | |
James may have been triumphant today, but this clash of the antiques titans isn't over yet. | 0:42:51 | 0:42:57 | |
-Hello, Alan, how are you? -Tomorrow, Curtis will have the chance to strike back | 0:42:57 | 0:43:01 | |
as our experts go head-to-head once again at a car boot sale. | 0:43:01 | 0:43:04 | |
This, at an investment of £25, should show at least a 100% profit. | 0:43:06 | 0:43:12 | |
Lost, one very large man with a beard and a pinstripe suit. | 0:43:12 | 0:43:17 | |
There's certainly a lot of interest in America at this car boot sale, | 0:43:17 | 0:43:21 | |
but I have to say that's mainly the flags on the burger wagons. | 0:43:21 | 0:43:24 | |
£30,000, please. | 0:43:25 | 0:43:28 | |
Do you know, that's cheap for you! | 0:43:28 | 0:43:29 | |
Subtitles by Red Bee Media Ltd | 0:43:35 | 0:43:38 | |
E-mail [email protected] | 0:43:38 | 0:43:41 |