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This show pitches TV's best-loved antiques experts against | 0:00:02 | 0:00:06 | |
each other in an all-out battle for profit, and gives you the inside view on the secrets of the trade. | 0:00:06 | 0:00:13 | |
Coming up, our experts reveal how knowing the maths is crucial to success. | 0:00:13 | 0:00:18 | |
If I bought that for 420 euros, | 0:00:18 | 0:00:22 | |
I would lose approximately 250 euros. Bonsoir. | 0:00:22 | 0:00:27 | |
They show you exactly what to look out for when buying. | 0:00:27 | 0:00:30 | |
When an artist signs a bronze, he's very proud of that work, so that tells me that's very good quality. | 0:00:30 | 0:00:37 | |
And how the most important part of selling is keeping your cool under pressure. | 0:00:37 | 0:00:42 | |
Stop laughing, it's not that funny. | 0:00:42 | 0:00:45 | |
Today's epic duel of the dealers sees Charlie "The Charmer" Ross | 0:00:58 | 0:01:02 | |
take on "The Man From Morecambe", | 0:01:02 | 0:01:05 | |
Paul Hayes, to see who can make the biggest profit | 0:01:05 | 0:01:09 | |
from buying and selling antiques. | 0:01:09 | 0:01:11 | |
Yes, it's Oxfordshire's auctioneer smoothie... | 0:01:11 | 0:01:14 | |
If I sell it for three times the price, I'd come back here and take you out to dinner. | 0:01:14 | 0:01:18 | |
Versus Lancashire's blue-eyed antiques superman. | 0:01:18 | 0:01:22 | |
Quality, quality, quality. | 0:01:22 | 0:01:23 | |
That's what you're looking for. | 0:01:23 | 0:01:25 | |
They're risking their reputations and their own hard-earned cash | 0:01:25 | 0:01:28 | |
in a contest that will test their dealing know-how to the absolute limit. | 0:01:28 | 0:01:33 | |
Today's battleground is the Belgian capital Brussels, | 0:01:34 | 0:01:37 | |
where Charlie and Paul must unearth the most profitable bargains. | 0:01:37 | 0:01:42 | |
First at the city's celebrated fleamarket, | 0:01:42 | 0:01:44 | |
in the Place du Jeu de Balle, | 0:01:44 | 0:01:46 | |
and then amongst the more exclusive antique stalls of Le Sablon. | 0:01:46 | 0:01:50 | |
Our duelling duo have up to £750 worth of euros of their own money to spend. | 0:01:52 | 0:01:57 | |
Their mission is to make the most profit over a week of challenges, | 0:01:57 | 0:02:02 | |
all of which will go to their chosen charities. | 0:02:02 | 0:02:05 | |
As they head for their first buying location, | 0:02:05 | 0:02:08 | |
our two heroes turn their attention to what items they'll look for. | 0:02:08 | 0:02:12 | |
Charlie Ross and Paul Hayes, it's time to put your money where your mouth is. | 0:02:12 | 0:02:20 | |
When you get there, you'll be looking for what? | 0:02:20 | 0:02:22 | |
I'll be looking for anything related to the First World War. | 0:02:22 | 0:02:26 | |
Oh, right. Are you a historian? | 0:02:26 | 0:02:27 | |
I love all that sort of stuff and I think this was the major area in a major event. | 0:02:27 | 0:02:32 | |
I think there's every chance of finding something English, | 0:02:32 | 0:02:35 | |
and they might not even know it's English, it might be overlooked. | 0:02:35 | 0:02:40 | |
-We're here. -We're here. | 0:02:40 | 0:02:41 | |
Come on then. Merci, merci beaucoup. | 0:02:41 | 0:02:43 | |
Ah, look at this, Charlie. | 0:02:43 | 0:02:45 | |
Look at this. | 0:02:45 | 0:02:47 | |
And this is what our profit-seeking pair from Blighty are getting so excited about. | 0:02:47 | 0:02:51 | |
The morning market in the Place du Jeu de Balle, where 200 continental dealers | 0:02:51 | 0:02:56 | |
pitch up daily to peddle humungous heaps of antiques and collectables. | 0:02:56 | 0:03:03 | |
From the off, The Charmer's on his guard against flea market fakes. | 0:03:03 | 0:03:07 | |
It's funny, you see a bronze from 20 or 30 yards and you | 0:03:08 | 0:03:12 | |
think, "Yes, I've seen it!" and the closer you get to it, the quicker you realise that it's reproduction. | 0:03:12 | 0:03:18 | |
There's going to be a lot of that here. | 0:03:18 | 0:03:20 | |
There is indeed, Charlie, and the man from Morecambe could be about to prove your point. | 0:03:20 | 0:03:26 | |
Now this is really what you want to find, a long-lost Van Gogh, or something, isn't it? | 0:03:26 | 0:03:30 | |
Do you know, I've actually set out to find a Van Gogh painting and I've found one. | 0:03:30 | 0:03:35 | |
This is Van Gogh's Irises. | 0:03:35 | 0:03:37 | |
Now, believe it or not, this would be 20 million, 25 million probably, these days. | 0:03:37 | 0:03:43 | |
Finding the real deal here would be nothing short of a miracle. | 0:03:43 | 0:03:47 | |
Is our blue-eyed boy seriously thinking of taking a punt on this painting? | 0:03:47 | 0:03:52 | |
This is an honest copy for the simple reason that the gentleman who's painted it has done it as a study. | 0:03:52 | 0:03:57 | |
It's exactly like Van Gogh would have done, very well painted, | 0:03:57 | 0:04:01 | |
but he hasn't tried to fake it. | 0:04:01 | 0:04:02 | |
Sometimes you'll see they actually have the word Van Gogh on the bottom. | 0:04:02 | 0:04:06 | |
I'll tell you a funny story, my father was in the antique trade | 0:04:06 | 0:04:09 | |
before me and he was once offered a Van Gogh painting. The gentleman said "It's dead right, it's been signed!" | 0:04:09 | 0:04:14 | |
When he looked at the signature, it was signed Van Gogh, but G-O-F-F. | 0:04:14 | 0:04:19 | |
C'est combien, le Van Gogh? | 0:04:19 | 0:04:21 | |
1,000 euros. | 0:04:21 | 0:04:23 | |
1,000 euros. That's cheap. Cheap. How much, then? | 0:04:23 | 0:04:26 | |
-40 euros. -I'll tell you what, Paul, try haggling in French. | 0:04:26 | 0:04:30 | |
Dix euros. | 0:04:30 | 0:04:33 | |
-20's good. -20's good. | 0:04:33 | 0:04:35 | |
20 euro. Quinze. | 0:04:35 | 0:04:36 | |
Quinze, pour moi. | 0:04:36 | 0:04:39 | |
Yeah. OK. I think I'll buy that. | 0:04:39 | 0:04:40 | |
I think we just arranged, he asked me 1,000 euros for this, then he went down to 50 euros, | 0:04:40 | 0:04:45 | |
then I offered him a tenner and he said no, 20, then we settled on 15. | 0:04:45 | 0:04:49 | |
Well, a bizarre first purchase from the blue-eyed boy. | 0:04:49 | 0:04:53 | |
His strategy was to go for World War I memorabilia but he invests | 0:04:53 | 0:04:58 | |
in a repro Van Gogh for just under £14. | 0:04:58 | 0:05:01 | |
Still, he seems as pleased as punch. | 0:05:01 | 0:05:04 | |
Not a bad start, Charlie, eh? | 0:05:04 | 0:05:07 | |
I'm on my way to Sotheby's now to get it checked out. Merci. | 0:05:07 | 0:05:11 | |
Now, Charlie's strategy was to find English antiques to sell back | 0:05:11 | 0:05:15 | |
in Blighty, and he spent nearly an hour looking. | 0:05:15 | 0:05:19 | |
I refuse to bow to pressure and buy something perhaps even with a profit in it if it's modern, repro. | 0:05:19 | 0:05:26 | |
I don't want to be seen to be buying repro unless it's 12 o'clock tonight - in which case, I might have to. | 0:05:26 | 0:05:31 | |
And he does find something, but it's not English. | 0:05:31 | 0:05:35 | |
It's a Belgian prayer book. | 0:05:35 | 0:05:37 | |
Like his opponent, he's gone off strategy, but he won't care less if it turns a healthy profit. | 0:05:37 | 0:05:42 | |
Isn't that just beautiful? | 0:05:42 | 0:05:47 | |
If this gentleman would take ten euros for this. | 0:05:47 | 0:05:51 | |
Pardon, monsieur, dix euros? | 0:05:51 | 0:05:53 | |
-No. -No? | 0:05:53 | 0:05:56 | |
Vingt euro! | 0:05:56 | 0:05:58 | |
He will take 20, which is about £18. | 0:05:58 | 0:06:02 | |
You know the great thing, positive thinking from C Ross, frankly there's not a lot of downside. | 0:06:02 | 0:06:08 | |
If you pay £18 for something, you can only lose £18, can't you? | 0:06:08 | 0:06:14 | |
I think there's a slim profit in that, and it's about time I bought something. | 0:06:14 | 0:06:19 | |
Just over £18 for the little book, let's hope The Charmer doesn't need | 0:06:19 | 0:06:23 | |
divine intervention to raise a profit. | 0:06:23 | 0:06:26 | |
Our dealing duo have made one purchase each, neither of them on strategy, and this Belgian | 0:06:27 | 0:06:32 | |
bargain basement is throwing up one distraction after another, even if they're not original antiques. | 0:06:32 | 0:06:40 | |
OK. Now one thing I have spotted here is some beautiful art nouveau ewers. Look at that! Look at these two here. | 0:06:40 | 0:06:45 | |
Now, a ewer is for water or for claret. | 0:06:45 | 0:06:49 | |
The wonderful thing about art nouveau is it was a new art for a new century, 1900, | 0:06:49 | 0:06:53 | |
the inspiration was organic form, so you had these wonderful tendrils. | 0:06:53 | 0:06:57 | |
The whole thing looks alive, growing out of the weeds of a lily pond. | 0:06:57 | 0:07:01 | |
That's the whole idea. And Belgium was very famous for | 0:07:01 | 0:07:04 | |
art nouveau, lots of the buildings here had this style. | 0:07:04 | 0:07:07 | |
But if you're going to buy items like this, buy the original items. | 0:07:07 | 0:07:10 | |
You'll pay a lot more for them, but try and avoid reproduction. And I can tell straight away | 0:07:10 | 0:07:15 | |
by the quality of the casting here, it looks very poor, there isn't the | 0:07:15 | 0:07:19 | |
detail like you would find on the original art nouveau items. | 0:07:19 | 0:07:22 | |
The whole thing looks alive, looks very organic. | 0:07:22 | 0:07:25 | |
And then the ceramic looks not the best quality, but on the bottom here it really gives it away. | 0:07:25 | 0:07:29 | |
Made in the year anno 1906. | 0:07:29 | 0:07:31 | |
You would just never, ever find that sort of thing, the original yes, reproduction, no. | 0:07:31 | 0:07:36 | |
The Charmer is scrutinising this market like Hercule Poirot at a crime scene, | 0:07:36 | 0:07:41 | |
and it gets results. He discovers a case-cracking silver condiment set. | 0:07:41 | 0:07:48 | |
I have to say, these are as a good a pair of mustards as I have ever seen. | 0:07:48 | 0:07:54 | |
Smart houses, not like mine, but smart houses still have | 0:07:54 | 0:07:57 | |
these sort of things on their dining tables. | 0:07:57 | 0:07:59 | |
Now not being English, of course, I'm a little unsure as to the price, | 0:07:59 | 0:08:05 | |
but if these were English, | 0:08:05 | 0:08:08 | |
I think they would be certainly £300-400. | 0:08:08 | 0:08:12 | |
I'm in love with those. | 0:08:12 | 0:08:13 | |
So in love, in fact, that Charlie pays a whopping 120 euros for them, or just over £109. | 0:08:13 | 0:08:21 | |
That was a stroke of luck, wasn't it? | 0:08:21 | 0:08:23 | |
I've got two things in the bag, | 0:08:23 | 0:08:26 | |
and I think there's a profit in each of them. | 0:08:26 | 0:08:29 | |
All Paul's bought is his copy of Van Gogh's Irises, with as yet unknown profit potential. | 0:08:29 | 0:08:35 | |
The man from Morecambe needs to get his buying boots on. | 0:08:35 | 0:08:39 | |
Now then, there are some great postcards here. | 0:08:39 | 0:08:41 | |
This is exactly the sort of thing I wanted to buy, anything First World War related. | 0:08:41 | 0:08:45 | |
Let's have a look through this lot. | 0:08:45 | 0:08:47 | |
A few old buildings, and some old Belgian folk. | 0:08:47 | 0:08:51 | |
Interesting, but at one euro per card, a handful of these won't make too much of a dent in Paul's kitty. | 0:08:51 | 0:08:56 | |
Au revoir. That's great. There we are. So he's knocked me off a pound. | 0:08:56 | 0:09:00 | |
I did a good deal there, I bought four postcards, all related to the First World War. | 0:09:00 | 0:09:04 | |
We have the two ruins of Louvain, and then we have the | 0:09:04 | 0:09:08 | |
Belgian royal family at that time, so that's great, that fits in a nice little parcel of Belgian memorabilia. | 0:09:08 | 0:09:14 | |
With the discount, Paul pays just three euros or £2.73 | 0:09:14 | 0:09:18 | |
for his four postcards. | 0:09:18 | 0:09:21 | |
Paul is struggling to spend his dosh but Charlie's still hoping to spot | 0:09:21 | 0:09:25 | |
that genuine antique bargain to net him a whacking profit when he gets back to Blighty. | 0:09:25 | 0:09:32 | |
Is it old? Just possible it is. | 0:09:32 | 0:09:36 | |
Yeah. Unless that's the cleverest repro I've ever seen in my life. | 0:09:37 | 0:09:42 | |
Is this Dutch? Is this 18th century? | 0:09:42 | 0:09:45 | |
Is it Chinese 20th century? | 0:09:45 | 0:09:48 | |
Lack of knowledge is a wonderful thing. Should I gamble? | 0:09:48 | 0:09:52 | |
Depends how much money it is. | 0:09:52 | 0:09:53 | |
Looks like it's got age from the back. It's cracked and chipped, but of course, if it's 18th century, | 0:09:53 | 0:09:58 | |
wouldn't matter if it was cracked and chipped. | 0:09:58 | 0:10:01 | |
Well, you never know, Charlie, until you give it a go. | 0:10:01 | 0:10:03 | |
Bonjour, monsieur. Ca va? | 0:10:03 | 0:10:06 | |
Combien? Vingt. | 0:10:07 | 0:10:11 | |
20. If he'd take ten euros, I'd have a damn good stab at it. | 0:10:11 | 0:10:16 | |
-Dix euros, monsieur, pour moi? -OK. | 0:10:16 | 0:10:19 | |
He said yes, straightaway. | 0:10:19 | 0:10:21 | |
What a shame I didn't go in at five. | 0:10:21 | 0:10:23 | |
The charmer's gamble on the plate sets him back just over £9, | 0:10:23 | 0:10:27 | |
and it seems he could be a very lucky boy indeed. | 0:10:27 | 0:10:32 | |
I have just asked another gentleman down here and he said it's Tournai, which is near here. | 0:10:32 | 0:10:37 | |
He said it's 19th century so neither one thing or the other. I asked what it's worth, | 0:10:37 | 0:10:41 | |
He said "If you bought this for 75 euros, you did well." | 0:10:41 | 0:10:45 | |
And I bought it for ten. So I'm full of confidence. | 0:10:45 | 0:10:48 | |
And so you should be, Charlie. | 0:10:50 | 0:10:53 | |
So far you've managed to spend over £130, whilst your rival has struggled to spend even 20. | 0:10:53 | 0:10:59 | |
Paul's World War I strategy is bogged down in the trenches and with | 0:10:59 | 0:11:04 | |
time at this flea market running out fast, he's decided to go over the top in his quest for profit. | 0:11:04 | 0:11:09 | |
I've tried to walk past all this tribal art, and it's jumping out at me. | 0:11:09 | 0:11:15 | |
Obviously Belgium has a massive influence on Africa, | 0:11:15 | 0:11:18 | |
the Belgian Congo, and there are lots of original items | 0:11:18 | 0:11:21 | |
that were imported into Belgium well over 100 years ago. | 0:11:21 | 0:11:24 | |
Those artefacts can be priceless, literally. | 0:11:24 | 0:11:26 | |
The one that's taken my shine, actually, is this one here, | 0:11:26 | 0:11:30 | |
with all the lines on the face, which shows the grain of the wood. | 0:11:30 | 0:11:33 | |
And there was one of those sold in Christie's in New York for an enormous amount of money. | 0:11:33 | 0:11:38 | |
We were talking hundreds of thousands of pounds. | 0:11:38 | 0:11:41 | |
So I doubt, I think that's just a copy of that. | 0:11:41 | 0:11:43 | |
The Man From Morecambe's massive change of tack brings a change of luck. | 0:11:43 | 0:11:47 | |
Paul reckons he's struck African gold. | 0:11:47 | 0:11:50 | |
These items here look top, top quality. | 0:11:50 | 0:11:53 | |
This looks a different kettle of fish to what was over there, | 0:11:53 | 0:11:57 | |
and this middle one in particular I think is fantastic. | 0:11:57 | 0:12:00 | |
I think that's very visual, very striking. | 0:12:00 | 0:12:03 | |
This is the real, authentic McCoy, and it's not so much the grain | 0:12:03 | 0:12:07 | |
of the wood, it's the design, the artist has carved very, very delicately, very accurately. | 0:12:07 | 0:12:12 | |
Very visual. Anybody interested in interior design would | 0:12:12 | 0:12:15 | |
love it and it's very suitable for the British market. | 0:12:15 | 0:12:18 | |
Don't forget, people like Picasso were heavily inspired with tribal art and these wonderful shapes | 0:12:18 | 0:12:23 | |
and designs, even though they didn't understand the history, so I'll stick my neck out. | 0:12:23 | 0:12:27 | |
I'm going to buy this. | 0:12:27 | 0:12:29 | |
Paul is convinced that this African carving is top notch | 0:12:29 | 0:12:33 | |
and it better be, because it cost him just shy of £320. | 0:12:33 | 0:12:40 | |
In one fell swoop, The Man From Morecambe's flea market spending | 0:12:40 | 0:12:44 | |
storms past his rival's, but The Charmer's not finished yet. | 0:12:44 | 0:12:48 | |
Ooh, cranberry glass jug. | 0:12:48 | 0:12:51 | |
Is it modern? Is it old? | 0:12:51 | 0:12:55 | |
It's old. | 0:12:55 | 0:12:56 | |
People collect cranberry. | 0:12:56 | 0:12:58 | |
Charlie buys the cranberry jug for a low-risk ten euros, just over £9. | 0:12:58 | 0:13:05 | |
So, another stunning purchase by C Ross. | 0:13:05 | 0:13:10 | |
Not the best, but not the worst. | 0:13:10 | 0:13:13 | |
Well, after a shaky start at the flea market, our two Brits in Brussels are now brimming with | 0:13:13 | 0:13:19 | |
confidence, and they're boogieing on down to their next buying location. | 0:13:19 | 0:13:24 | |
Paul and Charlie each started the day with £750 worth of their own euros. | 0:13:27 | 0:13:33 | |
Paul has made three buys and spent just under £335, | 0:13:33 | 0:13:38 | |
leaving over £415 in his kitty. | 0:13:38 | 0:13:41 | |
Charlie has bought four items at the flea market but spent more modestly, | 0:13:41 | 0:13:47 | |
just over £145, so he's got more | 0:13:47 | 0:13:49 | |
than £600 still to play with, | 0:13:49 | 0:13:51 | |
but this Belgian buying bonanza is just beginning. | 0:13:51 | 0:13:56 | |
Our duelling dealers have got up to £750 worth of euros to spend | 0:13:57 | 0:14:01 | |
buying antiques in Brussels that they must then sell back in Blighty. | 0:14:01 | 0:14:06 | |
The stakes are about to get higher for our two Brussels battlers | 0:14:06 | 0:14:09 | |
as the contest moves to the premier antiques stall of Le Sablon. | 0:14:09 | 0:14:15 | |
All that hustle and bustle of the flea market is gone. | 0:14:15 | 0:14:19 | |
This is more a shopper's market, you have to be a bit more discerning when you're buying items here. | 0:14:19 | 0:14:24 | |
Finding the bargains in this place is a completely different kettle of fish. | 0:14:24 | 0:14:28 | |
I don't need to call the lady over. | 0:14:28 | 0:14:31 | |
Lo and behold, I have looked at the bottom. | 0:14:31 | 0:14:33 | |
420 euros. | 0:14:33 | 0:14:36 | |
If I bought that for 420 euros, | 0:14:36 | 0:14:39 | |
I would lose approximately 250 euros. | 0:14:39 | 0:14:44 | |
Bonsoir. | 0:14:44 | 0:14:45 | |
But The Man From Morecambe is off to a stunning start. | 0:14:47 | 0:14:51 | |
After some speedy reconnaissance, he's back on his wartime strategy before you can say "charge". | 0:14:51 | 0:14:57 | |
So I think these are really interesting, actually. We've got the medals to do with the First World War | 0:14:57 | 0:15:03 | |
and they're obviously presented to people in Belgium, so we're not going to find those in the UK. | 0:15:03 | 0:15:08 | |
And the lady's asked for ten euros each, and she said she'd do them | 0:15:08 | 0:15:12 | |
for 30 euros for the four, which is a reasonable price. | 0:15:12 | 0:15:16 | |
I like them. | 0:15:16 | 0:15:18 | |
Vingt-cinq? OK. Looks like I've bought them now. | 0:15:18 | 0:15:23 | |
That's 25 euros for four medals, | 0:15:23 | 0:15:26 | |
just under £23, but Paul's not entirely sure what he's bought. | 0:15:26 | 0:15:30 | |
Definite gamble. There could be a rare one amongst them. | 0:15:30 | 0:15:33 | |
I'm sure the collectors in the UK will really like them actually, so yes. | 0:15:33 | 0:15:38 | |
Merci beaucoup, madame. Merci beaucoup. | 0:15:38 | 0:15:40 | |
And Paul's on a proper Belgian roll, snapping up yet more local memorabilia from the same shop. | 0:15:40 | 0:15:47 | |
These are the Belgian royal family, starting from the 1930s, I should imagine. | 0:15:47 | 0:15:52 | |
They've been signed by the artist. Now, normally, | 0:15:52 | 0:15:55 | |
when an artist signs a bronze, he's very proud of that work, so that tells me that they're good quality. | 0:15:55 | 0:16:01 | |
The bronze plaques cost Paul | 0:16:01 | 0:16:03 | |
40 euros, just over £36, but who's | 0:16:03 | 0:16:06 | |
going to buy them from him back in the UK is another matter. | 0:16:06 | 0:16:10 | |
Now watch out, The Charmer's really hitting his stride and in a posh | 0:16:10 | 0:16:15 | |
antiques market in Belgium, he's found a posh silver spoon from England. | 0:16:15 | 0:16:20 | |
It can't be a sifter spoon, but it's something to do with fish. | 0:16:20 | 0:16:23 | |
-Anchovies. -Oh, for anchovies. -Yes. | 0:16:23 | 0:16:28 | |
An anchovy spoon. | 0:16:28 | 0:16:29 | |
Yes, the salt drips through the bottom. | 0:16:29 | 0:16:32 | |
I've never seen one, I don't think. | 0:16:32 | 0:16:34 | |
And it's one of your cheaper items, isn't it, my dear? | 0:16:34 | 0:16:38 | |
This is not, as they say, de trop. | 0:16:38 | 0:16:41 | |
-How much is it? -I think it's five euros. | 0:16:41 | 0:16:44 | |
-I'll make it 15. -You could do that for ten though, couldn't you? | 0:16:44 | 0:16:48 | |
-No. No. -Ten euros. | 0:16:48 | 0:16:50 | |
-No. -Why not? | 0:16:50 | 0:16:52 | |
I'm not saying it's a lot of money. | 0:16:52 | 0:16:54 | |
I have to make a profit. | 0:16:54 | 0:16:57 | |
You could sell it for three times the price. | 0:16:57 | 0:16:59 | |
If I sold it for three times the price I'd come back and take you out to dinner. | 0:16:59 | 0:17:02 | |
I'd love to pay ten euros for that. | 0:17:02 | 0:17:04 | |
Real money, real euros. | 0:17:04 | 0:17:06 | |
-All right. -You're a sweetie. | 0:17:06 | 0:17:09 | |
I've never seen an anchovy spoon. | 0:17:09 | 0:17:12 | |
And we've never seen more of a silver-tongued charmer than you, Mr Ross. | 0:17:12 | 0:17:16 | |
One English anchovy spoon, ten euros, just over £9. | 0:17:16 | 0:17:21 | |
So it really is possible to find bargains in the poshest antiques stall in town. | 0:17:21 | 0:17:27 | |
Good news for both our contenders, who are still loaded with euros. | 0:17:27 | 0:17:32 | |
With buying time ticking away, The Man From Morecambe's staying ultra-cool under pressure. | 0:17:32 | 0:17:38 | |
I've stuck to my guns here and I really | 0:17:38 | 0:17:40 | |
have gone for something that's local, that you can't buy in England, | 0:17:40 | 0:17:43 | |
and that's what I'm going to try and do. | 0:17:43 | 0:17:45 | |
I'm going to have five minutes to soak up the atmosphere and then have one final push. | 0:17:45 | 0:17:50 | |
I want to buy another couple of items if possible, but I'm quite pleased with what I've bought. | 0:17:50 | 0:17:54 | |
I don't know what you're doing, Charlie, but I'm doing all right, thanks. | 0:17:54 | 0:17:59 | |
With nearly £600 still in his pocket, Charlie is a man on a mission. | 0:17:59 | 0:18:05 | |
Ross is now beginning to think on his feet. | 0:18:06 | 0:18:10 | |
I saw the box. | 0:18:10 | 0:18:12 | |
Does look quality to me. | 0:18:12 | 0:18:14 | |
French. 19th century. | 0:18:14 | 0:18:17 | |
Thought, what do you do with a box? You open it up. | 0:18:17 | 0:18:19 | |
A gaming box. | 0:18:19 | 0:18:21 | |
Not unusual. Nice quality. | 0:18:21 | 0:18:23 | |
What you don't know is I've had a quick sneaky look already behind here at the price. | 0:18:23 | 0:18:29 | |
180. | 0:18:29 | 0:18:31 | |
And I asked the lady for her very best price | 0:18:31 | 0:18:35 | |
and she said 150. | 0:18:35 | 0:18:38 | |
I'm now going to have a go at 120. | 0:18:38 | 0:18:42 | |
And The Charmer gets the deal he's after. | 0:18:42 | 0:18:45 | |
120 euros for the games box, a shade over £118. | 0:18:45 | 0:18:50 | |
Now, Paul's plan was to find exotic Belgian antiques to bring back | 0:18:50 | 0:18:54 | |
to Blighty, so with the pressure on and a big bag of euros left, what does he find? | 0:18:54 | 0:19:00 | |
Well, a 100 bill from the American Civil War. Of course. | 0:19:00 | 0:19:06 | |
For you, 180. | 0:19:06 | 0:19:08 | |
-Very, very rare. -I know, I know, I know. -You see the date. | 0:19:10 | 0:19:14 | |
170. I'll have a go. | 0:19:14 | 0:19:16 | |
170. OK. We're done. Shall we shake? | 0:19:16 | 0:19:19 | |
-Thank you. We shake. -Thank you, sir. | 0:19:19 | 0:19:22 | |
170 euros for an obsolete 100 bill. | 0:19:22 | 0:19:26 | |
That's just under £155. | 0:19:26 | 0:19:30 | |
What a fantastic thing to have. I've never seen one like this, actually. | 0:19:30 | 0:19:33 | |
I've heard of them going, they can fetch a lot, | 0:19:33 | 0:19:36 | |
so what I need to do now is just research this exact type of note. | 0:19:36 | 0:19:40 | |
It was issued in Richmond in Virginia. | 0:19:40 | 0:19:43 | |
Let's hope it's a very rare one and earns us a few quid on top, | 0:19:43 | 0:19:46 | |
but for 170 euros, that's about £160, it's a complete gamble. | 0:19:46 | 0:19:52 | |
It sure is, partner. But at this stage of the game, a big risk | 0:19:52 | 0:19:56 | |
like that could prove an absolute corker in the profit stakes. | 0:19:56 | 0:19:59 | |
Little bit of Sorrento ware here. | 0:19:59 | 0:20:02 | |
Sorrento as in Italy. | 0:20:02 | 0:20:04 | |
Olive wood. And I do know an Italian who loves it. | 0:20:04 | 0:20:09 | |
But the mirror's not perfect, so the charmer is not convinced. | 0:20:09 | 0:20:12 | |
There's a piece missing here. | 0:20:12 | 0:20:15 | |
And there's a piece missing here. | 0:20:15 | 0:20:18 | |
-Combien, monsieur? -250. | 0:20:18 | 0:20:22 | |
HE GULPS | 0:20:22 | 0:20:24 | |
Could go to 180. | 0:20:24 | 0:20:27 | |
Cent soixante-quinze. That's 175. | 0:20:27 | 0:20:31 | |
-So you are very hard! -I am. I'm a horrible Englishman. | 0:20:31 | 0:20:35 | |
-Of course. -Cent soixante-quinze. | 0:20:35 | 0:20:38 | |
-I have to surrender. -Merci, monsieur. Merci. -You're welcome. | 0:20:38 | 0:20:42 | |
Well played, Charlie, but at just under £160, | 0:20:42 | 0:20:46 | |
the mirror is The Charmer's most expensive buy of the day. | 0:20:46 | 0:20:49 | |
The Man From Morecambe rounds off his Belgian campaign by emptying | 0:20:49 | 0:20:54 | |
his wallet on - guess what - another wallet, albeit a vintage leather one adorned with a gold crown. | 0:20:54 | 0:21:00 | |
60 euros, just under £55. | 0:21:00 | 0:21:04 | |
I'm really pleased with this. It has a solid gold coronet of a baron or perhaps somebody | 0:21:04 | 0:21:09 | |
of the royal family, but what a wonderful thing to have. | 0:21:09 | 0:21:12 | |
It's quality, quality, quality. | 0:21:12 | 0:21:14 | |
Just need to know a well-dressed gent who might fancy it. | 0:21:14 | 0:21:18 | |
Charlie Ross, look out, I think you might be buying this. | 0:21:18 | 0:21:21 | |
Oh, no, he won't. The Charmer has just got one thing on his mind as he makes his last-ditch bid for profit. | 0:21:21 | 0:21:27 | |
A chunk of classy glass, and one final haggle to get the best price. | 0:21:27 | 0:21:32 | |
Good name. Signed, as you would expect, | 0:21:32 | 0:21:39 | |
on the bottom there. | 0:21:39 | 0:21:40 | |
-Combien? -Cent-vingt-cinq. | 0:21:42 | 0:21:45 | |
Cent...vingt...cinq. | 0:21:45 | 0:21:47 | |
-125. -125. | 0:21:47 | 0:21:50 | |
-What about quatre-vingt? -Quatre-vingt-cinq. | 0:21:50 | 0:21:54 | |
Quatre-vingt-cinq. | 0:21:54 | 0:21:56 | |
I said, "What about 80?" He said 85. | 0:21:56 | 0:21:58 | |
I said I haven't got a clue what I'm talking about | 0:21:58 | 0:22:01 | |
but I'm going to buy it because I always like one gamble. | 0:22:01 | 0:22:04 | |
Merci, monsieur. Quatre-vingt-cinq. | 0:22:04 | 0:22:06 | |
I hope I can get more, but who knows? | 0:22:06 | 0:22:10 | |
85 euros for the vase, just over £77. | 0:22:10 | 0:22:14 | |
And that's it in Belgium for our brave battlers from Blighty. | 0:22:14 | 0:22:18 | |
So how does their day's spending compare? | 0:22:18 | 0:22:22 | |
They both arrived with £750 worth of their own euros in their pockets. | 0:22:22 | 0:22:27 | |
Paul made seven buys and spent a grand total of just under £603. | 0:22:27 | 0:22:33 | |
Charlie made eight buys and spent a bit less, at just over £509, | 0:22:33 | 0:22:38 | |
but it's the profit they make back home that really counts. | 0:22:38 | 0:22:41 | |
And before they go their separate ways to sell, our brave boys seize | 0:22:41 | 0:22:44 | |
the chance to take a sneaky peak at each other's wares. | 0:22:44 | 0:22:48 | |
It's been a long day. | 0:22:48 | 0:22:50 | |
It's been a tiring day, and what have you bought? | 0:22:50 | 0:22:53 | |
Well, do you know what, I've bought a bit of tribal art, a Songhai mask, 1920, 1930. | 0:22:53 | 0:22:57 | |
I've took a gamble on that but if that's right, Charlie, that is a fantastic collector's item. | 0:22:57 | 0:23:04 | |
-I took a real chance on that one. -How do you tell a right one from a wrong one? -There we are! | 0:23:04 | 0:23:08 | |
THEY LAUGH What have you been buying? | 0:23:08 | 0:23:11 | |
-Well, I told you I would spend some money on something English. -There we are. | 0:23:11 | 0:23:15 | |
A Victorian cranberry glass jug. | 0:23:15 | 0:23:17 | |
Ten euros. What's your next lot? | 0:23:17 | 0:23:19 | |
I bought an original Van Gogh painting. Do you like that? | 0:23:19 | 0:23:23 | |
-No. -Let's skip that. -Is that Van Gogh? | 0:23:23 | 0:23:25 | |
That's not Van Gogh, that's more Darren Gough. | 0:23:25 | 0:23:28 | |
It is, yes. It's his brother. | 0:23:28 | 0:23:29 | |
Do you know what, our work here is done, we've bought our items, now we need to sell them. | 0:23:29 | 0:23:34 | |
Good luck, Charlie. | 0:23:34 | 0:23:35 | |
Do you know anybody who wants to buy a Van Gogh painting? 25 quid to you. | 0:23:35 | 0:23:40 | |
Now, Charlie and Paul must make as much profit as they can | 0:23:40 | 0:23:42 | |
on all the items they've bought to donate to their chosen charities. | 0:23:42 | 0:23:46 | |
As well as the African mask and his painting, Paul must sell a selection of old postcards, | 0:23:46 | 0:23:54 | |
four World War I medals, two bronze plaques of the Belgian royal family, | 0:23:54 | 0:23:58 | |
a Confederate bank note, and this vintage leather wallet. | 0:23:58 | 0:24:04 | |
And in addition to his cranberry jug, Charlie must sell a small prayer book, | 0:24:04 | 0:24:08 | |
two silver mustard dishes, a china plate, a silver anchovy spoon, | 0:24:08 | 0:24:14 | |
a wooden games box, a Sorrento mirror and a Val St Lambert vase. | 0:24:14 | 0:24:21 | |
With the final whistle blown on their Belgian buying blitz, our two antique superstars have | 0:24:24 | 0:24:28 | |
returned home to Blighty where they now face the second phase of this monumental challenge, the selling. | 0:24:28 | 0:24:36 | |
I'm back. | 0:24:36 | 0:24:39 | |
Both Paul and Charlie have built up an exceptional list of contacts in the antiques industry, so | 0:24:39 | 0:24:45 | |
outdoing their opponent is going to demand something truly spectacular. | 0:24:45 | 0:24:49 | |
And both these old pros know that no deal is truly sealed | 0:24:49 | 0:24:52 | |
until they've shaken on it and the money has changed hands. | 0:24:52 | 0:24:56 | |
Paul Hayes is already powering his way down to London, | 0:24:56 | 0:24:59 | |
but this seasoned dealer isn't expecting to find the streets paved with gold. | 0:24:59 | 0:25:06 | |
Selling the items is a lot harder than you think. | 0:25:07 | 0:25:09 | |
Little tip here actually, phone somebody up first. | 0:25:09 | 0:25:12 | |
The phone was a fantastic invention. It's over 100 years old now. | 0:25:12 | 0:25:15 | |
Just by saying hello to somebody, finding a contact name to deal with, | 0:25:15 | 0:25:19 | |
you get through to the right department, someone looks out | 0:25:19 | 0:25:22 | |
for your e-mail, send them a photo of what you've got, hopefully the deal's done. | 0:25:22 | 0:25:26 | |
Good tip, Paul, but upriver in the county of Oxfordshire, The Charmer | 0:25:26 | 0:25:31 | |
has a little tip of his own for Mr Morecambe. | 0:25:31 | 0:25:35 | |
My call has been forwarded. | 0:25:35 | 0:25:37 | |
Here we go. | 0:25:37 | 0:25:39 | |
Ah, Mr Hayes, good morning. I'm sorry to ring you at nine o'clock. | 0:25:39 | 0:25:43 | |
I suppose you're still in bed. | 0:25:43 | 0:25:45 | |
My strategy, in a nutshell, is to give you an absolute thrashing. | 0:25:45 | 0:25:53 | |
Not so charming now, are we, Charlie? | 0:25:55 | 0:25:59 | |
While Paul has dashed south to try and make some cash in the capital, | 0:25:59 | 0:26:02 | |
a confident Charlie is kicking off his selling campaign closer to home. | 0:26:02 | 0:26:06 | |
He's popped over to the village of Woburn where he hopes his Val St Lambert vase... | 0:26:06 | 0:26:12 | |
Yohan! | 0:26:12 | 0:26:13 | |
..will tempt this specialist dealer. | 0:26:13 | 0:26:17 | |
That's a lump. | 0:26:17 | 0:26:19 | |
-A lump. That's not a very sexy way of describing it. -It's a nice lump. | 0:26:19 | 0:26:23 | |
It's signed. | 0:26:23 | 0:26:24 | |
And as far as I can tell, about 1960 in date. | 0:26:24 | 0:26:28 | |
I would think so, yes. | 0:26:28 | 0:26:29 | |
Can we find a spot for it, do you think? | 0:26:29 | 0:26:31 | |
-Yeah. -Yohan is clearly interested. | 0:26:31 | 0:26:35 | |
Now Charlie wants to reel him in by getting him to give the vase pride of place in his shop. | 0:26:35 | 0:26:41 | |
What do you think, then? | 0:26:41 | 0:26:44 | |
Cutting to the chase, are you going to pay me 250 quid for it? | 0:26:44 | 0:26:49 | |
How about 150? | 0:26:49 | 0:26:51 | |
Well, it's a bit more than half, isn't it, I suppose? | 0:26:51 | 0:26:55 | |
I tell you what, would you give me 200 quid for it? | 0:26:55 | 0:26:57 | |
-I will. -Shake on it. I think that's very fair. | 0:26:57 | 0:27:01 | |
Yes. I bet you do, Charmer. | 0:27:01 | 0:27:02 | |
That is a sensational start, and Charlie more than doubles his money on the Belgian glass. | 0:27:02 | 0:27:08 | |
In London, Paul's route to profit is more convoluted. | 0:27:08 | 0:27:12 | |
Of all his Belgian buys, his Congolese mask was his favourite, and he's set up a meeting with Tony, | 0:27:12 | 0:27:18 | |
an expert in tribal art, who he hopes will be able to confirm this striking piece is the real deal. | 0:27:18 | 0:27:25 | |
You don't see something like this every day, do you? | 0:27:25 | 0:27:28 | |
You don't see them as big as that. | 0:27:28 | 0:27:30 | |
-Got that bit right. -I was out in Belgium, at an antique fair. | 0:27:30 | 0:27:33 | |
I was trying to buy something Belgique. | 0:27:33 | 0:27:35 | |
They have a big connection with the Belgian Congo and I was chatting to this wonderful gentleman | 0:27:35 | 0:27:40 | |
and he told me this was the Songhai tribe, and he reckoned it dated around the 1930s. | 0:27:40 | 0:27:45 | |
He'd got it off an old collector. | 0:27:45 | 0:27:47 | |
And I've found a bit more information on the internet, | 0:27:47 | 0:27:50 | |
but what can you tell me? That's as far as I've got. | 0:27:50 | 0:27:52 | |
You're right. It is Belgian Congo. | 0:27:52 | 0:27:54 | |
-This is symbolic of the labyrinth of life. -Right, OK, right. | 0:27:54 | 0:27:59 | |
And this is the labyrinth they have to walk when they become adults. | 0:27:59 | 0:28:04 | |
-So that's like initiation rites, sort of thing. -Sort of. -Fantastic. | 0:28:04 | 0:28:08 | |
And I think it's as old as he says, if not older, because it's been | 0:28:08 | 0:28:11 | |
-repaired and they're old repairs. -So how do you know this is an original? | 0:28:11 | 0:28:15 | |
A tourist piece would be made of different wood. | 0:28:15 | 0:28:18 | |
It certainly wouldn't be faked, it would just be a reproduction with a new look, | 0:28:18 | 0:28:22 | |
-probably one of the heavier woods. This is quite light. -OK. | 0:28:22 | 0:28:25 | |
And all these earth colours ground in like this, that doesn't happen instantly. | 0:28:25 | 0:28:32 | |
So almost like a piece of furniture, the patination. | 0:28:32 | 0:28:35 | |
Exactly. The patina is what you're buying. | 0:28:35 | 0:28:37 | |
Can I let you into a secret there? | 0:28:37 | 0:28:39 | |
-Yes. -Before I brought it I was going to give it a polish. | 0:28:39 | 0:28:42 | |
You must never do that. I would have said it was reproduction! | 0:28:42 | 0:28:46 | |
I took a complete gamble on this. | 0:28:46 | 0:28:48 | |
I really liked it. It jumped out at me. | 0:28:48 | 0:28:51 | |
I've paid 350 for it. | 0:28:51 | 0:28:53 | |
Now could you envisage me getting a small profit on that? | 0:28:53 | 0:28:57 | |
-How would you rate it? -That was euros? -Yeah. | 0:28:57 | 0:29:01 | |
I think if you sold it with us, you would get a profit. | 0:29:01 | 0:29:05 | |
-Fantastic. -I wouldn't like to commit myself cos, to tell you the truth, | 0:29:05 | 0:29:09 | |
the stronger market is in New York, but our market, having once gone down, is now coming up again. | 0:29:09 | 0:29:16 | |
I'd be more than happy with that. | 0:29:16 | 0:29:18 | |
It's nice to find an original item, that's the important thing. | 0:29:18 | 0:29:21 | |
It's very nice and quite rare. | 0:29:21 | 0:29:22 | |
-And you'd be happy to handle it for us? -Love to. | 0:29:22 | 0:29:24 | |
That's excellent news for The Man From Morecambe, but Tony | 0:29:24 | 0:29:27 | |
was careful to point out that there are never any guarantees at auction, and an experienced dealer like Paul | 0:29:27 | 0:29:34 | |
won't be counting his profits until he sees the cold, hard cash. | 0:29:34 | 0:29:38 | |
Charlie is also going the extra mile for profit and he's hoping to sell | 0:29:38 | 0:29:42 | |
his Sorrento mirror to a buyer in Italy. | 0:29:42 | 0:29:44 | |
The Charmer has arranged to meet with Barry, his buyer's English-speaking representative. | 0:29:44 | 0:29:50 | |
But with first-class linguistic skills like Charlie's, an interpreter was hardly necessary. | 0:29:50 | 0:29:56 | |
HE SPEAKS ITALIAN | 0:29:58 | 0:30:00 | |
-TRANSLATES: -How are you? Well? | 0:30:00 | 0:30:01 | |
SPEAKS ITALIAN | 0:30:01 | 0:30:03 | |
Lost me. | 0:30:04 | 0:30:06 | |
I think he's going to the bathroom. | 0:30:06 | 0:30:08 | |
Hang on a moment, what are you saying to him? | 0:30:11 | 0:30:13 | |
-You are talking about this, aren't you? -I am talking about this. | 0:30:13 | 0:30:16 | |
-Quanto costa? -That means how much? | 0:30:16 | 0:30:19 | |
-Si. -Trecento... What's pounds? -Sterline. -Trecento sterline. | 0:30:19 | 0:30:26 | |
-Duecento. -Try 250. | 0:30:26 | 0:30:29 | |
SPEAKS ITALIAN | 0:30:29 | 0:30:32 | |
200, Charlie, he said. That's it. | 0:30:32 | 0:30:35 | |
-220 would be good. -Si. | 0:30:35 | 0:30:37 | |
£210. | 0:30:38 | 0:30:40 | |
-Oh...OK, 210. -Si, Paolo. Va bene. -Va bene. £210. | 0:30:40 | 0:30:47 | |
It's a profit. | 0:30:47 | 0:30:48 | |
Oh, dear, looks like that Italian job didn't quite pay you what you wanted, Charlie, | 0:30:48 | 0:30:53 | |
but £50 profit plus change ain't bad in any language. | 0:30:53 | 0:30:57 | |
Now, Paul's strategy in Brussels was to buy items that were quintessentially Belgian, | 0:30:57 | 0:31:01 | |
hoping they'd have a rarity value back home in the UK. | 0:31:01 | 0:31:04 | |
Now he's arranged to meet Peter, a specialist online dealer in militaria | 0:31:04 | 0:31:10 | |
who he's hoping will be tempted by his two Belgian bronze plaques and his four World War I medals. | 0:31:10 | 0:31:16 | |
If you had said to me, I have bought four First World War Belgian | 0:31:17 | 0:31:22 | |
-military medals, I could have told you, I bet you bought that one, that one and that one. -Really? | 0:31:22 | 0:31:27 | |
Let's go to this one which is awarded for the people who were on the River Yser. | 0:31:27 | 0:31:32 | |
You can see here it says Yser. | 0:31:32 | 0:31:34 | |
That's the river where the Belgians stopped the Germans. | 0:31:34 | 0:31:38 | |
So on 17th October 1914, the full might of the German Imperial Army | 0:31:38 | 0:31:45 | |
smashed into gallant little Belgium | 0:31:45 | 0:31:48 | |
and the Belgians fought like fury | 0:31:48 | 0:31:52 | |
and they held up the entire German Imperial Army. | 0:31:52 | 0:31:57 | |
Those 17 days that they held the Germans meant that | 0:31:57 | 0:32:00 | |
the British and the French could prepare their defences. | 0:32:00 | 0:32:03 | |
So when the Germans did break through, they could hold them on the Marne, | 0:32:03 | 0:32:07 | |
they kept them out of Paris, and eventually, of course, the war was won. | 0:32:07 | 0:32:12 | |
But because so many were issued, it's only worth actually about £15-£20. | 0:32:12 | 0:32:17 | |
-OK. -And because I have lots of clients worldwide, I can probably get a better price than | 0:32:17 | 0:32:24 | |
most other people, so we're talking about perhaps £15, | 0:32:24 | 0:32:28 | |
-another 15, that's 30, plus ten is 40. -40... | 0:32:28 | 0:32:31 | |
And we'll be generous on this one and say 55. | 0:32:31 | 0:32:34 | |
-Say 55 all in. -55 all in. | 0:32:34 | 0:32:36 | |
-Is that all right? Shall we shake on that? -No. -Not yet, right. 55. | 0:32:36 | 0:32:39 | |
-Because I want to come to these. -OK. | 0:32:39 | 0:32:42 | |
-They're not my field. -No. | 0:32:42 | 0:32:44 | |
-But I love them. -Right. | 0:32:44 | 0:32:45 | |
And sometimes that's the great thing about collecting because | 0:32:45 | 0:32:49 | |
the problem when you're a dealer is you're always first a collector, second a dealer, | 0:32:49 | 0:32:52 | |
so using my head on this, | 0:32:52 | 0:32:54 | |
my heart on that, I'm arriving at £80 for the lot. | 0:32:54 | 0:32:57 | |
You couldn't make it £90 by any chance, could you? | 0:32:57 | 0:33:00 | |
-I know I'm being very mean. -Done. | 0:33:00 | 0:33:02 | |
-Done. Excellent. Thank you very much. -Thank you very much. | 0:33:02 | 0:33:05 | |
That's a smart bit of dealing from Paul. | 0:33:06 | 0:33:08 | |
By taking a slight loss on the two bronze plaques of just £1.50, | 0:33:08 | 0:33:12 | |
he lands a solid profit on his First World War medals of just over £32. | 0:33:12 | 0:33:19 | |
But that wouldn't be enough to impress our Charles | 0:33:19 | 0:33:22 | |
who is fair to say is feeling pretty good about himself. | 0:33:22 | 0:33:26 | |
Is this the Charles Ross guide to selling? No. | 0:33:26 | 0:33:30 | |
It's the Charles Atlas guide to selling. | 0:33:30 | 0:33:34 | |
# Yeah! | 0:33:34 | 0:33:35 | |
# I got something that makes me want to shout | 0:33:35 | 0:33:38 | |
# Jump back, I want to kiss myself | 0:33:38 | 0:33:40 | |
# I've got soul | 0:33:41 | 0:33:43 | |
# And I'm superbad... # | 0:33:45 | 0:33:47 | |
Yes, Charlie "hot stuff" Ross is clearly pumped up for this challenge and having promised | 0:33:47 | 0:33:52 | |
his opponent a damn good thrashing, the charmer is keen to keep selling. | 0:33:52 | 0:33:56 | |
He's come to Banbury, convinced that he can flog his anchovy spoon... | 0:33:57 | 0:34:01 | |
Knock, knock! | 0:34:01 | 0:34:02 | |
..to the owner of a catering company. | 0:34:02 | 0:34:05 | |
So what do you think of this delicious object? | 0:34:05 | 0:34:08 | |
I'd never use it in a million years. | 0:34:08 | 0:34:11 | |
Oh, not quite so chipper now then, Charlie. | 0:34:11 | 0:34:14 | |
Stop laughing. It's not that funny. | 0:34:14 | 0:34:17 | |
Oh, he's not happy and his mood didn't improve much when he finally | 0:34:17 | 0:34:21 | |
did find a buyer for the spoon | 0:34:21 | 0:34:23 | |
because he only managed a profit of just under £3 for it. | 0:34:23 | 0:34:28 | |
As for Paul, he seems to have pinched Charlie's chutzpah | 0:34:28 | 0:34:31 | |
following his selling strategy to a T, he finds a specialist dealer | 0:34:31 | 0:34:35 | |
in rare banknotes in London | 0:34:35 | 0:34:36 | |
who's happy to pay him £200 for his 100 Confederate banknote. | 0:34:36 | 0:34:40 | |
And our boy also discovers | 0:34:40 | 0:34:42 | |
that some of us might be sitting on a pretty profit of our own. | 0:34:42 | 0:34:47 | |
One of the most common notes of England can be one of the best. | 0:34:47 | 0:34:52 | |
-Really. -And the secret lies in what we call the prefix letter. -OK. | 0:34:52 | 0:34:57 | |
Now, this is a very common pound note | 0:34:57 | 0:35:00 | |
which many people have at home | 0:35:00 | 0:35:03 | |
but if this has MN there... | 0:35:03 | 0:35:07 | |
-So MN instead of the letters DY. -I'll pay you £1,000. -Really? | 0:35:07 | 0:35:12 | |
This is something that if you've got one of these at home in the tin, check it just in case. | 0:35:12 | 0:35:17 | |
Now then, I know Charlie Ross will think that I'm still a bit wet behind the ears | 0:35:19 | 0:35:23 | |
but where there's muck there's brass and I tell you something, I've just exchanged one quite scruffy | 0:35:23 | 0:35:28 | |
American banknote for ten pristine condition English £20 notes and that sounds like a deal to me. | 0:35:28 | 0:35:36 | |
Nicely done, Paul, but remember it doesn't pay to get too carried away. Just ask Charlie. | 0:35:36 | 0:35:41 | |
It's been a busy start to this selling campaign. | 0:35:41 | 0:35:46 | |
So far, the charmer has sold £422 worth of Brussels booty, | 0:35:46 | 0:35:52 | |
banking over £176 in profit. | 0:35:52 | 0:35:55 | |
The man from Morecambe has sold just £290 worth of items, | 0:35:56 | 0:36:01 | |
netting him a profit of just over £76. | 0:36:01 | 0:36:05 | |
But with Paul's African mask waiting to go under the hammer in London, | 0:36:05 | 0:36:09 | |
today's contest could still go either way. | 0:36:09 | 0:36:12 | |
Back on form, it's the charmer who strikes next, | 0:36:15 | 0:36:18 | |
making just under £41 profit | 0:36:18 | 0:36:19 | |
when he sells his cranberry jug to a private collector in Buckingham. | 0:36:19 | 0:36:23 | |
Can you stretch to a nifty 50? | 0:36:23 | 0:36:26 | |
-I think so. -Yeah. -Yeah. | 0:36:26 | 0:36:28 | |
Give me a kiss. | 0:36:28 | 0:36:29 | |
So Paul needs a big sale and he needs it fast. | 0:36:29 | 0:36:34 | |
Why he's wandering around Isleworth in West London | 0:36:34 | 0:36:36 | |
with an unsigned copy of van Gogh's Irises will surely soon be revealed. | 0:36:36 | 0:36:41 | |
Now don't panic, fellow citizens of Morecambe, | 0:36:41 | 0:36:44 | |
I haven't come to rent a property in Isleworth in London. | 0:36:44 | 0:36:47 | |
I've come to pay homage to one of the greatest painters that ever lived | 0:36:47 | 0:36:51 | |
and I cannot believe that none other than Vincent van Gogh lived here | 0:36:51 | 0:36:55 | |
in 1876 and there's his blue plaque. | 0:36:55 | 0:36:58 | |
Now, apparently, he found religion, he taught English and the Bible from this very premises here. | 0:36:58 | 0:37:03 | |
So I'm here to try and sell my homage to van Gogh's Irises | 0:37:03 | 0:37:07 | |
and I found a gentleman who likes flowers that lives in well, almost van Gogh's hometown, Isleworth. | 0:37:07 | 0:37:13 | |
If there were prizes for sheer effort, this contest | 0:37:13 | 0:37:16 | |
would already be in the bag for the man from Morecambe. | 0:37:16 | 0:37:19 | |
Unfortunately, no such luck, but our boy has located a local florist who might be interested in his painting. | 0:37:19 | 0:37:27 | |
What would you intend to do with it, cos obviously you've got flowers? | 0:37:27 | 0:37:30 | |
We're having our shop redone in a few months' time | 0:37:30 | 0:37:32 | |
so I want to kind of separate the flowers out into colours, and irises are blue... | 0:37:32 | 0:37:37 | |
that can go nicely with the blue section of flowers. | 0:37:37 | 0:37:41 | |
That'll go well. What do you want for it then, Paul? | 0:37:41 | 0:37:44 | |
I actually bought this out in Belgium. I was hoping for around the 50 quid mark. | 0:37:44 | 0:37:47 | |
-I don't know how you feel about that? -I was thinking more like, I don't know, sort of | 0:37:47 | 0:37:52 | |
round about the 30, 35 mark, in between somewhere in between there. | 0:37:52 | 0:37:55 | |
-You couldn't go to 40, could you? -I could do 37. How about that? | 0:37:55 | 0:37:59 | |
-37. -Yeah. What do you reckon? | 0:37:59 | 0:38:02 | |
-OK. -Yeah. -Shall we shake on it, then? -Let's shake on it, yeah. There we go. | 0:38:02 | 0:38:06 | |
Thank you very much for that. That's fantastic. | 0:38:06 | 0:38:08 | |
A good deal for Paul, selling his painting | 0:38:08 | 0:38:11 | |
for just under three times what he paid for it in Belgium. | 0:38:11 | 0:38:14 | |
But Charlie is still well ahead | 0:38:14 | 0:38:16 | |
and so it looks like the African mask that Paul splashed out nearly half his Belgian budget on, | 0:38:16 | 0:38:22 | |
is becoming more and more vital to his chances of victory. | 0:38:22 | 0:38:25 | |
In Buckinghamshire, the Charlie Ross offensive continues to gather steam. | 0:38:25 | 0:38:31 | |
He's aiming to sell the 19th-century porcelain plate that he paid just under £10 for in Belgium, | 0:38:31 | 0:38:36 | |
but private collector Paul is no shrinking violet when it comes to haggling it out. | 0:38:36 | 0:38:41 | |
-100 quid. -That's far too much. | 0:38:42 | 0:38:45 | |
Come on. How about 50? | 0:38:45 | 0:38:47 | |
I did start high because I knew you would murder me on the price. 80. | 0:38:47 | 0:38:52 | |
50 seems fair to me. | 0:38:52 | 0:38:54 | |
How about 55? 70? | 0:38:54 | 0:38:56 | |
60. Last bid. | 0:38:56 | 0:38:58 | |
Don't believe you. | 0:38:58 | 0:39:00 | |
65. | 0:39:00 | 0:39:02 | |
Take two and a half. | 0:39:02 | 0:39:05 | |
£62.50. | 0:39:05 | 0:39:07 | |
Yeah. | 0:39:08 | 0:39:09 | |
And that is more than six times what Charlie paid | 0:39:09 | 0:39:13 | |
for the plate in Belgium. | 0:39:13 | 0:39:15 | |
And he adds to his rapidly swelling profit pot | 0:39:15 | 0:39:17 | |
by selling his Belgium prayer book to an Oxfordshire book collector | 0:39:17 | 0:39:22 | |
for a profit of nearly £12. | 0:39:22 | 0:39:23 | |
Paul is left disappointed when a trip to Bath to sell his leather wallet to a vintage clothes shop | 0:39:27 | 0:39:32 | |
fails to deliver the profit he was hoping for. | 0:39:32 | 0:39:36 | |
Ah, so there you are. Life is a learning curve, isn't it? | 0:39:36 | 0:39:39 | |
I really went out on a limb to buy that fantastic wallet. | 0:39:39 | 0:39:42 | |
I wasn't sure how much it was worth but I really put my money where my mouth is. | 0:39:42 | 0:39:47 | |
I've taken it here to a specialist in gentlemen's accessories in leather goods. She really liked it, too. | 0:39:47 | 0:39:52 | |
She had the feel for it. | 0:39:52 | 0:39:53 | |
I got my nose bloodied a little bit. | 0:39:53 | 0:39:56 | |
I didn't quite make a massive profit on it. | 0:39:56 | 0:39:58 | |
I didn't make a loss either and that's very, very important so I'm very happy, Imran's very happy. | 0:39:58 | 0:40:03 | |
I'm out on the deal. How are you getting on, Charlie? | 0:40:03 | 0:40:06 | |
Well, he's doing rather well, Paul, and seems more than content | 0:40:06 | 0:40:10 | |
with a spicy little profit of over £50 on his silver mustards. | 0:40:10 | 0:40:15 | |
I'll bring them along to the cricket on Saturday and bring your cheque book. | 0:40:15 | 0:40:20 | |
Paul makes a good mark-up | 0:40:20 | 0:40:22 | |
on his postcards featuring images of King Albert I of Belgium, | 0:40:22 | 0:40:26 | |
but if the man from Morecambe is to wrestle victory from the charmer's clutches, | 0:40:26 | 0:40:29 | |
then it all comes down to this early 20th-century Congolese mask and this phone call... | 0:40:29 | 0:40:36 | |
-Hello, Paul, how are you, you all right? -'..to find out how much it made at auction.' | 0:40:36 | 0:40:40 | |
We'll find out shortly. | 0:40:40 | 0:40:43 | |
Our dealing duo had £750 worth of euros to spend in Belgium. | 0:40:43 | 0:40:49 | |
Paul parted with just over £600 in his quest for profit, | 0:40:49 | 0:40:53 | |
whilst opponent Charlie was more cautious in his spending, | 0:40:53 | 0:40:56 | |
risking just under £510. | 0:40:56 | 0:40:59 | |
All the profit our dealers make from their Brussels bonanza will be going | 0:41:01 | 0:41:05 | |
to the charities of their choice, so without further ado, | 0:41:05 | 0:41:08 | |
let's find out who's made the most cash and who is today's Put Your Money Where Your Mouth Is champion. | 0:41:08 | 0:41:16 | |
-Bonjour, Charles. -Bonjour Monsieur Morecambe. | 0:41:16 | 0:41:18 | |
-Ca va? -Bien, merci. | 0:41:18 | 0:41:21 | |
-How was it for you? -I really, really enjoyed myself. | 0:41:21 | 0:41:25 | |
I thought the trip to Belgium was amazing, Brussels itself... | 0:41:25 | 0:41:28 | |
-How did you get on with that mask? -Not all gambles paid off but I stuck to my guns and I bought | 0:41:28 | 0:41:33 | |
something you definitely can't buy here in the UK. You, on the other hand, bought a lot of English stuff. | 0:41:33 | 0:41:38 | |
Well, I didn't buy a lot but I bought a cranberry glass jug which was unusual to find in Brussels. | 0:41:38 | 0:41:42 | |
-Certainly was. How did you get on? -Well, I shall show you. -Shall we find out? -I'll count down. -OK. Ready. | 0:41:42 | 0:41:47 | |
Three. Two. One. | 0:41:47 | 0:41:50 | |
Absolutely. Look at that. | 0:41:50 | 0:41:53 | |
That is a whopper. | 0:41:53 | 0:41:54 | |
How do you say disaster in French? | 0:41:54 | 0:41:57 | |
Hard luck. | 0:41:57 | 0:41:59 | |
Yes, the charmer is triumphant. | 0:41:59 | 0:42:02 | |
And why? Well, firstly because the wooden games box | 0:42:02 | 0:42:05 | |
delivered him a substantial profit of just under £110 | 0:42:05 | 0:42:09 | |
at a local auction house. | 0:42:09 | 0:42:10 | |
But more importantly, because Paul's mask didn't quite do the business. | 0:42:10 | 0:42:15 | |
Just one bidder, that was it. | 0:42:15 | 0:42:17 | |
Paul's loss of just under £9 on the mask sealed his fate | 0:42:17 | 0:42:20 | |
in today's antiques dealing face-off. | 0:42:20 | 0:42:23 | |
And Charlie the charmer Ross is victorious. | 0:42:23 | 0:42:27 | |
Good profits for my charity. | 0:42:27 | 0:42:29 | |
Tiny ones for Mr Morecambe. | 0:42:29 | 0:42:31 | |
Don't count your chickens yet, Charlie. | 0:42:31 | 0:42:33 | |
There are still more challenges to come before your profit can be banked. | 0:42:33 | 0:42:38 | |
I made a good bit of profit for my charity. Not quite as much as Charlie Ross | 0:42:38 | 0:42:42 | |
but you pay your money, you take your chance. | 0:42:42 | 0:42:44 | |
Yes. A truer word was never spoken, Paul. | 0:42:44 | 0:42:46 | |
Tomorrow, the man from Morecambe gets his chance to strike back... | 0:42:46 | 0:42:50 | |
-I want to go over there. -I want to go over there, too. -Race you. | 0:42:50 | 0:42:53 | |
..as our two ANTICS maestros go head to head again at a top UK antiques market. | 0:42:53 | 0:42:59 | |
Subtitles by Red Bee Media Ltd | 0:43:21 | 0:43:24 |